Winter's Child Score (Excerpt 2)

Page 1

Winter’s Child Excerpt Two Music by Ellen Reid Libretto by Amanda Jane Shank Story by Ellen Reid, Julianne Just and Amy Tofte Presented at The Industry’s FIRST TAKE Christopher Rountree, Conductor Singers: Maria Elena Altany, Peabody Southwell, Stephanie Aston, Jessica Aszodi, Ariel Downs, Leslie Ann Leytham, Jessica Mirshak, Kirsten Wiest Nick Tipp, Audio &Recording Engineer


Excerpt 2 Starts Here

In Time      434

B. Cl.

Flug.

    

B. Tbn.

Vib.

Chim.

  

Vln.

Db.

mp







 

  

 

 

mp

 



You smell

like

pp



  

 cool

like

 

 



 



 

  

   

 

   

  

   

 

              p  mp



Gongs

  

 

mf

very scratchy and chaotic

rain.



p

expand this pattern to more dissonant and scratchy sounds

 

   

rain.

  

cool

 p

rain.

 

 

   

f

 

arco

cool

like

rain.

cool

p

Chimes

like



no vibrato pp

 

very slight vibrato

   

   



no vibrato pp

     

Vc.

 

  

Vla.

p

ppp

no vibrato

  

Vln.

 

S 3, 4

ppp

    

S 1, 2

p

ppp

        

S. 5, 6

  

Gongs.

Child

mp

    

Pno.

q = 90

  

Tbn. 1

71


72

     441

B. Cl.

Flug.

q = 125

  

mp

f





 Flugelhorn

 

ff



  

 

f

 

  

 

flutter

p

Tbn. 1

Trombone

flutter

p

B. Tbn.

Piano

 mp

f



   

     

flutter

 

     

 

 

f

stop!

(= h)

Gongs.

  

Cym.

Tom-t.

B. D.

Child

Vln.

 mf

bowed

p

Electronics

 



 

Vln.

 

Bass Drum mp

3

    

extreme sul pont bending toward and away from the pitch microtonally up and down frantically

    

Terr -

i - ble

  extreme sul pont

Vc.

 

 

-

vings

       

 

    

 

p

let resonate ff

 

scratch tone devoid of pitch

more bow pressure

 

    

more bow pressure

scratch tone devoid of pitch

         

 

 

more bow pressure

   

more bow pressure

 

ff

 

normal

Double Bass

ff

    

normal

 

scratch tone devoid of pitch

normal

Violoncello

ff

more bow pressure

normal

pp

 

let resonate

 

pp

normal

p

Db.

 

pp

cra

pp

extreme sul pont bending toward and away from the pitch microtonally up and down frantically

 

 

pp bending toward and away from the pitch microtonally up and down frantically

Vla.

mf

3

Terr - i - ble cra- vings

f

Tom-toms

 

 

f

 Electr.

 

 

ff

ff

scratch tone devoid of pitch

   

         

 

ff

scratch tone devoid of pitch

ff

 


B. Cl.

   

Flug.



mf

    

B. Tbn.

Electr.

Vib.

Child

p

p



   

p

f p

 

 

 3

Vln.

mf

f

mf

 -

 -



 

normal

-

 cra

p

-

    p

3

 

Vc.

   

p

3

Db.

pp





normal

mf

 



  



  

f

 

breathe when you need to and reenter loudly and freely (splat tone okay!)

f

3

  

             f

 

 

 

  

 

  gliss.

3

ff

 

ff

 

   

f

 

with hard rubber mallets

3

        ff ff f  3  

   ppp     fp

   fp     

powerful vibrato

gliss.

gliss.

cra

-

vings, Terr - i - ble

Terrible_Terrible

gliss.

Terrible_Terrible

scratch tone devoid of pitch

  

 

 

scratch tone devoid of pitch

   p



Terr - i - ble

p



breathe when you need to and reenter loudly and freely (splat tone okay!)

Terrible_Terrible

normal



pp

 

f

mf

mf

Terrible_Terrible

mf

normal Vla.

vings

mf

normal

Vln.

vings



    3

vings



mp

vings



mp



pp

f

mp

bowed

              

cra

S. 5, 6

3

3

Vibraphone

    

              

cra

S 3, 4



Terr - i - ble cra

S 1, 2

 





 

Tom-t.



 

Cym.

B. D.



f

p

Tbn. 1

73

breathe when you need to and reenter loudly and freely

448

scratch tone devoid of pitch

    

 

p scratch tone devoid of pitch

 

 

 

 

 

p scratch tone devoid of pitch

p

   

    

   

   

   

   

    

normal

ff

3

normal

ff

3

normal

ff

3

normal

    3

ff

normal

ff

3    

 


74

   454

B. Cl.

Flug.

    

Tbn. 1

B. Tbn.

Electr.

Vib.

Tom-t.

B. D.

Child



 

 

   

   

     

 

   

q = 90

   



              f                f                   

f

  cra

    -

p

mp

  

   mp

mp





 



powerful vibrato

vings.

fff S 1, 2

What

S. 5, 6

Vln.

   

Vla.

Vc.

S 5, 6

     

 

   

sul pont



      

 

  

sul pont

mine

 

 

What

is

  

      

 

What

is





mine.

 

 

 

 

sul pont

 p

 

mine

 p

p

p

sul pont

normal

   

sul pont

normal

p

      



is

fff powerful vibrato



Vln.

Db.

S 3, 4

fff powerful vibrato S 3, 4

S 1, 2

p


   

459

Flug.

f

Tbn. 1



(=q) (messy unpitched half valve gliss with articulation)

gliss.

Vib.

B. D.

Child

 



 

f

mp

(=q) (messy unpitched gliss with articulation) gliss.



(=q) (messy unpitched gliss with articulation) gliss.

 



 

 



 

mf

p

Vln.



mf

gliss.

Vla.

more bow pressure



 

more bow pressure

 

more bow pressure

Vc.





more bow pressure

 more bow pressure

   

   

mf

gliss.

 

mf

gliss.

scratch tone

 

 

 

p

 



normal



 

normal



scratch tone

normal



sul pont moltissimo (so close that you occasionally lose the pitch)



sul pont moltissimo (so close that you occasionally lose the pitch)

p

f

scratch tone

p

p

f

scratch tone

p

wait

f

scratch tone

 

thing?

wait

 

some

wait

We

  

Vln.

Db.

You need

We

S. 5, 6

 

We

S 3, 4

Yours?

S 1, 2

p

p



mp

p mp

mp

  

  mp

f

B. Tbn.

75

sul pont moltissimo (so close that you occasionally lose the pitch) To To Vla.

p

sul pont moltissimo (so close that you occasionally lose the pitch) normal

  f



normal

 f



mp

sul pont moltissimo (so close that you occasionally lose the pitch)



mp


q = 115

76

   463

B. Cl.

Flug.

p

Child

ff

 

Trombone

  ff

mp

  mp

Bass Trombone  p

B. D.

Flugelhorn

p

Tom-t.

  

Tbn. 1

B. Tbn.

 

  

 

 

ff

ff

  

mp

  



  

ff

 

ff

ff

mp

   

    

(on rim)

Tom-toms

 



 

ppp

 

 

 

  

 

f

   instruments   can overtake voices

 

fp

fff

        

   

ff

Child

What are you ask ing me?

p no vibrato

What

is

 

S 3, 4

p

Vln.



 

p no vibrato

What

 

is

mine

 -

 mine

Vln.

-

-

-

-

-

-

 -

-

-

-

-

-

fff

-

-

-

-

-

- AH

fff

-

 

  

mp

      ff

 

    

mp

ff

fff normal   

 

fff

      fff

very low scratch tone normal

     

mp

  

-

very low normal scratch tone

very low scratch tone

-

very low scratch tone

ff

Violoncello 

  

mp

       

-

normal very low scratch tone

ff

-

  

  

- AH

ff



  

 

-

Viola

 

Vc.

Vla.

Db.

-

normal

-

normal

 

What

AH

   

is

fff

mine

no vibrato

What

S. 5, 6

f

fp here fff f

f with great frantic despiration

 

S 1, 2

  

mf

  

mp

  

   fff

    

normal

fff


  

471

B. Cl.

  

 

   

fp

Flug.

mp



 

mp

Tbn. 1

 



mp

B. Tbn.

Pno.

Tom-t.

B. D.

Child





 

ff

 

ff

 

  fp 

mp

                I

 

mp

fp glis

need

to

77

                  3

ff

  f

 

 

staccato

            



 s. 

 

do?

mf

    

instruments can overtake voices f here

f

S 1, 2

 

3

ff

3

 

Show

me

fff

 

fff

 

  ff

 

 

  

 

3

f

3

 



f



  

3

3                               ff       (on rim)  3                            

   

 

 

Piano 

do

S 1, 2

 

ff

 

  

 

3

          f         

  

 

my

 

3          3

   

 

   

 

ff

ff

 

fate,

 

AH

mf

S 3, 4

S 3, 4 -

S. 5, 6

Vln.

  

Vln.

-

-

-

-

-

-

-

-

-

more bow pressure

fp

 

Vc.

  fp

Db.

  fp

-

   

-

- AH

S 5, 6

fp

fp

-

more bow pressure

scratch tone

 

ff

scratch tone

 

-

-

mf scratch tone

fff

 

   

- AH

-

scratch tone

  

   

  -

 

-

 

 

-





normal

 

normal



-

-

-

-

-

 

-

  -

 

 

 3        

 

  

ff more bow pressure

Vla.

 

 

 

scratch tone

ff more bow pressure

 more bow pressure

   

scratch tone

   

ff

scratch tone

ff

normal

3   3              

3

3  3 3   3                           

normal

 

scratch tone

  

 

normal

   

 

 

   

 

 


78

     476

B. Cl.

Flug.

         

Tbn. 1

B. Tbn.

Piano

Electr.



   

   

  



f

 



  

 



 



 

 

 

Tom-t.

       f

B. D.

      

   

3



mf

 

 

mf

    



 

 



3

3

   

mp

 

 

    



q = 80

  

 

mf

 

                        f



 

3

 

 

3

   



 

 

 

 

ritard.................................................................................................................................................................................................................................................................. mf with deep need and longing

Child

Vln.

Vln.

        

  



  



Vc.

Db.

   

 

    

 

     

 

.



me.

mf

Vla.

gliss

show

mf



 

Show

 

 

 

 

 

 

  

me

my fate,

  

 

    f

mf

  

 

 

 

   

3

     f

mf

3

mf

mf ff

f

mp

          he

lp me to

see.







 





  

 


  

B. Tbn.

Vib.

Child

Vln.

        

Vc.

Db.

Vib.

Child

Vln.

 



 

p



pleading

 Le

ann

pp



-

a

Le

p

  -

ann

-

-

a

p

-

Vibraphone

Out of Time I1    

 

pp

 

pp

   

with metal rod

 

p

ppp

Vln.

Come

back,

 

pp

Vc.

Vla.

pp

pp

 

pp

pp

Db.

 

with soft yarn mallets

 

484

Piano



B. Cl.

79



481

The rain outside Child's window becomes a sea of flowers raining down. She is amazed, delighted, a little scared. Leanna begins to leave.


I2

80

 

485

Piano

Vib.

Child

Vln.

     

Vla.

Vc.

 Piano

S 1, 2

 

as quiet as possible and still sung

Come

back,

Vln.

Db.

Move to next section once all strings on in a unison





II 1   486     

gently

Come_back

gently S 3, 4

Come_back

S. 5, 6

Vln.

  

Vla.

Vc.

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

Come_back

 

 ppp

 

-

gently

ppp

Vln.

-

 

ppp


   488

B. Cl.

In the privacy of her own room, Mama is still bent in prayer. The Lake begins to pour into Child's bedroom, overwhelming her, sweeping her deeper into her dream.A moment of silence, stillness.

II 2

81

gently, half spoken half whispered

gliss.

Come_back

p

  

gently, half spoken half whispered

Flug.

gliss.

Come_back

p

Tbn. 1

gently, half spoken half whispered

gliss.

Come_back

B. Tbn.

Piano

Vib.

   

p gently, half spoken half whispered

gliss.

Come_back

gently, half spoken half whispered

gliss.

p Come_back

gently, half spoken half whispered

gliss.

Come_back

p

gently, half spoken half whispered

Chim.

gliss.

Come_back

B. D.

S 1, 2



 

p

gently, half spoken half whispered mp

gliss.

Come_back

p

gliss.

Come_back

mp

S 3, 4

-Come_back -

S. 5, 6

Vln.

  

gliss. -

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

mp

-Come_back -

gliss. -

-

-

-

-

-

-

gently, Spoken

gliss.

Come_back

p

gently, half spoken half whispered

Vln.

gliss.

Come_back

p

Vla.

gently, half spoken half whispered

gliss.

Come_back

p

gently, half spoken half whispered

Vc.

p

Db.

Come_back

gliss.

gently, half spoken half whispered

Come_back

gliss.


82 A moment of silence, stillness.

III

B. Cl.

Flug.

Tbn. 1

B. Tbn.

Piano

Electr.

Vib.

Chim.

B. D. S 1, 2

S 3, 4

493              

 

 

 

CHILD alone with THE LAKE. CHILD has lost her sense of place and can no longer recognize her bedroom, only THE LAKE surrounds her.

 

15

      

      

  

 -

S. 5, 6

Vln.

Vln.

            

Vc.

Db.

gl iss

.

Vla.

  

  

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

 -


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