Dec. 5, 2012 issue of The Chronicle

Page 1

T H E I N D E P E N D E N T D A I LY AT D U K E U N I V E R S I T Y

The Chronicle

WEDNESDAY, DECEMBER 5, 2012

WWW.DUKECHRONICLE.COM

ONE HUNDRED AND EIGHTH YEAR, ISSUE 70

Duke finds no wrongdoing:

Durham to compete for selective grant

Uni retains housekeeping supervisor accused of harassment

by Georgia Parke THE CHRONICLE

Durham has been named one of 20 cities competing for millions of dollars in grants from the Bloomberg Philanthropies Mayors Challenge for innovative solutions to major city challenges. The competition between American cities encourages local governments to resolve issues through original and impactful idea proposals. In November, Bloomberg Philanthropies announced 20 finalists chosen out of 305 applications from cities across the country. One finalist will be chosen in the spring to receive the $5 million grand prize and four runnersup will receive $1 million each. The Durham project proposes entrepreneurship hubs in three struggling neighborhoods to encourage job creation, workforce training, housing development and economic growth, said Constance Stancil, director of the Neighborhood Improvement Services Department. “It is an idea space where [residents] can feel free in deciding what happens in their community,” Stancil said. “The community will serve as the decision makers. We can share knowledge with people and bring them to a point where they create and design their own solution for creating

ELYSIA SU/THE CHRONICLE

A recently completed investigation against a former housekeeping supervisor found insufficient evidence to confirm that the employee was harassing and discriminating workers. by Maggie Spini THE CHRONICLE

Some University housekeepers are upset after an investigation completed Spring 2012 found insufficient evidence to validate harassment and discrimination accusations against Linda Schlabach, who formerly served as

SEE DURHAM ON PAGE 5

Edens Quadrangle’s senior housekeeping supervisor. The decision has left some housekeepers and other concerned parties frustrated with how the University handles such complaints, citing lack of transparency. Schlabach was reemployed by Duke early Fall, following a pe-

riod of suspension while the investigation was taking place, said Edwin Gooch, a lawyer for the union Local 77, which includes employees in housekeeping and facilities management. She currently works in a dormitory on SEE HOUSEKEEPING ON PAGE 4

Razia Said uses songs to tackle deforestation What singer-songwriter Razia Said remembers about her native land in Antalaha, Madagascar, before leaving at age 11 is the thriving rainforests. But when she returned nearly 35 years later in 2005, Said saw her former home transformed by deforestation, caused by illegal logging and slash-and-burn agriculture. The experience inspired Said to change her music’s sound in order to raise awareness about Malagasy people and the environmental destruction of Madagascar. Monday, the Duke Lemur Center and the Kenan Institute for Ethics hosted a symposium to discuss conservation in Madagascar, where Said spoke about Madagascar and its influence on her music. After her discussion, The Chronicle’s Danielle Muoio sat down with Said to discuss deforestation in Madagascar and her music.

Q&A

PHILIP CATTERALL/THE CHRONICLE

Singer and songwriter Razia Said performs music about deforestation in Madagascar.

The Chronicle: Can you talk a bit about how you got started as a musician? Razia Said: My first album was six

Canty emerges as Duke’s defensive leader, Page 7

years ago—it was in English and was [rhythm and blues] jazz because I was going for the American market. I always tried to put Madagascar in my music. I had a guitarist that came from Madagascar and performed on some of the songs, but [the album] didn’t have a lot of Madagascar’s rhythm. TC: You talked briefly about the trip you took to Madagascar and its influence on the sound of your second album at the symposium. Can you tell me more about its effect on you? RS: I took a trip in 2007 to Madagascar and at that point, I had decided that after my first album I was not happy with outcome. It was time to dig into my roots and see what was going on there. I left [Madagascar] when I was 11, and I knew I had to get back there. The trip I took in 2007 was after a trip in 2005 where I met a couple of musicians. On the [2005] trip, I thought, ‘Wow, we have this great sound, and I need to use

ONTHERECORD

“Do I think we will live forever? No....”

this.’ So in 2007, I decided to go record stuff in Madagascar, and then I toured Madagascar to get different sounds. During the tour, I noticed there was smoke and burning everywhere. I stopped at a few of those places and they said, ‘Yeah we’re just burning it to improve our agriculture.’ And I asked them, ‘But did you know that after three crops, the soil will be depleted of its nutrients?’ and they told me they were aware of it. Madagascar is such a big country that they took it for granted —they have so much land and could just migrate. But we started to tell people, ‘Look at these pictures—see how these mountains are bare now? What are we doing?’ They need to wake up to it. TC: Is there any sign of Malagasy people taking more environmental precautions? SEE SAID ON PAGE 12

Exciting research at Duke, Page 2

—Mike Shammas in ‘Defeating death.’ See column page 10


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