Figure 9: Statua di Cangrande. Drawing by Carlo Scarpa for one of the main additions he designed for the Castelvecchio museum in Verona. (Material: Graphite, charcoal, pastel, colour crayons on eliografica paper. Museo di Castelvecchio. 1961-1964 The drawing is a hybrid experimental drawing shifting between different scales and types of drawings. The use of colour is not realistic, instead it exists to emphasize the main elements of the drawing and show the connection between them.
3.3 Hand-Eye-Brain According to Robin Evans, drawing is a device of thinking and imagining. For an architect, drawing is a device for translation towards the act of building. 38 To translate is to convey
38
Robin Evans, Translations from Drawing to Building and other essays (London: Architectural Association, 1997), p. 9
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