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Digital Imaging Home Entertainment Personal Computing Wireless Total Garner Digitali n g i n g Single lens reflex = multiple shot options Digital SLRs break iu rther into the consumer market
....
Feature Test Lab
.................................................9
HUB reviews [our digital photo wallets
Tutsi 5:7. cw , .11 Handheld reviews: WarioWare Twisted, Star Wars and more . Enthusia Professional Racing. CSI: Crime Scene Investigation 12 Where
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Some ol the Web‘s best abandonware sites
cm Letter of the Month Photo Spree
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- Digital Fhotographg Tutorial 0 DVD Easter eggs 0 Movingto Mar: e Hit the links GPS golf
www.hubcanada.com 4
Editorial The move to tfigital has
changed the way we view pictures. Literally speaking. we tend to view them more on-screen than as prints now. whether at home on the Pl: or out with an impromptu FDA. laptop or camera slide show for any‑ one polite enough to feign interest in our family or vacation snaps. figuratively. we seem to view captured frames as hav‑ ing less intrinsic value; it doesn't matter if you shoot a dozen pictures ofthe same landscapeor if you burn off six frames capturing what may turn out later to be a failed panoramic photo. Digital allows us to experiment without thought for the cost associated with each click of the shutter. ironic then, if you agree thus far. that digital has also added value to photographs. With numerous online photo sharing sites. pictures sent back and forth via email and with a series of user-driven fine art and stock photography sites online. we‘re able to see pictures that we might not otherwise have been exposed to, Gallery style photos are available online and on many sites. a strong and dedicated community of amateur photographers solicit and receive comments and criti‑ cism of their work. Diehard amateur photographers would have had to per‑ haps take a second job to afford the consumables required for film photography or learn to roll and devel~ up their own. Now. with digital single lens reflex [SLR]
cameras coming in at just under the $1,000 mark and with the price of in-camera storage dropping into a more affordable range. more people than ever an per‑ haps scratch the photography itch. There are those who get caught up in the gadget lust pan of digital photography, endlessly debating the ins and outs ofcameras. storage media, printers and soon while flaming anyone that dares to disagree. While pre~purchase research is always important, whether you use a low-end digital point and shoot. pro‑ fessional level digital SLR or any variation In between, the important thing is just to take pictures.
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Andrew MooreCrisp-‘n andre-Dwrflislungu Erin Bell MIMI-Inga
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Last month we asked: What digital camera features are most important to you? Jlrn Gunnoll writes: [Iver the years. I've built upa rather solid investment in 35mm and digital cameras. Both have their own unique advantages and disadvantages. The one thing that I would really like to see is the abili‑
ty to swap my lenses between the cameras. I like my cameras, but I really like my lenses.
Mr. Rsnvlwritss: What will sway meis a camera offer‑ ing short shutter lag and quick image processing.2Xor 3X zoom. support for inexpensive CFmemory cards. 4 to 6 megapixel sensor. and great firmware. Finally. I think hard about the form factor suiting my needs. Bottom line: don't fall for a single impressive feature without knowing the rest of the story!
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lJur Latter oftha Month comes from Jonathan Chang issue. we're asking for yourthoughts on our question of the month: What gadget or technology should every who writes: student have? Whatever your opinion, we want to hear
I think that one of the biggest factors that camera man‑ from you. Send yourthoughts to: ufacturers are missing out on is the fact that a lot of Isomsppubllshlngn. people will simply never print their pictures out. it is reasonable to say that most people have one portable The letter chosen as Letter of the Month will win a copy gadget capable ofdisplaying photos, and at home they of McAfee's Internet Security Suite 2005 [ver. 20] for protection from malicious sites and email. viruses. pop‑ have a computer. The implication ofthis is that megapixels are not nearly up ads. auto-install programs. identity theft. hacking as important as people seem to think. Ona typical PE. attempts and viruses. With a full suite of online securi‑ diSplaying a 1500x1200 JPEG is slow and u n n e c e s ‘ ty software and 24-? live tech support. Internet sary, What would be appreciated are cameras that are Security Suite 2005 is a comprehensive package fl “ extremely portable. have last shot-to-shot times and protecting your PConline. warm-up times. good flash. and well thought-out pre‑ set modes that make taking good pictures easy and quick. For his letter.Jonathan wins a Jolt messenger style laptop carrying bag from Samsonite.
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t \ £ ‘ tacos traekng and Lock-on ' it sounds lrke lgplcal marketing hype, ._: t See‘YlS to work in Mag. 3 p a i r of rooms was fighting in my back 331and the D705 gave me mgshot elthe month. lreezmgthem in mid a '. rest 3 sp‘ t secehd before theg clashed “he canvas cent-muons shooting performance ISanother noteworthy 'ea'..;re Sett o; the camera‘s shutter speed to 1 125 sec. I timed how g t ne-’o’ take the camera to ( r e of.‘ SDshats The results 16 sec at E.- ~ : " t a ‘ . 2 5 se: 3 : PEG { 7 9 . 5 ' 3 ' 5 1 L’ 1 5 L ‘ f 3 m x t e i n Rm" made ‘ois " t e a - t s N Lt:-~s stat : the; rate o f three ‘ra-“es per second can b e ash e t e : The c a m e ' a see‐s ae'e to Sustain CUMMJD‘JS shooting ever a l a " ; pe'ia: ‐ 1 held the shutter button down for one minute [normal FE:- ‘hcaef an: the c a ' t e ’ a took 155 CC’lSEEJ'tAE shots [it took anoth‑ e‐ t n : ~.~otes for t h e “ r t e Epc'BZiC's to ~'- sh] is there an ultimate l ~ 1 7 i‘he'e nae be. ' : _ : I F5- e that it ueu war-t to capture more than a - ~.'.e :‘ co-t woes action. 53.1 shcu'd be looking at a video camA cz‐oe'. r : t a oSLR fine." 32. too the “705 as a"w:n Eens' manage, gcu get a very good 18-73 We zoo-n that n : o - p : ' a t e s f.‘ ko-r's special low-oaspersion E0 3 ass eier-e'tts Eetaase ofthe 1 51 he'd cfvxew adjustment factor. the 15.73 zoo?» ra-ge is eat. .-ale: to a;;.’cnsma'tefg 2?-105 mm on a 5-71 "7." s a m e ' a The best specs t the wo'ld w:-..'= l:e S'F'FEj atechmcal euetcise iithe saw-era t: or‘t d: what rt was oes'gneo to on. wh'ch I5 to take photos Here t h e 37:5 crce aga ‘1performs well Even Cnthe medium qualitg
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by usmg an eight megapixel sensor that captures 3284x2448 pile] images at i t s highest resolution, The body construction is also unusual It has an aluminum chassis under that plastic skin. and feels ters that
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er-qualrty JPEG aetunga the buffer/processor l r m r t s the number of frames, in high quality JPEG mode, the camera stopped firing after 15 frames, and in raw lmage mode, afterjust four frames. For more leisure‑ ly shooting, however, the camera was always ready and a pleasure to use,
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very solid. Dust accumulation on sensors is a common problem with dig' ital SLRs, since the inner workings are exposed each time an inter‑ changeable lens is removed. To combat this, the E300 incorporates Olympus' Supersonic Wave Filter designed to keep the sensor free of such debris. In short, the E-300 is loaded with technical innovation. It's also a capable shooter, performing very well in a variety of indoor and outdoor situations. The 14-45 mm zoom has a good balance ofwide angle and telephoto performance, and the focusing proved to be very
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between them, This is not unique to the Rebel XThowever and with the ability to easily adjust the exposure value, bracketing doesn't need to be
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already have Yahoo! Canada Photos. Creating a digital album of photos is simply a matter of typing in a gallery name and clicking 'Add Photos“ to search your PC for images to upload. Yahoo! Canada Photos provides three ways to share images: sending an invitation by email to visit your galleries,viewing your galleries with contacts in a Yahoo! Messenger conversation, and ordering prints [ranging from wallet size to 8x12). lhe print ordering feature is handy, allowing Canadians to either pick up their images at a neighbourhood Rogers Video store or have them delivered directly to their door for a small shipping fee. While accessible and cheap [you can‘t beat free. unlimited storage], Yahoo! Canada Photos is pretty barebones. It provides minimal gallery Yahoo! Canada Photos (m.ca.yahoo.com] options outside of assigning viewing privileges and creating simple One ofthe most popular and accessible photo sharing services on the slide shows, and the overall look and feel is decidedly unexciting ~ Internet.Yahoo! Canada Photos is free, provides unlimited storage, and functional. but probably not groovy enough to make anyone under 50 is easy to sign up for. In fact, if you have a Yahoo! email account, you feel as though they're engaging in something cool.
i remember my folks poring over our family albums with the relatives. “Look. here's Chad in his Speedos with a black eye and a missing tooth. And this was him when he had his little paunch. Now where's that one where he's wearing his cute little lederhosen outfit?’ Little did they know that I burned that traumatic photograph when I was 10. But had I been born and raised in more recent times. I proba‑ bly wouldn’t have had such an easy time removing that wretched image from existence. The act ofsharing pictures with friends and family now requires just a few mouse clicks. The Internet is crammed lull of photo sharing Web sites that allow people to store vast albums of photos and make them accessible to as many ‐ or as few ‐ people asthey like. AsI start a family of my own and begin to amass a nice collection of photos that will one day mortify mydaughter. l‘m going to make sure it won't beas easy for her to destroy evidence of her more embarrassing childhood moments as it was for me. I wan my friends and family to havetheir very own pictureof her crying her eyes out in a bunny suit. Tothat end. I recently tested four digital photo sharing services.
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\ 3.111: 130m] Flickr is the polar opposite otYahoo! Photo; it‘s a hip, independent photo shar‑ ing communitg with heaps of features. The Flickr experience is not only about sharing pictures, but also about becoming part ofa biog-like population where you get to know other users,join groups of people with similar interests and tastes, and create photo pools to share with your contacts. Users have plenty of image organization options, ranging from creating gal‑ leries within galleries to assigning individual pictures tags that allow users to efficiently search your public photos. Flickr allows users to post photos to several popular blog sites, and provides the abilitg to blog images from a camera phone.
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J u l y 2 0 0 5 - H U B : D i g i t a l L i v i n g ‐ Tor'omzo Section
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Digital Imaging display camera information. You can monitor traffic to track your most popular images. and request to be notified by email whenever some‑ one comments on a picture or gallery. Serious photographers canjoin usergroups and participate in commu‑ nity forums, and professional users can even sell images from their galleries. posting their own prices with SmugMug facilitating transac‑ tions for a small commission. SmugMug provides an affordable and multifaceted print ordering serv‑ ice through a professional printmaker chosen by the service's discern‑ ing membership. It's also one of the few photo sharing sites to allow its members to store and share video files, though limited to BMB.
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PiXPO [www.plxpo.com] PiXPU is a peer-to-peer file sharing system more akin to applications like Kazaa and LimeWire than a traditional photo sharing Web site. PiXPD users don't have to waste time uploading images. Rather, their PCs become file sharing servers that allow other PiXPD members to
access photo and video files directly. With no need to upload files, users can quickly and efficiently create galleries of thousands of images that are searchable by other users in a matter of minutes. Peer-to-peer perks aside, PiXPO also provides many of the same fea‑ tures offered by other photo sharing services. Like Flickr, PiXPO has a very community-centric atmosphere, encour‑ aging users to seek out one another and create groups to share pic‑ tures and information. Like SmugMug, PiXPO provides extensive gallery
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Restoring Photos Part 2: Basic tone and colour corrections Last month we opened this series on restoring photos with some scanning basics. Let‘s now turn to tone and colour correction basics. Most image editors have several tools that you can use to make these changes and often there is more than one way to perform a correction, so feel free to experiment. Before you start, you should make a copy of your original file, so that you can always go back to it if necessary. As an overall strategy. work with adjustment layers where possible, as they have a few advantages. A good tool to start with is levels or a levels adjustment layer. The levels panel shows adistribution of values from 0 [no value, black] to 255 [maximum value, white). Below the histogram is a thin bar that goes from black to white, and below the bar are three triangular mark‑ ers, which are actually sliders that can be moved to the left or right. A common problem with old photos is a limited range of tones. You can see this graphically ‐ the histogram will span a narrower range so there won't bevalues all the way to 0 on the dark side, orto 255 on the light side. When you take the black slider and move it toward the centre, you can see the image get darker; likewise, move the white slider toward the middle and the image becomes lighter. By moving these sliders, you are re-establishing the white and black points of your photo, You can use thresholds to find the darkest and lightest areas of the photo, or you can use your own sense of aesthetics. For example, the wheel well of anautomobile would bea natural spot to pick for the blackest black, since there would be no detail you’d want to expose there. Likewise for a white point, the reflection off a chrome bumper would work, since it would be pure white with no detail. The grey slider represents the middle value of 128. Movingthis slider to the left or right affects the mid-tones, and makes the overall image look darker or lighter. Adjusting the white, black and middle grey points using levels is often all that's needed to fix a faded photo. Another useful tool, especially for colour prints, is the colour balance tool or adjustment layer. The colour balance tool has three sliders marked cyan-red, magenta-green and yellow-blue. Red dyes tend to be most susceptible to fading, so a good place to start when correct‑ ing a faded colour print is to boost the red. Do this by moving the cyan-red slider towards red. You may also find that moving the magenta-green slider toward magenta will also help. If the paper has taken on a yellowed appearance, try moving the yellow-blue slider towards the blue. If the photo has faded to the point where there isn't much colour left to correct. you can boost the saturation using the saturation tool/adjustment layer. By using adjustment layers, you can make tentative and interactive judgements during your correction because you can access each layer over and over to modify your previous settings. This allows you to fine-tune your corrections. By David Tanaka Guestions and comments about David Tanaka's monthly column can be sent
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D V , or- N o t : D V Video In the Raw ‐ No Sort, No L i n ! Following your many interesting comments and questions, generated by previous UVcolumns on the value and preservation of analog and digital media, I'd like to ask you a question: How many of you go raw? That is, how many videographers out there willingly show, share or sell raw, unedited video footage? Whether it‘s home movies from a recent vacation, the camera tape from a wedding, or even unedited footage from a paid video assignment, the practice of showing unedited video footage raises interesting aesthetic, technical and production issues. Aesthetically, dowe "understand" unedited footage? Can the avenge TVviewer sort out in their mind's eye what is good, bad or indifferent about raw footage? Does including otherwise shaky or normally unus‑ able video become justified because of the content itself? Does editing video change the impression we get of what happened? Technically, editing analog used to mean losing video quality through generation loss. Today, digital video eliminates most worries about such degradation ‐ but concatenation is another matter. That's digital processing using several different codecs, or video compression/decompression devices. it can cause digital artifacting, which can becompounded when convening between different formats, From the production point ofview ‐ pun intended - should we shoot like a camera operator, or like a video editor? Capturing on video what
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happens right in front of our eyes is one skill. but some video story- markthe successful conclusion of The Battle ofthe Atlantic. tellers prefer to rearrange and re~emphasize the scenes they capture. Two DVcameras were used, and about four hours of footage was shot. I bring all this up because it happened to me recently. I was commis- Wecovered wreath-laying ceremonies, marches and parades, a special sioned to provide video coverage ofcommemorative ceremonies mark- flag-raising, and a social and ceremonial cruise on Lake Ontario, ing the end ofWWIl, and to document the activities ofthose gathered to One camera was on a tripod, and as a result it was mostly fixed in posi‑ ' tion. with little or no relocating. It was supposed to 1 gEt the bird's eye view, the big wide establishing shots. giving viewers a general sense of what was going on, where and when. The other, smaller cam‑ era was used onamonopod,to be more mobile and flexible. It got close-up shots. the faces and the medals, the extra detail that adds depth to a video production On this shoot, the camera operators could not communicate with each other, other than the occa‑ sional eye contact or hand gesture. lthink we did a good job with the coverage, but as with almost any live event video, things happen that are not expected. Sometimes, you have to "swish-pan” the camera [a very fast and ratherjar‑ ring camera move from side to side] to capture a certain scene or action, but you daren't stop the camera lest some invaluable audio be missed. Sometimes. in order to record someone‘s entlre speech. you have to let otherwise long and ‐ in all honesty ‐ uninteresting footage go by without (r
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H U B : Digital L i v i n g -Tor~ont:o S e c t i o n
TD 19
Digital Imaging changes of any s o r t And yes, sometimes in the rush to get from one location to another, 3 you leave the camera rolling. ending up with several minutes of some‑ one's shoes, running along a sidewalk! Shooting on Mini DVmeans the footage has to be transferred [not many people have DVtape machines at home] so the opportunity to manipulate the video while getting it to DVD or VHS usually presents itself no matter what. Sure, it's easy to edit digital video today [and we will explore several ways to dosoin upcoming columns]. but when neither time nor budg~ et is available to clean up the footage or edit it down a bit, what do you do? Show the raw, unedited footage, warts and all? Try and explain why all the extraneous imagery is included? Pull an all-nighter and edit the darn thing anyway? From the rather basic. often built-in video editing tools that come with the major operating systems [like Windows Movie Maker or Apple's iMovie] to more sophisticated high end video finishing packages like Sony Vegas or Avid‘s Express Pro. there are a wealth of digital video editing tools. techniques and technologies out there. We'll talk about some ofthose choices in future columns; in the mean‑ time, we're happy to keep receiving your comments and questions ‑ whether raw or edited. By Lee Rickwood Lee Rickwood is a freelance wrlter and Independent video producer. He can be reached at videodazeegoodmedlacom.
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Portablep h o t oprinters The cost oi priming photos from a photo printer still averages out to be of an ACplug. of course].
significantly higher [around P0cents per photo accordingto our caicu- The printer auto-detects the number of photos on any card inserted lations] than having them processed at a photo lab [49 cents per digi- into its front-mounted card readerand gives users the option to print all tal print asadvertised at Blacks Photography]. However, portable photo printers offer the significant advantage of immediacy ‐ minutes after the photograph is taken, you can be holding the fresh, glossy 4x5 in your hands. HUB took a closer look at five of these portable photo printers
Epeon PIctureMete Deluxe Viewer Edition Price: $319.99 Type: Inkjet Weight: 2.5 kg Dimensions (cm, HxWxD]:15i3x25i?x15r5 Mex resolution: 5?60x1440 optimized dpi Cards eupported: CompactFlash Type I and II, MagicGate Memory Stick, Memory Stick, Memory Stick PRO. Microdrive, MultiMedia Card. Secure Digital, SmartMedia.xDPicture Card, xDPicture Card Type M Approx. cost per print: 406 Average time per print as tested: 1:31 The PictureMate is one of the most truly "portable" photo printers on the market, given that its built-in colour LCD screen and extensive onboard image manipulation features make it able to function hand‑ somely independently of a TVor PC. A sturdy handle further enforces the “take anywhere” vibe [anywhere that happens to be in the vicinity rr
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or s p i n e . Using Print Some. the mo displays colour thumbnails that can either be viewed as a slide show or displayed In groups of several per screen [useful for cycling through a large volume of pictures] The LCD~driven interface is very intuitive to navigate. Using the arrow keys and OKbutton while in thumbnail view. the user can easily toggle the number of copies to print and customize the layout by adding our ders [includingaselection of Disney "fun frames']. print sheets ofwal‑ let-sized photos, add a date or time stamp to the photo, and apply black and white or sepia color effects. [These steps can also be performed with the help of aMzard.) Users can also perform rudimentary photo editing lunctions straight from the printer, including adjusting the brightness. saturation and sharpness of a photo, rotating and cropping, and zooming in or out. The (ID-ROM included with the PictureMate contains Epson Software FilmFactory and Epson PhotoCenter. The latter installs a desktop link to
Epson‘s free photo sharing Web site. where users can organize and store pics online. print from the Web. and create online postards Film Factory is a photo editor that also manages all photos stored on the PC
for printing through the PictureMate when docked via an A - 8 USB cable (not included]. The pictures the PictureMate produced in our tests were punchy with good colour balance and strong hues. The combination of very good photo quality with medium-fast printing time and good useability make the Picture e a great all-around choice. Although saddled with an expensive suggested retail price of $319.99 - at least $100 more than some of the other printers tested ‐the investment should pay off in the longrun since the Epsonwas the least expensive printerto maintain by a wide margin at a mere 40 cents per sheet.
Sony DPP-FPSD Price: $249.99 Welgltt: 1.2 kgwithout tray Dlmsnslena (cm. m m ) : SAxZDBxIZB Nair resolution: 300x300 dpi
Typo: Dye-sublimation Cards supported: CompactFlash, Memory Stick. Memory Stick lhio, Memory Stick PRO. Memory Stick PRO Duo. MicroDrive Approtdrnata cost per print: 87: Average drnato print as tested: 1:04
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want to consider simply
renaming each photo's default alphanumeric file‑ name to something recognizable. inches], and when priming, the paper feeds through either end. The getup While the LCD ensures that the DPP‐FPSU can function as a standalone if seems a bit fragile, and there needs to be ample space around both ends needed. the printer needs to be connected to a television or PCto unlock of the printer so that the paper doesn't get caught An attachment built its most powerful features The DPP~FPSO connects to a PCvia an A ‐ B onto the paper tray conveniently acts asa receptacle for finished photos. USB cable, which strangely isn't included in the packaging although the lhe DPP-FPSO has a non-colour LCD that is capable of displaying text but noise~reducing clamp filter that the manual instructs the user to attach to not pictures, so you can preview the file names of each photo, but not the the separately purchased cable is. thumbnail of the actual image It's possible via the onboard menu to print The printer comes with a CD-ROM that installs PictureGear Studio on a PC, an index card that can fit 48 thumbnails with file-names listed above each a photo editing tool that contains such features as red eye reduction, as a means of selecting which photos you want to print. However, given colour-correction, zooming and cropping There's also a prints studio with that a page costs around 8? cents to print on the DPP-FPSU, you might templates for creating things like calendars, postcards, and more. must beinserted into the side ofthe machine [jutting out a good five or six
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flower against a blue backdrop, was rendered extremely washed out and "at by this printer. and the ethertest pic.thoughit fared a little better. was still washed out. [these test photos were printedon the included Kodak paper to boot.)
Canon SELF!“ 05700 Price: $249.99 Weight: 1.8 kg Olivier-alone (cm. H m ) : 29x21.6x21.6 Mair retaliation: 4800x1200 dpi type: Inkjet Card: supported: L'ompactFlash. MagicGete Memory Stick. Memory Stick. Memory Stidt PRO. Microdrive. HultiMedia Card. Secure Digital. Kodak EnyShara Printer Dock Plus Price: $199.95 SmartMedia (3.3v only) Weight: 1.11kg (with tray] Apprerdmte cost per print: 63C Dimensions (cm, wam]: 33.3x13.8x8.4 [wltray] Average time to print as tested: 1:32 Max resolution: 300 ppi[piirels per inch] Type: Continuous tone thermal~dye transfer with no LCD or navigation buttons. pictures on the Cards supported: Secure Digital. MultiMedia Cards Canon SELPHY DS?00need to beviewedthroughthe Approximate cost per print: 82: TV. PL USE-connected camera. or mobile phone vb Average time to print as tested: 0:58 its Inlrared port. However, the included (ID-ROM does contain an Kodak's EasyShare printer dock is a bit er! a maver‑ extremely uselul memory card utility that. when ick in our roundup given that it's designed to specif‑ installed on a Pt, autodetects any memory card ically accommodate digital cameras in Kodak's inserted into the Canon's card slot while it is eon‑ EasyShare line. The printer has no built-in LCD. but nectedtothePCviaarm-includedA-BUSBcable. its top spans a docking station for EasyShare cani‑ then prompts the user to import photos from the eras to be mounted on. alter which users can card onto the PCfor editing and printing. browse images on the camera using the camera's The disc's editing software. Easy-thoPrint.ontop own LCD. or connect the printer to a TV screen via of being a printing utility with rotate. trim. and date video cables to get ablownup view. stamp functions. also offers several photo enhance‑ The printer does feature support for SDand Mill: ment functions such asred eye reduction.1manual cards, but there's no way of navigating the contents blemish remover. and digital lace smoothing.bright‑ of the cards independently of the docked camera. eningand sharpening. While interestingtoysto play When we tried to print photos lrorn the card reader with. the applications admittedly weren‘t that effec‑ that had been dragged onto a card from a PC, the tive. (If you're serious about image editing. stick EasgShare detected the card, but not the photos with Hmoshop.) [perhaps bemse they were in a separate sub~ Next to the Epson, Canon is the cheapest printerto directory] When the same card was inserted into a maintain ataround 63cents per photo. However,“ Kodak EasyShare camera and additional pictures photos it yielded in our test were of relatively poor were taken with said camera, the primer did recog‑ quality ‐ washed out and “dusty" looking, nize those pictures when the a r d was reinserted. The included CD-RDM installs EnyShare Software with a nice variety of editing options includingcrop. red-eye reduction, adjusting brightness/contrast. and some neat filters such as black and White. colouring book, cartoon. and fish-eye lense. While the EasyShare printer dock's compact, light‑ weight size and last printing time are advantages. its photo quality was one of the weakest in the roundup, beingupstaged by the DPP-FPSO, Lexmarlt
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Remove the clutter and take control
Logitech Harmony 688 Advanced Universal Remote ($299; logltuchxom] This Canadian invention is billed by many critics as the “world's best uni‑ versal remote" ‐ and for good reason. For one, the Harmony Remote, now owned by Logitech, can be easily programmedby simply connecting it to a PC's USB port and going online to answer a few easy-to~follow “Web Wizard'
questions. It's also the first remote with buttons such as “Watch a Movie" ‐ within seconds. this device will automatically set up all your applicable
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audio/video compo‑ nents. such as t u m ‑ ing on your TV. DVD player and receiver. then changing the channel to 03 and pressing play on your DVD player.
Look down at your colree table and be honest ‐ if you‘ve got more TV remotes than you do family members. you've got a problem.
Why not join the “minimalist movement' and invest in just one remote to control everything from your television to your satellite dish to your stereo receiver to your DVD. VCR and PVR. Unlike the primitive 'universal remotes' of yesterday - with their contus‑ ing code books, limited features and ugly design ‐ today's devices are smart. chic and a cinch to program. And they can cost you a pretty penny. too ‐ lor example. the two~handed Magnolia Nix-3000 Universal Remote Commander costs roughly $1400. We'll skip these high~end solutions for the time being. and take a look at three new and unique TVremotes that should appear to a dillerent user.
‐
lts
ergonomic
design that molds to your left or right hand. and reinforced buttons that are cleverly placed on the face of the unit, makes the Harmony remote more comfortable than any other on the market. Asmall LCD screen pro‑ vides extra inlormation to the user. both the display and buttons leature a bright backlit glow When needed. Pros:
-Easy to setup and use ‐Very comlortablc ‐Ean control other devices such as lights or a computer ‐Works with both t'lmdows and Macs
Eons: ‐Requires Internet connection to set up ‐Pricey
One For All: Kameleon 8
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($99.99: www.bestlnelecttonlco.ca) This slender remote controls up to eight devices, and has the ability to learn commands from your existing remotes by placing them headAto-head and pressing the “learn" button. The device uses something called “Intelligent Illumination'to display will the keys that are necessary for the device you are controlling, eliminating key clutter and extending its battery life. Similarly. a built-in tilt switch means the buttons will begin to light UP only once you pick up the remote. It then shuts itsell off automatically when not in use. This remote is quite the conversation piece because of its
futuristic. illuminated design. A “Smart Macro‘ feature allows multi~ pie commands to be executed with a single key press. One thing we didn‘t like in our testing. however, was that the Channel and Volume up and down buttons (arguably
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position of these key buttons is questionable. codes for popular TV. VCR and DVD brands. and explains how to block unwanted channels. Heck, it's so small, inexpensive and simple-to-use, you may want this for yourself instead!
Pros:
‐Easy to program and use ‐Relatively affordable
Proe: ~Good idea ‐SimpIe-to-use ‐-Cute design -Attractive price
Cone:
Weemote 3 ($24.95; weemote.com]
If you‘ve got young 'uns in the house and would like them to start channel surfing early. you might consider the Weemote 3, a colourful and easy-to-program oval-shaped universal remote designed forkids. The small remote lets chil‑
¢
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Cone: ‐Limited in functionality ‐Not as easy to program as other “learning“ remotes By Marc Saltzman Guestlone and comments relotlng to the Home Entertalnment aectlon, Includ‑ lng Marc Snltzman'e monthly column. can be l e n t to: homoentertalnrnentappublIahlngca.
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Each type of basic projec‑ tion technology has its own characteristics and adds its own flavour to the images it creates. Just like www.d|p.com you can always tell that a particular cheese is made by Kraft by its taste, a basic imaging technology determines how a particu‑ lar brand of projector will look. One of those technolo‑ gies is Digital Light Processing [DLP], where the actual imaging chip is called a Digital Micromirror Device (DMD). The technology uses thousands of tiny mirrors to either deflect light through the projector lens, or not. If one of those tiny mirrors needs to show a half‑ strength green, it will move back and forth to deflect the full strength green light through the lens for half the time. This happens thousands oftimes a second so you won't notice it flickering; youjust see a dim‑ mer green. Again, all of the light shown for half the time equals halfthe brightness. It is an interesting technology that works extremely well. According to Texas instruments, the company who developed and owns the DLP technology. a three‑ chip “cinema" version is able to show 35 trillion colours. Single chip units are rated at 16.7 million colours, which is what most of us can afford. Personally. I can only see millions of colours, so a single chip works for me. Even high-end home the‑ atre units come with this single chip and colour wheel design as opposed to the three chips and a
prism you normally get with EU or LCoS-based systems. This puts DLP at a bit of a disadvantage when mixing colours in comparison, since it is done sequentially. The colour wheel usually has a red, green and blue filter and sometimes a clear area to allow white light through. It quickly spins around letting each pri‑ mary colour through to the imager in sequence. which the eye then puts together into one full colour image. The white segment, if present, bumps up the brightness of the image at the cost of contrast. This white segment is undesirable in a home theatre pro‑ jector, so ideally look forthree or six segment colour wheels. The main image artifact with acolourwheEI system is something called rainbow effect. If you dart your eyes across the image. you may notice a rainbow around high contrast edges within a picture. This is because the separate RGB parts of the picture update at different times, and when your eye is moving quickly across the screen, these different colour updates fall on different parts of the eye. n‑
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One advantage of DLP is that it's a purely “on” or “off” digital system. LCD and LCoS systems need to do a digital to analog conversion right before the signal makes it to the imager. These digital to ana‑ log conversions can add signal errors. and this means that DLP gets the most benefit from a DVI interface. Another nice thing is that the tiny mirrors are tight‑ ly butted together. less than one micron apart. This makes for a smooth image compared to LCD, which can have noticeable blank areas in between pixels. This blank area creates a pattern that looks like a screen door. With DLP, you don't see this. Also, DLP tends to have high contrast ratios of 2000:1 or even higher. Contrast ratios are impor‑ tant, although they only tell part of the story. so beware of relying too heavrly on this specrlication when choosing a prorcctor. DLP projectors can be very small; in fact, lnFocus makes one under two pounds. This can't be done with athree-chip system. Finally, when you do get a stuck pixel on a DLP, chances are it's black, which is a lot better than the blaring orange that can occur on three-chip sys‑
Although rare, some people have a real problem watching colour wheel-based systems, so make sure to see a demo before you buy DLP. To combat rainbow effect, manufacturers have tems. been increasing the rate at which the colour wheel Allin all, DLP rmagers make great pictures in either turns as well as adding additional sets of R58 seg‑ front projectors or rear projection televisions ments. Originally, the colour wheel cycled through By Andrew Carruthers all of its segments at GDHZ, which is called a one‑ times (1X1colour wheel. The standard for home the‑ atre units is now 2X, and even higher numbers are common.
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Afterthe Sunset Director Brett Ratner,who has hidden eggs on the Rush Hour DVD and its sequel, has planted a couple of good ones on New Line Home Entertainment's comedy Alter the Sunset. Here's how to unlock one olthem: From the main menu. goto the second page of Special Features. Highlight the words Interview With A Jewel Thiel, then press the Left arrow button on the DVD remote.A diamond will appear near the top ofthe screen. Press Enter to watch a practical joke plaged on actor Pierce Brosnan by Ratner. While the joke itself is Grated. beforewarned about some adult language.
National Treasure This one's a little trickg to find but is well worth the adventure. Pop in this Disney DVD and from the main menu, select Bonus Treasure Hunt. Follow the instructions to complete this game by solving the first jumble password [answen Treasure]. This unlocks a second page of extra features ‐ but that's not the Easter egg. When you see the second page of features, press the Up arrow on the DVD remote, and a little black symbol will appear on the screen. Press Enter, and write down this master code [405]. Now, head out to the
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very clever Easter egg ‐ iI you know where to look for it. Pop in the Bside olthe disc [Supplemental] and horn the main menu, scroll down to highlight the words "Gag Reel.” Don't press Enter. Instead, tap the Right arrow button on the DVD remote and you‘ll see the let~ ters "XXX' pop up on the screen. Now press Enter to be treated to an actual sex education film distributed to thousands of schools in the 19705! Hilarious.
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H o m e Entertainment: The Ron & Stimpg Show: First Ind Second Souonl Paramount Home Entertainment's collection of this bizarre animated TVshow houses a little-known gem. Pop in the second DVD and select Bonus Features from the main menu. Highlight the words "The 'Banned' Episode: Man‘s Best Friend,‘ and press the Left arrow button on the DVD remote. Stimpg will appear on the screen and sag, "0K, kids, it‘s time for asecret cartoon." Now.when the Man's Best Friend episode begins,gou can hear a hidden audio commentary track delivered bg Spumco artist Eddie Fitzgerald.
main menu and press the Upbutton on the DVD remote to highlight the chest and tgpe in 405 before clicking Master Code. This egg unlocks a
version ofthe film with pop-up trivia bubbles!
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You don't need to sip Pinot Noir to find a hidden egg on the DVD for Fox‘s Academy Award-winning comedy. Pop in the disc and select Scene Selection from the main menu. Then. select Chapters 13to 16 and highlight Chapter 15, but don't press Enter just get. Instead. tap the Left arrow button on the DVD remote. and a red bottle ofwine will appear on the screen. Press Enter to watch an entertaining slide show featuring Collltorll bellind-the-scenes photographs during the making of the film as jazz DreamWorks Home Entertainment's action drama features a few well‑ music plans in the background. hidden Easter eggs. Pop in the second DVD and select Special Features. Once inside. the first option on this list should be highlighted [Citg at Night]. Press the Left arrow button on the remote and a grey rectangle will appear. Press Enter to see a behind-the-scenes clip ofVincent [Tom Cruise] being a bad guy in a dance club. Repeat the same process on all of these Special Features [on both pages of extras] and you'll find most have hidden eggs!
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Last month we undertook a discussion on the Digital Millennium Copyright Act and its implications in the United States and the ensuing effect beyond that country's borders. ln Canada. for exam‑ ple, our more measured response to copyright issues and our rejection of a Canadian DMCA resulted in our country being includ‑ ed in a special US301 report that in essence wagged a seriously disapproving finger at our "Iax' intellectual property laws. and stat‑ ed that we would be monitored for signs of future improvement. The fact is, the DMCA’s raison d'etre seems to be to shelter big media corporations by enabling the criminalization of defeating by any means the copy protection or encryption technologies they may implement in either their distributed media [including (305 and DVDs] or the devices designed to play them. This technology is known as Digital Rights Management or'DRM.‘ I suppose the best way to illustrate how DRM affects the average technology user would be to draw a couple of examples from my own personal experience.
meto buy a standard set of PING golf clubs to play a round at the Bangkok Airport [you have to see it to believe it] and subsequently return home only to find they are disallowed at Pebble Beach?! I don't think so. But as men‑ tioned last month, you aren't really buying anything save the plastic; you license the content. My next encounter with warm and snuggly DRM came at the combined hands of PureTracks.com and Microsoft. With over 400 CDs in mycollection. lam not acasual consumer of music. There have however overthe years been occasions where my desire to own a single track did not in my view warrant the purchase of an entire CD. as the rest of its content did not appeal. Until recently. I would simply forego that purchase. but with the advent of legal digital music downloads in Canada, l decided to give it a try. Finding a song I was interested in on PureTracks.com was a relatively sim‑ ple matter ‐ downloadingit and getting it to play was not. First off. the site would not allow me to download the tune until I had installed Microsoft Windows Media Player 9 of course they didn't tell me this until I had pur‑ chased. The reason? The track was encoded in such a manner as to pre‑ clude its playback on any software save Media Player 9,which has strong support for DRM. Of course. at the time. this software wasn‘t exactly stable and I soon discovered after downloading and installing it that my computer was now completely sound free ‐ and not in aliberating way. No amount of tweaking over the course of an entire week could get my sound back. So, havingno way to play the song on my main PC. I moved it over to asecondary o n e only to now realize that the file was encoded to play solely on the machine to which it had originally been downloaded, Since my primary motivation for acquiring this song in the first place was so that I could listen to it on a n.
A few years ago. l was due to return home from a trip to Thailand and faced with the prospect of watching Air Canada-selected enter‑ tainment overthe course of the 25 hourexcursion, decided it would be a good idea to buy a DVD from a record store to watch on my notebook computer instead. Well it turned out that Air Canada sur‑ prised me on this trip and I never did crack open my computer. A few days after my arrival home, however, I remembered the DVD and decided to give it a spin. I fired up my [at that time] top of the line Sony DVD player and slid in the movie' expecting to be enter‑ tained. Instead I was annoyed. The machine wouldn't play my DVD at all as it was region coded 3 [Asia Pacific] instead of 1
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portable MP3 player, this simply would not do. I now had to go back to the site and obtain a license key for that machine which finally enabled me, after more than a week, to hear the
tal recording,or the degradation ofHD content to standard TVresolution should recording be permitted. Additionally, restrictions on making more than one recorded copy and the ability to disallow skipping of commercials were included in the spec. Fortunately, the FCC lost the first battle on this one as the United States government stated that the passing ofthis bill did not fall under the FEC’s jurisdiction. Obviously, this doesn't mean that the Broadcast Flag is going away ‐just that it'll have to gothrough different channels to become law. In fact, electronics manufacturers [many of whom, like Sony, are content distributors aswell] have for some time now been so certain of its enaction that they have long been producing hardware that conforms with the specification ‐ go figure. It seems the digital wild west is rapidly coming to end, resulting in ~lair use” being heavily trodden underfoot. Weare now shackled wrth even more restrictive content consumption limitations than we had before the digital revolution, while at the same time these technologies are nonetheless being touted as"liberating“ by the media companies Iob~ byingto deploy them. Frankly, even George Orwell would be impressed by this latest incarnation of newspeak,
music twice in so doing, I decided to burn it to a rewritable CDand then rip that to an MP3 instead. Sonow I had a doubly compressed tune that I could play on any device and a week ofmy free time had been shot. And though I had indeed paid for this song in terms of the original purchase and my acquisition of a rewritable CD, my music was now illegal And the music industry won‑ ders why people forego the preceding steps and simply download a pirated copy in the first place. DRM is becoming more ubiquitous daily, with its latest incarnation By Ray Richards being found in the so called 'Broadcast Flag,"originally proposed by the FCC to be enacted by June 1 of this year. This technology would have enabled the media companies delivering content to restrict what con‑ Questions and comments tvlatingto the Personal Computing section, Including Ray Richards" monthly column. can be sent to. sumers could do with it on a per episode basis. personolcomputingdrepublishing (a The Broadcast Flag provided for either the complete restriction of digi‑
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M o v i n gt o M a c :T h e g o o d , t h e b a da n dt h eugly Last month l promised you that I was going to be even-handed in my approach to the Mac. Like other computers, it's a tool with both advan‑ tages and drawbacks.As I continue to explore the world of Mac with my new Mac Mini. it’s possible that I’ll occasionally stop to gush about something that impresses me. It's also quite likely that I'll stop to rant about something that's making my blood boil. In that Spirit, I wanted to start out with a few ofthe key things that have hit mealready.
Afew things I really llka about the Mac: 1) When you boot up your Mac for the first time after bringingit home, it asks you if you have another Mac and if you'd like to import your set‑ tings and applications over to the new one using FireWire. This is such a simple thing, but it's a brilliant thing to include in setup, because it means that the upgrade process from an old machine tothe new one is mostly automated, instead of forcing you to figure out how to doit after the fact. And once you've gone through the process, the new Mac boots upjust as if it were your old one, only with new hardware. 2] lcons don't necessarily represent a single file, they can also stand in for an entire 'package.' in the world of Windows, one file equals one icon. With Mac, that same icon can include atonne of auxiliary files. too. to make sure you‘re not overwhelmed with crap on your desktop or in your folders. Need to see what’s in the package? Just control-click on
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3] Norealistic worries about spyware or viruses. Well, not yet anyhow. Whereas it seems that I'm spending much of my time running spyware or virus scans on my PC. there's no real need to do so on the Mac at this point. 4] The fact that you have to use your password to install or upgrade any software on the machine, even upgrades from Apple. Sounds annoying. right? Well, it's what's keeping the system more secure than a Windows machine. By forcing you to type your password any time something is installed,it makes you think about the process. if an alert pops up for a software installation that you didn't ask for, how likely are you to type in your password? And a couple ofthlngs I don't like: 1) The fact that you have to use the eject icon before removing a USB flash drive or other removable storage. Theoretically, you have to per‑ form a similar process with Windows before removing external storage to prevent data loss, but Windows is far more forgiving. Just yanking an external drive on Mac can equal loads of corrupted data on that drive, and the consequent premature graying. At least you don't have tothrow CDs or external drives into the trash can any more to eject them. Throwing the icon for a removable drive into the trash still ejects it, but at least the Finder now includes an eject symbol beside any rcmov~ able drives. 2] No option to view photos as thumbnail images when in icon view.
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The Mac's native ability to manage folders filled with images is pretty lame in some ways: sure, you can import all of your photos into iPhoto and view them there, or select all of the photos, Control-click on them and open them up as a slide show, and can even 'pre‑ view“ the images one by one Waterfieid Mac Mini Sieevecase when you switch into column www.sibags.r.om view mode but you can't view the entire folder asthumbnails to quickly goto the image you want. [is a rabid photographer. this is definitely on my wishlist.
The ugly: The Mac file system‘s insistence on filling up hard drives or USB keys with 'shadow' files of the same name but with "._' in front. If you regu‑ larly share data between Mac and PCusing a USB key or an external hard drive, get used to this feature Mac OShides them, but Windows doesn't. if you have 200 files on that key, plugging it into a Mac OSX system will add an additional 200 files with the prefix. The good news is that you can delete them without any real damage, but it's annoying as stink. By Sean Cerruthers
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PC MusicMaking introduction to microphone recording Even though you may create most of your music using a combination of samples, synths and digital or electric instruments that can be plugged directly into the PE, there will most likely come a time when you want to do some live recording. Maybe you want a warm. expressive acoustic guitar sound but the General MIDI guitar on your cheap keyboard just isn't cutting it. Maybe you've written some lyrics to go with your latest song, and want to record a vocal track. Or maybe your band is all set to create its break‑ through single and you need to record several different live instru‑ ments at once. in these cases, your most important recording tool [besides the PC itself, ofcourse] is the microphone, The function of a microphone is to convert sound waves [acoustic energy] into an electrical audio signal that the computer can under‑ stand. All microphones contain a component called the “diaphragm," which is a thin membrane that vibrates when struck by sound waves. These vibrations are what convert the signal into electrical energy. Microphones come in a variety of different shapes, sizes and types, and which variety you buy depends of course on what type of instru‑ ments and sounds you intend to record. Here are the most common microphones you'll see in a basic studio:
Microphone Types Dynamic microphone: The workhorses of the home recording studio, the dynamic micro‑ phone has a heavy diaphragm and is quite durable. It has a lower sensi‑ tivity relative to other microphone types. and as such is recommended for recording loud instruments like drums and powerful vocals [like rock or hip hop], or for other "close-up" recording situations where the microphone is positioned very close to the sound source. Lower sensitivity means dynamic microphones are less susceptible to hum and radio frequency interference [RFI], but the trade-off is that they're less adept at capturing delicate instruments and subtleties.
Condenser microphones Also known as capacitor microphones, these mics require a separate DCto power the electronics and supply voltage to the diaphragm. This is known as "phantom power," and is either supplied by batteries or by the mixer that the microphone is plugged into. Because of the extra electricity running through the condenser microphone, it may be slightly noisierthan the dynamic mic [since all electricity produces a certain amount of noise]. Condenser mics are also more suscep‑ tible to hum and RH.
Condensers are good for record‑ ing softer voice [though the microphone can distort if the voice gets too loud], piano, acoustic guitar. and other light instruments like flute. Ribbon microphones These mics are thin, lightweight [thanks to a lighter diaphragm], and extremely sensitive. They're good at picking up bass frequen‑ cies, and have a reputation for delivering a warm sound while retaining the sensitivity of the
capacitor microphones.
Microphone Shapes Just as the various types of
microphones are each suited for a particular recording situation, the shape of the microphone should also be considered. Although there are many varia‑ tions on microphone shapes, they can be boiled down to sev‑ eral broad categories based on sensitivity. [The area where the microphone is most "sensitive" is the area where it picks up the most sound]
Uni-directional microphones, for example, are most sensitive at the front, and will most readily pick up sound from a source that is posi‑ tioned straight in front of it, while picking up less of the sound from the back and sides. The cardioid microphone is a heart-shaped variation that, again, is most sensitive towards the front of the heart. A variety of uni-directional microphone called the hypercardioid [so named for its ability to completely ignore sound from the sides and back with no bleed-through] is especially useful for recording drums, where you might want for example to focus on picking up just the snare sound with nobleed-through from the hi-hat. Omni-directional microphones, on the other hand, will pick up sound in a 3SO-degree radius. The quickest and easiest [and cheapest] way to record agroup [especially agroup of a capella singers] is to plunk one of these microphones down and have them stand around it. Finally, bi-directional microphones are sensitive at the front and back. but not the sides, and thus are aptly called 'figure eight" mics. Figure eights lend themselves well to recording a vocal duet, with each singer singing into one side of the microphone. ByErin Bell
dds/2005 ‐ H U B : D i g i t : a l L i v i n g - To r m t z o S e c fi o n
Some facts about heldphones and hearing loss The Who's guitarist Pete Townsend is one ofthe most famous sufferers oftinnitus. a condition where the cells ofthe inner ear become so dam-
aged that they produce a non-stop "noise' resembling a loud, continuous buzzing in the ears. While The Who's infamously loud concerts no doubt contributed to Townsend's condi‑ tion - speaker output regularly exceeded 120 decibels, according to reports ‑ Townsend in a 198? LA Times interview blamed his hearing loss on years of playing his guitar loudly through headphones. Although listening to music through head‑ phones is just one of many factors that can contribute to hearing loss, health experts are treating it as a cause for concern for a few reasons. One reason is that the ever-increasing stor‑ age capacities of MP3 players allow people to listen to music for hours at atime without the breaks previously afforded by having to switch out a CDor flip over a cassette tape The second concern is that as the world
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becomes ever noisier with increased traffic congestion, more people crowding onto public transportation, and more external stimuli. music listeners are being forced to crank upthe volume ontheir portable play‑ ers to drown out all the noise ‐ and are doing their ears a disservice in
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the process. The inner ear is an extremely sensitive structure. The organ responsi‑ ble for hearing is actually a bone curled in onitselfthat is covered with many tiny hairs, each of which vibrate in sympathy with different fre‑ quencies of sound waves to make up our complete range of hearing. When these hairs are overstimulated by very loud or overly harsh noises, or if fatigued by being exposed to continuous noise at a moder‑ ate-to-Ioud volume, they begin to die off. Hair cells representing high frequencies are the most sensitive and therefore the first to be killed, which is why people often first report hearing loss as not being able to hear high frequencies [such as soft conversations in a crowded room]. When all the hairs representing a certain frequency band are killed. the person can no longer hear that frequency at all. "When you really work those hair cells. for example by goingto a con‑ cert antl being exposed to very loud levels for three hours straight it's like trampling allover a lawn," says Tommy Choo, a senior audiologist at the Canadian Hearing Society. "it gets trampled on and recovers. but there's always a little bit that never recovers. 50 over time and over exposure. it adds up to hearing loss.” Once the damage has been done, it's permanent and incurable. ihe solution to preventing hearing loss from using headphones obvi‑ ously isn't to stop listening to music altogether: Turning down the vol‑ ume on the music player would be a start, although that solution is impractical in inherently noisy urban environments where listeners often dojust the opposite. “The subway is aperfect example of[people] turning upthe volume to drown out the nolse,’ says Choo. "You have to speak quite loudly to hold aconversation with someone, so I would say the noise levels are pretty high already. 50 to actually hear the music over the noise level. you have to turn the music up even louder than that.’ A possible solution is to use headphones with noise cancellation or
Avenue decibel level: for common activities: Rock concert - 120 - 150 dB Dance club ‐ 110 dB Motorcycle ‐ 105 dB Subway trains ‐ 90 dB Heavy city traffic - 80 dB Normal conversation - 60 dB
Hellman: tolerence per day before r i l l of heerinu lose: 90 dB‐ 8 hours 92 dB_ 5 hours 95 dB_ 4 hours
noise isolation capabilities. Noise cancellation technology works by sampling the outside noise using tiny external microphones built into
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the headphones. than creating an inverted sound wave of that same noise sample. These two opposing sound waves, when played at the
102 dB ‐ 1.5 hours 110 dB - .5 ours 115 dB ‐ 25 hours “Data from the Occupational Health SiSafety Act (1970).
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The degree to which the technology works depends on the quality of headphones purchased, and one side effect is that the circuitry actual‑ l enerates a hissin sound of its own.
J i n 2 0 0 5 - H U B : D i g i t a l Living - To r o n t o S e c t i o n
TD 47
Sound isolation headphones function on a much simpler principle: ”You're worried about walkman use, but the club you go to, the movie I they simply wedge into the ear and create a seal that blocks out exter‑ you watch, all these things add up,’ Choo says. "So if you dosomething nal sounds. The upside is that they're lightweight, create no inherent noisy, just try to schedule in some quiet time. I know it's hard to do in hiss. and function without bulky battery paks. Onthe downside, they the city.“ can be uncomfortable when worn for long periods of time, and can also ByErin Bell block out important noises like emergency vehicle sirens, honking car 1 t. v - l .. m n t ' lrltilLCll’nt Hill tustlrtp, Visit. i } ,
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I back, offering subscription-based services that allow users to
download as many songs as they want for a single flat fee. This is especially good news for music fans with digital music play‑ ers that aren't iPods ‐ though anyone can download music from the i’funes store, those downloads can only be played on iPods or the computer [unless you ‘crack'the digital rights management added to the files, you can't play them on players from Samsung. Creative
oriRiver.] RealNetworks‘ Rhapsody service has been available for a while, but now has several tiers available, depending on how fanatical you are about your music. The Rhapsody Unlimited servrce gives suh~ scribers access to over one million songs in the Rhapsody library,
for as little as USSB.33 per month. Rhapsody ToGogives users the ability to send as many of those songs as they w a n t to their r “a --ut....-.m portable player. Unfortunately, the service isn’t available in Canada : m m mint-19 M “ - ® . ten forthe time being. aunt‐me) ” m e .“ a m . ‑ Yahoo! Music Unlimited is even cheaper, with unlimited downloads nan- m 0 m y . n . a ‐ ® costing an even lower USSS per month, Users will have to download the Yahoo! Music Engine in order to take advantage of the service, m u m fi H u n t - O and must have a compatible player. Details are available at music.yahoo.com/unlimitod. but again, for the time beingthe serv‑ mac-v0 r i m - m 0 . . 11 ice appears to be available only to our friends in the US. l | flow-u, _ 7 Napster was originally the cause of all the downloadingwiII-kill‑ IlJJOEl'MOiN um the~industry kafullle, but the music download icon ‐ now reborn as apay-to-play service ‐ is one ofthe companies offering up unlimit‑ ed monthly downloads for a flat fee and unlike Rhapsody or Yahoo!, it's available on this side of the border too. As I write this, Napster's library is only about 700,000 songs deep, and the Napster ToGoservice runs about 515 Canadian. That seems like a lot, but when you consider that it's the same price as a single CD, it's not quite so bad. You'll need to download the Napster client. which will double asyour music library. Totransfer songs to your portable player, you'll need one of the players that's compatible with the client and the Napster To Go service, like the iRiver Hit), the Samsung YH-BZD or the Creative Zen Micro. [See www.napster.ca fora list of available artists and compatible players] What these services have done, at least south of the border, is redefine what it means to get music online. Rather than pay forthe High-resolufion digital aslrophotography from home? songs themselves, you're paying a monthly fee to listen to the Attatch the new Deep Sky lmager PRO from Meade to music. Feel free to download as much as you want. if you're only atelescope and take stunning dl‘L‘p'Sky photographs going to use it on your player or your computer. From that perspec‑ of galaxies, nebulae, star clusters and planets.V|s-|t the tive, it's a lot like a very personalized radio station. , Science 8.Astronomy SuperStore and experience The catch: When you want to burn the songs to CDs, orto download ( a n a d a ’ s biggest hands on telescope showroom, them in a format that's compatible with digital music players that or go to www.eS(ience.ca for great deals on thousands of scientific and observing products. aren't compatible with the unlimited services, you still have to pay You’ll be happy you saw us. a per-song fee, which is backto the old-school model.
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With only one ofthese unlimited services currently available north of 49, it’s hard to sag what the impact will be on the Canadian mar‑ ketplace. As some of these unlimited services start to migrate north, expect to see more competitive pricing all around from the Canadian download services.
By Sean Carruthers Questions and comments relating to the Wireless section. Including Scan (arrulhrm'
mnnthli, column, can be sent to wirelessUppublishingca.
For those who still want to pay on a song-by‐song basis. there's still the Puretracksca store, where you can buy songs for 99 cents to about $1.20, depending on the artist. There are a lot of smaller Canadian artists in the Puratracks selection, making it a good choice for the patriot. though many of the songs are only available if you buy the whole album online.
The watch
list: Zen and the
art of Bluetooth Headsets l-E-H 1-140 lie-teeth headset
mausoleum/uni
033250 (sheet 3310) Biuetooth headsets are a dime a dozen these days. it seems, so it really takes something special to stand out in the market. The new headsets from Z-E-N may iust do that. for a few reasons. First of all. the Isolation earpiece that swivels easily from leit-ear to right-ear orientation also doubles as a music earpiece. with a wired connection to your MP3 player. More importantly. the headset has a special processor that filters out ambient noise. even when you‘re not on the phone. What does that mean? Well. whether you're in a noisy bar or at a noisy construction site. you can filter out unwanted noise and make sure that the voice Is What you're haerlng and sending. Tha 2-740 headset is available for order onllna right now, but should be available at the retail level in both the USand Canada later this year.
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The game of golf can be traced backthe Netherlands or even further. to the Roman empire where a similar game was played with a bent stick used to hit a ball made of feathers. according the MSN’s Encarta online
[ca.encarta.msn.com]. The technology of the game has evolved along the way, from feather stuffed balls and clubs made of wood to a full bag of irons and “woods" without a trace of wood in sight. Beyond the game lies the industry, an industry that according to Blake Ponuick,VP of sales and marketing forGPS Industries, has seen its busi‑ ness model change drastically in the last decade. 'For years, all you had to dowas build a golf course and people would come and spend a tonne of money,“ he says, but with seemingly more courses than there are golfers. course owners have to compete for the lucrative golfing demographics attention. "Club houses are becoming a lot more lavish. There are huge banquet facilities. they're catering to weddings, they're catering to corporate retreats, they're trying to get business functions there with a major push on tournaments,“ Ponuick says. It's asentiment confirmed by Dave Cowan, general manager of Mill Run Golf and Country Club [www.go|fmil|run.com) in Uxbridge, Ontario. "If
you're not actively marketing. you're actually falling behind,” he says. “The consumer is too wise and has too many choices to put up with sec‑ ond best.” Technology touches the game in many ways from highly engineered clubs and balls to virtual reality training aids like Canada's own Virtually Perfect Golf [www.virtuallyperfectgolfcom]. Onthe course however, players are freed from the technology of every day life fora few hours [six if you play anything like l do]. Cell phones mysteriously run out oljuice before the round even starts and while the laptop computer may have made the trip out of the office. that‘s only to lend credibility to the business legitimacy of hitting the links. GPS industries is a company attempting to change this scenario for the better with its lnforemer, a hand-held or cart~mountcd device that offers up all kinds of useful golf information using the global positioning sys‑ tem [GPS] and WiFi [802.11b] Internet connection. Think of it as a highly interactive videogame. The front~end customer experience is similar to a golf videogame with course and hole overviews, distance to the pin and other info with which to make a shot. Users can also order food and beverage service, request equipment and in tournament settings. see where others are on the course. keep scam and compare their game with other players. Meanwhile in the back-end, golf course management are running a kind of Tycoon game. keeping people moving through the course. gath~ ering usage data and sending out the beer cart to thirsty patrons, among other things. The faster they move through the course and the more they spend, the better. Grant Gray. head professional at Mayfair Lakes Golf Club
(www.golfbc.com/courses/mayfair_Iakes] in Richmond. British Columbia says that installing the Inforemer system has allowed the course to further its relationships with golfers "We send little messages to our members all the time because we can see where everybody's at on the golf course I can say 'don't hit it In the water’ just before they‘re about to tee-off you can have fun with the customers.“ Ponuick explains that lnforemer is more than a distance judgment tool for golfers. While players can see the position of other golfers on the course, deciding whether to tee off or wait for the people ahead to play through, they can also order food and beverage service orequipment on the course. Ponuick describes a complete course management system where everything from tee times and tournaments to the kitchen and pro shop are all linked using the various software and hardware C'fm' ponents of the system. . “We've got a GPS food runner now. You can actually order burgers and . beers right to yourtee. The order prints up right into our kitchen andthe food is cooked and brought to you,‘ says Gray. The tie that binds it all together isn't a tie at all; it's wireless. Toinstall the system,the first step isto send out one of GPS Industries’ r ' own surveyors to plot the location for Wii-‘r repeaters and access points. i‘ The wireless network extends to the banquet and meeting militias i as well as to surrounding houses and parks in some golf course ' communities. _E TDEE
H B : D i g i t d l e i - t g - To r ~ o n o o S e c t a b n - M 8 3 0 5
Wireless The course is then “gee referenced," where hazards, holes. tee boxes and the overall landscape is plotted using GPS coordinates for recreation on the handheld and cart~m0unted devices the golfers will use on the course. The installation ofa full back-end management sgstem costs the course about $230,00, with leasing options through the same companies that lease golf carts in some cases, Ponuick sags. The idea beingthat this siz‑ able investment pags dividends with increased food and beverage sales, faster and better organized plag time and on-screen advertising. There are a fair few companies offering GPS systems to golf courses alrearlgr Ponuick 5.1le the Inforemer sets itself apart with its ruggedized
Banadian Inforemer courses Mayfair Lakes Golf Club
Richmond. British Columbia
Mill Flun Golf and Country Club Uxbridge. Ontario
Furry Creek Golf Club Furry Creek. British Columbia
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and easily-installed hardware and by the fact that the company installs and runs communications over a WiFi network. "We are the only BPS
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to bother With licensing issues for specific bands on the communica‑ tions spectrum, Also, food orders for example are sent directly from the Inforemer unit to the back~end management systems and into the kitchen where they are prepared. Meanwhile, golfers can check the score in a pro or college game by way of a partnership with CBS Sportsline that provides real-time sports scores, Ponuick says, As golfers make their way around the course, they reach certain "trigger zones" that display the next hole overview, throw up an advertisement or similar. The system can also be expanded to incorporate existing back-end point of sale or database software, towan says his existing software supplier was able to work with GPS industries to incorporate extended functionality into the Inforemer system "When the emergency call comes in to the pro shop, it comes to every single f‘OS station, Jeiicess [his existing software supplier] takes over anti searches the database for anybody that's on the golf course and if there's a doctor listed, it would send a message to the doctor s a y i n g 'we need help at this hole.“ The bottom line for golfers, Penuick. Cowan and Stay agree, is a stronger value proposition. A more CfitClL‘ni game of golf. a gauge on how farthey hit a drive off each tee accurate to Within about half a yard [AG rn] how farto course hazards and tothe pin along with asimplified food and beverage ordering process, available WiFi in the club house {or on the course if you're really so inclined], up to the minute sports scores and a more enioyable and profitable tournament experience
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or printed when the device is next connected to the home PC. Users can
According to Kodak. the picture viewer is designed to be a simple also optimize pictures for storage and viewing on the Picture Viewer's carry~along device that will fit in a purse so that primarily women 25-inch LCD screen; this allows for over 150 pictures on the device at [Kodak's key focus at present, we're told] can always have pictures of screen resolution, the family or from a recent vacation on hand. While the Kodak Picture Viewer offers nofunctionality beyond display‑ The device is certainly compact but even less demanding users are ing, deleting or earmarking images for printing or email, it does these bound to run into the 32MB limit in on‘board storage if purchased as a things well. means for off camera storage. The Picture Viewer only works with MultiMedia Cards IMMC) and Zling Photo Wallet Secure Digital [SD] memory cards, the latter being the type used in Kodak's own and a number of other cameras The device can interface with recently released Series 3 Kodak Picture Docks too. In keeping with its primarily casual potential user base, it's easy to use, especially relative to some of the other available options. That said, with its core function being off-camera display as opposed to off-cam‑ era storage, we have to wonder why potential users wouldn't just pur‑ chase a still relatively easy to use PaImOnc colour PDA insteadr Users can connect the Picture Viewer to a PC using the simple EasyShare software suite to print and email photos with little user inter‑ action. The software will also import a list of contacts for storage on the device. On the move, users can hit the familiar [to Kodak users] red Share button and choose to print or email photos then have them sent
While the most barebones of photo wallets tested, the Zling Photo Wallet is arguably the smartest. It's is essentially a decent looking plas‑ tic shell with some coloured LEDs [or small LCD depending on the model] wrapped around a"rugged" 1-inch hard drive. with just two but‑ tons [Power and Copy), two card lnput slots for Compact Flash, SDand MMC memory, a DCin to charge the internal battery and a USB port for connection with a PC. Users simply power the device up, stick a compatible memory card into the appropriate slot and hold the "Copy" button for a second or so. The Photo Wallet creates a new folder for every transfer based on the storage type and order archived. When connected to a PC, the device shows up as a removable drive with both slots and the internal hard drive accorded a drive letter, allow ing it to act as a card reader too.
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By keeping the unit barebones. Hung Kong~based Z-Cyber has man‑ aged to keep the price down too. For quick and dirty offloading of [F or . SDcard storage IFthe field. the Photo Wallet accomplishes its task well. The transfer is slow however. 117MB of data stored on a 128MB card ' took 3:28.whichtranslates to about 0.5? Mstec. The transfer process
' -s handseff. however. and once the Copy button is pressed. users can ‘ leave the device to do i t s thing. Once on the device. data can be trans. ferred to PCat a still too slow SMB/sec. The 168 version is of questionable value with 163 being a practical l m i n i m u m card size for dSLR users. However. the 558 version easily affords space for an entire vacation's worth of pictures or could be transferred to a laptop and erased for die hard documenters. At about $3? per GBfor the SGB version and with [F memory costing in the region of $150 for a 168 card. the value proposition is good. The unit is lightweight and easy to stash in a camera bag. but the photographers might enioy the fact that the device can show off snaps transfer from card to hard disk is still too long a process, on its fairly large screen. gives several slidcshow options like duration. P-ZOOO Multimedia Storage Viewer transitions and accompanying mu5ical score from the few pie-loaded More akin to a Portable Media Center than a photo wallet, the P-ZDUU is options. It can also print directly to compatible printers V i a USE The device supports playback of M P } and MC files but can only play a large-screen. bright and attractive device. While it could theoretically make the trek out for a day of shooting. il motion-JPEG and MPEG-4 format Vldl‘o While vrdeo is displayed at up to would probably be more at home sitting in the hotel room waiting for the VGA quality at 30 frames per second. mus-c playback seems inordinate‑ memory cards to come to it. In short, it's heavy, making it not exactly Iy slow, taking several seconds to load up and begin playing a song. And the most portable solution out there. At the same time, it offers the with no apparent way to use transferred m u s i c files as background musrc for slideshows, the usefulness of this function is questionable. largest storage capacity of any we looked at in this roundup. Upon inserting a compatible card and choosing to transfer files, users create an album name using an awkward letter selection screen and Photo‘.’ault L][IS 5. Trust Sony to do things differently. for good or ill. the directional pad or choose from the pre-Ioaded album name options it‘s a neat concept and sure to elicit more than a few questions as like children. travel. favourites, movies and music. The bright and sharp 212 ppi display is what sets the P-ZOUO apart. As users burn their vacation snaps in a cafe or similar, but with limited W“ a method for storing images off-camera, the unit is overkill. PC-free storage and by introducing consumables into the equation. the PhotoVault's usability is called into question. Not to make too fine a point of it, but why not rust purchase a PC-based Cf] burner? The Photot’ault uses the included ACadapter or a fairly small remov‑ able battery pack that takes four AAs. Upon inserting a MemoryStick. the device recognizes the storage media and offers to burn i t s contents to miniCD-R. Folders are created on the disc according to when the pictures were transferred, and fol‑ lowing a successful burn. the disc is kept open for further recording. It's fairly small and lightweight, is compatible with other cameras but not PCs via USB. offers video o u t for display from MemoryStlck, con~ ’ Pg: nected USB device or burned CDto TV, But really, Mini [DJ-Ts?
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Revenge of the Sith is essentially a port of the Game Boy Advance side'scroller of the same name with some added 30 flying lev‑
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els, multiplayer dogfights and limited touch~ screen menu functionality in the 05's lower screen. Gameplay follows that of classic brawlers like Double Dragon, as players experience the events of StarWars - Episode ill through the branching storylincs of either Anakin Skywalker or Obi-wan Kenobi. Though level design is repetitive, the game is kept interesting by the combat itself.
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which discourages button‑ mashing in favour of a more refined technique involving a variety of lightsaber moves [including the cool ability to block and reflect blaster fire] as well as Force moves such as Force Push, Force Heal and Throw Lightsaber. Players have access to acompletely differ‑ ent set of Force moves [Light or Dark] depending on whether they play as Obi-wan or Anakin, making it worthwhile to play through the game multiple times. It‘s a shame that the 05's extra buttons aren't put to good use; instead. executing special moves requires pressing two or even three buttons simultaneously. However despite failing to fully exploit the potential of the review»)? US, this port isn't shabby. if given the choice, it's worth getting the slight‑ ly upgraded OSversion. By Erin Bell
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Developer: Konaml
: Harlem's
Wale G'an Tunsmo J rac'ng title
receives
Platform: Plantation 2
Strada [which looks great at night] or the winding Route de la Siene in France.
all the hype, Konami's lesser-known P52
may steal away some ol its thunder.
Enthusra Prolessronal Racrng offers anultra-realistic driving experience that features hundreds ol Ircenserl street legal and racing cars. But unlike
And talk about last and furi‑
other racing games, the emphasis rs placed less on car tuning options and more on pure dllVllig skill In fact, game modes such as Time Attack, Free Racrng and the meatier Enthusia Life all challenge players to handle
ous ‐ the game's proprietary
cars based on their specs, such as horsepower/RPM, torque, and engine displacement, and also to take into consideration the type of material you're racing on and weather conditions, both of which can vary greatly from one course to another. Some cars are pretty lame however, especially at the beginning ol the game. Let's lace it, who wants to drive a Toyota FunCargo or the Mitsubishi EK Wagon? Gamers can race on unpronounceable courses such as Nurburgring and Burgenschlucht, as well as the slick Marco
-M|ny Ilme cm
interactivetitlestographical‑ ly depict G-lorces [think ol a more realistic Need for Speed Underground blur effect]. Remember, it's not an arcade racer, so controlling the cars can be tough even on the oval Speedopolis Ring, which resembles a NASCAR track l‘layers must be prepared to lose valuable "Enthusia' points rl they crash into other cars or veer oil the road. Other leatures include plioto~realist|c cars and envi‑ ronments [almost comparable to Gran lurisrno A], and randomly-gener‑ ated courses to add to the game's replayahrlrty. loo bad there's no head~ to-head feature via the Internet. Even still, gamers in search of a Sim rather than an accessible racer may be pleasantly surprised with this lit‑
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By Marc Saltzman
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CSI: C r i m e S c e n e Investigation Publisher I Developer: Ublsofi
Platform: llliox
versions. And it shows. The inter‑ face is clearly designed for use with a mouse. Control with a gamepad isn't too bad. though hitting dilferent buttons to
It's t i m e to goto work as an investigator at the Las Vegas crime lab fea‑ tured in one of TV's most popular shows, CSI. You'll be the rookie, but
every major character from the series will assist you, each voiced by the actual performer; William L. Petersen as Grissom, Jorja Fox as Sara Sidlo, and Marg Helgenberger as Catherine Willows, CSI for Xbox plays a lot like atypical adventure game, only you start with a lot olthe tools you need to use ‐ fingerprinting kits, UVlights, tweezers to pick up traces of evidence, and so on. Then you head back to the lab to get that evidence analyzed, and identify and compare DNA and finger‑ get to the various menus can sometimes be a chore. And don't expect it prints. The game certainly feels authentic, allowing you to doa lot ofwhat to bethe besr looking game you've played, either. The graphics do the job you see in the TVshow. You’ll even get to question suspects. and not much else. CSI is actually two games in one: CSI, and CSI: Dark Motives, both PCcon‑ There are 10 cases, featuring crimes as gritty as anything you'll see on the show. You can replay any olthe cases, and the higher you score [out of 100 per cent], the more likely you will unlock concept art, trivia, and behind the scenes stuff. CSI is priced lower than most Xbox releases ‐ another plus. If you're a fan ofthe show you'll be happy with this casual and very quick fix. By Jason Maclsaac
-Aclual u s l voices 42am wrillen byseries
-Inlerlace really ballet suit‑ ui lor a mouse
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F i r ' s t
G l a n c e Ge t Ga m e s . c a
recently launched its online videogame rental service, which advertises no late
phone's predictive text capability streamlines the process further. The 6820 also features voice dialing, Web browsing. instant messaging, backlit keys, and easy navigation via a single thumbwheel. The company advertises up to three hours oftalk time, or twelve days of standby time, With a three-year
service plan from Rogers, the 6820 can be pur‑ chased for 5951 Without a plan, expect to pay SZPQSQ.
Noklo 6820
fees, no due dates and free shipping to anywhere in Canada.
For a membership fee of $24.95 per month [plus applica‑ ble taxes], cus‑ tomers can rent up to
two games at a time
from the store's library of more than 2000 titles encompassing Game Boy Advance, Nintendo 05. PlayStation 2. PlayStation Portable. Xbox and GameCubE. According to the site, the advantages of having no late lees are that there’s no rush, and customers can actually linishthe game before mailing it back using the included prepaid mailing enve‑ order to restrict rentals over a certain ESRB rating.
Getgames.ca
THE RULES: Vou must usa a dloltal camera to upturn llta sublscl. Worb can be submitted vla small lcsntsatflppubllslilnpul. Accompanylno your photo should ba tlla melts and modal ol ths camsrs you uud. the names of any software you and to modify the Imsos and, if possibls, ths llstop snd shuttar speed you uaod to tabs tho photo.
Epson Stylus Fbats Hill! A lost, lull-featured performer: the ing brilliant. long-lasting photos a snap. It prints directly an ink jet print‑ abla CDRa and DVDRs, so it's easy to customize each disk This versatile printer includes a color m o n i t o r o n View. select and crop phi» uas, Print lrom popular memory cards or PictBridge-enobled digital cameras. For baautilul lramaready photos. take advantage of BorderFree pn’nung.
Submit your photonraplis, alsny wltli tho lnlormallon from tha form below, by Aunust l, 2IIIIS. You can submlt upto thrao photograph, all of whlch must be accompanied bya submission form. Entries must beaubmlttsd ula small. Fllss should bsnobigger than Still I t ! and nosmaller that sort KI. llno photo par small.
Contest llulss: Prlaes most bs slalmsd by Septembsr 1B lell5. Wlnnars must prwlds valid Identificationupon clalmirin prizs.Ths prim swsrdotl are not transforabla and can‑ not berodaomad for cash. Tosntor and to boally Isto wln, persons must barslldootl of Canada. and not employees orbadomlcilad wil it anemployee of Piccolo Publlsblnn. lts alfillsto campsnlas. or adurtlslno or promotional anonclas. Ills wlnnsra will bo “lost‑ all byfill! anAugust 15, zoos lrorn among all sliulblo sntrios received onorbolero con‑ tsst closs dsts. annsrs will ba contacted by tslsphono or small. In the event that they cannot be contacted withln the first week lolowloo tllo conlost another entrant will be selected. All entries bacoms the property of Illll and may beand in subsequent adv-r‑ tiscmanta for the contest. All ontriss must bs submitted bythalr artlst and must ba orie‑ inol work.
Deadline: August 8, 2005 Namo:... Address
E-Msil: Phone Illumbe .. wwwhubcansdacom
J u l y 2 0 0 5 - HLJE: Digital L i v i n g
‘..'I.;:'-3 ”the L‘Jff'y l:- fly Abandonware is the somewhat euphemistic and in some cases ques‑ tionable name for old games that have, for all intents and purposes, been abandoned by the people and companies that created them. Nintendo has proven time and time again that it still values its older intellectual property. The N i t : A R T S ' recently announced Nintendo Revolution, will
_ rlEl.I(:Tl2
give users access to every old game available from the Nintendo Entertainment System to the Nintendo 64 online for a fee, of course, Meanwhile, older games are often re~released as retro game packs for current generation systems. In short, there is still some cash to be wrung from older games. And while truly abandoned software does exist, it's not so much public domain as the people responsible for its creation don't care to pursue any kind of action to halt its sharing.
i
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erwise. In a number of test Pr“
cases, rather than being pre‑
sented with a download link, users are given a “buy it here" link. A number of more recent titles like Ubisoft's excellent Beyond Good 8: Evil are pre‑ sented with extensive user reviews and a fact short but wrthotrt a download link, Wiilllil is understandable and perhaps
Com
‘
good, but misleading Games like A Roy and his [limit
"emulator" that will allow PChardware to play games designed for other platforms. Astrictly enforced one download at a time policy attempts to stern the huge demand that rs likely put on the Underdog's servers. Also, to avoid having the site spidered and all content downloaded for posting else; where, users are required to input an exact character string in order to initiate each download With a huge selection of games and with a wealth of associated and
marginally related content, it's a good place to go. However, the "buy rt new" links feel a bit like a trick and with more content than the casual browser may be able to wrap his or her head around, it's best to know what you want before arriving.
abundoniacorn
Though confined solely to games that run in the DOS envi‑ sic Gaining [ a c h i n ‑ l ronment [most work fine under llCili'.'u.CCiil the DOS emulator in Windows XP], It's unclear how many ofthe available games could be fairly classified there are some true classics here as abandonware, and a fair few game links lead to a fact page, often ‐ games like Sierra’s Ouest with screenshots, and a description and [hopefully] a download link or A . . . . games [Space Duest, King's [seemingly more often] a“buy here" come-on. Quest, Police Guest] and earliertitles in the infamous Leisure Suit Larry The fact that all content is searchable and then categorized by plat~ series and LucasAns' Maniac Mansion. forms is a nice touch. You can browse the RPG [role-playing game] cat‑ A few stinkers like the dismal Operation Body Count aside. the selec~ egory for example. then confine the results to display only games for tion is such that a person who spent any appreciable amount oftime in the PC, NES or SNES. Other categories include the Sega Master System, front of 3 [ISA or EGA screen will find something to smile about. Game Gear and Neo Geo. Games can be browsed using easy navigation headings like Action, A nice touch is to give users a link on the game download page for the Adventure and Sports and are afforded an editor's score and a commu‑ software sometimes required to play, specifically in the case of emu‑ nity score out of five. The archive is fully keyword searchable, but the lated console games. best way to approach this site in this writer's opinion, is to browse around until something strikes your fancy. , By Andrew Moore-Crispin ‘
1
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.
.
Home
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Underdogs t'l'.‘iw.the-underdogs.org Home of the Underdogs has a huge and slow to search database of games, both abandoned and oth‑
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Other sites to check out: 485games.net www.abandonwarespot.com rlpgames.hostlngzero.com www.freeoldies.com www.abandongames.com
l Introducing the all-new 2006 Subaru B9 Tribeca.
The all-new Subaru BSTribeca doesn’t fit into a category ‐ it creates its own. After all, how many crossover utility vehicles have symmetrical lull-time Ail-Wheel Drive and a 250-hp boxer engine? Or for that matter, 64 seating arrangements that adjust to suit any occasion? Complement this with a sleek. elegantly designed interior and you’re left with a vehicle that's unlike
anything you've seen before. Unless. of course, this is your second time reading this. For a third look, visit www.subaru.ca.
T h i n k . Feel. D r i v e .
sueAltti BOXER engine
Elegantly designed interior
Symmetrical lull-time awn
Versatile sealing
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BETWEQWED srrzf manna M W S . IMPnovwc: VOUIL swine. MAM/Ma 1H£ 3mm. mAcHMc me A 1 m ) . (4qu FDR NEW YEAR‑ 1ms-rm 2.9mm V0“? GAME ' _ . With 3W \d of software and devices XP. the ( h o m e ISyour; 1h(a): tun onaWindows“ and “ a “ anything you like.
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