Clue

September 3 - 8, 2024

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Welcome from Blue Cross NC

As a proud sponsor of this exciting season at DPAC, Blue Cross and Blue Shield of North Carolina (Blue Cross NC) is honored and delighted to welcome you to this performance!

Blue Cross NC is a mission-driven, not-for-pro t guided by our purpose to improve the health and well-being of our customers…and our communities. This commitment reaches deep into all 100 counties across the state. You might be wondering how our support of the arts relates to our work to make health care better for all.

Well, the answer is simple: The arts enrich our lives beyond measure, and not just by entertaining us. Research shows that they improve mental and physical health. Whether we are practicing, performing, producing, doodling or just enjoying as a member of the audience, experiencing art delivers authentic physiological and emotional bene ts. In many ways, the arts strengthen our community and act as a cornerstone of the populations we serve.

We value our ongoing partnership with DPAC, and sponsoring the Blue Cross NC – Ticket Center and DPAC’s Heart of the Arts Community Education and Engagement Programs aligns with our consumer-focused vision. Having spent over 90 years in this community, we look forward to many more. We’re here to help. Learn more at BlueCrossNC.com.

Thanks for being here. Sit back, relax and enjoy the show!

On behalf of the City of Durham, I would like to welcome you to DPAC! Like so many Durham residents, I recognize the jewel that DPAC is to Durham and the Triangle region.

I’m thrilled to say that DPAC, after more than a decade, continues to showcase the energy, passion and great entertainment with a list of performances that people will travel from miles around to see.

This season will feature some of Broadway’s biggest hits, concerts, comedy shows and special events to ever take the DPAC stage. I’m also excited to see so many DPAC fan-favorites and rst-time performers take the stage throughout the upcoming season.

And as usual, all the special touches that come with seeing a Broadway show or concert at DPAC still await you, starting with the beauty of the theater and DPAC’s legendary customer service. A visit to DPAC is an open invitation to experience Durham. It’s as easy as parking and walking to downtown restaurants, or taking a short drive to nearby malls, museums, or historical sites.

As your Mayor, I’m so excited that one of my duties is to o cially welcome you to one of the greatest theaters in the world! But don’t take my word; last year DPAC was ranked in the top ve in the country by national theater reviewers and magazines, including VenuesNow and Pollstar. Thank you for choosing DPAC and Durham. Now settle into your seats to enjoy your DPAC experience and an unforgettable show. 

In Service and Gratitude,

Leonardo Williams Mayor

Welcome to DPAC!

This is our 16th season of presenting events at DPAC, and we’re so glad you are here. The magic and connection of live entertainment are undeniable, and we hope this performance will be among your best entertainment experiences ever.

In addition to the fantastic talent that lights up the stage at DPAC, there are hundreds of incredibly hard-working people who help make each and every performance possible.

When you arrived at DPAC for this performance, you may have been welcomed by one of the Durham Way nders who help guests navigate from parking areas, distribute Broadway programs, and welcome guests at DPAC’s entry doors and entry lobby areas. This group of almost 200 City of Durham volunteers donate their time and talents in the spirit of helping everyone feel welcome at DPAC.

Though you may not have noticed them (and this is by design), this performance is also made safer by o -duty City of Durham police o cers working at DPAC. A team of o cers rotate assignment at DPAC events, and their presence is always valued, as they are onsite and ready to assist with any emergencies. In addition to these o cers, security at DPAC is also aided by the talents of K2 Solutions, one of the nation’s most respected and experienced team of canine weapon detection dogs, along with access control and crowd management provided by Sta -1 Services Group, a leader in event safety in the Triangle for nearly 35 years.

Since DPAC’s opening in 2008, we have been complimented often for being a live event setting where the guest experience reigns supreme. Audience Services at DPAC includes a team of dedicated Event Screeners, Ticket Takers, Ushers, and other guest services sta . With a culture built on being authentic and caring, with warm and friendly greetings, DPAC’s Audience Services sta are key to our guest experience survey scores (which have always been great) now being at an all-time high.

Backstage, the hundreds of productions we host each year are supported by a crew from DPAC’s roster of 250 professional stagehands. These stagehands are

Welcome to DPAC!

Continued

all members of the International Alliance of Theatrical Stage Employees (IATSE) union. Their work starts early in the morning and often goes late into the night. Without their expertise, the show would de nitely not go on.

The work and preparation at DPAC for events runs nearly 365 days a year. Most days, the earliest to arrive is our Facility Maintenance sta , who are responsible not only for every repair at DPAC, but also for the important preventative maintenance programs that help the building operate smoothly and look great before we open the doors to guests.

Before we open for our guests, DPAC’s Facility Operations sta are also here early, setting up our lobbies, checking the venue from front to back, and monitoring heating and air conditioning settings to keep everyone comfortable.

With 500,000 to 600,000 guests per year, there are so many others who contribute to your experience at our events, including food and beverage services provided by OVG Hospitality, a national leader in event hospitality. Their event days also start early with many deliveries, stocking bars and snack stands, serving guests and then reordering for the next week. Another important group is Cenplex Building Services, who make sure the venue is cleaned after every performance and fresh and tidy for the audience at the next show. Each of these valuable subcontract companies care just as much as anyone that everything is always “just right” for every show.

And this tribute to all that help us do what we do would not be complete without a tip of the hat to the many others in senior leadership at DPAC who work so hard behind the scenes in Community Engagement, Business Operations, Human Resources, Marketing, and Ticketing along with everyone at our parent companies Nederlander and PFM, plus City of Durham elected o cials and City sta .

With an incredible amount of gratitude, I salute every single person involved with DPAC, all who care so passionately, all who work so hard, each as important and valued as the stars who grace our stage.

Cheers to Team DPAC…DPAC pride.

Bob Klaus – General Manager

We have an unfair advantage... We care more

OUR VISION

We believe in great entertainment experiences. We want to be our guests’ favorite place for live events.

OUR MISSION

To present one-of-a-kind, live entertainment events. From Broadway to concerts, comedy to family shows – ‘there is something for everyone’ at DPAC.

OUR VALUES

Quality, safety, and service. We deliver these values with warmth, friendliness and an attention to detail that is the hallmark of the legendary DPAC experience.

OUR PROMISE

DPAC welcomes all guests, performers, and events in an open, friendly and respectful setting. We stand committed against all forms of discrimination.

BY HUTH PHOTO

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Top Stops

2,001 - 5,000 capacity

Mid-Year 2024

Top 200 Theaters

Mid-Year 2024

Top 5 In The Nation #1

FANS IN THE WORLD

DPAC is honored to be recognized both regionally and nationally as one of the top theaters in the nation since 2010. We continue to be humbled and proud of all of our accomplishments, but what really drives us each day are the smiles and applause we see and hear at the end of every performance. Enjoy this experience of a lifetime.

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TO THE WORLD . CONNECTING RALEIGH-DURHAM

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DPAC is proud to be operated under the direction of Nederlander and PFM.

The Nederlander Organization

If you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company, The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters host some of Broadway’s biggest productions. Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theatres, including:

• The Gershwin Theatre – New York, NY

• The Lena Horne Theatre – New York, NY

• The Lunt-Fontanne Theatre – New York, NY

• The Marquis Theatre – New York, NY

• The Minsko Theatre – New York, NY

• The Nederlander Theatre – New York, NY

• The Neil Simon Theatre – New York, NY

• The Palace Theatre – New York, NY

• The Richard Rodgers Theatre – New York, NY

• Broadway In Chicago at The CIBC Theatre, The James M. Nederlander Theatre, The Cadillac Palace Theatre, The Roosevelt University Auditorium Theatre and The Broadway Playhouse – Chicago, IL

• DPAC – Durham Performing Arts Center – Durham, NC

• Broadway at The Steven Tanger Center for the Performing Arts – Greensboro, NC

• The Hollywood Pantages Theatre – Los Angeles, CA

• Broadway San Diego at The Civic and Balboa Theatres – San Diego, CA

• Broadway in Tucson at Centennial Hall – Tucson, AZ

• OKC Broadway at The Oklahoma City Civic Center Music Hall – Oklahoma City, OK

• Broadway San Jose at The San Jose Center for the Performing Arts – San Jose, CA

• Broadway at The National at The National Theatre – Washington, DC

• Best of Broadway at The North Charleston Coliseum Performing Arts Center – North Charleston, SC

• Broadway Alaska at the Alaska Center for the Performing Arts – Anchorage, AK

• Broadway in Richmond at The Altria Theatre – Richmond, VA

• Broadway in Norfolk at Chrysler Hall – Norfolk, VA

• Broadway Comes to Reno at The Pioneer Center – Reno, NV

• The Aldwych Theatre, The Adelphi Theatre and The Dominion Theatre in the U.K. – London, England

Professional Facilities Management, Inc. (PFM)

PFM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center (PPAC), incorporated in 1988 in response to a growing need for objective evaluation and management of small-to-medium-sized performing arts facilities in geographically diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.” Our corporate mission – to bring a wide variety of programming to the broadest audience while maintaining financial responsibility and sensitivity to local constituency needs – has guided PFM to past successes and promises future growth. PFM is governed by a Board of Directors who contribute successful business experience, entrepreneurial spirit, and a bottom-line focus.

Presently, PFM holds management/booking contracts in nine facilities located in five states, including:

• Providence Performing Arts Center and Veterans Memorial Auditorium – Providence, RI

• Barbara B. Mann Performing Arts Hall – Fort Myers, FL

• Coral Springs Center for the Arts – Coral Springs, FL

• DPAC – Durham Performing Arts Center – Durham, NC

• The Hanover Theatre and Conservatory for the Performing Arts – Worcester, MA

• Sandy Springs Performing Arts Center – Sandy Springs, GA

• Sarasota Performing Arts Center at The Bay – Sarasota, FL

• The Steven Tanger Center for the Performing Arts – Greensboro, NC 

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Broadway’s Ultimate Season Ticket

We invite you to join the BMW of Southpoint President’s Club at DPAC, where members enjoy the very best seats and VIP amenities for every one of the Broadway hits that are part of Broadway at DPAC.

BMW of Southpoint President’s Club members also play an important role in helping maintain DPAC’s excellence. With member support, DPAC is able not only to be self-sustaining, but also sponsor over 50 Community Engagement programs that touch the lives of so many throughout Durham and the entire Triangle region each year.

Exclusive membership bene ts:

• Center Orchestra Seating – Guaranteed seating in the rst 12 rows for each of the Broadway at DPAC season shows.

• Priority Ticket Purchases – Members have direct access for additional ticket purchases, exchanges, and special arrangements; the opportunity to purchase additional orchestra seats prior to the start of public on sale for almost 150 added performances, including Concerts, Comedy and Special Events, plus Holiday performances and Greatest Hits of Broadway.

• Extended Payment Plans – Budgeting for your BMW of Southpoint President’s Club membership is easier than ever. There’s no interest, and you can pay in monthly installments.

• Members-Only Hospitality Area – Private area with members-only entrance.

• Open 60 minutes before events and at intermission.

• Complimentary snacks and beverages including soft drinks and bottled water.

• Plus, a members-only gift card pre-loaded for snack and beverage purchases at DPAC events.

• First Access – Receive rst access to exchange seats prior to the start of public on sale.

• Complimentary Parking – Exclusive parking directly adjacent to DPAC

• PLUS! Elevated membership levels provide even more extraordinary bene ts, including advertising in show programs distributed at all Broadway events and bonus tickets to select shows, and access to priority seats for Nederlander theatrical and concert events in New York, Los Angeles and Chicago.

For more information on member bene ts and seating availability, email us at PresidentsClub@DPACnc.com.

See members list on the following pages 

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Bringing a group of 10 or more? Make DPAC your group destination

Ashow at DPAC is the ultimate experience for any group. The universal stories of friendship, ambition, and love are perfect for all ages and interests, with stunning stagecraft and unforgettable songs that speak to everyone.

Group Services at DPAC is your connection to savings of 10% to 15% for most Broadway performances. Seeing a performance with a group is not only fun, it’s also economical.

You just need 10 or more people who want to get together for both a great outing and a great deal on shows at DPAC. Any group can take advantage of our special group pricing, including:

• Corporate outings

• Coworkers

• Faith groups

• Families and friends

• Fundraising organizations

• Girls’ night out

• Meet-up groups

• Schools

• Scouts, Y-Guides

• Social organizations, clubs and more!

BY ESTLIN

PHOTO

HAISS

DPAC's Broadway season is dedicated in loving memory of Betsy Kessler

For many of us, DPAC holds a special place in our hearts. From the bright lights and big smiles to that feeling of anticipation; there’s nothing quite like catching a show at DPAC. At least that’s what Betsy Kessler believed. Betsy will be deeply missed, and we are proud to celebrate her life and the memory of how she helped so many people in countless kind ways.

Betsy was the rst-ever Ticketing Specialist hired at DPAC. She would lovingly tell you that she had been here ‘since the dirt’. A larger-than-life persona, Betsy never met a stranger and made it her mission to connect everyone she met to DPAC. With her giant laugh, big rosy red cheeks and warm hugs, it was a joy watching Betsy do what she loved in the place she called home.

For nearly sixteen years, Betsy was DPAC’s greatest champion. She ushered in groups by the dozens, made thousands of Season Seat Members smile, and wore her DPAC red with pride. For me and many others, she will always be remembered as DPAC’s shining star.

Thank you, Betsy. It was a pleasure to see you shine.

Betsy Kessler (1952 – 2023)

DPAC salutes William (Bill) Brackett, Jr.

We take pride in presenting the best touring shows that Broadway has to offer, and one reason we can do that season after season is due to the tireless efforts of William (Bill) Brackett, Jr., retired Technical Director at the Providence Performing Arts Center (PPAC) and retired Director of Technical Operations at Professional Facilities Management (PFM), one of the two partner companies that operate DPAC.

As part of his work with PFM, Bill was the lead consultant for the stage and backstage portions of DPAC, and it was Bill’s goal to ensure that DPAC could welcome the largest touring shows from New York - Phantom of the Opera, The Lion King, Radio City Christmas Spectacular, and Wicked, to name a few. Many of the touring crew working on these shows provided input on the design of DPAC, all due to relationships Bill cultivated when these shows visited PPAC during his 21-year career in Providence.

Bill spent countless hours between Providence and Durham making sure the design came to fruition, all vital Audio, Lighting, and Rigging systems were specified and installed, and that all Production Staff were in place and ready to go ahead of DPAC’s opening performance on November 30, 2008, with BB King. DPAC would not be the place it is today without the vision, leadership, and mentorship of William Brackett, Jr. – one of the founding fathers of DPAC. 

Bill Brackett (1949 – 2024)

DPAC, Durham Performing Arts Center

123 Vivian Street, Durham, NC

Operated under the direction of Nederlander and PFM

THE ARACA GROUP WORK LIGHT PRODUCTIONS LIVELY MCCABE ENTERTAINMENT AGED IN WOOD PRESENT

based on the screenplay by

JONATHAN LYNN

written by SANDY RUSTIN

additional material by HUNTER FOSTER and ERIC PRICE

based on the Paramount Pictures Motion Picture based on the Hasbro board game CLUE with

CHRISTINA ANTHONY MARIAH BURKS JOHN TREACY EGAN JOANNA GLUSHAK TARI KELLY MARK PRICE

JOHN SHARTZER JONATHAN SPIVEY ALEX SYIEK TEDDY TRICE ELISABETH YANCEY

GREG BALLA ALISON EWING MARY McNULTY JAMES TAYLOR ODOM

Scenic Design Costume Design

Lighting Design

Sound Design Hair, Wig & Makeup Design LEE SAVAGE JEN CAPRIO RYAN O’GARA JEFF HUMAN J. JARED JANAS

Composer and Music Supervision Fight Direction MICHAEL HOLLAND ROBERT WESTLEY

Associate Director

Casting

Production Stage Manager Company Manager STEVE BEBOUT PEARSON CASTING, CSA CDG MARGOT WHITNEY STACY MYERS

Booking and Marketing Direction Social Media BOND THEATRICAL MARATHON DIGITAL

Production Management General Management

PORT CITY TECHNICAL WORK LIGHT PRODUCTIONS HUNTER STORIE MATT KUNKEL

Directed by CASEY HUSHION

CLUE and all related characters are trademarks of Hasbro and are used with permission. ©2024 Hasbro. Licensed by Hasbro.

Originally produced at Bucks County Playhouse, New Hope, Pennsylvania, Alexander Fraser, Robyn Goodman, Stephen Kocis, Josh Fiedler, Producers.

Clue: A New Comedy developed by Cleveland Play House, Laura Kepley, Artistic Director & Kevin Moore, Managing Director

Christina Anthony

Mariah Burks

John Treacy Egan

Joanna Glushak

Tari Kelly

Mark Price

John Shartzer

Jonathan Spivey

Alex Syiek

Teddy Trice

Elisabeth Yancey

Greg Balla

Alison Ewing

Mary McNulty

James Taylor Odom

CAST

(in order of speaking)

Wadsworth ......................................................................................................... MARK PRICE

Yvette ................................................................................................. ELISABETH YANCEY

The Cook (and others) ................................................................................. MARIAH BURKS

Colonel Mustard ................................................................................. JOHN TREACY EGAN

Mrs. White .......................................................................................................... TARI KELLY

Mrs. Peacock ........................................................................................... JOANNA GLUSHAK

Mr. Green JOHN SHARTZER

Professor Plum JONATHAN SPIVEY

Miss Scarlet CHRISTINA ANTHONY

Mr. Boddy (and others) ALEX SYIEK

The Cop (and others) TEDDY TRICE

UNDERSTUDIES

Understudies never substitute for listed performers unless a specific announcement is made at the time of the appearance. For Colonel Mustard, Mr. Green, Professor Plum, Mr. Boddy (and others), The Cop (and others) – GREG BALLA; For Yvette, The Cook (and others), Mrs. White, Mrs. Peacock – ALISON EWING; For Yvette, The Cook (and others), Mrs. White, Mrs. Peacock, Miss Scarlet – MARY McNULTY; For Wadsworth, Mr. Green, Professor Plum, Mr. Boddy (and others), The Cop (and others) – JAMES TAYLOR ODOM; For Wadsworth – JONATHAN SPIVEY; For Colonel Mustard – TEDDY TRICE; For Miss Scarlet – ELISABETH YANCEY

FIGHT CAPTAIN GREG BALLA

TIME 1954

PLACE

Boddy Manor, a mansion of epic proportions and terrifying secrets, in New England.

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches.

WHO’S WHO IN THE CAST

CHRISTINA ANTHONY (Miss Scarlet). Off-Broadway: Atlantic Theater. National Tour: The Second City National Touring Company. Regional: The Second City e.t.c., New York Stage & Film, Ahmanson, Chicago Shakespeare, Philadelphia Theater Company. TV: Aunt Denise on ABC’s “Mixed-ish,” “The Woman in the House Across the Street from the Girl in the Window,” “Blackish,” “Key & Peele,” “The Rookie: Feds,” “Kenan.” Love to Terry. @teenyanthony

MARIAH BURKS (The Cook and others). She/her. A native Clevelander making her national tour debut. Credits: Little Women (Dobama Theatre), Antigone (CPH), Clue (CPH). Alum of the CWRU/CPH MFA Acting Program & BGSU. Recipient: National Irene Ryan Acting Award at The Kennedy Center. Regional/local credits: Caroline, or Change (Tantrum Theatre); Ragtime (Cain Park). Love & gratitude to all! @magical_mariahb

JOHN TREACY EGAN (Colonel Mustard). Broadway: My Fair Lady, Casa Valentina, Nice Work.., Sister Act, The Little Mermaid, The Producers, Jekyll & Hyde, Bye Bye Birdie. Off-Broadway: Clinton The Musical, When Pigs Fly, Disaster!, Bat Boy. Television: “And Just Like That,” “Gotham,” “Younger,” “The Good Wife,” “The Knick,” “Boardwalk Empire,” “Nurse Jackie,” and “30 Rock.” officialjohntreacyegan.com

JOANNA GLUSHAK ( Mrs. Peacock ). Broadway (Highlight Roles): 1776 , A Gentlemen’s Guide To Love And Murder, Sunday In The Park With George, Les Miserables, Hairspray, Urinetown. National Tours: 1776, Finding Neverland, Young Frankenstein , Xanadu. ‘Mrs. O’Toole’ in “The Marvelous Mrs. Maisel” as well as many other roles for Film/TV. Yale Drama School Graduate. More info at www.joannaglushak.com

TARI KELLY (Mrs. White). Broadway: Mr. Saturday Night, Groundhog Day, Something Rotten!, Anything Goes, The Boy from Oz, Dr. Seuss’ How the Grinch Stole Christmas! The Musical, and Show Boat. National Tours:

Anastasia, Little Shop of Horrors, Show Boat, and Beauty and the Beast. Check out www.tarikelly.com

MARK PRICE (Wadsworth). Broadway: Mary Poppins, All Shook Up, Wonderful Town, Rocky Horror Show, Mamma Mia!, Dance of the Vampires, The Capeman, and Chicago. Regional: Clue, Dial M for Murder, The 39 Steps, The Cottage, Lend Me A Tenor, Assassins, Sondheim Celebration (Lincoln Center), Sweeney Todd (Kennedy Center; Helen Hayes nomination). T.V.: “Blacklist,” “Murphy Brown, ” “The Good Wife,” “Law & Order.” aboutmarkprice.com

JOHN SHARTZER (Mr. Green). Theater: Aladdin: A Musical Spectacular, Darling Grenadine, Clue. Film: Book Club. Television: “Dahmer,” “Station 19,” “9-1-1: Lonestar,” “Brooklyn 99,” “Grace & Frankie,” “While You Were Breeding.” Songwriting: Emmy nominated for “Shine”. Thank you Casey and Sandy. Love to my Mrs. with all the right kisses Cassandra and our strong and beautiful Nora.

JONATHAN SPIVEY (Professor Plum, u/s Wadsworth). He/him. Broadway: The Front Page, Act One. Off-Broadway: Summer & Smoke, Morning’s at Seven, Smart Blonde Regional: Yale, Old Globe, Denver Center, Long Wharf, Barrington, Milwaukee Rep, Cape Playhouse, many more. TV: “The Gilded Age”, “Blue Bloods”, “The Blacklist”, “FBI: Most Wanted”, “East New York”. MFA: Old Globe. www.jspivey.com

ALEX SYIEK (Mr. Boddy and others). Some favorite credits: Natasha...Great Comet (Pierre, ISF/Great Lakes Theater), Groundhog Day (Phil, Paramount Theatre), Murder on the Orient Express (Officer, Paper Mill Playhouse). Musical projects: The Show on the Roof (Music and Lyrics), The Poké Musical (Book and Lyrics). BWU MT ’13, NYU GMTWP (Cycle 26). Thank YOU for supporting live theatre. alexsyiek.com

WHO’S WHO IN THE CAST

TEDDY TRICE (The Cop and others, u/s Colonel Mustard). He/him. The Book of Mormon (Broadway, 2nd Nat’l Tour). International Tour: Come From Away, The Book of Mormon (Australia). Off-Broadway: The Butcher Boy (Irish Repertory Theatre), Shedding Load (59E59). Select Regional: The Island (KC Actors Theatre), Sweat (Unicorn Theatre). B.A. in Theatre (Drury University). Gratitude and love to Claire, Mom and Dad, Manager, Rochel Saks, and the Clue team. @teddytrice

ELISABETH YANCEY (Yvette, u/s Miss Scarlet) is an actor, yoga instructor, and coach based in NYC. Favorite regional credits: Palm Beach Dramaworks, Gulfshore Playhouse, Cleveland Play House, and Wellesley Repertory Theater. Chautauqua Institute Conservatory 2020, MFA Acting (CWRU/ CPH), BA Theatre Studies (Wellesley College), Certificate Classical Acting (LAMDA). @elisabethyancey

GREG BALLA (Fight Captain; u/s Colonel Mustard, Mr. Green, Professor Plum, Mr. Boddy and others, The Cop and others). Off Broadway: Straight, Blue Man Group. Regional credits include: La Jolla, Hartford Stage, Huntington, Pioneer Theatre, John Drew, Lyric Stage. TV/ Film: “The Watcher” (Netflix), “The Blacklist” (NBC), “The Penguin” (HBO Max), No Hard Feelings (Sony Pictures). Love to my best friend and partner, Angelica. imGregBalla.com

ALISON EWING (u/s Yvette, The Cook and others, Mrs. White, Mrs. Peacock). Broadway: Mamma Mia! (Tanya), Cabaret. National tours: Anastasia (Countess Lily), An American In Paris, Cabaret, and Flashdance. Regional: A Chorus Line (Sheila) at SFPlayhouse, Fun Home at Berkeley Playhouse, Hand To God at SJ Stage, Emma and others at TheatreWorks, A Little Night Music at 42nd Street Moon. Alison is an audiobooks narrator with Tantor and Audible. Love to Keith. www.AlisonEwing.com

MARY McNULTY (u/s Yvette, The Cook and others, Mrs. White, Mrs. Peacock, Miss Scarlet ). National Tour: Camelot (Guenevere). Select Regional Credits: Clue (Cover); Kiss Me, Kate (Lillie/Katherine); Into the Breeches (June); Much Ado About Nothing (Beatrice); Into the Woods (Baker’s Wife), Moon Over Buffalo (Rosalind). Many thanks to ATB! mary-mcnulty.com

JAMES TAYLOR ODOM (u/s Wadsworth, Mr. Green, Professor Plum, Mr. Boddy and others, The Cop and others). National Tours: D’Ysquith in A Gentleman’s Guide to Love & Murder, The Sound of Music. Regional: The Rainmaker (Laguna Playhouse), The 39 Steps (Virginia Stage), Clue (Gateway Playhouse), God of Carnage (Shadowland Stages), Murder For Two and It Came From Outer Space (TheatreSquared), Grumpy Old Men (Ogunquit Playhouse), Mary Poppins (Tuacahn). MFA: University of Arkansas. BA: Brenau. Avalon Artists Group.

JONATHAN LYNN ( Based On The Screenplay). Feature film direction: Clue, Nuns on the Run (also wrote), My Cousin Vinny, Greedy, Trial And Error, The Whole Nine Yards, The Fighting Temptations, and Wild Target. Select TV writing: “Yes Minister” and “Yes, Prime Minister.” Bestselling books: The Complete Yes, Minister and The Complete Yes, Prime Minister, cumulatively over a million copies and translated into numerous languages. He wrote the novels Mayday (1991) and Samaritans (2017) and a book about comedy, Comedy Rules (2011). In London he wrote/directed two plays: Yes Prime Minister and The Patriotic Traitor (The Park). Awards: BAFTA, Writers Guild (twice), Broadcasting Press Guild (twice), NAACP Image Award, Environmental Media Award, Ace Award, and a Special Award from the UK Campaign For Freedom of Information. Lynn received an MA in Law from Cambridge University and now lives near New York City, writing new plays, describing himself as a recovering lawyer. jonathanlynn.com

November 29 - December 1

December 5 - 15

March 18 - 23

WHO’S WHO IN THE CAST

SANDY RUSTIN (Book) is a Broadway playwright and actress named by American Theatre Magazine as one of the “MostProduced Playwrights” in the U.S. Her comedy, The Cottage, premiered last summer on Broadway. Sandy penned the musical stage adaptation of MGM’s film Mystic Pizza as well as the concert adaptations of I Married An Angel and Dear World (NY Times Critic’s Pick) for NY City Center Encores! Her comedy, The Suffragette’s Murder, will premiere in 2025. Her musical, Houston (New American Musical Award), is in development with Grammy winner, Edie Brickell. She has developed works for Disney, STX Entertainment, Primary Wave Music, and Mattel. Other works: Rated P … For Parenthood, Elijah, Struck, Always Something There, and more. A Northwestern University graduate, Sandy serves on the Advisory Board of NYU’s Camp Kesem chapter. Love to Evan, Isaac & Charlie. www.sandyrustin.com @sandyrustin_

HUNTER FOSTER (Additional Materials). Originally adapted and co-wrote Clue from its earliest development, and directed its world premiere at the Bucks County Playhouse. He has also directed Clue for the Cape Playhouse and the Utah Shakespeare Festival. He directed the Off-Broadway musical, The Other Josh Cohen, and was named “Director of the Year” by the Wall Street Journal. Select directing credits: The Drowsy Chaperone (Goodspeed), Million Dollar Quartet (Paper Mill), The Bridges of Madison County, Guys & Dolls, 42nd Street (Bucks County), Once, My Fair Lady, Cabaret (Cape Playhouse), Our Town, Jersey Boys, Rock of Ages (Theatre Aspen). Writing credits: Jasper in Deadland (Off-Broadway), Summer of ‘42 (Off-Broadway, Outer Critic Nomination), The Circus in Winter (Goodspeed Musicals), Clyde ‘n Bonnie (Aurora Theatre), and The Hollow (Signature Theatre). Received a Tony Award nomination for his performance on Broadway in Little Shop of Horrors

ERIC PRICE (Additional Materials). Lyrics and Book: The Violet Hour, Radioactive, Presto Change-o, Around the World, Hello Out There, The Sixth Borough, and a musical adaptation of Jane Austen’s Emma which has been produced around the country. The Studio Cast Recording of The Violet Hour was named The Best Cast Recording of 2022 by the Broadway Radio Show and inspired a documentary film Moment to Moment which tells the story of its creation. With collaborator Will Reynolds, Eric won the Fred Ebb Award for Musical Theatre Writing. He’s a member of the Lincoln Center Theatre Directors Lab, a Dramatists Guild Fellow, and earned an MFA in Musical Theatre from NYU. In addition to his career as a writer, Eric was the assistant to 21-time Tony Award®-winner Hal Prince and worked with him for many years on the development of new plays and musicals. www.theviolethourmusical.com

CASEY HUSHION (Director). Broadway: Associate Director of Mean Girls, Aladdin, The Prom, In The Heights, Elf, The Drowsy Chaperone, To Be Or Not to Be and Good Vibrations. New York credits include Call Me Madam (Encores), Fat Camp and Nerds (almost). Before launching the national tour of Clue, Casey directed the premiere at Cleveland Playhouse, as well as productions at la Mirada Theatre and Paper Mill Playhouse. Also at Paper Mill, she has directed Murder On The Orient Express, A Jolly Holiday, Beehive and Beautiful. Most recently, Casey helmed the National Tour of The Cher Show and the new musical Mystic Pizza. Casey served as Artistic Director of North Carolina Theatre for ten years. For television, Casey has choreographed episodes of “Unbreakable Kimmy Schmidt.” Love to Marc and her three kids, Lincoln, Violet and Jane. www.caseyhushion.com

LEE SAVAGE (Set Design). Broadway: The Lightning Thief. NYC: Women’s Project, Second Stage Uptown, Keen Company, Acting Company, Mabou Mines, Labyrinth, Primary Stages, LCT3, Roundabout Underground, Page 73, Atlantic, NAATCO, and others.

WHO’S WHO IN THE CAST

REGIONAL: ACT, Asolo Rep, Baltimore Centerstage, Chautauqua, Cleveland Play House, Dallas Theater Center, Glimmerglass, Goodman, and others. AWARDS: Helen Hayes, NAACP and Connecticut Critics Circle. Affiliations: Wingspace and USA829. MFA (Yale School of Drama), BFA (RISD), Head of Scenic Design at Rutgers, Mason Gross School of the Arts.

JEN CAPRIO (Costume Design). Broadway: Heart of Rock and Roll, Spamalot, Falsettos, The 25th Annual Putnam County Spelling Bee. National/International: Falsettos, Joseph…, The Lion (West End/US Tour), …Spelling Bee (US Tours). TV: “The Pigeon Explains” (YouTube), “Tiny Time Travel” (PBS Kids), “Sesame Street” (seasons 47-54), “The NotToo-Late Show with Elmo” (Seasons 1-2), “Manhunt” (Apple TV+). 2019, 2020, & 2021 Nomination, 2020 Daytime Emmy Winner for Sesame Street. jencaprio.com. Instagram: @jencapriocostumedesign

RYAN O’GARA ( Lighting Design ). Broadway: The Wiz , Thoughts of a Colored Man . National Tour (select): The Wiz, Mystic Pizza, On Your Feet, MDQ – Christmas, Juke Box Hero, Blippi, Vocalosity, The Little Prince and A Night with Janis Joplin. Select: Cirque, Norwegian Cruise Line, Tokyo DisneySea, NY City Opera, Paper Mill, Walnut Street, Drury Lane, TUTS, New Victory Theatre, Capital Repertory and Bristol Riverside Theatre (2016 Barrymore). ALD for 29 Broadway productions. Graduated from UNCSA. www.ryanogara.com

JEFF HUMAN (Sound Design) is the Director of Design for Kirkegaard Integrated Systems Design. www.kirkegaard.com. He was the Associate Sound Designer for Something Rotten Second National Tour and Seoul productions. His regional sound design credits include Clue at the Cleveland Play House and The Aliens and Bad Dates at the Weston Playhouse. Gratitude to Steve and Nancy Gabriel and Rhys Williams. Many thanks to Rossella and the kids for their love and support.

J. JARED JANAS (Hair, Wig, & Make Up Design). Broadway: Prayer for the French Republic; Purlie Victorious; Good Night, Oscar; Sweeney Todd…; Ohio State Murders ; & Juliet ; Kimberly Akimbo ; Topdog/Underdog; How I Learned to Drive; American Buffalo; Jagged Little Pill; Frankie and Johnny in the Clair de Lune; Gettin’ the Band Back Together; Bandstand; Indecent; Sunset Boulevard; The Visit; The Real Thing; Lady Day at Emerson’s Bar & Grill; Motown; Peter and the Starcatcher; The Gershwins’ Porgy and Bess.

MICHAEL HOLLAND (Original Music and Music Supervision). Orchestrations/ vocal arrangements: Godspell (Broadway revival); You’re a Good Man, Charlie Brown (Cincinnati Playhouse); Emma: A Pop Musical (Broadway Licensing); Farah Alvin: On Vinyl (2023 recording). Music and lyrics: Twelve Angry Men: A New Musical (2021 World Premiere, Theater Latté Da, Minneapolis; Asolo Rep, Sarasota, Spring 2024); You’re Gonna Hate This (Joe’s Pub; Feinstein’s 54 Below, NYC). Incidental music: Dallas Theater Center, Alley Theater, Old Globe, Playwrights Horizons, Bay Street Theater, others.

ROBERT WESTLEY (Fight Director) has choreographed movement for Broadway, Off-Broadway, West End Productions and award-winning films developing unique and exciting performances of dance, clowning, aerial acrobatics, puppetry and martial art. Broadway: I Need That, Bernhardt/Hamlet, A Bronx Tale: The Musical, Hand to God. Off-Broadway: Teenage Dick (Public Theater), Important Hats of the Twentieth Century (MTC), The Thanksgiving Play (Playwrights Horizons). West End: Mad House. Pre-Broadway Musicals: The Sting, The Honeymooners.

STEVE BEBOUT (Associate Director) served as Associate Director for Company (Tour), Some Like It Hot (Broadway), Aladdin (Broadway, Tour), Something Rotten! (Broadway, Tours), The Book of Mormon (Broadway, Tours, West End), Sister Act

WHO’S WHO IN THE CAST

PEARSON CASTING, CSA CDG (Casting). Starlight Express (Troubadour Theatre), SIX (Vaudeville Theatre, West End & UK National Tour), Operation Mincemeat (Fortune Theatre, West End), Pretty Woman (US National Tour), Fantastically Great Women Who Changed The World (UK National Tour), Bluey’s Big Play (Southbank Centre & UK National Tour), Lizzie The Musical (Southwark Playhouse), Gypsy (The Mill At Sonning). Pearson Casting won a CDG casting award for best regional production for RENT (Hope Mill Theatre).

BOND THEATRICAL ( Tour Booking, Marketing & Publicity) is an independentlyowned theatrical booking, marketing and publicity company representing award-winning Broadway shows and live entertainment properties. BOND connects artists and audiences by forming strategic, authentic and profitable partnerships between producers and presenters across North America. Current tour booking and marketing shows: & Juliet, A Beautiful Noise, Clue, Company, Dr. Seuss’ How The Grinch Stole Christmas! The Musical, JCS, Life Of Pi, Les Misérables, Peter Pan, Shucked, and Water for Elephants. Current marketing and publicity shows: Dear Evan Hansen, Jagged Little Pill, MJ, Moulin Rouge! The Musical, SIX and Tina — The Tina Turner Musical. For a complete list of current projects, please visit BondTheatrical.com

PORT CITY TECHNICAL (Production Management) is a production management company based in Charleston, S.C. Also referred to as “Work Light South,” PCT was initially started in 1993 as Technical Theater Solutions by Rhys Williams. TTS worked with WLP on many shows,

including American Idiot, Nice Work If You Can Get It, In the Heights and Avenue Q Since the conception of PCT, tours with WLP have included RENT, An Officer and a Gentleman, Vocalosity, Motown, R&H’s Cinderella, Something Rotten!, Bandstand, White Christmas and the pre-Broadway Ain’t Too Proud: The Temptations Musical. Current and upcoming tours include Ain’t Too Proud, Clue, Company, MAMMA MIA!, Mrs. Doubtfire, and Jesus Christ Superstar

PARAMOUNT PICTURES (Based on the Paramount Pictures Motion Picture) a division of Paramount Global, has for more than 110 years produced and distributed some of the world’s most iconic films. Paramount Global’s Broadway and West End titles include Mean Girls, nominated for 12 Tony Awards and now on its second national tour; The SpongeBob Musical, nominated for 12 Tony Awards; Sunset Boulevard, returning to Broadway in 2024; School of Rock; Ghost; Almost Famous; The Kite Runner; and Irving Berlin’s White Christmas. Stage projects in development include Clueless the Musical. HASBRO (Based on the Hasbro board game CLUE) is a leading toy and game company whose mission is to entertain and connect generations of fans through the wonder of storytelling and exhilaration of play. Hasbro delivers engaging brand experiences for global audiences through toys, consumer products, gaming and entertainment, with a portfolio of iconic brands including Magic: The Gathering, Dungeons & Dragons, Hasbro Gaming, Nerf, Transformers, Play-doh And Peppa Pig, as well as premier partner brands. © 2024 Hasbro, Inc. All Rights Reserved.

MARGOT WHITNEY (Production Stage Manager). Broadway: SWEAT. Tour: Clue, Mean Girls, Come From Away, Bright Star, The King & I, Cinderella, War Horse. Select Others: Ensemble Theatre Cincinnati, The Public, Signature Theatre, Shakespeare Theatre of NJ, La Jolla Playhouse, Cincinnati Opera, and Cincinnati Ballet. University of Cincinnati - CCM alum. Love to family and friends! (Broadway), The Addams Family (Broadway, Tours, International). Directing credits include UnCivil (World Premiere), I Got Fired (NYMF, Korea), Regional productions of Newsies (St Louis, Raleigh), Clue (St Louis. Thanks, Casey!), Annie (Fort Worth), Elf (Atlanta), Buddy (multiple), Little Shop of Horrors (multiple). Loves Holly & Gus!

WHO’S WHO IN THE CAST

EMILY KRITZMAN ( Assistant Stage Manager) studied Stage Management at the University of North Carolina School of the Arts. She is honored to be a part of the national tour of Clue. Former credits include Mean Girls, Hairspray, Waitress, and Anastasia She would like to thank her friends, parents, and Tom for their endless support.

MARIA BELLA DiVITTORIO (Assistant Stage Manager). Broadway: Mr. Saturday Night. Off-Broadway: The Jerusalem Syndrome, Fuente Ovejuna, Lessons In Survival: 1971. National Tours: Mrs. Doubtfire. Regional: Paperboy (Manhattan School of Music), Black Like Me (Chautauqua Theater), Ella and Her Fella Frank (Virginia Rep). UNCSA Stage Management ‘21. Much love to her cats, Pretzel and Chucky.

BERRIT KELLER (Substitute Assistant Stage Manager). She/her. Stage Manager at Radio City Music Hall. Broadway: Moulin Rouge, Beetlejuice, Company, Bad Cinderella, West Side Story. Regional: Roundabout, The Kennedy Center, The MUNY, The Old Globe. BFA University of Michigan. For Chandler and Lily.

SARAH E. T. JACKSON (Substitute Assistant Stage Manager). National Tour: The Lion King. Off-Broadway: Kate Hamill’s Dracula. Regional: Fiddler on the Roof (Philadelphia Orchestra), Annie Get Your Gun (Bay Street Theatre), Rocky Horror Picture Show (Bucks County Playhouse), Into the Woods (Juilliard Drama Division), Kiss; Mary Jane (Yale Repertory Theatre), MFAYale School of Drama.

STACY MYERS (Company Manager). Most recent: Mrs Doubtfire 1st National. National/ international tour highlights: American Idiot, Jersey Boys, Rent, Sweet Charity 1st National. Regional: The Muny, KCRep, New York Stage & Film, La Jolla Playhouse. M.S., University of Kansas; B.A., Washburn University. Love to family and friends in the Sunflower State. For HKMKE and the bestest travel kitty, JoJo.

THE ARACA GROUP (Producer). Founded in 1997 by partners Matthew Rego, Michael Rego and Hank Unger, the Araca Group is a Broadway producing and merchandising company. Broadway producing credits include: Urinetown: The Musical; Wicked; SpongeBob SquarePants; Disgraced; Frankie and Johnny in the Clair de Lune (starring Edie Falco and Stanley Tucci); A View From the Bridge (starring Liev Schreiber and Scarlett Johansson); The Wedding Singer and Lend Me a Tenor (starring Tony Shalhoub). Upcoming Broadway productions include: The Outsiders. araca.com

WORK LIGHT PRODUCTIONS

(Producer & General Management). Formed in 2005, WLP has since grown into a full service producing, investment, general management, and technical supervision company. Current and past productions: Olivier Award winning production of Jesus Christ Superstar (North America, UK Tour), Ain’t Too Proud (Broadway, North America, West End), Clue (North America), Cluedo (UK), and the North American tours of Mrs. Doubtfire, Mamma Mia!, Company, RENT, An Officer and a Gentleman, Motown, Something Rotten!, Bandstand, R&H’s Cinderella, White Christmas, American Idiot, In The Heights and Avenue Q. Produced Julie Andrews, The Gift of Music. WLP is led by founding partners Stephen Gabriel and Nancy Gabriel. worklightproductions.com

LIVELY MCCABE ENTERTAINMENT

(Producer) is a theatrical development and IP management company founded in 2017 by former Disney executive Michael Barra. The company is best known for its collection of theatrical properties including: Clue (based on the 1985 Paramount film and Hasbro game) and it’s UK sibling Cluedo, the musical adaptation of Mystic Pizza (based on the MGM film starring Julia Roberts), country music musical May We All (developed with Florida Georgia Line), and Joe Iconis’ Punk Rock Girl!. Upcoming projects include musical adaptations of the iconic films Girls

WHO’S WHO IN THE CAST

Just Want To Have Fun and Can’t Hardly Wait. For more info please visit livelymccabe.com

AGED IN WOOD (Producer). Partners Robyn Goodman and Josh Fiedler with associate producer Nicole Kramer have produced on Broadway since 2000. Broadway: Tommy, Company (Tony Award), Angels in America (Tony Award), Avenue Q (Tony Award), Rodgers and Hammerstein’s Cinderella, In The Heights, Bengal Tiger at the Baghdad Zoo, The Performers, High Fidelity, Metamorphoses and more. Currently developing the musicals Working Girl and Nowhere Boy and a revival of Jar the Floor by Cheryl West.

BUCKS COUNTY PLAYHOUSE

(Originally Produced) has re-emerged as a driving force in regional theatre for original productions of classic plays and musicals and developing new work since its multimillion-dollar restoration in 2012. The Wall Street Journal hailed the Playhouse as “one of the top regional theaters on the East Coast,” citing four recent productions in its year’send “best of” list. It has produced six world premieres, including Candace Bushnell’s Is There Still Sex in the City, Rock and Roll Man and Other World

CLEVELAND PLAY HOUSE

(Developing House). Founded in 1915 and recipient of the 2015 Regional Theatre Tony Award, Cleveland Play House is America’s first professional regional theatre. Throughout its rich history, CPH has remained dedicated to its mission to inspire, stimulate and entertain diverse audiences in Northeast Ohio by producing plays and theatre education programs of the highest professional standards. CPH has produced more than 100 world and/or American premieres, and over its long history more than 12 million people have attended over 1,600 productions.

STAFF FOR CLUE

THE ARACA GROUP

Matthew Rego Michael Rego Hank Unger

Cristina Vivenzio Megan Rhoads

Kerry Frye Sophie Glassman

WORK LIGHT PRODUCTIONS

Stephen Gabriel Nancy Gabriel

Anièle Fortin-Perkell, Chief Operating O cer & Executive Producer

Matt Kunkel, General Manager

Jordyn David, General Management Assistant

Brian Harlan Brooks Sanjida Chowdhury

Mackenzie Foster Noelle Hedgcock

Kimberly Helms Courtney King Marian Osadebe Casi

Pruitt Mitchell Skolnick Carolyn Smith

LIVELY MCCABE ENTERTAINMENT

Executive Producer

Michael Barra

VP, Theater Allison Bressi

TECHNICAL SUPERVISION PORT CITY TECHNICAL

Rhys Williams, Vice President of Production

Hunter Storie, Production Manager

Sara Schultz, Assistant Production Manager

Laurence Christopher Ryan George Ryan Johnson

Tom Klonowski Adrienne Maurer Ti any West

TOUR BOOKING, MARKETING & PUBLICITY BOND THEATRICAL bondtheatrical.com

TOUR BOOKING

Temah Higgins Mollie Mann

Wendy Roberts

Madison St. Amour Laura Rizzo Nilesha Alexander

TOUR MARKETING & PUBLICITY

DJ Martin

Marc Viscardi

Steph Kelleher Elisabeth Reyes

CASTING

PEARSON CASTING

James Pearson, CSA Rosie Pearson, CSA

LEGAL COUNSEL Lazarus & Harris LLP

Scott Lazarus, Esq. Robert C. Harris, Esq.

Emily Lawson, Esq. Carter Anne McGowan, Esq. Diane Viale Patrick Wilcox

MUSIC CLEARANCE AND SUPERVISION

Janet Billig Rich and Lisa Moberly for Loudspeaker Music Group

“Clue (Alternate I)” (a/k/a “Clue Main Title”) Written by John Morris Used by permission of Sony/ATV Harmony (ASCAP). All Rights Reserved.

“Shake, Rattle and Roll” Written by Charles E. Calhoun

Used by permission of Mijac Music (BMI), courtesy of Sony/ATV Music Publishing, and Unichappell Music Inc. (BMI) All Rights Reserved.

“Sh-Boom (Life Could Be a Dream)” Written by James Keyes, Claude Feaster, Carl Feaster, Floyd McRae and James Edwards. Used by permission of Unichappell Music Inc. (BMI) All Rights Reserved.

Company Manager....................................... Stacy Myers

Assistant Company Manager Carleigh Allen

Production Stage Manager..................... Margot Whitney

1st Assistant Stage Manager Emily Kritzman

2nd Assistant Stage Manager Maria Bella DiVittorio

Substitute Assistant Stage Manager ............... Berrit Keller

Substitute Assistant Stage Manager Sarah E. T. Jackson

Assistant Director ................................... Saki Kawamura

Associate Scenic Designer Michael Ruiz-del-Vizo

Associate Costume Designer Brynne Oster-Bainnson

Costume Assistant ..............................Megan Rutherford

Associate Lighting Designer Nicholas Pollock

Assistant Lighting Designer .......................... Sam Weiser

Lighting Programmer Jonah Camiel

Associate Hair, Wig and Makeup Designer ...................... Cassie Janay Williams

Production Carpenter Jack Gilchrist

Production Electrician...............................Robert Virzera

Production Wardrobe Cat Lovejoy

Production Hair Adrienne Maurer

Head Carpenter ......................................... Nicholas Ray

Assistant Carpenter/Flyman Sean Jenkins

Head Electrician Scott Barnett

Assistant Electrician Mike Barnes

Head Audio Jessica Glynn

Head Props ............................................ John Mark Zink

Head Wardrobe Jaron Myers

Head Hair & Makeup Rachel Auguste

Swing Tech Lakin Freedle

Accounting Withum Smith + Brown, PC

Controller ................... Galbraith & Co./Jessica Pressman

Social Media Marathon Digital/Mike Karns, Melanie Pateiro, Ava Coplo , Chad Burris

Tour Booking, Marketing & Publicity O ce

BOND Theatrical/ Phillip Aleman, Jenny Bates, Melissa Cohen, Bailey Ford, Harrison Mootoo, Scotland Newton, Linda Stewart, Jacob Stuckelman, Janiya Wade, Hannah Wallace

HR Consultant K+K Reset, Kiah Jones & Karen Robinson

Banking FLAGSTAR/Margaret Monigan

Insurance The Arts Insurance Program, LLC/ Bob Middleton, Meghan Coleman, Toni Preto

Travel/Housing Road Rebel, Travel Trust

Payroll Services .......................................... PrestigePEO

Physical Therapy

Neurosport NYC, LLC

Production Photographer Evan Zimmerman for Murphymade

Video HMS Media

Merchandise.........................................The Araca Group

CREDITS AND ACKNOWLEDGEMENTS

Costumes built and provided by Siam Costumes, Christopher Schramm, Giliberto Designs, Arel Studio, Bethany Joy Costumes. Audio Equipment provided by PRG. Lighting and Rigging Equipment provided by Christie Lites. Workboxes provided by Port City Equipment Rental. Scenery built and painted by TTS Studios. Original Props from Cleveland Play House. New Prop builds & modifications from BrenBri Props. Wigs built by Backstage Artistry.

Rehearsed at Pearl Studios

THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers and House Managers employed on this production.

Backstage Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

September 20 & 21 September 24

September 29

October 20 October 23 October 24

October 26 November 12 January 19

The best of high school musical theater talent in our region

BY

The DPAC Rising Star Awards is a program designed to celebrate outstanding achievements in high school musical theater throughout Central North Carolina. The program highlights the meaningful work being done both on and o stage by dedicated teachers and students.

As the regional qualifying event for The National High School Musical Theatre Awards™ (NHSMTA), also known as The Jimmy Awards®, The DPAC Rising Star Awards brings together high school musical theater students from Durham, the Triangle and the surrounding region to perform and compete for a chance to represent DPAC in the national nals in New York City.

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HUTH PHOTO

To learn more about how to register your school’s theater program for The DPAC Rising Star Awards, please visit https://www.dpacnc. com/community/dpac-risingstar-awards.

In Spring 2024, DPAC named Alex Fluker (Panther Creek High School) and Conor Kruger (Enloe High School) The DPAC Rising Star Awards’ Best Actress and Best Actor winners. Alex and Conor then went on to compete nationally at The Jimmy Awards®.

This year, the national competition included a total of 102 nominees representing 51 Regional Awards Programs from across the country. Alex and Conor worked with Broadway professionals and made their Broadway debuts on Nederlander’s Minsko Theatre stage, where Disney’s The Lion King performs to sold-out audiences nightly. Both represented DPAC and Central North Carolina exceptionally well, and we cannot wait to see their bright futures.

More information on NHSMTA™ and The Jimmy Awards® can be found at jimmyawards.com

BY HUTH PHOTO

The DPAC Rising Star Awards are made possible by the generous support of Blue Cross and Blue Shield of North Carolina

Special thanks to our community partners

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“Imagination does not become great until human beings, given the courage and strength, use it to create.”

-Maria Montessori

Offering authentic Montessori education since 1976 for children infant through 6th grade, Montessori School of Durham is committed to the joy of learning and seeks to educate the “whole child,” addressing each aspect of development.

msdurham.org

Download the

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DPAC's mobile app o ers a secure place to easily store and organize all your mobile tickets, so you are ready for entry to every one of the blockbuster Broadway shows on our calendar.

In addition, DPAC’s mobile app o ers other great features, including updates on all upcoming shows and key tips to help you plan for your visit.

Become a Friend of DPAC

Join today for these great bene ts:

• Latest news

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It’s free, fast and easy to sign up now at DPACnc.com

Join the conversation

Whether you like, tweet, or post, DPAC invites you to become part of our social community. We hope you’ll share your memories and experiences with us, and in return, we’ll show you inside backstage and share announcements, special o ers and other great entertainment news. 

THANK YOU TO DPAC’S CORPORATE PARTNERS:

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Help local students experience their rst ever Broadway show

Discover Broadway o ers Season Seat Members a way to donate tickets so their valuable seats do not go unused.

Thanks to the generosity of DPAC’s Season Seat Members, hundreds of tickets have been donated to deserving students from high schools and universities throughout Durham. For many students, these seats provided opportunities to experience their rstever Broadway show.

For those that we serve through this program, these opportunities are more than just a ticket, they are a chance to experience something that could inspire goals and dreams for the future.

Here is how you can donate:

• If you know in advance that you cannot attend a show, or even if one member of your party will not be joining you, simply contact DPAC at DiscoverBroadway@dpacnc.com.

• You will receive an acknowledgment from DPAC that your unused tickets will be transferred to an area student.

• DPAC will handle all other details and provide instructions to the recipient on how to access their tickets.

PLEASE NOTE: Ticket donations must be made at least 72 hours prior to the performance date. Discover Broadway donations do not provide tax donation receipts. 

At DPAC, we’re committed to Guest Courtesy. Please remember to be a good neighbor to those seated around you.

After the Performance Yes, the lobby gets busy and the parking lots can be tricky, but please remain at your seats until the houselights come up.

As a courtesy to the performers and other audience members, DPAC asks that you do not rush for the exits prematurely at the end of the performance.

Entering and Exiting the Seating Area

Please time your exits and reentry to the seating area to occur only at intermission or breaks between songs. This is a courtesy to other guests around you, who will appreciate you keeping these disruptions to a minimum.

Kids at DPAC

Please note that all guests require a ticket, regardless of age. Children under the age of six are not allowed at most DPAC performances including Broadway, Concerts and Comedy shows.

For some shows, DPAC will make recommendations on the appropriate minimum age based on the content and the length of the event. Parental discretion is always advised and judgment of the appropriateness of the content for each show should be made on an individual basis prior to purchase.

Children must be able to sit quietly in their own seat without disturbing other guests. As a further courtesy to our guests, DPAC recommends one parent or chaperone for every child in attendance.

It Can Wait Please save texting until AFTER the show. The light from phones is distracting to others throughout the theater. Please keep them turned o .

It’s Superstar Entertainment, Not a Food Fest Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you nish sandwiches or other large food items before entering the seating area.

Photography / Video Recording Using Mobile Phones

At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones.

Please note that GoPros, tablets, and cameras of any kind are prohibited at all DPAC events. All Broadway shows prohibit photography and video recording.

Quiet Please

Once the show starts, please let the stage be the center of attention. We ask that you turn o all cell phones and limit conversation. If children are attending this performance with you, please exit the theater immediately if they become restless or talkative. 

Sharing the magic of live entertainment

DPAC’s Local Hero Spotlight recognizes those who are doing great deeds in service to their communities or families. Recipients receive a VIP night out at DPAC and in many cases, this night out provides an opportunity for those who have never been to DPAC to have their rst-ever live theater experience. Community members selected for this honor receive a DPAC VIP experience, including premium seating to a select show, VIP parking and admission to the BMW of Southpoint President’s Club hospitality area.

Want to nominate someone? Visit DPACnc.com for more information. 

Congratulations to all our Local Heroes

Each fall, DPAC selects high school students from across Central North Carolina who are passionate about live entertainment to serve as Performing Arts Ambassadors throughout the school year.

Ambassadors are o ered unique, once-in-a-lifetime opportunities to shadow sta across multiple departments, attend DPAC’s variety of events, and report on their experiences via videos, online blogs, and social media posts. Ambassadors also receive exclusive opportunities to go behind-the-scenes at some of DPAC’s biggest events.

These unique, memorable, and impactful experiences o er the chance to learn about the importance of the performing arts and live entertainment, while also preparing students for future careers in the performing arts industry.

Follow DPAC’s Performing Arts Ambassadors throughout the season by visiting DPACnc.com 

James Beard Awards Finalist Outstanding Bar Program, Pre- & Post-Show Dinner

Coastal Carolina Seafood Prepared with Rich Soul and Playful Execution

Intimate New American Eatery

Durham’s Premier Steakhouse

Eat Pasture-Raised Beef, Drink Freshly Brewed Beer

An experience catering to all ve senses, in the heart of the American Tobacco Campus

A Higher Order of Pizza, Local Beers, and Craft Cocktails

Casual Pre- and Post-Show (‘til 2!) Dinner, with Bar & Patio Seating

Season Seat Members Since 2008

Thank You For Supporting Us for 15 Years

Thomas Wong & Sandy Moulton

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Alfred Harvey

Kevin Turner

Debbie A. Miller & Rachael Hansen

Susan C. Ross & Tom B. Hadzor

Paula McClain

Carl A. Johnson

Tamar Avineri

Kevin Jackson

Willis Ward

Nancy C & Christopher Bolen

Betty Bartolotta

Judy J. Gibbs

Charlotte R. & J Clark

John Dailey Jr.

Leonard & Elaine Goodwin

John & Priscilla Morgan

Jean J. Kramarik

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Carol & William Wilcox and Dawn & David Wilcox

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Claudia Michelman

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Patrice Jobes & Steve Hammel

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Mary Lynn

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Lauren Vincent

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Hardee Klitzman & Beth Hollister

Lisa R. Smith

Linda Hicks

Carol & Chris Leach

Marvin Genzer

Tracey Reynolds & Richard Schmidt

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Linda J. Warren

Jennifer McRant

Suzanne McMaster

Heather E. Gaudaur

Eric & Allison Chetwood

Kristin and Dale Wahl

Ellen and Michael Luken

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Contemporary Art Museum Meets Lifestyle Hotel in Downtown Durham

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Broadway Shows are Scripted. Hotels Don’t Have to Be.

Your phone is now your ticket

Mobile entry is a safe, easy, convenient, and contactless way to access and manage your tickets all in one place.

Safety is every venue’s #1 priority and mobile entry gives DPAC a better understanding of who guests are prior to every performance through this new adaptation. Now, more than ever, it is critical for venues to know who is in possession of each ticket to share important information with them before the doors open and the show begins.

With mobile entry, powered by DPAC’s o cial ticketing partner Ticketmaster, there’s no need for direct contact or physical exchange of your ticket. Mobile entry guarantees a quick and safe ticket scan straight from your phone.

Our secure ticket technology reduces the risk of ticket fraud and eliminates the possibilities of theft or counterfeiting. Once you’ve purchased your mobile tickets on Ticketmaster, you can always rest assured you’re getting the seats you paid for.

Always be aware, though. Do not purchase tickets from unauthorized online ticket brokers. Don’t be fooled by online websites who mimic DPAC’s name or website or o er tickets they might not even have. Go directly to DPACnc.com or to Ticketmaster.com 

BY HUTH PHOTO

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Special Savings

For City of Durham residents, military, students and young professionals

Inspired by Durham’s great community leader MaryAnn Black, DPAC has reserved select seating starting at $15 plus ticket fees, exclusively for Durham residents, military and students to most Broadway shows and select special events.

This program provides an opportunity for many to experience their rstever live performance at a savings of 20% to 75%.

DPAC for All tickets may be purchased online, via phone or in person at the Blue Cross NC - Ticket Center at DPAC, located at 123 Vivian Street.

For a complete list of available performances, please visit DPACnc.com 

SO L VE:

Rearrange the checkers to create 4 columns—black/red/black/red/, touching only 2 checkers.

If you figured it out, congratulations. Move the 2 red checkers in the first column to the other side of the grid, and use them to push rows 2 and 4 to the left. Solving the problem requires unconventional thinking.

This illustrates our approach to legal issues—looking beyond the expected path to find solutions for our clients.