2006-05 HUB/The Computer Paper

May 2006

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Editorial A prophet once said 'Video

(or perhaps manufacture) a band, write a computer

Killed the Radio Star."

program to spit out some non-offensive but somehow

As t h e first music video

catchy pop tunes, budget a multi-million dollar video

played o n t h e n e w l y

shoot and make a go of it in the music game. Now you

conceived MTV i n 1981,

need a flashy web site and some extensive digital

perhaps what the Buggies

rights management schemes to work in the background

meant was that when the

and keep your less tech-sawy fans from sharing

music video was born, the game became about much more than just the music.

your creation with the world, bypassing the retail

Editor•In-Chief

Editorial Assistant

chain altogether.

Video added a whole new level of aesthetics.

Perhaps you want to be really bold and include a root kit

It was no longer enough to assemble a talented band,

on your newest CD to co-opt portions of fans' computers.

write some killer songs and make a go o f it in the

The point stands. Ideas, be they in music, business or

music business.

personal communications, are much more powerful when

In the MTV era, you had to be "camera friendly" too; where

they are presented with motion. Whether it's a video

previous generations listened to the radio for the latest

business card or a motion photo slideshow, the audience

bands, the new way was to turn on MTV (or later, Much

is more receptive and your message is delivered with

Contributing Editors

Advertising Sales Sales Manager National Account Executive !...31. mari.311pp.t.'

ONTARIO/TORONTO

Music) to catch what's hot.

more impact.

The Buggies were a one-hit wonder. Were they still

Convenient then that these and a great many other video

together today, they might be singing an entirely

Vo l u m e , 1 9 t Ntnellber 0 6

EDITORIAL

Ad Sales

K

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related topics are covered in the pages that follow.

Dan Vic; darny2pp.,- -

different tune, one with words to the effect of "Internet Killed the Video Star."

Enjoy the issue,

In fact, a quick Google of that phrase does net some

Andrew Moore-Crispin

interesting results with that title.

Editor-in-Chief

In the new-new world, it's no longer enough to assemble

j o c k F. , pcxL7ppvtl.shm0c4

Peter nesse peter3ppubFlh:ng MONTREAL

A n t h o n y Buttino anthonyTppubhstvngs..3

WESTERNCANADA V i v i a n In viviant9ppuNishinica

Contents

Jason Hay jason3ppud.s,n0ca

Business Group

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President/Publisher

In s e l e c t e d r e g i o n s a n d online

S o o n Percy uom3p9u5,191vng..

Director of Marketing A n g e l a Colrzza angela0pputimh Art Director

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Hit the Road: Ultra-portable video

Production Coordinator C h n s t i e Swat: chnslic0pput.i.sh.ng ca

Rise of Nations: Rise of Legends

Production Assistant L i z Van Der Wee lo‘epp.64srang ea Distribution Manager

Unlock secrets on your DVDs

M a r k Backer nurla.ppub13,n0

Office Administrator M a i e n i e Rajararn rnalernie3.

The camcorder dilemma: MiniDV, DVD or hard disk?

IT Manager

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Piccolo Publishing Inc [Neal

What's a wiki, and why should you want one?

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Show off your images with a slide show

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Calibrate good times, come on!

Finally, it may be SED Organize your stuff

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Wireless

H i t t h e Road: U l t r a - p o r t a b l e video Lately there's been a lot of talk about portable video players and the ability to watch your favourite television shows and podcasts no matter where you go, but there's another kind of portable video: the ability to record video no matter where you go.

There are a number of different types of video cameras out there. The most popular type is still undoubtedly the MiniDV camera, with DVD cameras certainly picking up steam. Both of those types of cameras can still be a bit bulky, because they require moving media and the mechanical transport inside to make sure everything is moving properly. That's why— if you want to be truly portable—you might consider a solid state camera.

Solid state cameras make use of flash memory technology. That's the same type of memory used by the majority of digital still cameras out there.

Until recently, flash memory wasn't quite up to the task of recording video, because its write speed was too low for anything but rudimentary-quality video. Ongoing improvements in flash memory have now made it feasible for flash to be used for full-motion video and even high definition video.

The downside is that flash-based video cameras aren't exactly cheap, especially if they record in high definition. Worse, flash memory cards will still only hold a limited amount of data on them at this point, so you may find yourself stocking up on removable memory cards if you don't want to have to offload your video to a notebook computer several times a day. You can get a 2GB SecureDigital [SD) card for around about 4250.

Samsung SportsCam Extreme SC-X21OL v.vAv.samsung.ca 5 6 9 9 (approx) Samsung's SportsCam Extreme is one of my perennial favourites for one key reason: in addition to a 10x optical zoom lens built right into the body of the camera, it comes with an external lens module that you can strap around your arm or your head in order to record yourself tearing down a ski hill at a

zillion miles an hour.

This new model bumps up the internal memory to 1GB, but if you want to add more, there's a SecureDigital slot hidden behind a door on the front of the camera. The camera's capable of shooting in DVD-quality MPEG-4 (?20x480, at up to 30 frames per second).

At two inches, the LCD screen is tiny, but it does the job.

As with previous models, the SC-X210L has multiple functions, including digital still pictures, MP3/WMA playback, and the ability to function as a webcam when connected to your computer via USB 2.0.

Sanyo Xacti VPC-HD1 mrivi.sanyo.ca 51,099 Sanyo's Xacti lineup features some of the best-designed solid state video cameras on the market: they come with a fairly natural handgrip that gives easy access to all of the controls, which are located in a comfortable place for the thumb to reach. The new HD1 model bumps up the specs o f the Xacti line to include full HD recording (720p, o r 1280)(760 resolution) and 5.1 megapixel still images. The Xacti VPC-HD1 features a 2.2-inch OLED screen.

The camera accepts SecureDigital memory, but the bad news is that SD cards are sold separately. You'll want to buy as large a card as you can afford, since a 2GB card will only hold 29 minutes at best quality.

One of the camera's more interesting capabilities is the ability to capture a digital still photograph while recording a movie. There is a penalty though: when the camera takes the digital photo, there will be a slight pause in the video as the photo records to the memory card.

The HD1 comes with a charging dock that also has component output, allowing you to view your videos on your high definition television.

By Sean Carruthers

Solid state pros and cons Pros:

• compact • no moving parts to wear out • often double as still cameras and even MP3 players • no need for real-time video capture—files are drag-and-drop • high-def models available Cons: • focus and exposure not as fast as on full-sized models • can't fit much best-quality video on even the highest capacity memory cards (and high-capacity cards are expensive) • smaller form factor means small hand litters are magnified more than with full-sized cams • high definition models expensive 4 H U B : Ducal Livong - M a y 2006

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Digital Imaging

S h o w off your images w ith a slideshow Living d i g i t a l l y m e a n s easily sharing anything on your computer, including photographs. Whether you email your latest pits, post them t o an online album site or have people crowd around y o u r computer, instead of just a random set of images, why not make a slideshow?

ProShow Gold

Slideshows combine text

titles and captions, images, and music [and sometimes spoken commentary) and are therefore a very rich method o f t e l l i n g a n

engaging story. Slideshow software packages range from free to a few hundred dollars and vary in capabilities. ProShow Gold 2.6 from Photodex Corp. [www.Photodex.com) is one of the top performers, relatively simple to use but cffenng a lot of power for a reasonable price. You can download it for USS69.95 cr if you buy the boxed product, you also get a printed manual.

There are a handful c f features that add pro-level sparkle t o y o u r presentation and ProShow implements them into an interface that's easy to use. The workspace is similar to that of a video editor, so you drop images into one time line and audio into another. Icons for transition effects appear between the images_ The level of customizability that this package offers is

company) and if you wanted, you could use a different transition between

very impressive - right-mouse click on an image and a dersiled pane; opens

every image.

Motion effects: ProShow has three motion effects - zoom, pan and rotate

with all the options available to you. I found using this package to build long

- to give the illusion o f motion t o still images. These can be applied

or short slide shows very satisfying. Some of those killer features:

individually or in combination, and you can also alter how the effect plays

Transition effects: Transition effects change how one image is replaced by the next. For example, in a dissolve images appear to meld into each other,

out [slow to fast, constant, fast to slow, etc.).

Audio and Synchronization: With the single audio track you can't do true

softening their flow. ProShow Gold has a few hundred [280 says the

multitrack audio mixing, although there is a way to add a narrative comment to slides by using a microphone plugged into your sound card and recording directly into ProShow. To my

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mind this is the weakest part of the program. Otherwise the audio options are quite decent. You can set the

J • • • • • • 11 • • • • • •

images and music to end together, or you can have a group of images fit within a specific audio segment, or you can manually synchronize each image individually to the beat of the music.

Output and packaging: ProShow's output options are impressive, ranging from creating a menu-driven DVD that can be viewed on a IND player hooked to a TV set through other options like Video CD, right down to a low-res version that can be emailed.

Overall, this i s a fun package t o use, but also a powerful one. I especially like the easy way you can combine transition, motion and image effects into some amazing sequences - rapid fire hard cuts for action slowing into a lazier pace with images dissolving into each other for an entirely different mood.

By David Tanaka To e

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Digital Imaging

D V, o r N o t D V The Future On Demand: Developments in Digital Video

uses for the technology, and the cycle continues. Just look at what's

Making a great quote about the future is a real challenge; just ask Bill Gates. happening with the iPod. Starting as a fairly simple - some would say derivative - portable listening The risk is that you will be partially contradicted - if not totally blown away device, it's now a key component of the digital living room, the jumping

- by the time we see the sun again.

These days, one of my favourite future quotes is from William Gibson: 'The

off point for a media-on-demand world, even a defining symbol for a new generation.

future is already here - it's just unevenly distributed'

Which brings up another future quote, from Sir Winston Churchill: "The

As exciting and paradigm-shattering as developments in digital media techniques and technology are, they o f course do n o t come from

empires of the future are the empires of the mind."

nowhere. People are already working today with what will be a hot new

From the first images crudely created on a cave wall, to today's diverse and

gadget tomorrow.

The cool tool release cycle is a complex affair, influenced not only by

dynamic digital landscape, it's the hand, eye and mind that combines humanity with technology to create real change.

technical capabilities, but by market realities and corporate priorities. It's

So what will you do with some of these new tools?

often a trickle down affair, with core functions defined in military and

Super (or Quad) Definition TV: So you think HD is all the rage? New, even

medical test labs, or advanced academic and technical research facilities.

higher resolution displays are coming, with upwards o f 1,600 lines

Such new technology reaches the marketplace after scaling - or dumbing -

(compared to today's 1080) of video information. Addressable pixels, for

down certain features for end user applications. Then, clever and creative

those who count, will increase t o 3840x2160 from today's roughly

customers find their own app, make their own mods and develop whole new

1280x1080 (or 720).

All originates from the unrelenting pursuit of high sound quality !

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Digital Imaging So don't be at all surprised to see TVs (can we still call them that?)

CMOS type sensor, the word i s that the Red camera will deliver 60 fps,

continue to grow in size, features and functions over the next little while,

uncompressed 4:4:4 video, or compress it down to a much more familiar

much as personal computers have grown in size and capabilities in the past

720p and 1.9 Mbps.

few years. Not just resolution, but storage, broadband and wireless access, control centre capabilities and more will be added.

Another company called Iconix Video (www.iconixvideo.com) will soon deliver on its promise of a new high definition camera head, weighing about

For those wondering what type o f camera will fill such a display, not

2.5 ounces. For a proposed price of 51.6,000 (lots of money to most of us,

to worry: There a r e s o m e f o l k s a t a company called Red Digital Cinema

but barely a ripple for high end broadcasters cr filmmaker) the multiform HO

(www.red.com) working on what seems to be a 4K digital movie camera,

(roughly 900 lines), and in frame rates of 24, 25,30, 59 and 60 per second.

POV camera will capture video as 720p (actual :y about 700 lines) and 1080i

about twice what top of the line products on the market now offer. Using a

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Digital Imaging Olympus has shown its extra high-resolution video system - camera and

audio channels built-in. It will hit the market with a suggested price just

recorder - that acquires 1,600-line images with four 8.3 million-pixel HD image sensors; the company calls it "Quad HD" or 'Octavision," depending.

under 8100,000. Its weight and price are a little more than most home theatre enthusiasts might bear today, but tomorrow is on the way.

The output of the camera is said to be 3840x2160 with over 1,600 TV lines

Digital technology always gets cheaper, more functional, and smaller -

especially if the projector from Light Blue Optics is any indication. Expect of horizontal resolution [but it weighs about 20 pounds).

Companies like Thompson, with its Viper camera, and our own Canadian that by the end of the year, a new generation of pocket-sized digital video manufacturer, ()also, also have 4K super high resolution cameras, and the projectors will be available, offering full colour imagery at resolutions up to trend to higher res acquisition and presentation will definitely continue.

Sony, for example, is showing its 4K digital cinema projector res system

2048x1280.

Incorporating laser projection and computer-generated holograms

with 10,000 lumen brightness rating, RAID storage, remote control and 16

[CGHs), the new projectors are a technological alternative to conventional image projection, and are so small that a tiny projector producing large images could, for the first time, be integrated into a laptop, a PDA, or even a mobile phone.

Smaller digital bits and bytes aside, developments in nanotechnology and

N A PA I I t d A Ca t a t

molecular manufacturing will shrink tomorrow's tools even further.

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Geneticists and chemical engineers at the University of Toronto recently presented a fascinating lecture on the molecular movie, and the ways that

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are being developed to directly observe how atoms move in real time. To make such a movie, scientists and researchers have developed a new type of camera that uses electron pulses to light up atomic motion. It has a shutter speed of 100 femtoseconds or 1/10th of a millionth of a millionth of a second.

Right now, the applications are for, chemistry, biology and physics - but Churchill and his followers may have something to say about that!

By Lee Rickwood

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Digital Imaging

T h e c a m c o r d e r dilemnro D V D , or hard disk?

Quality excellence & Exceptional Value Refurbished Laptops Software Package M o n e y Back Guarantee Internet Ready O p to 70% Ott

In a perfect world, advances in camcorder technology would always

lead to image improvement. In the real world that just isn't the case.

For proof, we need look no further than the video camera's industry's current shift towards DVDs as a storage medium. Simply stated, DVD camcorders don't deliver video that is any clearer, sharper, or more colourful than that made possible by MiniDV technology. In fact, DVO camcorders can't match the quality video produced b y high-end, high-definition MiniDV video cameras.

So why would anyone choose a DVD camcorder? Part of the reason is perception. For several years consumers have been told that DVO offers the best video quality available, providing higher definition and better colour accuracy than VHS. So, when DVD camcorders started appearing on the market many people assumed that they must be a step up from MiniDV, which, like VHS, is a tape-based technology. That's simply not true.

However, many consumers who understand the risk of slightly inferior picture quality are choosing to purchase a DVD camcorder anyway. Why? Ease of use.

MiniDV can be a difficult technology to work with. First there's the

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constant winding of tape to try to find the clip you're looking for. Then there's the issue of transferring your video to your PC with the best picture quality possible, which involves choosing the proper connections and plenty of waiting time as the MiniDV tape plays and your PC records.

DVD camcorders, on the other hand, make searching for clips as easy as

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selecting scenes in a movie played on your DVD player. And most users find copying files to a PC from a DVD to be a far more intuitive process than transferring video stored on MiniDV tape.

So, now that we have the whole MiniDV/DVD issue cleared up, let's open an entirely new can of worms with another burgeoning video recording technology: hard disk. it's been a long time coming, but direct-to-hard-drive video is finally here. The advantages are obvious: there are no tapes or discs to mess around with, i t provides the ability t o record longer durations o f uninterrupted video (up to almost 40 hours on some models), and it makes scene editing and file transfer a breeze.

The disadvantages? A higher price tag, for one. Just like a 60GB iPod

Oirdbook Swiss, F r $409 mr Pass L E Serbs, F r o m $414 I . 99,9111•• V Swim A s . SUS,

costs hundreds of dollars more than a 4GB model, so too does the price increase for hard disk camcorders with larger storage capacities. An even more pressing problem is that hard disk camcorder manufacturers have

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Digital Imaging y e t to figure o u t a w a y t o achieve p i c t u r e q u a l i t y o n par w i t h MiniDV and ENO camcorders. Yet another hitch is finite h a r d disk storage. What do you do if you're on vacation, fill y o u r hard disk, a n d have no w a y to download your video to free up space? Delete video? B u y a n o t h e r camcorder?

The t a k e - h o m e m e s s a g e i s s i m p l y t h i s : a s i n g l e , p e r f e c t c a m c o r d e r doesn't exist - yet. You'll have to weigh the pros and cons of each category - MiniDV, DVD, and hard d i s k - and d e t e r m i n e w h i c h fits y o u r needs best.

To help y o u g e t s t a r t e d , h e r e a r e a c o u p l e o f m o d e l s f r o m e a c h g r o u p w o r t h checking out.

MiniDV Canon Elura 1 0 0 www.canon.ca The flagship m o d e l in Canon5 affordable MiniDV line-up, t h e S 5 0 0 Elura 100 allows u s e r s t o s h o o t i n w i d e s c r e e n f o r m a t , d e l i v e r s a n BOOx digital

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recordable DVD f o r m a t s , h a s a 4 -in-1 m e m o r y c a r d s l o t , c o m e s w i t h a

This SESO model from Samsung is a n entry level DVD c a m c o r d e r squarely

A p r o s u m e r camcorder r u n n i n g a r o u n d 5 1 , 5 0 0 , S o n y ' s HDR-HC3

remote, and is compatible with PictBridge devices.

Handycam c a p t u r e s w i d e s c r e e n i m a g e s i n t r u e h i g h d e f i n i t i o n a n d c o m e s equipped w i t h several h a n d y extras, s u c h a s c o o l 2 4 0 f r a m e s -per-second

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Powerful package from Adobe Is production studio too "Suite?"

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definition work is needed), 1613 of RAM or more; a 7200 rpm hard drive (or RAID 0 array) and an officially supported high end video capture card.

a powerful package for professional videographers and media creators.

Unless your requirements for a fully-featured digital video production

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fully customizable. All apps now share a dockable, scalable workspace -

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more closely integrated in this package. For example, new and very handy is

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the ability to capture footage using Premiere Pro from within After Effects -

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Dynamic Link) means you can move After Effects compositions directly into

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Premiere Pro and Encore D M without having to render them first. Changes - this i s a very handy tool for client comments, visitor feedback or are automatically updated. production team communications.

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editing program, works in real-time with HD, HDV, SD, DV, or film resolutions.

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Premiere timeline, with makers, for DVD creation. New menu linking and

revise video. Taking a video segment right off the Premiere Pro timeline,

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almost as easy.

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watch it, comment on

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Digital Imaging musicloops. Clean ups, noise reduction, dialog replacement, hum, click and Studio is not quick or easy, I'm afraid. There's just so much to this program popremoval and more can be applied to imported AVI, NickTime or MPEG that its strength is in some way its weakness. files. Audio can now be exported asAVI,MPEG,DV, or WMV. Unless you have a real need for the complete package, and the full power It Illustrator CS2 (included in the Production Studio Premium version only) contains, you would do better looking elsewhere. Adobe does offer helps create layered, scalable graphics, text and animation no matter how consumer-level, scaled back versions of its video editing and photo large or small the format's requirement. Newly enhanced painting, drawing manipulation tools (Premiere and Photoshop Elements, respectively). and type tools available, including Thoseprograms cost less than s n o each; the full Production Studio Live Trace, used to quickly and easily convert video frames or photos to Premiumpackage is over S2,000. Somewhere in between, andAdobe might editable and scalable vector paths. find the real 'suite-spot.

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C a l i b r a t e g o o d t i m e s , c o m e on!

Let's calibrate. If you want to join Kool and the Gang as an honourary member, nothing will make you more eligible than learning a little about how to calibrate your home theatre display. Okay, maybe you'll become somewhat cooler but probably not 'Kool' enough. Who wants to be in a gang anyway? Still, It's nice to be able to optimize your display in order to extract the maximum value from it.

Displays for video are calibrated using test patterns that you may have noticed on TV channels after their broadcast day. To me, it's often the best thing on.

The most common test pattern is SMPTE colour bars which have bars of various colours on the top two-thirds of the screen with a thin strip of the same colours in reverse order underneath them. Below these bars, there are three boxes on the left half, one of which is white. Left of these is black and three very dark black or grey strips underneath the second to last colour bar.

These little vertical strips are called PLUGE. Take a look at Figure I. Due to the printing process, this may look different than it should, particularly PLUGE Firstly, turn your display on for about 20 minutes before you start Figure 1

PLUGE -

(1)To set the black level (brightness) you use the PLUGE where the leftmost vertical strip is not darker than the general black strip (middle) but the far right strip is still visible. You should only see black with one dark grey vertical strip in that whole bottOmâ&#x20AC;˘right area. Remember, these are the 3 little vertical strips under the second to last colour bar in the bottom right but you should see only one when calibrated.

[2) Next, you need to set the contrast (white level) which is adjusted until the grayscale of the bars in the top two-thirds are In nice even steps from light to dark. Take a look at Figure 2 for an idea of what a properly calibrated display should look like. This assumes its translation to print hasn't mangled it too badly. Anyway, even grayscale steps are what to shoot for.

The next set of procedures require you to only look at the blue component Figure 2

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PLUGE - 3 strips - superblack, black and dark grey I Adjust brightness (black) level to where superblack=black and d a r k grey show,

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calibrating. Next, find the colour control on your display and turn It all the way down so that you have it in black and white mode. This sets up the display to adjust brightness and contrast which should be called black and white levels respectively, if they were labeled accurately.

above: adjust contrast (Witte) until grey bars make even steps from left to right

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[ Home Entertainment actually sharper. If you've gone through all the steps then your display is asi

Figure 3

calibrated as any punter can get it. Good times.

By Andrew Carruthers

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of the picture which can be done either electronically i f your display is super fancy-pants or via a primary blue gel like I use. Getting a primary blue lighting gel is important or you'll miscalibrate.

[3) To set the colour level correctly, adjust the colour control back up until the two outside top bars are equal i n brightness to each other while. looking through the gel. This is pretty apparent because the thin strip underneath each bar is made of the opposite colour you're trying to match with. When both outside bars just look longer through the blue gel, you've got it set correctly.

[4) The final adjustment is hue or tint. This adjustment uses the two inside colour bars that sit on either side o f the middle green bar, which are coloured cyan and magenta. Adjust the .hue or tint control until these

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Home Entertainment

Wireless wonder Sony's wireless home theatre rocks, but can be tricky to set up Everything seems to be wireless these days - home networks, videogame controllers, keyboards and mice - but with the exception of the TV remote, our beloved home theatres remain wired shut.

So Sony (www.sonystyle.ca) decided t o cut the cords with its DVD Wireless Home Theatre System (model # DAV-FX100W; S1,299.99), a 'home theatre in a box' (HTIB) on steroids, if you will. HTIBs usually include five speakers, a subwoofer, stereo receiver/amplifier and DVD player.

Sony calls this a 'wireless' system because its rear floor-standing speakers can be placed at the back of your living room - without any annoying cables running alongside the couch, La-2-Boy or coffee table.

The good news is that Sony's wireless home theatre works - and well at that - but it can be a bit of a pain to set it all up, especially for those less technologically savvy (ironically, usually these who invest in a simpler HTIB solution).

What it is Totaling LOGO watts o f power (5 x 143 watts + 285 watts for the subwoofer), Sony's stylish DVD Wireless Home Theatre System includes five speakers - front left and right, center speaker, rear left and right, a huge multidirectional subwcofer to place somewhere in the room and a thick silver component that houses a five-disc player and S-Master digital amplifier/receiver.

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Actually, the receiver/amplifier may not fit In snug home theatre wall units as it measures 2,75 inches high by 17.5 Inches wide by 16 inches deep, but It sure is a looker with its shiny face, minimalist buttons and aluminum top plate. Sony trades the carousel for a slot-loading mechanism, therefore you simply feed multiple discs into the unit one at a time.

This aptly-named Dream system, as Sony calls it in its marketing materials, offers a few bells and whistles not found in most other HTIBs. One is a HDMI (High-Definition Multimedia Interface) output, which offers the best audio and video quality when connected to a HDTV sat, with the proper cables. Even though your DVDs offer 480 (interlaced or progressively

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scanned) lines of resolution, the HDMI interface can upscale the video quality to 720p or 10801 (and you can see the difference).

It also offers component, S-Video and composite ('RCA') output options, as well. Secondly, along with storing up to five DVOs (with progressive scan support) or music C0s,this unit can ass read Super Audio CDs(SACD5), and can offer albums in 5.1 surround ssurd, whether it was recorded in multichannel audio or remixed and rerrastered f r o the criglnal studio tapes.

Burned CDs with MP3 music c4 : " t t T.,7d sr this unit.

The receiver supports movies, T,' L - • " ! n :TS i7,:g:tal Theatre Surround), Dolby Digital or Os _

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H o m e Entertainment Users can also add additional components to this deck, such as a cable box amp plugged into the wall and into the rear speakers, you also need to set up and align an infrared (IR) transmitter near your television (which plugs

or satellite receiver, video game system, VCR or personal video recorder.

into your receiver/amp) and must face a matching receiver at the back of the room. You need a direct line-of-sight for this to work, so it may take a bit of

Setting It all up were easy enough to snap together, first by aligning the mouths of the

trial and error, and slight furniture adjustments.

Fortunately, the pay off is worth the extra work to get the rear wireless

stands, then threading the speaker wire through the center of the base

speakers operational. The many DVDs I tested—The Lord of the Rings trilogy,

before securing each tower with screws at the bottom and back of the unit.

King Kong and animated flicks such as Chicken Little — sounded crystal

The four 43-inch tall floor-standing speakers (2-way height adjustable)

In all, it takes about 20 minutes to out it together. You could, however, clear, loud and well-balanced between the lows, mids and highs. Music CDs and SACDs also sounded awesome. choose to mount the speakers to a wall instead.

Movie and music lovers in search of a complete home theatre solution I thought Sony included an extra component in the box by mistake until I figured out this system ships with a separate (and relatively small) amp

with a few less wires to get tangled up in won't be disappointed with this

that powers the rear left and right speakers.

Dream system. Just be forewarned it takes a bit of patience and savoir-faire

It was setting up the wireless rear speakers that took some time to figure to set it all up. out. Sony adopted DIAT wireless technology (Digital Infrared Audio

By Marc Saltzman

Transmission) to beam the audio to the rear speakers. Along with the extra

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Home Entertainment

Unlmok s e c r e t s on y o u r D V L i s posse of stormtroopers behind him.

It's been six months or so since we looked at a handful of Easter eggs To access it, enter the area called THX from the main menu, and then use the DVD remote to press numbers '11" (or "10+, 1," depending on your DVD hidden on your favourite OVDs. You know, those goodies you can find by pressing a combination of player), followed by "3' and then '8," to launch the secret music clip. buttons on your remote, which may unlock little-known extras such as "1138," by the way, refers to George Lucas' first feature film, THX 1138. humorous video clips, games, music videos, celebrity interviews or behindToy Story 2: Special Edition the-scenes footage.

No, these aren't the bonus features listed on the back of the DVD box — Pop in the secondDVD from this two-disc set. Take a look at the main menu these are secret gems planted by Hollywood studios to reward movie fans and you'll notice Woody's sheriff star. Use the four arrow buttons on the DVD remote to navigate around the menu until the star is Illuminated. for finding them.

Now press Enter (or Select on some Considering Easter is just behind us, 1 - 1 . 111 C S P I C I A . S I M M S DVDplayers) and you'll be treated to we thought it fitting to reveal a few an animated outtake of Jessie's song. more of these eggs you can find on many A l O Now go back to the main menu and DVOs today.

STORY enter the Behind the Scenes area. Then The following are a few of our faves, each select Publicity. Once Inside, highlight with step-by-step instructions on how to the sheriff star again and press Enter. unlock them: This will play an outtake clip of Woody Star Wars Episode Ill: Revenge Of The Sith throwing a baseball.

Lastly, when you're on the main Who knew Yoda was into hip-hop? menu again, do nothing and eventually Watch the lean green dancing machine one of those green aliens will make a get his groove on by unlocking a hilarious cameo appearance. clip of Yoda bustin' some moves wrth a

HUB reveals more Easter eggs

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Home Entertainment Selnfeld: Season 6 Each of the Selnfeld DVDbox sets contains many hidden goodies.

OnSeason 6, for example, pop in the first disc and select the Setup option from the main menu. Once Inside, use the arrow keys to highlight the word Main Menu but don't press Enter just yet.

Instead, press the Left arrow button on your remote and then press Enter. Here you will see a clip of the Seinfeld cast talking about the Rob Reiner tribute.

Goback to the main menu and this time, enter the Extras area.

Here, highlight the word Running with the Egg, Part 1 and then press the Up arrow on the OVO remote and the poison spray can will illuminate. Press Enter for a humorous secret clip.

Onthe second disc in this box set, select the Extras option from the main menu. Now highlight the word Setup but don't press Enter Just yet.

Instead, tap the Right arrow on your remote twice and the pecan will be

Flightplan Pop in the DVD from this Jodie Foster thriller and select Sneak Peaks from the main menu. Once inside, press the Left arrow button

on the DVD remote twice and one of the in-seat display screens will be highlighted. Press Enter to watch an in-flight video shown during the film.

Go back to the main menu and se eot E:e:T.I Features, and then -

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Try to find the secrets on the third and fourth disc - they exist.

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feedback and ratings that have been left. You can then select individual

Hot on the heels of the podcasting revolution that allowed owners of

episodes of the show to download from a master list, or subscribe to the

digital audio players (OAPs) to download audio broadcasts to their

whole show through iTunes, which will then automatically download

portable machines, the fast-growing phenomenon of video podcasting

new shows when they become available.

accommodates the new wave of video-supported players such as the

Aside from independent vidcasts in a variety of categories including Arts & Entertainment, Technology, Travel and Business, iTunes also

video iPod, Creative Zen Vision:M and Toshiba Gigabeat.

Video podcast, vidcast, vodcast, viog or videocast are all terms for essentially the same thing: a Video On Demand service that makes

offers TV briefs from channels like MTV, Discovery Channel and G4 Tech TV - all for free.

segments o f video available for download manually or through RSS feeds and then synched to a portable media player with the help of a

ZENcast

software client.

Here are a handful of the web's top video podcasting aggregator sites

v,ww.zeriCaSt.com

- the places to go to find video content for your digital audio player.

software t o allow owners o f Creative audio players (including the

iTunes

their devices.

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are a handful of vidcasts in each section that are denoted by a separate

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Sources for vidcasts Diggnation (digg.com) Weekly show based on the top stories from the technology news web site Digg.com. Hosted by Kevin Rose and Alex Albrecht.

Labrats (www.labratstv) Tips and tricks about consumer technology, hosted by Andy Walker and HUB'S own Sean Carruthers.

Learn Excel from MrExcel [wvnvmrexcel.com/podcast/learnexcelpodcast.html) Host Bill Jelen provides daily 2-minute video tutorials that cover some aspect of working with Microsoft Excel.

Photoshop TV (www.photoshoptv.com)

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Scott Kelby, Dave Cross and Matt Kloskowski, who provide news, tips and shortcuts on Photoshop and digital imaging.

Pipp'tcast www.npoletrairiing.coirdrii+lec,4stclitra) This collection o f movies and tutorials, created b y Apple-certified

MOTOROLA

instructors, covers advanced multimedia topics including image management, vlogging, editing RAW images and protecting video with watermarks.

1( wv I o v v I 't -ices

Accessories

Hosted by National Association o f Photoshop Professionals members

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p //LciL c o r n r e c o l Hosted by Don McAllister, this weekly show is devoted to tutorials for Mac, iPod and alines. lertifoje Viers Fed( Le? 11,111 Pjapor,ti..chiuys.blegi,put rum) For the Japanophile techies out there, this vidcast features coverage of

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Digital Podcast

www c o r n Mefeedia is home to more than 300,000 independent videos and vIdeoblegs, The site supports RSS foods and tan integrate with iTunes and Sony'sPSPMedia Manager. Users must sign up for the free service. You can find some very esoteric stuff here, from independent art movies to burlesque game shows to autobiographical video diaries, Content Is ranked by popularity. There are descriptions for the vidcasts, and many of them have reviews (although it's unclear who's doing the reviewing.)

wen./ digiialpodcast,com Digital Podcast is a podoast aggregator with a separate category for video podcasts, all content is s . . , , o p o r t s subscriptions or individual downloads. There are good o -s for each dowrosal. as well as a review system for feeltaolt. arc • t i : . • . content can be sorted in a vane; . . . ,. better than all other sites review - - - • 2 E

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Organize your stuff I'm reminded of my father, who owned thousands of pieces of vinyl. For each of his albums he manually typed detailed information - cataloging not just track titles and band members, but also producers, engineers and guest artists - on colour•coded pieces of paper which he then filed In a

Handheld Barcode Scanners

library o f more than a dozen black binders. He used red sticker tope to

Many organizer applications that handle items with barcodes provide

number his albums so he could find them. Needless to say, months of his

users the option of entering data via a handheld barcode scanner. These

life were poured into the management of his collection.

devices can be pricey, but if your collection Is big enough a scanner can

Alas, his obsessive collector gene was passed on to me - though my vice

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shove days off of your initial cataloguing effort.

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pm. t o o .

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around 5300.

A slightly cheaper option Is the Xi1000 from POS-X (www.pos-x.com), which can be found selling for as little as S75 on some websites. Plus, it comes highly recommended by point-of-sale industry experts f o r its durability and ease of use.

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Memory Modules

DVDs, and I recently decided that I wanted to begin cataloging them.

However, I wasn't about to haul out an old typewriter and a sticker gun.

My tools would be a bit more modern: a software application and a handheld scanner.

The trick was in determining the best application for the job; there are dozens of DVD collection software packages on the market. I ended up downloading and testing a variety of options before settling on Movie Collector from Collectorz (www.collectorz.com), a company based in The

Flash Products

Netherlands that specializes in organizer applications for all sorts of collections, ranging from video games and comics to COs and MP3s.

Movie Collector satisfied just about every need I had, and provided features to handle collection management tasks I hadn't even thought about, like rating each movie and tracking borrowed items, the latter much to the dismay of my deadbeat friends.

Once a DVD is entered — either manually by typing its name or digitally

6_

Digital Products

by scanning its barcode with a handheld scanner — Movie Collector draws from online resources such as IMDB and Amazon to populate the database with all sorts of information, including box art, names of cast and crew, a movie synopsis, genre and running time. This data can then be sorted and reports created, allowing users to access all kinds of collection stats, such as which DVDs they have yet to watch or the number of movies they own that were originally released in the 70s.

All of Collectorz' organizers function similarly to one another, which makes them an appealing option for managing multiple collections. The downside is that each application i s sold separately, and they run

pecom

around S50 each.

Movie Collector whetted my appetite to try more organizers. I decided my modest collection o f wines could do with some administration, so I downloaded Vintage Manager from Illinois-based Indian Wine (www.vintagemanageccom).

This complex application runs a SOL backend (don't worry — everything is installed a n d configured automatically) a n d provides nearly comprehensive cellar management functionality. Once a bottle i s catalogued by label, appellation, winery, and vintage, users can proceed to add a wide variety of additional information, including dollar value, tasting notes, reviews from critical journals, and matching recipes. If you have a large collection you can track each bottle's location by rack row and column number, and even set up multiple cellars.

Vintage Manager's presentation is a little rough around the edges — I noticed a number of typos and language problems — but these issues can be overlooked given the sheer power of the application. A basic

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version can be downloaded for a little less than $60 while the professional

can also catalogue e-books, track which books have been borrowed from

version (used b y many restaurant sommeliers) can be purchased for

their libraries and access popular online book stores with a single mouse

about $120.

click. The entire package costs less than $30.

Regardless of the composition of your collection, rest assured there is a

Bottles organized, I moved on t o another of my collections: books. To

manage my many shelves of fiction and non-fiction I installed Graphicalic's specialized software application designed to manage it. All you have to ask yourself is whether it's worth spending a few bucks to get organized. To E-Library (vinvw.graphicalic.dk/e-library).

Sporting an accessible and intuitive graphical interface that allows users to answer that question, I just think about the hundreds of hours my dad spent quickly sort their tomes by title, author, publisher, and vendor, E-Library

behind his typewriter.

draws from an extensive database o f widely available books to provide

By Chad Soper,

access to author biographies, abstracts, and publication information. Users

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O n e [Laptop p a r .r1H i1 laptop bridge the digital divide?

durable and robust laptops for what seems like the impossibly low cost of USS100, and distribute them to children in developing countries around the

Poverty-stricken children in developing countries are in desperate need of many things: food, medicine, shelter, safety... and laptops?

world. The initiative is seen as a means of bridging the so-called 'digital divide that gives rich countries access to technology and the ability to

One Laptop Per Child is a Delaware-based non-profit organization chaired by

communicate globally, while leaving poorer countries in the dark.

Nicholas Negroponte, professor of Media Technology at the Massachusetts

'Laptops are both a window and a tool, says Negroponte on the One Laptop

Institute of Technology (MIT), founder of Wired magazine, and a founding

Per Child web site (http-filaptop.ora'Awins'ow into the world and a tool with

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Negroponte's vision f o r t h e 5100 laptop involves seeing i t become a

Computer Inc. of Taiwan had finished assembling the circuit boards

ubiquitous fixture for schoolchildren. It would be textbook, communication

and had shifted into post-production testing and debugging.

Argentina is reported to have already purchased between 500,000

tool and word processor all in one, and, failing that, it could at least serve as the only light source in the home.

and 1 million laptops, and other countries including China, Nigeria, Brazil, India, Egypt and Thailand have also expressed interest.

While a $100 laptop may sound like nothing but idealistic vapourware, it's actually edging closer and closer towards becoming a reality. Corporate

Keeping the cost down

backers for the project include Google, Red Hat, Advanced Micro Devices, and Brightstar Corp. On Nov. 16, 2005, a working prototype was unveiled by

Several things are contributing to the incredible 5100 price tag,

Negroponte and UN Secretary-General Kofi Arian at the World Summit on the

including drastically reducing the cost of the screen, trimming a lot

Information Society in Tunis, Africa. On April 16 it was announced that Ouanta

of the fat away from the traditional laptop design, and implementing a business plan of mass-producing the units by the millions.

The laptop's screen was designed by Mary Lou Jepsen, OLPC's chief technology officer (and the former CTO of Intel). It's an eightinch rear-projection display (as opposed t o LCD) and r u n s i n

0 457 Spadina Ave. Toronto T : (416)598-0557

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The laptop has a 400MHz processor, three USB ports, microphone

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The laptop features several ingenious design decisions, including a

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open-source operating system supplied by Red Hat (according to a Wall

promises ten minutes of power per rotation. The prototype also features a hinge so that the unit can open up to a writing tablet, be flipped up to be

Street Journal article, Steve Jobs' offer of Mac OS X was declined because it

watched a s a video player, or used i n traditional laptop fashion i n conjunction with a OWERTY keyboard and touchpad.

was not open source).

Perhaps the most significant feature of the $100 laptop is its promise of out-of-box access to email and the Internet courtesy of built-in WiFi. The

Negroponte is also adamant about keeping the project open-source to

laptops also have the ability to create a peer-to-peer 'mesh network' with

avoid software licensing costs that run up the price of laptops at retail.

other machines, for areas where telecommunication networks are either

'Today's laptops have become obese," he states. 'Two-thirds o f their

non-existent or prohibitively expensive. This 'mesh' technology is being

software is used to manage the other third, which mostly does the same

developed at MIT; there's no clear word yet on how far the mesh network will

functions nine different ways." T h e $100 laptop runs on Linux, a free

be able to extend.

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37

use them? Will the introduction of technology help the community, or Certain voices are less than optimistic about viability of the $100 laptop.

merely disrupt it? How equipped are parents and teachers t o monitor

Some argue that $100, while a relative pittance by our standards, is still too

what children are doing on the Internet and protect them from i t s shadier aspects?

expensive. The average daily wage in Ethiopia, for example, is USS1 per day, while in Mozambique, minimum wage is only USS53.3 per month, making even a $100 laptop a luxury that many countries can ill-afford.

There's also a concern that the laptops will end up on the black market, sold by the children's parents for cash, and ultimately make their way into the

Asks technology blogger Dave Rogers, 'Will all these connections facilitate education, or will they serve as distractions? The world needs doctors, engineers (the kind that know how to work with atoms .. you know, "real" engineers) and lawyers, not just file-sharers and webloggers."

hands o f adults who see a laptop with Internet access as a valuable

In a study published in 2002 called 'Reconceptualizing the Digital Divide",

commercial tool. Negroponte has addressed such criticism by predicting

University o f California Associate Professor Mark Warschauer described

that no more than two per cent of the laptops should fall into the grey

cases where attempting to introduce technology into communities failed

market, because his goal is to make the laptop so pervasive that it would

due to social factors that weren't taken into consideration. In New Delhi, for

instantly be associated with the classroom. (He compares stealing the

example, computer kiosks were installed into poor neighbourhoods with the

distinctively coloured and shaped laptop to stealing a mail truck.)

goal of teaching children how to use the Internet. The initiative was only

There are also social concerns. Just how useful will the laptops be if there's

partially successful d u e t o factors including l a c k o f community

no educational infrastructure in place to help children understand how to

organization, the fact that the community wasn't consulted about the placement o f t h e k i o s k s , l a c k o f organized instruction on how to use the kiosks, a n d t h e unreliability o f t h e Internet connection.

A similar initiative to modernize the small village of Ennis, Ireland by providing an Internet-ready PC to every family, a Web site for every business, and smart cards for each person, m e t w i t h similarly disappointing results. According t o the study, a visit to Ennis three years later indicated that 'the town had little to show for its money. Advanced technology had been thrust into people's hands with little preparation. Training programs had been run, b u t t h e y w e r e n o t sufficiently accompanied by awareness programs as to w h y people should u s e t h e n e w technology in the first place. And in some instances, w e l l -functioning s o c i a l systems were disrupted in order to make way for the showcase technology."

The study observed that problems can arise with initiatives that are intent on providing hardware and software, but are not considerate of the social implications

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Pemnnal Computing of these actions, nor the fact that in many cases, social change must take place in order to properly receive the technology.

"Meaningful access to ICT [information and communication technology] encompasses far more than merely providing computers and Internet connections," Warschauer concludes. 'Rather, access to ICT is embedded in a complex array of factors encompassing physical, digital, human, and social resources and relationships. Content and language, literacy and education, and community and institutional structures must all be taken into account if meaningful access to new technologies is to be provided.'

Or. Gillian Kerr, psychologist and founder of RealWorld Systems (www.realworldsystems.net], proposes rolling out the One Laptop Per Child initiative along with community training programs that teach users about the Web, and perhaps introductory games or other interactive programs to help young people create avatars and learn to communicate safely.

She stresses that OLPC has to be sensitive to how computers are used in the context of the culture they're being introduced to, and needs to create initiatives to monitor and minimize the destructive aspects as defined by that particular country. "Democratic involvement and participation in local decision-making is admirable in some countries and forbidden in others,' she points out. 'Educated and articulate girls are hoped for in some places and feared in others. Introducing societies to the intemet will never be an easy or obviouS process because all of the problems and opportunities of the global community are manifested on the Internet' Despite the potential dangers, Kerr is uncomfortable with the idea of restricting Internet access to communities that aren't perceived as having the resources or sophistication to manage it.

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C o m p u t e r s

"It's a bit like refusing to teach people how to read because they might get the wrong ideas. It's true that Internet access presents dangers to children, and responsible communities and programs need to build in safeguards, but I'm not convinced that those dangers are worse than the risks of illiteracy."

It's a sentiment that seems to sum up the One Laptop Per Child project nicely. Idealistic and naive, perhaps, but at least someone is making the effort to bridge the digital divide.

ByErin Bell

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M o v i n g t o M a c : Intel Inside The biggest news in the world of Mac (a small virus scare aside) is

processor into a notebook form factor without melting all of the notebook's

undoubtedly Apple's decision last year to transition its entire lineup of

innards, Apple realized that a change had to be made. Thus the transition to

computers over to Intel processors. For some, it was a strange move: after

Intel's new Core Duo line of processors in early January with the iMac,

all, the company had been touting the superiority of the PowerPC processor followed by the MacBook Pro in February and the Mac Mini in March.

During his keynote at MacWorld in January, Steve Jobs repeatedly pointed over Intel's models for a while, even going so far as to refer to the 64-bit GS out that the move to the Intel processor would boost the Mac's speed by a

processor as 'the fastest processor ever' at launch.

A lot can change in a short time, however. Intel's chips kept getting faster

factor of two to five times, and to show how peppy the new Intel iMacs were,

and more energy efficient, while the 65 was finding it hard to keep up,

he showed a few benchmark numbers. During m y many years o f

especially in production numbers. With their continuing inability to get a GS

benchmarking PCs I've learned t o regard benchmarking numbers suspiciously, especially when there isn't a range of different tests involved in the benchmark. So I figured the best thing to do would be to get my hands on one of the new iMacs and give it a few speed tests against the most recent version of the GS iMac. 7.ch Imc.;1.!ac ?p7;& ca imac I got my hands on the 17-inch iMac with a 1.83 GHz Core Duo processor inside, and was able to compare it to a 17-inch iMac with a 1.9 GHz 65 processor with the same amount of RAM (1.5GB). There are a few other tweaks inside the computers; the Intel version bumps the bus speed from 633 MHz to 66? MHz, and increases the L2 cache from 512KB to a whopping

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Personal Computing from the MI Radeon X600 to the X1600. All of these things should add up to a performance gain... but how much of a gain?

Surprisingly, Apple's claim of two to five times was pretty accurate not only with the SPEC synthetic benchmark it quoted during the keynote, but with real world applications too.

For example, rendering a seven-minute long Ouicktime file from 640 x 480 H.264 into an iPod-ready file took the 65 machine about 18 minutes, while the Intel machine did it in just over 7 minutes.

Handbrake, a program designed to rip DVDs straight to MP4 files, took 20 minutes 49 seconds to render one chapter of aDVD on our GSmachine, while it accomplished that same task on the Intel machine in only 4 minutes and 17 seconds.

And in Adobe PhotoShop C52, which many guessed would suffer for the move, the Intel machine managed to outperform the GS in the tests we ran, including application of radial blur to a large image in 1 minute 40 seconds (Intel) instead of 2 minutes 28 seconds (G5).

In other words, 'the bottom line seems to be that the speed of the Intel Macs really are faster than the GS, so long as you pick applications that are able to run.

BySean Carruthers

Are your apps Intel-compatible?

One of the things that Apple hasn't exactly been trumpeting about the new Intel-based Macs is that they won't actually run all of the Mac applications currently on the market.

It's not surprising, really: the switch to a new processor means that the code for many of these applications requires rewriting ;n order to execute properly, and some applications will be harder than others 7: :cr./en.

While Apple made pretty sure that its ::• • ors were ready to go when the first Intel Macs went c,- • . - - e - e 37: - ..."-Je variety of applications out there - both from * . h i r d - p a r t y that aren't optimized for the new processors. r ; -= software known as Rosetta, which : = . ; •-.. • : •-; software into Intel-friendly instru7: a t a cost to .<•`:•--c until applications become "Universa,' - . 5 7 : sag, at:e.

PowerPC or Intel Macs - a lot of softwa-r. „ _ The bad news first: most pro _ includes things like Final Cu.: P 7 : E/2.7:2.3, promised that its pro applications will make the .

3 ' 3 matter of months, and users cf the cld versisrs z a r depending on the appi to.crossgradetc Liniverss 3 ' 7 - 3 - 3 7 3 .

Thegood news is tha-. T're 7--&-..rty of softwa-e 7'3:7 3 7 a 3•••••• exeo.r.e on the new Intel mach - s F-.7.5e.,.a.

While Adobe surprise:: e v a c release a Universal S _ - e r t • e . s suite, it does seem to. • - : -73 Ashort list of things :77::

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Business cards are the currency of new connections and we exchange them whenever we meet a new business or social contact. There is, however, a physical limit to what will fit on a business card— that is, unless your business card carries a digital payload.

Small business card CD-R disks are easy to come by and to record and, using these instead of a paper card, you can hand over a sophisticated playable presentation to add weight to your basic details. The presentation can be a brochure of your services, it can include still images and video output showing your skills and past achievements and it can even carry audio narration — it's up to you.

Before you think you have to hire a multimedia expert to do all this, think again. If you're using Windows XP then you have a tool for doing most of the work at your disposal in Windows Movie Maker. This program can combine audio narration, still images and video into a short movie that you can edit

With a microphone installed you can narrate your own presentation

and burn to a CD and which will play i n any computer with Windows Media Player or capable of playing WMV files. The process is simple and you

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onto the timeline across the foot of the screen.

Place the elements in the order they should play. If you need to edit movie clips you can trim them to remove pieces or you can split a clip in two and place another element between them, for example.

When you trim or split a clip you're not altering the original so you don't have to make copies or take any special precautions.

To vary the time a still image appears i n the movie, click it to select it and drag its right most sizing handle to the right —as you do you can read off the display time — let go the mouse when you

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import your images, sound files and movie clips.

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together. You'll need a title and all the still images

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can achieve quite sophisticated effects using it.

have it set to the desired value.

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SOHO checkerboard changes. Effects change the look of the clip in some way such

with the camera on its side). You can use only one transition between

as changing its colour or rotating it 90 degrees (handy if you've shot video

clips but, provided the effects don't cancel each other out (e.g. using sepia and a colour effect), you can add multiple different effects to a clip or still image.

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card; displayed on an HP PL4200N 42" Plasma HDTV) The third instalment i n Ensemble's acclaimed RTS franchise doesn't

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introduce any earth shattering elements, but if you've enjoyed previous AOE games there's every reason to think this one will satisfy as well.

cannons for town sieges and pikemen to protect against cavalry.

The franchise's gimmick of researching technology improvements and eventually upgrading the level o f your civilization has returned largely

Set in the New World, players have the opportunity to play as eight great

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To t a l G a m e r

R i s e o f N a t i o n s : R i s e of L e g e n d s After scoring a hit with the historical real-time strategy (RTS) game Rise of

Train. "There are all these different ways you can do stuff using the

Nations and its expansion pack, Thrones and Patriots, Big Huge Games

Dominance that rewards really clever play and not just 'let me just build up

decided to do something a little different for its next project.

Rise of Nations: Rise of Legends, due out this month for PC, will be set in a

my giant mass of guys and let me throw them into the fray,' which is what a whole lot of RTS games are all about."

fantasy world and will feature three unique races: the Vinci (steampunk motif), and a mysterious alien race called the Cuotl whose ship has crashed

National borders Each faction in Rise of Legends has a border around its territory that can

on the planet.

expand and shrink when a player takes over new neutral sites or uses

inventors and tinkerers), the magic-using Alin (based on an Arabian Knights

HUB was recently treated to a sneak peak of the game in action courtesy of Big Huge Games VP of Development & Operations Tim Train.

certain technologies. As a rule, players can't build outside their national borders [although there are certain spells that can get around that).

°We love history games, and I'm sure we'll go back to history games at

-ro n. "The whole idea of national borders was huge in Rise of Nations. The

some point, but we really wanted to free ourselves from the constraints,'

thing that made us just pull our hair out with most other RTS games was the

explains Train. 'Yes everybody's seen a phalanx, everybody knows what a

whole idea of 'oh, you built a tower behind my lines and now I lose the game

phalanx looks like, there's no question about the musketeer, and there's only

because I didn't notice that you were building this castle behind m y

so many things you can do with that in terms of special effects. What does a

territory.' That doesn't feel very realistic. It's not like empires are won or lost

phalanx have for special effects? Nothing."

because I secretly built a castle right next to your capital.°

Besides the new setting, which Train says will give the company a chance to flex its creative muscles and push graphical boundaries, the developers are planning to push the RTS envelope in a few other ways as well.

Customization vs. randomization All of the maps in Rise o f Legends are custom-designed t o ensure a degree of quality and control over the artistic look, but at the same time

Econornu Players in Rise cf Legends will be able to kick-start their economy with a few button clicks.

Tra.n: "One of the things were trying to do to move RTS games forward is

the studio didn't want to completely sacrifice the fun that random elements add to the mix.

Items like resources (raw materials), relic bonuses, neutral sites and certain elements o f the terrain are all randomized i n ways that can

to get rid of that whole 10 or 15 minutes at the beginning of the game where completely change the way a map plays. all you're doing is building up the farms, slaughtering whatever animal

Train: 'For example, you might have a big mountain that blocks you off

happens to be in the game, and all that sort of thing. Caring about "econ" is

from the other side. This randomly generated object can be a whole

fun, raiding or defending against raids is fun â&#x20AC;&#x201D; what's not fun is doing the

mountain that blocks the entire map, so then it's a transport game where

same thing over and over again. We wanted to get you into decision-making

you have to build transports and land armies, or it could be that there are no

a lot quicker."

centre or side passageways so the only way around is this one choke-point at the north end o f the map, which is where all the fighting's going to

Neutral sites Neutral sites occur all over the map and can be either attacked and conquered, traced with to establish caravan routes, or bought outright with enough gold.

concentrate. Or you could have any combination of those things, so scouting becomes really important. One custom map can provide all of these hours of different kinds of gameplay based on what the random elements are."

By Erin Bell

i f you choose to attack the neutral sites early, then you're going to have to lose some of your army in order to take the site. So there's this inherent trade-off of, do you want to get the neutral site early on so your opponents can't get it, or do you want to trade with it over time and be more peaceful, at which point you can buy it or even get it for free later on in the game.

Buying or conquering neutral sites actually enables the player to build unique units that they can only get from that neutral site. So the conquest of neutral sites become very important' Dominance There are four powers in Rise of Legends that are awarded to players for satisfying certain in-game criteria. The Military Dominance, for example, is bestowed on the player who creates the most foot soldier units, and will grant them the power to lure enemy foot soldiers over to his or her side.

Another example i s t h e Tactical Dominance, which i s awarded f o r destroying a certain number of enemy workers, which grants the ability to cast the Ceasefire spell that temporarily renders your enemies incapable of attacking you.

6

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