Volume 19 Number 10
October 2006
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Buying audio gear V PChome studio p r i m e r -\.
.
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Filling up your iPod Home theatre audio
Music Software Ih A d' i w w w . h u b c a n a d a . c o m
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Digital technology is an adult
Arecent email Ireceived
Humans go from birth to adulthood in 25 years, which means that there is now ageneration that has never lived in aworld without personal computers. And what of the 25 year old PC -has it reached adulthood? In fact, the
announced the 10th
IBM-PC was born an adult -or at least born to serve adult
anniversary of Flash. That little program has done amazingly well,
business concerns. The frivolous joy of experimenting with things like art was left to the earlier Apple lls and later Macs. No wonder, then, that Macs remain popular with artists, musicians and other right-brain types. Today, of course, Macs and PCs do many things equally well. But one thing about the Mac vs. PC battle has not changed -it is still about mindshare.
going from anifty animated GIF alternative .to its own immersive
universe. Although it’s often reviled as amajor contributor to Web bloat,
Apple maintains aposition as one of the top five personal
whether you love or hate Flash, you can’t deny its impact
computer manufecturers or close to it, but in asea of
on the Web,
September 1956. The IBM 350 Oisk Storage Unit could
Windows machines, that translates into aglobal market share for Macs of about five percent. Nevertheless the Mac remains abigger phenomenon than afive percent share would predict. Apple has always used some variation of “the cool computer” to market the Mac, and
store five megabytes of data -abreakthrough in its day,
it’s still at it -witness the recent “I'm aPC, I’m aMac”
but useful today only for one or two MP3 tunes or asingle high-res digital photo. Today we find tiny-huge hard drives everywhere -in music players and video camcorders as well as computers. And speaking of computers, the IBM-PC is 25 years old
TV spots. When Isee those ads Ithink maybe Ishould get alife and get aMac full time, but in reality. I’m pretty happy with all the things Ican do with aWindows PC. This month’s focus on audio is acase in point. In working through similar music applications, GarageBand for Mac and Acid Music
Two other big deal digital technologies are celebrating significant anniversaries this year. The hard disk drive is now 50 years old. IBM introduced the first one in
this year. The IMB-PC, introduced in August 1981, wasn’t the first mass market personal computer, but it soon became synonymous with the term PC and its family tree leads directly to today’s machines (at least the non-Mac
ones). The IBM-PC chaperoned the first serious date between what have become the industry’s power couple:
Studio for Windows, Ifound that Icould do the same
things in either, and in some cases. Acid was slicker. Was it just my imagination then, or is every Mac surrounded by that Jobs reality distortion field -because Iswear, using the Mac somehow seemed cooler.
BES □I C I T R L
LIVING
Volume
10:
Number
10
EDITORIAL Editor-In-Chief
D a v i d Ta n a k a
tanaka.david@gmail.com Erin Bell
Managing Editor
erin@ppublishing.ca Sean Carruthers
Contributing Editors
Lee Rickwood
Chad Sapieha MarcSaltzman
Advertising Sales Sales Manager
Ralph Ventriglia ralph@ppublishing.ca
National Account Executive Maria Favot
maria@ppublishing.ca Ad Sales
ONTARIO/TORONTO
Karim Rizk
karim@ppublishing.ca MONTREAL
Forbes Campbell forbes@ppublishing.ca
WESTERN CANADA
Vivian Jin
vivian@ppublishing.ca
Business Group President/Publlsher
Scott Piccolo
scott@ppublishing.ca Art Director
Steven Stoner
$teves@ppublishing.ca Production Coordinator
Christie Swail
christie@ppublishing.ca Production Assistant
L i z Va n D e r W e e
liz@ppubli$hing.ca Mark Backer
Distribution Manager
mark@ppubiishing.ca O f fi c e A d m i n i s t r a t o r
Malenie Rajaram malenie@ppublishing.ca
IT Manager
Steve Ouinney steveq@ppublishing.ca
Intel and Microsoft.
Ironically, IBM isn't in the PC hardware biz any more, strictly speaking. It sold its PC group to Chinese computer maker Lenovo in 2004 -although at the time also took an 18.9 percent stake in Lenovo.
Enjoy the issue
Piccolo Publishing Inc (Head office) ??5-B The Oueensway, Toronto, ON, M8Z INI Tel: 416-348-9666 Toll-free: 866-?5?-01?9
David Tanaka
Fax:416-348-9553
Editor-in-Chief
Can:
onMail,
Sales Product Agreement #4103?S18. Printed in Canada.
Qd:ober
Home recording studio primer Audio file formats explained
,2 ..10
SOQ6
Fill ‘er up! Tunes for you iPod
,28
Going loopy over loops
.33
Moving to Mac
14
Team work in Word
34
Vista Watch: Windows Media Player 11
61
DV, or Not DV
36
#N
The secret to buying audio gear
20
Sid Meier’s Civilization IV: Warlords
38
iPod: The Next Generation
25
CivCity: Rome
39
Capturing the family hijinks in high def
ISSN lPlO-0143 HUB: Digital Living (B.C. ed.) ISSNlPlO-0151HUB:DigitalLiving(Calgaryed.] ISSN1P10-016XHUB:DigitalLiving(Edmontoned.) ISSN1?10-0178HUB:DigitalLiving(Easterned,] ISSN1710-0186HUB:DigitalLiving(Montrealed.) ISSN1710-0194HUB:DigitalLiving(Prairieed.) ISSN1710-0208HUB:DigitalLiving(SWOnt.ed.] ISSN1710-0216HUB:DigitalLiving(Torontoed.] HUB: Digital Living is published monthly by Piccolo Publishing Inc. All rights reserved. Reproduction in whole or in part without the permission of the publisher is strictly prohibited. Information presented here is compiled from sources believed to be accurate, however, the publisher assumes no responsibility for errors or omissions. The publisher reserves the right to refuse ads. The opinions expressed in the articles and columns and ads are those of the writer/advertiser and not necessarily those of HUB: Digital Living.
,26
w w w. h u b c a n a d a . c o m w w w . h u b c a n a d a . c a m
O c t o b e r 2 0 0 B - H U B : D i g i t a l L i v i n g - To r o n t o S e c t i o n
T D 1
Personal Computing
Home recording studio primer You may not be George Martin, but you may not need to be
if you wanted to add audio effects such as reverb or delay, the associated hassles were many.
Way back when, when Joe Clark ruled the country and Neil Young advised us that "Rust Never Sleeps," musicians who wanted apermanent audible record of their exploits faced afar more challenging situation than they do
today. Indeed, it was enough to give any self-respecting rocker aserious case of the blues.
If you had the bucks, you could pile your gear in the VW bus and truck on down to the nearest recording studio. If you had lots of bucks, you could leave your amp at home, use the prime Marshall stack at the studio, and hire
The digital studio has changed much of that. With the right computer, afew specific peripheral Items, and aton of studying and experimentation, anyone seriously interested in home recording can produce results that'll send the four-track tape crowd back to the proverbial drawing board. Of course, there's no substitute for musical talent, but just ask Britney Spears how much of that is needed when just about anything can be tweaked during post-production to become just about anything else.
You might think that the obvious hub to any digital recording studio is the PC, but that's not always the case. Indeed, those who don't want to bother you'd have precious few hours to play or sing all your parts correctly and with the setup, the software choices, and multiple options and yourself an audio engineer to boot. In either case, time was of the essence somehow get everything to sound just right afterward.
configurationsofaPC-basedDAW[DigitalAudioWorkstation]mayinstead
But not everyone could afford to rent astudio, its equipment, and its personnel. Fortunately, there was another solution. With afew hundred
opt for all-in-one units that are loaded with easily managed proprietary software and built only for audio recording. This is also agreat way to go if your budget is akey consideration -as evidenced by sub-$4D0 entry-level units from the likes of Fostex [MR-8 Mk II 8-Track Digital Recorder], and Boss [BR6D0 8-Track Digital Recorder]. If your ambitions go no further than laying
bucks, aspiring musical icons could buy adecent reel-to-reel machine or a four-track Fostex cassette recorder and commit all their tuneful
masterpieces to tape without ever leaving the comfy confines of their home. Yet the home studio of the past had severe limitations. Multitracking [the recording and layering of several individual instruments or sounds to create
down abeat and recording acouple of guitar or piano lines and avoice, these value-conscious machines certainly have their place.
aharmonious whole] was difficult with tape, particularly when dealing with the restrictions of consumer level tape recorders. Editing [removing and/or replacing flawed passages or notes] required patience, surgically precise
or performance spectrum. If you want to do more with your music, look to 16- and 24-track units from Roland, Boss, and Yamaha. These systems offer
But standalone units are by no means confined to the low end of the price
knives and measurements, steady hands, and tiny pieces of sticky tape. And
perks such as hard disk recording, CD burning, built-in effects and drumbeats, support for lots of tracks, and amore palatable learning curve than full-blown PCs. However, one of these babies will run $2,DDD and up. Moreover, even the best standalone DAWs don't offer the versatility or the potential of aPC. They aren't as upgradeable, they generally won't accept
third party software, and they limit you in terms of expandability. Truth is that if you're not afraid of computers, you should seriously consider aPC as
L5AU
the "engine" that drives your home recording studio. But how much of aPC do you need? In the audio recording world, you need as much as you can afford. Lets' break it down, piece by piece.
300
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Though you can theoretically run asub-Pentium or sub-Athlon DAW, you
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Personal Computing instruments, and the like. And when aCPU is pushed to its limits [many agood thing, because WAV files (the file format of choice for digital audio DAW programs include on-screen CPU usage meters to graphically display recording) are space hogs. Before mixdown, it's not unusual for asingle the horrors), you're faced with dropouts, murderously long load times, and ten- or fifteen-track song to snap up 500MB of your hard drive. Multiply that all manner of other nasty repercussions.
by perhaps several dozen tunes, add afew virtual instruments and loops -
These days, a2.8HGz Pentium ora 2800-r Athlon is the bare minimum for all of which greedily gobble megabytes-and you can see how asmall hard even acost-conscious DAW, In fact, considering recent CPU price drops, and drive is an ineffective hard drive,
the upcoming release of the 64-bit version of Windows Vista, and the factAdditionally, because you want to read (and write) information as quickly that PC DAW leader Cakewalk has now converted its flagship product. Sonar, as possible, and because an operating system and whatever applications to 64-bit processing, a64-bit dual core chip is the recommended route for you’re running will fight your music for hard drive priority, you may want to any hardcore setup. Why 64-bit? Primarily because the architecture add asecond drive strictly for your audio files. These days, you can grab supports vastly expanded memory allotments, meaning you can load more two 20DMB hard drives, each running at 220D RPM and with 8MB buffers, effects, more processes, more virtual instruments, and larger, more for less than $20D. Wise composers will also want an external USB 2.0 or authentic samples into RAM, thus reducing the dependency on both the FireWire drive for backups and archiving, processor and the hard drive. 64-bit chips have also proven flat-out faster Sound card
than equivalently rated 32-bit CPUs.
If 64-bit technology is currently abit pricey for you, consider 32-bit
There's agreat deal of discussion in various online communities as to the
processorswithhyper-threadingordualcones.BothwilldothejobmorecurrentlyacceptedminimumstandardsofamodernDAWsoundcard.Inthe efficiently than old school single-core CPUs.
end, it seems to be universally agreed that acard supporting adata width
Memory
that card has a"breakout box" to isolate the cables from the electronics and
of 24 bits and asampling rate of 96kHz will do awonderful job. Moreover, if
It's simple really -any DAW with less than 512MB of RAM is ridiculously II- provide extra ins and outs, it's an even better bet. Two tried and true "proprepared. Will afull gigabyte help? Definitely, but unless you're working in sumer" examples that won't totally break the bank include the Echo Mia a64-bit environment, anything more than acouple of gigabytes is overkill. MIDI (2 ins, 2outs, MIDI in/out, S/PDIR no breakout box) and the M-Audio Delta 44 [four ins, four outs, breakout box). It's worth noting that even though high-end consumer cards such as the ubiquitous and comparatively
Storage
Comparedtoevenacoupleofyearsago,harddrivesarecheap.Andthat'sinexpensiveSoundBlasterAudigyandX-Ficandothejob,manyusers report driver, latency and noise floor issues. im'
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Graphics card
Happily, you can make up for some of the money you’ve spent elsewhere when you purchase agraphics card. Since you don't need high-end 3D capabilities because DAWs don't run in 3D (yet, anyway), plan to spend
liiil
$?5 or so for last year's 256MB nVidia or ATI-based card.
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Adecent wireless mouse and agood keyboard will work just fine for most
y j j amateur project musicians. However, there will come atime when you're ^ *sittingbehindyourpianooryourdrumkitandnolongerwanttotrudge
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A M S U N
Personal Computing There's alot of variety here, and alot of choices. Some have abuilt-in audio interface. Some are highly portable, and some are not. Some are wireless. Some are better suited to particular DAW programs. Prices run the gamut from ahundred to several thousand dollars, so check those Internet
continuous pieces of music when repeated (very popular for backing drumbeats and in techno and hip hop music) -you can either stick with loop-accommodating programs like Cakewalk's Sonar or move into fully loop-centric applications like "Acid Pro" or one of its stripped-down
discussion groups and choose wisely.
offspring. If your project calls for, say, an original saxophone line but you don't have asaxophone, you can buy yourself aMIDI keyboard, acquire a
Speakers
freeware or shareware saxophone virtual Instrument, and "play" a reasonable sax facsimile right there on the keys. And if you need drums but have no drum kit, check out highly rated but rather complex software drumming solutions such as ToonTrack's Drumkit
When you audition and tweak your recordings, you want your speakers and amplification system to be as accurate and as generic as possible. That way you'll have aneutral product that sounds as good through your car stereo as it does through your subwoofer-equipped living room setup. Powered (active) studio monitors are purpose-built for the task, delivering neutral sound and negating the need fora space-hogging external amplifier.
From Hell or EZ Drummer. Dr make things easier on yourself and look online for quality drum loop sets from respected suppliers such as Drums on Demand and Beta Monkey.
They are thus the ideal solution for non-professional hobby studios, though
budget conscious shoppers may want to pick up an old stereo amp, level the tone controls, and purchase aset of inexpensive ''passive" monitors.
Guitarists Only
Alesis, Mackie, Event Audio, Yamaha, Tannoy, and Behringer all offer afull range of active and passive alternatives.
wake up the neighbours has proven to be one of home recording's trickiest tasks. Fortunately, one of the joys of modern recording technology Is that
Microphones
you don't need to mike. Today, many amateur and professional electric guitarists turn to all-in-one effect boxes/amplifier simulators such as the
Correctly miking aguitar amp so it doesn't sound like abuzzsaw and won't
If you sing, look no further than the Shure SM58. Eeaturing anolse-
Vox Tonelab SE, the Line 6PDD XT, the Digitech GNX30D0, and the BDSS GT8.
minlmizlng spherical filter and afrequency response tailored to the human voice, it's been the vocal mic of choice since The Beatles roamed the earth.
All of the above connect directly to the sound card via cable, thus allowing
If you're miking an acoustic guitar or electric guitar amp, check out the equally time-honoured Shure SMS? or the substantially pricier SM81. Drum miking is much more complex and can involve as many as eight or more separate mics, but you can do adecent job with two or three SM5?s and an AKG D112 for the kick drum. Add an overhead AKG IDOOS for extra flavor, or
ditch the drum-miking idea entirely and invest in an electronic set such as
guitarists to play at virtually any volume and eliminate miking hassles. Alternately, you can do away completely with external hardware
amp/effect boxes and instead make use ofthe latest crop of software guitar solutions. The primary advantage to packages such as Native Instruments
Guitar Rig, IK Multimedia's Amplitude, and Izotope's Trash is that your guitar sound enters the computer completely clean and unaffected, ready for you to alter it over and over again later. If you dig the sound of afully cranked
Roland's V-Drums.
Mesa Boogie, you can dialit in. If you change your mind after you hear it in
Software
the mix, you can do that too. Afinal word to the wise: If possible, build adedicated audio workstation.
audio recording to MIDI to every form of post-production tweak known to man, look to leading contenders such as Cakewalk's Sonar, M-Audio's Pro Tools M-Powered, or Steinberg's Cubase. More affordable, slightly less
Should you work with audio on the same computer you use for everything else, you'll inevitably reach apoint when all those little applications you load into your startup routine, all those remnants of uninstalled programs, and all those minor system alterations will conspire to cripple your speed and performance. Dne other thing -keep your machine disconnected from
capable options include FASoft's nTrack, Cakewalk's Guitar Tracks Pro, and
the Internet unless you want to bet that avirus won't wipe out your years
M a c k i e ' s Tr a c k t i o n 2 .
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The current crop of DAW-oriented software is staggeringly wide-ranging.
Eor comprehensive solutions that'll handle everything from multitrack
There are literally hundreds of other software applications and utilities on
Good luck and happy recording. By Gord Goble
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If you favour audio loops -short pre-recoded audio files that sound like
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explained “MP3 player” is often used to referto any device that plays digital audio files. However, just like the Xerox machine, Rollerblades and Kleenex, the term is far from accurate -you could just as easily be listening to WAV, WMA, AAC or OGG files in your "MP3” player, And that’s just to name afew. Why so many audio file formats? Some were developed by certain companies as proprietary formats for specific devices and applications. Others are designed to be used in certain specific circumstances, such as loading up adigital audio player with tunes or archiving amusic collection digitally. The following is alook at some of the common formats that you’re likely to come across. Lossy formats MP3 remains the most common digital audio file format, and it’s asafe bet that any digital audio player will play MP3s. The format was
From
developed in 1991 by using atechnique called “lossy” compression, which reduces an audio file size to roughly one-tenth of its original
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pitches, and harmonic overtones). Colby Lelder explains the concept of MP3 lossy compression in his book
Digital Audio Workstation ($5?.95; http://books.mcgraw-hill.com) as follows: “Think of asomewhat analogous scenario in three-dimensional
computer graphics: If an object is in front of (masking) another object behind it, there is no need for the computer to render the masked object; it would be awaste of processor rfesources, because we could not see it
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16-bit/44.1-kHz rate is reduced to roughly 1MB per 1minute of music. MP3 files do lose some of their fidelity in the process, but the trade-off
for giving up abit of sound quality is smaller file sizes and faster transmission -ideal for people who want to load up adigital audio player with as many tunes as possible. HP Omulbook Series, HP Pavilion Series, HP OVIOOO Series.
Other lossy file formats likely to be encountered are AAC, ATRAC, WMA
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and OGG. The first three are proprietary formats developed by Apple, Sony and Microsoft, respectively. AAC, which stands for Advanced Audio Coding, is the proprietary format
of Apple’s iTunes music store. The format uses the .aac or sometimes the .m4a file extension, and it was put forward as acomparable, yet superior,
format to the MP3. Many experts say that AAC files sound better than
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MP3s at the same bit rate, and can achieve the same sound quality as MP3s at half the bit rate. AAC files also incorporate iTunes-related DRM
(digital rights management) which, for example, limits the number of times an AAC file purchased from iTunes can be burned onto CDs or transferred to other devices. Applications that recognize AAC files include iPods, the iTunes music player, cell phones including Sony Ericsson W800, Nokia N91, Motorola ROKR El, and Sony’s PlayStation Portable
(with firmware upgrade 2.0 or higher). Similarly, ATRAC (Adaptive Transform Acoustic Coding) is Sony’s attempt at aproprietary file format for its electronic devices. Sony branded audio
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Frustrated?
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Lost your work again because the power
players, MiniDisc players, and the PlayStation Portable all recognize the
ATRAC format (.atp, .atrac, .oma or .omg extensions). Sony developed ATRAC3 in 2000 and ATRAC3plus in 2003, each featuring ahigher compression ratio than the last. ATRAC3plus is capable of 20:1 compression [ATRAC3 offers 10:1).
\went
Testing [www.rjamorim.com/test/multiformatl28/results.htmi) has
out?
found ATRAC3plus inferior in sound quality to comparable codecs like MP3andAAC.
WMA (.wma) was developed as aproprietary MP3 equivalent for Windows Media Player, but is supported by numerous other devices as well including Creative products, Dell Jukebox, Sandisk Sansa series, and the Sony PlayStation Portable with firmware update 2.60. One minute of 16-bit/44.1-kHz audio is approximate 0.62MB.
OggVorbis (.ogg) is an open-source format that uses anon MPEG-based codec. The OGG format is rapidly gaining popularity, as is evidenced by the increasing number of audio players that support it [including various
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The second grouping of audio files use “lossless” compression, where the audio files are compressed without any data loss. Because of this,
files are better quality but significantly larger than those compressed into lossy formats. While your portable player might fill up quickly if you try to stuff it full of lossless files, the format is recommended for creating long-term archival libraries of music files [such as aripped CD collection)
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around 30MB as opposed to a3MB MP3. The WAV format is supported by apps including Windows Media Player, QuickTime, iTunes, Dell Jukebox,
Sony PlayStation Portable, and audio players including iPods, Dell Jukebox, Creative Zen Vision:M, andZen V, and the Sony Bean. The AIFF format [.aif, .aiff), co-deveioped by Apple, is the standard audio file format for Mac computers. [Think of AIFF as being to Mac what WAV is to Windows.) The format supports multi-channel audio files and can achieve acompression ratio of as high as 6:1. Applications that support .aiff include QuickTime, Windows Media Player, iTunes, and iPods. '
The FLAG [Free Lossless Audio Codec) format is arelatively new lossless format that is notable for afew reasons: it’s open-source, supported by multiple platforms including Mac, Windows and Linux, and its developers are adamant that the format will never support any kind of
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copy protection or digital rights management restrictions [such as those
found on files that are downloaded from most online music stores). The format is capable of compressing and decompressing files up to 50 per cent without any data loss, which makes it perfect for archiving large audio collections and trading or distributing music online.
RealAudio[.ra,.rm,.ram)wasdevelopedbyRealNetworkstoworkwith RealPlayer. With acompression ratio ofup to 16:1, the format was essentially designed for streaming music across the Internet at low
bandwidths. RealAudio was at one time used by numerous Internet radio broadcasters and Web sites, although more people are turning to the better sound quality of streamed WMAs to achieve the same purpose. By Erin Bell
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Personal Computing
Moving to Mac Asneak peek at Leopard
available beta software like Boot Camp will be included as final versions,
The keynote at Apple's Worldwide Developers Conference at the beginning of August didn’t just have new hardware announcements; there was also a
with even more features.
sneak peek of the anxiously-awaited update of the OS Xoperating system, code-named “Leopard". And while this particular cat streaked by fairly quickly -there's still alot that the company isn’t able to talk about -there were ten key items that the company was able to fill us in on:
4) Spaces With all of the multitasking that we do these days, everyone knows just how precious desktop real estate can be. Spaces is anew virtual desktop
apps, the new version will also add 64-bit support forapps compiled for the
solution, which means it will already be afamiliar concept to some Windows users; the main difference is you navigate using Command keys rather than having to click an icon in the system tray. You can drag applications to any of the virtual desktops, and go straight to those virtual desktops by clicking on the dock icon for the application you want to go back to. During the
Intel processor, including Carbon and Cocoa-based apps. The 64-bit apps and 32-bit apps will be able to run simultaneously.
keynote, the application was demoed using four virtual workspaces, but it’s likely that the Leopard will be able to handle at least nine virtual spaces.
2) Time Machine
5) Spotlight
While everyone knows that they should be backing up their important data on aregular basis, most people don’t actually follow through: in fact, in a recent survey Apple discovered that only 26 percent of their users were backing up at all, and only 4percent were using automated backup software.
In addition to the new ability to search other computers on your network (including servers), the new version of Spotlight will also add more advanced searching capability like Boolean searches and the ability to refine searches by file-type. The Spotlight window will also bring up recentlyaccessed items automatically, so you may not even have to type in asearch
1) 64-bii Intel application support While the current version of OS Xfeatures 64-bit support for Unix-based
The new Time Machine application is designed to take care of the backup
process automatically-you just plug in an external hard drive, and Time query to find the items you are looking for. Machine can configure it as abackup drive. The application not only backs up everything on your machine, it also keeps track of multiple iterations of 6) C-ore Animation files and folders, so whenever anything changes, anew version of the file JoiningCoreAudio,CoreImageandCoreVideoinsidetheOS,CoreAnimation or folder will be added to the Time Machine. That way, if you mistakenly will take advantage of the rendering power found in most new graphics delete afile or save over it, you can fly back through time and recover the
cards. Most users won’t interact with this feature directly, but developers
file you want from atime when the file still existed on your system. The space-themedgraphicinterfaceisatinybitcheesy,butthetimelinebarand
will now easily be able to generate three-dimensional interactive menu interfaces, screensavers, and similar items, all with aminimum of coding.
cursor controlled navigation do allow users to “travel through time.” There’s
nonewsyetastowhetherTimeMachinewillalsobeabletobackupother
7) Universal Access
external drives, but what is known is that the drive you use for backup will not be able to be used for other storage... it will be adedicated Time
system,includingadditionalsupportforBrailleandclosed-captioning.The
Machine drive.
VoiceOver text-to-speech application also now reads text in amore natural
Leopard will add to the accessibility options available in the OS Xoperating
speaking voice, even at high speed. 3) “The Complete Package”
At the moment, there are anumber of applications available only for certain versions of the Mac, like PhotoBooth or Front Row. With the new version of OS
X,alloftheseapplicationswillbeavailableonallmachines,pluscurrently-
8] Mail
The built-in Mail app adds stationery capability, allowing you to use standard templates or to build your own (for business correspondence, or something more fun, perhaps); all stationery will be configured using standard HTML, so it should be compatible with the majority of modern email clients. Mail will also have two new standard folders: Notes, and To Do. Many users
apparentlysendnotestothemselvesviaemail(I'mguiltyof it!), and now by flagging email as anote, it will automatically appear in the Notes folder. You can also highlight items and turn them into To Do items, complete with priority and due NutloMl turiWtt ●I
dates. (There will also be atie-in with other applications on
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HUB: Digital Uving -Toronto Section -October 200B
There are already over 2,SOD widgets available for the Dashboard, but there are two new tools coming that will
ma ke widget creation even easier. Dashcode is anew tool kit for developers, complete with templates, aparts library w w w . h u b c a n a d a . c o m
Personal Computing [search fields, etc), as well as a
■a .
Javascript editor and debugger. For everyday users, Web Clip turns aportion of any web page into a'dashboard widget: you simply click the Web Click icon in the new Safari browser, realign and resize the window to the
portion of the page you want as awidget, and click “done.” The portion that then appears in your dashboard is live HTML: you can click it and refresh it
S I
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the ability to record your video chats, and the ability to become
IBM ThinkPad T30
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chatting [for managing multiple chats), animated buddy icons,
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just like you would aregular webpage, and it will open in a
10) iChat Apple’s instant messaging software is getting anumber of new features, including tabbed
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fun for the average user. The one bit of unfortunate
news is that Leopard isn’t due to
hit the shelves until Spring of 200?; in other words, those who
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Markham Head Office 90-Nolan Court Unit #5
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and moves ahead the launch
Brampton 205 Van Kirk Drive, Unitff2 905-495-0406
Mississauga
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date. But don’t hold your breath. By Sean Carruthers
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v w v w. h u b c 0 n a d a . c o m
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Personal Computing
Vi s t a Wa t c h : W i n d o w s M e d i a P l a y e r * 1 * 1 It’s no secret that the iPod and iTunes have been the subject of many a
Back in 2001 Microsoft’s only real music solution was Windows Media
closed-door meeting at Microsoft HO. Executives at the world’s largest software company have been watching in asort of slow motion horror as, over the past five years, Steve Jobs has almost single-handedly created and hogged for himself -abrand new multi-billion dollar niche in the PC music industry.
Player (WMP), aWindows-only application that has often been derided for its clunky design and unintuitive interface. But several years have passed since the iPod and iTunes were introduced, and Microsoft’s steely execs have moved past anxiety and fear to the much greener pastures of cold, hard determination -to beat Apple at its own game. N » «
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music pie for itself, and the software giant will finally make its move next year with aone-two punch: first the release of Windows Media Placer 11 [WMPll], which will come bundled with Windows Vista when it's launched in January, followed by their newly announced Zune music products and services [see sidebar].
The new WMP has undergone acomplete overhaul, now sporting amore streamlined and
functionaluserinterfacethatmayjustprovetobeaworthyadversarytoApple’selegantiTunes. Vista’smuchtalkedaboutchromeandaeroglassblinghasbeengraftedontoWMPll,providing an undeniably sleek 'n chic sheen. The menu bar has been replaced by asimpler command bar
thatprovidesbigbuttonsforquickaccesstocommonlyusedfeatures,includingNowPlaying,
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Personal Connputing Library, Rip, Burn, and Sync. WMPll also makes better use of screen real
estate by stacking media icons (like album art] on top of one another to show more files at once, and by providing more efficient methods of displaying groups of files and playlists. But there’s more to WMPll than just anew dashboard. The big news is something called Urge, aWMP-only music service Bill Gates announced at
CES in January. Sponsored by MTV, Urge is arepository of information for millions of songs. Microsoft Canada’s Maurice Benatar calls it “a guide for musical exploration” that not only provides ameans to purchase music, it also allows users to learn more about their favourite artists via interviews
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access alternate services instead. Benatar noted that WMPll has the
capacity to provide access to awide variety of pay-per-track and future, though, as yet, none have been announced, subscription services besides Urge that could potentially be added in the
But of course WMP isn’t just about music. Much like previous versions of WMP, the eleventh iteration provides video capabilities as well. In addition to
No Zune anytime soon Microsoft is being predictably tight lipped about Zune, the name given its new portable media player and delivery service announced this summer. Here’s what we know so fan
●It’s pronounced “zoon” (rhymes with “soon”]. ●The player will apparently be manufactured by Toshiba, current makers of the Gigabeat -aworthy but distant competitor to the iPod. ●It will be an “end-to-end” solution, including community and entertainment features as well as avideo and music delivery service. ●Announced features so far include abuilt-in FM tuner, 3-inch screen,
30GB capacity and wireless Zune-to-Zune file-sharing
offering DVD and video file playback (including recorded TV], WMPll supports the next generation DVD standard HD-DVD as well. Unfortunately, Blu-ray drive owners will have to rely on third-party solutions. Another new feature is WMPll’s photo viewing and management
functionality. While the viewer isn’t particularly sophisticated, the photo manager provides the ability to group and sort all of your photos using meta tag information such as date taken, star rating, and keyword. It’s no substitute for a.dedicated photo management app, but it could be handy for casual photographers.
Windows Media Player 11 is currently feature complete; Microsoft’s programmers are now spending their days working out the kinks. To find out for yourself whether Microsoft’s first real attack on Apple’s PC music dominance poses any real threat, download the beta version at http://www.microsoft.com/windows/windowsmedia/player/ll/default.aspx
●It’s slated to arrive on American store shelves sometime in 200?—
By Chad Sapleha
though that doesn’t necessarily mean we’ll see it in Canada then. Will the device’s design be amatch for the iconic iPod? Will the Zune service piggyback on WMP? Will Canadians have to wait years for Zune to be made available to us? No one knows.
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substantial linear power supply, which should give you enough current to not slow down when speaker impedance drops. Suffice it to say that ahigh current amplifier is better than one that isn’t. It generally gives acrisper sound at agiven power rating and won’t distort until a higher volume.
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As for power rating, how do you compare RMS, peak and music watts? In
other words, why are the 200 watt computer speakers not blowing out your eardrums when the 40 watt audiophile amplifier gets you evicted for the third time in amonth? Well, RMS (Root Mean Square) power is the most conservative rating, being an average sustainable output, and is indicative of aquality manufacturer. Look for this. It may also be called continuous
it’s overstated, but you can still do some simple math to compare. For instance, if it’s rated into 4ohms just cut the rated power in half. Also, there are variations on RMS power is measured so if two amplifiers are rated reasonably closely don’t assume that the lower rated one is less powerful. A manufacturer who quotes peak power only, without RMS, starts to make me feel uncomfortable.
Peak power is double RMS, so cut it in half to compare. Peak Music Power
average power.
When comparing, make sure it is quoted with an 8ohm load. Any less and
Output (PMPO), on the other hand, is used to make those 3W computer It-:-
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speakers into 200W monsters that allow you to use them in your heavymetal stadium shows. In other words, PMPO ratings are hogwash and are only limited to amarketer’s imagination. When in doubt, there’s often afuse or power consumption rating on the back of audio devices which should give
you aball park figure. Remember, volts multiplied by amps [amperage] equals watts. So how many watts is enough? It depends on your speakers. Choosing speakers that speak to you
Speaker sensitivity is rated in dB SPL [deciBels Sound Pressure Level] at 1metre distance and at 1watt of power. The higher the number, the louder the speaker and this is something useful to compare. Oddly enough, this is going to dictate your power requirement for your amplifier for atarget listening level. Every time you double the wattage you can add 3dB to the loudness of aparticular speaker. Let’s say you have aspeaker rated at 8? dB sensitivity. If you feed it 2watts it will be 90 dB loud. Feed it 4watts and it will be 93 dB loud and so on at a
listening distance of 1metre. Factor in the loudness drop-off from a10 ft distance of about -10 dB and you can see even 1watt is plenty loud. A vacuum cleaner is about 20 dB loud but this example speaker will be ?? dB loud at 1watt from 10 feet away! A250 watt home theatre receiver will be able to output about 101 dB and a500 watt system will output about 104 dB using our example. There's not really that much difference between the two in the end. Still, when matching speakers and an amplifier it’s usually agood idea to get an amp that is abit more powerful than the maximum rating for your speakers. Loudness aside, an underpowered amp can run out of juice and start
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■MP3 Car Companion 40GB Digital Photo Bank Portable Multimedia Player Component to Component plug in USB /flash media with 12-in4 card reader 40GB capacity withTV-out Component to VGA listen through car speakers high speed USB 2.0 DivX,AVI. JPG, MP3. WMA
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DVI to Component
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ENERMAX Modular SLi Power Supply Enermax LIBERTY 400W @$99 Enermax LIBERTY 500W @$139
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distorting which can blow your speakers. Weird huh? Not enough power causes something to blow up. It's usually better to have something known
as "head room’’ in the audio world where you have more power than you need. So using an 80 watt maximum rated speaker with a100 watt per
channel amp is no biggie, in fact, it’s agood idea. Just don’t go crazy and completely mismatch them. Speaker sensitivity isn’t the only thing to look at, though, there’s also frequency response. Frequency response is the-abiiity to replicate sounds at different frequencies. It is usually stated as aminimum and maximum
value in Hz [hertz), ideally with a±dB rating after it. If it doesn’t have that ±dB rating, the value is not meaningful because that dB indicates the volume variance within the frequency span indicated. Remember, dB measures loudness, at least in this case.
If you have arated frequency response of 50 -20,000 Hz ±3 dB, it means that the speaker is 3dB louder or quieter at different frequencies between 50 and 20,000 Hz. Without that ±dB rating, it could be anything including being inaudible. You need that dB rating, and the smaller it is the better. Sometimes there’s agraph to look at, which is even better because it shows you how aspeaker performs through all the frequencies. Also, the larger the frequency span, the better. It is much more difficult to make low frequency sound. So aspeaker that creates 40 Hz sound is going to be much more expensive than one that makes 55 Hz sound even though both can do 20,000 Hz with no problem.
By Andrew Carruthers
Contact O^our LocaC
Formoremediasonicproducts
‘Wfioksalcr &‘Dealer
please visit www.mediasonic.ca or e-mail us at sales@mediasonic.ca
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Adaptec GameBridge TV Feature Overview -Play Console Game On your PC (up to 1024x768 32-bit color)
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*TV Tuning, Convert DVD function &remote control only available on AVC-1410. "limited time offer only TO
24
H U B : D i g i t a l L K / i n g - To r o n t o S e c t i o n - O c t o b e r 2 0 0 6
w v w v. h u b c a n a d a . c o m
First
Glance
iPod:
The
Next:
Generation
Apple has launched new versions of its iPod, iPod nano and iPod Shuffle digital audio players.
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The fifth-generation iPod ($399] boasts an 80GB hard drive, which can hold
Now Playing
up to 20,000 songs or 100 hours of video. Its 2.5-inch colour screen is 60
1af14
per cent brighter and more vibrant, and includes aslider for adjusting brightness levels. A30GB model is also available for $299. In addition to audio, photos and videos, the new iPods can also download and play games
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Music
Photof
Stadium Aicadl
designed specifically for iPod from the ITunes music store (www.itunes.ca).
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The 80GB model offers up to 20 hours of battery life for music and 6.5 hours for video, and the 30GB model offers up to 14 hours of music and 2.5 hours of video, according to Apple.
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The second generation iPod 5huffle ($89) is nearly half the size of the original, weighing half an ounce and measuring half an inch thick. The new “wearable” design features abuilt-in clip and new aluminum case. The Shuffle's capacity remains capped at 1GB (about 240 songs], but it offers an impressive 12 hours of battery life according to the company. The iPod nano is available in athinner and lighter design that offers abattery
life of up to 24 hours. The new 8GB capacity ($299] is available in black, while a4GB model ($229] comes in silver, pink, green or blue, and a2GB
«
model ($159] comes in silver.
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FUJITSU N3530E INTEL Core Duo 1.66GHz
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O c t o b e r 2 Q Q B - H U B : D i g i t a l L i v i n g - To r o n t o S e c t i o r
T D S 3
Home
Entertainment
Capturing the family hijinks in high def You've got the high definition screen, now what? You can watch broadcast television in high-def, no problem, and may have even rolled the dice on a
HD-OVD or Blu-ray player. That’s all very well, but what about your home movies? Surely, it is acomplete shame that little Tony’s current pubescent pizza face will be delivered mushy when it comes time to fire up the oven and roast him at his wedding. We need to see the pepperoni on Tony or else his wedding roast will be underdone. Bad bad-skin jokes aside, high definition home movies are great for documenting friends and family in a way that can really take you back to when the video was shot. That extra resolution can reinforce asense of time and place and capture little details that might otherwise disappear into the ether of time. The format is called HDV and it uses MPEG2 for compression just like DVDs and regular DVtape. Currently, Sony offers the HDR-HC3, JVC the venerable GR-HDl and Canon the HVIO. These are the low end of HDV camcorders allowing regular Joes to do their stuff without requiring apost-secondary education and a suitcase full of ill-gotten gains. Well, the JVC is abit pricey. Also, it’s different in that it shoots progressively at ?20P. That is where the full frame
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is captured a’ll at once instead of every other line at twice the frequency. Progressive scan is agood thing but it is done at the cost of resolution, which is abad thing. In general, there aren’t alot of camcorder choices out there, but make sure the output from it matches the input to your display.
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4190 Fairwiew St.
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400 Dundas St. E. 220 North Strvice Rd„ West 3300 Steeles Ave. W
(905)333-6637(905)281-0204(905)815-8298(416)907-9773 Look for HDMI or component outputs as well as FireWire. HDMI is a
091S06
WINTRONIC ,tGomputersjnTwJiil4
more future-proof choice. The thing is, there isn't really any reasonably priced HDV VCRs right now and you'll probably be using your camcorder
Visit our website for latest prices
for playback.
CUSTOM BUIIT SYSTEM -NO MAIl IN GIMMIKS
FireWire, i.LINK or IEEE1394 all mean the same thing and are the way the camera sends its FIDV files to acomputer. It is no different than DV in this sense, other than your editing software needs to support FIDV. Most cameras come with software to do simple edits and all come with
capture utilities. For editing, take the minimum requirements with a grain of salt as you will need quite apowerful computer with agood amount of RAM, apowerful processor and, of course, aFireWire port. A 3.4 GHz processor and 512MB is astarting point. Editing MPEG2 without an intermediary codec requires alot of processing but not really large or fast hard drives. If you have Premiere Pro, Vegas or some other higher level editing program, an intermediary codec can help speed editing and retain quality. If you use one, get ahard disk array too because the files
-Mid Tower W/400W -Asus PSVDC-MX Motherboard -S12MB DDR Ram-160 GB HD
Sony HDR-HC3 $1800 w w w. s o n y. c a
Canon HV10$2000 w w w . c a n o n . c a
JVC GR-HDl $4000 [est.] www.jvc.ca
that if the tape gets aglitch in it, you get to watch that glitch for up to ahalf asecond until the next full frame
shows up. So, you need to be extra HDV Editing Software Adobe Premiere Pro w w w. a d o b e . c o m
Sony Vegas www.sonymediasoftware.com
Avid Xpress Pro w w w. a v i d . c o m
Final Cut Pro www.apple.com
Intermediary Codecs CineForm Connect HD (Vegas) w w w. c i n e f o r m . c o m
CineForm Aspect HD (Premiere Pro) w w w. c i n e f o r m . c o m
Lumifere HD (Final Cut Pro]
careful about how you store your tape. You also need to keep your camcorder clean and whatever tape you use, use the same brand all the time. This is because tape lubricants
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maintaining picture quality. What this means is you can’t pan, tilt or zoom quickly and you should really shoot with agood tripod. Whatever brand you choose, expect to spend $250 and up. Also, MPEG2 compression means
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are formulated differently. When mixed they can actually become sticky which is abig no-no. This
ir LCD MDNITDR NEW $159
problem has been reduced of late but better safe than sorry. Well, there you go, you’re ready to go shooting friends and family in high def like
S AT E L L I T E & F TA B E C E I V E B S
avice president on ahunting trip. Finally, the HUB would like to apologize for the bad pizza face joke. We know it was cheesy, in bad taste and suffered from poor delivery. At least it was under 30 minutes and free.
By Andrew Carruthers
19" LCD M0NIT9R NEW $199
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All Prices are already 3% lash disiounled ■Prices and Spedf cations subject to c www.hubcranada.conn
O c t o b e r 2 0 0 6 - H U B : D i g i t a l L i v i n g - To r o n t o S e c t i o n
T0
2T
W i r e l e s s
Fill *er up! Tunes for your iPod Acheap way to pack your iPod full of tunes Until recently, there have been only two ways to fill up your portable music player with music: One is to rip your favourite CDs into audio files like MP3s, WMAs or AACs and then copy those files onto the device. The other way is to download music from the Net, be it from legitimate online stores such as iTunes or Puretracks or by hitting the peer-to-peer file sharing services to
shifting” thousands of near CD-quality songs. Best of all, you can fill up your portable audio player every night so you can wake up to abrand-new soundtrack. And yes, this is perfectly legal -it's just like using aVCR. Many programs let you do this -some are better than others, of course so let’s take alook at acouple of award-winning solutions.iFill
snag pirated tunes.
The problem with the first way is that eventually you’ll rip all your CDs, while the second way -buying or stealing music from cyberspace -can be costly or risky, respectively. !P'«y«ndReconl Now there’s athird way to hr Free! pack your player with tunes -and the good news is that it’s cheaper, easier and you’ll
Is: ‘
Audioy^ract
(Griffin Technology; ifill.griffintechnology.com; free to try, US $20 to buy) Designed for both Windows and Mac users, iPill is an easy-to-use iPod utility that lets you download Internet radio streams from hundreds of available stations, and covering all major music genres.
Simply browse radio stations by name, genre or desired bit rate (the higher the number, the better the sound quality but the bigger the file).
Check off which stations interest you -and you can select multiple radio stations to record simultaneously -and the tunes are then sent directly to Intrigued? your iPod, so it won’t clutter up your computer’s hard drive with files. If desired, you can select how much space on the iPod is allocated for iPill By recording streaming Internet radio stations and music. Or you can simply let the program fill up the player and then delete then listening to the songs what you don’t like. By checking off abox on the main iPill screen, you can on your iPod or other MP3 also tell this program to erase your last “fill up’’ before copying new tracks have more music than you know what to do with.
player, you are essentially “time-shifting” and “place-
AA
over to the player.
Not only are the.songs without annoying DJ banter but each tune
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W i r e l e s s becomes it's own file [and not one long file containing 1000 songs). Internet radio
Plus, 103 tag Information Is retained so you can read the song, artist and station info on your iPod or iPod nano screen. You can use iPill with multiple iPods, if desired. Some of the downsides to IPill, however, is that it’s not compatible with non-iPod based MP3 players and there was afair bit of song repetition, too. Overall, though, the Griffin IPill proved to be an easy to use and handy iPod accessory -especially for those with plenty of unused space on their 30GB or 60GB players. You can try this program for a week before dishing out cash. Pros: Music goes right to the iPod; works with Windows and Macs Cons: Only works with iPods; some song repetition and cutoff tracks
AudioXtract
(AXT Unlimited; www.audioxtract.com; free to try, $30 to buy) Turn your PC into an Internet radio recorder with the aptly name AudioXtract, aprogram that can record many Internet streams for enjoyment on your computer or portable music player.
Unlike the Griffin iPill, AudioXtract saves the files as MP3s to your computer’s hard drive. While many may prefer how the iPill puts the music on the connected player instead of on the PC, AudioXtract at
least works with non-iPod based products, too [or you can burn aCD with the downloaded music). Similar to the iPill, AudioXtract lets you choose to record from
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Wireless hundredsofradiostations(oryoucanaddyourownbytypingintheURL], For those who want to test drive AudioXtract, the official Web sites lets Ifyou’relookingforaparticulargenre,suchasclassicrock,hip-hop,disco users download 100 free MP3s, If you like what you hear, you can purchase orjazz,youcantypeinakeywordintothesearchengine. the software online or pick it up at select Canadian retailers, such as
YoucanrecorduptoeightsimultaneousradiostationsatonceandevenWal-Mart,CostcoandBestBuy. schedule the program to record afavorite radio station at acertain time Pros: Works with all MP3 players; can set timers; search for favourite of the day,
genres
The AudioXtract interface, while not as clean or pretty as the IFill screen,
Cons: Clutters up hard drive; ,many song cutoffs; interface not as clean lets you easily remove duplicate songs with the click of abutton. But on the as iFiil
flipside, the iFiil had far fewer songs with the end or beginning cut off
By Marc Saltzman
compared to AudioXtract files.
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Going loopy over loops Making music the drag and drop way When Sony gave me ademo of ScreenBlast Acid Deluxe 2.0 afew years ago, I’d not heard of loop software before -but was Immediately hooked. Some months later aMac-user friend emailed me about this neat program Apple had just announced called GarageBand, which did loops too.
Fast-forward to today and GarageBand is now in Version 3(part of iLife ’06], while Acid 2.0 has morphed into Sony Acid Music Studio 6($89.95). These programs do more than just sequence loops, but that’s the aspect Iwant to focus on.
If you’re not familiar with loops, they are snippets of music. You can find loops for most popular instruments and musical genres, as well as for sound effects, jingles for advertising work and even vocals. They're called loops because you can join them together, just as sound engineers used to physically join the two ends of apiece of audiotape to form an endless loop that played over and over. By design, when you play adigital loop continuously, it creates acoherent rhythm or melody. GarageBand and Acid
Music Studio (and other similar products] allow you to build unique
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compositions using these off-the-shelf musical parts. For example, suppose you want to create awaltz. You find adrum loop that has a1-2-3 waltz beat -but that’s all you’ll likely hear in the loop, asingle 1-2-3 measure. As you repeat or loop the drum segment, it will begin to sound like adrummer tapping out acontinuous waltz beat -
11
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and voila, you’ve just created adrum track for your waltz. To that you can add other instruments -strings or horns for example -and build a.timeline in sequences that give you the sound you want. In Music Studio unique composition. this process is quite elegant -using apen- or pencil-shaped cursor, you Both GarageBand 3and Acid Music Studio 6include loop libraries to get simply draw or paint onto the timeline wherever you want that instrument
you going, but there are many commercial sources for loops (including to play. For acontinuous bass rhythm, for example, you’d paint it Apple and Sony]. Magix recently sent us ahuge collection of loops called continuouslyover.thelengthofyoursong.Ifyouwantedsomethinglikea Soundpool DVD Collection 11 (available from Magix’s e-store forUSS29.95], cymbaltoplayjusttwiceatparticularpoints,you’dpaintitonlyontothose which is aDVD compilation of several libraries it had previously released on parts of the time line.
CD. It contains 2,DDD-f loops in CD-quality WAV format. Magix also has aloop For continuous play of aloop, GarageBand works the same way-you draw sequencing program called Music Studio 11 Deluxe.
out the loop over the timeline and the loop repeats for that duration, but for
GarageBand and Acid Music Studio have asimilar layout with amulti-track discontinuous segments, Ifound GarageBand’s cut and paste not quite as timeline dominating the main screen. Afile browser lets you show slick as Acid’s paint method, directories that contain your loops and when you highlight aloop file, the Inbothprograms,onceyou’velaiddownaloopsequenceyoucaneditit program plays it so that you can preview it. To add aloop to your bychangingitsduration,movingitalongthetimelineorerasingit.Youcan composition, you simply drag and drop it onto an empty track.
set amaster tempo measured in beats per minute for your song and any
To build the composition you lay down the various loop tracks orlto the loop you drag onto the timeline matches your master tempo. You can also
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change the master tempo at any time, and in this way change the length of acomposition without altering the pitch.
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What can you do with loops? If you are amusician, the answer is obvious -compose music. But there are other multimedia applications as well where music is important. Ifind them agood way to produce unique background music for avideo or slide show; for example creating an audio track in Acid Music Studio and then importing the WAV file into avideo¬ editing package like Premiere Elements.
GarageBand has aparticularly nifty level of integration with other Apple software. With an iChat session, for example, GarageBand will record each participant’s chatter on aseparate track. When creating apodcast, you can add an artwork track to GarageBand and then drop in some visuals. By David Tanaka
O c t o b e r 2 Q Q B - H U B : D i g i t a l L i v i n g - To r o n t o S e c t i o n
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Throw away your sticky notes when you're working on along document and click it and click the red button to record your note. Click the Stop button do all the work in Word. With Word's tracking tools, you don't need to make when you're done and close the Sound Recorder, notes or write reminders on loose sheets of paper. And you don't need to cut If the button is not on the toolbar, click the Toolbar Options button at the end aparagraph and save it in another document just in case deleting it was aof the Reviewing toolbar, click Add or Remove Buttons, Reviewing, and click mistake and you need to put it back again. Tracked changes and document Insert Voice to add the button. The sound is saved with the document and comments can take care of all this and they keep the information where it is can be played by clicking on it. most required -inside the document you're working on. While these tools were designed to be used during group work to help you Tracking changes keep track of changes when you're working on adocument in collaboration When you're unsure whether to delete aparagraph or not, tracked changes with others, they also work very well when you're working by yourself in agives you the best of both worlds. To enable it, choose Tools, Track Changes. team of one. Now everything you add is identified by acolour and underline and everything you delete is marked with strikethrough so it looks deleted. On Highlighting the Reviewing toolbar you can choose to view these mark-ups or not by When all you need is to draw attention to some text, use the Highlight tool, selecting an option from the list. For example, choose Final to see your Click the Highlight button on the toolbar and drag over words to highlight, document as it will look with the additions and without the deletions, provided you didn't have text selected before you clicked the button, the However, these all still being tracked so, you can click Final Showing Markup Highlighter tool stays turned on until you press Esc or click it again. To to see them again, highlight one piece of text, select the text then click the Highlight button. If you want to undo adeletion, select the text to undo and click the Reject Alternately, choose adifferent highlight colour from the dropdown list to the Change/Delete Comment button on the Reviewing toolbar to reinstate it. right of the icon. When you're done, if you like all the changes, click the Accept All Changes in To remove highlighting, select over the area containing it, and, from the Document option which is on the Accept Changes menu. Alternately you can dropdown menu beside the Highlight button, select None. Highlighting can move from one change to the next using the Next button on the Reviewing be hidden from view but not removed by choosing Tools, Options, View tab -toolbar and accept or reject each change oneat atime. Use Tracked Changes deselect the Highlight checkbox to hide it and reverse the process to view it. to experiment with edits and still give yourselfthe ability to undo them if you don't like them. Comments
Comments allow you to include explanatory text or reminders in your Warn before printing document without affecting the text on the page. To insert acomment, click One word of warning, however, if you hide the changes from view and save where it is to appear and select Insert, Comment. Type the reminder or the document, anyone else working on the document can see them. To make question in the Comment balloon or comment area and then click back in the sure you're warned about this so you know it- is happening, choose Tools, document. Comments are marked with your initials to indicate who wrote Options, Security tab and enable the 'Warn before printing, saving or sending
them. If the initials are incorrect, choose Tools, Options, User Information tab^ afile that contains tracked changes or comments' checkbox. Now, you'll be and type the correct initials in the Initials area. To view acomment, hold your warned that changes exist before you save the document so you can make mouse over the comment balloon and the comment text will be displayed. sure this is what you really mean to do. Voice notes
By Helen Bradley
You can also add short voice notes to adocument using your microphone. Choose -View, Toolbars, Reviewing and, if the Insert Voice button appears.
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Digital Imaging
D V, o r I M o t D V Sound's Important -Everywhere! Digital Audio Editing, Part 1 Samsung's new portable MP3 player turns the world of digital audio on its ear -literally. The new K5 flash memory-based player features built-in slide-out audio speakers. No longer limited to the world of teeny, tiny earbuds, portable MP3 players can now be heard clearly and plainly not just by the wearer, but by anyone standing nearby. That's the point!
So there's no better time to learn about editing digital audio. Today, you can never tell who's gonna hear your personal song list, your own mash-ups, your selection of samples or your very own podcast. In Part 1, we'll look at the hardware side of digital audio. Next time, we'll review some great new audio editing software.
There are stand-alone digital audio workstations (DAWs), as well as individual hardware and software solutions for the PC; they come in a wide variety of shapes, sizes, flavours and prices. Almost any computer today comes with the basics: aset of internal or external speakers, coupled with asound card of some sort. As long as your computer's sound card has input connections, you can play your analog or digital field recordings into your computer, save them as computer audio files and edit them in digital form.
Abasic sound card (or digital video capture card] isn't the only way to
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get audio into aPC. There's awhack of stand-alone, external USB- or FireWire-equipped audio input devices out there. You plug one end of the device into aUSB/FireWire port, your external audio source into the other, fire it up and off you go.
(For more information about digital audio products, see DV or Not DV #2 -The Value of Analog; and DV or Not DV #6 -Getting in Sync with
Home Editing -both archived at www.hubcanada.com]
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Of course, not all sound cards and audio input devices are alike. While top-notch professional products can cost up to $10,000 -you might meet your needs for thirty bucks. To differentiate among them, understand that most basic sound cards are aprinted circuit board, onto which four basic components are embedded:
●an analog-to-digital converter (ADC) ■I W I
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●Input and output connections for external devices, microphones and speakers
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Instead of separate ADCs and DACs, some sound cards use a coder/decoder chip, also called acodec, to perform both functions. To translate incoming analog sound waves to digital bits and bytes, the conversion process samples -or digitizes -the sound by taking precise measurements at frequent intervals. That's called the sampling rate, and it's measured in kHz. The higher the number, the faster the sampling rate, the more fidelity the reconstructed sound Will have. Think of it as dipping an empty cup into aflowing river. The deeper you reach, the more often you dip, the better and more accurate your samples of the water will be.
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w w w . h u b c a n a d a . c o m
Digital Imaging In addition to the basic components needed for sound processing, many sound cards include additional hardware or input/output connections, including:
Digital Signal Processor (DSP): Aspecial microprocessor that takes some of the workload off the computer's CPU by performing calculations for analog and digital conversion. Sound cards that do not have their own DSP use the CPU
for processing. Memory: Like agraphics card, asound card can use its own memory to provide faster data processing. Input and Output Connections: Sound cards should have connections for amicrophone and speakers, which can
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inclucje stereo mini-plugs, RCA connections, quarter-inch phone, S/PDIF (a digital interface from Sony/Philips) and/or MIDI, the Musical Instrument Digital Interface. If you're going for atop-of-the-line sound card, check the specs, but also make sure you have high-quality speakers that match.
"
As far as the computer itself, although in many cases it is possible to record audio to the same drive as the one running the operating system and audio application, you'll probably get better performance by recording to aseparate drive. Audio eats up alot of space -nowhere near the amount that video does -but even the smaller drives today will be hard to But even high sampling rates result in some sound quality degradation. Just the physical process of moving sound through wires can cause distortion. Two measurements are used to quantify this reduction in sound
fill with audio files alone. Extra drive space [internal, via EIDE or better; external via USB or FireWire] can always be added. Some audio editing
quality: Total Flarmonic Distortion [TFID], expressed as apercentage, and Signal-to-Noise Ratio (SNR), measured in decibels.
speed (?2DD RPM should do it;,and the Dxford 911 or922 bridge is nice ], so
programs or hardware accelerators do look for aminimum drive rotation
compare and differentiate among the many sound cards available on the
always check your gear first to meet certain specs. Desktop or notebook computers can be used, but remember that along with the digital media system specs, RAM is very important, and more is
market (see chart on page BC 38],
almost always better. Iwouldn't try running an audio program under
In most cases, if you're making CDs or preparing audio for Web streaming or podcasts, analog to digital transfers should be done at least aCD quality: 16 bit/44.1kHz stereo. Be sure your sound card/input device can do analog-
Windows XP or Mac DS Xon less than 512MB; 1GB is nice.
In both cases, smaller indicates better. So there are ways to measure,
to-digital transfers at that rate. Using two channels stereo and 16 bit sampling at 44.1 KHz, the bit stream -and therefore the approximate RIe size, storage requirements and
Most users agree that separate sound cards -or dedicated external devices -provide better audio quality, so when sound is important, pay heed to the experts, and listen up! By Lee Rickwood Lee Rickwood is afreelance writer and independent video producer. He operates
download limes -can be calculated:
Two audio channels x16 bit x44,10D samples per second =126,40D bytes
Word On AWire, an independent company providing editorial, media production and
per second [8 bits make one byte), so approximate sampled stereo audio
consulting services to individuals and companies across North America. He can be
file sizes by length are:
reached at videodazeiagoodmedia.com.
Dne minute- ID MB, one hour- 6D5 MB, 24 min- 246 MB
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O c t o b e r 2 0 0 B - H U B : D i g i t a l U v i n g - To r o n t o S e c t i o n
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Warlords is a$30 booster pack that provides plenty of new content for Civilization IV. As an
expansion, Warlords job was simply to augment what was already there, and that’s exactly what it does. Warlords provides six fresh
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civilizations to lead and do ■- ' 1 '
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novel
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example the Zulu, anew nation led by the fierce warrior Shaka, is the only civilization capable of training Impi; powerful anti¬ cavalry soldiers. Other new nations include the
Vikings, ruled by Ragnar, the
ICelts,commandedbyBrennus, .the Carthaginians, helmed by Hannibal, and the Koreans,
stewarded by Wang Kon. New leaders
have
also
been
provided for afew of Civilization IV’s existing nations. There are also avariety of original units and structures, including
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Wall gains the advantage of having awall built around the borders of their kingdom.
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However, the Great Wail aside, most of the new additions are abit
like anew coat of paint -they look nice but they don't change the underlying game play. The expansion’s real worth lies in its eight new scenarios, afew of which manage to (gently] shake up the
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Acase in point is the Barbarian Horde scenario, which allows players to command those pesky brutes who often plague fledgling civilizations. Rather than taking over towns and cities, the barbarians’ goal is simply to destroy everything they can -acivilization antithesis, if you will. Another interesting scenario is Omens, where players command either the British or the French in abattle for North America. The key to this war has to do with religion. Both commanders are working at the behest of adivine entity, and if this spiritual figure is unhappy with your actions it will smite your own people. We're talking aserious Old Te s t a m e n t s m a c k d o w n .
In the end. Warlords may not be an earth shattering expansion, but at the very least it’s agood excuse to revisit agreat strategy game worthy of afew dozen more hours of our time.
By Chad Sapleha
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-come into play. Theee events force the player to abandon planning activities and enter maintenance mode. For example, you may be forced to suddenly erect aseries of fire towers to ensure an encroaching brush blaze doesn’t destroy your buildings. Needless to say, these ad hoc game events often play havoc with acity’s design. The best thing CivCity has going for it is its presentation. The Al at work is really quite remarkable Larger cities will have hundreds of citizens going about their i
daily lives, and taking the time to watch what they’re doing can prove both entertaining and enlightening. At one point Idecided to stop what [was doing and just watch acarpenter. He’d
City building games blew many-a-mind when they arrived last century. Gamers loved the idea of being able to plan acity from scratch, fussing over the details of residential areas, commercial districts, and the roads
that connect them. But the genre hasn’t really done all that much to hold our interest over the past few years, and, sadly, CivCity: Rome does little more than maintain the status quo. Taking on the role of atalented Roman governor, players are tasked to build or look after avariety of cities with strategic importance to the empire. You may need to start atown from scratch to collect resources
get his wood from the mill and begin creating beds before selling them to needy citizens. All of his actions made perfect sense, from crafting the product to selling it to lugging overflow to awarehouse for storage. And the game runs buttery smooth. No matter how big my cities grew, the frame rate almost never faltered. Granted, Iwas running CivCity on atricked out
gaming rig (see system specs above] for the most part, but Ialso tried it on a couple of laptops that weren’t designed explicitly with gaming in mind and, though there was aslight dip in performance, it was still very playable on high graphics settings. However, taken as awhole CivCity; Rome is pretty standard fare. Fans of city builders will likely find amoderate level of entertainment, but at the end of the day they’ll feel as though they’ve seen it all before. By Chad Sapieha
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Digital Imaging
P h o t o g r a p h y Tu t o r i a l : K n o w t h y I S O Adventures in lower light When you go to agame or event held in alarge stadium, you invariably see little blinks of light going off all over in the stands -people taking pics of their favourite player or rock star with the camera flash turned on. The sad fact is that the fiash unit built into adigital camera is far too small to have
any effect when you are afew hundred metres from your subject. Cameras will list the effectiveness of the flash as adistance range, for example one to
five metres, or more precisely using aguide number-based figure such as GN =five metres at ISO 100. In both cases, you get an inkling of the outer lim¬ its of the flash’s performance. Suppose it’s three metres. You’d have to be right on the playing field for the flash to be fully effective. The ISO designation, which is arating of light sensitivity, holds asolution, however. With film the ISO rating is an inherent part of the formulation, so an IS0800 film [often referred to as afast film) is more sensitive to light than an ISO 100 film, and thus better able to capture images in dark environments.
Digital cameras have adopted that same ISO system, but since they don’t use film, the variable sensitivity is accomplished electronically by
With early digital cameras this was abig problem, and photos taken at high ISO were seriously lame. Today, most camera makers have high ISO noise better controlled, and some now offer cameras with ISO ratings as high as 3200, which is quite impressive. This reduces the need for aflash considerably or makes it more effective over alonger distance. Even when lighting is adequate, high ISO delivered cleanly has acouple of
other benefits: you can use afaster shutter speed (less blur and better stop-action photos) or asmaller aperture [to put more of the scene into sharp focus). Some camera makers implement akind of image stabilization that’s based on jacking up the ISO and using afaster shutter speed. It’s not true optical image stabilization but it works to adegree because higher shutter speeds stop motion better, whether the motion is in the scene or induced by an unsteady hand holding the camera. When you set your camera to Auto, the camera will vary ISO, aperture and shutter speed to create the best exposure setting. If your camera’s high ISO performance isn’t so good, you may be blaming the camera for mediocre pictures when it’s really just one part that’s the culprit. One way to test this is to set the ISO manually to the highest setting and take abunch of
amplifying the signal. Abasic relationship in electronics is that as you amplify asignal, you also amplify noise. Think of what happens when you turn up your radio for a
pictures; then set the camera at the lowest ISO and take some more pictures
weak station. You can hear the programming better, but the static and other
the camera off Auto and set the ISO manually to alower number.
under similar conditions; and then compare the two batches. If the photos
taken at low ISO are noticeably better, you have afix readily at hand -take
audio junk get louder too. Similarly, when you select ahigher ISO, the level
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By David Tanaka
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dog days of summer the challenge: send us your silliest, most artistic, funny, sweetest, craziest, or just plain favourite moment of the summer that you caught on camera THE RULES: Submission:
Submit your videos, along with the Entry Information outlined below, by 11:59pm EST on October 23, 2006. Entries must be submitted via email to hubcontests@gmail.com or mail aCD containing your photo to, Photo Contest, 775B The Queensway, Toronto, Ontario, M8Z 1N1. All entries will be available for download as avidcast on www.hubcanadacom.
Size: No bigger than 5MB (preferably no larger than 5x7 inches) Acceptable file types: JPEG, TIFF, EPS, PDF. Piccolo Publishing Inc. will not accept any photos depicting vulgar language, violence, nudity, any actions that could cause injury or harm or illegal actions. Piccolo Publishing Inc. will not be held responsible for injury due to the taking of any photos. Winners must present valid identification upon claiming prize. The prizes awarded are not transferable and cannot be redeemed for cash. To enter and to be eligible to win, persons must be residents of Canada and not employees or be domiciled with an employee of Piccolo Publishing Inc. its affiliate companies or advertising or promotional agencies, The winner(s) will be selected by Piccolo Publishing on October 23, 2006 from among the eligible entries received on or before the contest close date, Winners will be contacted by telephone or email. In the event that the winner cannot be contacted within the week following the contest, another entrant will be selected. All entries become the property of Piccolo Publishing and may be used in subsequent advertisements for the contest or in aprinted contest gallery: if people appear in your photo, it is assumed that you have secured the appropriate model release. Piccolo Publishing Inc. reserves the right to down-sample, up-sample, crop, edit or otherwise adjust photos for display. All entries must be submitted by their creator and must be original work.
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