Style Bible 2017 by design et al

STYLE BIBLE

D E S I G N CE NTR E , CH E L S E A HAR B O U R SAM U E L- H E ATH .CO.U K MAD E I N E N G L AN D

CONTENTS 11 EDITORIAL 12 DESIGNER PROFILES 16 MEYER DAVIS 17 LAURA STEIN INTERIORS 18 ROELFIEN VOS 20 ANNA CASA INTERIORS 21 DWP 22 OLIVE DESIGN STUDIO 23 HARTMANN DESIGN LTD 24 DESIGN INTERVENTION 26 PRESTIGE GLOBAL DESIGN 27 CRISTINA JORGE DE CARVALHO 28 ELICYON LTD 30 HAMILFORD DESIGN LTD

British Designers and Manufacturers of Beautiful Architectural Hardware

31 GUY OLIVER 32 OAKEVE 34 TAYLOR HOWES 35 TENHURST 36 HONKY 38 EZRALOW DESIGNS

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Publisher Joanne Beedles Senior Editorial Researcher Isobella Lichfield Digital Publisher Richard Stockton Publishing Manager - Luxe Christopher Aitken Client Account Manager Michael Roberts Client Account Manager Ryan Boocock Client Account Manager Michael Davies Design Awards Manager Glenn Hughes Awards Team Leader Anna Jackson Awards Coordinator Anna Clapson Web Development Craig Culbert Graphic Designer Matthew Milner Public Relations Consultant Catherine Lyne Editorial Assistant Natalie Cowley Accounts Paul Jones

Time flies, and here we are once again at the start of another year with our annual book of forecasts and predictions for the forthcoming year. As always we have selected a number of key individuals who are respected in their field, and asked them a little about themselves, their thoughts on design, their lives, loves and inspirations as well as their predictions for the year ahead. The Product section of The International Design & Architecture Awards continues to grow each year, and from P54 you can take a

look at the winning products from last yearâ&#x20AC;&#x2122;s awards. Throughout the year, we also ask designers for their endorsements - the products and services that they use when putting together their design schemes and, indeed, in their own homes and from P46 you can view a small selection of these. We do hope you enjoy this yearâ&#x20AC;&#x2122;s Style Bible as much as we have enjoyed putting it together. Best wishes Joanne

DESIGNER PROFILES

LEADING NAMES GIVE THEIR THOUGHTS, IDEAS AND DESIGN DIRECTIONS...

“ THE AWARDS ARE IMPORTANT AS THEY SHOWCASE THE BEST TALENT AND PROFESSIONALS IN THE INDUSTRY WHICH HELPS SET THE STANDARD AND BENCHMARK FOR DESIGNERS ACROSS THE COUNTRY AND THE GLOBE. ”

WILL MEYER MEYER DAVIS

Born and raised in Tennessee, Will Meyer is a graduate of the Auburn University College of Architecture, Design and Construction. He began his career in New York as an intern for the avant-garde architect Peter Eisenman, which led to a full-time position at Gwathmey Siegel & Associates, where he was mentored by the legendary Charles Gwathmey. In 1999, he and Gray Davis founded Meyer Davis Studio as a full-service... Designer Background continued: ...design firm with both residential and commercial projects. Will shares a passion for art and architecture with a clientele that includes fashion designers (John Varvatos and Oscar de la Renta), celebrity chefs (Andrew Carmellini and Ford Fry) and powerhouse hoteliers (Aby Rosen, Barry Sternlicht, Jonathan Tisch.) His ability to work in both modernist and traditional vernaculars has led to commissions around the globe. He and his wife, Kerstin, reside with their two children in a townhouse in Williamsburg, Brooklyn, and spend weekends at a 1971 beach house, by architect Hugh Newell Jacobsen, which Will recently renovated and expanded in harmony with the original design. How would you describe your personal interior How would you describe your personal interior design style? My personal interior design style gravitates toward a tailored, empathetic, bold look. Where does your design inspiration come from? The location of the project decides the narrative and where the inspiration develops. Our work carries allusions that weave the unique qualities of the space and take into account subtle reference of the story we want to tell through our design. In what direction do you feel that design is moving towards in a general sense? There is such versatility in the design world today, everyone is able to find something that caters to their personal taste. As

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technologically advanced as the world has become it’s important to incorporate the necessities of speed and efficiency into the design of the project. Name five key themes to consider when approaching design in the future: One: The Client-The client is always our number one priority when designing a space. We design seamless physical experiences tailored to our client’s individuality, combining principles of great design with a clear vision for the experience they seek to create. Two: Sustainability- Sustainability in design is a core theme to be able to improve the environment and celebrate the beauty and natural characteristics of materials. Three: Innovation-We are interested in ideas, not ownership; our team is always on the lookout of new sources of inspiration and consistently adjusting our learning curve to perpetuate growth and evolution. Four: Technology-With the fast paced and technologically advanced world, it’s important to incorporate that within today’s design. Five: Timelessness-We believe that great design works on multiple levels, weaving together bold design moves and striking details to ensure that when completed, each project makes an immediate and lasting impact of timelessness. If you could offer one piece of advice when it comes to product design, what would it be? Gray and I always like to celebrate the beauty

and natural characteristics of materials that we use and we have found that by having clean counter point to those materials allows one to appreciate the qualities of the material. The natural characteristics of materials will always be timeless. How important are The International Design & Architecture Awards as recognition of talent and achievement? What I admire about the International Design & Architecture Awards is they set a high bar and are truly looking for talent. They operate strictly on merit, not popularity. What projects are you currently working on? We are currently working on a Crown Hotel in Sydney, two Four Seasons in Greece, Little Dix Bay and a Four Seasons in Costa Rica, a restaurant at the Parisian hotel in Macau. We just finished a Loft for Jenna Lyons, the Creative Director, of J.Crew and the headquarters of Snapchat in New York City. What are your aims and goals for the next twelve months? Our goal for the next 12 months is to complete the fore mentioned projects and we are excited about any new potential projects in 2017. We are so thankful for the successful year we’ve had and the clients we’ve been able to collaborate with. If you weren’t a designer, what would you be? Maybe in a different field like graphic design.

LAURA STEIN

LAURA STEIN INTERIORS

I started my design career as an art director in advertising and then moved into publishing. It took several years, but I finally realised that I found nothing fulfilling about designing for print. Everything I created ultimately came out on a flat page. What I enjoyed most about my job was styling for photo shoots – creating something in three dimensions, working with texture and light. It finally occurred to me that I was using my design skills in the wrong industry and I began taking interior design classes. Designer Background continued: I did the first year of a Masters degree in Interior Design at The New England School of Art and Design (I was living in Boston at the time, and had already completed a Masters degree in Communications from Boston University). Then I moved back home to Toronto. I had never lived in Toronto as an adult, so I needed to re-learn the city from a different perspective. I got a job as a stylist at a production company and worked on two different home decorating shows, running around all over town learning where the furniture stores were, who the best upholsters were, sewing workrooms, builders, painters etc. In the evenings I was completing a program at George Brown College in Interior Decorating. When my television contract ended in the summer of 2006 I started my interior decorating and design business. Since then my firm has grown to become one of Toronto’s most respected design firms. Our work has been recognised both nationally and internationally with multiple industry awards and is frequently published. Based in Toronto, our boutique-style firm caters to discerning clients looking for bespoke design, exquisite quality and personalised service. How would you describe your personal interior design style? My style is classic, understated luxury infused with a fresh, contemporary edge. Although my work ranges from very contemporary to more traditional, I find myself comfortably somewhere in the middle. Functionality, beauty, longevity and quality are my most

important considerations. I am currently renovating my own home from top to bottom, and it has a much more casual, laid-back feel than what I design for most of my clients. Where does your design inspiration come from? My inspiration literally comes from everywhere. It might come from a book or magazine, a piece of furniture or fabric, from fashion or architecture. I love to travel, and that is definitely a great source of inspiration. But sometimes inspiration just comes from a detail that I see on someone’s shoe, or the way some books are stacked on a table. It’s usually something mundane that I can look at and turn into something else. In what direction do you feel that design is moving towards in a general sense? I think design is really going everywhere. While there are still trends that come and go, I think we are at place where almost any look or any style can be made to look fantastic. That gives people the freedom to really do what they love and not be confined to specific rules or expectations. Name five key themes to consider when approaching design in the future: One: Regardless of style, keep things cohesive. It is rather jarring to move from one room to the next if the looks are completely different. Make sure there is a unifying element that runs throughout the space. Two: Be open minded. You may be surprised by what you fall in love with.

Three: Add layers and lots of texture. It’s what makes a room feel interesting and comfortable. Four: Forget the trends. Buy what you love. Five: Support your local community. There are tons of artisans designing and making beautiful, unique products in every city. If you could offer one piece of advice when it comes to product design, what would it be? Plan ahead. Figure out your design scheme, collect samples and take measurements before making any purchases. So often I see clients who have just purchased something because they like it, but once they get it home it does not work with their other pieces or does not fit in their space. Be flexible, but plan! How important are The International Design & Architecture Awards as recognition of talent and achievement? The International Design and Architecture Awards are a wonderful way to support and recognise design talent across the globe. It is an honour and a privilege to be a recipient of such a prestigious award. What projects are you currently working on? We are currently working on a number of large renovation and decorating projects. The one I’m most excited about is a downtown Toronto condo that we are transforming from a builder-basic white box into a lavish Parisinspired apartment. The goal is to feel like you’ve stepped out of the elevator in Toronto, through a magic door, and landed in Paris.

WWW.LAURASTEININTERIORS.COM

ROELFIEN VOS ROELFIEN VOS INTERIOR DESIGN & ARCHITECTURE

I grew up and studied in Germany until 1986. I worked in the commercial sector up until 1999. In 2000 I started my own interior design studio. My first assignment was a villa in the south a France. The villa was sold to one of the grand children of Louis Vuitton. How would you describe your personal interior design style? My style is an eclectic mix of contemporary design, global finds and custom designed creations with close attention to detail. My strength is the perfect balance in the choice of materials, colours, architectural shapes and the way of combining them. Where does your design inspiration come from? I find my inspiration in numerous trips abroad which are part of my work as well as during International Design fairs. My design process often starts with an inspirational form that reflects in nature.

objects and the total atmosphere of the interior. Two: Design that shows the essence of the client. The concept of the design must reflect the identity of the owner and their guests. Three: Lifetime experience. The design must surprise in a subtle way without distracting and disrupting the harmony. Four: Balanced and subtle in color, material and architectural forms. Also the scent and acoustics are details in the design I like to consider. Five: Last but not least is the functionality. The various design features must lead to the functionality of the interior concept.

In what direction do you feel that design is moving towards in a general sense?

If you could offer one piece of advice when it comes to product design, what would it be?

Nowadays Interiors are more personal and less abstract. People like to show their personality and preferences with their interior homes. Feeling at home in your own home with a designed interior has become an important aspect once again. Another issue is sustainability; people are more aware of the environment and the needs towards a sustainable habitat.

Functionality that stands out by using well thought through details, that makes the design beautiful.

Name five key themes to consider when approaching design in the future: One: Detail oriented. A well thought through design giving great attention to the design detail, which gives beauty to the different

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How important are The International Design & Architecture Awards as recognition of talent and achievement? The Awards are important for the design field itself, showing professionality to the targeted markets. Being a winner of the Award I feel that it is an important recognition as a designer and also important for the portfolio. What projects are you currently working on?

At the moment I am finalising a project in France, which is a rebuild for a small castle in Montpellier as well as a 800m2 villa in the middle of the Netherlands both high end residential projects. I also have a new assignment for one of the hotel within the Oostwegel Collection. What are your aims and goals for the next twelve months? At the moment 70% of my turnover is in high end residential Design and a 30% in hospitality. With my team of 5 people, we are planning a growth of 20% in Hospitality. I hired two people that have long time experience in hospitality design. Making lifetime experiences for people with our designs is the goal! Final thoughts – tell us a little more about yourself... Your most treasured possession? My two daughters. Your favourite holiday destination? South Africa. Your favourite hotel / restaurant / bar? One & Only The Palm – Dubai. If you weren’t a designer, what would you be? I couldn’t imagine a life without designing. This is what I always wanted to be. Anything else interesting? Working on my own design line of doors: that will hit the market this year.

Roelfien Vos Interior Design & Architecture | Blankenstraat 410 | 1018 SK AMSTERDAM | The Netherlands +31 20 363 9783 | www.roelfienvos.com

ANNA GRACE DAVIDSON OWNER, ANNA CASA INTERIORS

I was born in Kiev and grew up in Berlin but have been based in here in London for many years. I enrolled in private lessons in Berlin with a celebrated art professor who had previously taught at the University of St. Petersburg and under his tuition developed artistic skill in a variety of different mediums. Tell us a little about your background (education, experience, etc)

In what direction do you feel that design is moving towards in a general sense?

What are your aims and goals for the next twelve months?

I chose to go on to study graphic design and typography, winning one of only 30 places at University. After I graduated I took up a job at an advertising agency in East Berlin as a graphic designer. This wasn’t creative enough for me though and that is when I realised my passion was for the interior design industry. I expanded on my skills as an interior designer in the UK by working on all sorts of inspiring international projects and eventually opened up my first showroom in Chelsea Harbour Design Centre along with my Interior Design Studio , followed by my second showroom in Mayfair.

In terms of product and furniture design in particular, I think there will be a focus on reinventing and modifying iconic designs of the past to reflect a modern, contemporary style. I think there will be a lot of colour trends inspired by the 50s and 60s along with a rise in the consumer’s desire for real quality and craftsmanship. I see the 50s and 60s era of design as classic but there is always that window for new inspirations from modern design. I also predict that metallics, especially iron, bronze and rusty finishes, will be big and dominating the trend reports in 2016.

For the next twelve months, besides working on different interior projects, I am planning to continue designing more furniture. There are so many brands out there that I would like to work with and this year may just be the year to branch out even more.

How would you describe your own personal style?

How important are The International Design and Architecture Awards as recognition of talent and achievement?

I would describe my personal style as eclectic and timeless. I like creating contemporary designs with different styles combined. One of my favourite colour palettes at the moment is shades of grey.

The awards are important as they showcase the best talent and professionals in the industry which helps set the standard and benchmark for designers across the country and the globe.

Where does your inspiration come from?

What projects are you currently working on?

My inspiration stems from a variety of things – people, travel, culture, books, fashion. All of these elements inspire me daily and all over the world when I travel. I am constantly inspired by different things and people everything from successful entrepreneurs to interior designers.

I am working on several upcoming international projects at the moment in both the residential and commercial sectors, including an office building and residential properties within Mayfair and Belgravia, London, Battersea Power Station in London and Residential properties in Germany.

WWW.ANNACASA.NET

Your favourite hotel / restaurant / bar? Plaza Athene, Paris. Your favourite book / film / song... Book:Shantarum, Film: Notebook. Your favourite food and drink... Italian truffle pasta and a good red wine! Your favourite way to spend an afternoon... Lunch with friends, or with a great book on a hot beach. If you weren’t a designer, what would you be... A spiritual healer!

MALIHA NISHAT

DESIGN DIRECTOR INTERIOR DESIGN DWP | DESIGN WORLDWIDE PARTNERSHIP

After obtaining my degree in Interior Architecture at The American University in Dubai in 2000, I joined the local design industry and shortly thereafter relocated to Melbourne. I started at HBA in Melbourne, which at the time was a very small office with a boutique F&B specialty offering. Tell us a little about your background in design (education, experience, etc) However, it didn’t take long for small F&B projects to expand into full-fledged hotels and multi-use developments. I started doing more and more hotels and I developed a real love for hospitality design and eventually specialized. I worked on some of the most awe inspiring projects, mostly in Hong Kong, Macau and China, where the clients always wanted something bigger, better, and wow. I am back in Dubai, which is hometown, and have begun another exciting phase of my career as Design Director at DWP. How would you describe your personal interior design style? Timeless elegance, human scale and comfortable, effortless style. I prefer my environments to be uncomplicated and to feel like home. I do try to bring in that effortlessness into my design, where a traveller staying in one of the hotels I design must feel an even greater sense of comfort, and feel like they are home away from home. My style is simple, comfortable, classic contemporary, eclectic and unfussy. Where does your design inspiration come from? As designers we need to take inspiration from every single thing and learn to create but personally I am often inspired by nature and I like to keep things simple. Nature is vast and powerful and has so many different

elements which can be drawn upon. No one ever seems to get bored of being in nature. I also take a lot of inspiration from travel. I love travelling and often bring my experiences into my interiors. The world is merging. People are travelling, their minds broadening, and eclectic people and environments are more the norm now than they ever have been. In what direction do you feel that design is moving towards in a general sense? We have never experienced design style as we are right now. Where the world is getting smaller, design styles, cultures and eras are merging. People are getting more exposed, and there is little fear in taking design risks. Retro meets classic, meets ultra modern, meets ethnic. The blend of styles due to global crossover is the new design style. What projects are you currently working on? It’s an exciting time for us at DWP right now with the projects we are currently managing. We have been fortunate enough to work with some of the most open minded clients and operators. • The Doubletree by Hilton in Bay Square. The thing I most enjoyed about this project was pushing the boundaries of the brand and creating a truly unique, comfortable and stylish hotel. Both client and operator loved what we’ve done and the design process felt effortless. We see this hotel trending once it opens its doors – we can’t wait!

• Zabeel Residence: This is a flagship project for the developers and the brief was simple: luxurious living, simple design. Of all the projects I have been fortunate enough to be involved in, this one probably holds closest to my own personal design style. • Deira Waterfront: This project is extremely exciting as we are designing multiple hotels of multiple star ratings as well as a heritage hotel. Being part of old Dubai, one of the greatest experiences has been exploring the old meandering alleyways of the souks for inspiration and discovering the true essence of the region – engaging all senses. Your favourite hotel / restaurant / bar? I love Toni Chi’s work. His interiors always seem to have a freshness that inspires; yet they are timeless and never age. His design is effortless, clean, simple and never fussy. I never get tired of visiting the hotels he’s designed like the Park Hyatt in Shanghai which happens to be an old favourite. My favourite restaurant would have to be Zuma, Dubai, and Budda Bar would have to be my all time favourite bar. Your favourite book / film / song...my all-time favorite book is To Kill a Mockingbird. It is such an absorbing read with such powerful messages on real life issues. A timeless classic by all means. Maroon 5 has been my current favorite band for quite some time and growing up I listened to a lot of U2 and am a massive fan of Bono.

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LUCY CLARK & KATIE SINGLETON OLIVE DESIGN STUDIO

We set up Olive Design Studio, London in 2012. Collectively we have 16 years’ experience in the Interior Design Industry working on both luxury commercial and residential interiors in the UK, Europe and Middle East. From our studio in London, we have created an exciting, fresh, new generation architectural interior design company working on a range of luxury residential and commercial interior design schemes. Tell us a little about your background in design (education, experience, etc)

Where does your design inspiration come from?

Katie: Having studied New Media Production at university, I joined the television industry where I was involved in writing and directing children’s television programmes as well as set design. In my early twenties, I decided on a complete career change and enrolled at the KLC School of Interior Design in Chelsea Harbour going on to spend several years working for high-end interior designers.

Being an interior designer you need to be flexible and able to work on all kinds of projects. We both know that understanding our clients is key. We love meeting people and working out how best we can help them to realise their ideal interiors. Inspiration can therefore come from our client’s background or a colour palette lead by a piece of artwork. It is important not to be led by design trends, we are of course aware of them, but it is crucial to design an interior that is personal to the individual but also create a timeless interior that will be relevant in years to come.

Lucy: From an early age, I developed a keen eye and passion for the arts and history at school and went on to study History of Art and Architecture at university where I became increasingly aware of man’s ability to create incredible buildings and interior spaces with an ever-evolving array of materials. It was a natural step to train in London as an architectural interior designer going on to work for high-end interior design companies. How would you describe your personal interior design style? We both have country roots which gives us a similar design aesthetic. We both love eclectic interiors that mix the old and new to create an air of understated elegance. We are also very sympathetic to the interior architecture and location of a property to ensure it is enhanced and integrity withheld.

WWW.THEOLIVEDESIGNSTUDIO.COM

In what direction do you feel that design is moving towards in a general sense? We feel design is becoming more and more bespoke. We generally get all our furniture tailor made so it fits perfectly within a space and meets all our client’s criteria’s. Again, it’s about challenging all our talented craftsmen in our industry, whether it is a specialist finish, metal work, joinery, lighting or AV. With the everevolving technologies pretty much anything is possible to create that bespoke interior. Name five key themes to consider when approaching design in the future: One: Ensure you have a very clear concept to ensure you do not go ‘off piste’. Two: Be extremely organised. Three: Ensure durability / longevity is at the forefront during and after the design process

Four: Communication is key between all parties whether it be the client, architect, project manager, contractor. Communication is the key to success. Five: Inspiration. Be inspired and open your eyes. As mentioned before, anything is possible with the ever-evolving design industry and we are so excited to see what 2017 will bring! If you could offer one piece of advice when it comes to product design, what would it be? It is so important it is durable and can stand the test of time and be functional as well as look stunning. As we design most of our pieces in-house, we ensure CAD drawings are worked up by our team, check measured on site and then sent to the furniture maker. We then receive ‘ROD’ construction drawings to critique and comment. Once these drawings have been signed off we always go and visit the workshops before the pieces are completed to ensure they are exactly as per our signed off designs. It is all about the detail and check, check and triple checking! How important are The International Design & Architecture Awards as recognition of talent and achievement? We are now venturing into our fifth year of trading and it is so important to enter awards such as the Interior Design and Architecture awards to gain recognition and celebration our successfully completed projects.

ROLAND HARTMANN HARTMANN DESIGN LTD

My design education started as a young boy working in my father’s furniture factory. It was here that my appreciation for furniture and the art of manufacturing was nurtured. I completed my education in Interior Design at the Design Centre College of Design in Johannesburg, South Africa; my place of birth. I left SA after having completed my studies and was given the opportunity to work for GA international... Designer Background continued: ....Bilkey llinas Design and Midroc Construction. I have been working independently as an interior designer since 2001 and have had the great fortune to work with private clients, developers and contractors on a range of residential and hospitality projects. How would you describe your personal interior design style? As is evident in all my work I have no absolute personal style as the style is determined by by thethe Client, Client, thethe space space andand thethe location location. My style My is that style I am is that attentive I am attentive to my Clients to mywishes Clients’ wishes and able and to able translate to translate these into these stylish into but stylish yet but unpretentious yet unpretentious interiors. interiors.

Four: Globalisation. Specifically the understanding of different cultures. Five: Technology and the impact that this has had on how design is delivered and executed. If you could offer one piece of advice when it comes to product design, what would it be? All flat screens should become touch screens. How important are The International Design & Architecture Awards as recognition of talent and achievement? The awards are vitally important as it inspires designers to push the boundaries with their designs so that they can be recognised and duly awarded for their accomplishments. What projects are you currently working on?

In what direction do you feel that design is moving towards in a general sense? As in all the creative industries, industries Interior Interior Design Design is moving is moving forwardforward at a fastatpace a fast with pace new with new technology technology and accessibility and accessibility to the toglobal the global market but returning to the past to borrow on established styles, details and finishes. finishes Name five key themes to consider when approaching design in the future: One: Health and Social Care specifically the aged population. Two: Sustainable Design. Three: New manufacturing methods-3D Three: printingNew for example. manufacturing methods-3D printing for example.

• • • • • • • •

Refurbishment of a Victorian House in London. New interiors and branding for a fast growing coffee shop company. Lateral conversion of a London apartment. Beach House in Plettenberg Bay, South Africa.

Final thoughts – tell us a little more about yourself... Your most treasured possession? My house keys.

Your favourite holiday destination? Aero Island, Denmark

Your favourite hotel / restaurant / bar? Hotel Sukhotai, Bangkok, Restaurant: Restaurant Da Da Giuliano, Giuliano, Milan, Milan, Bar: Bar The The Milk Milk Bar, Bar, Addis Addis Ababa, Ababa, Ethiopia Ethiopia

Your favourite film / book / song? Book: Book The The Fountainhead Fountainhead by by Ayn Ayn Rand Rand Film: Film True True Romance Romance Song: Song Cant Cant take take my my eyes eyes off off you you by by Andy Andy Williams

Your favourite way to spend an afternoon? Outside with my family.

If you weren’t a designer, what would you be? A Chef.

What are your aims and goals for the next twelve months? I aim to attend more interiors events, exhibitions and seminars and my goal is to become a better designer than I was in 2016.

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NIKKI HUNT AND ANDREA SAVAGE PRINCIPALS, DESIGN INTERVENTION

Design Intervention id is helmed by partners, Nikki Hunt and Andrea Savage. The company was founded by Nikki Hunt in 2004. Nikki was born in the UK and studied Economics at the London school of Economics before moving to Asia in 1990. Nikki lived in Hong Kong and Jakarta before settling in Singapore. Andrea joined the company in 2010 and was made a partner soon after. Andrea is an Australian national who studied design in London. How would you describe your personal interior design style? Design Intervention is a Singapore based design studio. Our team comprises interior designers, architects, stylists, Interior architects and project managers. Thus, enabling us to take a project from conception through to fruition: creating a totally bespoke home. We do not have a house style; rather our portfolio is as diverse as our clients are. We believe that good design improves quality of life, affects mood and invokes a sense of wellbeing. Our mission is to enhance the lives of our clients by creating homes that are uniquely tailored to their lifestyle, aspirations and personalities.

How important are The International Design and Architecture Awards as recognition of talent and achievement? The Design Awards play a critical role in raising industry standards. They inspire design professional to strive for new, fresh ideas and higher standards of workmanship. Celebrating excellence motivates and drives the competitive spirit in us all, resulting in the pursuit of excellence and ever-higher standards. What projects are you currently working on? We are working on a ski resort in Niseko Japan, a penthouse in Singapore and a bungalow in Sentosa.

Where does your design inspiration come from?

What are your aims and goals for the next twelve months?

Our team of 24 is made up of 12 different nationalities â&#x20AC;&#x201C; each bringing their own unique experience to the Design Intervention team. With such a diverse group, we inspire each other. We believe design is a passion. If you are truly passionate about design then inspiration will be found in everything around you-the set of a TV show, the details on a friends dress or the colours in a garden.

Later this year, we plan to officially launch our Signature series of in-house furniture designs for purchase online. We have found that in this globalized world, the same, wellknown pieces are available to everyone all over the world. Whilst they may be lovely pieces, this means that it is increasing difficult to personalize our homes. At Design Intervention, we have been designing our own pieces to give a unique signature to our projects. We have put together a collection of our favourite designs, which will be available to purchase on line later this year.

If you could offer one piece of advice when it comes to interior design schemes, what would it be? Restraint. Just because you can, doesnâ&#x20AC;&#x2122;t mean you should.

WWW.DESIGNINTERVENTION.COM.SG

Hand-built

Bespoke British Lighting

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MICHAEL ONG & JEREMY TAY DIRECTORS, PRESTIGE GLOBAL DESIGN

M+J: Prestige Global Designs is very diversified in all interior design styles. We create and build luxurious interiors worthy of the finest hotels for residences, show suites, hospitality and offices. The award-winning form prides itself on luxurious design customised to individual requirements, and ingenious planning for maximum spatial functionality. How would you describe your personal interior design style?

Name five key themes to consider when approaching design in 2016 and beyond.

Prestige Global Designs seeks to exceed the expectations of business and home owners that are accustomed to the finest life has to offer by transforming their living space into a showcase of prestigious living.

M+J: Modern Classical, Modern Luxury, Contemporary, Contemporary Resort and Chinoiserie (East Meets West)

Prestige Global Designs understands the effects of textures, colours and materials in interior design, and uses these elements to transform the simplest room into one of splendour and sophistication to meet the unique demands of its clients, bringing their fantasies to life in a masterpiece of functionality and beauty. Where does your design inspiration come from? M+J: We have a very strong passion in design. Basically, design inspiration can come from anything and everything around us â&#x20AC;&#x201C; fashion, cars and even fragrances that conjure certain emotions and thoughts. In what direction do you feel that design is moving towards in a general sense? M+J: Prestige Global Designs believes and creates diversified interior design styles that combine with luxury and opulence with details that are unique to individuals and their projects, creating beautiful interiors that speak volumes about their inhabitants.

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Your favourite holiday destination... M: France J: London. Your favourite book/film/ song...

If you could offer one piece of advice when it comes to interior design schemes, what would it be?

M: Tales of the Two Cities/ Notting Hill/ Hung Up J: Harry Potter/ The Notebook/ The Scientist.

M+J: Identify a suitable design theme that is suitable for the clientâ&#x20AC;&#x2122;s lifestyle.

Your favourite food and drink...

What projects are you currently working on? M+J: We are currently working on two landed projects and three condominium projects in Orchard and Nassim areas. What are your aims and goals for the next twelve months? M+J: Continue to create good designs with good workmanship and grow a stronger team. Your most treasured possession... M+J: Family, friends and our wonderful team.

M: Salads J: Seafood and Fruits

CRISTINA JORGE DE CARVALHO

CRISTINA JORGE DE CARVALHO INTERIOR DESIGN

I gained a degree in Business Administration from ISCTE and I have worked in that sector for several years but my everlasting passion for architecture and design led me to change paths and ultimately change my life. I moved to London and took an Interior Design degree at Inchbald School of Design, it was the best decision. In 2000, back in Lisbon, I founded my atelier, Cristina Jorge de Carvalho Interior Design... Designer Background continued: I have been developing commissioned interior design projects for residential and commercial spaces with my team. In 2014, I launched my furniture collection, which was a natural step in my career, since I’ve been designing bespoke pieces for my interior design projects since the beginning. How would you describe your personal interior design style? My aesthetic can be described as contemporary, timeless, elegant and understated. Where does your design inspiration come from? Life is a constant stream of inspiration. Everything we see can be a source of inspiration – from a work of art, to a movie, the beauty of a photograph, the worn floor of an antique store, a yellow leaf on the ground, music that transports us to another hemisphere… – everything can be inspirational. I can’t really pin point what inspires me, but I believe that ultimately all that I see in my travels, all that I have lived, my background… Influence me in a subtle way. In what direction do you feel that design is moving towards in a general sense?

durability and stability, and that reflects in the design universe as well, be it a furniture piece, a dress or a decorative object… On the other hand, thinking about product design and furniture design specifically, I think we are witnessing a growing fusion between art and design which forces the boundaries of creativity, while maintaining the function of the object still in mind and at the centre of design. I think this is a very interesting movement which will continue to expand in the next few years. Name five key themes to consider when approaching design in the future: One: Durability. Two: Sustainability. Three: Art meets function. Four: Creativity. Five: Innovation. If you could offer one piece of advice when it comes to product design, what would it be? Be true to yourself, your vision and your aesthetic. How important are The International Design & Architecture Awards as recognition of talent and achievement? It is the recognition for all the work that has been developed over time. What projects are you currently working on?

I think that, more than ever, quality is a key word in the design industry. In a world that moves so fast, I think we are all striving for

Residential projects in Europe and developing my furniture collection and petits objets.

What are your aims and goals for the next twelve months? To expand my work and enter new markets. Final thoughts – tell us a little more about yourself... Your most treasured possession? My freedom. Your favourite holiday destination? A beach, always! Your favourite hotel / restaurant / bar? There is always a new one that I want to visit, but for now my favourite hotel is the Upper House in Hong Kong; favourite restaurant Matsuhisa in L.A. and favourite bar the Chiltern Firehouse in London. Your favourite film / book / song? My bedside table book is “The Power of Now”, since we tend to forget that life is today. I’m a romantic… I do love “Out of Africa”, I’ve seen it several times. Favourite music “Don’t stop till you get enough” by Michael Jackson, perfect disco sound. Your favourite way to spend an afternoon? Searching for pieces for my interior design projects, followed by tea and a movie with my children and ending the day having a drink with some friends. If you weren’t a designer, what would you be? An architect or a fashion designer.

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CHARU GANDHI ELICYON LTD

I come from an entrepreneurial and creative background, and grew up between India and the Far East. I have always wanted to channel this diverse background and experience into a studio Since studying and qualifying as an Architect at the Architectural Association I have always been inspired to push the boundaries in design. Designer Background continued: I worked at Allies & Morrison Architects for many years on several exceptional international projects including a boutique hotel in Beirut, luxury spa villas in Kerala, the Doha National Library, the London Olympics Masterplan and a collection of exclusive residences in Qatar. At Candy & Candy and then as Head of Design at Morpheus London, I have overseen a highly prestigious international portfolio with the most exacting clients. Projects around the globe from LA to the Far East and residences in the esteemed One Hyde Park honed my skills and aesthetic. Elicyon is both the culmination and beginning of my explorations in design, bringing together the very best of international talent in our team and an approach that captures an international aesthetic. How would you describe your personal interior design style? My personal style is very much about ‘Tailored Environments’ that create a liveable luxe space for our clients. While I love an overall classic contemporary approach, I am not afraid of using colour and interesting textures. I see Interior Design as an extension of Architecture, with a strong spatial capability for manipulating how a property is experienced. Weaving heritage pieces and artwork into homes is critical to creating the outstanding tailored environments for which we are becoming renowned. I love championing craft and beautiful materiality and do not have

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a single style stamp, and prefer to let each project’s journey take me where it may. Where does your design inspiration come from? My architectural background continues to remain my strongest source of inspiration. I am also inspired by beautiful jewellery, as well as the world of craft in general and the streetscapes of the places I visit. Visiting the incredible craftsmen we work with, woodworkers, glassmakers and the beauty of the organic but precise process of ‘making’ always inspires me. Whether it’s watching an incredible crystal piece coming together in the middle of the night when the kiln is at the perfect temperature or a tool on a woodworking desk. There is so much to draw from the history of the world; there are certain periods of furniture and design that are particularly inspirational. Visiting the various auction rooms in London has taught me a lot about design and craftsmanship over the years. In what direction do you feel that design is moving towards in a general sense? We had a few years of overt ‘greige’, where there was a generic tone to properties being featured and I feel that personality and eccentricity are being celebrated once again. With a substantial amount of stock on the market, properties that make a statement are key. We are thankfully moving away from catalogue design and into a world of

the couture and the artisan. Our private commission clients are ever more discerning and aware, placing an emphasis on their individual aspirations while demanding a beautiful product. Name five key themes to consider when approaching design in the future: One: Treat each project as unique. By establishing a design language that is appropriate to the client, project, location, architecture and history, you keep your curiosity alive but also create a portfolio of special projects. Two: The form, functionality and spatial elements are key. Understand and establish those cornerstones early on. If the flow of a room works, then decorative interventions are enhanced in their beauty because knowingly or unknowingly the established proportions speak to your mind’s eye. Three: Celebrate the artisanal and the craft. Designers shy away from the artisan process because of the unknown, as the end product can never be exactly predicted and there are no guarantees. By getting your client’s buy-in you will create something far more interesting and special, while simultaneously investing in craftsmanship by providing patronage. Four: Be bold. Whether a minimal design approach or a richly layered one, stay true to the vision and bring in texture, materiality and layers. Five: Well placed lighting, at the right height, sequence and intensity can transform a space. You want the room or home to speak a different language at different times of the day, depending also on its geographical location, making lighting a key element.

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MANUELA HAMILFORD HAMILFORD DESIGN LTD

I was born in Italy and grew up there until I was 12 yrs old. My family then moved to the States and I spent most of my life in New York. My career started out in Italian home furnishings. Working for the Italian Government Trade offices I helped Italian artisans to design goods that would appeal to the US market. It was an amazing stepping stone as I travelled to all the European shows with the suppliers to discover new trends, and market Italian products. Designer Background continued: I was then recruited by Valentino (the fashion house) to launch their home furnishings division, creating/sourcing Italian luxury home goods for the Valentino global brand, which was an amazing experience. Finally, I took a job with a very large Italian home furnishings importer that sold high end residential luxury goods to the large department stores, top end retails stores, interior designers and royalty. This is where my love for interior design strongly developed as I worked closely with worldwide designers and buyers creating bespoke goods for their clients. I absolutely loved this work and continued for 10 years, before launching my own Interior Design firm, Hamilford Design. How would you describe your personal interior design style? My personal design style is more modern elegance, but always comfortable. I take the “less is more” approach and prefer fewer large pieces in a room, it has more of an impact and doesn’t confuse the eye. I prefer a neutral palette with a splash of colour, however, I love layering textures and creating depth. I think this is key. I will mix leathers, with bronze metal ware, with linen wallpapers, and a soft lux rug, it’s all about the textures! Where does your design inspiration come from? I think all designers take inspiration from their surroundings. It could be anything from a very cinematic scene in a movie, or a luxurious hotel

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lobby. I consistently photograph anything that inspires me, but I would say most of my inspirations come from going to the European shows where you can see so much diversity in design and colour that I always walk away with a suitcase full of ideas! In what direction do you feel that design is moving towards in a general sense? I think that clients are much more knowledgeable about the possibilities of options for interior design due to all the social media. However, I do think that most people still want a comfortable home no matter how luxurious the home furnishings are. It must be “approachable” furniture, to curl up in. I find that clients are still drawn to the neutral colours of taupes and greys as they are so easily workable in any surrounding. Name five key themes to consider when approaching design in the future: One: Scale is super important with furniture when designing a house. If you have large headboards, or bookcases, you need to make sure your lamp lighting is tall and bold. I’ve seen some many interiors where people put small table lamps, for example, on bedside tables, and they just disappear against the background. Two: Lighting: as everyone probably knows, lighting is key. You can create different moods by just modifying your lighting. Lighting creates depth in a room, so by simply adding some LED lights in a bookcase, you have created a showcase and it becomes a feature.

Three: Technology: There is nothing worst that seeing a load of cables behind a computer, or 5 remote controls etc. Technology helps in eliminating all the extras you may need for the house. With an electric lighting system, you can simplify and minimise the number of remotes you need, and electrical boxes, TV radio equipment etc. Four: Timeless Design: We try to create a space that lasts for years to come. Even though we may add a special flair, or bright colour to a room, we try to keep the space from not “dating” and keeping it timeless. Five: I think providing a comfortable house that isn’t all dolled up and not realistic to live in with a family is very important. It is easy to get caught up in a piece of furniture that looks stunning, but in the end, if it’s not practical, then it’ll never be used! If you could offer one piece of advice when it comes to product design, what would it be? When choosing products make sure they have longevity and will not date. There are so many trends out there that do not stand the test of time. How important are The International Design & Architecture Awards as recognition of talent and achievement? It’s great! For Designers, it’s like the Oscars of the Design world, so it’s an honour to be recognised and an opportunity to show the world our work..

GUY OLIVER OWNER / MD, OLIVER LAWS LTD

My parents were always moving, always fixing up old houses. I spent a lot of time as a child going to antique fairs and museums, travelling and reading about decorative arts. I loved to draw and to sketch plans and layouts. I always had a passion for Art and Design. I studied History of Art and History of Architecture at The University of Edinburgh. My first work experience was with Sylvia Lawson Johnston in my native Aberdeenshire working on beautiful Scottish country houses. Designer Background continued: I went on to a full time position as a trainee director at Colefax and Fowler with Imogen Taylor. There were further studies, I was one of the first students at The Prince of Wales Institute of Architecture all the time supporting myself by taking freelance work with the likes of Paul Dyson (designing wonderful exhibitions and parties at The Royal Opera House and also working alongside my mentor and friend Michael Inchbald). I met David Laws who was looking to retire and I worked and eventually assumed ownership of his practice. All the time reading and studying, I won a scholarship to the Attingham Summer School and became part of a network of those Alumni. In 2006/7, as well as running my practice, I was a consultant to Andre Balazs, not only designing projects with him but also interviewing other designers. It was a fascinating time. My job is my passion and every day I appreciate that I get to do what I love. How would you describe your personal design style? Intuitive, understated, inviting, atmospheric, comfortable Where does your design inspiration come from? Taste is experience and I absorb a lot through my life, travel and study. In what direction do you feel that design is moving towards in a general sense?

Subconsciously we are all products of our age but good design is always good design. It should be intelligent, seductive, sometimes whimsical and always inviting. I hope that I am someone who ignores trends and finds solutions that are appropriate to the design challenge. Name five key themes to consider when approaching design. All design is about creating solutions, to that end it is important to consider: One: The ‘story’ you are telling Two: Use Three: Personality Four: Sustainability Five: And, the most important, love your project. If you could offer one piece of advice when it comes to design, what would it be? Listen, plan, believe in what you are doing How important are The International Hotel and Property Awards as recognition of talent and achievement? It can be tempting to live in a bubble. It is important to communicate a project that you’re proud of and for people to see what you can do. What are your aims and goals for the next twelve months? I am always seeking to improve my skills, I love what I do and I am very lucky to be at a

point in my career where projects that I love come to me. I am a trustee of SAVE Britain’s Heritage and I want to make more people aware. Your most treasured possession? An engraved silver pen that my parents bought me many years ago. Your favourite holiday destination? South Carolina / The Outer Banks. Your favourite hotel / restaurant/ bar? The Connaught, Fera at Claridges, The Fumoir. Your favourite book? Great Expectations (and the David Lean Film of it). Your favourite film... Too many to mention here – Breakfast at Tiffany’s, Dr Zhivago… Your favourite food and drink? Macaroni and cheese Fresh Lime Juice with Sparkling Mineral Water (sometimes with Myer’s Rum, sometimes with Cranberry Juice Your favourite way to spend an afternoon? I love Greenwich. I have spent many an afternoon walking in the beautiful park, the Naval college and the painting collection in The Queen’s House. If you weren’t a designer, what would you be? Working with UNESCO or working for a philanthropic individual running a foundation / charities supporting education, artisan training, art and culture.

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IONA NEWTON OAKEVE

My passion for design and creativity is long-standing, but being able to realise it through establishing my own company 13 years ago, rather than working in a large corporate environment, has enabled me to be bold and inspirational with private clients and developers... Designer Background continued: ....Our schemes are holistic and elegant, derived from my corporate background, but luxurious, tactile and opulent as I exert my own creative preferences.

and innovative home technological solutions. All of these elements, presented within an elegant and timeless design scheme, combine to create a truly personal, unique interiors scheme tailored to the client’s personality.

How would you describe your personal interior design style?

Name five key themes to consider when approaching design in the future:

My style, in essence, is contemporary elegance with a touch of glamour. I love to use calming colours and tactile, natural materials, such as Murano and sand casted glass to add that touch of luxury to the scheme, providing an overall sophisticated and timeless design. I also love symmetry, where schemes are balanced and holistic.

One: Integration of innovative technological solutions, such as home automation, lighting design, multi-room AV, home cinema and entertainment rooms, intelligent heating and ventilation and future proofing a home. Two: Connectivity and integrated spatial design of interior spaces for future occupants. Three: Employing an exemplary design scheme with budgetary and deadline responsibility. Four: Functionality and longevity of the interior and architectural design. Five: Sustainability and environmentally conscious design. If you could offer one piece of advice when it comes to product design, what would it be?

Design & Architectural Award for the category of Residential Property £2.5M to £5M in 2016, as we believe it is a very prestigious and revered accolade. It acknowledges the passion, commitment and hard work of our creative team, attaining recognition and respect from our peers and within the interior and architectural industry as a whole. What projects are you currently working on?

Where does your design inspiration come from? Everywhere! I take inspiration from reading professional articles, literature and magazines, visiting historical buildings and travelling to foreign climes, but really my inspiration just comes from living life and working alongside a truly passionate and creative team. In what direction do you feel that design is moving towards in a general sense? Working within the high-end, luxury property sector, I continually see a trend for personalised finishes with the inclusion of quality, bespoke key pieces of tactile and comfortable furniture, as well as intelligent

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Whilst developing furniture and bespoke cabinetry, always ensure that form and functionality are considered in equal measure. How important are The International Design & Architecture Awards as recognition of talent and achievement? Our team at Oakeve, were absolutely delighted to be presented with the International

We have some incredible projects that we are working on at present: Hurlingham, which is a 9,850 sq ft ‘Manor House’, Heathcote, which is a 10,250 sq ft ‘Lutyen’s’ style Arts & Crafts country mansion and Ellwood Grange, which is a 8,750 sq ft Georgian style country home alongside various other private client projects including a contemporary lakeside country retreat, a commuter townhouse in the Home Counties and a stylish, very modern family home in Sandbanks. What are your aims and goals for the next twelve months? Our goals and ambitions for this coming year are to grow our interior design business, to continue to exceed ours and our client’s expectations and to develop further our own branded furniture collection and bespoke cabinetry under our MacKenzie Sinclair brand. I am also keen to give something back to an industry that has given me so much and recently have accepted the role of Design Mentor and Assessor at the BIID taking an active role within the SBID, as well as providing work experience for Interior Design students.

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KAREN HOWES TAYLOR HOWES

As a young girl I used to rearrange my room as well as redesigning it, smiling at the outcome. When I was 18, I was sharing an apartment in King’s Cross with Martin Waller, worldwide furniture retailer and founder of Andrew Martin. Soon after, my career started. Taylor Howes began in my spare room in Pimlico in 1993. At the time I was working as an estate agent and so I continued to work for the agents for 4 days a week and the other 3 days were spent building up enough clients... Designer Background continued: ...so I could achieve my dream of becoming a leading interior designer. I used my own apartment as a show apartment and invited developers to come and view my designs – a move which led to my first commissions. Taylor Howes is now an international interior design practice that has completed over 1,000 worldwide projects. We are widely considered to be one of three top UK companies that high net work individuals turn to when seeking an interior designer, Acting for both private clients and many of the UK’s top developers, we are proud to act for a number of repeat clients who return to use the team’s services again and again. A great example is St George, part of the Berkeley Group, who we have been working with for over 15 years, designing their Thames based penthouses. Over the last 23 years Taylor Howes has grown from a two-woman and a dog business, to a studio team. In 2015 we invested in a 5,000sqft state-of-the-art studio in Knightsbridge that will allow for further expansion and will help us cement our reputation as one of the world’s leading interior design practices and help us reach our aim of becoming a ‘super brand’! How would you describe your personal interior design style? I don’t really have a signature look as we prefer instead to concentrate on giving clients a home that is truly personal to them. As we tend to work with cosmopolitan individuals, our clients request glamorous but practical interiors. We like to design our own joinery and

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most of the furnishings to distinguish ourselves in the market. Clients at this level do expect that kind of attention to detail. We like to think our interiors are elegant yet easy to live in understanding the importance of combining flexible and functional design solutions with elegance and glamour. We love using bursts of colour in a bold and confident manner and place great emphasis on finding show stopping artwork and unusual objet to fulfill our client’s needs. Where does your design inspiration come from? Inspiration is all around you. I travel a lot for both work and pleasure and always come back with new ideas. I am also lucky that I live in London and our museums and exhibitions are a wealth of inspiration. We hold regular creative meetings in the studio with our team and that also brings about a plethora of ideas. Name five key themes to consider when approaching design in the future: One: This year, we will be seeing a lot of black coming through on finishes, all very dark and moody both matt and gloss, and a lot of black ceramics and opaque black glass. Two: Vintage style light fittings but a whole feature wall of them - Guadarte had a great one at Maison. Three: Dyed parchment is going to be a big trend we will be using this in our interiors and is actually featuring in some of the pieces of our first capsule collection that we

will be launching next year - we can show you when you come into the showroom. Four: A lot of raffia and rattan coming through on chairs - Sika Designs worth taking a look a Danish company. Five: But overall what stood out were the Scandinavian companies both lighting and furniture - a more relaxed look is on its way! How important are The International Design & Architecture Awards as recognition of talent and achievement? We are very strong believers in the importance of taking a step back and reflecting on the work that we have completed and congratulating ourselves on our achievements – something that is often easier said than done! To receive recognition from well-respected peers within the industry is testament to the hard work that the team puts in and allows them to take a moment to consider their accomplishments rather than moving straight onto the next project. For Taylor Howes, awards are a brilliant reflection of the passion, commitment and hard work of the team, as well as being a great way in which to provide our clients with a further confidence that we are an esteemed and respected studio. What are your aims and goals for the next twelve months? We are hugely excited to be launching our first furniture collection in the next twelve months. As we are constantly designing bespoke products for our clients.

ALEX POPE TENHURST

Having been brought up in an artistic family, creativity surrounded my childhood in the countryside. So naturally a degree in architecture seemed a perfect fit to give me a solid backbone in design. Since then moving to London gave me the opportunity to develop through some fantastic projects. How would you describe your personal interior design style?

If you could offer one piece of advice when it comes to product design, what would it be?

Personally… Rustic contemporary is the route I lean towards in my own properties, attributable to my muddy-kneed youth.

Always question why you are doing what you are doing.

Professionally… depending on the location and type of project, this really needs to vary in order to achieve the most considered dwellings, inside and out. Where does your design inspiration come from? Everywhere! Curating a memory bank of all of the experinces and places you visit is crucial in visualising designs. No matter where I am or who I am visiting, I am picking up details, palettes and most importantly, how people use and inhabit spaces. In what direction do you feel that design is moving towards in a general sense? If possible, localised sourcing to give more depth and integrity to projects. Look at all the best restaurants in the world; Central, Gaggan, Blue Hills. All of these places use sustainable and local suppliers to help control quality, develop tastes and create the best gastronomic experience possible. In return, a seemingly unfeasible restaurant in the hills of Peru is a globally recognised phenomenon! Surely we can learn from this in our field of design?

How important are The International Design & Architecture Awards as recognition of talent and achievement? Awards in a subjective industry are key to progression. In such a complex business it is key to ensure good design gets celebrated and all those behind it share in the recognition of what they achieve. What projects are you currently working on? 18 apartments in an Edwardian Baroque school building, Two houses in a ‘Edward Blore’ designed chapel, both listed and in Chelsea. Five large contemporary new build lateral apartments in South Kensington, as well as a first of its type high end Care Home of 55 residences just off King’s Road.

Final thoughts – tell us a little more about yourself... Your most treasured possession? Memories Your favourite holiday destination? The Alps Your favourite hotel / restaurant / bar? Yashin Ocean House, Old Brompton Road Your favourite film / book / song? Milk – Kings of Leon Your favourite food and drink? Sushi… Or when I’m too hungry, all things pasta with a nice cold beer. Your favourite way to spend an afternoon? Laughing over lunch with friends and family after a great morning skiing in the sun. If you weren’t a designer, what would you be? An actor.

Outside of London; a large country house in Hampshire. Outside of the UK; an 1830s timber Ferme as well as a chalet both in St Gervais Les Bains. What are your aims and goals for the next twelve months? Progress, complete and search for exciting new projects.

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CHRISTOPHER DEZILLE HONKY

Christopher Dezille has worked in the world of interior design for 24 years and in 2001 he set up his own design consultancy, Honky, a multi discipline architecture and interior design practice based in London. Recognised as one of Britain’s 100 Best Designers, Dezille continues to appear regularly in the national press and interior publications.

Designer Background continued: The majority of his work is primarily focused in central London but he has undertaken private and commercial projects both in the UK and Internationally. He inspires creativity, professional expertise, ultimate perfection and subtle refinement to each of his interiors. Specialising in commercial, concept design, full interior design service, residential and more, Dezille has led Honky to reputable success for over 10 years.

How would you describe your personal interior design style? I would say mine is a sort of contemporary elegance... with a twist! Where does your design inspiration come from?

Participation has raised our profile and presented us with new client opportunities in which I don’t think we would have found without. Final thoughts; tell us a little more about yourself... Your most treasured possessions?

It comes from everywhere in my everyday life...the outdoors, my work environment, cities I visit...

My wife and children, my Moto guzzi V7 Racer Your favourite holiday destination?

“We believe that the design process is a dialogue; an active, two-way conversation between Honky and our clients. From our initial meeting, we strive to develop and nurture this relationship, ensuring that communication is clear, regular and understood by both parties. We deliver on time, and on budget, while continuing to push design boundaries,” Dezille explains. He said, “Design is a massive part of my every day life both in and out of the office, it permeates my entire being, and is with me in the decisions I make, and how I view everything around me. It’s the constant sound track to my life.”

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In what direction do you feel that design is moving towards in a general sense?

United States of America, so much to see & do!

It’s moving to a continuation of our love affair with metallic finishes, colour blocking and graphic geometric lines and patterns.

Your favourite hotel?

If you could offer one piece of advice when it comes to development projects, what would it be?

Your favourite restaurant/bar?

Consider what the local market demands and fulfill the likely purchaser expectations... amaze them! How important are The International Design and Architecture Awards as recognition of talent and achievement?

Babington House, Frome, UK

Pollen Street Social, London, UK Your favourite way to spend an afternoon? In the pub If I wasn’t a designer, I would be... I like working with my hands... so maybe a landscape designer/gardener.

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KAMINI EZRALOW

DIRECTOR AND OWNER, EZRALOW DESIGNS

Inspiration for me comes from everywhere and everything. Whether it is nature, fashion, art, music – there are kernels of ideas that grow into an expression of design. I specifically also look to past design eras, such as Art Deco and Hollywood Regency. Inspiration also comes from where I come from – my background, upbringing and respective influences have contributed to and somewhat set my foundation not only as a designer, but also who I am as a person... Where does your inspiration come from? Today, these influences encourage me to look at things in a new / different way; they continue to shape my personality, life view and design sense. I am a fifth generation South African of Indian origin, raised in Hong Kong, where I attended a German School. My life path then took me to Los Angeles, where I continued my journey of design and encountered ever-expanding fields of inspiration. A completely different landscape and culture embraced me as a designer – from the sun, surf, desert, Hollywood Glamour and a world where anything is possible, at least from a design point of view. I draw a great deal of inspiration from my Indian culture – the colours, textures and crafts of India have all played an important role in my design. It is also the landscape of the country – from the deserts of the Rajasthan interspersed with the vibrant colours of the national costume encrusted with jewels, to the hues of sandy taupes and tropical greens found in the South. In between there are incredible architectural monuments that blend seamlessly in a sea of colour and texture. Growing up in Hong Kong, the concepts of Feng Shui, of harmony and flow were ever present. Having grown up and married a Doctor of Traditional Chinese Medicine, these concepts were deepened and expanded in my mind and life as I learnt moreabout traditional Taoist influences in design. For example, the integration of nature into design and the assimilation of design into nature.

WWW.EZRALOWDESIGN.COM

Similarly in considering the aspects of Feng Shui and harmony with the surroundings it is important for me to try and make sure that we follow the natural flow. These are essential and invaluable tools in developing a design scheme. So in summary, I think all cultures that I have experienced and continue to experience provide inspiration and are relevant to my growth as a designer. In what direction do you feel that design is moving towards in a general sense? I feel today’s world is increasingly hectic and fast paced, so as a result I find that clients are looking to immerse themselves in environments that are not only pleasing to the eye, but to the soul as well. It becomes about comfort and function, as well as beauty. I do also feel that in a world of ‘instant’ with emails, texts etc. the longevity of design has more of a focus. In our studio, we are placing emphasis more and more on integrating antiques and vintage pieces into schemes, while also designing bespoke furniture that are artisan-crafted and built to last. If you could offer one piece of advice when it comes to development projects, what would it be? A good team – from the structural engineers, architects, interior designers, contractors, sub-contractors and fit out specialists, to specialist decorators and lighting designers.

How important are The International Design and Architecture Awards as recognition of talent and achievement? The awards are important because we feel that there is a misconception of how essential good Design is in daily life. In effect we are architects of the interior - the IN–vironment. Design creates the framework within which people live their lives and how they express themselves. By having design awards the public has a better understanding of the contribution design makes to the well-being and quality of ones life. What projects are you currently working on? We are working on a duplex apartment in Cadogan Square, a residence in Marylebone, a house in Wimbledon, a house in Dulwich, and completing residential projects in Dubai and Saudi Arabia. We are also working on our second furniture collection and expanding our accessories collection. Your most treasured possession? Some of my mothers Sarees and jewellery from when she got married. Vintage pieces that hold special meaning for me.

LORI PINKERTON-ROLET

DIRECTOR, PARK GROVE DESIGN LTD.

My personal style is eclectic and I love mixing antiques, contemporary pieces and intricate hand-crafted pieces to create a wholly unique environment. I am definitely not afraid to use colour but I my own home there are plenty of neutrals with small accents of saturated colour. Where does your design inspiration come from?

What are your aims and goals for the next twelve months?

If you weren’t a designer, what would you be?

Design inspiration comes from everyday interactions, whether it be the diachronic effect of oil on the pavement, the colours of the pebbles on Brighton beach or the textures of a plant I haven’t seen before. These inspirations form the basis of my Twitter design blog #colourschemeoftheday

Park Grove Design is currently developing several projects at the iconic Grand Hotel on Brighton seafront. In conjunction with Armstrong Keyworth we’re also working on concept design for the Restaurant at London’s Sloane Club and new build highend care facility for The Royal Star & Garter charity. Following Park Grove’s recent office move we look forward to increasing our staff over the next twelve months. We have a super core team under the supervision of Managing Director Carly Gordon and now there’s room for more!

when I’m not working as a designer I’m a practicing Mediator working in Family, Civil and Commercial alternative dispute resolution. www.mediationbydesign.co.uk works particularly in resolving disputes within the creative sector!

Name five key themes to consider when approaching design in 2016 and beyond. Upcycling Texture Comfort Integrated technology Uniqueness

Your most treasured possession? My home by the sea.

If you could offer one piece of advice when it comes to interior design schemes, what would it be? My key piece of advice for interior schemes is to develop a clear mind image of the way the complete scheme will ‘feel.’ That was the individual elements can be assessed both individually and in context with other pieces as to whether or not they enhance or detract from the overall vision.

Your favourite book / film / song? I have too many favourite books to pick just one but The Wizard of Oz and The Piano are both in contention for my favourite film. My musical tastes are wide and varied so it is simply impossible to pick a favourite! Your favourite food and drink? Chocolate should be an entire food group and like any true American I drink iced tea all day long.

WWW.PARKGROVE.CO.UK

WARREN FOSTER BROWN MANAGING DIRECTOR, FBEYE

Design inspiration comes from anything and everything that happens around you, from sitting on a plane to art galleries, magazines, social media, interactions with others and every thing you see and experience. In what direction do you feel that design is moving towards in a general sense? The Design in hospitality industry is constantly evolving and in a way we do not have a set style of design, this is the case for the hospitality industry. Each project comes with its own merits and sense of style be it country specific, brand specific or personal tastes.

What projects are you currently working on?

Your favourite hotel/ restaurant/ bar?

1. InterContinental Singapore

Chateau Les Crayeres, France / Saint Pierre, Singapore / Cook & Brew, Westin Hotel, Singapore.

2. Park Hotel, Farrer Park, Singapore 3. Amari Hotel, Johor Bahru Malaysia 4. Shama Branded Residences, Johor Bahru, Malaysia 5. Westin Bayshore Hotel, Manila, Philippines 6. Westin Sonata Hotel, Manila, Philippines

Name five key themes to consider when approaching design in 2016 and beyond. 1. Timeless 2. Technology 3. Health and Wellness 4. Palate 5. Sustainability

How important are The International Hotel and Property Awards as recognition of talent and achievement? Awards are like testimonials of one’s accomplishments and any award is special. Being awarded IHPA 2014 for Best Hotel Design – Asia Pacific for our project The Westin Hotel Singapore elevated us to a new level of exposure and recognition not only in Asia but also in Europe. It gave us an added inspiration to pursue an excellence in design and to design many more award winning projects.

WWW.F-B-EYE.COM

7. Westin Resort, Nusa Dua Bali, Indonesia 8. Sonata Premier Residences, Philippines 9. Savoy Resort, Boracay, Philippines 10. Sheraton Hotel, Yangon, Myanmar What are your aims and goals for the next twelve months? To carry on creating unique spaces, destination resorts and city properties, ensuring we surpass our clients and operators expectations and foster successful business relations for future projects. We are fortunate to have many repeat clients. Your most treasured possession? My Health. Your favourite holiday destination? Botswana.

Your favourite book / film / song? The Fountainhead / Dead Poets Society / A variety of Genres. Your favourite food and drink? Thai Cuisine / Champagne. Your favourite way to spend an afternoon? A nice lunch followed by a nice massage leading to cocktails with friends and family. If you weren’t a designer, what would you be? Pop Star / Theatre Set Designer.

TIM GOSLING DIRECTOR AND OWNER, GOSLING LTD

I collect a vast amount of books from the 18/19 and 20th Century, I spend a large amount of time absorbing historic understanding of detailing. I also am always on the look out for brilliant craftsmanship – specialist in all kinds of things. I feel that gives me a great sense of inspiration – learning how something was made, the hours taken to achieve something. In what direction do you feel that design is moving towards in a general sense?

What projects are you currently working on?

We have never had a period like this – a time when all styles and design are open to us at any one moment across the world. We can type into the Internet and literally find anything we want at the touch of a button – The only thing holding us back is WHAT you looking for. I believe design is splitting into two sections – those who are now specifying objects that are readily available anywhere in the world – and those designers that actual are interested in spending time creating these objects with craftsmanship and integrity. Looking back on this time I think you will see a design movement along the lines of Ultra Exclusive Craftsmanship.

We are lucky enough to be working on a Palazzo in Venice, a Carbon Fibre Super Yacht, an Elizabethan listed building in Leicestershire, a rather wonderful Queen Ann’s House in St James Park in London and numerous other

How important are The International Product Design Awards as recognition of talent and achievement?

The Coral Reef Club in Barbados run by the O’Hara Family along the Goring Hotel in London (run by the Goring Family) have got to be the two best hotels in the world.

Your favourite book / film / song? The fishes of the Thames 1795. Your favourite food and drink? Anything that’s bad for me. Your favourite way to spend an afternoon...

Your favourite holiday destination?

Sketch Pad, sharp pencils and a clear diary.

The Caribbean, I was born in Jamaica so I feel at home as soon as I step off the plane and that warm blanket wraps around you like a massive hug.

If you weren’t a designer, what would you be?

Your favourite hotel / restaurant / bar?

Dead. Anything else interesting...Yes, without this sounding like an Oscar acceptance speech , none of this world be possible without my incredibly talented team of designers that work with me every day – Phil Sturdy, Photis Photi and Ruby Mogford who worked with me on the Cocktail Cabinet.

I think for anyone in design, to have a sense of recognition is always a positive thing. I also believe that the IPD awards pulls the design world together as a community – it’s wonderful to come together to celebrate our succeses.

WWW.TGOSLING.COM

“ THE AWARDS ARE SOMETHING WHICH YOUNG DESIGNERS MUST ASPIRE TOWARDS TO TRULY PUSH FORWARD THE WORLD OF DESIGN. ”

THE INTERNATIONAL PRODUCT AWARD WINNERS...

WE TALK TO THE DESIGNERS BEHIND SOME OF THE WINNING ENTRIES IN THIS YEARâ&#x20AC;&#x2122;S AWARDS ABOUT THEIR WORK, INSPIRATION AND THOUGHTS ON DESIGN TRENDS FOR NOW AND THE FUTURE...

46 CHAIR

TINA NICOLE Principal Designer, Nathan Anthony Furniture Tell us a little about your background in design (education, experience, etc) An Associate of Arts Degree from the Fashion Institute of Design & Merchandising, a Bachelor’s Degree from UCLA and a Juris Doctorate from Loyola Law School. Always a lover of textiles, forms and fashion, I worked in sales and then as a window dresser for iconic retail brands Colours de Benetton and Polo Ralph Lauren. This gave me a feel for combining the right fabrics to the right frame, and for learning the art of merchandising. I use all of my education and experience at Nathan Anthony Furniture whether it’s building the administrative infrastructure, designing product or marketing. My diverse education and experience has been invaluable. How would you describe your personal interior design style? Hollywood Regency meets Italian contemporary. I love wide open spaces with tall architectural ceilings and minimalist forms. Every piece should have a purpose. Art and furniture must have dialogue. White with black are my go-to palette with pops of either soothing pastels or crisp primary colours. I like to emphasize a 360-degree view of our products using unique sewing techniques, materials and shapes that bring visual interest. Where does your design inspiration come from? I am drawn to beautiful things and have an unyielding curiosity. Travelling abroad or around the U.S. four times a year, I indulge in all that is around me - architecture, street art, shop windows, museums, art openings, cafes, theatre and concerts. Because design is art and artists push societal norms, this broadens my view of what design is and how it’s evolving…It’s best to see all kinds of expressions of art in so many different genres. In what direction do you feel that design is moving towards in a general sense?

CHAIR ELAN BY NATHAN ANTHONY Inspired by the Dutch “De Stijl” artistic movement of the early 20th century, the Elan chair cleverly combines the visual composition of vertical and horizontal intersecting lines on a rounded chair frame. The fabric used features imagery reminiscent of the 1960s Pop art movement with cubist influences. The designer - Tina Nicole has pushed the envelope with this design, using an over stitching technique to intensify the look of an ordinary graphic. The Elan chair features a unique, asymmetrically faceted fabric application across its back with a geometric barrel-like chair frame to soften and add visual interest to the room it sits within. The swivel feature means one can see its beautiful faceted shape from every angle and also allows for effortless socialising. The bold and irreverent chair has a sculptural quality which is reminiscent of the side of a cut crystal in its raw form. www.nafurniture.com

With today’s large, open spaces in living areas, you can expect ingress and egress from different parts of the room. This architectural trend has prompted space planning and interior designers to bring furnishings away from walls and into the center of rooms. It’s imperative to establish visual interest from every vantage point in contemporary spaces. The backs and sides of furnishings are as now as much the focal point of the room as the nexus of the seating area is. That’s a welcome challenge for furniture designers like me because it’s a license to get creative.

How important are The International Product Design Awards as recognition of talent and achievement? Extremely. Being recognised by your peers for excellence for something you designed is the ultimate compliment and immense encouragement for more greatness. What projects are you currently working on? Expanding our product offering into new categories to become a lifestyle brand in 2017 is very exciting. What are your aims and goals for the next twelve months? To create more awareness and get people talking about the beautiful hand made products we make at Nathan Anthony Furniture. Final thoughts – tell us a little more about yourself... Your most treasured possession? Lladro, A boy with bird on foot. Your favourite holiday destination?

Name five key themes to consider when approaching design in 2016 and beyond. Organic shapes, Artisnal connection, Tactile textures, Functionality, Comfortable Luxury If you could offer one piece of advice when it comes to product design, what would it be? A diverse education complimented by apprenticeships is a really good balance for creative people. This way you learn the history and conventions of your discipline while using the tools of today in the practical environment. Study abroad is valuable too because it expands your ideas. Lastly, study art and artists, both new and old… they are society’s challengers.

Amalfi, Italy. Your favourite hotel / restaurant / bar? Monastero Santa Rosa, Boutique Hotel & Spa Amalfi, Italy. Your favourite book / film / song? Book: A Confederacy of Dunces / Film: A Room With a View / Song: Time After Time by Cindy Lauper. Your favourite food and drink? Homemade chocolate chip cookies and ice cold milk. Your favourite way to spend an afternoon? A Writer, preferably a comedic writer for the sitcom Modern Family. A Signer/Musician.

48 LIGHTING

SCHEME

SEAN COCHRANE Creative Director, Cochrane Design Tell us a little about your background in design (education, experience, etc)

young designers must aspire towards to truly push forward the world of design.

In all honesty and without wanting to sound arrogant, I walked into the field with no experience nor education in the art of interior design. I didn’t realise I wanted to follow a path in interior design until I had purchased my flat, completely renovated it, sold it, bought another property and moved on from there! I developed very quickly the skill set that was necessary to build my portfolio of properties simply through constantly moving forward.

What projects are you currently working on?

How would you describe your personal interior design style?

What are your aims and goals for the next twelve months?

A seamless blend of traditional and modern style.

A huge expansion of Cochrane Design’s portfolio is currently underway, launching several new projects this month alone, and a push into both the commercial and hotel sector is progressing – a complex in Albania being one.

Where does your design inspiration come from? Living abroad has always been such a great inspiration for me – having lived in Milan, Cape Town and Paris to name a few, a city’s architecture will always inspire me. I draw most of my inspiration from my love of all things beautiful and a city’s atmosphere will always be paramount to me (I think that is apparent in my designs). Inspiration thus comes from my past, with a new fusion of modern design and international architecture. In what direction do you feel that design is moving towards in a general sense? A conscious use of all space and design within a property will no doubt play a huge part in the future of design – design is moving towards beautiful functionality, leaving every single area with a clear, yet flexible, purpose. Name key themes to consider when approaching design in 2016 and beyond. Art Deco – the blend of contemporary and art deco style blends so easily. Classic, timeless style. Sculptural, bold shape and form. If you could offer one piece of advice when it comes to product design, what would it be? A product must perform to the absolute best of its capabilities. How important are The International Product Design Awards as recognition of talent and achievement? The platform of the International Product Design Awards is paramount in highlighting what is currently cutting edge and recognised as true talent, what will be the basis off of which plays the future of design and for publicity. The Awards are also something which

Cochrane Design is currently working on a fair few properties. One project in Liverpool, which is to be the most expensive apartment property in the city; a trio of apartments so bespoke that they have has been fitted with bombproof glass. A set of penthouse offices on Saville Row and a huge coastal town development are also in the works.

Final thoughts – tell us a little more about yourself... Your most treasured possession? My phone and long list of contacts! Your favourite hotel / restaurant / bar? Cochrane Design’s luxury Ibizan Hotel Es Vive, which recently won a 5* Award for Best Hotel Interior Spain’; The Wolseley Restaurant; The Connaught Bar. Your favourite book / film / song? My favourite book is The Prophet by Kahlil Gibran; my favourite film is Layer Cake; my favourite song is the theme to The Piano. Your favourite way to spend an afternoon? An ideal afternoon would be spent constantly moving forward. I can’t stop trying to progress my company, myprojects and portfolio. If you weren’t a designer, what would you be? I relish being able to plan spaces, be it a solitary room in a complex or a huge 9000 sq ft London mansion. Engaging with spaces means that everything can be directed to my own image of design. I would love to be able to create a whole space to my image, down to every last-minute detail, so probably a townplanner with the ability to start a town from scratch. A town-creator, maybe!

CHELSEA TOWNHOUSE BY COCHRANE DESIGN For this project, Cochrane were looking to transform an originally tired property into a wonderfully elegant and luxurious home, complete with the latest advances in lighting. The designers pushed boundaries and were innovative with the lighting scheme, experimenting with techniques that hadn’t been done before. The overall concept was to use dimmable LED lights in order to create ‘mood’ lighting. The client wished for a fully automated, multi-layered lighting scheme with warm, dimmable, LED lights throughout. Every cupboard was to be individually lit with invisible recessed lighting, built into the bespoke joinery. The layered lighting scheme in the kitchen emphasizes the sophisticated craftsmanship. A great deal of time was spent ensure that every light source was a dimmable LED and the advantage of this central control approach is that the keypads and their relevant buttons can be used to recall any lighting scene. These changeable lights are an extremely important feature throughout the house, ensuring that the lighting is always suited to any mood. The diversity of the Lighting Scheme is most prominent in the ground floor entrance hall with the flight of stairs leading to the first floor. This lighting is favoured because there are so many intricate layers to the lighting scheme in this area- from the recessed LED strip lights in the stairs to the antique pendant and bespoke crystal chandelier. Every area is considered and each layer allows for individual illumination whilst not interrupting the overall theme. All of the lighting compliments the furnishings to create a warm but sophisticated feel. www.cochranedesign.com

LIGHTING 49 -LAMP AHMET RASIT KARAASLAN Owner / Head Designer MOBI Furniture/Interiors Co Ltd. Tell us a little about your background in design (education, experience, etc) I graduated from İstanbul Fine Arts Academy in 1975 with a degree in interior design and industrial design. Mobi was founded in 1983 Bursa, Turkey and last 35 years I have been in interior design world, mainly specializing in furniture design. How would you describe your personal interior design style?

COCO LAMP BY MOBI More than just a lamp, Coco Lamp is an elegant, timeless piece of art drawn by Ahmet Rasit Karaaslan. The Contemporary lighting piece is sophisticated and unique, and is therefore named Coco to embody everything that the name connotates. It can add a special focal point to any room; with its extraordinarily amazing design, the Coco lamp can imbue a warm and inviting ambience to any room. Coco Lamps are the easiest way to instantly update your space with the latest designer trends, without embarking on a major redecoration. MOBI has manufactured a lamp from high quality materials, resulting in a unique and timeless addition to home decor. Coco Lamp is unique, wonderfully crafted and also special enough to change your mood entirely.

My personal interior design style is contemporary and based on using a rich combination of natural materials that provides a timeless, modern and organic styled interior.

What projects are you currently working on? We are currently working on creating our new designs for 2017 and we might have new additions such as office furniture in our new catalogues. What are your aims and goals for the next twelve months? We are trying manufacture/create new designs for 2017 and also getting ready Salone İnternazionale del Mobile 2017 in İtaly as well. Final thoughts – tell us a little more about yourself… Your most treasured possession?

Where does your design inspiration come from?

My health.

İnspiration can literally come from anywhere, but all my inspiration comes from life and nature.

Your favourite holiday destination?

In what direction do you feel that design is moving towards in a general sense?

Your favourite hotel / restaurant / bar?

İn today’s world, every products that we manufacture are influenced by high technology, and also lots of futuristic designers have to make sure that their new designs are compatible with new futuristic looks too. Name five key themes to consider when approaching design in 2016 and beyond. Technology, Natural Products, Environment, More functionality, Ethnic Touches.

Bodrum-Turkey.

4 Seasons Hotel in Lion Palace, St. Petersburg and Percorso İtalian Restaurant, in Reina, İstanbul. Your favourite book / film / song? The Language of İnterior Design by Alexa Hampton Martian Your favourite food and drink? Fish with white wine. Your favourite way to spend an afternoon?

If you could offer one piece of advice when it comes to product design, what would it be? A product has to look really attractive no matter how contemporary and functional is. How important are The International Product Design Awards as recognition of talent and achievement? The İnternational Product Design Awards is an excellent platform that gives us a chance to celebrate the importance of creative thoughts and also can give you plenty of exposures too. All of these make the İnternational Product Design Awards one of the most prestigious competitions in the world.

www.mobi.com.tr

Nothing special besides putting extra work on my new designs because an inspiration can come at any time.

50 WALLCOVERING

RUPERT BEVAN Founder / Owner / CEO, Rupert Bevan Ltd Tell us a little about your background in design (education, experience, etc) My background is primarily in craftsmanship rather than design. I learned a vast amount from the apprenticeship I did in gilding and restoration, which taught me how to use an endless variety of materials and techniques. In terms of design my background is in having worked with a bewildering array of antique furniture from many different eras; from 17th century elm commodes to 20th century brasswork. How would you describe your personal interior design style? Eclectic. I love objects and display, so given the chance I would probably choose to live in a cabinet of curiosities! I like objects that have a history or tell a story, especially if they also have a function. Which explains my collection of kitchen paraphernalia… Where does your design inspiration come from? I think it comes from traipsing around museums. I love the V&A, and in my youth I used to spend most of my time at weekends lurching from one gallery and exhibition to another. In what direction do you feel that design is moving towards in a general sense? Design is so dynamic and varied that I don’t think the overall direction it is moving in is predetermined. What we do know is that trends and fashions are revived and reinvented, things often come back around. In terms of more short term direction I think we are coming to the end of the endless 1950’s vintage retro vibe and heading towards more daring, lavish interiors. I think this will take inspiration from the Baroque era and from the glamour of the 1920’s and 1970’s. There will obviously be those designers who stay with the understated and simple, where subtlety is everything. Name five key themes to consider when approaching design in 2016 and beyond. One: Reflective surfaces such as mirrored finishes and metalwork. Two: Textured and tactile finishes, such as fretted metalwork. Three: Raw timbers and more natural materials. Four: Luxury items such as drinks cabinets and games tables. Five: Bespoke, sensitively designed kitchens. If you could offer one piece of advice when it comes to product design, what would it be? Keep the surfaces as natural as possible so they can be easily maintained and restored. This means the piece can achieve a timelessness

and longevity which it might not have if the only consideration is what it will look like when newly made. How important are The International Product Design Awards as recognition of talent and achievement? I think they are hugely important, as they provide a platform for designers and creators to celebrate their work and share it with a huge audience within the industry, hopefully allowing them to understand and appreciate the work of the designers more. What projects are you currently working on? Most of the projects I work on are obviously top secret! But I can tell you that I have recently completed a very beautiful water gilded harlequin gesso wall finish for an attic room at a private members club, which ended up looking very glamorous, for the very brilliant Rifat Ozbek. I also took on a project in Copenhagen including some beautiful mother of pearl and gesso dressing room doors, and I am currently making two quite different compendium games tables. What are your aims and goals for the next twelve months? I am currently working on improving and enlarging my workshops in Shropshire to increase capacity and allow me to develop more finishes in different media. I am also in the process of creating a new, semi-bespoke collection that will be more “ready to wear” and will be called RB Designed. Final thoughts; tell us a little more about yourself... Your most treasured possession? My Series 2A Landrover, which looks very “lived in” but works beautifully! I also have an endless collection of lead soldiers which are dotted all over the house, which seems to get larger and larger thanks to ebay! Your favourite hotel / restaurant / bar? I love the Turkish restaurant Fez Mangal on Ladbroke Grove, which is great for both eating and taking away. Your favourite book / film / song? My favourite film is ‘Something Wild’ which I totally recommend if you haven’t seen it! It’s funny and edgy. Your favourite food and drink? For food I love Calamari and Octopus (clearly I have a taste for rubber!) Red wine to drink, especially Pinot Noir and Burgundy. If you weren’t a designer, what would you be? A chef!

NAUTILUS WALL PANELLING IN ZINC & BRASS BY RUPERT BEVAN This wall finish was inspired by Jules Verne’s esteemed classic novel ‘Twenty Thousand Leagues Under the Sea’ and the idea of transforming a corridor into a more engaging interior space by creating the atmosphere of a Vintage/Victorian submarine. Each large panel of patinated zinc is surrounded by a thick trim in brass with studded detailing. These details enhance the nautical feel of the theme. The panels are of variable size and configuration to adapt to the irregularities of the interior architecture. The brief from interior designer Lucy Eadie was to create a wall finish which evoked the feeling of being aboard Captain Nemo’s Nautilus, but which also conveyed a luxurious aesthetic. Due to the specific architecture of the corridor space and the fitted joinery to accommodate, it was necessary to consider the panel layout very carefully and integrate this into the design itself. It was also important to create a finish that enhanced the light rather than absorbed it, as the basement apartment in Kensington has a limited amount of daylight filtering in. Achieving the right degree of patination was essential to give it the vintage feel required. The wallcovering manages to completely transform a corridor - which would otherwise be a ‘dead space’; a room which exists purely for the function of traversing through it – into one of the most exciting interiors in the property. It makes visiting each different room a journey in itself, reminiscent of the adventures that inspired it. As an architectural finish it works very well as it is suitable for cladding doors, architraves and fitted shelving. The semi-reflective sheen on the zinc enhances light. The panels can be large to allow for hanging artwork, or smaller to make the decorative aspect of the brass edging more effective. www.rupertbevan.com

SOFA 51 SHOSHA KAMAL Founder & Design Director Shosha Kamal Design House

Tell us a little about your background in design (education, experience, etc) Ironically I studied International Business and Strategic Management at the German University in Cairo. I worked in Marketing for a couple of years before I decided I couldn’t fight my passion in design anymore. I traveled to Italy and studied design at Florence Design Academy then came back to Cairo and founded my own company in 2013. I suppose my marketing experience, strategic and business exposure along with my design expertise is what makes my designs stand out.

How important are The International Product Design Awards as recognition of talent and achievement? Creativity is hard to get accredited. The International Product Design Awards makes that possible. To me it is the entity where great designs get to be accredited. What projects are you currently working on? A revolutionary memorial for his highness Sheikh Zayed of the United Arab Emirates, blending design, technology and music.

SOFA - THE WING SOFA BY SOSHA KAMAL

How would you describe your personal interior design style?

What are your aims and goals for the next twelve months?

4000 years ago, ancient Egyptians created the science of Product Design. They excelled at designing everything and specifically furniture. However this great art was born and died with their golden age. Until today there are almost no attempts to develop that great heritage of Art and Design. Unfortunately it remains trapped in museums and media documentaries. The Wing Sofa is the first attempt to resurrect the Ancient Egyptian Design Style, creating the first of its kind, contemporary Pharaonic design in style.

Contemporary Pharaonic Design Style.

Reviving the pharaonic treasures and blending it into our modern world through contemporary inspiring designs.

Inspired by the great Wadjet, the Cobra Goddess patron and protector of the whole Lower Egypt, symbolizing eternal protection and peace. The Wing Sofa was created using ancient Egyptian techniques in materials and design; covered wood, copper paint, pure white leather and teal velvet upholstery.

Name five key themes to consider when approaching design in the future:

Bringing the marvellous ancient Egyptian design back to life and blending the greatness of Pharaonic designs with ultra modern minimalism, this is a timeless piece suitable for everyday use in residential and commercial spaces. The choice of materials was crucial to communicate the luxury yet casualness of the piece, hence the wood painted in copper for the back, and pure white leather for the seat.

If you could offer one piece of advice when it comes to product design, what would it be?

www.shoshakamal.com

Where does your design inspiration come from? The Ancient Egyptian Heritage. In what direction do you feel that design is moving towards in a general sense?

Final thoughts – tell us a little more about yourself... Your most treasured possession? A 1905 ancient book about french art.

Design is moving in a direction where designers have to offer a real value to the world, be it the value of minimalism, or the value of reviving a lost heritage. If you want to succeed, a real value has to be offered.

One: Value Adding Two: Unique Three: Revolutionary Four: Functional Five: Timeless

Your favourite hotel / restaurant / bar? A little boutique hotel in old cairo called Le Riad de Charme. Your favourite book / film / song? The 40 rules of Love / Beautiful Mind / Enta Omri. Your favourite food and drink? I have an obsession for all kinds of fruits. Your favourite way to spend an afternoon? With a good book and a good view.

Bond with the material that you use, communicate with it, feel it!

If you weren’t a designer, what would you be? Maybe a Surgeon!

52 BESPOKE

CABINETRY

JEFFREY DOUGLAS Principal Douglas Design Studio Tell us a little about your background (education, experience, etc) I’m artistic at heart and have always drawn and painted. I am particular, and think in a very detailed fashion. I’m interested in people and derive inspiration from them, so I believe the most unique ideas come from collaboration rather than isolation. This interest also makes me an effective listener and negotiator with architects, builders and tradespeople. I love helping my clients realize a home that is uniquely their own and an expression of who they are. How would you describe your own personal style? I take pleasure in creating interiors that accurately express the homeowners own lifestyle, while creating the most functional environment for their needs. In both furniture and interior design I reference past cultures and styles, while juxtaposing a freshness and timelessness. Where does your inspiration come from?

How important are The International Design and Architecture Awards as recognition of talent and achievement? International celebration of design achievements is incredibly important to establish and share appreciation and understanding of a valuable point of view. What projects are you currently working on? Several luxury custom built homes and condominiums in Toronto and New York. What are your aims and goals for the next twelve months? I see working internationally on high quality hotels and spas as an extension of the residential work I love. I am keenly interested in culture and how design is a reflector of our individuality. I will continue to expand the furniture line I began last year to encompass a wider range of needs, styles, eras and cultures. Final thoughts – tell us a little more about yourself.

Perhaps it’s banal to say this, but I see inspiration everywhere. It’s about looking at the world with an artist’s eye until you see into things, you feel them and become aware of their origins. Travelling is my favourite way to refresh.

Your most treasured possession? My sketchbooks

In what direction do you feel that design is moving towards in a general sense?

Your favourite hotel / restaurant / bar? I love places like Hotel Cotton House in Barcelona because it’s of the place and unique at the same time.

I’m seeing a strong technological influence in design solutions. With complex modelling programs and increasing accessibility of 3D printing, how we conceive is changing. Some worry about the end of art and craft, but I don’t think this will ever happen. You simply can’t replace the beauty of something well-made by hand. Name five key themes to consider when approaching property development in 2016 and beyond. One: Understanding local lifestyle and needs Two: Bespoke unique solutions Three: Sustainability of materials Four: Superlative service and attention to detail Five: Flexibility If you could offer one piece of advice when it comes to development projects, what would it be? I would like more developers to consider the cultural impact of their work. When its cheaply and quickly built, it says something about the culture. Sometimes you need to make something with lasting importance.

Your favourite holiday destination? Brazil – I love the rhythm there!

Your favourite book / film / song? The Underpainter by Canadian author Jane Urquhart. Vivid, haunting and rich in detail. Your favourite food and drink? Pan seared scallops and a crisp Chablis wine, but I love everything! Your favourite way to spend an afternoon? I’m looking forward to having my nails done with my two young nieces. With virgin cocktails and gossip! If you weren’t a designer, what would you be? An artist. In high school I had to make a choice between fine art and applied art. Anything else interesting? I write poetry. I am also passionate about helping youth in need and improving mental health understanding in our society.

DAMSON BY DOUGLAS DESIGN STUDIO This wall finish was inspired by Jules Verne’s estInspired by the Art Deco period, the idea was to create a piece that has no standard parts while using authentic, solid materials. Details are of the essence: custom bronze hinges, custom bronze drawer glides, and a sophisticated tubular system supporting glass shelving. Made from architectural bronze and finished with a pearlescent lacquer, the Damson credenza adds luxury to any space. Constructed using architectural bronze, the Damson credenza is a structural piece, using square rods to support the case. The tubes of the rods are then used to hang leather-lined drawers that pull out from the ends of the unit. Bronze panels open to reveal glass shelving accessible from both the front and back A 95 degree hinge was developed for the centre door, while a touch latch opener and mitered edge makes for seamless functioning. A high-gloss, pearlized lacquer was selected to contrast the architectural bronze. In addition to its glamorous aesthetic and functional design, Damson offers a very surprising amount of storage. www.douglasdesignstudio.com

KEY COMPONENTS

THE FINISHING TOUCHES FOR ANY SUCCESSFUL DESIGN SCHEME.

CAMERON PETERS After twelve years supplying interior designers with the decorative lighting from the finest brands, Cameron Peters Fine Lighting is launching its own designs under the Cameron Peters Collections banner. Long association with the island of Murano means they know how the centuries-old traditions are at risk, as so many glassworks have struggled since the financial crisis of 2008. So, the idea was to put together their finest masters with young, prize-wining designers who would bring fresh thinking to the island. The designers selected were BroigliaoTraverso from Vicenza. Since the resulting pieces would be of the highest quality, they were charged with creating designs that would have

something special â&#x20AC;&#x201C; something extra â&#x20AC;&#x201C; that would justify the necessarily high prices. And they succeeded brilliantly! Pictured is Anima, a delicate gold form floating in a sea of solid clear Murano glass. She seems to be a benevolent spirit (hence the name). In concept, Anima could not be simpler, but it is very difficult to make. It is free-blown, without a mould and, as the outer pear shape is formed, the inner anima must not move or be distorted. The satin-lined shades are available in all 160 colours of Pongees 734 Duppion silk. www.cameronpeterscollections.com www.brogliatotraverso.com

ILFARI Ilfari is one of the fastest growing brands in decorative lighting. Through hard work, finding their place in the market and understanding the wants and needs of their clients, Ilfari now offer a creative service in more than 50 countries. The concept is the creation of unusual, innovative lighting products using the latest technologies and using luxurious materials, such as metal, glass and Swarovski crystals. Inspired by dance music, Ilfariâ&#x20AC;&#x2122;s Design is slightly eccentric, sometimes eclectic. In this music scene it is easy to translate the modern music into classical music parts. Simplicity combined with modern effects plays with our imagination.

In the fascinating designs of Ilfari you will find the same philosophy. A highly progressive look, almost artistic on light, in combination with a subtle use of classical elements and sometimes Swarovski crystals, results in luxury lighting objects. Objects that will give modern as well as classic interiors an individual, almost revolutionary, turn. Ilfari products are original, innovative and completely handmade. Manufactured in Europe with high quality materials only and a strong focus on detail. Ilfari cooperates with the finest European manufactures for worldâ&#x20AC;&#x2122;s best quality crystal and glass. Ilfari is also your partner for customising and realising of special products.

JOSEPH GILES Joseph Giles is a leading British designer and manufacturer of architectural hardware, specialising in luxury residential and hospitality construction projects.

As well as bespoke services, Joseph Giles offers an ever-evolving collection of designs to suit a wide range of projects, including minimalist, industrial, classic contemporary and art deco style.

Joseph Giles was founded in 1998 with the sole purpose to create beautiful architectural hardware. Today the business offers exquisite products to suit all design and architectural needs, and regularly works with their clients to design unique pieces which delivers their design vision. The secret to their success has been to stay true to their passion and to deliver beautiful practicality for their customers.

Their products have been used in everything from high-end residential developments through to yachts and Kensington Palace. Their client base includes high-end interior designers, architects and homeowners with a passion for luxury hardware.

JULIAN CHICHESTER For over 25 years, Julian Chichester has created and built stunning furniture that bridges old and new by incorporating contemporary elements and exotic materials with classic, timeless forms. Influenced by his travels and a decidedly modern sensibility, he brings a new dimension to furniture that is at once thoroughly unique and instantly familiar. The collection maintains the integrity of 19th and 20th Century designs, whilst infusing a modernity that allows it to integrate seamlessly with the way we live today. Each piece from Julian Chichester has the personality to hold its own in any setting â&#x20AC;&#x201D; it

succeeds equally well in a Tribeca loft or a Shoreditch townhouse. With an enviable international reputation for quality craftsmanship, innovative design, infinite custom capabilities and unusual, highquality finishes, Julian Chichester is a furniture company like no other. New to line is the Deneuve Cabinet, a sensual boomerang shape gives the design a sophisticated and sculptural shape. Finished in highgloss lacquered teal vellum, the cabinet is outlined with a sinuous band finished in polished brass. The ultimate statement piece.

J U L I A N JULIANCHICHESTER.COM

C H I C H E S T E R59 FURNITURE • LIGHTING • ACCESSORIES

LONDON 1-4 Queen’s Elm Parade, Chelsea, SW3 6EJ +44(0) 20 7622 2928 sales@julianchichester.com NEW YORK NYDC, 200 Lexington Ave, #604, NY 10016 +1(646) 293 6622 sales@julianchichesterusa.com PICTURED: Deneuve Cabinet, Camden Town Table Lamp, Countess Mirror.

60 LAURAMERONI DESIGN COLLECTION Laurameroni Design Collection has always paid attention to surface design to reinvent the products surfaces in innovative and sophisticated ways. A quality you can feel is one of our main values, where the choice of finest materials, wisely combined, is enhanced by the manual skills of our craftsmen. The result is a collection of elements with a strong identifiability in which uniqueness and originality prevail. Laurameroni creates made to measure furniture able to satisfy different needs, but always remaining true to the original design. The Elemento Table, designed by Paolo Nicolo Rusolen, is an

extraordinary example of the sophisticated combination of high quality materials with an innovative surface design. The alternation of marble and glass is realised with extreme precision and attention to the tiniest details: a vision of different yet perfectly fused components. The top is made of Port-Saint-Laurent marble, with its fine grain and black background, while the glass creates an effect of suspension, offering a sensation of standing stones suspended in the air. Elemento table can also grow in length and adapts to various interior projects thanks to its modularity. It can be used in different

KARTELL Piuma is the latest revolutionary product in Kartellâ&#x20AC;&#x2122;s repertoire of technology and materials: a carbon-filled thermoplastic polymer compound that gives the structure greater mechanical rigidity and a lower weight. By applying its injection moulding techniques in a sophisticated new way that was designed especially for this material, an exclusive in the world of industrial design, Kartell has managed to create a chair that measures just a few millimetres thick (2 mm), resulting in an ultralight product (2.4 kg). It is the first time that a material containing carbon fibre has been injection moulded, and for an aesthetic, stylish product at that. Thanks to this unprecedented mix of materials, Piuma is not only extremely light and slender but also incredibly durable, flexible, suitable for outdoor use. The brand is continuing its search for perfection, absolute quality, and constantly finding new applications for materials borrowed from other sectors related to design. Kartell looks to the future and concentrates on developing retail and online distribution and growing its contract section. By creating horizontal divisions (tables, fragrances, bathware, habitat lines) the company is broadening its horizons with new partnerships and launching a new development process that puts consumers centre stage. It is doing so by reinforcing its direct retail network and its franchising, with increasingly strategic openings in countries that strengthen its global leadership from the American continent (Montreal, Toronto, Miami and San Francisco) to Japan (Tokyo and Osaka), from the UK to China.

TERZANI Terzani has always viewed aesthetics as a way of interpreting natural and artistic beauty. When you look at a Terzani design, you can sense how its light enchantingly envelops the surrounding space. The inspiration can be a shape that exists in nature, as you can see with the fish that inspired I Lucci Argentati; or the stones/drops of water that inspired Mizu; or a material or working method attracting the attention of the creative team. Terzani is elegant and sophisticated, innovative yet original. Each lamp is an object/sculpture that is meant to be fully integrated into its surroundings, spreading a charming and enchanting play of light.

Thus creating a constant interaction between the lamp and the space around it. Inspired by the tranquil and mesmerising light refractions created by water, Mizu is a customisable pendant light from Terzani. Like water droplets, no two Mizu are alike, each crystal shape is unique and made meticulously by hand. Using only the clearest crystal (24% lead), Mizu perfectly emulates waterâ&#x20AC;&#x2122;s refraction of light, casing amazing patterns around the room, reminiscent of flowing water. Also available in gold leaf and silver dust. www.terzani.com.

APPLICATIONS ARE NOW BEING ACCEPTED FOR THE INTERNATIONAL DESIGN & ARCHITECTURE AWARDS 2018. ALL SUCCESSFUL ENTRIES RECEIVE AN EXTENSIVE MARKETING AND PR PACKAGE IN ADDITION TO GUARANTEED COVERAGE IN DESIGN ET AL AND ASSOCIATED PUBLICATIONS. FOR FURTHER INFORMATION, CONTACT: +44 (0) 1244 346 347 AWARDS@DESIGN-ET-AL.CO.UK

Further information on all projects shortlisted in The International Design & Architecture Awards 2017 plus information on how to participate in 2018 can be found by visiting:

www.thedesignawards.co.uk

us are born with a natural Some of usSome are ofborn with a natural sense of style whilst others try hard sense of style whilst others try hard to achieve it. to achieve it. It is worth remembering though that style cannot be replicated, It is worth remembering though that created; it isonly as individual style cannotonly be replicated, created;as ourselves. it is as individual as ourselves. Be bold, fearless and have passion.

Be bold, fearless and have passion.

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