SVETLANA D E V YAT K I N A
SVETLANA DEVYATKINA *23-08-1995 +420 777 440 495 devyatkina.sv@gmail.com
EDUCATION 2019-present
Master‘s program - Academy of Arts, Architecture and Design in Prague, Architecture, CZ
02-07/2017
Study abroad - École nationale supérieure d‘architecture in Nantes, FR
2014-2019
Bachelor‘s degree - Technical univercity in Liberec, Architecture and urbanism, CZ
WORK EXPERIENCE 07/2020-pressent
Ondřej Tuček architect, Prague, CZ
06-09/2019
Architecture studio COLL COLL, Prague, CZ
09/2018-03/2019
Šťastný Pavel architect, Liberec, CZ
02-08/2018
Architecture studio Zerzán, Liberec, CZ
2015-2018
Curator in Istitute for Language and Preparatory Sudies, Charles Univercity in Prague, CZ
WORKSHOPS 11/2018
WERKSHOP - Stone, Brick, Wood, Concrete, around Liberec, CZ
10/2018
Takasaki Masaharu Workshop, Liberec, CZ
08/2017
EASA - International architectural workshop, Fredericia, DK
03/2017
Une semaine - Une ville, Saint-Nazaire, FR
07/2016
One week in reality - ARCHWERK, Ptice, CZ
03/2016
Workshop Bunker - MJÖLK, Liberec, CZ
LANGUAGES fluent
Czech
upper intermediate
English
lower intermediate
French
fluent
Russian
02
03
INSECURE BORDERS studio porject 02-05/2020
UNIVERSALITY studio project and closure 09/2019-01/2020
RETURN TO PLOUÄŒNICE bachelor thesis 02-07/2019
07
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THE ROOMS exhibition 10-11/2017
BUNKER workshop 03/2016
04 THE BATH Takasaki Masaharu workshop 10/2018
05
EASA DENMARK workshop Colour 08/2017
06 UNE SEMAINE - UNE VILLE workshop 03/2017
INSECURE BORDERS UMPRUM Prague Architecture IV
02-05/2020
studio: doc. Mgr. ak. arch. Roman Brychta, Ing. arch. MgA. Markéta Mráčková, Ing. arch. MgA. Barbora Šimonová
Endless fields, steppes... Somewhere here the border of Russia and Ukraine passes today. But if we do not see a drawn line on the map and do not meet a fence or a border checkpoint, can we with certainty say where exactly this border is? Here, in the South, near the Sea of Azov ​​ has never been a physical border. Neither the nomadic tribes, nor the Greeks, nor the Cossacks who lived in these territories have known it. Even the language, which mixed Russian and Ukrainian has never known it. Nor does nature, spreading like an endless line on the horizon, knows this border. The installation on this territory encourages us to think does this border really exist?
The border pillar‘s symbolism is rethought here. Its original value - to detach the transition point - is erased. We see references to common features instead - architecture, woodcarving, household items, habits, ideals, common problems. And we can no longer understand where the Russian ends and the Ukrainian begins. The maximum sense of ambiguity and uncertainty occurs when approaching the floating pier. We are still taking the first step from the border area, but the further we move away from the coast, retiring with ourselves, the less we understand whose territory we are now. The pier, succumbing to the changeable flow of the bay, bends almost imperceptibly, taking us one way or the another. Here, in boundless uncertainty, we can think of the eternal.
UNIVERSALITY UMPRUM Prague Architecture IV
09/2019-01/2020
studio: doc. Mgr. ak. arch. Roman Brychta, Ing. arch. Martin JanÄ?ok Prototyp I In an effort to explore the boundaries of universality in architectureI propose a prototype of an urban structure for living in the 21st century on an abstract area of approximately 250 x 250m. Subsequently I test the proposed structure on allocated sites in Prague (Kolbenova - 55,000 m2) and in Bratislava (RaÄ?ianska 60,000 m2). I define specific typologies of houses and characterize the urban detail of the new development. Prototyp II I supplement the already created structure, set in context, with a greater degree of detail - I propose the plans of apartments, shared spaces and courtyards.
The house and street change their places. The slender houses joining and creating a rectangular mesh. They form the courtyards. Each one is different. Square, gardens, nursery, playground or park? The both sides are seen from flat, you can choose which one „a favorite“ will be mark.
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RETURN TO PLOUÄŒNICE FUA TUL Bachelor thesis
09/2019-01/2020
studio: Ing. arch. Radek Suchánek, Ph.D. The work deals with the area on an important urban way near the river Ploučnice in Česká Lípa. Proposal tries to exploit the potential of the site and establish a lost connection between the city center and the south bank of the river. The design includes analysis of a unique site and architectural proposal of the new residential housing by the river. The intention is also to revive the public space of the park along the Smetanovo nábřeží and the opposite bank of the river.
more: https://issuu.com/devyatkina.sv/docs/bp_devyatkina_svetlana
M1:300
THE BATH Liberec Takasaki Masaharu workshop
10/2018
tutor: Takasaki Masaharu (Japan) step 1 be inspired by czech art and choose 2 works step 2 interpret it in sketches according to your own feelings and emotions step 3 make working models based on sketches step 4 transform abstract art into architecture The initial inspiration was the work of Stanislav Kolíbal „Sculpture for the Wind“ and „Male and Female Torso“ by Zdeněk Pešánek. The basic motif is a curve that forms the main wall - the only landmark located above the terrain. The visitor descends along the wall with a ramp and descends two floors underground, where he finds himself in an entrance hall with dim lighting. The sun‘s rays are guided by narrow tubes, passing through the thickness of the water all the way down, where they create a magical soothing atmosphere. After purchasing a ticket and changing clothes, the visitor can continue on a ritual path that leads up another ramp to the thermal outdoor bath.
Sculpture for the Wind Stanislav Kolíbal
Torsos of Men and Women Zdeněk Pešánek
THE GYPSY CARAVAN EASA Hospitality Denmark Workshop Colour
08/2017
tutors: Louis Koseda (England), Ben Rea (England), Sam Atkinson (England), Buscot RĂŠmi (France) team: 13 international students EASA is a two-week architectural workshop, held each year in a different state and brings together over 500 students and professionals from different parts of the world with a common interest in architecture. Art has enormous power - through artistic residencies we can make contacts, spend time together, create and pass on experience. The Color workshop dealt with the creation of a residence space that would be used for a short stay and at the same time exhibiting. This residence can be rented by any artist from around the world. The mobility of the caravan allows it to be placed anywhere in the city and present the artist‘s work to the locals. Today, the Gypsy Caravan is actively used by the artistic community in Fredericia and young people from all over the world.
CARTOGRAPHIE AUTOBIOGRAPHIQUE Saint-Nazaire Une semaine - Une ville
04/03-07/03 2017
tutors: Eric Chauvier, Laurent Devisme (Francie)
I’m in a city where I’ve never been before. I have a pen and I have a sketchbook. Unknown place for me like a white paper whitout anything. I’m drawing my way and the things that I like. Four maps from each day are creating the single one - my own map of Saint-Nazaire. The missing places are not existing.
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THE ROOMS FUA TUL Liberec in Prague
10-11/2017
team: students and professors of FUA
The Rooms are an annual exhibition for artists and students of art throughout the Czech Republic. We decided to present our entire faculty, its way of life and work. We wanted to show how the faculty is open to students from the inside, but closed for people from the outside. We divided the room into two worlds - inner and outer by building the wall from school boxes. These two worlds were connected only by randomly situated hollow boxes. All students lived their standard lives in closed room for the entire duration of the exhibition - participated consultations, lectures, critiques hard working and final party in inner space. People from outside could talk to us but no one could get inside.
THE ARCHITECT’S NEST Jizera mountains Workshop BUNKER Studio MJÖLK
03/2016
* students built bunkers in Jizera Mountains
tutors: Ing. arch. Jan Mach, Ing. arch. Jan Vondrák team: Alžběta Nováková, Tobiaš Hrabec, Martin Stupka, Krystýna Mocová, Tereza Klinkerová, Tomáš Hrubý
One week in a forest. Few steps from the idea to realisation. Only natural materials and seven pairs of hands. Sleeping-test in 7 degrees.
WIRE COMPOSITIONS FUA TUL Art studio doc. Jan StolÃn, M.A.
01/2016
2020