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I. Conception
Conception has always preceded the beginning of any creative work. A training drawing is no exception. Before you set to work it is necessary to determine what impression the model makes on you, what you want to convey in your drawing. When the artist is in the process of drawing his feelings must also work, they are recorded in the representation and conveyed to the viewer. The presented examples bear evidence of it. Impassive drawing contributes to integral viewing, prevents fragmentary observation and mechanical copying. Conception is usually recorded in a small sketch. Though the details are not carefully drawn the impression of the sketch should be the same as of the finished drawing.
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