HeadMapping I Workbook by danielle.siano

HeadMapping ÂŽ I s.o.s.

workbook

[salon operating systems] b y Wa lter Cla ud io

HeadMapping ® Language

HeadMapping LANGUAGE Many salons suffer from poor communication, as each individual Service Provider offers his or her own interpretation or explanation concerning services, techniques and procedures. One crucial component missing from our industry is a standard industry specific language. A language that creates, reflects, projects, maintains high standards, and elevates our industry to a higher level. Many industries outside the salon industry operate intern-ally and externally with their own industry specific language resulting in standardized operations and procedures that can be duplicated over and over again. We now have the opportunity with HeadMapping Language to positively change our industry forever! HeadMapping Language is designed to support the Architecture. It interprets the different parts of the head as panels and divisions. HeadMapping Language provides the audible tool for all members of the salon to comprehend and communicate various functions in a standardized manner. An industry first, the HeadMapping Language will empower the Service Provider and Guest Services with the ability to communicate using a common professional language. HeadMapping Language is designed to standardize the communication flow in regards to partial service pricing, technical operations, technical trainings, internship programs, internal communication, and external communication. The implementation of the HeadMapping Language will result in a reduction of misinterpretations and miscommunications in daily salon activity and elevate the salon, Guest Services and Service Providers to a higher professional level. The true value in implementing HeadMapping Language as the standard language is the positive effect it will have on our salons, resulting in the increased satisfaction of our salon guests. The HeadMapping Language is composed of Divisions A, B, C, and 1/3, 1/2 and Full Panels

HeadMapping Definitions: Division A: from hairline to apex of head down vertically to top of ear Division B: from top of ear to top of ear horizontally up vertically to apex Division C: from top of ear to top of ear horizontally down to nape 1/3 Panel: pie section from the point of recession to 1/2 distance in Division A 1⁄2 Panel: pie section from the point of recession to the line that divides Divisions A and B Full Panel: pie section from the point of recession to 1⁄2 distance in Division B

HeadMapping ® Architecture

1⁄

Panel F 1⁄

P ull

Panel

Division B Division A

ion s i v Di C

panel boundaries division boundaries

HeadMapping ® Language

divisions

Division A

Division B

Division C

panels

1/2 Panel

PROPRIETARY – DO NOT DUPLICATE

1/3 Panel

Full Panel

HeadMapping ® Color Services Menu

Price: $______

MOST POPULAR

Full Panel Division ABC

Full Panel Division AC

Price: $______

1/2 Panel Division AB

Price: $______

1/2 Panel

Price: $______

Full Panel Division AB

Price: $______

1/3 Panel Division A

Price: $______

1/3 Panel

PROPRIETARY – DO NOT DUPLICATE

Price: $______

Full Panel Division A

Price: $______

Full Panel

Price: $______

HeadMapping ® Color Services Menu

Full Panel Division ABC

Creates color accents all over the head. Ideal for fine hair that needs body, also great for short layered styles.

Full Panel Division AB

Creates color accents in the front and back top of the head, sides and nape area. Ideal partial highlight service for long hair, that is put up in a high ponytail or hairclip.

Creates color accents overall the head, except for the nape area. This service is great on long layered hair and helps cover difficult cowlicks in back of head.

Full Panel Division A

1/3 Panel Division A

Creates color accents around the face, sides and more of the top back part of the head. This service is also very popular and ideal for short, medium and long, hair.

Creates color accents around the face, sides, front and back part of the head. The most popular color service for maintaining highlights. This service is great for medium to long hair.

Creates color accents around the whole face and the front part of the top of the head. Great for medium length textured hair that cascades towards the face.

Full Panel

1/2 Panel

Creates color accents that add even more color to the front and back top of the head. Covers the top of the head and is ideal for short hair and one length hair.

Creates color accents that add a bit more color to the front top of the head. Ideal for Short hair.

1/2 Panel Division AB

MOST POPULAR

Full Panel Division AC

1/3 Panel

PROPRIETARY – DO NOT DUPLICATE

Creates a color accent only around the fringe area and is great on short hair.

HeadMapping ® Pre-Sectioning Guide

Full Panel Division ABC

Full Panel Division AC

Take a pie section from the point of recession to 1/2 distance in division B. Segregate and clip. For the sides, take a parallel parting the width of the foil back to center of Division B; segregate and clip. Do the same with the other side. Section off Division C from the top of ear to the top of ear horizontally down to the nape. Take a vertical parting and divide Division C in half; section off and clip. At this point the head is segregated into five sections.

1⁄ 2

Panel Division AB

Full Panel Division A

Section off a pie section from the point of recession to 1/2 distance in division B. Segregate off with a hair clip. For the sides, take a vertical parting from the top of the ear to the perimeter of the Full Panel; segregate and clip. Do the same with the other side. At this point the head is segregated into three sections.

1⁄ 2

Full Panel Section off a pie section from the point of recession to 1/2 distance in division B. Section hair off and segregate with a clip.

Panel

Section off a pie section from the point of recession to the apex line that divides division A and B. Section hair off and segregate with a clip.

1⁄ 3

Panel Division A

Section off a pie section from the point of recession to 1/2 distance in division A. Segregate off with a hair clip. Take a parallel parting the width of the foil to the center of the head and section off and segregate with a hair clip. Do the same with the other side. At this point the head is segregated into three sections.

1⁄ 3

Panel

Section off a pie section from the point of recession to 1/2 distance in division A. Section hair off and segregate with a clip.

PROPRIETARY – DO NOT DUPLICATE

Section off a pie section from the point of recession to the line that divides division A and B. Segregate off with a hair clip. Take a parallel parting the width of the foil from the top of the ear to the 1/2 distance in division B. Segregate with a hair clip. Do the same with the other side. At this point the head is segregated into three sections.

Take a pie section from the point of recession to 1/2 distance in division B. Segregate and clip. For the sides, take a vertical parting from the top of the ear to the perimeter of the Full Panel; segregate and clip. Do the same with the other side. Section off Division C from the top of the ear to the top of ear horizontally down to the nape. Take a vertical parting and divide Division C in half; section off and clip. At this point the head is segregated into five sections.

Full Panel Division AB

HeadMapping ® ColorMix Guide 1:1 Ratio

This ColorMix guide is for a 1 to 1 ratio (one part color or enlightener to one part developer).

Full Panel Division ABC

Full Panel Division AC

Time

Color or Enlightener 1 Color

30 g

2 Colors

15 g

3 Colors

10 g

Developer

Time

Color or Enlightener

30 g

1 Color

25 g

15 g

2 Colors

15 g

10 g

3 Colors

10 g

1⁄ 2

MOST POPULAR

Full Panel Division AB

Panel Division AB

Developer 25 g

25 g

2 Colors

15 g

10 g

3 Colors

10 g

1⁄ 3

Panel Division A

Time

Color or Enlightener

Developer

15 g

Full Panel Division A

Time

Color or Enlightener 1 Color

Time

Color or Enlightener

Developer

Color or Enlightener

Developer

1 Color

20 g

1 Color

20 g

1 Color

15 g

2 Colors

15 g

2 Colors

15 g

2 Colors

10 g

3 Colors

10 g

3 Colors

10 g

3 Colors

1⁄ 2

Full Panel

Time

Color or Enlightener

Developer

1 Color

15 g

2 Colors

10 g

3 Colors

Panel

Time

Color or Enlightener 10 g

Developer

Color or Enlightener

10 g

Developer 5g

NOTE:

If using more than 3 colors, divide full amount by the number of colors. For example, if color amount is 40 g and you’re using 5 colors, mix 8 g of EACH color for 40 g TOTAL.

NOTE:

For amount of Aveda's Pure Tones refer to Puretone Mix Formulas (page 29).

PROPRIETARY – DO NOT DUPLICATE

Time

1⁄ 3

Panel

HeadMapping ® ColorMix Guide 1:2 Ratio

This ColorMix guide is for a 1 to 2 ratio (one part color to two part developer).

Full Panel Division ABC

Full Panel Division AC

Time

Color or Enlightener

Developer

MOST POPULAR

Time

Color or Enlightener

Developer

Color or Enlightener

Developer

1 Color

20 g

40 g

1 Color

17 g

34 g

1 Color

17 g

34 g

2 Colors

10 g

20 g

2 Colors

18 g

2 Colors

18 g

3 Colors

14 g

3 Colors

12 g

3 Colors

12 g

1⁄ 2

Panel Division AB

Time

Panel Division A

Time

Color or Enlightener 1 Color

1⁄ 3

Full Panel Division A

Developer

Time

Color or Enlightener

13 g

26 g

1 Color

2 Colors

14 g

3 Colors

10 g

Developer

1 Color

10 g

20 g

2 Colors

10 g

3 Colors

Developer

1 Color

10 g

20 g

2 Colors

14 g

2 Colors

10 g

3 Colors

10 g

3 Colors

1⁄ 3

Panel

Time

Color or Enlightener

26 g

Panel

Time

Color or Enlightener 7g

Developer 14 g

Color or Enlightener 3g

Developer 7g

NOTE:

If using more than 3 colors, divide full amount by the number of colors. For example, if color amount is 40 g and you’re using 5 colors, mix 8 g of EACH color for 40 g TOTAL.

NOTE:

For amount of Aveda's Pure Tones refer to Puretone Mix Formulas (page 29).

PROPRIETARY – DO NOT DUPLICATE

Time

Developer

13 g

1⁄ 2

Full Panel

Full Panel Division AB

HeadMapping ® ColorMix Guide Most Popular

1/2 Panel Division AB

Full Panel Division A TIME

30 min

MIXATION 1:1 ratio

1 Color

Color or Enlightener

20 g

Developer

20 g

1:2 ratio

1 Color

MIXATION 3 Colors

1:1 ratio

1 Color

15 g ea

10 g ea

Color or Enlightener

15 g ea

10 g ea

2 Colors

3 Colors

20 g

15 g ea

10 g ea

Developer

20 g

15 g ea

10 g ea

3 Colors

1:2 ratio

1 Color

2 Colors

3 Colors

13 g

7 g ea

5 g ea

26 g

14 g ea

10 g ea

Color or Enlightener

13 g

7 g ea

5 g ea

Color or Enlightener

Developer

26 g

14 g ea

10 g ea

Developer

PROPRIETARY – DO NOT DUPLICATE

TIME

Itemized Color Services ColorMix Guide

Short

Medium

Hair above the shoulders.

Hair on the shoulders.

Long

X-Long

Hair between shoulders & mid-back.

Hair below the mid-back.

HeadMapping ® Itemized Color Services ColorMix Guide New Growth

Color Developer

Any length . . . . . . . . . . . . . . . . . . . . . . . 40 g . . . . . 40 g Any length with Puretones. . . . . . . . . . . . . 35 g . . . . . 35 g Any length 6 Weeks Growth. . . . . . . . . . . 35 g . . . . . 35 g Any length 5 Weeks Growth. . . . . . . . . . . 30 g . . . . . 30 g Any length 4 Weeks Growth. . . . . . . . . . . 25 g . . . . . 25 g Any length 3 Weeks Growth. . . . . . . . . . . 20 g . . . . . 20 g

In between foils

Color Developer

New Growth Any Length . . . . . . . . . . . . . 45 g . . . . . 45 g New Growth With Puretones . . . . . . . . . . 40 g . . . . . 40 g

Color Balance

Color Developer

[New Growth to Ends]

New Growth. . . . . . . . . . . . . . . . . . . . . . 40 g . . . . . 40 g Ends:

Short . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 g . . . . . 15 g Medium. . . . . . . . . . . . . . . . . . . . . . . . . 35 g . . . . . 35 g Long. . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 g . . . . . 55 g Extra-Long. . . . . . . . . . . . . . . . . . . . . . . . 75 g . . . . . 75 g

In-Between Foils – Color Balance Color Developer [New Growth to Ends]

New Growth. . . . . . . . . . . . . . . . . . . . . . 45 g . . . . . 45 g Ends:

Short . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 g . . . . . 15 g Medium. . . . . . . . . . . . . . . . . . . . . . . . . 35 g . . . . . 35 g Long. . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 g . . . . . 55 g

Color Tone

PROPRIETARY – DO NOT DUPLICATE

Extra-Long. . . . . . . . . . . . . . . . . . . . . . . . 75 g . . . . . 75 g

Color Developer

Short . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 g . . . . . 30 g Medium. . . . . . . . . . . . . . . . . . . . . . . . . 40 g . . . . . 40 g Long. . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 g . . . . . 50 g Extra-Long. . . . . . . . . . . . . . . . . . . . . . . . 60 g . . . . . 60 g

Color Cleanse Enlightener Developer

NOTE: If using deposit-only color for In-Between

New Growth. . . . . . . . . . . . . . . . . . . . . . 15 g . . . . . 15 g

Foils on full length of

Short . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 g . . . . . 20 g

hair shaft, the total

Medium. . . . . . . . . . . . . . . . . . . . . . . . . 35 g . . . . . 35 g

amount of grams mixed

Long. . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 g . . . . . 55 g

should correspond with

Extra-Long. . . . . . . . . . . . . . . . . . . . . . . . 75 g . . . . . 75 g

ends-only amount.

HeadMapping ® PureTone ColorMix Guide

PURETONE COLORMIX Linear Measurements

“Accuracy is learned behavior.” – Walter Claudio

Itemized Color Services PureTone ColorMix guide Color Service

PureTone Amount Natural Series Levels

Amount of Color to be Mixed

10 & 6

40 g

2.0 g

4.0 g

6.0 g

8.0 g

45 g

2.25 g

4.5 g

6.75 g

9.0 g

9&5

8&4

7&3

New growth Any length

In-between foils New growth

Color Balance [New growth to ends] New growth

40 g

2.0 g

4.0 g

6.0 g

8.0 g

Short

15 g

0.75 g

1.5 g

2.25 g

3.0 g

Medium

35 g

2.0 g

3.5 g

5.5 g

7.0 g

Long

55 g

3.0 g

5.5 g

8.5 g

11.0 g

Extra-Long

75 g

4.0 g

7.5 g

11.5 g

15.0 g

Ends:

In-between Foils – Color Balance 45 g

2.25 g

4.5 g

6.75 g

9.0 g

Short

15 g

0.75 g

1.5 g

2.25 g

3.0 g

Medium

35 g

2.0 g

3.5 g

5.5 g

7.0 g

Long

55 g

3.0 g

5.5 g

8.5 g

11.0 g

Extra-Long

75 g

4.0 g

7.5 g

11.5 g

15.0 g

30 g

1.5 g

3.0 g

4.5 g

6.0 g

Medium

40 g

2.0 g

4.0 g

6.0 g

8.0 g

Long

50 g

2.5 g

5.0 g

7.5 g

10.0 g

Extra-Long

60 g

3.0 g

6.0 g

9.0 g

12.0 g

Ends:

Color Tone Short

PROPRIETARY – DO NOT DUPLICATE

New growth

HeadMapping ® PureTone ColorMix Formulas Mixing ratios are based on 40g of Aveda Natural Series.

Full Panel Division ABC

Color

Time

30 g

1.5 g

15 g

0.75 g 1.5 g

2.25 g 3.0 g

3 color bowls

10 g

0.5 g

1.5 g

Panel Division AB Time

Time

1⁄ 3

Time

xx 3.75 g xx 5.0 g

2 Colors 2 color bowls

15 15 gg

15 gg 15

xx 0.75 g xx 1.5 g

xx 2.25 g xx 3.0 g

3 Colors 3 color bowls

10 gg 10

xx 0.5 g

xx 1.5 g

Developer

xx 1.0 g

xx 2.0 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

25 g

1.25 g 2.5 g

3.75 g 5.0 g

2 color bowls

15 g

0.75 g 1.5 g

2.25 g 3.0 g

3 color bowls

10 g

0.5 g

1.5 g

Developer

1.0 g

2.0 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

20 g

1.0 g

2 color bowls

15 g

0.75 g 1.5 g

2.25 g 3.0 g

3 color bowls

10 g

0.5 g

1.5 g

Developer

2.0 g

1.0 g

3.0 g

4.0 g

2.0 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

20 g

1.0 g

2 color bowls

15 g

0.75 g 1.5 g

2.25 g 3.0 g

3 color bowls

10 g

0.5 g

1.5 g

Developer

2.0 g

1.0 g

3.0 g

4.0 g

2.0 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

15 g

2 color bowls

10 g

0.5 g

1.0 g

1.5 g

2.0 g

3 color bowls

5 g

0.5 g

1.0 g

1.5 g

2.0 g

Developer

0.75 g 1.5 g

2.25 g 3.0 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

15 g

0.75 g 1.5 g

2.25 g 3.0 g

2 color bowls

10 g

0.5 g

1.0 g

1.5 g

2.0 g

3 color bowls

5 g

0.5 g

1.0 g

1.5 g

2.0 g

Panel Color Time

PureTone PureTone Amount – Natural Levels 2 4 6 8 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

Developer 10 g

10 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3 0.5 g

1.0 g

1.5 g

2.0 g

NOTE: Mixing 1⁄ 3

ratios are based

Panel Color

on 40g of Aveda Natural Series.

Time

NOTE:

1 color bowl

Developer 5 g

5 g

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3 0.25 g 0.5 g

0.75 g 1.0 g

If using more than 3 colors, divide full amount by the number of colors. For example, if color amount is 40g and you’re using 5 colors, mix 8g of EACH color for 40g TOTAL. © Copyright 2007 Salon Operating Systems, Inc. (S.O.S.). All rights reserved. 09.06

PROPRIETARY – DO NOT DUPLICATE

Time

2.0 g

xx 1.25 g xx 2.5 g

Color

Full Panel

6.0 g

30 gg 25

Color

Panel Division A

1.0 g

4.5 g

30 25 gg

Color

Full Panel Division A

Developer

3.0 g

1 Color 1 color bowl

Color

1⁄ 2

MOST POPULAR

30 g

2 color bowls

Color

Full Panel Division AB

PureTone Amount – Natural Levels 10 & 6 9 & 5 8 & 4 7 & 3

1 color bowl

ColorColor or Enlightener

Full Panel Division AC

1⁄ 2

Developer

HeadMapping ÂŽ Color Formula Language

HeadMapping Color Formula Language Nine Steps Step 1

Identify and input the service or HeadMapping area (Example: Full Panel Division AB)

Step 2

Identify and input the density (Example: medium density)

Step 3

Identify and input the pattern (Example: V-line)

Step 4

Identify and input the number of color bowls (Example: colorbowl 1 (CB1))

Step 5

Identify and input the light (Example: lowlight)

Step 6

Identify and input the effect (Example: fine effect)

Step 7

Identify and input the technique (Example: Weave)

Step 8

Identify and input the color formula amount (Example: 6YO(25g)YO(1.25g) 20vol

Step 9 Identify and enter color bowl pattern (Example: CB1, CB2, CB1, CB3)

Example of Final HeadMapping Color Formula: Full Panel Division AB medium density V-line CB1: lowlight fine effect weave 6YO(25g) YO(1.25g) 20vol

The elements of the technique are set forth below:

DENSITY

Pattern

Light

effect

Technique

• Extra Light

• V-Line

• Highlights

• Extra Fine

• Weave

• Light

• Part Line

• Midlights

• Fine

• Slice

• Medium

• Straight Line

• Lowlights

• Medium

• Skip Slice

• Heavy

• Diagonal

Light

Medium

Heavy

V-Line

Part Line

Straight Line

Diagonal

Highlights

Midlights

Lowlights

Weave Effect

Extra Fine

Fine

Medium

Fine

Medium

Strong

Light

Pattern

Extra Light

Slice effects

Density

• Strong

Strong

HeadMapping ® Color Formula Language

HeadMapping Color formula language DEFINITIONS OF DENSITies

Density is defined in the following ways. The amount of foils in each HeadMapping section determines overall density.

Extra-Light Density

• 20% or less of the hair in each HeadMapping section is highlighted in foil • Partings are 1 inch apart

Light Density

• 30% or less of the hair in each HeadMapping section is highlighted in foil • Partings are 1⁄2 to 1 inch apart

Medium Density

• 50% of the hair in each HeadMapping section is highlighted in foil • Partings are 1⁄4 to 1⁄2 inch apart

Heavy Density

• 70% of the hair in each HeadMapping section is highlighted in foil • Partings are 1/8 to 1⁄4 inch apart

deffinitions of EFFECTS

Effects = number of weaves or slices in a parting

Weaving effects:

• Extra-fine effect is achieved with 14-16 weaves per parting • Fine effect is achieved with 10-12 weaves per parting • Medium effect is achieved with 6-8 weaves per parting • Strong effect is achieved with 3-5 weaves per parting

Slicing effects:

• A fine effect in slicing is achieved by parting off a fine slice of hair to be colored within the foil. Placement of the next slice is determined by the density desired. • A medium effect is achieved by taking 2 slices in a row, placing each slice to be colored in a foil back to back, before leaving hair out between the foils to be left uncolored. • A strong effect is achieved by taking 3 slices in a row, placing each slice in foil back to back, before leaving hair out between the next set of foils. • A skip slice is achieved by slicing fine effect, skipping, and slicing again.

Definitions of PATTERNs

V-Line: Foils are placed at a diagonal in the pre-sectioned 1/3 Panel, 1/2 Panel or Full Panel. The Panel is parted down the center and foils are set at an angle. Ideal for layered hair that has no definite part-line. This technique is very popular for loose drapey shapes. Part Line: Foils are placed parallel to the center or side part in either the pre-sectioned 1/2 Panel or Full Panel. The panel is subdivided at the part. Foils are placed parallel to the part-line. Ideal for classic onelength or for hair that naturally parts in the same area. This technique is necessary when foils need to be very close to part-line. Straight Line: Foils are placed straght back in either the pre-sectioned 1/3 Panel, 1/2 Panel, or Full Panel. Depending on width, the panel may be split down the middle and foils placed within two sub sections. They may also be simply placed straight back in the whole panel. Ideal for layered hair that has no definite part-line. This technique is efficient and useful for quick service.

HeadMapping Color formula language Examples Example: One color 1⁄2 Panel Div AB • medium density • V-Line CB1: highlight, fine effect, weave, 10N (20g) 20vol

Example: Two colors Full Panel Div A • extra light density • Part Line CB1: highlight, fine effect, weave, Daybreak (7g) 40vol (14g); CB2: lowlight, strong effect, weave, 5BV (15g) 20vol + DBV (1.5g)

Example: Three colors Full Panel Div AB • medium density • V-Line CB1: highlight, fine effect, weave, Dusk (6g) 40vol (12g); CB2: midlight, medium effect, weave, 8N (10g) 20vol; CB3: lowlight, strong effect, medium density, weave, 4N (10g) 20vol CB Pattern: CB1, CB2, CB1, CB3

Example: Four colors Full Panel Div ABC and In-Between Foils Colorbalance Long • heavy density • Straight Line CB1: highlight, fine effect, weave, Enlightener (10g) 20vol; CB2: midlight, medium effect, weave, 7Y/O (10g) 20vol + LY/O (2.0g); CB3: lowlight, medium effect, weave, slice, 4Y/O (10g) 20vol + DY/O (1.5g); CB4: 10 Y/O (100g) 20vol+ LY/O (5.0g).

Review / Self-Test

HEADMAPPING ® TEST: language – Part 1 instructions: 1. Name the PANEL in the space provided below the illustration.

1. Name the DIVISION in the space provided below the illustration.

Review / Self-Test

HEADMAPPING ® TEST: language – Part 2 instructions: Draw a line to match the HeadMapping ® section description in the left column with the appropriate head diagram in the column on the right.

1. Full Panel Division AB

2. Full Panel Division AC

1⁄ 3

Panel

4. ½ Panel Division AB

5. Full Panel

6. Division B

Review / Self-Test

HEADMAPPING® TESt: language – Part 3 instructions: Draw a line to match the HeadMapping ® definition in the left column with the appropriate language in the column on the right. 1. From hairline to apex of head down vertically to top of ear

A. Division C

2. Pie section from the point of recession to ½ distance in division A

B. ½ Panel

3. Pie section from the point of recession to the ½ distance in division B

C. Division A

4. From top of ear to top of ear horizontally up vertically to apex

D. 1⁄3 Panel

5. Pie section from the point of recession to the line that divides division A & B

E. Division B

6. From top of ear to top of ear horizontally down to nape

F. Full Panel

Review / Self-Test

HeadMAPPING ® Color TEST: COLORMIX GUIDE instructions: Write in the time and amounts of Color/Enlightener and Developer for a 1:1 ratio in the spaces provided in the charts below:

Full Panel Division ABC

Full Panel Division AC

Time

Color or Enlightener

Full Panel Division AB

Time

Developer

Time

Color or Enlightener

Developer

Color or Enlightener

1 Color

2 Colors

3 Colors

1⁄ 2

Panel Division AB

Color or Enlightener

1⁄ 3

Full Panel Division A

Time

Panel Division A

Time

Developer

Time

Color or Enlightener

Developer

Color or Enlightener

1 Color

2 Colors

3 Colors

1⁄ 2

Full Panel

Time

Color or Enlightener

1⁄ 3

Panel

Time

Developer

Color or Enlightener

Developer

Panel

Time

Developer

Color or Enlightener

Developer

1 Color 2 Colors 3 Colors

Interactive Game: Name that Service! instructions: Name the correct HeadMapping ÂŽ Service for each of the following: 1. Creates color accents that add even more color to the front and back top of the head. Covers the top of the head and is ideal for short hair and one length hair.

Full Panel

2. Creates color accents around the face, sides and more of the top back part of the head. This service is also very popular and ideal for short, medium and long hair.

1/2 Panel Division AB

3. Creates color accents all over the head. Ideal for fine hair that needs body, also great for short layered styles.

Division C

4. Creates a color accent only around the fringe area and is great on short hair.

1/3 Panel

5. Creates color accents that add a bit more color to the front top of the head. Ideal for short hair.

Full Panel Division ABC

6. Creates color accents in the front and back top of the head, sides and nape area. Ideal partial highlight service for long hair that is put up in a high ponytail or hairclip.

1/3 Panel

7. Creates color accents around the whole face and the front part of the top of the head. Great for medium length textured hair that cascades toward the face.

Division B

8. Creates color accents around the face, sides, front and back part of the head. The most popular color service for maintaining highlights. This service is great for medium to long hair.

1/2 Panel

9. Creates color accents all over the head, except for the nape area. This service is great on long layered hair and helps cover difficult cowlicks in back of head.

Full Panel Division AC

Interactive Game: Name that Panel!

instructions: Name the correct Panel or Division for each of the following:

1. From top of ear to top of ear horizontally down to nape.

Full Panel

2. Pie section from the point of recession to ½ distance in Division A.

1/2 Panel Division AB

3. From the top of ear to top of ear horizontally, up vertically to apex.

Division C

4. Pie section from the point of recession to the line that divides Division A and B.

1/3 Panel

5. From hairline to apex of head down vertically to top of ear.

Full Panel Division ABC

6. Pie section from the point of recession to ½ distance in Division B.

1/3 Panel

Interactive Game: Mix that Panel!

instructions: Name the amount of color (in grams) you would mix for each of the following: 1. How many grams of color would you mix for a ½ Panel Division AB, if you were using 2 colors with a 1:1 ratio? 2. How many grams of color would you mix for a 1⁄3 Panel Division A, if you were using 3 colors with a 1:1 ratio? 3. How many grams of color would you mix for a Full Panel Division A, if you were using 1 color with a 1:2 ratio? 4. How many grams of color would you mix for a Full Panel Division ABC, if you were using 2 colors with a 1:2 ratio? 5. How many grams of color would you mix for a Full Panel Division AC, if you were using 1 color with a 1:1 ratio? 6. How many grams of color would you mix for a 1⁄3 Panel, with a 1:1 ratio? 7. How many grams of color would you mix for a Full Panel, if you were using 3 colors with a 1:2 ratio? 8. How many grams of color would you mix for a ½ Panel Division AB, if you were using 2 colors with a 1:2 ratio? 9. How many grams of color would you mix for a 1⁄3 Panel Division A, if you were using 2 colors with a 1:2 ratio? 10. How many grams of color would you mix for a Full Panel Division ABC, if you were using 1 color with a 1:1 ratio?

Salon Operating Systems, Inc. 11 W. Figueroa Street, Santa Barbara, CA 93101

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805.722.7561

sos@walterclaudio.com ÂŠ Copyright 2007 Salon Operating Systems, Inc. All rights reserved. This manual, and any components described in it, are furnished under license and may only be used or copied in accordance with the terms of such license. Except as permitted by such license, no part of this publication may be reproduced in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Salon Operating Systems (S.O.S.). Salon Operating Systems (S.O.S.), the S.O.S. logo, HeadMapping and all their components are registered trademarks of Salon Operating Systems, Inc.