DUC DINH DESIGN PORTFOLIO
CONTENTS
COMMERCIAL PROJECT
PUBLIC PROJECT
RESIDENTIAL PROJECT
LIGHTING FIXTURE
HOSPITALITY PROJECT
GRAPHICS
BOUTIQUE SHOP PROJECT
ABOUT ME
KFC RESTAURANT
COMMERCIAL PROJECT Built Area: 128 m2
Ratana Plaza, Cambodia 2012
Ratana plaza, where diverse activities take place, has a very potential fast food demand. To make the best of the characteristic of the site, the KFC is designed to provide a fast dining service for the space users and to compete with the existing fast food stores. The solution for the new KFC is based on the key words: “fast” and “east”. The design will follow this keywords to create a fast dining atmosphere. By blending the oriental design elements into KFC contemporary style, it will create a symbolic design for KFC. The restaurant is designed for 2 groups of customer where primary are the visitors to the building. The secondary are the staffs working within the plaza and offices within the surrounding area who require fast take-away service.
KFC FASTFOOD RESTAURANT CONCEPT ACRYLIC PANEL
SIGNAGE
ELEVATED INSERTION
The aim of this project is to design the kfc fast food restaurant located at the corner of ratana plaza and hotel building. The objective is to propose an innovative solution to the kampuchea food cor- poration who is the client. The design is to make kfc distinctive and make it the first kfc restaurant to break the standard kfc design. By incorporat- ing the western contemporary style and the ori- ental elements, the design get an inspiration from a new unique east-asia product that will make kfc compete better within the asian food market.
Secondary circulation Primary circulation Staff circulation
KFC FASTFOOD RESTAURANT CIRCULATION ANALYSIS KITCHEN SPACE OFFICE
STAFF ROOM / STAFF TOILET KITCHEN SPACE RECEPTION DESK / TAKING ORDER SERVICE ISLAND / RACKS
ELEVATED AREA +450MM BANQUET / BOOTH BOOTH BAR TABLE
People who dine in or take away KFC products are always in a quick movement. From making orders to eating their meal, they do it very fast. And if the architectural aspect of the space is not obvious to them, they will certainly leave the store without noticing about the interior. The solution is to make architecture obvious to the customers that everything will hit their eyes when they step inside the space. By using level difference and large-size decorative objects, the architectural feeling will be delivered immediately to the space users. By using different levels of seating areas, it creates a sense of rhythm within the space, customers can “look” and be “aware” of things going on inside and outside of the space through the airy glass curtain. The seating will also provide the privacy for each seating area.
KFC FASTFOOD RESTAURANT FLOORPLAN SCALE1:100
ELEVATED SEATING
WASH BASIN TEA BOX
S-A S-B
KFC FASTFOOD RESTAURANT SCALE 1:100 REFLECTED CEILING PLAN
LEGENDS DOWNLIGHT PENDANT BULB PENDANT LIGHT RECESSED CEILING LIGHT
FALSE CEILING
KFC FASTFOOD RESTAURANT ELEVATION A SCALE 1:100
GLASS PANEL TEABOX
WASHING BASIN
ELEVATION B SCALE 1:100
KFC FASTFOOD RESTAURANT INTERIOR VISUALISATION The fast-food restaurant has to maximize the use of seatings and circulation to achieve the best possible commercial goal, the income. In order to do this, the furniture (both fixed and movable) are arranged to the minimum standard to provide not only comfortable seating positions but also convenient moving circulation.
KFC FASTFOOD RESTAURANT
KFC FASTFOOD RESTAURANT
TUBE-HOUSE
RESIDENTIAL PROJECT Built Area: 232 m2
Saigon, Vietnam 2012
Tropical weather and restricted built area are the two most distinguishing characters when building a house in Saigon. This city has a restricted land law provided by the national unban development and the weather is humid and hot all-year-round. By understanding this matter, this project proposes a solution to build a modern tube house for a family with 4 inhabitants. The tube-house advantage is to provide enough convenient spaces for all the activities and to fit not only the Vietnamese owner’s traditional lifestyle but also his family’s demands for a modern life within this vibrant city. By creating in and out air-ventilation and natural sunlight, this tube-house is an ideal living space for the occupants who have to live and work in Saigon, where noise pollution and super hot weather can affect livign quality.
SUNLIGHT DIAGRAMS Air in
TUBE-HOUSE CIRCULATION AND VENTILATION Taking the advantage of the natural sunlight to bring in the warm light source to the interior. Using air in-out circulation to create air ventilation for the house. The aim of this circulation arrangement is to create the most possible and convenient movement for all the inhabitants within the house. This give the best access to all the space and services within the interior. The stair is designed to be in one corner to reduce the space it may take and leave a straight-up circulation for the rooms.
Exhaust air IN OUT
IN
OUT
IN
OUT
OUT
SUNLIGHT DIAGRAMS Sunlight
SPACIAL PLANNING DIAGRAMS Bedrooms Dining + Kitchen
Open space
Living room
CIRCULATION DIAGRAMS Primary
Exhibition room
TUBE-HOUSE
Secondary
SECOND FLOOR
SECOND FLOOR
SECOND FLOOR
FIRST FLOOR
FIRST FLOOR
FIRST FLOOR
GROUND FLOOR
GROUND FLOOR
GROUND FLOOR
TUBE-HOUSE INTERIOR PLANS
D 2860
SEMI-GLOSS WOOD PLANKS
Spacial design include 1 living room, 1 tea seating area (Which serves as an additional living area), 1 dining room , 1 kitchen, 1 exhibition room and 3 bedrooms. The concept is to create a modern yet brings simplicity of deco and materiality.
WOOD LAMINATE JANMI FIN.
E
C
KITCHEN
TOILET
UP
LIVING ROOM
UP
DINING ROOM
BB'
6561
AA'
A
B
UP
13500
GRAVEL
NATURAL STONE
ELEVATED TEA SEATING
GROUND FLOOR PLAN SCALE 1:1250
CUSTOM SHELF (DINING)
1
5
3
STAIRS KITCHEN SEMI-GLOSS WHITE PAINT ON ACOUSTIC CEILING FIN. 2-S
2-S 2-S
S S
S S S
S
LEGENDS Spot light
LIVING ROOM DINING ROOM
2-S
Down light
2-S
Ceiling mount Wall scone Track lighting
GROUND FLOOR RCP SCALE 1:125
0
1
3
5
TUBE-HOUSE
BATHROOM 1
WALKIN CLOSET
STAIRS
BATHROOM 2
WALKIN CLOSET
2-S
2-S
EXHIBITION ROOM EE'
CC'
EXHIBITION ROOM F
S
DN
UP
BEDROOM 1
DD'
J
MASTER BEDROOM
K
BEDROOMS 2
FF'
S S
S
G H
I
BOOKSHELF
VARNISHED WOOD FLOOR
CEMENT TILES
FIRST FLOOR PLAN SCALE 1:125
0
1
SECOND FLOOR PLAN SCALE 1:125
5
3
CERAMIC TILES
PENDANT FIXTURE
1
0
BATHROOM 1
STAIRS
POLISHED CONCRETE
5
3
0
1
STAIRS BATHROOM 2
WALKIN CLOSET
S
S
2-S
2-S
S
2-S
S
S
S
EXHIBITION ROOM LEGENDS
BEDROOM 1
S S
S S
MASTER BEDROOM
Spot light
LEGENDS
BEDROOM 2
S
S S
Lamp
S
Down light
Pendant light
Ceiling mount
Down light Ceiling mount
Wall scone DS
PENDANT FIXTURE
Wall scone
S
GLASS
POLISHED CONCRETE
FIRST FLOOR RCP SCALE 1:125
0
1
3
5
SECOND FLOOR RCP SCALE 1:125
0
1
BATHROOM 1
WALKIN
3
5
TUBE-HOUSE SECTIONS
SOUTH SECTION SCALE 1:125
TUBE-HOUSE
NORTH SECTION SCALE 1:125
TUBE-HOUSE LIVING ROOM
TUBE-HOUSE DINING ROOM
TUBE-HOUSE EXHIBITION ROOM
TUBE-HOUSE INTERIOR ELEVATIONS
ELEVATION A SCALE 1:100
ELEVATION F SCALE 1:100
ELEVATION H SCALE 1:100
ELEVATION J SCALE 1:100
ELEVATION B SCALE 1:100
ELEVATION G SCALE 1:100
ELEVATION I SCALE 1:100
ELEVATION K SCALE 1:100
TUBE-HOUSE KITCHEN DESIGN
1160
1155
400
720
720
600
590
360
TUBE-HOUSE
210
400 MIRROR
20
IKEA MODEL 501.323.76 ZINC HINGE
400 30
425
CERAMIC TILE FINISH
425
400
15mm STAINLESS STEEL IKEA TYDA MODEL 101.767.44 DOOR HANDLE 15
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD OVERHEAD CABINET BOTTOM
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD DOOR
10mm HARDBOARD BACKING OVEN
MICROWAVE
720
720
600
590
360
20
210
IKEA MODEL 501.323.76 ZINC HINGE
20X80 WOOD TOP STRIP
400
400
S-1
15mm STAINLESS STEEL IKEA TYDA MODEL 101.767.44 DOOR HANDLE B A
C
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD ADJUSTABLE SHELF
150
30mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD COUNTER TOP
400
300
720
250
720
720
1020
20X80 WOOD TOP STRIP 80
2300
400
30mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD COUNTER TOP
30
ELEVATION D SCALE 1:75
15mm STAINLESS STEEL IKEA TYDA MODEL 101.767.44 DOOR HANDLE
300
ELEVATION E SCALE 1:75
DETAIL 3 SCALE 1:10
20X40 WOOD SPACER
D-3
425
WHITE LAMINATE FIN. ON GYP PANEL
90 15 15
425
300
2700
20X40 WOOD SPACER 15mm STAINLESS STEEL IKEA TYDA MODEL 101.767.44 DOOR HANDLE
300
2300
SLIDING DOOR
MICROWAVE
850
850
600
SLIDING DOOR
150
850
400
1 4
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD DOOR
DETAIL 2 SCALE 1:10
IKEA MODEL 501.323.76 ZINC HINGE
WALL
20X40 WOOD SPACER 10mm PLYWOOD HARDBOARD BACK
850
40X80 WOOD SLEEPERS
10mm PLYWOOD DRAWER BACK
6 5
DETA SCALE
20mm LAMINATE PLYWOOD BASE SHELF
10mm HARDBOARD BACKING
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD TOEKICK
20X40 WOOD SPACER 520
40X80 WOOD SLEEPERS
80
1 7
20
10mm PLYWOOD DRAWER BOX
265
1020
20mm LAMINATE PLYWOOD BASE SHELF
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD DOOR
15mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD TOEKICK
15
40
D-1
ELEVATION C SCALE 1:75
FLOOR PLAN SCALE 1:75
FLOOR PLAN SCALE 1:25
DRAWER SLIDES
5 5
80
600
IKEA MODEL 501.323.76 ZINC HINGE
850
DISH WASHER
FINISH CABINET INTERIOR W/ WHITE LAMINATE LINER
255
720
D-2
2700
CERAMIC TILE FINISH
DETAIL 1 SCALE 1:10
DETA SCALE
SHADOW OF ANGKOR
HOSPITALITY PROJECT Built Area: 1134 m2
Siem Reap, Cambodia 2013
As the original Haussmann’s plan is such an inspiring and accurate system to develop the design concept for this hotel renovation.The harmony, efficiency and hygienic environment inspired the new design functions and aesthetics to follow and create a concept that is based on these elements. The concept is to transform the old hotel interior into a more luxury yet modern accommodation provider for tourists but to preserve and restore the original elements which is the main attraction of the town. The finished project will lead the guests through different experience of space and time, to take them through a journey of time by using classical elements blending the contemporary interior. The space functions and circulation will be efficiently planned based on the Haussmann’s concept. The new space will provide an inviting and hygienic atmosphere by allowing natural air to travel in and out. To take the guests out of the heat of Indochina and welcoming them into a refreshing artificial environment within the hotel by integrating water features as a connection between exterior and interior and also evaporative cooling system.
SHADOW OF ANGKOR THE HAUSSMAN PLAN CONCEPT Haussmann plan was about planning the city into a geometric grid, with new streets running east and west, north and south dividing the city into sections, bringing symmetry to the city, opening of broader street for traffic and fresh air to travel through. The town of Siem Reap was built based on Haussmann’s theory of geometric and symmetrical aesthetic where the main areas such as Old Market and the French Quarter are clearly located and divided following the grid lines. Also streets are wide-opened to allow air circulation and sunlight to enter, creating a hygienic living environment.
OLDMARKET
SHADOW OF ANGKOR ADJACENCY DIAGRAM
SHADOW OF ANGKOR FLOOR PLANS The design of the following plans are stricty arranged by the haussman concept that the grid system control the whole spatial design.
GROUND FLOOR PLAN SCALE 1:200
SHADOW OF ANGKOR
FIRST FLOOR PLAN SCALE 1:200
SECOND FLOOR PLAN SCALE 1:200
SHADOW OF ANGKOR REFLECTED CEILING PLANS
GROUND FLOOR RCP SCALE 1:200
SHADOW OF ANGKOR
FIRST FLOOR RCP SCALE 1:200
SECOND FLOOR RCP SCALE 1:200
SHADOW OF ANGKOR ELEVATION
EXTERIOR ELEVATION SCALE 1:175
SHADOW OF ANGKOR SECTIONS
SECTION A SCALE 1:175
SECTION B SCALE 1:175
SHADOW OF ANGKOR BEDROOM DESIGN
SHADOW OF ANGKOR
CORNICE DETAILS SCALE 1:20
SUITE RCP SCALE 1:125
ELEVATION A SCALE 1:125
SUITE FLOOR PLAN SCALE 1:125
SHADOW OF ANGKOR BAR COUNTER DESIGN
BAFFLE DETAIL SCALE 1:5 NORTH ELEVATION SCALE 1:75
CORNICE DETAILS SCALE 1:75
SECTION C SCALE 1:40
STEEL SUPPORT TRAY SCALE 1:5
SHADOW OF ANGKOR RECEPTION
CEILING DETAIL D-2 SCALE 1:30
BOOTH SEATING DETAIL D-1 SCALE 1:30
CEILING DETAIL D-3 SCALE 1:30
SHADOW OF ANGKOR RENDERS
SHADOW OF ANGKOR
EYE STORE
BOUTIQUE PROJECT Built Area: 32 m2
{hnom Penh, Cambodia 2013
Eyeglass is the product that my boutique will display and sell. They are including sunglasses, frames for medical glasses and the contact lens. There would be an entrance that lead the users into the space and the arÂŹrangement of the displays will take them with a tour around the interior space which allows them to have a look at all the products and access to the specific product if that specific user want to purchase. There are basiÂŹcally 2 main groups that are potential: young adults and adults demanding medical glasses,young adults and adults demanding fashionable contact lenses, frames and sunglasses. The first group will spend more time on the eye frames and contact lens but the second group will spend more time on the sunglasses. For the function, there will be an eye examination room for checking eye status. After having a look at the favourite pieces, there will be a mirror near the display so the clients can try them on and compare straight away.
EYE STORE CONCEPT As an optical store, the only one eye store will have to stand out within sorya mall after being built. Considering the eyewear as a con¬temporary fashion product, the signage has to be unique that will distinguish itself from the adjacent cloth shops and food shops. The logo has to be eye-catching and represents the modern factors of the eyestore products. But yet the logo has to be kept to the most simplicity which will enhance its modern characteristic. “eye” - very basic and easy to understand, the word eye speaks up for everything that this store sell, every thing covering for the eye. The 2 round circles in equal size and connected by the big “y” shaping the eye¬glass figure. Is easy to understand and meaningful. Also the analo¬gus steelblue colour mixed with carolina blue from light to dark is to represent the translucency and purity of a piece of glasses, but not to be as fragile as it looks but as strong as steel.
EYE STORE DRAWINGS
FACADE NOT TO SCALE
ISOMETRICAL DIAGRAM NOT TO SCALE
INTERIOR ELEVATION NOT TO SCALE
EXTERIOR ELEVATION NOT TO SCALE
SHELTERING SKIN
PUBLIC PROJECT
{hnom Penh, Cambodia 2013
In the 2020s, smoking is extremely prohibited in public all around the world. This is a new era when humanity starts to consider sustainability as a fact of a new healthy life-style for them. Smoking is supposed to be an unacceptable act in front of other people. Even though there is an enormous number of past smokers have quitted their smoking habits, there are still quite a few numbers use cigarettes as a stress reliever. In order to give these people a “skin” to have their private time to smoke, the shelteringskin is designed to accommodate one or two human beings at the same time. A man will be locked in his own place with a “skin” to cover himself from being seen by the public.
SHELTERING SKIN THE FORMAL DIAGRAMS the project considers the natural characteristic of the jellyfish to generate the furniture aesthetics. the creature body is made of 3 main layers called epidermis, mesogloea and gastrodermis which cover its inner parts and generate transparency making it invisible within the water environment. the invisibility of this creature is applied into the design of the “skin� covering the inhabitant inside.
SHELTERING SKIN
SHELTERING SKIN CONCEPT The Sheltering skin works as a smoking space for one or two human beings. The interior space provides limited activities that the user can only stand and lean on the wall surface. Somewhat uncomfortable but yet much more hurting their feelings. The user is doing an improper action which has to be isolated from the view of society. Taking an inspiration from the natural characteristic of the Jellyfish, the design is to create the “Invisibility” for the user who is smoking inside. The person is vanished from sight of others. Being locked in the space, user is to suffer isolation and guilt from smoking. the smokers will have to walk their way down to a tunnel and climb up into the shelter to smoke which is not very convenient. By incoporating organic language and ergonomics consideration, the final design will be a new solution for a non-smoking environment that encourage smokers to quit their habits and reduce dramatically the CO2 emission into the environment.
LIGHTING
SEATING+LEANING
THE “SKIN”
Computer generated abstract lines show the organic form capture from the movement of the jellyfish. the space between each layer has lighting to createbrightness that the inhabitants will be hardly seen
The back for seating and leaning stimulate the movement of jellyfish tentacles which moving smoothly up and down in a stable condition that create the flow and connection for the seating and leaning inhabitants.
Generated fom the the jelly fish bodystructure, the tortuos layers turning into organic from to cover the inhabitants.
SHELTERING SKIN
GLOWING CELL
LIGHTING PROJECT
{hnom Penh, Cambodia 2013
The project aim is to create a decorative floor lamp that intends to remind space users to appreciate the most basic nature of life and aprreciate life itself. The light fixture creates shadow texture when it glows in the dark and spashes the cell patterns onto the surrounding environment. The play with splashing shadows from different distance on each different areas will create a continuous and natural textures. The fixture top allows a rectangular beam to splash up onto the wall and ceiling to create a ambient lighting over the space, balancing the light distribution.
GLOWING CELL CONCEPT + Based on the initial precedent images of bionic cell structure + The form generated from the natural characteristic of the cell + Forming the cell-skin using ACRYLIC that splashes light when lit-up +Diffused acrylic layer to create continuous ambient light over the space.
GLOWING CELL 180
120
300
300
GRAPHICS STYLES Compilation of selected graphics works since 2010 until 2013.
ABOUT ME
I am a young and passionate designer who can work effectively and responsibly individually as well as in a team. Meet deadline on time. Quick learner. Flexible. Skilled with computer softwares. Stay up-to-date. Great graphics ability. Familiar with Adobe Creative Suite Experience with Autocad, 3ds Max and Sketchup. Experience in Digital Fabrication and Laser Cutting for model making. Passionate with tropical architecture and designed environment.
PERSONAL DETAILS Full name Gender
DINH THANH DUC Male
Civil status
Single
D.O.B
November 15th 1991
Nationality
Vietnamese
Current address
No. 71, Street 27, Tan Quy Dong Resident, Tan Phong ward, district 7
Mobile phone Email Languages
(+84) 93 403 3883 ducdinhdesign@gmail.com Vietnamese (Mother toungue ) English (Fluent)
EXPERIENCE Took part in interior design proposal for clinic & apartment complex Phnom Penh, Cambodia 2012 Interior design proposal for Hotel renovation (Also as a studio project) Shadow of Angkor Hotel, Siem Reap, 2012 Shelves design and built to final product Second hand clothes shop, Hanoi, Vietnam
EDUCATION
COMPUTER SKILLS
Advance Diploma of Interior Design Raffles International College 2011-2013
AutoCad
First year in interior architecture Victoria University of Wellington 2010-2011
Sketchup
3ds Max
Award for outstanding international student Award by Vietnam Government 2009
Photoshop
New Zealand University Entrance Award by NZQA 2009
InDesign
Certificate of exellence - First in subject ESOL Wellington College 2009 NCEA Level 1,2,3 Wellington College 2007-2009
Illustrator Microsoft Office
THANK YOU.