Jen MUELLER

jennifer mueller

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john defazio

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redbank gorge, Alice springs, N.t, Australia

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T RPOR L AI S IN IONA

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DANCE IS AN ARTFORM. “ART CAN GO PASS THROUGH WHERE OTHER THINGS CANT...

YOU CANT HAVE BARRIERS BECAUSE It Breaks Through Your Prejudices; BREAKS THROUGH

EVERYTHING THAT YOU HAVE AS YOUR MASK.”

- MALLIKA SARABHAI

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ace a sp g n i at we y cre porate, e B . l fu to eva e onc auti y be judices of thos ith. l e u w e ents uniq ork d pr s are orms an e movem ies to w e r u Cult cietal n with th ent bod r o ft diffe for s only le e r a

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HumaAnftser arr can aiv p ing the is jo it usrondeiffi y via 4pxrecaiat te aratirfoport, c s btheea tr u lt site 2.5 fo4 ca van in r it hours a r ursato accepotrdther utya,vseolerww hyill w osto a y. R e dre accessib le with fromedubs aanskbeGaourtig iffacehretnhte all whe e l to on o?ly el drive fuis vehicle s.

case studies: anna halprin pedagogy & outdoor dance deck

concepts:

igned as detos force w e n o e ing st t angnl d enjoy stepp ifferenw a “Eachslightly dlo do n Brack at a user to s w -Mark the garden.” the

Japanese stroll gardens

VARIED WALKWAYS

WALKABOUTT JJOURNEYS OURNEYS

CONTROLLED ONTROLLED VANTAGE

ARCHITECTURE & DANCE COLLABORATIONS: TESSARACTS OF TIME BY STEPHEN HOLL & JESSICA LANGE

‘Tessera c as the s ts of Time’ ex p hared p assion b lored light realms telling t of architectur etween the e he stor y in fou and dance, r pa the typ es of ar rts using chitectu re

process drawings

400 l 300 l 200 l 100 l

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movement study

Than Dance k you to the m Ensemb e le that t mbers of the D ook tim rexel e schedu les to m out of their Coralie ove wit Franc Alexand ra Balla ois, McCarry P h me: a nce & P auline M pula, aiura

Merm Special thanks to vely photos for taking such lo

MODELS

Specia Aubrie l thanks to my Lincks for help friends Deann ing me a Garrid with m y final m o and You tw odel. o are th e best!

7

NECK (ACCESSORIES) WAIST (APRON)

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A MSCAP

fall quarter

HEAD (CROWN/SCARF)

KNEE (SKIRT)

FEET (SHOES)

NAGYKUN

MOLDVAI

KALOCSA

THE MIRROR

LONAI KOLOZSVAR (VARIATIONS)

e c c i n a g d a k m l faos

n ye,ssigo neadudt asned a b r s corliot ityh,o rairatl,fo egaicocneaplt poion?g e a t cia nduers, tro ert.isfutelpt n epsr,em m a p u m gefor t a eau s agceu,lt e upserafsobr dopting a. lknscocang odfiffi o f a a n h n t n o m eans I Humreviesailti soitioen pers n offro old e hy poiffs er t tume m arw al d os soci a folk c o t in

e c n a d

The God of Truth is in my upright spine.

The God of Love is in the Heart's rhythmic beating. The God of Wisdom lives in my conceiving mind. . . .

The God of Beauty is revealed in my harmonious body.”

status

control

-ruth st. denis2

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religion

E C c N i A g D a L A m C I s S a S A e L daCnc

itos f afonrce o g t r e l a r euts thaetee tporef ci ancudltcafom radss u p o a usa rceawn ndceiffi tow lleatngs couisrtitdsao cnttiofnro, m voe?.”

“HBuam e nwhy pifferefre utisftuslttroi ) a e p o e au (1996 Eurtyo, s imoaste d nbeem beausencet putltthh everyo nowitz i e c reptro a whic -Rab

eferences

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Humrsoetw r u a o s s p he cty, givoese e ebxea motion bteauwhceicpht thion to b e c t to a of mo

“There is an inhere nt connection that we all

have to dance and I try to h peo

ple reconnect to tha -Anna Halprin (Int t.” erview with Jen & Parker 2017)

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“D “Dance doesn’t relate elate to nature, wwe ARE nature.”

-Anna -A AAnna Halprin (Interv (Interview, view, 2017)

roman empire

today

san bushmen ca

“We first begin to see the shaping of spaces through da prehistoric times, nce as early as through cave drawi ngs that depict cer emonial dances and rituals (Mott, OL) of our predecessor s.”

M c R i O F g T a R A m E s V a I T I e c M I n R a d P HE

ve drawings

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itthse t oforyr asn s r i a h t e hcoiaut ounlthfourmu opupgre ffi r sc lsly h a a t h i tursaa ssecean datnscoed irtonm a n n a e c a thhyatis i rtehnat f olutogho?a W Hum enocew e dwiaffye e. suthifru ianufltuy, sngst-h-othse cultubreea releas e b bceei pt ss all c to aurs acro c oc

11

technical review

900

900

800

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800

x 700

1000

1100

technical review: platform construction

decking wood beam

cmu structural support

wood beam

heavy timber framing wood saddle pile cap

screw pile concrete slab? deck pile detail

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final site plan & section through spine

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zone 1 - arrival

zone 2 - gather

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zone 3 - perform

zone 4 - meditate

19

overview of journey

thank you to everyone that collaborated with me and made this project possible

john defazio

marty whalen

for believing in me every step of the way

john & judit mueller for making this all possible

for giving me the structure i needed

margueritte hollander

for supporting me constantly this year

alexandra, pauline, coralie, mccarry for volunteering to dance with me

aubrie & deanna

for helping me with my model and keeping me sane at times

jackie Niemiec

anna halprin

merenda graixinha

for being my movement study photographer

for meeting with me in san francisco

for being a wizard

jennie himler

for all the scheming & shenanigans

miriam giguere

for being my dance consultant and connecting me with my dance squad

the defazio following

for providing amamzing critique and feedback throughout the year