WEDNESDAY 27 NOVEMBER 2024 at 2pm to be followed by a Private Collection of Georgian Fashion Books, Costume and Accessories
Cover illustrations
Front cover: lot 364
Inside front: lot 210
Inside back: lot 415
Outside back lot 378
Wednesday 27 November 2pm Lots 200-415
Viewing
Saturday 23 November 11am to 3pm
Sunday 24 November 11am to 3pm
Monday 25 November 10am to 4pm
Tuesday 26 November 10am to 4pm
Morning of sale from 9am
Head of Sale
Susan Rumfitt susan rumfitt@doreandrees com 01373 462257
Enquiries enquiries@doreandrees com
Dore & Rees
Auction Salerooms Vicarage Street Frome BA11 1PU 01373 462257 w w w.doresandrees.com
The following notes will give you the most important information regarding how to bid and buy.
Please keep an eye on the auction catalogue listed at auctions.doreandrees.com/auctions/ where any specific arrangements for auctions will be kept updated
The full Terms and Conditions of Sale can be found at doreandrees com (link at the bottom of the webpage) and also printed at the back of this catalogue
Condition reports will be available up to 48 hours before the auction, requests are to be submitted via the lot details page of the auction catalogue listed at doreandrees.com/upcoming-auctions
Additional images may be requested up to 48 hours before the auction, please submit your requests the lot detail pages of the auction catalogue listed at doreandrees com/upcomingauctions
Deposits may be requested for high value lots in advance of the auction Deposits can be paid by debit card or BACS payment and will be refunded in the event that you are not the Buyer of the lot
Registration closes at 5pm on the day before the auction. New bidders are requested to provide the following:
• Name, address, telephone number and email
• Two forms of identification
- A passport or photographic driving license
- A utility bill or document showing proof of name and address
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In person – join us in the saleroom
By absentee bids – you can submit your absentee bids via doreandrees com By telephone – a limited number of telephone lines will be available for the auction, bookable on a first come first serve basis Online – bid live online via doreandrees.com, easyliveauction com and the-saleroom com, charges apply.
As a Buyer, you will pay the Hammer Price, Buyer’s Premium of 30% of the Hammer Price (inclusive of VAT), any artists resale right royalty payable on the sale of the Lot and any further VAT due
Purchases can be paid by BACS, Debit Card, or Cash (up to a limit of £8,000 in person) Payment is due within 5 working days of the auction.
Once paid for, lots can be collected from Dore and Rees by appointment We can recommend shippers to assist with the collection and transport of lots to you
At the back of the catalogue you can find a page explaing how Dore&Rees refer to the colour and clarity of diamonds
Please note that the illustrations are not necessarily to scale.
Lots 200-364 Fine Jewellery including A Private Collection of Cufflinks and A Private Collection of Costume Jewellery
Lots 370-379 Watches
Lots 380-415 A Private Collection of Georgian Books, Costume and Accessories
The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity Sapphires and rubies are commonly heat treated and emeralds commonly oiled Jade/jadeite is often bleached, polymer/resin filled or dyed
Please contact Dore and Rees for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA
Dore and Rees is centrally located in Frome, Somerset; about a 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways (w w w gwr com)
Dore and Rees
Auction Salerooms
Vicarage Road
Frome BA11 1PU 01373 462 257
Photography: Dominic Brown Layout & Design: Eddie Hams
Historically many gemstones have been subjected to a variety of treatments to enhance their appearance Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires. Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments
The international jewellery trade has generally accepted these methods
Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone Gemstones that have been oiled may require re-oiling after a number of years in order to retain their optimum appearance
It is, in suitable cases, Dore & Rees’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Dore & Rees. In the event that Dore & Rees have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description. However, it is not feasible for Dore & Rees to obtain a gemmological report for each gemstone offered for sale by Dore & Rees. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone Prospective buyers should be aware that Dore & Rees’s pre-sale estimates assume that gemstones may have been subjected to such treatments
ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE
DIAMOND GRADING TERMS
Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers Dore & Rees do not guarantee these estimated grades due to the limitations of mounts and settings
DIAMOND COLOUR
Exceptional White + (EW+)
Exceptional White (EW)
Rare White + (RW+)
Rare White (RW)
White (W)
Slightly Tinted White (STW)
Tinted White (TW)
Tinted Colour (TC)
Fancy Colour
DIAMOND CLARITY
GIA
Flawless (FL)
Internally Flawless (IF)
Very Very Slightly Included (VVS) VVS1 / VVS2
Very Slightly Included (VS) VS1 / VS2
Slightly Included (SI) SI1 / SI2
Included (I) I1 / I2 / I3
Loupe Clean (LC)
Very Very Small Inclusions (VVS) VVS1 / VVS2
Very Small Inclusions (VS) VS1 / VS2
Small Inclusions (SI) SI1 / SI2
Pique (P) P1 / P2 / P3
EXPLANATION
Face up colourless
Face down colourless
Face up colourless
Face down slightly tinted
Face up slightly tinted
Face down obviously tinted
Face up obviously tinted
Face down obviously tinted
Face up definite colour
Shows no inclusions or blemishes under 10x magnification
Shows no inclusions and only insignificant blemishes under 10x magnification
Minute inclusions, which are difficult, even for an experienced grader, to locate under 10x magnification
Minor inclusions, observable with effort under 10x magnification
Noticeable inclusions under 10x magnification
Obvious inclusions, visible to the unaided eye, face up These may affect the stone’s beauty and durability
Susan Rumfitt, Head of Jewellery, comments:
“We are looking forward to our 27 November Fine Jewellery, Georgian Costume and Watches auction and we look forward to seeing you at the auction, either in person or online
“The auction includes Georgian costume and accessories belonging to a Yorkshire private Georgian enthusiast. We also have some
Susan Rumfitt is delighted to be partnering with Dore & Rees Susan’s passion for jewellery and her intimate knowledge brings a unique dimension to these joint auctions The early part of her career was spent with Christie’s and then she joined Phillips. Susan has built up a loyal following, offering advice to collectors, buyers and sellers of fine jewellery.
She is also active in assisting clients with their jewellery valuations, repairs and redesign requirements. Susan also runs an extensive lecture program at her gallery in Harrogate, which focuses on jewellery history and design.
Susan is a Freeman of the Worshipful Company of Goldsmiths’, an accredited lecturer for the Arts Society, as well as a regular jewellery expert on the BBC’s Antiques Roadshow.
striking early 19th century and Victorian jewellery.
“There are also some lovely examples of costume jewellery by Miriam Haskell and Chrstian Dior from a private collection
“We have seen art deco, costume jewellery and1970s design jewellery sell extremely well so this is the perfect opportunity to purchase that piece of jewellery you have been searching for.”
200
A GROUP OF PHOENICIAN OR CARTHAGINIAN COLOURED GLASS BEADS, 4TH - 2ND BC
each decorated in relief with eyes
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture £1500-£1800
the gold band engraved with the inscription “God for me appointed thee” followed by the maker’s mark arranged over two lines ‘IG/S’ set within a recessed heart and a second stamp ‘g’ within a circle
Total weight 9 4gms
£500-£800
A COLLECTION OF GEORGIAN HAIR LOCKET BROOCHES
TO INCLUDE
A COR AL SET BROOCH, CIRCA 1820
with central glass locket within a border of eight coral half beads
Brooch pin fitting
1 7cm x 1 5cm
A GOLD LOCKET, CIRCA 1840 with chased border and engraved inscription to the reverse
‘John Woods died 21st July 1840 aged 42 years’ 2 7cm x 2cm
AN OBLONG LOCKET BROOCH WITH DOUBLE SEED
PEARL BORDER, CIRCA 1820
2cm x 1 4cm
AND TWO OTHER BROOCHES (5)
£80-£120
A GEORGIAN SILHOUETTE LOCKET, CIRCA 1820
the front with applied gilt detail, with hinged scroll surmount
Total weight 22 7gms
6 8 x 4 2cm
£40-£60
A PAIR OF GEORGIAN METAL BUCKLES, with gilded floral detail to the corners.
Total weight 116gms
6 4 x 5 5cm
A PAIR OF GEORGIAN CUT STEEL OVAL BUCKLES
Total weight 107 4gms 6cm x 4cm
A PAIR OF GEORGIAN STEEL BUCKLE
Total weight 74 9gms
6 5cm x 4 8cm
£100-£200
205
AN ENAMEL, DIAMOND, PEARL AND GOLD BROOCH, CIRCA 1830
the half pearl set within a six ray rose-cut diamond set star, above a domed royal blue guilloche enamel ground, above a chased gold border and outer border of half pearls.
The reverse with later pendant fitting and brooch pin fitting
Total weight 27gms
4 5cm x 3 5cm
£400-£500
206
A VICTORIAN PEARL AND GOLD BANGLE, CIRCA 1870
the upper section set with three principle pearls, spaced by sections of half pearls
Total weight 13.9gms
Bangle 0 4cm wide
Inner measurement 5.5cm wide
£200-£300
207
A VICTORIAN LAPIS LAZULI, PEARL AND GOLD BANGLE, CIRCA 1870
the upper section set with three lapis lazuli boutons, spaced by sections of half pearls.
Total weight 13 5gms
Width of bangle 4mm
Inner dimensions of bangle 5 5cm
£200-£300
208
A VICTORIAN CORAL, PEARL AND GOLD BANGLE, CIRCA 1870
the upper section set with coral boutons, spaced by section of half pearls
Total weight 13.7gms
Bangle is 4mm wide
Inner dimensions 5 5cm wide
£200-£300
209
A VICTORIAN TURQUOISE, GOLD AND AGATE PENDAT, CIRCA 1870
the oval onyx plaque with entwined initials ‘JVL’, the front with chased scroll work with circular turquoise highlights
Total weight 17 9gms
3 2cm x 2 5cm
£400-£600
210 A VICTORIAN MICROMOSAIC BANGLE, CIRCA 1860
the circular raised mount of micro mosaic depicting two Doves on a branch, with a blue ground, within a border of red, white and blue micro mosaic detail, the bangle with similar detail to the underside and flower head detail to the shoulders, baton hinges Worn and with lead solder repair
Needs restoration
Evidence of maker’s mark but very worn
Total weight 54 2gms
Circular boss 3.5cm diameter
Underside of bangle 1 2cm wide
£2000-£3000
211
AFTER THE ANTIQUE: A PAIR OF ROMAN STYLE EARRINGS
each with a pierce ball and textured and twisted wire above a plain hoop
Total weight 27gms
Inner diameter of each 4 6cm
Each hoop approximately 0 2cm diameter widening to 0 3cm at upper section
£800-£1200
212
AFTER THE ANTIQUE: A GOLD AND GARNET SNAKE RING, CIRCA 1850 the snake’s head set with a cabochon-cut garnet, the entwined snakes tail forming part of the gold band
Total weight 9gms
Ring size M
£300-£500
213
AFTER THE ANTIQUE: A GOLD SNAKE RING
the torque style ring with two snake terminals, with textured shoulders to a plain band
Total weight 18gms
Ring size L1/2
£300-£500
214 A ROMAN HARDSTONE AND GOLD RING
the oval banded agate carved with a figure with a shield, above a plain gold band with tapering shoulders
Total weight 5.5gms
Ring size L1/2
5 6gms
£300-£500
215
A LATE VICTORIAN GARNET BANGLE, CIRCA 1890
the upper hinged section set with five rows of rose-cut garnets, to four rows of rose-cut garnets
Total weight 45 7gms
Internal measurement 5 5cm wide
£200-£300
216
A LATE VICTORIAN GOLD AND PEARL RING
the half pearl set within a square mount, between old brilliant-cut diamond shoulders, bead detail
Hallmarked for 18 carat gold Birmingham 1886.
Total weight 3 5gms
Ring size O1/2
£200-£300
217
A LATE VICTORIAN GOLD AND DIAMOND RING, the old cushion-cut diamond claw set above split shoulders, to a plain band.
Unmarked
Total weight 3 8gms
Ring size Q1/2
£600-£800
218
A LATE VICTORIAN GOLD BANGLE, CIRCA 1890 the graduating upper section with scroll work detail, above a plain hinged band
Unmarked
Total weight 4 6gms
0 5cm wide at widest part
Internal diameter 6cm
£120-£180
219
A LATE VICTORIAN COCKERELL TIE PIN BROOCH, CIRCA 1890
the bar brooch pin with a single baroque pearl body and blue, red, yellow enamel detail to the feathers
Marked 15ct.
Total weight 3 2gms
5cm long Cockerell 1 5cm high including bar brooch
A L ATE VICTORIAN SAPPHIRE AND HALF PEARL COLL AR STUD AND TIE PIN, CIRCA 1890
the circular mixed-cut sapphire within a border of half pearls, set on a detachable mount to convert from a tie pin to a collar stud
In Ollivant and Botsford Case
Total weight 3 7gms
£120-£180
220
A LATE VICTORIAN GOLD AND PEARL BANGLE, CIRCA 1890
the upper section set to the center with a row of ten half seed pearls, between bead and ropework detail, hinged mount In fitted Case
Unmarked
Total weight 8 2gms
Width of bangle 8mm
Internal diameter 5 6cm
£300-£400
221
A HALF PEARL AND DIAMOND RING ENGRAVED WITH INSCRIPTION FOR 1871
the quatrefoil of half pearls with a diamond highlight between open work shoulders with diamond highlights
The reverse engraved ‘TDA July 23rd 1871’
Total weight 2 7gms
Ring size P
£100-£200
222
A LATE VICTORIAN CAMEO BROOCH, CIRCA 1890
the shell cameo carved to depict a Bacchante within a ropework border
Brooch pin fitting
5.5cm x 4.5cm
Total weight 15 6gms
A LATE VICTORIAN AGATE AND GOLD BROOCH, CIRCA 1880
the oval agate within a scroll frame
Brooch pin fitting
8 2cm x 5cm
AN AGATE AND GOLD FOB, CIRCA 1840
the oblong fob with fluted mount and textured coiled surmount
2 5cm x 1 2cm
Total weight 3.5gms
ANOTHER FOB SET, CIRCA 1880
set with agate and turquoise highlights 2cm high
Total weight 3 3gms
£80-£120
223
A 9CT GOLD BRACELET WITH HEART PADLOCK
the fancy link chain with chased detail suspending a heart padlock clasp with chased decoration.
Bracelet length 21cm
Heart 1 6cm x 1 6cm approx
Total weight 11 7g
£300-£400
224
VICTORIAN OVAL CARVED AMETHYST PORTRAIT
CAMEO PENDANT
depicting a Greco-Roman bust of a bearded man with laurel crown on an unmarked gold belcher circular link chain
Mount marked 9ct
Total weight 73gms
Chain weighs approximately 46gms
Pendant measures 4 5cm x 3 2cm
Total length of chain approximately 76cm
£600-£800
VICTORIAN GOLD AND DIAMOND LOCKET, CIRCA 1880
the oval hinged locket set to the front with three old brilliant-cut diamonds within a trailing sprig motif, to an outer border of half pearls, the reverse with glass locket and engraved around the edge, ‘EMP FROM ESJ DEC 12th 187’ the locket containing a lock of hair, on a scroll mount with plain tapering bale
Measures 4.3cm x 3.4cm With
A later 9 carat gold chain
Total weight of locket and chain 65 7gms
£1200-£1500
222
226
A LATE VICTORIAN MOURNING RING, CIRCA 1890
set with four half pearls in a square mount with diamond highlight and tapering shoulders also set with a half pearl, edges with blue enamel detail and blue enamel scroll work to the shoulders
Maker’s mark ‘A A’ 18 carat Gold with Registration mark
Total weight 3 2gms
Ring size M
£150-£200
19TH CENTURY HARDSTONE FOB SEAL
the oblong carnelian engraved with a crest, within a reeded case and with scroll mount
Total weight 24 6gms
3 9cm high
Carnelian plaque measures
2.3cm x 2cm
£70-£90
228
A LATE VICTORIAN 18CT GOLD AND SEED PEARL BROOCH, CIRCA 1880
modelled as a lyre and set throughout with half seed pearls
Brooch pin fitting
2 5cm x 2cm
£100-£150
229
9CT GOLD SEAL RING
Total weight 4 1Gms
Ring size M1/2
18CT GOLD HEART SHAPED SIGNET RING
Total weight 3 Gms
Ring size J1/2
£80-£120
230
A LATE VICTORIAN 15 CARAT GOLD CIRCULAR LOCKET the circular locket with double insert recess, with a portrait of a young lady and a lock of hair, on a belcher link long chain
Total weight 38g
Length of Chain approximately 71cm
Diameter locket 2 7cm
£600-£700
231
VICTORIAN SEAL RING SET SHIELD SHAPE BLOOD STONE with intaglio crest, bearing date to shank 1851,
Total weight 8 32g
Ring size O
9 CARAT BLOOD STONE SEAL RING
6.4g
Ring size J
£350-£450
232
A LATE VICTORIAN FIVE STONE DIAMOND AND GOLD RING the five graduating old brilliant-cut diamonds, within tapering mount
Total weight 11 2gms
Ring size O
£800-£1200
233
A PAIR OF GOLD AND DIAMOND EARRINGS, CIRCA 1890 converted from cufflinks, each oval mount set with a brilliant-cut diamond collet, within a beaded mount
Post and butterfly fittings
total weight 21gms
3 8cm long
Each oval plaque 1.2cm wide
£600-£800
234
A SAPPHIRE AND DIAMOND RING, CIRCA 1890
the three mixed-cut sapphires, spaced by a brilliant-cut diamond, on a plain gold band
Unmarked
Total weight 3 2gms
Ring size M1/2
£80-£120
235
A LATE VICTORIAN SAPPHIRE, RUBY, DIAMOND AND PEARL RING CIRCA 1890
set with a circular cut ruby, sapphire and diamond in trefoil formation with extending knife edge scroll work with half pearl highlights
Total weight 2 4gms
Ring size K1/2
£100-£150
236
AN ARTS AND CRAFTS STYLE SILVER GILT AND OPALINE PENDANT
the cross set throughout with cabochon-cut stones with trefoil terminals to each arm, on a fancy pierced link chain
Pierced mount with gilded detail
Chain length 50 5cm
Cross 7 5cm x 6cm
£300-£500
237
A LATE VICTORIAN DIAMOND AND GOLD SNAKE RING, CIRCA 1880
the coiled snake with four graduating old cut diamonds to the head
Marked ‘18TP’
Total weight 12 2gms
Ring size P
£300-£400
238
CHILD & CHILD; A TURQUOISE AND PEARL PENDANT
the quatrefoil mount set with four half pearls within flower head mounts with four turquoise highlights
Child & Child mark to the reverse
Total weight 5 3gms
2.5cm diameter
£300-£500
the head set with red and green paste with a faux pearl and green paste collet drop
When fully closed the length of the chain and snake’s head from the bottom of the coil is 17cm
When fully open the interior diameter is approximately 6 5cm
Total weight 31.4gms
£100-£200
the oval pierced jadeite plaques spaced by oblong plaques enamelled with a black ground and a green dragon
Stamped ‘14K’
Total weight 22 6gms
20.3cm long
£200-£300
the pierced scroll work jadeite ball, sliding on a fancy link chain, with a cultured pearl terminal
Chain marked ‘ESEMCO’ ‘14k’
Total weight 19gms
Jadeite ball approximately 2 3cm diameter
Chain 52cm long
£150-£200
242
A JADEITE RING
the tapering oval plaque of pierced design featuring a bird and flowers, within a fluted border with blue enamel decoration, above a gallery with chevron detail.
Band marked ‘14K’
Total weight 6.5gms
Ring size J
£80-£120
243
A PAIR OF JADEITE EAR PENDANTS
each carved ball suspended form a trace-link chain
Screw fittings
Marked ‘14K’
Total weight 8 7gms
5.5cm long
£120-£180
244
A NEPHRITE PENDANT
the circular nephrite disc with applied horse detail on fine link chain
Total weight 9gms
3.1cm diameter
£120-£180
245
A DRAGON BANGLE
the bangle with two dragons on a black ground
Total weight 83gms
Internal diameter 6 7cm
£80-£120
246
A PAIR OF CORAL, DIAMOND AND ONYX EARRINGS
each coral drop suspended from five brilliant-cut diamond collets, below a square faceted onyx also collet set
Post and butterfly fittings.
12gms
5.2cm long
£800-£1200
247
A CORAL GOLD AND DIAMOND BROOCH
the coral figures within a diamond set two tone metal mount
Brooch pin fitting
Unmarked
Total weight 25gms
6cm x 5cm
£500-£700
248
CORAL AND GOLD DRAGON BROOCH/HAIR ORNAMENT
the coral branch elaborately mounted with a dragon head and scroll surmounts to a stylised tail terminal
Brooch pin fitting
Stamped ‘14K’
Total weight 56gms
15cm Long
£300-£500
249
A PAIR OF GREEN JADEITE CUFF LINKS
two graduated circular discs, each set with a cabochon ruby, mounted in 18k white gold, approx 2cm diam, total gross weight approx 16.9gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
250
A PAIR OF LAVENDER JADE CABOCHON STONES of rich, strong colour, set in 18k white gold cuff links, approx 2cm diam, total gross weight approx 16 2gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
251
PAIR OF BLACK /DARK GREEN JADE CARVINGS OF LIONS
mounted in 18k yellow gold cuff links, approx 3cm, total gross weight approx 16.3gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
252
PAIR OF GREEN/BROWN HAN DYNASTY JADE CUFF LINKS
carved as mythical beasts. Mounted in 18k yellow gold, approx 2.5cm, total gross weight approx 17 4gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
PAIR OF CHICKENS BLOOD STONE TABLET FORM CUFFLINKS,
set in 18k yellow gold, approx 2 5cm, total gross weight approx 19 7gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
PAIR OF RED ORANGE CABOCHON JADE CUFFLINKS
each set with a cabochon sapphire, mounted in 18k yellow gold, approx 2.5cm, total gross weight approx 17.6gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
255
A PAIR OF YELLOW JADE STONES CARVED AS BUDDHISTIC LIONS
mounted in 925 silver cuff links, approx 2cm, total gross weight approx 20 9gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
256
PAIR OF RECTANGULAR TORTOISESHELL PLAQUES
ribbed decoration, mounted in 18k yellow gold cuff links, approx 2 5cm, total gross weight approx 20 8gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture.
£500-£700
257
PAIR OF RED CORAL CUFF LINKS
each of bean form, mounted in 18k white gold, approx 2 5cm, total gross weight approx 16 9gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
258
PAIR OF SPINACH GREEN JADE STONES WITH BLACK INCLUSIONS DEPICTING OXEN
mounted in 18k gold cuff links, approx 3c, total gross weight approx 21.4gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
259
PAIR OF WHITE JADE RECTANGULAR CUFF LINKS
stones of tablet form plaques, mounted in 18k yellow gold, approx 2 5cm, total gross weight approx 21 3gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
260
PAIR OF RECTANGULAR FORM JADEITE GREEN PLAQUES
mounted in 18k yellow gold cuff links approx 2cm wide, total gross weight approx 13.8gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture.
£1000-£1500
261
PAIR OF TRANSLUCENT ICE JADEITE CABOUCHON STONES
mounted in 18k white gold, approx 2 3cm, total gross weight approx 18 5gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
262
PAIR OF 925 SILVER CUFF LINKS
cast in the style of a Han dynasty bi, signed LT, approx 1 8cm diam
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£50-£100
263
PAIR OF BUDDHIST AMBER CABOUCHON CUFF LINKS
mounted in 18k white and yellow gold, approx 3cm, total gross weight approx 14.7gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£700
264
PAIR OF BLUE JADEITE CUSHION FORM RECTANGULAR TABLET PLAQUES
mounted in 18k gold cuff links, approx 2.7cm, total gross weight approx 25 7gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years. During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£1000-£1500
265
PAIR OF 925 SILVER CUFF LINKS
circular openwork design of a lion, signed LT, approx 1 6cm diam, approx 14gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture.
£50-£70
266
PAIR OF SACRED BUDDHIST SHELL CUFF LINKS
mounted in 925 silver, approx 2cm diam, total gross weight approx 19 3gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£500-£750
267
PAIR OF GREEN JADE STONE CUFF LINKS
carved as water buffalo, set in 18k white gold, approx 1 5cm, total gross weight approx 20gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture.
£200-£300
268
PAIR OF 925 SILVER CUFF LINKS
circular openwork design of a lion, signed LT approx 1 6cm diam, approx 14 gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£50-£70
269
PAIR OF WHITE JADE INTERCONNECTED BALL CUFF LINKS
mounted in silver, approx 12 2 gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£30-£50
270
PAIR OF MOTTLED GREEN JADE HOOP FORM CUFFLINKS
mounted in white metal, approx 2 3cm, total gross weight approx 15.5gms
Provenance: From the private collection of a British collector who lived and worked in China, Hong Kong, Japan, and Taiwan for over 30 years
During this time, he travelled extensively throughout Asia in his work, and in free time studied and collected Asian Arts and Culture
£80-£100
A CONTINENTAL EARLY NINETEENTH CENTURY PASTE GIRANDOLE BROOCH
the white paste basket and scrolling handle surrounding blue, red and green flower heads
Total weight 48.4gms
9 8cm x 6 4cm
£200-£300
272
MIRIAM HASKELL: A THREE ROW FAUX PEARL NECKLACE
each row of uniform beads, each row graduating in size to a faux pearl and paste cluster clasp
The clasp marked ‘Miriam Haskell’
Total weight 125gms
Shortest row of pearls 30cm
£200-£300
273
MIRIAM HASKELL: A MULTI-STRAND BLACK BEADED NECKLACE
composed of three rows of black glass beads with spacers, on cluster mounted hook and eye clasp fitting
Clasp marked ‘MIRIAM HASKELL’
Total weight 136 8gms
Inner row 51 5cms long excluding clasp
£120-£180
274
MIRIAM HASKELL: A WHITE PLASTIC NECKLACE
composed of ten floral oval beads, with white bead spacers and gilt terminals, on a white bead cluster clasp
Tag marked ‘MIRIAM HASKELL’
Total weight 70 2gms
36.5cm including clasp
A PAIR OF EARRINGS TO MATCH
each single floral bead with pierced gilded mounts and suspended from a white bead cluster surmount with crew fittings
Marked ‘HASKELL’
Total weight 18 3gms
5 5cm long
A WHITE NECKLACE
composed of twelve ‘tumbled’ effect beads, with round bead spacers on a white bead cluster clasp.
Clasp marked ‘MIRIAM HASKELL’
Total weight 152gms
40cm Fully extended 59cm
£200-£300
275
MIRIAM HASKELL: A GREEN GLASS AND FAUX PEARL NECKLACE
the graduating opaque and transparent green glass beads intermittently spaced by faux pearls, suspending a faux pearl cap with six rows of faux pearls, each suspending a green glass leaf drop Faux pearl cluster clasp marked ‘MIRIAM HASKELL’
Total weight 168 5gms
Total length 88cm including clasp. Drop measures 8 5cm long
£300-£500
each of stylised winged design with foliate gilded detail and mount Clip fittings
Marked ‘MIRIAM HASKELL’
Total weight 30gms
Each measures 4.5cm x 4.5cm
£100-£200
277
MIRIAM HASKELL: A PAIR OF FAUX PEARL EARRINGS
each set with a principal faux pearl to the centre within a flower head border set with faux pearls
Clip fittings
Marked ‘HASKELL’
Total weight 13.2gms
2 5cm diameter
£80-£120
278
MIRIAM HASKELL: A PAIR OF FAUX PEARL EARRINGS
each faux pearl within a gilded flower head mount
Clip fittings marked ‘HASKELL’
Total weight 8.6gms
1 5cm diameter
£70-£100
279
MIRIAM HASKELL: A PAIR OF FAUX BAROQUE PEARL AND PASTE EARRNGS
each suspending a faux baroque pearl below a paste set mount, below aN articulated row of two faux baroque pearls below a baroque pearl and paste cluster clasp.
Screw fittings
Marked ‘MIRIAM HASKELL’ ‘PAT 24005’
Total weight 12 6gms
Total length 6cm
£80-£120
280
A PAIR OF FAUX PEARL DOUBLE PEARL DROP EARRINGS
each faux pearl with elaborate pierced cap, below gilt chain to a circular domed surmount.
Clip fittings
Unmarked
Total weight 34gms
Total length 5 3cm
£80-£120
281
MIRIAM HASKELL: A FAUX PEARL, PASTE AND GILT BROOCH of tripple flower had design with paste detail to the centre and faux pearl set petals, pierced mount Brooch pin fitting
Marked ‘MIRIAM HASKELL’
Total weight 42 7gms
7.5cm x 5.5cm
£150-£250
282
MIRIAM HASKELL: A PASTE AND GILT BROOCH of floral roundell design set with white paste highlights and an inner border of white poste
Brooch pin fitting
Marked ‘MIRIAM HASKELL’
Total weight 15 5gms
4.8cm diameter.
£80-£120
283
MIRIAM HASKELL: A FAUX PEARL AND GILT BROOCH
modelled as a flying insect, set throughout with faux peals and white paste highlights Pierced mount
Marked ‘MIRIAM HASKELL’ 15 7gms 5cm x 3cm
£100-£200
284
MIRIAM HASKELL: A PASTE AND GILT METAL BROOCH
the oval mount with floral trailing detail with paste set detail
Brooch pin fitting
Marked ‘MIRIAM HASKELL’
Total weight 11.5gms 4 5cm x 3 8cm
£60-£80
285
A FAUX PEARL, PASTE AND GILT FLOWER BROOCH
the faux pearl within a textured petal mount, within a flower head mount of six paste set petals, above two borders of engraved leaves
Marked ‘MIRIAM HASKELL’
Total weight 44 2gms
7.3cm diameter
£150-£250
286
MIRIAM HASKELL: A LIZARD BROOCH
the gilt brooch realistically modelled and set with circular white paste
Marked ‘MIRIAM HASKELL’
Total weight 6 5gms
6.3cm long
£30-£50
287
A PAIR OF CLUSTER EARRINGS
each set with seven green beads, within gilded settings
Clip fittings
Unmarked
Total weight 12 6gms
2cm diameter
£30-£50
288
A PAIR OF FAUX PEARL AND PASTE EARRINGS of cluster design with five faux pearls and white paste highlights in gilded mount.
Clip fittings
Unmarked
Total weight 22 5gms
3cm wide
£40-£60
289
CHRISTIAN DIOR: A FROG BROOCH
realistically modelled with textured body
Brooch pin fitting
Marked ‘ChrDior’
Total weight 9.6gms
5 5 x 3 4cm approx
£30-£50
CHRISTIAN DIOR: A PAIR OF PURPLE AND WHITE PASTE EARRINGS
the collet set oval purple faceted paste within a flame style surmount set with white paste stones
Marked ‘ChrDior’
Post settings (lacking butterflies)
Total weight 15.6gms
2 2cm x 1 7cm
£30-£50
291
CHRISTIAN DIOR: A PAIR OF PASTE EARRINGS of flame design set with four rows of paste stones
Clip fittings
Marked ‘ChrDior’
total weight 14 6gms 2.7cm x 1cm
£30-£50
292
CHRISTIAN DIOR: A PAIR OF DECO STYLE EARRINGS BY DIOR
each with tapering reeded body
Clip fittings
Marked ‘ChrDior’ ‘PAT2733491’
Total weight 11 3gms
2.2cm x 1.8cm at widest part.
£40-£60
293
DIOR: A PAIR OF BLUE AND WHITE PASTE PENDANT EARRINGS
each set with two graduating oval mixed-cut blue paste stones, within a petal shaped mount set with white paste
Post fittings
Marked ‘CDior’
Total weight 18 4gms
4cm long overall
£40-£60
294
CHRISTIAN DIOR: A PAIR OF BLUE AND WHITE PASTE EARRINGS
of cluster design
Clip fittings
Marked 1972 Chr Germany’
Total weight 12 1gms
2cm diameter
£60-£80
295
CHRISTIAN DIOR: A MULTI COLOURED PASTE BROOCH
set with a blue, red and green oval cabochon-cut collet set paste stone within an undulating frame set with white paste stones
Brooch pin fitting
Brooch marked ‘ChrDior’
total weight 13 2gms
4.5cm x 3cm
£50-£70
296
CHRISTIAN DIOR: A PINK AND WHITE PASTE NECKLACE, CIRCA 1960
set with a flower head cluster to the centre of an elaborate oval cabochon-cut pink paste and white round-cut white paste entwined collar
Integral clasp
The necklace marked ‘19 ChrisDior 66 Germany’
Total weight 110 7gms
11.6cm inner diameter
A PAIR OF CLUSTER EARRINGS
set with cabochon pink paste and circular white paste stones
Clip fittings
Marked ‘19 ChrisDior 65 Germany’
Total weight 23gms
3 6cm diameter
£300-£500
CHRISTIAN DIOR: A PASTE AND GILT RIVIERE NECKLACE
of bib design set with three rows of paste stones in scrolling mounts, the front suspending thirteen graduating drops set with pear shaped gilded drops and circular white paste.
Marked ‘CHRISTIAN DIOR BY MICHEL MAER’
Total weight 83 6gms
41cm long
Longest drop to the front 7cm
£500-£700
the tapering hinged cuff, elaborately decorated with abalone shell and vari-coloured shells including spiny oyster shell, push button clasp
Marked ‘55’
Total weight 80 7gms
upper section 4 6cm wide at widest part
£100-£200
299
A MEXICAN SILVER NECKLACE, CIRCA 1960 set with blue paua shell. Integral clasp Marked Mexico 925 R -108
£150-£200
DAVID ANDERSON: A BLUE ENAMEL BROOCH
composed of four petals decorated with pale blue enamel
Marked ‘D A STERLING NORWAY’
Total weight 7 9gms
6.4cm x 2.5cm
A DANISH SILVER AND ENAMEL BROOCH
of tapering abstract shape set with blue enamel with a polished silver border
Marked ‘STERLING DENMARK HANDMADE’
Total weight 6 7gms
4 6cm long
GEORG JENSEN: A DANISH SILVER BROOCH of a stylised flower head
Marked ‘GEORG JENSEN STERLING DENMARK 71’
Total weight 9 4gms
4.5cm x 3.3cm
£70-£100
DAVID ANDERSON: A SUITE OF ENAMEL JEWELLERY
comprising a necklace, bracelet and pair of earrings
The necklace and bracelet each set with pairs of blue enamel petals, with integral clasp
The Necklace measures 37 5cm long; the bracelet measures 16 5cm long
The earrings are formed of a pair of larger petals, clip fittings
2 5cm x 3 5cm
All marked ‘DA 925 STERLING DENMARK’
Total weight 51 2gms
£200-£300
A SCANDINAVIAN SILVER NECKLACE AND BRACELET, CIRCA 1960
each composed of a unifrom row of double petals
Marked ‘STERLING’
Necklace measures 39 5cm long Each link1 5cm wide
Bracelet measures 16cm long Each link 1 2cm wide
Total weight 48 8gms
£120-£180
composed of eleven pairs of stepped square links with a single row of similar links above.
Marked 18k
Total weight 119gms
16cm long 2 8cm wide
£5000-£7000
304
A GOLD CHARM BRACELET
to include an 18 carat gold ‘Alien’ charm, marked ‘CB’
Total weight 28Gms
18cm long
£600-£800
305
A DIAMOND SET BROOCH, CIRCA 1960 the moulded leaf with white gold stem and pave set diamond terminal. Stamped ‘18K
Total weight 21 2gms
9 5cm x 4cm at widest part
£500-£700
306
AN AMETHYST AND GOLD FLORAL SPRAY BROOCH, CIRCA 1960
the elaborate floral spray set with nine amethyst and diamond flower heads each with a diamond highlight, with textured leaves and polished stems
Double prong brooch fitting Continental Hallmark
Total weight 32.5gms
7 5cm long
£600-£800
307
A RUBY, DIAMOND AND GOLD BROOCH, CIRCA 1970
of flower head design, the central brilliant-cut diamonds within a border of six circular cabochon-cut rubies above three tiers of pierced petals, set throughout with brilliant-cut diamonds and circular-cut rubies.
Brooch pin fitting
Marked ‘RETZIGNAE’ ‘18K’
Total weight 35 4gms
4 8cm diameter
£2500-£3000
308
A MORGANITE AND DIAMOND RING
the oval mixed-cut morganite, four claw set withtin a bezel of brilliantcut diamonds, above a pierced basket setting, between pierced shoulder, on plain band
Hallmarked for 18 carat gold
Total weight 5 1gms
Ring size Q1/2
£1500-£2000
309
A PAIR OF SAPPHIRE, RUBY, EMERALD, DIAMOND AND GOLD EARRINGS
of pendant design set with gemstone highlights
Post and butterfly fittings
Hallmarked for 9 carat gold
Total weight 3 8gms
2.5cm long 1.2cm wide
£70-£100
310
TURQUOISE AND RUBY BRACELET
the beadwork bracelet with an integral quatrefoil clasp with turquoise and ruby highlights
Total weight 23 8Gms 17cm long
£500-£700
311
A PAIR OF ITALIAN EAR PENDANTS of concentric half hoop design Clip fittings fittings
Marked ‘Italy’ ‘18K’
Total weight 23 6gms 7cm long 3 2cm at widest part
£500-£700
312
A PAIR OF ITALIAN GOLD STAR EARRRINGS each polished star with post and butterfly fittings
Marked ‘14KT’ ‘MB’ ‘ITALY’
Total weight 8 8Gms 3cm wide
£220-£250
313
A DIAMOND OPAL AND DEMANTOID GARNET DRAGONFLY BROOCH
realistically modelled and set with a circular cabochon-cut opal body, with diamond set wings, demantoid garnet tail and ruby set eyes
Brooch pin fitting
Total weight 5 8gms
3cm x 5 5cm
£200-£300
314
A PAIR OF DIAMOND AND ITALIAN GOLD EARRINGS
each of ‘huggy’ design, with satin finish and set with six brilliant-cut diamonds
Marked ‘ITALY’ ‘14K’
Total weight 16 6gms
1 4cm wide
£300-£400
315
A PAIR OF CULTURED PEARL CLIP EARRINGS
each set with three cultured pearls within a spray of leaves.
Clip fittings
Marked ‘14k’
Total weight 11 7gms
2 5 x 2cm
£80-£120
316
A TWIST LINK NECKLACE of fancy twist and plain links
Unmarked valued as 9 carat
Total weight 66gms
Total length 63cm including clasp
£1200-£1500
the woven chain with circular links of two tone and red stone highlights, each link with detachable clasp to convert the necklace to a bracelet and choker necklace
Marked ‘ITALY’ ‘14K’
Total weight 101 3gms
Total length 63cm 14K
£3500-£4000
318 AN AMETHYST AND CULTURED PEARL NECKLACE
strung with pairs of amethyst beads and pairs of cultured pearls spaced by roundells
Total weight 202.9gms
Total length approximately 172cm
£80-£120
319 AN AMETHYST NECKLACE
the uniform row of amethyst beads spaced by roundells on a pierced clasp
Unmarked
Total weight 74gms
76cm long
£70-£100
320 A PAIR OF AMETHYST AND DIAMOND EARRINGS
the circular mixed-cut amethysts fancy claw set with diamond set surmounts and pendant drops
Post and clip fittings
Total weight 10 9gms
4cm drop
£400-£600
321
A DIAMOND AND GOLD RING
the square modified brilliant-cut diamond weighing 1 carat, collet set in undulating diamond set shoulders
Hallmarked for 18 carat gold
Total weight 12 5gms
Ring size M 1/2
Note: Accompanied by Gemmological Institute of America Report Number 2116093374, stating that the diamond is
Carat weight: 1 carat
Colour: G
Clarity SI2
No Fluorescence
1 CARAT
GIA Certificate: 2116093374
£2000-£3000
322
AN EMERALD AND DIAMOND PENDANT
the oval mixed-cut emerald eight claw set within a border of eight old brilliant-cut diamonds, on a plain hoop and fine link chain.
Marked ‘750’
Total weight 3 6gms including chain
Pendant measures 2 5cm long (including hoop) x 1 4cm
£200-£300
323
AN ITALIAN 9CT GOLD BRACELET
of double articulated link, with integral clasp.
Hallmarked for 9 carat gold and stamped ‘ITALY’
Total weight 20gms
£350-£450
A DIAMOND PARURE
comprising a necklace, bangle, earrings and a ring, each of elaborate ribbon tied scroll design set throughout with brilliant and baguette-cut diamonds
Measurements
The necklace 40cm long
The bangle 5 6cm internal diameter
The earrings 3.5cm long
The ring size M
Total weight 92 gms
£4000-£6000
325
A TURQUOISE AND OPAL PENDANT
the tumbled turquoise set below a cabochon-cut opal and a seed pearl, on fine chain
Length of pendant
Length of chain
Total weight
A PAIR OF EARRINGS of similar design post and butterfly fitting
Total weight
Total length
£300-£500
326
AVENTURINE QUARTZ & SEED PEARL NECKLACE, CIRCA 1890
the delicate necklace set with a uniform row of seeds pearls with aventurine quartz highlights
£400-£600
327
A RUBELITE PENDANT
the faceted drop within a collet mount on a snake link chain
Total weight 6gms
Pendant dop 2cm x 1.1cm
£70-£100
each brilliant-cut diamond estimated to weigh 0 7 carats, each four claw set.
Post and butterfly fittings, stamped ‘750’
Total weight 2.1gms
£700-£1000
the upper domed section set with alternate rows of brilliant and baguette-cut diamonds
Mounted in white gold
Total weight 3gms
Ring size N
£120-£180
330
A COLLECTION OF JEWELLERY TO INCLUDE
AN ART NOUVEAU AMETHYST AND GOLD PENDANT of quatrefoil design, with flower head detail and set with a circular-cut amethyst and pear-cut amethyst drop, with later gold chain
Both marked for 9 Carat.
Total weight 3gms
A GOLD PENDANT
depicting Nephetiti
Marked ‘750’
Total weight 7.4gms
A DRESS RING set with blue and white stones.
Marked ‘585’
Total weight 3 8gms
Ring size Q
A T WO COLOURED GOLD BAND
marked ‘750’
Total weight 3gms
Ring size T
A PLATINUM BAND stamped ‘PLAT’
Total weight 2 8gms
Ring size P1/2
A BRACELET marked ’22K’
Total weight 8 3gms
A BRACELET OF THREE COLOURS clasp staked ‘750’
Total weight 6 5gms
£300-£500
331
AN OPAL PENDANT/BROOCH
the oval cabochon-cut opal claw set within a mount set with six smaller cabochon-cut opals, each spaced by a circular mixed-cut ruby, suspending an oval cabochon-cut opal drop.
The reverse with brooch pin fitting and pendant hoop 9 carat gold
Total weight 5 3gms
2 3cm x 4cm
£300-£400
332
A CONTEMPORARY DIAMOND AND GOLD NECKLACE
the front set with a uniform row of twenty one brilliant-cut diamonds in rub over setting with nine graduating similarly set brilliant-cut diamond drops
Hallmarked for 18 carat gold
Total weight 28gms
42 5cm long including integral clasp link
£2000-£3000
333 A DIAMOND AND GOLD BRACELET
the fancy link chain set with brilliant-cut diamonds, on a lobster clasp
Total weight 24.8Gms 18 5cm including clasp
£500-£700
334
A FANCY LINK NECKLACE
composed of sections of chevron style links, spaced by twisted baton links
Clasp marked ‘9ct’
Total weight 26 3gms
Total length 50cm
£400-£600
335 A 9 CARAT GOLD TWO TONE ROPE NECKLACE
Clasp marked 375
Total weight 12 8gms
Total length including clasp 45cm
£200-£300
336
A DIAMOND CLUSTER RING
the central brilliant-cut diamond eight claw set above a bezel of eight smaller brilliant-cut diamonds, all high claw set, between tapering shoulders
Mounted in white and yellow gold
Hallmarked for 18 carat gold
Total weight 4 2gms
Ring size L
£600-£800
337
A SAPPHIRE AND DIAMOND CLUSTER RING
the oval mixed-cut sapphire eight claw set above a bezel of eight brilliant-cut diamonds, between tapering shoulders on plain hoop
Hallmarked for 18 carat gold, set in yellow and white gold
Total weight 4.1gms
Ring size L1/2
£500-£600
338
A LATE VICTORIAN SILVER BANGLE, the broad bangle heavily chased with crisp scroll work decoration, integral clasp
Engraved to the inside with the inscription ‘Louise Father’s New Year Gift AD 1880’
Total weight 113 7gms
5cm wide
Internal measurement 6cm
£400-£600
339
A SAPPHIRE, DIAMOND AND 18 CARAT GOLD RING
the circular mixed-cut sapphire between two brilliant-cut diamonds, all inset to a domed polished mount
Hallmarked for 18 carat gold
Total weight 5 7gms
Ring size L
£200-£300
340
A LATE VICTORIAN OPAL AND 18CT GOLD RING the five graduating cabochon-cut opals, claw set above tapering shoulders
Hallmarked for 18 carat gold
Total weight 3.4gms
Ring size N1/2
£150-£250
341
A TURQUOISE AND DIAMOND BROOCH, CIRCA 1890 of undulating design set with turquoise and diamond highlights with six cultured pearls
Brooch pin fitting
Mounted in silver and gold
Total weight 4 8gms
2 6cm diameter ,
A PAIR OF TURQUOISE AND PASTE EARRINGS
CIRCA 1890
each cabochon-cut turquoise collet set and suspended from a row of paste stones, below a turquoise collet surmount
Total weight 3.6gms 3 4cms length
£200-£300
338
342
A LATE VICTORIAN DIAMOND AND GOLD BROOCH, CIRCA 1890
the circular diamond set mount on a knife edge bar brooch fitting. Brooch pin fitting
Cased
Total weight 3 2gms
5 5cm long
£80-£120
343 AN EDWARDIAN DIAMOND RING
the old brilliant-cut diamond claw set above diamond set shoulders each set with three eight-cut diamonds, in platinum, above a yellow gold hoop
Marked ‘18PLAT’
Total weight 2 2gms
Ring size R
£150-£200
344
A FOUR STONE DIAMOND RING
the graduating row of four old brilliant-cut diamonds each claw set in crown setting, between tapering pierced shoulders, to plain band
Mounted in white and yellow 18 carat gold
Total weight 5 3gms
Ring size J (beads have been added)
£1200-£1800
345
A SAPPHIRE AND DIAMOND BROOCH, CIRCA 1880
the knife edge bar set with a sapphire and diamond horseshoe and circular-cut sapphire and diamond collets
Brooch pin fitting
Total weight 4 4gms
4 6cm long
£120-£180
346
AN EDWARDIAN DIAMOND AND SEED PEARL BROOCH
the double scroll mount diamond set with six pearl highlights, the central pearl suspending a diamond and half pearl set heart drop, below an articulated diamond collet
Brooch pin fitting
Total weight 4 7gms
Measures 3.7cm x 3cm
£300-£500
347
A DIAMOND, CULTURED PEARL AND GOLD SPRAY BROOCH
the cultured pearl flower head with diamond highlights, above a ribbon tied stem
Brooch pin fitting
Hallmarked for 9 carat gold
Total weight 3 5gms
4cm x 1.5cm
£50-£70
348
348
A HALF HOOP DIAMOND ETERNITY RING
the uniform row of seven brilliant-cut diamonds each four claw set above plain white gold band
Hallmarked for 9 carat gold
Total weight 3 1gms
Ring size T
£100-£150
349
PAIR OF DIAMOND AND FRESHWATER CULTURED PEARL DROP EARRINGS
each pearl suspended from a diamond set cap and articulated diamond collets
Shepherd hook fittings
Hallmarked for 18 carat gold
Total weight 6.2gms
Drop 2 7cm
The pearls 9.2mm diameter
£80-£120
350 A CULTURED PEARL NECKLACE ON A GOLD DIAMOND AND SAPPHIRE CLASP
the one hundred and thirty-nine pearls approximately 7mm diameter
Total weight 25 5g gross
£800-£1200
351 A CULTURED PEARL NECKLACE
the graduating row of cultured pearls on a gilt metal satin finished magnetic ball clasp
Total weight
Total length of necklace including clasp 41cm
18.9gms
£120-£180
352 AN AQUAMARINE AND DIAMOND RING
the oval mixed-cut aquamarine eight claw set above a pierced gallery, set between brilliant-cut diamond shoulders, above plain band
Mounted in Platinum
Total weight 9 7gms
Ring size N1/2
£400-£600
353
AN EARLY 20TH CENTURY DIAMOND AND PLATINUM RING, CIRCA 1915
the marquise shaped mount set with two old brilliant-cut diamond collets, within a pierced geometric diamond set mount, between split shoulders to plain hoop.
Stamped ‘PLAT’
Total weight 5 6gms
Ring size S1/2
£300-£500
354
ART DECO DIAMOND BROOCH, CIRCA 1930
the central brilliant-cut diamond collet within a pierced geometric diamond set mount with triangular terminals Brooch pin fitting
Total weight 10 5gms
6 5cm x 2 8cm
£700-£900
355
TIFFANY & Co; AN ENAMEL AND SILVER RING
with blue enamel
Marked ‘Tiffany & Co AC 925’
With Tiffany pouch
Ring size Q1/2
Total weight 3gms
£100-£150
356
PALOMA PICASSO FOR TIFFANY: A SILVER SCRIBBLE BROOCH
brooch pin fitting
Signed Paloma Picasso and marked ‘Tiffany & Co’ ‘925’
Total weight 6 3gms
4.5cm x 3cm
£80-£120
357 A GEORGE JENSEN SILVER STAR PENDANT on a silver chain
Designed by Henning Koppel, 1972
Hallmarked ‘GLD’
Total weight 33gms
£200-£300
ANNABEL JONES: A TOURMALINE AND PERIDOT NECKLACE
set with a graduating row of circular cabochon tourmalines, alternately set with green and pink tourmalines, with polished circular and oval connecting links
Integral clasp
Maker’s mark ‘AJA’ and hallmarked for 18 carat gold
Total weight 36 6gms
Total length 44cm
A PAIR OF PERIDOT EARRINGS
converted from the links
Post and butterfly fittings
Total weight 3.6gms
£2000-£2500
ALAN GAURD: A DIAMOND AND GOLD RING, CIRCA 1970 composed of a series of raised textured bark effect loops, randomly set with eight brilliant-cut diamonds above a textured band Marked AMG and hallmarked for 18 carat gold 1970
Total weight 13 4gms
Ring size Q1/2
Note: Alan Martin Gard was born in London in 1935. He established his own business in 1964, having worked for Andrew Grima after he had apprenticed under the Jewellery firm Crombies on Bond Street Texture and sculptural forms are the key to his designs and diamond were used as an accent as Gard favoured coloured stones Gard’s work has been shown in exhibitions at Goldsmiths’ Hall and the Design Center, London His work is a favourite of many celebrities and royalty, £1500-£2000
360 A SAPPHIRE AND DIAMOND STARFISH BROOCH
set to the centre with an old brilliant-cut diamonds within a diamond set star setting, with five radiating tendrils all pave set with circular-cut sapphires with a central row of graduating channel set diamonds.
Brooch pin fitting
Total weight 29 7gms
7 5cm wide
£2000-£3000
361
TRIANON BY SEAMAN SCHEPPS: A PAIR OF DIAMOND, PEARL AND SHELL EARRINGS
each shell shaped earring of mother of pearl, set with half cultured pearl and diamond collets with bead work cluster details Gold backs and clip fittings
Marked ‘Trianon’ ‘14k’
Total weight 25 3gms
3.5cm x 2cm
£1500-£2000
362
JOMAZ: A PAIR OF SAPPHIRE EAR CLIPS
each pave set with circular-cut sapphires
Clip fittings
Marked ‘JOMAZ’ ‘PATPEND’
Total weigh 16.6gms
2 2cm x 1 6cm
£250-£350
363
CHANEL: A PAIR OF PASTE EARRINGS
of pear shape, set with a red paste central stone with a border of white circular cut paste stones, all claw set above a rope-work border
Clip fittings
Marked with Chanel logo and ‘CHANEL’
Total weight 21gms
2 5cm x 1 3cm
£200-£300
364
CHANEL: A MULTI GEM SET BROOCH
the central circular cabochon-cut amethyst with four rows of radiating calibre-cut sapphires, channel set, with multi collet set gems in between, including aquamarine, peridot, sapphire, tourmaline and amethyst.
Brooch pin fitting
French control mark and marked ‘CHANEL’ to the mount
Total weight 24 9gms
5 5cm diameter
£1500-£2000
365
the step-cut cut cornered treated emerald four double claw set, between pierced shoulders on a plain band.
Stamped ‘750’
Total weight 5gms
Ring size Q
Note: The emerald has had a verbal report from Gemmological Certification Services London, stating that the stone is of Columbian origin with indications of moderate clarity enhancement with resin £3000-£4000
366-369 NO LOTS
370
OMEGA: W WII KEYLESS LEVER WATCH
signed white enamel dial with subsidiary seconds, signed 15 jewel movement numbered 10034902, in a nickel plated case engraved with MOD arrow G S T P, Y01855, 51mm, CIRCA 1944
£200-£250
371 GENTLEMAN’S SILVER CASED POCKET WATCH
having white enamelled 44mm dial with subsidiary seconds dial and blue steel hands. The interior of the back plate marked Birmingham, 1924 98 6g
£40-£60
372 A 9 CT GOLD LADY’S WRIST WATCH BY MARVIN on integral flexible bracelet with 12mm dial; a 9ct gold lady’s watch by Lanco with 18mm dial; and 2 other 9ct gold ladies watches (18mm and 22mm dial) (4)
Total weight including leather strap 63 1g
£300-£400
Please note that
373
RAYMOND WEIL: A LADY’S STAINLESS STEEL AND GOLD PARSIFAL QUARTZ WRISTWATCH
Ref 9630, signed mother of pearl dial, diamond set bezel, on integral flexible bracelet, 19mm with box, extra links, paperwork and slip case, CIRCA 2003
£300-£400
375 AN OMEGA PLATINUM WRISTWATCH
Ref 1378, Signed platinum dial with chequer board design, diamond stud numerals, quartz movement in a circular case on grey reptile skin strap with Omega platinum buckle, 30mm Circa 1988 with associated box
£400-£600
374
A LADY’S 19CT GOLD LONGINES COCKTAIL WATCH having white baton market dial and diamond bezel on conforming bracelet, Model L4 228 7, 33 5g gross
£700-£800
376
A VINTAGE 9 CARAT GOLD ROYCE COCKTAIL WATCH
Manual winding movement The champagne coloured 15mm dial inscribed ‘Royce 16 Jewels Incabloc’ on a beaded link bracelet
Total weight 11 3g
£150-£200
377
GENTLEMAN’S OMEGA WRISTWATCH WITH LATER STAINLESS STEEL BRACELET
Automatic movement The 30mm silvered dial inscribed Omega Automatic, with batons and aperture 77 4g
£200-£300
379 A ROLEX WATCH BOX AND PAPERWORK
consisting of outer cardboard box, green presentation box with plush lined interior, brochure for Rolex Explorer and document wallet containing a numbered guarantee certificate and translation book 12cm x 16 2cm x 8 7cm
£70-£100
378 A CARTIER WRISTWATCH
Papers, tank steel, two tone Champagne coloured square 18mm dial inscribed Cartier with roman numerals and date aperture The rear of the case inscribed 588100 CE With red presentation box Purchased in Harrods December 2005
84.4g
£1500-£2000
380
ENGLISHWOMANS DOMESTIC MAGAZINE VOL VI
Bound in Leather, Inscribed Englishman’s Domestic Magazine
ALONG WITH ROYAL LADIES MAGAZINE New Series Vol I 1834
The NEW NEWGATE CALENDAR, Being interesting memoirs of notorious characters
LADIES CABINET of fashion, Music and Romance Volume 6, 1846
PARISIAN COSTUMES, consisting of six beautifully covered figures from the latest Parisian publications with a description of the dresses and general observations (5)
£80-£120
381
T WO VOLUMES OF THE LADIES MONITOR, THREE VOLUMES OF THE LADIES POCKET MAGA ZINE, TWO VOLUMES OF THE ALMANACK POCKET BOOK AND ONE COPY OF MARSHALLS CABINET OF FASHION
consisting of
‘The Ladies Monitor Vol 1 c 1833’
‘The Ladies Monitor Vol 2 1833’
‘The Ladies Pocket Magazine 1828’
‘The Ladies Pocket Magazine 1830, Part 1’
‘The Ladies Pocket Magazine 1833, Part 1’
Each containing poems, essays, music, fashions and ideas for activities such as ‘How to melt a piece of money in a walnut shell, without injuring the shell’
ALONG WITH
‘Cabinet of Fashion 1827’ containing new dances, new music, Hackney carriage fares, weights and measurements, charades etc. in original leather travelling case
‘Almanack Pocket Book The Keepsake 1847’, in original leather travelling case with pencil ‘Almanack Pocket Book The Keepsake 1860’ which includes a completed diary for the year. (8)
£50-£70
382
FOUR VOLUMES OF LA BELLE ASSEMBLEE
consisting of
‘La Belle Assemblee Vol.5 New Series From January 1, to June 30 1812’
‘La Belle Assemblee Vol VIII New Series From July 1 to December 31, 1813’
‘La Belle Assemblee Vol V, From July 1 to December 31, 1808’
‘La Belle Assemblee Vol I, Part II From August 1 to December 31, 1806’ ascribed to HRH Princess Mary (4th daughter of George III), see portrait frontis.
‘La Belle Assemblee’ or ‘Bell’s Court and Fashionable Magazine addressed particularly to the Ladies’ features coloured fashion plates, sheet music, poetry, essays on geography, politics, natural history and more, criticism and miscellanies as well as news items such as daring robberies and horrible murders (4)
£100-£200
383
THREE VOLUMES OF THE NEW MONTHLY BELLE AS SEMBLEE ALONG WITH ONE VOLUME OF THE ENGLISHWOMAN’S DOMESTIC MAGAZINE
consisting of
‘The New Monthly Belle Assemblee Vol XXIII July to December 1845’
‘The New Monthly Belle Assemblee Vol IV, January to June 1836’
‘The New Monthly Belle Assemblee Vol LV, July to December 1861’ which contains a piece entitled ‘The Genealogy of Jewels’
Each being ‘The New Monthly Belle Assemblee, A Magazine of Literature and Fashion’ containing colour fashion plates, essays on literature and the arts, stories, poems and amusements of the month
‘The Englishwoman’s Domestic Magazine Vol VII 1859’; containing articles on world religions, historic fashions, advice to mothers, clothing patterns, cookery, gardening, pickling tips (4)
£60-£80
From infancy to the period of her much lamented death, funeral rites) and of her illustrious consort Prince Leopold of Saxe-Coburg Saalfeld including a variety of anecdotes, hitherto unpublished with specimens of her Royal Highness’ compositions in prose, poetry and music and facsimiles of her handwriting comprising also an historical memoir of the House of Saxe-Coburg Saalfeld ornamented with interesting engravings
£30-£50
THE WORLD OF FASHION 1865-66, TWO VOLUMES OF JOURNAL DES DEMOISELLES 1870 AND 1894, AND LE MONITEUR DES DAMES ET DES DEMOISELLES 1858-1859
French magazines containing colour fashion plates, stories, essays, embroidery patterns etc
£100-£200
THREE VOLUMES OF THE LADY’S MUSEUM AND T WO VOLUMES OF THE MONTHLY MUSEUM
consisting of
‘The Lady’s Monthly Museum or Polite Repository of Amusement and Instruction, 1799
‘The Lady’s Monthly Museum’, 1819
‘The Lady’s Monthly Museum Vol VIII, 1807
‘The Lady’s Monthly Museum, Vol IV, New Series’ 1808, ‘The Lady’s Monthly Museum, Vol 4, 1800
Variously containing colour fashion plates, stories, poems, courtship Q and A’s and more
£50-£70
THREE VOLUMES OF THE LADY’S MAGAZINE OR ENTERTAINING COMPANION FOR THE FAIR SEX (1893, 1804 and 1809)
consisting of
‘The Lady’s Magazine or Entertaining Companion for the fair sex appropriated solely to their use and amusement, for January, 1809
‘The Lady’s Magazine or Entertaining Companion for the Fair Sex, Vol XXXV for the Year 1804’
‘The Lady’s Magazine or Entertaining Companion for the Fair Sex, Vol XXXIII for the year 1803’.
Variously including coloured plates, poetical essays, foreign news, home news, births, marriages and deaths (3)
£30-£50
388
THE QUEEN, THE LADY’S NEWSPAPER AND COURT CHRONICLE FROM JANUARY 2ND TO JUNE 26, 1869
A large tome with 25 colour plates including fifteen full Fpage hand-coloured fashion plates
ALONG WITH FOUR OTHER MAGA ZINE BOOKS
consisting of
‘Magasin Des Demoiselles’ 1858-1853 Morale, Histoire ancienne at moderne, Sciences, Economie domestique, Beaux-Arts, Voyages, Recreations, Biographie, Petit Courrier des Demoiselles
‘The Court Magazine’ Vol V 1834 containing original papers by distinguished writers and finely engraved Portraits, Landscapes and Costumes from paintings by eminent masters
‘The Lady’s Companion and Monthly Magazine’, Vol VI, 1854, containing colour fashion plates, novels, romances and tales
‘The Court Magazine Vol. 1 From June to December, 1832; containing original papers by distinguished writers and finely engraved portraits, landscapes and costumes from paintings by eminent masters (5)
£70-£100
AN EARLY NINETEENTH CENTURY BRISE PIQUEWORK BLONDE TORTOISESHELL FAN with red paste highlights measures approx ??cm wide when fully open and ??cm long when fully closed
ONE FAN WITH TORTOISESHELL STICKS AND GUARDS
the cotton and lace leaf hand painted with flowers. measures approx ??cm wide when fully open and ??cm long when fully closed
A FAN WITH WOODEN STICKS AND GUARDS
the silk and lace trimmed leaf decorated with spangles measures approx 66cm wide when fully open and 35cm long when fully closed
A FEATHER FAN, PAINTED WITH VIOLETS
measures approx 34cm wide when fully open and approx 23cm long when fully closed
A SILK ARTS AND CR AF TS FAN BOX
£80-£120
390 A LACQUER FAN
the carved and pierced lacquer guards with similar sticks and black cotton leaf painted to match, the leaf interspersed with spangles measures approx 46cm wide when fully open and approx 25cm long when fully closed
A NINETEENTH CENTURY GLAZED COTTON GENTLEMAN’S FAN
measures approx 60cm wide when fully open and approx 32 5 long when fully closed
A NINETEENTH CENTURY TORTOISESHELL AND OSTRICH FEATHER FAN
measures approx 60cm wide when fully open and approx 27cm long when fully closed
£80-£120
391
DUVELLEROY, PARIS, A FAN
with mother of pearl guards and sticks, the silk leaf painted with a floral monogram ‘EM’, in original box measures approx 53cm wide when fully open and approx 28cm long when fully closed
£100-£200
392 A PAIR OF EARLY NINETEENTH CENTURY LADY’S SLIPPERS, CIRCA 1805-1810
composed of green leather and brown cotton with embroidered detail
Measure 26 7cm long
Similar pair are in the Metropolitan Museum of Art Costume Institute
Accession Number: 2009 300 1473a, b
£100-£200
393
A COLLECTION OF LADIES SHOES, 19TH/20TH CENTURY
a pair of cotton and kid leather taupe coloured booties measure 26cm long
A PAIR OF WHITE COT TON SHOES WITH SILVER ROSETTES
measure 24.5cm long
SIX SINGLE SHOES
measure 23cm long (white shoe), 24 5cm long (bootie) and 24 7 cm long (black shoe)
including two by Mayer, Paris measure 26cm long and 26 9cm long one by ‘G M P’, Paris measures 24.5cm long
£100-£200
394 A LADY’S RETICULE, CIRCA 1860
the wool work and metal thread body with yellow chenille tassels measures 15 3 x 14cm
A METAL BEAD WORK 1920’S EXAMPLE measures 14 x 10 7cm (excluding fringe)
£80-£120
395 AN EARLY NINETEENTH CENTURY LADY’S PURSE the satin bag profusely embroidered with ribbon work flowers, the verso with initials ‘EW’, embroidered in forget-me-nots measures 22 7 x 22cm
£100-£200
396
FOUR LADY’S RETICULES, EARLY NINETEENTH CENTURY
ONE OF SILK BAG FORM with pink ribbon decoration measures 19.7 x 28cm at widest /longest
a FURTHER EX AMPLE MADE OF SPITALFIELDS SILK measures 10.5 x 11cm
ANOTHER SATIN EXAMPLE with embroidered flowers with mother of pearl button. measures 15 x 11 5cm (excluding fringe)
ANOTHER IVORY SILK SATIN with embroidery measures 10 4 x 8 2cm
£100-£200
397
A COLLECTION OF GLOVES, MAINLY 19TH CENTURY
A PAIR OF LADY’S COT TON LONG SLEEVED GLOVES
A SIMILAR PAIR IN KID LEATHER
A PAIR OF COUNTESS LACE UP GLOVES by Dent Allcroft Company
T WO FURTHER PAIRS OF KID GLOVES
A PAIR OF YELLOW DOE SKIN GLOVES.
£60-£80
398
CHRISTENING DRESSES
four Christening Dresses - Nineteenth and Twentieth century measure 84cm long; 64cm long; 36cm long
£80-£120
the cream coloured cotton with embroidery and pleated skirt measures 74cm shoulder to hem x 107cm full length of hem
£20-£30
Please
400 A MID NINETEENTH CENTURY COTTON CHINTZ CHILD’S DRESS with lace trimmed collar and ruffled sleeves. measures approx 105cm long x 33cm across front of chest £30-£50
401 A LATE EIGHTEENTH CENTURY EMBROIDERED SILK DRESS FRAGMENT
the ivory silk panel with floral embroidered border measures approx 47cm x 100cm
£80-£120
402 TWO EIGHTEENTH CENTURY EMBROIDERED STOMACHERS
AN IVORY SILK EXAMPLE with metal thread
measures and a spangle embroidery measures 31 5cm x 26 5cm
A CORAL SILK GROUND EX AMPLE with metal thread embroidered feathers measures approx. 30cm x 18cm
£70-£100
Please
403
A SILK PANEL ATTRIBUTED TO ANNA MARIA GARTHWAITE of pink, blue and yellow trailing flowers measures approx. 39.5cm x 95cm
£80-£120
404
A PANEL OF SPITALFIELD SILK, CIRCA 1740 measures approx 29cm x 23cm
A PANEL HAVING PINK GROUND measures approx 68cm x 25cm
£100-£200
405
AN EARLY NINETEENTH CENTURY LADY’S FICHUN
the fine lace trimmed muslin ground with embroidered borders measures approx 112cm wide x 32cm deep from the neck
ANOTHER MUSLIN EX AMPLE
measures approx 128cm wide x approx 60cm deep
£80-£120
Please note that the illustrations are not necessarily to scale
406 A FINE RED COTTON LAWN AND SILK SHAWL, CIRCA 1840 measures approx 62 cm wide x 240cm long (excluding fringes) £80-£120
Please
407
A NINETEENTH CENTURY PAISLEY SHAWL
measures approx 160cm x 166cm (excluding fringes)
£100-£150
408
A LADY’S MOIRE SILK RETICULE, CIRCA 1820
measures 12cm to 16cm wide x 18cm long
ANOTHER EX AMPLE MADE FROM A SILK DRESS FRAGMENT
measures approx 10cm x 10cm
£100-£200
409
A PAIR OF GENTLEMAN’S WAISTCOAT PANELS un-mounted, the silk ground with floral embroidery (distressed)
measure measure approx 72cm long
£80-£120
Please
410
AN EIGHTEENTH CENTRY GENTLEMAN’S SILK WAISTCOAT with cotton back and interfacings, the front embroidered with flowers and scattered with sprigs measures approx 76cm long
£200-£300
411 A MID NINETEENTH CENTURY BLUE AND SILK LADY’S DRES S comprising two pieces, trimmed with lace and cut steel buttons measures skirt 66cm waist x 101cm long jacket approx 40cm across front of chest x 54cm nape of neck to hem £70-£100
412
A REGENCY SILK DRESS
the pinkish red and grey striped silk with lace insert with quilted detail
measures 31 5cm across front of chest approx 139cm long
£100-£150
413 A REGENCY COTTON DAY DRESS
composed of printed cotton and having a train measures approx 36cm across front of chest and approx 128cm long from shoulder to front hem
£100-£200
AN EARLY NINETEENTH CENTURY COTTON SPENCER
JACKET with Indian style embroidery and matching dress measures approx. 30cm across front hem of jacket x 28.5cm from nape of neck to hem
32cm across front of chest of dress x 132cm from shoulder to hem
£100-£150
415
A SPITALFIELD SILK LADY’S ROBE, CIRCA 1740 the silk altered and with later lace trims measures approx 128cm from nape of neck to hem x approx 33cm across back of waist
£500-£700
This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers 1
11. Our Status
a. We act as agent to sell the Lots on the Seller’s behalf by auction
b You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you
c We will always treat your data with care, personal details are held securely and will not be sold Our Privacy statement is available at www.doreandrees.com
12. The Estimate
a The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot.
b Estimates can change, they are not definitive and should not be thought of as the sale price
c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges
d Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered
13 Buyer’s obligations and undertakings
a You warrant to us and to the Seller that:
i. you will not bid on a Lot you do not intend to pay for
ii you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges;
iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes
iv if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility
b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you
c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause
14. Inspection of Lots
a As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do
b We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot If you bid on a Lot, including by telephone,
absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition.
c Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition Lots are sold ‘as is’ (i.e. as you see them at the time of the auction) Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed
15. Descriptions and condition
a Our descriptions of the Lot will be based on i i Information provided to us by the Seller of the Lot (for which we are not liable); and i ii Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).
b We will give you a number opportunities to view and inspect the Lots before the auction You (and any independent consultants acting on your behalf ) must satisfy yourself about the accuracy of any description of a Lot We shall not be responsible for any failure by you or your consultants to properly inspect a Lot
c Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently
16 Registration, Bidding and the Buyer
a You are required to register to bid by 5pm on the day before the auction. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid.
b If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks
c We reserve the right to require deposits at the point of Registration on high value Lots Deposits are refundable after the auction if you are not a successful Bidder
d Lots will be invoiced to the name and address on the Registration Form
e Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges) We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained). Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable.
f Telephone bidding is offered on a first come first serve basis on high value lots Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable
g Bidding online is available via doreandrees com and our auction partners EasyLiveAuction com Please refer to EasyLiveAuction com for their charges and terms and conditions
h We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion
i We may bid on Lots on behalf of the Seller up to one bid below the Reserve.
j We may refuse to accept any bid if it is reasonable for us to do so
k. Bidding increments will be at our sole discretion (and in line with standard auction practice)
l The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price Any dispute about a bid will be settled at our discretion We may reoffer the Lot during the auction or may settle the dispute in another way We will act reasonably when deciding how to settle the dispute
17 Anti-Money Laundering Regulation
a We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more.
b Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations
18 The Purchase price
a As Buyer, you will pay:
i The Hammer Price;
ii Buyer’s Premium of 25% of the Hammer Price
iii Any artists resale right royalty payable on the sale of the Lot
iv Any VAT due11
19. VAT
a You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot
b We will charge VAT at the current rate at the date of the auction
10. Artist’s Resale Right
a. From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional. From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and the beneficiaries of these artists
b. An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0 25% The charge is exclusive of VAT We reserve the right to pass all the cost to the Buyer of the qualifying artwork
11. The contract between you and the Seller
a The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction
b You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms and Conditions - SELLER.
c If you breach these Terms and Conditions –BUYER, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim
d We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot)
e In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions – BUYER, in the event:
i You are in breach of your warranties in clause 3; or
ii We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or
iii We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot.
a Immediately following your successful bid on a Lot you will:
i. Pay to us the Total Amount Due by one of the following methods:
1 BACS
2 Debit Card
3 Cash – up to a limit of £8,000 in person
a While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot;
b. You may not claim or collect your Lot until you have paid for it and ownership has passed to you
c. You will (at your own expense) collect any Lots that you have purchased and paid for either:
i Not later than 5 working days following the day of the auction
II Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later
14. Storage of
a. If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot.
b The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.
c If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot. We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot
15. Remedies for non-payment or failure to collect purchases
a. Please do not bid on a lot if you do not intend to buy it If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER If you do not comply with these Terms and Conditions of SaleBUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:
i Take action against you for damages for breach of contract
ii Reverse the sale of the Lot to you and/or any other Lots sold by us to you;
iii esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause
8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;
iv. Remove, store and insure the Lot at your expense;
v f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1 5% per month on the Total Amount Due;
vi Keep that Lot or any other Lot sold to you until you pay the Total Amount Due
vii Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or
viii If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.
b We will act reasonably when exercising our rights under clause 7 We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms and Conditions
16. Forgeries
a A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery
17. Data Protection
a We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website
18 Liability
a Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise
b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law
c No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings.
d Subject to Clauses 10 b and 10 c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot.
e We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system
a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure Subject to Clause 4 b, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot
b Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9 b, shall have no claim against us in respect of accident or loss, however caused.
c hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there) If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there
d Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations
e ny notice from you to us must be sent in writing to us at our address detailed on our website
f f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)
1 Our Status
a You appoint us to act as agent to sell the Lots on your behalf by auction
b. You will pay us the Sellers Commission together with VAT at the prevailing rate
c We will not include any Lots in an auction until they have been received by us.
d We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer
2 The Reserve
a We will agree with you the Reserve, which may be higher than the starting bid
b. We shall not publicise the Reserve.
c We may bid on your Lot up to an amount equal to the Reserve You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf
3. Seller’s obligations and undertakings
a You warrant to us and to the Buyer that:
i you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot;
ii you have no reason to believe that it is a Forgery;
iii all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances;
iv you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge;
v if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made;
vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot;
vii you have given us notice of any alterations to the Lot of which you are aware;
viii you may not withdraw a Lot from an Auction without our consent
b If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal.
c If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer.
d You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause
4
Loss and Damage Warrant y
a All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass For this we will charge you 1 5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer
b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.
5 Anti-Money Laundering Regulations
a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more
b Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations
6 Images and Illustration
a We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so
7. Unsold Lots
a If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers.
b Registered Bidders may contact us and offer to purchase a Lot after the Auction If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction If the bid is less than the Reserve, we will contact you. If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction
c. You may contact us at any time after the Auction to remove your Lot from the After Sale process
d Subject to agreement with us, your unsold Lot can be re-offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs.
8 Withdrawn Lots
a. If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification
b.You are responsible for collection and transportation arrangements and costs
9 Forgeries
A A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery
b. If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer.
