VOICES FROM THE FRONT LINE explores an important aspect of Brixton’s heritage which is the political and social history of Railton Road, known for being home to the Caribbean community in the post Windrush period and site of social uprisings in the 1980’s.
Foreword I don’t com e from Bri xton but I frequen a lot of my ted the pla friends do ce with the dashing down my Ghetto-t one crew design, tim to mek de e after tim m bawl rew e ind, on the so remem ber befor Frontline e you conde take a go mn od look at me be cause I’m one of the (Too Blak m. in Brixta in, Lezlee Lyrix, 19 89) As the Brit ish Reggae Deejay, Lez perhaps the lee Lyrix, highlights many of of my yea Road; the my best mo rs as a per Front-Line ments, former, we in Brixton place to hea re spent on during the r and witnes Railton 1980s. At s the innerm was in a dan the time ost though cehall liste the best ts of the bla ning to a for severa ck commu Sound Sys l reasons nities tem and . Thi perhaps the spaces tha s was imp t we ‘secur ortant to us most imp ed’ becam ortant one e ‘alternativ was that tho e public sph se In these spa ere s’. ces we had autonomy that spoke and therefo to our eve re control ryday exp womb of led the nar eriences; a scornful good, bad rati ve ‘mo the own. For , or indiffe r’ country instance on rent in the in a langua Ghetto-to ge we rec Rockers, Kin ne, Frontli ognised as g Tubby’s, ne, Saxon, our Nasty Roc that spoke Ighteous, kers et al, to everyday Jamdown you would happening brutality, hea s r fro intergener nightly tale m racial vio ational con s lence and pride and flict with abuse, pol harmony, parents, ice ghettoizat so eviden rom antic love, ion and the t in contem black ongoing gen porary Brix what these trification ton now; testimonie tha to t name but is s of life reality the a few. Ho ‘on road’ y portrayed wever, all had in that in ma historical, common ny ways rep resource due was the resent an to their bei and cassett invaluable ng record es. oral, ed and dis seminated on tapes It is therefo re good to know that young peo many of tho ple now, se who we can be par worth of the re present t of a pro se ‘hidden the n, and ject that not histories’, to share the only recogn but more se telling ises the importantly experience their local provides a s by acknow heritage. platform ledging this crucial asp ect of Dr William ‘Lez’ Henry London 201 8
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ad as a g the ro bers visitin style as a central of PJ remem ks s ea sp at life wa r and youngste ction of wh uld go his recolle ol we wo ho theme in sc r fte d if then. “A feel prou like back u would d an t Line, yo there. I ha xt wn to the Fron do ne someone stood up you knew went and d. It d when I u felt prou uncle an e yeah yo ion lik sh s fa d wa En West to him, it gh hi e of buzz... lik g all kinds was the re wearin ion we sh le fa op Pe ers of ne parade. Pio . tiful brands me beau expensive aring so d t there we i flares. You woul were ou You in sem g ts. sin ha es wicked styles dr th el wi fe e guys You could see som od food. looked t some go everyone could ge as t iri ed unity sp yone stepp the comm and if an ow.” ch other t them kn le d out for ea ul wo e others out of lin
ese her Chin embers on get rem e shop al es AS Brid ol a ents’ wh embers grandpar also rem e e lik sh le Road peop by n ru Railton s se to meet of busines brings us t number ge t id ho Br en. ixton’s Cecil Reub w runs one of Br cil’s o no was at Ce e It Cecil wh . ny Hootanan and mad spots she met popular e where maica’s cab offic d any of Ja m th come an wi te uld la r friends wo o wh inutes tists , two m reggae ar cil otananny Ce Ho ks at as e perform Road. Sh him? m Railton mean to walk fro t ont Line on Fr Fr e al th in es ig what do e of the or s Brixton an imag ring an 80 He shares du ; n ns ke ai ta pl tion and ex Line loca s phone g place on on hi s a meetin insurrecti wa e en m Lin Front lly the “Brixton ns especia Jamaica Jamaica all over for the of up from e m . Instead ca ds that r frien ei ody th th wi es, everyb us ho to meet rs chat each othe Line to going to e Front eet on th would m s.” us and disc 26
DELIVERABLE: From concept to final artwork to print, design a publication that will capture the essence of the yearlong project. The publication will accompany the Voices From the Front Line exhibition.
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Voices Fro m the Fro nt Line
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tist s is an ar -Mulling a Lawrence mpleted Dr Sireita ist who co at the sociolog l on ua ati uc vis and and Ed a, n on sig (M De t, ies BA in Ar West Ind of of the College Manley University e she d Edna er an wh a) Jamaic ing arts, rm hic rfo ap Pe d and gr Visual an graphy to in photo the arts majored aws upon logical Sireita dr with socio design. le op ir pe young render the to l engage too a ise and as character concepts s s, which tie ion ali sit re po stood subjective misunder r project the often ople through he her y pe all tic g Theore of youn s, the Real. nial studie Rendering postcolo digital s upon ion, work draw l presentat cia re so , d an youth race ity arts, ation, commun tion, migr creativity, arginalisa m , ise enterpr d danger. safety an s.com amulling www.sireit
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Brixton y trips to the man first on ho s w ct , fle ce ro LEE re Cherry G ity ’s un um m m m s co e st with hi and m to th st r intere hi er he d ed un es ar e to introduc his and cam ooper sh out the it H ir on ab sp e ER e ad or tiv Ro ESTH ow m suppor of Railton young e a g to kn nc tin ca as an ifi w in lived in the sign ow ity she orset. N s. commun g for D own term n as a e leavin lace to or ix ef Br b to en, the p child ed rn tu om to be se re fr eir s has ed off th the place s answer ow as ek that she w sh se t d “I e an u ent t sh yo w ul If le ad . p ry g eo youn n. jewelle where p ne. esi Johnso hes, car, on the Li ion, clot Linton Kw go sh u n fa yo ea hang ad m be seen people to Railton Ro wanted to lace for see, hat does a safe p eded to as Esther: W ne w u e It yo nc ile ho ifica d see w has sign as no mob w an to you? e ad t er a Ro ou th e ung you “Railton at that tim I was yo the way se n Linton: so au he , w ec ia b nd ed because social m ened arou a a spot. for me, ing happ phone or ple was vi as the y socialis d with peo l there w te al ec lot of m of nn t co e, t, ad. Firs ed to b to connec Railton Ro which us the spot le h and road, t Church t Line was t Churc ssip. Peop on is go s on the d Fr Methodis e st ho e te et Th W e or the shop the la Road M Centre. d a sens as a guy some of ha h up on w ity d tc e ne Railton un ne ca er yo m th d ow to laye le. If . Ever d Com to the Line eet peop e. We p ters. reet guys st m er gs go th e ld un Youth an d th ul ou yo ub s to w u co isco to the uld youth cl ncied yo e were d onsibility n. You co had our eek, ther girl you fa at perso s of resp as the is in twice a w st partie or see th te t rano B w the Line p la ee Dominos Su e m th s. e to t ience of t n Nevill d system out abou nal exper ugh whe laying ou d p as also so ro w fin th er as p t and soun e w y so er en ” al s... t r M stem we w sound. Th d system space fo use whils sound sy to what un a t ho n so e ha e r tio resident lik w th la he e re or in or various ot . It felt m was shot bsequent d express re su an he um e e, w m King and th is d y al d m an ne? an soci ne e Front Li present, lace that network, . The Li called th was a p we were people to lt of that rence hy was it e word . The Line as a resu that they th ne in refe es s lt Li lv t fe se ng Esther: W se si on e au ri Fr em ht th bec the tim le rs, up ts called were foug significant eople at got peop , it was ou Linton: “I les that young p ppened as theirs t was so ion strugg out the Front Line t had ha e Line w g a bird felt mos ha in Th e w . nd w to liberat d t ab se ne ou , re ue ab ow whe d as like They talk ozambiq amongst e place g... It w t Line an in Africa. ngola, M struggles of being gatherin it was th the Fron s like A in terms sage to a space far and le es as d m ab tional w rt se it a in place na fo er p gh with ere dis com lthou frica’s e we w d have , it was sage was people. A South A you coul . Becaus d happen that mes your own re... endence y one day ne was nstantly hing coul ggles he an Li yt ru co n e st an lt O Th n for indep fe re . e. u ow ne yo wid whe ration ing our on the Li e where . There get your le my gene ac ed p ld d ct sp eo te ou an experienc p a w ro e m 100 also and p w you r red war vious to re. They cant to ho ne was ou , watched d decla it was ob ns out he so signifi guarded nse the Li police ha ers or t; in a se s guardia ad ou ay le w ge al that the ity sa e mes wer mmun ion.” .” Dexter been co mmunicat 25 against us line of co may have those from le who kers like p or eo w p h s es in yout us b tre or Play Cen
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I ent ll sp y.” y we ings toda a d s a g th it wa interestin u o ome nk y “Tha e learnt s v “I ha
way olved along the w people got inv ences of “I really liked ho ries and experi mo me n ow r; ir tou and added the to the guided d d the front line Railton Road an e way. I also like nic a in life gs to t group had it brought thin that the projec ts fac d od an s the quotation great idea!” Go pavement; a you painted on the liked the way , Sireita. I also ing! to see you again luck with everyth od Go lk. wa handled the
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was very ng. The walk the “Good morni know about t no did I informative. tion. I also Herne Hill sta site po op a rist cinem r for tou s an excellent tou l see the walk as lots of historica nd Fou n. xto visiting Bri lton Road ened along Rai pp ha t tha talk ts fac Lots to ers rights etc. regarding squatt all is good with you. that about. Hope s ou Lemon Bless.” – Ladrick
ders Steinvall Best wishes.– An list and writer Swedish journa
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taught a self in south yode is Buki Ba d working est an ing liv g inter creative s stron local Buki ha of her London. s narratives ium ed g m rin of in captu a range world as ents using into the environm audience the ing to br it. she sees
The Voices From The Front Line Heritage (VFFL) pub Lottery Fun lication doc ded, Young place dur uments a Roots mu ing 2017 yearlong ltimedia art at 198 Co established s project ntempora in 1988 on that took ry Arts and Railton Roa Learning d, known (198 CAL), locally as The youth the ‘Front arts projec Line’. t explores Road, kno the politic wn for bei al and soc ng home post Windr ial histor to the Ca ush era and ribbean com y of Railton site of soc backdrop munity in ial uprisin of increa the gs sin in the 19 g gentrifi aimed to 80s. Again cation and document st a the sites per social cha shaped the nge the sonalities area and project and recoun provide par and unders t eve nts which ticipants tanding of have with increa their local Dr Sireita sed knowle Lawrenceheritage. dge Mullings, Led by art members the projec ist resear of the Brixto t engaged cher n community youth par area throug , to investiga ticipants and h oral his te the heritag tories, arc photograp hiv e of e hy workshop visits, histor their local s, and cre ical walks, into this ative activit once con filming and ies. As par tested spa elders, pro t of the inv ce the pro ject partici estigation ject asks pants and community spirit of Rai emerging lton Road, me mbers, art ists, ‘What and what visited and characteri does the spa lived on the ses the ce now me road?’ an for peo ple who These sec tions contain Youth Ar Road and ts Participa a selection nts, Refle of narrative Road: Int ctions of erviews. s can be Railton They offer found in history wo Classroo an accoun rk underta m on t of the inte ken by pro Brixton com rgeneratio ject partici munity. nal oral pants and members of the Archival Delves an d Visits Archives, occur with Black Cu our projec ltural Arc (GPI) and t partners, hives (BC Autograph, Lambeth A), Georg as well as and Golds e Padmo re Institu miths Unive our visits te to the Na rsity of Lon to produc tional Arc don. These e Creati hives ve visi Response ts enabled heritage s to Archi was gained participan ts ves. Kno and dissem as the film wledge of inated thr ing and local ough pro photograp the Walki ject activit hy works ng Tour, ies such hops, ora T-Shirt Wo Front Lin l history rkshop and e Timeli interviews, ne. Emerg the develo of work for ing Artist pment of our Feburu the s have dev ay 2018 Railton Roa eloped a exhibition d archives. body in respon Examples www.fron se to som of these pro tline198 e of the ject output .com and s can be fou in our sec tion titled nd on Social Me dia. 198 Conte mporary Art s and Lea rning 198 Railton Road SE2 4 OJT tel: +44(0 )207 978 8309 fax: +44(0 )207 737 5315 www.198.or g.uk
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the ew from cipants dr Arts Parti e archive THE Youth thered during th ots of sh ga ap s sn ce ur reso e produced uted to th its. They delve vis ve contrib rious es who ha ries of va personaliti n cal histo ilto liti Ra po d th social an ciated wi archives ities asso s to the commun The response . ce eir pie Th t Road. blic ar d as in a pu ges serve resulted ital colla ants n of dig at particip productio s to wh ce en fer visual re ered. th ga ve ha ges our colla ). see all of rdy, 2017 nice to “It was of 198” (Jo the wall on de outsi
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diverse from people roughout YOUNG ed 198 th nd te at nds, the VFFL backgrou cipated on with and parti lvement vo in the year r ei rough th project th s. op sh work creative ing part joyed be s, really en the visit ve ha “I project, e lin and nt g stuff of the fro ” d makin ad an ro s e w th t intervie ts abou learnt lo I have ). 17 20 , (Jadesola
L L O W E I E L H D A N L Y N A M I E M D A H A L N A N A T Z I E A N Z E H E G K DERO N M C OLAA S A A R O JADES Y E R K A Y I N T A M E O D K A S I D A D L V E A N D M U Y R O A R S A A N A FF J A M M I R E E H M I C OH–S Y O D ASANK I B A JOSHU N D S B U K OSKI M M O I K S S E O I RL NB A A I H T S C R E Y M SEBA S T O G U A B E S T I N U M J L R A N S A E L L N T U M P B A K A A C A H Y S S A M R K E L V O EC L A R I E INETT G A B T E I L ANTO H E W N I S A N D A H A S MS A I S L G I L L N AWI M O NIELL A E M H U T S H O A T E J O S T E N I E Y A Z E T N G R E P H A A T S H O S N M A B R A D E R H O L Y Z A M D A N O R D J R O R J P E H O O H E R E S T H A C I I E L D A N
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of home, emories d shares m tting an ua sq FOLAMI , ism uth st activ hurch Yo C t is d anti-raci e etho ki Bayod Road M Railton ghter Bu thier her dau tance of or p Club with im sses the and discu ity. commun squatting the ... I think on Road the it of Railt is about ad Ro “The spir on e gy of Railt y teens, th rl ea y m spirit/ener er in rs. I rememb y squatte tr oe p activism , dub as st activism ing; it w anti-raci overall th positive. at’s the ly th al k re in th so I as al hat but it w pact of w difficult of the im ow there lly aware fu kn t I n’ e. as w tim I that but g on at ificance was goin some sign ly ething of was real m it so , w as w it no important back on g tty in re ok p lo e of events There ar in terms special. ndmarks la g Railton on al ic al or d hist , existe ple that fied now ri eo nt p ge d an tting is getting It is ge t . .. on fr ad Ro shop ’s and that ly every house... practical a cottage housing. to ed in ne ed turn people g, to me, because ation thin all good le gentrific ho w e th But the n’t say the 80s. I would started in I’m died, but of the... e area its se th k en in of p th t ou the I dont se of ex I moved ezing of because this pha Because d the sque ’s history rver of n death ating an an obse ntrificatio le oc p of ff ge eo su e e p e th or e m th But e ter th within th history, of rification. arted af cultural ets and the gent erned st s I’m conc these stre built this mes. If it’ in ey as ho th r is d n fa an at he th as ings ry w e ese build an inqui , with th ished the is th m ol th ar of em e Sc ls d lik al e ey w th gs , when th yuppies ed in thin g people e up in rd th iv g co l in ch re al ld t ar bui with s, d then ces no using an 8 is doing rs and filmmaker perty pri work 19 other ho and pro he we will e what’s oving in hotograp en p m m th r e , d fo th is te e th lik star do ea. So is gonna in the ar , and its who else phase 2 e ghosts.” went up now is e away lik and it’s d g , fa in ue ly en in al p nt liter co hap e to th g goin g at happenin probably that it is a shame 22
H Y R A P T O G P H O M L I F D N A e during th it assisted M Film Un s on Road CLAPHA Classroom r ing ou of film ges ught early sta ts were ta ns Participan s as a mea session. technique public ograhpy of the rs and phot be tation of ge mem en ga m en cu to e do ute to th to contrib ry. ad’s histo Railton Ro to g people d the youn cte re di ice l dialogue Quiet Vo nerationa way of in interge by e at rs cip ute parti comm er n Road’s en Rudd with Railto ws. Steph mera ry intervie group ca oral histo ned the ing sig film as d ng ryi taught an ussed va er , and disc ese earli crew roles iques. Th ing and d techn d by film styles an we to llo fo ns were a mea sessions rkshops as t uction wo this Quie post prod ts. From to an le cip rti op pa pe up-skill e young sisted th as ice Vo . their film producted viewers keen inter e of our on stop and is Hassan to politely e at sit With n’t he erviewed. who does to be int est ssers by his requ invite pa ickly gets qu uld he wo , y lp or a little he hat mem Road?” asks; “W n He ilto . ss Ra acro e about sser ar pa sh e th to uch time you like on how m you want Depending ask, “What would ises ter ac uld ar wo ch has he d “What ise Zen know?” an ?” Likew others to the Road others e of th t of iri the sp the work of nctuates nd shots Adams pu backgrou oup beautiful d the gr with his phere an os m at ’s the Road at work.
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T H S F F I G R I S O R ity commun her and g geograp launchin an r b he ur N A , s upon on Road r, reflect ilt se Ra ni 4 ga or at 6 et cafe n Splash rn te to ix in Br st of k ton’s fir etro Shac e of Brix the hom us that M . Ros tells mmunity ak co Sh e th ro Met gy to ent technolo employm introduced n of the not just troductio e in m e ho th via r was, “a any othe e says it ut for m cafe. Sh volved Splash b in n to at ix th Br for those schools.” such as nstream projects, t of mai mmunity ou co n e re th that child to tell us the 80s on in es ad go Ros on Ro were elf. Railt ho its w d le ne p redefi a peo med by . ts ai cl gh re ri was r their to fight fo prepared
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Door 82 n and orge ra pular The Ge as a po operated ars. The ye l severa pub for and had s racist, ce owner wa 1 to the Ra d Club Door 14 rte po n Youth been re e owner Th d. ar The Railto ittee operated Bo le as Relations mm op pe flyers Action Co Black ed m sh fro bli banned le pu in and gay peop the riots well as the Brixton erning g nc rin co Du b was 1985. his pub. 81 the pu Brixton in er lat Riots of 19 n ain in down, the e out ag les in burned as Ming Riots brok oked by the ov reopened les, unlike its 1985, pr Cherry Groce ng stly mo 1981. Mi of a s er murd sor, wa Searching predeces police. bar and by the ibbean Michael, Afro-Car ry’s son, mmunity for Cher resulted as a co b. injustice served e pu lic a m po as the well rection fro ur space as ins r in furthe on and ixt Br of ents the st the resid ain Road ag Railton ce. police for
1985
MELINE ROAD TI ILTION n. LINE - RA T N O publicatio E FR nt Line FROM TH Arts m the Fro mporary VOICES Voices Fro 8 Conte
site of iginal The or ciation ABP (Asso rs), Autgraph otographe Ph ck of Bla gallery/ hy ap gr a photo ed by nd fou on organisati which he and of Rotimi, st Chair. was the fir
201e7gins
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n by was give lo o p n a rongful for the w e c . li o p e y Groce of Cherr t g a n ti th o o h ded st conclu s re u il n inque fa lice arate po y ’s rr e h eight sep C to tributed of had con sioner is m m o C ir . S th dea Police litan o e p w o o tr H e M Hogan ly d e rv e Bernard s “unre ed y. il m fa apologis e gs” to th in il fa r u for o
19341
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-80 Door 78 ’s Residences ge early St. Geor ple of an am ex is an ck of built blo tank purposeter a wa flats with of activist number where a Railton chist of and anar . Road lived
19015
1 abited Door 24 ad was inh (cab Railton Ro Lancaster arried by John m groom), drivers children h, their rvant), to Sara se tic es Annie(dom ak er ), h( dr es sm ssing El iz ab et Gi orge Ge and r). pub owne (Licensed
Door 16 s born mes wa C.L.R Ja na, Trinidad pu in Tuna in 1901. He & Tobago ndon during Lo moved to at 165 s and lived 81 to the 1930 from 19 ad Ro n Railto 89. 19 in his death
4 was Door 32 Road ents Railton by resid ), inhabited rpenter (ca h oc John Go Hannah, their to ter), married John(por Lydia children rentice), ter, sis Alice(app h’s (Hanna Rogers washer).
19272
Door 13 31, Roy 27 to 19 During 19 dparents ran gran Eaton’s n “Will’s th the sig a shop wi is was ke”. Th Gold Fla rrent resident cu shared by Hart. Bernard
a Door 12 ow as cock kn Pearl Al tist was tsider ar e British ou aica. Sh m Ja born in Railton to 121 ound moved r 20s, ar ed he in Road open s, and the 1950 d later shop, an nd a dress ndergrou (u n ee a sheb Road in n ilto Ra a n ra bar) on o Pearl als the 70s. rtitude at lled Co where cafe ca ad Ro n 105 Railto artwork, ited her orges she exhib at St Ge and lived a time. for mansion
0 195nli laundry ght Soap
The Su , Herne n Road at the in Railto g south Hill lookin th Chaucer wi junction rding of wo the te Road. No advertisement; cks the Horli can no t legally a claim tha ade! m longer be
Door 16 llective day Co Race To shing articles bli . began pu in 1969 s er fly and included llective kh rru The co Fa Howe, Kwesi Darcus and Linton shed Dhondy bli and pu antiJohnson, to specific articles s and ganisation and racist or n tio Fic Linton activities. n work by non-fictio d C.L.R hnson an Kwesi Jo blished pu o als s James wa . frequently
5 Door 16 ed The es publish C.L.R Jam book on cobins, a Black Ja lution led vo Re n the Haitia uverture. saint L’O by Tous become uld later James wo n Road. ilto Ra of t a residen
D A O R N RAILTO TIMELINE 19132
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Door 10 s Renouf Adolphu Charles tent for for a pa applied lt Spoon n of a Sa his desig 0 Railton 10 m fro page Spreader is is a Road. Th ok of useful bo from a ld by the he ts ten design pa in which Archives patent National design Renouf ’s is stored.
3-145 Door 14 ethodist Road M Railton hed in s establis Church wa operated until d e 1888, an the tim During 1976. church, d as a it operate sted several ho it also including ons, organisati uth and n Road Yo the Railto Centre. ity Commun
Door 17 Wheels” am the Clovis “S Railton moved to Salmon rked as wo He Road. er, and l throw Sam a whee person. UK’s repairs the came en also be m tary ck docu , first bla in 2008 d an filmmaker, rtion of itised a po d an 198 dig es liv Sam still his work. er and a filmmak ilton works as Ra on repairs on bike ay. Road tod
Door 22 Cinema rne Hill The He George Architect opened. a new -designed ing, Coles re the build r fo ed in facade en op re n which the 1932 as the r Decembe was one nema. It Grand Ci as to have rly cinem of the ea In 1953, chestra. a live or renamed ma was the Cine ma. The ne Ci an The Pullm In 1959 closed to cinema nverted co s bingo and wa ependent d se clo an ind e building club. Th in 1986.
RAILT
Door 22 period of time ort For a sh Cinema , the in 2004 s owned and , wa ing ild shop, bu ribbean Ca a run as er ”. “Tantaliz
1939
the Jacoby, William of the architect the d original an Estate Hurst St came to ing. He 198 build part of as 10 ed London ag rt from ertranspo the Kind ined as y, then tra tually German en ev d ner an joi chitect a Ar the Chief Drawing became itects ch Ar th. rd be of Lam rverHagga
Door 16 e Centre on Advic The Brixt Family as the opened offering e, ntr Ce selling Advice un and co services ns and g perso for youn ixton. Br in living families Door 78 es, the on Fairi The Brixt anch of ndon br South Lo ont took Fr on ati Gay Liber op. This empty sh as a over a was used g building d Meetin an ity from Commun es iri Fa r the Centre fo 6. 1974-197
of residents Four violently ad were Railton Ro arrested d an Police. assaulted Brixton by the d arrests saults an point These as g kin ea br black were a ting antiity of articula commun the in nised violence ga or ts en and resid d talks to an protests against and act discuss cism of nued ra the conti e. “Justice on polic the Brixt 4” was Railton for the mmunity co s of a serie Brixton, ations in below demonstr archives and the kes for sta the ilton explain Ra on and the Brixt well as ities, as ibility commun vis ed ten the heigh lence in other vio ods. of racist ighbourho London ne
youth Door 14 full time The first n Road the Railto unity leader of m m and Co inted, Youth po was ap Centre . rd he ep Gavton Sh
1951a
Door 82 wrote a Atwell, lonial Winifred British Co letter to the regarding gust Secretary Au of 17 Hurricane Jamaica. t struck 1951 tha support ir the ed Many offer s alongside rvice and se notable one lympic Atwell, was O enquirer Bailey. cDonald sprinter M
6 197bla ck
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by was given An ap wrongful e for the e. oc Gr the polic ry of Cher ed that shooting st conclud An inque te police failures ra eight sepa ted to Cherry’s ibu had contr ioner of Commiss Sir death. Police litan Metropo - Howe n Hoga dly ve er Bernard es “unr ed apologis the family. lings” to for our fai
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NROAD RAILTO TIMELINE 1891
the exploring 198 be n Road of Railto the history s From ice Vo through e project. Front Lin
Learning
24 OJT n Road SE
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DELIVERABLE: From concept to final artwork to print, design a leaflet/pull-out of the Voices From the Front Line Railton Road timeline to accompany the publication as a separate handout.
CAFE FOR THE FUTURE To develop a cafĂŠ concept which is more than simply the food and drink. It should be designed to serve a niche customer group who you think are currently under-served.
Breaking down barriers womenmost entering important and pursuing Construction istheone ofof the sectors in the UK careers within the construction and creative industries.
economy and is at a decline and at the same time women are under-represented, and are only 11% of the workforce.
iroko wants to promote diversity and break-down the barriers
of women entering and pursuing careers with-in the construction and creative industry.
By 2020, 26% of the construction workforce will be women and we at iroko want to be able to play in help this happen. iroko
promotes, informs, support and inspirers women through creative iroko is designed to promote diversity and break-down the barriers of women entering and pursuing careers with-in the construction and creative industry. iroko informs, supports and inspirer women through creative workshops to learn new skills and gain hands-on experience and explore all the diverse roles there is with-in the construction and the creative world. Brand logo, hashtag (iroko slogan) badges and postcards to promote iroko’s services.
workshops to learn new skills and gain hands-on experience
and explore all the diverse roles there is with-in the construction and the creative world.
“Construction is a major pillar of the UK’s economy, employing around 2.1 million people. However women make up just 11% of this industry and are paid 12% less...”
Hashtag - iroko slogan (600x600mm) wooden wall frames with shaved wood in iroko’s brand colours.
“By 2020, 26% of the construction workforce will be women.�
iroko branded merchandise - cafe paper bags, hot cups and holders .
“... most importantly, we all need to make sure that construction is a career path that both women and men enjoy being a part of.” Sarah Sidey, Randstad
Hashtag aprons in iroko’s brand colours .
BUI SMOOTHIE a blend of baobab fruit from Africa infused with other fruits to create healthy and delicious smoothies. Deliverable: To work with the client to create the manifesto, messaging and tone of voice of the product. To translate all ideas into a brand identity which could be applied to a range of applications from print to packaging and the web.
Bui Smoothies I. Camara
T: 07725 310 058 W: buismoothies.com E: hello@buismoothies.com
bui_smoothies bui_smoothies
Ful’a Goodness with Kiwi Bui Smoothies
Bui Smoothies
I. Camara T: 07725 310 058 W: buismoothies.com E: hello@buismoothies.com bui_smoothies bui_smoothies
Bui Smoothie brand logo | business cards | bottle labels
Ful’a Goodness
Ful’a GoodnessFul’a Goodness
with Kiwi
with Kiwi
with Strawberry
Ful’a Goodness with Strawberry
Ful’a Goodness Ful’a Goodness with Strawberry with mango
Ful’a Goodness with mango
“Our Vision is of a honest and kind world where we have fun, talk and share more. Where we can discover and experience healthy foods from Africa and around the world.”
U IQ Y H UN 100%Y N P H AP EST L TH ES FR UE H ON TURA EAL QUE R H H A I % E Q UP UNI IND H N PPY T UN 100 Y S H S K S L A T T Y E E S L H A % LTH NE 100 R FR UE HON TUR HEA IQUE A ON U E HO L PE IQ A Y N 0% H NIQ 0% D H FR Y HIND URA Y SU T UN KIND SH N APP ST U L 10 HY A P N Y KI PER Y AP %K AT TH ES 0% FRE E H NE RA ALT E H N PP T U 10 Y SU PP H ES HA NES RAL ALTH E E H 100 SH N EAL HON L 10 PER IQU HO ATU HE NIQU % R U HA ND IQ AL FRE PY H ND URA SU UN IND H N PPY T U 100 HY R F IQUE HO ATU HE NIQU % N E R I S T K S L A Y P R T U T E Y S 0 E K P U KI PER D L H H E A E N % P T U 10 Y U UN IN H ST NAT UP E HA 0% NA ALT NE 00 R FR UE ON TUR EA QU P S SU PP H S S 0 1 K S I L O A T T Y H HY IQU L 1 RESH HE D H AL UPE NIQ D H NA PY H UN 00% TH NES 00% FRE UE H ONE URA EAL UE HA ND Y Y N T A 1 R S L T U P I F H N L P N U H R S U L R I T A HO L 1 PE IQ O A ST U TU PER AP %K AT THY EST %K RES HA NE RA ALT UE H A Y H NIQ 0% KI P Q % E I H H 0 H D F E A H N A L A N N N N U E E U P O U 0 0 0 0 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Bui Smoothie A3 poster x3
“We want to share the unique taste of The Gambian roots by blending our Superfruit Baobab from the tree that we call the Tree of Life.”
Nutritionals
per 100 ml
Energy kcal Bui Smoothies Full of goodness
The Gambian Superfruit Drink
270
Fat (saturates)
0.1
Total carbohydrates
16.3
Total sugar
13.1
Dietary fibre
The bottle you are holding contains baobab which is an African super-fruit! We never add preservative or sugars in your drinks.
1.4
Protein
0.1
Salt
We preserve using a process called HPP. This is a cold pasteurization technique which ensures that minimal nutrition is lost. Your drink contains natural occurring sugars only.
INGREDIENTS: Pressed Pineapple 77% Mango 11% 7% Banana Baobab 5%
64
Energy kj
0.10
Best served chilled. keep drink refrigerated 0-5 0C. Once opened, drink within two days. See bottle cap for use by date.
Bui Smoothies Full of goodness
Manufacture by: Bui Smoothies 35 Kingsland Rd London E2 8AA
Hello@buismoothies.com bui_smoothies bui_smoothies
Our smoothies are natural, so there is separation! Shake well before enjoying.
The most SUPER of all superfruits.
Bui Smoothies Bui Smoothies Bui Smoothies Bui Full of goodness
Full of goodness
Full of goodness
Bui Smoothies Smoothies Full of goodness
Full of goodness
with mango
with Kiwi
with Strawberry
Full of goodness
Nutritionals
with mango
with Strawberry
Bui Smoothies Full of goodness
The Gambian Superfruit Drink The bottle you are holding contains baobab which is an African super-fruit! We never add preservative or sugars in your drinks.
64
Energy kj
270
Fat (saturates)
0.1
Total carbohydrates
16.3
Total sugar
13.1
Dietary fibre
1.4
Protein
0.1 0.10
Best served chilled. keep drink refrigerated 0-5 0C. Once opened, drink within two days. See bottle cap for use by date.
Manufacture by: …happy …happy …unique …unique …honest …kind …honest …kind Bui Smoothies 35 Kingsland Rd …100%. …100%. …natural …natural …fresh …fresh …super …super …healthy …healthy INGREDIENTS: London E2 8AA
Pressed Pineapple Mango Banana Baobab
Superfruit Drink Superfruit Drink The Gambian - The Gambian BAOBAB - BAOBAB
77% 11% 7% 5%
Our smoothies are natural, so there is separation! Shake well before enjoying.
The most SUPER of all superfruits.
Bui Smoothies Full of goodness
Hello@buismoothies.com bui_smoothies bui_smoothies
Full of goodness Full of goodness with mango
Nutritionals
per 100 ml
Salt
We preserve using a process called HPP. This is a cold pasteurization technique which ensures that minimal nutrition is lost. Your drink contains natural occurring sugars only.
Bui Smoothie A5 leaflet | Bottle labels
250ml e
Bui Smoothies Energy kcal
with Kiwi
with mango
250ml e
per 100 ml
Energy kcal Bui Smoothies Full of goodness
The Gambian Superfruit Drink
0.1
Total carbohydrates
16.3
Total sugar
13.1
Protein
0.10
Best served chilled. keep drink refrigerated 0-5 0C. Once opened, drink within two days. See bottle cap for use by date.
Bui Smoothies Full of goodness
Manufacture by: Bui Smoothies 35 Kingsland Rd London E2 8AA
Hello@buismoothies.com bui_smoothies bui_smoothies
Our smoothies are natural, so there is separation! Shake well before enjoying.
The most SUPER of all superfruits.
1.4 0.1
Salt
We preserve using a process called HPP. This is a cold pasteurization technique which ensures that minimal nutrition is lost. Your drink contains natural occurring sugars only.
INGREDIENTS: Pressed Orange juice 58% Pressed Grapes juice 19% Strawberries 11% Banana 7% Baobab 5%
270
Fat (saturates)
Dietary fibre
The bottle you are holding contains baobab which is an African super-fruit! We never add preservative or sugars in your drinks.
64
Energy kj
with strawberry
250ml e
NCY
WHERE INTEGRITY IS OUR CURRENCY
Logo Design
IT’S
RE
UT ABO !
CO
ALL
THE
Logo Design
DORETTE D. LEWIN GRAPHIC DESIGNER
ms.ddlewin@gmail.com instagram.com/delta_58