Valley Musicals - 2024

VALLEY MUSICALS

VALLEY MUSICAL CONTRIBUTORS

JERRI BROUSE

REVIEWER / PHOTOGRAHER

Jerri is a freelance writer and photographer who lives in Lewisburg. She writes Applause, Health and Life features and covers live events for the Daily Item.

JOVE GRAHAM

REVIEWER

Jove Graham is an actor, director and board president of the RiverStage Community Theatre. After getting a degree in theater, he graduated from the Arden Professional Apprenticeship and has been active in many community theaters.

Tthank you for sharing

his year, I got to do something with Valley Musicals that I rarely get to do. I actually got to go see several musicals. Even better, I saw almost every one of them with some one from my family at my side.

thing about how the audience responded.

CINDY O. HERMAN PREVIEWS

Cindy O. Herman is a freelance writer from Snyder County. Interviewing students and teachers involved in the Valley’s high school musicals always brings a smile to her face. She loves their enthusiasm.

ROBERT INGLIS

CO-ORGANIZER/VIDEOGRAPHER

Robert Inglis has been working as a photographer at The Daily Item for more than 20 years and is a Rochester Institute of Technology graduate. He has been working on Valley Musicals since its inception.

JILL NIED

REVIEWER/WRITER

Jill Nied is a student at Danville Area High School and is a co-op reporter for The Daily Item. She has been a part of several high school musicals, including Danville’s production of “Anastasia” this year.

KYRA SMITH-CULLEN

CO-ORGANIZER/WRITER

Kyra Smith-Cullen multi-tasks as the Applause editor and deputy news editor at the Daily Item. She can frequently be caught with a tune on her tongue.

We’re big musical people. My mother, who homeschooled me and my older sister for a while, used to have dedicated lessons on musicals, making sure we knew about Rodgers and Hammerstein and Andrew Lloyd Webber — as a preteen, I think I knew the lyrics to “Jesus Christ Superstar” and “South Pacific” better than I knew any Backstreet Boys song. And it’s something we still love. I saw Line Mountain’s “Footloose” on my own, but my mom was quick to ask how the show was when I saw her the next day. My younger sister saw “Shrek the Musical” with me in Selinsgrove, where we laughed at some of the more juvenile jokes; Mom joined me for Warrior Run’s “Once Upon A Mattress,” where we talked about how, despite its popularity, it was a production that was entirely new to us. And because my little niece is such a Disney fan, three generations piled into the van to see Mount Carmel Area’s “Disney’s The Little Mermaid.”

Sitting in those theaters, I couldn’t help but think about how great it was to share those experiences. Not even with just my family, but with the entire audience. There’s a certain happiness that echoes in the applause when a singer’s voice soars or when a dancer’s pirouette is perfect. It’s fun to see the actors get a certain swagger in their step after a line lands perfectly and they get to take a moment to bask in the laughter. I can’t imagine the satisfaction that must accompany a performance because, after months of rehearsal and learning, they get to share it — with their families, with their friends and with the unknown people in the audience who they worked so hard for.

To put together this special section, I send out questions, asking students and directors things like what their biggest challenge was, if there was anything unexpected they discovered. One of my favorite questions is what their favorite moments during live productions was. More often than not, the answer is some-

“During the shows, I love to hear audience members acknowledge things on stage. Whether that is laughing at something happening, gasping when they see the mermaids for the first time, cheering at the end of a big musical number, etc.,” said Brandon Mowery, who directed Mount Carmel’s production. “When the audience is into the show, then I know I’ve done my job as a director and the students enjoy performing more.”

One of my favorite things about Valley Musicals is that it lets me share with The Daily Item readers — with the help of Robert Inglis, Cindy O. Herman, Jerri Brouse, Jove Graham, Jill Nied and Chelsea Ritter, along with everybody else at The Daily Item — how great these students are, how dedicated the people behind these production are. Because they deserve it. This year, I also wanted to pay attention to the Valley’s response. I regularly asked Facebook users if they saw one of the productions and what they thought about them. And when they say you shouldn’t read the comment section, I’m pleased to say high school musicals are the exception to the negative stereotype. There were glowing reviews, proud family members and pleased audiences. Some of these comments can be seen on Page 32. Check them out! And next year, consider sharing your own review.

The day before this special section published, The Daily Item hosted a Red Carpet Celebration. We brought it back last year after a pause during the pandemic, but it’s a way for us to celebrate these casts and crews. We ask that they get in the spirit of things and wear their “red carpet attire” — usually prom gowns and tuxedos — and play them footage from their productions and cast interviews. We do it to thank them for sharing their talents and hard work with us, for spending weeks to make their audiences happy.

KYRA SMITH-CULLEN Valley Musicals/Applause editor

1) Alena Shaffer from Warrior Run’s “Once Upon a Mattress.”

2) Johnny Barnette from Southern Coumbia Area’s “Little Shop of Horrors.”

3) Angel Ortiz from Shikellamy’s “Seussical the Musical.”

4) Noah Wallish from Shamokin Area’s “Something Rotten.”

5) Elliot Muller and Austin Imhoof from Selinsgrove Area’s “Shrek the Musical.”

6) Dyllan Connell from Mount Carmel’s “The Little Mermaid.”

7) Madeline Watkins from Milton Area’s “Makin’ It.”

8) Garret Franck from Mifflinburg’s “Matilda.”

9) Patrick Williams from Midd-West’s “You’re A Good Man, Charlie Brown.”

10) Brooklyn Weaver from Meadowbrook Christian’s “Seussical the Musical.”

11) Levi Ferster from Line Mountain’s “Footloose.”

12) Katie Kelly and Naveen Ramsara in Lewisburg’s “Mary Poppins.”

13) Kyla Brookhart from Danville Area’s “Anastasia.”

Danville determination, identity central themes in ‘anastasia’

STORY By Cindy O. Herman

Danville Area High School’s production of “Anastasia” featured many things — like history, romance and drama — but central to the story is the determination of the characters.

“‘Anastasia’ is about a young girl named Anya who has lost her family and knows nothing about her true identity,” said Aubyn Johnson, director of the musical. “She works as a street sweeper just to earn enough money to travel from Russia to Paris to meet with her grandmother, who is the one remaining family member that she remembers. Anya is determined that nothing will stop her on this journey and that she will be able to prove that she is the Grand Duchess Anastasia Romanov. I believe this story of identity and determination is a beautiful story and one that everyone should see.”

The student performers have been working hard to dig into their characters’ personalities.

“Anya is based on the real life Anastasia Romanov,” said Kyla Brookhart, who played the leading lady. “Anya is determined to discover who she really is after she gets amnesia. I love playing Anya because I think everyone, including myself, can learn something from her unwavering hope and strength.”

Equally as determined in her quest is the Dowager Empress, who had never given up searching for her missing granddaughter.

“My character is a grandmother who has gone through a lot of loss in life,” said Jera Strony, a senior. “She is very stubborn but also very confident in herself. I love that she sticks to her heart no matter what and never lets anyone put her down.”

It was a good contrast to Collin Cummins’ role of Dmitry, a con artist who adapts as needed.

“He is shaped by his environment, being forced to come up with innovative ideas and strategies to

FROM THE AUDIENCE

Danville Area High School cast of ‘Anastasia’ more than earned its standing ovation during curtain call.

Orchestra members hit all of the right notes in bringing beloved classics from the 1997 film to life such as “Once Upon a December,” “Learn to Do It,” “Paris Holds the Key” and “Rumor in St. Petersburg.” That didn’t take away from the new songs, my favorite of which was “In A Crowd of Thousands” sung by leads Kyla Brookhart as Anya and Collin Cummins as Dmitry.

Audience members could tell that student actors did their homework, not just on their characters, but on the time period, clothing and technology available in the 1920s.

The villain, Jack Marks as Gleb, was sympathetic and humanized through the portrayal. Audience members understood his motivations to follow in his father’s footsteps as a good soldier of the Russian revolution as well as his struggles as he grappled with how he felt about Anya.

In some cases, such as with the characters of Vlad and Countess Lily, we were able to see a whole different perspective on beloved characters. The star-crossed lovers, portrayed by Owen Crane and Elyse Spahr, respectively, weren’t really fleshed out in the animated film. The natural chemistry was evident on

stage and their personalities around each other drew some laughter from the audience.

The set, especially the Parisian backdrop, was absolutely gorgeous and opulent, which is how I always imagined Paris would be in that time period. Conversely, the beginning sets are a bit more bleak while the characters are in Russia during the revolution and its aftermath.

The dance numbers were choreographed so well and students really hit it out of the park during the Russian ballet scene as well as during the flashback that Anya has. The love students put into the production and hard work was evident.

Crew members did an amazing job not just with scene transitions, but also the use of lighting to evoke emotions. I held my breath when the stage went red as Kyla Brookhart and Jack Marks were silhouetted during the scene where Gleb tries to finish what his father started by pointing a gun at Anya.

The Romanovs have always been a family shrouded in mystery and tragedy. The cast of ‘Anastasia’ didn’t need any fantastical elements to bring this timeless story of finding family and love to life.

The

Clockwise from top left: Owen Crane as Vlad and Collin Cummins as Dmitry rehearse a scene from Danville Area High School’s production of Anastasia. The cast poses in a scene. Jack Marks as Gleb helps Kyla Brookhart as Anya/Anastasia to her feet during a scene together. Collin Cummins sings. Jera Strony as the Dowager Empress, Paisley Crellin as Young Anastasia and Clare Charlton as Tsarina Alexandra act in a scene together. Benjamin Crane as Tsar Nicholas and Paisley Crellin dance together. Jack Marks appears with a coat of arms. Opposite page: Owen Crane, Kyla Brookhart and Collin Cummins perform together.

CAST & CREW

Adelaide Crellin; Akshaya Kannan; Alaina Soza; Ambyr Whiting; Annalise Wolfe; Avery Haas; Avery Loper; Ben Myers; Benjamin Crane; Benton Crellin; Charles Zhao; Clare Charlton; Collin Cummins; Collin Santore; Elizabeth Soza; Ella Meadows; Elliot Heim; Elyse Spahr; Gabriella Gonzalez; Grace Dickerman; Grace Everett; Grey Jenkins; Gyovanna Sundar-

make his way through the world he lives in,” Cummins said. “I enjoy playing Dmitry because his confidence really shines through, and it gives me a chance as an actor to make new decisions I may not normally make.”

Cummins said he enjoyed the learning process.

“I had so much fun learning with such a collaborative and supportive group of people, and the collective excitement and support when someone hit a great note or the group sang a great chord made the process all that more enjoyable,” he said.

Students found ways to have fun even with the mundane task of checking their mics.

“Every day before our dress rehearsals we do mic checks to make sure our sound system is working well, and we always have a different theme,” said Owen Crane, who played Dmitry’s

esan; Hobbes Crellin; Izzy Stem; Janelle Stassel; Jera Strony; Jill Nied; Jack Marks; Joseph Soza; Kyla Brookhart; Leah Auman; Leah Daye; Lila Ross; Nathan Hepner; Olivia Fahringer; Owen Crane; Paisley Crellin; Rani Soleyn; Selina Zhang; Sophia Yohannes; Tess Marr. Director: Aubyn Johnson.

partner in crime Vlad. “Sometimes it will be singing our favorite song, doing impressions, or just sharing what we ate that day. All together I think it brings the cast together and makes us more like a family than a drama club.”

One of Johnson’s most exciting moments happened after a dress rehearsal. He had given Jack Marks, who played the antagonist Gleb, homework to listen to a song from the musical “Ragtime” as inspiration for his character.

“Not only did Jack do his homework but the next time we rehearsed, he had so much conviction, power and authority on the stage that I was staggered and couldn’t help but give him his flowers at the end of the rehearsal,” Johnson said.

PHOTOS BY JERRI BROUSE

lewisburg

Director wanted to do ‘Mary Poppins’ justice

STORY By Cindy O. Herman and kyra smith-Cullen

Lewisburg Area High School director Sarah Tiede said she looked at multiple factors when she chose “Mary Poppins” this year.

“I look at many elements when choosing a show. Most importantly, can we successfully cast this with the students we have? Do we have multiple kids who can pull off these roles?” She said.

She also considers what they’ve done in recent years, so the students can get the most out of their time in high school theater.

“I want our students to come out of our program with a little taste of what is out there,” Tiede explained.

The last thing she factors into her decision is how the staff likes the show.

“If our musical staff doesn’t enjoy the show, we won’t do it justice.”

Her team certainly did it justice.

As Daily Item reviewer Jove Graham noted, the production was — to quote the title character — “practically perfect in every way.”

Tiede said it took a while before she was convinced how good it was going to be.

“We were down to the wire before this show locked into place. I was very nervous up until Wednesday of show week,” she said. “Normally we are in a good place about two weeks before the show. But ‘Mary Poppins’ has so many magical moments, difficult costume changes, tricky props and, of course, the flying, that it was a challenge to coordinate.”

The students enjoyed learning their characters and deciding what they wanted to do to make it personal to them.

“We have one student who is fantastic at improvisation and she was cast in a role where she could ham it up. At one point in the show, a special vase breaks and her character throws a tantrum,” Tiede said

FROM THE AUDIENCE

Congratulations to the students of Lewisburg Area High School for their magical performance of “Mary Poppins!” Under the direction of Mrs. Sarah Tiede and music direction of Mr. Jonathan Walz, the cast and crew put on a ‘practically perfect in every way’ production that delighted audiences of all ages over the weekend of February 29 to March 2.

This 2004 musical based on the Walt Disney film and the children’s books tells the familiar story of the magical nanny Mary Poppins as she helps the Banks family of London solve their various life- and work-related dilemmas. The lead roles of Mary Poppins and Bert the chimney-sweep were played by seniors Katie Kelley and Naveen Ramsaran, both of whom wowed the audience not only with their impressive voices and performances but also by flying through the air at various times in the story, thanks to a cable rigging system and hardworking backstage crew. The Banks family were played by seniors Summer Evans (Mrs. Banks), Liam Shabahang (Mr. Banks) and Laura Tranquillo (Jane), and Lewisburg eighth-grader Nolan Jusko (Michael), and their moving performances and character arcs drove the main plotline and kept the audience engrossed in the story. Kudos

also to seniors Rae Morgan and Ezra Zook who provided great comic relief throughout the show. This main cast was supported by many other delightful supporting characters, and a huge ensemble of singers and dancers. The energetic choreography by Mr. Alfonso Parker, Jr. and Mrs. Tiede was a joy to watch, especially during the large group numbers such as “Jolly Holiday” and the showstoppers “Step In Time” and “Supercalifragilisticexpialidocious.”

The set design and construction led by Mr. Paul Sheppard did a wonderful job of creating the indoor spaces of the Banks’ kitchen and living room (with magical elements such as selfrearranging dishes and utensils) as well as the open spaces of the London parks and rooftops. Costumes by Mrs. Pat Musselman and Mrs. Cyndy Shaffer also captured not only the iconic fashions of Mary and Bert from the familiar film version but also the residents of Edwardian England in their roles as townsfolk, bankers, chimney sweeps, life-sized toys and many others. Congratulations to all on this fun and memorable production of Mary Poppins!

— Jove Graham

Clockwise from top left: Katie Kelly as Mary Poppins, Nolan Jusko as Michael Banks and Laura Tranquilo as Jane Banks perform in Lewisburg Area High School’s “Mary Poppins.” Laura Tranquilo, Rae Morgan as Mrs. Brill, Nolan Jusko and Ezra Zook as Robertson Ay perform a scene. Nolan Jusko, Liam Shabahang as George Banks, Summer Evans as Winifred Banks and Laura Tranquilo act in a scene. Naveen Ramsara as Bert sings while Nolan Jusko, Laura Tranquilo and Kate Kelly watch. The cast sings together. Opposite page: The cast performs a group number.

CAST & CREW

Adam Davis; Addison Altolft; AJ Franklin; Alexey Rosenberg; Allen Mincemoyer; Andrew Brown; Angela Doan; Anna Drouin; Audra McIlwaine; Autumn Campbell; Benjamin Cheville; Brady Coughlin; Canyon Swartzentruber; Caroline Havill; Caroline Scheckter; Carter Davis; Cecilia Cunado-James; Ceili Kisvaraday; Chloe Newbury; Claire Castle; Clara Graham; Connor Felo; Dylan DutcherKing; Elizabeth Guittard; Ella Mirshahi; Ellis Reed; Emma Bailey; Ezra Zook; Gabe Newlin; Gemma Glathar; Gibson O’Mealy; Gracie Gelnett; Gwynn Rowe; Haile Shnyder; Hailey Exley; Harrison Mirshahi; Hayden Davis; Henry Heintzelman; Hope Kaszuba; Ian Cavanagh; Isaac Sussman; Isabella Cipriani; Jaelyne Taylor; Jake Weis; Jenna Binney; Kaitlyn Doran; Kalliope Del Vecchio; Kate Haussman; Katelyn Chen; Katie Kelly;

of her favorite moment during live productions. “Watching her improvise was always the highlight of the show. She would hug the vase and sing it a lullaby or blow her nose on the skirt of another actress. It was hilarious.”

Katie Kelly had to decide whether to emulate Julie Andrews or create her own version of Mary Poppins. After learning her lines and blocking, the choice became clear.

She said she learned “to walk around the stage as Mary Poppins, rather than her representation by Julie Andrews, meaning, I am my own representative.”

Talking in a British accent is hard to drop even after rehearsals, Kelly said, adding that one day a stage crew member asked why she was still

Kayla Finn; Kean Parker; Kelsey WIlliams; Keyen Faust; Kiran Stamm; Landon Druckenmiller; Laura Tranquillo; Leah Wetzel; Liam Shabahang; Lilyan Guth; Lindsay Barker; Linghan Wan; Luca Kuhn; Lucie Gossen-Roy; Mackenzie Purinton; Maddie Satteson; Maddy Lesher; Mae Haussman; Maya Sak; Mette Faden; Micheline Gwynn; Morgan Strieby; Natalia Spaventa; Natalie Dewald; Naveen Ramsaran; Nia Young; Nick Pigos; Nicodemus Charles; Nolan Jusko; Olivia Morgan; Orissa Reed; Owen Vankirk; Paige Wright; Paul Tranquillo; Rae Morgan; Sophia Torres-Centeno; Summer Evans; Sydney Edgington; Taylor Howarth; Titus Hockenbroch; Tyson Nicholls; Vivian Vance; Ziva Williams.

Director: Sarah Tiede.

speaking that way.

“Once you start doing it, you can’t stop,” she said.

While rehearsing, the cast found moments to make each other laugh.

Liam Shabahang, who played Mr. Banks, kept things light by jotting notes during scenes where he’s at his desk, leading to others dashing off notes there too. During a scene where he tells his wife he lost his job, Shabahang wrote a note for Summer Evans, who portrayed Mrs. Banks, just as she was about to deliver her lines.

“He wrote, ‘Broke,’” Evans said, laughing. “It was so funny.”

PHOTOS BY ROBERT INGLIS

Line mountain

‘Footloose’ cast found connections to their characters

STORY By Kyra Smith-Cullen

Forty years ago this year, Kevin Bacon took a small town by storm in “Footloose.” In 1998, the pop culture hit was adapted into a musical that lives on in high school theaters, including Line Mountain High School.

To help cast members prepare, director Beverly Kline Lash said she encouraged them to research the production by studying the script, looking at the time period it took place in and trying to find the subtext of the dialogue and actions. Levi Ferster, who played leading man Ren McCormack, said some of her advice was crucial to helping him find his character.

“She said, ‘you aren’t a farm boy anymore, you are the popular city kid,’” said Ferster. “This helped me realize that everything I am used to doing did not apply anymore, including the way I talk, my body language and the way I walk. I had to become Ren McCormack.”

For Addalyn Shingara and Derek Wolf, their characters were a lot like themselves, so they said they could focus on emphasizing the similarities.

“I just tried to embrace her and portray Ariel in a way that made the audience really connect to her,” said Shingara, who played leading lady Ariel Moore.

One of the students’ strongest qualities was their “ability to work together without overwhelming egos present,” Lash said.

Talking to the students, it was obvious how close knit they were. The cast was made up of students from the middle and high school and they all grew close while preparing for the show. For many, it was their first production.

“On closing night, all of the young kids began to cry minutes

FROM THE AUDIENCE

Line Mountain started its production of “Footloose” with a bombastic entrance — the cast racing through the center aisle as they cheered and whooped — and they kept that energy through the entire show.

The entire cast was great, with notable standouts. Levi Ferster, who starred as Ren McCormack, brought such a loose, carefree attitude to the role that was elevated by his physicality. There were several more complex maneuvers that he nailed with confidence and ease. He and Addy Shingara, who was cast as Ariel Moore, played off each other well, especially in “Almost Paradise,” where their duet was incredibly sweet to watch.

Almost impossible not to watch was Willard, played by Derek Wolf. His comedic chops stole practically every scene he was in, even more so in “Let’s Hear It For The Boy.” The audience couldn’t contain themselves every time Wolf fumbled or fell and I couldn’t keep my eyes off him, wondering which move he was going to expertly botch next. His hotheadedness played well off of Katie Heim’s cool sass as his love interest and Ariel’s best friend Rusty. Heim’s performance, along with Chloe Masser and Queenlyn Zartman, in “Somebody’s Eyes” was the right mix of warning and soothing, with its melodic notes and foreboding words.

Evan Swinehart was well-suited for his role as the Rev. Shaw Moore, with his commanding stage presence. He and Ferster

were good foils, with Ferster’s more carefree mannerisms pairing well with Swinehart’s dignified and solemn portrayal. Kylie Troutman and Kendal Heim, as Ethel McCormack and Vi Moore respectively, were wonderful as concerned mothers, adding the voices of reason in crucial moments.

Line Mountain’s cast spans several grades and the younger actors held their own. Sometimes, they even stole the scene — such as when Mark Carta, portraying Cowboy Bob, wooed Heim and was manhandled by Wolf, who held him up so high that Carta was probably twice his actual height. It was great to see kids of all ages enjoying themselves, and with 16 members of the production graduating this year, I hope to see the younger students continue to be part of the department.

The minimal elements of the set really allowed the stage crew to shift scenes efficiently and relied on props to differentiate some settings. The space was utilized well, especially when watching Ferster navigate his way through the tables and chairs on roller skates during the one scene.

The choreography was simple, but it allowed the bigger moments to really pop. The group numbers were well synchronized and a pleasure to look at. The cast ended on the same high the show began, with a burst of energy as the cast performed the titular number.

— Kyra Smith-Cullen

Clockwise from top left: Queenlyn Zartman as Urleen and Derek Wolf as Willard Hewitt act together in Line Mountain High School’s production of “Footloose the Musical.” Katie Heim as Rusty, Addy Shingara as Ariel Moore, Chloe Masser as Wendy Jo and Queenlyn Zartman perform a number together. The “Footloose” cast rehearse one of the conflict scenes. Evan Swinehart as The Rev. Shaw Moore leads the cast in a church scene. Katie Heim, Queenlyn Zartman, Addy Shingara and Chloe Masser perform together. Opposite page: Addy Shingara and Levi Ferster as Ren McCormack lead the cast in a group number.

CAST & CREW

Addy Shingara; Ashley Strohecker; Audrey Martz; Breann Reed; Brookelyn Zartman; Cadence Walshsaw; Chandon Maurer; Chloe Masser; Clara Michetti; Cora Spotts; Delaney Shingara; Derek Wolf; Eli Shaffer; Eliana Shipe; Ella Shipe; Emily Strayer; Emmerson Grindstaff; Eva Malfara; Evan Swinehart; Hannah Shaffer; Isabella Sholder; Joseph Barwick; Katie Heim; Katie Ptaszynski; Kendal Heim; Kinzley Hollenbach; Kylie Troutman; Laura Snyder; Leo Hollenbach; Levi Ferster; Lilianna Herb; Lily Carl; Lucy Shipe; Madilynn Carta; Madison Scott; Makayla Morrison; Mark Carta; Mary Snyder; Morgan

before the show started. Our production consisted of many seniors and (the younger kids) were upset that this would be their last show with us,” said Wolf, who played the hot-headed class clown Willard Hewitt.

Wolf’s character wasn’t the only comedian on stage and the students would change their performances during the live productions to cater to the audiences.

“Footloose has a lot of comedic moments in it between the characters, and it was always funny to see and hear when certain characters would change up their lines each night to add to the comedic effect,” said Kaitlyn Troutman, a Line Mountain graduate who returned to her alma mater to be pit director. “From a director standpoint, it was also great to hear and feel the positive audience reactions to whatever is going on on stage. There was always lots of laughter and cheers, which truly makes any performance better.”

Much like their characters, dancing proved to be

Molesevich; Paden Swinehart; Queenlyn Zartman; Rachel Morrison; Rhyleigh Beer; Sarah Schaible; Scarlet Keefer; Sophia Whitcomb.

Director: Mrs. Beverly Lash. Pit: Brianna Bingaman; Mr. Bret Getty; Mrs. Amanda Keefer; Dr. Harold Morgan; Mr. Darren Rosenstein; Blake Rothermel; Mr. Mark Sosnoskie; Ms. Katelyn Wells.

Staff: Mrs. Cheryl Ibberson; Dr. Harold Morgan; Ms. Kaitlin Troutman; Mr. Aaron Ferster; Mrs. Mae Lesher; Mr. Lamar Lesher; Levi Lesher; Ms. Katrina Lesher; Ms. Kelley Conrad; Ms. Susan Matsui; Joseph Shipe.

a challenge for performers of all ages and required a lot of time and effort. Many students hadn’t been in a production that was so heavily dependent on choreography before.

“There was a lot of choreography. We spent hours every Saturday on dancing alone,” said Shingara. “I realized when the dances started flowing and we were in sync that the show was going to be one that shocked the community! A bunch of country kids were pulling off some pretty tricky dances!”

Queenlyn Zartman, who played Ariel’s best friend Urleen, agreed that the choreography was her biggest challenge.

“We were told to dance like no one was watching and to get out of our heads,” she said. “Dancing was a vital part of our show and learning how to put everything aside and dance one’s heart out was something we all had to learn.”

v

PHOTOS BY ROBERT INGLIS

MeadowbrooK christian

‘Seussical’ cast spans years, leading to fond pairings and fun

STORY By Cindy O. Herman

Even in rehearsals for a silly sort of production, emotions can run the gamut from hilarious to heartwarming — especially for a cast as tight knit as the one at Meadowbrook Christian School.

Bryn Rhoades, children’s ministry director at Christ Wesleyan Church, which founded Meadowbrook Christian School, said the cast’s goal for “Seussical the Musical” was to help the audience realize everyone had a voice to be heard.

Jayar Rhoades, a senior, played the role of Horton the Elephant.

“He is a caring person who wants to protect everything,” Jayar Rhoades said. “He goes out of his way to protect a clover with his friend on it, and is willing to sit on an egg for an acquaintance of his.”

Senior Brooklyn Weaver portrays Gertrude McFuzz.

“She is a very dynamic character and experiences a great personality shift throughout the show when she goes from being shy and reserved to confident and outgoing,” Weaver said. “I enjoy playing this part because she is nothing like any other character I have ever played before, and it has been a great experience for me.”

Levi Erb, a junior, played the lovable yet mischievous Cat in the Hat.

“There is a lot of newness that comes with playing this character, as the character consists of multiple characters within a character,” Erb said. “My character’s goal, no matter what character he is, is to have fun. He points the show towards anything that he thinks would be funny for someone else or, at least, funny for him. The line of dangerous and funny can sometimes be lost in his mind.”

Because of the small student body, Meadowbrook features performers of all ages and showcases the reality that talent has no age limit. One of the lead performers was Hannah Cruz, a seventh grader who played JoJo. Cruz’s talent was noted by The Daily Item reviewer Jerri Brouse. “Hannah Cruz knocked it out of the park as JoJo as she effortlessly belted-out tune after tune,” Brouse wrote.

FROM THE AUDIENCE

The whimsical world of Dr. Seuss came to life on the stage of Meadowbrook Christian School this April, weaving a story of friendship, loyalty, and love with their rendition of Seussical the Musical.

Seussical tells the story of Horton the Elephant and Gertrude McFuzz who band together to save the Whos, free Horton, and restore peace and unity to the Jungle of Nool. The story of Seussical teaches the power of being unique, and the importance of fighting for your beliefs.

It’s tough to say what the best part of this show was — the colorful characters, the toe-tapping tunes, or the heartwarming messages. One thing not up for debate is the spectacular job done by the cast, which included a talented ensemble of performers, each bringing their own unique flair to these beloved characters.

Hannah Cruz knocked it out of the park as Jo-Jo (it was surprising to find out she is only in the seventh-grade) as she

effortlessly belted-out tune after tune. She brought a playfulness and energy to her character. Jayar Rhoades played Horton the Elephant, an innocent, compassionate and loyal friend perfectly, too.

And, of course, everyone loves the Cat in the Hat himself. Levi Erb had great comedic timing and captured the essence of the Cat in the Hat with a playful charm and irrepressible spirit.

The musical numbers were simple but catchy, and each song was delivered with energy and enthusiasm. Brooklyn Weaver was remarkable as Gertrude McFuzz and this performance gave her ample opportunity to showcase her powerful and versatile voice.

Costumes were simple but colorful and whimsical and the set design was imaginative and fun. The attention to detail was evident in every aspect of the production.

— Jerri Brouse

CAST & CREW

Alayna Smith; Anderson Kline; Ariana Davis; Arianna Fetzer; Austin Steck; Bella Specht; Brooklyn Weaver; Camille Ludovico; Chloe Miller; Daniel Yoder; Eleanor Killian; Emma George; General Schmitz; Giovanni Custudio; Hannah Cruz; Hudson King; Ian Kennedy; Jayar Rhoades; Josiah Baker; Katrina Kobel; Lauren Dugan; Leila Ask; Levi Erb; Louis Gatto; Lydia Corderman; Lydia Wise; Macey Feick; Megan Reed; Mikayla Arner; Nadia Kennedy; Nathan Muckel; Ophelia Robel; Patience Courtney; Rafe Stafford; Ryker King; Sutton Blauser; Vlad Vladikov; Zolin Heiligman.

Directors: Devin Reedy and Bryn Rhoades

Erb has enjoyed connecting with the younger students at the school, especially The Thing, played by Ryker King.

As seniors, Jayar Rhoades and Weaver took a more nostalgic look at their last high school musical.

Clockwise from top left: Ensemble members Josiah Baker, Bella Specht, Arianna Fetzer, and Katrina Koble perform in Meadowbrook Christian School’s production of “Seussical the Musical.” Cast members take part in a group number. Hudson King as Mr. Mayor, Nadia Kennedy as Mrs. Mayor, Hannah Cruz as Jojo and Levi Erb as the Cat in the Hat sing together. The cast performs a group number. Hannah Cruz shouts from her bathtub during a number. Opposite page: Ryker King as The Thing and Levi Erb fight.

“Every time we run through the show we come up with something new and funny for our directors to evaluate,” Erb said. “It has been a blast figuring out all the directions we could go with certain scenes or the show as a whole. He is always bringing creative ideas to my attention and he really just wants the show to succeed, and I appreciate that about him. It has been a joy to have him by my side as I figure out this show.”

“Everything that Ryker, The Thing, does is hilarious,” Bryn Rhoades said. “Dr. Seuss could not have written a more perfect character for him!”

“A touching moment from this show process was the first practice,” Jayar Rhoades said. “It was a bittersweet moment because I realized that I began the final process of my senior show. This show has been amazing to work on as a whole, and I am excited for others to come and see it.”

“This show as a whole has been a very touching experience for me, and I am trying to put all my effort into my character because this is my senior show,” Weaver said. “Overall, this show has been one of the best experiences of my life.” v

PHOTOS BY ROBERT INGLIS

Midd-West

‘You’re A good man, charlie brown’ cast took every opportunity to grow

STORY By Cindy O. Herman

Midd-West High School musical director Adam Dietz said this year’s production of “You’re A Good Man, Charlie Brown” has taught everyone that things always appear differently, and better, in the morning.

“Each day is a clean slate, and we are each special because there is no one else like us in the world. There’s nothing we can’t face if we just breathe,” he said. “Of course, having a good friend by our side — be they two-legged or four-legged — doesn’t hurt either. It’s easy to become overwhelmed and dismayed, but don’t lose sight of the big picture. Take stock in life’s simple pleasures and you’ll soon discover that happiness is indeed anyone and anything that’s loved by you.”

He said the cast worked well together and frequently looked for ways to help each other grow. He even took their lead a few times, including in the opening scene.

“I had already done the staging with them, which worked, but wasn’t anything stellar,” he said. “A day or two later, they approached me with a new idea that was way more interesting visually and much stronger overall. I was happy to make the change, and they were delighted ... albeit a little surprised too ... on how receptive I was to their input.”

The young actors got to learn while creating and exploring ways to portray their characters

“I love working with the rest of the cast and being able to perform with my best friends,” said Skyylar Epley, who starred as Charlie Brown.

Kaitlyn Jeffreys, who played Lucy, agreed.

“Some of my favorite moments with the cast are when we are all working together on something,”

FROM THE AUDIENCE

Peanuts fans were treated to an upbeat and energetic performance of “You’re a Good Man, Charlie Brown” at Midd-West High School this year. The musical brought to life all of the favorite comic strip characters with energy and enthusiasm.

The show was nothing short of delightful, featuring colorful yet simple sets (including Snoopy’s doghouse, of course) catchy tunes, and a cast that captured the heartwarming essence of the Charles Schulz’s beloved Peanuts characters of Charlie Brown, Snoopy, Lucy, Linus, Sally, Peppermint Patty and the rest of the gang.

The show itself did not have a traditional plot line, but was instead performed in small bits and pieces, just like a comic strip is read.

You might wonder how this translates and the answer would be “surprisingly well,” actually. Skits including references to Charlie Brown’s crush on the little red-headed girl, Linus’s attachment to his trusty blanket and Lucy’s ongoing efforts to win Schroeder’s attention brought back all the warm, fuzzy memo-

ries of your favorite characters.

The cast did an impeccable job delivering the message. Patrick Williams as Snoopy brought a playfulness to his character that was highlighted during his performance of “Suppertime.”

Kaitlyn Jefferys’ did an amazing adaptation of Lucy, the cranky, bossy older sister of a blanket-carrying little brother named Linus, played by Matthew Hunsberger.

Skyylar Eppley brought just the right amount of hapless insecurity to the character of Charlie Brown, a loyal and determined (if not wishy-washy) friend, brother and dog owner.

From the first notes to the final crescendo, the pit orchestra provided the perfect musical accompaniment to the show, enhancing every scene with lively, toe-tapping songs. The choreography was relatively simple but effective.

The production, overall, was top-notch and surely left a smile on the face of audience members.

— Jerri Brouse

Clockwise from top left: Elisa Troutman sings during Midd-West High School’s production of “You’re A Good Man, Charlie Brown.” Matthew Hunsberger as Schroeder plays the piano while Kaitlyn Jeffreys as Lucy speaks. The cast performs a group number. Jaida Good, Lana Kratzer, Kaitlyn Jefferys speak while Skyylar Epley as Charlie Brown hides his head. The cast crosses the stage in a “school bus.” Opposite page: Skyylar Epley pretends he is flying a kite during a scene.

CAST & CREW

Alexis Troup; Bri Ludwig; Eliana Hartley; Elisa Troutman; Elise Nesbit; Elliot Crabb; Henry Hoke; Jaida Good; Kaitlyn Jefferys; Katie Campbell; Keyen Kratzer; Kimberlyn Smith; Kylie Herrold; Lana Kratzer; Lilly Kimball; Luke Knepp; Mai Li Flather; Matthew Hunsberger; Mia Gehring; Mylo Buck; Olivia

Boritz; Patrick Williams; Rebekah Osgood; Skyylar Epley; Vanessa Hartnett

Director: Adam Dietz

Assistant director: Carla Wray

Vocal direction: Orry Walter

Choreography: Catri Barba Music direction: Stacy Hostetter

she said. “We have the most fun when we are performing something we all contributed to.”

Carla Wray, assistant director, has seen the students grow in their roles.

“It has been a joy watching the cast explore playful energy and channel childlike mannerisms with these classic Peanuts characters,” she said.

She and Dietz also noted their reliance on so many others to bring these musicals to life. Including the members of the produc-

tion team such as Orry Walter, vocal direction; Catri Barba, choreography; and Stacy Hostetter, music direction.

“I continue to be amazed by the commitment that these students have to the theater as well as the talents that our directors, choreographer, costumer and set builder bring to the table,” Wray said. “These shows require a lot of moving pieces to make them happen. The final piece is a packed theater showing their support.”

PHOTOS BY ROBERT INGLIS

Mifflinburg

students tapped into playful, childlike energy for ‘Matilda’

STORY By Cindy O. Herman

When Mifflinburg Area School District students were rehearsing for their production of “Matilda,” they often played acting games and were encouraged to put themselves in the minds of their younger selves.

“At the beginning of our practices, we would do acting games,” said Teeanna Fogle, who played Miss Honey and served as assistant stage manager. “They always brought out the best in people and it was funny to see what people had to bring to the table.”

Director Meghan Nardella said she hoped the show, based off of Roald Dahl’s story about a precocious 5-year-old dealing with neglectful parents and creepy headmistress, would remind audiences that children should never be underestimated.

“So much of what makes this story magical is the intelligence and wonder of our youth,” she said.

Evan Stimmel, who plays a spunky and lighthearted child named Bruce, said he loved his role because it allowed him to bring out the mischievous side of his personality that he couldn’t show in his everyday life.

“I’ve enjoyed uncovering my inner child and playing a different role than in the past,” he said.

During rehearsals, the cast forgot that they weren’t actually playing.

“During one of our runs, we all got caught up with a game of tag and forgot we were acting on a stage,” Ally Shaffer, who played Matilda, said.

Nardella was touched by the students singing “When I Grow Up.” She had asked them to remember what they wanted to be when they were 5 or 6 years old.

“That song in particular has always been one of my favorites because it contrasts the innocence of the children with the nerves and anxiety of a brand-new teacher,” Nardella said. “To contrast what

FROM THE AUDIENCE

The magic of Roald Dahl’s “Matilda” delighted audiences as the students of the Mifflinburg Area High School Theatre Arts Department performed this fun musical from March 14-16. Under the direction of Ms. Meghan Nardella, the students did a fantastic job bringing this irreverent, funny story to life on stage.

The 2011 musical based on Roald Dahl’s book tells the story of poor young Matilda, who is mistreated by her negligent parents and abused by schoolmaster Miss Agatha Trunchbull, but finds a friend in her kind teacher Miss Honey, and, with the help of some newfound magical powers, leads the children of Crunchem Hall academy in a kid-powered rebellion. The trio of main characters, Ally Shaffer (as Matilda), Teeanna Fogle (as Miss Honey) and Dyllon Shay (as Miss Trunchbull), did a superb job not only with their strong voices during their solos and time in the spotlight but also in leading this large, energetic cast through the exciting tale. The large group numbers, with choreography by Miss Kailyn Carey

and Mrs. Kelly Kazibwe Zziwa, were particular crowd-pleasers, including “When I Grow Up” and “Revolting Children.” The comic relief provided by the Wormwood family (Jacob Post as Mr. Wormwood, Kyra Zechman as Mrs. Wormwood, and Cash Kurtz as Michael) was hilarious as well.

The innovative scenic design, led by Mr. Shawn Creasy and Mrs. Lori Rodichok, included a lovely hand-painted scenic backdrop that evoked the schoolyards and classrooms of Crunchem Hall, and served the story well as it moved swiftly from location to location. Costumes led by Mrs. Kathleen Abram and Mrs. Jennifer Haines were also clever as they highlighted the contrasts in characters, from the conformity of the children in their academy uniforms to the flamboyant circus performers in the story-withinthe story. Best wishes on a job well done to the cast and crew of Mifflinburg’s “Matilda!”

— Jove Graham

Clockwise from top left: Makenna Walter as Lavender jumps while Ethan Allen as Eric and Teanna Fogle as Miss Honey watch in Mifflinburg Area High School’s production of “Matilda the Musical.” The cast performs a group number together. Ally Shaffer as Matilda Wormwood acts in a scene with Jacob Post, who played Mr. Wormwood. Cash Kurtz as Michael Wormwood, Jacob Post and Kyra Zechman as Mrs. Wormwood perform together. Ally Shaffer delivers her lines. Opposite page: Teanna Fogle and Dyllon Shay as Miss Agatha Trunchbull act in a scene together.

CAST & CREW

Abigail Anstadt; Adison Hertzler; Ajaxx Gearhart; Alexander Pirraglia; Ally Shaffer; Alyson Houseknecht; Andrew Blake; Ava Froese; Ava Stephens; Carlee Susan; Cash Kurtz; Chloe Albright; Clayton Plank; Collin Tressler; Diana Koshova; Dyllon Shay; Elizabeth Bierly; Elliot Miller; Emily Spotts; Emma Hyder; Ethan Allen; Evan Stimmel; Gareth Sanders; Garrett Franck; Glenn Gilson; Gracie Martin; Hannah Loughhead; Isabelle Schenck; Jacob Post; James Mabus; Jed Hackenberg; Joseph Faust; Kadyn Long; Kaleb Sauers; Kambria

Miss Honey is going through with all of the things that young children desire about growing up (like eating sweets whenever they want) has been a great reminder that being ‘grown up’ doesn’t mean we have to forget what made us love life as a child.”

Contrasting to that playful energy is Miss Trunchbull, the headmistress who torments Matilda and her classmates.

“I strike fear into the hearts of little children,” said Dyllon Shay, who played the headmistress. “Although Trunchbull is mean and nasty and cruel to her students, she gives Matilda the courage to stick up for herself and others. I enjoy playing this character because I’ve always wanted to portray a villain in a show, and this gave me a

Kline; Kamryn Yost; Kate Adamo; Katelyn Hernesh; Katie Sauers; Katie Sauers; Kira Kopfinger; Kirsten Kuhns; Kyra Zechman; Laila Long; Liam Casilla; Lillian Stamm; Logan Showers; Maggie Rubendall; Makenna Walter; Makenzie Hertzler; Megan Blake; Miller Goodwin; Molly Steele; Morgan Traver; Olivia Schenck; Reyna Kirick; Saige Kratzer; Sarah Criswell; Sarah Davis; Sophie Zimmerman; Summer Showers; Teeanna Fogle; Thatcher Houston; Zane Mitch.

Director: Meghan Nardella

chance to get out of my comfort zone.”

Nardella noted the original productions of Matilda wrote the role of Miss Trunchbull for a male actor “to emphasize the dichotomy between the scary Olympic-hammer-throwing principal and the young students.”

“When deciding who to place in this role in our production, the directing team wanted to honor the original production and create the division between overbearing headmistress and meek students to the best of our ability given that all of our actors are around the same age and height,” Nardella said. “Dyllon has taken on this challenging role beautifully.”

v

PHOTOS BY ROBERT INGLIS

Musical theater needs more than

Students, staff pour hours into costumes, sets and more

STORY By Jill Nied

And Kyra Smith-Cullen

As actors stand in the spotlight, delivering their lines and bringing their characters to life on stage, there are people working just as tirelessly to add necessary touches to the production. The crews’ appearances might be fleeting, limited to a scene change or a moment at the end when the audiences’ attention is directed to them for applause, but it is every bit as crucial for the production.

Various members of the crew have unique jobs. Some help with quick changes backstage, holding dresses already unbuttoned for actors to slip into before running back into the scene. Others manipulate massive set pieces, pushing them from their hiding places out onto strips of tape set in exact spots across the stage. Sometimes, a crew member is also part of the cast or ensemble, fulfilling multiple roles. Each member of the crew’s path through the show is different, but each piece is similarly vital to the show running smoothly.

However, the stage managers’ jobs are uniquely important. Not only do they have similar responsibilities to the other crew members, they also act as the backstage leaders, ensuring that both cast and crew work in harmony and get through the show without any long pauses or major mishaps. They ensure everyone is thinking through the next transition, manipulate the various curtains, and communicate with each other so that both sides of the stage are working as one.

At Danville Area High School’s production of “Anastasia,” stage right was manned by Nathan Hep-

ner, a junior who has participated in the drama club every year of his high school career. His first show was “Guys and Dolls” and he was encouraged to join drama club by a friend who’d acted in previous shows.

“I didn’t want to perform so I found stage crew,” said Hepner

Danville’s stage left was run by junior Janelle Stassel. Originally convinced to join the stage crew by the idea of painting sets, she’s stayed an active member for the friendships she’s made backstage.

Crew members can sometimes even appear on stage without the audience’s knowledge.

“My favorite part of the show is the train scene because the ensemble sounds amazing in ‘Stay, I Pray You,’” said Hepner. He and Stassel were especially excited

“The wardrobe this year was more challenging than any year I was in musical before due to the fact that everything was rented or borrowed since the costumes were so specific ...”

— Sugar Bolam, Mount Carmel Area High School’s “Disney’s The Little Mermaid”

about this particular scene in “Anastasia” because they play a vital role in bringing the train to life. Their coordinated movements were key to the rotation of the train’s wheels.

Costuming is key to story

Another element where a crew leaves their fingerprints is the costuming, hair and make-up.

In Mount Carmel Area High

School’s production of “Disney’s The Little Mermaid,” assistant director and ensemble performer Sugar Bolam was responsible for a lot of things, but one of her main focuses was costumes.

“The wardrobe this year was more challenging than any year I was in musical before due to the fact that everything was rented or borrowed since the costumes were so specific, whereas for ‘Mamma

Mia,’ we had to wear beachy clothes that could be bought at any store,” said Bolam, who has been working on musicals for three years. “The most challenging part of the costumes were the Mersisters outfits being too big and the Ursula dress being too small. Lots of alterations had to be done on most of the costumes as they were not made to fit each of our characters.”

Because “The Little Mermaid” has a lot of actors portraying animals or fantastical characters, they had to find a way to translate that to the audience through costuming. Jellyfish were created using umbrellas with strips of cloth to create movement; fish wore bright colors, fish costumes or sequins to appear like scales; Sebastian the crab wore claws on his hands and

PHOTO BY BRETT HOSTERMAN VIA SHIKELLAMY

Sour Kangaroo actor Brooklyn Colon and Angel Ortiz as Horton rehearse on the brightly-colored set pieces designed for Shikellamy High School’s production of “Seussical the Musical.”

acting to bring production to life

a top hat with eyes above the brim. But Bolam’s favorite costumes were the seagulls, which she wore as part of the ensemble.

“The costumes included tap shoes, feather pants and shirts, vests, scarves, goggles, and hats!” she said. “I think they looked so good on stage and really brought the tap dance to life as the feathers moved.”

Bolam said she believes the most crucial detail to “The Little Mermaid” was the character makeup.

“The attention to detail on makeup had to be perfect or the characters would not have been portrayed correctly,” she explained. “The leads, such as Scuttle and Flounder, went all out by painting themselves to perfectly match the character which is an aspect most people would have brushed to the side, but truly made all the difference.”

Building an entire world

Working on set pieces requires a similar attention to detail, since the scenery is one of the more dominating elements on stage.

“Something that you will learn is little mistakes do not matter since people are seeing things from 30 feet away and most likely can’t see them,” explained Nevaeh Katalinas, who played Flounder in Mount Carmel’s “Disney’s The Little Mermaid” and also worked on set design. “The details also

BROUSE

Above: Danville Area High School’s set for “Anastasia” included an elaborate palace with ornate columns. Bottom: The Mersisters costumes and aquatic set pieces were key for Mount Carmel Area High School’s “Disney’s The Little Mermaid.”

need to be more exaggerated when painting so that they can be seen and not look like everything is meshed together.”

However, a set piece can become one of the most amazing elements for the cast and audience to see. Shikellamy High School director Ellen Boyer had to figure out how to create a whimsical set where all of the cast members could perform safely, dance and be seen by everyone in the auditorium.

“Luckily, I had a fantastic team of builders and painters led by Beth O’Connell and Matt and Joanna Shively who

has the experience necessary to know when the preparation in artwork and set design is just right.”

For Shikellamy’s “Seussical,” the set team had a lot of bright colorful references to draw from, pulling from Seuss’s work for inspiration. Shively said they pulled from “The Cat in the Hat,” “The Butter Battle Book,” both books featuring Horton the elephant, “If I Ran the Circus” and more.

What really stood out to the performers though, was the slide the construction crew made.

“The cast members went nuts over it,” she said. “Often, I noticed young children ask Mrs. Boyer if they could have a turn down the slide, which was never turned down.”

put their heart and soul into every set piece,” Boyer said. “The end result was a Dr. Seuss playground where every number looked amazing, especially when lit by Stefen Eisenhower’s awesome lighting.”

For Matt and Joanna Shively, it was the first time that they’ve stepped into a larger role because their children got involved in the production.

“The biggest challenge that I personally faced was knowing when to stop. There’s always ‘one more thing,’” said Joanna Shively, Shikellamy’s assistant set painter/ artist. “Thankfully, Mrs. Boyer

Joanna Shively said her favorite part of the live production was watching it all come together.

“During the rehearsal season, I stayed backstage with my paintbrushes for the entirety,” she explained. “Hearing the music was nothing new to me, but seeing it all come together was magical and quite moving. Singing with dancing, lights, sounds, costumes and props completed the experience.”

Lighting it all up

Two people who were part of that magic were Evelyn Johnston and Kallie Fisher, two Shikellamy Middle School students who were follow-spots.

“A follow-spot’s job is to bring

light to any performer on stage who isn’t lit up,” Johnston explained. “Using the follow-spot machine, the audience’s attention can be focused to another character or prop.”

The pair had to learn how to “pass” an actor off to somebody else, where a crew member turns off their spot on a person and lets another follow-spot pick them up.

This was Johnston and Fisher’s first time working on a musical. Fisher originally wanted to help with the set but her friend told her spotlighting needed help, so she tried it and enjoyed doing it. She even conquered her fear of heights.

“For spotlighting on one of the main follow spots, I had to climb a tall ladder that was straight up and down. It led up to the ceiling,” she said.

Johnston knew what she wanted from the start.

“I’ve loved musicals for years and found the way lighting affects the story intriguing,” she said. It gave her an inside look at how much goes into producing a musical.

“Seeing how much time was put into the set, props, costumes, light cues, etc., gives me immense appreciation and admiration for large Broadway productions like ‘Hamilton’ and ‘Beetlejuice,’” Johnston said.

PHOTOS BY JERRI

Milton Students, staff working on play wanted

‘makin’ it’ to connect with audiences

STORY By Cindy O. Herman

Milton Area High School’s production of “Makin’ It” delves into the confusion, dreams and fears high school students face frequently — and how people have unseen layers and problems. As they were tackling those themes, the cast had an opportunity to put those lessons into practice.

“Every now and then before rehearsal starts, we all get in a circle on the stage and talk about our day,” said Ely Reitz, who played a troubled, rich bully.

Sean Nolder appreciated the practice.

“One day before rehearsal, all of us got in one big circle and we each talked about how our day was,” he said. “I thought that was wonderful because we all got to have a nice conversation, and I think that was something we all needed.”

Based on the book by Cynthia Mercati and with music and lyrics by Mercati and Ben Allaway, “Makin’ It” uses monologues to reveal the tumultuous, everyday experiences of high school: being shy, wanting to be popular, feeling awkward, wishing to be cool, being bullied and even being the bully.

“High schoolers deal with extremely difficult circumstances every day, and not only should the community open their hearts to support them emotionally, but my hope is that students can learn to be more kind to their peers, and to themselves individually,” Stephen Aguirre, director, said.

The students worked to make their characters’ personalities come to life.

“Scott Barrows is a kid who keeps to himself and isn’t afraid to stand up to bullies,” Sean Nolder said. “I really enjoy playing Scott because his character is quite interesting, and it challenges me to

FROM THE AUDIENCE

Everyone struggles through high school — that was the message the cast of “Makin’ It” was hoping to drive home. The play, about “the ordinary kids you see walking down any hallway in any school,” was put on by the Milton Area High School drama club in March. It is based on the book by Cynthia Mercati.

Kudos to the entire cast for performing their roles in an exceptional manner. Johnny Austinson-Loss as Buzzard Fishbeck had great comedic timing, managing to lighten things up just when it starts getting a little dark. Each one of the actors brought energy and personality to their characters, helping add the emphasis on individuality instead of stereotypes.

Since virtually every scene takes place in the fictional high school, Milton was able to use elements on hand to make the set especially realistic. Bring in some lockers, hang a few banners and roll in a lunchroom table and chairs and the auditorium stage was easily transformed into Dwight D. Eisenhower

High School.

Props and scenery really weren’t what counts for this particular play, anyway. It’s all about the substance — the message. At the heart of “Makin’ It” are a number of monologues in which characters step out of the action to address their thoughts to the audience. This is where we see each character’s raw, unfiltered feelings and emotions. We learn about the jock who has an abusive father and is struggling to keep his grades up so he can keep playing football and get to college; the shy, smart girl who tutors him tells us how she feels invisible and unpopular and several others.

“Makin’ It” is the kind of play that resonates with everyone. Whether you were popular, a jock, a class clown, a “nerd,” there was a character in this play for you to connect to. And it reinforces the truth that you never really know what someone is going through.

— Jerri Brouse

CAST & CREW

Amaya Knelly; Brodie Anderson; Camryn Hoover; Carley Braham; Carlie Dauberman; Delaney Bottorf; Elias Franciscus; Ely Reitz; Jax Valladares-Quinones; Jonny AustinsonLoss; Levi Shamblen; Lourdes Bellido; Mackenzie Schutt; Madeline Watkins; Mia Sera; Miles Brown; Sean Nolder; Sebastian Kneasel; Trenton Zechman; Violet Bell; Vivian Bell; Zach Murray; Zander Tallent; Zoey Welch.

Director: Stephen Aguirre

PHOTOS BY ROBERT INGLIS

Clockwise from top: Ely Reitz as Hunter Dunbar, Mackenzie Schutt as Pat, Camryn Hoover as Barb and Delaney Bottorf as Libby act in a scene together in Milton Area High School’s “Makin’ It.” Zander Tallent as Karl Swanson and Trenton Zechman as Vince Carnelli perform. Ely Reitz and Mia Sera as Brooke Benedict rehearse together. Sean Nolder performs as Scott Barrows. Levi Shamblin portrays Howie. Delaney Bottorf rehearses her role. Opposite page: Jonny Austinson-Loss as Buzzard Fishbeck rocks out in a scene.

try and act like a different person.”

Although the show is a drama, rehearsals have had their lighthearted moments.

“The trio of Jonny Austinson-Loss, Miles Brown and Sebastian Kneasel makes us laugh out loud at rehearsal every day,” Aguirre said. “Watching their fellow actors on stage trying to not break character because of how funny they are is delightful.”

Senior Violet Bell had several roles to juggle, not just as a cast member who provided several voices, but as a stage manager.

“The cast for this show is not only comprised of some of my closest friends, but some of the funniest people I know,” Bell said. “I’d have to say that any scene that Buzzard (Jonny Austinson-Loss) is in makes me laugh uncontrollably no matter how many times I see it.”

Her funniest moment, however, was a time when she stepped in to read back-to-back lines for two actresses who couldn’t be at rehearsal and were in the same scene.

“I am sitting there switching through two different voices while Mr. Aguirre laughs at me, and about half way through tells me that I don’t have to go any further,” Bell said. “There are multiple scenarios kind of like that, but to me, that one was the funniest.” v

MOUNT CARMEL

‘LITTLE MERMAID’ CAST KEPT MAGIC ALIVE AFTER CURTAIN CALL

STORY By Kyra Smith-Cullen

As Mount Carmel Area musical director Brandon Mowery said, a lot goes into putting on a Disney musical — a challenge he was aware of when he chose “The Little Mermaid” for this year’s musical.

“The Little Mermaid is a difficult show to produce, probably more difficult than people give it credit for. With so much musical underscore, timing of delivering lines was crucial. There are so many big scene changes and not a ton of time to do them,” he said. “Everyone had to work together quickly to get each scene set.”

With so many changes, it’s easy to get tired, but keeping the energy upbeat is crucial.

“Performing a Disney show needs to have tons of energy. There always needs to be smiling and over-the-top energy while on stage,” he said.

Ava Skavery, who played Scuttle, agreed.

“If you seem bored on stage, the people in the audience will be bored as well,” she said.

Any successful musical requires cast and crew to give it 100 percent. Even if the energy wasn’t going to be focused on a positive character.

“Getting into the mindset of a villain was really hard for me. Ursula has layers of personality that I had to unfold and understand,” said Adriann Rodriguez, who played the sea witch. “My mom told me to ‘take every single angry feeling you have and every person that’s been mean to you and channel that into Ursula’s thoughts.’ This made me really get into the anger that she had inside her.”

Despite all of the chaos and pressure, the cast found a way to continue that energy after the curtain fell and they met with audience members, keeping the magic alive for some of the younger viewers.

FROM THE AUDIENCE

Carmel Area

audiences with its rendition of “Disney’s The Little Mermaid.” The production featured fantastic performances by its lead and supporting cast, plus fun choreography and creative staging.

Rebecka Morales shined in her role as Ariel, demonstrating an ability to convey many emotions even in the scenes where she was speechless — numbers such as “One Step Closer” were stellar because of how expressive she was as Dyllan Connell, playing Prince Eric, serenaded her so sweetly. Her performance was uplifted by her cast mates, especially in the “If Only” quartet where Morales, Connell, Dominick Tamborelli as Sebastian and Broderick Strickland as King Triton soulfully shared their regrets and hopes.

In addition to his more serious notes, Tamborelli brought a ton of comedy to the stage in several numbers — no scene got more laughs than his slapstick chase with Chef Louis and the Chefs during “Les Poissons.” Even though Neveah Katalinas and Ava Skavery played the more lighthearted roles of Flounder and Scuttle, Tamborelli did a good job of playing the straight man to their comedy.

Of course, no “Little Mermaid” is complete without Ursula. Adriann Rodriguez stole the scenes she was in, her alto voice filling the auditorium during “Daddy’s Little Angel” and “Poor Unfortunate Souls.”

Amanda Lebo arranged choreography that amplified the cast

in all the right ways. Whether it was for more simple dances like Connell and Morales’ “One Step Closer” or more dazzling showstoppers such as the seagulls’ routine “Positoovity,” the choreography was lovely to watch.

Given the fantastical nature of the production, one of the most important elements for audiences to enjoy were the costumes. Students were transformed into sea creatures and seagulls through creative choices, like the vivid red suit that gave Tamborelli not only the right hue to be Sebastian, but an air of elegance and professionalism. Flounder’s iconic yellow and blue color scheme was achieved through a bodysuit with strategic gaps for the blue stripes and Katalina’s hair was styled in a manner reminiscent of fins as she glided around stage on heelies. Probably the most visually interesting outfits were the seagulls, whose feathers were expressed through layers of cloth strips that added body and movement to every step they took.

All of this was complemented by creative, functional set pieces and masterful lighting that helped key the audiences into the environment. Several elements, such as Ariel’s grotto and the rowboat, were rigged to help better immerse the crowd. The tonal differences created for undersea scenes were great, where the right ambiance was conveyed by either the regal blue hues during scenes in King Triton’s court or the more foreboding green shades that accompanied Flotsam, Jetsam and Ursula.

— Kyra Smith-Cullen

Mount

enchanted

Clockwise from top left: Mount Carmel Area High School students sing and dance in ‘Disney’s The Little Mermaid.’ Sara Williams, Adriann Rodriguez and Francesca Ventilli — portraying Flotsam, Ursula and Jetsam — sing in Ursula’s cave. Dyllan Connell as Prince Eric and Grimbsy actor Noah Hardy act in a scene on the beach. The Mersisters sing in King Triton’s court. Sebastian actor Dominick Tamborelli cringes as Broderick Strickland performs in his role of King Triton. Flounder actress Nevaeh Katalinas and Ava Skavery, as Scuttle, act in a scene together. Opposite page: Rebecka Morales as Ariel sings to Dyllan Connell.

CAST & CREW

Adriana Shurock; Adriann Rodriguez; Alyssa Trefsger; Amirah Russell; Ava Carnuccio; Ava Skavery; Broderick Strickland; Brynn Gasperetti; Dakota Becker; Dominick Tamborelli; Dyllan Connell; Elora Burns; Fallon Hakobyan; Francesca Ventilli; Gavin Lubeskie; Geoffrey Catino; Hailey White; Hannah Fourspring; Isabella DiToto; Isabella Jakuc; Izabella Zerbe; Jillian Kerstetter; Jocelyn Maurer; Jonah Lazicki; Jordan Pitcavage; Kaliana Kalbar-

“I had these two little girls come up to me and they asked to get a picture with me,” said Nevaeah Katalinas, who played Flounder. “We talked about their ‘human stuff’ — a flower headband one was wearing and a pearl necklace — and how my best friend Ariel also collected stuff like that.”

The interaction touched Katalinas, who took two yellow roses she’d been given that night and gave one to each girl.

“These little girls got the biggest smiles on their faces and it was the most rewarding feeling knowing that I made their night,” Katalinas said.

As with any production, there were some moments during rehearsals where cast and crew struggled, but Mowery told students to embrace their roles — whether it was to encourage Skavery to find her own voice as Scuttle or avoid the wrong character choices.

“Mr. Mowery kept me from sounding like a pirate and more like a prince,” said Dyllan Connell, who played Prince Eric.

chick; Kira Wesloskie; Kyliee Tyc; Landon Musser; Lisa Brogan; Liz Dmitroff; Lucas Lubinski; Madison Smith; Makaila Hodge; Mario Ouardi; Nathaniel Derk; Nevaeh Katalinas; Noah Hardy; Orville Fesniak; Paige Wydra; Rebecka Morales; Sammi Szatny; Sara Dietz; Sara Williams; Seth Reinoehl; Sugar Bolam; Tessa Fourspring; Trenten Peters; Zoe Siko Director: Brandon Mowery

For some of the students, it was their first time experiencing the joy of theater. Mowery said that out of the 36 students in the cast, 19 had never been in a show. He said the veteran performers made sure everyone knew the expectations and all of them were dedicated to making sure the show was the best it could be.

“Older cast members and the directors helped me improve greatly,” said Sara Williams, who played Flotsam. “Along with that, they gave me the confidence to go out there to perform.”

The dedication paid off at the live performances.

“During the live production, I felt like I finally accomplished what I was working so hard for,” said Francesca Ventilli, who played Jetsam. “Every day where we stayed after school until late at night and every long practice on the weekends paid off. Seeing the audience brought so much joy to me.”

v

PHOTOS BY JERRI BROUSE

SELINSGROVE

‘SHREK’ PUSHED CAST TO CHALLENGE ITS PHYSICAL AND VOCAL LIMITS

STORY By Kyra Smith-Cullen

Selinsgrove Area High School

director Rachel Ulsh said she saw flashes of greatness during the entire rehearsal process for “Shrek the Musical.”

The humorous take on classic fairytale tropes featured large dance numbers, quick changes and more, testing the abilities of the entire cast — not just the leads.

“There were moments throughout the entire five months of rehearsals in which I looked at Mr. (Jay) Muller (fellow director) and said ‘yes!’ Those glimmers made me push them to the next level and they were challenged thoroughly,” Ulsh said.

The drive to do their best and push themselves led to a motto among the cast, according to featured dancer and cast member Alison Beddall: Make people forget they are watching a high school production.

“That really helped me get into the right mindset to perform to the best of my abilities,” she said. “The thought of people leaving this production and raving about it really motivated me.”

There were plenty of opportunities for such a reaction, as director Jay Muller said more than 2,000 people saw the show. The audience helped provide one of the most important elements to live theater — a response.

“For all the months that lead up to the production, there’s always awkward silence in between lines or songs that are meant to get a thunderous reaction, so finally being able to hear and witness that on the nights of the shows was very fulfilling and almost surreal,” said Beddall.

Because of the costume and characterizations in “Shrek,” students had to develop skills beyond just acting and dancing

FROM THE AUDIENCE

Nothing was serious at Selinsgrove Area High School’s production of “Shrek, The Musical” — except the talent of its cast and crew.

From the opening number, audiences got to see the cast’s skill in action with over-the-top characters, slapstick comedy and powerful vocals. Elliot Muller was especially wonderful to watch as Shrek, ribbing and joking with the other characters throughout the musical but easily switching to more emotional numbers like “Who I’d Be” and “Build A Wall.” His prickly persona paired wonderfully with Austin Imhoof’s goofball and lovably sassy portrayal of Donkey, and they shared the spotlight with ease and charm. Add in Maddy Bucher’s talent as the stereotypical Princess Fiona — whose gentility made the occasional burst of sharp outbursts even more comedically terrifying than they should be — and it was a magical combination. Watching them share the stage with Jacob Molina as Lord Farquaad was great, because they knew when to let his cartoonish villainy be as dramatic as possible. It’s a testament to their skills that the audience could even believe they didn’t like each other, because they were clearly good friends.

The supporting cast most certainly didn’t fade into the background, with several moments where they stole the spotlight. Whether it was Pinocchio’s shrill vibrato or The Big Bad Wolf’s rumbling baritone, they managed to convey their storybook

characters with talent. Comedic bits, like the different characters screaming at the sight of Shrek or the bird who “exploded” in a puff of feathers during a sing-off with Fiona, were done to perfection.

The choreography was terrific. The Dragon Dancers, The Rat Dancers and the Duloc Dancers nailed their moments in the spotlight with excellent synchronization and timing, and the audience burst into applause at several impressive spins by the Rat Dancers. The Fairytale Characters got to shine in the number “Let Your Freak Flag Fly.” It all came together in the high energy finale, allowing the cast to demonstrate their impressive timing and routine.

The magic of the performance was aided by wonderful set design and lighting. Several towering structures were built to roll and spin so different faces could be elements of separate scenes — like the stony facade of a castle or the lush green of a forest. It let the pieces be easily adaptable to whichever location they needed it to be. The crew also used lighting as a way to illustrate transformation or a background narrative. The audience learned about both Fiona’s curse and Farquaad’s seemingly humble beginnings through shadows on a sheer curtain, adding an element of fantasy and mystery to the production.

— Kyra Smith-Cullen

Clockwise from top left: Austin Imhoof as Donkey and Elliot Muller as Shrek rehearse for Selinsgrove Area High School’s production of “Shrek the Musical.” The cast performs a group number as different characters from fairytales and nursery rhymes. Jillian Foss sings in her role as Teen Fiona. Austin Imhoof and other cast members perform a group number. Jacob Molina as Lord Farquaad sings while the Duloc Dancers accompany him. Opposite page: Maddy Bucher as Fiona offers a token to Elliot Muller as he arrives to rescue her from her tower prison.

CAST & CREW

Abby Mangels; Alaina Geesaman; Ali Beddall; Ally Harmon; Austin Imhoof; Chloe Brunetto; Cole Orner; Danielle Foss; David Webb; Delaney Parker; Elise Zimmerman; Elliot Muller; Eman Zain; Gavin Hare; Gwen Verrett; Hailey Beaver; Hendrix Corbin; Jacob Molina; Jenna Kratzer; Jillian Foss; Joey Gonzalez; Julia Kline; Julian Reyes; Layla Nadolny; Leigha Barnwell; Lexy Cartegena; Lila Mohr; Lilly

— they had to adapt to sometimes unwielding costumes or vocal demands.

Lord Farquaad actor Jacob Molina walked almost entirely on his knees whenever he was on stage.

Shrek actor Elliot Muller had to get used to a suit that gave him more ogre-like proportions. He said his biggest challenge was movement.

“I am a very small guy playing a very big ogre. I had to adapt to the suit and new body type that I had to move in,” he explained.

Quinn Stanford, a dancer who also played Pinocchio, had to pay close attention to his vocal chords.

“With Pinnochio’s distinct vocal growl and high nasal voice while

Klink; Logan McGranaghan; Lomond Rodgers; Lucas Matthews; Luke Hackenberger; Lynley Burke; Maddy Bucher; Malachi Snyder; Myles Phillips; Noah Scholl; Nora Klinger; Nova Ulsh; Owen Ulsh; Peyton Stahl; Quinn Stanford; Riley Hunt; Ryan Aument; Sam Haak; Tricia Klink; Troy Solowy; Truly Walters Zimmerman; Van Slavish; Directors: Rachel Ulsh and Jay Muller

singing, it was taxing on my voice which made it a challenge for the show,” he said. “The biggest challenge was vocal rest — especially since I love to talk — and learning to make plenty of tea and have cough drops to soothe my throat.”

“My specific approach is to work on (students’) physicality. We work on carriage, poise and what I call physical punctuation of lines and emotions,” said Muller. “This element is the most foreign to the students and we drill these protocols hard.”

Talking to the cast, it was obvious how proud and supportive they were of each other. When asked about the moment in rehearsals they knew it’d be a good show or

what their favorite moment during performances were, they pointed to their cast mates’ work.

“I remember when we first sang the act one finale together for the first time on the stage,” Elliot Muller said. “It really hit us how fleshed out each character was and how much each one of us cared about portraying their characters’ emotions.”

His expressive performance during that number, titled “Who I’d Be,” stuck with Stanford.

“I love watching Elliot’s ‘Who I’d Be’ because of the emotion he puts in it — I mean, I get goosebumps every time,” he said. v

PHOTOS BY JERRI BROUSE AND ROBERT INGLIS

Shamokin

Team wanted to change it up with ‘something rotten’

STORY By Kyra Smith-Cullen

Last spring, Shamokin Area students explored the tale of a mind twisted by the need for vengeance when they brought “Sweeney Todd” to the stage.

This year, they did an about face and performed “Something Rotten,” a comedy about William Shakespeare’s rivals and a prediction about the next big thing in theater — musicals.

“It is a good idea to give the students a variety of musical styles during their time in high school. After last year’s production of ‘Sweeney Todd,’ we needed to go in a different direction and still challenge the students,” said Kevin Styer, director. “‘Something Rotten!’ was our choice. It was demanding enough to challenge the students and, knowing who might return, we knew that this was our show for 2024.”

Styer’s performers ranged in experience, from students participating in their first musical to veterans like Alaina Glowatski, who played Portia this year and was Johanna in “Sweeney Todd” — in addition to numerous other roles.

“This was my 17th musical and my last high school show ever, I wanted to keep making unforgettable memories and amazing friends,” said Glowatski. “The biggest challenge was definitely going from sad and somber ‘Sweeney Todd’ to a comedy show.”

Cast members said they had to fight laughter throughout the rehearsal because of the material.

“I was a Puritan so I tried not to crack a smile every time Brother Jeremiah (Jess Hadfield) got sassy,” said Autumn Peifer. Glowatski agreed.

“I was horrible at not laughing when the audience laughed, but throughout tech week, I learned how to keep a poker face and not laugh … well, most of the time,” she said.

Shamokin Area High School’s 2024 musical “Something Rotten” was an animated and hilarious journey through Renaissance London, complete with elaborate Puritan costumes, a rock-and-roll style Shakespeare in the park concert, and a tudor theater set piece that opened like a book.

The show follows two aspiring playwrights, brothers Nick and Nigel Bottom, played by senior Jacob Erdman and sophomore Bennet Elio. The brothers dream of creating England’s most successful theater troupe, but, unfortunately, they’re living at the same time as William Shakespeare, played by senior Noah Wallish, who dominates the English theater scene and has allowed the fame to go to his head, so much so that he’ll resort to foul play to stay on top. With the help of a wide cast of characters, the Bottom brothers learn to create their own success and live by the mantra “To thine own self be true.”

Erdman and Elio command the stage from the very moment they’re introduced in a number appropriately titled “God I Hate Shakespeare.” Erdman’s vocals were strong from this moment forward, particularly standing out in the Act 1 finale “Bottom’s Gonna Be On Top.” While Elio’s musical moments were also impressive, his comedic timing and skills as an actor made him stand out from the rest of the cast.

However, Elio was only one half of what was arguably the most compelling duo in the show. Senior Alaina Glowatski played Portia, a Protestant whose love for poetry and, eventu-

ally, Nigel Bottom made her a rebel and an outcast to her family. Glowatski and Elio had the entire crowd laughing in “I Love the Way,” their humorous confession of love, and led the ensemble in “We See the Light,” a massive dancing number that featured colorful onstage costume changes, including Portia’s Puritan father removing his jacket to reveal a golden sequined vest.

This on-stage reveal was only one of the many well-crafted and amusing ensemble costumes. They appeared as chefs, eggs, and even Mary Poppins chimney sweeps, as the show pays homage to the various shows that would become successful far after Shakespeare’s time including “Annie,” “A Chorus Line,” “Fiddler on the Roof” and “Cats.”

The ensemble, however, was far more than their costumes. Their dancing stood out as a highlight of the performance, specifically in the number entitled “A Musical” where many of the aforementioned musical theater references were made. The ensemble as well as Nostradamus, a well-meaning but fairly unskilled soothsayer played by senior Owen Amato, tell the story of the future of theater which, of course, includes tap dancing. Despite the number’s length Amato and the ensemble make it the most high energy number in the show.

With strobe lighting, exciting choreography, and impressive set pieces Shamokin’s “Something Rotten” was the perfect family show that had the audience laughing throughout.

—

Jill Nied

FROM THE AUDIENCE

Clockwise from top left: Jacob Erdman as Nick Bottom and Owen Amato as Nostradamus lead the Shamokin Area High School “Something Rotten!” cast in a group number. Noah Wallish takes center stage as William Shakepeare. Alaina Glowatski as Portia and Bennet Elio as Nigel Bottom sing a duet. The cast performs a group number. Jess Hadfield played the part of Brother Jeremiah, a puritan. Opposite page: Jacob Erdman and Bennet Elio act together.

CAST & CREW

Abbigail Long; Abby Lowry; Adeline Lebo; Alaina Combs; Alaina Glowatski; Autumn Piefer; Bennet Elio; Brielle Hornberger; Carlee Alison; Chayse Willier; Chloe Lin; Corey Collier; Danika Lahr; Ella Stoshack; Emma Boyer; Gabe Gilliam; Gian Gulba; Jacob Erd-

It helped that students were encouraged to exaggerate their performances and lean into the comedy.

“I was just told to be a goof in my role and it worked,” said Owen Amato, who played Nostradamus. “I feel like my wit played a good role in crafting my character.”

Hadfield’s character, Brother Jeremiah, was a Puritan and required a different kind of humor.

His biggest challenge, Hadfield said, was “finding a suitable way to present Brother Jeremiah’s sporadic, unusual and intense behavior while directing it in a way that fit with the live experience you get

man; Jayden Duganitz; Jess Hadfield; Julie Kilburn; Kara Smith; Katie Schaeffer; Kendra Jones; Kendra Magee; Kennedy Snyder; Kylie Brown; Madison Roman; Makayla Eyster; Makiya Zaleskie; Molly Kurtz; Molly Roman; Nadia Williams; Noah Kerstetter;

when you see a musical in person.”

Another unfamiliar element for a lot of cast members occurred during the number “Bottom’s Gonna Be on Top,” where Noah Wallish, Jacob Erdman — who played William Shakespeare and his rival Nick Bottom — and members of the ensemble tap dance.

Wallish, Gabriel Gillam and Gian Gulba said they didn’t expect to pick up that skill for the production. Wallish said the tap dance battle in that number was one of his favorite moments during live productions. Through rehearsals, the production started to come together.

Noah Wallish; Owen Amato; Porter Kramer; Raegen Elio; Raven Dudra; Richie Jilinski; Ronin Elio; Rylee Bickert; Samantha Krajewski; Sandy Lin; Serenity Zarock; Thomas Kleman; Tyler Kerstetter; Tyler Ladd Director: Kevin Styer

“(I realized the show was going to be good) when we finally pulled the show together piece by piece by running full rules with each cast member putting their own twist on things,” said ensemble performer Makiya Zaleskie.

Styer said the students were doing a good job during rehearsals but it really clicked for them when costumes were worn for the first time.

“It was the reality that this is really going to happen. The students kicked it up to the next level and each rehearsal afterwards, they got better and better,” he said.

PHOTOS BY ROBERT INGLIS

Shikellamy

director knew ‘seussical’ had to feature younger kids

STORY By Kyra Smith-Cullen

Shikellamy director Ellen Boyer realized how much potential the school district’s younger students had this school year when she began working with them for reasons other than theater.

“I discovered a wealth of talent at Shikellamy Middle School this year when I started a middle school forensics team. The interest in forensics and theater was so high I decided to do a musical that could showcase and include some of those talented students,” she said. “‘Seussical’ was the perfect choice.”

The musical based on the characters created by the beloved children’s author features a message of acceptance, a fantastical cast of characters and a set that visually resonates with all ages.

“I remember getting to rehearsal the day they started painting the set and just thinking, ‘Wow. This is really going to be a cool show!,’” Evelyn Johnston, who worked on the lighting crew, said. “I think ‘Seussical’ also gave a good opportunity for big set pieces and bright colors and patterns since ‘The Seussical’ is a very zany and wacky world.”

Boyer said the cast included 41 students and 23 of them were making their Shikellamy Theatre debut. Six sets of siblings were involved in the production, including two sets of twins.

“Kieran Balliet, who played JoJo, was nearly 3 when he sat with his grandma and watched his older brother, Kyler, perform in the show in 2015,” she said. “I wanted a fun-filled, family friendly show and that’s exactly what we had.”

Among those newcomers was Jeremiah Albertson, who was a Cadet and a member of the ensemble.

“I thought it would be really cool to be part of a musical,” the 11-year-old said. “My parents

FROM THE AUDIENCE

Once again, the students of Shikellamy school district under the direction of Mrs. Ellen Boyer delivered a beautiful looking and sounding show this year with their production of “Seussical: The Musical” over the weekend of April 25-28. Incorporating not only their district’s high school students but also younger students as well (including 5th- through 8thgraders, and one delightful kindergartener), this production was a really impressive showcase for the talents of this cast and crew.

“Seussical” is a 2000 musical that celebrates the works of Dr. Seuss through song and storytelling. While the plot focuses mainly on the characters in “Horton Hears a Who,” “Gertrude McFuzz,” and “Horton Hatches the Egg,” many other notable Seussian creations like the Cat in the Hat, the Grinch, and others are woven in throughout the show. This cast was led by several very talented seniors, including Angel Ortiz (as Horton), Jayla Lopez (as Gertrude), Brooklyn Colon (as the Sour Kangaroo), Cynette Winston (as Mayzie) and Micah Shively (as the Cat in the Hat), all of whom wowed the audience with their various solos and moments in the

spotlight. Sophomores Elaine Kohl and Fox Laubach, playing Mrs. and Mr. Mayor of Whoville, and 6th-grader Kieran Balliet who played their son, JoJo, also did an outstanding job as their scenes and songs provided a through-line for the main plot of the show. This was a very music-heavy show, with very little spoken dialogue and almost 20 musical numbers in each act, so kudos to the students and the musical direction of Mr. Brett Hosterman for making the show sound so superb. And of course, a show about Dr. Seuss would not be the same without highly colorful, fanciful scenery and costumes, and this production went above and beyond — the scenery (led by Mrs. Beth O’Connell and Mr. Matt Shively) evoked not just the books of Dr. Seuss but his whimsical landscapes as well, and the costumes (led by Mrs. Ellen Boyer and Mrs. Marilyn Gresh) created instantly recognizable and charming character looks as well. Everyone involved is to be commended and thanked for their efforts in making a truly entertaining production of “Seussical: The Musical” at Shikellamy High!

— Jove Graham

Clockwise from top left: Kieran Balliet as JoJo sings in Shikellamy High School’s production of “Seussical the Musical.” Micah Shively as the Cat in the Hat leads the Shikellamy Area School District cast in a number. Cast members perform a high-energy group number. Jayla Lopez sings a solo as Gertrude. Ensemble cast member Naomi Shively, left, and Fae Rose Specht as Cindy Lou Who walk across the stage. Opposite page: Brooklyn Colon performs as Sour Kangaroo.

CAST & CREW

Adisyn Wise; Alaysia Karschner; Alex Boylan; Allison Brosius; Allison Hanes; Angel Ortiz; Antonio Charriez; Basil Milheim; Beata Ross; Bella Propst; Ben Laubach; Ben Laubach; Benson Boetsch; Brianna Kerstertter; Brooklyn Colon; Brylie Ulrich; Chris Winston; Corrina Hoover; Cynette

both were involved in musicals all through high school, so I felt like this could be a good fit for me.”

He said he learned it was important to not drop character.

“Acting is such a huge part of this show and its been really neat to see others in their roles,” he said. “I actually really like getting notes because it helps me know what I need to better myself on to make this an amazing show.”

Cynette Winston, who played Mayzie La Bird, said her biggest challenge while preparing for the show was learning to have fun with her character.

“Some advice that helped me fulfill my role was to be bigger

Winston; Daniel Shellenberger; Egan Shimel; Elaine Kohl; Elizabeth Furr; Em McAllister; Evelyn Johnston; Fae Rose Specht; Fox Laubach; Grace Hogan; Grace Johnston; Jace DiPerna; Jaida Rodriguez; Jayden Sanders; Jayla Lopez; Jeremiah Albertson; Kallie Fisher; Kaydance

with my character and to sing and dance full out,” she said.

Joanna Shively, a parent who was an assistant set painter and artist, said Boyer has created a team of people working with her who all bring out the best in the students.

“I had helped a very small amount with the past few shows. This was the first show where I played a much larger role, due to the fact that more of our children became involved in this show,” she said. “It truly became a family experience.”

Boyer said she knew the musical was something special when she staged the Entr’acte, or Act Two opening.

“It literally took me about

Belive; Kieran Balliet; Kyra Lopez; Laura Shearer; Max Barann; Micah Shively; Naomi Shively; Nova Moyer; Ny’Asia Vincent; Olivia Sanduta; Peyton Wiest; Reese Taylor; Sam Wolfe; Solomon Burgos; Trinity (TJ) Carper; Tristan Hummel; Zoey Aurand.

Director: Ellen Boyer

20 minutes to stage the entire segment and everyone just loved their part in it, especially 5-year-old Fae Rose Specht,” she said. “It was magical when she stole the Cat’s hat, slid down the sliding board and then ended shouting’ The Cat in the Hat!’ The entire cast and crew was cheering and clapping. We truly became a family that day.”

Egan Shimel, who played one of the Wickershams, said that number was his favorite during the live production.

“Our Entre’acte was blocked as a director’s worst nightmare. It was 3 minutes of chaos and everybody loved it.” v

PHOTOS BY ROBERT INGLIS

Southern Columbia production added layers to man-eating puppet in ‘little shop of horrors’

STORY By Cindy O. Herman

Despite having the word “horror” in the title, Southern Columbia Area High School musical director Lexi McWilliams said the students worked hard to make “Little Shop of Horrors” a lighthearted experience for audiences.

“There is never a dull moment in rehearsal,” she said. “From day one back in November, I have thoroughly enjoyed going to every practice and making this musical come to life. The students are so excited about this show and that makes me 10 times more excited. I never once had to push them to be excited; it came naturally.”

Assistant director Heather Rummings said the show was chosen because of its complexity.

“’Little Shop of Horrors is a really fun, quirky show,” she said. “We have always enjoyed the show by itself but it also was a complete contrast to last year’s production of ‘Bye Bye Birdie.’ We wanted to give the kids a challenge and the music in this show is definitely challenging and they did amazing with it.”

As one of the central elements of the musical is a plant, the production wanted to put a little more focus on the student voicing that puppet than the show usually does.

Ethan Rush, a senior, plays Audrey II, and junior Ben Karnes plays the Audrey II puppeteer.

“My character is the voice of the plant, Audrey II,” Rush said. “Being the voice, I get to stand over the set and watch the whole musical go down. My character is the driving force of the plot and he is very ominous. I am thankful I get to be onstage because being just the voice I could easily do it

FROM THE AUDIENCE

A big congratulations are in order to the students of Southern Columbia Encore for their impressive production of the sci-fi horror classic, “Little Shop of Horrors!” Under the direction of Mrs. Lexi McWilliams, a strong cast, innovative design (and not to mention one giant plant) made this musical a joy to watch during the weekend of March 14-16.

This 1982 rock musical, which many people are more familiar with through the 1986 Frank Oz-directed film, tells the story of plant shop assistant Seymour and his discovery of a man-eating plant that promises him fame and fortune. This production featured an impressive cast of underclassmen, including sophomore Johnny Barnette as ‘Seymour,’ junior Saira Sodergren as ‘Audrey,’ and sophomore Mason Laubach as ‘Mr. Mushnik’ who gave moving, hilarious performances as the main characters in Mushnik’s plant shop, driving the story along. Alongside them were freshman Dillen Whitley playing Audrey’s boyfriend, the crazed dentist Orin, and in a very interesting dual role, junior Ben Karnes and senior Ethan

Rush provided the puppetry movement and voice, respectively, of the ever-growing man-eating plant, Audrey II. The concept design to have the plant’s voice actor fully visible to the audience as he looked down on the stage from above was such a bold choice and really let the audience have an additional window into the emotions and thoughts of this villainous character.

Another great aspect of this production was the decision to triple the size of the ‘Girl Gang’ singers, to really give some of the high-energy musical numbers extra power to the sound. Chorus numbers such as “Skid Row” and solos like “Somewhere That’s Green” or “Grow For Me” were joyous and fun to watch throughout.

Overall, this was a chilling, thrilling, delightful take on a fan favorite musical, so kudos to everyone on the cast and crew of “Little Shop of Horrors” at Southern Columbia. — Jove Graham

Clockwise from top left: Members of the Girl Gang sing in Southern Columbia Area High School’s production of “Little Shop of Horrors.” The Girl Gang and Mason Laubach as Mr. Mushnik perform in a scene together. Sarah Eyer, Makenzi Pfirman and Sadie Boucher perform as part of the girl gang. Dillen Whitley portrays dentist Orin Scrivello while Sadie Boucher plays a girl gang member. Saira Sodergren, as Audrey, sings. Saira Sodergren, Johnny Barnette as Seymour and Mason Laubach perform a scene together. Opposite page: Draven Leach as a reporter questions Johnny Barnette.

CAST & CREW

Alasia Gaines; Allison Bauman; Aracelis Green; Asher O’Brien; Ben Karnes; Dillen Whitley; Draven Leach; Ethan Rush; Evelyn Staugaitis; Grace Victory; Hailey Gallup; Hannah Reibsome; Issy Honabach; Jocelyn Rarig; Johnny Barnette; Karley McHale; Kay Hicks; Kelsey Ambrose; Kemilyn Hill; Lillian Hinkle; Lincoln

backstage, but being onstage and getting to act out what I am saying is phenomenal.”

Karnes said he never speaks in the musical, but he is the plant.

“I make it move, I chomp people up — which I thoroughly enjoy — and the plant is a lot warmer than one might think. It was an added challenge, but I cannot picture myself being any other part in this musical,” Karnes said. “When one thinks or sees Audrey II, they think it is one person; the voice of the plant. But Ethan and I have worked very well together and I have enjoyed spending time with Ethan to really make this plant come alive!”

Daily Item reviewer Jove Graham enjoyed the creative decision to have Rush visible.

“The concept design to have the plant’s voice

Barnette; Makenzi Pfirman; Mara Turner; Mason Laubach; Maya Williams; Michaela Williams; Mya Daubert; Natalie Schock; Nick Briggs; Owen Eyer; Patrick Lobos; Sadie Boucher; Saira Sodergren; Sarah Eyer; Sophia Boucher; Todd Brosius; Vivian Miller Director: Lexi McWilliams

actor fully visible to the audience as he looked down on the stage from above was such a bold choice and really let the audience have an additional window into the emotions and thoughts of this villainous character,” he wrote.

Students had a bit of a learning curve when it came to bringing Audrey II to life.

“The first time I got to eat Mr. Mushnik, who is played by one of my best friends, Mason Laubach, it was just so funny because neither one of us knew how to maneuver the Audrey II just yet, so Mason was just flopping around and I was laughing backstage,” Karnes said. v

The Daily Item Editor Kyra Smith-Cullen contributed to this report

PHOTOS BY JERRI BROUSE

Warrior Run

‘Once upon a mattress’ marked a lot of firsts

STORY By Kyra Smith-Cullen

“Once Upon A Mattress” means something for Kathryn Stiadle, Warrior Run High School musical director. It represents a lot of firsts.

As a fourth-grader years ago, sitting in her high school auditorium, it was the first musical she saw.

“As I considered shows over the summer, this one crossed my mind and immediately fell into place as the perfect show for this year,” she said.

She added the true selling point was when she realized she could sing “Song of Love” to her cat Freddie, who shares a nickname — Fred — with the heroine Winifred. It may seem like odd reasoning, but for people who have seen the comedic retelling of “The Princess and the Pea” fairytale with its humorous pantomimes and its nonconventional cast of characters, the logic checks out.

“Once Upon A Mattress” is also the first musical she directed at Warrior Run.

“I had no idea how many students would sign up or what types of vocalists and actors I would end up with,” Stiadle said. “That was definitely challenging and stressful, but everything worked out perfectly!”

For some members of her cast and crew, it was another kind of first.

“This was not my first musical, but it was my first high school musical. I really wanted to participate in this year’s production because I wanted to experience what it was like to be in a high school musical,” said Christopher Jones. “It was probably one of the best experiences I’ve had in my school career.”

FROM THE AUDIENCE

It’s always great when you can tell when a cast is having fun and at Warrior Run’s “Once Upon a Mattress,” there was no doubt. When bringing a more comedic version of the Princess and the Pea fairytale to life, the cast and crew shined.

In her role as Princess Winnifred, Elle Bowers was a delightful lead whose talent charmed the audiences. Whether it was her performance in “Shy” — where she confidently belted that her bravado was deceiving — or her increasing gauntlet of skills showcased in “Song of Love.” Starring opposite to her as Prince Dauntless, Brayden Warner played a young man initially cowed by his coddling mother until his love for Winnifred emboldened him to stand up to her. Warner acted completely head over heels with Winnifred, but I believe some of his best work came in the song “Man to Man,” where he had to serve as the audience’s interpreter as his mute father, King Sextimus the Silent, played by Quentin Frank, tried to explain the birds and the bees. His words, paired with Frank’s charade, had the audience laughing. For many of his scenes, Frank was paired with Alena Shaffer and Elliana Peace, who portrayed the Minstrel and the Jester respectively, and their comradery was delightful to watch. Madeline Stoudt was perfect for the role of Queen Aggravain, her tone conveying just enough sharpness and attitude to make

her almost unlikeable as she commanded the cast and the stage with an iron fist.

Even with the primary romantic focus on Winifred and Dauntless, Aurora Cieslukowski and Christopher Jones shine in their roles as Lady Larken and Sir Harry. Their voices blended beautifully in “In A Little While” and “Yesterday, I Loved You.”

The choreography was simple when it needed to be, but Peace should be applauded for her dance solo in “Very Soft Shoes” as she pirouetted and leaped across the stage. Another standout dance number was “Spanish Panic” where the entire cast raced around at an accelerating pace to tire Winnifred out.

The set was beautifully decorated, especially with the stone castle façade. Steve Bergerstock, Hailey Carper and others worked hard to create elements that were lifelike and detailed but were still versatile enough to be almost any scene they needed. One of my favorite elements was the stained glass window in the castle — It was lit up beautifully so that it almost looked as if light was illuminating it. And the ‘open’ windows on either side created an illusion of depth, with fluffy clouds suspended within the frames.

— Kyra Smith-Cullen

CAST & CREW

Alena Shaffer; Alivia Ritenour; Andrew Leinbach; Arabelle Landis; Aurora Cieslukowski; Braego Cieslukowski; Brayden Warner; Carrie Welshans; Chris Jones; Daniel Jones; Elle Bowers; Elliana Peace; Hailey Carper; Hannah Craig; Hayden Fisher; Katelyn Emery; Katelyn Shutt; Larina Pfau; Madeline Deitterick; Madeline Stoudt; MaKenzee Tallent; Meghan Rovenolt; Quentin Frank; Shea McNett; Sophia Bustamante; Sophia Harmon; Summer Rovenolt; Xahlia Rovenolt; Yaelle Vayssie

Director: Kathryn Stiadle

Assistant directors: Joleine Bergmueller, Kevin Myers

Pit director: Taylor Rhodes

Scenic design: Steve Bergerstock

PHOTOS BY ROBERT INGLIS

Clockwise from top left: Aurora Cieslukowski as Lady Larken and Christopher Jones as Sir Harry sing and dance together in Warrior Run High School’s production of “Once Upon A Mattress.” Elle Bowers performs as Princess Winnifred as her castmates look on. Brayden Warner, as Prince Dauntless, tries to peek over The Wizard Makenzee Tallent’s shoulder as Queen Aggravain actress Madeline Stoudt listens to Christopher Jones read a scroll proclaiming Winnifred’s rank as a princess. Madeline Stoudt and Makenzee Tallent act together. Opposite page: Alena Shaffer, as the Minstrel, is silhouetted by a stage light.

Jones played Sir Harry, a knight who is determined to find the prince a bride so he can marry his beloved Lady Larken. The role came with its own obstacles.

“My biggest challenge was trying to act out my character in the right way, because it seemed like when I did my research, everybody was playing Sir Harry with a different personality,” he explained.

While he was concerned about his own portrayal, he said he knew the show was going to be good as soon as he saw the cast list.

“Everybody was cast in roles that fit their personalities extremely well,” Jones said.

There were moments when

some had doubts though, even leading up to dress rehearsals.

“We were running dress rehearsals, and we were all worried it wasn’t going to pull together. But one night, everything just clicked,” said Sophia Bustamante, who played Lady Mabelle.

“We all knew the moment our director, Ms. Stiadle, said ‘I feel so good about this show.’”

The production has parts in it where the focus isn’t on individual actors, but rather the cast’s ability to perform cohesively. One such number is “Quiet” — which features synchronized movements and using mattresses and pillows.

“The “Quiet” scene was the hardest. Being the opening scene

of Act Two, we knew we needed to make it big, but we kept struggling to pull it together the way we wanted it to. Eventually we got it perfect, but it took a long couple weeks,” said Bustamante.

Stiadle said she knew she was working with a great group of students and they proved their talent all through dress rehearsals.

“I was amazed that all of our dress rehearsals went so smoothly. When we ended our final dress rehearsal, one of the students asked ‘do we have a show?’ Without any hesitation, I responded ‘we have a show!’” she said. “The amount of energy and excitement that instantly filled the room was incredible.”

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