Restoration of taboo around ta/oos/ta/oo studios
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Despina Lazarou
Introduction
3-‐‑4
History History
6-‐‑8
The Site Location
9-‐‑13
Definition Taboo around ta;oos
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Contents
The origins of ta;oo Ta;oos to expose skills Ta;oos for preservation Ta;oos for groups Quotes Existing ta;oo parlors
Area Location Map Photographs of the Building and the studio
Research Methods Questionnaire
14-‐‑19
Brief Gan; Chart Bibliography
21-‐‑27 28-‐‑29 30-‐‑33
Some interesting responses Summary of Responses One-‐‑to-‐‑one Interviews
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Introduction Â
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Definition:
Ta;oo: 1. Mark (a part of the body) with an indelible design by inserting pigment into punctures in the skin 2. Make (an indelible design) on apart of the body by inserting pigment into punctures in the skin (OxfordDictionaries.com 2015) Ta;oo Parlor 1. An establishment in which ta;ooing is carried out professionally. (OxfordDictionaries.com 2015) Ñ
Introduction
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Taboo around ta;oos:
It is common known that body ink is becoming more and more mainstream through the years, but it is still a fact that not everybody is comfortable with them. Some think that is d e m o n i c , t h a t i n d i c a t e s a l c o h o l i s m , sadomasochism and hard drug abuse, and some think that is an art that everybody should be embraced. However, as a cultural statement, ta;oos have stopped those stereotypes. Having the knowledge of how to appreciate people wearing ta;oos rather than labelling the unusual with disgrace, will develop a variety of arts.
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History
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History:
The ta;oo history dates back to 12,000 BC, the art has a variety of uses, in contrast than the uses nowadays. Several people do not realize that there is a depth in ta;oo history. Some people seen ta;oos as a piece of art and some as a repellant addition to a body. Ñ
The origins of ta;oo:
the name of “ta;oo” came from Tahiti, were the islanders called striking or hi;ing the skin to “ta;au”. Ta;ooing evidence found from the times of Ancient Egyptians. Numerous mummies have been found with different symbols and pa;erns ta;ooed onto their skin, something that has maintained due to the mummification process. Additionally, ta;ooing was done for very various reasons, in China. Around 1000BC the ta;ooing was mainly on criminals and thieves, a way for the natives to know those to avoid. The Chinese symbol for criminal would be ta;ooed onto the face for all to recognize them . This was a habit that sustained to the Qing dynasty, which kept on going during 1644 and 1912. Furthermore the Japanese kept the practice of ta;ooing criminals during 1720 and 1870. As an alternative, Japanese would make rings
instead of ta;ooing on the face, across the arm of the criminals. For every added offence, an added ring should be ta;ooed. Ñ
Ta;oos to expose skills
Plenty of adult females in Borneo would be ta;ooed with symbols on their arms just for showing their skills that they control. Everyone would know each of the symbols meaning and adult males would frequently look for specific symbols before going into promise of marriage. Ñ
Ta;oos for preservation
Lots of symbols were used to protect against evil and that still remain till nowadays. For instance, the pentagram was a symbol for preservation and was commonly used in that way. Ñ
Ta;oos for groups
Each group usually had its own symbol and it would be ta;ooed on their body. Truthfully, the same think happens, and it is very popular in our days. It is a gesture of pride and respect for groups.
“Ta/oos, for me, are like a timeline of my life. I could look at a certain ta/oo, and it reminds of me of a certain time in my life and why I got that ta/oo.” “People who don'ʹt like me talk about it as Tyga though I'ʹm trash because I have ta/oos. I find that insane because it'ʹs 2008, not the 1950s. Ta/oos aren'ʹt limited to sailors. It'ʹs a form of art I find beautiful. I love it.” Megan Fox “As soon as I saw ta;oos as a way to tell your story, I thought, ‘Oh my gosh, I totally get it.’ So I got my first ta;oo a couple of years ago, and it’s the word ‘hope’ on my left arm. It has a couple of dots ate the end of each of my kids.” “I do have 14 ta;oos, but I Kristian Bush also do come home every single night and watch reality TV with my cat.” Lea Michele
Aces High Ta;oo Shop, West Palm Beach, Florida
GastownTa)oo Parlour, 105 West Cordova Street Vancouver, BC Diamonds Jacks Ta;oo Parlour, 5 Walker Court, Soho, London
Existing Ta;oo Parlors
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The Site
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The selected location is placed on Archiepiscopou Macariou Avenue 2-‐‑4, Nicosia, Cyprus, postcode: 1065. the precise satellite coordinates are 35 degrees, 10 minutes, 06 seconds North, and 33 degrees, 21 minutes, 33 seconds East of Cyprus. The Buildings that hosts this particular shop is called “Capital Center”. The main streets that pass around Capital Center are Archiepiscopou Macariou Avenue where the main entrance is placed and additionally, where the main transport and flow of people is passing, Evagorou St. where is the other side entrance, where the main parking is placed and Theofanous Theodotou St., which is connected with Stasicratous St. where shops like Dolce & Gabbana and Louis Vui;on are placed. Capital Center has exceptional access to means of transport due to is 3 minutes away from the central bus station which can offer busses heading for all around Nicosia, but as well as for all the country. Moreover the parking next to it on Theofanous Theodotou St. can offer more than 200 cars. What is more, in the winter the Christmas Markets are held there, so there is a large variation of people that spent a lot of time around the building, but not only because of the Christmas Markets, but also because a variation of shops, such London Clothing, and cafes exists there in the Avenue where the main entrance of Capital Center is. All over the location there traffic lights that make sure that the pedestrians and trafiic are safe of hazards.
Location
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The area of Capital Center it looks for the general public as the heart of the city, and all of age groups frequented there. That happens for the reason for the diversity, quality and quantity of cafes, shops, bars, restaurants, theatre etc. There two different banks located there which that offers convenience to the public. Also, the fact that there more than enough parking and bus stops near the Arch. Macariou Avenue it is practical and can a;ract more people. For addition, it is full of nightlife too because of the most crowded clubs, that exist in Cyprus, near Arch. Macariou Avenue. The Avenue it is secured because less than ten minutes away there is the police station of Nicosia, and the police officers are always on call.
Area
People passing through Arc. Macariou Avenue: Monday-‐‑Friday for 1 hour more than 400 people are passing through Saturday for 1 hour more than 800 people are passing through Sunday for 1 hour more than 600 people passing through Bank Holidays and Holidays for 1 hour it can go up to 1,000 – 1,200 people passing through By filming and counting in rush hours 16:00pm-‐‑18:00pm more than 500 people passing through
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Location  Map
Photographs of the building and the studio
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Research Methods • •
Questionnaire One-‐‑to-‐‑one Interviews
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Questionnaire Â
Some interesting responses Ñ
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When conducting a survey, a group of individuals were asked questions about ta;oo/piercing studios. Looking at the responses, when they were asked: ‘ if you want a body piercing or a ta;oo, where would you get it?’ the 100% said at a ta;oo/piercing studio. Afterwards they were asked about ‘ what kind of décor should a ta;oo/piercing studio have to make it seem friendly, likeable and modern?’ the 22% chose Graphics on the wall, the 22% Art and Deco and the 22% Minimalist while the 1% answered ‘the usual dark and dirty décor’.
Questionnaire
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This involved 44 individuals from either UK or Cyprus. Here are the analytics collected.
All 46 people that responded to this Questionnaire prefer to get a ta;oo or piercing to a ta;oo studio . This shows that people nowadays started to trust the artists and no more prefer a beauty therapist or a dermatologist for piercings and ta;oos. Even the 6 participants which are on the age group 41-‐‑60 selected the ta;oo studio, that is to say that this age group tend to prefer an experienced person to do this things, so the thinking around ta;oo studios changed dramatically. What is more, 10 people claim that they have never been into a studio before,
Summary of Responces
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This involved 44 individuals from either UK or Cyprus. Here are the analytics collected.
Which those particular persons when they were asked about what the decoration should be, answered either ‘light and medical, Art and Deco’, or ‘Minimalist’. That it may be because of the fear of the dark and dirty looks that almost every time ta;oo studios have. Moreover, 29 people when they asked about with who they are going to a ta;oo studio answered with a friend, maybe that it is because the interiors of a studio sometimes do not feel approachable and they want to have someone that are familiar with. The 4 other answers in what kind of décor should a studio have were ‘big windows, black furniture’, ‘combination of industrial with a touch of light and medical’, ‘Depends always on the personal preference. Doesn’t have to be rocky doesn’t have to be dark’ and ‘I don’t really care’.
Summary of Responces
The person who answered ‘ I don’t really care’ when question about the color pale;e and the opinion about what should be done to be more likeable (studio) answered ‘be clean and tidy, I don’t care, all I care is for the staff to be well trained.
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One-‐‑to-‐‑one Interviews Interview Quotes
This sector contains brief quotes from the one-‐‑to-‐‑one interviews with Cypriot people about their Summer clubbing tendencies. The Quotes are all anonymous as agreed with the participators.
What do you think should be done to a/ract a/ention in a way that everyone will pre/y much like the interior of a ta/oo studio? • the decor should not interfere with the skin art of the artist • it depends on the artists and his/her style of ta;oos. dark colors (brown,red,navy) but not too many, skull of animals (2-‐‑3 max if more it will get creepy) with some paintings from the ta;oo artist on the walls can also a;ract a;ention , wooden low table and dark brown sofas for the waiting room.. • tidy and creative decoration (Lights, accessories, furniture, books, magazines etc) • Be clean and tidy. • the sketches of the ta;oo artist, show the style of the artist without adversely affect the customer and the studio should be clean • Clean and sterile yet, funky and full of art • Ta;oo studios should have on their walls the ta;oo'ʹs history and some.of the best ta;oo pa;erns of their artist • grafities on the wall • Light, colourful, organized and clean. • Cleanliness, good Music, art exhibition • Does not really have to do with the interior. Just a clean place with friendly staff that do well their job and from then on its just a word-‐‑of-‐‑mouth job to be successful • colours, graphics • I don'ʹt know exactly, but something that will show to the customer that the studio is customer friendly, clean and definitely sterilized • strong lighting, uv lights (on specific places) it should be clean white walls with paintings unique mirrors on the walls. • Just no freaky staff • Not to be scary, friendly environment, nicely decorated space with an artistic character! • I would make an impressive ceiling to relax people. More like the night sky full of stars.
One-‐‑to-‐‑one Interview
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Brief Â
School of Arts and Media Interior Design BA (Hons) Negotiated Major Project Brief
Title: Restoration of taboo around ta;oos/ta;oo studios Academic Year: 2014-‐‑1015
Level: 6
Credits:
Duration: 12 weeks
Name:
Despina Lazarou
Introduction:
Ta;oos are in the subject of Taboo, for this reason Ta;oo studios as well. In contrast, in the recent years has seen unpredictable growth. Ta;oo studios in Cyprus exist from a long time ago, but now they begun to multiply. The competition between the artists its very high. A new restored ‘model’ is required to regenerate the way we approach ta;oo studios, as a whole new experience.
The Concept:
The concept behind the regeneration, outlines a proposal, which encourages people to visit the studios and have the experience of skin art, without the fear that the artists are not approachable and the studios are not clean enough. The space will be a unified experience that goes beyond the traditional presentation of dark and dirty décor. Even for those who love the art of ta;oos, they will be able to look at it with ‘new eyes’. As for those who are frustrated or unsatisfied by the artist’s studios, this proposal will give something new and expand the ta;oo experience without horror.
This alternative culture has become more mainstream, is increasingly regulated, creative and popular. Since just a single session requires intense concentration the design of it will create calmness and creativity to achieve a good vibe. Portfolios of the artists working there will be on display so clients will have an idea of what to expect from the artist. Making the people feel the ‘history’ through the surrounding environment will have a crucial impact over the image of the ta;oo studio. This will differentiate it from the rest studios in the area. Since a ta;oo artist is considered as a health and beauty job, it will look as clean as it would expected in a medical se;ing, such as hospitals. The studio will have surfaces and a smooth floor surface that can easily be cleaned and it will be a smoke free area.
Site and Surrounding Area:
The selected building need to be considered in terms of its location based on popularity of the street and convenience, after examination and estimation made on viability on the project.
Building Analysis:
The first phase of this project will be the selection of the building that it is appropriate to house a new ta;oo studio , the guidelines to be considered are the capacity space therefore it can accommodate the main space for the treatment room, a reception and a waiting area and separate facilities for making refreshments and lavatory. After the selection of the building, a building analysis of the place must be completed, such as fire escape roots parking and access requirements.
The Vision:
The Vision behind this brief is to create a space which will be differentiate from other existing studios in Cyprus. Thereby will offer to the customers a nicer experience without the doubtness to enter the ta;oo studio. Moreover, a clean and sterilized environment with beautiful and unique touches. The latest equipment and a variety of color inks. Suitable waste bins around the premises and a clinical waste bin in the treatment room.
Calming and creative sense in the design that make the customers feel it after their experience there. A welcoming environment for all age groups, but le;ing the clients know that under 18 it is illegal to be ta;ooed but piercings can be done. Lastly, to inspire people to create art not only skin art but generally.
Design Requirements:
The main design requirements of this projects are: the main treatment room (where customers will get their ta;oos), an additional treatment room (where customers will get their piercings), kitchen room, toilet facilities and displays for portfolios and products for sale. Consideration must be given to the exterior signage as well. Regulations must be considered to ensure the space conforms to safety standards.
familiar and welcoming but authentic, modern and independent. The studio should not look like everything put together and that is modern and mainstream, it should make sense to the customers but to the artists as well.
Sustainability and Green Issues:
This project is not far away from sustainable design due to the use of an existing building which have abilities and make something new with it, therefore preserving materials and space. The design must not out fashioned through time, so it must be able to change with time. The design should withstand, if not then the lifecycle of the materials become unrelated.
Access and Circulation:
It is a necessity that the circulation and access of the Ambiance: design are clear, with a good lighting system and without risks of tripping. Customers should have the In spite of looking at art deco and minimalist the ability to see the artists in action but without space should feel like something that never seen disturbing them. Easily accessing the bathroom before in a ta;oo studio, and in spite of looking at art facilities and kitchen. deco and minimalist designs, should also feel like Fire exist and evacuation routes must be visible.
How success will be measured:
In this design if the building meets the expectation of a large-‐‑scale variety of people and verify that it will work practically in the real life, it means it reach success. In nowadays, the main future that draws a;ention is a good looking and aesthetically flawless design. The fact that the place will be visited by all sort of people, it is important to make a good planning. The client presentation will show clearly if it meets the expectations and will show the space in a variety of lighting and details will be enlarged. The ultimate success will be if this design will be considered at real life by the people who see potential progress.
Outline Activities:
The project will include the following: v Self-‐‑directed negotiated programmed of advanced design project work and studies. v Research, information gathering and critical evaluation of material. v Synthesis of creative, appropriate and technically competent designs ideas. v Planning and organization of design work, including time management. v Production (to a high standard) of a body of finalized design work. v Presentation of appropriate supporting documentation. v Presentation of design work to a professional standard.
Stages:
Stages A,B & C Briefing document/ assoc. research + concept development drawings & conclusion + initial sketch scheme drawings – orthographic plans & sections + initial sketch visuals Submission date: Stage D Scheme design drawings – developed orthographic plans/sections + initial sketch models + initial visualization work Submission date: Stage E Detail design drawings – major explanatory section through scheme + detail drawings of significant elements within scheme + specification notes defining materials Submission date:
Presentation Client Presentation: orthographic drawings + finalized visualizations + finalized models + explanatory concept diagrams all to exhibition quality standard Submission date: Submission Deadline for Project: Friday May 8TH 2015 Before 4:00 pm Negotiated Major Project is designed to allow students to synthesize their experiences on the course through the definition, negotiation and implementation of a self-‐‑directed programme of design investigation, research and development leading to the presentation of a major design project. Students are encouraged to identify an issue or set of issues around which to focus their design investigation. The primary responsibility for the implement of the projects lies with the student, who will be assessed on their capacity to undertake a detailed examination of the territory they have identified as being of personal significance. Effectively, this Negotiated study provides a framework through which the student is able to demonstrate a capacity to practice and their understanding of the particular contextual circumstances in which they operate.
Module Learning outcomes: (from MS1)
Aims of Module: v Facilitate the synthesis of design practice within its contextual framework v Provide an opportunity for students to take responsibility for the negotiation, management and implementation of a major project v Enable students to produce a coherent body of work culminating in a major project v Enable students to explore possible areas of concern which may be relevant to their practice after graduation
On completion of this module the student should be able to:
v To demonstrate a high level of skills and understanding in relation to their chosen area of design practice v To generate, organize and evaluate an extended body of design work v To appreciate the role of presentation in the production of meaning v To support their design practice in an appropriate and articulate manner v To produce an effective, creative, appropriate, detailed and clearly communicated and presented design solution to a complex brief.
Gan/ Chart Week 1 19th January
For the first week I intent to have a clear initial design concept. Find the drawings of the studio and if capable the drawings of the studio and if capable the drawings of ‘Capital Center’ as soon as possible. In order to complete the design fast I need to have a clear and right brief for my brief.
For the second week of the project I will start sketching and figuring Week 2 2nd February out the function of the studio, positioning of the rooms, and see where I’m at with the drawing plans.
Week 3 I hope until 3rd week I will have the drawings so that I can 9th February proceed with making the drawing accordingly to the brief. Research the interior design style I’m going to do Week 4 Finalized my drawings. Start some visuals sketches to decide 16th February how to do them on 3Ds Max or SketchUp, have the design I’m going with and know what goes where, colors, materials etc. Week 5 With the dissertation deadline on this week, so it will be my 23rd February priority until its done, so I can move on with the Major Project Week 6 2nd March
In week 6 I intent to start a sketchbook and put the sketches from the previous weeks in it and the sketchbook should have a cohesive look. Start thinking about what materials to use on 3D model
Gan/ Chart Week 7 9th March Week 8 16th March
Continuing to work on sketchbook, plans and 3D visuals on software A small scale 3D testing model should be made to check out that everything it is okay. The CAD plans should be perfect and the software visuals should be ge;ing there. Week 9 Finalizing the 3D visual software and starting to 23rd March experimenting with rendering Week 10 30th March
Continuing to finalizing things from previous weeks and check everything it’s okay. I should start the final 3D model
Week 11 20th April
Have 3D visuals done, orthographic drawings, plans + sketchbook, start to layout everything, Photoshop finalizing 3D model. Checking that I have everything that is needed last small touches
Week 12 27th April Week 13 5th May
I leave a week ‘empty’ because you never know!
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Bibliography
Websites: Cyprus.com. 2015. Cyprus Ta;ooists. [ONLINE] Available at: h;p://www.cyprus.com/results.html/classification_ta;ooists?section=&sort=by-‐‑site-‐‑rank. [Accessed 15 January 15]. Answers.yahoo.com. 2008. Interior design for a ta;oo shop.? . [ONLINE] Available at: h;ps://answers.yahoo.com/question/index?qid=20070914134238AAqxffv. [Accessed 15 January 15]. Bplans.com. 2015. Ta;oo Parlor Business Plan. [ONLINE] Available at: h;p://www.bplans.com/ta;oo_parlor_business_plan/executive_summary_fc.php. [Accessed 14 January 15]. Sthelens.gov.uk. 2015. What to look for in a ta;oo studio. [ONLINE] Available at: h;p://www.sthelens.gov.uk/media/284400/what_to_look_for_in_a_ta;oo_studio.pdf. [Accessed 14 January 15]. ta;oo parlour: definition of ta;oo parlour in Oxford dictionary (British & World English). 2015. ta;oo parlour: definition of ta;oo parlour in Oxford dictionary (British & World English). [ONLINE] Available at: h;p://www.oxforddictionaries.com/definition/english/ta;oo-‐‑parlour. [Accessed 15 January 2015]. ta;oo: definition of ta;oo in Oxford dictionary (British & World English). 2015. ta;oo: definition of ta;oo in Oxford dictionary (British & World English). [ONLINE] Available at: h;p://www.oxforddictionaries.com/definition/english/ta;oo#ta;oo. [Accessed 15 January 2015]. Ta;oos Still Taboo? : NPR. 2015. Ta;oos Still Taboo? : NPR. [ONLINE] Available at: h;p://www.npr.org/2013/05/22/186023466/ta;oos-‐‑still-‐‑taboo. [Accessed 15 January 2015].
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