Duke's 10th April 2014 Auction by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 10th April. Paintings and Furniture.

Paintings and Furniture

Thursday, 10th April

2014

PRINTED IN DORCHESTER BY EPIC QUALITY PRINT

Duke’s AUCTIONEERS SINCE 1823

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0208) 7615060 North Of England Nick Bray 07860 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids:

If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations:

If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding:

If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates:

Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports:

An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards:

There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits:

The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

22% plus VAT on the hammer price.

Artist’s Resale Right:

5From mid February 2006 living artists are entitled by law to receive a resale royalty

Collection:

Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding

Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

ASIAN ART AUCTION: 22nd May 2014

A fine blue and white 'dragon' dish, the base with a 'Zhi Yuan Tang Zhi' mark (Hall of extended remoteness), Yongzheng/Qianlong, 9 ½" diameter Provenance: Private collection, Isle of Wight.

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 5th April, 9.30am - 12noon Monday, 7th April, 9.30 am- 5pm Tuesday, 8th April, 9.30am- 7pm Wednesday, 9th April, 9.30am -5pm and on the morning of the auction day.

Catalogues £20.00 (by post)

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Duke’s AUCTIONEERS SINCE 1823

Thursday, 10th April 2014, 10.30am Lots 1 – 30

Prints and Engravings

Lots 31 – 132

Watercolours and Drawings

Lots 150 – 279

Oil Paintings

Lots 300 – 327

Books and Manuscripts

Lots 330 – 363

Boxes, Caddies and Works of Art

Lots 370 – 382

Clocks and Scientific Instruments

Lots 385 – 392

Rugs

Lots 400 – 486

English and Continental Furniture

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

IMPORTANT MINIATURES AUCTION: 12th June 2014

Miniatures advert – John to send

JOHN SMART(1742– 1811) A portrait miniature of Miss. Annie Chambers, Signed with initials J.S and dated 1807, On ivory, 8.7cm x 6.9cm, oval Provenance: The sitter and thence by decent. Estimate: £8,000-12,000 Miss Annie Chambers (1788-1858) was the youngest child of Sir Robert Chambers (1737-1803), Chief Justice of Bengal, and his wife Francis Wilton (1759-1839), daughter of the sculptor and founding member of the Royal Academy, Joseph Wilton. 8

Duke’s AUCTIONEERS SINCE 1823

SILVER AUCTION: 12th June 2014

Miniatures advert – John to send

Duke’s

AN IMPORTANT SET OF FOUR GEORGE II CAST SILVER CANDLESTICKS by Edward Feline, London, circa 1750 Estimate: £2,000-£4,000

AUCTIONEERS SINCE 1823

THURSDAY, 10 t h APRIL 10.30A M PRINTS AND ENGR AVINGS

Lot 18 Detail 11

AFTER ROBERT CRUIKSHANK (1789-1856) "Paul Pry at Widow CA ...'s", published 1826 by G. Humphrey, hand coloured engraving, 9¾" x 13¾", and a similar handcoloured "Fleabottomi" (2)

5A AFTER DAVID ROBERTS (1796-1864) 'Visit to Petra', handcoloured print, 19" x 12½"

£100-200

£80-160

CECIL ALDIN (1870-1935) "The Self Barks" (away from Pearmans covert from the hunting countries), signed in pencil to the margin with foxes head sketch to the remarque, with publishers blind stamp, published Alfred Bell & Co. 1925, title label verso, coloured lithograph, 14½" x 24¾" wide

£300-600 7

£100-200 3

LAURA KNIGHT (1877-1970) A view of a semi nude dancer seated on a rattan chair tying her ballet slippers, signed in pencil to the margin lower right, etching, 9¾" x 13½" (plate). See illustration

PAULES POTTER (1625-1654) A study of a heifer, dry point etching, 3½" x 5" (plate) £80-160

AFTER REMBRANDT VAN RIJN (1606-1669) "Jan Uytenbogaert, Preacher of the Remonstrants", titled to margin in Latin, dry point etching, 8¾" x 6¾" (trimmed). See illustration

AFTER RAFAEL(?) A group of three classical nudes, with printed title "In the Collection of Mr Reynolds", by W.W. Ryland 1763, etching, 13" x 8¾", and the companion "in the collection of John Barnard, Esq." (2) £100-200

£200-400 5

5DAME

£400-800

AFTER REMBRANDT VAN RIJN (1606-1669) An old scholar seated with his eyes closed before an open book, engraved signature lower left, drypoint etching, 5½" x 4¼" (trimmed). See illustration £200-400

P. PLANAT, 19th/20th century school "Habitations Particulieres: Hotels Prives" A folio of coloured lithographs depicting architectural views of French buildings, plans and interiors, and a similar interior view after Toussaint (2)

9A AFTER JOHN FREDERICK HERRING (1815-1907) 'Plenipotentiary, The Winner of the Derby Stakes at Epsom, 1834', engraved by Smart & Hunt, published 1834 by S & J Fuller, coloured mezzotint, 15" x 19" and the companion pictures (8)

"THE VIEWS IN DORSETSHIRE" A cloth and leather-bound book containing various loose leaf engravings, etchings and maps depicting topographical scenes of the County, 18th century and later £250-500

£200-400

Lot 4

Lot 3

Lot 7

SAMUEL PALMER (1805-1881) AND ALFRED HERBERT PALMER (1853-) "The Sepulchre" 1880-1883, with poetical text to the margin, for, "An English Version of the Ecologues or Virgil", etching, 5¼" x 7½"

MASSON (1896-1987) Abstract study of Irises in a pot by moonlight, signed in pencil to the margin, tri-coloured lithograph, 21" x 12¾". See illustration

£150-250

£100-200 11

5ANDRE

5ERICH

WOLFSFELD (1884-1956) A head portrait of a child with shoulder length hair, signed in pencil lower right, dry point etching, 5" x 4"

£100-200

AFTER SIR HENRY MOORE (1898-1986) Two female figures seated on stools, one clasping a brush, the other arranging her hair, printed signature within the image, coloured lithograph, 22¼" x 21¾". See illustration £400-600

5SALVADOR

DALI (1904-1989) "Le Cheval", from the series of 12 of "Roi, Je T'attends a Babylon", apparently published 1972, signed in pencil lower right and numbered 79 of 150, etching on vellum, 23" x 16¼".

Provenance: The Eton Art Gallery. Purchased 1991. Private collection, Dorset.

AFTER LAURENCE STEPHEN LOWRY (1887-1976) Figures queuing along an urban street, printed signature within the image, further numbered in pencil to the margin, 113/850, with publishers blind stamp, coloured lithograph, 13" x 20"

£800-1600

£100-200 18

5SALVADOR

DALI (1904-1989) "Des Nudos" or "Fontaine Mystique", signed in pencil lower right and numbered 81/150, apparently published in 1974, dry point etching, 15½" x 12¼"

Provenance: The Eton Art Gallery. Purchased 1988. Private collection, Dorset.

STEPHEN LOWRY (1887-1976) Children, dogs and parents gathered in an urban street, in front of open ambulance doors, printed signature and date "1935" within the image, further signed in blue biro to the margin by the artist, coloured lithograph, 19" x 22¾"

£400-800

£300-600 14

5LAURENCE

5SALVADOR

DALI (1904-1989) "A Viviane et Lancelot", signed in pencil lower right and dated in Roman numerals 1974, from a series of 12 for "Quete Du Graal", coloured dry point etching, 15½" x 10" (plate). See illustration.

INUIT SCHOOL, 20th century Study of a canoeist fishing with a spear, printed initials "WJA", monochrome and orange woodblock print, 12½" x 19¼" £80-160

Provenance: The Eton Art Gallery. Purchased 1991. Private collection, Dorset. £1,000-2,000

Lot 14

Lot 15

Lot 16

5MICHAEL

SANDLE (1936- ) "Iraq Triptych" (centre panel) - A political study depicting the Blairs outside No.10, signed and dated 2007 in pencil to the margin, and numbered 6/100, monochrome lithograph, 24" x 18"

5WILLIAM

RUSSELL FLINT (1880-1969)

"Far Horizon", artist's proof, signed in pencil lower right with further publisher's blind stamp to the margin, coloured lithograph, 7¼" x 16½"

5CELIA

WASHINGTON (1959- ) "Viaje au fin de la Noche", signed, dated 2000, titled and numbered 12/35 in pencil to the margin, monochrome and blue lithograph, 14" x 10¼" 29

5SIR

PETER BLAKE (1932- ) Decoupage composition, signed in pencil to the margin and numbered 47/100, coloured lithograph, 24" x 33½"

TODD WHITE (1969 - ) A girl with brunette curly hair clasping a glass of wine, printed signature and numbered 123 of 195 to the image, handwritten artist's dedication, verso, coloured embellished printed canvas, 9½" x 15½"

JOHNSON PAYNE (1884-1967) - "SNAFFLES": 'A Fire Eater', signed to the margin with printed sketch to the remarque, coloured lithograph with over-painting, 10½" x 33¾"

CECIL ALDIN (1870-1935): A view of figures outside a tavern, printed signature to image, further signed in pencil to the margin with coloured sketch to the remark with blind stamp, coloured print, 14¾" x 16" £100-200

£500-1,000 spare lot

5CHARLES

£100-200

BERLIN (1911-2000): 'Kingfisher', signed in pencil and dated '90 and further titled, coloured Svenotype', 20½" x 11½"

£250-350 28

5SVEN

Provenance: The Estate of the Artist

£80-150 22

FEDDEN (1915-2012): A still life study of fruit in a bowl, with dandelions in wine bottle, signed in pencil and no. 47/95, monochrome lithograph with Curwen blind stamp, 16¾" x 21¼"

£200-400

£100-200 21

5MARY

5LIONEL

EDWARDS (1878-1966): A Hunt Master on foot, directing the hounds on the hills, printed signature within the image, further signed in pencil to the margin, published by the sporting Gallery, London, coloured lithograph, 10¼" x 16½"

£80-160

WATER COLOURS AND DR AWINGS

Lot 79 17

ATTRIBUTED TO JOSHUA CRISTALL (1767-1847) A Roman warrior and a classical figure conversing over a dead bird under a tree, watercolour, pen and ink, 5½" x 4¾"

£100-200

£300-600 32

DAVID COX SENIOR (1783-1859) "The Veil of Llangollen", signed lower right, titled to mount, Leger Gallery label verso, watercolour, 9½" x 13¼". See illustration

£2,000-4,000 EMERIC ESSEX VIDAL (1791-1861) Preparatory study of men drawing sails, in a harbour, watercolour over traces of pencil, 7¼" x 11¼".

£200-400 EMERIC ESSEX VIDAL (1791-1861) Preparatory study of figures rowing in a long boat, watercolour, 7¼" x 11¼", and a pencil study by the same artist of a tall ship (2).

WILLIAM FREDERICK MITCHELL (1845-1914) A study of a steamer ship with sails out, signed lower right, dated 1889 and numbered 1545, watercolour, gouache, pen and ink, 6¾" x 8¾" £200-400

Provenance: The studio of Emric Essex Vidal and thence by descent in the Vidal family £100-200 35

MONOGRAMMIST JDH, 19th century school A panoramic shipping scene coming into harbour, impressed initials "JDH", watercolour, pen and ink over pencil traces, 10¾" x 29¾" £300-600

Provenance: The studio of Emeric Essex Vidal, and thence by descent in the family.

COPLEY FIELDING (1787-1855) Mountainous landscape view with figures on a path before sheep, signed lower left, watercolour, 7" x 9¾" £300-600

Provenance: Leger Gallery, June 1959 Private collection, Worcestershire.

ITALIAN SCHOOL, 18th century A side portrait profile of a man in a hat, indistinctly signed in sepia ink lower left, "... OXBYR...", sepia pencil, 13½" x 10"

ATTRIBUTED TO JOSHUA CRISTALL (1767-1847) A study of three young children holding each other, watercolour, 5¾" x 5½", and the companion painting (2). See illustration

FERDINAND BERNARD HOPPE (1841-1922) A woman and her child walking down the garden path before a cottage and trees, signed lower right and dated '79, watercolour, 12¼" x 8¾" £80-160

Provenance: Private collection, Worcestershire.

ATTRIBUTED TO WILLIAM FREDERICK MITCHELL (1845-1914) A study of HMS Hercules, gouache, 4¾" x 6¾" £200-400

£500-1,000

Lot 32

Lot 35

Lot 43

WILLIAM LIONEL WYLLIE (1851-1931) "Tangier", signed and titled lower left, watercolour over traces of pencil, 10½" x 16½" £150-300

Lot 43

NEAPOLITAN SCHOOL, 19th century "The Bay of Naples", titled to the mount, gouache, 16" x 24¾", and the companion "A View of Naples from Castelmar" (2). See illustration £800-1,500

EARLY 19TH CENTURY SCHOOL A study of a lady in melancholic thought, accompanied by an elder sister, in a classical exterior, pastel, 27½" x 20½". See illustration £500-1,000

Lot 44

ALICE M. MOTT (fl. 1880-1908) "Tranquillity", signed lower left watercolour, 35½" x 27½". See illustration £500-1,000

MARQUISE DE SALVO, 19th century A study of sheep eating hay, with chickens and a farmer in a courtyard, signed in ink lower right with further indistinct title, watercolour, 18½" x 22½" £100-200

DUTCH SCHOOL, 19th century A landscape view of Bokhoven, gouache, 20" x 29" £300-600

Lot 45

Lot 51

JOHN BURGESS JUNIOR (1814-1874) "Canal scene at Oudenade, Belgium" with old separate back panel bearing artists handwritten labels, watercolour over traces of pencil, 21½" x 15" Provenance: Private collection, West Dorset. Purchased from Weybridge Antiques in 1963 (original invoice available on request) £300-600

EDWIN STEELE (1837-1898) Still life study of an apple, pear and black grapes, with vine leaves, signed lower right, gouache, 5¾" x 10¼", and the companion (2) £80-160

REGINALD WEST (fl.1900-1910) "Setting the Tranmel Net", signed in red lower left, artist title, address and copyright details verso, watercolour heightened with white, 10¾" x 13¾" £250-500

Lot 54 51

CONTINENTAL SCHOOL, 19th century A portrait study of a girl wearing beads and earrings, with her hands folded over a tambourine, gouache on wood panel, with carved demi-lune and gilt highlighted borders, 15¼" x 11¼" (entire panel). See illustration £800-1,600

MANNER OF WILLIAM GAVIN HERDMAN (1805-1882) A view of a Liverpool street corner with figures and carriages, watercolour heightened with white, 26¾" x 45¾". See illustration £200-400

JAMES MURRAY (1831-1863) and JAMES THOMSON (1800-1883) The Mall, Kensington Church Street, London, sepia watercolour over pencil traces, 24¾" x 34" See illustration £300-600

Lot 52

Lot 53

Lot 55

HENRY JOHN STOCK (1853-1930) "Death Turning away from an innocent child", signed lower right and dated 1893, Alan Lewis label and Royal Institute of Painters label, verso, watercolour heightened by white, 17½" x 13". See illustration on page 20 £800-1,600

WILLIAM POWELL FRITH (1819-1909) Head study of a male lion, signed lower right and dated 1835, sepia watercolour, 14¼" x 12". See illustration £300-600

Lot 56

LOUIS WAIN (1860-1939) A study of a cat wearing spectacles and inspecting papers, signed lower left, monochrome watercolour, 10" x 5½". See illustration We are grateful for the assistance of Chris Beetle in the cataloguing of this lot. £500-1,000

ROBERT WEIR ALLAN (1852-1942) "Number One The Ebbing Tide" - fisherfolk on a quay sorting through their catch, signed lower right, old handwritten label verso, watercolour, 23¼" x 35". See illustration £800-1,500

Lot 59

FREDERICK ARTHUR VERNER (1836-1928) American Indians in a longboat on Lake Superior searching through the fog, old handwritten label verso, watercolour, 12" x 24". See illustration £500-1,000

WILLIAM CRUICKSHANK (1848-1922) "For the Larder Pot" - a dead pigeon amongst bracken, signed lower left, gouache, 10" x 14¼". See illustration £300-600

Lot 57

Lot 58

TURKISH SCHOOL, 19th century Ten loose leaf studies of cultural figures and sites, watercolour, 5½" x 8" each (6 sheets) £100-200

CIRCLE OF THOMAS DESSOULAVY (fl. 1839-1853) "Rome, 1841", signed, titled and dated lower right, pen and ink heightened with white, 8½" x 11½"

£300-600 67

£100-200 62

ALICE M. MOTT (fl. 1880-1908) "Hesitation", old artist's handwritten label verso, signed upper left, watercolour, 23½" x 15" £300-600

ENGLISH SCHOOL, 19th century "His Majesties Packet, Diana, Phillip Sleeman, Esq. Commander 1820", titled, watercolour and bodycolour, 19½" x 22¾". See illustration

£500-1,000 63

DUTCH SCHOOL, 19th century A torso portrait of a gentleman wearing a double breasted blue coat and black stock, indistinct inscription verso, pastel, 11½" x 9½", and the companion portrait of a woman (2)

5EDWIN

EARP (1851-1945) View of buildings and boats across a Bavarian lake, signed lower left, watercolour, 18¼" x 27¼", and a similar painting by the same artist (2)

£200-400

PREVIOUSLY ASCRIBED TO JOHN CONSTABLE (1776-1837) Study of a tall ship in heavy seas, watercolour heightened with white, 2¾" x 4¼"

£80-150

ENGLISH SCHOOL, 19th century A country house in a landscape, watercolour en grisaille, 12¾" x 20½" £100-200

ENGLISH SCHOOL, circa 1770 A signed portrait profile of Mrs Elizabeth Lind (neé Farrer) of Carlisle, wife of Captain Francis Lind, 14th Regt., handwritten title, and Italian import stamps verso, pastel, 4¾" x 3¾", in the original oval fruitwood frames, and the companion portrait of her son Montague Lind (2). See illustration

Provenance: Property of Sir Glo. Denys Private Collection, Dorset

£500-1,000

£500-1,000 65

WILLIAM HENRY HUNT (1790-1864) A still life study of irises in a vase, with a goblet of wine and cherries, signed and dated 1836, watercolour, 21" x 17½", oval

GIORGIO GLASS (19th century) "Eruzione del 1808", titled and signed lower right, gouache, 3¾" x 4"

F.H. WHITTINGTON (20th century) The pebbly shoreline of a lake, signed and dated 1909 lower left, watercolour, 12¼" x 16" £100-200

£250-500 26

Lot 62

Lot 64

DORA HECKEL, (20th century) A still life study of a silver vase and colourful flowers, signed "Dora Heckel Dresden" lower right, gouache, 23½" x 32¼"

£200-400

REGINALD SMITH (1870-1926) Waves crashing against a rock pool with penguins and birds in flight, signed, watercolour and gouache, 25½" x 38¼" £200-400

EDWIN HARRIS (1855-1906) "Chanctonbury from Washington", signed lower left and dated 1875, old label and Royal Academy exhibition label verso, watercolour, 16¼" x 25"

£180-250 74

5THEODORE

MAJOR (1908-1999) An arrangement of three cherubic child head studies, signed lower left and dated 1929, pencil, 12¾" x 18½"

£1,200-1,800

19TH CENTURY SCHOOL A view of a castle on a cliff edge with mountains in the background at moonlight, watercolour, pen and ink, 7½" x 5½", oval, and the companion picture (2)

£100-200

5SVEN

BERLIN (1911-2000) "Old Man with a swiggler, New Forest 1954", titled, dated and signed in pencil lower right, watercolour en grisaille, 16¾" x 12¾"

Provenance: The Estate of the Artist £600-800

WILLIAM HENRY HUNT (1790-1864) Study of a birds nest with blue eggs beside a terracotta jug of flowers, signed lower right, watercolour highlighted with white, 13" x 16¾". See illustration

£500-1,000 76

ALDIN (1870-1935) The Huntmaster cantering down a hill blowing the horn, on his grey steed, signed lower right, gouache on wood panel, 10¾" x 16¾"

£200-400

5SIR

KYFFIN WILLIAMS (1918-2006) A mountain study, initialled "KW" lower right, ink and wash, 7¼" x 17". See illustration

Provenance: Private collection, Somerset

ATTRIBUTED TO PHILIPPE NOYER (1917-1985) A cartoonist depiction of a family seated in a drawing room before a tray of wine and glasses, watercolour, pen and ink, 24" x 19" £300-600

£1,500-2,500 77

5CECIL

ELYN CHASSON (?), (20th century) Full-length portrait study of a lady in a wrap dress reclining in an armchair, indistinctly signed lower left, charcoal, 21¼" x 17½" Provenance: Private collection, Somerset

5GEORGE

DENHOLM ARMOUR (1864-1949) "Ware Riot", signed lower right, titled and dated 25th January '96, verso, watercolour en grisaille heightened with white, 13½" x 9½"

£200-400

£200-400 28

Lot 75

Lot 76

Lot 85

5W.

REEVES, (20th century) Pheasants in an autumnal landscape, signed lower right, pastel, 13½" x 19½"

£250-450 85

5FELIX

TOPOLSKI (1907-1989) "Kurdoine(?) Beiruth ...", signed in pencil and dated 11 and 1949, with gift inscription and further titled indistinctly in ink lower left, crayon and ink wash, 15½" x 12½". See illustration

£150-300 Lot 86 86

5SVEN

BERLIN (1911-2000) Self-portrait, signed in pencil lower left and dated '84, artists Gaunts Wimborne label and dedication with signature verso, watercolour over traces of pencil, 10¼" x 7¼". See illustration

Provenance: The Estate of the Artist £400-600 87 Lot 87

5BRIDGET

LEAMAN (1948 - ) "Bass Point, The Lizard, Cornwall 1973", inscribed by the artist verso, watercolour and gouache, 28½" x 12" See illustration

£500-1,000 88

5JOHN

LIVESEY (1926-1990) Study of a tree in blossom, signed lower left, pastel heightened with gouache, 19¼" x 14"

£150-300 89

5FREDERICK

DONALD BLAKE (1908-1997) Abstract study of boats in a harbour, signed lower right, watercolour and gouache, 17¼" x 27¼"

£200-400 30

ATTRIBUTED TO MARY QUANT (1934-) A sketchbook containing numerous pencil fashion sketches and gouache textile and clothing designs, each page 15½" x 13" The sketchbook was reputed to have been given to Alfred Page, a relative of the vendor by Mary Quant, who was close friends with Mr Page. Alfred Page (died 1974) was a lecturer in printing at the Royal College of Art, London. See illustration £100-200

Lot 90

5SIR

KYFFIN WILLIAMS (1918-2006) Side profile study of a curlew, initialled lower right, pencil with brown watercolour wash, 10¾" x 15½". . See illustration

Lot 91

£1,000-2,000 92

5ALBERT

HOUTHUESEN (1903-1979) A view of Ruskin Park, London, dated October 29th 1959 and signed lower left, black and iron red chalk pastel, 20½" x 27¼" See illustration

£200-400 93

ATTRIBUTED TO CHARLES FREDERICK TUNNICLIFFE (1901-1929) A study of two water birds and their young, colour and gouache over traces of pencil, 13¼" x 26½". See illustration

Lot 92

£300-600 94

ALICE M. MOTT (fl. 1880-1908) Self-portrait, pencil, 15¼" x 11¼" £80-150

Lot 93

MANNER OF CHARLES TURNER (1773 - 1857) A portrait of a woman seated resting her head on her hand, indistinct signature, pencil, 7¾" x 5¾" Provenance: Private collection, West Sussex. £200-400 31

5SIR

102

WILLIAM ROTHENSTEIN (1872-1945) A profile study of a soldier, chalk on red paper, 24" x 18", and a pen wash study of a group of figures at the theatre (2)

£200-400 103

£200-400 SPARE LOT

MARJORE, (20th century) a side full length portrait of a figure seated in a cantilever chair, signed in ink upper right "Marjore", crayon on sketchbook paper, 11" x 8½"

BERLIN, (1911-2000): A study of a leaping hare, signed in pencil, lower right and dated '79, outline watercolour, 17½" x 23½" £200-400

104

5SVEN

BERLIN (1911-2000): 'A falcon stooping heron from underneath', signed and dated '93 in pencil and titled, outline pen and ink, 15" x 18¾" Provenance: The Estate of the Artist

£200-400

5PAUL

MAZE (1887-1979) "Nice", titled and signed, pastel on brown paper, 10" x 14"

105

£100-200 100

5SVEN

Provenance: The Estate of the Artist

Provenance: Phyllis Crawford (deceased) and thence by descent. She acquired it from her brother who was a friend of Picasso.

BERLIN, (1911-2000): A study of four female bathers, watercolour, wash, pen and ink, 8" x 12½". See illustration Provenance: The Estate of the Artist

Provenance: Sir William Rothenstein and thence by descent

5SVEN

BERLIN (1911-2000): 'Poet and muse I", titled, signed and dated '94 in pencil, black pen and ink over pencil outlines, 21¼" x 15" Provenance: The Estate of the Artist £300-600

5DEREK

BALMER (1934-): 'Mallorcan Winter II', signed lower right and dated '02, further inscribed verso, gouache, 11" x 15"

106

£150-300

5TOM

MERRIFIELD (1932-): Three-quarter length portrait of a semi-nude woman with auburn locks, signed in pencil lower left, pastel, 42" x 19" £300-600

101 NORWEGIAN SCHOOL, 20th century A cartoon for a textile depicting a rearing horse and organic figures with Death looming, initialled 'EUN', lower right, gouache over pencil traces, 39¼" x 47½". See illustration

107

5PENELOPE

LOTT (20th century): 'Considering Form, 1987', pastel, 26¾" x 38" Provenance: Oliver Swann Galleries, London, 1988 Private Collection, Somerset £200-400

Lot 101

Lot 102

108

Lot 109

5PENELOPE

LOTT (20th century):

'Studying Form', pastel, 26¾" x 38" Provenance: Oliver Swann Galleries, London, 1988 £200-400 109

5MARZIA

COLONNA (1951-): 'Corrida', signed lower right, mixed media collage, 11¾" x 15¼". See illustration £500-800

110

5JOHN

THOMPSON (1924-2001): 'Manchester' signed and dated '89 lower right and titled lower left, watercolour with traces of pencil, 15½" x 23¼" £200-400

111

Lot 111

5DONALD

MCINTYRE (1923-2009): 'Quayside', with artist's inscription 'To Dan and Lauren', verso, acrylic and pencil, 9½" x 11¾". See illustration Provenance: A gift by the artist, December 1982 David Gunning, Todmorden Fine Art Peter Wilson 2006 Private Collection, Liverpool £300-600

111A

5SANDRA

BLOW (1925-2006): Pink and white abstract composition, signed in pencil lower right and dated '95, collage, 38" x 29½" See illustration

£2,000-4,000

Lot 111A 34

Lot 112

Lot 113

112

5SIR

TERRY FROST (1915-2003) A striped composition in red, green and yellow, signed in pencil and numbered 001 by the artist verso, 39" x 19". See illustration

113

£1,000-2,000

5BRUCE

MCCLEAN (1944-) A colourful abstract study, signed in chalk lower centre, mixed media, 59½" x 44½". See illustration £1,000-2,000

THE PROPERTY OF A NOBLEMAN

114

5WILLIAM

ROBERTS (1895-1980) "Gas Alert", signed, titled and dated 1919, lower left, watercolour and pencil, 8¼" x 5¾" This watercolour is a superb example of the artist's output during his time as an official war artist in the years 19181919. Here the influences of cubism, such as the carefully angled hats and linear, sculptural faces combine to give a bitter edge to the implied horrors that the subject matter represents. Comparable significant works from these years can be found in the Imperial War Museum "A Shell Dump France 1918-1919" and "The First German Gas Attack at Ypres 1918" in the National Gallery of Canada. Provenance: Aquired directly from the artist by the family of the vendor and thence by descent. See illustration £20,000-40,000

115 Spare lot

122 WILLIAM HENRY PEARSON (19TH/20TH CENTURY) ‘Yarmouth Trawlers’ Signed, titled and dated ’15 lower left, Watercolour, 15” x 9¼”

116 Russian School, 19th century ‘Lion Bridge, St. Petersberg’ Signed in Cyrillic, lower left, Watercolour, pen and ink 6¼” x 8”

£100-200

£200-400

123 19TH CENTURY SCHOOL ‘Ballaugh’ – Children in 18th century dress playing Blind Mans Bluff Watercolour 9½” x 13”

117 ROBERT VAN ROSEN (1904-1966) A theatre design for a Gothic, church-like interior, Signed lower right, numbered 925 and inscribed ‘Act Two’, verso, Gouache, 20” x 15” And another similar entitled ‘1st Act 3rd Scene’ (2)

£100-200 124 A.W. CRAWFORD LINDSAY (19TH CENTURY) Ships in the polar ice displaying red flags, Signed and dated 1897 lower right Watercolour over traces of pencil, 6” x 20½”

118 ATTRIBUTED TO ANDRE DERAIN (1880-1954) ‘La Nymphe’ – design for the Ballet, Signed in pencil lower left, Watercolour on brown paper, 5” x 7½”

£200-400

£250-450

125 WILLIAM HENRY PEARSON (19TH CENTURY/20TH CENTURY) ‘A Fresh Breeze’ Signed and titled lower left, Watercolour, 10¼ x 26”

119 FILIP MALIAVIM (1869-1940) Portrait of a gentleman folding his arms seated in an armchair, Signed in pencil lower right, Pencil and coloured chalks, 10¼” x 10¾”

£200-400

£250-400

126 WILLIAM HENRY PEARSON (19TH CENTURY/20TH CENTURY) ‘Haddock Boats off the Clyde’ Signed, titled and date 1916 lower left Watercolour 10” x 25¾”

120 FILIP MALIAVIM (1869-1940) Portrait of a peasant girl reclining Signed in pencil lower right Pencil and coloured chalks, 18¾” x 24½”

£200-400

£800-1,200 127 WILLIAM HENRY PEARSON (19TH CENTURY/20TH CENTURY) ‘Colliers Millwall’ Signed and titled lower left Watercolour 10¼” x 26¼”

121 FILIP MALIAVIM (1869-1940) Portrait of a nude woman reclining by the sea, Signed in pencil lower right Pencil and coloured chalks, 10” x 17¼”

£300-600

£500-1,000

128 ATTRIBUTED TO EDWIN EARP (1851-1945) View of boats on summer day on a Continental lake, Initialled lower right E.E, Watercolour, 8½” x 22¾”, and the companion picture (2)

Lot 129

£150-250 129 PERCY FRENCH (1854-1920) Path through remote hills at dusk Signed lower right Watercolour 6¼” x 9¼” See illustration

Lot 130

£500-1,000 Provenance: A gift to the vendor’s family (Colonel Sanderson, Co. Down) from the artist 130 PERCY FRENCH (1854-1920) Landscape scene with hills on a summers day, Watercolour, 5¾” x 9½” See illustration £500-1,000

Lot 131

Provenance: A gift to the vendor’s family (Colonel Sanderson, Co. Down) from the artist 131 PERCY FRENCH (1854-1920) Pathway beside a lake on a cloudy day, Signed lower right and dated 1912, Watercolour, 8¼” x 13¾” See illustration £1,000-1,500 Provenance: A gift to the vendor’s family (Colonel Sanderson, Co. Down) from the artist 132 WILLIAM HENRY PEARSON (19th/20th century) "North Sea Smacks, Signed and titled lower left, Watercolour, 11” x 23¼” See illustration £200-400

OIL PAINTINGS

Lot 214 41

150 ENGLISH SCHOOL, 19th century Cattle and sheep with a herdsman in a landscape setting, with mountains to the distance, oil on canvas, 17½" x 23½". See illustration

Lot 150

£200-400

151 JULIUS CAESAR IBBETSON (1759-1817) View in the Lake District, oil on panel, with a Pulitzer Gallery label to the reverse, 8" x 10". See illustration

Lot 151

£400-600

152 MANNER OF GEORGE MORLAND (1763-1804) Hanging out the washing, oil on canvas, 19" x 14¼". See illustration

Lot 152

£500-1,000

153 MANNER OF JOSE DE ARELLANO (1665-1710) A still life study of flowers in a vase, oil on canvas, 28" x 22½". Provenance: deceased estate, West Dorset. See illustration £1,000-2,000 43

154 DUTCH SCHOOL, 18th/19th century Figures on horseback and skating on frozen canals with a windmill, church and buildings to the distance, oil on panel, 14½" x 32½"

160 CONTINENTAL SCHOOL, 18th/19th century A landscape view with a lake and hills to the distance, possibly Denmark, oil on canvas, 8¾" x 12" £150-250

£200-400

161 MANNER OF CLAUDE LORRAINE (1600-1682) Figures in an Italianate landscape with buildings to the right, oil on copper, 5" x 7½"

155 DUTCH SCHOOL, 19th century Sailing ships in a choppy sea, oil on canvas, 17½" x 29½" £150-250

£100-200

156 PRIMITIVE SCHOOL, 19th century A gentleman playing the cello with figures looking on and a child holding the book of music, oil on board, 9½" x 7½"

162 CONTINENTAL SCHOOL, 19th century A three masted sailing ship in a stormy sea, oil on canvas, monogrammed lower left "E. de B, 82", 20" x 26½"

£200-400

£150-300

157 CONTINENTAL SCHOOL, 19th century Two ships in a stormy sea with a coastline to the left, oil on canvas, 5" x 7"

163 ENGLISH SCHOOL, 19th century A young girl and pack horse in a moorland landscape, oil on canvas, 17" x 21¼"

£100-200

£150-250

158 GUSTAVE DE BREANSKI (1856-1898) Sailing boats entering a harbour, in a choppy sea, signed lower right, oil on canvas, 15" x 21"

164 ENGLISH SCHOOL, early 19th century Ruined folly tower with a pair of figures beside a river, oil on board, 11½" x 15½" £150-300

£300-600

165 VINCENT CLARE (1855-1930) A still life of fruit on a branch, with a stone wall to the background, signed lower right, oil on canvas, 10½" x 7½"

159 CONTINENTAL SCHOOL, 18th/19th century Cows watering in a pond with trees and buildings to the distance, oil on board, 6½" x 8½"

£100-200

£150-250

166 HEINRICH WEBER (1843-1913) Two old men drinking in a tavern, signed lower left "Heinr. Weber, Munchen 1883" oil on canvas, 17" x 12½". See illustration £500-1,000

167 MANNER OF CORNELIUS JONSON A portrait of a lady wearing a pearl necklace, in a feigned oval, bust-length, oil on canvas, 26¼" x 21".

Lot 167

See illustration £400-600

168 WILLIAM J. MULLER (c.1812-1845) A figure and livestock crossing a bridge beside a woodland and cottage, signed lower right and dated 1833, oil on canvas, 15" x 21".

Lot 168

See illustration £500-1,000

169 FOLLOWER OF CLAUDE LORRAINE, 18th century Three figures in a naturalistic wooded landscape, oil on board, 7½" x 5¼".

Lot 169

See illustration £500-1,000

170 F.. GIBSON "Young Gondolier", oil on canvas, monogrammed F.G. lower left, with a paper label to the reverse "Venetian gondolier, young gondolier by Gibson, from Keen's Exhibition 1884", oil on canvas, 19½" x 15½". See illustration £300-600 47

171 ATTRIBUTED TO JOHN LINNELL (1792-1882) "Apple Gatherers", oil on canvas, 30" x 40". Provenance: The collection of Frank Hindley Smith (died 1939), and thence by descent. Frank Hindley Smith amassed an extensive collection of fine paintings including a number of works by John Linnell, which were selected for him by Percy Moore Turner, Chief Adviser to the Courtauld Institute. He died a bachelor and P.M. Turner was made sole executor. In the region of 200 paintings were divided up between a number of museums including The Fitzwilliam and The Ashmolean. Two works by Linnell went to the Tate Gallery, and another to the National Gallery. A small part of the collection remained within the family via Hindley Smith's sister. See illustration ÂŁ800-1,500

172 THOMAS DESSOULAVY (fl. 1839-1853) "Grotta Ferrata, Roma 1831", oil on canvas, 13¾" x 17¾". See illustration £800-1,500

173 CONTINENTAL SCHOOL, 19th century A figure herding sheep in a landscape, oil on board, 9½" x 14".

Lot 173

See illustration £500-1,000

174 ENGLISH SCHOOL, 19th century A cottage in a landscape, oil on panel, with a label to the reverse attributing it to H.T. Cassine, Norwich School, 1850, 6" x 7½". See illustration £200-400

Lot 174

175 CONTINENTAL SCHOOL, 19th century A portrait of a seated lady wearing a hat and ruff, oil on canvas, 11½" x 9½"

Lot 175

See illustration £150-300

176 HUNGARIAN SCHOOL, 19th century An encampment on the Hungarian plain, oil on canvas, indistinctly signed lower left, 27½" x 37¾". Provenance: Private collection, Somerset. See illustration £1,000-2,000

176A FOLLOWER OF PETER PAUL RUBENS (1577-1640) A woodland hunt scene with figures and hounds attacking a boar, Oil on canvas laid on panel, 16” x 30” See illustration £500-1,000

The following two lots were in the collection at Ansty Hall, Warwickshire, until 1986.

177 HENDRIK MOMMERS (1623-1693) "Vegetable markets with Roman buildings and figures", a pair, one signed at the base of one of the columns lower right, oil on canvas, 25Â˝" x 35" (2) Provenance: Hendersyde Park, Kelso, the property of Sir Richard Waldie-Griffith, Bt. Ansty Hall, Warwickshire until 1986, and thence by descent. See illustration ÂŁ10,000-20,000

178 JUAN RUIZ (early 18th century) A pair of views of the Bay of Naples, both with ships in the foreground, one with Mt. Vesuvius erupting in the background, both signed 'Joan.Ruiz', oil on canvas, 12" x 38" (2) Provenance: Ansty Hall, Warwickshire until 1986, and thence by descentt. See illustration ÂŁ40,000-60,000

179 GASPARE GABRIELLI (1770-1828) A pair of Capriccio views of The Forum and The Colosseum in Rome, each signed on a stone in the foreground "G. Gabrielli, Roma, 1819", oil on canvas, 18½" x 23" Provenance: Private collection, East Dorset. See illustration £7,000-10,000

Detail

180 AFTER WILLEM VAN DE VELDE (1633-1707) A naval battle scene with a ship going down in the foreground and men in the water, oil on canvas, 33" x 46½" Provenance: Private collection, West Dorset. See illustration £2,000-4,000

181 CIRCLE OF GERRIT DOU (1613-1675) Young girl with a perroquet in a niche, the reverse with an heraldic seal, oil on panel, 10" x 8", in a later giltwood foliate frame. For a painting of the same composition fully attributed to Gerrit Dou see Sotheby's New York, 8th June 2007, lot. 212. The present work is painted on an oak panel which most likely dates to the late 17th century, suggesting that the painting was executed by a near-contemporary follower of Dou. See illustration ÂŁ5,000-ÂŁ10,000

NEED PIC OF SEAL

182 ITALIAN SCHOOL, 19th century A mother and children on a shoreline with boats coming in, indistinctly signed lower left, oil on canvas, 20½" x 37" £100-200 183 CIRCLE OF GIOVANNI JOHN SCHRANZ (1794-1882) British men-o-war at anchor within harbours with other shipping, a pair, oil on canvas board, 10½" x 13½" (2) See illustration Provenance: Frost and Reed, London. Private collection, Devon The attribution of this painting to Giovanni Jean Schranz was suggested to the vendor by a former curator at the National Maritime Museum, Greenwich. £6,000-8,000

Lot 183

184 PHILLIP REINAGLE (1749-1833) Four hounds in a woodland, signed lower left and inscribed verso "The original design for a picture for Lord Orford by Phillip Reinagle, RA, 1786", oil on canvas, 13¼" x 12¾" See illustration

Lot 184

£1,500-2,500 185 J.L. VAN LEEMPUTTEN, late 19th/early 20th century Chickens feeding beside barns with a landscape beyond, a pair, signed lower right "J.L. Van Leemputten 1872", oil on panel, 7" x 9½" (2) See illustrations £500-1,000 Lot 185

186 ROBERT WILLIAM ARTHUR ROUSE (1883-1927) A meadow stream with farm buildings beyond, signed lower left and dated 1890, oil on panel, 6½" x 8½" £250-500 187 DAVID COX JUNIOR (1809-1885) A figure and a horse on a mountain path, signed lower right, oil on panel, 7½" x 10½" £150-300

Lot 185

188 HERBERT SIDNEY PERCY (1863-1903) Sheep grazing along the Dorset coast, probably near Bexington, signed lower right, oil on board, 9½" x 12½" £150-300 189 JOHN SMITH WILLIAMSON, 19th century "Morning Scarborough", signed lower left, titled and signed verso, oil on canvas, 10" x 16" £200-400 66

Lot 190

190 AUGUST FRANZ SCHELVER (1805-1844) Horses and figures on a tow path, signed lower right, oil on metal panel, 10" x 12½" See illustration £500-1,000 Lot 191

191 CIRCLE OF DAVID COX JUNIOR (1809-1885) Children on a rocky ledge beside a wooded landscape with an aqueduct in the distance, 15½" x 22" See illustration £200-400 67

192 ENGLISH SCHOOL, 19th century "Crossing the Ford", oil on canvas, 19½" x 25½" See illustration

Lot 192

£400-600 193 DOUGLAS CAMERON, late 19th/early 20th century Highland cattle beside a loch with mountains beyond, signed lower right, oil on canvas, 24" x 36" See illustration £300-600 194 ENGLISH SCHOOL, 19th century St Ives Bridge on the Rive Ouse, Cambridgeshire, oil on canvas, 34" x 44" See illustration £1,500-2,500 Lot 193

195

Lot 194

5WILFRED

KNOX (1884-1966) A clipper under full sail in a choppy sea, signed lower left and dated 1946, oil on canvas, 20" x 24" £300-600

196 ENGLISH SCHOOL, early 19th century Boats on the River Thames, oil on canvas, 12" x 16" £200-400 197 ENGLISH SCHOOL, 19th century Pheasant shooting with a dog in the foreground, oil on canvas, 25" x 30" £100-200

198 ALBERT CLARKE (1821-1909), AND SON A hunter in a paddock with a landscape beyond, signed lower right and dated 1907, oil on canvas, 20" x 24" See illustration

Lot 198

£300-600 199 WILHELM JENSEN (1834-1913) A seascape with boats in the distance, signed lower right, oil on canvas, 27" x 40" See illustration £400-600 200 ENGLISH SCHOOL, 19th century Trees on a bank, oil on canvas, 23" x 35" See illustration

Lot 199

£400-600 201 HENRY CALVERT (1798-1869) Horses and a carriage in a farmyard with chickens in the foreground, signed lower right, oil on canvas, 20" x 30" £150-300

Lot 200

202 JOHAN GREEFF, 20th century Hex River Mountains in the Cape, South Africa, signed lower right, oil on canvas, 18" x 24" Provenance: Lord Cowley, acquired in South Africa in the mid-1930's. Gifted by Lady Cowley to the vendor. £300-600 203 CIRCLE OF JOHN NOBLE BARLOW (1861-1917) Cornish landscape with cattle, inscribed to verso, oil on canvas, 16" x 24" £100-200

204 ALLAN, 19th century "View of Fordington" and "Stinsford Church", a pair, both signed lower left, oil on canvas, 12" x 18" (2)

Lot 207

£200-400 205 ENGLISH SCHOOL, 19th century A still life study of flowers in a vase, oil on canvas, 13½" x 18" £200-400 206 ITALIAN SCHOOL, late 19th/early 20th century A young lady standing in a doorway beside a basket of flowers, signed indistinctly lower right, oil on canvas, 24" x 18"

Lot 208

£200-400 207 ANGLO-FLEMISH SCHOOL, 17th/18th century Portrait of a young lady seated, wearing her hair down and a long dress, holding a staff and flowers, oil on panel, 9½" x 7½" See illustration £400-600 208 CHARLES DICKINSON LANGLEY (1799-1873) A full length portrait of a lady wearing a black dress and standing on a balcony with a landscape beyond, signed lower right and dated 1845, oil on canvas, 25½" x 20" See illustration

Lot 209

£200-400 209 SERAFIN MARTINEZ DEL RINCON Y TRIVES (1840-1892) A young lady in a garden looking around a tree and holding a letter, signed lower left and dated 1880, oil on canvas, 11" x 8½" See illustration £400-600 Lot 209 70

210 MANNER OF JEAN-HONORE FRAGONARD (1732-1806) Fetes Galantes, a pair, showing lovers making merry in a garden landscape, oil on canvas, 22" x 36" (2) Provenance: Formerly in the collection at Heale House, Salisbury. See illustration ÂŁ2,500-4,000 71

211 SPANISH COLONIAL SCHOOL, 19th century St. Michael the Archangel, oil on canvas, 22½" x 15½" See illustration

Lot 211

£400-600 212 JOHN PETTIE (1839-1893) A cardinal and another religious discoursing in a cloister, signed lower right, oil on canvas, 19½" x 27½" See illustration £300-600 213 CHARLES VERWEE, late 19th/early 20th century A narrative study showing a young girl climbing on a stool to look into a drawer, signed lower left, in a period giltwood and gesso frame, oil on canvas, 31" x 17½" See illustration Provenance: Private collection, East Dorset. £2,000-4,000 Lot 212 214 CHARLES VERWEE, 19th/early 20th century A narrative study showing a lady in contemplation whilst squeezing a lemon into a glass, signed lower left, in a period giltwood and gesso frame, oil on canvas, 30½" x 17½" See illustration Provenance: Private collection, East Dorset. £2,000-4,000

Lot 213

Lot 214

Lot 215

215 ATTRIBUTED TO WILLIAM SADLER (1782-1839) A fishing vessel mooring alongside a coastal cottage, oil on panel, 13½" x 19". See illustration Provenance: Private collection, Hampshire. £1,000-£2,000

Lot 215A

215A ATTRIBUTED TO WILLIAM SADLER (1782-1839) A man-o-war and other shipping off the coast, the reverse with an old framers label for “J. Del Vecchio, Dublin”, oil on panel, 9" x 12" See illustrations

216 MARGARET GILBERT, early 20th century Two fishermen in a tavern, oil on board, 12½" x 18½" Provenance: The artist, and thence by descent. £200-400

Provenance: Private collection, Hampshire. £1,000-£2,000

217 BENJAMIN ZOBEL (1762-1831) After George Stubbs Two sand pictures, one with a lion in a rocky landscape, the other a tiger, each monogrammed, 19" x 23½" (2). See illustrations £3,500-5,500

Lot 217

219 DANISH SCHOOL, 19th century A bust-length portrait of a lady, wearing her hair up, with a gold necklace across her chest and a red coat, oil on canvas, 22" x 17½" See illustration

Lot 219

Provenance: The vendor's family originate from the Jutland area of Denmark. £500-1,000

220 JOHN CHARLES MAGGS (1819-1895/6) A three-quarter length portrait of Master Mason John Dell, Esq., 28" x 20"

Lot 220

See illustration £400-800

221 ENGLISH SCHOOL, 19th century A portrait of a mother with her child wearing a christening dress, oil on canvas, 36½" x 30½"

Lot 221

See illustration £200-400

222 SOUTH GERMAN SCHOOL, 19th century An alpine family with goats, buildings and mountains beyond, oil on metal panel, 14" x 11" See illustration

Lot 222

£300-500 223 CIRCLE OF HERMANUS KOEKKOEK Fisherfolk and boats on a shoreline, oil on panel, 16" x 21" See illustration Provenance: Private collection, North Dorset. £1,000-2,000 224 FOLLOWER OF DAVID COX JUNIOR Livestock on a country path with hills beyond, oil on board, 7" x 11½" £100-200

Lot 223

225 L.M. GALIA, late 19th/early 20th century Valetta Harbour, Malta, signed lower left, oil on board, 8½" x 21½" See illustration £400-600

Lot 225

226 LEO MALEMPRE (1860-1901) A study of a young girl in traditional costume, seated beside a pot, signed lower right and dated 1889, oil on panel, 12" x 8", in a period ornate giltwood frame

Lot 226

See illustration ÂŁ800-1,500

227 JAMES ELDER CHRISTIE (1847-1914) "I Like Apples", signed lower right and titled and signed verso, oil on canvas, 16" x 12", in an ornate giltwood and gesso frame

Lot 227

See illustration ÂŁ300-600

228 CHARLES CONDER (1868-1909) Two ladies seated beside trees with the sea beyond, oil on panel, 12Â˝" x 16", in a period giltwood frame See illustration Provenance: Sir William Rothenstein (1872-1945), and thence by descent. Charles Conder and William Rothenstein were friends and shared a studio together at one time. ÂŁ2,000-4,000

229

5ALFRED

JAMES MUNNINGS (1878-1959) "Boy on pony", signed lower right, oil on canvas, 12" x 16" See illustration Provenance: Private collection, South Dorset. ÂŁ30,000-50,000

230 DELPHIN ENJOLRAS (1857-1945) A semi-nude lady seated beside a lamp in a boudoir, signed lower left, oil on canvas, 28½" x 21½". See illustration Provenance: Private collection, Wiltshire £10,000-£20,000

231 CECIL KENNEDY (1905-1997) Poppies in a glass vase on a marble ledge with a ladybird, signed lower centre, oil on canvas, 20" x 16". See illustration Provenance: Private collection, Wiltshire. ÂŁ10,000-ÂŁ20,000

234 ERNEST HIDDERLY FAIRHURST, 19th/20th century A portrait of the Argentine artist Jorge Larco (18971967), signed upper left and dated '55, and also titled "New York", further signed and titled to the reverse, oil on board, 24" x 18"

Lot 232

£100-200 235

5JULES

VERSTRAETEN (1903-1976) Still life with a hare, fruit and wine on a table, signed upper right and inscribed verso, oil on board, 32" x 27½" £300-600

236 FOLLOWER OF JOHN CONSTABLE (1776-1837) Sunrise in the Country, oil on board, 4½" x 7"

232 STURGES MOWER (b.1922) "El Pescador", oil on canvas, 40" x 32"

£100-200 237 MANNER OF ALFRED WALLIS (1855-1942) A tall ship under sail by the coast, oil on panel, 3¼" x 8"; and another similar study of a lighthouse, 6" x 6" (2)

Sturges Mower was a member of the Post-War group of Zona Rosa artists working in Mexico City. He was a contemporary and friend of James Weeks (1922-1998) and Richard Diebenkorn (1922-1993). Mower studied at the California School of Fine Arts in San Francisco and his work reflects the influences of Maynard Dixon and the Bay Area Figurative Movement.

£80-150

Provenance: The family of the artist. See illustration

Lot 233

£300-600 233 STURGES MOWER (b.1922) "Los Tulipanes", oil on canvas, 34" x 40" See illustration Provenance: The family of the artist. £400-800

238

5ERICH

WOLFSFELD (1884-1956) A Middle Eastern market trader seated beside pottery vessels, signed upper left, oil on board, 39" x 53" See illustration ÂŁ2,000-4,000

239

Lot 239

5DAME

ETHEL WALKER (1861-1951) A study of a father and child, oil on panel, 13½" x 10½"; the reverse with a female nude See illustrations £300-600

240 ENGLISH SCHOOL, 20th century A Moroccan bazaar scene, oil on board, 14" x 19½" See illustration £150-300 241 JOSEPH CHAMBERLAIN, 20th century A village scene at dusk, signed lower right, oil on canvas, 14" x 26" £100-200 242 JOSEPH CHAMBERLAIN, 20th century A town scene from a veranda with figures and lights, signed lower right, oil on canvas, 26" x 20" £100-200 243

Lot 239

5SIR

WILLIAM COLDSTREAM (1908-1987) A shoulder-length portrait of a lady with her head turned to the right and wearing a red dress, signed lower left, oil on panel, 16" x 12" See illustration £1,000-2,000

244 Lot 240

5DAME

ETHEL WALKER (1861-1951) A three-quarter length nude study of a lady reclining and with her right arm raised, oil on canvas, 30" x 25" See illustration £800-1,200

Lot 243

Lot 244

245

Lot 245

5IVAN

TAYLOR (b.1946) 'St. Michael's Mount - Cornwall', signed lower left, oil on board, 19½" x 29½" See illustration £300-600

246

Lot 246

5IVAN

TAYLOR (b.1946) 'Iona - The Nunnery', signed lower left, oil on board, 15½" x 23½" See illustration £300-600

247 JOHN BASSAGE, 20th century 'A fresh breeze, Poole Harbour', signed lower right, artist's label verso, oil on canvas, 24" x 30" See illustration

Lot 247

£200-400

248 AUGUSTO RATTI, 19th century 'Susanna Eliza Hamilton of Fyne Court', signed lower right and dated 1847, inscribed verso, oil on canvas, 44" x 36" See illustration Provenance: Presumably the Crosse family collection at Fyne Court, Broomfield, Somerset. Deceased estate East Dorset, purchased from a gallery in Dorking Surrey in around 1960. ÂŁ800-1,500

249

Lot 249

5LAWRENCE

ISHERWOOD (1917-1988) 'Temptation', signed at the bottom, titled verso and dated 1943, oil on board, 14" x 11" See illustration £300-600

250

Lot 250

5LAWRENCE

ISHERWOOD (1917-1988) 'Seduction', signed lower right, titled verso and dated 1976, oil on board, 22½" x 32" See illustration £500-1,000

251

Lot 251

5JO

JONES (1894-1989) 'Gypsy child dancing', signed lower left, Wildenstein & Co label verso, oil on canvas, 22" x 30" See illustration £500-1,000

252 JAMES AUMONIER (1832-1911) 'The South Downs', signed lower left and titled on a label verso, oil on canvas, 13½" x 20" See illustration £400-800

253 ASCRIBED TO DUNCAN GRANT (1885-1978) Still life with apples beside a "Flying Oliver" typewriter, oil on canvas, 16" x 24" See illustration Provenance: Private collection, North Dorset. The typewriter in this painting is of some interest and helps to date the work. It is an Oliver 9"Flying Oliver" model, manufactured from 1916-1922. £1,000-£2,000 95

254 ADRIAN JOHNSON, 20th/21st century Shoulder-length portrait of a man, oil on board, 21½" x 17½" See illustration

Lot 254

£150-300 255

5ALAN

KNIGHT (b.1949) 'Port Isaac, Cornwall', signed with initials lower right and titled and signed verso, oil on board, 36" x 36" See illustration £300-600

256

Lot 255

5MARGUERITE

DELGOBEDENIKER (1888-1974) Landscape with trees, signed lower left, oil on canvas, 21½" x 18" See illustration £200-400

257

5BERNARD

VENABLES, 20th century Figures dancing outside a barn at a cider party, signed lower right, oil on canvas, 22" x 34" £200-400

258 ATTRIBUTED TO GEORGE HERBERT BUCKINGHAM HOLLAND (1901-1987) Full-length female nude, oils, 20½" x 8"

Lot 256

£100-200 259 ENGLISH SCHOOL, 20th century Landscape with trees, oil on panel, 16" x 12½" £200-400

260

5PETER

HOWSON (b.1958) 'The Suv'nor', signed lower right and titled verso, oil on canvas, 36" x 48" See illustration ÂŁ4,000-6,000

261

Lot 261

5BARBARA

GILLIGAN (b.1914) 'Tea in the Garden', old exhibition labels verso, oil on canvas, 20" x 24" See illustration Provenance: Purchased from the Lester Galleries, London, and thence by descent to the vendor. Private collection, Dorset. £400-800

262

5BASSETT FITZGERALD WILSON (1888-1972) Semi-abstract still life study, signed lower left and dated 1963, oil on canvas, 45½" x 32" See illustration

Lot 262

£200-400 263 GABE LEONARD, 20th/21st century 'Cause and Effect', signed lower right, oil on canvas, 40" x 30" See illustration Gabe Leonard's cinematic style of painting has attracted a significant international following. His work has been described as "Johnny Cash meets Quentin Tarantino". Leonard's paintings are collected by many celebrities including Quentin Tarantino, John Travolta, Arnold Schwarzenegger, and others. £8,000-12,000

Lot 263

264 ANGELO BERTOLINI, 20th century Head of Christ, signed lower left, tempera on gilded panel, 11½" x 9½" See illustration

Lot 264

£150-300 265

5TONY

KLITZ (1917-2000) The Thames with Tower Bridge in the distance, signed lower right, oil on canvas, 13" x 19" See illustration £300-600

266 Lot 265

5GUY

CAMBIER (1923-2008) Circus, signed lower left, oil on board, 8½" x 10½" See illustration £400-600

267

Lot 266

5HENRI

CHARLES JONAS (1878-1944) An estuary scene with a boat and figures in the foreground, signed lower left, oil on canvas laid on panel, 6" x 14½" See illustration £250-500

268 PERCY WATTS, 20th century 'No. 60 industrial landscape', signed lower right, titled and further signed verso, oil on board, 23" x 35" £100-200 Lot 267

100

269

5SVEN

BERLIN (1911-2000) 'Cat and grasshopper', signed lower left and dated '78, oil on board, 24" x 36" See illustration Provenance: The Estate of the artist. ÂŁ1,000-1,500

270

5SVEN

BERLIN (1911-2000) 'Man dreaming', signed at the bottom and dated '96, oil on board, 24" x 48" See illustration Provenance: The Estate of the artist. ÂŁ1,500-2,000 101

Lot 271

272

Lot 272

5SVEN

BERLIN (1911-2000) Self-portrait, signed upper right, oil on canvas, 24" x 20" See illustration Provenance: The Estate of the artist. £800-1,000

273

5SVEN

BERLIN (1911-2000) Poet and the Muse, signed lower right and dated '94, oil on board, 36" x 24" Provenance: The Estate of the artist. £1,400-1,800

274 271

5SVEN

BERLIN (1911-2000) Pheasants presenting, signed at the bottom and dated '96, oil on canvas, 24" x 36" See illustration

BERLIN (1911-2000) 'The Rain People', signed lower right and dated '86, titled and further signed verso, oil on board, 36" x 24" Provenance: The Estate of the artist. £900-1,200

Provenance: The Estate of the artist. £900-1,200

5SVEN

102

275

5SVEN

BERLIN (1911-2000) A figure on horseback beside a weir, with a cow and cottage beyond, signed lower left and dated '86, oil on board, 24" x 36" See illustration Provenance: The Estate of the artist. ÂŁ900-1,200

276

5SVEN

BERLIN (1911-2000) 'Tarrant Launceston', signed in the centre and dated '90, oil on board, 24" x 36" See illustration Provenance: The Estate of the artist. ÂŁ900-1,200 103

277

5LUCIO

RANUCCI (b.1924) Boats and umbrellas before buildings, signed lower left and dated '67, oil on canvas, 17½" x 25½". See illustration Provenance: Purchased from the artist in Rome in 1967. £500-£1,000

Lot 277

278 ANTON HIRSCHIG (1867-1939) Boy with a goat, signed with monogram lower right, oil on canvas, 22" x 29½". See illustration

Lot 278

Provenance: The artist, and thence by descent. Hirschig was friends with Vincent Van Gogh for a time, and lodged with him at Ravoux's Inn in Auvers. £800-£1,500

279 ANTON HIRSCHIG (1867-1939) Still life with flowers in a blue vase, signed with monogram lower left, oil on board, 21½" x 17½". See illustration £500-£1,000

Lot 279

104

BOOK S AND M ANUSCRIPTS BOXES, CADDIES AND WORK S OF ART CLOCK S AND SCIENTIFIC INSTRUMENTS RUGS AND CARPETS

Lot 346 105

BOOKS AND MANUSCRIPTS 306 JOHN TALBOT DILLON, ESQ, B.S.R.E: "Historical and Critical Memoirs of the General Revolution in France In The Year 1789", printed at the topographic press, London, dated 1790

300 ALICE IN WONDERLAND INTEREST: The Birthday Scripture Textbook, revised edition, published by W. Mack, London, the book containing many signatures including "Alice Pleasance Liddell" and other members of her family, collected by Margaret Foster Loyd (1859-1936), also loosely inserted to some pages are newspaper clippings and other mementoes and souvenirs. See illustration

£500-1,000 307 T.E. LAWRENCE: "Seven Pillars of Wisdom", Jonathon Cape, London, privately printed 1926, first published for general circulation 1935, printed at the Alden Press

Alice Liddell, daughter of Henry Liddell, the Dean of Christchurch, Oxford, inspired Lewis Carroll's children’s classic "Alice in Wonderland" and the protagonist Alice is said to be named after her.

£100-200

£500-1,000

308 GEORGE GILBERT: "Cathedral Cities of England", Illustrated by W.W. Collins R.I., this edition is limited to 100 copies, and signed by the artist, of which this is no. 60, dated 1905

301 REALES STAATS-ZEITUNGS: "Und Conversations Lexicons" dated 1752

£150-250

£80-160

309 J.R.R. TOLKIEN: Part I "The Fellowship of the Ring", fifth impression, dated 1956. Part II "The Two Towers", fourth impression dated 1956. Part III "The Return of the King" second impression dated 1955, and one other "The Hobbit", twelfth impression, dated 1961 (4)

302 THOMAS HARDY: A collection of novels published by MacMillan & Co., Osgood McLivaine & Co., and Harper and Brothers, including "Desperate Remedies", "A Pair of Blue Eyes" and other volumes (38) £500-1,000

£300-500

303 BENTLEYS MISCELLANY: Twelve various volumes including "Guy Fawkes", "Oliver Twist" and "The Marchioness of Brinvilliers" (12)

310 CECIL ALDIN: "Cathedrals and Abbey Churches of England", printed and published by Eyre and Spottiswoode Ltd, London. This edition is limited to 375 copies of which this is numbered 125, and signed "Cecil Aldin"

£100-200 304 EDWARD GIBBON: "The History of the Decline and Fall of the Roman Empire", twelve volumes, a new edition, printed for A. Straham & T. Cadell, London, dated 1791

£80-160 311 AN EDWARDIAN PHOTOGRAPH ALBUM of panoramic photographs, the red leather album, the 80 photographs including views of hunting, croquet, motor cars and other scenes dated between 1902 and 1905. The album 16" x 8"

£500-1,000 305 EDWARD, EARL OF CLARENDON: "The History of the Rebellion and Civil Wars in England", seven volumes, dated 1712, and Bishop Burnets "History of His Own Time", four volumes, dated 1753 (11)

£400-600

£300-500

106

Lot 300

107

320 ‘THE ART HOW TO KNOWN MEN, Originally written, by the Sieur De La Chambre, Counsellor to His Majesty of France, and Physician in Ordinary, Rendered into English by John Davies of Kildwelly’, London, Published by TR for Thomas Dring, 1665, in a brown leather binding.

312 A VICTORIAN ALBUM OF PHOTOGRAPHS of Bombay to include architectural, landscape and portrait studies to include the Royal Bombay Yacht Club, Queens Statue and Bank of Bombay. The album 10" x 12". £200-400

£100-200

313 THE ENGINEER: A well illustrated Victorian journal, 35 various volumes from 1874 onwards.

321 THE ILLUSTRATED LONDON NEWS: A selection of 16 bound volumes from the 1840's to include volume one from May 14th 1842,16 volumes and quantity of loose editions.

£200-400

£250-450

315 A GEORGE IV (1762 - 1830) A CORONATION TICKET dated 1821, numbered 378

322 THE ILLUSTRATED LONDON NEWS: A selection of 14 bound volumes from the 1850's to include volume 18 for Jan-June 1851, and a quantity of loose editions.

£50-100 316 LORD NELSON INTEREST: A Letter from Lady Hamilton, mistress of Horatio Nelson, to Cadell and Davis, London, Booksellers, requesting a copy of "The Life of Glorious and Good Lord Nelson", dated December 12th 1807

£250-450 323 THE ILLUSTRATED LONDON NEWS: A selection of 13 bound volumes dating between 18611951 and a quantity of loose and 'special' editions.

£300-500

£100-200

317 LADY NOEL BYRON: A signed letter dated August 23rd 1825 "Lady Noel Byron presents her compliments to Messrs. Latham & Co and informs them that she has finally determined against the purchase of the Prince Leopold ...."

323 THE ILLUSTRATED LONDON NEWS: A selection of 13 bound volumes dating between 18611951 and a quantity of loose and 'special' editions. £100-200

£100-200 325 "FLAGS OF ALL NATIONS", September 1907, printed for his Majesty's Stationery Office byEyre and Spottiswoode, black cloth binding.

318 AUSTRALIAN CRICKET: Two pages removed from an autograph album, signed by members of the Australian cricket team 1953, including Neil Harvey, Graeme Hole, Ron Archer, Richie Benaud, Gil Langley, Alan Davidson, Ray Lindwall and Keith Miller

£150-300 326 FLEMING, IAN: "You Only Live Twice", Pub. 1964 Jonathan Cape Ltd, "The Golden Gun", On Her Majesty's Secret Service" and two other Bond-related novels (5).

£80-120 319 WINSTON CHURCHILL INTEREST: A photograph of the interior of the Houses of Parliament, photographed by Ron Newbold, signed "Winston Churchill". See illustration

£150-300 327 HOUNSELL, GEORGE C: ‘Flags and Signals of all Nations’Published by Field and Tuer, 50 Leadenhall Street, circa 1870’s, Dark blue-green cloth binding

£800-1,200

£400-800

108

109

BOXES, CADDIES AND WORKS OF ART 333 A VICTORIAN GENTLEMAN'S TRAVELLING VANITY CASE, the leather and gilt-lined case with a central brass handle, the interior fitted with a variety of brushes, combs and accessories, in fitted compartments, 14" wide £150-300 334 A PAIR OF VICTORIAN OAK AND BRASS "COOPERED" LOG BASKETS with broad brass swing handles and three brass bands, 16½" wide (2) £150-300 335 A PASHTUN (PATHAN), AFGHANISTANI TARGET-TYPE WAR SHIELD of circular form with a central boss, within radiating bands of painted decoration, with a hand-grip to the reverse, 17" wide £200-400 336 A NARWHAL TUSK, 70" long. See illustration

Lot 336

Provenance: Purchased at auction, circa 1990

330 A VICTORIAN PAPIER MACHE TRAY in the manner of Jennens and Bettridge, of cartouche form decorated with gilt and painted scrolling border, stamped "Superior" to the underside, 31" wide, and a matching smaller tray similarly marked, 17½" (2)

£2,000-4,000 337 A MID 19TH CENTURY WHALEBONE "FOLKART" WALKING STICK with a turned pommel-form handle, on a tapering spiral-fluted and octagonal shaft, with mother of pearl decoration and a central internal ball decoration, 35½". See illustration

£100-200 331 AN INDIAN HARDWOOD AND MICRO MOSAIC WORK BOX of square form with canted corners and all over inlaid with ivory, mother of pearl and hardwoods with repeating geometric patterns, 12" wide, and a similar smaller box, 10" wide (2)

Provenance: Private collection, Somerset. £2,000-4,000 338 GIOVANNI MAGINI: A DOUBLE PERFOLED VIOLIN with internal paper label "Giovan Paolo Magini, Brescia", 16, 23", in fitted case with associated bow

£100-200 332 A LATE 19TH CENTURY "BUTTER CHURN" TYPE VESSEL of tapering conical form with three broad brass bands enclosing a staved construction with twin carrying handles, 142 high

£100-200

£150-250 110

Lot 337 111

Lot 341

340 A RED VELVET AND GOLD THREAD EMBROIDERED WALL PANEL worked with a scrolling and foliate pattern within a running foliate border, 67" x 40"

339 AN INDIAN SILKWORK PANEL worked with a scrolling border of gilt and similar metal thread decoration, with a fringed border, 38" x 22" £50-100

£100-200

339A J.CARY "A NEW MAP OF THE RUSSIAN EMPIRE" A hand coloured map, 18" x 40"

341 VAN INGEN & VAN INGEN OF MYSORE: A TAXIDERMY LEOPARD SKIN RUG with full head and claws, with lined back and "Van Ingen & Van Ingen" label, no. 39178, 82". See illustration.

£200-400

£1,000-2,000

112

Lot 342 342 AN ITALIAN SILK VELVET DAMASK TEXTILE PANEL depicting an Oriental many-armed deity, 24" wide. See illustration

344 JORROCKS: THREE SMALL COMIC BRONZES featuring Jorrocks on horseback, Jorrocks with a fox and his huntsman "Pigg" holding a fox aloft, each on rectangular bases, 4¼" wide (3)

Provenance: Originally believed to be at Ditchley Park, Oxfordshire in the early 18th century, where it formed part of the "Velvet Room".

£200-400

An English collection acquired from the Dunlop family, Singapore.

345 A SPELTER FIGURAL TABLE LAMP in the form of a young shoeless boy leaning against a three-light lamp post, on a naturalistic and marble base, 37" high

£500-1,000

£200-400

343 AFTER THE ANTIQUE: A BRONZE FIGURE OF A MAN with a lion skin on his back, possibly a figure of Atlas, standing on a circular base, 11½" high £100-200 113

346 AFTER GIUSEPPE FERRARI: A CLASSICAL CHARIOT GROUP cast bronze, signed to the naturalistic base "G. Ferrari", with founders stamp "bronze Garanti", on marble base, 22" wide. See illustration ÂŁ800-1,500

114

347

5AMADEO

ALBERT CARROTE (b.1958): A BRONZE STUDY OF A STANDING WOMAN in flowing dress, on a naturalistic base, with pale green patination, 20" high See illustration

348

£200-400

5AMADEO

ALBERT CARROTE (b.1958): A BRONZE STUDY OF A WOMAN AND CHILD in flowing clothes, with pale green patination, on a stone base, 20" high. See illustration £300-600

115

349 JOAN OF ARC: A LARGE BRONZE BUST looking to her right, wearing a helmet and foliate decorated armour, on a pedestal base, 33" high See illustration ÂŁ300-600

116

350 A CAST AND PATINATED BRONZE of a Neanderthal holding a club in one hand and a boulder in the other, on a shaped base, 19" high. 19th/early 20th century. See illustration ÂŁ1,000-2,000

117

351 JULES MOIGNIES (1835-1894) A CAST AND PATINATED BRONZE STUDY OF A SPANIEL hunting, with a rabbit beneath a leaf at his feet, with cast signature, 13" wide. See illustration

Lot 351

£500-1,000

352 A CARVED WOODEN SCULPTURE of a male figure with a robe over his shoulder, possibly a Roman centurion, on a later block base, possibly 14th/15th century, 27" high. See illustration

Lot 352

£800-1,500

353

5DENIS

MITCHELL (1912-1993) "Form" A cast and patinated bronze sculpture, signed to the base and numbered 4/200, with Morris Singer stamp, on a black slate plinth, 11" wide. See illustration Provenance: A gift to the vendor by Barbara Hepworth in 1972. The vendor was a personal assistant to Percy (Pat) Matthews who, amongst other things, was owner of the Morris Singer Foundry. The bronze was a gift following the vendors work in relation to arrangements made at this time for works by Barbara Hepworth. £300-600

Lot 353 118

354 SALMON: A PAIR OF CAST GILT AND PATINATED BRONZE SCULPTURES OF GRECIAN MAIDENS holding aloft a single candle sconce, on a Wedgwood Jasperware base, with conforming classical decoration, 19" high (2) See illustration ÂŁ1,000-2,000 119

355 A "SHONA" AFRICAN STONE SCULPTURE OF A STYLISED SCROLLING ANIMAL FORM, 26". See illustration

Lot 355

Provenance: Believed to have been acquired in Rhodesia in the early to mid-20th century. £300-600 356

5MARY

SPENCER WATSON (1913-2006) "New Worlds to Inherit", a yew wood sculpture, 1978, 48" high. See illustration Provenance: Deceased Estate, West Dorset Illustrated in the Catalogue Raisonné, pg. 112. Previously exhibited at Dorset County Museum in 1981 and Southampton City Art Gallery in 1982 £600-800

357 RICHARD SLADDEN: "COCO DE MER" A stone sculpture on an ebonised base, 15¾" high See illustration £150-300

Lot 357

358 A RUSSIAN CAST AND PATINATED MODEL OF A HORSE standing by a fence, on a naturalistic base, 15" wide £200-400

120

Lot 356

121

Lot 361 Lot 359

Lot 360

359 A CARVED STONE GARGOYLE in the form of a four-legged animal, possibly from South Wheatley Church in Northamptonshire, possibly 17th century, 24" high. See illustration

361 A MEDIEVAL STYLE CARVED WOODEN GROTESQUE FIGURE with a highly weathered surface and traces of original polychrome decoration, on an ebonised stand, possibly medieval, 26" high. See illustration

£400-800

£200-400

360 A MEDIEVAL STYLE CARVED STONE BLOCK decorated with a stylised foxes head, bearing a date 1841, 9½" wide. See illustration £100-200

122

Lot 362

Lot 363

362 A CARVED HAM STONE CREATURE of winged form, on a square stone base, possibly 15th/16th century, 28" high. See illustration

363 A CARVED LIMESTONE DEMONTYPE FOUR-LEGGED SCULPTURE, possibly late medieval, 25" high. See illustration

Provenance: Purchased by the vendor from the owner of a garden adjacent to Sherborne Abbey, who discovered it buried in his grounds.

£500-1,000 364-369 Spare lots

£500-1,000

123

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 370

Lot 372 Lot 371

372 A SURVEYORS THEODOLITE with a narrow silvered dial signed "James White Glasgow", on a rotating base and with extended telescope, 11" high. See illustration

370 A SURVEYORS THEODOLITE, the silvered compass dial signed "Watson & Son, 313 High Holborn, London", on a rotating base, 12" high. See illustration £300-600

£300-600

371 A SURVEYORS THEODOLITE with a broad silvered compass dial, signed "L. Casella, London 7187." on a three-pointed base, 8½" high. See illustration

373 TWO BRASS SURVEYORS LEVELS, one signed "Stanley, Gt. Turnstile, London", the other "Direction no. 3, Mark One. T. Cooke & Sons Ltd, 1915, R.N.D. no. 34", 8½" wide (2) £80-150

124

Lot 375

376 A GEORGE III MAHOGANY AND SATINWOOD STRUNG WHEEL BAROMETER, the level signed "Lanfrini & Gageri, Blandford", with a broad barometer dial, thermometer and dry/damp gauge, all within a shaped and decorated frame, 39" high

374 A ROLLEIFLEX 4X4 CAMERA numbered 2050218, in case, with instructions and spare lenses £100-200 375 A ROLLEIFLEX ROLLEI 2.25 X 2.25 CAMERA no. 3.5F 2231613, in leather case, with a quantity of accessories. See illustration

£500-1,000 377 A LATE GEORGE III MAHOGANY AND SATINWOOD STRUNG STICK BAROMETER with a silvered dial signed "Bosetti & Co.", 39" high

£500-1,000

£200-400 125

Lot 379

378 A LATE 19TH CENTURY FRENCH LOUIS XVI STYLE FLORAL ENCRUSTED PORCELAIN MANTEL CLOCK, the circular dial with Roman numerals and a two train movement striking on a bell, flanked by twin winged cherubs on an architectural and scrolling base with applied floral decoration, 18" wide

379 A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the brass dial signed "Wm. Monk, Barwick, St. John", with Roman numerals and date aperture, with a thirty hour birdcage-type movement striking on a bell, the hood with a central ball finial carved "Tempus Fugit", with a tall trunk door with central inlay, between canted reeded columns, 81" high. See illustration

£500-1,000

£800-1,500 126

Lot 381

382 A LOUIS XVI STYLE GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, the circular dial painted with a landscape scene within a pink border with Roman numerals, with a two train eight day "Japy" type movement striking on a bell, the case surmounted by a vase-shaped urn, and with all over painted porcelain mounts and scrolling cast decoration, on a wooden plinth, 15" high

380 A LATE GEORGE III MAHOGANY LONGCASE CLOCK with a circular white painted dial, signed "B. Besozzi, Weymouth", with subsidiary seconds and date dials, with a two train movement striking on a bell, the arched top hood with scrolling cornice and brass stringing, the trunk with an arched top door, 82" high £400-600

£300-600

381 A GEORGE III SATINWOOD AND MARQUETRY LONGCASE CLOCK with a silvered chapter ring and central seconds dial and date aperture, with a two train eight day movement striking on a bell, the hood with scrolling pediment above a frieze of marquetry depicting Dutch figures skating and ploughing, the trunk with a tall door similarly decorated, 88" high. See illustration

383-384 Spare lots

£800-1,500 127

RUGS AND CARPETS 387 SPARE

Lot 391

388 A NORTH WEST PERSIAN TRIBAL RUG, the central rectangular shaded blue ground worked with stylised equestrian figures and other animals, including elephant, ostrich and lion, within floral herati style outer borders and guards, 81" x 51" £150-250 389 A NORTH WEST PERSIAN TRIBAL RUG, the dark blue field worked with stylised animals including deer, within floral and hooked boteh, outer borders and guards, 74" x 43" £50-100 390 A CAUCASIAN TRIBAL RUG, the pale salmon pink ground worked with a triple pole medallion within herati pattern outer borders and guards, 100" x 60" £40-70 391 A PAIR OF FINE SILK KASHAN TYPE RUGS, the central "prayer niche" panel worked with vase of flowers and scrolling foliage, on a red ground with pale blue, ivory and red floral herati pattern outer borders and guards, 76" x 52". See illustration

385 A ZIEGLER SULTANABAD TYPE LARGE MEDALLION CARPET, the central beige panel worked with stylised flowers within a blue border, on an ochre ground with corner spandrels and floral herati pattern outer borders and guards, c.172" x 152".

Provenance: Private collection, Somerset.

Provenance: Private collection, Dorset.

£2,000-4,000

£3,000-5,000 392 A PERSIAN STYLE SMALL CARPET of Tabriz design, the brick red ground with central dark blue, pale blue and ivory floral medallions, within pale blue floral spandrels and herati pattern outer borders and guards, 128" x 168"

386 A TEKKE BOKHARA TYPE CARPET, the central rectangular panel worked with ivory and blue elephants foot guhls, within tarantula pattern outer borders and guards, 148" x 96"

£100-200

£200-400

393-399 Spare lots

128

ENGLISH & CONTINENTAL FURNITURE

Lot 434 129

406 A FRENCH LOUIS XVI STYLE SIDE CABINET, the variegated marble top with rounded corners and moulded border, above a walnut base with two short drawers and twin panelled cupboard doors, on plinth base, 64" wide

400 A VICTORIAN MAHOGANY CIRCULAR BREAKFAST TABLE, the top with a moulded border, on a turned column with three downswept legs with leaf-carved decoration, 39" wide £100-200

£300-500

401 A REGENCY ROSEWOOD SIDE CABINET, the raised back with a triangular pediment above a single shelf, on turned columns, the base with a flush-fitting frieze drawer above twin panelled cupboards between turned columns, on a platform base, 43" wide

407 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top above three long graduated drawers with turned knob handles, on splayed bracket feet, 39" wide

£200-400

£200-400 402 A VICTORIAN BURR ELM BUTTON BACK ARMCHAIR, the shaped back with a moulded surround and button upholstered back and arms, above an overstuffed seat on scrolling cabriole legs and castors, 38½" high

408 A REGENCY MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top with a moulded border above a shallow fitted drawer and three long graduated drawers with ebonised knob handles, on splayed bracket feet, 40" wide

£200-400

£300-500 403 A LATE GEORGE III MAHOGANY OVAL BREAKFAST TABLE, the shaped top with a moulded border on a tapering turned column, four downswept legs and brass castors, 59" wide

409 A GEORGE I WALNUT TOILET MIRROR, the shaped rectangular plate with a shallow bevelled edge, with a moulded surround, on a box base with a single drawer with moulded front, on short bracket feet, 19" wide

£200-400

£400-600

404 A REGENCY STYLE JAPANNED TRAY with a broad raised border with gilt scrolling decoration, on an associated faux bamboo gilt decorated stand with out-turned feet, 30" wide

410 A GEORGE III STYLE MAHOGANY LAZY SUSAN, the circular revolving top with a pie-crust edge, on a short column and three downswept legs with ball and claw feet, 18" wide

£150-250 405 FRENCH EBONISED, GILT METAL AND GLASS FIRESCREEN with a rising etched clear glass panel within an ebonised frame with all over gilt metal mounts and laurel wreath cresting, the base with a bow-fronted jardinière section, on downswept legs with gilt metal feet, 27" wide

£80-150

£150-250

130

411 A PAIR OF GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED CARD TABLES, the "D"-shaped tops with central marquetry oval patera, and within serpentine borders, above decorated friezes, with square tapering patera headed legs, 39" wide. See illustration ÂŁ5,000-10,000

131

418 A GEORGE III MAHOGANY WHAT NOT with three open rectangular shelves with bobbin-turned uprights, above a single frieze drawer with brass handles, on short turned legs, 21" wide

412 A VICTORIAN WALNUT VENEERED DAVENPORT with a stationery compartment above a sloping fall, above four short drawers and conforming dummy drawers with turned knob handles, with spiral-turned uprights and recessed castors, 23" wide

£400-600

£300-600 419 A GEORGE I STYLE WALNUT VENEERED KNEEHOLE DESK, the rectangular crossbanded top with moulded border and re-entrant corners above an arrangement of two pillars of short drawers, a central frieze drawer and cupboard, all with conforming crossbanding and moulded drawer dividers, on bracket feet, 37" wide

413 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the shaped top with broad crossbanding, above a central frieze drawer and sliding tambour front, flanked by two quarter-round rotating drawers, each modelled as two drawers, with oval backed brass handles, on square tapering legs, 48½" wide

£200-400

£300-500 420 A LOUIS XVI STYLE EBONISED AND MARBLE TOP COMMODE, the shaped top with a moulded border above a single long frieze drawer above three further graduated drawers moulded as an arrangement of short drawers, with cast gilt metal ring handles and turned fluted tapering legs, 53" wide

414 A GEORGE III MAHOGANY BOX COMMODE with a rectangular top with moulded border above a plain front, on square tapering legs with moulded cornice and pierced brackets, with brass carrying handles, 20½" wide £200-400

£200-400

415 A GEORGE III MAHOGANY LINEN PRESS, the cornice with running border above twin doors with satinwood inlay and patera, above two short and two long graduated drawers, on bracket feet, 50" wide

421 A PAIR OF LARGE FRENCH MUSTARD YELLOW GLAZED GARDEN PLANTERS with shaped borders and cherubs head mounts, within applied leaf decoration, on recessed bases, 29" wide (2).

£300-600

£500-1,000

416 A RESTAURATION WALNUT VENEERED CHEST OF DRAWERS, the rectangular grey marble top with a moulded border above a flush fitting frieze drawer and three long graduated drawers within a frame of semi-circular moulding, all above a concealed frieze drawer, on block feet, 51½" wide

422 A PAIR OF LARGE FRENCH MUSTARD YELLOW GLAZED GARDEN PLANTERS ensuite with the previous lot. 29" wide (2). See illustration £500-1,000

£450-750 423 A PAIR OF SIMILAR SMALLER FRENCH MUSTARD YELLOW GLAZED GARDEN PLANTERS ensuite with the previous lot, 21½" wide (2) See illustration

417 A PAIR OF TURNED WOOD TORCHERES, the square tops with moulded borders, on ring turned columns, platform bases and bracket feet, 52½" high (2)

£300-600

£200-400

132

Lots 422 and 423

133

Lot 424 424 A LIGHT OAK ARTS AND CRAFTS STYLE REFECTORY TABLE in the manner of Ambrose Heal, the rectangular top with rounded edges, on shaped "X"-frame supports with crossstretcher, 70½" wide. See illustration

426 A LATE VICTORIAN AESTHETIC PERIOD MAHOGANY AND OAK CABINET, the rectangular top with a raised leaf-carved frieze and moulded oak border above an arrangement of six short drawers and twin panelled cupboards, all with reliefcarved panels of stylised foliate decoration, with brass and ebonised handles, all between spiral-turned uprights, 41" wide

£500-1,000 425 AN ART NOUVEAU DISPLAY CABINET with a raised mirror back, above an open shelf and twin glazed cupboard doors, the cupboard doors mounted with stylised Art Nouveau glazing bars and relief-moulded flowers in white and blue, the doors divided by a central stylised marquetry panel, all between extended uprights, 49" wide

£200-400 427 A VICTORIAN BURR WALNUT AND SATINWOOD INLAID WORK TABLE, the oval top with a moulded border enclosing a fitted interior with fret-cut lidded compartments, on a tapering base and three outswept cabriole legs with all over leaf and foliate-carved decoration, 20" wide

£500-1,000

£200-400

134

Lot 430

430 A REGENCY MAHOGANY SARCOPHAGUS FORM CELLARETTE, the raised top with a central carved foliate detail, on tapering sides with foliate and stylised leaf-cast metal mounts, on exuberant animal paw feet, 32" wide. See illustration

428 A DUTCH CHINOISERIE LACQUERED CORNER CUPBOARD with twin shaped doors decorated all over with scenes of Chinese characters within an architectural setting, the doors enclosing a painted and shelved interior, on a later base with turned legs, 56½" high

£1,000-2,000

£200-400

431 A CHIPPENDALE STYLE MAHOGANY CHEST OF DRAWERS, the rectangular top with a leaf-carved border above a fluted frieze and three long graduated drawers with gilt metal handles and key escutcheons, on short cabriole legs with carved frieze, 40" wide

429 A REGENCY MAHOGANY TORCHERE, the slender circular top with a moulded border on a turned, carved and reeded column, on a circular weighted base with three gilt metal lion paw feet, 39" high £150-250

£200-400

135

Lot 432

433 A VICTORIAN BURR WALNUT DAVENPORT, the top with a three-quarter gilt gallery, above a fitted stationery drawer, with a leather-lined writing surface above a panelled cupboard enclosing four flush-fitting drawers, on turned legs with recessed castors, 22½" wide

432 A GEORGE III MAHOGANY AND SATINWOOD CHEST ON CHEST, the upper section with a broad cornice with dentil moulding, above a panel of fan-shaped satinwood inlay, above two short and three long graduated drawers between chequered stop fluted gilt-capped columns, the lower section with three further long graduated drawers, on bracket feet, possibly Channel Islands, 47" wide. See illustration

£400-600

£2,000-4,000 136

Lot 434

435 A GEORGE II OAK CHEST OF DRAWERS, the rectangular top above four long graduated drawers with brass ring handles and semi-circular drawer dividers, on turned feet, with all over later carved decoration, 39" wide

434 A CHARLES I STYLE TORTOISESHELL, IVORY AND EBONISED CABINET, the rectangular top above a single frieze drawer and twin cupboard doors enclosing a fitted interior with an arrangement of short drawers, all with tortoiseshell panels within ivory stringing against an ebonised ground, the cabinet on a conforming stand with a single frieze drawer, on square tapering legs, 24" wide. See illustration

ÂŁ200-400

ÂŁ600-800 137

Lot 436

436 A 17TH CENTURY ELM KITCHEN MORTAR with a broad circular top and central dished surface, on a tapering base with ring-turned decoration and circular ball feet. Constructed from a solid piece of timber, with a metal band to the top, 25" high. See illustration

438 A QUEEN ANNE OAK CHEST OF DRAWERS, the rectangular top with a moulded border above two short and three long graduated drawers with moulded fronts and moulded drawer divisions, on turned bun feet, 18th century and later, 38" wide £200-400

£1,500-2,500

439 A CHARLES II OAK SETTLE, the four panel back with a frieze of stylised carved decoration, with downswept arms and a solid rising seat above a panelled front, 17th century and later, 61" wide

437 A GEORGE I OAK CHEST OF DRAWERS, the rectangular top with a moulded border above two short and three long graduated drawers with moulded fronts and brass ring handles, with moulded drawer dividers, on bracket feet, 37" wide

£200-400

£250-500 138

Lot 440

440 A WELL-MATCHED SET OF SIX YEW AND ELM LOW BACK WINDSOR ARMCHAIRS, the arched backs with a central pierced splat above a solid shaped seat, on turned legs with "crinoline" stretcher, 35" high (6) See illustration

442 A MATCHED SET OF SIX WILLIAM AND MARY HIGH-BACKED CHAIRS with cane backs and seats, each with arched top rails, turned uprights and turned legs and stretchers with varying scrolling carved decoration comprising, four standard and two armchairs (6), 32½" high and smaller £300-600

£1,500-2,500

443 A 17TH CENTURY STYLE DUTCH UPHOLSTERED ARMCHAIR, the raised rectangular back above upholstered arm-rests with scrolling terminals, above an overstuffed seat, on carved legs with a pierced and carved front rail decorated with birds, with turned rear legs and stretchers, 41" high

441 A CHARLES II OAK COFFER with a rectangular top above a three panel front with foliate carved panels and carved rails, 51" wide £200-400

£80-150 139

Lot 444

446 A SET OF SIX MAHOGANY SHERATON STYLE DINING CHAIRS, with arched backs with carved and pierced splats with drop-in seats on square tapering moulded legs with "H"-form stretchers, 38" high (6)

444 A 17TH CENTURY ANGLO-DUTCH SEAWEED MARQUETRY AND WALNUT SIDE TABLE, the rectangular top with a central oval panel with scrolling marquetry within conforming foliate and bird decorated corner panels, the top with a moulded border above a single frieze drawer, on turned legs with wavy "X"-form stretcher and bun feet, 37" wide. See illustration

£300-500 447 A GEORGE III WING-BACK ARMCHAIR, the upholstered back, arms and seat all over upholstered in green pattern fabric, on slightly splayed cabriole front legs with leaf-carved knees, 43" high

£1,000-2,000 445 A PAIR OF VICTORIAN MAHOGANY "CELLISTS" CHAIRS, with low-waisted backs, and overstuffed seats on tall turned legs, 37" high

£200-400

£300-600

140

Lot 448

448 A REGENCY KINGWOOD AND SATINWOOD STRUNG SOFA TABLE in the manner of William Oakley, the rectangular top with drop-flap sides with rounded corners with scrolling anthemion inlay, with a frieze drawer and dummy drawer to either side, on trestle type uprights with a wavy stretcher and applied gilt metal mounts, on leaf-capped castors, 46" wide (68" fully extended) See illustration Provenance: The Private Collection of the late Michael Legg, the renowned dealer and furniture historian. ÂŁ3,000-5,000

141

Lot 449

451 A VICTORIAN UPHOLSTERED BOX "OTTOMAN" with a rising square lid with all over needlework cover, with in-swept sides, on short cabriole legs with ceramic castors, 22" wide

449 A LATE VICTORIAN HEPPLEWHITE REVIVAL MAHOGANY LIBRARY TABLE with a rectangular leather-lined top above a frieze with three frieze drawers to either side, with square tapering paterae headed fluted legs with brass castors, 60" wide. See illustration

£150-250

£2,000-4,000

452 A PAIR OF 19TH CENTURY FRENCH MARBLE TOPPED FAUX BAMBOO BEDSIDE CUPBOARDS with square marble-set tops above a single short drawer and panelled cupboard, on tapering bamboo effect legs with shelf stretcher, 16" wide (2)

450 A VICTORIAN BURR WALNUT VENEERED SUTHERLAND TABLE, the oval drop-flap top on turned and fluted uprights with scrolling feet and ceramic castors, 35" wide

£100-200

142

Lot 453

455 A LOUIS XV STYLE GILTWOOD STOOL, with tapestry fragment and upholstered seat, on slender cabriole legs with leaf-carved decoration, 20" wide

453 A LATE GEORGE III SATINWOOD BUREAU BOOKCASE, the upper section with twin glazed doors with flat fronted glazing bars enclosing a shelved interior, the lower section with a sloping fall enclosing a fitted interior with a central cupboard flanked by short drawers and pigeon holes, all above a long single drawer and twin cupboards with circular late veneers, on tall bracket feet, 90" high, 18th century and later. See illustration

£100-200 456 A LOUIS XVI STYLE OCCASIONAL TABLE, the oval top with a central bevel-edged white and grey marble panel within a ribbon-tied border, on four tapering fluted legs with "X"-form stretcher 31" wide

£1,500-2,500

£150-300

454 A PAIR OF LOUIS XVI STYLE GILTWOOD ARMCHAIRS with oval backs within moulded surrounds and outswept arms and overstuffed seats with tapestry type upholstery, on turned and fluted legs, 35" high (2) £200-400 143

Lot 457

459 A BURMESE CARVED HARDWOOD HIGH BACKED CHAIR with all over pierced and carved foliate decoration above a drop-in seat on similar frame with short carved and pierced foliate legs, 44" high

457 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, with a raised brass rail above a bow front top with crossbanded and satinwood strung border, above an arrangement of drawers, a cellarette drawer and two short drawers, on square tapering legs, stamped 'Edwards & Roberts', 66" wide See illustration

£300-600 460 A QUEEN ANNE WALNUT VENEERED DRESSING TABLE MIRROR, with a shaped rectangular plate, within a moulded surround on sloping uprights, with a shaped box base with three short drawers, on short bracket feet, 19" wide

£500-1,000 458 A BURMESE 19TH CENTURY ALL OVER CARVED HARDWOOD CENTRE TABLE, the circular top worked with a broad border of low relief carved decoration and a splayed and pierced apron on a central column with bird carved decoration on spreading base with scrolling feet and monkey mask faces, 96" wide

£100-200

£200-400 144

Lot 461

461 AN ITALIAN 'LACQUER POVERA' PAINTED BOMBE COMMODE with a serpentine edged top decorated with figures in an Italianate setting, the front and sides similarly decorated with gilt-edged panels against a blue ground, 34½" wide x 41½" high. See illustration

461A AN HISPANIC WALNUT SIDE TABLE with a rectangular top, on spiral-turned legs and central stretcher, 37½" wide £200-400

£1,500-2,500

145

468 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above a fitted long drawer and three further long graduated drawers with brass drop handles, on bracket feet, 44" wide See illustration

462 A FRENCH GILT MEAL AND CUT-GLASS TWELVE BRANCH CHANDELIER, with a central column with moulded clear glass stem and twelve scrolling branches, fitted for electricity, 24" wide £500-1,000

£300-600

463 A LOUIS XV STYLE MARBLE TOPPED GILTWOOD CONSOLE TABLE, the shaped marble top on two scrolling legs with leafcarved decoration, 34" wide

469 A REGENCY MAHOGANY EXTENDING DINING TABLE, the rectangular top with rounded corners and three removable leaves, on turned and reeded tapering legs with brass castors, 108" wide (fully extended) See illustration

£200-400 464 A CARVED STONE TROUGH of shallow bow fronted form, possibly 18th/19th century, 29" wide

£800-1,500 470 A GEORGE III MAHOGANY DINING TABLE, with twin 'D'-shaped ends and a central removable leaf, the top with a reeded border, above a frieze with square tapering legs on spade feet, 68" wide (fully extended)

£300-600 465 A GEORGE II MAHOGANY FOLDTOP CARD AND TEA TABLE, the rectangular top with rounded corners and three leaves opening to form a tea or card table with baize-lined playing surface and dished counter-wells, on turned legs and pad feet, 28" wide

£150-250 471 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the shaped top with satinwood crossbanding above two central frieze drawers flanked by deep cupboards, with all over marquetry panels of oak leaves, on square tapering legs, 72" wide

£200-400 466 A GEORGE III MAHOGANY BREAKFRONT SIDEBOARD, the shaped top with satinwood crossbanding and ebony stringing above a single frieze drawer flanked by a cellarette drawer to the right with lead fittings, the front modelled as two short drawers, the left cupboard modelled as two similar short drawers, on square tapering legs, 65" wide

£200-400 472 SIX HEPPLEWHITE STYLE MAHOGANY DINING CHAIRS with bar backs and reeded and pierced uprights with overstuffed seats on tapering turned and reeded legs, comprising five standard and a single armchair, 33" high

£200-400

467 A GEORGE I WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with broad crossbanding and moulded border above two short and three long graduated drawers with conforming veneer, the drawers between semicircular drawer dividers, on bracket feet, 18th century and later, 87" wide

473 AN EDWARDIAN MAHOGANY AND SATINWOOD STRING BIJOUTERIE CABINET, The oval top enclosing a velvet lined interior, on slender legs with shell inlaid stretcher. 28½" x 15½" £200-400

£500-800

146

Lot 468

Lot 469

147

Lot 474

474 A GEORGE II MAHOGANY (SOMETIMES CALLED “RED WALNUT”) KNEEHOLE DESK, the rectangular top with a moulded border above a brushing slide and frieze drawer, above two columns of three short graduated drawers and a central cupboard, on ogee bracket feet, 34½" wide. See illustration

476 A CHARLES II OAK 'WAINSCOTE' ARMCHAIR with panelled back and all over stylised foliate carved decoration, with scrolling arms, solid seat and turned legs and rectangular section stretchers, 47" high £300-600 477 A GEORGE I WALNUT VENEERED LOWBOY, with a rectangular top with a moulded border with re-entrant corners, with three frieze drawers, on cabriole legs with pad feet, 28" wide

Provenance: Private collection, Somerset. £1,000-2,000 475 A LOUIS XVI STYLE THREE PIECE SUITE, comprising a settee with upholstered back within a carved moulded and painted frame with outswept arms above an overstuffed seat on moulded surround and short legs, 71" wide

£250-450

£2,500-4,500 148

478 A REGENCY ROSEWOOD COROMANDEL BANDED AND BRASS INLAID CENTRE TABLE, the circular top with a broad crossbanded border with foliate and scrolling brass inlay and applied leaf-cast border on a spiral turned and carved column with triform platform base with three gilt scrolling legs and block feet, 48" wide. See illustration ÂŁ2,000-4,000

149

Lot 479

481 MAPLE & CO: A GEORGE III STYLE MAHOGANY AND SATINWOOD CROSSBANDED LIBRARY BOOKCASE, the upper section with twin glazed doors with geometric glazing bars enclosing a shelved interior beneath a scrolling pediment, the lower section with two frieze drawers and panelled cupboards, with satinwood crossbanding, on a plinth base, 51" wide

479 A REGENCY MAHOGANY CENTRE TABLE, the circular top with radiating matched veneers above a shallow frieze with bobbin-turned border, on three scrolling uprights with leaf-carved decoration, on a triform base with three short legs with recessed castors, 50" wide. See illustration £800-1,500

£300-600

480 A REGENCY ROSEWOOD COLLECTOR'S CABINET, the upper section with twin glazed doors enclosing a velvet-lined and stepped interior, the lower section with twin doors with arched mirrored panels enclosing an interior with an arrangement of six short drawers and five slides, on a plinth base, 37" wide

482

£400-600

A REGENCY MAHOGANY EXTENDING DINING TABLE, with a revolving rectangular top with drop-flap sides and two additional leaves, on an octagonal column and platform base with four downswept legs and brass cap castors, the table in the form of a Pembroke table, the top revolving to form a dining table, 70" wide (fully extended) £400-600

150

Lot 483

483 AN ITALIAN CHARLES I CEDAR WOOD COFFER with a rising lid above a carved front panel with shallow incised decoration with a central Royal Coat of Arms flanked by a female bust with an architectural surround, the coffer with stepped exposed dove tails to the corners, on later feet, 56" wide. See illustration

484

A SET OF EIGHT 'EMPIRE' MAHOGANY DINING CHAIRS, with upholstered backs within gilt metal mounted surrounds, with overstuffed seats on sabre front legs with reeded decoration and conforming back legs, 35" high £800-1,500

£1,000-2,000

151

485

IN THE MANNER OF GILLOWS: A LATE REGENCY MAHOGANY EXTENDING DINING TABLE, the broad rectangular top with a moulded border with two removable leaves on an arrangement of twelve turned and reeded legs with brass wheel castors, 126" (fully extended). See illustration ÂŁ3,000-5,000

152

486

A GEORGE III GILTWOOD SETTEE, circa 1775, the arched curved back with a floral cresting in a beaded frame with loose cushions to the seat, upholstered in green silk damask with beaded rail centred with ribbon-tied sprigs on leaf-capped turned and fluted tapering legs with gadrooned feet and brass castors, re-gilt, 89" wide. See illustration ÂŁ8,000-15,000

END OF SALE

153

NOTES

154

NOTES

155

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 (1) (a) (b) (2)

PAYMENT Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash or in such other way as is agreed by us. Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Thursday, 10th April. Paintings and Furniture.

Paintings and Furniture

Thursday, 10th April

2014

PRINTED IN DORCHESTER BY EPIC QUALITY PRINT