Duke's Auctions: December 1st & 2nd 2011 by john holmes

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter. The Saleroom is surrounded by a pay and display car park. If you require further information please refer to the buyer’s guide on page 4, visit our website, or contact Stephanie Smith.

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Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085

Bristol & North Somerset Michael Liversidge (01305) 265080

Hampshire Robert Nevin (01962) 866681

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £200 only. Buyer’s Premium:

19½% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work. Collection: Our offices are open Monday to Friday, 9am - 1pm and 2pm - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

SCULPTURE AUCTION: April 12th, 2012 CONTENTS

Page No.s Silver Plate and Related items

Silver and Related items

Private Collection of Posy Holders

Small Silver and Objects de Vertu

Flatware

Portrait Miniatures and Objet d’Art

Coins and Banknotes

Pocket Watches and Wristwatches

Carriage Clocks

Jewellery

Boxes, Caddies and Objets d'Art

134

Antiquities and Ethnographica

138

Medals and Militaria

130

A Private Collection of bronzes and other sculpture

140

Metalwork and Sculpture

148

Clocks and Scientific Instruments

154

Rugs and Carpets

158

English and Continental Furniture

159

Michael Ayrton (1921-1975) “Tricephalic” Signed and numbered 4/9 Bronze 24 ½” high

Duke’s AUCTIONEERS SINCE 1823

Estimate: £4,000-6,000 4

CHINESE EXPORT AND JAPANESE WORKS OF ART

THE MORRELL COLLECTION AUCTION: June 21st, 2012

AUCTION: February 9th, 2012

Duke’s

A Chinese Export tureen, cover and stand, with a crown finial and Indian mask side handles, 10½”, Qianlong

AUCTIONEERS SINCE 1823

Estimate: £800-1,500 6

The Morrell Collection of over 300 bottle and sauce labels and related material including reference books. 7

Duke’s AUCTIONEERS SINCE 1823

T H U RS DAY 1 s t DE CEMBER 2011 AT 10.30a m silver a nd j e w e l l e ry

Duke’s AUCTIONEERS SINCE 1823

On the instructions of vendors throughout the South and South West including property from Regents Park, London, property formerly in the collection of Augustus John and property descended from Baroness Burdett-Coutts, Major Richard Master, Governor of Tobago and Sir George Bowen, Governor of New Zealand, Mauritius and Hong Kong.

F R I DAY 1 s t DE C E M BER 2011 AT 1pm

T hursday 1 st D ecember A T 1 0 . 3 0 A M

furni t u r e

Silver Plate and Related items Silver and Related items Small Silver and Objects de Vertu Flatware

VIEWING TIMES Saturday, 26th November 9.30am-12noon Monday, 28th November 9.30am-5pm

Portrait Miniatures and Objet d’Art Coins and Banknotes Pocket Watches and Wristwatches Carriage Clocks Jewellery

Tuesday, 29th November 9.30am-7pm Wednesday,30th November 9.30am-5pm and on the morning of the auction days

F riday 2 nd D ecember A T 1 0 . 3 0 A M Chinese Ceramics and Works of Art (A separate catalogue is available for this section.)

F riday 2 nd D ecember A T 1 pm Boxes, Caddies and Objet d'Art Antiquities and Ethnographica Catalogues £20.00 (by post)

Medals and Militaria A Private Collection of bronzes and other sculpture Metalwork and Sculpture Clocks and Scientific Instruments Rugs and Carpets English and Continental Furniture

THURSDAY 1st DECEMBER: 10.30A M

SILVER

View images of all lots and bid live online

SILVER PLATE AND RELATED ITEMS 4 AN AMERICAN ELECTROPLATED TRAY with raised scroll and flower border, turned wooden carrying handles, length from handle to handle 22”

1 AN ELECTROPLATED DOUBLE BOTTLE STAND in the form of a cart, 8” high. See illustration

£200-400

£50-100

Provenance: Alice M McLanahan, Pittsburg, a gift from John McLanahan and Mary Litle. Mary was daughter of William Little, Mayor of Pittsburg, 1839.

2 A VICTORIAN CLARET JUG of tapering pear form with cut-glass decoration, on a circular star-cut base, 13” high

5 A VICTORIAN ELECTROPLATED BREAKFAST DISH with revolving domed cover, ivory disc and fluted neoclassical legs, the whole on claw and ball feet, 9¾” high

£150-250

3 A PAIR OF GEORGE III OLD SHEFFIELD PLATE CANDLESTICKS with fluted tapering columns, oval bases and beaded borders, 11½” high, and another pair of Old Sheffield Plate candlesticks converted into lamp bases (a lot)

£50-100

6 A PAIR OF PLATE ON COPPER BOTTLE COASTERS with gadrooned bodies, a coffee pot, a pair of three branch candelabra and a pair of candlesticks and a small bowl (a lot)

£100-200

£50-100

7 A PAIR OF ELECTROPLATED MUSTARD POTS of urn form with domed hinged lids, knop finials and scroll handles, 5” high, and a wine funnel (3)

£50-100

8-14

Spare lots

Lot 1

SILVER AND RELATED ITEMS 23 ASPREY & CO: A HOT WATER POT of tapering circular form with laminate scroll handle and disc finial, on a reeded spreading foot, Birmingham 1939, 7½” high (c.11.5oz)

15 A TEA POT of oval form with beaded borders and wooden handle, by Roberts and Belk, Sheffield 1928, and a matching milk jug with gilt interior, monogrammed, the teapot 4¾” high (c.11.5oz)

£200-300

24 A SCOTTISH FOUR PIECE TEA/ COFFEE SET of faceted oval form with scroll handles and ivory insulators, the whole on extended scroll feet, with applied leaf sections, by C.R. & S., Glasgow, 1920, the teapot 6½” high, (c.67oz). See illustration

16 A PAIR OF SAUCEBOATS of tapering oval form with flying scroll handles, on hoof feet, monogrammed, by Thomas Bradbury & Sons, Sheffield 1922, 6½” long, (c.12oz)

£100-200

17 A PAIR OF VICTORIAN VASES of cylindrical form with flared borders, the body embossed with trailing flowers and scrolls, on punched-out circular bases, by Henry Aitken, Sheffield 1896, 7¾” high, (c.8.8oz)

£80-120

£150-250

£200-300

20 A SUGAR CASTOR of baluster form with a pierced pull-off top, knop finial and reeded girdle, by Barraclough & Sons, London 1922, 7” high, (c.6oz) £80-120

21 A CIGARETTE BOX of oblong form, with cedar-lined interior, and another with an engine-turned lid (2)

£500-800

29 A VICTORIAN BOX of rectangular form, the slide-out lid embossed with a border of swags and shells, crested, with a gilt interior, by WJ/PD, the base bearing a retailers mark of Wathersten of London, London 1893, 7” long, (c.11oz)

£50-100

22 AN EDWARDIAN PORRINGER of circular form, with “S”-shaped handles and hammered finish, by HH over striking another, London 1909, 3” high (c.7oz)

£300-500

28 A THREE PIECE TEA SET of shaped rectangular form, with wavy scroll and gadrooned borders, angular handles, on pad feet, by Mappin & Webb, Sheffield, 1920/1923, the teapot 6½” high, (c.41oz)

£150-250

27 A TABLE CIGAR BOX of oblong form, with engine-turned decoration and fitted cedar-lined interior, containing a steel knife/pipe tamper etc., by Viners, Sheffield Assay, 9” long x 3.3” high

£150-250

26 A SET OF FIVE EDWARDIAN WHISKY NOGGINS with hallmarked silver lids and accompanying kidney-shaped labels, by Heath & Middleton, Birmingham 1908, 4½” high

19 AN EDWARDIAN SALVER of shaped circular form with a raised border, the centre engraved with a vacant cartouche, the whole on extended hoof feet, by Charles Stewart Harris, London 1905, 10” dia. (c.18oz)

£800-1200

25 A PINT MUG of baluster form, with plain scroll handle, by Richard Comyns, London Assay, with additional Jubilee mark, 4¾” high (c.13oz)

18 A SALVER of shaped circular form with gadrooned border, on scroll feet, by GH, Sheffield 1922, 9½” dia. (c.14oz)

£150-250

£100-200

Lot 24 14

38 A SET OF SIX GOBLETS of circular tapering form, with reeded circular bases and gilt interiors, by CS, London Assay, each 5½” high (c.38oz)

30 A PAIR OF EDWARDIAN BOWLS of circular form, with a band of embossed decoration and vacant cartouches, on a tucked-in circular foot, makers mark rubbed, London 1901, 4½” dia. (c.8oz)

£100-200

39 A HOT WATER POT of oval form with angular laminate handle and part fluted decoration, By James Dixon & Sons, Sheffield Assay, 9” high (c.17oz)

31 A FRUIT BOWL of shaped circular form, the border with applied leaves, with a pierced body, with wing-capped claw feet, by ESB, Birmingham 1915, 9½” dia., (c.19oz)

£250-350

£200-300

40 A VICTORIAN THREE PIECE TEA SET of compressed circular form with gadrooned borders, part fluted decoration and angular handles, on tucked-in circular feet, by Charles Stewart Harris, London 1895/1896, the teapot 4” high, (c.32oz)

32 AN ART DECO FOUR PIECE TEA/ COFFEE SET of octagonal form with stylised borders and wooden angular handles, the whole on shell-capped feet, by Mappin & Webb, Sheffield 1931/1932, (c.60oz)

£400-600

£800-1200

£400-600

41 A SET OF SIX GOBLETS with circular tapering bowls, knopped stems and circular feet, each crested, by Wakely & Wheeler, London 1959/1960, each 5¾” high, (c.55oz). See illustration

33 AN EDWARDIAN HOT WATER POT of plain circular form with domed hinged cover, flame finial and wooden scroll handle, crested, by Nathan & Hayes, Chester 1905, 7½” high (c.11oz)

£800-1200

Provenance: The author, Martin Ross, (part of the duo Sommerville & Ross) and thence by descent.

£150-300

42 A VICTORIAN TEAPOT of bullet form with flush hinged cover and circular finial, the scroll handle with ivory insulators, engraved with flower scrolls and two vacant cartouches, on a tucked-in circular foot, by RH, London 1864, 4¾” high (c.8oz)

34 A SEVEN BAR TOAST RACK of arched form with loop carrying handle, the whole on ball feet, by the Goldsmiths & Silversmiths Company, London 1913, 5¾” long, (c.9oz)

£50-100 43 A PAIR OF TAZZAS of circular form with reeded circular tucked-in feet, engraved with a stylised bird amongst branches, by the Goldsmiths & Silversmiths Company, London 1935, 8” dia. (c.22oz)

35 A SCOTTISH POT POURRI BOX of heart form, the pierced hinged cover decorated with birds amongst foliage, with a leaf and scroll frieze to the body, by Hamilton and Inches, Edinburgh 1905, 4¾” wide x 3” high (c.10oz)

£150-250

£300-500

£100-200

45 A FIVE LIGHT CANDELABRA with circular drip pans and faceted knopped stem on an octagonal cast base, by JHO, London Assay, 7¾” high, (c. 13oz)

37 AN EDWARDIAN EWER of octagonal form, with reeded borders and wooden scroll handle, the whole on an octagonal foot, monogrammed, makers mark rubbed, Chester 1908, 11” high, (c.11.5oz)

£200-400

44 A VICTORIAN CHRISTENING MUG of circular form with gilt interior, engraved with ferns, monogrammed, by Martin Hall & Co., London 1881, 3” high (c.3oz), in a fitted leather case

36 A COFFEE POT of tapering circular form with domed hinged lid, disc finial and laminate handle, slightly faceted spout, on a reeded foot, by CS, London Assay, 9” high, (c.22oz)

£100-200

£150-250

Lot 41 16

54 A TAZZA of shaped circular form, on a shaped circular foot, by HA, Sheffield 1924, 5¾” high, 10¼” dia. (c.20oz) together with a white metal wine taster.

46 A TABLE CIGARETTE BOX of rectangular form with a presentation inscription to the cover and cedar-lined interior, Birmingham Assay, 6” long x 2½” high

£50-100

55 AN INK STAND of rectangular form with gadrooned borders and reeded carrying handles, with two silver mounted cut-glass inkwells, the whole on scroll feet, by Thomas Bradbury & Sons, Sheffield 1925, 11½” long from handle to handle, (c.19oz)

47 A PAIR OF VICTORIAN CANDLESTICKS of squat oval form with reeded sconces, the bases with fluted decoration, by HE Ltd, Sheffield 1895, filled, 4” high

£80-120

48 A VICTORIAN WAITER of shaped circular form with a raised shell and scroll border, on leaf-capped scroll feet, by JBC, London 1897, 7¾” dia. (c.10oz)

£100-200

£50-100

£100-200

£250-350

52 AN ARMADA DISH of circular form with a reeded border, by Wakely and Wheeler, London Assay, 8¾” dia. (c.16oz)

£500-1000

59 AN EDWARDIAN HOT WATER POT of baluster form, with a wooden scroll handle, by RD, London 1904, 6½” high, (c.13oz)

£200-300

53 A FOUR PIECE TEA/COFFEE SET of shaped rectangular form with gadrooned borders and laminate angular handles, on compressed ball feet, by HA, Sheffield 1933, the teapot 6¼” high, (c.61.5oz)

£100-200

58 DORCHESTER INTEREST: A VICTORIAN TWO HANDLED PRESENTATION CUP of campana form, the angular handles with Celtic style decoration and applied leaf sections, the border with Greek key frieze and the lower section with acanthus leaf decoration, on a circular foot, one side bearing an engraved presentation inscription; “Borough of Dorchester 1866-7. Presented together with an illuminated address to Alfred Pope. Esq. to commemorate his year of office as Mayor and the birth of his son Albert Pictor, 29th October 1887”, the other side bearing a crest, by Martin Hall & Co., London 1887, 15” long handle to handle, 9½” high, (c.51oz). See illustration

51 A MATCHED PAIR OF VICTORIAN AND LATER SAUCEBOATS of tapering oval form, with gadrooned borders, leaf-capped flying scroll handles, on shell-capped legs, by Nathan & Hayes, Chester 1900/1903, 4¾” high (c.20oz)

£500-800

57 AN ARTS AND CRAFTS TWO HANDLED BOWL of baluster form with curving handles and a hammered finish, by F.H. & S. Ltd, London 1912, 5½” high, (c.11.5oz)

50 A VICTORIAN CHRISTENING MUG of circular form with scroll handle, the body engraved with ferns and leaves, monogrammed, washed-out gilt interior, by Martin Hall & Co., London 1886, in a fitted velvetlined case, retailed by The Goldsmiths & Silversmiths Co., London, 3¼” high (c.4.5oz)

£350-450

56 AN EDWARDIAN CORINTHIAN COLUMN CANDLESTICK (converted into an oil lamp), with a cut-glass reservoir, on a stepped square base, bearing a presentation inscription, by Mappin & Webb, Sheffield 1901, filled, 19” high

49 A WAITER of shaped circular form, with a raised border, on scroll feet, Birmingham Assay, 6” dia. (c.6oz)

£200-300

£100-200 Lot 58

60 A SEVEN BAR TOAST RACK of oval form, on ball feet, by Thomas Bradbury & Sons, Sheffield Assay, 8” long, (c.5oz)

£800-1200

£50-100 19

68 AN INDIAN RICE BOWL of tapering circular form, the body decorated in high relief with figures within a landscape, the border bearing a presentation inscription “ACCIPE HOC SIGNUM AFFECTIONIS-SIR WILLIAM MURISON. K.C”, 7” dia, 5” high, (c.26oz)

61 A PAIR OF NOVELTY BON BON DISHES in the form of garden trugs, by Daniel & John Wellby, London 1912, 3” high, (c.2.5oz)

£50-100

62 A COMMEMORATIVE BOX AND COVER of circular form, the pull-off cover with silver gilt crown finial and engraved to the border “The Silver Wedding of the Queen and the Duke of Edinburgh 1947 - 20th November 1972”, the body with a textured finish and applied with gilt ciphers, by Carrington & Co., London Assay, 5½” high, (c.17oz)

69 A CHINESE CIGAR BOX of rectangular form, the hinged cover embossed with a dragon, the sides embossed with waves and clouds, with a dark wood interior, 5¾” long

£200-300

£250-350

66 A VICTORIAN SALVER of shaped circular form with a raised scroll border, the centre engraved “Poole Regatta 1840”, the whole on scroll feet, by Joseph & Albert Savory, London 1839, 12¼” dia. (c.29oz)

£1000-2000

73 A SUGAR CASTOR of baluster form with a pierced pull-off cover and circular foot, by Mappin & Webb, Sheffield Assay, together with a sugar bowl with gadrooned border (c.8oz) (2)

£300-500

67 A CONTINENTAL BASKET of oval form, the pierced body decorated with applied swags, festoons and rams heads, circa 1900, 8” long, (c.13oz)

£50-100

72 A VICTORIAN SILVER GILT MOUNTED CLARET JUG of oval form, the domed hinged cover surmounted by a fish, the handle cast in the form of a sea creature, the spout with rocaille-mask decoration, above berries and scrolls, with a cut-glass body, the tucked-in circular foot terminating in leaves, by John Bodman Carrington, London 1893, the underside of the base also bearing a retailers mark for Carrington & Co., 14” high. See illustration

65 A MUG of circular form with a scroll handle and a spreading circular foot, crested, by R & D, Birmingham Assay, 5” high together with a another mug of baluster form (c.20oz) (2)

£200-300

71 A KITCHEN PEPPER CASTOR of cylindrical form with scroll handle and domed pierced cover, on a spreading circular foot, by Thomas Bradbury & Sons, Sheffield 1926, 4½” high, (c.5oz)

64 A VICTORIAN MUG of plain circular form with a gilt interior, engraved with a military presentation inscription, by EH, London 1885, 5” high, and another mug (c.16.5oz) (2)

£100-200

70 A PAIR OF CONTINENTAL DISHES of oval form, the folded-over borders with rope-work central handles and lions mask terminals, on lions mask capped feet, both marked “800”, 11” long, (c.17oz)

63 A COFFEE POT of baluster form with domed hinged cover, knop finial, wooden handle and faceted spout, the whole on a spreading circular foot, by HA, Sheffield 1933, 8¾” high, (c.16.5oz)

£400-600

£150-250

£80-120

74 A VICTORIAN CREAM JUG of baluster form with leaf capped scroll handle, the body embossed with trailing flowers, vacant cartouche, by Lias Brothers, London 1869, and two sauceboats (c.11oz weighable silver) (3)

£150-250 Lot 72

83 A CHRISTENING BOWL of shaped circular form, with a double moulded girdle, on a pedestal foot, initialled, by Georgie Knight, Birmingham 1899, in a fitted box, (c.2.75oz)

75 AN EDWARDIAN PEDESTAL BOWL of circular tapering form, with a pierced border and presentation inscription, London 1902, and a Victorian sugar bowl and cream jug, by Heath & Middleton (c.9oz weighable silver) (3)

£100-200

84 AN EDWARDIAN CHRISTENING BOWL of circular form on a pedestal foot, initialled and dated, London 1909, in a fitted presentation case, 3¼” high, (c.4oz)

76 A PAIR OF SAUCEBOATS of tapering oval form with scroll handles, on shell-capped hoof feet, by Goldsmiths & Silversmiths Company Ltd, Sheffield Assay, 3½” high (c.12oz)

£100-200

£150-250

79 A TEA CADDY of shaped square form, the hinged lid with cone finial, on four bracket feet, Birmingham Assay, 5” high (c.4oz)

£50-100

£250-350

£150-250

89 A PAIR OF EDWARDIAN BON-BON DISHES of shaped oval form with gadrooned borders and pierced bodies decorated in relief with festoons and paterae, by the Goldsmiths & Silversmiths Co., London 1901, 8” long (c.9oz)

82 A THREE PIECE TEA SET of oval bellied form, with angular handles and gadrooned borders, on ball feet, by Charles Stewart Harris & Sons, London 1923, the teapot 6¾” high, (c.26oz)

£1000-2000

88 AN EDWARDIAN SUGAR CASTOR of baluster form with a bayonet-fitted pierced pull-off cover, knop finial and part-fluted lower body, on a spreading circular foot, by Nathan & Hayes, Chester 1904, 8½” high, (c.9oz)

£100-200

81 A COFFEE POT of baluster form with a domed hinged cover, knop finial, laminate handle and faceted spout, on a spreading circular foot, by GH, Sheffield 1929, 9” high (c.19oz)

£100-200

87 A PAIR OF EDWARDIAN ENTREE DISHES AND COVERS of cushion form, with detachable handles and reeded borders, crested and numbered, by Hawksworth, Eyre & Co. Ltd, London 1905/1907, 10½” wide x 5¾” high, (c.87oz). See illustration

80 A VICTORIAN CIGAR BOX of shaped rectangular form, the hinged cover monogrammed and crested, London 1897, 7” long, and a smaller box (2)

£150-250

86 AN EARLY 19TH CENTURY CHRISTENING MUG of campana form, with a serpent handle, ivy leaf frieze and part-fluted lower section, initialled, by Rebecca Emes & Edward Barnard, date letter rubbed, London Assay, 4¼” high (c.7oz)

78 A SUGAR BOWL of bellied oval form with a shell and gadrooned border, the curved handles cast in the form of mythical beasts, on four ball feet, by TE/A, Birmingham Assay, 4¾” high, (c.12oz)

£50-100

85 A SAUCEBOAT of shaped oval form with a flying scroll handle, on three hoof feet, Chester 1911, 7¾” long, and another sauceboat (c.12oz weighable silver) (2)

77 A CHRISTENING MUG of circular form with a leaf-capped scroll handle and strapwork decoration, by Mappin & Webb, London 1915, and two further mugs (c.13oz weighable silver) (3)

£50-100

£300-500

£100-200

Lot 87 22

97 AN AMERICAN CHRISTENING MUG of circular form, with a chased geometric frieze, monogrammed, marked Sterling to the base, height, 3½” (c.6oz) together with a white metal mounted bottle cork and a measure (3)

90 A CHOCOLATE POT with matching hot water pot, of tapering circular form, the hinged covers with strap-work decoration and detachable cylindrical finials, with chain attachments, wooden scroll handles, crested, on a reeded circular foot, by Carrington & Co, London 1929, 7” high (c.52oz) (2)

£800-1200

98 A MUSTARD POT of drum form with reeded border, blue glass liner, London Assay, together with a second mustard of oval form with pierced decoration, Chester Assay (2)

91 A SET OF SIX BOWLS of circular form with beaded borders, by HA, Sheffield Assay, 5” dia. (c.18oz)

£250-350

£100-200

93 A CIGARETTE BOX of rectangular form, bearing a presentation inscription, London Assay, and another cigarette box with engine-turned decoration (2)

£50-100

£80-120

£1500-2500

102 JUDAICA: A WHITE METAL SPICE TOWER of conventional form the filigree body and with rope work borders, each flag marked ‘A A’ , the whole on compressed ball feet, height, 12½”

£200-400

96 AN EDWARDIAN SALVER of shaped circular form with a raised reeded border, on leafcapped scroll feet, by Barnards & Sons, London 1906, also bearing additional retailers mark of McKay & Chisholm, 57 Princes Street, Edinburgh, 19” dia. (c.73oz)

£100-200

101 A PAIR OF ENTREE DISHES AND COVERS of shaped rectangular form, with pulloff carrying handles and beaded borders, possibly by William Hutton & Sons, Sheffield, 1912/1915, length 11½”, (c.122oz)

95 A SET OF FOUR VICTORIAN SALTS of cauldron form, with gadrooned borders and foliate embossed bodies, crested, with blue glass liners, by Henry Holland, London 1861, with five fiddle, thread and shell pattern condiment spoons, (c.16oz weighable silver)

£500-800

100 A CONTINENTAL WHITE METAL BASKET of shaped oval form, with pierced borders decorated with ribbons, festoons and ram’s heads, the centre decorated with putti playing in a woodland landscape, length 13½” (c.18oz)

94 A LATE VICTORIAN CREAM JUG of squat circular form with a gadrooned border, leaf-capped scroll handle, the body embossed with flowers and scrolls, crested, on a tucked-in circular foot, by Elkington & Co., London 1900, 4” high, (c.6.75oz)

£100-200

99 A CENTREPIECE of tapering circular form, with reeded scroll handles, two detachable circular baskets, on a spreading circular foot, by A C & Co Ltd, Birmingham 1923, height 14”, (c.46oz) See illustration

92 A SAUCEBOAT of tapering oval form with a gadrooned border and scroll handle, the whole on three shell-capped extended hoof feet, crested, by H. Lambert, London 1911, 7” long, (c.10oz)

£150-250

£400-600

103 JUDAICA: A WHITE METAL TORHA POINTER of tapering square form, filigree body, the handle with four cartouches bearing Hebrew script, with a chain attachment, length, 8”

£800-1200

Lot 99

£200-400

104 A LATE 19TH CENTURY CONTINENTAL WHITE METAL MOUNTED CLARET JUG of oval form, with reeded borders, leaf-capped scroll handle, applied branch thumb piece to the lid, the glass body with fluted decoration and star-cut base, height, 9½”

110 A LATE VICTORIAN MIRROR of upright shaped rectangular form, with an arch pediment, applied with a shield-shape cartouche, wheat sheave border with a leather back and strap, maker’s mark of Charles and George Asprey, London 1900, height 18¼”

£100-200

111 A GEORGE III WAITER of shaped circular form, beaded border, with a later embossed ribbon and bow border, crested, on hoof feet, maker’s mark WT, London 1779, diameter 7” (c.7oz)

105 A MEXICAN TWO HANDLED TRAY of circular form, with Hieroglyphic style engraving to the centre, the reverse marked “Sandorns, Mexico, Sterling”, length of handle to handle, 20½” (c.58oz)

£800-1200

£1800-2200

£300-500

£100-200

115 A MATCHED GEORGE III TEASET of oval form with gadrooned borders and angular handles, ribbed central section, on ball feet, the teapot maker’s mark of TH, London 1814, the cream and sugar bowl by IR/IW, London, no date letter, height of teapot 6¾” high, (c.35oz)

£60-120

109 HESTER BATEMAN: A GEORGE III TEAPOT of oval form, with wooden scroll handle and finial, the body decorated with trailing leaves and a vacant cartouche to either side with geometric motifs to the borders, beaded base, London 1788, (c.12oz), together with a teapot stand by Peter & Ann Bateman, London 1798 (2)

£400-600

114 AN EDWARDIAN SILVER MOUNTED DECANTER with a cut-glass body and pull-out stopper, silver collar, London 1904, height 10¾”

108 A GEORGE III CREAM JUG of oval form with a reeded angular handle, the body bright-cut engraved with a foliate frieze, and vacant central cartouche, makers mark rubbed and date is London 1801, height 4¾”, (c.3oz)

£80-120

113 A GEORGE II SAUCEBOAT of tapering oval form, with a wavy border, leaf-capped scroll handle, engraved with a double eagle crest, on extended hoof feet, possibly by Anne Craig & John Neville, London 1743, together with a later Victorian example made to match, London 1857, length 8½”, height, 4½”, (c.25oz) (2)

107 A GEORGE III SALVER of shaped circular form, with a raised beaded border, crested, on ball and claw feet, by Robert Makepeace and Richard Carter, London 1778, 10” diameter, (c.16.5oz)

£150-250

112 A GEORGE III PAP BOAT of conventional form, with a reeded border, by Stephen Adams, London 1799, length 5”, (c.1.5oz)

106 A TWO HANDLED TRAY of octagonal form, with a raised beaded border, leafcapped scroll handles, the centre engraved with a scroll and floral frieze, and a vacant shield-shaped cartouche, on elaborate scroll feet, by T Wilkinson & Sons, Birmingham, date letter rubbed, circa 1920, length from handle to handle, 28½” (c.144oz) See illustration

£300-500

£400-600

£350-650

Lot 106

121 HESTER BATEMAN: A PAIR OF GEORGE III SALTS of oval form, with beaded borders, the bodies with pierced scroll and urn decoration, on extended ball and claw feet, London 1782, with later cranberry glass liners, height 2”

116 A SET OF FOUR VICTORIAN CANDLESTICKS with neo-classical style urn-shaped capitals, knopped square columns and detachable beaded sconces, on square beaded bases, decorated with paterae and swags, by John Round & Son, Sheffield, 1889, 6¾” high. See illustration

£500-1000

122 A GEORGE III SUGAR BASKET of navette form, with a reeded swing handle and reeded border, with later embossed decoration on an oval base, by Duncan Urquhart and Naphtali Hart, London, 1796, height with handle extended, 6” (c.5.5oz)

117 A GEORGE III SEVEN BAR TOAST RACK of arched form, with central loop carrying handle, the whole on bracket feet, maker’s mark WS, London 1802, height 6”, (c.8oz)

£100-200

£200-300

£300-600

125 A GEORGE III SAUCE TUREEN AND COVER of oval form, the pull-off cover with knop finial, with reeded handles and beaded borders, on an oval foot, initialled, by Robert Hennell, London, 1780, height 5”, (c.12oz)

120 A WILLIAM IV MUG of circular tapering form, with plain loop handle, crested, the body chased with leaves and flowers, maker’s mark of WB, Sheffield 1835, height 3¼” (c.4oz)

£300-500

124 A SCOTTISH THREE-PIECE TEASET of shaped rectangular form, with gadrooned border, angular handles, monogrammed and inscribed, the whole on ball feet, maker’s mark GMH, Edinburgh, 1814, height of teapot, 6” (c.31oz)

119 A GEORGE III MUG of circular tapering form, with a leaf-capped scroll handle and a spreading circular foot, by Solomon Hougham, London 1793, height 5”, (c.15oz)

£100-200

123 A GEORGE III SPARROW-BEAK CREAM JUG of baluster form, scroll handle, on a spreading circular base, possibly by William Shaw, date letter rubbed, height, 3¾”, (c.2.5oz)

118 A GEORGE III CREAM JUG of helmet form, curved reeded handle, the front bright-cut engraved with a crest and motto, on a pedestal base and square foot, possible by James Darquits, London 1791, height 6¾”, (c.4oz)

£200-300

£50-100

£300-500

Lot 116 28

132 A LATE VICTORIAN TEASET of oval form with part-fluted decoration, by J.D. & Co. Ltd, Birmingham 1897/1899, the teapot 6” high, (c.17oz)

126 A VICTORIAN CHRISTENING MUG of circular form with a cast and pierced handle decorated with leaves and beading, the body decorated in high relief with carved figures of angels and children, against a matted ground, with a gilt interior, on a spreading circular foot, by BP, London 1864, 5¼” high, (c.12.5oz). See illustration

133 A MATCHED THREE PIECE TEA SET of oval form with part-fluted decoration, the teapot: Chester 1911, the cream jug and sugar bowl: Birmingham 1912, the teapot 7” high, (c.25oz)

£500-1000

127 A GEORGE II MUG of baluster form, with a scroll handle and spreading circular foot, by Samuel Wood, London 1759, height 4”, (c.5oz)

£200-300

£50-100

£200-300

£300-500

137 A VICTORIAN THREE PIECE TEA SET of bombe form, with leaf capped scroll handles, the teapot with a flower finial, the body profusely engraved with flowers and scrolls, vacant cartouches and washed-out gilt interiors, on spreading leaf capped feet, by Edward, Edward Junior, John and William Barnard, London 1846, the teapot 6¾” high, (c.46oz)

£500-1000

131 A TEA POT of shaped rectangular form with an angular handle, the whole on ball feet, by William Hutton & Sons, Sheffield Assay, and a cream jug (c.28oz) (2)

£300-500

136 A JUG (altered) later shaped and embossed with figures amongst foliage, with a carved branch handle, the underside bearing marks of George Smith and Thomas Hayter, London 1791, and a later liner made by RE Stone, with a gilt interior, 6” high (c.20oz)

130 A GEORGE I CASTOR of faceted baluster form, with a high pierced pull-off cover, knop finial, crested, by Edward Workman, Dublin 1717, 6” high, (c.4oz)

£100-200

135 A GEORGE III PROVINCIAL COFFEE POT of baluster form, the hinged dome cover with flower finial, scroll handle, the body later embossed with flowers and scrolls, on a circular foot, by John Langlands and John Robertson, Newcastle 1781, 11” high, (c.26oz)

129 A LATE 18TH CENTURY IRISH CREAM JUG of tapering rectangular form with reeded handle and bright engraved body, crested, by AC, Dublin, circa 1780, 5½” high (c.4.5oz)

£200-300

134 A GEORGE III WINE FUNNEL of conventional form with reeded borders, by Stephen Adams, London 1793, 4¾” high

128 A GEORGE II BRANDY WARMER BOWL (converted into a cream jug with handle) of baluster form with a pouring lip, crested, no makers mark, Exeter 1739, 2” high

£150-250

£500-1000

Lot 126 30

143 A LATE 17TH/EARLY 18TH CENTURY SILVER MOUNTED COCONUT CUP of circular tapering form with pierced handles, with flowerhead attachments, on a petal-shaped circular foot, unmarked, 4” high

138 A GEORGE III COFFEE POT of tapering oval form, with a domed hinged cover with ball finial, wooden scroll handle, gadrooned border and trailing leaf frieze, the body engraved with an armorial, the whole on an oval pedestal foot, makers mark struck twice for Thomas Watson & Co., Sheffield 1799, 10½” high, (c.23oz) See illustration

144 A GEORGE III BASKET (possibly part of an epergne) of shaped oval form, the pierced body decorated with applied trailing leaves and flowers, the pierced swing handle decorated with applied wheat sheaves, with a studded border, on an oval foot, by John Henry Vere and William Lutwyche, London 1763, 10” high with handle extended x 14” long (c.31oz)

£500-1000

139 A VICTORIAN THREE BRANCH CANDELABRUM with urn-shaped capitals and pull-off sconces, reeded branches, tapering cylindrical column and swag decoration, on a circular beaded base, filled, by JKB, Sheffield 1879, 15¾” high

£300-600

£200-300

141 A GEORGE III SUGAR BASKET of oval form with a reeded swing handle and reeded border, the body bright-engraved with foliate swags, on an oval pedestal base, gilt interior, with an overstruck makers mark of IH, London 1787, 7” high (c.5oz)

£600-1000

146 A GEORGE I BOWL of tapering circular form, on a tucked-in circular foot, by Thomas Holland, London 1715, 3” high, (c.3oz)

£200-300

£600-1000

147 A QUEEN ANNE TEA CANISTER of octagonal form with a pull-off cover engraved with an armorial, on a stepped foot with a slide-out base, by Thomas Ash, London 1711, 4¾” high, (c.6.5oz)

142 A GEORGE III SILVER AND OLD SHEFFIELD PLATE MOUNTED COCONUT CUP of tapering circular form, the silver rim with a gilt interior and monogrammed, Sheffield, date letter rubbed, possibly 1813, the whole on a spreading Old Sheffield plate base, 6” high

£1000-1500

145 A WILLIAM AND MARY FINGER BOWL of tapering circular form with a reeded border and a band of later mottled decoration, on a tucked-in circular reeded foot, by RH (this makers mark is unascribed in Jacksons, see page 143 for a similar mark), London 1691, 1¾” high

140 A GEORGE II CHAMBER STICK of circular form with a raised reeded border, crested, lacking snuffer, by IG, London 1743, 8½” long, (c.10oz)

£200-300

£800-1200

148 A CASED SUITE OF THREE GEORGE II AND LATER TEA CANISTERS of octagonal form with pull-off cylindrical covers and slide-out top sections, on stepped bases, the underside of the two George II examples scratch initialled S/I*S, possibly by John East, London 1727, and a later Victorian replacement, by ECB, London 1876, 4½” - 4¾”, (c.20oz)

£200-300

£1000-2000

Lot 138

149 A PAIR OF GEORGE III MEAT DISHES of oval form with a raised gadrooned border, each engraved with a crest and an armorial, possibly by William Foutain, London 1806, 17” long, (c.95oz). See illustration

152 A GEORGE III MUSTARD POT of shaped oval form, with a reeded scroll handle, urn finial and engraved decoration, with a later blue glass liner, with an Old English pattern mustard spoon, makers mark rubbed, London 1794, 3¾” high

£1000-2000

153 A WILLIAM IV TEAPOT of compressed form, the lid with segmented finials, the teapot edge gadrooned with wooden scrolling handle and raised on four ball feet, London 1824, (c.18.7oz)

150 A GEORGE IV TEAPOT of melon form with a flowerhead finial and scroll handle, the body embossed with flowers and scrolls, vacant cartouches, on a shaped circular foot, by Eames & Barnard, London 1823, 5” high (c.20oz)

£200-400

154 A TRAY with reeded scalloped edge and engraved with hollyhocks and a monogram, raised on a circular foot, by Mappin & Web, Sheffield 1939, (c.18oz)

151 A GEORGE III CREAM JUG of shaped oval form with a reeded angular handle and reeded borders, the body later embossed with flowers and scrolls, makers mark rubbed, London circa 1800, and a pierced bon bon dish (2)

£80-120

£200-400

155 A VICTORIAN THREE PIECE TEA SERVICE, the partially lobed and ovolo and shell borders, the lid with ivory finial and raised on four ball feet. Comprising a teapot, sugar bowl and milk jug, by Walker & Hall, Sheffield 1915, (c.45oz)

£50-100

£650-850

Lot 149

A PRIVATE COLLECTION OF POSY HOLDERS 168 A VICTORIAN WHITE METAL POSY HOLDER with a beaded loop handle, the body pierced with flowers and leaves, with a chain attachment, 5¾” long

160 A VICTORIAN GILT METAL POSY HOLDER, the body pierced with flowers and leaves, with a part mother of pearl stem and chain attachment, 5½” long

£400-500

169 A VICTORIAN WHITE METAL POSY HOLDER of octagonal form, the body engraved with geometric motifs, with chain attachment, 4¾” long

161 A PAIR OF SILVER POSY HOLDERS of curved trumpet form, London 1914, 4½” long (2)

£100-200

162 A GILT METAL VICTORIAN POSY HOLDER, the body pierced with oak leaves and acorns, with loop carrying handle and chain attachment, 6” long

£200-300

£350-450

£200-300

£350-450

£450-650

174 A VICTORIAN WHITE METAL POSY HOLDER with an opening faceted handle, the body pierced with leaves and scrolls, with a chain attachment, 6” long

£300-400

167 A VICTORIAN GILT METAL AND MOTHER OF PEARL POSY HOLDER, the curved mother of pearl handle carved in the form of flowers and leaves, the mesh body interspersed with floral friezes, 5” long

£450-650

173 A VICTORIAN GILT METAL POSY HOLDER with a turned mother of pearl handle, the pierced body inset with Vienna scene plaques and a mirror, with chain attachment, 6” long

166 A VICTORIAN WHITE METAL POSY HOLDER with a wire-work double loop handle, the body pierced with geometric motifs, with chain attachment, 4¼” long

£50-100

172 A VICTORIAN GILT METAL AND CORAL POSY HOLDER with a turned mother of pearl handle, the body with wirework piercing interspersed with leaves and berries, with chain attachment, 4¾” long

165 A VICTORIAN POSY HOLDER with a mother of pearl stem, the body pierced with thistles and roses, 5” long

£100-200

171 A VICTORIAN WHITE METAL POSY HOLDER of small dimensions, pierced with flowerheads and scrolls, with a clip-on pin, 2¼” long

164 A VICTORIAN WHITE METAL POSY HOLDER, the body pierced with leaves and roses, with a loop handle and chain attachment, 5” long

£400-500

170 A SILVER POSY HOLDER of circular tapering form with ball terminal, Birmingham 1912, 5” long

163 A VICTORIAN WHITE METAL POSY HOLDER, the body pierced with floral motifs, with fleur de lys attachments and a pierced clip, the stem of curving form, with a chain attachment and suspension ring, 4” long

£400-500

175 A VICTORIAN WHITE METAL POSY HOLDER with a chased hexagonal stem and ball terminal, the body pierced in the form of butterflies, with chain attachment, 6” long

£400-500

Lots 160-177

£300-400

176 A SILVER POSY HOLDER of tapering circular form with a vacant cartouche, ball terminal and chain attachment, Chester 1911, 5½” long

177 A VICTORIAN WHITE METAL POSY HOLDER with a curved terminal, the body pierced with leaves and flowers, with chain attachment, 4½” long

£100-200

£300-400

SMALL SILVER AND OBJECTS DE VERTU 184 A MIXED COLLECTION OF SILVER including, a christening mug, Birmingham 1946, together with a plated christening mug and a cut-glass silver mounted scent bottle, a spoon, a ring and a thimble (6)

178 A SMALL COLLECTION OF NOVELTY EXTENDING PENCILS including one in the form of a flintlock pistol, by S. Mordan & Co., one in the form of a champagne bottle (32) See illustration

£1000-2000

185 AN EDWARDIAN SILVER MOUNTED SCENT BOTTLE the circular glass body with green inclusions and the silver lid embossed with angel’s heads, Birmingham 1904, together with a small collection of silver and plated items, including a tazza (a lot)

179 A MIXED LOT COMPRISING: A PIERCED POT POURRI BOX, an oval trinket box, two smaller boxes and a quantity of napkin rings , mixed makers and dates, (a lot) (c.9oz)

£100-200

£50-100

181 A VICTORIAN CARD CASE of shaped rectangular form, the cover decorated with birds bathing in a fountain, Birmingham 1846, together with a late Victorian page-turner/magnifying glass by S Mordan & Co, also a cigarette box (3)

£50-100

187 A LATE VICTORIAN TRINKET BOX of heart form, Birmingham 1898, together with a cream jug and a tea strainer (3) (c.5.5oz)

£150-250

£80-120

188 A CHRISTENING MUG of tapering circular form, makers mark “D & S”, Birmingham Assay, together with a second christening mug and also a plated example (3)

182 A MIXED LOT OF SILVER ITEMS comprising: a tea strainer on stand, by Wakley & Wheeler, a sauceboat, a mustard and a set of six Art Deco teaspoons in a case, mixed makers and dates (a lot)

£50-100

186 A SMALL COLLECTION OF THIMBLES including three by Charles Horner, Chester Assay, together with an Albert chain and a mother-of-pearl cased pocket fruit knife (a lot)

180 A FIVE PIECE DRESSING TABLE SET, comprising four brushes and a hand mirror with engineturned decoration, London Assay (5)

£50-100

£150-250

£80-120

183 A SMALL COLLECTION OF SILVER, comprising: an inkwell of Capstan form, retailed by Asprey & Co, a cigarette case, an Art Nouveau matchbox cover and other items (a lot)

£100-200

Lot 178 38

189 A WILLIAM IV NOVELTY VINAIGRETTE, modelled in the form of a handbag, with a rope-work handle, by Gervais Wheeler, Birmingham no date letter, circa 1835, length of handle extended 1½”. See illustration

195 A VICTORIAN NOVELTY PEPPERPOT in the form of a lantern, with a rock crystal inclusion depicting a lit candle, makers mark rubbed, London 1881, the base bearing a retailer’s mark of Jones, 41 St James Street, height 2½”. See illustration

£100-200

196 A LATE 19TH CENTURY RUSSIAN SILVER AND NIELLO SNUFFBOX of rectangular form, the cover engraved with a Troika scene, the base with a geometric leaf design with a circular vacant cartouche to the centre, the silver gilt interior with a presentation inscription, “Moscow” circa 1890, length 2¼” See illustration

190 A VICTORIAN NOVELTY VINAIGRETTE, modelled in the form of a handbag, with a chain attachment, the body engraved with leaves, the gilt interior with a pierced grill, by Hillard & Tomlinson, Birmingham 1891, width 1¼”. See illustration

£100-200

191 A GEORGE IV SILVER GILT “WATCH CASE” VINAIGRETTE CASE, with engine-turned decoration, the grill pierced with scrolls and centred with a flowerhead, maker’s mark “T N”, Birmingham 1824, width 1”. See illustration

£100-200

199 A CONTINENTAL FILIGREE CIGARETTE CASE of shaped rectangular form, marked “J F” to the body, length 3”

£80-120

£50-100

200 A E JONES: A QUAICH of circular form, with pierced lug handles, with blue cabochon inclusions, the whole on a tucked in circular foot, with a hammered finish, Birmingham 1925, length from handle to handle, 7½” (c.4oz)

£100-200

194 A GEORGE III “JOCKEY CAP” CADDY SPOON, the cap with striped decoration, no makers mark, London 1810, length 2¾”. See illustration

£100-200

198 AN EDWARDIAN CARD CASE of shaped rectangular form, the body decorated with fleur de lys and ribbed sections, Birmingham 1909, length 4”

193 A VICTORIAN COMBINED SCENT BOTTLE VINAIGRETTE of rectangular form, with a cranberry glass body, the bottom end opening to reveal a florally pierced grill, by S. Mordan & Co, London 1864, length 4”. See illustration

£100-200

197 A LATE VICTORIAN SILVER MOUNTED SCENT BOTTLE with a blue cut-glass body, Birmingham 1899, together with two Vesta cases (3)

192 A GEORGE IV VINAIGRETTE of rectangular form, the cover with engine-turned decoration and raised border, vacant rectangular cartouche, the gilt interior with a drilled grill, by Edward Smith, Birmingham 1929. See illustration

£200-400

£200-300

201 A VICTORIAN NOVELTY SCENT FLASK, the silver screw-off lid modelled as a gargoyles head with red glass eyes, maker’s mark of “T S”, London 1880, height 6”

£100-200

£250-350

Lots 189-196 40

209 AN EARLY 20TH CENTURY CONTINENTAL SUGAR BOX AND COVER of bombé form, the pull-off cover with a stylised scroll finial, with shell-capped handles, the whole on down curving feet, the base marked “800”

202 A LATE VICTORIAN DRESSING TABLE BOX of oval form with crimped borders and fluted decoration, by William Hutton & Sons, London 1899, length 7½” (c.5oz)

£80-120

203 A LATE VICTORIAN BOX of rectangular form, with embossed decoration, the interior fitted with a curling tong set by Saunders & Shepherd, Birmingham 1897, 5½”

210 A JAPANESE DISH of circular form, with a wavy border, the centre engraved with a Japanese flag crossing a Union Jack and engraved below “Kobe”, the base bearing a Japanese character mark, 6½” dia., (c.3oz)

£200-300

204 A VICTORIAN SILVER MOUNTED SCENT BOTTLE of rectangular form, the cut-glass body encased in pierced silver webbing, the hinged cover embossed with figures in a classical scene, by William Comyns, London 1898, height 5½”

£250-350

£50-100

£200-300

£100-200

213 A CONTINENTAL SILVER MOUNTED HIP FLASK, the shaped rectangular form with a cut-glass upper body, the lower section with ribbed and swagged decoration, the base marked “800”, 4¾” long

£80-120

£50-100

214 RUSSIAN ROYAL INTEREST: A CIGARETTE CASE of shaped rectangular form, by Deakin & Francis, Birmingham 1918, the front of the case bearing an engraved presentation inscription to “S. Gayle from the Empress Marie, The Grand Duke Nicholas and the Imperial Family of Russia on board HMS Marlborough 1919”. The case 3¼”. This case is to be sold with three accompanying postcards depicting the ship, the Empress and the Duke, and also some autobiographical information.

£150-250

208 AN ARMADA DISH of circular form with a reeded border, Chester Assay, another Armada dish and two white metal trinket dishes (4)

212 A SET OF FOUR NOVELTY MENU CARD HOLDERS in the form of sitting-up hares, on filled oval bases, in a fitted case, by S. Mordan & Co., Chester 1912. See illustration

£80-120

207 A CHINESE WHITE METAL CIGARETTE CASE of shaped rectangular form, the body embossed in high relief with dragons chasing a flaming pearl, with gilt interior, 3” wide

This dish was made to commemorate the Prince of Wales visit to Japan in the 1920’s.

206 A PAIR OF LATE VICTORIAN BON BON DISHES of oval form with pierced borders, Birmingham 1900, in a fitted case, together with a photograph frame (2)

211 A PAIR OF NOVELTY CONDIMENTS modelled in the form of birds, in a fitted case, by S. Mordan & Co., the bases also bearing registration marks, Chester 1905. See illustration

205 AN EDWARDIAN TRINKET BOX of rectangular form with a raised border, the hinged cover engraved with swags, by William Comyns, London, 1907, length, 4”

£100-200

£50-100

£80-150 Lots 211 and 212

222 AN EDWARDIAN MUSTARD POT of oval form with a shell thumbpiece and blue glass liner, London 1901, and a condiment ladle and a small candleholder from an inkstand (3)

215 A SMALL COLLECTION OF SILVER ITEMS comprising a pair of Chinese sugar tongs, a cut-out letter wine label, a pair of continental sugar tongs and a Luckenbooth brooch (4)

£50-100

223 A VICTORIAN SUGAR BOWL and sugar sifter, in a fitted case, the sugar bowl of shaped circular form with a wavy border, embossed with flower scrolls and with lions mask capped feet, crested, London 1882, the bowl 5” dia.

216 A VICTORIAN CHRISTENING MUG of circular form with part-fluted decoration, London 1896, and a small lighthouse style Castor, two condiments and a vase (a lot)

£100-200

£80-120

£150-250

219 AN ART DECO CONTINENTAL CIGARETTE CASE of rectangular form with engine-turned and blue enamel decoration, bearing import marks for George Stockwell, London circa 1920, 4¼” long (c.4oz)

£50-100

£100-200

227 A SET OF SIX INDIAN WHITE METAL DISHES of circular form, each decorated with an animal to the centre, in a case

£100-200

£50-100

228 A CIGARETTE CASE of rectangular form with engine-turned decoration and gilt interior, Birmingham Assay, 4” long (c.4oz)

221 A MIXED LOT OF SILVER AND WHITE METAL ITEMS comprising four silver cigarette cases, two shagreen cases, a compact, two lighters and two comb cases (a lot)

£1000-2000

226 A MIXED LOT OF SILVER ITEMS comprising a cigarette box, a quantity of continental beakers, a small goblet, a bell-shaped inkwell and other items (a lot)

220 ASPREY: A LATE VICTORIAN BOOKMARK of shaped rectangular form, the top section with a compartment for a photograph, with a marble insert and Celtic surround, by Charles and George Asprey, London 1897, also bearing a patent mark, 6” long, and a small silver dish, a cheroot holder and a vesta case (4)

£100-200

225 A GERMAN PARCEL-GILT BEAKER AND COVER, Flat-chested with bands of strapwork and foliage, on an engraved ground, the slightly domed cover with a ball finial and standing on three ball feet, by PS, probably Augsburg, late 17th century, 5¼" high. See illustration

218 AN EDWARDIAN TRIPLE SOVEREIGN CASE of rectangular form, the interior with three sovereign holders and a compartment with a suspension ring, Chester 1904, and a small silver cased wallet (2)

£100-200

224 A VICTORIAN CASED SUGAR BOWL and sifter, the bowl of circular tapering form with holly and berry decoration, on a circular foot with gilt interior, by George Adams, London 1863, the sifter London 1860, the bowl 4” high

217 A SCENT BOTTLE of cylindrical form, with a hinged cover and gilt interior, the body chased with leaves, monogrammed, with a glass stopper, by CEW, Birmingham 1911, and another scent bottle (2)

£80-120

£50-100

229 AN EDWARDIAN TIMEPIECE of oval form with a white enamel dial and attachment to the reverse for a pen or pencil, by HCD, Birmingham 1909, 4½” high

£200-300

£80-120

Lot 225 45

237 A SET OF SIX SILVER DISHES FOR SERVING SHELLFISH , each cast in the form of a shell, on an oval base, with a circular dish to the front, by Richard Comyns, London 1962, each 2¾” high, (c.42oz). See illustration

230 AN EDWARDIAN MANTEL CLOCK of rectangular form with a wirework carrying handle, the white enamel dial with Roman numerals, with hinged back section, the whole on bun feet, by WN/GN, London 1906, 5½” high

£100-200

231 AN AMERICAN CARD CASE of rectangular form with engraved decoration, initialled, marked Sterling to the rim, in a fitted velvet-lined case, 3½” long

238 A VICTORIAN CREAM JUG, sugar bowl and sugar tongs, of circular form with part fluted decoration, by Hilliard & Thomason, the sugar bowl and cream jug, Birmingham 1884, the sugar tongs London 1907, in a fitted case

£100-200

232 A LADIES VANITY CASE of rectangular form with engine-turned decoration, the hinged cover opening to reveal a number of different compartments, in a fitted case, London Assay, 6½” long

£100-200

£200-400

£50-100

£40-60

242 A MIXED LOT comprising two cigarette cases, three napkin rings, a bangle and a small fork with a loaded handle (c.11oz weighable silver) (a lot)

£100-200

236 A MIXED SELECTION OF SILVER ITEMS comprising a double lipped cream jug by the Goldsmiths & the Silversmiths Co., London Assay, a commemorative quaich by RE Stone, a spoon, a quantity of condiment items, and a pair of electroplated fish servers with bone handles, in a fitted case (a lot)

£50-100

241 A THREE PIECE CONDIMENT SET of circular form by Adie Brothers, Birmingham Assay and a set of six teaspoons with shell bowls, two condiment spoons and an 18th century shovel-shaped salt spoon (a lot)

235 A PAIR OF VICTORIAN SILVER MOUNTED CUT-GLASS SCENT BOTTLES of circular form, with embossed decoration, London 1890, 4¾” high, and a quantity of silver topped dressing table jars etc 9a lot)

£100-200

240 A PAIR OF VICTORIAN NAPKIN RINGS, London 1896/1897, and a cigarette case and a vesta case (c.6.25oz weighable silver) (4)

234 A CIGARETTE BOX of rectangular form, the cover engraved with a crest of a heron, by Walker & Hall, Sheffield Assay, and another (2)

£150-250

239 A QUAICH of conventional form by Walker & Hall, Sheffield Assay, a christening mug and a silver mounted cut-glass scent bottle (3)

233 A PAIR OF GEORGE III IRISH CANDLESNUFFERS of conventional scissor form with pierced arms, bright engraved decoration, crested, possibly by John Stoyte, Dublin 1793, 6” long

£300-500

£50-100

243 A PAIR OF BOTTLE COASTERS of circular bellied form, with gadrooned borders and wooden bases, Birmingham Assay, 5¾”, a George III wine funnel with rubbed marks and a squat candlestick (4)

£100-200

244 A QUANTITY OF EDWARDIAN AND LATER TEA CAN HOLDERS, all of pierced form with some silver gilt examples (c.7oz) (9) 46

£50-100

Lot 237 47

253 A THREE PIECE CONDIMENT SET of rectangular form with gadrooned borders, in a fitted case, Birmingham Assay

245 AN AMERICAN CONDIMENT SET with part fluted decoration, by Birks, some pieces with blue glass liners, some pieces marked sterling (5 pieces)

£100-200

£40-60

260 FOUR SILVER MOUNTED PEPPER GRINDERS of waisted form with wooden bodies, London Assay, and a pair of silver examples (6)

254 AN ART DECO TRAVELLING VANITY SET housed in a leather case, retailed by The Goldsmiths & Silversmiths Co., London, the interior with sections fitted with silver mounted dressing table items, London 1946 (some items missing)

246 A PAIR OF EDWARDIAN BON BON DISHES of oval form with pierced borders, by Walker & Hall, Sheffield 1908, a silver mounted sugar shaker and a vase with a filled base (4)

£80-120

247 A DRESSING TABLE SET with engine-turned decoration, a Scottish brooch, a pair of sugar tongs (AF) and a set of six cased silver teaspoons (a lot)

255 LITERATURE: TWO VOLUMES OF “AN ILLUSTRATED HISTORY OF ENGLISH PLATE ECCLESIASTICAL AND SECULAR” by Charles James Jackson FSA &C, published by London “Country Life” Ltd, 20 Tavistock Street, Strand and BT Batsford, 94 High Holborn 1911 (2)

£80-120

248 A SMALL COLLECTION OF SILVER AND BASE METAL PENCILS of mixed makers and dates (qty)

£50-100

£100-200

£50-100

251 A MIXED LOT OF SILVER ITEMS comprising a pair of pepper pots, a tea strainer on stand, a shell butter dish, a quantity of bean-end coffee spoons and some dress studs in a case (lot)

£100-200

261 AN EDWARDIAN COMBINED RULER/BOOKMARK of rectangular form, crested, by WH, London 1908, 8½” long

£50-100

262 A PART ART NOUVEAU DRESSING TABLE SET comprising hand mirror, two brushes and two dressing table pots with silver lids, marked Sterling, and an English hairbrush (a lot)

£200-300

263 A VICTORIAN CHATELAINE, the plated clasp of pierced design, with a number of silver attachments, including a thermometer case, vesta case, thimble case and other attachments.

£100-200

264 A PAIR OF SILVERDISHES of circular faceted form and raised on a circular foot with horses head handle, By Mappin & Webb, Sheffield 1959, (c.7.5oz) (2)

£100-200

265 A WALKING STICK, with silver dog's head finial, 35" long

£50-100

266-269 Spare lots

258 A SMALL COLLECTION OF SILVER comprising a cigarette box, a cigarette case, a vesta case and a pair of sugar tongs, of mixed makers and dates (4)

£100-200

252 A SET OF FOUR LATE VICTORIAN CASED SALT CELLARS of cloverleaf form with beaded borders, and with associated spoons, London 1897, and a cased French wine taster (2)

£200-300

257 HUNTING INTEREST: A GEORGE IV SNUFF BOX of rectangular form with an engine-turned body, the hinged lid centred with a rectangular cartouche bearing a hunting scene in high relief, with a foliate thumbpiece and gilt interior, the inside of the cover bearing the inscription “A Token of Friendship and Obligation”, by J.L. London 1822, 3” long

250 A SILVER CASED TIMEPIECE of square form with a raised egg and dart border, Birmingham 1924, and a bowl on three legs, Chester Assay (2)

£100-200

256 AN EDWARDIAN TABLE BELL of circular form, the body pierced with flowers, scrolls and latticework, on a spreading circular base, filled, makers mark rubbed, Birmingham 1903, 3¾” dia.

249 A QUANTITY OF DRESSING TABLE ITEMS including a hand mirror and three cut-glass silver topped pots (a lot)

£200-300

£60-80

£50-100

259 A PAIR OF BON BON DISHES of shaped triangular form with pierced bodies, by Mappin & Webb, Birmingham 1912, (c.2.5oz) (2)

£50-100

£40-60

FLATWARE 270 A MATCHED PART CANTEEN OF KINGS/HOURGLASS PATTERN CUTLERY comprising the following items by Elizabeth Eaton and John Eaton, a soup ladle and a basting spoon, London 1859, a pair of sugar tongs, London 1861, a set of six dessert forks, London 1861, a set of six dessert spoons, London 1861, four tablespoons, London 1860, a set of twelve teaspoons, London 1859, five egg spoons, London 1860, and three matching sauce ladles, a sugar sifter, a fiddle, thread and shell pattern dessert spoon and three plated forks, (c.86oz). See illustration

£1000-2000

271 A GEORGE III FISH SLICE with a reeded handle and pierced blade, by Peter and Anne Bateman, London 1793, 12” long

£100-200

272 A GEORGE III MARROW SCOOP of conventional double-ended form, possibly by JJ, London 1767, 8” long

£100-200

273 A PAIR OF VICTORIAN GRAPE SCISSORS, the handles cast in the form of fruiting vines, monogrammed, by Charles Rawlings and William Summers, London 1837, 7½” long

£150-250

274 A WILLIAM IV RING-END MEAT SKEWER of conventional form, monogrammed, by William Chawner, London 1831, 13” long

£100-200

275 A GEORGE III SOUP LADLE of Onslow pattern with shell bowl, marks rubbed, circa 1770, 13” long

£80-120

277 YORK; A SALAD FORK (possibly converted from a basting spoon) of Old English pattern, crested, by John Hampton and John Prince, 1791, 10¾” long, and a pair of fiddle pattern tablespoons, a pair of Art Nouveau style pickle forks, a butter knife, a salt spoon, a christening fork and a pair of plated grape scissors (c.10oz weighable silver) (a lot)

278 A QUANTITY OF VICTORIAN FIDDLE AND THREAD PATTERN CUTLERY comprising a set of four tablespoons, crested, London 1841, and two further tablespoons, one dessert spoon, one table fork and three dessert forks, London 1859 (c.26oz) (a lot)

£80-120

£300-500

279 A HARLEQUIN SET OF FIVE VICTORIAN TABLE FORKS of Kings pattern, crested, by George Adams, London 1857/1861, together with a matched set of Kings pattern dessert spoons, George IV and later, mixed makers, also a matched set of six dessert forks and a single table fork (c.41oz) (a lot)

£500-800

280 A SET OF SIX VICTORIAN TABLE FORKS of fiddle pattern, the reverse of the stems monogrammed, by John Stone, Exeter 1857, and a set of four Victorian fiddle pattern dessert spoons, also by John Stone, Exeter 1853, and a large quantity of teaspoons and sugar tongs of mixed makers and dates, (c.38oz)

£400-800

281 A HARLEQUIN SET OF SIX VICTORIAN OLD ENGLISH PATTERN DESSERT FORKS by Francis Higgins, London 1883/1891, and an Old English pattern tablespoon by Hester Bateman, a pair of fiddle and thread pattern tablespoons and a quantity of Old English pattern cutlery (c.44oz) (a lot)

276 A GEORGE III SOUP LADLE of Old English pattern with a bright-engraved stem, monogrammed, London 1779, 12¼” long

£100-200

£500-700

282 A SET OF THREE FIDDLE AND SHELL PATTERN TABLE FORKS, monogrammed, Edinburgh 1849, 7½” long, and a set of three Scottish hourglass pattern tablespoons, Edinburgh 1833 (c.12oz) (a lot) 50

£100-200

Lot 270 51

289 A HARLEQUIN SET OF SEVEN 18TH CENTURY PISTOL GRIP SILVER HANDLED KNIVES with steel blades, marks rubbed, and a close plated meat skewer (a lot)

283 A QUANTITY OF GEORGE III AND LATER FIDDLE PATTERN CUTLERY of mixed makers and dates, and a George III caddy spoon and a quantity of plated and white metal cutlery, (c.25oz of weighable silver)

£200-400

284 A PAIR OF WILLIAM IV TABLESPOONS of fiddle pattern, monogrammed, by William Eaton, London 1836, and four salt spoons (c.5.75oz) (a lot)

290 A SET OF THREE AMERICAN QUEENS PATTERN SOUP SPOONS by Birks, also marked Sterling and a teaspoon (c.5oz) (4)

£50-100

£40-60

£50-100

294 A GEORGE III PUNCH LADLE with a whalebone twist handle, engraved stem and pouring lip, the reverse of the bowl monogrammed, makers mark rubbed, London 1787, 13¾” long

£900-1800

£50-100

295 R.E. STONE: A SPOON with a spiral-twist stem and crown finial, the back of the bowl with a hammered finish and bearing RE Stone’s facsimile signature, London 1959, 5½” long

£60-100

288 A QUANTITY OF GEORGE III AND LATER OLD ENGLISH PATTERN CUTLERY comprising a set of five tablespoons by Peter and Anne Bateman, London 1797, crested, a pair of tablespoons by Peter and Jonathan Bateman, London 1790, a set of six dessert spoons, London 1859, by Elizabeth & John Eaton, a set of twelve dessert forks, London 1796, a set of six Old English pattern teaspoons, Birmingham 1918, and a small quantity of plated spoons (c.50oz) (a lot)

£100-200

293 A FRENCH SOUP/PUNCH LADLE with a shaped rectangular handle and a flared bowl, with engraved scroll and geometric decoration, 13” long

287 TWO PAIRS OF BRIGHT-CUT SUGAR TONGS, one by Peter and Anne Bateman, and one Newcastle pair (2)

£50-100

292 A MIXED LOT OF CUTLERY comprising a cased set of “British Hallmark Teaspoons” , three silver handled knives and a quantity of loose cutlery of mixed makers and dates (c.12oz) (not including the cased teaspoons)

286 A MATCHED CANTEEN OF GEORGE III AND LATER FEATHER EDGED PATTERN CUTLERY, Exeter and London Assays. Comprising: a set of eight table forks, by William Woodman, Exeter 1817, a harlequin set of eight dessert spoons, some by William Woodman, Exeter 1817, some London examples, a harlequin set of eight teaspoons, mainly London Assay, a matched set of eight dessert forks, five by William Woodman, Exeter 1817, three London 1822, eight tablespoons all by William Woodman, 1816 and later, a basting spoon and a set of sixteen later silver handled table and dessert knives with steel blades, (c.62oz weighable silver). See illustration

£50-100

291 A MIXED LOT OF CUTLERY comprising a set of six cased teaspoons, a fiddle pattern tablespoon, a continental decorative spoon, and other items, of mixed makers and dates (a lot)

285 A SMALL COLLECTION OF GEORGE III AND LATER TEASPOONS of mixed makers and dates, five silver handles pistol grip tea knives and other silver and plated items (a lot)

£50-100

£80-120

296 A GEORGE II/GEORGE III MARROW SCOOP of conventional double-ended form, bearing a makers mark of WC, London Assay, no date letter, probably circa 1740, 8½” long

£80-120

£600-1200 Lot 286 52

304 A LARGE QUANTITY OF GEORGE III AND LATER OLD ENGLISH PATTERN CUTLERY comprising a set of six crested table forks, London 1890, five various tablespoons, George III and later, mixed makers and dates, eleven dessert spoons, a harlequin set of eight table forks, by TB, London 1807/1813, and twelve dessert forks, (c.62oz) (a lot)

297 A SMALL COLLECTION OF 18TH CENTURY FLATWARE comprising a pair of George III Old English pattern tablespoons, by George Smith, London 1782, crested, and an Old English pattern sauce ladle, a salt spoon, a set of three acorn bowl teaspoons, a pair of Hanoverian pattern Britannia standard dessert spoons, London 1710, and one further tablespoon (c.11oz) (a lot)

£100-200

298 A PART SERVICE OF VICTORIAN FIDDLE PATTERN CUTLERY by Hayne & Cater, comprising six tablespoons, six table forks, six dessert spoons, all London 1844, six dessert forks, London 1846, all crested, (c.44oz). See illustration

305 A SET OF FIVE LATE VICTORIAN TEASPOONS with shell bowls and matching tongs in a fitted case, London 1900, and a pair of silver sugar tongs and a set of six electroplated egg spoons (a lot)

£500-1000

£40-60

£50-100

302 A SET OF SIX EDWARDIAN SOUP SPOONS of Old English pattern, monogrammed, by William Hutton & Sons, London 1902, 7½” long, (c.12.5oz)

£600-800

309 A SET OF SIX TEASPOONS in a fitted case, Sheffield Assay, and a set of nine silver handled table knives in a fitted case (2)

£100-200

303 A MIXED COLLECTION OF GEORGE III AND LATER FLATWARE comprising an Old English pattern tablespoon, a bone handled butter knife with a pierced blade and a quantity of teaspoons, of mixed makers and dates (13.5oz weighable silver) (a lot)

£250-350

308 A CONTINENTAL SILVER CANTEEN FOR SIX comprising six table forks, six tablespoons, six dessert forks, six teaspoons, six silver handled dessert knives and six silver handled table knives, all in the same pattern, also together with two further sets of twelve teaspoons, marked 800, (c.57oz weighable silver)

301 A SET OF SIX “SCOTTISH FIDDLE PATTERN” TEASPOONS, the reverse of each terminal bearing a crest and motto, and each one numbered, makers mark only for Lothian & Robertson of Edinburgh, circa 1760, each 4½” long

£300-500

307 A SET OF FOUR GEORGE III OLD ENGLISH FEATHER EDGE PATTERN TABLESPOONS, crested, London 1780, and a pair of Old English pattern sauce ladles and four various fiddle pattern tablespoons, mixed makers and dates (c.19oz) (a lot)

£80-120

300 A PAIR OF 19TH CENTURY PROVINCIAL SUGAR TONGS by James and Josiah Williams, Exeter Assay, two other pairs of tongs and a fork with filled handle (3)

£40-60

306 HESTER BATEMAN: A SET OF SIX GEORGE III tablespoons of Old English and feather edged pattern, crested, London 1782, 8” long, (c.10oz)

299 A MIXED COLLECTION OF FLATWARE comprising a berry spoon, a fiddle pattern sifter spoon by Eley, Fearn & Chawner, a small quantity of teaspoons and a double-ended measure, of mixed makers and dates (c.8oz) (a lot)

£800-1200

£50-100

310 A SET OF SIX VICTORIAN FRUIT KNIVES AND FORKS with mother of pearl handles, in a fitted case, crested, Birmingham 1870

£100-200

Lot 298 54

314 A SET OF TWELVE MOTHER OF PEARL HANDLED SILVER BLADED FRUIT KNIVES AND FORKS, in a fitted case, by Charles Boyton & Sons, Sheffield 1926/1927

311 A SET OF EIGHTEEN EARLY 19TH CENTURY BONE HANDLED DESSERT EATERS marked with a lion passant and duty head only, crested, in a fitted case

£150-250

315 A CASED SET OF SIX SILVER HANDLED TEA KNIVES, two cased sets of oyster forks, an Old English pattern sauce ladle and a quantity of teaspoons in a box (a lot)

312 A SET OF TWELVE BEAN-END COFFEE SPOONS with enamelled bowls depicting floral sprays, by HCD, Birmingham Assay, in a fitted case

£50-100

316 A QUANTITY OF GEORGE III AND LATER FLATWARE of mixed makers and dates, predominantly fiddle pattern, with some plated examples, in an oak canteen box (c.42oz) (a lot)

313 A QUANTITY OF WILLIAM IV AND LATER FIDDLE, THREAD AND SHELL PATTERN CUTLERY of mixed makers and dates, some monogrammed. Comprising a harlequin set of eight dessert spoons by George Adams, London 1869/1870, a harlequin set of seven dessert forks by George Adams, London 1848/1852/1862, six table forks, London 1841 and later, nine tablespoons, William IV and later, and five various teaspoons, (c.82oz). See illustration

£80-120

£500-1000

£1000-2000

Lot 313 56

317 AN AMERICAN CANTEEN FOR TWELVE PLACE SETTINGS' by Gorlam, circa 1900, marked Sterling, decorated with embossed cherubs amongst scrolls and foliage, initialled/ monogrammed. Comprising: eleven table forks, eleven teaspoons, eleven fish forks, two sauce ladles, a fish serving fork, a jam spoon, twelve butter knives, twelve soup spoons, twelve dessert spoons, twelve grapefruit spoons, twelve sundae spoons, twelve sorbet spoons, twelve oyster forks, a cake server, a carving set, twelve table knives with steel blades and twelve dessert knives with steel blades, in a fitted case, (c.195oz). See illustration

ÂŁ3000-5000

318 A BASTING SPOON, London 1786, a quantity of silver flatware and a silver pierced nurse's buckle, (a lot) (c.19oz)

ÂŁ100-200

319-399 Spare lots

Lot 317 58

PORTRAIT MINIATURES AND OBJETS D’ART COINS AND BANK NOTES POCKET WATCHES AND WRISTWATCHES CARRIAGE CLOCKS

PORTRAIT MINIATURES AND OBJETS D’ART 400 ENGLISH SCHOOL, 19th century A circular portrait miniature of a lady wearing a blue shawl, watercolour on ivory, on a faceted yellow metal frame, 2¾” diameter; together with an oval photographic miniature of a lady, 3¼” x 2½” (2)

405 DUPRE (late 19th/early 20th century) An oval portrait miniature of a young lady with arm raised, signed centre left, 2 ¼” x 1½” in an ivory and ebony veneered rectangular frame; and a companion picture of a lady wearing a hat (2)

£50-100

406 ENGLISH SCHOOL, 19th century An oval portrait miniature of a gentleman, said to be George Whitehead, Esq, the sitter with curls in his hair and wearing a blue waistcoat, watercolour on ivory, 3½” x 2½”, in a verre eglomise frame; and a smaller companion picture said to be John Whitehead, 2¼” x 1¾” (2)

401 MANNER OF RICHARD COSWAY An oval portrait miniature of a young lady with blue eyes, watercolour, 3½” x 2¾”

£200-400

402 SUSIE LASSAM (20th century) An oval portrait miniature of a lady with wavy short hair, signed with monogram centre right, watercolour on ivory, 3¾” x 2¾”

£100-200

408 ENGLISH SCHOOL, 19th century A rectangular portrait miniature of a young gentleman wearing a white ruff, watercolour on ivory, 3¾” x 3”, in a moulded frame; and an oval profile portrait miniature of a gentleman, the reverse with label for J H Millington, 3” x 2½” (2)

£100-200

404 CONTINENTAL SCHOOL, late 19th/early 20th century An oval portrait portrait miniature of a girl wearing a silk headdress, painted on porcelain, 3¼” x 2½”; and another smaller example of a lady with gilt decoration, 2” x 1½” (2)

£50-100

407 ENGLISH SCHOOL, late 18th century An oval profile portrait study of a lady with curly hair and wearing a white dress, signed with monogram lower left and dated 1794, watercolour on ivory, 3½” x 3”

£40-60

403 SMITH (19th century) An oval portrait miniature of Nelson, signed centre right, watercolour on ivory, in a scroll decorated frame, 3¾” x 2½”; a portrait miniature of ‘Helene of Russia’, 3” x 2¼”, in a foliate metal frame; and another rectangular example of a lady wearing flowers, signed indistinctly lower right, 3¼” x 2½”, in a cabochon mounted metal frame (3)

£100-200

£80-160

409 ENGLISH SCHOOL, early 19th century An oval portrait miniature of a lady with hair up and wearing a white dress, the reverse with blue enamel decoration, 2½” x 2”

£80-160

Provenance: Major Richard Master (1746-1800) Governor of Tobago, and thence by descent

£100-200

Lot 411

410 ENGLISH SCHOOL, 18th century An oval portrait miniature of a gentleman wearing a blue waistcoat, watercolour on ivory, in a yellow metal frame with rosecut diamond mounted bow to the top, 1¼” x 1.1/8”

411 PETER PAILLOU (c. 1757-1831) An oval portrait miniature of Major Richard Master, 1746-1800, signed with initials centre left and dated 1786, in a yellow metal studded frame, watercolour and bodycolour on ivory, 3½” x 2½”. See illustration

£200-400

Provenance: The sitter and thence by descent

Major Richard Master led a distinguished parliamentary and military career, latterly becoming Governor in Chief of Tobago until his death in 1800.

£500-1000

417 ETHEL M WILLIS (early 20th century) “The Dancer”, watercolour on ivory, 6” x 4½”

412 ENGLISH SCHOOL, 19th century An oval portrait miniature of a gentleman wearing a blue coat and collar, initialled lower right “MC”, watercolour on ivory, 3½” x 3” in a gilt metal frame and contained in a leather case; and a companion portrait miniature of a lady (2)

418 RUSSIAN ORTHODOX SCHOOL, 19th/20th century A study of a patriarch seated on a throne, with cherubs around, oil on panel, in a shaped tortoiseshell veneered frame, 13” x 11½”

£50-100

413 ENGLISH SCHOOL, 19th century An oval portrait miniature of a gentleman wearing a blue coat and white neck scarf, initialled lower right “MC”, watercolour on ivory, 3½” x 3”, contained within a leather case; and a similar example of a lady with her hair up (2)

£50-100

£300-500

421 ENGLISH SCHOOL, 19th century An oval portrait miniature of a naval officer, watercolour on ivory, 2½” x 2”, in a leather case

£50-100

422 A SCRIMSHAW DECORATED WHALES TOOTH, one side showing a ship and the other a whale, 5¼” long

£50-100

416 ROSSI (late 19th/early 20th century) A small rectangular portrait of a lady with curls in her hair and wearing a black lace shawl, signed lower left, watercolour, 8”

£100-200

420 F HOPE (19th century) A silhouette family group, signed lower left and dated ‘49, watercolour and bodycolour, 17” x 21”, in a verre eglomise type frame

415 TWO OVAL PHOTOGRAPHIC PORTRAIT MINIATURES, one of a boy, the other of a military officer, both contained within fitted leather cases, 5½” x 4½” overall; a small oval example in an ivory frame and leather case; a daguerreotype photograph of a lady in a leather case; a miniature Spy camera and two coins (7)

£200-400

419 TWO CIRCULAR CLASSICAL ENGRAVINGS AFTER CIPRIANI, 8” diameter, in gilt frames; and two similar oval examples of cherubs after Bartolozzi, 6” x 5” (4)

414 A PAIR OF VICTORIAN COLOURED PHOTOGRAPHS of a gentleman and lady, each within engraved metal frames and contained within a diptych type leather case, 9” x 8” overall; and another photographic diptych of a lady and gentleman, 12” x 10½” (2)

£50-100

£150-300

423 A CARVED IVORY PLAQUE, depicting the Magdalen, North Germany, late 17th/early 18th century, 3½” high, contained within a later ebonised frame. See illustration

£100-200

£1000-2000 Lot 423

433 AN ART DECO ONYX AND LAPIS LAZULI BOX, with silver hinge, 4½” wide

424 A SMALL PRISONER OF WAR IVORY MODEL OF A SHIP, 19th century set in an oval within an ebonised and gilt frame, 6” x 6½” overall

£100-200

434 A CIRCULAR ENAMEL BOX, decorated with flowers, 5½” diameter

425 A 19TH CENTURY IVORY CRIBBAGE BOARD, with foliate carved finials, 11” long

£50-100

435 A RARE “BILSTON” ENAMEL BOX, circa 1760, the body moulded with flowers and decorated in polychrome and gilding, 2½” wide. See illustration

£300-500

426 AN ITALIAN PIETRA DURA PANEL, depicting flowers and insects, early 20th century, 4½” x 7”

£100-200

£150-300

Enamel boxes of this period with moulded decoration are very unusual. This fact, combined with the size and quality of the present example, make it a rare survival.

427 AN INDO-PERSIAN IVORY AND HORN MOUNTED CASKET, early 20th century, 6½” across

436 A NEOPOLITAN PIQUE BOX, the lid decorated with birds amid foliage within concentric circles, 3” dia; and another circular box, the lid decorated with lovers in a landscape, 3½” dia (2)

£100-200

437 TWO 19TH CENTURY CIRCULAR LACQUERED BOXES, the lids decorated with gentlemen, 3½” and 4” dia; a similar box, the lid inset with a commemorative medallion, 3¾” dia; and a small Japanese lacquer box (4)

428 A NORTH EUROPEAN SILVER, GLASS AND CABOCHON MOUNTED JEWEL CASKET, probably Augsburg 17th century, the blue glass panels engraved with hunting scenes, 9¼” wide

£200-400

£300-600

£100-200

£150-250

440 a george iii inlaid satinwood oval SNUFF BOX, 4” long

431 A PAIR OF SILVER-MOUNTED SHELL SALTS, 3½” long (2)

£50-100

439 SAMUEL RAVEN: A PAPIER MACHE CIRCULAR SNUFF BOX, the lid painted with a portrait of a dog, the interior inscribed ‘S. Raven Pinxt., patronised by H R H The Duke of Sussex and Prince Leopold’, 3¾” diameter

430 A “CRYSTAL” BALL on a gilt metal swag and monopodia base, 8” high overall; and two smaller examples (3)

£80-160

438 A VICTORIAN PAPIER MACHE AND LACQUER CIRCULAR BOX, the lid decorated with a fox’s head, 3½” dia

429 AN ORMOLU AND ENAMEL CASSOLETTE AFTER A DESIGN BY MATTHEW BOULTON, with reversible candlestick top and turquoise body, 19th century, 8” high

£80-160

£100-200

432 A WHITE METAL CHAIN-LINK EVENING PURSE, 6¼” long

£150-300 Lot 435 66

447 A SILVER-MOUNTED TORTOISESHELL TOBACCO BOX of oval form, the lid with an oval panel inscribed “Richard Tart” in a leafy mantling, the base with an armorial surrounded by a helm-crest within a leafy mantling, late 17th century, 4¼” wide x 3½” deep. See illustration

441 A 19TH CENTURY OVAL TORTOISESHELL SNUFF BOX, the lid inset with a portrait miniature of a lady, 4” long

£50-100

442 A 19TH CENTURY TORTOISESHELL AND MOTHER OF PEARL INLAID CARD CASE, 4” high; and three further mother of pearl examples (4)

448 A TORTOISESHELL AND IVORY THIMBLE CASE, circa 1850, in the manner of Lund of Cornhill, 2” high

£100-200

443 AN EDWARDIAN TORTOISESHELL VENEERED CIGARETTE BOX, with silver mounts, 5” wide

£50-100

451 A SHAGREEN DECORATED CIGARETTE CASE, 3½” long

£50-100

446 A “TORTOISESHELL” RECTANGULAR JEWELLERY BOX, with silver gilt hinges by the Goldsmiths & Silversmiths Co, 5” long

£100-200

450 A COQUILLA NUT with turned geometric decoration, 2¼” long

445 A 19TH CENTURY IVORY AND PIQUET-WORK CARD CASE, decorated with flowers, 4” high

£100-200

449 A SCOTTISH LATE VICTORIAN QUAICH, the wooden body with silver mounts for Inverness, circa 1890, 5” across including handles

£200-300

444 AN IVORY-COVERED BOOK OF COMMON PRAYER, 4” high; and two “tortoiseshell” boxes (3)

£800-1600

£40-80

452 AN EARLY 19TH CENTURY ITALIAN MICRO-MOSAIC PANEL, depicting a landscape view, contained within an ebonised frame, 2½” x 3¾” overall

£80-120

£150-300

Lot 447 68

460 A 9CT GOLD AND ENAMEL MASONIC BADGE, four further silver gilt examples, and another (6)

453 A “GOLDART” MINIATURE PICTURE of “The Bark Garthpool 1926”, 2” x 2¼”, contained within a shaped gilt frame

£100-200

461 THREE SILVER AND ENAMEL COMMEMORATIVE COIN BADGES and a similar medallion (4)

454 A BAKERS PERM-POINT 18CT GOLD RETRACTABLE PENCIL, contained in a fitted case, 4¾” long

£150-300

£200-400

456 A MASCOT 9CT GOLD RETRACTABLE PENCIL, 4¾” long

£100-200

£80-160

£50-100

465 AN 18CT GOLD-TOPPED MALACCA WALKING STICK, with inscription “EA to FAG-S, 1891” (apparently Sir Francis Aylmer Graves Sawle, 3rd Bart, CVO), circa 36” long

£100-200

459 A GOLD-MOUNTED SHELL VINAIGRETTE, with garnet thumb piece and engraved decoration to the mounts, circa 1830, 2½” long. See illustration

£150-300

464 A YELLOW METAL INTAGLIO SEAL, with foliate decoration, 1½” long

458 A YELLOW METAL RETRACTABLE PENCIL by Butler & Co, London, with engine-turned and foliate decoration, 4” long extended; together with a brooch made from 18th century watch parts (2)

£250-350

463 A PAIR OF FOLDING YELLOW METAL LORGNETTES, with engraved scrolling decoration, 3” long when folded

457 A YELLOW METAL RETRACTABLE PENCIL with turquoise mounts and foliate decoration, 4½” extended

£80-160

462 A DUNHILL 9CT GOLD CIGARETTE HOLDER, the top with applied floral swag set with garnets and a diamond, 3¾” long, contained within a fitted leather covered case

455 A 9CT GOLD RETRACTABLE PENCIL, with maker’s mark “S M & Co”, 4” long

£100-200

466 A 9CT GOLD AIDE MEMOIRE CASE, with engine-turned decoration, Goldsmith’s & Silversmith’s Co., (c.30gms), 2¾” long

£3000-5000

£100-200

467 A 9CT GOLD AIDE MEMOIRE CASE with engine-turned decoration, (c. 34gms), 2½” long

£300-600

Lot 459 70

468 A 9CT GOLD CIGARETTE CASE, with engine-turned decoration and curved lid, maker’s mark “R & R” (c. 128gms), 3½” wide See illustration

471 A 9CT GOLD CIGARETTE CASE, the curved cover with diamond-set date ‘Oct 5th’, (c.63gms), 2¼” long, contained within a fitted case for E Lloyd Lawrence, London See illustration

£1000-2000

469 A 9CT GOLD CIGARETTE CASE, with engine-turned decoration and straight lid, maker’s mark “R & R”, (c.130gms), 3½” wide See illustration

472 A WHITE METAL AND HORN PAGETURNER, possibly Russian early 20th century, the top modelled as a soldier’s head, 12½” long.

£500-1000

470 A 9CT GOLD CIGARETTE CASE, with bands of engine-turned decoration, maker’s mark “P P, Ltd”, (c.230gms), 6¼” long See illustration

£800-1600

£150-300

473-499 Spare lots

£1000-2000

Lots 468-471 72

COINS AND BANK NOTES 508 ROYAL MINT: AN ELIZABETH II DIAMOND WEDDING GOLD CROWN COIN 2007, in a presentation case and outer box

500 A VICTORIAN GOLD HALF SOVEREIGN dated 1899, and one other Edward VII sovereign dated 1910

£150-250

501 A BANK OF ENGLAND WHITE FIVE POUND NOTE dated March 22nd, 1947, and a collection of Bank of England one pound notes and one ten shilling note (19)

509 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 2007, in a presentation case and outer box

£80-160

£150-250

504 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 1980, in a presentation case and outer box

£150-250

514 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 1957, in a presentation case and outer box

£800-1600

507 ROYAL MINT: AN ELIZABETH II GOLD FIVE POUND COIN 2007, in a presentation case

£150-250

513 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 2006, in a presentation case and outer box

506 ROYAL MINT: AN ELIZABETH II GOLD FIVE POUND COIN 2006, in a presentation case

£1500-2000

512 ROYAL MINT: A GEORGE V GOLD SOVEREIGN 1931, in a presentation case and outer box

505 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 2008, mounted on a Royal Mint card

£150-250

511 A UNITED KINGDOM BRITANNIA GOLD PROOF FOUR COIN SET, dated 2006, in a presentation case. See illustration

503 ROYAL MINT: AN EDWARD VII GOLD SOVEREIGN 1906, in a presentation case and outer box

£150-250

510 ROYAL MINT: A VICTORIAN GOLD SOVEREIGN 1899, in a presentation case and outer box

502 ROYAL MINT: A VICTORIAN GOLD SOVEREIGN 1880, in presentation case, and outer box

£1000-2000

£150-250

515 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 2005, in a presentation case and outer box

£800-1600

£150-250

Lot 511 74

524 AN EDWARD VII HALF GOLD SOVEREIGN 1909, mounted in a 9ct gold ring

516 ROYAL MINT: A GEORGE V GOLD SOVEREIGN 1925, in presentation case and outer box

£150-250

525 A GEORGE IV GOLD GUINEA, date unclear

517 ROYAL MINT: AN ELIZABETH II GOLD SOVEREIGN 2002, in a presentation case and outer box

£150-250

£50-100

£150-250

£50-100

£300-600

531 FRANCE, CHARLES IX (1560-1574) ONE HALF ECUD’OR with crowned arms and fleur de lis cross

£150-250

523 ROYAL MINT: THE HALF SOVEREIGN COLLECTION 1900-1915, A Golden Finale sixteen half sovereigns in a wooden presentation case. See illustration

£500-1000

530 PORTUGAL, SEBASTIAO (1557-1578): ONE GOLD FIVE HUNDRED REAIS (one Cruzado) with arms and cross of the Order of Christ

522 AN EDWARD VII GOLD SOVEREIGN 1907, with attached loop

£300-600

529 PORTUGAL, SEBASTIAO (1557-1578): ONE GOLD SAO VINCENTE with arms of St. Vincent standing

521 ROYAL MINT: AN ELIZABETH II ALDERNEY SILVER TEN POUND COIN, 2007, in a presentation case, a Victorian silver Crown 1890, mounted, and a George IV Crown, 1935, mounted and attached to a white metal chain (3)

£300-600

528 A VICTORIAN GOLD SOVEREIGN 1901 and one other 1892 (2)

520 ROYAL MINT: A VICTORIAN GOLD SOVEREIGN 1890, in a presentation case and outer box

£50-100

527 A VICTORIAN GOLD SOVEREIGN 1886 and one other 1872 (2)

519 ROYAL MINT: AN ELIZABETH II ALDERNEY ONE POUND GOLD COIN 2007, in a presentation case and outer box

£150-250

526 GLENDINING & CO. LTD LONDON: A COLLECTION OF 1960’S COIN AUCTION CATALOGUES (a lot)

518 ROYAL MINT: A VICTORIAN GOLD SOVEREIGN 1878, in presentation case and outer box

£100-200

£300-600

532 SPAIN, FELIPE II (1556-1598): ONE GOLD TWO ESCUDOS with crowned arms and cross

£500-1000

£2000-4000

Lot 523 76

536 AN ELIZABETH II ISLE OF MAN GOLD TWO POUND COIN, 1973

533 FRANCE, HENN II (1547-1559); ONE GOLD HENN D’OR with bust and cross of four Henns. See illustration

£800-1600

537 A YELLOW METAL CONSTANTINOPLE COIN ISAAC II (possibly gold), 1185-1195AD, converted to a pendant

534 A POBJOY MINT, a King George III gold restrike sovereign 1818, in presentation case

£150-300

£50-100

538 A COMPLETE 'BERMUDA SHIPWRECKS' SILVER PROOF SET OF 12 COINS in a fitted presentation case and with accompanying map

535 MILESTONES OF THE MILLENNIUM: A GOLD TOKEN, the Three Graces

£300-500

£600-1200

£200-400

539-549 Spare lots

Lot 533 78

POCKET WATCHES AND WRISTWATCHES 555 A GENTLEMAN’S SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, the sunken centre inscribed “John Elkan, 35 Liverpool Street, City London” and a collection of pocket watches (a lot)

550 A GENTLEMAN’S 9CT GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial

£300-500

551 A GENTLEMAN’S 9CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the centre with painted scene of a castle beside a river

556 A GENTLEMAN’S YELLOW METAL OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed “Waltham” , and a ladies 14k fob watch (2)

£200-400

552 A GENTLEMAN’S 14CT GOLD HUNTING CASED POCKET WATCH, the cream dial with Arabic numerals and subsidiary seconds dial. The inner movement cover engraved “Grand Prix, Paris 1900 Ancre 16 rubies”, “Balancier Compense Spiral Breguet Chatons”, the front cover with scroll decoration

£300-500

£150-300

558 A LADIES 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, attached to a 9ct gold bar brooch

£200-400

£50-100

559 A GOLIATH WHITE METAL POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, in a silver embossed and leatherette case

554 A GENTLEMAN’S OPEN FACED YELLOW METAL POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed “American Waltham USA Traveller”, and another white metal open faced pocket watch (2)

£100-200

557 A BENSON 18CT GOLD OPEN FACED POCKET WATCH and a gentleman’s silver open faced pocket watch with fusee movement, the engraved movement cover inscribed “Edward Bird, Bristol” (2)

553 A GENTLEMAN’S OPEN FACED YELLOW METAL POCKET WATCH, the white enamel dial inscribed “Waltham USA”, with Roman numerals and subsidiary seconds dial, attached to 9ct gold fob chain with attached seal.

£200-400

£80-160

560 A LADIES YELLOW METAL HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial, inscribed “Elgin”, in an embossed case with centre rose-cut diamond, attached to a gold fob chain. See illustration

£50-100

£400-800

Lot 560 80

569 A LADIES SILVER OPEN-FACED POCKET WATCH, the white enamel dial with Roman numerals, lacking one hand and glass, the movement cover inscribed “Presented to Miss R Appleby of the S S Paris, by passengers and admirers for services rendered, 25th January 1890”

561 A GENTLEMAN’S 18CT GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial, inscribed “Watkins’s Patent, 67 Strand”, in an engine-turned case

£300-500

562 A GENTLEMAN’S 18CT GOLD POCKET WATCH, the gilt dial with Roman numerals, with engraved floral centre, attached to a 9ct gold short fob chain

570 A GENTLEMAN’S 9CT GOLD OPENFACED POCKET WATCH, the white enamel dial with Arabic numerals, subsidiary seconds dial, inscribed “Omega” attached to a gold fob chain

£300-600

563 A GENTLEMAN’S 18CT GOLD POCKET WATCH, the white enamel dial with Roman numerals in an engraved case

£100-200

£1000-2000

580 A. LANGE & SOHNE: A RARE SECOND WORLD WAR GERMAN LUFTWAFFE AVIATOR’S WRISTWATCH, the black dial with luminous outer five minute markers and inner hour dial, blued steel luminous hands, large centre seconds hand, in a grey metal case, the case back numbered H4280, the band of the case numbered FL23883. See illustration

£150-300

567 A GENTLEMAN’S 18K GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, and engraved centre, in an engraved case

£150-300

573 ROLEX; A GENTLEMAN’S 18K GOLD WATCH BRACELET with three graduating rows of links attached to a folding clasp

566 A 18CT GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, the movement cover inscribed “Usher & Cole, no. 19147, Maker to the Admiralty London”, the front cover with blue Roman numerals

£40-80

572 A LADIES 18K GOLD WRISTWATCH, the cream dial with raised gilt Arabic and baton numerals, subsidiary seconds dial, inscribed “Herodia” attached to a black ribbon strap and one other similar wristwatch (2)

£100-200

565 A LADIES YELLOW METAL FOB WATCH, the white enamel dial with Arabic numerals, the case with embossed decoration, attached to a floral brooch

£200-400

571 A GENTLEMAN’S SILVER HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, subsidiary dial, inscribed “Cooke & Kelvey, Calcutta, Simla, Delhi Lahore” lacking glass and side winder

564 A MINIATURE TRAVELLING WATCH, the white square dial inscribed “Eterna” with gilt Arabic numerals and subsidiary seconds dial, folding into a leather case

£50-100

£200-400

£2500-3500

568 A GENTLEMAN’S 18CT GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement cover inscribed “Bradford Manoah Rhodes & Sons, Ltd, Kirkgate”, in original leatherette case

Lot 580

£300-600 82

588 A GENTLEMAN’S 9CT GOLD OMEGA WRISTWATCH, the square gilt dial inscribed “Omega De Ville” with raised gilt baton numerals, attached to a 9ct gold mesh bracelet

581 HEUER: A GENTLEMAN’S AUTAVIA GMT CHRONOGRAPH WRISTWATCH, the black dial with baton numerals, three subsidiary dials and sweep seconds hand, the outer blue/red bezel with Arabic numerals for twenty four hours, attached to an expanding bracelet, in its original card box

589 A LADIES 9CT GOLD WRISTWATCH, the oval dial inscribed “Rotary Quartz” with raised gilt baton numerals attached to a 9ct gold gate-link bracelet

£500-1000

582 OMEGA FLIGHTMASTER WRISTWATCH, the grey and black dial with white Arabic outer five minute numerals, three subsidiary dials, colour coded hands and sweep seconds hand, the case with three coloured coded adjustment crowns to the right and two colour coded adjustment crowns to the left, attached to a stainless steel bracelet in a red cloth Omega case

£400-600

£100-200

£300-500

£150-300

594 A LADIES ART DECO DIAMOND WRISTWATCH, the white dial with Arabic numerals inscribed “E Gubelin, Switzerland”, surrounded by diamonds, with diamond cluster square shoulders, attached to a white metal expanding bracelet

£200-400

£300-500

595 A LADIES 9CT GOLD WRISTWATCH, the cream dial with raised baton numerals, inscribed “Omega” attached to a gold bracelet

587 A LADIES VICTORIAN 18CT GOLD WRISTWATCH, the white enamel dial with Arabic numerals, attached to an expanding gold bracelet

£900-1800

593 A LADIES WHITE METAL AND DIAMOND WRISTWATCH, the round dial with Arabic numerals surrounded by millegrain set diamonds, attached to a white metal expanding bracelet

£150-300

586 A LADIES WRISTWATCH, the cream dial with gilt Arabic numerals and subsidiary seconds dial, inscribed “Rolex, Oyster Chronometer” attached to a replaced leather strap

£150-300

592 A LADIES WHITE GOLD AND DIAMOND WRISTWATCH, the dial with four raised baton numerals, inscribed “Omega De Ville”, surrounded by a single row of rose-cut diamonds attached to a white gold bracelet. See illustration

585 A GENTLEMAN’S WRISTWATCH, the black dial with raised baton numerals, inscribed “Rolex Oyster, Royal Precision” attached to a replaced stainless steel bracelet

£100-200

591 A LADIES 9CT GOLD WRISTWATCH, the rectangular dial inscribed “Rotary” with raised gilt Arabic and baton numerals attached to a 9ct gold bracelet

584 GARRARD: A GENTLEMAN’S SLIM CASED WRISTWATCH, the gilt dial with raised gilt numerals, date aperture, inscribed “Garrard” attached to a leather strap in its original Garrard case

£150-300

590 A LADIES 9CT GOLD WRISTWATCH, the cream dial with raised gilt baton numerals, inscribed “Omega” attached to a 9ct gold bracelet

583 A LONGINES FLAGSHIP AUTOMATIC WRISTWATCH, the silver dial with raised Arabic and baton numerals and sweep seconds hand, the case back with gilt flagship emblem, attached to a leather strap

£400-800

£100-200

£150-300 596-599 Spare lots Lot 592 84

CARRIAGE CLOCKS 602 A FRENCH BRASS CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals, in a plain brass case with swing handle, 4¼” high

600 DROCOURT: A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals and outer Arabic seconds numerals, subsidiary date and hour dials, surrounded by a gilt foliage engraved mask, the back plate with arrow markings and numbered 8606, striking a bell, in a gorge case with swing handle, 4½” high. See illustration

603 A FRENCH BRASS CASE CARRIAGE CLOCK, the silver dial with Roman numerals, surrounded by a gilt mask, the movement striking on a coiled gong in a brass case with swing handle, 5¾” high

£500-1000

601 A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, the silvered chapter ring with Roman numerals, surrounded with a pierced and engraved gilt foliate mask, the eight-day movement striking on a coiled gong, the case with Corinthian columns and pierced and engraved gilt foliate masks to the side panels, swing handle, 6” high

£50-100

£100-200

604 A FRENCH BRASS CASE STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals and inscribed “Hy Marc, Paris”, striking on a coiled gong, the back plate also inscribed and numbered 20044, in a foliate engraved brass case with swing handle, 5¼” high

£1800-2500

£150-300

605 A FRENCH BRASS CASE REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed “L Epee, Fondee en 1839”, with cut-out star phase and three subsidiary dials for days of the week, hours and date, striking on a coiled gong in a gorge case with swing handle, 5½” high

607 A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals surrounded by a gilt engraved mask, the back plate with arrow marking, striking on a bell, in a plain brass case with swing handle, 5” high

Lot 609

£200-400

608 A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, outer Arabic second numerals and subsidiary hour dial, the back plate with arrow marking, striking on a coiled gong in a plain gilt case with reeded edging and swing handle, 5¾” high

£300-500

609 DROCOURT: A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals and outer Arabic second numerals, inscribed “W. Thornhill & Co, 144-145 New Bond Street, London”, the back plate with Drocourt marking, striking on a coiled gong in a Bambu and Art Nouveau style case. See illustration

This clock can be seen on page 176 , PLATE VII/33 of “Carriage Clocks Their History and Development”, by Charles Allix and Peter Bonnert

£500-1000

£300-600

606 A FRENCH GILT BRASS CASE REPEATING CARRIAGE CLOCK, the gilt dial with Roman numerals centre pierced gilt decoration, surrounded by a gilt mask and outer engraved mount, the movement striking on a coiled gong, the case with corner reeded columns and swing handle, 5¾” high

£200-400

Lot 600 86

JEWELLERY

617 A SAPPHIRE AND DIAMOND DRESS RING set to the centre with a round-cut sapphire and flanked on either side by a round brilliant-cut diamond, each circa 0.15cts, claw-set in 18ct yellow gold to an 18ct yellow gold shank

610 AN EMERALD AND PEARL DRESS RING set with three graduated pearls, with two trapeze-shaped emerald spacers, collet-set on an 18ct yellow gold shank

£80-160

611 A GARNET AND DIAMOND DRESS RING of lozenge shape, set overall with four collet-set old-cut diamonds totalling circa 0.4cts, with five graduated colletset garnets, on an unmarked yellow gold shank with open shoulders

618 A SAPPHIRE, DIAMOND AND RUBY DRESS RING formed as three graduated rows of each stone, in a scroll claw-setting to an unmarked yellow gold shank with reeded bifurcated shoulders

£250-500

612 AN EDWARDIAN SAPPHIRE AND DIAMOND DRESS RING of oval form, collet-set to the centre with a cushion-cut sapphire and surrounded by a calibre-cut sapphire and old-cut diamond trellis design, on an unmarked yellow metal shank with diamond and sapphire-set shoulders

£500-1000

£250-500

£150-300

622 A SAPPHIRE AND DIAMOND ART DECO STYLE DRESS RING collet-set to the centre with a round old-cut diamond, circa 0.3cts, and surrounded by a calibre-cut border of sapphires forming a halo design, on an unmarked yellow metal shank with diamond-set open shoulders

£200-400

£400-800

626 AN EMERALD AND DIAMOND DRESS RING, the central emerald-cut stone claw-set and surrounded by a rub-over border of round-cut diamonds, on a rose metal shank

£300-600

£800-1600

£100-200

637 A LARGE DIAMOND CLUSTER COCKTAIL RING claw-set in white gold overall with 37 round brilliant-cut diamonds totalling circa 1.85cts, on an 18ct yellow gold shank with open shoulders

£800-1600

638 AN ART DECO STYLE DIAMOND DRESS RING rub-over set to the centre with a round-cut diamond circa 0.4cts, the waisted rectangular setting millegrain-set with three round-cut diamonds, on an 18ct white gold shank with open rub-over diamond-set shoulders

£800-1600

£150-300

636 A PEARL AND DIAMOND DRESS RING set to the centre with a large cream coloured pearl, on an 18ct yellow gold shank with open scrolling shoulders, each set with rows of calibre-cut diamonds forming bows

£250-500

£400-800

635 AN OPAL DRESS RING, the marquise-shaped white opal in an open loop claw setting to a yellow metal shank

£250-500

£200-400

629 A PALE SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire in a four claw setting surrounded by a round brilliant-cut diamond border, totalling circa 0.5cts, on an 18ct yellow gold shank with open shoulders

£800-1600

634 A RUBY AND DIAMOND COCKTAIL RING tension-set overall with intersecting lines of calibre-cut rubies interspersed with diamonds, on an 18ct yellow gold shank

628 A RUBY AND DIAMOND CLUSTER DRESS RING, the central oval-cut ruby claw-set and surrounded by a border of round brilliant-cut diamonds totalling circa 0.5cts, claw-set to an 18ct white gold shank with open shoulders

£100-200

633 A LARGE DIAMOND CLUSTER RING, the seven graduated round-cut diamonds totalling circa 1.35cts, collet-set in white gold to a heavy 18ct yellow gold shank

627 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut black sapphire claw-set and surrounded by a cluster border of round brilliant-cut diamonds totalling circa 1.5cts, in 18ct white gold, on an 18ct yellow gold shank with fleur de lis shoulders

£700-1400

632 A LARGE ALMANDINE GARNET DRESS RING, the central oval stone in a double four claw setting, to a rose metal shank, with chamfered shoulders

£300-600

623 A DIAMOND SOLITAIRE RING, the central old cushion-cut stone circa 0.65cts, claw-set on an 18ct yellow gold shank with open shoulders

£1200-1800

625 A FIVE STONE RUBY DRESS RING, the oval native-cut graduated rubies in an open claw setting to an unmarked white metal shank

630 AN OPAL AND DIAMOND CLUSTER RING, the central oval opal cabochon of green/orange colour, collet-set and surrounded by a cluster border of round old-cut diamonds, on an unmarked yellow gold shank with fleur de lis carved shoulders

616 AN EMERALD AND DIAMOND DRESS RING set to the centre in a row with two emerald-cut emeralds, collet-set and surrounded by millegrain border of old-cut diamonds, on an 18ct yellow gold shank

£400-800

621 A DIAMOND DRESS RING set with two graduated rows of old-cut diamonds, on an 18ct yellow gold shank with engraved shoulders and open claw framework

615 A SAPPHIRE, RUBY AND DIAMOND ETERNITY RING, the central band calibre-cut with half rubies and half sapphires, with two millegrain-set diamond hinged half loops, enabling the ring to be worn in six ways, set in chased white metal

£250-500

620 AN AQUAMARINE AND DIAMOND DRESS RING, the central oval-cut aquamarine in a four claw setting and flanked on the shoulders by a trapeze-cut diamond, each circa 0.07cts, with an 18ct white open scrolling setting and shank

614 AN OPAL DRESS RING, the two circular opal cabochons collet-set on a rose metal shank with twisted shoulders

£300-600

619 A BLACK OPAL AND DIAMOND DRESS RING, the large central oval opal in a four claw setting to an 18ct yellow gold shank claw-set with three round-cut diamonds to each shoulder

613 A THREE STONE DIAMOND DRESS RING, the three round-cut diamonds totalling circa 0.35cts, clawset in platinum on an 18ct yellow gold shank with rubover diamond-set twisted shoulders

£80-160

631 A THREE ROW DIAMOND HALF ETERNITY BAND, the three tension-set rows of graduated round brilliant-cut diamonds, in an 18ct yellow gold setting

624 A DIAMOND HALF ETERNITY BAND rub-over set with seven round-cut diamonds, totalling circa 0.5cts, on an 18ct white gold shank

£900-1800

646 A DIAMOND DRESS RING set overall with nine graduated brilliant-cut diamonds totalling circa 1.03cts, forming a stylised cross, on an 18ct white gold shank

639 A DIAMOND SOLITAIRE DRESS RING claw-set to the centre with an old cushion-cut diamond circa 1.5cts, on an 18ct yellow gold shank with open claw setting and shoulders

£1000-2000

640 AN AQUAMARINE AND DIAMOND DRESS RING, the oval-cut aquamarine hexagonally-set and surrounded by a millegrain-set border of brilliant-cut diamonds, to a chunky 18ct white gold shank

£850-1250

Lot 684

£1500-3000

£300-600

Lot 680

650 A FULL SAPPHIRE ETERNITY RING set overall with princess-cut sapphires in an unmarked white metal band

£500-1000

644 A YELLOW DIAMOND-SET DRESS RING claw-set to the centre with an oval-cut yellow diamond and surrounded by a halo border of round brilliant-cut diamonds, on an 18ct white gold shank

£300-600

651 A SAPPHIRE AND DIAMOND COCKTAIL RING claw-set to the centre with an emerald-cut dark blue sapphire, on an 18ct white gold shank, the twisted shoulders claw-set overall with graduated calibre-cut diamonds

£250-500

645 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire in a raised claw setting and surrounded by a border of eight round brilliant-cut diamonds totalling circa 0.4cts, on an 18ct yellow gold shank with open shoulders and claw-work

£300-600

649 A DIAMOND DRESS RING set overall with twelve old-cut diamonds rub-over set to form a rectangle and totalling 0.6cts, on an unmarked yellow gold shank with white gold tipped shoulders

£1000-2000

Lot 677

648 A DIAMOND SOLITAIRE RING, the central round old-cut stone circa 1.5cts in a raised platinum coronet claw setting, to an 18ct yellow gold shank with open shoulders

£450-850

643 A DIAMOND AND TOURMALINE DRESS RING, the 18ct white gold chunky shank pave-set overall with graduated round brilliant-cut diamonds and horizontally claw-set to the centre with an oval purple/pink tourmaline

642 BOODLES: A DIAMOND COCKTAIL RING formed from five graduated pave-set rows of round brilliant-cut diamonds, on an unmarked yellow gold shank

This ring is accompanied by two HKD Diamond Laboratory Canada certificates stating the central stone to be 0.13cts, VS2 in clarity and G in colour. A further certificate states the surrounding stones to be SI in clarity and H/I in colour.

647 A VICTORIAN FIVE STONE DIAMOND RING set with five graduated old cushion-cut stones totalling circa 0.7cts, the 18ct yellow gold shank with loop claw framework

£800-1600

641 AN ART DECO STYLE HALF ETERNITY BAND rub-over set in graduated squares with round brilliant-cut diamonds totalling circa 0.6cts, in 18ct white gold

Lot 674

Lot 642

£300-600

652 A DIAMOND SOLITAIRE GYPSYSTYLE RING rub-over claw-set to the centre with a round brilliant-cut diamond circa 0.85cts, on an 18ct gold shank with open shoulders

£300-600

£800-1600

661 A SAPPHIRE AND DIAMOND CLUSTER RING set to the centre with a large round-cut sapphire, in a raised claw setting and surrounded by a diamond-set leafshaped border creating a flowerhead design, on an 18ct yellow gold shank with open shoulders

653 A FIVE STONE DIAMOND RING, the five graduated round-cut diamonds totalling circa 1.3cts, in a raised open claw setting to an 18ct white gold shank with open shoulders

£1100-1500

654 A FIVE STONE DIAMOND DRESS RING, the five graduated old-cut stones claw-set in yellow gold to an unmarked yellow gold shank with open shoulders

£100-200

£950-1250

£400-800

£100-200

Lot 663 Lot 686

£500-1000 Lot 692

667 A DIAMOND-SET DRESS RING pave-set within a band to the centre with 18 round brilliant-cut diamonds, on a chunky 18ct yellow gold rope-twist shank

£400-800

£150-300

Lot 694

668 AN EDWARDIAN STYLE DIAMOND DRESS RING collet-set to the centre with a line of three old-cut diamonds totalling circa 0.6cts and surrounded by borders of further graduated diamonds forming a lozenge design, on an 18ct white gold shank

660 A FIVE STONE DIAMOND RING, the five graduated round brilliant-cut diamonds totalling circa 1.4cts, collet-set in 18ct white gold to a white gold shank

£1000-2000

666 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire claw-set to the centre and surrounded by two rows of graduated brilliant-cut diamonds forming a snowflake design, on an 18ct white gold shank with open shoulders and framework

659 A DOUBLE DIAMOND CLUSTER DRESS RING claw-set to the centre with two diamond flowerhead clusters at an angle, on a 9ct yellow gold shank with rubover diamond-set twisted shoulders

£1400-1800

665 A DIAMOND SOLITAIRE RING, set with an old-cut diamond circa. 0.25cts to an 18ct yellow gold shank with open shoulders

658 A SAPPHIRE AND DIAMOND DRESS RING set with two princess-cut blue sapphires at an angle and surrounded by a border of rose-cut diamonds forming a double rub-over design in platinum, on an 18ct yellow gold shank

Lot 695

£250-500

664 A YELLOW GOLD GYPSY RING rub-over set to the centre with three graduated old-cut diamonds totalling circa 1.1cts

£80-160

657 AN ART DECO STYLE DRESS RING collet-set to the centre with a round-cut diamond circa 0.4cts and surrounded by an octagonal halo border of further round-cut diamonds, on an 18ct white gold shank with open shoulders, each set with two baguette-cut diamonds intersecting the main design

Lot 693

663 A 1950’S STYLE EMERALD, RUBY AND DIAMOND DRESS RING of double lobed design, each lobe set with a cabochon emerald or ruby, and pave-set overall with graduated brilliant-cut diamonds, in an unmarked yellow gold shank

£100-200

656 A DIAMOND CLUSTER RING claw-set to the centre with a round-cut diamond circa 0.2cts, raised above a rub-over border of eight round oldcut diamonds, on an indistinctly marked white gold shank with open shoulders

£400-800

662 A TWO STONE DIAMOND RING, the two old-cut diamonds each circa 0.4cts, in a raised claw setting to an 18ct yellow gold shank with twisted shoulders

655 A RUBY COCKTAIL RING pave-set to the centre with a band of eighteen round-cut rubies, on an unmarked yellow gold rope-twist shank

Lot 688

£1300-1600

Lot 687

£950-1250 95

676 A DIAMOND-SET DRESS RING collet-set to the centre with two round old-cut diamonds, each circa 0.2cts, in an unmarked white metal shank, the twisted shoulders each set with three rose-cut diamonds

669 A FOUR STONE DIAMOND DRESS RING claw-set in platinum with four round-cut diamonds totalling circa 0.8cts, on an 18ct yellow gold shank with open shoulders

£300-600

677 A FIVE STONE DIAMOND DRESS RING, the five graduated round-cut diamonds totalling circa 1.9cts, in a scroll claw setting to an 18ct white gold shank

670 A WHITE METAL WIREWORK BAND set to the centre with a baguette-cut and two trapeze-cut diamonds

£100-200

£1500-3000

£2000-4000

£1300-1600

674 A DIAMOND CLUSTER RING claw-set to the centre with a round old-cut diamond circa 0.6cts and surrounded by a rub-over border of seven further round old-cut diamonds totalling circa 2cts, on an unmarked yellow gold shank with fleur de lis open shoulders

£2500-3000

681 AN 18CT YELLOW GOLD GENTLEMAN’S SIGNET RING, the seal embossed with a bird monogram, circa 8.1grams

£1000-2000

£100-200

682 A DIAMOND-SET DRESS RING formed from graduated rub-over diamond-set rows of round brilliant-cut diamonds, on an 18ct white gold shank

675 A GUCCI STYLE DIAMOND DRESS RING pave-set overall with graduated brilliant-cut diamonds forming an open loop and clip design, on an 18ct white gold shank

£300-600

680 A LARGE TANZANITE AND DIAMOND CLUSTER RING collet-set to the centre with a cushion-cut tanzanite and surrounded by a cluster border of round brilliant-cut diamonds totalling circa 1.4cts, on an 18ct white gold shank with open shoulders

673 A TANZANITE AND DIAMOND CLUSTER RING, the oval tanzanite collet-set and surrounded by a border of twelve round brilliant-cut diamonds totalling circa 1.15cts, on an 18ct white gold shank with open shoulders

£500-1000

679 A THREE STONE DIAMOND DRESS RING claw-set to the centre with a round-cut diamond, circa 0.85cts and flanked on either side by a further round-cut diamond, each circa 0.33cts, on a platinum shank with twisted shoulders

672 AN ART DECO SAPPHIRE AND DIAMOND DRESS RING calibre-cut to the centre with seven blue sapphires of good saturation and surrounded by a rub-over border of rosecut diamonds, on an unmarked white metal shank with open framework

£2000-4000

678 A PINK SAPPHIRE AND DIAMOND DRESS RING, the central cushion-cut pink sapphire claw-set and flanked on either side by rows of graduated round brilliant-cut diamonds, on an 18ct white gold shank

671 A THREE STONE DIAMOND DRESS RING, the three graduated round-cut diamonds totalling circa 1.5cts, in an 18ct scrolling white gold setting to an 18ct yellow gold shank with open shoulders

£300-600

£800-1600

£400-800

£1000-2000

£600-1200

693 CHARLES DE TEMPLE: AN 18CT BI-COLOURED GOLD RING of textured interlinking branch form and claw-set to the centre with a round old-cut diamond, circa 0.5cts and further set overall with two round-cut diamonds, each circa 0.07cts, another 0.25cts and two white pearls

£1200-1800

687 A 1950’S AQUAMARINE AND RUBY COCKTAIL RING, the large emerald-cut aquamarine claw-set horizontally and flanked on either side by a vertical row of five princess-cut rubies, on an unmarked yellow gold shank with a large pierced scrolling setting, the shoulder scrolls set with bands of rose-cut diamonds

£250-500

692 A 1960’S 18CT YELLOW GOLD DRESS RING of domed form with textured leaves and claw-set sporadically with eight round brilliant-cut diamonds, the shank stamped with makers mark HJ Co.

686 A 1950’S STYLE CORAL AND DIAMOND COCKTAIL RING, the marquise-shaped coral cabochon intersected by a yellow gold and diamond trellis design and surrounded by twelve round brilliant-cut diamonds, each bead-set to form a scalloped edge, on an 18ct yellow gold shank

£200-400

691 AN 18CT YELLOW GOLD AND DIAMOND DRESS RING, the two ends of the shank split into eight ribbons, each terminating in a collet-set round brilliant-cut diamond

685 A TWO STONE DIAMOND DRESS RING, the two round-cut diamonds each circa 0.6cts, claw-set vertically to a platinum shank, the open shoulders tapered and rub-over set with three graduated old-cut diamonds each

£100-200

690 A 1960’S 18CT YELLOW GOLD DRESS RING of raised open-work form, the texture imitating coral and claw-set at various levels with ten round brilliant-cut diamonds to form a linear design

£500-1000

684 A GREEN TOURMALINE AND DIAMOND CLUSTER DRESS RING claw-set to the centre with an oval-cut tourmaline of bright green colour and surrounded by a cluster border of fourteen round old-cut diamonds, on an 18ct yellow gold shank with open fleur de lis shoulders, in the fitted box for Liberty

£1000-2000

694 CHRISTOPHER NIGEL LAWRENCE: A CITRINE COCKTAIL RING set to the centre with a large round faceted citrine surrounded by a planished gold hexagonal border supporting a coronet frame, on an 18ct yellow gold shank

£500-1000

£800-1600 695 ANDREW GRIMA: AN AMETHYST AND DIAMOND COCKTAIL RING set to the centre with a large faceted cushion-cut amethyst of good colour, in a chunky 18ct yellow gold linear textured mount, the four claws interspersed with five round brilliant-cut diamonds, totalling circa 0.35cts, the shank fully marked

688 A SAPPHIRE, DIAMOND AND OPAL COCKTAIL RING, the large oval opal collet-set in a 14ct yellow gold shank, each shoulder vertically set with an oval-cut sapphire and two clusters of four round brilliant-cut diamonds

689 A 1960’S WHITE GOLD TEXTURED DRESS RING, the centre formed from textured interlinking sticks, the shank with bark texture, (c.10.8 grams)

683 A STAR RUBY AND DIAMOND DRESS RING, the dark purple/red cabochon ruby claw-set and showing asterism and surrounded by a border of sixteen round brilliant-cut diamonds, on an unmarked yellow metal shank with open shoulders, in the original fitted Liberty box

£850-1250

£2500-5000

702 AN UNMARKED YELLOW GOLD BANGLE of compressed form, set to the centre at an angle with a round-cut sapphire and flanked on either side by a roundcut diamond, each circa 0.1cts, the concealed clasp with safety chain

696 A 19TH CENTURY ROSE-CUT DIAMOND DRESS RING, the five graduated rose-cut diamonds in a heavy claw setting to an unmarked yellow gold shank with leaf-reeded shoulders, in a fitted Bakelite box

£800-1600

697 A GEORGE III DIAMOND DRESS RING claw-set in silver to the centre with a rose-cut pear-shaped diamond and further set overall in open scrolls with graduated rose-cut diamonds, the unmarked yellow gold fish-scale shank with shaped open scroll shoulders

£400-800

£800-1600

£1400-1800

£300-600

Lot 835 Lot 789

706 A PAIR OF 19TH CENTURY GILT METAL DROP EARRINGS set overall with almandine garnets against a textured ground, a 19th century pair of citrine drop earrings and a further garnet and seed pearl pair of ear studs (3 pairs)

£600-1200

£500-1000

Lot 699 Lot 698

£150-300

708 AN 18CT YELLOW GOLD BAR BROOCH modelled in relief in the form of a rose with leaves, the centre of the rose set with a round-cut sapphire, the reverse with hallmarks and bar brooch fitment with safety catch, (c.8.6 grams all in)

Lot 697

£100-200

707 A DIAMOND-SET BAR BROOCH, the unmarked white metal knife bar set to the centre with an old-cut diamond cluster flowerhead design, the reverse with safety catch, in a fitted case for Mallet of Bath

701 A SILVER MERCHANT’S RING, the circular seal engraved with leaves, pyramids and a spray within a rope-twist border, the shank with reeded edges, (c.20.1 grams), probably 16th century

Lot 787

£50-100

705 A DIAMOND AND ENAMEL BUTTON BROOCH set to the centre with a graduated cluster of old-cut diamonds forming a flowerhead design surrounded by a guilloche red enamel border and further surrounded by a white enamel border with the motto “Aujourd hui et Toujours”, the yellow metal reverse with brooch fitment, in a fitted case for Heming & Co., Conduit Street, London

700 A REGENCY MOURNING RING of navette-form enamelled in royal blue and white with gilt highlights and set to the centre in relief with an enamelled trophy bearing a tear-drop shaped cut crystal, the yellow gold enclosed back inscribed “General Sir Rt. Honble Sir WM Fawcet K.B. OBT 22 March 1802 76”, the shoulders of the shank with leaf engraving

£50-100

704 AN 18CT YELLOW GOLD OVAL PIERCED BROOCH enamelled in green with motto “For home and country” , with a red enamelled Tudor rose and maple leaf

699 A GEORGE III DIAMOND CLUSTER RING set to the centre in silver with a circular rose-cut diamond and surrounded by a further halo border of rose-cut diamonds, the yellow metal shank with engraved floral design overall, closed back setting

£150-300

703 A PAIR OF VICTORIAN GILT METAL ETRUSCAN REVIVAL EARRINGS of target form and set with seed pearls, amongst bead and scroll decoration, each with tassel fringes and fish-hook attachments

698 AN EARLY GEORGE III ROSE-CUT DIAMOND CLUSTER RING set to the centre in silver with a rose-cut diamond and surrounded by a further rose-cut diamond cluster border, the unmarked yellow metal shank with engraved open leaf-scroll shoulders, all in a closed back setting

Lot 701

Lot 700

£100-200 99

715 AN EARLY 20TH CENTURY BAR BROOCH set overall with graduated seed pearls forming a ribbon tie, with the initials “AN” in blue enamel and suspending an enamelled relief model of a ladies shoe, the reverse with brooch fitment

709 A FRENCH ENAMELLED AND DIAMOND-SET BUTTON BROOCH set to the centre with graduated rose-cut diamonds forming a flowerhead design, against a turquoise guilloche enamel ground surrounded by a white enamelled border with the text “Aujourd hui et Toujours”, the yellow metal reverse with brooch fitment

A larger version in a different colourway can be seen in lot 705

716 A VICTORIAN GILT METAL BROOCH AND EARRING SUITE stylised as vine leaves, the grapes as blue glass beads. Comprising brooch and a pair of clip ear studs. (2)

£150-300

710 A VICTORIAN 15CT YELLOW GOLD CAMEO BROOCH set to the centre with a circular green and cream glass cameo portrait of a woman with curly hair, surrounded by a gold bead loop border and a further pearl-set border, the reverse with loop for safety chain and pin fitment

£400-800

£100-200

£150-300

£800-1600

720 AN EARLY 20TH CENTURY OVAL SHELL CAMEO depicting a side portrait profile of a maiden with flowers in her hair, in a 9ct brooch mount with rope-twist border and safety chain

£100-200

714 AN 18CT YELLOW GOLD BROOCH in the form of a blossoming prunus branch, the flowerhead set with cabochon turquoise, the reverse hallmarked with brooch fitment and safety catch, (c.17.2grams all in)

£350-650

719 A DIAMOND-SET BAR BROOCH rub-over set overall with thirteen graduated old-cut diamonds forming a linear bar and totalling circa 1.5cts, in a white metal setting with bar brooch fitment and safety catch

713 AN AMETHYST PENDANT, the large cushion-cut amethyst in a heavy four claw setting and surrounded by an open loop textured 9ct gold border, on an unmarked yellow metal chain, 24”, and a seed pearl and peridot Edwardian pendant (2)

£200-400

718 A VICTORIAN ONYX BROOCH, the oval white onyx ground set to the centre with a ruby and surrounded by eight rose-cut diamonds forming a star design, the unmarked yellow metal frame with four scroll points, the reverse with bar brooch fitment

712 A NATURAL PEARL NECKLACE, the graduated beads knotted and ranging from 2mm - 4mm, with an unmarked white metal navette-shaped diamond-set clasp, with safety chain, 19”

£50-100

717 A PAIR OF OPAL EAR STUDS, each oval opal cabochon claw-set in 18ct yellow gold with 18ct yellow gold screw fitments, in a fitted case

711 AN EARLY 20TH CENTURY OVAL SHELL CAMEO depicting Leda and the Swan, in an unmarked yellow metal brooch frame with rope-twist border, and safety chain

£100-200

£50-100

721 A PAIR OF VICTORIAN MOURNING EAR STUDS, each in the form of a knotted serpent with plaited hairwork panels and ruby cabochon eyes, the reverse with later screwback fitments, in a fitted case

£200-400

£100-200

£400-800

723 AN OPAL-SET BAR BROOCH, the oval black opal cabochon collet-set on a 9ct yellow gold safety pin brooch, in a fitted case for Harris, Brook Street, Hanover Square.

£50-100

724 A 15CT YELLOW GOLD CURB-LINK BRACELET with a central coral, turquoise and seed pearl cipher, the concealed clasp with safety catch, c.17 grams (all in)

£150-300

£300-600

£100-200

735 A PAIR OF VICTORIAN CABOCHON GARNET AND DIAMOND CLUSTER EARRINGS, the cabochon garnets in a closed back setting and surrounded by a rose-cut diamond border forming an oval design and with 9ct yellow gold screw backs, and another similar pair (2)

728 A VICTORIAN 15CT GOLD BANGLE of open reeded form, set with a circular banded agate surrounded by a seed pearl border and mounted in gold with rose-cut diamonds and seed pearls with the initials “RM”, the concealed clasp with safety chain, the reverse with locket aperture

£800-1600

734 AN ART NOUVEAU CARVED RESIN PENDANT in the form of a carnation spray, suspending a pink swirl glass elongated bead, mounted on a cream cord with pink, black and green glass bead spacers, 38”

727 A 9CT YELLOW GOLD FINE BELCHER LINK CHAIN interspersed with seed pearl and coiled sections, (c.5.5 grams all in), 20” long

£80-160

733 A NATURAL SEED PEARL AND TURQUOISE GARLAND NECKLACE, the seventeen rows of white seed pearls interspersed with turquoise and pearl cabochons, cross-shaped displays and terminating in a cabochon turquoise and seed pearl flowerhead cluster, set in unmarked pierced yellow metal, 18”

726 A TIGERS CLAW BROOCH in an unmarked yellow metal and floral engraved mount, the reverse with white metal bar brooch fitment

£250-500

732 A BROOCH in the form of a beetle, the body and head carved from three sections of a pink transparent material, possibly glass, the body set in unmarked yellow metal, with bar brooch fitment,

725 AN ENAMELLED TUDOR ROSE BROOCH claw-set to the centre with a rose-cut diamond, circa 0.4cts and surrounded by fronds of white, red and green enamel, the yellow metal reverse with bar brooch fitment

£150-300

731 A BLACK OPAL FIVE STONE DRESS RING, the five cabochon opals claw-set to an 18ct yellow gold shank, and a pair of ear studs ensuite (2)

£150-300

729 A PAIR OF LARGE HALF-PEARL EARSTUDS, in a coronet claw setting, the unmarked yellow metal mount with clip backs

100

730 A CHINESE SILVER FILIGREE BROOCH of curved rectangular form, enamelled overall in turquoise with butterflies and flowerheads and set to the centre with a cabochon rose quartz carved with an ox, the reverse with further filigree work and a bar brooch fitment

722 A PEARL AND DIAMOND-SET BANGLE, the unmarked yellow metal bangle rub-over set to the top with graduated rose-cut diamonds and pearls, the lower hinged section open, the concealed clasp with safety chain

£150-300

736 A DIAMOND-SET NOVELTY BROOCH modelled in the form of a chimpanzee hanging from a branch, the chimpanzee set in silver and pave-set with diamonds overall, the reverse with brooch fitment, in unmarked yellow metal

£350-650

101

£200-400

743 A SAPPHIRE AND DIAMOND CHILDS CHRISTENING BAR BROOCH, millegrain set to the centre with a small old-cut diamond and surrounded by a border of round sapphires forming a flowerhead design, the unmarked yellow metal bar brooch enamelled in white to the top section, the reverse with bar brooch fitment, in a fitted case for Heming & Co. London

737 A YELLOW METAL FILIGREE BROOCH in the form of a peacock, the fan of tail feathers set with various coloured gem stones including amethyst and emerald (foiled), the reverse with circular aperture and a gilt metal amethyst set seal (2)

£100-200

738 A TURQUOISE AND DIAMOND BAR BROOCH, the cabochon oval turquoise set to form an apple, the stem mounted with a claw-set old-cut diamond, circa 0.2cts, on a 9ct yellow gold bar brooch

744 A FINE SEED PEARL NECKLACE, the two rows of 1mm seed pearls joined by a blue and white guilloche enamelled clasp, 16”

£80-160

£300-600

746 A LARGE OPAL AND DIAMOND-SET PENDANT, the oval opal of green/blue tone in a heavy claw setting, the unmarked yellow metal reverse with pierced Maltese cross decoration, the pendant hanger claw-set with a round brilliant-cut diamond, circa 0.2cts

£100-200

741 A CIRCULAR BROOCH painted with a portrait of a woman in 18th century dress, surrounded by a rose-cut diamond border, in a French marked gold mount, and a turquoise and pearl pendant enclosing photo locket back (2)

£500-1000

747 A DIAMOND-SET CROSS PENDANT claw-set overall in 18ct yellow gold with sixteen round brilliant-cut diamonds, each circa 0.07cts, the reverse with dimple decoration

£60-120

£400-800

748 A SAPPHIRE AND SEED PEARL BAR BROOCH, the three collet-set pale blue sapphires interlinked by two rows of three pearls and surrounded by a halo border, in 15ct yellow gold, the bar brooch in 9ct yellow gold

742 AN UNMARKED YELLOW METAL FINE BELCHER-LINK CHAIN set with pearls and blue and burgundy enamelled links overall, 33” long, and a shorter version with lobster clasp, 20” (2)

£250-500 Lot 940

740 AN EDWARDIAN PERIDOT AND DIAMOND BAR BROOCH set to the centre with an oval-cut peridot and at either end with a round-cut peridot with pearl and rose-cut diamond leaf spacers between, on an unmarked yellow metal bar brooch in a fitted case, for Braybrooke of Dorchester.

£150-300

745 A CHARLES II STYLE PENDANT NECKLACE, the pendant formed from a cluster of rose-cut blackened diamonds, with three pearl drops and a pierced pomander bead, in unmarked yellow metal, possibly early 18th century, the later trace chain interspersed with seed pearls, 16”

739 A SAPPHIRE AND DIAMOND LINE BRACELET the central nine links, each set with oval-cut blue sapphires and groups of two round-cut diamonds, the remaining links formed as open square, the concealed clasp with safety chain, in unmarked yellow metal

£100-200

£150-300

102

£80-150

Lot 754

Lot 762 Lot 763

103

754 A LARGE VICTORIAN BROOCH PENDANT, the two sections with die-cast scrolls, the looped centre sections set with graduated emerald-cut emeralds and rose-cut diamonds, the reverse with locket aperture and bar brooch fitment, the second section with hook detaching it from the first and enabling it to be worn as a pendant

749 A PAIR OF AQUAMARINE DIAMOND AND PINK SAPPHIRE TRAIN EARRINGS set with three graduated kite-shaped aquamarines, the lowest drops surrounded by a cluster border of round brilliant-cut diamonds, with claw-set round-cut pink sapphires between each aquamarine and terminating in a cushion-cut aquamarine with 14ct white gold stud fitments

£800-1600

755 A PAIR OF ART DECO STYLE DIAMOND-SET DROP EARRINGS of tapering form and pave-set overall with graduated round brilliant-cut diamonds, each with a marquiseshaped diamond drop, the unmarked white metal studs each terminating in a round brilliant-cut diamond

750 A BLACK OPAL PENDANT the large flat oval opal of green/blue tone, claw-set and surrounded by an open border of round rose-cut diamonds and round demantoid garnets, the pendant hanger set with three rose-cut diamonds, all in unmarked white metal

£250-500

£500-1000

£400-800

753 A MOONSTONE BRACELET, the nine hinged links set with graduated oval opal cabochons and terminating each side in six leaf-shaped links, set in unmarked yellow metal

£600-1200

757 A PAIR OF MOONSTONE SAPPHIRE AND DIAMOND TRAIN EARRINGS formed from three oval moonstone cabochons claw-set and spaced with two oval claw-set sapphires, the last drop surrounded by a cluster border of round brilliant-cut diamonds, with 14ct white gold ear stud fitments

752 A DIAMOND AND PEARL CRESCENT BROOCH, one row formed from graduated rose-cut diamonds, the other of cream coloured graduated pearls, in a rub-over yellow metal setting, the reverse with brooch fitment

£550-850

756 AN EMERALD AND DIAMOND DRESS RING, the 18ct yellow gold curved shank tension-set with three graduated rows of round brilliant-cut diamonds and four graduated rows of calibre-cut emeralds, in a rub-over setting, and a pair of matched half-hoop ear studs in 18ct yellow gold (2)

751 FABERGE: A RUBY AND DIAMOND MALTESE CROSS STYLE PENDANT, the four terminals set with quatrefoil clusters of round-cut rubies, the centre with a quatrefoil cluster of four round brilliant-cut diamonds and set in 18ct yellow gold, the reverse stamped “Fabergé 17th/500”

£500-1000

£800-1600

758 A VICTORIAN BROOCH in the form of a buckled loop, enamelled overall in royal blue with Greek key gold motifs, the unmarked yellow metal reverse with blonde hairwork aperture, in a fitted case

£400-800

£100-200

Lot 764 104

105

763 A VICTORIAN ETRUSCAN REVIVAL YELLOW METAL SNAKE LINK NECKLACE intersecting and terminating in fringes at either end and suspending in between a blue and white enamel and gilt fret locket, one side with an aperture featuring a bunch of hair tied with rose-cut diamonds to imitate a sheaf of wheat, the reverse with a plaited hairwork aperture enclosed by white and blue enamel borders, 16”

759 AN AMETHYST AND SEED PEARL PENDANT set to the centre with a round-cut amethyst and surrounded by various graduated seed pearl borders forming a flowerhead cluster design, and suspended on an unmarked yellow metal belcher-link chain with seed pearls interspersed, in a fitted case, 19” long

£300-600

760 A 19TH CENTURY GARNET RIVIERE NECKLACE, each link comprising rose-cut garnets to form flowerhead clusters, with further flowerhead cluster drops, apparently unmarked but closed backed in white metal, probably silver, and a bangle ensuite (2)

764 AN EARLY 19TH CENTURY YELLOW METAL GARLAND STYLE NECKLACE, each curved elongated reeded link with leaf engraving and interspersed with floral engraved cartouche links set with oval cabochon turquoise and seed pearls, terminating in an engraved cross detachable pendant, with heart-shaped turquoise cabochon terminals, in the original fitted case, 16”, possibly French, circa 1830

£150-300

761 AN ONYX AND SEED PEARL CAMEO PENDANT, the oval black onyx with white carving of a cherub dancing, surrounded by a plain seed pearl border and an open scroll border, set with seed pearls top and bottom, with a triple seed pearl surmount, in unmarked yellow metal, the reverse with photo aperture and bar brooch fitment, in a fitted case

£1500-3000

765 AN EARLY 19TH CENTURY AMETHYST PARURE comprising a riviere-style necklace with nine oval graduated amethysts with granulated borders and mesh work, a pair of pear-drop earrings and a cross pendant ensuite, with a later 15ct yellow gold chain, 18”, and a matched seed pearl and amethyst cluster brooch with safety chain, in the original fitted case

£1000-2000

762 A VICTORIAN GARNET AND DIAMOND BROOCH PENDANT, the unmarked yellow metal open scrolling rosette engraved with flowers and leaves and set to the centre with six lobed garnet cabochons with a rose-cut diamond star to the centre and suspending a further gilt scrolling and carved garnet pendant, the reverse with aperture, bar brooch fitment and hook for detaching, in a fitted case

£800-1600

£3000-6000

£500-1000

Lot 765 106

107

769 A DIAMOND AND SAPPHIRE BROOCH set with three round and oval-cut sapphires and surrounded by a rub-over border of rose-cut diamonds forming a shamrock design, in a case for Ogden & Sons Ltd.

766 A SECTION OF AN INTAGLIO TIARA set with five carved hardstone intaglio portraits of Roman emperors (two detached) in coral, malachite and cornelian and mounted on various borders including scrolling reeded and engraved, in yellow metal, probably late 18th century.

Provenance: Diamantina Roma and Sir George Bowen, Lady Joyce Gascoigne and thence by descent.

Sir George Bowen was Governor of various British colonies during the 19th century including New Zealand, Mauritius and Hong Kong, his wife Diamantina’s brother Denis Roma (1825-1868) married a sister of Prince Bishop Danilo 1st of Montenegro. His granddaughter became Queen Elena of Italy. It is thought that the Bowens stayed with the King and Queen of Italy in Rome while on a Grand Tour and it is possible they acquired this coronet or tiara at this stage.

770 A 19TH CENTURY MICRO-MOSAIC PANEL, the coloured tesserae forming a floral design against a black onyx ground, within a yellow metal frame with scrolling decoration to the sides, the reverse with blue silk backing, possibly a brooch or buckle at one time

£750-950

£300-600

772 STEWART DEVLIN: AN 18CT YELLOW GOLD “PEOPLE” BRACELET, the seven links each cast with groups of figures and children, with concealed clasp, (c.36.6grams)

768 A LATE 19TH CENTURY OVAL SHELL CAMEO depicting Leda and the Swan, in a plain rolled gilt metal brooch frame

£400-800

771 A 15CT YELLOW GOLD 1960’S BROOCH formed from blocks of rectangles and hexagons, and scattered with six claw-set round brilliant-cut diamonds and an oval green hardstone cabochon to the centre, the reverse with bar brooch fitment and makers mark RV?

767 A PAIR OF 19TH CENTURY PASTE EARRINGS in the form of dragonflies, comprising clear paste wings, green paste bodies and a red paste head, the enclosed backs with fish hook attachments

£100-200

£150-300

£2500-3000

Lot 766 108

109

779 A PAIR OF EMERALD AND DIAMOND CLUSTER EAR STUDS, each claw-set to the centre with a cabochon emerald and surrounded by a gold-set diamond pave border, the 9ct yellow gold backs with stud fitments

773 ANDREW GRIMA: A PAIR OF YELLOW METAL SATINISED WIREWORK CLUSTER EAR STUDS, each set with three graduated round brilliant-cut diamonds to the centre, the reverse stamped “Grima”

£300-600

£100-200

This necklace was featured on page 15 of the October 1996 Harpers and Queen magazine, a copy of which accompanies this lot.

£250-500

£1000-2000

Lot 791

£400-800

784 A PAIR OF EMERALD AND DIAMOND CLUSTER EAR STUDS, each set to the centre with a round brilliant-cut diamond circa 0.15cts and surrounded by a cluster border of six round-cut emeralds forming a flowerhead design, set in unmarked white metal.

£800-1600

778 AN 18CT WHITE GOLD RAF SWEETHEARTS BROOCH, the wing design pave-set with diamonds, with green and red enamelling to the central wreath, the reverse stamped 18ct, with bar brooch fitment

Lot 774

£800-1600

783 A DIAMOND CRESCENT BROOCH set overall with three graduated rows of old-cut diamonds, the largest single stone circa 0.33cts and set in silver on gold, the reverse with bar brooch fitment and screw hole for a further attachment

777 A 19TH CENTURY UNMARKED YELLOW METAL PENDANT in the form of a book engraved overall with panels of foliage and scrolls and opening to reveal six hinged panels, each with two oval photo apertures, with a fret-work locking clasp and pendant loop

£500-1000

782 A RUBY, EMERALD AND DIAMOND BAR BROOCH, the large cabochon emerald and ruby, each surrounded by a border of rose-cut diamonds forming a double target design, the unmarked yellow metal reverse with bar brooch fitment and curb-link safety chain

776 CARTIER: A RED, BLACK AND GOLD ENAMELLED LADYBIRD PIN, the reverse inscribed “Cartier B56700” and further stamped “Cartier 1990”, the reverse in 18ct yellow gold with safety stud and fitted case

£100-200

781 AN ART DECO DIAMOND BAR BROOCH of rectangular open-work form rub-over set overall with graduated round-cut diamonds in unmarked white metal, the reverse with brooch fitment

775 JINKS MCGRATH: A SILVER AND ENAMEL NECKLACE, the necklace formed from circular silver buttons with rope-twist edges and suspending an orange enamelled heart locket pendant, the concealed clasp with makers marks and hallmarks, in the original box with receipt dated 1993.

Lot 773

780 MILITARY INTEREST: A PAVE DIAMOND-SET BROOCH for the Royal Artillery with enamelled motto “Ubique”, on an unmarked yellow gold bar brooch

774 UNI ANDERSSON: A 1960’S SILVER AND QUARTZ BROOCH comprising intersecting lines of silver with cylindrical tube terminals and set with a princess-cut clear quartz, in the original Tadema Gallery retailer’s box.

£300-600

£150-300

£100-200 Lot 771 Lot 772

110

111

788 AN EDWARDIAN DIAMOND AND PEARL OPEN-WORK BROOCH PENDANT mounted to the centre with a large white pearl and surrounded by circular wreath borders and ribbon-swag borders of graduated millegrain-set diamonds and four smaller pearls with a diamond and pearl drop, and set in unmarked white metal, the reverse with double hooks to hang as a pendant and a bar brooch fitment with safety catch

785 A SAPPHIRE AND DIAMOND CUFF BRACELET formed from a row of forty seven round brilliant-cut diamonds, each circa 0.1cts, and tension-set within square claws and flanked on either side by a row of round-cut claw-set sapphires, the concealed clasp with safety catch, all set in 18ct white gold

£4000-8000

786 AN EDWARDIAN DIAMOND CLUSTER PENDANT, the cluster set to the centre with a round old-cut diamond circa 0.25cts and surrounded by a millegrain-set rub-over border of further round old-cut diamonds suspended from a double rectangular metalwork chain, with four graduated rose-cut diamond spacers, on an unmarked white metal trace-link chain with safety chain, 19”

789 A 19TH CENTURY DIAMOND PENDANT pave-set overall with graduated rose-cut diamonds to form a ribbon tie, with a larger pear-drop shaped diamond drop, circa 0.5cts, and set in yellow and white metal, the reverse with pendant hooks suspending an unmarked white metal trace chain, 18”

£200-400

787 AN EARLY 19TH CENTURY ROSECUT DIAMOND-SET BROOCH in silver on gold, and set overall with graduated rose-cut diamonds forming an open ribbon-swag design with a pendant drop, in a closed back setting, the reverse with bar brooch fitment and detachable drop

£1500-3000

£1600-1800

790 A NATURAL SEED PEARL NECKLACE suspending fifteen graduated oval-cut citrines to form a garland, with a 9ct gold pip-shaped clasp, 16”

£800-1600

£250-500

Lot 785 112

113

798 A MOONSTONE GARLAND NECKLACE, the unmarked yellow metal fancy curb-link chain suspending various graduated collet-set round and oval moonstone cabochons, 19” long

791 A 1960’S AMETHYST PENDANT, the circular-cut amethyst suspended in an open yellow metal spoked wheel with chased edges and set to the rim with various round-cut gemstones including emerald, moonstone and sapphire, on a 9ct yellow gold curb link chain, 21”

£100-200

799 A DIAMOND SOLITAIRE PENDANT, the pear-drop shaped diamond circa 1.8cts, collet-set and suspended from a white metal chain with triple diamondset clasp, 22” long

792 A SILVER-SET AMETHYST RIVIERE NECKLACE formed from twenty eight oval-cut amethysts colletset in a chased silver setting, the concealed clasp with continental marks, 16”

£50-100

£1500-3000

£550-1000

£50-100

£1000-2000

Lot 788

£300-600

804 A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS, the oval-cut sapphires claw-set and surrounded by a spaced border of eight individual claw-set diamonds, mounted in 14ct yellow gold

797 AN ART DECO STYLE JADE AND DIAMOND PENDANT, the rectangular carved green jade pendant with a millegrain diamond-set pendant mount on an unmarked white metal trace-link chain, 20” long

Lot 799

803 A DIAMOND BROOCH in the form of a landing dove pave-set overall with rosecut diamonds and a ruby eye, the yellow metal reverse with bar brooch fitment

796 A MOONSTONE GARLAND NECKLACE, each link claw-set overall with round and oval graduated moonstones, terminating in a moonstone and pale pink stone, possibly tourmaline, fringe, and set in unmarked white metal, 18” long

Lot 829

£300-600

802 A PAIR OF WHITE METAL-SET WHITE OPAL DROP EARRINGS with fish-hook attachments and a similar platinum and 15ct gold pearl-set pair of drop earrings modelled as grapevines (2)

£100-200

795 A TRILOGY DIAMOND PENDANT, the 18ct white gold trace-link chain suspending three graduated round brilliant-cut diamonds, totalling circa 0.8cts, 16”

£300-600

801 A PAIR OF PEARL AND DIAMOND EAR STUDS, the large white pearl surmounted by a round brilliant-cut collet-set diamond, each circa 0.15cts, in 18ct white gold mounts with stud fitments

794 AN EDWARDIAN SEED PEARL AND DIAMOND BROOCH PENDANT of crescent and star-form set overall with graduated pearls and claw-set to the centre with a round old-cut diamond, in unmarked yellow metal setting, the reverse with bar brooch and pendant hook, suspended on a 9ct yellow gold trace-link chain, 20”

Lot 834 Lot 832

According to a previous insurance document, the estimated colour of the diamond is J and the clarity SI2

800 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EARRINGS, the central pale blue oval-cut sapphire claw-set and surrounded by a border of rose-cut diamonds, the reverse set in unmarked white metal with screw fitments

793 AN 18CT WHITE GOLD AND DIAMOND PENDANT, the white gold trace chain terminating in a “Y”- shaped train set with ten collet-set graduated round brilliant-cut diamonds totalling circa 2.25cts, 18”

£500-1000

Lot 820 Lot 831

£100-200

£400-800 114

115

810 A DIAMOND CLUSTER BROOCH set to the centre with a round old-cut diamond circa 0.65cts and surrounded by two graduated borders of further old-cut diamonds, forming a target design, the reverse in yellow metal with bar brooch fitment with hinged pendant loop

805 A PAIR OF DIAMOND-SET EARSTUDS, tension-set overall with graduated round brilliant-cut diamonds forming a ribbon loop design, in unmarked white metal, probably white gold

£300-600

806 A PAIR OF DIAMOND SOLITAIRE EARSTUDS, each round old-cut diamond circa 0.65cts, in a coronet claw setting to unmarked white metal stud fitments

£600-1200

£400-800

£2500-3000

813 A PAIR OF AMETHYST AND YELLOW SAPPHIRE STUD EARRINGS claw-set to the centre with a round-cut amethyst and surrounded by a cluster border of smaller round-cut clawset yellow sapphires, in a 14ct white gold open framed setting with stud fitments

£600-1200

809 A PAIR OF AQUAMARINE EDWARDIAN STYLE EAR STUDS set to the centre with a round-cut square-cut aquamarine enclosed within a millegrain-set diamond border, with 18ct white gold stud fitments

Lot 852

£500-1000

812 CARTIER: AN UNMARKED YELLOW GOLD BROOCH PENDANT in the form of a rectangular parcel, the edges engraved with letters and numbers, the front engraved with a snowflake and rub-over set to the centre with a round brilliant-cut diamond, with a raised relief diamond-set snowflake comprising graduated round brilliant and baguette-cut diamonds, the reverse with hinged pendant loop and folding double brooch pin with safety barrel stamped twice Cartier (c.28.7grams)

808 A PAIR OF DIAMOND AND SAPPHIRE CLUSTER EAR STUDS rub-over set to the centre with a round-cut sapphire and surrounded by a border of eight round-cut diamonds totalling circa 0.8cts, in 18ct yellow gold stud fitments

£300-600

811 A PAIR OF DIAMOND EAR STUDS, each round brilliant-cut diamond circa 0.3cts collet-set in 18ct white gold

807 A PAIR OF DIAMOND-SET EARRINGS millegrain-set overall with diamonds in a scroll form and further set with two round-cut claw-set stones, in unmarked white metal, the reverse with fish hook attachments

Lot 812

Lot 853

£400-800

£500-1000

Lot 830

Lot 776

116

117

820 A PAIR OF LATE EDWARDIAN STYLE EMERALD, SEED PEARL AND DIAMOND DROP EARRINGS, the graduated millegrain-set train suspending an oval shaped display of graduated round old-cut diamonds millegrain set and surrounded by two demi-lune borders of seed pearls collet-set to the centre with an emerald-cut emerald, all in unmarked white metal, probably platinum

814 A DIAMOND STAR BROOCH PENDANT, rub-over set to the centre with a round brilliant-cut diamond circa 0.5cts and surrounded by various graduated round brilliant-cut diamonds forming the rays of the star and set in 18ct white gold, the reverse with curved brooch fitment and pendant hook (total carat weight circa 3.5cts)circa 1962

£4000-8000

815 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EAR STUDS rub-over set to the centre with a round-cut sapphire and surrounded by a border of eight round-cut diamonds forming a cluster flowerhead design and set in 18ct yellow gold with stud fitments

821 A PAIR OF LARGE AMETHYST AND DIAMOND DROP EARRINGS, the stud set with three marquise-cut amethysts forming a fleur de lis and suspending three graduated round-cut amethysts, with quatrefoil and trefoil diamond spacers, the largest amethyst surrounded by a claw-set border of round-cut diamonds, all in 14ct white gold with stud fitments

£400-800

816 A PAIR OF PINK TOURMALINE DIAMOND AND BLUE GLASS CHAIN EARRINGS, the train set with three graduated collet-set diamonds interspersed with round blue glass beads and one pink tourmaline bead suspending a briolette-cut tourmaline and set in unmarked white metal with fish-hook attachments

£250-500

£450-850

£800-1600

£500-1000

825 GARRARD & CO. LTD: A FOUR ROW CULTURED WHITE PEARL CHOKER NECKLACE, the rows conjoined by a 9ct yellow gold oval clasp paveset to the centre with a cluster of round-cut diamonds and surrounded by a pearl border, 16” long, in a fitted case for Garrard

£600-1200

118

Lot 814

£800-1600

824 A VICTORIAN DIAMOND STAR PENDANT AND CHAIN, the unmarked white metal figaro and curb-link chain set with collet-set and square-set links of round old-cut diamonds and suspending two pendants, the first a clawset round old-cut diamond circa 0.5cts, the second a graduated old-cut diamond star, the central stone circa 0.25 cts, the reverse of each with pendant hooks and one with bar brooch fitment, 24”, in a fitted Carrington & Co. case

819 A PAIR OF EDWARDIAN STYLE DIAMOND EAR STUDS, each set to the centre with a round old-cut diamond circa 0.2cts and surrounded by a shaped metal-work border of further round old-cut diamonds, in an unmarked yellow metal setting

£500-1000

823 A PINK STONE BANGLE, the yellow metal mount pave-set overall with round-cut pink stones, possibly rubillite, the concealed clasp with double safety catch

818 A PLATINUM AND DIAMOND BRACELET, each link collet-set overall with a small round brilliant-cut diamond or a baguette-cut diamond, total carat weight circa 1.22cts

£800-1600

822 A PAIR OF EDWARDIAN STYLE SAPPHIRE AND DIAMOND EAR STUDS claw-set to the centre with a cushion-cut sapphire and surrounded by a millegrain-set diamond border forming a stylised cluster design, in an 18ct white gold setting with stud fitments

817 A PAIR OF DIAMOND STUD EARRINGS, each claw-set with a round brilliant-cut diamond circa 0.3cts in 18ct white gold with stud fitments

£3000-6000

£500-1000

826 A SAPPHIRE AND DIAMOND BAR BROOCH, set to the centre with a cushion-cut sapphire of pale blue colour and surrounded by a border of ten round old-cut diamonds each c.0.1cts forming a cluster design, the bar further set with four round old-cut diamonds, each c.0.1cts, in a red fabric pouch for Cartier

This brooch is accompanied by the original purchase receipt from Cartier in 1968

£800-1600

828 A PAIR OF 18CT WHITE GOLD CHAIN EARRINGS, ensuite with the previous lot and set with seven round brilliant-cut diamonds, with safety catch stud fitments, in the original fitted box

829 A PAIR OF DIAMOND CLUSTER EAR CLIPS, each set to the centre with a round brilliant-cut diamond, c.0.5cts and surrounded by a cluster border of eight round brilliant-cut diamonds totalling c.1.2cts in 18ct white gold fittings

827 AN 18CT WHITE GOLD NECKLACE formed from rectangular knife-edge links and splitting into two entwined tails set with graduated round brilliant-cut diamonds totalling c.0.75cts, the concealed clasp with safety catch, 20”, in a fitted case for Franses Bournemouth

£800-1600

£1200-1800 119

£1500-3000

834 A PAIR OF DIAMOND SOLITAIRE EARRINGS, each radiant-cut princess style diamond in a four claw setting to an 18ct white gold stud fitment, total carat weight c.3.27cts

830 CARTIER: A CASED SET OF CUFF LINKS AND DRESS STUDS, each set with a black onyx disc, collet-set to the centre with a round-cut diamond and surrounded by a millegrain set border of rose-cut diamonds and backed in unmarked yellow gold. Comprising; cuff links, stamped Cartier, NY and seven graduated dress studs

£1500-3000

835 AN EARLY 19TH CENTURY DOUBLE CLUSTER DIAMOND PENDANT, set to the centre with an old cushion-cut diamond, surrounded by a cluster ball of rose-cut diamonds and suspending a large pear-drop shaped diamond and surrounded by a border of rose-cut diamonds, the reverse in yellow metal with hooks allowing the wearer to detach each section on an unmarked white metal chase link chain, 18”, in a fitted case

831 A PAIR OF DIAMOND DROP EARRINGS, each formed from a round-cut diamond, c.0.4cts, clawset and suspending a baguette-cut diamond link and terminating in a large pear drop shaped old-cut diamond, each c.1.25cts, in unmarked white metal, probably platinum, with 9ct white gold screw-back fitments

£2000-4000

832 A BELLE ÉPOQUE STAR SAPPHIRE AND DIAMOND TARGET BROOCH, set to the centre with a cabochon pale blue sapphire showing good asterism, surrounded by a millegrain rubover set border of round old-cut diamonds and enclosed within an open stylised circular sunburst frame, set overall with graduated old-cut diamonds, in unmarked white metal, the reverse with brooch fitment and safety catch, in a fitted case for Heming & Co

£3000-6000

836 A DIAMOND AND PEARL-SET BROOCH, in the form of an open coronet in unmarked yellow metal and suspended on an unmarked yellow metal snake-link torque necklace, 14” (probably 18ct yellow gold)

£1000-2000

837 AN 18CT WHITE GOLD NECKLACE, formed from rectangular links and interspersed with five square-set links tension-set with a round brilliant-cut diamond, each c.0.07cts, the concealed clasp with safety catch, 14”

£2000-4000

833 AN 18CT YELLOW GOLD NECKLACE, each link of lobed oval form, five links pave-set with bands of round brilliant-cut diamonds, the concealed clasp with safety catch, 14”, circa .67.4gms (all in), in a fitted case for Franses Bournemouth

An insurance valuation for the earrings suggests the colour of each stone is G and the clarity is VS1

£400-800

838 AN EDWARDIAN SEED PEARL SAUTOIR, formed from seven intertwined rows of natural seed pearls, terminating in rose-cut diamond, ruby and sapphire petal-shaped cups, suspending conforming tassels, set in yellow gold, 48”

£1500-3000

£1000-2000

Lot 838 120

121

839 AN EARLY 20TH CENTURY DIAMOND CUFF BRACELET, each elongated rectangular link pierced with a kite design and set overall with millegrain-set old-cut diamonds, every other link collet-set to the centre with a round-cut diamond, in unmarked white metal with chased edges the concealed clasp with safety chain and double catch, total carat weight c.10.5cts

ÂŁ5000-10000

LOTS 840-842 SPARE LOTS

Lot 839 122

123

850 AN 18CT YELLOW GOLD BROOCH, modelled as a bunch of textured leaves intertwined with white gold diamond-set bands and leaves, the reverse with white gold brooch fitment and safety catch

843 AN EDWARDIAN DIAMOND BAR BROOCH, millegrain-set overall with old-cut diamond flowerhead clusters, leaves and a central collet-set diamond, in unmarked white metal to an unmarked yellow metal brooch fitment, with safety catch and chain, in a fitted case

851 A 14CT YELLOW GOLD WIREWORK CHAIN, collet-set overall with graduated semi-precious stones including amethyst, peridot, garnet and tourmaline, 22”

£300-600

844 A DIAMOND AND SAPPHIRE CROSS PENDANT, the centre of the cross claw-set with an oval cut sapphire, the remainder of the cross formed from seven round collet-set brilliant-cut diamonds, each c.0.1cts, set in unmarked white metal

852 CARTIER: A YELLOW GOLD BROOCH in the form of an openwork leaf, the stem set with graduated round brilliant-cut diamonds and terminating in a collet-set marquise-set diamond, the leaf set with a coral diamond and enamel ladybird, the reverse with hinged brooch fitment with Continental hallmarks and inscribed “Cartier, Paris”

£500-1000

£2000-4000

£300-600

847 AN UNMARKED YELLOW BLOOMED METAL LOCKET, set to the front with a coral and seed pearl star with a further coral cabochon border, the hinged opening revealing two apertures for photographs in a fitted case for Catchpole & Williams, Oxford Street

£100-200

£800-1600

855 A 9CT YELLOW GOLD WIDE CUFF GATELINK BRACELET, with a 9ct yellow gold heart-shaped padlock clasp and safety chain, c.51.9gms

£150-300

£500-1000

856 A 15CT YELLOW GOLD BANGLE, inscribed to the centre “E C 9.19.1890”, the concealed clasp with safety chain and a child’s bangle, set with turquoise and seed pearls, c.8.5gms (all in) (2)

849 AN AMETHYST AND 9CT YELLOW GOLD NECKLACE, the fine trace link chain collet-set with six oval amethyst cabochons, forming a drop design, 18” long

£800-1600

854 A 15CT YELLOW GOLD CURB LINK BRACELET, each link hallmarked and set with twelve cast gilt metal animal charms and a further name tag charm with a 9ct yellow gold heart-shaped padlock clasp with safety chain, c.57.1gms (all in)

848 A PAIR OF “SAPPHIRE” AND DIAMOND EARSTUDS, claw-set to the centre with a round-cut “sapphire” and surrounded by a claw-set border of four rosecut diamonds, forming a quatrefoil design and set in unmarked yellow metal with fish hook attachments, in the original fitted case

£1500-3000

853 A PAIR OF CARTIER YELLOW GOLD HALF BARREL-SHAPED CUFFLINKS, with black linear enamel decoration, intersected by a band of rose-cut diamonds with white metal conjoining chains, the reverse of each inscribed “Cartier, Paris” c.26.9gms (all in)

846 A PAIR OF 19TH CENTURY ENAMELLED CUFF LINKS, modelled in the form of skulls with rose-cut diamond eyes, the reverse closed back setting in gilt metal

£250-500

£120-180

£50-100

866 A 9CT YELLOW GOLD FANCY LINK ALBERT CHAIN, interspersed with chased spherical beads with a “T”-bar and suspending a silver engraved vesta, 16½”

£800-1600

867 A 9CT YELLOW GOLD BRACELET formed from six belcher link rows, each hallmarked, terminating in bars with a lobster clasp and safety chain, c. 25gms

£600-1200

£300-600

869 A 9CT YELLOW GOLD FLAT CURB LINK NECKLACE, with carbineer clasp, 20”, c.14.8gms

£500-1000

£100-200

870 A 9CT HOLLOW YELLOW GOLD ROPE-TWIST NECKLACE, 20”, c.9.8gms

£70-140

871 A 14CT YELLOW GOLD TEXTURED LINK BRACELET, the concealed clasp with safety catch and chain, c.46.4gms

£500-1000

863 AN 18CT WHITE GOLD FANCY CURB LINK CHAIN with flattened clasp, 16” long, c.47.8gms

£800-1600

862 AN 18CT YELLOW GOLD CURB LINK ALBERT CHAIN, one end with a lobster clasp, the other with a jump ring, some links hallmarked , 16”, c.32gms

£200-400

868 A CONTINENTAL YELLOW AND WHITE METAL INTERWOVEN MESH BRACELET, the concealed clasp with safety chain, possibly platinum and yellow gold

861 A 9CT GOLD FANCY FILIGREE BRACELET, set with thirteen 9ct yellow gold and other charms including an 1895 Sovereign, the lobster clasp with safety chain, c.71.2gms all in

£200-400

860 A 9CT YELLOW GOLD DOUBLE CURB LINK BRACELET, set with seventeen 9ct yellow gold and other charms including a bloodstone seal and a Dachshund, the 9ct yellow gold padlock heart clasp with safety chain, c.57.2gms (all in)

£500-1000

859 A 14CT YELLOW GOLD OPEN RECTANGULAR LINK BRACELET, set with eighteen 9ct gold and other charms, including a pave pearl-set heart charm, c.77.2gms (all in)

£700-1400

872 AN 18CT YELLOW AND WHITE GOLD ROPE-TWIST NECKLACE, the concealed clasp with safety catch, 15”, c.62gms

£800-1600

864 AN 18CT YELLOW GOLD CURB LINK BRACELET set with twenty four 9ct yellow gold and other charms, including a parrot in a cage and an enamelled lucky bean, the 9ct yellow gold heart padlock clasp in addition to a concealed clasp, with nine further loose charms, c.114.5gms all in

124

£400-800

858 AN EARLY 19TH CENTURY YELLOW METAL BELCHER LINK BRACELET with conical concealed clasp and safety chain and suspended with two circular engraved lockets and a heartshaped locket

845 A FINE PLATINUM CHAIN set overall with collet-set links of round brilliant-cut diamonds and square-set links of round brilliant-cut diamonds, 18” long

£100-200

865 AN 18CT YELLOW GOLD ELONGATED CURB LINK BRACELET, mounted with an 1864 French 20 Franc coin and a 1909 full sovereign, with a gilt metal granulated turquoise-set barrel clasp, c.33.7gms (all in)

857 A 9CT YELLOW GOLD FANCY GUARD CHAIN with spiral twist links and lobster clasp, 56” long, c.36.8gms

£900-1800 125

£1000-2000

881 A 9CT YELLOW GOLD BOX LINK CHAIN, suspending a 9ct yellow gold cross pendant, 24” long, c.13.3gms

873 A 15CT YELLOW GOLD CURB LINK BRACELET, the concealed clasp with safety chain and suspending eight 9ct yellow gold and other charms, including an engraved teapot seal, c.35.8gms (all in)

£200-400

882 A 9CT YELLOW GOLD AND GILT ALBERT CHAIN, each link marked and lobster clasp at either end, 16” long, c.29.6gms

874 A GENTLEMAN’S 18CT YELLOW GOLD COURT FIT WEDDING BAND, a 22ct yellow gold wedding band and an 18ct seal ring, c.19.6gms (all in)

£150-300

£200-400

£400-800

£100-200

£150-300

£600-1200

£250-500

888 A VICTORIAN GILT METAL COLLAR NECKLACE, each link engraved with flowers with ball and loop decoration, 14”

880 A 9CT YELLOW GOLD BELCHER LINK CHAIN, with jump ring clasp, 27” long, c.24.8gms

£300-600

887 A 9CT ROSE GOLD FANCY ALBERT LINK CHAIN, with “T” bar and lobster clasp, 16” long, c.30.2gms

879 AN 18CT YELLOW GOLD FANCY “S” TWIST CURB LINK NECKLACE, the rolled gold clasp with safety chain, 31”, c.32.2gms (all in)

£100-200

886 A 9CT ROSE GOLD ALBERT LINK CHAIN, each link graduated and hallmarked, with “T” bar and lobster clasp, 24”, c.34.9gms

878 AN 18CT YELLOW GOLD FANCY TWIST LINK BRACELET, with carabineer clasp, c.7.9gms

£100-200

885 AN UNMARKED YELLOW METAL LOCKET with engraved floral decoration overall, the front clawset with a garnet amongst a royal blue enamel band and suspended on a yellow metal chain, 22”

877 A 9CT YELLOW GOLD CURB LINK BRACELET, the heart padlock clasp engraved D E W, suspending three 9ct gold and other charms including a lucky bean, c.19.2gms (all in)

£200-400

884 AN UNMARKED YELLOW METAL TRIPLE FINE BELCHER LINK CHAIN, interspersed with cut glass and opal beads, 16” long

876 A 9CT ROSE GOLD CURB LINK BRACELET uspending eleven various 9ct gold and other charms including a pig, jump ring clasp with safety chain and another plain curb link bracelet (2) c.46.9gms (all in)

£250-500

883 A 9CT YELLOW GOLD DOUBLE BELCHER LINK NECKLACE, each link hallmarked and joined with a jump ring clasp and safety chain, 18” long, c.25.3gms

875 A CAST YELLOW METAL ALBERT CHAIN with oval open filigree work links and suspending three charms including a Five Franc 1859 coin, 12” long

£100-200

£200-400

126

£150-300

897 A 9CT YELLOW GOLD BLACK ENAMELLED MOURNING BROOCH, with pearl-set twist, two yellow metal charms and a quantity of scrap gold (a lot)

889 A 9CT YELLOW GOLD FANCY CURB LINK BRACELET, with 9ct yellow gold heart with safety chain, suspending nine 9ct yellow gold and other charms including a Poodle and carriage c. 47gms (all in)

£450-850

898 A CITRINE AND SEED PEARL TARGET BROOCH set in yellow metal, a garnet set bar brooch and a ruby and diamond set bar brooch (3)

890 A 9CT YELLOW GOLD INGOT PENDANT, c.30.9gms

£250-500

892 A PAIR OF 9CT YELLOW GOLD OVAL CUFFLINKS, set in relief in white gold with a horse’s head, apparently by Rosemary Heatherington, c.17.3gms (all in),

£150-300

£200-300

£150-300

£100-200

903 A CASED SET OF 18CT WHITE GOLD DRESS STUDS, set with a square-cut sapphire to the centre of an octagonal mother-of-pearl panel, in a fitted case for Goldsmith’s & Silversmith’s Co and a further set of silver and mother-of-pearl rhodium plated cufflinks and studs (2)

£50-100

896 A PAIR OF 18CT YELLOW GOLD AND PLATINUM BUTTONS, in onyx with chased borders and set to the centre with a rose-cut diamond and a pair of enamelled Canadian flag cufflinks (a lot)

£150-300

902 A PAIR OF 9CT YELLOW GOLD OVAL CUFFLINKS, engraved with a monogram and initials and an 18ct yellow gold cross pendant with engraved inscription, c.12.9gms (all in) (2).

895 A PAIR OF 15CT YELLOW GOLD OVAL CUFFLINKS, engraved with leaf borders, c.4.5gms

£500-1000

901 A YELLOW GOLD STICK-PIN with detachable screw terminal, claw-set with a round oldcut diamond, with a further button fitment in a fitted case, an emerald and pearl stick-pin and an opal stick-pin (3)

894 A PAIR OF 18CT YELLOW GOLD OVAL CUFFLINKS, engraved with initials and a bird monogram, c.13gms and a pair of 9ct gold on silver oval engine-turned cufflinks (a lot)

£150-300

900 A 9CT YELLOW GOLD TRICOLOURED OPEN LINK BRACELET, the concealed clasp with safety catch and chain, a necklace and a pair of drop earrings ensuite, c.68.1gms (all in) (a lot)

893 A PAIR OF 18CT YELLOW GOLD OVAL CUFF LINKS with linear engine-turned decoration, c.10.8gms

£100-200

899 NINE VARIOUS STONE-SET COSTUME JEWELLERY RINGS, an 18ct yellow gold signet ring and a 22ct yellow gold wedding band (a lot)

891 A 9CT YELLOW GOLD ROPE-TWIST NECKLACE, 28” long, c.29.5gms

£150-300

£100-200

127

£80-160

911 A COLLECTION OF COSTUME JEWELLERY including an intaglio carved smoky quartz and 15ct yellow gold seal fob and a gold plated pocket watch ( a lot)

904 A COLLECTION OF GOLD AND YELLOW METAL EARRINGS, including a pair of Victorian seed pearl and crystal drop earrings, a pearl and turquoise gold plated gate link bracelet and a rolled gold bangle (a mixed lot)

£100-200

£200-400

£300-600

907 A PAIR OF BLOOMED YELLOW METAL AND TURQUOISE DROP EARRINGS, the drop comprising a pave-set turquoise oval with a rosecut diamond forming a star to the centre and a pair of brooches ensuite (4)

£150-300

£400-800

915 A SMALL COLLECTION OF SILVER AND OTHER STICK-PINS, including a coral branch example, a blister pearl example and a fluorite example, (19)

£100-200

916 A CASED SET OF SIX GILT METAL CIRCULAR DRESS STUDS, each transfer decorated with a portrait of a different dog in a fitted case for A P Roger Guernsey

£150-300

£100-200

917 A CIRCULAR SAPPHIRE AND DIAMOND CLUSTER RING, set in 18ct yellow gold and a pair of matching earstuds ensuite, set in 18ct white gold (2)

£1000-2000

910 A COLLECTION OF COSTUME JEWELLERY including faceted black bead necklace, a silver filigree cuff bracelet and a silver seal (a mixed lot)

This lot comes with the original Valuation for Insurance from 1974

909 AN 18CT YELLOW GOLD CHUNKY CURB PLAIT BRACELET, the concealed clasp stamped 750 with safety catch, c.74.8gms

914 EIGHT VARIOUS GOLD RINGS, 18ct, 9ct and 22ct, c.26.7gms (all in) and three other gold coloured items (a lot)

908 A 15CT YELLOW GOLD HEARTSHAPE PENDANT, with canetille and seed pearl decoration, a yellow metal locket and a quantity of other jewellery including marquisite and cultured pearls (a lot)

£50-100

913 A VICTORIAN LAVA CAMEO NECKLACE, set with seven oval coloured cameos depicting various Emperors and interlinked by two Continental 9ct yellow gold chains, terminating in a white lava cameo concealed clasp, 16”

906 A 15CT YELLOW GOLD OVAL LOCKET, set to the centre with a rose-cut diamond star-burst, on an 18ct gold plated curb link chain, 22”, a 9ct gold gatelink bracelet and other gold items (a lot)

£80-160

912 A 9CT YELLOW GOLD GATELINK BRACELET, a set of three 9ct yellow gold textured square cufflinks and other gold coloured items (a lot)

905 AN EDWARDIAN AMETHYST AND SEED PEARL PENDANT, the amethyst cut as a heart and surrounded by a seed pearl ribbon-tied swag border, and a pair pink stone and seed pearl drop earrings, each in a case (2)

£300-600

918 A 19TH CENTURY PASTE BROOCH, pierced to depict a cornucopia of flowers and set with clear, blue and red stones, probably paste, the reverse with double pin fitment, a Victorian five stone amethyst ring and an amethyst set brooch (3)

£80-160

128

926 A GRADUATED CULTURED PEARL NECKLACE, the smallest 6mm, the largest 9mm of creamy tone, knotted with a 9ct yellow gold lozenge-shaped garnet and pearl cluster clasp, 20”

919 A VICTORIAN YELLOW METAL STICK-PIN, the terminal formed from a blue enamel serpent with red enamelled eyes and enclosing an elongated opal, a similar black enamel serpent and a hair-work mourning pin and five others (a lot)

£100-200

927 A GRADUATED RED CORAL BRANCH NECKLACE, with an unmarked yellow metal cushion clasp, 18”

920 A PAIR OF PEARL AND CLEAR PASTE CLUSTER EARSTUDS, a silver gilt and cubic zirconia pair of earstuds and two similar rings (a lot)

£50-100

£150-300

£80-160

£100-200

£100-200 932 A CHANEL STYLE MULTI-STRAND WHITE CULTURED PEARL AND ONYX NECKLACE, with an Art Deco style silver clasp, 32”

£70-140

£150-300 933 AN EARLY 20TH CENTURY TOOLED LEATHER TRAVELLING JEWELLERY CASE, each of the three shelves lined in black plush, with fitted compartments for necklaces, watches and bracelets etc, with polished brass Bramah lock, 19½” wide

925 A LAPIS LAZULI BEAD NECKLACE, each lapis bead, circa 2cms dia., knotted, with a 14ct yellow and white gold spherical basket clasp, 16”

£800-1600

931 A CULTURED WHITE PEARL AND AMETHYST SAUTOIR STYLE NECKLACE, 32”

924 A RECONSTITUTED GRADUATED AMBER BEAD NECKLACE, 16” long and a carved black bead graduated necklace, possibly Jet, 28” (2)

£80-160

930 A LARGE PRECIOUS STONE MULTISTRAND CHUNKY NECKLACE, featuring citrine, aquamarine and tourmaline with a 14ct yellow gold ball clasp

923 A LARGE COLLECTION OF VICTORIAN AND LATER GEM-SET STICK PINS, including an opal twist pin, a gilt and turquoise pin, citrine pin and various coral and other hardstone pins (a collection)

£80-160

929 TWO ROWS OF RED CORAL BRANCHES, one with yellow metal and one with white metal clasp, each 20” (2)

922 CATHERINE BEST: A CONTEMPORARY SILVER SNAKELINK TORQUE NECKLACE, with a treble cleft style pendant, 16”, in the original fitted case

£100-200

928 A JAPANESE BAROQUE WHITE PEARL NECKLACE, the pearls knotted with a lobed 9ct yellow gold clasp, 18”

921 AN EDWARDIAN YELLOW GOLD STICK-PIN, the terminal set with four oval cabochon opals of conforming quatrefoil design and seven other stick-pins including a coral-set example and a lava cameo example

£80-160

£600-1200

£80-160 129

£100-200

941 A 19TH CENTURY PINK STONE DRESS RING, the cushion-cut pink stone in a shaped collet setting, to a continental yellow gold shank with chased twist knot shoulders

934 AN EMERALD AND OPAL BROOCH, set to the centre with an elongated oval opal cabochon and surrounded by a rub-over border of graduated native cut emeralds, in unmarked yellow metal, the reverse with brooch fitment and safety chain

£200-400

935 A PEARL NECKLACE, set with 10 gold spacers beads and suspending a sapphire and diamond cluster pendant, the 18ct reeded ball claps with safety chain, 16”

£200-400

£150-300

£300-600

£500-1000

£6000-12,000

946 A DIAMOND-SET BROOCH PENDANT, of open work from claw-set to the centre with a round old-cut diamond, circa 0.33cts, and surrounded by radiating borders of further round old-cut claw-set and round old-cut collet-set diamonds forming an open sunburnt design, in unmarked white metal, the reverse with detachable bar brooch fitment and diamond-set pendant hanger.

£300-600

940 AN 18TH CENTURY HEART SHAPED PENDANT, set to the centre with a clear glass aperture in the form of a witches heart and surrounded by a silver and rose-cut diamond open foliage border, in a closed back gilt metal setting

£500-1000

945 AN ART DECO BROOCH PENDANT, of open geometric design millegrain-set and collet-set overall with round-cut diamonds and panels of triangular or kite-shaped black onyx, total diamond weight circa 10cts, in unmarked white metal, the reverse with brooch fitment and clips to detach the lower drop section of the brooch from the main section, apparently unmarked, 5½” long

939 A PORTRAIT MINIATURE BROOCH, of oval form and painted with a side profile portrait of a woman in a feathered hat, enclosed in a cast gilt metal scrolling frame collet-set with emeralds, seed pearls and foiled red stones, the reverse in a closed back setting with brooch fitment, probably 18th century

£400-800

944 A 9CT YELLOW GOLD CURB LINK BRACELET, the heart-shaped padlock safety clasp with safety chain and suspending two charms, one of a ram, and a quantity of further gold and yellow metal jewellery (116grams all in)

938 ANDREW GRIMA: A quartz and gold necklace, the yellow gold torque stamped GRIMA and suspending a white quartz crystal cluster in a three claw framework, further marked to the reverse, in the original leather pouch

£500-1000

943 A RUBY & DIAMOND DRESS RING, the central oval-cut ruby of pink colour, claw-set and surrounded by a rub-over set border of diamonds, in platinum to an 18ct yellow gold shank

937 ANDREW GRIMA: An 18ct yellow gold pendant, modelled as a circular cluster of textured petals and claw set with a small diamond, the reverse hallmarked, on a yellow gold trace chain, 17”, in the original leather pouch

£80-160

942 A 1900 $20 COIN, mounted in a hallmarked 9ct yellow gold open loopwork frame as a pendant

936 ANDREW GRIMA: A pair of 18ct yellow gold rock work ear studs, each of textured ball form and rubover set to the centre with a small diamond, the backs stamped ‘GRIMA’, in the original fitted box

Lot 945

£500-1000

947 A 19TH CENTURY AMETHYST INTAGLIO BROOCH, the elongated oval amethyst carved in relief with the face of a maiden and set in an 18ct yellow gold rope-twist and bead decorated frame, the reverse with brooch fitment

£2000-3000

130

£200-400 131

FRIDAY 2ND DECEMBER: 1PM

948 A DIAMOND AND DEMANTOID GARNET BROOCH PENDANT, of open-work from set to the centre with a white pearl, with five radiating graduated old-cut diamond-set petals and enclosed within a demantoid garnet rub-over set wreath, with three graduated diamond-set tassel drops, the reverse with detachable bar brooch fitment and hinged pendand hanger, in the original case for Bright & Sons, Scarborough

BOXES, CADDIES AND OBJETS D'ART ANTIQUITIES AND ETHNOGRAPHICA

£1500-3000

949 A GOLD PENDANT, modelled as an octopus srt with rubies and a diamond, and mounted with a Philip II 2 Reales coin from the wreck Atocha, on a 14ct gold rope twist chain, 10¾" long

METALWORK AND SCULPTURE CLOCKS AND SCIENTIFIC INSTRUMENTS

£500-1000

RUGS AND CARPETS

950-999 Spare lots

END OF FIRST DAYS SALE

132

133

BOXES, CADDIES AND OBJETS D'ART 1204 A VICTORIAN COROMANDEL CASED GAMES COMPENDIUM, the interior fitted with chess, draughts, backgammon, cribbage and various other games, 13” wide

1200 A 19TH CENTURY FRENCH WALNUT AND BRASS BOUND JEWELLERY BOX, the rectangular top with elaborate pierced and engraved strap hinges, the interior fitted with four gilt decorated bottles, a gilt-mounted tray and a flush fitting drawer, 10¼” wide

1205 A WALNUT STAFF with a terminal carved with the head of St. Christopher, with polychrome decoration, possibly late 17th century. See illustration

£150-300

1201 NICOLE FRERES: A 19TH CENTURY CYLINDER MUSICAL BOX playing six airs, no. 3015, in a walnut case with scrolling satinwood inlay, 17¾” wide

£180-250

1207 A COLLECTION OF CREWEL WORK PANELS of a bird amongst foliage, bearing a label “Part of a Jacobean four-poster bed hanging which belonged to the Bryant Family of Hamm Manor in Wiltshire”

£200-400

1203 A REGENCY COROMANDEL SARCOPHAGUS-SHAPED TEA CADDY, the domed lid enclosing a vacant interior, on compressed bun feet, 14½” wide

£1500-3000

1206 AN EARLY VICTORIAN BEADWORK PANEL of a vase of flowers, in a maple frame, 30½” wide

£150-250

1202 A REGENCY TORTOISESHELL VENEERED TEA CADDY, the shaped top above a concave front, with a vacant interior, on ball feet, 7½” wide

£200-400

£100-200

£150-250

Lot 1205 134

135

1213 A PAIR OF DUTCH STYLE TURNED WOODEN CANDLESTICKS, with broad rims on heavy turned columns and bases, 10” high (2)

Provenance: Formerly from the collection of S.W. Wolsey

£150-300

1214 A HUNTING CORRESPONDENT’S “KIT BAG”, a collection of items belonging to Brigadier David Edelsten including: a black hunt coat with South Dorset buttons, a pair of cowboy’s leather chaps, two silver mounted hunting whips, a pair of boots and trees, a Victorian map showing the Meets in Dorset and other similar items (a lot) Lot 1208

£200-400

1215 PERCY MACQUOID: “A HISTORY OF ENGLISH FURNITURE”, London 1904 and similar volumes “The Age of Satinwood”, “The Age of Mahogany” and “The Age of Walnut” (4)

Lot 1220

£150-300 1219 JOHN PARKINSON: “PARADISY IN SOUL PARADISUS TERRESTRIS” faithfully reprinted from the edition of 1629, Methuen & Co., London 1904, in two volumes (2)

1216 ALBERT HARTSHORNE: “OLD ENGLISH GLASSES”, Edward Arnold, London 1897 1208 SOOTY: A HAND PUPPET used by Matthew Corbett during the Sooty Stageshow at Bloomsbury Theatre, “The House that Sooty Built” December 1997, together with a magic wand and other Sooty related items. See illustration

1210 TAXIDERMY: A PRESERVED GOLDEN EAGLE standing with wings folded on a naturalistic rocky outcrop, in a tall glazed oak display case, 43” high.

Sooty and this collection of items are being sold to benefit The Whizz Kidz Charity.

This item has been comfirmed as not requiring a DEFRA license

£500-1000

£300-500

1211 A QUEEN ANNE JAPANNED BOX, the domed lid decorated with a scene of oriental style buildings within a landscape, the interior fitted with a recessed drawer behind a sliding panel, with all over conforming decoration, 14½” wide

1209 A GEORGE III MINIATURE MAHOGANY CHEST OF DRAWERS retaining the original gilt brass button handles, with three bow front drawers on splayed bracket feet, 10” wide

£400-700

£50-100

1217 “THE LONDON CABINET MAKERS UNION BOOK OF PRICES” by a Committee of Masters and Journeymen, London, 1824, and four further volumes of furniture history (5)

1220 DR. THORNTON (1768-1837); “THE PONTIC RHODODENDRON”, 20½” x 15¾”, and eight similar prints (9). See illustration

£50-100

1218 JOHN HUTCHINS: “THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET”, printed by W. Bowyer & Jane Nichols, London 1774, in two volumes

136

£800-1500

1221 GUILLAUME DELISLE: “CARTE D’AFRIQUE ... PARIS ... 1720” A hand-coloured map, 19½” x 25”

£300-600

£100-200

1222-1224 Spare lots

£200-400

1212 A REGENCY ROSEWOOD SARCOPHAGUS-FORM TEA CADDY, the raised lid enclosing an interior with twin lidded tea compartments and a cut-glass sugar basin, the box with twin brass carrying handles, on turned feet, 14” wide

£200-400

£80-150 137

ANTIQUITIES AND ETHNOGRAPHICA 1232 A COLLECTION OF LATE ROMAN AND ISLAMIC GLASS including a pale green glass double balsarium, a small bowl with turned-over rim, 4½” wide, other similar vessels, and an archaic Chinese pottery figure (a lot)

1225 A GRECIAN TERRACOTTA VASE of squat rounded form with a flared rim and narrow neck, decorated with winged birds amongst flowerheads, 4¼” high and three similar vessels (4)

£300-500

1226 A SMALL COLLECTION OF EARLY COINS AND CARVED GEMS including a small coin with the head of Aphrodite to one side and a horse to the other, possibly Corinth, circa 400BC-300BC, and others similar (a lot)

£200-400

£50-100

1234 A ROMAN STYLE VASE formed of coloured striated stone on a similar base, 6½”

£100-200

1228 A COLLECTION OF ANTIQUITIES including a number of erotic artefacts, carved heads, cameos and other items (a lot)

Provenance: Walter Constant Esq., head of the Ottoman Bank in Egypt in the late 1940s, & thence by descent.

1233 AN ABORIGINAL BOOMERANG of gently curved form, with incised decoration, 30” long, a similar throwing stick, a carved figure of a man on horseback, a similar lidded vessel, 12” high, and other similar items (a lot)

£80-150

1227 ETHNOGRAPHICA: A TRIBAL MASK with a four peaked head, scrolling horns and phallic nose, decorated with cowrie shells and grass “hair”, 30½” high

£80-150

£100-200

1229 A “BENIN” TYPE CARVED TUSK decorated with figures holding knives and other items, between bands of geometric carving, 23”

£500-1000

1230 A WESTERN QUEENSLAND NONRETURNING BOOMERANG, possibly Mulga wood, the surface probably worked with a stone tula adze, possibly pre-contact circa 1880., 31” See illustration

£400-800

1231 A WESTERN AUSTRALIAN NARROW SHIELD carved to the front in low relief with emus and kangaroos amongst foliage, the reverse with a shallow handle and further carving, 24½”

£200-400

Lot 1230 138

139

MEDALS AND MILITARIA 1238 A PRESENTATION SWORD, the blade with an inscription “Presented to Gentleman Cadet Joseph J. Curling on obtaining his commission from the Royal Military Academy, December 1864 for his exemplary conduct while at the Institution”, the sword by Henry Wilkinson, Pall Mall, London, numbered 13522, with shagreen handle and service scabbard, together with a further sword, the blade elaborately decorated and marked “Royal Artillery J. Curling” by Henry Wilkinson, Pall Mall, London, numbered 37431, with service scabbard and polished scabbard, and a matching belt. See illustration

1235 A GROUP OF SEVEN SECOND WORLD WAR MEDALS including a Military Medal to Corporal J. Holmes, 7th Queens Hussars, no. 4862714, and a paybook, photographs and other ephemera

£600-800

1235A. AN EGYPT MEDAL 1882-89 awarded to Captain J.H. Hussey for the Dragoon Guards with Tel-El-Kebir bar, a Khedive’s Star, a Turkish Order of the Medjidie and other items (a lot) £100-200 1236 A SMALL FLINTLOCK PISTOL, the mechanism engraved “Archer, London” with a walnut stock engraved with initials “HC”, 7½”

1239 A FIRST WORLD WAR PAIR awarded to Sister Z.B. Douet, and a Territorial medal for Voluntary Services Overseas 1914-19, and a Royal Red Cross medal Second Class, and a collection of associated documentation (a lot)

£200-400

1237 A SHORT BARREL FLINTLOCK PISTOL, the mechanism engraved “D. Egg, London” with engraved handle and barrel, 4¾” long

£500-800

£300-500

£200-400

Lot 1238 140

141

A PRIVATE COLLECTION OF SCULPTURE 1246 A NORTH EUROPEAN BRONZE BUST OF A GENTLEMAN wearing a full bottomed wig and an order around his neck, 8¼” high, and another of Prince Rupert wearing a lace collar, on a shaped socle inscribed “Rupert”, 7½” high (2)

1240 HENRY WEEKES: A WHITE MARBLE BUST OF A YOUNG MAN, his hair parted on the side, the reverse inscribed “H. Weekes. SC 1847”, on a circular socle, 26¼” high See illustration

£300-600

1241 W. BEHNES: A WHITE MARBLE PORTRAIT BUST OF A LADY wearing an empire-line dress, her hair in ringlets, the reverse of the bust inscribed “W. Behnes Sculp. London 1829”, on a circular socle, 25½” high See illustration

1247 A BRONZE BUST OF POPE PIOUS IX inscribed “Pio IX”, on a circular socle, 5¾” high, and two bronze portrait busts on a similar scale (3)

£400-700

£200-400

£100-200

£80-150

1250 A BRONZE "ASKOS" of classical form, the gadrooned rim with recumbent goats, 8” high

£150-300

1244 A NORTH EUROPEAN MARBLE FIGURE OF CHRIST standing with his left hand raised to his chest, on a rectangular base with canted corners at the front, 16¼” high

Lot 1240

1249 A NORTH EUROPEAN BRONZE OF A TOAD, 5¼” high, and another of a toad with a snake, 7¼” high (2)

1243 FRENCH SCHOOL, circa 1900: A WHITE MARBLE PORTRAIT BUST OF A WOMAN with bare shoulders, her head turned to sinister, with gilded highlights, on a rouge marble base, 13½” high See illustration

£80-160

1248 A NORTH EUROPEAN BRONZE BUST of a child, with head turned to dexter, 8” high, a bronze bust of a cardinal, 6¼” high, and another of a skull on a circular fossil-marble base, 3” high (3)

1242 ENGLISH SCHOOL, 19th century: A WHITE MARBLE PORTRAIT BUST OF A GENTLEMAN wearing a lace stock and a floral embroidered jacket, 18” high

£80-160

£100-200

Lot 1241

1251 A BRONZE OF A CHARIOT pulled by two stallions, on a white marble plinth, 13¼” wide and another unmounted chariot (2)

£80-150

£100-200

1245 MANNER OF HOUDON A bronze bust of a young girl, her hair worn up, on a circular socle, 15¾” high, and the companion of a young boy wearing a shirt with a frilled collar (2) See illustration

£200-400

142

143

1260 A RENAISSANCE STYLE BRONZE FIGURE OF DAVID holding a sling across his back, on a modern perspex base, 6” high overall and five other small bronze statuettes (6)

1252 AFTER GIAMBOLOGNA: A STRIDING BULL on a black “slate” base, 3½” high and a gilt metal lion on a black slate base, 2½” high (2)

£100-200

1253 A BAROQUE STYLE BRONZE HAND MIRROR with an oval frame encircled by mystical beasts and surmounted by a putto, 13½” high and two renaissance style bronze bells (3)

1261 A NORTH EUROPEAN BRONZE OF A RUSTIC pulling a mule, 4” high

£100-200

£80-160

1255 A NORTH EUROPEAN BRONZE GROUP OF BACCHUS AND A SATYR drunkenly reclining on the back of a mule, on a stepped black slate base, 7” high

£100-200

1266 A BRONZE OF A MAID in 18th century costume, on a stepped rectangular marble base, 7½” high, a gilt bronze of a young rustic, 5” high, and a similar figure without gilding (3)

£80-150

£80-160

1267 A RENAISSANCE STYLE BRONZE AND GILT FIGURE OF MERCURY on a circular marble base, 10½” high and a bronze of a winged putto holding a dolphin, 8” high (2)

1259 A RENAISSANCE STYLE BRONZE FIGURE OF VENUS, the nude figure standing with hair falling to one side, on a marble and black slate base, 8” high overall, and two other bronze figures on polished stone bases (3)

£100-200

1265 A PADUAN STYLE BRONZE INKWELL with a putto finial and a base formed from three conjoined hippocampi, on associated black slate triform base, 7¾” high, a pair of figures of putti standing on globes and another of Victory (4)

1258 A BRONZE OF A WILD BOAR with reddish brown patination, on a rectangular wood base, 7¾” high, and a bronze of a grazing goat, 6½” high (2)

£100-200

1264 A NORTH EUROPEAN BRONZE OF A MAN covered in a lions pelt, reclining against a rock , 9½” high See illustration

1257 AFTER THE ANTIQUE: A BRONZE OF A GLADIATOR with shield raised, on a painted wood base, 13” high overall

£100-200

1263 A GILT BRONZE OF A GOAT on a polished coloured marble base, 4½” high

1256 A NEO-CLASSICAL BRONZE INKWELL in the form of an urn mounted with winged busts, on a fluted base, 7¾” high, and a neo-classical bronze perfume burner on three satyr supports, stamped “Salatino et fils”, 8¾” high (2)

£100-200

1262 A NORTH EUROPEAN BRONZE OF A ROMAN INFANTRYMAN, his right arm extended to hold a spear, on a rectangular marble base, 11¼” high See illustration

1254 A NORTH EUROPEAN BRONZE OF A TOAD, 5” high, and three others (4)

£150-300

£100-200

Lot 1262 144

145

1277 A BRONZE OF A TOAD on a section of naturalistically modelled bark-work, 7¾”, a bronze of a lizard, a toad with a snake, 9¼” and another (4)

1268 A NEO-CLASSICAL GILT BRONZE FIGURE OF VICTORY on a circular plinth with “ivory” mouldings, 8¼” high, and two other figures (3)

£80-160

£100-200

1270 A RENAISSANCE STYLE PESTLE AND MORTAR with a flared circular body cast with “romayne” heads with notched buttresses between, 7½” dia.

£80-150

£50-100

£100-200

£50-100 1284 AFTER THE ANTIQUE: A BRONZE OF ANTINOUS BELVEDERE on an integral oval base, 16th century, on a wooden plinth, 9½” high See illustration

1276 A BRONZE OF A RECUMBENT GOAT on a naturalistic oval base, 3”

£100-200

1283 A BRONZE OF A PUTTO wrestling with serpents, on a square base, 9¼” high

1275 A BRONZE OF A DISPLAYED EAGLE on a polished marble plinth, 5” high, a baroque style frame with an oval aperture flanked by caryatids holding cornucopiae, 10¼”, and a neo-classical bronze lamp (3)

£50-100

1282 A NETHERLANDISH COPPER PLAQUE repoussé with a triumph in procession, 2¾” x 5”, now mounted in a giltwood frame and a bronze plaque of putti surrounding a billy goat, 4” x 4”, now mounted in a carved wood frame (2)

£80-150

1274 A BRONZE OF A CRAB, 6¼” wide, another smaller crab, a claw and two other pieces (5)

£100-200

1281 A NETHERLANDISH BRONZE PLAQUE of figures brawling outside a brothel, 4¾” x 3¼” and a pair of silvered metal religious plaques (3)

£150-300

1273 A BRONZE OF A BULL ELEPHANT, the back covered with a gilt metal rug with a bud finial, on a marble base with scalloped corners, 4½” high overall

£60-120

1280 A BRONZE OF A CRANE standing on a rectangular polished slate base, 11” high overall

£100-200

1272 A BRONZE OF THE FARNESE HERCULES on a square base, 5¼” high, and five other figures (6)

£50-100

1279 A NEO-CLASSICAL BRONZE PAPERWEIGHT in the form of a winged caryatid, the scrolling tail ending in an animal mask, on a faceted rectangular rouge marble base, 7¾” wide, an heraldic lion holding a shield and two other pieces (4)

1271 A NORTH EUROPEAN BRONZE OF A FRANCISCAN SAINT on a square marble base, 12¼” high overall

£100-200

1278 A NEO-CLASSICAL BRONZE OF A HIPPOCAMPI on a rectangular marble plinth, 4¼” high, and three other figures (4)

1269 A BRONZE VESSEL of flared circular form with a band of stylised foliate decoration, probably 17th century, 6¼” dia.

Lot 1284

£60-120

146

1285 AN ITALIAN WHITE MARBLE BUST OF A FRANCISCAN MONK carved in profile, 17¼” high

£800-1600

£300-500

1286-1295 Spare lots 147

METALWORK AND SCULPTURE 1303 A LARGE CAST COAT OF ARMS FOR THE CITY OF COVENTRY with an elephant carrying a three turreted castle, above the motto “Camera Principis”, all between winged birds, 44” high

1296 MANNER OF EDGAR BRANDT: A hammered metal and glass table lamp, the column of ribbed glass on an hexagonal spot hammered base and three small feet, 12” high

£100-200

1297 AFTER GIAMBOLOGNA: A cast bronze study of Mercury riding on a breath of wind, 21” high

1304 A REGENCY BREAKFRONT GILT METAL AND STEEL FENDER with a central rail and twin leaf cast fire iron rests, 58” wide

£200-400

1298 IN THE MANNER OF LIBERTY & CO: A HAMMERED COPPER PHOTOGRAPH FRAME with Ruskin style enamel mounts, 7½” wide, and two similar items (3)

£50-100

£200-400

£100-200

1309 OLATUNDE ASIRU: A HAMMERED COPPER PANEL, depicting figures and birds around a central shrine type building, mounted with a paper label to the reverse “Exhibited at Bear Lane Gallery, Asiru Copper Relief 1, 1967", 12¼” x 24¼”

1302 A PAIR OF 19TH CENTURY FRENCH STYLE GILT METAL WALL SCONCES, with rectangular bevel edged plates within decorated borders, each with two scrolling candle branches, 15½”

£250-450

1308 A SILVER PLATED SCULPTURE OF A HUNTSMAN ON HORSEBACK jumping a fence, on a circular marble base, 10” high

1301 A REGENCY STYLE DOOR KNOCKER, the elaborate knocker in the form of a boy riding a dolphin with a scrolling back plate, 11½” Provenance: This knocker was at one time on a door of one of Nash’s Regents Park Cottages in London.

£400-600

1307 A VICTORIAN POLISHED STEEL AND GILT METAL FENDER with a serpentine front, gilt metal mounts and twin scrolling raised fire iron rests, 52” wide

£400-600

£300-600

1306 A PAIR OF CHENET, each mounted with a dog and a foliate ormolu mount, on a stepped base (incomplete), 10” wide

1300 A PAIR OF 19TH CENTURY FRENCH BRONZE CANDLESTICKS, each with raised sconces, one supported by two boys holding grapes, and a satyr on a naturalistic base, on marble bases, the other with a dolphin support, 8½” high (2). See illustration

£400-800

1305 AFTER LOUIS ALBERT CARVIN A French Art Deco study of two dogs, on a stepped and coloured marble base, 24” wide

1299 A CAST BRONZE MODEL OF AN ELEPHANT in the 17th century manner with an extended trunk and raised tusks, possibly Italian, 5” wide

£200-400

£800-1600

1310 A VICTORIAN BOW FRONTED PIERCED AND HAMMERED STEEL FENDER with a central raised panel, flanked by pierced sides on a moulded base, 48½” wide

£100-200

148

£200-400

Lot 1300 149

1319 LORENZL: AN ART DECO PATINATED AND COLOURED BRONZE of a dancing girl holding a grape, with cast signature to the base, on a stepped onyx and marble base, 11½” See illustration

1311 A VICTORIAN POLISHED STEEL FENDER with applied columns and pierced decoration, 48”

£200-400

1312 A SET OF THREE GEORGE III POLISHED STEEL FIRE IRONS with octagonal knopped handles, the shovel with a pierced blade, 30” (3)

1320 LORENZL: AN ART DECO BRONZE OF A DANCING GIRL holding a drape above her head, with cast signature, on tapering octagonal onyx base, 14” high

£200-400

1313 A PAIR OF VICTORIAN GILT BRASS GOTHIC STYLE ANDIRONS, decorated with opposing winged lions within Gothic niches, 22” high (2)

£100-200

£200-400

1317 A VICTORIAN BRASS COLUMN TABLE LAMP with a central spiral and reeded column, beneath a foliate capital, on a step base, 25” high

£300-500

1324 A BRONZE OF A MASTIFF chained to a post bearing a sign “Passez au Large”, on a naturalistic base signed “CH. Valton”, 18½” high

£200-400

£1000-2000

1325 A 17TH CENTURY CONTINENTAL BELL METAL CAULDRON of bellied form with a loop carrying handle, on three short legs, cast with an elaborate crest, possibly Tyrolean, 13” wide

1318 A PAIR OF LOUIS XVI STYLE ORMOLU AND BRONZE CHENETS, each with flaring vases on animal hoof legs and gilt decorated columns, 17” wide

£300-500

1323 HAFENRICHTER: AN ART DECO BRONZE OF A DANCING GIRL balancing on one foot, with stamped signature on a marble base, 9” high

1316 A PAIR OF INDIAN BRASS PEACOCK ORNAMENTS with “niello” decoration, late 19th century, 20” high (2)

£500-800

1322 DAKON: A SILVERED BRONZE ART DECO FIGURE OF A NAKED DANCING GIRL on an onyx base, 6” high

1315 A PAIR OF MODERN COMPOSITION GARDEN ORNAMENTS in the form of owls, with stylised feathers, 23½” high (2)

£1300-1500

1321 LORENZL: A SILVERED BRONZE ART DECO FIGURE OF A DANCING GIRL balancing on one foot, with stamped signature and stamped “Made in Austria”, on a circular onyx base, 7¾” high

£400-800

1314 A PAIR OF CAST IRON LION FIRE PLACE MOUNTS, each with a seated beast holding a shield on a scrolling support, 25” high

£1500-2000

£500-1000

1326 A 19TH CENTURY CAST IRON “HISTORISMUS” CHARGER, decorated with a classical scene, within a decorated border, 15¾” wide 150

£80-150

Lot 1319 151

1330 A FRENCH TERRACOTTA FIGURE of a milkmaid holding a mug in one hand and wearing period costume, on a rectangular period base, with laurel wreath decoration, 82” high. See illustration

1327 A RENAISSANCE STYLE BRONZE SCULPTURE of a man wearing a broad hat and elaborate costume on a triform base and winged beast feet, 11” high

£200-400

1328 TWO EARLY 19TH CENTURY GILT METAL ROUNDELS with portrait busts of bearded figures within leaf-cast borders, in turned mahogany frames, 10½” wide (2)

£300-500

Provenance: David Lazarus Antiques, Hartley Wintney, Hampshire, 1984

A similar terracotta statue of a milkmaid is at the Petit Trianon at Versailles, Paris £3000-5000

1331-1334 Spare lots

1329 A REGENCY STYLE POLISHED STEEL AND BRASS CLUB FENDER with raised upholstered corners on a moulded base, 70” wide

£400-600

Lot 1330 152

153

CLOCKS AND SCIENTIFIC INSTRUMENTS 1340 A GEORGE III MAHOGANY WHEEL BAROMETER, by Leech of Salisbury, the shaped case with satinwood crossbanding with a dry/damp gauge above a thermometer, broad decorative barometer dial and level, 43½”

1335 A VICTORIAN “FOUR GLASS” CLOCK, the oval brass case with bevel glass panels enclosing a white enamelled dial with Roman numerals and eightday movement striking on a bell, 10½” high

£600-800

1336 A 19TH CENTURY BRASS AND CLOISONNÉ MANTLE CLOCK, the brass case with cloisonné mounted corners and borders with a similarly decorated handle, the case mounted with a compass and thermometer to the top, the dial signed “L. Veard & Tientsin, made in France”, with a visible escapement and two-train movement striking on a coiled gong, 8½” high

1342 A REGENCY WALNUT WHEEL BAROMETER by Jones of London, the shaped case with moulded border and a thermometer above a broad dial, 41”

£400-800

£250-450 1344 A GEORGE III MAHOGANY WHEEL BAROMETER by Tinkler & Edmunson of Leeds, the case with a dry/ damp gauge above a thermometer, broad barometer dial and level, 42”

1339 A GEORGE III SATINWOOD WHEEL BAROMETER by A. Gatty, Reading, the case with satinwood stringing, with a dry/damp gauge above a thermometer, broad barometer dial and level, 42”

£200-400

1343 BETHEL JACOBS OF HULL: AN EARLY VICTORIAN EBONY CASED BRACKET CLOCK, the silver dial with Roman numerals above engraved signature Bethel Jacobs, 7. Whitefriar Gate, the two-train fusee movement, similarly signed and striking on a coiled gong, 11½” high. See illustration

£300-600

1338 A REGENCY MAHOGANY BRACKET CLOCK, the circular dial with Roman numerals, with a two-train fusee movement striking on a bell with pull repeat mechanism, the case with a serpentine top and floral carved decoration, 17½” high

£200-400

£600-800

1337 A VICTORIAN BRASS CASED MANTLE CLOCK, the elaborately moulded case all over decorated in low relief with scenes from the Old Testament, with a white enamel dial with Roman numerals and a two-train movement, striking on a coiled gong, 10” high

£200-400 1341 A 19TH CENTURY FRENCH MANTEL CLOCK, the gilt metal case with Sevres style panels, decorated with classical scenes against a blue ground, the dial similarly decorated, with a two-train movement striking on a bell, on a wooden plinth beneath a glass dome, 18½” high

£180-250

£200-400 1345 A VICTORIAN STYLE SKELETON CLOCK, the silvered dial with Roman numerals and a single train fusee movement between elaborately pierced plates, beneath a glass dome, 17½” high

£180-250

Lot 1343 154

155

Lot 1348

1349 A REGENCY MAHOGANY BRACKET CLOCK by J & M B Warry of Bristol, the arch topped case with carved foliate decoration, the silvered dial with strike/ silent dial and Roman numerals, the three train fusee movement chiming on eight graduated bells and striking on a coiled gong, 25” high

1346 A WALNUT CASED VIENNA REGULATOR STYLE WALL CLOCK, the elaborate case surmounted by a rearing horse and a scrolling pediment, the glazed door flanked by twin half turned columns, the dial with Roman numerals and subsidiary dial, with a two train movement and brass faced pendulum, 61”.

£200-400

1350 JOHN SLY OF WEYMOUTH: A MAHOGANY LONGCASE CLOCK, the circular silvered dial with subsidiary seconds dial and date aperture, with Roman numerals, with an eight-day two-train movement striking on a bell, the arch topped hood with twin reeded columns, the trunk with an arch topped door flanked by reeded turned and inlaid columns, 90” high. See illustration

1347 A 19TH CENTURY OAK LONGCASE CLOCK with an enamel dial signed “T. Vurley Wisbeach”, the dial with subsidiary seconds dial and date aperture beneath an arch with a rocking Old Father Time figure, with a two-train movement striking on a bell, 86” high

£300-600

1348 AN 18TH CENTURY OAK LONGCASE CLOCK, of small proportions, the brass dial inscribed in a cartouche “Thomas Sharp, Feversham”, with eightday movement striking on a bell, the oak case with mahogany banding, 64”high See illustration

£1500-2500

£3000-5000

Lot 1350

£1500-2500 156

157

1354 A 19TH CENTURY FRENCH GILT METAL MANTEL CLOCK, the white enamel dial signed “Gasche Frere Bete de Roi, no. 20.6 D’Orleans”, with two-train movement striking on a bell, the elaborate case decorated with a hunter and huntress amongst exuberant scrolls, 17” high

1351 A GEORGE III MAHOGANY LONGCASE CLOCK, the chapter ring signed Jon Culliford, of Bristol, with subsidiary seconds dial, date aperture and turned winding holes, the chapter ring surrounded by “boys and crown” spandrels with an eight-day movement striking on a bell, 82” high

£600-800

£200-400

£400-600

£300-600

1356-1359 Spare lots

1353 A BRASS SHIP’S BAROMETER by Pastorelli & Rapkin, 46 Hatton Garden, London, the barometer numbered 2110, on a gimbal mount, 38” high

ENGLISH AND CONTINENTAL FURNITURE

1355 A LONGCASE CLOCK MOVEMENT AND DIAL, the chapter ring signed “Laurence Boyce, Puddle Towne”, the five pillar two train movement striking on a bell, the dial 11” wide

1352 A VICTORIAN OAK STICK BAROMETER by H. Hughes, 59 Fenchurch Street, London, the barometer with an ivory scale on a slender column, the reservoir with a label “model barometer”, 36”

£700-1400

RUGS AND CARPETS 1360 A CAUCASIAN TRIBAL RUG, the ivory ground with a central rectangular panel, worked with a triple pole multi-coloured medallion within hooked boteh and Herati pattern outer borders and guards, 110” x 52”

1364 A BOKHARA RUG, the salmon pink ground worked with three rows of octagonal guhls within outer borders and guards, 69” x 52”

£80-150

1365 A NORTH WEST PERSIAN TRIBAL RUG of art deco Egyptian Revival design, the central quadrilateral panel with a hooked boteh border on a green ivory and red ground with “tarantula” outer borders and guards, 66” x 116”

1361 A TEKKE BOKHARA RUG, the aubergine ground worked with two rows of elephants foot guhls within outer borders and guards, 57” x 43”

£50-100

1362 AN INDIAN DRAWING ROOM CARPET, the pale yellow ivory and black ground with a central rectangular panel, worked with stylised palmettes and flowers within floral pattern borders and guards, 116” x 175”

£150-250

1366 A NORTH WEST PERSIAN TRIBAL RUNNER, the central ivory rectangular panel worked with five multi-coloured “elephants foot” guhls within floral Herati pattern outer borders and guards, 165” x 40”

£100-200

1363 A PERSIAN WOOL CARPET of Kashan design, the salmon pink ground worked with a central multi-coloured floral medallion within palmette and floral outer borders and guards, 114” x 136”

£40-60

£200-400

1367 A NORTH WEST PERSIAN TRIBAL RUG, the dark blue and salmon pink ground, worked with a rectangular panel with” tarantula” motifs, within floral borders and guards, 71” x 37”

£100-200

£50-100

1368-1369 Spare lots 158

159

1377 A PAIR OF NEO-CLASSICAL STYLE YEW WOOD BEDSIDE TABLES, each with rectangular crossbanded tops above single end drawers, the friezes inlaid with vase-shaped motifs, square tapering legs, 23½” wide (2)

1370 AN ITALIAN STYLE RENAISSANCE REVIVAL WALNUT CENTRE TABLE, the circular top with a moulded border on carved legs with winged female figures, with a curved stretcher and animal paw feet, 38” wide

£400-800

1378 A STANDARD LAMP formed from the column of a harp decorated with applied moulded winged female figures above a fluted column and circular platform base, 66” high

1371 A LATE 19TH CENTURY AMERICAN SEWING CHAIR, the circular revolving adjustable seat on four splayed turned legs and stretcher, with cast metal animal claw feet and circular glass ball terminals, with a splayed turned back, 35”

£100-200

£300-500

£800-1600

£200-400

£300-500 1383 AN EARLY 19TH CENTURY MAHOGANY EMPIRE STYLE CHAISE LONGUE with a raised back and scrolling arm with all over foliate upholstery, on downswept legs with brass cap castors and gilt metal mounts, 60” wide

1376 A GEORGE I OAK HIGH BACKED DINING CHAIR, the shaped back with a carved splat carved with initials “JGD” and dated 1722, with a carved solid seat and cabriole legs, 43” high

£1500-3000

1382 A MODERNIST MIRROR-CLAD DRESSING TABLE, the rectangular top with a triple dressing table mirror on chrome support above a mirrored top and a central drawer flanked by two columns of three short drawers with knob handles, 37” wide

1375 A DUTCH MAHOGANY AND GILT METAL MOUNTED OVAL JARDINIÈRE with a pierced frieze above two dummy drawers, on square tapering legs with ball feet, late 18th/early 19th century, 20” wide

£80-150

1381 A PAIR OF EDWARDIAN SHERATON REVIVAL SATINWOOD BOW FRONT DISPLAY CABINETS, the tops laid with radiating veneers above a frieze decorated with cherubs amongst foliage, with a single central door enclosing a velvet-lined interior, on short tapering legs with spade feet, 36” wide (2). See illustration

£800-1600

1374 A SET OF SIX DUTCH FLORAL MARQUETRY DINING CHAIRS with open backs with chequered stringing and central pierced splat above a drop-in seat, on serpentine seat rail and slender cabriole legs with all over floral marquetry (6)

£500-1000

1380 A BRASS FRAMED PIANO STOOL, the sloping leather and button upholstered revolving seat stamped “C.H. Hare Patent” on a quadriform base, 13” wide

1373 A GEORGE IV BURR ELM BREAKFAST TABLE, the oval top laid with radiating veneers on a hexagonal column and platform base with animal paw feet, 49” wide

£100-200

1379 A VICTORIAN OVERMANTEL MIRROR, the broad oval plate within a leaf moulded frame within a central cresting and supporting pierced and foliate panels, 72” wide

1372 A LOUIS XVI GILTWOOD AND UPHOLSTERED WINDOW SEAT with asymmetric ends, the raised curving ends on moulded uprights and tapering fluted legs, with all over cream upholstery, 62” wide

£100-200

£400-800 Lot 1381

160

161

1390 A GEORGE I STYLE MAHOGANY HALL CHAIR, the shaped back carved with a coloured crest for the Crown Estates, on a shaped dished seat and similar supports, 38½” high

1384 A LOUIS XVI STYLE WALNUT VENEERED DROP FLAP OCCASIONAL TABLE, the rectangular top with short drop flap sides above a single short drawer and conforming dummy drawer, on a tapering column and platform base with gilt feet, 19” wide

£200-400

1391 AN EDWARDIAN MAHOGANY LADIES WRITING TABLE, the shaped top with a leather-lined writing surface above a frieze drawer and a small drawer with fitted interior, on square tapering legs with spade feet and brass castors, bearing a label for Beryl G. Lancaster & Co., Cavendish Square, 31½” wide

1385 A PAIR OF GEORGE III MAHOGANY FOLD TOP TEA TABLES, the shaped top with canted corners above conforming friezes with central oval veneered panels, on tapering moulded legs, 37” wide (2)

1392 A REGENCY MAHOGANY WINE COOLER, the rectangular top with a raised centre above tapering sides on short legs and castors, with a lead-lined interior, 23” wide

£800-1500

1395 AN ORMOLU MOUNTED EBONISED AND BOULLE WORK WRITING TABLE, the shaped top with a central panel of scrolling brasswork within a shaped border, above a single frieze drawer, on tapering fluted legs with a wavy “X”-form stretcher below, 55” wide

£200-400

1389 A PAIR OF NEO-CLASSICAL STYLE DEMI-LUNE SIDE CABINETS, each with marble tops inlaid with a central vase and foliate border above three drawers and twin cupboards, all with painted foliate decoration within green borders against a cream ground, on tapering legs and spade feet, 29½” wide (2)

£1500-3000

1394 A GEORGE III SATINWOOD WRITING TABLE, the rectangular top with a leather-lined writing surface above three short drawers to either side with gilt metal handles, on square tapering legs and castors, 41” wide

£500-1000

1388 A REGENCY MAHOGANY CENTRE TABLE, the revolving circular top with leather-lined surface above two flush fitting frieze drawers, on an openwork column and three downswept legs with animal paw castors, 30” wide

£300-500

1393 HENRY DASSON: A PAIR OF ORMOLU MOUNTED MARBLE TOPPED GUERIDONS, the circular tops within gilt metal mounts, on pairs of gilt metal legs and platform bases with three downswept legs and sabots, the undersides stamped “Henry Dasson” and numbered 3158, 14¾” wide (2). See illustration

£400-600

1387 AN ITALIAN MARQUETRY AND GILT CENTRE TABLE, the rectangular top with canted corners profusely inlaid in ivory and timbers with a figure riding in a chariot against an ebony ground, the top revealing a bijouterie table below, the elaborately carved base with female figures to each scrolling leg and a central vase ornament on a wavy “X”-form stretcher, 37” wide

£150-300

£1000-2000

1386 A GEORGE III MAHOGANY BRASS BANDED OCTAGONAL CELLARETTE, the top with a moulded border above a brass band, the body with two conforming brass bands and twin brass carrying handles, the base with a moulded edge on four square tapering legs, 20” wide

£80-150

£500-1000

£800-1500 Lot 1393 162

163

1403 A VICTORIAN MAHOGANY PARTNERS DESK, the rectangular top with a moulded border and central tooled leather writing surface, above three frieze drawers with turned knob handles, and pedestals with three further drawers and cupboards, on plinth bases, 60” wide

1396 A VICTORIAN ROSEWOOD CHILD’S CHAIR, the rectangular back with a needlework panel between spiral-turned uprights above an over-stuffed seat, on short turned legs, 27½” high

£60-80

1397 A VENETIAN STYLE GILT FRAMED WALL MIRROR, the shaped bevel edged plate within a scrolling rococo style surround, 27”

1404 A CONTINENTAL BAROQUE STYLE WALL MIRROR with nine differently shaped plates within a carved and pierced foliate frame, possibly Portuguese 18th century, 46” high

£200-400

1398 A LARGE VICTORIAN OVERMANTEL MIRROR, the rectangular plate within a leaf moulded and ribbontied border beneath a flaming torch cresting, 88” high x 48” wide

£400-600

£300-500

£150-300

£1000-2000

1408 A GEORGE III MAHOGANY TWIN PEDESTAL PARTNER’S DESK, the rectangular top with a moulded border and leatherlined writing surface above a frieze with three drawers to either side, on pedestals of three further short drawers and a cupboard, on plinth bases, 55” wide

£600-800

1402 A LOUIS XV GILTWOOD CONSOLE TABLE BASE with an elaborate scrolling frieze on carved legs, 60” wide. See illustration

£300-600

1407 A GEORGE I WALNUT CHEST ON STAND, the rectangular top with a moulded border above two short and three long graduated drawers with moulded borders and shaped drawer divisions, with engraved lock plates and handles, on a conforming base with three short drawers, on cabriole legs, 40” wide

1401 A 19TH CENTURY FRENCH DISPLAY CABINET with a rouge marble top with moulded edge, above a central glazed door within a leaf-carved surround, enclosing a shelved interior, on conforming carved legs, 53” wide

£700-1000

1406 A REGENCY MAHOGANY CHEVAL MIRROR, the rectangular plate within a reeded surround suspended within a ring-turned and reeded frame, on downswept legs with brass cap castors, 67½” high

1400 A GEORGE I STYLE GILT FRAMED WALL MIRROR, the two part plate within a shaped moulded frame, 67” high

£400-600

1405 A GEORGE I WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with a moulded border with broad crossbanding and satinwood stringing, above two short and three long graduated drawers with conforming veneers, on bracket feet, 38” wide

1399 A GEORGE III STYLE MAHOGANY SERVING TABLE, the rectangular top with a moulded border painted with fan details to the corners and a running leaf border, above two frieze drawers, the central panel painted with a vase-shaped ornament, above a shaped shelf, on square tapering legs and spade feet, 54½” wide

£500-1000

£1500-2500

£2000-3000

Lot 1402 164

165

1415 A VICTORIAN STYLE MAHOGANY TWIN PEDESTAL PARTNERS DESK, the rectangular top with a moulded border and central leather-lined interior above a frieze with a central broad drawer and two short drawers, all above pedestals of four further short drawers, on plinth bases, 60” wide

1409 A GEORGE III MAHOGANY LIBRARY TABLE, the circular top with a leather-lined writing surface above a frieze with four bow fronted drawers and conforming dummy drawers, one fitted with a rising writing slope, on a turned column and four downswept legs with brass animal paw cap castors, 44” wide

£600-800

1416 A PAIR OF LATE GEORGE III GILTWOOD TORCHERES in the manner of Marsh and Tatham, each with a reeded column surmounted by three candle branches formed from intertwining snakes, the sconces issuing from their mouths, the column on three downswept legs with foliate painted decoration and moulded bases with ball feet, 65¼” high (2). See illustration

1410 A GEORGE III MAHOGANY SECRETAIRE CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers between fluted canted corners, the lower drawer fitted with a fall front, enclosing a central cupboard flanked by short drawers and pigeonholes, the lower section with three further long graduated drawers, on bracket feet, 44” wide

£800-1500

£1000-2000

£300-600

Provenance: The underside of the rails branded “BC” for Baroness Burdett-Coutts and thence by descent

£1000-2000

£200-400

1420 A PAIR OF VICTORIAN “CAROLEAN” HIGH BACKED DINING CHAIRS, the tall backs with all over foliate carved and moulded decoration above an over stuffed seat on cup and cover legs with foliate stretcher, 50” high

1414 A GEORGE III MAHOGANY SOFA TABLE, the rectangular crossbanded top with twin drop flap ends above two frieze drawers and conforming dummy drawers, on trestle ends with downswept legs and brass cap castors, 30½” wide

£300-500

1419 A GEORGE II OAK AND BURR WOOD VENEERED CHEST ON STAND, the rectangular top with a moulded border above two short and three long crossbanded drawers, the base with short cabriole legs and pad feet, 38” wide

1413 A SET OF TWELVE GEORGE III MAHOGANY DINING CHAIRS of Hepplewhite design with padded seats and square chamfered legs joined by stretchers, 22” wide

£400-600

1418 A GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top with a reeded border above a brushing slide and four long graduated drawers with brass handles, on splayed legs, 32” wide

1412 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE, the rectangular flap top with canted corners over two drawers and opposing simulated drawers, on four turned columns and downswept sabre legs ending in brass claw toe caps and castors, 48½” wide

£5,000-10,000

1417 A LATE REGENCY ROSEWOOD MUSIC CANTERBURY with “X”-form and wreath-mounted divisions above a box base with a single short drawer, on turned legs and castors, 20½” wide

1411 AN EDWARDIAN SHERATON REVIVAL SATINWOOD ÉTAGÈRE with two shelves on fluted columns and an undershelf with a concave front and pierced brass gallery, on brass castors, 22” wide

£2500-3500

£150-250

£200-400

Lot 1416 166

167

1428 A GEORGE III STYLE MAHOGANY LINEN PRESS, the upper section with a moulded cornice and blind fret frieze above twin panelled doors enclosing a shelved interior, the lower section with six short drawers with brass handles, on bracket feet, 40” wide

1421 A PAIR OF VICTORIAN MAHOGANY COLLECTORS CABINETS, each with eight shallow graduated drawers with knob handles, 19” wide, and another similar (3)

£150-250

1422 A PAIR OF STAINED PINE FOLDING LIBRARY STEPS with four treads to either side, 57¼” high

1429 AN ESTATE MADE DOLL’S HOUSE modelled as a Georgian townhouse, the front with a central four panelled front door surrounded by eight windows, the interiors with fireplaces, 61” high. See illustration

£50-100

1423 A VICTORIAN MAHOGANY WRITING DESK, the rectangular top with a moulded border and central leather writing surface above a central frieze and two pairs of short drawers with turned knob handles, on turned legs and brass castors, 53” wide

£300-600

£200-400

£300-600

£800-1500

1433 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above two short and three long graduated drawers with cast gilt metal handles, on bracket feet, 40” wide

£500-1000

1427 A 19TH CENTURY FRENCH OVERMANTEL MIRROR, the tall bevel edged plate within a cast and gilt decorated composition border surmounted by a foliate cresting with a pair of gilt love birds, 80” x 39”

£300-500

1432 A VICTORIAN TEAK MILITARY CHEST IN TWO PARTS, the upper section with two short and a single long drawer, the lower section with two further long drawers, with flush fitting brass handles and similar corner mounts, on short turned legs, 37¼” wide

1426 A PAIR OF REGENCY STYLE WALL MIRRORS, the rectangular plates within fluted columns, with patera-mounted corners, 39½” x 31” (2)

£300-500

1431 A GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped caddy moulded top above three long graduated drawers with brass handles, on splayed bracket feet , 42” wide

1425 A GEORGE III MAHOGANY CABINET, the upper section with a moulded cornice above twin astragal glazed doors enclosing a shelved interior, the associated base with twin panelled doors enclosing fitted shelves, on bracket feet, 48” wide

£200-400

1430 A PAIR OF CHINESE PROVINCIAL ELM AND PINE “MANDARINS” CHAIRS, each with shaped backs with pierced splats above solid seats and turned legs, 42” high (2)

1424 A REGENCY STYLE CONVEX WALL MIRROR, the broad plate within an ebonised and reeded fillet and a moulded red-stained frame, 40” wide

£500-800

£250-450

1434 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior above four long graduated drawers and splay bracket feet, 37” wide

£1000-2000

£200-400

Lot 1429 168

169

1441 A GOANESE MARQUETRY CABINET ON STAND, all over decorated in contrasting rosewood and ivory veneers with geometric radiating patterns, the upper section with ten small drawers modelled as twelve drawers with decorative pierced key escutcheons and gilt metal handles, the lower section with two further short drawers and a single long deep drawer, all similarly decorated, on legs carved as mermaids, 36” wide. See illustration

1435 A 19TH CENTURY WALNUT FRAMED MIRROR, the rectangular plate within a gilt filet and moulded surround flanked by tapering ebonised columns with gilt details, possibly Biedermeier, 50” high x 52” wide

£500-700

1436 A PAIR OF ROUGE MARBLE COLUMNS with modified doric gilt metal capitals, cast with acanthus leaves, late 19th century, 34¾” high x 8½” wide across the base (2)

1442 A CHARLES II DARK STAINED HIGH-BACK ARMCHAIR, the tall back with a pierced cresting above a caned panel, with outswept arms and caned seat on carved legs with a wavy stretcher and turned rails, 55” high

£800-1600

1437 A REGENCY MARBLE TOPPED OPEN FRONTED BOOKCASE, the rectangular top above three open shelves, flanked by ebonised and gilt decorated columns, on a plinth base, 50” wide

£500-1000

1445 AN EARLY GEORGE III MAHOGANY TEA TABLE, the fold over top with a carved edge on chamfered legs, 36” wide

£300-600

1440 A REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with rounded corners and a moulded border on a turned column with four downswept reeded legs and cast animal paw castors, 60” wide

£800-1600

1444 A NORTH ITALIAN CONTINENTAL GILTWOOD CONSOLE TABLE, with a shaped marble top with moulded border above a frieze carved with leaf and foliate decoration against a matted ground, on four tapering fluted legs, 18th century, 48” wide

£500-800

1439 A SET OF SIX REGENCY MAHOGANY BAR-BACK DINING CHAIRS, the curved back rails with reeded decoration above overstuffed seats and turned front legs, including two armchairs (6)

£200-400

1443 AN OAK WAINSCOT CHAIR, with a demi-lune crest carved with a flowering plant, the back panel with low relief carved scrolling decoration, between outswept arms and solid seat on turned legs and stretchers, 46” high

£500-800

1438 A GEORGE III STYLE GILT FRAMED WALL MIRROR, the rectangular bevel-edged plate in a carved and moulded frame with a shell-carved cornice, 38½” high x 48½”

£4000-6000

£300-600

1446 A CHARLES II OAK WAINSCOT CHAIR, the rectangular back with a central foliate carved panel, within a decorative border, with scrolling arms and solid seat on short turned legs, 37” high

£800-1600

£300-600

1447 A VICTORIAN STYLE GARDEN TABLE, the white painted circular top with a carved border on a naturalistically cast green painted metal base, 26” wide 170

£300-600

Lot 1441 171

1455 A GEORGE III MAHOGANY TRIPOD TABLE, the shaped top with raised moulded border, on a turned column and three downswept cabriole legs, 23” wide

1448 A PAIR OF WINFIELD TYPE ROCKING ARMCHAIRS, the steel frames with hung leather upholstered seats and leather arm pads, 40” high (2)

£300-600 1456 A CHARLES II OAK WAINSCOT CHAIR, with a rectangular panelled back , with a frieze of carved strapwork decoration, with scrolling arms and solid seat on turned legs, 17th century and later, 41½” high

1449 A VICTORIAN UPHOLSTERED NURSING CHAIR, with all over floral upholstery and turned rosewood legs and brass castors, 29” high

£150-300

1451 A GEORGE II OAK PRESS CUPBOARD, the upper section with a moulded cornice above twin fielded doors, enclosing an empty interior, the lower section with three blind drawers above two short and a single long drawer on bracket feet, 55” wide

£300-600

£400-600

£400-600 1460 A PAIR OF ORKNEY ISLAND STRAW BACKED ARMCHAIRS, the dished back above solid seats, with carved arms and square legs and stretchers, 41¾” high (2)

£300-500

1461 A CHARLES II OAK WAINSCOT ARMCHAIR, the rectangular back with a carved frieze above two rectangular panels, with downswept arms and solid seats on turned and square section legs, possibly West country, 43” high

£800-1600

1454 A GEORGE III SERPENTINE FRONTED MAHOGANY FOLD TOP CARD TABLE, the shaped top with broad crossbanding above a shallow frieze on square tapering legs, 30” wide

£300-500

1459 A CHARLES II STYLE UPHOLSTERED SOFA, the rectangular back with drop flap sides above an upholstered seat, the arms on turned uprights with turned legs and stretchers, 72” wide

1453 A QUEEN ANNE WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with quarter matched veneers within broad crossbanding above two short and three long graduated drawers with pierced key escutcheons and handles, on bracket feet, 38” wide. See illustration

£800-1600

1458 AN ELM TOPPED DINING TABLE, the two plank top on square tapering legs, with central stretcher, 85” wide

1452 A HARLEQUIN SET OF RUSH SEATED RAIL-BACK DINING CHAIRS, each with turned backs, rush seats and turned legs and stretchers, comprising, six standard and two armchairs (8)

£1500-2000

1457 A GEORGE III OAK HOUSEKEEPERS CUPBOARD, the upper section with a moulded cornice above two twin panelled doors between quarter recessed columns, the base with two pairs of two short drawers with brass handles, on short bracket feet, 60” wide

1450 AN OAK COFFER with a two panel top above a similar front on square legs, late 17th/early 18th century, 43” wide

£300-600

£1800-2500

£400-800 Lot 1453 172

173

1469 A DUTCH MARQUETRY AND MAHOGANY SECRETAIRE A ABBATANT, the shaped top above a fall decorated with a central oval fan motif, enclosing a fitted interior, above four long graduated drawers on tapering legs, 37” wide

1462 A CHARLES II OAK DROP FLAP DINING TABLE, the shaped top with twin drop flap sides above a single frieze drawer, on turned and square section legs, 57” wide

£300-600

1463 A PAIR OF GEORGE II STYLE SIDE TABLES, with porphyry veneered tops on ebonised simulated brick work bases, 51” wide (2)

This design is based on the bridge at Blenheim Palace, designed by Vanburgh

£500-1000

1470 A VICTORIAN MAHOGANY COLLECTORS CABINET, with twin panelled doors enclosing an interior with nine long drawers with glazed covers, all on a plinth base, 38” wide

£200-400

1465 GILLOWS OF LANCASTER: AN OAK AESTHETIC PERIOD PARTNERS DESK, the broad rectangular top with leather writing surface above a single central drawer and two columns of four short graduated drawers with reeded fronts with carved foliate paterae to either side, stamped Gillow & Co, 2669L, the top 71½” x 66” . See illustration

£2000-4000

£400-600

1474 A CHARLES II OAK BOX, the rectangular lid with a moulded border above an arcaded front, 24” wide

£200-400

£150-250

1475 A CHARLES II OAK JOINT STOOL, the rectangular seat with a moulded border on splayed and turned legs with rectangular section stretchers, 18” wide

£200-400

1468 A CHINESE INLAID CENTRE TABLE, the shaped top with all over ivory inlay with pale timbers with Oriental figures amongst clouds, above a decorated frieze, on a triform base with pierced sides and platform base and short castors, 36” wide

£300-600

1473 A NEAR PAIR OF WINFIELD TYPE ROCKING CHAIRS with scrolling frames, 42” high

1467 A PAIR OF EARLY 19TH CENTURY LONG LEGGED STOOLS, with rectangular elm tops with moulded borders, 22” high

£500-1000

1472 A VICTORIAN BRASS HALL LANTERN with pierced cast borders and four glazed sides suspended on serpentine vase, 30” high

1466 A CHARLES II OAK CRADLE with a raised arched top above panelled sides on shaped rockers, 35” wide

£200-400

1471 A MATCHED PAIR OF GEORGE II OAK CORNER CHAIRS, with curved back supports above twin vase shaped splats and turned uprights, with drop-in seats and a central cabriole leg, 33” high

1464 A PAIR OF GEORGE II OAK SIDE CHAIRS, with vase-shaped back-splats above drop-in seats on cabriole legs with turned stretchers, 37½” high

£400-800

£200-400

1476 AN EDWARDIAN BRASS HALL LANTERN with decoratively cut glass panels and scrolling supports, 30” high

£200-400

£300-600 Lot 1465

174

175

1483 A GEORGE III STYLE MAHOGANY LIBRARY BOOKCASE, with a moulded top above three drawers with astragal moulded glazing bars, on plinth base, 98” wide

1477 A GEORGE III STYLE MAHOGANY BREAKFRONT LIBRARY BOOKCASE, the upper section with a scrolling swan-neck pediment above a frieze of blind fretwork and four astragal glazed doors, the lower section with four frieze drawers and cupboards on a moulded base with short ball and claw feet, 74” wide

1484 A PAIR OF CHINESE LACQUERED ARMCHAIRS, with scrolling backs and a central panel with low relief carved decoration of a figure and a small dog, with a cane-work seat on square legs, 37.52 high (2)

£700-1000

1478 A LATE VICTORIAN BRASS BIJOUTERIE TABLE, the rectangular top with rounded corners set with bevelled glass enclosing a mirror lined interior, on a cast and pierced foliate frieze and tapering fluted and leaf-cast legs, 39½” wide. See illustration

£1000-2000

£400-600

£200-400

£100-200

1488 A CHINESE HARDWOOD FOLDING TABLE, with an oval top with bamboo effect border on an “X”-frame folding stand and undershelf, 30” wide

£400-800

£300-500

1489 A 19TH CENTURY ITALIAN GILTWOOD FRAME, with broad scrolling frame with cherub head corners and pierced foliate decoration, 36” x 31”

1482 A LARGE RECTANGULAR WALL MIRROR, the broad plate within a carved and gilt frame, 50” x 48”

£200-400

1487 A GEORGE II STYLE MAHOGANY FOLD TOP TEA TABLE, the rectangular top on cabriole legs with pointed pad feet, 30” wide

1481 A LARGE LATE VICTORIAN BRASS CHANDELIER with a broad circular body with applied female mask decoration and a hanging three light lobed base, 27” wide

£300-600

1486 A BRASS STYLE CHANDELIER with a fluted and leaf-mounted column and broad base with applied lion mask mounts and six candle sconces, 15½” wide

1480 A LARGE RECTANGULAR WALL MIRROR, the broad plate within a leaf-cast and moulded surround, 57” x 52½”

£300-600

1485 A DUTCH FRUITWOOD BUCKET with contrasting sections of dark and paler wood, with a brass liner and an overhead swing handle, 12½” dia x 23½” high

1479 A PAIR OF GILT BRASS THREE BRANCH WALL LIGHTS, the central column with ribbon-tied foliate decoration, with three scrolling candle branches and broad drippans, fitted for electricity (2)

£500-1000

£150-250

£300-600

Lot 1478 176

177

1494 A QUEEN ANNE STYLE WALNUT STOOL, with an upholstered top on spiral turned legs and stretcher with bun feet, 20” wide

1490 A 19TH CENTURY FRENCH KINGWOOD AND PARQUETRY SEWING TABLE, the rectangular top with serpentine borders and gilt metal mounts, the interior with a sliding tray and mirror, with a shaped frieze on tapering cabriole legs, 20” wide. See illustration

1495 A SUITE OF LOUIS XIV STYLE WALNUT SEAT FURNITURE comprising: a two seat sofa with high raised rectangular back and leaf-carved arm rests and similar legs, and two matching armchairs (3)

£800-1500

1491 AN EDWARDIAN INLAID CORNER DISPLAY CABINET, the shaped top with satinwood stringing above a bow fronted drawer and two dummy drawers and a glazed door with conforming glazed side panels, on splayed legs, 30” wide

£200-400

£400-600

1497 A REGENCY SOFA with a low rectangular back and upholstered seat, on four ring-turned legs and castors, 72” wide

£600-800

1493 A GEORGE III AND LATER FOUR PILLAR DINING TABLE, the top with rounded ends and a reeded border on heavy turned columns, each with four downswept legs and brass animal paw castors, circa 63” x 220”

£600-1200

1496 AN EMPIRE STYLE BRASS AND COLOURED METAL LIGHT FITTING with a central leaf decorated ceiling boss and a broad chandelier with six candle branches, 22½” wide

1492 A SET OF EIGHT HEPPLEWHITE STYLE DINING CHAIRS with arched top rails above pierced and carved back splats, with drop-in seats on dished seat rails, with square tapering fluted legs and “H”-form stretchers, comprising two armchairs and six standard chairs (8)

£150-250

£200-400

1498 A PAIR OF NEO-CLASSICAL STYLE GILT BRASS WALL LIGHTS with tapering fluted mounts and three scrolling candle branches with candle effect bulbs, 24”

£1200-1800

£400-600

Lot 1490 178

179

1499 A PAIR OF ORKNEY ISLAND CHAIRS, with raised arched straw-work backs above similar drop-in seats and scrolling arms, each with a single short drawer with lion mask handles, 58” high, together with a copy of “Songs of the Hebrides, Vol. II”, by Marjory Kennedy-Fraser & Kenneth MacLeod, published by Boosey & Co, London 1917. See illustration

Provenance: The property of Augustus John.

These chairs were housed in Augustus John’s studio, “Studio North” at Fryern Court in Fordingbridge, Hampshire, built by Kit Nicholson in the 1920’s. They remained at this property until the house was sold in 1969.

Thence by family descent.

The volume of “Songs of the Hebrides” has been kept in the drawer of one of these chairs for as long as the family can remember.

£1000-2000

END OF SALE

Lot 1499 180

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Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros (approx £890 according to the daily exchange rate) to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Coloured Gem Stones 182

Prospective buyers of coloured gemstones should be aware that some stones might have been treated to enhance their colour or clarity. Sapphires and rubies are commonly heat-treated and emeralds are commonly oiled. In the case of oiling, this may need to be redone after a period of years. The international jewellery trade has generally accepted these methods.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 (a) (b)

DEFINITIONS In these Conditions: “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; “You”, “Your”, etc. refer to the buyer as identified in Condition 2. The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. In the absence of such information, a Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at Melplash Court, Dorset, or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101