Dinorah Martínez Schulte - Portfolio 2017 (B.Arch)

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D I N O R A H M A RT I N E Z S C H U LT E / B . A R C H

2017

PORTFOLIO

D I N O R A H M A RT I N E Z S C H U LT E / B . A R C H

2017

PORTFOLIO

“Instead of making grand structures and beautiful buildings, we should focus on the environment and the urban space, and how you encourage people to live.” / Ma Yansong, MAD Architects.

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MINARET

GLOBUS DOMUS

GOTHICBRELLA

MOSQUE LIBRARY

GOVERNMENT AGENDA

GOVERNMENT AGENDA Just a middle garden with r ecycling system water

GOVERNMENT AGENDA Cross Ventilation system

SECRET AGENDA Big mobil domus that detenies can use for religious celebrations as a Stupa, the main element of Buddhist temples religion

SECRET AGENDA Umbrellas system having a structural similarity to cruceria nave using in the gothic style at Christianism church.

GOVERNMENT AGENDA Make a similar library floor with a grid full of bookshelves and reading rooms for detainees to enjoy a moment of reading.

System for control by staff SECRET AGENDA System for someone can be reflected and the prayers can know it is time to pray.

SECRET AGENDA Booksellers moved and created prayer rooms giving emphasis on Muslim culture

C U R R I C U LU M V I TA E

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ARCHITECTURAL PROJECTS TOPOGRAPHIC SUTURE

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POSADA REAL

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IDC Detention Centre

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VINCULACIÓN

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FÉ Y ALEGRIA

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ARCHITECTURAL COMPETITIONS M E L B O U R N E TAT T O O A C A D E M Y

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V I S UA L I Z AT I O N P R O J E C T S

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ARCHITECTURAL PHOTOGRAPHY

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DINORAH MARTINEZ SCHULTE México, D.F. | 55 30 47 43 76 | dino.schulte97@gmail.com dinorah_mtz_schulte@hotmail.com Instagram: @dinorahmschulte Twitter: DinoMSchulte Archinect: http://archinect.com/dinorahmschulte

EDUCATION January - July 2016

August 2011 - December 2016

2008 - 2011

PROFESSIONAL EXPERIENCE Studied Abroad at “University of Technology Sydney”, Sydney, Australia. / Third Year.

May 2016 - Present

Projects: Tori Tori Altavista, Rincón de Romos Infonavit, Rehab 01, Atelier de Hoteles, Valle de Guadalupe, Foro Boca, VACA + Rojkind.

Exhibitions: “Deconstruye tu Cubo” by Marmoles Arca, “Atelier de Hoteles” Public Presentation.

Lectures: Academia Nacional de Arquitectura 2016, Moscow Urban Forum 2016, PINC Sarasota 2016, Semana Nacional del Emprendedor 2016, Talk Walk Series Terhán, PINC 18, PLAT 17.

Juries: Fairy Tales 2016, IE Student Awards 2016, FONCA. Awards: A+Awards 2016, WAN Awards, International Architectural Awards 2016.

Competitions: RFP for OCAD University Re-design, Toronto Canadá feat PARTISANS Architects.

Bachelor in Architectural and Urbanism (B.Arch) ,“Universidad Iberoamericana” Mexico City, Mexico. / Average Score 8.9 High School “Colegio Patria” Tuxpan, Veracruz, Mexico. / Average Score 9.5

SOCIAL SERVICE July 2014

“Foi et Joie” Education Organization, Port Au Prince, Haiti / By Universidad Iberoamericana, Ciudad de México.

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www.rojkindarquitectos.com August - November 2015

Design of a football court’s movil rood Design of the “Values’ Center Formation”

in Balan, Haiti by Foi Et Joe..

Design and remodelation of the Foi et

FREELANCE EXPERIENCE

Joe’s dormitories.

November 2015 - July 2016

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Spanish and Architectural Drawing

Representation classes to the Foi et Joe’s students.

ABOUT ME / Great ability to speak in public. / Excellent capacity for graphic representation. / Easiness for quick problem solving. / Mastery in architectural programs such as making models, renders, and 3d modelling. / Competence for fast learning.

Architectural rendering of each hotel unit and common areas for promotional time-share February 2015 - 2016

“El Capricho” Ranch, Zacatlán de las Manzanas, Puebla. / Client: Private.

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Architectural design adn graphic

representation of ranch, horse stable and charro-arena.

February 2015 - 2016

Spanish English

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Architectural rendering of each sale.

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Architectural Design to the bullring

Bullring “San Miguel de Allende”, San Miguel de Allende, Guanajuato, Mexico. / Client: Private. facade, deck terrace for events and restaurant..

Architectural rendering of the deck, bullring facade and common areas for promotional

January 2014 - May 2016

LANGUAGES Native lenguage.

(Toefl IBT: 80)

Research Assistant of the Architectural Department Director, Universidad Iberoamericana, Mexico City, Mexico. / Tutor: Arq. Caroline Aguilar Dubose.

Collaboration in the investigation of public spaces across the world. Research of the development of parks from 1970 to 2010, selection of relevant information and organization per chapter for

AWARDS AND HONORS

academic publication.

/ Publication at Digital Magazine: The Archiologist

October 2014

https://thearchiologist.com/student/topographicsuture

/ “Manuel Garibay” Award as the best thesis project. Winner.

Assitance of 3Ds Max with Computer and design lab “ARQDIS” Director.

Universidad Iberoamericana, Mexico City, Mexico. / Tutor: Arq. Irma Soler Riva Palacio.

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Project : Sutura Topografica Tutors : Marq. Diego Ricalde / Marq. Emmanuel Rámirez.Collaboration with: Ricardo López 2016

Architectural design and graphic

representation in hotel units and common areas.

/ Autodesk Autocad 2D + 3D / Autodesk Revit. / Autodesk 3Ds Max / Autodesk Maya 2017 / Ecotect. / Dialux. / Adobe Suite Package (Photoshop, Indesign, Illustrator) /ArcGIS GIS Data Software

2016

Architectural design and graphic representation.

Hotel and time sharing “Posada Real”, San José del Cabo, Mexico. / Client: Promotora Turistica “Posada Real” S.A. de C.V. -

SKILLS

2017

3ARCH, Mexico City, Mexico. / Junior Architect.

Architectural design and graphic representation in CC and BC projects.

in Canaan,Haiti by “Futbol +” Assosiation.

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Rojkind Arquitectos, Mexico City, Mexico. / Media and Communication Director.

March - May 2014

/ Nominated Project at MCHAP Student Awards 2016

/ Chicago, IL, USA. http://www.arch.iit.edu/prize/mchap/selected-works/ project/universidad-iberoamericana-cuidad-de-mexico 1.

Fixing damaged 3ds Max files

Arboledas del Río, Tuxpan Residential.

Tuxpan, Veracruz, Mexico. / Client: Private.

Design and construction of residential complex access

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MOTIVATION I believe that the creative and design process that we develop as architects day by day goes beyond building edifices. On the contrary, I believe that the process should be more focused on providing benefits for society with our projects, spaces and forms alike that carry a social task that can make our society socially conscious and aware.

Architecture is not solely based on selling images and designs as a product, it surpasses that conception.

For me, architecture is an understanding of geometry and composition of context to be able to regenerate it with a logical system that has the capacity to replicate itself.

Use of technology should be a tool we must take advantage of to be able to systemize and rationalize patterns and algorithms forming structures that answer to a necessity.

01 TOPOGRAFIC SUTURE Description: Thesis project at Catedra Blanca CEMEX 2015/2016, Universidad Iberoamericana.

Tutors: MArq. Diego Ricalde, MArq. Emmanuel Ramirez (Estudio MMX) , Arq. Moises Gamúz.

Location: Texcoco, México City, Mexico.

Date: 2015 / 2016 Collaboration: Ricardo López The atelier objective was to analyze the terrain from the biggest scale that would have an impact on the city, which meant studying the Basin of Mexico. This is the name given to the region of four valleys in the central part of the Mexican territory, which not only contains Mexico City but also other federal states. To study it properly distinct binomials that create city were assigned: water, landscape, urban and infrastructure. Our project studies the binomial of water and landscape, understanding the effect of the ever-growing metropoli against what used to be the dominant natural environment. Numerous zooms were made in search of the critical point of that binominal, which turned out to be the heart of the Basin of Mexico, what was once known as the great Lake Texcoco.

WATER + LANDSCAPE

In colonial times, rivers were sent underground and lakes began to be drained; the sinking of the city and floods are a consequence of those actions, problems that consume the city today.

Neither the city nor the Basin of Mexico are auto sufficient; and it is ironic that a region shaped to contain a great body of water has to bring it from other hydrologic systems; that the lowest point of the basin is not covered by rainwater which instead of being stored, is ejected from the territory.

Through an urban proposal and later an architectural proposal, we address all these factors from the macro scale and reflect them on a micro scale Mexico City has grown disproportionately eliminating its connections with the natural environment. We believe that to amend this, the territory should answer to its topographic vocation where natural systems correspond to the heights of the land.

In today’s context it is impossible to go back to depending on only one great lake, because of this we seek to divide the magnitude of this lake in various fragments that adapt to the contemporary infrastructure.

The project strives for a topographic suture of the surroundings of Lake Texcoco.

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1.1 Manifestation of water and landscape through infraestructure and mobility; linking Texcoco with Mexico City

If we join the sites of water with the sites of landscape we can have a suture, weaving the programmatic axis of the city with the natural axis of the basin which is its natural drain, the sewage of Mexico City.

Naturally, the high points of the basin are where landscape emerges and the low points are where water accumulates.

The project strategy places the ecologic as its first hierarchy, followed by the urban and finally the architectural. The essential action is to regenerate a withering landscape.

Because of the absence of an immediate urban context we use topography as a means of order, where the same natural trend of the basin is replicated in order to be able to reconfigure the terrain.

We elaborate a network of high points which is where we can build, and another network of low points which become bodies of water.

The places where these two meet become areas for mangroves and natural reserves.

1.2 Location Map 1

CORTE CORTE GEOGRAFICO GEOGRAFICO

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CUAUTITLAN CUAUTITLAN Rio Cuautitlan Presa de Guadalupe Rio Cuautitlan Presa de Guadalupe

AREAAREA / VOLUMEN / VOLUMEN

Superfie Superfie 348 ha.

Altitud

Superfie

Altitud 2.795 msnm 2.795 msnm Longitud Longitud 110 km 110 km

Superfie 16.426 km² 16.426 km² Longitud Longitud 24 km 24 km

348 ha.

Almacenamiento Almacenamiento 15,000 M3

PRECIPITACIÓN PRECIPITACIÓN ANUAL ANUAL POBLACION POBLACION

USO USO DE SUELO DE SUELO Y VEGETACION Y VEGETACION

Sierra de Monte Alto Sierra de Monte Alto

13 825 hab.

13 825 hab.

764 mm.

764 mm.

764 mm.

764 mm.

Barranca Tepatlasco Barranca Tepatlasco

El Salitre El Salitre

Presa de Madin Presa de Madin

15,000 M3

Rio Cuatitlan Rio Cuatitlan

Cuatitltan - Izcalli Cuatitltan - Izcalli

Superfie

Superficie Superficie 109,9 km²

Superfie 16.426 km² 16.426 km² Longitud

109,9 km² Altitud

Longitud 24 km

24 km

Altitud 2.260 msnm 2.260 msnm

764 mm.

764 mm.

498 030 hab.

498 030 hab.

2

CORTE CORTE GEOGRAFICO GEOGRAFICO

2 2

AREAAREA / VOLUMEN / VOLUMEN

USO USO DE SUELO DE SUELO Y VEGETACION Y VEGETACION

ECATEPEC ECATEPEC

Superfie

110 km

Superfie 15.046 km² 15.046 km² Longitud Longitud 14 km 14 km

190 ha.

Almacenamiento Almacenamiento 24,700,000 m3

859 hab.

859 hab.

800 mm.

800 mm.

800 mm.

800 mm.

PRECIPITACIÓN PRECIPITACIÓN ANUAL ANUAL POBLACION POBLACION

Gran Canal de Desagüe Gran Canal de Desagüe

Superfie Superfie 83.40

Capacidad de desalojo Capacidad de desalojo 40 m3/s

Superfie Superfie 190 ha.

Altitud Altitud 820 msnm

820 msnm Longitud Longitud 110 km

Rio Tlanepantla Rio Tlanepantla

Superficie Superficie 186,9 km²

2

186,9 km² Altitud

40 m3/s Longitud Longitud 153.3 km

83.40 Longitud Longitud 16.4 km

24,700,000 m3

Ecatepec de Morelos Ecatepec de Morelos

16.4 km

153.3 km

Altitud 2.250 msnm 2.250 msnm

800 mm.

800 mm.

800 mm.

800 mm.

1 656 107 hab.

1 656 107 hab.

3

PRECIPITACIÓN ANUAL POBLACION

3

PRECIPITACIÓN AREA / VOLUMEN USO DE SUELO Y VEGETACION CORTE GEOGRAFICO AREA USO DE SUELO Y VEGETACION CORTE GEOGRAFICO ANUAL/ VOLUMEN POBLACION

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CIUDAD NEZA

CHIMALHUACAN

Río Magdalena Contreras Cerro de San Miguel

Altitud

Ciudad Neza

29.25 km²

452 ha.

16 km²

Longitud

Almacenamiento

Longitud

190,00 M3

13.4 km

28 km Superfie

Lago de Texcoco Río Coatepec Monte Tlaloc

Ciudad Neza Capacidad Chimalhuacan Superfie de desalojo

Longitud Altitud

Superfie

CHIMALHUACAN

Chimalhuacan

Presa Anzaldo Río Churubusco Gran Canal de Desague

Río Magdalena Contreras Superfie Superfie

3790 msnm 1529 HA

Lago de Texcoco Río Coatepec Monte Tlaloc

Presa Anzaldo Río Churubusco Gran Canal de Desague

Cerro de San Miguel

CIUDAD NEZA

Superfie

Superfie

Superfie

Superficie

40 m3/s

35 ha

27 km²

Longitud

Longitud

Longitud

Altitud

22 km

25 km

4125 msnm

Superfie

Superfie

153.3 km Capacidad de desalojo

2613 HA

Superficie

3790 msnm

29.25 km²

452 ha.

16 km²

40 m3/s

35 ha

27 km²

Longitud

Longitud

Almacenamiento

Longitud

Longitud

Longitud

Longitud

2613 HA Altitud

1529 HA 0 hab.

28 km 734 mm.

190,00 M3 734 mm.

13.4 km 734 mm.

153.3 km 800 mm.

22 km 621 mm.

25 km 621mm.

4125 msnm 0 hab.

0 hab.

734 mm.

734 mm.

734 mm.

800 mm.

621 mm.

621mm.

0 hab.

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4 TLAHUAC Río Amecameca Iztaccihuatl

Lago Tlahuac

Tlahuac

Lago Tlahuac

Tlahuac

TLAHUAC

POBLACION

Superfie

PRECIPITACIÓN ANUAL POBLACION

PRECIPITACIÓN AREA / VOLUMEN USO DE SUELO Y VEGETACION CORTE GEOGRAFICO AREA USO DE SUELO Y VEGETACION CORTE GEOGRAFICO ANUAL/ VOLUMEN

4

Río Amecameca Iztaccihuatl

Superfie

Superficie

40 ha

55 km²

Longitud

Longitud

Altitud

66 km

46 km

5286 msnm

Superfie

Superfie

40 ha

55 km²

90,2840 HA

Longitud

Longitud

Altitud

66 km 667 mm.

46 km 667mm.

5286 msnm 0 hab.

667 mm.

667mm.

0 hab.

Superficie

90,2840 HA

1.2 Strategy Sections

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1.3 Strategy

2.1 Urban strategy, four sector programming..

5 capa urbana URBAN LEVEL The project proposes a solution of Capa urbana donde four sectors, where the program emerge la ciudad, se corresponds conecta atravez de la to the terrain that infraestructura y emerge now lies divided by its own las ciudad y surge un infrastructure. nuevo punto en el lago deTexcoco.

LANDSCAPE LEVEL 4 PUNTOS altos The place where we can build and Son la red de puntos landscape emerges.

2.2 High points which is where we can build and landscape emerges ad

altos que se saco mediante una programación y responde a las zonas altas de la topografía donde emerge el paisaje.

WATER LEVEL BAJOS 3 PUNTOS The place where water accumulates Son la red deand puntos we can find connection bajos queand se saco mobilty programs through mediante una programthe project. ación y responde a las zonas bajas de la topografía donde se acumula el agua.

2.3 The low points are where water accumulates.

ECOLOGIC LEVEL 2 topografIA The project proposes to heal the De la topografía territory with a 30 year plan of habextragimos los puntoswith the recovery of itat restoration, altos y bajos de la water bodies. topografía como elemento ordenador urbano.

TOPOGRAPHIC LEVEL 1 ZONIFICACIÓN The building further-develops renewal; Zonasite de sutura entre it el is the final piece to eje solving programático de la the problem of frontier and ciudad y el eje natural to healing the critical point of water que es el drenado del and landscape. agua de la Ciudad de A suture is a stich México.which purpose is to unite again what was separated or damaged.

2.5 Strategy 1.

2.4 High and low points create a topographic network.

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01

02

regeneracion

ENERGIA

Esta zona esta dirigida a la regeneración ambiental, creando centro de cultivo para ayudar a regenerar el suelo creando una zona rica en vegetación que a la vez funciona de colchón ecológico que evoluciona la actual zona de tiradero de basura en un gran bosque de diversas especies de la región como bosque de nogal, pino, cedro,oyamel entre otras especies de acuerdo el uso que se le quiera dar y como se quiere aporvechar dicha vegetación.

La segunda zona esta dirigida al bloque donde esta contenido el bordo poniente el cual es el tiradero más grande latinoamerica, se tiran toneladas de basura provenientes de la Ciudad de México y parte del Estado de México.

En dicha zona, en el subsuelo encontramos una gran cantidad de Biogas el cual queremos aprovechar para crear luz electrica como en proyectos pasados.

Creando luz y abasteciendo servicio para todo el bordo.

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03

agua

AEROPUERTO

La tercera zona de nuestra area de estudio esta dirigida al bloque donde esta contenido la laguna Nabor Carrillo y un juego de lagunas que constituyen un sistema de filtración y evaporación de agua que aprovecharemos en nuestro proyecto.

Las lagunas de evaporacion, canales y pozos de absorción acutualmente funcionan al 100% y se requiere solo mantenimiento del gobierno para seguirlas operando el cual tomamos en cuenta para producir y filtrar el agua en nuestra zona.

La cuarta y última zona se trata de la nueva propuesta que estan presentando FR-EE con el Arq. Fernando Romero junto con Foster + Partners con el Arq. Norman Foster, juntos creando el nuevo programa del aeropuerto internacional de La Ciudad de México con dos terminales y un programa complejo en cual estamos tomando en cuenta y respetando adaptandonos a el y siendo parte de este plan maestro.

2.6 Section Programming

2.6 Topographic suture masterplan, reprogramming Mexico’s forgotten lake.

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ARCHITECTURAL PLANS

3.1 Axonometric

Administration Area Public Space Banks Car Rental Terrace Food Court Car Wash Subway Plataform Machine Room Parking

3.2 Project Program

Section A

Section B

Section C

Section D

3.1 Sections

South Facade

East Facade

3.2 Facades

4.1 Concept

4.2 Building Infrastructure

4.2 Facade Study 1.

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Photography by: Alfonso Pedrero.

02 POSADA REAL Description: Hotel and timesharing.

Client: Promotora Turistica Posada Real S.A. de C.V. Location: San José del Cabo, México.

Date: 2016 Collaboration: Ricardo López A place where sea and land become one, “the client called for a series of exterior renders that would demonstrate an incredible experience for their future residents, common areas wrapped by water and vegetation. In turn, he asked for a series of interior renders that would demonstrate a beautiful view from any room to the sea. For this we had to design the distribution of hotel units, as well as define interior furnishings. The whole of the hotel was developed in collaboration with a foreign office.

1.1 Principal Access / Lobby

Posada Real is located in the heart of San Jose del Cabo on the Pacific Coast of Mexico. A hotel that is developed first through a generous lobby that welcomes guests with an exquisite view of what will be their future stay; on the lobby´s left hand are located the stores and hotel´s reception and on the right hand are the food & beverages services. At the middle, an oceanfront bar that allows guests to enjoy a refreshing drink while contemplating the horizon.

1.2 Pools and recreation area

On the two wings of the hotel, rooms are divided into 4 categories, starting with the basic hotel unit with 50 m2 to an astounding suite of 120 m2; offering customers a wide array of options to choose their accomodations.

Posada Real is embellished by the presence of a magnificent pool that brings the sea into the heart of the hotel. Water then takes a central role in linking the other recreation areas: outdoor bars, a daycare center, and a specialties restaurant.

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1.3 Aerial view

1.4 Unit A

1.5 Unit B

UNIT A

UNIT B

M2: 48.76 m2 Total units at hotel: 96 CUS: 4,680

M2: 48.76 m2 Total units at hotel: 96 CUS: 1,104

1.6 Unit C

1.7 Unit D

UNIT C

UNIT D

M2: 144.16 m2 Total units at hotel: 158 CUS: 22,770

M2: 40 m2 Total units at hotel: 20 CUS: 1,800 1.

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03 IDC Detention Centre Description: Project at Agonism Studio at University of Technology Sydney, Australia.

Tutors: Arq. Cristina Goberna Pesudo and Arq. Amaia Sanchez (Fake Industries Architectural Agonism) Location: Cockatoo Island, Sydney, Australia.

Date: 2015 Collaboration: Saba Schramkó, Linn Opsahl, Christina Tantcheva, Isobell Hall, Yumi Cui and Vivianne Yang.

Originally a shipping harbor for the British Navy in WWII, Cockatoo island has seen drastic change throughout the years. Once a school for women, a hospital afterwards, and today a detention center for illegal imigrants into Australia. But what if it could be more than that? What if it were a way for these foreigners to become part of the Australian system, part of the whole, without full government inhibition. A sincere process of integration, of unification, of synchronization with the Australian mindset. I call it, osmosis.

1.1 Master Plan

M A STE R

P L A N

“It is obvious that the prolonged period of detention, characterised by frustation and insecurity, are doing futher damage to individuals who have filed grave human rights absuses. The detention policy has failed as a deterrent and secceeded only as punishment. How much longer will children and their families be punished for seeking safety from persecution?” - March 2001, Irene Khan, the Secretary General of Anmesty International.

A number of official inquiries and investigations into inmigration detention conditions were conducted between 2000 and 2007. The findings of these investigations have suffered severe criticism of detention conditions in Australia, and in some cases have brought changes in polices and practices.

After creating our strategy and studied disputes that are created in a detention centre, we created a new species of detention centre which is based on the osmosis that is generated between the visitor and the prisioner. A procees that allows to metamorphose detainees from their origins to 100% Australians.

The island occupies part of the existing buildings and architecture, transforming original buildings and infrastruture of the island trying to preserve the original identity of the detainees throughout the secret agenda.

S E C R E T

AGENDA Allowing detainees to keep their roots and their origins, they begin to feel identified with the rest; their main activity is to socially coexist, improving on this aspect to fully become in an Australian.

The secret agenda lies everywhere, secret as its name suggest given that the government does not know of its existance. A means for a detainee to interact with other users and inhabitants.

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1.2 Library Temple

LIBRARY

Backgrounds they have left behind, making them the true secret agents. Identities and reinforcement of the multicultural with an enriching replaced is completely erasedheir identity and individualism has been tillng the immigrantsessing and assimilatiproc agenda of Governments intended. The Immigration Centre, theon through the secret agenda we have imposed Australia, illegally to migratedetainees that commonly of majority onalities of a backgrounds and nationalities and beliefs of the symbolic ties to the religion to provide prayer, meditation and design are into the embedded intention of the hidden spaces .

The building and the new detention centre with hidden meanings, secret spaces and religious ref ,architecture of assemblage resulted of the two architectures has libraries the meld temples and of typologies through Government.

TEMPLE

Multicultural and religious identities of the detainees in plain, but unknown site of the the reinforceific cultural temples the underlying associations and representations of the spec Australian, ”ideal“ of the and lifestyle , educational Government to educate and assimilate the detainees in the ways by the appointed architecture of the library, the intended space malleablethe fixed and through.

MINARET

GLOBUS DOMUS

GOTHICBRELLA

MOSQUE LIBRARY

GOVERNMENT AGENDA

GOVERNMENT AGENDA Just a middle garden with r ecycling system water

GOVERNMENT AGENDA Cross Ventilation system

SECRET AGENDA Big mobil domus that detenies can use for religious celebrations as a Stupa, the main element of Buddhist temples religion

SECRET AGENDA Umbrellas system having a structural similarity to cruceria nave using in the gothic style at Christianism church.

GOVERNMENT AGENDA Make a similar library floor with a grid full of bookshelves and reading rooms for detainees to enjoy a moment of reading.

System for control by staff SECRET AGENDA System for someone can be reflected and the prayers can know it is time to pray.

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SECRET AGENDA Booksellers moved and created prayer rooms giving emphasis on Muslim culture

04 VINCULACIÓN CHAPULTEPEC Description: Project at Vertical Studio by Julio Gaeta at Universidad Iberoamericana.

Tutors: M.Arq. Julio Gaeta (Gaeta Springall), Arq. Luis Carbonell, Arq. Tiago Pinto de Carvallo, Arq. Alberto García.

Location: Chapultepec, Mexico City, Mexico.

Date: 2014 Collaboration: Estefanía Anaya A park and a residential zone; divided by a great avenue, two neighboring zones continue to wither while undiscovered potential remains wasted. The shortest distance between two points is a line, but every line is different; the solution comes with urban unison. A bridge, a visual link: the intervention connects the two sides of a metropolitan sea through permeable architecture. Placing completely different architectural agendas on each side that react positively to the area. Thus, enabling the user to live a walkable city.

ANILLO PERIFERICO

¿D En Ch

CIRCUITO INTERIOR

MELCHOR OCAMPO

POLANCO

LOMAS DE CHAPULTEPEC

¿Q Tra un

SAN MIGUEL CHAPULTEPEC

TACUBAYA VIADUCTO MIGUEL ALEMAN OBSERVATORIO DE LA REFORMA

TITUYENTES

ción general

tiene o y el ma en

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l ec

Ubicación Chapultepec intervención 1.1 Chapultepec + San Miguel 05

1.2 Constituyentes Location Map 06

Building 2

Building 1

Urban fracture on the edge of Constituyentes Avenue, between the first section of the Chapultepec Forest and the San Miguel Chapultepec colony.

In order to solve this, our main objective is to work on integrating the trace of the San Miguel Chapultepec colony into Section 1 of the Chapultepec Forest to generate an urban link. To achieve this urban urgency, the plan is to blend the building trace into the park, materializing buildings on both sides that are similar but not quite the same, housing different program that respond to the site´s neccesity.

When analyzing the San Miguel Chapultepec colony,it appears to be programatically divided, having one commercial block, a cultural block, and an inactivity block.

Furthermore there are no buildings with sports or recreational use. Buildings facing Constituyentes avenue appear to be in a deteriorating state, which not only damages its interior space but loses its relationship with the avenue, further enhancing fracture on the site. Meanwhile, on the side of the Chapultepec Forest there is no program that faces the avenue, indirectly provoking waves of insecurity.

This is why we decidided to develop the program C (Sports and recreational), the one that has greater potential to link nearby recreational areas such as the Chapultepec Castle, enabling the user to move comfortably in this area.

1.3 Axonometric 1.

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¿C Int de

B UIL DIN G 1 Terraza

Mediateca - Área de cómputo

Biblioteca

Biblioteca

Cafetería - Usos múltiples

c - PB

san miguel chapultepec - explotado

B UIL DIN G 2

El edificio del programa C insertado dentro de la colonia san miguel chapultepec funciona como una parte del bosque dentro de la ciudad. El edificio tiene un programa de edificio de esquina que comprende Restaurante - Terrazaun acceso controlado y espacios abiertos para generar convivencia dentro del mismo. Este edificio debido a ubicación permite que sus usuarios encuentren un espaico de trancisión que a su vez los vincule con el Bosque. san miguel chapultepec - corte

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Restaurante - Usos Múltiples Conexión con programa deportivo

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05 FÉ Y ALEGRIA REGENERATION Description: Project at Vertical Studio at Universidad Iberoamericana.

Tutors: M.Arq Juan Carlos Cano (Cano-Vera), Fermin Andrade, Victor Martínez and Juan Casillas.

Location: Port Au Prince, Haiti.

Date: 2014 Collaboration: Ana Sofia Narro and Mathieu Perrier.

Home to 9.9 million people, Haiti houses some of the poorest living conditions in the world. No constant water or electricity supply, no roads; no haven for any kid growing up. This is the sole purpose of foundations such as Foi et Joie, create a better place for children. The architectural challenge presented consisted of renovating the spatial foundations, the establishment itself. Responding not to chaos or tragedy, but rather to the extreme weather conditions; to the true necessities of the people, using only material that would be available to the people, in an aesthetic manner.

MISION

STRATEGIES

Fe y Alegria is an international movement of popular education and social promotion, based on the values of justice, freedom, participation, fraternity, respect for diversity and solidarity, aimed at the impoverished and excluded population to contributed to the transformation of societies .

1. Identify the strengths and weaknesses of the area in order to respond adequately to the context.

2. Based on the old system of vernacular housing to which Haitian users are accustomed. New facilities will blend to local context, creating a sense of beloning while still providing a fresh architectural perspective.

MASTERPLAN

WORKSHOPS

DINING

Faith andTALLERES joy is characterized asFéan open publicpor ser un espacio y alegria se caracteriza al público para reaizar actividades de space forabierto learning activities aprendizaje e imparte talleres con actividades comunes para la población de Haití, como es and workshops; providing taller de carpintería, danza, música y aveces commonhasta activities the se realizan for cursos de apredizaje como matemáticas o clases de lectura para evitar el population of Haiti: carpentry analfabetismo, ya que las cifras son grandes. shop, dance, music and ocassionally academic courses including reading and basic

“Fecomedor y Alegria” is concerned Fé y Alegría preocupa por of la nutrición with thesenutrition usersdeand los usuarios y darles la oportunidad de tener alimento por el tiempo que esten ahi. give them the opportunity to Por ello cuenta con un comedor totalmente have food by the time they abierto al público en general para brindar desayuno, comida y cena y regalarles un arrive.

Open to the general tiempo de convivencia. public, serving breakfast, lunch and dinner.

mathematics.

DORMITORY DORMITORIO

COTTAGES

Besides the cabins there are Aparte de las cabañas more private spaces thatque son espacios más privados para brindar techo, Fé y Alegría cuenta con espacios provide roof, “Fe ytambién Alegria” comunales para aquellos usuarios que no has communal spaces forel users se nieguen a compartir espacio con alguien más o no tengan la necesidad de who neither mindmucho sharing hospedarse tiempo. space nor have the need to stay for long.

“Fe y Alegria“ gives users priCABAÑAS alegria otorga a losthey usuarios espacios vate space Fé toy sleep when privados para dormir cuando estos no tienen de do not haveun atecho, roof, providing se les brinda esta oportunidad con un espacio digno. shelter a decent shelter for the homeless.

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T H E

ANTI-SEISMIC HOUSES Houses with the appropriate design to face an earthquake, built with a set of economical and technical principles for maximum resistance. The cube-shaped housing is the basic principle to ensure safety, this is then followed by a series of constructive steps to assure structural integrity.

EXPLOTADO

VIVIENDA PARASISMICA

Axonometrico.

Análisis de la estructura.

C O T T A G E

Una vivienda parasísmica es aquella que está construida con un conjunto de principios técnicos constructivos y de diseño apropiados para enfrentar un sismo. La vivienda en forma de cubo es el principio básico para garantizar la resistencia al sismo, a partir de esto desarrollamos las etapas técnicas estructurales necesarias.

Cubo: Forma Geométrica Asísimica

The cube: Aseismic Geometric

Simetric estructura Principal principal simétrica Structure las cimentaciones y vigas de cerramento

Ariostres arriostres y Secondary estructura Structure secundaria

Warp and filling trama y relleno

CUTTING FRONT

Paraseismic housingz vivienda

Material Analysis

CORTE POR FACHADA

parasísmica

Analisis de los materiales.

TIN ROOF

Techo deislámina.

The sheet very common in the region in Haiti.

La lamina es muy común en la región de Haiti.

THERMAL INSULATION Aislante Térmico.

Leavinguna an air chamber is regula essential for commodity, Dejando camara de aire, la temperatura ya que la lámina material se calienta given es thatuntin roofsque multiply localrápidamente. heat.

BAHAREQUE Muro de bahareque WALL + botellas de plastico

Thistécnica technique combines materials Esta combinan varios various materialeseconomic y obtienen un muro muy whiledichos still maintaining rigidity in walls: rigido materiales son: Background: talk + Mortar bottles.

Fondo: BotellasIde platico + Mortero.

Estructura: ( Structure:Bambú Bamboo Recubrimiento: Adobe.

Coating: Adobe

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WOODEN / BAMBOO WINDOW CANCEL

Ventana con cancel de madera / Bambú.

Un vidrio apoyado de una estructura de bambú

A glass supported by a bamboo structure

BAHAREQUE WALL

Muro de bahareque + botellas de plastico This technique combines various materials and obtain a

Esta técnica combinan varios materiales y obtienen un muro muy wall very rigid such materials are: rigido dichos materiales son: Background: talk + Mortar bottles. Structure: Bamboo Fondo: BotellasIde platico + Mortero.

Coating: Bambú Adobe ( Estructura: Recubrimiento: Adobe.

SLAB

Planta PB

Losa Concrete slab that creates insulation, prevents internal

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Losa concreto, ya que circular tambien es un material muy heatmacisa in thede room and allows ventilation. común y se le pone un aislante termino y no se pega al suelo para evitar el calor interno en el espacio y dejar circular la ventilación.

Level 3

GIVEN FOUNDATION

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Dado deconcrete cimentación.

A basic foundation to support single columns

Cimentación desupport concretofor muythe básica solo para sostener las and provide structure.

More expensive columnas y darle fuerza a la estructura que Haiti una zona than traditional construction but ya allows the es building to de Sismos y preferimos usar una técnica que sea más rigida y stand in the event of an earthquake. permanente

d i n o ra h

MartinezSchulte

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Photography by: Dinorah Martínez

06 MELBOURNE TATTOO ACADEMY Description: Architectural Competition by Bee breeders.

Location: Melbourne, Australia.

Date: 2016 Collaboration: Ricardo López, Nathalie Franquebalme and Alexia Tardán.

The main objective of the project is to give identity to the Melbourne Tattoo Academy, such as a tattoo does on the human body. The urban strategy of the building is based on the ten year“North of Melbourne Structure Plan”, creating recreational areas in the local district.

The proposed architecture responds to the flows of the area, incorporating the building to the main road, enfasizing a public acces with an inner courtyard. This way, the geometric gesture allows a constant flow of pedestrians.

Consequently, seeing the current needs for public space of inhabitants in Melbourne, a public agora becomes the heart of the project, and then the heart of the district. A place for art to be contemplated, be it the human body or the academy itself.

Rene Descartes once said that “the being expreses himself through the body and the body through dimensions to discern between the good and bad”. This philosophy became a central idea in the project, which main objective is to give Melbourne identity such as a tattoo does on the human body. Throughout history, the idea of the tattoo represents hierarchy and maturity.

Following the psychology of this art, the tattoo has a special meaning depending on the place where it is drawn.

Just as a tattoo changes meaning depending on its location on the human canvas, the project agenda evolves and matures as you move along the project and the building becomes the skin on which the tattoo is drawn.

Similarly, depending on the level in which the user is involved the relationship of the agenda has a different meaning.

The urban strategy is based in the north of Melbourne structure plan. The project responds to the flow of the study area, incorporating the main avenues to have a constant vehicular and pedestrian flow. Similarly we attach a new public space to the city, creating more green areas and turning the building into an urban landmark.

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SINGLE ROOM

WORKSHOP

CIRCULATION

ADMINISTRATION CIRCULATION

SINGLE ROOM

2 WORKSHOPS WORKSHOP

SHARED ROOM

BATHROOM

BATHROOM

PUB

CIRCULATION

VERTICAL CIRCULATION PUBLIC GALLERY PARKING

KITCHEN HALL / COMMUNAL AREA

PUBLIC FORUM CAFETERIA

VERTICAL CIRCULATION

PRESENTATION VENUE BATHROOM

TATOO SHOP

1.1 Exploded Axonometric with program

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07 VISUALIZATION PROJECTS Description: Architectural Competition by Bee breeders.

Location: Melbourne, Australia.

Date: 2016 Collaboration: Ricardo López.

Architectural visualization is a tool that allows architects to envision their ideas before being constructed. For me, it has proven to be an essential part of my design process and creative strengths, being able to save time between design iterations. Images near to reality that offer a real sense of space and materiality have allowed me to improve and advance fluently throughout a everchanging process and uncostructed challenge, revealing weaknesses present in the original options that would have remained in the product otherwise.

Description: Rolex Daytona Material Renders.

Course: 3D Modeling, Universidad Iberoamericana, Ciudad de México Sofware: Maya 2017 Location Mexico City, Mexico.

Date: November 2016 Tutor: Antonio Vilchis 1.

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Description: Reichstag by Norman Foster Course: DAAC II, Universidad Iberoamericana, Ciudad de México Sofware: 3D Max + Photoshop Location Berlin, Germany Date: 2014 Tutor: Arq. Irma Soler

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Description: Rancho “El Capricho” Client: Private Sofware: Revit + Photoshop Location Zacatlan de las Mazanas, Puebla, Mexico Date: 2016 Collaborations: Ricardo López and Pedro Lara 1.

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Description: Plaza de Toros, San Miguel de Allende,Guanajuato Client: Private Sofware: Revit + Photoshop Location San Miguel de Allende, Guanajuato, Mexico Date: 2016 Collaborations: Ricardo López

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A R C H I T E C T U R A L PHOTOGRAPHY

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