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TABLE OF CONTENTS 8

Welcome Messages : Christopher J. Bell – Truist Financial

Mayor Steve Schewel – City of Durham

Bob Klaus – General Manager, DPAC

16 20 .24 33 36-A 39 42 46 50 54 58 62 66 69 70

DPAC’s National Ranking and Awards DPAC Guiding Priniciples Nederlander and PFM – Our Theatre Family Johnson Lexus President’s Club Show Credits and Cast Information Consumer Ticket Warning DPAC Group Services Triangle Rising Stars DPAC Food and Beverage Guest Etiquette DPAC Stars – Volunteer Program Discover Broadway DPAC Ambassadors Connect with DPAC Heart of the Arts

Advertising Sales: Allison Panella, apanella@dpacnc.com Editorial: Rachel Traversari, Josette Roten Photography: Andy Martin, Michael Gillman, Ken and Colin Huth Publication Coordination & Design: Lisa Dardenne Parker, lisaparkerdesign.com Publication Printer: Cornerstone Custom Printing HuthPhoto

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SunTrust and BB&T have united to become Truist Financial! We are proud to combine our two strong, purpose driven companies and proud to continue to sponsor what may be the most exciting season yet of SunTrust Broadway at DPAC! Whether this is your first visit, or you’re a long-time season member, we’re delighted to welcome you to this exciting performance. SunTrust now Truist understands that that the arts are essential to the quality of life in the communities we serve. The performing arts in particular have the power to inspire, entertain, inform, thrill and unite us in a communal experience. We value our ongoing partnership with DPAC, which has proven to be an extraordinary artistic and economic force in our region, forever setting a high bar on quality that it meets and exceeds season after season. Whether it’s enjoying our favorite Broadway shows or traveling the world, we all want to live our best lives. Helping people achieve financial confidence to live their best life is our purpose and passion. Financial confidence is not about how much money you have; it’s about what you can do with what you have that counts.That is why we launched onUp, a movement to help everyone take a step toward financial confidence. Are you ready to feel financially confident and reach new heights? We encourage you to join the over five and a half million Americans who have already signed up for the Movement at onUp.com and explore the tips, resources and games to launch your journey. But for tonight, sit back, and enjoy the show!

Christopher J. Bell SunTrust now Truist Triangle East

3622 Lyckan Parkway, Suite 1001 Durham, NC 27707

W E L C O M E F RO M T H E M AYO R As Durham’s mayor, it is my pleasure to welcome you to the Durham Performing Arts Center as this nationally-renowned venue continues its twelfth season. My wife and I have been season ticket holders in DPAC’s Broadway series since it opened in 2008, and like DPAC’s more than 4.7 million guests, I continue to marvel at the caliber of performances showcased in our great city. Each year just gets better and better. For example, over 520,000 visitors walked the red carpet last year to attend award-winning musicals, such as Disney’s Aladdin, Dear Evan Hansen, and CATS, as well as sold-out concerts including Widespread Panic, Ringo Starr and His All Starr Band, and Gladys Knight. That’s not all. While providing entertainment that families can enjoy together is a top priority for DPAC, finding ways to involve those who may not otherwise enjoy all that the arts have to offer has become a special passion for this theater. Last year, DPAC implemented “DPAC for All,” a program that offers discounted tickets exclusively for Durham residents. No doubt, the arts contribute to Durham’s sense of community.Your attendance enables DPAC to support other nonprofit arts groups, such as the Durham Arts Council and the Hayti Heritage Center. DPAC also cultivates the arts in education by arranging visits from touring cast members to local schools through Heart of the Arts, and not to mention donating hundreds of tickets each year to schools and local charities to use for auctions and fundraising. DPAC is constantly working to ensure that the arts touch many areas of Durham and, indeed, the entire Triangle community. A visit to DPAC is an open invitation to experience Durham—from great awardwinning restaurants to shopping and culture. It’s as easy as parking and either walking, biking or taking the bus to downtown eateries, or taking a short drive to nearby malls, museums or historical sites. You should know that both Durham and DPAC have strong track records: The City recently celebrated 150 years of serving our growing, diverse population, while in November DPAC marked over a decade of showcasing award-winning entertainment. Thank you being a part of our history, present and future just by choosing DPAC and Durham. Now settle into your seats to enjoy your DPAC experience and an unforgettable show! Sincerely,

Mayor Steve Schewel

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WELCOME FROM THE GENERAL MANAGER Welcome to DPAC! 2019 was a record-breaking year for us with 522,515 guests attending 239 events, the highest attendance for a calendar year since the center’s opening in 2008. With these new attendance figures, DPAC continues to be ranked among the top-five theaters in America by three leading national magazines that cover live entertainment events and venues. Operated under the direction of Nederlander and Professional Facilities Management (PFM), DPAC has welcomed more than 4.7 million guests to 2,200+ Broadway, concert, comedy and special events at DPAC since opening. None of this would be possible without you, our valued guests who are so supportive of the great variety of events that grace our stage. In addition to entertaining our many guests each year, DPAC also generates substantial economic impact by attracting thousands of guests to Durham from throughout the surrounding region and across the U.S. In our eleventh season, DPAC’s total economic impact was over $127 million, with visitors to DPAC contributing significantly to Durham’s continued renaissance and vitality. We love playing a role in helping to bring so many new visitors to Durham, to not only discover the great shows at DPAC that we host, but also to see all that Durham has to offer. Though it’s our top-five rankings that generate the headlines, what we’re proudest of is our guest experience. My greatest reward is seeing the smiles of our guests and hearing from the thousands each year that give us such great reviews and share so many nice compliments about our shows, our event staff and the overall guest experience of attending an event at DPAC. Before the performance begins, I invite you to review DPAC’s Guiding Principles which appear in this program on page 20. These principles guide everything we do. Thank you for your support and thank you for being here for this wonderful event. It’s my hope that this experience creates a brilliant new memory that lasts a lifetime. Sincerely,

Bob Klaus General Manager

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DPAC AWARDS 2018 Theater of the Year #3

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Certificate of Excellence

Best Live Theater

#1 Performing Arts Organization

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5,000 or Less Capacity Year End 2019

Best Place for Live Music

Diamond Award: Best Live Theatre

Readerâ&#x20AC;&#x2122;s Choice Award: Best Venue for Live Entertainment

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TOP 5 IN AMERICA #1 WITH OUR FANS Over the past twelve seasons, DPAC is honored to be recognized both regionally and nationally as one of the top theaters in the nation. We continue to be humbled and proud of all of our accomplishments, but what really drives us each day are the smiles and applause we see and hear at the end of every performance. We are always delighted to express our appreciation for our guests, and we thank you for coming to DPAC. Enjoy this one-of-a-kind performance.

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O U R T H E AT E R FA M I LY THE NEDERLANDER ORGANIZATION If you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company,The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters are host to some of Broadway’s biggest productions including the blockbuster musical Hamilton playing in Nederlander’s Richard Rodgers Theatre, Disney’s The Lion King in their Minskoff Theatre, and Wicked in their Gershwin Theatre. Other shows currently playing in Nederlander Theaters in New York include Tina:The Tina Turner Musical. Upcoming Broadway hits SIX and The Lehman Trilogy will open this spring at the Brooks Atkinson Theatre and the Nederlander Theatre, respectively. For over five decades, the Nederlanders have been prolific producers and presenters of major theatrical productions. Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theaters including nine Broadway venues in New York: The Palace, The Brooks Atkinson, The Gershwin, The LuntFontanne, The Marquis, The Minskoff, The Nederlander, The Richard Rodgers, and The Neil Simon Theatres. Outside of New York, their venues include Broadway In Chicago at The CIBC Theatre, The James M. Nederlander Theatre, The Cadillac Palace Theatre, The Roosevelt University Auditorium Theatre and The Broadway Playhouse (Chicago, IL); Durham Performing Arts Center (Durham, NC); Steven Tanger Center for the Performing Arts (Greensboro, NC); The Hollywood Pantages Theatre, The Dolby Theatre (Los Angeles, CA); Broadway San Diego at The Civic and Balboa Theatres (San Diego, CA); Broadway In Tucson at Centennial Hall (Tucson, AZ); OKC Broadway at The Oklahoma City Civic Center Music Hall (Oklahoma City, OK); Broadway San Jose at The San Jose Center for the Performing Arts (San Jose, CA); Best of Broadway at The North Charleston Coliseum Performing Arts Center (North Charleston, SC); The City National Grove of Anaheim (Anaheim, CA); and The Aldwych Theatre, The Adelphi Theatre and The Dominion Theatre in the U.K. (London, England). The Nederlanders are industry leaders and generous supporters of arts organizations and social causes for which they have received countless honors. In 2009, the Nederlanders established The National High School Musical Theatre Awards™ (The Jimmy® Awards) to celebrate outstanding student performances in high school musical productions across the United States. DPAC is a participant in The National High School Musical Theatre Awards™ with its annual Triangle Rising Stars program.

PROFESSIONAL FACILITIES MANAGEMENT, INC. (PFM) PFM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center (PPAC), incorporated in 1988 in response to a growing need for objective evaluation and management of small-to-medium-sized performing arts facilities in geographically-diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.” PFM was founded by a group of dedicated business and entertainment industry professionals who had been invited to consult and advise on a number of venue related projects in New England. They saw a need for a company that could act quickly, responsively, and decisively to both public and private facility management needs, programming needs, marketing support, and fiduciary responsibilities. Their corporate mission – to bring a wide variety of programming to the broadest audience while maintaining financial responsibility and sensitivity to local constituency needs – has guided PFM to past successes and promises future growth. PFM is governed by a Board of Directors who contribute successful business experience, entrepreneurial spirit, and a bottom-line focus. Presently, PFM holds management/booking contracts in thirteen facilities located in nine states.

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SEATS V VERY E RY B EBEST S T S E AT S V I& P VIP A M EAMENITIES NITIES JOHNSON

LEXUS

President’s Club Broadway’s Ultimate Season Ticket We invite you to join the Johnson Lexus President’s Club at DPAC, where members enjoy the very best seats and VIP amenities to every one of the Broadway hits that are part of SunTrust Broadway at DPAC. Johnson Lexus President’s Club members also play an important role in helping maintain DPAC’s excellence. With member support, DPAC is able not only to be self-sustaining, but also sponsor over 50 Community Engagement programs that touch the lives of so many throughout Durham and the entire Triangle region each year. Exclusive Membership Benefits: • Center Orchestra Seating o Guaranteed Seating in the first 12 Rows for each of the eight SunTrust Broadway Shows • Complimentary Parking o Parking directly adjacent to DPAC • Members-Only Hospitality Area o Private hospitality area with members only entrance o Open 60 minutes before events and at intermission o Complimentary snacks and beverages including soft drinks and bottled water • Member’s Only Gift Card o Member’s Only Gift Card pre-loaded for Beverage purchases at DPAC events (includes all DPAC menu items: beer, wine and mixed drinks with proper ID) • Priority Ticket Purchases o Members have direct access to the program’s Membership Manager for additional ticket purchases, ticket exchanges, and special arrangements o Opportunity to purchase added orchestra seats for almost all DPAC events, including Broadway, concerts, comedy, special events, holiday performances and more o Members also save 40% on VIP Ticket Fees when purchasing added tickets. • PLUS! Elevated membership levels provide even more extraordinary benefits, including advertising in SunTrust Broadway’s show programs distributed at all Broadway events, bonus tickets to select shows, and access to priority seats for Nederlander theatrical and concert events in New York, Los Angeles and Chicago. Two-seat packages start at $4,995. For more information on member benefits and seating availability, email us at PresidentsClub@DPACnc.com.

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Barry & Nancy Goldstein Paul Gomez Diane Gonzalez Tracy K. Gosselin Susan Gravely & Bill Ross Michael & Lyn Green Wendy Greene Kay & Wade Gresham Richard & Trena Hawkins Dr. Steven Grubb Vijay & Kamlesh Gupta Guy Guthrie Sally Reina Hackett & Andy Hurst Grey Hall Hazel Hall Tony Hall William Hamlin Ronald Harbinson Ruby Hargrove-Monds Sue Harnett & Debbie Taylor Jay & Julie Harris Lou & Jacqui Harrison Dale & Bob Hart Alfred & Jose Harvey David Harvey Doug & Kim Harward Astrid Haugen & John Stranzl William Hawkins Lisa & Tom Hazen Donna & Peter Heffring Ira & Nancy Heller Peter & Tamika Henderson Michael Hendren Timothy Hensley Hope & Gary Herbst Eric Herget & Sherry Wilner Pedro & Rosalinda Hernandez Barbara & Michael Hertzberg David Lee Hill, Jr. Hillcrest Convalescent Center Pat Hofmann Michael & Jennifer Hollander Irwin & Meredythe J. Holmes Jackie Houser Ted & Kamille Howard John & Heather Howell James & Carolyn Hriso Edith Hubbard Kent Hudson Rob & Julia Hughes Image Builders Embroidery & Screen Printers Don Ingrassano Courtney & Luke James Perry Jeffries Cindy Johncour Adam W. & Susan A. Jones Brent Jones & Wendy Schneider Jon Jones Robert & Elizabeth Jones Jake, Amy & Alyssa Kavanagh Casey Kelly Charlie King Woody & Susan King Erick Kirks Carolyn Koch Sara Koenig Jason & Bridget Koontz Sendil Krishnan & Hannah Mills Mitchell & Carol Krucoff Rae Krucoff-Williams Mike & Mickie Krzyzewski

Lori Laczko Jean M. Lange Peter H. Lee Mike J. Lents Debbie Leonard - State Farm Agency Tina Lepage, Lepage Associates Psychological Services Mike & Sheri Lehmann Joann Lerose Kenneth & Fadia Lester The Levandoski Family Lisa & Paul Leifer Marie & Ralph Liebelt Edward & Alana Lilla Diane & Gene Linfors Don & Susan Linn Mr. & Mrs. Lorance Lisle Lenwood & Barbara Long Adam & Jennifer Lucas Andrea S. Lukes Mr. & Mrs. MacClennan Leah Madariaga Doren Madey Pinnell Gerard & Lisa Magno Sal Mastropolo Melanie Mann Timothy and Kerry Mann Mr. & Mrs. Charles Mansfield Russ & Kelly Margraf Anne & Mike Marino Brian, Heidi & Olivia Marks Mindy Marlowe, M.D., Sanford Pediatrics, P.A. James & Akilah Mason Fran Mauney Pat McCarthy Dave & Amy McCready Damita McDougall Jamel McDuffie Matt & Christine McGuire Lindy McHutchison Robert & Karen McIsaac Janet McLamb Don & Kaye McLennan Rick & Shirley McMahon Diana Mead Kenneth Meashey Peter Meehan Charles Merritt Nancy & Tom Metzloff Andy Michael Carlton Midyette Rod & Cory Miller Meg Molloy & Cameron Binnie James & Lisa Montague Amy Montanus Kenny Moore Toni Morin Dr. & Mrs. Mark Morris Judd & Ellen Moul Bob Moulton Mitch & Christine Mumma Mike & Leilani Murphy John & Mary Musante Peggy Myers Libby & David Nelson Bonita & Jonathan Nettles Nichols & Satterfield PLLC Bill & Sharon Nicholson, Capital Insurance Affiliates, LLC North Carolina Orthopaedic Clinic Tim Oakley Tom & Maria O’Brien Dave & Kristen O’Connell Linda Oglesby & Cheryl Russell Meg & Chuck Olexik Steven Olson Jason & Christine O’Meara

Gina Orme Angelika Papanikas Sarah Parker Mary Jo Parks Cheryl Parquet Rick Parrish Steven & Kim Patierno Seth Patin Beverly Perdue Dr. Ron Pettis & Ms. Diane Sutter Maddi Pfefferle The Pieraccini Family Glenn & Kathy Pierce Francine & Benson Pilloff Mary Ann Plambeck Ronald, Julia, Grace, Matt & Christian Pledger Tim Plummer & Jenny McLean Brian Polzak & Jacquie LauChial Ven & Lisa Poole Daryl Porter Patricia Pottle Lucia Peel Powe Jodi & Glenn Preminger Vincent & Annette Price Trevor Price Gilbert Pritchard Gerrian Pritchett Cathy Proffitt Art Psalidas & Dr. Leslie Rogers Paul & Jeanne Puckett Karen Rabenau Michael & Jennette Rafetto Martha & Steve Rafferty Avni & Edward Rampersaud Renee Rand Richard & Debbie Rand THE rAVe Agency Debra Ratliff Becky Raynor Max Raynor Dave & Nancy Recht Mark Rein Dale & Lorraine Reynolds Mark & Gina Rhoades Michael Riccobene Theresa Robinson DMD PA Keith & Sandra Rogers Kristin Rogers Cliff & Stephanie Rogers Tammie Rogers Melissa Roupe Timothy & Lori Rowe Tarsha Rowland Mary Ann Ruegg John & Cheryl Runyan Tom L. Russell John Sampson James Sanders, Jr. Michael & Sarah Sapeta Gregg Satkamp & Tracy Huey Bob Saunders & Mary Morgan Frank Scalia Jerry & Brenda Schafer Laura Schanberg & Larry Eimers Mark & Laura Schroeder Jenna & David Schutzer Dr. Robert & Tobi Schwartzman Melissa Seymour Alice L. Sharpe Sean & Teresa Shea Stan Sherrill Allan & Penny Showalter Dr. & Mrs. James D. Sink Katherine Skinner Sharon L. Slaughter Alice Slobodnyak

The Center for Live Entertainment

Michael & Kimberly Slomianyj Peter Slomianyj & Jane Chen Anna & Steve Smith Harold & Mary Smith Jeff & Rachel Smith John Smith III Alisa & Malbert Smith Marcella & Sid Sockwell Dr. & Mrs. William Sollecito Kevin Sowers Mike & Pam Spatola Jean G. Spaulding Sonia Spector Paula Stanley Lynnette Stevens The Stickley Family Charles & Daneen Stiefel Rose & Malcolm Stout Mark & Edy Striebel Catherine & James Stuart Sou & Aaron Sucher SunTrust Bank, Inc. Ian Sutherland & Victoria Bowden Daniel Talbert Robert D. Teer, Jr. Alan & Penny Terry Joseph & Danica Thomas Geraldine Thompson Janis & Jeff Tillman Tim & Mary Toppen Kevin & Jennifer Trapani Julie & Tallman Trask III Gary Travis Sybil Trevisan Jim Triandiflou Debara Tucci & Kevan VanLandingham Marcy & Vance Tucker The Turbert Family Kevin & Patricia Tunick Mike & Leslie Underwood Betsy Upton Chris & Lelenia Vasallo Brian & Sheila Veeder Rick & Dinah Vice Laura & Drayton Virkler Lou & Lynn Voerman Jennifer M. Vrscak Irene & Robert Wadley Marcus Walker Mike Walsnovich & Fred Ibberson Tim & Laura Walters Mary L. Walton & Billy C. Hobbs Ted & Deborah Waltz Dr. & Mrs. Jay & Linda Watson Dr. Gerald & Mrs. Renee Welch Amy Welsh Cathy H. West Craig Wheaton & Sarah Fox Shelley Wheeler William Whitehead Robin & Sean Whitsell Stephen Wiehe Alton Williams John & Peggy Williams Chuck & Jean Wilson David & Beth Wilson Ellen Wilson Mary & Joe Wilson Withrow + Terranova Michael Wolcott Joanne & Frank Wootton David Worters & Miranda Yeager Kimmie Yarborough, MD Lesley & Stephen Young Robert Zaytoun Steve & Lisa Zaytoun Scott Zimmerman & Kate Paradis

DPAC, Durham Performing Arts Center 123 Vivian Street, Durham, NC Operated under the direction of Nederlander and PFM

CAMERON MACKINTOSH presents BOUBLIL & SCHÖNBERG’S

A musical based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Adaptation by TREVOR NUNN and JOHN CAIRD Original Orchestrations by JOHN CAMERON New Orchestrations by CHRISTOPHER JAHNKE STEPHEN METCALFE and STEPHEN BROOKER Musical Staging by MICHAEL ASHCROFT and GEOFFREY GARRATT Projections realized by FIFTY-NINE PRODUCTIONS Sound by MICK POTTER Lighting by PAULE CONSTABLE Costume Design by ANDREANE NEOFITOU and CHRISTINE ROWLAND Set and Image Design by MATT KINLEY inspired by the paintings of VICTOR HUGO Directed by LAURENCE CONNOR and

JAMES POWELL For LES MISÉRABLES National Tour Casting by TARA RUBIN CASTING/ KAITLIN SHAW, CSA

General Management GREGORY VANDER PLOEG for Gentry & Associates

Executive Producers NICHOLAS ALLOTT & SETH SKLAR-HEYN for Cameron Mackintosh Inc.

Executive Producers SETH WENIG & TRINITY WHEELER for NETworks Presentations

Associate Sound Designer Associate Costume Designer Associate Lighting Designer NIC GRAY LAURA HUNT RICHARD PACHOLSKI Resident Director RICHARD BARTH

Musical Director BRIAN EADS

Associate Set Designers DAVID HARRIS & CHRISTINE PETERS Associate Director Musical Supervision COREY AGNEW STEPHEN BROOKER & JAMES MOORE

A CAMERON MACKINTOSH and NETWORKS Presentation

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36-A

THE CAST (In order of Appearance) Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PATRICK DUNN Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PRESTON TRUMAN BOYD Farmer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FELIPE BARBOSA BOMBONATO Laborer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENT COMER Innkeeper’s Wife. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OLIVIA DEI CICCHI Innkeeper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MONTÉ J. HOWELL The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Constables. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DARRELL MORRIS, JR., PATRICK ROONEY Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER VILJOEN Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY KATE MOORE Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALISON CUSANO Old Woman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAGGIE ELIZABETH MAY Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KELSEY DENAE Bamatabois. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN AMBROSINO Fauchelevent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PATRICK ROONEY Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW LOVE Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMILY JEWEL HODER / KAYLA TERUEL Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHELLE DOWDY Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMILY JEWEL HODER / KAYLA TERUEL Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIMMY SMAGULA Petit Gervais / Gavroche. . . . . . . . . . . . . . . . PARKER DZUBA / PATRICK SCOTT MCDERMOTT Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PHOENIX BEST Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JILLIAN BUTLER Thénardier’s Gang Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DARRELL MORRIS, JR. Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FELIPE BARBOSA BOMBONATO Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW LOVE Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN AMBROSINO Students Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT SHINGLEDECKER Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSHUA GROSSO Combeferre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MONTÉ J. HOWELL Feuilly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENT COMER Courfeyrac. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER VILJOEN Joly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STAVROS KOUMBAROS Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT HILL Lesgles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Jean Prouvaire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PATRICK ROONEY Loud Hailer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Major Domo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT HILL Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH CETRULO, BREE MURPHY, DOMONIQUE PATON, ERIN RAMIREZ, QUINN TITCOMB Swings . . . . . . . . . . . . . . . . . . . JILLIAN GRAY, TIM QUARTIER, JULIA ELLEN RICHARDSON BRETT STOELKER, KYLE TIMSON Dance Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KYLE TIMSON Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KYLE TIMSON UNDERSTUDIES For Jean Valjean–ANDREW MAUGHAN, CHRISTOPHER VILJOEN; for Javert–MONTÉ J. HOWELL, ANDREW LOVE, ANDREW MAUGHAN; for Cosette–SARAH CETRULO, OLIVIA DEI CICCHI; for Fantine– OLIVIA DEI CICCHI, KELSEY DENAE; for Thénardier–JOHN AMBROSINO, MATT HILL; for Madame Thénardier– MAGGIE ELIZABETH MAY, BREE MURPHY; for Éponine– DOMONIQUE PATON, ERIN RAMIREZ; for Marius–STAVROS KOUMBAROS, PATRICK ROONEY; for Enjolras–DARRELL MORRIS, JR., BRETT STOELKER; for Little Cosette/Young Éponine–QUINN TITCOMB; for the Bishop of Digne– FELIPE BARBOSA BOMBONATO, MONTÉ J. HOWELL; for the Factory Foreman–FELIPE BARBOSA BOMBONATO, KYLE TIMSON; for the Factory Girl–MAGGIE ELIZABETH MAY, JULIA ELLEN RICHARDSON; for Bamatabois–MATT HILL, TIM QUARTIER; for Grantaire–JOHN AMBROSINO, FELIPE BARBOSA BOMBONATO.

36-B

SCENES & MUSICAL NUMBERS MUSICAL NUMBERS

PROLOGUE: 1815, DIGNE Prologue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean 1823, MONTREUIL-SUR-MER “At The End of the Day” . . . . . . . . . . . . . . . . . . . . . . . .Unemployed and Factory Workers “I Dreamed a Dream” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine “Lovely Ladies” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clients “Who Am I?” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Fantine’s Death” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine and Valjean “Castle on a Cloud” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette 1823, MONTFERMEIL “Master of the House” . . . . . . . . . . . . . . . . . . . . . . . . Thénardier, his Wife and Customers “The Bargain”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M. and Mme. Thénardier and Valjean 1832, PARIS “Paris” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gavroche and the Beggars “Stars” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “ABC Café” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, Marius and the Students “The People’s Song” . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, the Students and the Citizens “In My Life” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette, Valjean, Marius and Éponine “A Heart Full of Love” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette, Marius and Éponine “One Day More” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company INTERMISSION “On My Own” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine “A Little Fall of Rain” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine and Marius “Drink with Me to Days Gone By” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Feuilly, Grantaire, Students and “Women” “Bring Him Home” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Dog Eats Dog” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thénardier “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “Turning” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Women “Empty Chairs at Empty Tables” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marius “Wedding Chorale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guests “Beggars at the Feast” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M. and Mme. Thénardier Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company The Orchestra Music Director/Conductor – BRIAN EADS; Associate Conductor/Keyboards – ERIC EBBENGA; Assistant Conductor/Keyboards – TIM LENIHAN; Violin/ Concertmaster – DANIELLE GIULINI; Viola – JJ JOHNSON; Cello – JEANETTE STENSON; Bass – BRAD LOVELACE; Flute / Piccolo / Alto Flute / Recorder – KAREN BOGARDUS; Oboe / Cor Anglais – RYAN WALSH; Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder – PETER SCUDERI; Horn 1 – BERT HILL; Horn 2 – TODD LEIGHTON; Trumpet in Bb / Flugel Horn / Piccolo Trumpet – JOSH NORTON; Bass Trombone / Tuba – NAYIB GONZÁLEZ; Drums / Percussion / Mallets / Timpani – BRANDON ILAW; Music Coordinator – JOHN MILLER. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

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36-C

Synopsis ACT ONE PROLOGUE: 1815, DIGNE After 19 years on the chain gang, Jean Valjean finds that the ticket-of-leave he must display condemns him to be an outcast. Only the Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by the police and is astonished when the Bishop lies to the police to save him. Valjean decides to start his life anew. 1823, MONTREUIL-SUR-MER Eight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has become a factory owner and Mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when the ‘Mayor’ arrives and demands she be taken to the hospital instead. The Mayor then rescues a man pinned beneath a cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, who, he says, has just been recaptured. Valjean, unable to see an innocent man go to prison, confesses that he is prisoner 24601. At the hospital, Valjean promises the dying Fantine to find and look after her daughter Cosette. Javert arrives to arrest him, but Valjean escapes. 1823, MONTFERMEIL Cosette has been lodged with the Thénardiers, who horribly abuse her while indulging their own daughter, Éponine. Valjean pays the Thénardiers to let him take her away to Paris. 1832, PARIS Nine years later, there is unrest in the city because of the likely demise of the popular leader General Lamarque, the only man left in the government who shows any feeling for the poor. A street gang led by Thénardier and his wife sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognise Valjean until he has gone.

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The Thénardiers’ daughter Éponine, who is secretly in love with the student Marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love. News of General Lamarque’s death circulates in the city and a group of politically-minded students stream out into the streets to whip up support for a revolution. Cosette is consumed by thoughts of Marius, with whom she has fallen in love. Éponine brings Marius to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert lurking outside his house, tells Cosette they must prepare to flee the country. ACT TWO The students prepare to build the barricade. Marius, noticing that Éponine has joined the insurrection, sends her away with a letter to Cosette, which is intercepted by Valjean. Éponine decides to rejoin her love at the barricade. The barricade is built and the revolutionaries defy an army warning to give up or die. Javert is exposed as a police spy. In trying to return to the barricade, Éponine is killed. Valjean arrives at the barricade in search of Marius. He is given the chance to kill Javert but instead lets him go. The students settle down for a night on the barricade and, in the quiet of the night, Valjean prays to God to save Marius. The next day the rebels are all killed. Valjean escapes into the sewers with the unconscious Marius. After meeting Thénardier, who is robbing the corpses of the rebels, he comes across Javert once more. He pleads for time to deliver the young man to the hospital. Javert lets Valjean go and, his unbending principles of justice having been shattered by Valjean’s own mercy, he kills himself. Unaware of the identity of his rescuer, Marius recovers in Cosette’s care. Valjean confesses the truth of his past to Marius and insists he must go away. At Marius and Cosette’s wedding, the Thénardiers try to blackmail Marius. Thénardier says Cosette’s ‘father’ is a murderer and as proof produces a ring which he stole from the corpse the night the barricade fell. It is Marius’s own ring and he realizes it was Valjean who rescued him that night. He and Cosette go to Valjean where Cosette learns for the first time of her own history before the old man dies.

WHO’S WHO in the CAST JOHN AMBROSINO (Bamatabois, Claquesous, u/s Thénardier, u/s Grantaire). Las Vegas: Jersey Boys (Billy Dixon and Bob Crewe). National Tour: The Musical Adventures of Flat Stanley (Stanley). OffBroadway: When Midnight Strikes (Bradley). Regional: Company (Bobby), Into the Woods (Baker), On The Town (Gabey), Avenue Q (Princeton/Rod), Rent (Mark). PHOENIX BEST (Éponine) is thrilled to return to the national touring company of Les Misérables and reprise her role as Éponine. Broadway: Dear Evan Hansen (Alana Beck), the Tony, Emmy and Grammy winning revival of The Color Purple (Swing). Regional Theatre: Dreamgirls (Deena Jones), Les Misérables, Henry V and many more. Select TV: Global HER Musical Short. Thanks to the entire creative team, Tara Rubin Casting, Nicolosi, Mom, Rena, friends and family. Instagram: @misspheeny Twitter: @misspheeny FELIPE BARBOSA BOMBONATO (Farmer, Babet, u/s Factory Foreman, u/s Bishop, u/s Grantaire) is ecstatic to be in his dream show that is spreading so much redemption and love across North America. Credits: National tours: Cats, Man of la Mancha; Regional: Jesus Christ Superstar (Judas), Flatrock Playhouse — Rocky Horror (Eddy/ Dr. Scott); Westchester B-Way: South Pacific (Ensemble, u/s Billis), Godspell. Proud alum of UF’s BFA MT program (go Gators!). Many thanks to EMG, Tony Mata, Matt Morgan, Sherwin Mackintosh, Kaitlin Shaw and Tara Rubin Casting, the entire creative team. To my wonderful family and beautiful wife. Thank you for your love and support. Always. IG: @febrasil10; 1 Corinthians 13 1-3 PRESTON TRUMAN BOYD (Javert). Broadway: Kiss Me Kate (Ralph), The Play That Goes Wrong (Robert), Sunset Boulevard (Artie Green), She Loves Me, One the Twentieth Century, Bullets Over Broadway, Big Fish (Ensemble). 1st National Tour: Jersey Boys (Bob Gaudio), Young Frankenstein (The Monster). Regional: Of Mice and Men (Lennie) at Bay Street; Paint Your Wagon (Jake), Les Misérables (Grantaire) at The MUNY. Film/TV: Going in Style (dir. Zach Braff), Alex Inc., The Guiding Light. Thanks to THE team! Thanks to MY team! Love to my family and beautiful wife! @prestontboyd

JILLIAN BUTLER (Cosette) is thrilled to be part of Les Misérables. National Tours: Wicked, R+H Cinderella. Regional theatre: Paper Mill Playhouse, North Shore. Training: Boston Conservatory ’15. Much love and thanks to my family, Tara Rubin Casting, DGRW and the entire creative team. For my incredible parents. SARAH CETRULO (Ensemble, u/s Cosette) International tour of China: My Fair Lady (Eliza). Regional/Select Theater: Joe Iconis’ The Black Suits at Barrington Stage (Lisa), A View From the Bridge (Catherine), South Pacific (Nellie). TV: “Elementary” (CBS). Love & gratitude to my family-friendsteachers, Buchwald, Tara Rubin Casting, and the entire Les Mis team. @cetrulosarah BRENT COMER (Laborer, Feuilly) is making his post-grad and Nat’l tour debut with Les Miz. He is a recent graduate of JMU. He would like to thank God and the Les Miz team for this opportunity to perform. He would also like to thank the LINK program, The Mine Agency, and Tara Rubin Casting. ALISON CUSANO (Factory Girl). Broadway: A Night with Janis Joplin (Janis u/s, swing) National Tour: School of Rock (Rosalie u/s, ensemble). Regional: Smokey Joe’s Cafe (Pattie) Hair (Sheila), Tommy (Mrs. Walker), Rocky Horror Show (Magenta). BFA Music Theatre from The Hartt School. Thanks to friends, family, WAM, and Anthony. @alisoncusano OLIVIA DEI CICCHI (Innkeeper’s Wife, u/s Cosette, u/s Fantine) is living out her dreams on this National Tour debut! Previous credits include: Violet (Violet), Bonnie (Bonnie & Clyde). Film/TV include: Backup singer for Lorde, “SNL”. Young Arts Theatre Finalist 2014. Endless gratitude to everyone at DGRW, Tara Rubin Casting, Alchemy, Michael, Skylar and my incredible parents. KELSEY DENAE (Wigmaker, u/s Fantine) is honored to make her tour debut in this timeless story! Graduate of University of Wisconsin-Stevens Point (BFA) Previous credits: Show Boat, Les Miz, Man of La Mancha, West Side Story, 9 to 5. Endless thanks to NETworks, Tara Rubin Casting, and Danny at Hudson Artists. To my family. MICHELLE DOWDY (Madame Thénardier). Broadway: Hairspray (Tracy Turnblad). Off-Broadway: The Marvelous Wonderettes (Betty Jean), Night of the Living Dead! The

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WHO’S WHO in the CAST Musical! Star of The Girlie Show: Circus & Burlesque (Chicago, Portland). MAC Award winner. Her acclaimed debut album A BRASS ACT available on iTunes. Love to Mom, NYC, and Jordan. MichelleDowdy.com @howdymissdowdy PATRICK DUNN (Jean Valjean) is honored to join another legendary Cameron Mackintosh tour, coming directly from the spectacular new production of The Phantom of the Opera (u/s The Phantom). Previous credits include Waitress (1st national touroriginal cast), Hal Prince’s Candide at NYC Opera (u/s Candide), A Christmas Carol: The Musical at Madison Square Garden (Young Scrooge), Jesus Christ Superstar (Jesus), Pirates of Penzance (Frederic), Titanic (Barrett). BFA: The Hartt School. Love to Emma and Family. Thanks to Danny, SSH and the Les Miz creative team. For my lucky Penny. Instagram @thepattydwagon -TCB. PARKER DZUBA (Petit Gervais, Gavroche) is thrilled to be making his debut in the National Tour of Les Misérables! From Binghamton, NY, Parker has a passion for both theater and dance. Special thanks to Barry Kolker and Tara Rubin Casting. And THANK YOU to his parents and family for always supporting him and his dreams. JILLIAN GRAY (Swing) is honored to be joining the barricade in this timeless production! Jillian was last seen in Finding Nemo-The Musical (Nemo) in Walt Disney World. Regional Theatre: Titanic (Kate McGowan), Evita (Mistress), Les Misérables (Cosette u/s) Joseph…, JCS. Many thanks and love to ATB, her amazing family and husband. JOSHUA GROSSO (Marius) is thrilled to be joining the touring company of Les Misérables. His recent credits include In the Heights (Usnavi) with PCLO and The Light in the Piazza (Fabrizio) with Front Porch Theatricals. He was the winner of the 2012 Jimmy Awards and he recently graduated with a BFA from Carnegie Mellon University. MATT HILL (Grantaire, Major Domo, u/s Bamatabois, u/s Thénardier) is honored to be a part of this production. Many thanks to those behind the scenes and those who came before us. BFA: CCM. Love to family, friends, MT14, and Preston.

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EMILY JEWEL HODER (Little Cosette/ Young Éponine) is thrilled to join Les Misérables! Recent credits: Music Man (Amaryllis-Wick Theatre), Annie (Molly-NC Theatre). Emily is also a two-time National Champion Dancer. Thank you so much to my family, Nancy and Kim! @emilyjewel7 MONTÉ J. HOWELL (Innkeeper, Combeferre, u/s Javert, u/s Bishop). Select Credits: The Golden Apple (City Center Encores!), Les Misérables (The MUNY), Shrek (Alliance Theatre), Sister Act (Arkansas Rep), The Music Man (Flat Rock Playhouse), Porgy and Bess (Opera Theatre of Pittsburgh), Little Shop of Horrors (Stages St. Louis). Praise to God. Love to Ma, Brown and Alyssa. Psalms 28:7. STAVROS KOUMBAROS (Joly, u/s Marius) is thrilled to be making his National Tour Debut with Les Mis. Previous credits include Jesus Christ Superstar (Jesus), Children of Eden (Japheth), and West Side Story (Tony). Endless thanks to his family for their love and support. BFA: CCM. For Max #tothemax stavroskoumbaros.com ANDREW LOVE (Champmathieu, Brujon, u/s Javert) is pleased to join the national touring cast of Les Misérables after being a part of the Broadway and Toronto Companies (Swing/Bishop/Javert u/s). Other credits include: La Bohème (Marcello, Schaunard), Filumena (Charlie), Carmen (Dancaïre), The Magic Flute (Papageno), Pagliacci (Silvio) and The Marriage of Figaro (Figaro). @ andrewjlove ANDREW MAUGHAN (Bishop of Digne, Lesgles, Loud Hailer, u/s Jean Valjean, u/s Javert) is excited to join his first National Tour! Opera credits: Candide (Candide), Eugene Onegin (Lenski), Die Fledermaus (Eisenstein), La bohéme (Rodolfo), La traviata (Alfredo), Magic Flute (Tamino), Pirates of Penzance (Fredric), The Merry Widow (Camille). Musical Theater: My Fair Lady (Freddy). IG @maughanstertenor MAGGIE ELIZABETH MAY (Old Woman, u/s Madame Thénardier, u/s Factory Girl). West End: Sister Act with Whoopi Goldberg (1st u/s Mary Robert) and Andrew Lloyd Webber’s Wizard of Oz with Michael Crawford (1st u/s Glinda). Proud graduate of London’s Royal Academy of Music. Endless

WHO’S WHO in the CAST thanks to teachers, creatives-cast-crew, Kaitlin, yoga and Ron Cisneros. Love you Mom and Dad! For Minow. Desiderata! @ maggiemayfromca PATRICK SCOTT MCDERMOTT (Petit Gervais, Gavroche) is THRILLED to join Les Misérables! Select previous credits include: Oliver! (The Artful Dodger), Holiday Inn (Charlie), and Ragtime (Edgar) with Marriott Theatre; Matilda (Nigel) with Drury Lane Theatre. Thanks to NETworks, Tara Rubin Casting, Adam and the Shirley Hamilton Team, Marriott Theatre. Love to my family and friends. MARY KATE MOORE (Fantine) is honored to be a part of this timeless production. Previous credits include Fiasco Theater’s Into The Woods, Cats (Grizabella), The Rocky Horror Show (Magenta) and Spring Awakening (Anna). Mary Kate is a proud graduate of Oklahoma City University. mary-kate-moore.com DARRELL MORRIS, JR. (Constable, Montparnasse, u/s Enjolras) is beyond thrilled to join the barricade! Favorite credits: The Scottsboro Boys (Charlie), Urinetown (Bobby), AIDA (Mereb), Radio City Christmas Spectacular. Boston Conservatory, Baylor University. Love for my sweet mother, friends, and family. Endless thanks to Professional, Kaitlin Shaw, and the entire Les Miz team for this beautiful opportunity! @ darrellmorrisjr BREE MURPHY (Ensemble, u/s Madame Thénardier) is grateful for her Broadway National Tour debut! Regional: Utah Shakespeare Festival, MTWest, PCPA, Kentucky Shakespeare, Okoboji Summer Theatre. VO: World of Warcraft: Warlords of Draenor. MFA: UC Irvine. Thank you for supporting theatre and thank you to my incredibly supportive family, especially Chuck. breemurphy.com DOMONIQUE PATON (Ensemble, u/s Éponine) is so thrilled to be joining the Barricade! She was recently seen in the World Premiere cast of Frozen Live at the Hyperion playing Princess Anna. Favorite Credits include: Once on this Island Revival New York Lab (Storyteller), Hairspray Nat’l Tour (Dynamite). Huge thanks to my agents at KMR. All my love to my parents! Xoxo DMP4, JJS and AH. IG:@domoniquemusic

TIM QUARTIER (Swing, u/s Bamatabois) is thrilled to make his National Tour debut with Les Miz! Regional: Newsies (Jack Kelly), The Light in the Piazza (Fabrizio), West Side Story (Tony), Les Misérables (Marius), Hairspray (Link Larkin) and Forever Plaid (Frankie). Ithaca College BFA Musical Theatre. TimQuartier.com ERIN RAMIREZ (Ensemble, u/s Éponine). Regional: Spamilton (PCLO), Jersey Boys (Ogunquit Playhouse), Hairspray (Amber) (KC Starlight), Mamma Mia (ACT of Connecticut) and Rock of Ages, Titanic, & The Little Mermaid (RMRT). Cruise: Rhapsody of the Seas (Royal Caribbean). Emerson College graduate. Gratitude to The Mine and Tara Rubin Casting. To God be the glory. @erinrileyramirez JULIA ELLEN RICHARDSON (Swing, u/s Factory Girl) is ecstatic to be joining Les Misérables for her National Tour debut!! Favorite credits: Little Mermaid (Aquata), Hello Dolly (Irene Molloy), A Christmas Carol (Belle), Viking Ocean Cruises (Lead Vocalist). BFA: BYU. Massive thanks to Avalon & Tara Rubin Casting! Endless love to family & friends! Keep dreaming! IG: @ missjuliacarter PATRICK ROONEY (Constable, Fauchelevent, Jean Prouvaire, u/s Marius) is elated to be a part of Les Misérables. Regional and Chicago credits: October Sky at The Old Globe; Newsies, Spring Awakening, October Sky, Godspell at The Marriott Theatre; Camelot and Next To Normal at Drury Lane Oakbrook; Rent (Jeff Nomination) at Theo Ubique Cabaret Theatre; Arcadia at Writers Theatre; Love Kills at Steppenwolf. @prooney9 MATT SHINGLEDECKER (Enjolras). Broadway: Wicked (Fiyero), West Side Story (Tony - Featured in Arthur Laurent’s Memoir “The Rest of the Story: A Life Completed”), Spring Awakening. Off-Broadway: Rent (Roger – Orig. Revival), Standby (Jonathan). Tour: Wicked (Fiyero), Spring Awakening (Georg). London: Homemade Fusion. Immersive: Dani Girl (Marty), Michael Arden’s Adaptation of La Ronde. TV/Film: “Blue Bloods,” “Regis & Kelly” (Regis’s Farewell Episode), Seaside, Future 38. BFA: Elon University. Twitter/Instagram: @m_ shingledecker JIMMY SMAGULA (Thénardier). Broadway: Billy Elliot, Little Mermaid, To Be or Not To

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WHO’S WHO in the CAST Be, Damn Yankees (Encores), Phantom, Man of La Mancha, The Full Monty. TV/FILM: The Sopranos, Better Things, Corporate, Brooklyn Nine Nine, Grey’s Anatomy, Community, Bones, Rizzoli and Isles, Parks and Recreation, Rebel in the Rye, The Island and many others. BRETT STOELKER (Swing, u/s Enjolras). National Tour: Rock of Ages - Las Vegas (Stacee Jaxx), Joseph and the...Dreamcoat, Tenors of Rock, Radio City Christmas Spectacular. Regional: Les Misérables (Enjolras), Next To Normal (Gabe), Jesus Christ Superstar, Miss Saigon. Workshop: Carrie: The Musical. Awards: “Outstanding Featured Actor” Next To Normal (Gabe). Instagram: @brettstoelker KAYLA TERUEL (Little Cosette/Young Éponine) made her touring debut with The King & I as Princess Ying Yaowalak and is thrilled to join the cast of Les Misérables. She enjoys listening to music, dancing, swimming, and making slime. Kayla would like to thank God, her parents and sister Jana, Walker and Catrina of WC Studios, and Nancy Carson. KYLE TIMSON (Swing, u/s Factory Foreman, Dance Captain, Fight Captain) is thrilled to be joining the cast of Les Mis! Previously seen in the title role of Shrek the Musical on the International Tour. (More at kylertimson.com) Training: BFA University of Michigan. Thanks to the creatives and Kaitlin Shaw! Love to my friends, family, and BROHO. For Baba. @kylertimson QUINN TITCOMB (Ensemble, u/s Little Cosette/Young Éponine). Age 7 is thrilled to join Les Misérables. National tours: Sound of Music (Gretl), Waitress (Lulu). Regional: Annie (Molly). Thankful to all who support her dreams and love of unicorns. Grateful to the Les Misérables team, Jody Prusan and Nancy Carson for believing that little girls can do big things. CHRISTOPHER VILJOEN (Factory Foreman, Courfeyrac, u/s Jean Valjean). Previous theatre: The Wedding Singer (Sammy), Chess (The American), Carousel (Billy Bigalow), Songs For A New World (Man 1), Escaping Queens (Ensemble). Proudly South African! Special thanks to Avalon, Tara Rubin Casting, family and friends.

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ALAIN BOUBLIL (Concept, Book and Original French Lyrics). Librettist/original lyricist: La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen with Claude-Michel Schönberg and Marguerite with Michel Legrand. Co-wrote the screenplay and coproduced the movie soundtrack of Golden Globe-winning Les Misérables (AcademyAward nomination, best song). Author: plays The Diary of Adam and Eve and Manhattan Parisienne, prize-winning novel, Les Dessous de Soi. Awards: two Tony, Grammy, Victoires de la Musique Awards; Molière, Evening Standard and Olivier Award; special Grammy honor; honoree of NY Pops at Carnegie Hall (2016). Producer: Boublil/Schönberg Do You Hear the People Sing worldwide symphonic concerts. Member Board of Directors, NY Pops. CLAUDE-MICHEL SCHÖNBERG (Book and Music). Co-book writer and composer of La Revolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen. Co-wrote Marguerite in collaboration with Alain Boublil, Michel Legrand, Herbert Kretzmer. Supervised overseas productions and co-produced international cast albums of his shows. Composed the ballet scores for Wuthering Heights and Cleopatra for Northern Ballet. Co-wrote the screenplay and reconceived the music for the Les Misérables musical movie. Golden Globe winner, Oscar nominee, 2016 honoree of the New York Pops at Carnegie Hall with Alain Boublil. Appointed visiting Professor of Contemporary Theatre at St. Catherine’s College, Oxford University.

CAMERON MACKINTOSH (Producer). With Les Misérables, Hamilton, The Phantom of the Opera and Mary Poppins currently running in London, Cameron remains the world’s most prolific producer of musicals. His other original productions include Cats, Miss Saigon, Mary Poppins (co-produced with Disney), Little Shop of Horrors, Song and Dance, Tomfoolery, Martin Guerre, The Witches of Eastwick, Five Guys Named Moe and Side By Side By Sondheim. He also reinvented modern versions of Oliver!, Follies, Half a Sixpence, Barnum and My Fair Lady. In 2013, alongside Working Title Films and Universal, Cameron produced the awardwinning film adaptation of Les Misérables,

WHO’S WHO in the CAST

which is the most successful movie ever of an original stage musical. Cameron owns and operates eight historic London theatres which have all been spectacularly refurbished for the 21st century. The Sondheim, formerly the Queen’s, has recently undergone a major restoration and remains the home of the world’s longest running musical, Les Misérables. Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies. Cameron was knighted in the 1996 for his services to British theatre and he is the first British producer to be elected to Broadway’s Theater Hall of Fame. HERBERT KRETZMER (Lyrics) was a London journalist when Cameron Mackintosh invited him to write the lyrics for Les Misérables epochal West End production in 1985. Combining twin careers as a journalist/ lyricist, he contributed regular lyrics for the BBC’s famous satire series “That Was the Week That Was” and had also written lyrics for the French singer Charles Aznavour (“Yesterday When I Was Young,” “She,” etc.). It was Kretzmer’s work with Aznavour which led to Cameron’s invitation. Herbert Kretzmer was born in South Africa to immigrant parents from Lithuania. He now lives in London with his (American) wife Sybil.

JAMES FENTON (Additional Material) has worked as a political and literary journalist, drama critic and war correspondent. He won the Newdigate Prize for Poetry, was made Fellow of the Royal Society of Literature in 1983, Professor of Poetry at Oxford from 1994 to 1999 and awarded the Queen’s Medal for Poetry in 2007. Libretti include Haroun and the Sea Stories (New York City Opera). Plays include Pictures at an Exhibiton (Young Vic) and Orphan of Zhao (RSC, ACT). TREVOR NUNN and JOHN CAIRD (Adaptors). Trevor Nunn joined the RSC in 1964 and in 1968 was made the company’s youngest ever Artistic Director. He was responsible for running it until retiring from the post in 1986. From 1997-2003, he was director of the National Theatre. Trevor has worked extensively in theatre, opera and musical theatre. John Caird is a freelance director, librettist and writer working worldwide in theatre, opera and musical theatre – at the National Theatre, the RSC (Honorary Associate Director) and

at the Royal Dramatic Theatre Stockholm (Principal Guest Director). Theatre Craft, his encyclopedic book about directing, is published by Faber. Together, John and Trevor directed Nicholas Nickleby (five Tony Awards), JM Barrie’s Peter Pan and the original Les Misérables (eight Tonys). LAURENCE CONNOR (Director). Theatre: Joseph…Dreamcoat (London Palladium), Chess (ENO West End), School of Rock (Broadway, West End, U.S. tour), Les Misérables (Broadway, West End, worldwide, U.S. tour), Miss Saigon (West End, U.S and U.K. tours, worldwide), Jesus Christ Superstar (U.K. arena tour, Australia), the entirely new stage production of The Phantom of the Opera (U.S., U.K. tours), Oliver! (U.K. tour). Concerts: The Phantom of the Opera 25th anniversary (Royal Albert Hall, worldwide cinema streaming, DVD), Les Misérables 25th anniversary (O2 Arena, worldwide cinema streaming, DVD), Miss Saigon 25th anniversary (cinema release, DVD). Awards: Miss Saigon West End (Best Direction – WhatsOnStage, Broadway World awards), Miss Saigon Australia (Best Director of a Musical – Green Room Awards), Les Misérables Korea (Best Director of a Musical). JAMES POWELL (Director) was in Les Misérables in London when he took over as resident director in 1996 and then associate director a few years later. He has since directed it in Scandinavia and Berlin, joint directed the anniversary production as a U.K. tour, Japan, Australia, Toronto and the O2 arena concert in London, Broadway, Sao Paolo, Dubai. Other work: Singin’ in the Rain (West Yorkshire Playhouse, RNT), The Witches of Eastwick (London, Australia), Mary Poppins (Bristol, London, Australia, Holland, New Zealand, Zurich, Germany), Dirty Dancing (London, Utrecht, Chicago, Toronto, Berlin, Oberhausen, U.S. Tour). He co-directed Batman Live (U.K., South America, U.S.). This is the 2nd U.S. tour James has directed and he is about to direct Mary Poppins (Japan). MATT KINLEY (Set and Image Designer) graduated from the Motley course in 1994 and spent the next decade in production and design at the National Theatre and the West End in London. As part of a long-working partnership with Cameron Mackintosh, he has designed and adapted productions of My

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WHO’S WHO in the CAST

Fair Lady, Mary Poppins, Phantom and Miss Saigon all over the world amongst the design of numerous other independent productions. In 2009 he was asked to redesign Les Misérables for its 25th Anniversary, the success of this re-imagining has seen many international productions and he is delighted to present the latest version of this legendary show on this new U.S. tour. ANDREANE NEOFITOU (Costume Designer). Theatre includes Les Misérables (Tony nomination) and Miss Saigon (worldwide); Once in a Lifetime, Nicholas Nickleby, Hedda Gabler, The Merchant of Venice, Fair Maid of the West, The Changeling (all Royal Shakespeare Company); Peter Pan (National Theatre); Grease (West End); Miss Julie (Athens); Carmen (Royal Albert Hall); Timon of Athens with David Suchet (Old Vic); Martin Guerre (Guthrie); Nabucco (the Met); Jane Eyre (Broadway, Outer Critics Circle nomination). Film include Rosencrantz and Guildenstern Are Dead (dir. Tom Stoppard). CHRISTINE ROWLAND (Costume Designer) was head of costume for the Royal Shakespeare Company and resident costume supervisor at the National Theatre. For Cameron Mackintosh: Carousel (London, NY, Tokyo), Oliver! (London, U.S. tour, Australia), The Witches of Eastwick (London, Australia), My Fair Lady (London, U.S. tour), Mary Poppins (London, NY, U.S. tour, Australia, Holland), Betty Blue Eyes (London), The Phantom of the Opera (U.K. tour, U.S. tour), Les Miz (Japan, South Korea, Australia, Brazil, Broadway, U.K. tour, U.S. tour, Spain, Canada). Other musicals: Gypsy (NY), Chitty Chitty Bang Bang (London, NY). PAULE CONSTABLE (Lighting Designer) has designed productions for all the major U.K. companies including Follies, Angels in America and The Red Barn for the National Theatre and the 25th anniversary concert of Les Miz at the O2. Awards: Tony Awards for The Curious Incident of the Dog in the Night Time, War Horse, four Olivier Awards, L.A. Critics Circle Awards, New York Critics Circle Award, Drama Desk Award and Helpmann Award. Opera includes Cav and Pag and Roberto Devereux at the Met; dance includes The Red Shoes and Sleeping Beauty for Matthew Bourne.

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MICK POTTER (Sound Designer) has designed the sound for over 100 musicals worldwide including Broadway and West End productions of School Of Rock (Drama Desk Award nominee), Les Misérables (Tony Award nominee, Helpmann Award, Broadway World Audience Award Canada), The Phantom of the Opera (Parnelii Award), Miss Saigon (Broadway World Audience Award, London), Love Never Dies (Green Room Award, Helpmann Award nominee), The Woman in White (Olivier Award), Cats (Drama Desk Award nominee), Evita, Bombay Dreams, Saturday Night Fever, Sunset Boulevard (Starring Glenn Close), From Here To Eternity, Betty Blue Eyes, The Wizard Of Oz, Sister Act, Joseph, Zorro The Musical, The Sound Of Music, Half A Sixpence, Carousel.

MICHAEL ASHCROFT (Musical Staging). Movement director: Henry V (MGC), Dirty Dancing (Playful Productions), The Power of Yes (RNT), Resurrection Blues (Old Vic), Life Is a Dream (Donmar), The Blue Room (West End). RSC (associate artist): Hamlet, Richard III, Othello, A Midsummer Night’s Dream, Antony and Cleopatra, Julius Caesar, The Tempest, Merry Wives the Musical, Macbeth, Richard II. Film: Hamlet, Richard II, Henry IV. GEOFFREY GARRATT (Musical Staging). Trained at Bird Theatre College in London. Associate choreographer on Mary Poppins (London); Miss Saigon (Broadway, U.K. tour, Korea, Australia); Oliver! (London, Australia, Holland, Toronto, U.K., U.S. tours); Witches of Eastwick (London, Australia); South Pacific (National Theatre); Hey, Mr. Producer! (London, U.S.). Choreographic credits include Little Shop of Horrors, Blues in the Night and A Doll’s House for West Yorkshire Playhouse; Jack and the Beanstalk (Barbican); and Fascinating Aida (U.K. tour and West End). Performed in Cats, Martin Guerre, Fiddler on the Roof, Matador, West Side Tory, Mister Cinders and Joseph and the Amazing Technicolor Dreamcoat. 59 PRODUCTIONS (Projections Realization). Led by Leo Warner, Mark Grimmer and Lysander Aston along with director of animation, Peter Stenhouse, 59 productions is a film and anew media production company with specialized in film-making and integrating the moving image into live performance. The company’s team plays both a creative and

WHO’S WHO in the CAST technical role in realization of film, theater, opera, music, ballet and fine art projects. Theater projects include Waves (National Theatre/Schauspiel Holn) and Les Misérables (Cameron Mackintosh/world tour). Opera include 125th Anniversary Gala, Doctor Atomic (Met Opera/ENO), Satyagraha (ENO/ Met Opera), Al Gran Sole Carico d’Amore (Salzburg Festival). Dance includes Invitus Invitam, The Goldberg Project (Royal Ballet) and Dorian Gray (Matthew Bourne’s New Adventures). Live Music includes the set and video design for Icelandic singer Jónsi (Sigur Rós). Short film includes the multi-awardwinning A Family Portrait and The HalfLight. fiftynineproductions.co.uk BRIAN EADS (Musical Director, Conductor) is a doctoral candidate in Orchestral Conducting, Indiana University. Guest conducting credits: Great Lakes Chamber Orchestra, Mississippi Symphony Orchestra, North Mississippi Symphony Orchestra, Princeton Festival Orchestra, Lima Symphony Orchestra. His orchestral arrangements have been performed by: Indianapolis Chamber Orchestra and Chorus, Madison Symphony Orchestra and Chorus, Kalamazoo Symphony Orchestra, Nashville Symphony Orchestra, Chicago Symphony Orchestra. Master of Music in Orchestral Conducting, Florida State University; Bachelor of Music, Piano Performance, Delta State University. Unending love and thanks to all of my family, friends and teachers. Soli Deo Gloria! JAMES MOORE (Musical Supervisor). Broadway: Miss Saigon, On the Town, Gigi, Follies, South Pacific, Ragtime, Steel Pier, Company. National Tours: The Producers; Kiss Me, Kate; Crazy for You; And the World Goes ‘Round – The Songs of Kander and Ebb. Regional: Signature Theatre, Ford’s Theatre, Paper Mill, The Muny. Symphonic: National Symphony Orchestra, Orchestra of St. Luke’s, The Kennedy Center Opera House Orchestra, The Santa Barbara Symphony. Recordings: On the Town, Follies. Education: Master and Bachelor of Music degrees from the Indiana University Jacobs School of Music. STEPHEN BROOKER (New Orchestrations, Musical Supervisor). Conductor/musical director: Les Misérables film. Supervisor: Les Misérables (NY, London, Tokyo), Half a Sixpence, Barnum, Oliver!, Mary Poppins, Miss Saigon, Cats, My Fair Lady, The Secret Garden, South Pacific, Chess, The Woman in White, Saturday Night

Fever, The Phantom of the Opera. Conductor: symphonies and choirs worldwide including Royal Choral Society for Her Majesty Queen Elizabeth. Composer: Walt Disney, Coca-Cola, Ford Motors, BMW cars, Jaguar Cars. Produced recordings of Les Misérables, Oliver!, Mary Poppins, South Pacific. Conducted the 85th Academy Awards. JOHN CAMERON (Original Orchestrations) arranged the Orchestral Score for all the original productions of Les Misérables, Paris, London, Broadway, the Symphonic recordings, Concert, 10th Anniversary and 2006 Queen’s Theatre versions. As a composer his extensive film and television film score credits include the Academy Award-nominated A Touch of Class and the Emmy-nominated “Path to 9-11.” John cocomposed Zorro the Musical, nominated for an Olivier Award for Best New Musical 2009. Other arranging credits include Joseph and the Amazing Technicolor Dreamcoat. CHRISTOPHER JAHNKE (New Orchestrations). Orchestrations: Porgy and Bess (2012 Tony nomination), Heart And Lights (2014 Radio City), Legally Blonde, Cry Baby, Grease (2007 Revival), Do You Hear the People Sing? (Symphonic arena tour of Boublil/ Schönberg), Dessa Rose, A Man of No Importance, Tom Jones (Stiles/Leigh), Chasing Nicolette, Not Wanted on the Voyage (Bartram/Hill), Just So (Stiles/Drewe). Music Producer/Music Supervisor of Memphis. Assistant to William David Brohn: Ragtime, Sweet Smell of Success, The Witches of Eastwick, Mary Poppins, Wicked. STEPHEN METCALFE (New Orchestrations). For the past 17 years, Stephen has been Head Of Music at Cameron Mackintosh Ltd. Productions include Les Misérables, Miss Saigon, Mary Poppins, My Fair Lady, Avenue Q, Hair, Betty Blue Eyes, Barnum and Half A Sixpence. Stephen produced the cast albums of Les Misérables (25th anniversary), Oliver! (London), Mary Poppins (Australia), Miss Saigon (London, Holland), Betty Blue Eyes (London) and Half A Sixpence. He orchestrated and produced the soundtrack albums for the Universal Pictures film of Les Misérables, for which he was nominated for a Grammy Award. JEAN-MARC NATEL (Original French Text) was born in 1942. He studied art at the Beaux Arts in Toulon before turning to poetry

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and has published two volumes of his poems. In 1968 he moved to Paris where he met Alain Boublil, who introduced him to songwriting with the daunting task of co-writing the lyrics for Les Misérables. Since then, he has written songs for a variety of artists and, recently, some of his poetry has been set to music by Franck Pourcel. COREY AGNEW (Associate Director) is happy to be back with the team here at Les Misérables. Most recently, Corey worked as the Resident Director of the U.S. Tour and Toronto productions of Matilda. Prior to that, he was the Resident Director of Cameron Mackintosh’s Les Misérables in Toronto, Australia and on the U.S. National Tour. Favorite credits include Mary Poppins (Broadway, Australian Premier, 1st and 2nd U.S. National Tours), The Sunshine Boys (Soulpepper Theatre), Robin Hood (Ross Petty). RICHARD BARTH (Resident Director). After many years performing in Les Misérables, Richard is honored to return to this incredible production in a new capacity. He’s performed on Broadway and OffBroadway, toured North America in Miss Saigon (2003-4) and Les Misérables (201013) and worked in many regional theatres. Training: The Hartt School CAMPBELL YOUNG ASSOCIATES (Hair and Wig Designer) and his team design hair and wigs for many opera, theatre, film and television companies in the U.K. and abroad. Credits include Tristan and Isolde (La Scala, Milan), From the House of the Dead (Vienna Festival), Un Ballo in Maschera and La Bohème (Bregenz Festival), The Ring Cycle (Tokyo), Lord of the Rings the Musical (Toronto and London), Rock ‘n’ Roll (London and Broadway) and Les Liaisons Dangereuses (Metropolitan Museum of Art, New York). TARA RUBIN CASTING (Casting). Selected Broadway: The Band’s Visit, Prince of Broadway, Bandstand, Indecent, Sunset Boulevard, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Falsettos, Disaster!, School of Rock, Gigi, Bullets Over Broadway, Aladdin, Les Misérables, The Heiress, How to Succeed.., Billy Elliot, Shrek, Young Frankenstein, Mary Poppins, Spamalot, … Spelling Bee, The Producers, Mamma Mia!, Jersey Boys, The Phantom of the Opera. OffBroadway: The Band’s Visit; Here Lies Love; Love, Loss and What I Wore. Regional: Yale

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Repertory Theatre, Paper Mill Playhouse, La Jolla Playhouse, Berkeley Rep, The Old Globe, Asolo Rep. JOHN MILLER (Musical Coordinator). Over 100 Broadway shows. Recent: Once On This Island; Hello, Dolly!; Indecent; Charlie and the Chocolate Factory; A Bronx Tale; The Great Comet of 1812; Waitress; Something Rotten!; Beautiful; Jersey Boys. Musician (bass): Leonard Cohen, Michael Jackson, Madonna, Bette Midler, Peter, Paul and Mary, Eric Clapton, Frank Sinatra. johnmillerbass. com RYAN PARLIMENT (Company Manager) is excited to be a part of Les Misérables! National Tours include The Sound of Music, Dirty Dancing, The Bridges of Madison County, NETworks presents Disney’s Beauty and the Beast and Riverdance. He earned his M.B.A from the University of North Florida, completed undergraduate studies at the University of Central Florida, is proud to be ATPAM Board Certified and will always be a Florida Gator at heart. CHOMP CHOMP. JACK McLEOD (Production Stage Manager). Broadway and touring credits including The Sound of Music, Dirty Dancing, Kinky Boots, Jersey Boys, Hedwig and the Angry Inch, An American In Paris, Cabaret, Avenue Q, White Christmas, Chitty Chitty Bang Bang, Boeing-Boeing, Grease, Porgy and Bess, The King and I, Smokey Joe’s Café and Cats. Love to Frederick and Oliver. jackmcleod.com JESS GOUKER (Stage Manager). National Tours: The Sound of Music (PSM), Once (PSM), Disney’s Beauty and the Beast (PSM, ASM). International: Disney’s Beauty and the Beast at the Walt Disney Grand: Shanghai, China. New York: Planet Connections Theatre Festivity, NY International Theatre Festival. Regional: Weston Playhouse. Graduate of Ramapo College of New Jersey. JOSEPH HEATON (Assistant Stage Manager). Broadway: A Bronx Tale: The Musical, Miss Saigon, In Transit, Fully Committed, Machinal. Off-Broadway: Bright Colors and Bold Patterns; Bad Jews, Ugly Lies The Bone (Roundabout Theatre Company); Verite, brownsville song: (b-side for tray), A Kid Like Jake (Lincoln Center, LCT3); Our Lady of 121st Street (Signature Theatre Company). Regional: A Bronx Tale: The Musical (Paper Mill Playhouse).

GENTRY & ASSOCIATES, INC. (General Management) has been managing domestic and international touring productions for more than 20 years. Gentry & Associates has managed more than 70 touring productions internationally. Current and upcoming productions include Cameron Mackintosh’s The Phantom of the Opera, Les Misérables, Miss Saigon; The Band’s Visit, A Bronx Tale, Blue Man Group Speechless Tour, Matthew Bourne’s Swan Lake, Fiddler on the Roof, Once On This Island, Nickelodeon’s The SpongeBob Musical, and Waitress. BROADWAY BOOKING OFFICE NYC (Tour Booking, Engagement Management, Press and Marketing) is a leading theatrical tour booking, marketing and press company representing award-winning musicals and plays. Currently: Jersey Boys, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera, Les Misérables, Miss Saigon, Beautiful – The Carole King Musical, A Bronx Tale, Summer: The Donna Summer Musical, Sting starring in The Last Ship, Be More Chill, The Ferryman, Potted Potter, The Heroin Diaries Musical, The Crown Dual, The New Colossus, the Lythgoe Family Panto productions including Aladdin and His Winter Wish and A Cinderella Christmas, and Andrew Lloyd Webber’s Love Never Dies. bbonyc.com NICHOLAS ALLOTT (Executive Producer) joined Cameron Mackintosh in 1981 as executive producer for Cats and subsequently Les Misérables, Miss Saigon, The Phantom of the Opera, Oliver! and Mary Poppins, amongst others. Since 2000, Managing Director of Cameron Mackintosh Ltd. Chairman of the Soho Theatre, Trustee of the Roundhouse, Patron of Shakespeare Schools Festival and U.K. Business Ambassador for the Prime Minister’s Office. Awarded an OBE for services to theatre and charity by the Queen in the 2014. SETH SKLAR-HEYN (Executive Producer). Broadway: Miss Saigon, Les Misérables (Executive Producer); The Phantom of the Opera (Production Supervisor); Miss Saigon, Evita, A Little Night Music, Finian’s Rainbow, Good Vibrations (Associate Director); Mary Stuart, Rock’n’Roll, Frost/Nixon (Assistant Director); The Coast of Utopia (Assistant to the Director). National Tour: Miss Saigon, The Phantom of the Opera (Executive Producer and Associate Director); Billy Elliot (Resident Director). Seth directed the national tours of

Frost/Nixon and Evita (2012 revival). Seth serves as Executive Producer for Cameron Mackintosh Inc. in NY. Graduate of Vassar College. SETH WENIG (Executive Producer) has been with NETworks since its inception in 1995. He spearheaded the international tours of Fosse starring Ben Vereen and Ruthie Henshall. Seth has produced the Lincoln Center Theater production of Rodgers & Hammerstein’s South Pacific and the National Theatre production of War Horse. Together with Cameron Mackintosh, Seth served as Executive Producer for both the U.S. and U.K. tours of the National Theatre’s My Fair Lady, the 25th Anniversary U.S. Tour of Les Misérables, the new The Phantom of the Opera tour, Miss Saigon, A Bronx Tale, Blue Man Group and The Band’s Visit. He is most proud of his greatest productions – Marlo and Camden. TRINITY WHEELER (Executive Producer). Broadway: Les Misérables (Production Stage Manager). National Tours: Executive Producer credits include Rodgers & Hammerstein’s The Sound of Music, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast; The Phantom of the Opera (Supervisory Production Stage Manager), Les Misérables (Production Stage Manager), Mary Poppins (Production Stage Manager); Young Frankenstein starring Roger Bart and Rent starring Adam Pascal and Anthony Rapp. Trinity currently works on the national tours of Les Misérables, Once On This Island, Waitress, The SpongeBob Musical, Chicago and the upcoming Diane Paulushelmed 1776. He is the host of Rhapsody Radio available on Apple Podcasts and Spotify. @ trinityonbroadway NETWORKS PRESENTATIONS (Producer), is an industry leading producer of touring musical theater productions committed to delivering quality entertainment to audiences worldwide. Having produced national and international tours over 20 years, NETworks’ productions include Cameron Mackintosh’s Les Misérables and Miss Saigon; The Band’s Visit, A Bronx Tale, Blue Man Group Tour, Charlie and the Chocolate Factory, Fiddler on the Roof, Once On This Island, Nickelodeon’s The SpongeBob Musical, and Waitress.

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OPENING NIGHT SEPTEMBER 28, 2017 STAFF FOR LES MISÉRABLES EXECUTIVE PRODUCERS Nicholas Allott Seth Sklar-Heyn Seth Wenig Trinity Wheeler GENERAL MANAGEMENT Gregory Vander Ploeg Elisabeth Bayer Steve Varon Pearce Landry-Wegener PRODUCTION MANAGEMENT NETworks Presentations Jason Juenker Hector Guivas Walker White COMPANY MANAGER Ryan Parliment Associate Company Manager Elle Aghabala TOUR BOOKING, ENGAGEMENT MANAGEMENT PRESS AND MARKETING Broadway Booking Office NYC Steven Schnepp Kent McIngvale, Jenny Bates, David Freeland, Zach Stevenson, Sean Mackey, Stacey Burns, Danny Knaub, Rachel Peterson, Phil Della Noce BBONYC.com CASTING Tara Rubin Casting Tara Rubin CSA, Eric Woodall CSA, Merri Sugarman CSA, Laura Schutzel CSA, Kaitlin Shaw CSA, Lindsay Levine CSA, Claire Burke CSA, Felicia Rudolph CSA, Xavier Rubiano, Lila Stallone

U.S. ASSOC. DIRECTOR..................COREY AGNEW RESIDENT DIRECTOR.................RICHARD BARTH PRODUCTION STAGE MANAGER......JACK McLEOD

Stage Manager....................................Jess Gouker Assistant Stage Manager................Joseph Heaton Fight Director.......................................Joe Bostick Dance Captain...................................Kyle Timson Fight Captain.....................................Kyle Timson Voice Consultant...................................Liz Caplan U.K. Assoc. Scenic Designer............David Harris U.S. Assoc. Scenic Designer........Christine Peters U.K. Assoc. Costume Supervisor........Laura Hunt U.S. Costume Supervisor.................Sam Fleming Costume Assistants.....................Joseph D. Sibley Hair and Wig Designer...............Campbell Young Associates/Luc Verschueren U.K. Assoc. Lighting Designer.Richard Pacholski U.S. Assoc. Lighting Designer...........Gina Scherr Lighting Programmer.....................Tommy Hague Production Electrician........................Rob Virzera U.K. Assoc. Sound Designer...................Nic Gray Production Sound..........................David Stollings Projection Realization....................59 Productions Ben Pearcy, Brad Peterson

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Projections Programmer................Marc Polimeni U.S. Musical Supervisor...................James Moore U.K. Musical Supervisor............Stephen Brooker Music Coordinator...............................John Miller Assistant to John Miller.........Jennifer Coolbaugh Keyboard Programming...............Stuart Andrews Asst. Keyboard Programming....Jean Bellefeuille Production Carpenter.......................George Munz Head Carpenter..................................Casey Nellis Automation Carpenter................Andrew Michael Assistant Carpenter..................William Strickland Flyman...........................................Garrett Holmes Head Electrician..............................David George Assistant Electricians...................Mary Anderson, John Stinson Head Sound Engineer.................Christopher Lutz Assistant Audio....................................Sean Davis Head Properties.....................Jason Saddy Combs Assistant Properties...................Heather Klausner Advance Rigger/Crew Swing.....Nicholas Beard, Paul Reynolds Head Wardrobe...............Katrina Cahalan-Wilhite Assistant Wardrobe..........................Patricia Bond Wig/Hair Supervisor.........................Jennifer Chin Assistant Wigs...............................Stephen Riegel Casting Associate.........................Felicia Rudolph Production Assistants.....................Claire Carden, Willie Porter, Annie Schroeder Rehearsal Pianist.................................Sinai Tabak Tutoring Services.............On Location Education Child Wrangler/Teacher...................Jessica Balun Physical Therapy Consultant.....Carolyn Lawson, NEURO Tour Print/Advertising Design....Cameron Mackintosh LTD Radio and Television Spot Production...Steam U.K. Website..................................................Dewynters Social Media..............Serino Coyne - Ben Cohen, Paige Raiczyk Production Photography............Matthew Murphy and Evan Zimmerman for MurphyMade Merchandising...........Platypus Productions, LLC Merchandising Manager................Jelani Peterkin Legal Services...........................Rick Pappas, Esq. Accounting............NETworks Presentations LLC Technical Production Accounting.....Colin Byrne HR and Payroll Services....Human Resources Inc Housing....Road Concierge, an ALTOUR Company Travel Agency.................................Janice Kessler, Carlson Wagonlit Travel Trucking..........................................Clark Transfer For Cameron Mackintosh LTD Directors..............................Cameron Mackintosh Nicholas Allott Alan Finch Richard Johnston Robert Noble Richard Knibb

Deputy Managing Director..............Robert Noble Chief Financial Officer...................Richard Knibb Executive Producer.................Thomas Schönberg Technical Director.......................Jerry Donaldson Licensing Manager...........................Maria Baxter Head of Marketing.........................David Dolman Head of Casting.................................Paul Wooller Head of Music............................Stephen Metcalfe Assistant to Cameron Mackintosh......Jane Austin Assistant to Nicholas Allott............Claire Delfont Assistant to Alan Finch and Robert Noble...........................Zory Mishchiy Licensing Assistant............................Jen Mitchell Technical Coordinator....................Molly Crewes For Cameron Mackintosh, Inc. Managing Director........................Nicholas Allott Executive Producer.....................Seth Sklar-Heyn Production Associate......................Shidan Majidi For NETworks Presentations Chief Executive Officer.....................Ken Gentry President...............................................Orin Wolf Chief Financial Officer.............Scott W. Jackson Chief Operating Officer..Jennifer Ardizzone-West Chief Producing Officer......................Seth Wenig Executive Producers..Charlie Stone, Trinity Wheeler Assoc. Producer, Health and Safety Director......Emma Downey Director of Administration.................Curt Owens Executive Assistant to the President...........Hannah Rosenthal Senior Director of Finance..................John Kinna Controller......................................Jennifer Gifford Director of Tour Accounting.........Laura S. Carey Tax Director........................................Pat Guerieri Associate Tax Accountant............Kim Ngan Tran Senior Director, Booking and Engagements......... Mary K. Witte Director, Booking and Engagements...Colin Byrne Booking and Administrative Assistant........Jenny Wallisch Director of Marketing/PR................Heather Hess Senior Director, General Management........Gregory Vander Ploeg General Managers........................Elisabeth Bayer, Steve Varon Associate General Manager..Pearce Landry-Wegener Senior Director, Production Management...Jason Juenker Senior Production Manager...........Hector Guivas Production Managers.......................Walker White Music Coordinator.............................John Mezzio IT Manager.............................................Tim Pizza Office Manager............................Buddy Piccolino Office Assistant..................................Carol Jewell Warehouse Manager............................Brad Korff

Warehouse Costume Manager...Bobby Maglaughlin Credits Rigging and Lighting Equipment supplied by Christie Lites; Video Projection and Sound Equipment supplied by Sound Associates; Set, Show control and scenic motion control featuring stage command systems® by PRGScenic Technologies, a division of Production Resource Group, L.L.C., New Windsor, NY; Scenic Construction by Global Scenic; Costumes constructed by Eric Winterling, John Schneeman Studio; Weapons and Torches by J&M Special Effects. Rehearsed at Ripley Grier and New 42nd Street Studios Special Thanks to Providence Performing Arts Center; Norbert Mongeon, J. L. “Lynn” Singleton. Liz Caplan Vocal Studios Tax and Financial Consulting, Accounting Services CliftonLarsonAllen LLP Brian Enverso, Kathleen Thies Insurance Broker Services Maury Donnelly and Parr, Inc. Robert B. Middleton, Sr and Meghan Coleman Financial Services and banking arrangements by SunTrust Bank Online www.lesmiz.com Facebook, Instagram, Twitter, Snapchat: LesMizUS The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. All stage work performed by employees represented by IATSE. UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre. The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada. The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union. The Press Agents, Company and House Managers employed in this production are represented by the This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

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Minimalism Brings Down Barriers In ‘THE COLOR PURPLE’ by Pia Catton

In the current revival of “The Color Purple,” rural Georgia meets spare minimalism. The action takes place on a plain wooden stage. Props are few: a cluster of well-worn chairs, woven baskets, some fabric, a Bible. Even less would be effective, said director John Doyle, who designed the set himself, as long the audience is willing to pitch in and activate their imagination. “We have Easter dinner at a table that doesn’t exist,” he said. “We put a circle of chairs together, and it makes a prison. But it only makes a prison if the audience is prepared to invest in the image.” Minimalism might seem an odd pairing with Alice Walker’s vivid, heartbreaking 1982 novel about racism, abuse and redemption in the American south. And this revival is a major contrast to the 2005 original Broadway production, which had detailed costumes and makeup that aged the characters over a half century. But Mr. Doyle, a seasoned director with four prior Broadway shows to his credit…, wanted to eliminate any barriers between the

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audience and the emotional lives of the characters. Even deeper was an urge to plug the audience into the interactions onstage, just as a reader would absorb Ms. Walker’s voice via the printed page, he said. And if that requires viewers to do more than show up, that’s the plan. “I not only like it, I insist upon it,” he said gently. “If theater is going to continue to survive and grow, it has to do stuff that other art forms can’t do.” Producer Scott Sanders agrees: “In many cases, we spoon-feed audiences so much.” Mr. Doyle has developed a reputation for the style… and sees more of a connection between his most recent Broadway production, “The Visit” (2015), which was set in a rundown town, and “The Color Purple,” with its jagged, crumbling backdrop. “They both happen in broken worlds. I think we live in a broken world,” he said. “So that’s probably my way of asking the world to look at itself.”

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T R I A N G L E R I S I N G S TA R S CELEBRATING THE BEST OF HIGH SCHOOL MUSICAL THEATRE IN OUR REGION

DPAC is proud to present the 10th anniversary of Triangle Rising Stars, the regional qualifying event for The National High School Musical Theatre Awards™ (NHSMTA) on May 28, 2020. NHSMTA is a national competition that celebrates outstanding student performances in high school musical productions across the United States.Triangle Rising Stars is a program designed to celebrate outstanding achievement in high school musical theater, by focusing attention on the meaningful work being done both on and off stage by dedicated teachers and students. Triangle Rising Stars brings together high school musical theater students from Durham, the Triangle and the surrounding region to perform and compete for a chance to represent DPAC in the national finals in New York City each summer. A team of judges from DPAC, Duke University, ABC 11, Carolina Theatre and other arts and performance professionals attend area high school musical productions throughout the school year. Twenty finalists are then selected to rehearse and compete with the best of their peers, culminating in a live performance at the Triangle Rising Stars Showcase and Awards show at DPAC each May. This May, seven awards will be presented during the live ceremony: Best Actor, Best Actress, Best Dancer, Best Singer, Best Ensemble, Triangle Shining Star (congeniality award), and Best Musical. The students awarded Best Actress and Best Actor each receive $2,000 academic scholarships and are invited on an all-expenses-paid trip to the NHSMTA program in New York City in June at Nederlander’s Minskoff Theatre, home for Disney’s The Lion King.

About NHSMTA – The National High School Musical Theatre Awards™ (NHSMTA) was established in 2009 to elevate the importance of theatre arts education in schools and reward excellence in student performance. The program impacts over 50,000 students annually who participate in high school musical theatre competitions sponsored by thirty professional theatres throughout the US. Also known as The Jimmy® Awards, named for Broadway impresario James M. Nederlander, this yearround program is administered by The Broadway League Foundation Inc.

Please visit DPACnc.com/TRS for more information on Triangle Rising Stars. More information on NHSMTA and The Jimmy Awards can be found at jimmyawards.com.

Special thanks to our community partners and judges for participating!

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Snacks and Beverages at DPAC We invite you to enjoy drinks and light snacks before the show. DPAC offers a wide assortment of soft drinks, Dasani bottled water, coffee brewed by Starbucks, highly rated wines, hand-crafted mixed drinks, and award-winning craft beers.

Sweets Candy $4.00 Peanut M&M’s, Plain M&M’s, Starbursts, Skittles, Sour Patch Kids, Twizzlers, Reese’s Pieces

Gourmet Cookie $4.00 Chocolate Chip, Lemon Blueberry, Oatmeal Raisin

Triple Fudge Brownie $4.00

Snacks Planters Trail Mix $3.00 Pringles $3.00 Original, Cheddar Cheese, Sour Crème & Onion

Sabra Snackers $5.00 Classic Hummus with Pretzels

Hayden Valley Pick-up Cups $4.00

Blueberry Yogurt Mini Pretzels, Gummi Bears, Power Mix

Fresh Pub-Style Bavarian Soft Pretzel $5.00 Cheese, Fruit & Crackers $7.00 Chicken Salad Croissant $7.00

Hot Beverages Coffee $5.00 We Proudly Serve Starbucks Pike Place Roast & Decaf Pike Place Roast

Tazo® - Hot Tea $5.00 Featuring a wide variety of flavored teas

Swiss Miss Hot Cocoa $5.00 Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you finish sandwiches or other large food items before entering the seating area.

Cold Beverages Soft Drinks $6.00

24 FL OZ Souvenir Cup: Coca-Cola, Diet Coke, Coke Zero, Sprite, Dr. Pepper, Lemonade

Soft Drinks $4.00

20 FL OZ Bottles: Coca-Cola, Diet Coke, Sprite

Dasani® Bottled Water $4.00 20 FL OZ Purified Water

Monster Energy ® $5.00

Mixed Drinks Hand-Crafted Cocktails $10.00 Tito’s, Jim Beam, Jose Cuervo, Tanqueray, Captain Morgan, Baileys, Jack Daniels, Johnnie Walker Red, Malibu

Top-Shelf Cocktails $12.00 Crown Royal, Grey Goose, Hennessy, Makers Mark

Beer Premium Domestic $7.00

16 FL OZ Bud Light, Miller Lite, Mich Ultra, Yuengling Lager

Craft $9.00

16 FL OZ Fat Tire - Amber Ale, Sierra Nevada - Pale Ale, Sierra Nevada - Torpedo Extra IPA, Blue Moon - Belgian White Ale, Bold Rock - Carolina Apple Hard Cider

Imports $9.00

16 FL OZ Heineken, Modelo Especial

Draft $10.00

16 FL OZ Fullsteam PayCheck Pilsner, Fullsteam Rocket Scinece IPA

Skyline Craft Beer Bar $10.00

16 FL OZ Bells - Two Hearted Ale (IPA), Trophy - Cloud Surfer IPA, Hi-Wire - Hi-Pitch Mosaic IPA, Hi-Wire - Hazy & Juicy & Hoppy & Fresh (NEIPA)

Skyline Craft Beer Bar $12.00

19.2 FL OZ Dogfish Head - 60 Minute IPA, Sierra Nevada - Hazy Little Thing (Hazy IPA), Foothills - Hoppyum IPA, New Belgium - Voodoo Ranger IPA, Oskar Blues - Dales Pale Ale,

Wine Select House Wines $10.00

6 FL OZ Chateau Ste. Michelle, Columbia Valley, Washington Cabernet Sauvignon (WS-89), Chardonnay (WE-89), Pinot Gris, Rosé (WS-89)

Skyline Wine Bar – Premium Wines $12.00

6 FL OZ Reds: Cabernet Sauvignon, Pinot Noir, Red Blend, Malbec 6 FL OZ Whites: Chardonnay, Sauvignon Blanc, Riesling, Pinot Gris, Rosé All listed prices include 7.5% sales tax.

The Center for Live Entertainment

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Closed Monday Tuesday-Thursday 5-10pm Friday & Saturday 5-11pm Sunday Brunch 10:30am-2pm Sunday Dinner 4-9pm

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Come see us for a cocktail before & after the show!

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GUEST ETIQUETTE At DPAC, weâ&#x20AC;&#x2122;re committed to Guest Courtesy. Please remember to be a good neighbor to those seated around you. AFTER THE PERFORMANCE

Yes, the lobby gets busy and the parking lots can be tricky, but please remain at your seats until the houselights come up. As a courtesy to the performers and other audience members, DPAC asks that you do not rush for the exits prematurely at the end of the performance.

CAMERAS, PHOTOGRAPHY, & VIDEO RECORDING

Photography and video recording is prohibited by all Broadway events that DPAC hosts. All electronic devices (cell phones, smartphones, tablets, digital cameras) must be turned off before the start of the show. The light from phones is distracting to others throughout the seating area. Cameras with a detachable lens are never allowed at DPAC, and for most shows, no cameras of any kind are allowed including small pointand-shoot cameras

ENTERING AND EXITING THE SEATING AREA

Please time your exit and re-entry to the seating area to occur only at intermission or breaks between songs. This is a courtesy to other guests around you who will appreciate you keeping these disruptions to a minimum.

KIDS AT DPAC

Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at most DPAC performances including Broadway, Concerts and Comedy shows. For some shows DPAC will make recommendations on the appropriate minumum age based on the content and the length of the event. Parental discretion is always advised and judgment of the appropriateness of the content for each show should be made on an individual basis prior to purchase. Children must be able to sit quietly in their own seat without disturbing other guests. As a further courtesy to our guests, DPAC recommends one parent or chaperone for every one child in attendance.

IT CAN WAIT.

Please save texting until AFTER the show. The light from phones is distracting to others throughout the theater. Please keep them turned off.

ITâ&#x20AC;&#x2122;S SUPERSTAR ENTERTAINMENT, NOT A FOOD FEST

Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you finish sandwiches or other large food items before entering the seating area.

QUIET PLEASE.

Once the show starts, please let the stage be the center of attention. We ask that you turn off all cell phones and limit conversation. If children are attending this performance with you, please exit the theater immediately if they become restless or talkative.

PRE-SHOW DINING OPTIONS There are a wide variety of upscale and festive options within walking distance or a short drive of DPAC. Many offer pre-show dining discounts and after show specials. Show nights can be very busy, and reservations are strongly suggested where available. Check our Plan Your Visit page at DPACnc.com for Season Seat Member special offers.

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S TA R S VO L U N T E E R P RO G R A M Become a Volunteer at DPAC DPAC invites you to become a member of DPAC Stars, the volunteer corps that assist guests at every DPAC event. Launched in 2008, DPAC Stars are part of Durham Wayfinders, a city-wide volunteer program facilitated by Discover Durham. We invite you to serve as an ambassador for Durham in welcoming guests to the nearly 250 events that DPAC’s hosts each year. As a volunteer at DPAC, you have the privilege of being our guests’ first impression of DPAC and for many, their first impression of Durham. DPAC has hosted over 2,200 performances and 4.7 million guests since opening in 2008. DPAC would not be where it is today without the contributions of the members of this important program.

DPAC STARS IMPORTANT ROLE

Volunteers play many important roles at DPAC: • Provide information and directions to guests as they arrive at the main parking areas used for DPAC events • Greet and assist guests with directions just inside the entrances to DPAC • Distribute programs and information on upcoming events

KEY BENEFITS

• Convenient online scheduling of volunteer shifts • Camaraderie with others in sharing time and service to the community • Option to stay and watch the show after completion of volunteer shift

JOIN TODAY!

DPAC Stars are such an important part of our legendary “DPAC Experience” and we hope you will consider this chance to serve not only at DPAC, but also at a variety of Durham cultural facilities, events, festivals, conferences and more. Each unforgettable DPAC experience will begin and end with the personal interactions guests have with the DPAC Stars. Visit www.DPACnc.com/community/volunteer to learn more about DPAC Stars program and how to get involved!

Want tips on how to simplify IT? Get on the list. info.worksmart.com/dpac

Make it an Extra Special Night Planning an overnight stay? The hotels below are within a short walking distance of DPAC. Check our Plan Your Visit page at DPACnc.com for Season Seat Member overnight package offers.

A New Twist in Travel A Place to be Inspired

The Center for Live Entertainment

Art Museum Meets Boutique Hotel

D I S C OV E R B ROA DWAY Donate your tickets and give area students the chance to experience their first Broadway show ever!

DPAC’s Discover Broadway offers SunTrust Broadway members a way to donate their tickets so their valuable seats do not go unused.

During the 2018 / 2019 season, DPAC saw a 60% growth in Discover Broadway donations. Thanks to the generosity of DPAC’s Season Seat Members, over 200 seats were donated to deserving individuals including students from Durham Public Schools and Partners for Youth Opportunity plus seniors living in Durham public housing. For many, these seats provided opportunities to experience their first Broadway show ever. For the 2019 / 2020 season, DPAC’s Discover Broadway will be partnering with Durham Public Schools and North Carolina Central University to reach students in the performing arts who would otherwise be unable to attend a hit Broadway show at DPAC. By generously donating tickets you cannot use, Durham students will receive the chance to experience the magic of a hit Broadway show. These donated tickets provide the opportunity of a lifetime.

It’s easy to help: • If you know in advance that you cannot attend a show, or even if one member of your party will not be joining you, simply contact DPAC at :

DiscoverBroadway@dpacnc.com

• You will receive an acknowledgment from DPAC that your unused tickets will be reprinted for donation to an area student. • You, then, discard your original tickets and DPAC will handle all other details. * Please note: ticket donations must be made at least 72 hours prior to your scheduled performance date.

EST. 1951

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The Center for Live Entertainment

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Donate today! durhamarts.org

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Creating a Vibrant Community Through the Arts!

919-560-2787 120 Morris St. Downtown Durham

D PAC A M B A S S A D O R S In 2019, DPAC launched its second year of Performing Arts Ambassadors, a program for high school students offering a behind-the-scenes look at the live entertainment and performing arts industry. 24 students were selected from over 100 applicants, and each is able to see the diversity offered by DPAC and acquire a behind-the-scenes look at the events presented by one of the top-five theaters in America. These up-close experiences not only help students realize the importance of the arts, but also allow them first-hand experiences that may assist them one-day if they choose a career path in performing arts management. And just as important, DPACâ&#x20AC;&#x2122;s Performing Arts Ambassadors are able to share their insights and experiences with other teens throughout the region via social media. High school-aged students are encouraged to apply at the start of each school year for the upcoming season. Ambassadors volunteer in a variety of roles at events, shadow key staff members, attend DPAC events, and report about their experiences via a blog and other social media channels throughout the school year. Follow DPACâ&#x20AC;&#x2122;s Performing Arts Ambassadors as they experience the 2019 / 2020 season by visiting www.DPACnc.com/performing-arts-ambassador-blog.

An Authentic Theater Experience

A Week-long Theater Intensive Taught by Broadway Professionals! July 27-31, 2020 at DPAC

Limited to 100 participants only ages 10-17

Next Stop Broadway® is a week-long performing arts program consisting of classes, workshops, and rehearsals focused on classic Broadway shows. The staff of Broadway professionals teaches participants songs and choreography from two hit shows from the “Golden Age of Broadway” and cast members create their own presentations based on shows in the upcoming DPAC season and other hit musicals. In addition to dance and vocal training, the program includes a mid-week “edu-tainment” segment, highlighted with film clips of Broadway shows. The week culminates with an “Opening Night” performance for family and friends on Friday afternoon followed by a cast party! Paid registrations are limited to 80 participants ages 10-17 and are accepted on a first-come, first-served basis. Twenty additional scholarships will be awarded to participants with financial need and interest in the performing arts. No theater experience needed.

Visit DPACnc.com/nextstopbroadway for pricing, registration, and more info.

THANK YOU TO DPACâ&#x20AC;&#x2122;S CORPORATE PARTNERS:

C O N N E C T W I T H D PAC Follow us on Facebook, Twitter, and Instagram for a behind- the- scenes look at DPAC and find out about new show announcements, special offers, and more!

Post about your DPAC experience with the #DPACnc for a chance to win prizes.

Listen to our “Backstage at DPAC” Podcast We recently finished recording Season 2 of our DPAC podcast, where we take listeners backstage to hear interviews and one-of-a-kind stories with the talented actors, directors, tour managers, and DPAC staff that work to make our venue special. Listen to our podcast at http://bit.ly/DPACPodcast

Get Your Picture Taken “On the DPAC Red Carpet” Lights, camera, smile! Be a star with a complimentary photo on the DPAC Red Carpet, compliments of Crabtree Valley Mall. Photos are available to view and share here: www/flickr.com/photos/dpacnc

The Center for Live Entertainment