Sample work 2022

1' - 4" 06 40 23.C00 ARCH WOODWORK, PLAS LAM

VARIES

06 10 53.D00 WOOD BLOCKING CONTINUOUS

VARIES

06 10 00.L00 PLYWD BACKING PANEL

06 40 23.C00 ARCH WOODWORK, PLAS LAM

4"

SEE AV DWGS

HOLD

SEE AV DWGS

HOLD

4"

1/4"

1/4"

1/4"

1/4"

05 70 00 DECORATIVE METAL

$/,*1

06 10 00.L00 PLYWD BACKING PANEL FULL NICHE HEIGHT AND BLOCKING FOR MONITOR MOUNT/SUPPORT

9' - 0"

SEE MONITOR SPEC

COORDINATE W/ MONITOR SIZE

SEE MONITOR SPEC

COORDINATE W/ MONITOR SIZE

SCHEDULED MONITOR AND MOUNTING BRACKET REFER TO AV DWGS

SCHEDULED DEVICES REFER TO AV DWGS

DECORATIVE METAL BEYOND 06 40 23.C00 ARCH WOODWORK, PLAS LAM

1/4"

HOLD

4" 1/4"

1/4"

4" 1/4"

HOLD

$/,*1 05 70 00 DECORATIVE METAL

06 40 23.C00 ARCH WOODWORK, PLAS LAM

VARIES

VARIES

06 10 00.L00 PLYWD BACKING PANEL

COUNTERWEIGHT AS REQUIRED 06 10 53.D00 WOOD BLOCKING CONTINUOUS SECURED TO FLOOR

1"

SCHEDULED FLOOR FINISH

1"

06 40 23.C09 SCRIBE STRIP, PLAS LAM

1"

1"

EQ 3

PL01 3"

3"

4 1/2"

01

REF2

PL01

3' - 4"

8' - 8"

01 03

1' - 8" 1' - 8" 1' - 8"

SC01

SEE

MW1

03

MW1

WD1 PL01

2' - 6"

04 06 ________ ________ ________ ________ A12.10 A12.11

2' - 0"

PL01

14

3' - 0"

$

9' - 8"

$

2' - 10"

2' - 10"

08 PL01

SC01

2' - 10"

08

3"

SC01

$

9' - 3"

3' - 0"

PL01

$

9' - 2" 9' - 0"

3' - 0"

9' - 4 1/2"

9' - 0" 9' - 2" 9' - 4 1/2"

9' - 8" 9' - 3"

11' - 0"

3

3

16

05 05 ________ 02 03 ________ ________ ________ ________ ________ ________ ________ A12.11 A12.10 A12.10 A12.10 5' - 0"

1' - 2"

3 3

EQ

19

02 02 DW1

2' - 0"

01

SD1

)

CM1

PL01

ICE1

3' - 0"

1' - 4" 1' - 7"

REF1

PL01

SPEC.

07 ________ ________ A00.31

16

R NA P L A 6 52 4K EP

04

05

04

EQ

GL02

GL01 205

AR AN PL X 75 UR

4" TYP.

04

AR AN PL X 75 UR

6' - 0" 4" TYP. 05

EQ

4" TYP.

04

04 07

4' - 1"

R NA P LA 6 52 4 K EP

4" TYP.

R NA P LA 6 5 2 4 K EP

9' - 2 1/2"

16

8' - 8"

R NA P LA 6 52 4K EP

5' - 0"

3' - 10"

4' - 1 1/2"

204

R NA P LA 6 52 4 K EP

6' - 8 1/2"

13

GL01

R NA P LA 6 52 4K EP

4" TYP.

4" TYP.

02 ________ ________ A12.20

02 ________ ________ A12.20

9' - 2 1/2"

4" TYP.

$

GL02

03 ________ ________ A00.31

02 ________ ________ A12.20

4" TYP.

07 03 ________ 07 ________ ________ ________ ________ ________ A00.31 A00.31 A00.31

AR AN P L X 75 UR

09

05

SCHEDULED FAUCET FULL HEIGHT BACKSPLASH. REFER TO ELEVATION. SCHEDULED BACKSPLASH. SEE ELEVATION

REFER TO PLAN

1 1/2"

24" MAX TO CONTROLS

COUNTERTOP, SOLID SURF MATERIAL

PLYWOOD SUBTOP PULL; DOUG MOCKET DP129 PULL SSS UNDERMOUNT SCHEDULED SINK

8" REFER TO ELEVATIONS

DOOR PANEL, PLAS LAM

27" MIN 34" A.F.F. MAX

REMOVABLE PANEL W/ BALL CATCHES FINISHED END PANEL BEYOND, WHERE OCCURS PIPING INSULATION AS SPECIFIED

SCHEDULED PARTITION HINGE

11"

'(*5((6

REMOVABLE BASE PANEL W/ BALL CATCHE INTEGRAL TOE KICK, PLAS LAM FINISH TO MATCH DOOR SCHEDULED FLOOR; REFER TO FINISH PLAN

4"

1/2"

6"

3"

FULL HEIGHT BACKSPLASH. REFER TO ELEVATION.

4"

1 1/2"

REFER TO PLAN

SCHEDULED BACKSPLASH. SEE ELEVATION. CENTER DEVICE WHERE IT OCCURS.

SEE ELEVATION

REFER TO ELEVATION

AT WALL, PROVIDE 3/4" THICK MDF CLEAT, PAINT TO MATCH WALL FINISHED END PANEL BEYOND, WHERE OCCURS ELEC. OUTLET, WHERE OCCURS

SCHEDULED EQUIPMENT SCHEDULED PARTITION (;7,1*8,6+(5

11

2

13

2

2

2

13

WAP

22 06 TYP. 69"

AV

TRAINING ROOM 209

2

6' - 10 1/2"

01 69"

09

96" 96"

69"

2 WAP

WAP

WAP 01

COMMAND CENTER 204 02

07

08

08

07

FULL HEIGHT BACKSPLASH. REFER TO ELEVATION.

23

+/- VIF

31"

COAT CLOSET 203

WAITING AREA 201

27

2

2

26

10 01

31"

2

11

21

09

06 TYP.

01 18

69"

02

WAP 72"

2

11' - 0"

2

5' - 3"

05

01

25

2

48" 48"

79"

48" 48"

68"

68" 68"

68"

79"

08

01

17' - 4 1/4"

01

08

21

WALL PANEL, PLAS LAM

02

01

9' - 6"

2

09

38// '28* 02&.(7 '3 38// 666 PLYWOOD SUBTOP

LARGE CONFERENCE 205

TYP. 01

2

06 TYP.

5' - 3"

08

08 09

01

WAP

68"

WAP

68"

79"

WAP

04

08

06

01

79"

WAP

48"

2

17' - 4 1/4"

01

09

68"

06 TYP.

2

68"

LAB 210

2

79"

2

05

48"

WAP

2

48"

08

STORAGE ROOM 211

79"

OPEN OFFICE 213

PRIVATE OFFICE 212 2

48"

08

20

WAP

79" 79"

24

2

72"

2

06 TYP.

72"

TYP. 21

SCHEDULED COUNTERTOP. REFER TO ELEVATION.

48"

79"

DEMO AREA 202

48"

11' - 0"

07

79"

07

COPY/PRINT 214

9' - 6"

09

48"

05

72"

21 FEC

SCHEDULED BACKSPLASH. SEE ELEVATION. CENTER DEVICE WHERE IT OCCURS. SEE PLAN

1 1/2"

2

06

PANTRY 207

11

2 WAP

06

ADJ SHELF, PLAS LAM

CABINET SHELF REST BACKER PANEL SCHEDULED PARTITION HINGE

08

DOOR PANEL, PLAS LAM BASE, SCRIBE TO FLOOR

8 DUPLEX DATA & 4 DUPLEX POWER AT TRUSS LEVEL 8 DUPLEX DATA & 8 DUPLEX POWER ABOVE COUNTER 4 DUPLEX DATA & 4 QUAD POWER BELOW COUNTER

NOTE: FINAL DEVICES, QUANTITIES, AND LOCATIONS ARE GOVERNED BY CLIENT LOW VOLTAGE DRAWINGS AND ARCHITECTURAL DRAWINGS.

4"

13

03 TYP.

SEE ELEVATION

36"

SERVER ROOM 208

05 2

06 11

REF2

05

11

4"

2

13

16 06

48"

2

ES

19

72"

2

17 RECEPTION 215

REF1

48"

13

36"

CM1 ICE1

72"

2

22

GFI 36"

48"

2

GFI

WD1 DW1

72"

13

MW1

36"

2

36"

36" 48"

14 15

48"

19

05

48"

WAP

SCHEDULED FINISH FLOORING

48"

2

08 TYP.

06 TYP.

06

24"

13

5' - 0"

2

22

+/- VIF

2

11

07 03 TYP. SD1

FEC

13

12

2

80"

2

MW1

2

36" 36"

09

06

36"

2

09

07

48"

06

3"

SCHEDULED FLOOR; REFER TO FINISH PLAN

OFFICE WORK Starbucks Polytech Project, Brooklyn, NY

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ACOUSTICAL HANGING DETAIL

WALL TILE AT BACK SPLASH

TILE BASE AT INTERIOR WALL

Residential:

61W 9th St, Manhattan, New York

ACADEMIC WORK Re-activated Urbanization Culture + Efficiency

Urban Planning

Mainland China

an

Shenzhen Access to Mainland China

Guangdong Province India d Viet Vietnam

Shenzhen, southern city of China, has charmed the futuristic generation due to thriving economic fortune and therefore, a significantly increased rate in population growth has been projected each year. A big ratio of migrants to Shenzhen are poor people from rural areas with limited resources, education and industrial skills; and hence, barely fit in the urban lifestyle. This amalgam of various cultures co-existing together has faded Shenzhen’s own distinctive architectural and cultural peasant heritage by transforming it into a diversified multicultural metropolitan city, nonetheless, life standards of migrant workers stays lower.

This research intends to use the existing environmental advantages, infrastructures and programs in combination with traditional Chinese and modern architectures to design a fully functional neighborhood for the working class migrants from rural areas. An environmental and human friendly network will be developed by relocating and reconfiguring socioeconomic cluster based on the available resources and applying minimal changes to the geographical features. The network and neighborhood together will serve in both macro and micro aspects by educating and improving the adaptability of the migrants and their future generations. Facilitating and benefiting the growing working class is mandatory for the substantial development in the economy as well as culture of Shenzhen.

Airport

Shipping Port

m Borderline

Hong Kong

Port

NORTH

Site Analysis

Macro Research

Program Connection

More Works at: https://issuu.com/doris_xie/docs/jingxian_xie_portfolio

Function Cluster Density

Cluster Select

The building style has been inspired by the infamous traditional Qilou structure of Guangdong Province, featuring connected but open corridors, serving mainly as the sidewalk for the retail shops at the ground floor, however, from the first floor above, exists the covered and flat residential structures with balconies. Qilou structure is bi-functional, serving both residential and small-scale commercial aspects; abundant shophouses all across Southeast Asia feature similar structures. Shenzhen has humid subtropical climate, therefore, the open porches allow the shops to operate round the year. Furthermore, it also offers plenty of space for each shop to hang its distinctive and colorful signage to attract the customers, simultaneously making the pedestrian avenue more vibrant and functional.

Concave designed units create semi-open community assembly, which offers the community participation space on inside sphere of the residential block but provide privacy from the outer sphered commercial zone without hindering the traffic flow. Moreover, in the prototype, the steel structure has replaced the concrete columns, providing more available space throughout the structure as well as for pedestrian lane.

Concrete Slabs

Micro Design

Steel Structure

Structure Walls

Glass Framed Balconies

Seattle Media Tech

Design & Construction Documents

Located at the corner of West Lake and Denny way, The Seattle Media Tech Museum pays homage to the rapid development in Technological advancements around the South Late Seattle Area in Washington. The design is influenced largely by the programs it houses, also responding to the buzzing corner of traffic and population flow. The programs ranged between office spaces to public museums. By tackling the immense variety in programs and knitting it into the service functions of the building, The mass of the building was generated.

Media projection requires a closed of environment, moving away from natural sources of light, to maximize quality of the representation. The media tech museum challenges one to explore a variety of senses through the visual and locomotive experience. Operable Interior walls allow spaces to be configured into different shapes such as parallelograms and dome rooms, which would aid in representing media information in multiple dimensions.

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The exterior facade is clad with white tinted aluminum curved panels which represent the futuristic intention embedded in the concept. Perforated Metal panels strategically clad on the exterior to allow light penetration into specific spaces without breaking the smooth solid piece of massing that the building represents.

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Programing and Level arrangement of Retails and Coffee Shop (Leisure zone)

Programing and Level arrangement of Office

Programs Separated while Connected as a Whole

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NEW STREET TREE, TYP.

K A

B

C 21'

16'

D

E

F

18'

- 3" 21'

G

H 18'

21'

- 3"

12'

M

N

O

P

19' - 3 1/2"

26' - 6"

- 0" 18'

- 4"

14'

- 0"

R

Q

J 5

- 3"

- 8"

L I

- 0"

2

12' - 4 3/4"

A 2.2.1

- 4"

4

28' - 0"

19' - 6"

.2

A 2.3

28' - 0"

A 2.3.1

56' - 0"

3

A222

33' - 6 5/8"

25' - 0 7/8"

17' - 3 1/4"

Main Gallary

2

S103

59' -

° .23 71

17' - 3 1/4"

2

M

1

54' - 9 5/8"

7° 8.7 10

° .23 71

1

8' - 3 21/32"

3

83' - 7 5/8"

4 5

1B B

Main Gallary

6 17' - 3 1/4" 17' - 3 1/4"

7

8

6

S104

A B

7

C

34

F G H I

K

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-5 24’

’’ 1/2

11’

W

2’’’’ /2 6 1/

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’ ’ - 3’

8

V

T

S

1

8 3 1/4”

Peropet_Roof1S 61' - 0" Roof_1S 60' - 0" Peropet_Roof2N 53' - 0" Roof 2 N 52' - 0" Level 4S 50' - 0"

Level 3 S & Level 4 N 39' - 0"

Level 3 N 26' - 0" Level 2 S 20' - 0"

Level 2 N 13' - 0"

Level 1 0' - 0" -1' - 0"

Housing First:

Designing for Dignity

This Downtown Emergency Service Center (DESC) project aims to aid helpless people to overcome behavioral health disorders and homelessness through architectural designing and housing. The meaning of shelter is only limited to a place to stay, however, a home gives the sense of belonging to people. Integrated community services and support with coherent infrastructure and environment can help people recuperate their lives back and play their positive role in the society.

The shape and orientations of each floor determines the public and private areas, such as the public space is the C-shaped, whereas, the residents units are L-shaped in upper floors. Double-loaded corridors on resident floors provide efficient airflow to entire building. Moreover, the L-shape units are designed as such for maximum sunlight dispersion in every unit. Shared facilities on the first floor such as kitchen, media rooms as well as the outside courtyard and leisure spaces set up a communal feeling of involvement and togetherness within the premises. These public-private interactive zones give the inhabitants to socialize and simultaneously keeping their privacy as and when desired, without compromising on their surveillance.

Roof 55' - 0"

35' - 0"

Level 3 25' - 0"

Level 2 15' - 0"

Level 1

S CTIO SEC ON A SCALE: 1/8” = 1’

ELEVATION A SCALE: 1/16” = 1’

BATHROOMS FOR TENANTS

A

EXPLODED FLOOR PLANS SCALE: 1/32” = 1’

CONSULTATION ROOMS

STAFF OFFICE

CONSULTATION ROOMS

STAFF OFFICE

CONSULTATION ROOMS

STAFF OFFICE

STAFF LOUNGE & BATH

STAFF OFFICE

B

B

STAFF OFFICE

A

INT N ERI RIOR SPA PACE CE | Lou Lo nge Space ce to towar wards ds Cou C rtyard

Public Space Reception Desk Private Zone Semi-Private Zone

CONFERENCE ROOMS

BATHROOMS FOR TENANTS

COMMON ROOM ELEVATOR MACHINE ROOM

COMMON KITCHEN

LINEN CLOSET

ELEVATOR

STAIRS

EGRESS STAIRS

EGRESS STAIRS

ENTRY LOBBY

ALLEY

LAUNDRY ROOM

RAINIER

ALLEY

RECEPTION DESK

LOUNGE SPACE

COMPUTER LAB

SUPPLY CLOSET TV LOUNGE

GROUND FLOOR PLAN SCALE: 1/8” = 1’

A

B

B

A

EGRESS STAIRS

MECHANICAL ROOM

SECOND FLOOR PLAN SCALE: 1/8” = 1’

Ground Floor Plan

2 - 5 Floor Plan

Residential Unit

De Vine

Wine Rack Design De-vine is an interactive wine rack which allows users to store wine into an artistic wall feature.

Inspired by a plain weave, three configurations developed, allowing the wine bottles to be placed vertically, horizontally, embedded or extruding the face of the rack. Using Rhino and Grasshopper, a lattice structure was created using parameters of a conventional wine bottle. Because of manufacturing limitations, the design is segmented into four parts, which is carved using a CNC router and later pieced together. The project explores and pushes the boundary of a traditional wine rack becoming more than just a place to store wine. The wine rack itself becomes a piece of art.

Float

Sculpture

This project involved creating a sculpture by using the planar elements. The material properties were analyzed and optimal manufacturing technique was developed. It was a challenge to create a Mobius strip design by using planar elements. The project was designed by using 3D softwares such as Rhino 3D and Keyshot, which provided accurate design data that was used to transform the concept into such aesthetically enchanting piece of art. Translucent and transparent Plexiglas pieces were created to give the impression of floating sculpture. Plexiglas, a single material, unifies the piece as a whole.

4 1/2”

2’-0”

4”

Rotating and Twisting

Mobius Form

Intersect in Platform

Bending Corners as Supporting Base

Split into Individual Pieces

2’-0”

2’-0”

Single Plate

2’-0”

METICULOUS PAINTING - Koi Fish

HANDCRAFT MODEL - Wind Power Filling Station Paper Mache

SKETCH - Netherland