Hongyi Du_Application for UCL Bartlett MArch Cinematic and Videogame Architecture

Intro.

From the perspective of narrative landscape, modern landscape design should not be limited to the pursuit of function and beauty, but should be a social thinking with broader significance. It should have its own meaning to convey, or try to change something, or even make a positive response to some problems in the society. This response should not be limited to the level of construction, but should be a reflection on the artistic and spiritual levels. We think that this is a topic worthy of attention and consideration in modern landscape design.

When people tell stories, there will be a narrative structure. In landscape design, we can also regard it as a complete narrative text based on the whole site. The significance of narrative landscape is to emphasize the concept of text, but not limited to the text itself. As far as the narrative landscape is concerned, people in different social backgrounds will have different understanding and thinking, and the generation of emotions triggered by such understanding and thinking will also change with the change of time and space. And these diversified thoughts trapped in life and relieved in the site are the significance of the existence of narrative landscape, which is exactly what we expect. /

Memory Holder

Location: London, UK

Type: Academic Group: Hongyi Du, Yiting Tang，Peixin Shi Year:2019

Nina's Own Room

Location: Chongqing, China

01 03

Type: Academic Group: HongyiDu, Mengqiu Duan Year:2017

Eighteen Steps

Location: Chongqing, China Type:Academic Group: HongyiDu,Xingyu Zhou Year:2017

Old City Update Logue

Location: Chongqing, China Type: Academic Group: HongyiDu,MengQiu Duan, Year:2016

02 04 05

Metagrave

Location: Metaverse Type: Competition Group: Individual work Year:2022

06

Other works

Type: Practice works Year:2018-2022

MEMORY HOLDER

Memory holder investigates the application of AI technologies, data mining methods and sentiment analysis in a design process. Particularly the project looks at how digital technologies can be turned into an interactive design tool. The multi-dimensional network hidden under social media is a huge memory and historical notebook. It attempts to create an interactive urban renewal model about the reception, feedback, iteration, translation and growth of collective memory in the context of the digital age - urban space has never been so dramatic as a [living] organism.

_Abandoned area about remember and forgot.

Data Collection

Data mining_Python_instagram

Memory holder investigates the application of AI technologies, data mining methods and sentiment analysis in a design process. Particularly the project looks at how digital technologies can be turned into an interactive design tool. The multi-dimensional network hidden under social media is a huge memory and historical notebook.

Data Analysis_RStudio

Output_Jason file

Data visualization_GIS

Memory holder investigates the application of AI technologies, data mining methods and sentiment analysis in a design process.

K-means

Cluster

128+ Colletive memory image

Dtabase : Colletive Memory of ’Gasholder'

3D physical model

Location: Chongqing, China

Type: Academic

Group: HongyiDu, Mengqiu Duan

Year:2017

The narrative of the urban space of reprieve is to allow people to "escape" from reality for a short time, to place them between reality and narrative, to use them as a "spiritual" medium between the two, to reflect on the reality they live in through dialogue with the site, and to return to reality with an "act" of reflection. The dialogue with the site is a way of reflecting on the reality in which one lives, and then returning to it with an 'act' of reflection. Based on the study of the narrative landscape of music transcription, we have selected seven key moments from the soundtrack of Black Swan, Nina's Dream and the Room of Her Own, which best reflect the emotional transformation of the protagonist, as the basis for spatial transcription. The music is combined with the narrative of the film to reveal a new space of spiritual interaction. The fragmented music is then "spatially reconstructed" to form a new "fantasia" space to reflect on reality.

_Growing under society depression.

[MIRROR]

In the film, the object of the mirror constitutes a constant presence.

Through the mirror, Nina examines and adjusts her body shape and dancing. This kind of dual subject lens processing can be understood as the attachment of the real "self" to the integrity of the mirror image.

[illusion]

The rashes and scratches that appear on Nina's back, the peeling The imagery of the nails, the swanlike webbed toes and other symbols also suggest the incubation process of the ego personality.

The project is inspired by the film of Black Swan’. The film tells the story of a young ballerina who, faced with the demands of a demanding family and the pressures of social competition, embarks on a journey of selfawareness and redemption. This situation is also very real in our daily lives. For example, the heroine in the film, under the strict demands and expectations of her mother and the demand for perfection from herself, slowly becomes sensitive and suspicious, and even has various hallucinations that affect her normal real life. Faced with the different pressures of society, how to face up to the existence of stress and overcome its negative effects becomes increasingly important in this fast-paced modern society. As a result, hope to build an urban space of reprieve and provide a venue for interaction in the spiritual world.

The film opens with the dream of Nina, the heroine. In the dream, Nina is dressed as a white swan in a white dance dress. In this dream, Nina, dressed in a white dress, dances with her male partner on a stage illuminated by lights, and in a final twirling "struggle" she transforms into a symbol of transformation.

REALISTIC PART

This

She

REALISTIC PART

Under the guidance of Thomas and Lily, Nina begins to explore her darker side. As the exploration progresses, the evil desires that lurk in Nina's subconscious begin to emerge, eventually transforming into black feathers that burst through the surface of her selfconsciousness in a flamboyant manner. As the exploration progresses, the evil desires hidden in Nina's subconscious begin to emerge and eventually turn into black feathers that pierce the skin of her ego in an open manner and grow, breaking the bonds of her ego's defences and superego.

PHANTOM PART

PHANTOM PART

Vincent Cassel as Thomas Leroy/The Gentleman [Dance instructor]

Natalie Portman as Nina Sayers/White Swan

Mila Kunis as Lily/Black Swan/

Winona Ryder as Elizabeth "Beth" MacIntyre

Beth had been a proud dancer, a glamorous black swan, a noble white swan, and Nina had stolen Beth's lipstick in the hope of being as good and glamorous as she was. But Beth is also the source of Nina's fear.

Barbara Hershey as Erica Sayers/The Queen

This is a breathless character. She wears black clothes all the year round and is an ascetic to the core. She also used to be a ballet dancer. When she was young, she gave birth to Nina on a whim and lost her beloved career. While carefully

was like another Nina. Whereas Lily exudes an air of enchantment, mystery and seduction, and can easily seduce the men around her, Nina is the exact opposite. Nina is envious

man's appearance echoes Nina's dream from earlier. Thomas is like the wizard Rusty from Swan Lake. Without this man, Nina might have remained a white swan until she met him [Dance instructor]

MATERIAL NARRATIVE: WATER TRACE

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

[01.Prologue]

[02.Snooping]

[03.Confusion]

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

[04.Lost]

[05.Struggle]

[06.Release]

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

Using water as a medium for the translation of music and narrative landscape, as well as a narrative thread running through the site, the trajectory of the water guides one's path through the site, and there is a spatial transparency that is reflected in the ambiguity between the musical space and the landscape space.

Storyboard of Follow Spotlight

EIGHTEEN STEPS RECONSTRUCTION OF HESOTORICAL BLOCKS

Location: Chongqing, China

Type:Academic Group: Hongyi Du Xingyu Zhou Year:2017

Historical memory

Street design

Society issues

OLD CITY UPDATE LOG

URBAN DESIGN OF CHONGQING JIULONGPO AREA

Location: Chongqing, China

Type: Academic

Group: HongyiDu, MengQiu Duan Year:2016

+ Urban design + Urban renewal + Art strategy

The site is located in the old industrial zone of Jiulongpo, Chongqing, a mountain city. Urban design relies on the resources of surrounding art communities and universities on the basis of retaining the original important railway track relics. Build a new art street. The plan breaks the original top-down urban renewal policy and promotes and develops by stages through a series of periodic art activities. The bottom-up public participation model is adopted for urban renewal.

THINGKING SKETCH

Pay attention to road planning and design interrelated things to use, break the height of block bridge. Flyover West Longyin Road, east of Chengdu Chongqing Railway (has been discontinued) west outside, effectively improve the convenience of people transportation. Widening the road on the basis of retaining the main road.

Replanning of complicated road system integration of residential area, additional roadway and recreational trails in the river. The structure of the road network in the planning area is formed as a "vertical, horizontal, and one ring" structure.

In the era of epidemic diseases superimposed on the Internet, we have always believed that death is never the end of life, but forgetting is. However, whether it is a solemn funeral ceremony, or a tomb sweeping and incense burning ceremony to show sorrow at the Tomb Sweeping Festival, the distance between life and death will make forgetting a natural reality under the influence of time.

In Metagrave's world, users can not only choose cemeteries in different parts of the world according to their own needs, but also choose various gravestones such as imperial tombs, ordinary and simple ones. Cemeteries and tombstones will be presented in a rare NFT manner. Each tombstone can be used as the key to the user's private memorial, where they can store and display the memories of their loved ones, such as text, images, videos, sounds, etc

The real death is that no one in the world remembers you. - Journey to Dream Ring

The screen boat is a ferry that recalls your past with your departed friends. Sail on the [Faraway Sea].The fragments of memory are recorded on the screen fan, and the folding fan flowers in the setting sun water - the past stories are vividly on the paper.Miss a friend who has passed away, and ask about the poem and distance we once yearned for together.

Re writing is a secret letter that rewrites the past of you and your deceased lover, and it is reshaped in [Letter Island].A few words are re read, selected, and arranged to form an invisible labyrinth. Here, you can enjoy the sweetness of the past, or you can reorganize the irreversible regret. This visible labyrinth, you have the right to enter or move forward.

The

IN A MOMENT SPCAE

Lighting interaction installation

The design explores the question of the boundary between virtual and physical space, considering which substances act as a bridge to this boundary. Is it people, networks, or natural substances. Light plays an important role in the extension of space and the creation of atmosphere. From the point of view of exploring the relationship between light and geometry, the correspondence between graphic space and light space can be well modelled with the help of the principle of focal dispersion of light and the properties of plastic materials. The angle of rotation of the servomotor is controlled by the TouchOSC interactive software, which enables a customised change in the graphic space of the origami (i.e. a constant change in the position of the folds on the surface) in real time.

FEEDBACK:

FEEDBACK:

The black and white images can be effectively detected the content of images by brightness value. this sensing machine simulating the customizing caustics parttern can be transform to a datascape based on brightness, which determin their indensity (height) of the datascape mesh. with the principle of this sensing machine ,we try to overlaping multipul images to creat a collective memory images. and then through the same principle to find the hidden colletive memory parttern. and transform them to 3D visual data scape ,these mesh become database of masscustomization of architectural materials.

CODE-NAME ISLAND

【Code name：Island 】attempts to depict the irreversible future brought about by climate disasters from the perspective of doomsday. The 【 Island 】space has become the last Utopia and hope of human civilization Imagine through the future metaverse architecture. The possibility of metaverse architecture as a form of architectural narrative metaphor is also the imagination and reflection on the future human settlements, whether in virtual or real world.