2008: Sculpture in the Vineyards Catalogue

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Members of the Wollombi Valley Wine Trail ... Welcome you to Sculpture in the Vineyards. Now in its sixth year and held at five of our boutique vineyards – Stonehurst Cedar Creek, Millbrook Estate, Wollombi Wines, Wollombi Village Vineyard and Undercliff Winery & Gallery. Art and wine – what a wonderful relationship! This outdoor exhibition is free and you can sample wines at cellar doors that are open daily. See sculptures from some of Australia’s most accomplished sculptors in the tranquillity and natural beauty of the vines – it is a combination that is hard to beat! Wollombi Valley gives you something that you won’t get anywhere else. The area’s award winning wines are highly sought after, yet they are not readily available in Sydney bottle shops. The boutique nature in which they are made means that the winemakers grow, pick and make their own wines – in true Hunter style. There is something humbling about tasting wine on the land from where the grapes are grown. A good wine is as much about people and place as it is about taste. Spring is a beautiful time of the year with new growth covering the vines. This makes it a perfect time to visit Sculpture in the Vineyards along the Wollombi Valley Wine Trail.

From the curator

Another year and a fabulous collection of artists. The exhibition is growing bigger and the word is spreading, attracting visitors from all over the country. This year we are giving a peoples choice award so please vote for your favourite sculpture by filling in a form at one of the cellar doors to go into the draw to win a mixed case of Wollombi Valley Wines. Thank you to all our wonderfully committed artists and sponsors. Outdoor sculpture is such hard work! But so satisfying.. Enjoy!! And tell all your friends. Tara Morelos

Proudly sponsored by the Wollombi Valley Chamber of Commerce STAY PLAY WINE DINE www.wollombivalley.com


Jesse Graham - Ned Kelly: Self Portrait 2200 x 1500 x 2500mm Price: $24,000 Location: Wollombi Real Estate

Artists & locations Undercliff Winery

Don Barnett43 Janik Bouchette44

Sue Callanan43 Will Coles43 Kath Fries44 Malcom Fry45

Cassandra Hard Lawrie42 Jane Hamshere 45

Col Henry44 Nelia Justo46 Akira Kamda48 Victoria Monk46 Bridget Nicholson42

Vlase Nikoleski47 Mike Patton48 Paul Selwood46 Charlie Trivers45 Jacek Wankowski47 Hiske Weijers42 Felicity Yorston47

Stonehurst Cedar Creek

Nicole Allen411 Tabitha Burke412

Barbara Campbell-Allen410 John Clegg413 Janet Coyne412 David Cranswick49

Melissa Dax49 William Eicholtz411 Kath Fries410 Malcom Fry412 Joy Georgeson413

Jesse Graham413 Jim Howson411 Ken O’Regan49 Chris Retallick410 David Walsh412

Wollombi Wines

Sally Aplin415 Belinda Clarke414 Barbara Campbell-Allen415

Steven Deronne416 Paul Dimmer414 Jake Lycos417 Nigel Helyer417 Vlase Nikoleski416 Toni Pinkus415 Brian Sanstrom414 Lou Steer416

Wollombi Village Vineyards Col Henry419 P aul Slater418

Millbrook Estate

Julie Brown419 Jesse Graham418

Jacek Wankowski419

Cathie Alexander420 Kerry Cannon423 Janet Coyne420

Paul Dimmer422 Wolfgang Gowin421 Jesse Graham423 Col Henry422 Jim Howson422 Scott Ingram420 Jan Shaw421 Lou Steer424 David Walsh423 Jacek Wankowski424


Undercliff Winery Bridget Nicholson- Home hand made felt - 750 x 1700 x 400mm, 450 x 900 x 250 450mm Price: $1,000 , $400 $450

Bridget is interested in the connection between physical space and emotional space. Exploring this from a human as animal approach in a very Australian environment, the work becomes inmbued with the complexities of a connection to place. Having lived and travelled in both the desert of central Australia and the cities on the edge, Bridget feels a fragility in her relationship to Australia, to being Australian. “These dwellings embody how I feel. I want to stay. I want to go. I feel I belong. I feel I don’t, I feel Australian and then wonder what that is? Underlying this is the desire to make myself a safe place, to build myself into the landscape, to make home.” Bridget originally trained as an architect working for 15 years in urban design and landscape architecture before doing a Masters in sculpture at the ANU Canberra, which she completed 2005.

Cassandra Hard Lawrie - Origins (5) timber, MDF, epoxy resin, pigment, found objects 1500 x 650 x 500mm Price: POA

Origins (5) is the next development in a two year series of works by Cassandra Hard Lawrie utilising the concept of a mammal or bird growing within or emerging from a sea shell. This symbol of fantasy represents the hybrid and its abiity to transcend boundaries / barriers. She references the Renaissance Wunderkammer in using the shell motif - a symbol of diversity. Cassandra Hard Lawrie is a New Zealand born Sydney-based artist. She studied Fine Arts at the Australian National University and completed her Masters at Sydney College of the Arts.

Hiske Weijers

- The Grapes They are blooming, shooting optical wires, what happened ? One year of being born and they have not stopped growing, Out in the beautiful surroundings of its friends, and family.... the grapes.Mass production continues be hind our backs and we are made to believe we are the special consumer..... it’s all about what we do with the product. http://hiskes.info/

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Sue Callanan - Water x Air

installation

sponsored by Hunter Bottling

Sue has a history of creating site specific installations, using minimal interventions to point to and enlarge the span of the viewer’s gaze. In this instance she uses the wine bottle to suggest an interface between human activity and natural elements. She configures bottles in such a way as to zipper up the lake at Undercliff defining the body of water and the island contained within it. This zipper, or stripe, which merges colours of the bottles with those of the surrounding terrain, is intended to prompt the viewer to move along its path, taking in details of the landscape through which it courses. Sue has been creating site specific artworks over the last 25 years. She highlights aspects of the natural or built environment through introduction of minimal sculptural elements “indigenous” to the site in such a way that displaces their familiar reading. Sue has completed UG and PG studies at Sydney College of the Arts and a Masters in Art in Public Space at RMIT, Melbourne.

Will Coles

installation

silence - fibre glass, resin, iron powder, $650 life...is fleeting - fibre glass, resin, iron powder, $800

numb - fibre glass, resin, iron powder, $950 numb- ciment fondu & cement, $850 ea.

alone - cement 600 with DVD ‘plinth’ $750 silence - cement, $600

Will’s sculptures have always been prompting questionsrather than pretty lumps to gaze at. The conceptual works are poems, a word or two on the screen and the rest represented in the form, the material, the connotations or replications. Sometimes a sculpture might just be the physical manifestation of a random thought. He uses televisions as a way of connecting with the viewer, something immediately recognisable, and something we’re used to receiving information from - right or wrong. The televisions are concrete for the texture, and the porous aging quality of the material as well as to represent something man-made & mass produced.

Don Barnett - Repose hebel - 700 x 400 x 400mm Price: $2,500 Don is a retired architect who took up sculpture in 1997, attending classes by Willi Haas at Tracks Studio Islington. He is a member of the Sculptuors Network and the NSW Sculptors Society. Don started with small abstract pieces in South Australian soapstone and timber and is now creating larger works in plaster, acrylic polymer and hebel block. He works from his studio/shed overlooking the bushland behind his Kotara home. Don has exhibited his work with the Sculptors Network and at the Hunter Botanic Gardens. Sculpture in the Vineyards

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Kath Fries - Flat-lining

Installation

Flat-lining explores the concept of boundaries. Barbed-wire fence has multiple associations - defense, aggression, possession, containment and protection. The colour, softness and tactility of the continuous red line of bound yarn, combined with the title, Flat-lining, indicates an indeterminate moment on the boundary between life and death. The term Flat-lining is mostly used by medical industry when a person’s pulse has stopped, indicating a flat line on the heart monitor. Even at this point - the boundary can be breached in either direction - there is still the possibility of resuscitation. Kath Fries is a Sydney based artist, currently completing a Masters in Visual Arts at Sydney College of the Arts, Rozelle. She regularly exhibits at Gaffa Gallery, Surry Hills and was a finalist in the 2007 Redlands Westpac Art Prize, at Mosman Gallery. Fries has had had three solo exhibitions in Sydney and her work has been selected for the Gosford Regional Gallery Emerging Art Prize, The Fleurieu Prize SA and Lloyd Rees Memorial Youth Award NSW.

Col Henry - Lifesavers

colcast & pure glass

lifesize Price: $12,000 or $2,200 ea.

Col Henrys’ Gossamer Series involves physically sketching in space. His ethereal sculptures create complex three-dimensional forms that are both formal and conceptual. The apparent fragility of the work suggests a rhythm that is meditative and engaging - the artist seeing them as metaphors for imagination and creativity. These gossamer works are designed for external installation and are strong and flexible although lightweight. Col has been a practicing studio artist for over 40 years, having exhibited widely and undertaken a number of significant public sculpture commissions. He lives and works at Wyong Creek, in the Yarramalong Valley. He continues to mentor emerging artists through his popular sculpture classes, involving himself in many forms of artistic endeavor by helping community groups and local schools to achieve excellence in art and art awareness.

Janik Bouchette - Jeux D’interieur - 1900 x 2100 x 1500mm Price: $29,000

found mild steel

Bringing together elements of opposite energetic value, this work unfolds with conflicting dynamism to reveal unexpected movements, directions and emotions; exploring the incompatibles to expose their interdependences and closeness. Janik completed his Bachelor of Fine Art at the National Art School in Sydney in 2001. He is represented by Defiance Gallery and has exhibited in numerous group shows including Sculpture by the Sea and Sculpture in the Vineyards. He was shown as a finalist in the UWS Acquisitive Award in 2004 & 2006.

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Jane Hamshere - Wound up

vine prunings

Hosting Sculputre in the Vineyards over the last 6 years, I have been inspired by many of our artists and their creativity. I have always loved art in its many diverse forms and was determined to use our vine prunings to make an artwork one year and 2008 - I have finally done it! Wound up was inspired by Col Henry’s Icemen and as Kath Fries noted her work Flat-lining is like the heart beat of the work running along the fence inviting visitors to the exhibition. I sincerely hope you enjoy the sculpture all over the beautiful vineyards of Wollombi.

Charlie Trivers Dynamic Supermarketism Animadversion Number 2 painted steel 2.5 cubic meters Price $25,000

Dynamic Supermarketism Animadversions is the juxtaposition of two dichotomous variations of sculptural abstractions. In a contrast of sculptural language geometric abstractions interacts with organic abstraction in search of simultaneous and interconnected social, ecological and sculptural narratives. The geometric abstraction is called a Dynamic Supermarketism and its narrative is concerned with the issues involving consumerism and one life packaging. The organic abstraction is a narrative of metaphor concerning the natural world under climate change pressure. Dynamic Supermarketism Animadversions are compositions of contradiction where geometric and organic abstractions both strive for order in built and natural environments which are in chaotic states. Charlie is currently undertaking a Master of Fine Arts, at the University of New South Wales (COFA). He is represented by Defiance Gallery and is a regular exhibitor in Sculpture by the Sea, Swell Sculpture Festival, Currumbin QLD and Sculpture in the Vineyards. He has participated in the 10th Kajima Sculpture Competition, Tokyo Japan and was a finalist in the 2008 UWS Acquisitive Sculpture Award.

Malcolm Fry - Venus in the Vines I polyurethane foam & hard cast, car enamel, fencing wire, hard wood posts 2000 x 2000 x1000mm Price: $5500 ea. Thousands upon thousands of figures filled with the primeval ritual of dance traverse across undulating stages coddled by rolling amphitheatres. The vines continue the new choreography for this season whilst holding close dances of seasons that have gone before. Fertility abounds through natures richness, orchestrated by the seasons life force. Each figure dancing, an individual, part of the chorus line of shapes moving rhythmically across hillsides sublime. Forms, direction, lines; mark trellises as orchestrated notations dance supported by a staff of lines. Does human form exist in nature through only our human eye or Is it because our human form is of nature? Sculpture in the Vineyards

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Paul Selwood- Screen with Doors steel - hot zinc coated & painted - 2480 x 140 x 500mm Price: POA Paul Selwood graduated from the National Art School, Sydney in 1964 and went to Greece to carve marble in the Lit Nitus Quarries on the island of Paros, famed for its pure white marble since classical times. The next six years were spent in London where he worked as a sculpture technician at the Royal College of Art and was represented by the Kasmin Gallery. Here he found himself at the centre of the contemporary art world and met many of the avant-garde painters and sculptors of the time. He was invited to teach sculpture at the Bath Academy of Art in 1969 to 1970. After which he spent ten months in India studying classical forms in sculpture and architecture. Since his return to Australia, Selwood has given over twenty solo exhibitions of sculpture. He has taught at the National Art School, Cit Art Institute, (now COFA), Uni of Southern Queensland, and Uni of Newcastle. He lives and works in Wollombi in the Hunter Valley.

Victoria Monk - 2030

54 hand blown glass solar tubes - donated by Physics Department, USYD.

2030 is fashioned on the game ‘Pick up Sticks’. The game is ancient and prevalent in all cultures and dates back to Gautama Buddha and divination. If we do not do something about climate change NOW, by 2030 there will be no chance to ‘pick up sticks’. As a multi-media artist Victoria’s work reflects a dynamic approach to visual expression. From a background in performance and community art events she has developed a range of articulation that spans photography and sculpture, installation and printmaking. Her work is often informed by social and political issues that include human rights and environmental concerns. Although eclectic in approach a key influence in much of Victoria’s work has been her frequent travels through Asia, with love and respect of culture. An Eastern aesthetic therefore underpins much of her oeuvre.

Nelia Justo - Field of Gold plywood, steel, exterior grade acrylic paint 1200mm dia. - $3600 or $1200 ea.

Field of Gold is inspired by the most important hybrid, the giant of the chrysanthemum world, Chrysanthemum Graniflorum (Ogiku, in Japanese) traditionally yellow and cultivated for exhibition purposes. Chrysanthemums have inspired artists, designers, poets and writers, providing a recurring symbolic motif reflecting the European fascination for Chinoiserie. Here, the giant yellow flowers are staked into the ground, appearing to float on the grassy field - bright and oversized in the tradition of exotic European textile designs of the 19th century. Nelia has been producing sculptures and installations for over 15 years inspired by an interest in the historical dynamics between Asian and European cultures. She has participated in numerous art exhibitions and symposia as both a speaker and exhibitor and in Artist in Residence programs, locally and internationally. Nelia graduated with a Bachelor of Arts degree (Sydney College of the Arts) in 1990 and a Masters degree from University of Western Sydney.

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Felicity Yorston - Winter

copper wire - 1200 x 500mm Price: $2,000

Winter is inspired by recently pruned vines, seemingly bereft of life but simply lying dormant waiting for spring. Taken by the miracle of how these bare stems and two sprigs could produce such an abudance of leaves and fruit with the change of season, Felicity pays homage to the dormant grape vine through this sculpture. Winter is sponsored by: Felicity has dabbled in a variety of artistic pursuits from costume design to printmaking over the last 25 years. In 1994 she discovered a new medium and went to study glass at Sydney College of the Arts, graduating in 2007. While she enjoys working with glass and sharing her knowledge through teaching kiln-forming, she also finds working on large-scale constructions with bamboo and paper, equally rewarding. She has spent several years working with other artists and communities creating ephemeral large scale lantern constructions for celebrations and festivals around NSW.

Jacek Wankowski Reconstructed Fragment

galvanised steel - 1200 x 1300 x 2300mm Price: $6000 Jacek is an ex-marine biologist who has worked in Scotland, Papua New Guinea and South-eastern Australia, an ex-corporate finance professional and Bachelor of Fine Art graduate of the National Art School, Sydney, Australia. Currently in the Honours program at the NAS, his work is inspired by his marine biology background and extensive travel experience. His work builds on the abstract modernist traditions of American, European and British sculpture of the last 80 years.

Vlase Nicoleski - Family Tree

bronze, marble, wine bottles and water with pumping system - 1800 X 620mm dia Price:$24,000

Vlase Nikoleski is a practicing Sculptor with more than 35 years of professional practice. He has completed formal art education with postgraduate qualifications from the Victorian College of the Arts, Melbourne University and City Art Institute, University of NSW, Sydney. He has undertaken travel studies in Europe, USA and Australia. Since 1973, Vlase has held 27 major solo exhibitions,has participated in more than 50 landmark group exhibitions nationally and internationally and received 18 awards and 26 commissions.His sculpture is included in many art collections. He is represented in a number of art publications including “Vlase Nikoleski-Sculpture”covering 25 years of Vlase’s art making. Vlase has held leading academic positions and now he is Emeritus Professor/Full time Sculptor.

Undercliff Winery Sculpture in the Vineyards

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Mike Patton - Where in the seed

steel and timber - 1800 x 600 x 900 Price $7500

wherein the seed represents an imagined flower part. The steel outer form reminiscent of a petal in its voluptuous curve, now dehiscent, it becomes a lacework of disused veins and pathways. The energy is drawn back, within, as a seed forms. Rising through the umbilical to the timber form attached and floating within the shielded protection of the outer form.

Protozoa sandstone and stee 600 x 600 x 1200 Price: $1500 ea. Protozoa are a group of similar forms that engage the questions of the development of life form. Evolution, adaption and mutation. The three forms may take on different pathways to full development and success. These differences are suggested in shape and implied movement. The stone ‘core’ of these ‘creatures’ the cellular centre and the steel expressing from this centre the diversion of form arising as development. Mike has worked in the creative visual communicative arts for nearly 20 years, training in commercial photography teaching him an appreciation and understanding of light. He has a diversity of skills ranging from blacksmithing and props making through to those of an arborist. He worked in Film and TV as an art director. Creating art and sculpture Has always been his first love.

Akira Kamada Three

recycled timber, metal 2000 x 2000 x 2000mm Price: $5,000

Akira Kamada is a Japanese born sculptor and landscape gardener who arrived in Australia in 1987. He has studied widely in photography, oil painting, ceramics, and sculpture in Tokyo and Sydney. His most recent exposure has been in landscaping culminating in the design and construction of display gardens in conjunction with the “Seasons” exhibition, NSW Art Gallery. His work has been shown at Sculpture by the Sea 2006, 2007 and 2008, and he was a finalist in the USW Sculpture Award and Exhibition in 2006 & 2008 . 10 - Sculpture in the Vineyards


Stonehurst Cedar Creek Ken O’Regan - Everlastings installation - recycled plastic

Over a number of years artist Ken O’Regan has developed a sculptural practice that connects the tradition of the found object with environmental themes. His work is well known in the Hunter Region through regular and critically successful exhibitions, public artworks and education projects. O’Regan’s practice is based on the use of “waste” materials as art media. This involves using ordinary everyday objects to create assemblages and installations. While his work is essentially concept driven it still remains strongly connected to the physicality of the materials and to the processes necessary to convert to them to his aesthetic needs. He has created many successful workshops for children that combine art education with waste reduction and recycling messages. His work is represented in the collections of Newcastle Region Art Gallery, The University of Newcastle and in many private collections.

David Cranswick - Ephemeron #2

installation

Taking its inspiration from landforms and contours, this work maps the terrain, using reflective materials applied to the vineyard trellis posts, which come to life at night, thereby creating an illusive nocturnal landscape. An imaginary world, somewhere between a dream and a reverie, that gently renders the forms and curves of the land as it lies. Working variously as a artist, curator and producer since the early 90’s, with a focus on ecology and technology. Complementing his artistic practice, David worked as consultant with local government on urban ecologies and ecological restoration. Early works incorporated computer based modelling to develop large scale installations using retro reflective materials which engaged with ideas of landform and ecology. David was curator at the Casula Powerhouse Arts Centre from 1998 to 2003, and is currently director of Sydney based digital media organisation d/Lux/MediaArt.

Melissa Dax - Where They Fell

round aluminium extrusion, baked enamel paint 21 x 6000mm Price: $9500

Where They Fell is reminiscent of the children’s game Mikado or Pick up Sticks but rather than being just a child’s game it is striving to represent the larger game of life. It depicts the potential randomness of one’s direction in life and the potential chaos that can ensue based on one’s choices and also from external events that are out of one’s control. Just as each person is responsible for themselves, so too are they effected by shifts and movements around them. The piece offers a chaotic snapshot of one possibility which remains on the brink of change. Melissa is described as an “ideas woman”, among other things, a writer, short filmmaker, photographer, artist and wannabe rock star.

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Kath Fries - Olga’s Music box

installation

“Last year, my elderly next door neighbor, Olga, was telling me about the place she where she grew up in Hungary. It was a wine growing region that produced wonderful sweet wines and was famous for its beautiful popular trees. Olga remembers the sounds of the poplar leaves rustling in the breeze and singing the local folk songs about the autumnal golden poplar trees.” In Greek mythology the poplar trees is the Tree of Life, because of its distinctly bicolored leaves; dark green on the side that faces Heaven, pale green on the side that faces Earth, representing the male/female duality from which all was born. Olga’s Music Box, is about nostalgia and they way sounds trigger half forgotten memories on the other side of the world - a stanza of spinning silent music.

Barbara Campbell-Allen

Skimmers 1 & 2 wood fired ceramic Price: $900 ea 480 x 460 x 160mm & 500 x 450 x 180mm

Barbara explores a contemporary interpretation of the extraordinary, naturally generated glaze effects only found in traditional wood firing techniques. She utilises paper-clay, a blend of paper fibre and clay, which enables the making of light highly sculpted work. She combines this material with wood firing to produce work with unique form, texture and depth of surface. This work is often closely related to natural landforms as aesthetic environments, which form a source of stimulation and inspiration. Barbara Campbell-Allen is a ceramic artist working in the subtle world of long wood fired ceramics. Originally trained at the National Art School in Sydney and later at the Gippsland Centre for Design and Art, Barbara holds a Masters of Arts (Visual Arts). Barbara’s work is widely exhibited in both solo and group exhibitions, and is published in the leading ceramics journals of Australia and America. She combines a successful art practice with teaching at the highly regarded Workshop Arts Centre in Sydney and the curating of ceramic exhibitions, notably the ‘Out of Earth’ series.

Chris Retallick - Termite Colony polyurethane foam extrusion, wire and beads Price: $3,500

Chris has a Bachelor of Visual Art and Art Education from UNSW and a background in prop and set building. His installation sees a giant termite hill covered in hundreds of mechanical termites with colourful wings swarming for migration. 12 - Sculpture in the Vineyards


William Eicholtz -

Eicholtz’s Jumbuck

polymer cement and bronze with rhinestones 1.6 m Price: $23,000

Eicholtz’s Jumbuck’ is the iconic Australian ram, bejewelled and monolithic. He stands, handsomely, as a contemporary symbol for the bounty of the land and the diversity of Antipodean culture. His deciduous autumnal fleece of European oak leaves belies the impact of his hoof print on the Australian culture, ostentatiously bringing his European prosperity into the Australian landscape. Speaks of a different heritage and legacy, his cement leaves are blown aside to reveal an unexpected bounty of crystal acorns. The merino on whose back we ride through the lineage of rural and cultural boom; he is the ovine central image of Australian art, from Tom Roberts’ ‘Shearing the Rams’ to Les Kossatz’s iconic sculptures reinterpreted in a post-modern context. This merino glances at us through rhinestone eyes, with a glittering, knowing irony. He is aware of his place in history and acknowledges it sheepishly. Like ‘Shrek’, the New Zealand merino discovered sheltering in a cave in 2004, shaggy and ensconced in five years of unshorn fleece, this iconic Australian image is rediscovered and brought into contemporary conscience sitting as a curious sentinel, at odds with his present but acknowledging his history and looking to the future.

Jim Howson - Growth is a Journey steel - 3000 x 2600x 900mm Price: $9,000

Growth is a journey, there is a beginning, a middle and an end. Along the way environmental influences may restrict or enhance the growth and in turn its sustainability. But only the passage of time will determine its journey. Jim has captured a point in time. A segment of a growth pattern where a vine runner is so evident in nature, it gives the feeling of endless growth. In need of supporting each other, the vines connect through their own distinct rhythm and movement, maximising their potential to grow indefinitely. As a sculptor Jim aims to create organic shapes that ar characterised by ordered, harmonious, even musical lines that exude motion. He have always been intrigued by the qualities of steel, from its organic beginnings to its ultimate precise and structural form

Nicole Allen - Boxed in

2600 x 600 x 600mm

steel and marble

Price: $3,900

Having worked in Africa for one and a half years and more recently spending three years sculpting in Vietnam, Nicole’s heavily abstracted stone carvings reflect her deep love of primitive and native art, is an unabashed, raw and direct style. This powerful primitive tribal presence, imbuing her unique style, is the unmistakable legacy of her rigorous artistic apprenticeship in Zimbabwe. Nicole now lives in Melbourne and she is once again enjoying exhibiting all around Australia. . Sculpture in the Vineyards

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David Walsh Natural Motion stainless steel, sandstone - 2400 x 700 x 400mm.

Price: $8,800

The stone being born from the earth in plant-like growth. This about the basic element water, wind, the earth, appreciate them. David Walsh is from Tweed Heads on the NSW/QLD border. He has exhibited in a number of large outdoor exhibitions including Swell at Currumbin Beach QLD 2006, 2007, 2008, Thursday Plantation: 2006 and Sculpture by the Sea in 2007

Janet Coyne - Sentinel render, steel 2100 x 1000 x 700mm Price $5365

Inspired by a piece of coral, the twisting upward movement combined with the spreading fingers of new growth suggests a contradictory blending of fragility and strength. The promise of life, growing, striving and building ever upwards; yet maintaining the delicate balance of opposites. Nature has so much to teach if we are willing to learn.

Tabitha Burke -

Eve’s Ribs

steel, fibreglass and acrylic plaster Price: $5500

In the garden, Eve stands. Her ribs are wind-blown, grown out of theearth’s own intention to survive. Blind instinct of a mother jaguar’s claws reaches torwards the focus of her attention and swallows it whole. A Venus fly trap enclosing the fragile planet, she holds the future, as the ribs hold the human heart. Tabitha Burke is interested in sculpture, drawing & painting, lighting, street art and oriental calligraphy. She has exhibited in Sculpture by the Sea, Bondi (2006) and paintings in group exhibitions including the NewtownCommunity Art Exhibition (2007) and the Pyrmont Art Festival (2008). Tabitha is stimulated by the natural environment and enjoys the art of creation wherever it may be found. She lives in Sydney. A selection of her work can be viewed at http://www.redbubble.com/people/warmsugarcube

Malcolm Fry - Venus in the Vines II polyurethane foam & hard cast, car enamel, fencing wire, hard wood posts 2000 x 2000 x1000mm Price: $5500 ea.

Thousands upon thousands of figures filled with the primeval ritual of dance traverse across undulating stages coddled by rolling amphitheatres. The vines continue the new choreography for this season whilst holding close dances of seasons that have gone before ... 14 - Sculpture in the Vineyards


Joy Georgeson - Wallaga Lake Totem raku clay, engobe glaze & oxides 1200C 1900 x 400 x 400mm Price: $2500

Since moving to the Far South coast of NSW in the early 2007, Joy’s work has been strongly influenced by the estuary and coastal environment in the surrounding country with particular emphasis on the flora and fauna. Conservation and dependency between species are recurrent themes in the sculpture.The Wallaga Lake Totem is a record of animals and plants important to Joy as part of the ecosystem of the estuary. The images are layered as they exist in nature in the food chain, with the invertebrates, amphibians, reptiles and avifauna linked by water. Gulaga, the dominant mountain in a landscape is etched behind the pelican. Joy Georgeson was born in Melbourne where she attended Melbourne State College majoring in ceramics. She has exhibited in most Australian states and has work in many private and public collections including the National Gallery of Victoria, Newcastle and Shepparton Regional Galleries and various tertiary collections. In 1980 the Crafts Council of Australia selected her to participate in the International Ceramic Exhibition in Faenze, Italy.

John Clegg - Reinbirth carved dead black wattle tree 4000 x 500 x 500mm Price: $3500 John has attempted to carve a more formal geometric puzzle piece from an idea derived from off-cuts of last year’s sculpture, but the tree imposed a helical growing structure and co-users of the wood introduced an engineering challenge. The choices were to give up, start again, or change the design. He chose the latter and it’s wood carved, becoming more organic and bone-like growing in spring.

Jesse Graham - Grim Reaper recycled metal 2200 x, 1000 x 2500mm Price - $ 7,000.00

Jesse Graham was born in Newcastle into a family of artists. - art teachers, sculptors and printmakers. The family moved to the Snowy Mountains. Jesse completed a qualification as a chef in 1999, but, was always creating in his spare time never losing sight of his artistic vision. A major change occurred for Jesse when his father died in 2000 leaving a mass of tools, materials and shed space at his disposal. Jesse now living in Canberra quit his chef job at parliament house and moved back to the snowy mountains farm to start his new career as a sculptor. Over the next 5 years jesse honed his metalworking techniques and constructed a phenomenal body of work. Living off commissions and part time work with a carpenter Jesse became obsessed with ancient history / mythology, and began to show this strongly through his works. In early 2007 , six of Jesse’s works were chosen to dress the set of American MTV show “the real. Sculpture in the Vineyards

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Wollombi Wines Brian Sanstrom - Representatives of the Urban Sprawl timber, steel & enamel paint Price: $5,500

Rural communities face many threats in their daily existence, among them the ever-encroaching sprawl of the cities urban boundaries. Turning once lush pasture into identical bland housing estates. The effect of these developments can been aligned with the similarities of noxious weeds with their own garish colours and uninvited presence.These 16 pieces, spread out and mushrooming up through the green environment represent dilemmas facing growing populations within the urban and rural communities. Brian Sanstrom was born in Melbourne, taking up residence in Brisbane where he completed a Certificate IV in Visual Arts (Ceramics), followed by a Diploma of Visual Arts (Ceramics) in 2006. He has commenced his Bachelor of Fine Arts, at Queensland College of Art, Griffith University, already having exhibited in a number of large outdoor exhibitions including Swell at Currumbin Beach QLD 2008. He is a recent finalist in the Blake Prize for Spiritual art.

Paul Dimmer - The Coppers Wife

copper, brass, mild steel - 1250 x 500 x 500mm Price: $600

The Dancing Policeman

copper, brass, mild steel - 1000 x 260 x 260mm Price: $500.00 $1000 for the couple.

As a full time artist, Paul Dimmer has exhibited in galleries on the south coast, Bungendore, Canberra, Hunter Valley, in Sculptors Society exhibitions, and various Art competitions. Over the last ten years, he has experimented with new materials, giving greater attention to larger outdoor sculptures. His focus has been in the creation of unique one-off works with a quirky or humorous aspect, and recently has been concerned with pieces of a more abstract quality.

Belinda Clarke - Hybrid

copper shim, high density foam 2500 x 860 x 300mm. & 1500 x 600 x 300mm. Price : $1800

Belinda completed a degree in Visual Art at Sydney College of the Arts in 1987 and went to attend NIDA graduating in 1994. She has worked as sculptor for the film and theatre industry for the last 14 years. 16 - Sculpture in the Vineyards


Toni Pinkus - Animal Crossing Gecko - white earthenware raku, hand cut glass, glass and gold plated tiles 650 x 450 x 80 mm Price: $1250 Turtle - white earthenware raku, oxide firing, hand cut glass, tiles and gold leaf ceramic pieces - 580 x 480 x 120mm Price: $900 Birds White and brown earthenware raku, pinch pot formation, oxide firing.approx. 200 x 100mm Price: $90 each Toni studied at the Waverley Woollahra Arts Centre for the six years, working with ceramics and mosaics. Her pieces are hand built using coils allowing her the flexibility to experiment with different shapes to bring to life the forms she envisions. Her decorating techniques include the use of underglaze colours, oxides, and glazes and the unique surface treatment achieved through sawdust firing. Her mosaics comprise glass, tiles, and ceramic.

Sally Aplin - Swinging Sacks concrete, oxide, synthetic fibre - 230 x 150 x 120mm Price: $2,500 or $200 ea.

Despite having a recognizable form, the sacks are not functional. They are made of concrete resulting in full, heavy objects weighing more than 3 kilos each. They speak about containment and safe storage, out of reach to animals. Placed high above our heads, the solid sackbag forms are out of context within the landscape colourings with their bright, blocks of colour and vivid handles. Swinging from steel shackles and wires they bring to mind the movement of bags loaded with cargo. Sally trained as a sculptor and taught in Bristol, gaining her Masters degree in Fine Art at Cardiff. She works in a wide variety of materials - concrete, wax, textiles, plaster and plastic, etc. continuing her use of vitreous enamel on copper to make enamelled bags. Sally has exhibited in Europe, USA and Australia and was a prize winner at a national open sculpture exhibition in Bristol. In 2001 she relocated to Sydney.

Barbara Campbell Allen One Dream Too Many

33 stoneware spires, height variable to 90cm Price: $6,000

Barbara Campbell-Allen is a ceramic artist working in the subtle world of long wood fired ceramics. Originally trained at the National Art School in Sydney and later at the Gippsland Centre for Design and Art, Barbara holds a Masters of Arts (Visual Arts). Barbara’s work is widely exhibited in both solo and group exhibitions, and is published in the leading ceramics journals of Australia and America. Sculpture in the Vineyards

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Steven Deronne - Au Commencement

steel - 2000mm dia Price: $4,500

Centered on the themes emanating from our universe - the planets, the stars, the Big Bang and metaphysics, the work of Steven Deronne takes in the beauty and immensity of the cosmos. Steven aims to provoke thought about slowing our hectic ways of life, learning to do a bit more star gazing and appreciate and look after the universe we exist in. He is inspired by the ideas of Malevich, Mondrian, Kandinsky and Rothko. He works predominatley in steel. Born and bred in a blustery fishing village in Brittany, France, Steven began his art career studying Fine Arts at Ecole des Beaux Arts in Rennes, France. In 2000, after travelling broadly, he settled in Australia, resuming his studies and graduated with an Advanced Diploma of Fine Arts - TAFE Sydney Gallery School. Steven currently works from his studio in East Gresford, in the upper Hunter Valley.

Vlase Nikoleski - Rainmaker

- 1800 X 620mm dia

bronze, stainless steel, marble, wood, fibreglass and water with pumping system and solar panel Price:$10,000

Vlase Nikoleski is a practicing Sculptor with more than 35 years of professional practice. He has completed formal art education with postgraduate qualifications from the Victorian College of the Arts, Melbourne University and City Art Institute, University of NSW, Sydney. He has undertaken travel studies in Europe, USA and Australia. Since 1973, Vlase has held 27 major solo exhibitions,has participated in more than 50 landmark group exhibitions nationally and internationally and received 18 awards and 26 commissions.His sculpture is included in many art collections. He is represented in a number of art publications including “Vlase Nikoleski-Sculpture”covering 25 years of Vlase’s art making. Vlase has held leading academic positions and now he is Emeritus Professor/ Full time Sculptor.

Lou Steer -

Make a Splash

aluminium, steel rods - 1500 x 2000 x 80mm Price: $3,000

Make a Splash is an abstraction of the splash made by a drop of rain falling into a river or dam, honouring the importance of water in Australia, one of the most arid countries on earth. With its strong geometric shapes and use of individual forms both freestanding and connected in a group, the sculpture represents an exciting new direction in Lou’s work. Known for her bold, minimal forms and witty images, Lou’s work celebrates the Australian environment by using found objects with industrial materials and techniques to reflect natural forms, capturing light and space, with an element of surprise. Lou Steer’s sculptures and other artforms are exhibited widely in public art events including Sculpture in the Vineyards 2007, Riverworks 2008, Cooks River Festival 2008 and the ANL Maritime Prize, 2006 and 2007. She is a founding member of Edith Artists Inc, a community based artists group in Sydney.

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Jake Lycos - Misstrickle sandstone - 1500 x 600 x 400mm Price: $2400/base $80

The Other Side sandstone - 1000 x 700 x 400mm Price: $1260/base $80

From an early age Wollombi Valley artist Jake Lycos was intrigued by the idea of altering physical mass to represent his thoughts and feelings. Naturally he gravitated towards sculpture as an art form and without formal training began work on this technically challenging though poetic series. Over the years his process has evolved to incorporate the projection of himself both as the creator and interpreter of the various interactive scenarios bombarding and implicating themselves upon us. Through his artistic involvement with the world around him, he has sought to explain the relationship between the humanity and it’s interactions with the natural world. The relevance of people’s actions, intentions and perceptions is always part of his interpretation of life, the universe and all things unexplained and interesting. “If the body has shape and meaning, the mind will surely follow.”

Nigel Helyer - spinner stainless steel, aluminium,wire rigging 6000 x 2500mm Price: $35,000

Nigel Helyer is a Sydney based sculptor and sound artist with an international reputation for his large scale sonic installations, environmental sculptural works and new media projects. His practice is actively inter-disciplinary linking creative practice with scientific research and development.

Sculpture in the Vineyards

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Wollombi Village Vineyard Jesse Graham

Russel the

Rhino steel, stainless steel, brass, tin, iron, aluminium Price: $35,700 Rhinos have always been a favourite. As well as being an awesome sight to behold, the rhino as many peculiarities. Curiously when shot in the horn, the rhinoceros passes out temporarily. Zoologists explain that such a hard sharp blow is transmitted directly to its brain, whereas harder but blunt blows such as train or truck charging are somhow absorbed by the horn. Bruno - The Baby Rhino

steel, stainless steel, brass, tin, iron, aluminium Price: P.O.A.

Paul Slater

The Pumpkin

hawkesbury sandstone

500 x 500 mm Price: $1450 Coiled Shell hawkesbury sandstone 500 x 500 mm Price: $1200 The hermit

hawkesbury sandstone

500 x 500 mm Price: $1450 Paul is a dedicated stonemason coming from three generations of experience. He quarries his own stone in the family quarry in Sackville where he lives. He began carving when he was 15 years old and hasn’t stopped, making his living working with stone in art, building and landscaping. Paul is also working on a special red hawkesbury sandstone wine bottle for this exhibition. Look out for it. It’s a Cleanskin but can be personalised.. Sculpture in the Vineyards

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Julie Brown

Wildwood wood, wire 2000 x 4000 mm Price: $1,000

Julie is a full time resident of the Wollombi V alley and has been sculpting for around 12 years. Over this time she has developed a strong foundation in form and technique working predominately with the figure, casting in resin and bronze. In more recent times she has turned her hand to working with larger forms incorporating found objects and wire.

Jacek Wankowski - Reinterpretation galvanised steel - 1200 x 1300 x 2300mm Price: $6000

Jacek builds on his experience as a marine biologist to explore the nature of what lies within. In this series of works, the external form is dictated by a complex three dimensional internal structure of beams and buttresses. Jacek is an ex-marine biologist who has worked in Scotland, Papua New Guinea and South-eastern Australia, an ex-corporate finance professional and Bachelor of Fine Art graduate of the National Art School, Sydney, Australia. Currently in the Honours program at the NAS, his work is inspired by his marine biology background and extensive travel experience. His work builds on the abstract modernist traditions of American, European and British sculpture of the last 80 years.

Col Henry - Icemen colcast & pure glass lifesize

Price: $4,500

Col Henry, a significant sculptor with forty years dedication to his art, has pioneered a groundbreaking technique which marries the resilience of steel to the fragility of glass, conceiving a revolutionary series of avant-garde sculptures known as the Gossamer Series. The technique involves physically sketching in space to create shadow sculptures, using his colcast and pure glass to create complex forms. His ethereal sculptures create complex three-dimensional forms that are both formal and conceptual. The apparent fragility of the work suggests a rhythm that is meditative and engaging.These gossamer works are designed for external installation and are strong and flexible although lightweight. Water spirit - colcast & pure glass, galvanised steel, 1.5m Price: $500 Sculpture in the Vineyards

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Millbrook Estate Cathie Alexander - Whales Eye

stainless steel welded rod - 1720 x 770mm dia Price: 11,000

Cathie’s sculptural practice is influenced by the modern dynamism of contemporary sculptors, Alexander Calder, Bert Flugelman and the late Bronwyn Oliver. She strives for balance, spontaneity, and honesty, tapping into a flow from the creative subconscious. Whales Eye explores the spiritual and sensual experience of swimming in the ocean; as the water passes through our skin and we become one with the environment. These sheer ethereal forms are Cathie’s representation of the human fascination with the whale, its all seeing eye watching us consume, kill, remove,

eradicate and waste as it cries for a species lost. Cathie graduated from the National Art School in 2006 with a

Bachelor of Fine Art - majoring in Sculpture.

Janet Coyne - The Dance winterstone - 1000 x 210 x 150mm

Price: $1750

In 1999 Janet joined the Tom Bass Sculpture Studio School, where she learnt sculpture in the tradition of the studio/school, using traditional modelling and carving methods. In 2004 she became a part-time teacher at the school and has continued to teach from her home studio in Sun Valley in the lower Blue Mountains.

Scott Ingram - Troubadours

(far right)

marble and recycled steel - 480 x 500 x 1150mm Price: $3,500

Troubadours were lyric poets and singers roaming medieval France, singing the ballads of their time and place. “When I wake in the morning I hear the sounds of natures own Troubadours bringing in the new day. Not sure what they sing, maybe they are simply saying “just live for today” Their style is know as Trobar leu ‘to find, invent compose.” Scott has been a practicing sculptor for the past 12 years and likes to use as much recycled materials as possible evolving them into sculpture. He attended Tom Bass Scupture School in 1998 and has done bronze casting and photography at NAS in 1997 and 2007. He enjoys drawing and etching which he believes to be the heart beat of his sculpture making. Scott has a background in building and farming and currently lives and works in Sydney.

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Jan Shaw

The Conversation carrara marble, black granite 580 x 320 x 600mm Price: $10,000

Jan’s conversation was one with the beautiful tuscany landscape conceived in a studio in Carrara, Italy and realised in the residence of fellow sculptor May Barrie on the South Coast of NSW. Stone carving is a life long passion for Jan. She attempts to capture emotion without any preconceived ideas working into the block of stone, remaining open and enquiring until she finds her directon guided by the qualities of the stone itself. Jan studied art at the Sculpture Centre in the Rocks,with Mitzi McColl and went on to teach at the centre for 3 years. She has been a member of the Sculptors Society in1974, completing major commissions for the Bicentennial Sculpture Park at Gallery 460, private collections in WA and two Donnybrook carvings - Nanarup Dreaming and Earthly Star Watcher, 12 and 3 tonnes respectively.

Wolfgang Gowin - Young Dragon Bride steel - 1540 x 890 x 5380mm Price: $6,000

Young Dragon Bride has been made completely from scrap metal originating from WWII military vehicles. Conversion of material used for destruction into art has been a passion of Wolfgang’s for decades, culminating in the transformation of 19 bunkers into land art sculptures in Germany. Born and educated in Germany,

Wolfgang Gowin has made his home in Germany and the USA. He resides in Lake Macquarie since 2005.

Scott Ingram - Birds crushed white marble & pattern stone binder 800 x 170 x 140 mm Price: $1,200 per pair (2/21 limited ed.)

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Jim Howson - The Acrobat steel and solid timber base - 1850 x 100 x 400mm Price: $2,750

Jim Howson has always been intrigued by the qualities of steel, from its organic beginings to its ultimate precise and structural form. As a sculptor his aim is to create organic shapes that are characterised by ordered, harmonious, even musical lines that exude motion. Jim Howson was born in England, into an artistic family with many generations of potters and painters. The exposure to art and sculpture has been a prominent part of his life. Being a competent welder with an interest in engineering, machinery and its component parts has in part influenced the form and shape of his work. However his main influence has been nature itself. “There are so many natural forms around us, by absorbing all those fantastic shapes, images are formed and created spontaneously. It is difficult to work out where one shape finishes and another begins.”

Paul Dimmer - Antipodean Venus

recycled steel - 600 x 1900 x 600mm Price: $6,000

Inspired by the well known Paleolithic figurine, the Venus de Willendorf, discovered in the early 1900’s and carbon dated as 28,000 years old. Paul’s work combines the formalism of the reproductive rites symbolised by this icon with the casual pose of sensuality. Uniting the sacred with the profane, it is both ritualistic and playful, injecting a contemporary sensibility into an historical artifact and the associated cultural meanings surrounding fertility. As a full time artist, Paul Dimmer has exhibited in galleries on the south coast, Bungendore, Canberra, Hunter Valley, in Sculptors Society exhibitions, and various Art competitions. Over the last ten years, he has experimented with new materials, giving greater attention to larger outdoor sculptures. His focus has been in the creation of unique one-off works with a quirky or humorous aspect, and recently has been concerned with pieces of a more abstract quality.

Col Henry - Triplets stainless steel, copper - approx.1500mm high Price: $4000 Col has been a practicing studio artist for over 40 years, having exhibited widely and undertaken a number of significant public sculpture commissions. He lives and works at Wyong Creek, in the Yarramalong Valley. He continues to mentor emerging artists through his popular sculpture classes, involving himself in many forms of artistic endeavor by helping community groups and local schools to achieve excellence in art and art awareness. 24 - Sculpture in the Vineyards


Kerry Cannon -Toys bronze, stainless steel, patinated concrete, paint - 500 x 450 x 630mm Price: $6,500

Kerry’s first artworks were comics and the comic influence is still strong in his work. His art practice comprises of two major strands - a series of bronzes taken from an archive of ideas he formulated 8 years ago and the development of his Ceramic Break Sculpture Park opened in rural NSW in 2003. He estimates he has another 6 years of work ahead on his bronze series before moving onto something new and aims to make his Sculpture Park into a world class art venue in the next 10 years contributing three sculptures a year to the park. Kerry came to Australia in 1995 with the strong commitment to sink or swim embarking on a career as a full time artist. “...the Park is a conduit to voice my outrage about the world today and to laugh. Out in the bush, I play the dual role of educator and artist to the locals that drop in. I love the bush.”

Jesse Graham -

Double Dragon

recycled steel - 1500 x 1200 x 2000mm Price: $7,000

Jesse Graham was born in Newcastle into a family of artists. - art teachers, sculptors and printmakers. The family moved to the Snowy Mountains. Jesse completed a qualification as a chef in 1999, but, was always creating in his spare time never losing sight of his artistic vision. A major change occurred for Jesse when his father died in 2000 leaving a mass of tools, materials and shed space at his disposal. Jesse now living in Canberra quit his chef job at parliament house and moved back to the snowy mountains farm to start his new career as a sculptor. Over the next 5 years jesse honed his metalworking techniques and constructed a phenomenal body of work. Living off commissions and part time work with a carpenter Jesse became obsessed with ancient history / mythology, and began to show this strongly through his works. In early 2007 , six of Jesse’s works were chosen to dress the set of American MTV show “the real .

David Walsh - Metropolis

steel - 4000 x 1500 x 1200 mm Price: $21,000

Metropolis is a celebration of Industry, architecture, design and mans ability to fabricate and manufacture. Evolving visions of buildings and machinery, at home in an open rural environment around machinery or urban landscape around buildings or equally in an industrial area around factories etc. David Walsh is from Tweed Heads on the NSW/QLD border. He has exhibited in a number of large outdoor exhibitions including Swell at Currumbin Beach QLD 2006, 2007, 2008, Thursday Plantation: 2006 and in Sculpture by the Sea in 2007. Sculpture in the Vineyards -

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Lou Steer - Can of Worms steel, black and red oxide - approx. 450 x 500mm dia. Price: $1,000 group; $350 each.

Can of Worms is Lou’s metaphor for artistic practice. Usually, opening a can of worms means finding a whole lot of trouble. An artist opens a can filled with worms, just for fun – or looking for trouble. Instead of putting them back in the can, the artist knows that worms need room to twine, tangle and make more worms. As for the can, the artist recycles it into something more interesting – like a sculpture. Known for her bold, minimal forms and witty images, Lou’s work celebrates the Australian environment by using found objects with industrial materials and techniques to reflect natural forms, capturing light and space, with an element of surprise. Lou Steer’s sculptures and other artforms are exhibited widely in public art events including Sculpture in the Vineyards 2007, Riverworks 2008, Cooks River Festival 2008 and the ANL Maritime Prize, 2006 and 2007. She is a founding member of Edith Artists Inc, a community based artists group in Sydney.

Jacek Wankowski Regeneration galvanised steel 1200 x 1300 x 2300mm Price: $6000 Jacek builds on his experience as a marine biologist to explore the nature of what lies within. In his sculpture Regeneration the external form is dictated by a complex three dimensional internal structure of beams and buttresses. Inspired by a Nereid (a marine animal), it explores the tensions implicit in creating a biomorphic form out of steel and how it relates to its immediate environment. Jacek is an ex-marine biologist who has worked in Scotland, Papua New Guinea and South-eastern Australia, an ex-corporate finance professional and Bachelor of Fine Art graduate of the National Art School, Sydney, Australia. Currently in the Honours program at the NAS, his work is inspired by his marine biology background and extensive travel experience. His work builds on the abstract modernist traditions of American, European and British sculpture of the last 80 years. Jacek is a Wollombi Valley resident.

For further information - on artists, the sculpture or 2009 participation Contact: curator Tara Morelos on 0403 469 753 or 2008sinv@gmail.com For sales enquiries - please contact the host vineyards. Payment is by credit card or cheque payable to Sculpture in the Vineyards. We request a one third holding deposit, followed by full payment on pick up at the close of the exhibition. The artist may deliver/install the work by negotiation, otherwise the buyer will be responsible for arranging transport. Undercliff Winery T : 4998 3322 Stonehurst Cedar Creek T : 4998 1576 Millbrook Estate T: 4998 1155 Wollombi Wines T: 4998 3427 Wollombi Village Vineyard T: 0419 997 434

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