My Fair Lady

Page 1

THE LINCOLN CENTER THEATER PRODUCTION

“A THING OF BEAUTY.

A MASTERFUL PIECE OF ENTERTAINMENT. May 3 - 8, 2022A SUMPTUOUS, THRILLING NEW REVIVAL OF THE MOST PERFECT MUSICAL OF ALL TIME.” JESS CAGLE,


Hello, and welcome back.

Ted Smith, CEO

Bill Hoover, CFO

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WE RESOLVE.

TO SUPPORT OUR COMMUNITIES. Blue Cross and Blue Shield of North Carolina recognizes the unique role the arts play in feeding the mind, heart and soul. We applaud all efforts that serve the health and well-being of North Carolinians.

Thank you, DPAC.

® Marks of the Blue Cross and Blue Shield Association. U38942, 7/21


“Durham Academy challenged me to think critically about the world around me. Twelve years of formidable experiences led me to pursue my passion using photography to examine history and reimagine our realities. In my career, I have shown work internationally and was named one of Forbes’ most influential artists under 30.” — Faith Couch, Class of 2015 Photographer, Durham, NC Maryland Institute College of Art Forbes 30 Under 30 Art & Style Honoree, 2021

Learn more about Faith and other DA alumni working in the arts at www.da.org/artsatda.


Huth Photo

TABLE OF CONTENTS

8 10 12 16 18 20 25 28 30-A 34 40 42 44 46 52 54 58

Welcome Messages : Truist – Sponsor of Truist Broadway at DPAC Mayor Elaine O’Neal – City of Durham Bob Klaus – General Manager, DPAC DPAC Guiding Priniciples DPAC’s National Ranking and Awards Our Theater Family DPAC President’s Club Mobile Entry at DPAC Show Credits and Cast Information DPAC Group Services Guest Etiquette Triangle Rising Stars Connect with DPAC Discover Broadway DPAC Local Hero DPAC Ambassadors DPAC for All

Advertising Sales: Durham Magazine, durhammag.com, EllenShannon@durhammag.com Editorial: Josette Roten, Candice Terrell Photography: Ken and Colin Huth, Andy Martin, Michael Gillman Publication Coordination & Design: Lisa Dardenne Parker, designeclectic.net Publication Printer: Cornerstone Custom Printing

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Keeping it Local and Innovative

© 2017 The Coca-Cola Company. All Rights Reserved.

Refreshing the Community since 1906



WELCOME FROM THE SPONSOR

Welcome from Truist SunTrust and BB&T are now Truist — and we’re proud to sponsor this exciting season of Truist Broadway at DPAC! Whether this is your first visit, or you’re a long-time member, we’re delighted to welcome you to this performance. The arts are essential to the communities we serve. They have the power to inspire, entertain, inform, thrill, and unite us. We value our ongoing partnership with DPAC, which is an extraordinary artistic and economic force in our region—continually striving for better season after season. After this past year, it’s great to be able to enjoy your favorite Broadway show. Sponsoring DPAC’s Truist Broadway series is just one way we support our great city. Supporting our local communities is at the core of what we do, and how we deliver on our purpose — to inspire and build better lives and communities. Find out more at Truist.com. Thank you for joining us in this journey. Now sit back, and enjoy the show!

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WELCOME FROM THE MAYOR ItIt isis my my great great pleasure pleasure as as your your new new mayor mayor to to welcome welcome you you to to DPAC! DPAC! Like Like so so many many Durham Durham residents, residents, II recognize recognize the the jewel jewel that that DPAC DPAC isis to to Durham Durham and and the the Triangle Triangle region. region. Though Though we’ve we’ve endured endured aa few few changes changes for for everyone’s everyone’s safety safety as as we’ve we’ve attended attended shows shows recently, recently, attendees attendees have have supported supported the the health-related health-related actions actions and and worn worn their their masks masks cheerfully. cheerfully. That’s That’s the the true true spirit spirit of of Durham. Durham. I’m I’m thrilled thrilled to to say say that that DPAC, DPAC, after after more more than than aa decade, decade, isis continuing continuing to to showcase showcase the the energy, energy, the the passion passion and and great great entertainment entertainment with with aa list list of of performances performances that that people people will will travel travel from from miles miles around around to to see. see. The The awardawardwinning winning HAMILTON isis set set to to return return for for three three dynamic dynamic weeks weeks in in May. May. IfIf you you have have seen seen itit before, before, now now isis your your time time to to see see itit again. again. IfIf you’ve you’ve never never seen seen it, it, trust trust me me and and hundreds hundreds of of thousands thousands of of others others who who have have seen seen the the show, show, you you are are in in for for aa treat. treat. There There are are other other shows shows and and artists artists I’m I’m sure sure you you won’t won’t want want to to miss, miss, including including RENT, aa perennial perennial rock rock musical musical that that premiered premiered on on Broadway Broadway in in the the 90s, 90s, Harper Lee’s To Kill a Mockingbird, Hadestown, and and Neil deGrasse Tyson, the the renowned renowned astrophysicist astrophysicist and and author. author.Those Those are are just just aa few few of of the the superstar superstar performances performances that that are are featured featured this this season. season. And And as as usual, usual, all all the the trappings trappings that that come come with with seeing seeing aa Broadway Broadway show show or or concert concert at at DPAC DPAC still still await await you, you, starting starting with with the the beauty beauty of of the the theater theater and and DPAC’s DPAC’s legendary legendary customer customer service. service. A A visit visit to to DPAC DPAC isis an an open open invitation invitation to to experience experience Durham. Durham. It’s It’s as as easy easy as as parking parking and and walking walking to to downtown downtown restaurants, restaurants, or or taking taking aa short short drive drive to to nearby nearby malls, malls, museums, museums, or or historical historical sites. sites. As As your your mayor, mayor, I’m I’m so so excited excited that that one one of of my my duties duties isis to to officially officially welcome welcome you you to to perhaps perhaps one one of of the the greatest greatest theaters theaters in in the the world! world! But But don’t don’t take take my my word: word: Just Just last last year, year, DPAC DPAC was was ranked ranked 4th, 4th, 6th, 6th, and and 7th 7th by by national national theater theater reviewers reviewers and and magazines, magazines, including including Pollstar, Pollstar,Venues Venues Now Now and and Billboard Billboard Magazine. Magazine. Thank Thank you you for for choosing choosing DPAC DPAC and and Durham. Durham. Now Now settle settle into into your your seats seats to to enjoy enjoy your your DPAC DPAC experience experience and and an an unforgettable unforgettable show. show. Sincerely, Sincerely,

Mayor Mayor Elaine Elaine O’Neal O’Neal

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WELCOME FROM GENERAL MANAGER Welcome to DPAC! Or maybe better said … welcome back to DPAC! On behalf of my team at DPAC and our parent companies, Nederlander and Professional Facilities Management, we feel incredibly fortunate to once again be welcoming guests to DPAC, not only for great Broadway shows, but for all of the 200 performances planned for this season including world-class concerts, superstar comedians, and the many special events including speakers, holiday performances and family shows. The future looks very bright as all of Broadway’s biggest hit shows have DPAC in their plans, not just for this 2021 / 2022 season, but also for next season and beyond. As we planned and prepared for our reopening, your safety and peace of mind remained our highest priority. Our comprehensive Safety First Commitment is designed to protect guests, staff, vendors, and visiting shows, while maintaining the legendary customer experience for which DPAC is best known. We also want to recognize and thank the City of Durham for their commitment to safety with an investment of over $250,000, which enabled DPAC to add state-of-theart air purification systems, new touchless cleaning and disinfection equipment, touchless restroom fixtures, contactless ticket scanning equipment, contactless food & beverage payment processing, over 150 hand sanitizer and disinfectant wipe dispensers, and more. More than anything we want you to know how important you have been to DPAC as we have been planning and preparing to reopen for live events. Throughout our temporary closure, just 5% of our members contacted us to return their season tickets. Knowing that so many of our members and fans of DPAC events were cheering us on, gave the team here the extra fortitude needed to keep working toward the goal of being among the best prepared centers for live entertainment in America. And now the day is at hand for when we can once again say; “Welcome to DPAC, we’re glad you are here.” Sincerely,

Bob Klaus General Manager

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DPAC GUIDING PRINCIPLES We have an unfair advantage ... we care more.

OUR VISION We believe in great entertainment experiences. We want to be our guests’ favorite place for live events.

OUR MISSION To present one-of-a-kind live entertainment events. From Broadway to concerts, from comedy to family shows – ‘there is something for everyone’ at DPAC.

OUR VALUES Quality, safety and service. We deliver these values with warmth, friendliness, and an attention to detail that is the hallmark of the legendary DPAC Experience.

OUR PROMISE

Huth Photo

DPAC welcomes all guests, performers, and events in an open, friendly and respectful setting. We stand committed against all forms of discrimination.

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“The senses, being explorers of the world, open the way to knowledge.” -Maria Montessori MONTESSORI SCHOOL OF DURHAM msdurham.org

First school in NC to become American Montessori Society accredited. Educating children 18 months through 6th grade.


DPAC’S NATIONAL RANKING & AWARDS

Theater of the Decade Nominee #4

2,001 - 5,000 Capacity

#6

5,000 or Less Capacity

#7

5,000 or Less Capacity

TOP 10 IN THE NATION #1 FANS IN THE WORLD Over the past twelve seasons, DPAC is honored to be recognized both regionally and nationally as one of the top theaters in the nation. We continue to be humbled and proud of all of our accomplishments, but what really drives us each day are the smiles and applause we see and hear at the end of every performance. We are always delighted to express our appreciation for our guests, and we thank you for coming to DPAC. Enjoy this experience of a lifetime.

Readers’ Favorites Award: Performing Arts

#1 Performing Arts Organization

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Best Place for Live Music

Best Live Theater

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Diamond Award: Best Live Theatre

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Celebrate Live 19


OUR THEATER FAMILY DPAC is proud to be operated under the direction of Nederlander and PFM.

THE NEDERLANDER ORGANIZATION If you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company, The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters are host to some of Broadway’s biggest productions. Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theaters including: • • • • • • • • • •

• • • • • • • •

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The Palace Theatre (New York, NY) The Brooks Atkinson Theatre (New York, NY) The Gershwin Theatre (New York, NY) The Lunt-Fontanne Theatre (New York, NY) The Marquis Theatre (New York, NY) The Minskoff Theatre (New York, NY) The Nederlander Theatre (New York, NY) The Richard Rodgers Theatre (New York, NY) The Neil Simon Theatre (New York, NY). Broadway In Chicago at The CIBC Theatre, The James M. Nederlander Theatre, The Cadillac Palace Theatre, The Roosevelt University Auditorium Theatre and The Broadway Playhouse (Chicago, IL) DPAC - Durham Performing Arts Center (Durham, NC) Broadway at Tanger at the Steven Tanger Center for the Performing Arts (Greensboro, NC) The Hollywood Pantages Theatre and The Dolby Theatre (Los Angeles, CA) Broadway San Diego at The Civic and Balboa Theatres (San Diego, CA) Broadway In Tucson at Centennial Hall (Tucson, AZ) OKC Broadway at The Oklahoma City Civic Center Music Hall (Oklahoma City, OK) Broadway San Jose at The San Jose Center for the Performing Arts (San Jose, CA) Best of Broadway at The North Charleston Coliseum Performing Arts Center (North Charleston, SC)


OUR THEATER FAMILY PROFESSIONAL FACILITIES MANAGEMENT, INC. (PFM) PFM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center (PPAC), incorporated in 1988 in response to a growing need for objective evaluation and management of small-to-medium-sized performing arts facilities in geographically-diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.” Presently, PFM holds management/booking contracts in nine facilities located in six states, including: • Providence Performing Arts Center and Veterans Memorial Auditorium (Providence, RI) • The Wheeler Opera House (Aspen, CO) • Barbara B Mann Performing Arts Hall and FSW Sun Coast Credit Union Arena (Fort Myers, FL) • North Shore Center for the Performing Arts (Skokie, IL) • The Hanover Theatre for the Performing Arts (Worcester, MA) • DPAC – Durham Performing Arts Center (Durham, NC) • The Steven Tanger Center for the Performing Arts (Greensboro, NC)

Celebrate Live 21


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Celebrate Live 23


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VERY BEST SEATS & VIP AMENITIES Broadway’s Ultimate Season Ticket We invite you to join the President’s Club at DPAC, where members enjoy the very best seats and VIP amenities to every one of the Broadway hits that are part of Truist Broadway at DPAC. President’s Club members also play an important role in helping maintain DPAC’s excellence. With member support, DPAC is able not only to be self-sustaining, but also sponsor over 50 Community Engagement programs that touch the lives of so many throughout Durham and the entire Triangle region each year. Exclusive Membership Benefits: • Center Orchestra Seating o Guaranteed Seating in the first 12 Rows for each of the Truist Broadway Shows • Priority Ticket Purchases o Members have direct access for additional ticket purchases, exchanges, and special arrangements o Opportunity to purchase added orchestra seats prior to the start of public on sale for almost 150 added performances, including Concerts, Comedy, and Special Events, plus Holiday performances and Greatest Hits of Broadway • Extended Payment Plans o Budgeting for your President’s Club membership is easier than ever. There’s no interest, and you can pay in monthly installments • Members-Only Hospitality Area o Private hospitality area with members only entrance o Open 60 minutes before events and at intermission o Complimentary snacks and beverages including soft drinks and bottled water o Plus, a members-only gift card pre-loaded for snack and beverage purchases at DPAC events. • First Access o Receive first access to exchange seats prior to the start of public on sale • Complimentary Parking o Parking directly adjacent to DPAC • PLUS! Elevated membership levels provide even more extraordinary benefits, including advertising in Truist Broadway’s show programs distributed at all Broadway events and bonus tickets to select shows. For more information on member benefits and seating availability, email us at PresidentsClubTickets@DPACnc.com.

See members list on the following pages

Celebrate Live 25


Melinda Abrams Nevin & Holly Absher Diane & Sid Aldridge Dustin & Alison Allen Marlene Allen Vance & Karen Allen Dr. Diane Alligood & Donald Willis Andy & Jan Ammons Mark E. Anderson Lisa & Elaine Andrews-Lanier Aquinas Leadership Group Leena & Solomon Aronson Nancy Astrike & B. Joan Davis Vickie & Charles Atwater Joan Austin Ed & Kristen Baker Scott, Heather & Cal Baker Lori Barbier & David Rosenthal Matthew & Heather Barber Christy & Lee Barnes Dan & Starr Basmajian Marchael Bayne BCBSNC Waren Beckham Victor & Lenore Behar Richard & Ann Bell Ronald Bernstein Drs. M. Michelle Berrey & Richard ET Smith Bill Berry Molly Bibee Lennie & Laura Blackley The Blanchette Family Blaser Investment Mgmt Group Ed & Pat Bodoh Jill & Mark Boliek Anthony Boone Danielle & Dave Borasky Bunny & Dick Borkowski Elliot & Connie Bossen Edward & Roxana Bossen John Boykin Don Bradley Patricia P. Bradley Kevin & Rhonda Brandon Susan Branion Dianne & William Branson lll Michael & Wendy Brautman Scott & Barbara Brazer David Brehmer & Megan Matchinske Brooks Pierce Law Firm Alycia Brown James Brunnquell & Rev. Sara C. Batson Gary & Toni Buck Scott Buckel & Shalini Ramasunder David Bull Gracie Bumpass-Gentry & Thomas C. Gentry Michael Burnette Chris & Beverly Byrd Hedy & Lanny Caldwell Kimberly & David Calhoun Laurie Campbell Nancy & Jerry Canterbury Timothy Cates Susan Caudill Causey Aviation Kathy & TJ Cawley Bob Chandler Don Chaplin & Andy Hunt Tom Chewning John & Lorie Christensen Mr. & Mrs. Chung Michael Cioffi Bart Cleary, DDS Terri W. Clements Dru & Linda Clodfelter David E. Coates William & Virginia Cockrell Hal Coe & Mark Hill

George & Gwen Collins Tim & Barb Conley Tom & Shana Conley Dr. Andy Cook Jane & Jon Cook Gail Copland John & Kris Coupland Jean & Kevin Cox Earla & David Creech David Dahl Mani Daneshmand Hank & Sarai Daniels Charles Darsie & Sandra Cook Eric Davis Joan Davis Bill & Karen Davis Kim Dawson Richard Debutts John & Helen DeFazio Jason DeGraftenreid Tom & Natalie Dekle The Demaria Family Robin DeMent Rhonda Dias & Vernon Washington Carter & Sallie Dickinson David & Natalie Dickson Randall & Carleena Diers Marcia DiMartino Jim & Judy Dingfelder Paige & Don Dixon Jeffrey & Jeanne Dombcik Richard & Sharon Dooley Douglas & Deborah Drossman Durham Coca-Cola Bottling Company Kimberly Dunphy Ruth Dzau Kevin Earabino Ann & Art Edgerton Melinda Edwards Jill Ehrenfeld Sheila Eldred Kyle Elliott Ed & StuartEmbree Mark Epstein & Julia Latham Sheri Erhart Indira Everett Clare & Richard Fair Tom & Laura Fenn Richard Ferro Jonathan & Debbie Fetter Lauren Fieldman Leora Fields Figure 8 Films Joel D Fisher Kristin & Bradley Flechsig Barbara Fleming Dale & John Fluke Sarah & Howard Francis Stephen Fraser Ashley & Andy Freedman Cynthia & Ronald Freeman Dana Fry-Richart Maryann Fuchs John Fugo Tracy Futhey & Cindy Jeffrey Carole Gailor John & Julie Galloway David Gansberg Jim Garrison Jennifer Garst Kevin & Tracy Gelfo Katherine Gianakos & Paula Fullerton Joyce Gilmour Stephen Glantz Barry & Nancy Goldstein Susan Goldstein Paul Gomez Dianne Gonzalez Tracy K. Gosselin Susan Gravely & Bill Ross

Michael & Lynette Green Wendy Greene Kay & Wade Gresham Richard & Trena Hawkins Dr. Steven Grubb Vijay & Kamlesh Gupta Guy Guthrie Sally Reina Hackett & Andy Hurst Grey Hall Hazel Hall Tony Hall William Hamlin Ronald Harbinson Richard Hardison Ruby Hargrove-Monds Sue Harnett & Debbie Taylor Greg A. Harris Jay & Julie Harris Lou & Jacqui Harrison Mary Ann Harrison Dale & Bob Hart Alfred & Jose Harvey David Harvey Doug & Kim Harward Astrid Haugen & John Stranzi Lisa & Tom Hazen Donna & Peter Heffring Ira & Nancy Heller Peter & Tamika Henderson Michael Hendren Hope & Gary Herbst Eric Herget & Sherry Wilner Pedro & Rosalinda Hernandez Barbara & Michael Hertzberg David Lee Hill, Jr. Hillcrest Convalescent Center Billy Hobbs Bryan & Megan Hollander Michael & Jennifer Hollander Irwin & Meredythe J. Holmes Jackie Houser John & Heather Howell James & Carolyn Hriso Edith Hubbard Kent Hudson Rob & Julia Hughes Kelly Hurd Don Ingrassano Courtney & Luke James Clarence C. Jamison Jr. Perry Jeffries Adam W. & Susan A. Jones Jon Jones Robert & Elizabeth Jones Howard Jung Jake Kavanagh Gary Kayye Scott Kelley John & Bettye Kent Charlie King Woody & Susan King Erick Kirks Carolyn Koch Sara Koenig Jason & Bridget Koontz Sendil Krishnan & Hannah Mills Mitchell & Carol Krucoff Rae Krucoff-Williams Mike & Mickie Krzyzewski Lori Laczko Rachana Lakshman Jean M. Lange Lisa Lanier Jacquie LauChial Goron K. Lavin Eugene LeBauer Peter Lee Miike & Sheri Lehmann Lisa & Paul Leifer Mike J. Lents


Debbie Leonard State Farm Agency Tina Lepage - Lepage Associates Psychological Services Joann Lerose Alvera Lesane Kenneth & Fadia Lester The Levandoski Family Marie & Ralph Liebelt Edward & Alana Lilla Diane & Gene Linfors Don & Susan Linn Mr. & Mrs. Lorance Lisle Susan Lloyd Andrew LoBean Lenwood & Barbara Long Adam & Jennifer Lucas Andrea S. Lukes Mr. & Mrs. MacClennan Leah Madariaga Doren Madey Pinnell Gerard & Lisa Magno Melanie Mann Timothy and Kerry Mann Mr. & Mrs. Charles Mansfield Kelly & Russ Margraf Ann & Mike Marino Brian, Heidi & Olivia Marks Mindy Marlowe, MD - Sanford Pediatrics PA Sal Mastropolo Pat McCarthy Sydney McCauley Dave & Amy McCready Damita McDougall Jamel McDuffie Matt & Christine McGuire Lindy McHutchison Robert & Karen McIsaac Janet McLamb Don & Kaye McLennan Rick & Shirley McMahon William McMurry Diana Mead Kenneth Meashey Peter Meehan Charles Merritt Nancy & Tom Metzloff Andy Michael Carlton Midyette Jo Ann Miller Rod & Cory Miller Ellen Mohr Meg Molloy & Cameron Binnie Jeff Monsein James & Lisa Montague Amy Montanus Kenny Moore Toni Morin Deborah Morris Judd & Ellen Moul Bob Moulton Mitch & Christine Mumma Mike & Leilani Murphy John & Mary Musante Peggy Myers Kimberly Nagowski Libby & David Nelson Bonita & Jonathan Nettles Nichols & Satterfield PLLC Bill & Sharon Nicholson Capital Insurance Affiliates LLC Connie Nyholm Tim Oakley Tom & Maria O’Brien Dave & Kristen O’Connell Linda Oglesby & Cheryl Russell Meg & Chuck Olexik Steven Olson Jason & Christine O’Meara

Gina Orme Richard Paden Lauren & David Page Angelika Papanikas Mary Jo Parks Rick Parrish Steven & Kim Patierno Seth Patin Beverly Perdue Dr. Ron Pettis & Mrs. Diane Sutter Alice Phillips The Pieraccini Family Glenn & Kathy Pierce Francine & Benson Pilloff Mary Ann Plambeck Ronald, Julia, Grace, Matt & Christian Pledger Timothy Plummer & Jenny McLean Ven & Lisa Poole Nancy Potanovic Patricia Pottle Lucia Peel Powe Karen Powers Jodi & Glen Preminger Vincent & Annette Price Gilbert Pritchard Michael & Gerrian Pritchett Cathy Proffitt Art Psalidas & Dr. Leslie Rogers Paul & Jeanne Puckett Karen Rabenau Michael & Jennette Rafetto Stephen Rafferty Avni & Edward Rampersaud Renee Rand Richard & Debbie Rand Debra Ratliff Becky Raynor Max Raynor Nancy & Dave Recht Mark Rein Dale & Lorraine Reynolds Mark & Gina Rhoades Michael Riccobene Theresa Robinson, DMD, PA James Rogers Kristin Rogers Keith & Sandra Rogers Stephanie Rogers Tammie Rogers Melissa Roupe Timothy & Lori Rowe Tarsha Rowland Jay Rudinsky Mary Ann Ruegg John & Cheryl Runyan John Sampson James Sanders, Jr. Sandra Jane & Larry Sanderson Michael & Sarah Sapeta Gregg Satkamp & Tracy Huey Frank Scalia Jerry & Brenda J. Schafer Laura Schanberg & Larry Elmers Jenna & David Schutzer Dr. Robert & Tobi Schwartzman Mark Scurria Alice L. Sharpe Terri Sherrill Allan & Penny Showalter Tim Simkins Dr. & Mrs. James D. Sink Katherine Skinner Sharon L. Slaughter Alice Slobodnyak Michael & Kimberly Slomianyj Peter Slomianyj & Jane Chen Anna & Steve Smith Brian Smith

Harold & Mary Smith Jeff & Rachel Smith John Smith, lll Alisa & Malbert Smith Marcella & Sid Sockwell Dr. & Mrs. William Sollecito Mike & Pam Spatola Jean G. Spaulding Sonia Spector Anitra St. Hilaire Paula Stanley Lynnette Stevens The Stickley Family Charles & Daneen Stiefel Rose & Malcolm Stout Catherine & James Stuart Suson Stumbaugh Sou & Aaron Sucher Ian Sutherland & Victoria Bowden Daniel Talbert Robert D. Teer, Jr. Alan & Penny Terry Joseph & Danica Thomas Geraldine Thompson Janis & Jeff Tillman Tim & Mary Toppen Michelle Townley Kevin & Jennifer Trapani Tallman Trask III Gary Travis Sybil Trevisan Jim Triandiflou Neil Triplett Debra Tucci & Kevan VanLandingham Marcy & Vance Tucker Kevin & Patricia Tunick Mike & Leslie Underwood Betsy Upton Chris & Lelenia Vasallo Michael Vazquez Brian & Sheila Veeder Rick & Dinah Vice Laura & Drayton Virkler Lou & Lynn Voerman Jennifer M. Vrscak Irene & Robert Wadley Marcus Walker Mike Walsnovich & Fred Ibberson Tim & Laura Walters Mary L. Walton & Billy C. Hobbs Ted & Deborah Waltz Dr. & Mrs. Jay & Linda Watson Dr. Gerald & Mrs. Renee Welch Amy Welsh Cathy H. West Craig Wheaton & Sarah Fox Shelley Wheeler William Whitehead Robin & Sean Whitsell Stephen Wiehe Deanie Wilcher Bruce Wilcox Alton Williams John & Peggy Williams Donald Willis Chuck & Jean Wilson David & Beth Wilson Ellen Wilson Mary & Joe Wilson Withrow + Terranova Michael Wolcott Joanne & Frank Wooten David Worters & Miranda Yeager Kimmie Yarborough, MD Lesley & Stephen Young Robert Zaytoun Scott Zimmerman & Kate Paradis


MOBILE ENTRY AT DPAC Your Phone is Now Your Ticket PHOTO: MICHAEL GILLMAN

Mobile entry is a safe, easy, convenient, and contactless way to access and manage your tickets all in one place. Safety is every venue’s #1 priority and mobile entry gives DPAC a better understanding of who guests are prior to every performance through this new adaptation. Now, more than ever, it is critical for venues to know who is in possession of each ticket in order to be able to share important information with them regarding health and safety measures before the doors open and the show begins. With mobile entry, which is powered by DPAC’s official ticketing partner Ticketmaster, there’s no need for direct contact or physical exchange of your ticket. Mobile entry guarantees a quick and safe ticket scan straight from your phone. Our secure ticket technology reduces the risk of ticket fraud, eliminating the possibilities of theft or counterfeiting. Once you’ve purchased your mobile tickets on Ticketmaster, you can always rest assured you’re getting the seats you paid for. Always be aware, though. Do not purchase tickets from unauthorized online ticket brokers. Don’t be fooled by online websites who mimic DPAC’s name or website and offer tickets they might not even have. Go directly to DPACnc.com or to Ticketmaster.com.

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Celebrate Live 29

8/13/21 4:22 PM



DPAC, Durham Performing Arts Center 123 Vivian Street, Durham, NC Operated under the direction of Nederlander and PFM

Nederlander Presentations, Inc. Caiola Productions Marlene and Gary Cohen John Gore Organization Grove Entertainment Stewart F. Lane/Bonnie Comley Marc David Levine Peter May Al Nocciolino Iris Smith SRO Productions Present

THE LINCOLN CENTER THEATER PRODUCTION OF

Book and Lyrics

Music

Alan Jay Lerner

Frederick Loewe

Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with

Shereen Ahmed

Laird Mackintosh

Leslie Alexander Gayton Scott Rajeer Alford Mary Callanan

Martin Fisher Sam Simahk

Colin Anderson Elena Camp

Nicole Ferguson

Mark Banik

Allyson Carr

Juliane Godfrey

Kevin Pariseau Lee Zarrett Michael Biren

DeJa-Simone Crumpton

Colleen Grate

Aisha Mitchell

Rommel Pierre O’Choa

George Psomas

Sarah Quinn Taylor

Gerard M. Williams

Michael Yeargan

Costumes

Christopher Faison

Stuart Marland

Samantha Sturm Sets

Brandon Block William Michals

Keven Quillon Lighting

Catherine Zuber

JoAnna Rhinehart

Richard Riaz Yoder

Minami Yusui Sound

Donald Holder

Marc Salzberg

Musical Arrangements

Dance Arrangements

Robert Russell Bennett & Phil Lang

Trude Rittmann

Music Direction

Tour Orchestrations

Music Coordination

John Bell

Josh Clayton

Talitha Fehr David Lai

Hair & Wigs

Casting

Tom Watson

The Telsey Office Laura Wade, CSA

Associate Set Designer

Mikiko Suzuki MacAdams

Exclusive Tour Direction

Tour Marketing & Press

Production Stage Manager

Donavan Dolan

Nicole McClendon

Tour Management

General Manager

Production Manager

Technical Supervisor

The Booking Group Meredith Blair, Kara Gebhart TROIKA Entertainment

Anita Dloniak Melissa A. Hazek Karen Berry

Associate Director

Sari Ketter

Gregg Damanti

Company Manager

Larry Morley

Associate Choreographer

Mark Myars

Music Supervision

Ted Sperling Choreography

Christopher Gattelli Directed by

Bartlett Sher

Celebrate Live 30-A


Leslie Martin Fisher Alexander

Keven Quillon

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Rajeer Alford

Colin Anderson

Elena Camp

Allyson Carr

Colleen Grate

Stuart Marland

JoAnna Rhinehart

Shereen Ahmed

Laird Mackintosh

Kevin Pariseau

Gayton Scott

Sam Simahk

Lee Zarrett

Mark Banik

Michael Biren

Brandon Block

Mary Callanan

Nicole Ferguson

Juliane Godfrey

Rommel Pierre O’Choa

George Psomas

DeJa-Simone Christopher Crumpton Faison

William Michals

Samantha Sturm

Sarah Quinn Taylor

Aisha Mitchell

Gerard M. Williams

Richard Riaz Yoder

Minami Yusui


CAST

(in order of appearance) Eliza Doolittle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHEREEN AHMED Freddy Eynsford-Hill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SAM SIMAHK Mrs. Eynsford-Hill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JoANNA RHINEHART Ms. Clara Eynsford-Hill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AISHA MITCHELL Colonel Pickering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEVIN PARISEAU Selsey Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LEE ZARRETT Professor Henry Higgins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAIRD MACKINTOSH Hoxton Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WILLIAM MICHALS The “Loverly” Quartet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN ANDERSON, CHRISTOPHER FAISON, WILLIAM MICHALS, GERARD M. WILLIAMS Frank, The Bartender. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARK BANIK Harry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STUART MARLAND Jamie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WILLIAM MICHALS Alfred P. Doolittle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARTIN FISHER Flower Girl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLLEEN GRATE Mrs. Pearce. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GAYTON SCOTT Mrs. Hopkins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY CALLANAN Higgins’ Butlers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN ANDERSON, CHRISTOPHER FAISON Higgins’ Maids. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY CALLANAN, NICOLE FERGUSON, JULIANE GODFREY, COLLEEN GRATE Mrs. Higgins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LESLIE ALEXANDER Charles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRANDON BLOCK Stewards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL BIREN, GERARD M. WILLIAMS Lord Boxington. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER FAISON Lady Boxington. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SAMANTHA STURM Constables. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL BIREN, GERARD M. WILLIAMS Professor Zoltan Karpathy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LEE ZARRETT Hostess. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SAMANTHA STURM Footmen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER FAISON Queen of Transylvania. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ELENA CAMP Mrs. Higgins’ Servants. . . . . . . . . . . . . . . . . . . . . . . . . . . BRANDON BLOCK, ROMMEL PIERRE O’CHOA Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RAJEER ALFORD, COLIN ANDERSON, MARK BANIK, MICHAEL BIREN, BRANDON BLOCK, MARY CALLANAN, ELENA CAMP, ALLYSON CARR, CHRISTOPHER FAISON, NICOLE FERGUSON, JULIANE GODFREY, COLLEEN GRATE, STUART MARLAND, WILLIAM MICHALS, AISHA MITCHELL, ROMMEL PIERRE O’CHOA, KEVEN QUILLON, JoANNA RHINEHART, SAMANTHA STURM, GERARD M. WILLIAMS, MINAMI YUSUI SWINGS DEJA-SIMONE CRUMPTON, GEORGE PSOMAS, SARAH QUINN TAYLOR, RICHARD RIAZ YODER DANCE CAPTAIN/FIGHT CAPTAIN MINAMI YUSUI ASSISTANT DANCE CAPTAIN MICHAEL BIREN UNDERSTUDIES Understudies never substitute for listed performers unless a specific announcement is made at the time of the performance. For Eliza Doolittle: NICOLE FERGUSON, COLLEEN GRATE, SARAH QUINN TAYLOR; for Freddy Eynsford-Hill: GEORGE PSOMAS, RICHARD RIAZ YODER; for Colonel Pickering: STUART MARLAND, WILLIAM MICHALS; for Professor Henry Higgins: COLIN ANDERSON, MARK BANIK; for Alfred P. Doolittle: STUART MARLAND, WILLIAM MICHALS; for Mrs. Pearce: JULIANE GODFREY, SAMANTHA STURM; for Mrs. Higgins: MARY CALLANAN, JoANNA RHINEHART; for Professor Zoltan Karpathy/Selsey Man: COLIN ANDERSON, CHRISTOPHER FAISON. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Celebrate Live 30-C


SCENES & MUSICAL NUMBERS ACT I

Scene 1: Scene 2: Scene 3: Scene 4: Scene 5:

Scene 6: Scene 7: Scene 8: Scene 1: Scene 2: Scene 3: Scene 4: Scene 5: Scene 6: Scene 7: Scene 8:

Overture............................................................................................................Orchestra Outside the Royal Opera House, Covent Garden “Why Can’t the English?”...................................................................................Higgins “Wouldn’t It Be Loverly?”.............................................Eliza & The “Loverly” Quartet Tenement section—Tottenham Court Road “With a Little Bit of Luck”.......................................................Doolittle, Harry & Jamie Higgins’ study “I’m an Ordinary Man”.......................................................................................Higgins Tenement section—Tottenham Court Road “With a Little Bit of Luck” (reprise).............................................Doolittle & Company Higgins’ study “Just You Wait”........................................................................................................Eliza “The Servants’ Chorus”....................................Mrs. Pearce, Higgins’ Butlers & Maids “The Rain in Spain”..............................................................Higgins, Eliza & Pickering “I Could Have Danced All Night”..Eliza, Mrs. Pearce & Higgins’ Maids Outside a club tent, Ascot “Ascot Gavotte”................................................................................................Company Outside Higgins’ house, Wimpole Street “On the Street Where You Live”..........................................................................Freddy Higgins’ study ACT II The ballroom of the Embassy “The Embassy Waltz”.......................................................................................Orchestra Higgins’ study “You Did It”................................Higgins, Pickering, Mrs. Pearce & Higgins’ Servants “Just You Wait” (reprise).........................................................................................Eliza Outside Higgins’ house, Wimpole Street “On the Street Where You Live” (reprise)............................................................Freddy “Show Me”..............................................................................................Freddy & Eliza Flower market of Covent Garden “Wouldn’t It Be Loverly?” (reprise)...............................Eliza & The “Loverly” Quartet “Get Me to the Church on Time”...........................Doolittle, Harry, Jamie & Company Upstairs hall of Higgins’ house “A Hymn to Him”................................................................................................Higgins The Conservatory of Mrs. Higgins’ house “Without You”........................................................................................Eliza & Higgins Outside Higgins’ house, Wimpole Street “I’ve Grown Accustomed to Her Face”...............................................................Higgins Higgins’ study The place is London, the time is 1912. THERE WILL BE ONE 15-MINUTE INTERMISSION

MY FAIR LADY ORCHESTRA

Music Director/Conductor: JOHN BELL; Associate Music Director/Keyboard: LUKE FLOOD; Violin/Concertmaster: DMITRIY MELKUMOV; Percussion: MARK O’KAIN Additional Arrangements: TED SPERLING; Music Coordinators: TALITHA FEHR, DAVID LAI; Music Copying: JOSH CLAYTON

DPAC ORCHESTRA

Cello: JAKE WENGER; Bass: JOHN SIMONETTI; Reed 1: JEANNE CARERE Reed 2: CARRIE SHULL; Reed 3: MICHAEL CYZEWSKI; Reed 4: MICHAEL BURNS; French Horn: KATHY WOOD; Trumpet 1: ALEX FIOTO; Trumpet 2: PAUL NEEBE; Trombone: JOHN ILIKA; Harp: VONDA DARR; Keyboard Sub: JOANNA LI Local Music Coordinator: WAYNE LEECHFORD, LEECHFORD ENTERTAINMENT, LLC;

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PROGRAM NOTE After tryouts in New Haven and Philadelphia, My Fair Lady, starring Rex Harrison and Julie Andrews, opened on Broadway at the Mark Hellinger Theatre on March 15, 1956. Alan Jay Lerner and Frederick Loewe wrote the book and the score, adapted from George Bernard Shaw’s famous play and Gabriel Pascal’s motion picture Pygmalion. The original production, one of the most distinguished in the history of the musical theater, was directed by Moss Hart. When My Fair Lady closed on September 29, 1962, it had played 2,717 performances, more than any other musical up to that time.

WHO’S WHO LAIRD MACKINTOSH (Professor Henry Higgins). Broadway: The Phantom and Monsieur André in The Phantom of the Opera, John Utterson in Jekyll & Hyde, Mr. Banks in Mary Poppins. Off-Broadway: 1776 (James Wilson) City Centre Encores. Regional: Titanic (Bruce Ismay) P.C.L.O., Private Lives (Victor Prynne) Pittsburgh Public. The Stratford Festival: My One and Only (Billy Buck Chandler), Fuente Ovejuna (Leonelo), To Kill a Mockingbird (Boo Radley), South Pacific (Lieutenant Cable), Hello, Dolly! (Cornelius Hackl), Into the Woods (Rapunzel’s Prince), Anything Goes (Lord Evelyn Oakleigh), My Fair Lady (Freddy Eynsford-Hill). Other: The Drowsy Chaperone (Robert Martin), White Christmas (Phil Davis), Arcadia (Septimus Hodge). Ten productions with Canada’s Opera Atelier. Love & gratitude to Polly. @lairdmackintosh SHEREEN AHMED (Eliza Doolittle). Broadway: My Fair Lady (Eliza u/s). Off-Broadway: Meet Me in St. Louis (Esther) Irish Repertory Theatre. Television: NBC’s “New Amsterdam.” Favorite regional credits include: Lucy in Jekyll/Hyde, Maria in The Sound of Music, Anna in The King and I, and Fiona in Shrek the Musical. She has performed in concerts across Europe and North America, and has been recognized as one of ‘40 Under 40’ accomplished Arab Americans in the U.S. She holds a Bachelor of Science in Criminal Justice from Towson University. For her family and friends, with love. shereenahmed.com @shereen_ahmed LESLIE ALEXANDER (Mrs. Higgins). Broadway: The Boy From Oz (w/ Hugh Jackman), Mamma Mia! North American Tour: Fiddler on the Roof (w/ Topol, Fierstein, & Bikel). Off-Broadway: The Audience (Transport Group). Selected Regional: The Music Man (Eulalie Shinn - Arizona Theatre Co.); The Taming of the Shrew (Widow), A Christmas Carol (Mrs. Cratchit), Rattlesnake Kate (Kate 3 - all Denver Center); Hello, Dolly! (Dolly Levi), Memphis (Gladys Calhoun - both Gateway Playhouse); Sister Act (Mother Superior – Arts Center of Coastal Carolina); Macbeth (Lady Macbeth - Shakespeare Festival of Dallas). Film/TV: HBO’s “The Leftovers,” “One Life To Live,” “The One O’Clock.” Video Games: “Red Dead Redemption II,” “Grand Theft Auto V.” leslie-alexander.com, @AlexanderLeslie, #lalesliealexander.

MARTIN FISHER (Alfred P. Doolittle). Off Broadway: The Sporting Life of Icarus Jones (The Drama League). Off-Off Broadway: Rappacinni’s Daughter (Theater for The New City). Film/TV: “Extrapolations,” “Next Stop, Christmas,” “New Amsterdam,” “Wu-Tang: An American Saga,” “Monsterland,” “Blue Bloods,” “The Blacklist,” “Full Frontal w/ Samantha Bee,” “Damages.” BA: University of Massachusetts at Amherst. Black Arts Institute: Stella Adler School. Native of Camden, New Jersey. @mfishersings www.martinfishersings.com KEVIN PARISEAU (Colonel Pickering). Broadway/Off-Broadway: Ink (MTC); Grand Hotel (City Center Encores!); Legally Blonde (OBC); Show Boat (with the NY Philharmonic); The Explorers Club; I Love You, You’re Perfect, Now Change. Regional: Anything Goes, Beatsville, Chicago, Nerds, The Producers, Annie, 1776, The Radio City Christmas Spectacular (Nashville), Vanya and Sonia and Masha and Spike, It’s a Wonderful Life, 9 to 5, Lend Me a Tenor (with Mickey Rooney). Film/TV: “The Blacklist” (NBC), “The Marvelous Mrs. Maisel” (Netflix), “Evil” (CBS), “Boardwalk Empire” (HBO series finale), Tower Heist, Morning Glory. Audiobooks: Over 130 recordings including Herman Wouk’s The Winds of War (Audie nomination), War and Remembrance, and The Caine Mutiny. www.kevinpariseau.com GAYTON SCOTT (Mrs. Pearce). Broadway: Gypsy (with Bernadette Peters, director Sam Mendes); The Women (with Cynthia Nixon); Present Laughter (with Frank Langella). OffBroadway includes Abigail’s Party, Bunty Berman Presents (both at The New Group, directed by Scott Elliott); Side Street (Theater Lab); Indiscretions (Phoenix Theatre, director Jonathan Silverstein); and The Tutor (Prospect Theater). First National Tour: An American in Paris (director Christopher Wheeldon). Regional includes Cincinnati Playhouse, Baltimore Center Stage, Pioneer Theater, Barrington Stage Company, Shakespeare Theatre of NJ, Williamstown Theatre Festival, Long Wharf. Film/TV: “Law & Order: CI,” “As the World Turns,” “Guiding Light,” “Great Performances” on PBS, Forbidden Love, PS I Love You, Under the Light of the Silver Moon (short). Gayton studied acting with the late William Esper.

Celebrate Live 30-E


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WHO’S WHO SAM SIMAHK (Freddy Eynsford-Hill). Broadway: Carousel. Tours: The King and I (1st National), Miss Saigon (Midwest Tour). Regional: West Side Story (Tony standby), The King and I (Lun Tha), (both Lyric Opera Chicago); Oklahoma! (Curly; Theatre Under the Stars); Thoroughly Modern Millie (Ching Ho; Pittsburgh CLO); A Little Night Music (Frid; Huntington Theatre Company); Sweeney Todd (Anthony Hope), Into the Woods (Rapunzel’s Prince), (both at Lyric Stage Company of Boston); Big Fish (Will Bloom; SpeakEasy Stage). Many thanks to Bart and Sari, The Telsey Office, the team at BRS/ Gage, and my incredibly supportive family and friends. samsimahk.com IG: @soapboxsam LEE ZARRETT (Professor Zoltan Karpathy/ Selsey Man) is excited to return to My Fair Lady, which he performed in on Broadway at Lincoln Center Theater. Other Broadway: On Your Feet!, Hair, Spelling Bee, Jane Eyre. National Tour: Peter and the Starcatcher, Les Misérables. Off -Broadway: Encores!, Vineyard, New Victory. Regional: La Jolla Playhouse, Pittsburgh CLO, The Muny. TV: “The Blacklist,” “High Fidelity,” “Gotham,” “Louie,” “Boardwalk Empire.” RAJEER ALFORD (Ensemble). National Tour: Love Never Dies (1st National Tour). Regional: Jeanette (O’Neill), Something Wicked This Way Comes (Delaware Theatre Company), Ragtime (Bristol Riverside Theatre), Camelot (Act II Playhouse), Godspell (Eagle Theatre). Love and Gratitude to my Tribe and to my love Elena. IG: @ rajeeralford COLIN ANDERSON (The “Loverly” Quartet, Higgins’ Butler, Ensemble, u/s Professor Henry Higgins, Professor Zoltan Karpathy/Selsey Man). Broadway: Carousel (Swing, u/s Enoch Snow). New York: The Hunchback of Notre Dame (Quasimodo, Argyle Theatre), Sweeney Todd (Lincoln Center & Barrow Street Theatre). National Tour: The Book of Mormon (2nd National Tour). Regional: Sweeney Todd (Asolo Rep), The Rocky Horror Picture Show (Lyric Theatre of Oklahoma). Thanks to my parents and sister, my friends, Matt, Kat, Kaitlin and Dr. Bill. For Florence Birdwell. MARK BANIK (Frank The Bartender, Ensemble, u/s Professor Henry Higgins) is absolutely delighted to be on the My Fair Lady National Tour! Previously, he has toured with Beautiful: The Carole King Musical (1st National). Other credits include Cherry Lane Theatre, Drury Lane Oakbrook, Shakespeare Theatre DC, Riverside Theatre, Fulton Opera House, among others. Film: The Vast of Night (Amazon Original), Ask for Jane (Amazon Original). Love to Mom and Letty.

30-J

MICHAEL BIREN (Steward, Constable, Ensemble, Assistant Dance Captain) is so thrilled to be on tour with My Fair Lady. New York: Crazy for You (Lincoln Center), Revolution in the Elbow (Minetta Lane). Tour: Billy Elliot (with Faith Prince), Cinderella (with Lea Salonga). Regional: Paper Mill Playhouse, Goodspeed, Fulton, MSMT, The MUNY, Riverside Theatre, Ogunquit Playhouse. Love to DMRSCKSF+B. BRANDON BLOCK (Charles, Mrs. Higgins’ Servant, Ensemble) is thrilled to join My Fair Lady. He’s been seen as Swing/Dance Captain in Miss Saigon (US Tour), pre-Broadway tryout of Roman Holiday (Golden Gate Theatre), feature film Isn’t It Romantic, Oklahoma! (Muny, St. Louis) and many others. Love to blocNYC, OUMT, Ryan, Maria, and Tiffany. IG: @brandonblock1125 MARY CALLANAN (Mrs. Hopkins, Higgins’ Maid, Ensemble, u/s Mrs. Higgins). Broadway: Bandstand (Jean Ann Ryan), Mamma Mia! (Rosie; Final Company), Annie (Mrs. Pugh, u/s Miss Hannigan). Tours: The Bridges Of Madison County, Mamma Mia!, The Sound Of Music, big, Damn Yankees. Regional: Gypsy, Bloody Bloody Andrew Jackson, Mame, Les Misérables, Falsettos, Follies, Batboy, Sweeney Todd, Sunday in the Park with George, Chicago, Violet. Thanks to CGF and LAF. Proud Member of Actors’ Equity. www. marycallanan.com ELENA CAMP (Queen of Transylvania, Ensemble). National tour debut! Regional: Ragtime (Bristol Riverside Theatre), Forbidden Broadway (Act II Playhouse), Sisters of Swing (Montgomery Theater), Company (11th Hour Theatre Company), Into the Woods (Limelight PAC). Film: Dead Giveaway (Best Actress nomination). 2014 NATS finalist. Love to the best stage and life partner, Rajeer. Dedicated to Mama Camp. ALLYSON CARR (Ensemble). Broadway: Mamma Mia!, Elf. Off-Broadway: Standard Time, How to be a Man. Regional: On Your Feet!, How to Succeed, Cinderella, Guys and Dolls, Anything Goes, Princesses, FAME. She danced backup for P!nk, Brittany Spears, The Rolling Stones. TV: “Kimmy Schmidt,” “30 Rock,” “Law and Order,” “Wolf of Wall Street,” “Best Time Ever.” Film: Isn’t it Romantic. She dedicates every performance to her family always. DEJA-SIMONE CRUMPTON (Swing) is elated to join My Fair Lady! As a recent BFA Music Theater graduate, she has previously toured with Summer: The Donna Summer Musical (1st National). Regional credits include Aida, In the Heights, Hairspray and more. Immense gratitude to The Crumpton’s, Jesse-Ray and TPG! IG: @dejacrumpton


WHO’S WHO CHRISTOPHER FAISON (The “Loverly” Quartet, Higgins’ Butler, Lord Boxington, Footman, Ensemble, u/s Professor Zoltan Karpathy/Selsey Man). Broadway: My Fair Lady (Ensemble) TV: Macy’s Thanksgiving Day Parade, 72nd Annual Tony Awards. International: West Side Story (Riff) National Tours: Hello, Dolly (Ensemble), The Book of Mormon (Ensemble). Regional credits include Songs For A New World, Jesus Christ Superstar, and Smokey Joe’s Cafe. Special thanks to The Hybrid Agency. NICOLE FERGUSON (Higgins’ Maid, Ensemble, u/s Eliza Doolittle). Roundabout: Fiasco’s Merrily We Roll Along. National Tour: LCT’s The King and I, Sister Act. Team shoutout to DGRW and all mentors. Profound gratitude to family, friends, and her partner in crime, Eric Chambliss. OCU graduate. IG: @nikki_fergie. For more: Nicoleferguson.net JULIANE GODFREY (Higgins’ Maid, Ensemble, u/s Mrs. Pearce). Broadway: SpongeBob SquarePants (Dance Captain/ Swing). National Tour: Something Rotten (u/s Bea, Ensemble). Regional Theatre: Holiday Inn (World Premiere) and more at Goodspeed, Paper Mill Playhouse, Arena Stage, Stages St. Louis, Sacramento Music Circus, Depot Theatre, and John W. Engeman. UCLA grad. Love and gratitude to KMR, Chris, and my fair family! www.julianegodfrey.com COLLEEN GRATE (Flower Girl, Higgins’ Maid, Ensemble, u/s Eliza Doolittle). Overjoyed to return! NYC credits: Camelot (Lincoln Center), Louisiana Purchase (Musicals Tonight!), Dangerous to Dance With (Dream Up Festival). Regional credits: Kansas City Repertory Theatre, Unicorn Theatre, KC Starlight Theatre, New Theatre Restaurant, American Heartland Theatre, Quality Hill Playhouse, Chestnut Fine Arts, Okoboji Summer Theater. BFA: Stephens College. IG: @colleengrate STUART MARLAND (Harry, Ensemble, u/s Colonel Pickering and Alfred P. Doolittle). Broadway: Newsies (Snyder), Beauty and the Beast (Lumiere), Xanadu, Jekyll & Hyde (General Lord Glossop), Cyrano-The Musical. National Tours: Newsies (Snyder), The Producers (Roger DeBris), Seussical (Schmitz), Evita (Peron), Ragtime (u/s Tateh), Tommy (u/s Uncle Ernie), A Chorus Line, The Music of Andrew Lloyd Webber, Sophisticated Ladies, The King & I. WILLIAM MICHALS (Hoxton Man, The “Loverly” Quartet, Jamie, Footman, Ensemble, u/s Colonel Pickering and Alfred P. Doolittle). South Pacific (Emile de Becque), Lincoln Center Theater, dir. Bart Sher, Disney’s Beauty and The Beast (The Beast, Gaston); Bright Star. Captain Hook in acclaimed Leonard Bernstein Centenary production of Peter Pan, dir. Christopher Alden. Title roles: Man of La Mancha, Sweeney Todd, Most Happy

Fella, The Music Man, Phantom. Decades of work in top regional, US, and international theatre and opera companies. Regular solo appearances with leading symphonies. This one’s for Mom. www. WilliamMichals.com. AISHA MITCHELL (Ms. Clara Eynsford-Hill, Ensemble). Syracuse, NY. Broadway: Oklahoma! (Lead Dancer), The Lion King (Ensemble). National Tour: The Lion King (Ensemble). TV: 2019 TONY Awards. Former member of the Alvin Ailey American Dance Theater and graduate of the Ailey/ Fordham B.F.A. program. She is thrilled to join My Fair Lady! Thanks to my family and CESD! ROMMEL PIERRE O’CHOA (Mrs. Higgins’ Servant, Ensemble). Broadway/LCT: My Fair Lady, The King and I. National Tour: The King and I, Miss Saigon. Regional: Hello, Dolly! (Signature); Elf (Walnut Street); Miss Saigon (Starlight Theater); 9 to 5 (North Shore Music Theater). European Tour: West Side Story. Asia Tour: The King and I. Much love to my family and Kyle. GEORGE PSOMAS (Swing, u/s Freddy EynsfordHill). Broadway: Fiddler On The Roof, South Pacific. Regional: 6 World Premiere plays and musicals including, Ken Ludwig’s The Gods Of Comedy (Old Globe/McCarter Theatre) and Errol and Fidel (NYMF, Best Supporting Actor Award). Voiceover: Transitions by William Bridges (40th Anniversary Audiobook). Broadway Idol (Season 2 Winner). IG @George_Psomas KEVEN QUILLON (Ensemble) is very grateful to be vaccinated and back onstage! Broadway: My Fair Lady, Bandstand, A Christmas Story, Annie, Shrek, Grease. Tours: Sweet Charity, Shrek, Saturday Night Fever, Grease, White Christmas (LA), We Will Rock You (Vegas). Thank you Bart, Chris, Telsey Casting, CGF Talent and Mom, always. @kevenq JoANNA RHINEHART (Mrs. Eynsford-Hill, Ensemble, u/s Mrs. Higgins). LCT debut in My Fair Lady. Off-Broadway: The Big Broadcast on East 53rd (TBG), The Last Days of Judas Iscariot (La MaMa), In White America (New Federal Theatre). Regional: Sex With Strangers (George Street Playhouse), Our Town (Arden Theatre), The Bluest Eyes (Long Wharf). Film: My Sun. My Moon., Double Negative (shorts). TV: “Damages,” “The Following,” “Hack,” “Blindspot.” PBS American Experience: “American Oz” (Narrator). joannarhinehart.us SAMANTHA STURM (Lady Boxington, Hostess, Ensemble, u/s Mrs. Pearce). Broadway: My Fair Lady, Cats, Holiday Inn, On the Town, Matilda the Musical, Nice Work If You Can Get It, The Addams Family Musical. Some favorite regional credits: Roxie Hart/Chicago (Maltz Jupiter Theatre), Flaemmchen/Grand Hotel (The Rev), Main Girl/In Your Arms (The Old Globe).

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WHO’S WHO TV: “Elementary,” “Little America.” Big thanks to Chris, Bart & everyone at MFL for this opportunity. @samanthasturm SARAH QUINN TAYLOR (Swing, u/s Eliza Doolittle). Broadway/National Tour: My Fair Lady, Something Rotten. Regional: Goodspeed, The MUNY, Fulton, Pittsburgh CLO, STL Rep, Lyric Theatre OKC, MTWichita, John W. Engeman. Endless love to Alex, Harvey, and CTG. IG: @sarah_q_taylor GERARD M. WILLIAMS (The “Loverly” Quartet, Steward, Constable, Ensemble). Grateful to join the My Fair Lady tour. Music education: Berklee College of Music. Broadway World Regional Nominee - Best Actor in a Musical. Served as worship leader at The River Church in hometown of Durham, NC. Shows: National tour of The Color Purple (Grady), STEM: the Musical, Ragtime (Coalhouse), The Scottsboro Boys, Dreamgirls, Memphis (Gator), Jesus Christ Superstar, Assassins (Proprietor), Celebrity Cruises Singer. IG: Gmonwilliams RICHARD RIAZ YODER (Swing, u/s Freddy Eynsford-Hill) is an Astaire Award-winning Broadway veteran of five Tony-nominated and winning musicals. His Broadway credits include White Christmas, On The Twentieth Century, Shuffle Along, Hello Dolly, and My Fair Lady. Richard’s TV credits include co-starring as Conrad on “Mom” on CBS. Thankful for this cast, crew and creative team. @richardriaz MINAMI YUSUI (Ensemble, Dance Captain, Fight Captain) Broadway: My Fair Lady, Miss Saigon, The King and I. National Tour/International: Mary Poppins, Wicked. Regional: Goodspeed, Paper Mill, MSMT. Assistant Director and Translator for the Japanese premiere of Spring Awakening. Much gratitude to the entire creative team and company, DHA and family. Native of Kanazawa, Japan. IG: @minamiyusui ALAN JAY LERNER (Book and Lyrics) wrote some of America’s best loved and enduring stage and movie musicals with Frederick Loewe over a period of more than 25 years: Life of the Party, What’s Up, The Day Before Spring, Brigadoon, Paint Your Wagon, My Fair Lady, Camelot and Gigi. He also wrote Love Life with Kurt Weill, On a Clear Day You Can See Forever and Carmelina with Burton Lane, Coco with Andre Previn, 1600 Pennsylvania Avenue with Leonard Bernstein and Dance a Little Closer with Charles Strouse. He wrote the libretto and/or lyrics for the following films: An American in Paris, Gigi, The Little Prince, Royal Wedding and film versions of his plays. He wrote two books: The Street Where I Live and The Musical Theatre: A Celebration. During his life he received multiple

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Tonys, Oscars, Grammys and Golden Globes and a Kennedy Center Honor. Mr. Lerner died in 1986. FREDERICK LOEWE (Music), a classically trained musician, wrote the scores for some of America’s most memorable musicals including My Fair Lady, Camelot, Brigadoon, Paint Your Wagon and Gigi. Among his most famous songs with lyricist- partner Alan Jay Lerner are “Almost Like Being in Love,” “I Could Have Danced All Night” and “Thank Heaven for Little Girls.” A musical prodigy, Loewe was born in Berlin in 1901 and, at 13, was the youngest piano soloist to play with the Berlin Philharmonic. His popular song “Katrina,” written when he was 15, sold more than a million copies across Europe. Struggling to find work on Broadway after arriving in the U.S. in 1924, Loewe worked at such odd jobs as cow punching, boxing and accompanying silent films on the piano. He wrote with several other lyricists until approaching Lerner at New York’s Lambs Club in 1942 about collaborating on a show—thus beginning one of Broadway’s most extraordinary partnerships. The recipient of multiple Tony and Academy awards, Loewe died in Palm Springs in 1988. BARTLETT SHER (Direction) is a Resident Director at Lincoln Center Theater, where he won a Tony Award for his production of Rodgers & Hammerstein’s South Pacific (which he also directed in London and Australia); and was nominated for Tony Awards for his LCT productions of My Fair Lady, Oslo (2017 Tony Award for Best Play, Obie Award, also National Theatre, London), Rodgers & Hammerstein’s The King and I (also London), Golden Boy, Joe Turner’s Come and Gone, Awake and Sing!, and The Light in the Piazza. His other LCT productions include Blood and Gifts and Women on the Verge of a Nervous Breakdown (also London). Broadway: Aaron Sorkin’s adaptation of To Kill a Mockingbird (Tony nom.), Fiddler on the Roof (Drama Desk Award), The Bridges of Madison County. Off-Broadway: Waste (Best Play Obie Award), Cymbeline (Callaway Award, also Royal Shakespeare Company), Don Juan, Pericles (TFANA, BAM). He was the Artistic Director of Seattle’s Intiman Theatre (2000–2009) and was previously Company Director for the Guthrie Theater and Associate Artistic Director at Hartford Stage. Opera: Rigoletto (Staatsoper); Roméo et Juliette (Metropolitan Opera, Salzburg, Milan, Chicago); Faust (Baden Baden); Two Boys (ENO, Metropolitan Opera); Barbiere di Siviglia (Baden Baden, Metropolitan Opera); Otello, Il Les Contes d’Hoffmann, Le Comte Ory, L’Elisir d’Amore (Metropolitan Opera); Mourning Becomes Electra (Seattle Opera, New York City Opera). He serves on the board of the Society of Stage Directors and Choreographers. Bart is currently directing a chamber opera production of Lynn Nottage’s Intimate Apparel at Lincoln Center Theater, with


WHO’S WHO a score by Ricky Ian Gordon. His film of Oslo premiered on HBO in May. CHRISTOPHER GATTELLI (Choreography). LCT: My Fair Lady (Tony, Outer Critics Circle nominations), The King and I (Tony nom.), South Pacific (Tony, OCC noms.), Women on the Verge of a Nervous Breakdown. Broadway: The Cher Show (also Chicago), War Paint, Newsies (Tony, DD, OCC awards for Best Choreography), SpongeBob SquarePants (Tony nom.), Sunday in the Park With George, Casa Valentina, Godspell, 13, The Ritz, Martin Short: Fame Becomes Me, High Fidelity. West End: SILENCE! The Musical!, Sunday in the Park With George. Off-Broadway: Dogfight (Lortel Award); Altar Boyz (Lortel, Callaway awards; DD nom.); Bat Boy: The Musical (Lortel Award); tick, tick…BOOM! Film: Hail, Caesar!; Newsies; Isn’t It Romantic? TV: “Schmigadoon!” TED SPERLING (Music Supervisor). Director: The Other Josh Cohen, Red Eye of Love, Striking 12 (Off B-way); She Loves Me (Caramoor); The Pirates of Penzance, See What I Wanna See (Public Theater); Show Boat (NY Phil); Myths and Hymns, Lady in the Dark, Of Thee I Sing, Babes in Toyland, Knickerbocker Holiday (MasterVoices). Musical Director: My Fair Lady, Fiddler on the Roof, The King and I, South Pacific, The Light in the Piazza (Tony Award), The Full Monty, Dirty Rotten Scoundrels, Floyd Collins, A Man of No Importance, A New Brain, My Favorite Year. Actor: Titanic, “The Marvelous Mrs. Maisel.” Artistic Director of MasterVoices. www.tedsperling.net MICHAEL YEARGAN (Sets). LCT: My Fair Lady (Tony, Outer Critics Circle nominations), Oslo (Tony nom.), The King and I (Tony, OCC noms.), Golden Boy (Tony nom.), Blood and Gifts, Women on the Verge of a Nervous Breakdown, Joe Turner’s Come and Gone (Tony nom.), South Pacific (Tony, Drama Desk awards; OCC nom.), Cymbeline, Awake and Sing! (DD Award, Tony nom.), Edward Albee’s Seascape, The Light in the Piazza (Tony, DD awards). Broadway: The Ritz, Bad Habits, A Lesson From Aloes, The Road to Mecca (Roundabout), Fiddler on the Roof (B’way revival) Credits Off-Broadway, in regional theater, London, ten productions at the Metropolitan Opera and work at major opera companies throughout the United States, Europe and Australia. CATHERINE ZUBER (Costumes). Broadway: Moulin Rouge, (Drama Desk Award, Outer Critics Circle Award), Mrs. Doubtfire, My Fair Lady, (Tony Award, Drama Desk Award, Outer Critics Circle Award), Oslo, Junk, The Father, War Paint (Drama Desk Award, Outer Critics Circle Award), King & I, (Olivier Award, TonyAward), Fiddler on the Roof, Golden Boy, South Pacific (Tony Award); The Coast of Utopia (Tony Award); The Light in the Piazza (Tony Award); Awake and Sing! (Tony Award);

The Royal Family (Tony Award); Edward Albee’s Seascape; Gigi (Drama Desk Award) Doubt; Dinner at Eight. Metropolitan Opera: Porgy and Bess, Il Barbieri di Siviglia, Les Contes d’Hoffman, Comte Ory, L’elisir d’Amore, Otello, Dr. Atomic, Roméo et Juliette. 2016 Induction: Theater Hall of Fame. Oslo, film HBO. DONALD HOLDER (Lighting). Broadway: Over fifty productions, two Tony awards (The Lion King and South Pacific) and thirteen Tony nominations. Recent projects include: Tootsie, Kiss Me Kate, My Fair Lady, Oslo, Anastasia, She Loves Me, Fiddler On The Roof, The King and I, The Bridges Of Madison County, Golden Boy, Spiderman, many others. Film/TV: “The Marvelous Maisel” (Amazon Studios), Oceans 8 (Warner Bros. Pictures), “Smash” (NBC/Dreamworks). Graduate of the Yale School of Drama, Head of Lighting Design: Rutgers University. MARC SALZBERG (Sound). Broadway: My Fair Lady, The Great Society (co-design with Paul James Prendergast), Oslo, Golden Boy (Tony nomination), Awake and Sing! (the latter three co-designed with Peter John Still), Fiddler on the Roof (1981 revival), Larry Gelbart’s Mastergate. OffBroadway: The Hard Problem, Forever Plaid, Intimate Apparel. He sat behind the mixing desk as Production Soundman at the Vivian Beaumont Theater at New York’s Lincoln Center for 20 years, mixing 29 shows, including South Pacific, The Coast of Utopia, and The Light in the Piazza. ROBERT RUSSELL BENNETT (Orchestrations, 1894–1981) orchestrated more than 300 Broadway musical scores including Show Boat; No, No, Nanette; Of Thee I Sing; Face the Music; Oklahoma!; Carmen Jones; Finian’s Rainbow; Kiss Me, Kate; South Pacific; The King and I; My Fair Lady; and Camelot. His arrangements for the 1955 film version of Oklahoma! earned him an Academy Award. He also orchestrated and arranged Richard Rodgers’ TV documentary score for “Victory at Sea.” A classically trained composer, Bennett’s prolific output of original compositions includes symphonies, sonatas, a ballet, a concerto and an opera. PHILIP J. LANG (Orchestrations, 1911–1986) was a musician, composer and music educator who taught at the graduate schools of music at the University of Michigan and the University of Colorado and was the orchestrator of more than 50 Broadway musicals including My Fair Lady and Camelot (with Robert Russell Bennett); Annie Get Your Gun; Applause; Hello, Dolly!; Carnival; and 42nd Street. Mr. Lang was an orchestrator for the Metropolitan Opera and a frequent musical arranger for television including Hallmark Productions, David Susskind, Radio City Music Hall and “The Tonight Show.”

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WHO’S WHO TRUDE RITTMANN (Dance & Incidental Music Arrangements, 1908–2005) amassed more than 50 Broadway credits as a choral and dance arranger including The Sound of Music, The King and I, South Pacific, My Fair Lady, Carousel, Finian’s Rainbow, Brigadoon, Paint Your Wagon and Peter Pan. A composer in her own right, she provided music for such shows as “Omnibus” and “Seven Lively Arts.” JOSH CLAYTON (Tour Orchestrations) recently collaborated with Jonathan Tunick on the National Theatre of London’s revival of Follies. He provided new orchestrations for the US national tour and London productions of Lincoln Center’s Tony award-winning revival of The King and I. Other orchestration credits include Titanic (Signature Theatre), Brigadoon (Goodman Theatre), The New Yorkers and The Cradle Will Rock (New York City Center), On A Clear Day, Finian’s Rainbow, and Donnybrook (Irish Repertory Theatre). He is currently the Supervisor of Music Administration & Score Restoration for the New York City Center Encores! Series. JOHN BELL (Music Direction). On Broadway, John has conducted My Fair Lady, Fiddler on the Roof, On the Town, An American in Paris. 12+ shows with the acclaimed City Center Encores! Series (Associate MD): Brigadoon, Me and My Girl, Lady Be Good, The New Yorkers and more. At the Irish Repertory Theatre, John has been Music Supervisor/ Director for Finian’s Rainbow, On A Clear Day You Can See Forever, Meet Me in St. Louis. Other New York credits: Ordinary Days, Marry Me A Little, Radio City Christmas Spectacular, and Candide. He holds a BFA in Musical Theatre from Ithaca College, and a Master’s in Music from the City University of New York. TALITHA FEHR (Music Coordinator) has worked on over 75 national and international tours and productions in the past 15 years. Highlights include Sister Act, Mamma Mia!, School of Rock, Come Fly Away, Love Never Dies, and the 2010 Vancouver Olympic Ceremonies. She dedicates her work on My Fair Lady to the memory of Sam Lutfiyya. DAVID LAI (Music Coordinator). LCT: My Fair Lady, The King and I, South Pacific. Broadway as music coordinator: Hadestown, Come From Away, Fiddler on the Roof, Mary Poppins, CATS, Jesus Christ Superstar, Bonnie and Clyde. Broadway as music director: The Phantom of the Opera. Multiple Grammy winner (West Side Story and Hadestown), 8-time Grammy nominee, Emmy Award winner. Producer credits include Joshua Bell, Renee Fleming, Itzhak Perlman, Placido Domingo, Lang Lang, Herbie Hancock and Chick Corea. THE TELSEY OFFICE (Casting). With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television, and commercials.

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The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. TOM WATSON (Hair and Wigs) headed the wig/ makeup department at the Metropolitan Opera for 17 years. He has designed more than 90 Broadway productions including Wicked, Rock of Ages, The King & I, Fiddler on the Roof, Oslo, Falsettos, The Little Foxes, Junk, The Parisian Woman, My Fair Lady, King Kong, All My Sons and Great Society. ELIZABETH SMITH (Dialect Consultant). Broadway: My Fair Lady, The Hard Problem, Oslo, Coast of Utopia, Macbeth, Cymbeline, The Rivals, Henry IV, The Invention of Love, Twelfth Night, Ivanov, Racing Demon, Arcadia, Noises Off, Rock n’ Roll, The Elephant Man, Dirty Rotten Scoundrels, Retreat From Moscow, Tommy, and Me and My Girl. Off-Broadway includes Sore Throats, The Skriker and Cloud Nine. SARI KETTER (Associate Director). Selected Associate/Assistant Directing: To Kill a Mockingbird (Broadway); Fiddler on the Roof (Broadway; Broadway national tour). The King and I (London Palladium; Broadway national tour). My Fair Lady (LCT). The Guthrie Theater (12 years); Arena Stage; Denver Center Theatre; Seattle Repertory Theater; Steppenwolf at Lincoln Center Theater; The Acting Company; Playwrights Horizons; Hartford Stage. Selected Directing: Guthrie Theater; Idaho Shakespeare Festival; Intiman Theater; Great Lakes Theater; Portland Stage; Shakespeare Santa Cruz; Minnesota Orchestra; Houston Symphony; St. Louis Symphony; Pittsburgh Symphony; St. Paul Chamber Orchestra. MARK MYARS (Associate Choreographer). Broadway Associate: Dear Evan Hansen, The Cher Show, My Fair Lady, SpongeBob SquarePants, War Paint, If/Then. West End Associate: Dear Evan Hansen, Wicked. International Supervisor: Wicked. Film/ TV Associate: Isn’t It Romantic?, “Schmigadoon!” Other: Assassins (Associate, NYC Encores!), In Your Arms (Associate, The Old Globe), Joseph...Dreamcoat (Choreographer, Casa Mañana), Dancin’ Broadway (Choreographer, Tour) www.markmyars.com DONAVAN DOLAN (Production Stage Manager). National Tours: CATS, Love Never Dies, An American in Paris, 42nd Street, Annie, GHOST, Catch Me if You Can, Grease, Peter Pan 360, Jesus Christ Superstar, RENT, Oklahoma!, A Chorus Line, Copacabana. International Tours: An American in Paris, 42nd Street, The Sound of Music, and Thomas & Friends. Special thank you to Justin Dolan!


WHO’S WHO AARON HEETER (Stage Manager). Touring: Realish Housewives (The Second City), Fun Home, An American in Paris. Chicago: Nickel & Dimed, Take Me Out, Cherry Orchard (Steppenwolf); Wicked, The 25th Annual Putnam County Spelling Bee, Altar Boyz. TV/Film: The Oprah Winfrey Show, The Steve Harvey Show, The Other Woman, Money Monster and The Wolf of Wall Street. NATALIE FIGAREDO (Assistant Stage Manager). Regional highlights: American Mariachi, Poor Yella Rednecks, Little Black Shadows (South Coast Repertory), The Cake (Geffen Playhouse), The Cake (Echo Theater Company), With Love and a Major Organ (Boston Court), What You Are (The Old Globe). Trained at CSULB and The London Academy of Music And Dramatic Art. NICOLE McCLENDON (Company Manager) has been helping entertain audiences around the world for over 20 years. Selected projects include Promise of a Love Song, Tap Dogs, 42nd Street Asia, Priscilla Queen of the Desert, School of Rock, Beautiful the Carole King Musical. Love to Jonathan, Bella, Juju and Evie, her favorite adventures of all. ROYCE MATTHEWS (Assistant Company Manager) is beyond excited to join his first national tour! Leaving the corporate world behind, he decided to take a leap and pursue what makes him happy—live theater. KAREN BERRY (General Manager). Recent tours: CATS, Love Never Dies, On Your Feet!, An American in Paris. Selected Chicago GM credits: Christopher Wheeldon’s Nutcracker, Old Jews Telling Jokes, Million Dollar Quartet, Don’t Dress for Dinner, Bleacher Bums, Driving Miss Daisy, Shirley Valentine, Steel Magnolias. Broadway credits: Carrie, Quilters, Asinamali, Showboat. TROIKA ENTERTAINMENT (Tour Management) has been an innovator in touring musical theater for over three decades. TROIKA Entertainment brings the Broadway experience to communities around the world; uniting, inspiring and celebrating our audiences, our employees, and our partners through the magic and energy of live theater. Current productions include CATS, The Phantom of the Opera, Escape to Margaritaville, TOOTSIE, My Fair Lady, Annie, and Dr. Seuss’ How the Grinch Stole Christmas. Please visit us at www. troika.com. LINCOLN CENTER THEATER, under the direction of André Bishop, is one of New York’s favorite not-for-profit theaters. Now in its 35th year, LCT has produced over 200 plays and musicals at the Vivian Beaumont, Mitzi E. Newhouse, and Claire Tow Theaters at Lincoln Center and other theaters on and off-Broadway, as well as touring productions nationally and around the world. LCT

encourages emerging artists through play readings, workshops, an annual Directors Lab, and LCT3, which is devoted to producing the work of new playwrights, directors, and designers. Open Stages, LCT’s education program, reaches thousands of public school students annually with curriculumrelated projects, tickets to LCT productions, and a Shakespeare Program. The theater is also the publisher of the Lincoln Center Theater Review, which explores subjects related to its productions. NEDERLANDER PRESENTATIONS INC (Producer) is a production division of the multinational theatrical entities owned by James L. Nederlander. Prominent for three generations in management and operation of theatres and productions of distinguished entertainment, they have produced innumerable plays, musicals, operas, ballets and concerts. The Nederlanders also own a notable chain of legitimate theatres. Currently in their Broadway venues are Wicked, Disney’s The Lion King, Hamilton, Tina: The Tina Turner Musical, and Six The Musical. ACTORS EQUITY ASSOCIATION founded in 1913, is the U.S. labor union that represents more than 50,000 professional actors and stage managers. Equity endeavors to advance the careers of its members by negotiating wages, working conditions and providing a wide range of benefits (health and pension included). Member: AFL-CIO, FIA. #EquityWorks MY FAIR LADY TOUR STAFF GENERAL MANAGEMENT & PRODUCTION MANAGEMENT TROIKA ENTERTAINMENT GENERAL MANAGER KAREN BERRY Associate General Manager. . Madeline M. McCluskey PRODUCTION MANAGER GREGG DAMANTI TECHNICAL SUPERVISOR LARRY MORLEY COMPANY MANAGER NICOLE McCLENDON Assistant Company Manager. . Royce Matthews TOUR MARKETING & PRESS REPRESENTATIVE ANITA DLONIAK & ASSOCIATES, INC Anita Dloniak Melissa A. Hazek CASTING THE TELSEY OFFICE Rachel Hoffman, CSA Patrick Goodwin, CSA Laura Wade, CSA Ally Kiley

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EXCLUSIVE TOUR DIRECTION THE BOOKING GROUP Meredith Blair, Kara Gebhart Laura Kolarik, Stephanie Ditman www.thebookinggroup.com PRODUCTION STAGE MANAGER. . . . . . . . . . . . . . . . DONAVAN DOLAN Stage Manager. . . . . . . . . . . . . . . . . . . . . . Aaron Heeter Assistant Stage Manager. . . . . . . . . . Natalie Figaredo Safety Manager……. ………………Jody Bogner Associate Director. . . . . . . . . . . . . . . . . . . . . . . Sari Ketter Associate Choreographer. . . . . . . . . . . . . . Mark Myars Assistant Choreographer. . . . . . . . . Michael Williams Dance Captain/Fight Captain. . . . . . . . Minami Yusui Assistant Dance Captain. . . . . . . . . . . . . Michael Biren Associate Scenic Designer. . Mikiko Suzuki MacAdams Associate Costume Designer. . . . . . . Patrick Bevilacqua Assistant Costume Designer. . . . . . . . . . . . . . Adrienne Clare Wasserman Associate Lighting Designer. . . . . . . . . Karen Spahn Assistant Lighting Designer. . . . . . . . . . . Paige Seber Associate Sound Designer. . . . . . . . . . . . . . Beth Lake Moving Light Programmer. . . . . . . . . . . . . Colin Scott Makeup Coordinator. . . . . . . . . . . . . . Dana D’Adamo Production Carpenter. . . . . . . . . . . . . . . . D. Wade Jolly Production Electrician. . . . . . . . . . . . Ronald Schwier Production Sound. . . . . . . . . . . . . . . . . . Joshua Hummel Production Properties. . . . . . . . . . . . . . Alison Mantilla & Shawn Riley-Rau Electronic MusicDesign. . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Jay Stein, Hiro Iida for Strange Cranium Musical Supervision for Lerner & Loewe. . . . . . . . . . . . . . . . Bruce Pomahac Production Assistant. . . . . . . . . . . . . . . . . Matt Balfour HEAD CARPENTER. . . . . . . . . . BLAIR CARPER Flyman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nathan Lewis Automation Carpenter. . . . . . . . . . . . Andrew Michael Deck Carpenter/Rigger. . . . . . . . . . . . . Ronan Havlice Head Electrician. . . . . . . . . . . . . . . . . . . . Dawn Kenseth Assistant Electrician. . . . . . . . . . . . . . . Jeremy Bolnick Assistant Electrician. . . . . . . . . . . . . . . Jason Stefansen Head Sound. . . . . . . . . . . . . . . . . . . . . . . . . . Drew Roberts Assistant Sound. . . . . . . . . . . . . . . . . . . . . . Cory Raynor Head Props. . . . . . . . . . . . . . . . . . . . . . . . . . Tory Sheppard Assistant Props. . . . . . . . . . . . . . . . . . . . . Gina Leonardo Head Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . Tess Weaver Assistant Wardrobe. . . . . . . Bari JuneYaffee Gregory Star Dresser. . . . . . . . . . . . . . . . . . . . . . . . . Ellouise Davis Head Hair & Makeup. . . . . . . . . . . . . . . Stephen Riegel Assistant Hair & Makeup. . . . . . . . . . . . Aria Durso Crew Substitute. . . . . . . . . . . . . . . Brandon Fitzgerald Dialect Consultant. . . . . . . . . . . . . . . . . . . Elizabeth Smith Physical Therapy. . NEURO TOUR Physical Therapy Production Photography. . . . . . . . . . . . . . Joan Marcus Creative Services & Website. . . . . . . . . . . . . . . . Spotco Digital Marketing. . . . . . . . . . Think Tank Louisville, Randy Blevins LCT Press Liaison. . . . . . . . . . . . . . . . . Amanda Kaus Accounting. . . . . . . . . . . . Withum Smith + Brown, PC Employee Benefits . . . . . . . . . . . . . . . . . . PEOPLE, Inc. Insurance. . . . . . The Arts Insurance Program, LLC.

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Legal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jean Ward, Esq., Frankfurt Kurnit Klein & Selz Merchandising. . . Creative Goods Merchandise LLC For TROIKA ENTERTAINMENT Chief Executive Officer/ Executive Producer. . . . . . . . . . . . . . . . Angela Rowles Chief Operating Officer/ Executive Producer. . . . . . . . . . . . . . . . . . . . . Kori Prior General Manager. . . . . . . . . . . . . . . . . . . Brian Schrader Associate General Managers. . . Madeline M. McCluskey,Tegan Meyer Technical Director. . . . . . . . . . . . . . . . . . . . . Dave Burch Production Managers. . . . . . . . . . . Heather Chockley, Gregg Damanti Production Coordinator. . . . . . . . . . . . . Drew Neitzey Director of Engagements. . . . . . . . . Barrett Newman Director of Marketing. . . . . . . Michael Yuen-Killick Director of Operations… … … … . Melanie Cahill Director of Finance. . . . . . . . . . . . . . . . . . . . Brian Jacob Production Accounting Manager. . . . . Sheila Lewis Staff Accountant. . . . . . . . . . . . . . . . . . . Electra Walker Warehouse Manager… … … … … . Coree Howard Office Manager/ExecutiveAssistant….Shaquille Stewart www.troika.com CREDITS

Scenery, painting, and automation by HUDSON SCENIC STUDIO, INC. Costumes by ANGELS COSTUMES, London; EUROCO COSTUMES; PARSONS-MEARES, LTD.; John Cowels; DAS GEWAND; TIMBERLAKE STUDIOS, INC.; AREL STUDIO; PERIOD CORSETS; ARNOLD LEVINE MILLINERY; RODNEY GORDON MILLINERY; LADUCA SHOES. Hosiery and undergarments by BRA*TENDERS. Principal and Embassy Ball jewelry by LARRY VRBA. Additional costume jewelry by SANDY BINION. Lighting equipment from PRG LIGHTING and HDL, LLC. Sound equipment by MASQUE SOUND. Rigging by CHRISTIE LITES.

SPECIAL THANKS Emily Altman, Loren Plotkin, JooHyun Kim, Chen-wei Liao, Chris Thompson, Chika Shimizu, Libby Stadstad, Jungah Han, Jay Johnson, Zoe Szczotka, Terra Troxell MY FAIR LADY originally rehearsed in 2019 at Open Jar Studios, NY, NY. The production rehearsed in 2021 at Theatre Under The Stars and relaunched at The Hobby Center in Houston, TX. The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. The musicians employed in this production are members of the American Federation of Musicians. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E) The Director-Choreographer is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union. United Scenic Artists represents the designers and scenic painters for the American Theatre. The Company Manager employed in this production is represented by the Association of Theatrical Press Agents & Managers. This production is produced by a member of the Broadway League in collaboration with our professional unionrepresented employees.


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Celebrate Live 33


BRINGING A GROUP OF 10 OR MORE? MAKE DPAC YOUR GROUP DESTINATION A show at DPAC is the ultimate experience for any group. Group Services at DPAC is your connection to savings of 10% to 15% for Broadway performances and select special events. Seeing a performance with a group is not only fun, it’s also economical. You just need 10 or more people who want to get together for both a great outing and a great deal on shows at DPAC. Any group can take advantage of our special group pricing, including: • • • • • •

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Churches Corporate outings Coworkers Families & Friends Fundraising organizations Girls’ night out

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EXPERIENCE THE BEST OF BROADWAY, MADE IN NORTH CAROLINA!

Can’t see enough musicals? Don’t miss North Carolina Theatre’s 2021-22 season, featuring non-touring, professional Broadwaycaliber productions, produced in Raleigh for local audiences. Only at NCT!

9 to 5, The Musical

Oct 12-17, 2021

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Feb 8-13, 2022

Ring of Fire April 29 – May 8, 2022

On Your Feet! The Story of Emilio & Gloria Estefan Aug 9-14, 2022

Learn more at NCTheatre.com!

MUSICAL THEATRE CLASSES FOR EVERYONE!

Is your child ready to sing, dance, or act? Help them develop their talent at the North Carolina Theatre Learn more at Conservatory in Raleigh, offering classes for children NCTheatre.com/Conservatory! from age 5 to 18 focused on every level of experience! Spring and Fall courses start at $175 for 6 hours, and don’t miss our popular Broadway Bootcamps, open each summer from June through August!


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GUEST ETIQUETTE At DPAC, we’re committed to Guest Courtesy. Please remember to be a good neighbor to those seated around you. AFTER THE PERFORMANCE

Yes, the lobby gets busy and the parking lots can be tricky, but please remain at your seats until the houselights come up. As a courtesy to the performers and other audience members, DPAC asks that you do not rush for the exits prematurely at the end of the performance.

ENTERING AND EXITING THE SEATING AREA

Please time your exits and re-entry to the seating area to occur only at intermission or breaks between songs. This is a courtesy to other guests around you who will appreciate you keeping these disruptions to a minimum.

KIDS AT DPAC

Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at most DPAC performances including Broadway, Concerts and Comedy shows. For some shows, DPAC will make recommendations on the appropriate minimum age based on the content and the length of the event. Parental discretion is always advised and judgment of the appropriateness of the content for each show should be made on an individual basis prior to purchase. Children must be able to sit quietly in their own seat without disturbing other guests. As a further courtesy to our guests, DPAC recommends one parent or chaperone for every one child in attendance.

IT CAN WAIT.

Please save texting until AFTER the show. The light from phones is distracting to others throughout the theater. Please keep them turned off.

IT’S SUPERSTAR ENTERTAINMENT, NOT A FOOD FEST

Small snacks and drinks are welcome in the seating area, but as a courtesy to those around you, eat and drink as quietly as possible. Please know that odors and noisy wrappers can disturb others. We also ask that you finish sandwiches or other large food items before entering the seating area.

PHOTOGRAPHY / VIDEO RECORDING USING MOBILE PHONES

At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones. Please note that GoPro’s, tablets, and cameras of any kind are prohibited at all DPAC events. All Broadway shows prohibit photography and video recording.

QUIET PLEASE.

Once the show starts, please let the stage be the center of attention. We ask that you turn off all cell phones and limit conversation. If children are attending this performance with you, please exit the theater immediately if they become restless or talkative.

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TRIANGLE RISING STARS THE BEST OF HIGH SCHOOL MUSICAL THEATER TALENT IN OUR REGION

Triangle Rising Stars celebrates outstanding achievement in high school musical theater, by focusing attention on the meaningful work being done both on and off stage by dedicated teachers and students.

As the regional qualifying event for The National High School Musical Theatre Awards™ (NHSMTA), also known as The Jimmy Awards®, Triangle Rising Stars brings together high school musical theater students from Durham, the Triangle and the surrounding region to perform and compete for a chance to represent DPAC in the national finals in New York City. To learn more about how to register your school’s theater program for Triangle Rising Stars, please visit: https://www.dpacnc.com/community/triangle-rising-stars.

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TRIANGLE RISING STARS In Spring 2021, DPAC named Joshua Messmore (St. David’s School) and Elena Holder (Durham School of the Arts) Triangle Rising Stars’ Best Actor and Best Actress winners. Joshua and Elena then went on to compete nationally at The Jimmy Awards®.

Joshua Messmore

Elena Holder

For the first time in history, a Triangle Rising Stars winner received the coveted Jimmy Award® for Best Performance by an Actress. Through this win, Elena Holder not only earned incredible national exposure, but also a $25,000 scholarship to further her education.

More information on NHSMTA™ and The Jimmy Awards® can be found at jimmyawards.com. Special thanks to our community partners and judges.

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Apr 3

CONNECT WITH DPAC Download the Official DPAC App

DPAC’s new mobile app offers you a secure place to easily store and organize all of your mobile tickets, so you are ready for entry to every one of the blockbuster Broadway shows on our calendar. In addition, we’ll soon be adding more features including pre-order of drinks and snacks for pick-up at intermission, plus links to a digital copy of the show program, updates on all upcoming shows, and key tips to help you plan for your visit. Join today for these great benefits:

Become a Friend of DPAC • Latest News

Join today for these great benefits: • New Show Announcements • Latest news • Special Online Ticket Offers • New show announcements • Friends-Only Sweepstakes and Special Events • Special online ticket offers • Friends-only It’ssweepstakes free, fast,and andspecial easy events to sign up now. www.DPACnc.com It’s free, fast, and easy to sign up now at DPACnc.com. Join the Conversation

Join the Conversation

Eve

Whether you like, tweet, or post, DPAC invites you to become part of our social community. We Whether you like, tweet, or post, DPAC invites you to become part hope you’ll share your memories and experiences of our social community. We hope you’ll share memories and with us, and in return we’ll show youyour inside experiences withbackstage us, and and in return we’ll show you inside share announcements, special backstage and other great entertainment news. share announcements, special offers offers and other great and entertainment news.

DPAC

@DPAC

DPACLive @DPACnc

44 All dates, acts, and ticket prices subject to change without notice.


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DISCOVER BROADWAY Help local students experience their first ever Broadway show! Discover Broadway offers Truist Broadway members a way to donate tickets so their valuable seats do not go unused. Thanks to the generosity of DPAC’s Truist Broadway members, hundreds of tickets have been donated to deserving students from high schools and universities located throughout Durham. For many, these seats provided opportunities for students to experience their first ever Broadway show. By donating the tickets you cannot use, Durham students will receive the opportunity of a lifetime.

Here’s how you can donate: • If you know in advance that you cannot attend a show, or even if one member of your party will not be joining you, simply contact DPAC at :

DiscoverBroadway@dpacnc.com • You will receive an acknowledgment from DPAC that your unused tickets will be reprinted for donation to an area student. • DPAC will handle all other details and provide instructions to the recipient on how to access their tickets. * Ticket donations must be made at least 72 hours prior to the performance date. Discover Broadway donations do not provide tax donation receipts.

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PRE-SHOW DINING OPTIONS There are a wide variety of upscale and festive options within walking distance or a short drive of DPAC. Many offer pre-show dining discounts and after show specials. Show nights can be very busy, and reservations are strongly suggested where available. Check our Plan Your Visit page at DPACnc.com for Truist Broadway member special offers.

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DPAC’S LOCAL HERO SPOTLIGHT Sharing the Magic of Live Entertainment Each year, DPAC’s Local Hero program provides VIP experiences to the most deserving community members who make a difference for others in everyday life here in the Triangle. Community members selected for this honor receive a DPAC VIP experience, including premium seating to a select show, VIP parking and access to DPAC’s President’s Club hospitality area. It is our hope that recipients, many of whom may be first-time DPAC guests, have the opportunity to enjoy the magic of live entertainment at DPAC as a small reward for their service in our communities. Want to nominate someone? Visit DPACnc.com for more information. 2018 BASF DPAC Ad v2.pdf

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Spotlight on Teachers Educators do more than teach They nurture, encourage and inspire our youth. BASF puts a Spotlight on Teachers throughout the year to recognize local outstanding agriculture and science educators. Teachers, we applaud your dedication to student success!

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DPAC PERFORMING ARTS AMBASSADORS Each fall, DPAC selects 20 area high school students who are passionate about live entertainment to serve as Performing Arts Ambassadors throughout the school year.

Ambassadors are offered unique, once-in-a-lifetime opportunities to attend DPAC’s varied and diverse events, while also having the chance to volunteer in guest service roles and report on their experiences via videos, online blogs, and social media posts.

Through this program, DPAC provides Ambassadors with meaningful and impactful experiences, while guiding their future careers in the arts. Follow DPAC’s Performing Arts Ambassadors throughout the season by visiting www.DPACnc.com/performing-arts-ambassador-blog.

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Make it an Extra Special Night A.I.M by Kyle Abraham, photo by Carrie Schneider

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DPAC FOR ALL $15 to $20+taxes Tickets Reserved Exclusively for Durham Residents

DPAC For All offers reserved seating for $15 to $20+taxes per ticket exclusively for residents of Durham for most Broadway shows and select special events. This program provides an opportunity for many to experience their first-ever live performance at a savings of 20% to 75%. Residents can purchase these specially discounted tickets in-person at the Blue Cross of NC – Ticket Center at DPAC. Sales end one month prior to the opening night performance of each show or while supplies last.

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The arts that enrich our community need active support in order to be seen and appreciated. We’re proud of our role in providing that support, and grateful to the artists who inspire us.

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BUSI N ESS L A W | 150 Fayetteville St., Raleigh | 230 N. Elm St., Greensboro | 115 N. 3rd St., Wilmington


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