DrumCorps Spring 2011 | Vol. 5 No. 2
The Magazine of Marching Music’s Major League™
International
Fan-tabulous! 10 GREAT WAYS TO FOLLOW DRUM CORPS ACTION THIS SUMMER
An Open Door to World Class Competition DCI WORLD CHAMPIONSHIPS GET A NEW FORMAT
Drum Corps Alum Surfaces at the National Aquarium
Crash Course Previewing the 2011 DCI Tour
MENC HONORS A MARCHING MUSIC LIFER SCENE @ THE WINTER MEETINGS FUN AND SUN AT THE OPEN CLASS FINALS
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DrumCorps International
Spring 2011 Blue Devils B
Blue Devils B
6 From the Top
9 Sidelines
2011 will be a perfect 10.
Open Class corps enter another World... Tour of Champions... Traveling to DCI events in style... Off-field fun at the Open Class Finals... A new voice for I&E
18 Scene at… The Annual Meeting
20 Commitment to Excellence
The Blue Devils have dominated both World and Open classes for two years running, but old rivals and some new contenders should make the race to the 2011 title a wild—and unpredictable—ride to glory. By Mike Levine
31 Your Summer of Drum Corps
37 Brass Lesson
Snapshots from the 2011 edition of Drum Corps International’s yearly gathering.
Marching music veteran—and former DCI education leader—Gary Doherty has helped an inner-city school achieve new milestones in the marching arts.
Features 22 Step Up & Face Off: 2011 Season Preview
Ten ways to enhance your view and listening experience before, during, and after the 2011 Drum Corps International season—whether you’re in the stands, at home, or on the go. By Danny Miles
Lip Slurs, by Dr. Thomas Bough, Director of Athletic Bands, Northern Illinois University.
44 Gearing Up
38 Percussion Lesson
46 Age-Out
40 Movement Lesson.
Get ready for the summer of 2011 with the latest in equipment, apparel and accessories.
Former Jersey Surf trumpeter Amy Weldon is having a blast working with animals at the National Aquarium.
Flams and Flam Accents, by Dr. John Wooton, Dir. of Percussion Studies, University of Southern Mississippi.
Injury-Fighting Stretches, by Frances Smith, Strength & Conditioning Coordinator, Bluecoats.
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DrumCorps International THE OFFICIAL MAGAZINE OF MARCHING MUSIC’S MAJOR LEAGUE Volume 5 Issue 2 Dan Acheson Executive Director Chris Weber Communications Manager Bob Jacobs Director of Marketing
2011 Will Be a Perfect ‘10
A
new season is about to begin for Drum Corps International and the level of anticipation has never been higher for what the season will bring. We are blessed as an activity to be coming up on our 40th annual World Championships. Thinking about all that has occurred in our society over the past four decades, it has been a true test of an organization to thrive through so many varied challenges. Despite the changing winds, however, we continue to look forward. Across the country, music in our schools is under attack due to budget cuts. The drum corps experience is one of the greatest examples of why arts education is so important. The students who participate in DCI corps work hard to develop their skills as accomplished amateur musicians and dancers, but even more so, they are becoming great human beings and will inevitably become strong leaders and positive contributors to our society. More than 67 percent of those performing this summer aspire to be music educators even though they understand the realities that work in schools is in increasingly short supply. But these students won’t give up. They learn persistence, patience, and how to achieve excellence as a team despite coming from very diverse backgrounds. They will find a way to teach the very principles they learned from their own music teachers regardless of what challenges they will face in the marketplace. Many may say what we do in the summer is just drums, brass instruments and flags on a football field. I say that it is about laying the groundwork for a much brighter future filled with music. So, make plans now to attend a drum corps event this summer to get behind these great young performers. They will make you laugh, cry and stand to applaud their extraordinary performances. If the economy or gas prices have you down, I assure you there is no better remedy than supporting one of the world’s truly magnificent youth activities. It’s an investment in the future that will pay off for generations to come.
Daniel E. Acheson Executive Director/CEO Drum Corps International Marching Music’s Major League™ 6
Diane Peasel Development & Media Coordinator John DeNovi Director of Business Development Custom Published By: In Tune Partners, LLC Irwin Kornfeld CEO Will Edwards President Angelo Biasi Publisher Emile Menasché Editor-in-Chief Jackie Jordan Creative Director Mac Randall Senior Editor Robin Garber Production Director Barbara B. Boughton Business Manager Illustrations Trevor Johnston Photography Ryan Cain, Johnny Gilbert, Craig Olear, Sid and Linda Unser Contributors Dr. Thomas Bough, Geoff Giordano, Mike Levine, Danny Miles, Adam Perlmutter, Sarah Riley, Frances Smith, Dr. John Wooton Drum Corps International is the leader in producing events for the world’s most elite and exclusive marching ensembles for student musicians and performers. Editorial and business contact is 110 W. Washington St., Suite C, Indianapolis, IN 46204, phone: 317-275-1212, fax: 317-713-0690. Drum Corps International Magazine is published in the Fall, Winter and Spring of each year. Nonprofit organization U.S. postage paid at Long Prairie, MN permit #710. Copyright ©2011 Drum Corps International. All rights reserved.
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Sidelines
News and Notes from Drum Corps International Revised 6.17.2009 2011 World Championships Schedule
Color Versions 2010 & 2011
pms 152c
After kicking off in Michigan City, Ind., Drum Corps International invades Indianapolis for Championships Week 2011, pms 247c a festival of marching music both on and off the pms 2395c field. Visit DCI.org/Indy old color for a complete schedule of events and more. Open Class Prelims Monday, August 8 Ames Field Michigan City, Ind. Open Class Finals Tuesday, August 9 Ames Field World Championship Prelims Thursday, August 11 Lucas Oil Stadium Indianapolis, Ind. World Championship Semifinals Friday, August 12 Lucas Oil Stadium World Championship Finals Saturday, August 13 Lucas Oil Stadium
T
World Championship Prelims Could Be Wide “Open”
he climax to every Drum Corps International season is always full of drama, but this year, the plot will receive a new twist. After their World Championship is decided in Michigan City, Ind., on August 9th, Open Class corps will be invited to take the field in head-to-head competition against their World Class cousins during the World Championship Prelims in Indianapolis on August 11. Both classes will be judged on equal footing, so it’s possible that Open Class groups could advance into the Semifinals—or beyond. “There’s a lot of excitement about seeing all of the competing corps in DCI performing on the same day,” says Open Class Coordinator David Eddleman. “Our Open
Class corps provide a quality experience for their members, but not all of our fans see them during a regular season to know this. Hopefully, the new format will make our fans more aware of the many outstanding Open Class members.” Yet despite the exciting prospect of taking on—and possibly beating—World Class groups in Indy, Open Class corps are still most focused on the road to their own title showdown a little further north. “The good thing is that we retain our own Open Class Championship Prelims and Finals in Michigan City,” Eddleman concludes. “It’s a drum corps town that’s been good to us—all the way from Mayor Chuck Oberlie to the great fans.” www.dci.org 9
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Sidelines A 50/50 Anniversary
F
or the fourth year running, Drum Corps International’s Championship Week will kick off in Michigan City, Indiana. The Open Class World Championship will be decided at Ames Field on August 8th and 9th before DCI descends on Indianapolis to conclude the season the following weekend. Located along the shores of Lake Michigan, the city has plenty to offer visiting drum corps fans. We asked local resident and drum corps expert Michael Boo to be our guide. “Michigan Cit y has a fine beach and a huge sand dune to climb, as well as a small zoo,” he says. “Hikers will love the views from the top of Mount Baldy, towering 126 feet above Lake Michigan. There’s also Indiana Dunes State Park, less than ten miles to the west of town. Then there’s the Ragtops Museum: Over 70,000 square feet of cars are on display along with memorabilia from eras gone by.” All that activity is sure to work up an appetite. “I’m fond of El Bracero at 4100 Franklin St., about a mile from Ames Field,” Boo says. Pick Your Own Seat Online! “Good Mexican food at By popular demand, DCI is proud to announce a convenient new feamoderate prices. Roma ture—Select-a-Seat—which allows fans to choose their own seats for Pizza is well regarded. events when ordering directly from the online box office. Sahara Restaurant is an Maybe you’d like to have an aisle seat, for easy access excel lent M idd le to snacks, or maybe you want to be seated very close Eastern eatery. And to the marching action. Whatever your preference, we can’t neglect the you can use Select-a-Seat to customize your expeDairy Queen right rience—just head to dci.org/tickets, pick seats for your favorite event, and you’ll be all set to enjoy this ac ros s t he st reet summer’s festivities on your terms. from Ames Field.”
Michigan city photos: courtesy of LaPorte County CVB; stadium seats: iStockphoto/thinkstock
Spotlight on Michigan City
The 2011 season marks a golden anniversary for two World Class corps—Glassmen and Pioneer (see the Winter 2011 Sidelines for more on Pioneer’s history). In 1961, the drum corps that would become Glassmen was formed in Toledo, Ohio. Then known as the Maumee Suns, the group was a parade corps until 1967, when it entered the Ohio American Legion Competition as the Glass City Optimists before becoming Glassmen, a tribute to Toledo’s glass industry, in 1971. Now headquartered in nearby Maumee, Glassmen started competing in Drum Corps International events in 1983. Over a 10-year period, the corps set a record by placing higher in the rankings at each successive World Championships, finishing 31st in 1985, making the Finals for the first time in ’93, and reaching eighth place two years later. Since then, the group has failed to reach the DCI Finals only twice. “We can’t wait to connect with alumni and fans in celebrating what is an incredible milestone for any corps,” says Executive Director Brian Hickman. Meanwhile, Pioneer will celebrate the occasion this summer with nostalgic touches like uniforms from the 1990s—their most winning decade. And the group plans to march onto the field with a recording of the great American song “As Time Goes By,” a fitting tribute to 50 years of excellence in marching. Learn more about both corps and special anniversary events at their respective websites: glassmen.org and pioneer-corps.org.
10 www.dci.org
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Sidelines Hearing Voices at the 2011 I&E
2010’s Top 8 Hit the Road
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he 2011 Drum Corps International season will include more than 100 events scattered all over the nation. Five of them will have a unique format. Starting with the July 17 showdown in Rockford, Illinois, the new Tour of Champions will bring together last season’s top eight corps: Blue Devils, Blue Stars, Bluecoats, the Cadets, Carolina Crown, the Cavaliers, Phantom Regiment, and Santa Clara Vanguard. Competition in the five-city series, which also includes events in Houston, Texas (July 22); Murfreesboro, Tennessee (July 29), Rock Hill, South Carolina (July 31); and Northern, New Jersey (August 7), will be scored like any other DCI event. “While this version of the Tour of Champions will not be quite the same as the series of events we produced in California with the same name in 2004, these eight corps are taking the lead to program these special events with nonstop action and interactive entertainment,” says DCI Executive Director Dan Acheson. For the latest TOC news, tickets, and more, go to DCI.org/tour-of-champions.
Drum Corps International’s Individual & Ensemble Competition adds two new categories this year: Vocal Solo and Vocal Ensemble. Singers must perform a cappella; ensembles can be up to 15 members. The change was inspired by last summer’s Open Class I&E contest. “A barbershop quartet from 7th Regiment performed in exhibition,” says newly appointed DCI I&E chairperson Christina Mavroudis, a longtime Drum Corps World and DCI.org writer who helped lead the effort to bring vocalists to I&E. “Afterward, I met up with their brass/vocal coach Steve Wolf and realized this could be a regular category.” The I&E Competition for World Class corps will take place on July 24th in San Antonio, Texas; Open Class members compete on August 13th in Indianapolis.
By the Numbers: Junior Drum Corps’ Senior Citizens
84
The age of the Racine Scouts, founded in 1927, the oldest continuously active junior drum corps.
Racine has seven years on the next oldest group, the 77-year-old Cadets, founded in 1934. At 73, the Madison Scouts (founded in 1938) are mere whippersnappers.
Drum Corps Road Warriors Traveling to a drum corps event is always a special experience. Drum Corps Road Warriors hopes to make the seaon even more memorable by offering a number of travel and entertainment packages for some of 2011’s hottest events. Packages include luxury accommodations, catered tailgating parties, transportation to and from events, premium tickets, prizes, and more. You can see the event schedule, read message boards, and learn how to get onboard at the organization’s website: drumcorpsroadwarriors.com
Subscribe to DCI.org/fans Stay on top of the 2011 season by subscribing to DCI.org/fans. Enter your name, email address, and zip code to be emailed a trove of information, including DCI’s weekly e-newsletter, DCI.Now; box office and merchandise alerts; Commitment to Excellence (information for music educational professionals); and more. The best part: It’s completely free to sign up, and you can easily unsubscribe at any time.
12 www.dci.org
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Sidelines
Borris Powell at C Me N Dior with Oscar-winning “Black Swan,” March 11th in Los Angeles
Borris Powell
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t a DCI show, the sight of performers marching together in their crisp, brightly colored uniforms can be as exciting as the music itself. Borris Powell, an upand-coming fashion designer, certainly found this to be the case when he marched in the mid-1990s. “Like so many people, I am visually oriented,” says Powell. “The fashions on the field really completed the experience for me.” In 1994, Powell marched as a member of the color guard with Southwind and spent t he fol low i ng yea r w it h t he Cavaliers. “Those were some of the best years of my life,” he says. “I definitely credit DCI as being responsible for me entering manhood and getting a better sense of who I am while learning to work really hard with other people.” It was while with the Cavaliers that Powell developed an affinity for fashion. He was especially influenced by the work of the Cavaliers’ costume designer (and Drum Corps International Hall of Fame member) M ichael Cesario, who has also d ressed up st a rs on Broadway. “Through Michael, all of a sudden I saw what fashion was all about
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and understood how a designer could help a team communicate with their audiences,” Powell says. After aging out, in 1996, Powell headed to Chicago to enter the fashion world. To get his foot in the door, he worked for a decade i n ret a i l ma nagement w it h Express. During his last five years there, Powell slept a mere five hours a night, putting in long days while working on his own fashion designs in his precious spare time. “It was rough,” he recalls. “I had no life outside of work, but that’s the sacrifice I had to make in order to get to where I am. I don’t think I could’ve done it without the discipline I learned in marching.” Last February, Powell was finally able to quit his day job in favor of introducing his own line of luxurious women’s wear. A selftaught designer, Powell conceives all of the apparel and handles everything else, from the selecting of the music at shows to the choreography of the models—activities informed by his color guard experiences. Things are going really well; Powell recently won a challenge to dress an escort during the 83rd Academy Awards. Of course, the big question is: Would Powell ever design marching uniforms for a DCI corps? “If I were approached and the fit were right, I’d jump on the opportunity,” he says.
PHOTOS: COURTESY OF BORRIS POWELL
A former Southwind and Cavaliers guard member now watches models marching down fashion-show runways wearing his designs.
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Scene at DCI’s Annual Meeting
By Paul Irwin
E
ach year, Drum Corps International’s brain trust, individual corps staffs, and other members of the marching music community gather at DCI’s Annual Meeting to set the direction for drum corps’ upcoming season— and beyond. The 2011 gathering in Indianapolis (January 20-23) included an informative clinic on hearing safety and
yielded two interesting rules changes: A new Individual & Ensemble Competition format allows singers to have a voice in the competition; while DCI members okayed the remote control of audio mixes. Allowing corps staffs to adjust the mix from any vantage point should help improve the sound that the fans (and judges) actually hear in the stands. << 1 Mayra Iraheta, Director of the Velvet Knights. << 2 Etymotic Research’s Dr. Mead Killion explains hearing protection to a group of drum majors.
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<< 3 Troopers program coordinator and brass arranger Dean Westman gets ready to teach drum majors about conducting.
>> 4 Headphone wearing Tony
DiCarlo of DCI listens to info on hearing safety while Etymotic’s Carolynn Travis looks on. >> 5 DCI Hall of Famer Gene Monterastelli goes over 2011 rules proposals with corps directors. >> 6 Drum majors (L to R) Thomas Kober (Blue Knights), Mark Donahue (Blue Stars) and Sean Phelan (Madison Scouts) hit the skins.
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7 Bluecoats Exec. Dir. David Glasgow (L) and DCI Pacific Division Rep Tom Hope in deep discussion between meetings.
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8 DCI Artistic Director Michael Cesario addresses corps instructors, designers, and judges.
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9 Drum majors Thompson Vou, Boston Crusaders (L) and Preston Cheek, Carolina Crown enjoy some downtime.
>> 10, DCI Field Pass host Dan Potter reports from the Rhythm Discovery Center Museum.
>> 11 Drum majors and
guest presenters pose before lunch in the Indianapolis Artsgarden.
>> 12 DCI Executive Director Dan Acheson addresses members of DCI’s Tour Event Network.
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18 www.dci.org
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Commitment to Excellence
By Geoff Giordano
Gary Doherty
Band Director, Arsenal High School Board Member, Glassmen
W
hen Gary Doherty took over as band director for Arsenal Technical High School in Indianapolis two years ago, only 12 students attended the first rehearsal. By the fall semester, Doherty—a 30-year-plus music education veteran who led educational efforts at Drum Corps International in 2007-’08—assembled a 91-member band, including a 14-member drum line. The band’s growth is testament to the veteran educator’s adherence to a set of core principles—a passion and perseverance that have earned him MENC: The National Association for Music Education’s Director of the Year honor. When he arrived at Tech in January 2009, his mission was to bring the band up to the level of the school’s athletic programs. “That meant an overhaul of every aspect of the band program,” Doherty said. “Who was in the band, why they were there, and what they wanted out of it.” After the impressive growth he spurred in his first marching season at Tech, Doherty set about the next year to expand his players’ visual and musical vocabulary. “I have worked out relationships with the Universit y of Indianapolis and their music education department chairperson, Dr. Brenda Clark, to assist with private lessons, master classes and rehearsals through MENC’s collegiate program of volunteerism,” Doherty says. “Several students from Marian University and Butler University also volun-
teer to help our students.” His players also get mentoring from community musicians through the Phillips Guild project, which meets each Saturday morning in the Tech band room and provides free access to students from around the city. “The students I have at Tech, which is located in the zip code with the highest crime and poverty in Indiana, are talented, intelligent and motivated,” Doherty says. “The issues I deal with on a daily basis are a lack of administrative support and vision, almost no funding and a pervasive culture of failure.” But fa i lu re isn’t a n opt ion i n Doherty’s mind — a sense of purpose further galvanized by a vital encounter with famed University of Michigan band director William Revelli in 1986. When Revelli asked, “What do you teach?” Doherty naively answered, “‘Why Dr. Revelli, you know I teach band.’ He looked at me with those steely eyes and with the utmost care in his voice, replied: ‘Remember, you teach children. You use music to teach children. Many in our profession use children to teach music, and the results could not be more opposite or profound.’ I have never forgotten that conversation.” Meantime, the Vernon, Texas, native shares his experience by serving on the board of directors for the Glassmen Drum and Bugle Corps as well as MENC’s Blue Ribbon Panel on national standards for marching music education. “Our mission is to bring a greater sense of validation and definition for the marching music activity at-large,” he says. “Being part of a process where children find their voice, their place, and their mission in the world keeps me coming back. The look in their eyes, the laughter and smiles on their faces, and the enthusiasm for their performances when we accomplish an artistic milestone—these things never fail to satisfy me on the deepest levels.” Doherty says that the key to building a lasting program is to focus on the simple fact that playing music should be enjoyable, and not laborious. In a recent speech to the Illinois Music Educators Association, he summed his philosophy up: “Each year I would start our first staff meeting by reminding our staff that we teach students to ‘play’ instruments. Most of the time spent in most of the band rooms around the country that I visit more often resembles work than play. If you emphasize play, you’ll never have to recruit for your program—the students will do it themselves.”
20 www.dci.org
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SUMMER PREVIEW
Ste p Up
Emerging contenders, old favorites, and a new format will make 2011 one of the most unpredictable seasons ever. Who will be unmasked as World Champions? The drama starts now! BY MIKE LEVINE 22
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The Cavaliers
Face Off!
p
n the history of Drum Corps International’s World Class, only two groups—the 1983–’85 Cadets and 2000–’02 Cavaliers—have pulled off the magical “three-peat.” The 2009 and ’10 World Champion Blue Devils haven’t dropped a single competition in two years and will be hoping that 2011 will end with a third consecutive title. But to strike Gold when the World Championship Finals climax at Indianapolis’ Lucas Oil Stadium on August 13, the
Concord, California-based corps will have to fight off a growing list of contenders. In addition to usual suspects like the Cadets, the Cavaliers, and Phantom Regiment (Phantom’s ’08 Finals win was the Blue Devils’ last loss), they’ll also face some heat from units on the rise like the Bluecoats and Carolina Crown, two corps that have earned the right to be considered serious Championship material. This year’s World Championships will feature a new forwww.dci.org
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summer preview mat (see Sidelines, page 9), where Open Class corps will have a chance to compete versus World Class corps at the Prelims. All corps will start on equal footing with advancement based on raw scores. How will this impact the artistry and competition? We’ll see on the field. Another new addition to the schedule will be the Tour of Champions (Sidelines, page 12), a series of shows bringing together eight top World Class groups as they tune up for the World Championships. Without a doubt, 2011 looks to be full of surprises.
World Class
T hey haven’t lost i n t wo years—and they’ve got one of the most stable and accomplished staffs in DCI: Yeah, you could say the Blue Devils will head into 2011 as the f avor ite s. A s u s u a l, Blue Devils’ staff is keeping the season’s program close to the vest. “Look to the world of Bluecoats popular music and one of our most iconic composers to be the focus of the 2011 Blue Devils,” hints corps director David Gibbs. With four titles in the last 10 years, The Cavaliers are hoping that a second place finish in 2010—the group’s best since its World Championship in 2006—will be the springboard for another decade of dominance. DCI Hall-of-Famer
Carolina Crown
Adolph DeGrauwe, who led the Cavaliers to glory in the 1980s, begins year two of his second stint at the helm with a sense of optimism. “The staff and the returning members are all excited about getting started over again,” says DeGrauwe. “We’ve had really good winter camps so far.” Bluecoats’ third-place finish last year was the North Canton, Ohio-based group’s best ever, leading many observers to speculate that the corps might be ready to march to the top in ’11. They recently announced the purchase of a 12,000 square-foot building, set on a seven-acre property that will serve as their new HQ. “While we aren’t ready to make a complete announcement yet,” says corps director David Glasgow of the Bluecoats’ 2011 program, “We are excited that we will once again explore the great work of composer John Mackey, by playing his ‘Harvest: Concerto for Trombone.’” With the exception of 2002, Carolina Crown has been a Finalist every year since 1995. In the last few seasons, the group has inched closer to the title, including a second-place finish in ’09. This year, Crown hopes to finally take the top spot with Rach Star. The spelling makes sense when you look at the song selections: Queen’s “ We W i l l R o c k Yo u” a n d “ B o h e m i a n R h a p s o d y ”; “ P i a n o C o n c e r t o No . 2 ,” “ Sy mphon ic Da nc e s Movement 3” a nd “Rhapsody on a Theme of Paganini 3” by Rachmaninoff; The Stones’ “Paint it Black”; and Blue Devils “Piano Concerto No. 1” by Keith Emerson.
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“Look for highlighted sections of the show to feature an exceptional keyboard player whose last name happens to be Starr,” says director Jim Coates, who adds that Crown will be sporting new uniforms and colors. The Cadets finished fifth last ye a r, a nd t he g roup f rom A llentown, Pa. is looking to return to World Championship glory for the first time since 2005 with a program called Between Angels and Demons. “It will feature the music of Frank The Cadets T i c h e l i ’s ‘A n g e l s i n t h e Architecture,’ and ‘160 BPM’ from Angels and Demons, the music score of Hans Zimmer,” corps director George Hopkins says. After edging the Blue Devils to win the Championship in 2008, Phantom Regiment dropped to ninth place in ’09. The group rebounded last year with a sixth-place finish. Will 2011’s Juliet—which contains the “Love Theme from Romeo and Juliet,” Prokofiev’s “Romeo and Juliet,” and Wagner’s “Elsa’s Procession to the Cathedral,” from the opera Lohengrin—break Blue Devil hearts again? “As with all of our shows, we selected music that we thought would best help us tell the story in an entertaining and meaningful way,” says Dan Farrell, Phantom’s program director. Farrell adds that the corps will be returning to an all-female guard this season. Santa Clara Vanguard finished seventh at the Finals last year. This year’s show, The Devil’s Staircase, includes works by Samuel Barber, Avner Dorman, Gyorgy Ligeti, and Karl
Jenkins. “The premise is: You’re in Hell, and you want to get out,” explains corps director Jeff Fiedler, adding that the corps added some key new staff members for the upcoming season. “In the fall we hired David Clemmer, Assistant Director of Bands at the University of Kansas, to lead the SCV brass caption, and Pau l Ren n ic k , P r i nc ipa l L ec t u rer i n Percussion at the University of North Texas, to write and lead our percussion.” Blue Stars has reached the Finals each of the last three years. The La Crosse, Wis. corps will be looking to improve on its eighth place finishes in ‘08, ‘09 and ‘10, while trying hard to hold onto a spot in the top 10 against a pack of fierce competitors. After making the Finals for the last 12 years running, Boston Crusaders hopes to create an uprising in the standings with its 2011 show Revolution, which includes Tc h a i k o v s k y ’ s “ 1 8 1 2 Overture” and selections f rom A la i n Boubl i l a nd Claude-Michel Schönberg’s Les Misérables. Madison Scouts finished last year in the top 10, and Santa Clara many longtime observers Vanguard considered the season to be Madison’s best in a decade. In only his third year at the helm, Dann Petersen was awarded t he Dr. Bernard Baggs Leadership Award as the best World Class corps director for 2010. “As honored as I was to receive the award for 2010 Director of the Year,” Petersen says, “I attribute it to an incredible season for the entire Madison Scouts organization.” Madison’s 2011 program, New York Morning, is highlighted by two classic songs, “New York, New York,” and “Oh What a Beautiful Morning.” The Scouts hope to be singing the latter on the day after the 2011 Finals. The Blue Knights look to climb back into the top 10, where the group finished every year between 2004 and ’08 before falling to 11th each of the last two seasons. BK’s 2011 program contains “First Suite in E b ,” by Gustov Holst and Ralph Vaughn Williams’ “Folk Song Suite.” Both Glassmen and Pioneer are celebrating 50th anniversaries this season Blue Stars
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summer preview
The Academy
(see Sidelines, page 14). Glassmen hope to stave off last season’s 13th-place finishers, Colts, and cap their golden anniversary with another trip to the Finals by bringing My Mortal Beloved to life. Pioneer will present an eclectic show that includes “As Time Goes By,” from the movie Casablanca, “Four Scottish Dances,” by Sir Malcolm Arnold, and “New World Symphony” by Dvorˇ ák. One of several groups to jump classes in recent years, The Academy won the Division II Championship in 2006 before joining the World Class the following season. Since then, the Arizonabased corps has yet to reach the Finals, and hopes 2011’s For Every Action There’s a Reaction brings a strong showing on the score sheets. Troopers’ return to the Finals in 2009 was one of that season’s top stories, but the corps dropped to 15th-place last year. Perhaps The Road Home—with music like Aaron Copland’s “Muted and Sensuous,” “Mama,” by uber-bassist Edgar Meyer, and “The Old Church,” by Stephen Paulus— will lead the Wyoming group back to the Promised Land. Spirit of Atlanta returned to its Georgia home last year Spirit of Atlanta
after having relocated to Jacksonville, Alabama in 2000. Spirit has reached the Finals five out of the last 10 seasons and the group’s ’11 show, Seduction, is inspired by film noir. The Crossmen have been DCI Finalists 22 times since their first season in 1975, but only made it to the Semis last year (17th place overall). This year’s show will include a rendition of the Blood, Sweat & Tears classic “Spinning Wheel,” as well as Leonard Cohen’s “Hallelujah.” Push, Pull, Twist, Turn: Pacific Crest hopes to push its way up the standings from last year’s 18th-place finish with a diverse repertoire including Danny Elfman’s “Saranada Schizophrana,” “Adagietto, Symphony #5” by Gustav Mahler, and “The Mechanical Ballet” by Philip Glass. Mandarins won a Division II title back in 2001, and moved up to Division I (now World Class) in ’02. Will The Forty Thieves: An Ancient Tale of Spices, Perfumes, and Toxins take the group to the Semifinals—or beyond? Two more former Open Class corps will also look to break into the higher ranks. Teal Sound, noted for rock-based programs, will be covering music from the band A Perfect Circle in Sinvitation 7. Jersey Surf also hopes to plant itself in the Semifinals—or beyond—with Petal Tones, a flower-themed show featuring music from Bizet, Sting, Seal, and Lady Gaga. They’ll both be fighting it out with a rebuilding World Class corps, as Cascades presents from film composers such as Hans Zimmer and Thomas Newman, video-game composer Pacific Crest
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summer preview Michuru Yamane, and Joseph Vargo and William Piotrowski of the ambient group, Nox Arcana in Pandora, A Dark Gift.
Open Class
This season will be full of drama in the always competitive and unpredictable Open Class. New corps have invigorated the division in recent years, and now, the Open Class’ top groups will have a chance to strut their stuff against their Revolution World Class brethren in Indianapolis during Finals week. But first, the Open Class groups will converge on Michigan City, Indiana, to decide their Championship. Other than repertoire—which hadn’t been revealed at press time—expect few surprises from Blue Devils B. Like their World Class siblings, the B club is going for a third straight title. Can anyone get in the way? One possibility is last year’s second-place finishers, the Oregon Crusaders, who are busy prepping for the new season with a show titled—perhaps ironically—The Blue Hour. Spartans finished a very close third last year (93.600 to the Oregon Crusaders’ 94.000), and had a visual score equal to the first place Blue Devils B. The group hopes fans and judges will sink their teeth into Midnight, which includes music from the Twilight soundtrack, among other pieces.
Revolution finished only slightly behind the Spartans, and
well ahead of the rest of the Open Class pack last year. The group hopes that Ride—which portrays the thrill of motion— will bring home the gold. Hailing from Wayne, New Jersey, last season’s fifth-place Raiders may give the competition the blues with a show that includes Dave Brubeck’s “Blue Rondo A La Turk,” Gershwin’s “Rhapsody in Blue,” and “Blue Shades” by Frank Ticheli. Brubeck also plays a role in UnSquare, by 2010 seventhplace finishers, 7th Regiment, which will also feature music by John Adams and Radiohead. Colt Cadets made the Finals for the first time last year, and look to build on the momentum of an eleventh-place finish to crack the top 10 this season. But if past seasons are any indication, Spartans the Open Class pack will get shuffled in some unpredictable ways. What will Santa Clara’s Vanguard Cadets do in their return to the full tour? Will Velvet Knights’ creativity be matched by competitive glory? Will relative newcomers like Legends, City Sound, and Music City continue to impress? What about drum corps’ oldest organization, Racine Scouts? Can Les Stentors and Blue Saints continue to build momentum and start contending for a place in the Finals? Will Raleigh, N.C.’s Platinum and Hawthorne, California’s Gold earn some precious metal of their own? Will Lone Star State groups Genesis and Forte earn Texas-sized scores? Remember that not all Open Class corps make a full tour every year; but whether they take the field in Michigan City or stay closer to home, groups like Blue Devils C, Impulse, Thunder, and the Spirit of Newark/ NJ offer commitment and entertainment every time they perform.
28 www.dci.org
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Marching Music’s Major League ™
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Bring a Group & Share the Excitement!
Drum Corps International is excited to welcome your group to a DCI Premier Event this summer! Experience outstanding performances from top Drum Corps International units! Along with exclusive discounts, groups are given specialized attention to ensure an unforgettable experience!
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Take Advantage of Our Special Group Pricing!
Here’s how it works: • Buy 20–39 tickets, receive a special discounted ticket rate PLUS 2 free chaperone tickets PLUS additional benefits for select events. • Buy 40–69 tickets, receive the discounted ticket rate PLUS 5 free chaperone tickets PLUS additional benefits for select events. Special Group Leader Benefits*:
• Buy 70–124 tickets, receive the discounted ticket rate PLUS 10 free chaperone tickets PLUS additional benefits for select events. • Buy 125+ tickets, receive the discounted ticket rate PLUS 15 free chaperone tickets PLUS additional benefits for select events. Groups of 20-39
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Group Ticket Discount ● ● ● Complimentary Tickets (total) 2 5 10 Special “Meet and Greet” Session with Corps Members ● ● ● Show Info Kit ● ● ● Band Director Gift Bag ● ● ● 2011 Souvenir Yearbook ● ● 2011 World Championship DVD (available Dec. 2011) ● One-year subscription to the DCI Fan Network Tickets to the 2011 World Championship Finals or a DCI Premier Event *All benefits are subject to availability and are awarded based on the number of group tickets purchased per event.
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YOUR DRUM CORPS
SUMMER Want to get the most out of the 2011 Drum Corps International Tour? Try these 10 tips. BY DANNY MILES 1 GET PSYCHED Pump yourself up for the 2011 season by checking out the action from previous campaigns, including 2010’s historic double repeat by the Blue Devils. On DCI’s Fan Network (dci.thefannetwork.org), you can watch videoon-demand and download performances going back decades for your computer and mobile device. You can also purchase the latest CDs and DVDs at store.DCI.org.
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CHECK THE SCHEDULE
Start planning your summer now by checking DCI’s summer schedule online. It offers the latest event dates, locations, lineups, links to buy tickets, and more. Find it at DCI.org/schedule.
DRUM CORPS AT THE MOVIES
PREMIER EVENTS
In 2011, Drum Corps International will present more than 20 Premier Events, which feature top corps at key venues throughout the country. DCI Minnesota in Minneapolis (7/16), will bring together 24 corps from DCI’s World, Open and All-age classes. The Southwestern Championship in San Antonio, Texas (7/23), includes top corps and also provides a location for the World Class Individual & Ensemble Competition (7/24). At DCI Atlanta (7/30), all 23 World Class Corps meet for the first time this season. The two-day (8/5-6) DCI Eastern Classic in Allentown, Pa., is traditionally considered to be a preview of the following week’s Championships.
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GET MENTORED BY CORPS MEMBERS Throughout the season, individual drum corps put on interactive educational clinics, which are open to the public at various locations on route to the World Championships. Learn instrumental, marching, color guard, and other performance techniques by some of the finest instructors in the world of marching music. Meet corps staffs and members, and get an introduction to life on the road with a drum corps. Who knows, maybe you’ll be on the field next to them in the near future. Visit DCI.org/learn for a list of featured dates and locations.
PRESEASON SHOWS
Before the competition starts, many corps will perform in front of home fans in a setting that brings the audience closer to the members. To learn about these preview and Family Day events in your area, go to DCI.org/corps to locate individual groups, visit their respective websites, and check the corps’ online event calendars for mid to late June.
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PHOTO:ADMIT TICKETS, CREATAS/THINKSTOCK
Get together with other fans and experience the power of drum corps in high definition video and audio at theaters across the nation. Start the season with DCI’s brand new cinema event, the 2011 Tour Premiere, which will feature the current-season performances of last year’s top eight corps on Monday, June 20. Then get ready for the Championships and watch corps during the eighth annual Big, Loud and Live broadcast of the World Championship Prelims from Indianapolis’ Lucas Oil Stadium, Thursday, August 11. Go to DCI. org/cinema for additional info and to find a theater near you.
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powering the 3-time fred Sanford award-winning phantom regiment, WGI medalist Dartmouth High School and many more of the finest high school, college, drum corps and indoor drumlines everywhere.
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TAKE IN A LOCAL SHOW
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The annual DCI Tour is anchored by Premier Events at big stadiums, but the activity’s roots are in local American communities and small-town culture. Nothing captures that spirit like seeing a show at a high school field, where you can get close to the action, watch the members warm-up in the parking lot, and feel the power from the bleachers as hundreds of talented performers give their all by combining artistry with intense competition.
KEEP UP WITH CURRENT ACTION DCI’s free Field Pass Podcast offers fans a chance to follow drum corps from behind the scenes while keeping abreast of all the action from the current season. The podcast is available all year round, but becomes more frequent as the summer season kicks off in June. Veteran host Dan Potter offers interviews with members and staff and reports from events along the tour on an almost daily basis. The podcast is free and can be found at DCI. org or on iTunes. And if you’d rather read than listen, check out DCI.org’s robust online news section, which offers recaps of events, photo galleries, videos, blogs, commentary, and more. DCI. org/news.
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SOCIAL MEDIA
CHAMPIONSHIP WEEK The 2011 DCI Tour climaxes with the Word Championships in August. Check out the Open Class battles in Michigan City, Ind. (8/8-9), then head south to Indianapolis for the World Championship Prelims (8/11), Semifinals (8/12), and Finals (8/13). There’s plenty to do off the field, too. Festivities in Indianapolis get started with the Hall of Fame Kickoff Party (8/10); see a corps perform at Indy’s famous Artsgarden (pictured); watch as corps and the Indianapolis arts community gets together for a brand new parade the morning of the Finals (8/13); and experience the Open Class Individual & Ensemble Competition that same afternoon.
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Drum Corps International, individual corps, and thousands of drum corps members, staff, and fans are using social media to share their thoughts and feelings about their favorite activity, post audio, video, and pictures, and keep current on the latest news from on and off the field. Go online to meet fellow fans, learn more about the corps, and more! Twitter.com/dci_tour. Facebook.com/drumcorpsinternational.
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Championship corps deserve a championship city. Indianapolis is excited to welcome back the DCI World Championships. As a city that strives to be the very best, weâ&#x20AC;&#x2122;re in-tune with your elite standards of excellence and are proud to transform our home into your stage. Each year the spotlight shines on the DCI World Championships, and each year we are inspired by the moving composition of your performances, your leadership and your dedication. Indianapolis has been working hard to raise its game to provide the best for you. In the same way you work tirelessly to perfect your performance, we are working hard to strengthen the championships and our commitment to you. Good luck to everyone!
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Dedication is what got us here.
Phantom Regiment plays Jupiter Quantum Marching Brass exclusively.
The Quantum Marching Project continues in 2010. QuantumMarching.com
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速
BRASS
速 速
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DRUMS
PERCUSSION
5/13/10 3:15 PM 5/13/10 3:15 PM 3/25/11 2:38:36 PM
BRASS LESSON Dr. Thomas Bough Yamaha Performing Artist Director of Athletic Bands, Northern Illinois University thomasbough.com
Lip Slurs
On a brass instrument, a dozen or more notes are available from a single valve combination. These notes represent the harmonic series, a group of overtones that follow a mathematical pattern based on the rules of acoustic physics. In the lower and middle registers, the only way to move from one note in the harmonic series to another is by using a lip slur. For hundreds of years, practicing lip slurs has been a regular part of playing a brass instrument. Here are a few to get you started. Play each one at a moderate dynamic level. Strive for a consistent flow of air, which will result in a smooth transition (that is, a slur) between each note. Although the embouchure will change ever so slightly between notes, try to minimize the motion of the lips and jaw. A consistent embouchure will produce the best result. The horn fingerings shown only apply to instruments pitched in B b. On a double horn, hold down the thumb trigger to use the fingerings indicated.
œ & b 44 œ œ œ Œ I.
Horn in F
Trumpet in B b
&
I.
Open
44 œ œ Open
Euphonium
Tuba
B b Tpt.
œ nœ
bœ bœ
œ œ œ Œ
∑
I.
Open
I.
Open
? b b 44 Œ œ œ œ
œ œ œ &b œ œ œ
Œ œ nœ œ
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œ
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nœ #œ
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œ
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1, 2
1
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1, 2
bœ Œ
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2
∑
œ nœ œ
nœ
nœ nœ œ
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nœ nœ #œ
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nœ nœ
Œ
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œ nœ
2
Œ
œ œ œ
nœ
œ nœ
nœ nœ nœ
Continue for all chromatic fingerings
∑
œ œ œ n ## œ œ œ nn b œ œ œ n# & b œ œ œ œ œ œ œ Œ n # # œ œ œ œ œ œ œ Œ n nb b œ œ œ œ œ œ œ Œ n n # œ œ œ œ œ œ œ Œ nb &
3
2 3
3
Open
1 3
3
1, 2
3
1
1 3
3
3
1, 2
3
Open
4
3
3
3
3
3
3
3
? bb œ œ œ œ œ Œ n### œ œ œ œ œ Œ nnn b b œ œ œ œ œ Œ n n# œ œ œ œ œ Œ n b b œ œ bb nn n œ œ œ œ œ œ 3
IV.
1
2
3
Open
3
3
1, 2
3
3
3
3
3 ? bb œ œ nb # Œ n# # Œ nnnbbbb œ œ œ Œ nnnn œ œ œ œŒ b œ œœœœ n # œœœ œ œ œ œ œ œ œ œ œœœ
2
3
3
1
3
3
1, 2
3
3
∑ ∑
3
3
? bb œ œ œ œ œ œ œ Œ n### œ œ œ œ œ Œ nnn b b œ œ œ œ œ Œ n n# œ œ œ œ œ Œ n b b bb nn n œ œ œ œ œ œ 2
Continue for all chromatic fingerings
3
3 nn œ œ œ œ œ Œ ##### œ œ œ œ œ Œ nnnnnbb œ œ œ œ œ Œ nn### œ œ Œ n œ œ œ œœ œ œ œ œ œ œ
2 3
3
3
IV.
Tuba
2
2 nœ #œ nœ nœ
3
Euph.
1
œ Œ
œ œ œ œ Œ
IV.
Tbn.
2
4
3
2
œ
IV. B b Tpt.
∑
? b b 44 œ œ œ Œ
IV.
Hn.
Œ œ œ œ
∑
III. Open
Tuba
bœ
1, 2
Œ
œ œ œ Œ
III. Open
Euph.
bœ nœ
∑
bœ bœ bœ Œ
1
Tbn.
nœ
1
Œ
Continue for all chromatic fingerings
1, 2
œ œ Œ œ œ
1
œ nœ œ Œ
1
III. Open
Hn.
2
nœ #œ
bœ bœ œ Œ bœ
? b b 44 œ œ œ Œ I.
Trombone
œ
Œ
2
nœ nœ nœ Œ nœ
∑ ∑ ∑
3
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PERCUSSION LESSON By Dr. John Wooton Director of Percussion Studies at the University of Southern Mississippi johnwooton.com
Flams and Flam Accents Flams To make your flams sound good and consistent, you will need to keep your grace notes low and keep an appropriate spacing between the grace note and the primary note. Having the two notes hit the drum simultaneously, a flat flam or double stop, is something you want to avoid. The spacing between the primary note and grace note may vary depending on the style of music you are playing, tempo, density of the music, and personal interpretation. Below is an exercise that will help you improve your flams. To execute this exercise, treat all the primary notes as rebound strokes. Start the exercise with your right stick in an upward position. All motion, including that of the left hand, should be down towards the drum. Use the rebound of the drum for your right stick to return to the upward position. The left hand should remain no more than two inches above the drum head. Reverse positions when you repeat the exercise; now the left hand is playing the primary note. John Wooton
> > 4 .. œj œ œ œ œ œj œ œ œ œ ã4 R L L L R L L L 1
Flams
L R R R
> j 12 . œ œ. . ã 8 R 2
Flam Accents
j œ
j œ
L R R R
> œ.
j œ
> > œ œ œ œ œj œ œ œ œ R L L L L R R R
R L L L L R R R
j œ
> > > > > > œ œ œ œj œ œ œ œj œ œ œ œj œ œ œ œj œ œ œj œ .. R L L L R R
R L L L R R
> > > j > œ œFlam œ œj œ Accents œ œ œj œ œ œj œ
R L L R
L R
R L L L R R
R L L R
R L
> j > œ œj œ œ œ œj œ œ œ .. L R L R L R L
R L R L R L The flam accent is Ra triplet with an accented flam on the first note. This next exercise starts with two alternating flams followed by two flam accents. To execute both of these rudiments you will want to utilize the “Moeller Stroke,” or “upstroke.” When alternating flams, play the grace note as an upstroke so that the motion is smooth. This will give you more speed, endurance, and fluidity. John Wooton Keep a similar motion through the flam accents; now the second Flams on these basic > > > >note of>the flam> accent > is >the upstroke. > > Working 1 j j j j j j j j j j strokes will enable you to play all the rudiments with much more 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ .. ã 4 .. œ œR œL œL œL œ œR œL œL œL œ œRsuccess. L L L R L L L R L L R L L R L L R L L R L R L R R R L R R R L R R R L R R R L R R L R R L R R L R R L R L
> j 12 . œ ã 8 . œR. 2
Flam Accents
j œ
> œ. L
L
j œ
R
L
> > œ œ œ œj œ œ œ R
L
R
L
R
L
j œ
> œ R
j > œ œj œ R
L
> j > œ œj œ œ œ œj œ œ œ .. L R L R L R L
THESE TWO EXERCISES ARE TAKEN FROM JOHN WOOTON’S BOOK DR. THROWDOWN’S RUDIMENTAL REMEDIES (ROW-LOFF PUBLICATIONS). ALSO VISIT WWW.VICFIRTH.COM TO WATCH DR. WOOTON’S RUDIMENT LESSONS.
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MOVEMENT LESSON Frances Smith Strength & Conditioning Coordinator Bluecoats facebook.com/DrumCorpsFit
Injury-Fighting Stretches One of the most common injuries seen during the drum corps preseason is the groin strain. Unfortunately, this injury can leave members sidelined for weeksâ&#x20AC;&#x201D;or even send them home for the summer. A groin strain is an injury to the muscles of the inner thigh, the hip adductors. These muscles pull the legs together and also help with other movements of the hip joint. When they are pulled too far, the muscle fibers tear. In drum corps, a groin strain can happen during a multitude of actions that we do on a daily basis: quick lateral direction changes, jazz running, slipping in wet grass, performing a particular chunk repeatedly, and even keeping the leg muscles contracted for an extended period during basics rehearsals. Oddly enough, as often as we see this injury, members rarely prepare to prevent it from happening. To do this, the adductors need to be stretched and strengthened before leaving for the summer tour.
Strengthening Exercises: There are many adductor muscles in the leg; to activate them all, you must do resistance training from different angles. The first exercise is a static contraction. Lie on your back with your head on the ground, arms by your sides and your pelvis tucked under so that your lower back is close to the ground. Hold a soccer ball between the arches of your feet. Squeeze your legs tightly together to hold the ball between your feet, raise them to about 6 inches off the ground, and hold for 30 seconds. Lower your legs and rest for 30 seconds, then repeat for a total of 5 rounds.
3For the second exercise, a more dynamic movement that mimics actions done while marching, you will need a chair and a resistance band. Start with your right side facing the back of the chair and the band around the bottoms of your legs. Hold on to the chair with your right hand and bring your right leg across your left, away from the chair, to about a 45-degree angle. Keep your leg muscles tight during the entire movement. Bring the leg back across and repeat for a total of 3 sets of 10 reps on each leg. 40
Stretching Exercise:
1Adding a pliĂŠ squat to your stretching or warm-up regime will loosen up the adductors and help prepare the muscle for activity. After doing a few stretching exercises or a light warm-up, stand with your feet wider than shoulder-width apart and toes pointing outward. Slowly lower yourself into a squat, keeping your chest up and pushing your behind backwards and not straight down. Either put your hands on your knees with straight arms or, if you can lower yourself deep enough, put your elbows on your thighs. Hold this position for a minimum of 30-45 seconds. Slowly rise from the squat position and repeat for 5 rounds.
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12/8/10 11:07 AM 3/25/11 3:15:22 PM
Age-Out
By Adam Perlmutter
Amy Weldon Then 3 Trumpet,
Jersey Surf Now 3 Educational Aid, The National Aquarium
C Caption
ambridge, Maryland native Amy Weldon grew up surrounded by music. Her parents met while working at Towson University’s radio station during college, and later amassed an extensive family record collection that included music of all styles. “We were kind of music snobs,” Weldon recalls. “We were always listening to everything from classical to big band to blues—anything but ‘hair metal,’ which was a bad word in our house.” Inspired by the sounds around her, Weldon started playing the trumpet in fourth grade. In high school, she enjoyed performing in marching band, albeit in a noncompetitive way. “I don’t know how my director taught drills or anything,” she says. “We just sort of wandered around on the field. But it was so much fun making music in marching band.” At the same time, Weldon became a big fan of Baltimore’s Marching Ravens (the largest musical ensemble associated with the National Football League). She was especially captivated by the band’s performance in conjunction with the football Ravens’ victory at 2001’s Super Bowl XXXV. “I was so excited that I auditioned for the Ravens and marched with them for a few years,” she says. “Some of the older members had marched with Drum Corps International groups; I would go to shows with them to see what drum corps was all about.” After graduating from high school in 2003, Weldon headed to her parents’ alma mater to study animal behavior. But she never turned her back on music. As a freshman, she began playing in the school’s Tiger Marching Band, directed by John Miliauskas. With Miliauskas’ encouragement, Weldon became a student instructor, helping band members sharpen their marching skills. “I loved helping teach the Tigers, seeing how people responded to me when I described new moves in a way that really clicked with them,” she says. While in college, Weldon landed a spot on trumpet with the Jersey Surf, marching from 2005 until she aged out in ’06—a season not without incident. “I totaled my car right
before our mini tour and had 14 stitches in my left leg and a sprained right ankle,” she explains. “That made me even more determined than ever to march.” She credits her experience in the Surf with helping her mature both as a musician and as a person. “I had a really laid back high school career,” she admits. “I never really excelled at anything because I was just lazy. But those long rehearsals in 100-degree weather made me push myself in a way I hadn’t before, and that really prepared me for other things in life.” When not busy with her job as an educational aide at the National Aquarium in Baltimore—where she trains parrots and reptiles and gives demonstrations introducing these animals to the public—Weldon continues to teach music, working marchers in the U.S. Naval Academy Drum & Bugle Corps on a weekly basis. Weldon credits the discipline and persistence she developed in the Surf as a key to her success as a trainer and teacher. “Just like a marching show doesn’t get awesome overnight, you can’t teach a bird to jump through a hoop in a day,” she says. “Marching taught me not to ignore all the tiny steps you need to take in order to do anything well.”
46 www.dci.org
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10:16 AM
1. Saginaw, TX • 6/18 2. Round Rock, TX • 6/19 3. Albuquerque, NM • 6/21 4. Indianapolis, IN • 6/21 5. Martin, TN • 6/21 6. Mesa, AZ • 6/22 7. Fairfield, OH • 6/22 8. Pittsburgh, PA • 6/23 9. Clovis, CA • 6/24 10. Muncie, IN • 6/24 11. Grand Rapids, MI • 6/25 12. Stanford, CA • 6/25 13. Arlington, VA • 6/25 14. Stockton, CA • 6/26 15. Clifton, NJ • 6/26 16. Lisle, IL • 6/26 17. Bridgeport, CT • 6/27 18. Minneapolis, MN • 6/28 19. Atascadero, CA • 6/28 20. Mankato, MN • 6/29 21. Ft. Edward/ Glens Falls, NY • 6/29 22. Medford, OR • 6/29 23. Whitewater, WI • 6/30 24. San Diego, CA • 7/1 25. Hillsboro, OR • 7/1 26. Oswego, IL • 7/1 27. Quincy, MA • 7/1 28. Seattle, WA • 7/2 29. Walnut, CA • 7/2 30. Michigan City, IN • 7/2 31. Lynn, MA • 7/2 32. Spokane, WA • 7/3
33. Bristol, RI • 7/3 34. Riverside, CA • 7/3 35. Cedarburg, WI • 7/3 36. Dublin, OH • 7/5 37. Nampa, ID • 7/5 38. Centerville, OH • 7/6 39. Salt Lake City, UT • 7/6 40. Ewing, NJ • 7/6 41. Akron, OH • 7/7 42. Bowling Green, OH • 7/8 43. Loveland, CO • 7/8 44. Madison, WI • 7/9 45. Denver, CO • 7/9 46. Northern, CA • 7/9 47. Dubuque, IA • 7/10 48. Northern, CA • 7/10 49. Omaha, NE • 7/10 50. Davenport, IA • 7/11 51. West Des Moines, IA • 7/12 52. Metamora, IL • 7/12 53. Sioux Falls, SD • 7/13 54. Paddock Lake, WI • 7/13 55. La Crosse, WI • 7/15 56. Southern, CA • 7/16 57. Manchester, NH • 7/16 58. Minneapolis, MN • 7/16 59. TBA Boston Area, MA • 7/17 60. Rockford, IL • 7/17 61. Southern, CA • 7/17
Page 1
DRUM CORPS INTERNATIONAL PRESENTS
62. Kansas City, MO • 7/18 63. Lebanon, IL • 7/18 64. Wichita, KS • 7/19 65. Van Buren, AR • 7/19 66. Broken Arrow, OK • 7/20 67. Denton, TX • 7/21 68. Houston, TX • 7/22 69. Odessa, TX • 7/22 70. San Antonio, TX • 7/23 71. Dallas, TX • 7/25 72. Lafayette, LA • 7/25 73. Edmond, OK • 7/26 74. Ocean Springs, MS • 7/26 75. Hattiesburg, MS • 7/27 76. Little Rock, AR • 7/27 77. Milton, FL • 7/28 78. Madison, IN • 7/28 79. Gadsden, AL • 7/29 80. Murfreesboro, TN • 7/29 81. Atlanta, GA • 7/30 82. Paw Paw, MI • 7/30
83. DeKalb, IL • 7/30 84. Southwestern, MI • 7/31 85. Charlotte, NC • 7/31 86. Orlando, FL • 7/31 87. Summerville, SC • 8/1 88. Sevierville, TN • 8/1 89. Rice Lake, WI • 8/1 90. Charleston, WV • 8/2 91. Salem, VA • 8/2 92. Dayton, OH • 8/2 93. Chesapeake, VA • 8/3 94. West Chester, PA • 8/3 95. Lawrence, MA • 8/4 96. Johnsonburg, PA • 8/4 97. Rome, NY • 8/4 98. Warrenton, VA • 8/4 99. Allentown, PA • 8/5 100. Greendale, WI • 8/5 101. Dubuque, IA • 8/6 102. Allentown, PA • 8/6 103. Erie, PA • 8/6 104. Northern, NJ • 8/7 105. Erie, PA • 8/7 106. Buffalo, NY • 8/8 107. Massillon, OH • 8/9
For tickets & additional info, visit www.DCI.org.
The 2011 Drum Corps International Tour
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Michigan City, IN Open Class Prelims • 8/8 Open Class Finals • 8/9
Indianapolis, IN
World Championship Prelims • 8/11 World Championship Semifinals • 8/12 World Championship Finals • 8/13
DCI Premier Events highlighted in red.
Events and dates subject to change. rev 3/11
3/28/11
R A SP w T EC w ES I A w .D A L CI VA G .o I R rg L O /g AB UP ro L up E s !
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Tour of Champions Series highlighted in blue.
MARCHING MUSIC’S MAJOR LEAGUE™
3/28/11 1:34:05 PM