DANIELLE BAROZINSKY
ADVANCED DESIGN PORTFOLIO
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Danielle Barozinsky Advanced Design Portfolio School of Architecture and Community Design University of South Florida 2017 Contact: dbarozinsky@mail.usf.edu
TABLE OF CONTENTS
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ADVANCED DESIGN WORKS 7
Advance Design C
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Advance Design D
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Advance Design B
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Advance Design A
ELECTIVE PROJECTS 91
Tropical Architecture
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ADVANCED DESIGN C
St. Petersburg, Florida
Spring 2016
COMMUNITY CENTERED HEALING SPACES SPECIALIZED PROGRAMS SHARED GARDEN
PROJECT:
FAITH HOUSE FL ST. PETERSBURG, FL SITE PHOTOS AND INFORMATION
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SITE INFORMATION Located in St. Petersburg, FL near the Tropicana Field, Faith House Florida is an existing living facility that provides the vital link between expensive treatment and successful independent living for homeless individuals who suffer from chronic chemical addiction, those leaving the prison system and reintegrating back into the community. The overarching goal of this collaboration with Faith House is to produce a number of proposals for the development and integration of the FHF grounds in St. Petersburg. The proposed master planning and community regeneration strategies will set the precedent for the next 10-20 years and will give ideas of how FHF can utilize their campus and how to expand or reuse what is already there. Ideas also include how to integrate their programs into the community and how to engage with areas surrounding the campus.
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“A safe place for them to come and heal, an opportunity.” - Rebecca Russell-Gootee, FHF Director Conceptual sections were created to generate ideas of what makes a place for living in relation to the occupants of Faith House. Reflecting on some of the programs already initiated by the volunteers at Faith House, spaces are dedicated for groups to play music together for lessons or as a show. More private spaces are created to allow people to read in natural lighting and away from the busyness of the main programmed rooms. The spaces are all connected with the kitchen and dwell around the eating spaces because of the Faith House garden’s significance to the healing of people through agricultural practices and fresh meals.
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BRINGING THE GARDEN INTO THE HOME
The garden plays a key role in the lives of Faith House and the St. Pete Community. The fresh vegetables, chicken eggs, herbs and fruit are brought into the kitchen or stored in the outdoor storage sheds and used for meals or selling in the community. Sheds offer space for storage and animal occupancy while also directing rainwater to the garden. A window in the rear of the kitchen opens a connection between the alley and the kitchen so that people passing by can see the work happening inside. Security along the alley would be enhanced by this feature. 1 Common Room of women’s wing 2 Indoor Kitchen 3 Garden Plots 4 Storage Sheds and Chicken Coops
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COMMUNITY CENTERED HEALING SPACES
Entry from community into workspace area and dining. First 1 Common gathering space open to either gender floor contains private offices for staff and counseling and large rooms provide space for group meetings such as AA. The sec- 2 Bedroom of Women’s Wing (22’x12’ to sleep 4 people) ond floor includes living spaces and common rooms. The overhead connection between the two wings offers a common space 3 Common room of men’s wing for any gender to occupy and is open to the main entrance. 4 Open concept space for workshops, classes and individual workspace 5 Main entrance from street to lobby
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COMMUNITY CENTERED EDUCATION AND HEALTH
The north park invites the community to learn gardening 1 GREENHOUSE Cafe skills from the residents through hands-on educated classes. The crops grown are used for the cafe and selling to the 2 Classroom Pavilion community, restaurants and food trucks . This engagement brings the residents and the community into a healthy and 3 Charging station Pavilion learning environment. Across the street (south of 4th Ave.) installed nodes will activate human interaction through work and play. Large areas are dedicated for food truck parking and pavilions provide extra shade while connecting these nodes of interest. Both places allow for day markets or festivals at night. More engagement with the community provides an element of safety for pedestrians and bus riders who pass through.
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RESIDENTIAL INVOLVEMENT
COMMUNITY ENGAGEMENT Faith House on it’s own wouldn’t allow for proper healing of the individuals who live there. The master planning and community regeneration strategies engage with the pressing number of setbacks individuals experiencing homelessness and controlled substance abuse face.
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Faith House Florida
MASTER PLAN
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Activities Lawn
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Front Entrance and Gardens
Indoor Kitchen
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Stairway to Women’s Wing and Classroom Space
Women’s Wing Bedroom
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Men’s Common Room
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MATERIAL USE FLOOR PLANS
The process of choosing the materials for the Faith House 1 Nightime elevation of the front of propsed Faith House proposal involved looking for materials with sturdiness and multi-purpose use. The exterior is made of a white 2 Daytime elevation of the front of proposed Faith House concrete for private rooms, aluminum for semi-public spaces, and a polycarbonate window system for shared 3 Section cut showing upstairs library, downstairs spaces. The polycarbonate provides privacy, a sturdiclassroom, non-gender specific common room, men’s ness stronger than glass, a slight opaqueness to create a common room, large gathering space at the front, and glowing effect at night, and sliding doors to allow natural garden space. ventilation. The floorplans have a specific shape that was influenced by the need for security. All angles are either thirty or sixty degrees and give views to the bus stop and the outdoor shared spaces so that there are no unsafe and hidden areas nearby. Also included in the Faith House proposal is a living facility for the veterans who live in FH. Their building is separate to provide a space specific to their needs and to give a sense of veteran identity.
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FINAL DESIGN INHABITING HEALTH
Designing a well-lit, spacious and safe living facility that created space for rehabilitation through outdoor activities, aromatic gardens, gardening and the arts was one of the most important goals through this collaboration. The design includes reusing old bricks for garden walls and using sturdy and transparent materials for the building, All movements made intentional for the purpose of healing and permanance.
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ADVANCED DESIGN D
Aberdeen, Scotland
Summer 2016
PROJECT:
COLLABORATIVE URBAN PATH ABERDEEN, SCOTLAND SITE PHOTOS AND INFORMATION
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CASTLEGATE Castlegate in Aberdeen is known for its large gathering space for local markets, national and historical events, and a place for Holiday celebrations. It is also the gateway to Regent Quay and Footdee and acts as the elbowconnection of Union and King Street. At one point in time, roads had cut through Castle gate, but eventually the entire area became pedestrian only. Castlegate has a few restaurants, hotels, apartment homes and general stores along the perimeter, but pedestrian activity here is low.
MARISCHAL STREET
REGENT QUAY
Marischal Street is used as a convenient corridor connecting the city-center to the harbor with 2 lanes dedicated to cars and a lane for street parking. A few shops, a single pub and a couple hair salons occupy the storefronts of this street alongside of apartment homes. The mid-point of Marischal Street is an overpass of Virginia Street that includes stair access to the lower level. Walking down Marischal Street takes less than 5 minutes for the average person.
Regent Quay is currently a heavily industrialized area committed to the Harbour and commercial activity of Aberdeen’s oil industry. It does not welcome pedestrians nor have accessibility for people to see the water.
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PROCESS GENERATING
SPATIAL IDEAS
Our project crafted urban development concepts considering the cultural and built heritage within the Scottish landscape. Our proposal generates spatial ideas for a number of areas within the City of Aberdeen. Before returning home, USF students held a progress review at the council’s town hall, hosting over 50 guests from different members within the planning and development team. The design collaboration was an 11 week process. Results included a master plan for proposed areas, street sections and renderings. Partner: USF SACD + MUCD Student Joshua Frank.
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CASTLEGATE
We programmed flexible plaza space to encourage an interchanging core for the city; this way Aberdonians can host events from local craft brewery festivals to a watch party for the Euro Games on a temporary lawn. Establishing a pedestrian hierarchy through the square also provides more fluid transitions during events and will allow people to access Marischal Street without crossing a roadway.
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MARISCHAL STREET
To create a distinct and historically important connection between Castlegate and the waterfront at Regent Quay, Marischal Street would become car-restricted to provide a safe and attractive street with signature pubs, the “Four Corners” that represent Aberdee, Grab-and-Go options, storefront opportunities, pop-up food cars and elevated platforms for level grounding. The streen would then be recognized as “Aberdeen in a Street” serving locals and tourists.
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REGENT QUAY
From Regent Quay, visitors and locals are led to a waterfront that is home to outdoor concerts, playgrounds for kids, a Beer Hall and Craft Distillery, gathering places for lunch breaks, and a Children’s Green Center. With a focus on contemporary design and green energy, the Regent Quay waterfront design can inhabit a portion of the harbour while working with the harbour to share certain areas and days so that both can benefit the city with an active waterfront.
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REGENT QUAY BEER HALL AND DISTILLERY
As a dedication to the craft of Scottish Whiskey, the Beer Hall and Craft Distillery creates an educational and warm atmosphere between the harbour and the city-center. Becoming the new anchor and head establishment for whiskey and beer in Aberdeen, it becomes a place to gather in small intimate settings where people can learn about the distillery process or where large groups have a place to enjoy the comfort of the indoors while playing games or listening to live bands.
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ADVANCED DESIGN B Tampa, Florida
Fall 2016
PROJECT:
TAMPA MARINE MART PORT OF TAMPA, FL SITE PHOTOS AND INFORMATION
Photo Credit: http://internationalship.com/ 50
PROGRAM Located in Downtown Tampa’s major port, the Tampa Marine Mart includes the design of a large, open, multi-story space for the display and sale of boats of various types, retail space (indoor mall) for marine related recreational items (racing, fishing, skiing, scuba diving, clothing , etc), and a 12-15 story, office tower for marine related professionals and businesses, with a 5-star, roof top restaurant.
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APPROACHING THE WATER
SKETCH MODELS The building design began with the concept of how waves crash and form new ones. In the same way, the facades of the buildings begin to do the same to each other and the entire site while also creating visual connections across the water that spans the inside of the entire site. Converting an industrial port into the new location for a major boat display also means framing the water for people driving by, and creating grand openings from street-level as pedestrians enter the site from Channelside or the parking garage (located just south of the site).
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Floor Plans Continued
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NORTH FACING RENDERING
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SOUTH FACING RENDERING
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THE CHANNELSIDE EXPERIENCE
B O A T D I S P L AY
The design scheme for this project pushes for grand spaces like the insides of ships, light reflections like boats on the water at night, and controlled lighting and views to give the effect of floating buildings. The openness of the ground allows for the space to be used fluidly even when there is not a boating event. Falling on the north end of Tampa’s Riverwalk, this site would become the new anchor for people to visit.
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FLOATING SPACES AND LIGHT REFLECTIONS
RETAIL AND OFFICE TOWER The main design goals for the retail center and office tower were to follow the shapes created from the original concept and to control lighting that entered the building during the day and left the building at night. Each space was designed to accommodate large retail shops programmed specifically to the water activities on site and related to boats. This way, shoppers could stop by the retail for major items. The first floor of the retail center is a continuous strip of windows so the building appears to float at night and the lighting will reflect on the water like the lighting off a boat at night. The office tower also has dedicated doubleheighted space that inside would create a larger shared space for companies occupying the building, but also to create a nighttime effect where the “large cut-outs� will be seen. The 5-star restaurant is surrounded by the same glass panels that span the building facade, and while open to the sky, protect the people from strong winds.
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FAMILIAR SPACES
BOAT DISPLAY The boat display is a two-part building that spans the northern area of the site, connected by two elevated walkways. These walkways allow people to see the boats from a higher point of view as well as various views of the hanging boats on display. They also lead people out to view the water and walk along the outside of the building like walking along the side of a sailboat. The vast void between the two buildings give the effect of walking between two large ships but do not obstruct the view of the inside. By constricting the windows to the pedestrian level, the grandness of the space is amplified if experienced from the inside. This way, the boat display is not only for those wanting to purchase a boat, but offers an experience enjoyable to anyone visiting. If a person continues to walk, they’ll enter the pause space where the floor drops a foot and the walls come up on both sides to resemble standing in a dry dock.
Ground level changes allow standing at the water
Pause in walkway feels like standing in dry dock 65
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ADVANCED DESIGN A Tokyo, Japan
Spring 2017
PROJECT:
INHABITING THE INTERSTICE TOKYO, JAPAN SITE PHOTOS AND INFORMATION
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UENO As world populations grow and migrate to urban centers space will become more and more precious. Japan has faced the challenge of accommodating large populations in relatively limited areas for most of its modern history and the Japanese have been innovative in their varied approaches to utilizing marginal space that is left unused or becomes an eyesore or a hazard in many other cultures. 03Proces studio focuses on efficient use of space and the re-evaluation of marginalized urban space. Students will travel to Japan where they will experience and study Japanese use of space in architecture, urban environments, infrastructure and transportation and apply that study to a series of design investigations.�
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FAMILIAR SPACES
SECTION STUDY A familiar space is often met with one’s greatest memories. The previous pages contain diagrams that originated from found objects spread onto a table, photographed and traced through an abstract composition. These became the single-occupancy spaces for our narrative through plan and sectional schemes. The memories come into play when the occupant has reason to move one place to the other, because he or she knows where they are going or what they are looking for. These familiar spaces, filled with memories of people or objects develop over time, and through the abstract sections and section models, we create a new narrative.
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INTERSTITIAL SPACE IN
FIGURE GROUND
These diagrams are based off of a specific area in Tokyo in large neighborhood known as Ueno. Ueno has its own train station, hundreds of small shops aligning the underparts of the train rails, residential, Ueno Park, and scattered businesses and cafes. The purpose of these diagrams is to explore the interstice of a real site. Through a series of line patterns, color usage, transparency, boldness and shapes, like in the previous project, a new narrative is created within the realm of the interstice, which is currently made of up streets, alleyways and the creavases between buildings. This is done before any official programming.
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INTERSTITIAL SPACE IN
FIGURE GROUND
The process of exploring the site in a threedimensional way begins by taking the figure ground diagrams created and weaving through the interstice with linear elements and planes so that new spaces can be created. From there the scale can be applied as new forms are placed and informed by the existing surroundings..
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EXPLORING LAYERS
VERTICAL INTERSTICE 1 Section Drawings explore the several layers of the city of Tokyo: the underground for transportation, the street-level for major transportation and pedestrian traffic, and the several levels above that are created mostly of shops and cafes and include space for pedestrian traffic. 2 This multi-layered city is expressed through abstract sections which is then transformed into a three-dimensional section model where the layers can be pulled and manipulated for new programming, but still reflect the realms of the existing layers. 3 The practice of drawing gentle gestures, like that of the ones in Japanese artwork and paintings, are used to influence the way new plans are drawn and explored.
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FLIGHT OF GENTLENESS PROGRAMMING INTERSTICE
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SOUND OF SURROUNDINGS BOTANICAL GARDENS AND AVIARY
The final design phase included occupying the spaces created through throughout the process. These spaces are designed to allow the occupant to see their surroundings beyond the program so that one still is aware of being in Japan. The site is a place with little programming but heavy foot traffic, meaning the program demands specific attention that currently does not exist. Once entered through the northwest, the pedestrian will come upon the botanical gardens. They fall under the elevated office spaces and become the underground entrance for the rest of the site. From this point, a person could cross the street either underground or on street level to enter the aviary (seen in section below). The aviary allows people to view the birds inside the aviary from multiple levels which then creates access to the theatre or to the underground library depending on how you move through the space.
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1 Botanical gardens and office space above 2 The underground has openings that connect the occupant to the activity above, but is more strongly connected by the bookshare system in which book shelves (turquoise stripe) touch the ground of the underground and extend up past street level 3 Entered through the underground space or street-level is the art gallery which would occupy only the first level of the current building and would showcase art pieces from the Tokyo National Museum in Ueno Park
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TROPICAL ARCHITECTURE Sarasota, Florida
Summer 2017
TWO ELEMENTS UNITY OF SPACES TROPICAL CLIMATE WIND AND LIGHT CONTROL The first design phase began with exploring natrual air flow in climate conditions and how perforated brick has been used in these conditions. Taking into consideration the orientation and location of the site by the water, a majority of the time, the wind will be entering the site from the southwest (through the front of the house). The goal was to use simple building elements and design to create the maximum open space for air to flow through the entire first floor of the home while also keeping it enclosed.
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PERFORATED BRICKS LIGHT PATTERNS CONNECTION
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FLOOR PLANS
The floor plans show the continuous space on the first floor. The wind should enter through the southwest corner and travel out through the wall that corners the pool and the east rotating windows to the right of the dining area. There are two sets of stairs. One set on the west that connects the main first floor spaces to the upstairs office space and bedrooms. This one floats above the indoor garden and allows for tall tropical and indoor plants to grow inside where it will receive partial sun . The second stair is a private stair accessed by the main entrance and used for the master bedroom upstairs.
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The final design for the house celebrates the use of perforated brick through the area where wind will enter most often. The shell of the house allows for plenty of open gathering spaces while also protecting from wind and rain. The roof has two aperatures in the main space to control lighting so that it highlights double-heighted space that separates the two main components of the upstairs.
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ADVANCED DESIGN PORTFOLIO DANIELLE BAROZINSKY SPRING 2016 - SUMMER 2017