December 2, 2019

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The Chronicle

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Joey Baker was cooking against Winthrop Page 7

T H E I N D E P E N D E N T D A I LY AT D U K E U N I V E R S I T Y

MONDAY, DECEMBER 2, 2019 DUKECHRONICLE.COM

What’s with all the mold on East Campus? By Ashwin Kulshrestha Senior News Reporter

East Campus may be a dry campus, but this policy has not stopped mold from growing in several of its older dorms. After reports of mold growth on East Campus, Housing and Residence Life contracted with Anabec, a third-party cleaning company, to examine every window and air conditioning unit in the residence halls. Following the treatments, students and resident assistants on East Campus commented that the problem’s spread seems to have halted. “As the semester has gotten underway and the seasons are starting to shift, North Carolina humidity levels cause elevated levels of mold in outdoor air and can impact people with mold sensitivity,” wrote Joe Gonzalez, assistant vice president of student affairs and dean for residential life, in a September email to East Campus residents. “This typically leads to an increase in student requests to have their air conditioner units inspected for mold, and this year is no different.” Gonzalez explained in an email to The Chronicle that although the number of concerns submitted to Housing and Residence Life has increased this year, there were no severe developments. Some students, however, said otherwise. See MOLD on Page 2

NIH to lift restrictions By Nathan Luzum Managing Editor

Nearly two years after they were initially levied on research at Duke, the restrictions imposed by the National Institutes of Health are set to be lifted. The loosening is contingent on two conditions, according to a memo by Vice President for Research Lawrence Carin obtained by Retraction Watch. The memo— sent Nov. 22 to research faculty, students and staff—indicated that the University would no longer be held to the special requirements if it continues to prioritize scientific integrity, and follows through on its corrective action plan before the start of 2020. “Although the Special Award Conditions are removed effective immediately, we will need a short time period to work out the logistics of changing our work flow processes See NIH on Page 2

ONE HUNDRED AND FIFTEENTH YEAR, ISSUE 29

BEHIND THE SCENES Meet the most important administrator you’ve never heard of Mary Helen Wood | Photography Editor

By Nathan Luzum Managing Editor

Richard Riddell has won a Tony Award and serves in one of the University’s most powerful administrative positions. But if you survey Duke’s student body or a gathering of theater aficionados, few would be able to recognize him. That’s because Riddell’s work—formerly as a lighting designer and currently as liaison to Duke’s Board of Trustees— takes place out of the limelight, behind the scenes. He’s never the one delivering a soliloquy in the final act or issuing the final verdicts on University policy. However, Riddell’s quiet coordination of Duke’s most influential decision makers is essential for the institution to function smoothly. Serving in the capacity since 2007, Riddell is set to step down as senior vice president and secretary to the Board of Trustees at the end of the academic year—but his career hasn’t always focused on administrative tasks. Riddell won the Tony Award for Best Lighting Design in 1985 for his work on “Big River,” and shortly thereafter came to Duke as a theater professor in 1992, before working his way up to an administrative role in the early 2000s. “The theater is very much a collaborative art; it’s very rare that one person does theater,” Riddell told The Chronicle. “There are oneperson shows, but for the most part, it’s an awful lot of people working together to create a production … so you really learn to work well together as a team. I think administration is the same thing.” Riddell’s colleagues have high praise for his work. Former President Richard Brodhead—under whom Riddell worked as a special assistant to the provost and university secretary—cited his excellent judgment and efficiency. “When you go to a great event in the theater, you don’t walk out and say ‘Boy, there was a really good lighting director for that,’” Brodhead said. “It creates the element in which everything works, but you don’t see the signature of the skilled craftsman behind it. And that’s really what Richard’s work has been like for the University.”

From Missouri to Manhattan

theater’s most prestigious prize. His upbringing in the town, roughly 30 miles north of Kansas City, Mo., was a sort of “Norman Rockwell experience.” In high school, Riddell found himself interested in the arts, performing in plays and musicals while serving as a disc jockey for a top-40 hits radio station. “By the time I got to the end of high school, I didn’t see any reason I should go to college,” he said. “I was the drive-time disc jockey on the most popular station in this place.” But to college he went. Riddell’s father recommended Knox College in Illinois, right on the train line from St. Joseph. The Knox campus had a new theater complex—but going in, Riddell did not have his mind set on the performing arts. Rather, Riddell entered as a math major and switched to psychology before settling on theater. He began to dabble with backstage work and found the behind-the-scenes aspect of theater more fit to his skillset than acting, which would require a commitment that Riddell wasn’t sure he was ready to make. “Being an actor just felt a little too out there in terms of a lifestyle, so I pulled back from that a little bit,” he said. After graduating from Knox in 1972, Riddell’s newfound career goals led him westward to Stanford University. He enrolled in a Master of Fine Arts program but ended up getting a Ph.D. in theater history and design in 1978. Riddell completed his dissertation in Germany, where he worked alongside playwright Samuel Beckett, who had won the 1969 Nobel Prize in Literature. Riddell stayed in California following his doctoral work and accepted a job as a theater professor at the University of California, San Diego. Founded in 1960, the college was younger than Riddell when he arrived amid a boom cycle for UCSD’s theater program. A professional theater company affiliated with the university was gearing up right as Riddell was getting settled on UCSD’s campus, and he hopped aboard. It was there that he worked as the lighting designer on the musical “Big River”—based on Mark Twain’s classic “Adventures of Huckleberry Finn”—that would land Riddell his Tony Award for Best Lighting Design. He explained that teaching students while working in the theater business was time-consuming, especially with the redeye flights between New York and California.

Growing up in St. Joseph, Mo., Riddell never imagined he’d one day stroll across a stage in Midtown Manhattan to accept

See SCENES on Page 2

Football finishes with a win

Duke doesn’t hear us

The confidence of a mediocre white male

Duke football ends the season with a victory against Miami in the pouring rain. PAGE 6

The founder of Duke’s ASL club points out the lack of accessibility for deaf students. PAGE 11

Columnist Amy Fan argues that you should channel a white man’s confidence when applying for jobs. PAGE 11

INSIDE — Thanksgiving leftovers our parents made us take | Serving the University since 1905 |

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