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$ECONSTRUCTING &AITH 'AUD YA 6AISN S AVISM AND THE 3CHOOL OF $ECONSTRUCTION ,EENA 4ANEJA

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AUD YA 6AISN AVISM IS A (INDU RELIGIOUS MOVEMENT THAT EMERGED IN "ENGAL AND SWEPT ACROSS )NDIA BEGINNING IN THE SIXTEENTH CENTURY 4HE TERM 6AIS N AVISM REFERS TO THE CENTRAL DEITY 6ISN U WHO IS WORSHIPED WITH LOVE AND DEVOTION AS THE 3UPREME "EING 4HE ORIGINS OF THIS SECT CAN BE TRACED TO THE MAGNANIMOUS l GURE OF 3|R #AITANYA n

ITS FOUNDER #AITANYA WAS GUIDED BY ONE SIMPLE ABIDING PRINCIPLE THAT LOVING DEVOTION OR BHAKTII TO ,ORD 6IS N U +R S N A IS THE HIGHEST FORM OF SPIRITUAL EXPRESSION h(E ADVOCATED +RS N A BHAKTI AS A TOTAL FORM OF RELIGION THAT COULD BE FOLLOWED TO THE EXCLUSION OF EVERYTHING ELSE v )N THIS ARTICLE ) CONSIDER S|RADDHA OR FAITH AS DEl NED IN THE TRADITION OF 'AUD YA 6AISN AVISM IN LIGHT OF THE POSTMODERN THEORIST *ACQUES $ERRIDA S DECONSTRUCTIVE THEORY 3EVERAL POINTS OF CONTACT THOSE ILLUMINATED BY $ERRIDA S DISCUSSION ON THE GIFT IN HIS SEMINAL BOOKS 'IVEN 4IME ) #OUN TERFEIT -ONEY AND 4HE 'IFT OF $EATH WILL BE EXPLORED AS THEY PERTAIN TO THE NATURE OF S|RADDHAA IN THE 6AIS N AVA SCHOOL 7HAT ARE THE STAGES IN THE DEVELOPMENT OF FAITH ACCORDING TO THE BHAKTI SCHOOL (OW DOES THE BHAKTI MODEL OF FAITH COMPARE TO $ERRIDA S VIEW OF FAITH AS A TYPE OF GIFT (OW DO POSTMODERN REm ECTIONS ON SUCH RELIGIOUS TOPICS OFFER US WAYS TO RETHINK THE QUESTION OF FAITH 5NTIL RECENTLY THE INTELLECTUAL CONVERSATION BETWEEN THE DISCOURSES OF DECONSTRUCTION AND FAITH HAS BEEN CONl NED TO THE 7ESTERN RELIGIOUS TRADITIONS 4HIS ARTICLE AIMS TO EXPAND THIS DISCUSSION TO INCLUDE RELIGIOUS TRADITIONS OUTSIDE OF THE 7EST IN HOPES OF CONTRIBUTING TO THE DEARTH OF PHILOSOPHICAL INTERACTION BETWEEN POSTMODERN THOUGHT AND THE )NDIAN PHILOSOPHICAL TRADITION 4O THIS END IT SEEKS TO FORGE AN INTELLECTUAL BRIDGE BETWEEN TRADITIONAL )NDIAN THOUGHT AND 7ESTERN POSTMODERN PHILOSOPHY -OREOVER IT AIMS TO SHED LIGHT ON A SECT OF )NDIAN RELIGIOUS HISTORY THAT HAS RECEIVED LITTLE ATTENTION FROM 7ESTERN PHILOSOPHICAL AND RELIGIOUS ANALYSIS >HHJ: D8ID7:G


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