Dukes 25th September 2014 by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 25th September. Paintings and Furniture.

Paintings and Furniture

Thursday, 25th September

2014

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter. The Saleroom is surrounded by a pay and display car park. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0203) 4419830 North Of England Nick Bray 07860 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

Duke’s

Asian Art 14th November The Collection of the late John Walden (1925-2013)

Auctioneers since 1823

A pale celadon and russet jade mountain carved with cranes, deer and peaches, 17th/18th century, 5½ inches (14 cm) long Provenance: The Collection of the late John Walden (1925-2013).

A very rare Cizhou meiping vase with spiral banded decoration, 14th/15th century, 10¼” high Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Dorset.

Duke’s The Dorchester Fine Art Salerooms Weymouth Avenue Dorchester Dorset, DT1 1QS UK

Enquiries: Tel: +44 (0) 1305 265080 Email: enquiries@dukes-auctions.com www.dukes-auctions.com

Kingston Maurward College, Dorchester, DT2 8PY 5

Inviting entries for the Coin, Medals and Militaria Auction March 2015

Victoria, ‘Una and the lion’ Proof coin set 1839. Sold for £75,600

William III and Mary, Five Guineas 1693. Sold for £12,300

For further information or should you wish to consign please contact Timothy Medhurst on 01305 265080 or email timothy.medhurst@dukes-auctions.com

Duke’s AUCTIONEERS SINCE 1823

S tanbrid g e M i l l An English Idyll

ames Fairfax A.C. is an Australian who was educated at Geelong Grammar (Victoria, Australia) and Oxford (Balliol College), from which he graduated as a Master of Arts. He is from the family of Mr John Fairfax, who emigrated with his family from Leamington Priors, Warwickshire in 1838, and after arrival in Sydney Australia, established a newspaper called (and still called) the Sydney Morning Herald. The newspaper business prospered and James was the Chairman of the company which owned the newspapers in 1987 when his half brother, Warwick, bought out the shares in the, by then, publicly listed company. James Fairfax is a patron and benefactor of the arts, and owns or has owned a diverse private collection of paintings and sculptures. He is also a generous donor to many significant charities which support humanitarian, health research, educational, cultural and ecological causes, including many major Australian Public Art Galleries, World Wide Fund for Nature (WWF), Balliol College Oxford, United World Colleges, The New Children’s Hospital Sydney amongst many. He has made some significant donations of art from his collection to major art galleries in Australia including: “The Piazza San Marco” by Antonio Canaletto, to the Art Gallery of New South Wales and “The four times of day: Morning, Midday, Sunset, Night,” Paris 1757 by Claude Vernet to the Art Gallery of South Australia.

Duke’s

Duke’s are honoured to have been instructed to sell part of the Fairfax Collection in this auction.

AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 20th September 9.30am - 12noon Monday, 22nd September, 9.30 am - 5pm Tuesday, 23rd September 9.30am - 7pm Wednesday, 24th September, 9.30am - 5pm and on the morning of the auction day.

Catalogues £20.00 (by post)

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Duke’s AUCTIONEERS SINCE 1823

Thursday, 25th September 2014, 10.30am

Lots 1 – 49 Prints and Engravings Lots 51 – 173 Watercolours and Drawings Lots 180 – 302 Oil Paintings Lots 320 – 340 Books and Manuscripts Lots 350 – 390 Boxes, Caddies and Miscellanea Lots 391 – 405 A Private Collection of Art Medals Lots 406 – 429 Bronzes, Sculptures and Works of Art Lots 435 – 444 Clocks & Scientific Instruments Lots 445 – 460 Rugs and Carpets Lots 466 – 554 English and Continental Furniture

View images of all lots and bid live online

THURSDAY, 25 t h SEPTEMBER 10.30A M

Prints and Engravings

Detail of lot 5 11

1 AFTER REMBRANDT VAN RIJN (1606-1699) An old scholar seated with his eyes closed before an open book, engraved signature lower left, dry point etching, 5½" x 4¼" (trimmed) £100-200 2 FROM GEORGE HENRY MILLAR'S NEW COMPLETE AND UNIVERSAL SYSTEM OF GEOGRAPHY, published Alexander Hogg, London, 1782: A series of 51 loose leaf engravings, including "Habits and Character of the People in Persia ...", and "Various Beasts of Different Parts of the World", each 7½" x 11" (plate) (51). See illustration

6 KING, CHARLES, BIRD AND OTHERS: "Wa-Na-Ta Grand Chief of the Sioux", and three other portraits from Thomas McKenney and James Hall - The Indian Tribes of North America, published by Rice, Rutter & Co., 1872, hand-coloured lithographs, each 9½" x 6½", and the companion lithograph (8 in two frames). See illustration £500-1,000 7 AFTER J. BRISTOW, 19th century school "The Duellists", engraved by C. Turner, mezzotint, 11½" x 14", and the companion work (2) £50-100

£400-800 3 19TH CENTURY SCHOOL Four hand-coloured engravings depicting scenes in China, including: "Pekkinsa", and "Tongsiou", each 4" x 6¼" (plate), framed as one, and a matching set of four including: "Fungching" and "Neynemiao" (2) £200-400 4 AFTER HENRY ALKEN (1785-1851) "Preparing to Start", published by R. Ackermann and engraved by Sutherland, hand-coloured engraving, 9" x 25", and the remaining three to complete the series, each with black and gilt glass mounts (4) £100-200 5 19TH CENTURY SCHOOL "The Battle Between Crib and Molineaux Fought at Thistleton Gap in the County of Rutland, September 28th 1811", published 1811 by Walker & Knight, hand-coloured engraving, 9¼" x 13¼", the companion engraving "The Close of the Battle" or "The Champion Triumphant", "Daniel Mendoza & Richard Humphries" after CR Ryley (3) £80-160

8 AFTER HENRY ALKEN (1785-1851) "Symptoms", published by Thomas McLean 1822, hand-coloured etching, 8" x 9½", five further etchings from the series, a quantity of other early 19th century engravings after Cruikshank, and others including a watercolour after Thomas Rowlandson (a lot) £100-200 8A AFTER DAVID ROBERTS (1796-1864) “View on the Nile – Ferry to Gizeh”, title and signature printed within the image, hand-coloured lithograph by L. Haghes, 13½” x 19¼”

£400-£800

9 AFTER THOMAS ROWLANDSON (1756-1827) "Road to Ruin!", hand-coloured engraving, two images on the page, 12½" x 9" (page), and a hand-coloured road map from Welshpool to Caernarfon, numbered 233 (2) £100-200 10 AFTER BRITON RIVIERE (1810-1920) "Daniel's Answer to the King", engraved by Joseph Bishop Pratt, signed in pencil by Riviere and Pratt, published in 1892 by Agnew & Sons, mezzotint engraving, 25¼" x 36" (plate) 12

£50-100

Lot 2

Lot 6

16 WILLIAM BLAKE (1757-1827) "Then went Satan forth from the presence of The Lord", published March 8th, 1825, by William Blake, Fountain Court, Strand, proof state, engraving, 8½" x 6½". See illustration

11 A FOLIO OF MIXED LOOSE LEAF 18TH, 19TH AND 20TH CENTURY ENGRAVINGS including hand-coloured topographical views of Jamaica and the West Indies, and "The Situation of His Majesty's Ship, The Mermaid ... 1795", after N. Pocock (a lot) £200-400

12 F. BARLOW & R. WHITE "The Solemn Internment of the Most High Mighty and Most Noble Prince, George, Duke of Albemarle, 1670", a folio of engravings including The Duke laying in state, and the majority of pages 4-20 depicting the procession, each page circa 10½" x 19" (a lot)

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£400-800 17

5PIERRE

Provenance: Christopher Drake Gallery, November 1982.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£100-200 13 AFTER WILLIAM CAMPEN Queen Elizabeth I funeral procession, pages 9, 13 and 27, plate XXIV and XXI, published 1791, engraving, 19" x 25¾", with introductory text pages (a lot)

BONNARD (1867-1947) A portrait of Ambrose Vollard with his cat, etching, circa 1914, Johnson 16, 13¾" x 9¼" (plate). See illustration

£700-1,400

£200-400

18 JAMES JOSEPH TISSOT (1836-1902) "La Dormeuse, 1876", printed signature within the image, dry point etching, Wentworth 7 (Wentworth gives the edition as being about 100), 4" x 7¼" (plate). See illustration

14 18TH CENTURY SCHOOL "Prospectus Oppidi Dumblani" or "The Prospect of the Town of Dumblane", title and dedication applied, verso, hand-coloured engraving, 9¾" x 16¾" (page), eighteen others from the Scottish series, a collection of other English and French landscape engravings and a small folio of other loose leaf etchings, portraits and landscapes (a lot)

Provenance: Christopher Drake Gallery, November 1981.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£150-300

£800-1,600

15 AFTER GUERCINO (1591-1666) Two pairs of duelling men holding daggers, printed attribution and engraved by Bartolozzi to the margin, sepia engraving, 8¾" x 12", and a folio of other 18th and 19th century various engravings (a lot)

19 FELIX BUHOT (1847-1898) "Le Pont de Westminster, 1884", signed in pencil and dedicated "A Louis Morin Pour Te Degouter!", etching, aquatint and dry point etching, 11" x 15¾". See illustration

£150-300

Provenance: Christopher Drake Gallery, June 1983.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£800-1,600

Lot 17

Lot 16

Lot 18

Lot 19

25 AFTER HENRI TOULOUSE LAUTREC (1864-1901) "Ta Bouche", printed monogram within the image, red-brown lithograph, 11" x 8"

20 ERNEST AFFLER (1867-1929) A study of a dancing ballerina, signed in pencil and numbered 2/20, dry point etching, 9¼" x 6¾" £80-160

£100-200

21 JAMES JOSEPH TISSOT (1836-1902) "Le Journal" signed and dated 1883 within the image, with red stamp JTC Beraldi 64 Wentworth 73, dry point etching, 14¾" x 11¼". See illustration

5ADRIEN

ETIENNE "DRIAN" (1885-1961) A pair of girls in blue ribboned hats, signed in pencil to the margin and numbered 49 of 95, dry point etching with partial blue hand-colouring, 12½" x 8½"

Provenance: Christopher Drake Gallery, March 1980.

£100-200

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£1,500-3,000 22

5ANDERS

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

OSTERLIND (1887-1960) A possible self-portrait with artist's palette, printed signature within the image, dry point etching, 7" x 5" (plate)

RAEMAEKERS (1869-1956) "The Prisoners", printed signature within the image, further signed in pencil to the margin, numbered 127, published by George Pullman & Sons Ltd, coloured lithograph, 15¼" x 11¼" (page)

£80-150 28

£100-200 23

5LOUIS

5EILEEN

SOPER (1905-1990) Children playing on swings, signed in pencil to the margin, dry point etching, 6¾" x 8¾"

5LAURENCE

STEPHEN LOWRY (1887-1976) Steamer ship at sea with children and figures on the beach, printed signature within the image and apparently signed in ink below the mount, 17½" x 26¾" and "Man looking out to sea", a print after LS Lowry 1968 (2)

£80-160

£150-300

24 MAXIME MAUFRA (1861-1918) "Paysage", printed signature within the image and further signed in ink to the margin, etching, 5" x 7" (plate)

Provenance: Christopher Drake Gallery, November 1981.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

5AFTER

PABLO PICASSO (1881-1976) "La Danseuse sur la Table", with printed date and signature within the image, further numbered in pencil 450/500, black aquatint, 16¼" x 20½"

£150-300 30 ETHLEEN PALMER (1906-1958) Kangaroos, with printed monogram in the image, further signed in pencil and titled "Serigraph", serigraph 10" x 12¼"

£200-400

£150-300 16

Lot 21

Lot 31

5HENRY

Provenance: Fisher Fine Art Ltd, 18th November 1974.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

Exhibited: Fisher Fine Art Ltd, Henry Moore Graphic Work 1972-174.

MOORE (1898-1986) A seated woman in an armchair 1973, signed in pencil and numbered 29/75, black lithograph, 26½" x 19" (page). See illustration

£700-1,400 32 HENRI TOULOUSE LAUTREC (1864-1901) "A portrait of Yvette Guilbert, 1894", numbered in pencil 51/275, coloured lithograph, 15" x 9¾". See illustration £150-300

Lot 32

33 EUGENE CARRIERE (1849-1906) "Maternite - Grande Planche", printed signature within the image, lithograph in umber, ochre and white, (printed from three stones) Delteil 38, 16½" x 13¼". See illustration

Provenance: Christopher Drake Gallery, November 1980.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£400-800 34 SIR WILLIAM RUSSELL FLINT (1880-1969) Four women on a rocky outcrop in traditional dress, printed signature within the image, further signed in pencil to the margin with publisher's blind stamp, coloured print, 17½" x 22½", and another similar (2)

Lot 33

£70-140 35 19TH CENTURY SCHOOL Owl in flight at dusk beside a fortress, enclosed as a circular vignette beside an ex libris panel, marked Caesaris Burchs, with cat and grotesque bird borders, unsigned, black and brown dry point engraving, 4¼" x 6¼"

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£100-200 18

36 PAUL KLEE (1879-1940) "Blauer-Vogel-Kurbis", printed signature to the image and copyright D.J. lettering, titled and dated 1939 with NN7 in ink to the margin, with blind stamp for "Procede Jacomet" coloured lithograph, 11" x 16¾". See illustration

£150-300

£400-600

5ANN

CHRISTOPHER RA (b.1947) "Split Hill", signed in pencil to the margin and numbered 9/35, inscribed with exhibition details verso, monochrome lithograph, circa 1980, 17½" x 27¾"

£200-400 38

5THETIS

BLACKER (1927-2006) A scene from "The Magic Flute", signed in pencil lower left and numbered 42/50, red/brown screen print and batik on fabric, 23½" x 18"

5AFTER

SIR WILLIAM RUSSELL FLINT (1880-1969) A Deco style study of three nudes, printed signature within the image, with publisher's blind stamp and numbered in pencil 715/850 to the margin, coloured print, 16½" x 22¼"

5SIR

WILLIAM RUSSELL FLINT (1880-1969) A study of a woman with a lace veil, holding her shoes on a rocky outcrop, printed signature within the image, further signed in pencil to the margin with publisher's blind stamp, coloured print, 18¼" x 22½"

41 MAREK, 20th century Two cloaked figures seated cross-legged, signed in pencil and dated '53, numbered 4/25 to the margin, red, green, brown and white lithograph, 17½" x 21¼"

£50-100

£150-300

Lot 36

5ELISABETH

FRINK (1930 - 1993) "The Old Man and The Sea", numbered in pencil 67/70, with blind stamp to the paper, dry point etching, 21¼" x 14½" (plate). See illustration

5BERNARD

Provenance: A gentleman’s residence in Kensington, London W8.

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

£300-600

LEACH (1887-1979) A hilly landscape with huts in the foreground, printed initials within the image and dated '18, further numbered to the margin 11/25, etching, 5¾" x 7¾" (plate). See illustration

£600-800

Lot 43

Lot 42

Lot 44

5BERNARD

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

LEACH (1887-1979) Wooded landscape with figure, printed initials and date 1924 within the image, further numbered in pencil 11/25 to the margin, etching, 4½" x 5¾". See illustration.

£600-800

Lot 45

5BERNARD

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

LEACH (1887-1979) Landscape with hillock and hut in the foreground, printed initials and dated '18 within the image, further numbered 12/25 in pencil to the margin, etching, 5¾" x 7¾". See illustration

£600-800

5BERNARD

LEACH (1887-1979) "Sunrise", printed signature and date 1918 within the image, further numbered in pencil 9/25 to the margin, etching, 7¾" x 11¾". See illustration

5BERNARD

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

£1,000-2,000

LEACH (1887-1979) "Pagoda", printed signature and dated 1916 to the image, further numbered in pencil 15/25 to the margin, etching, 10½" x 11½". See illustration

£3,000-5,000

Lot 46

Lot 47

Lot 48

5BERNARD

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

LEACH (1887-1979) Study of a barn, printed signature and date 1912 within the image, further numbered 17/25 in pencil to the margin, etching, 4" x 5¾". See illustration

£400-600

Lot 49

5BERNARD

Provenance: Private collection, Dorset.

This Leach print was acquired directly from the Leach Gallery, St. Ives in 1983

LEACH (1887-1979) Study of a barn, printed signature and date 1912 within the image, further numbered 16/25 in pencil to the margin, 4" x 5½". See illustration

£400-600 50 CHARLES FREDERICK TUNNICLIFFE (1901-1979) Ducks in reeds, printed signature within the image, signed in pencil and printed edition number 489 of 500, published Tryon Gallery 1976, coloured print, 17" x 20½" and five others (6)

£600-1,200

WATER COLOURS AND DR AWINGS

Detail of lot 91 25

51 AFTER MICHELANGELO DE CARAVAGGIO (1573-1610) Head of a youth wearing a plumed cap, signed lower left "Del Zorzon", red chalk, 9¾" x 8¾", with a copy of the Skippe Collection auction catalogue (2). See illustration

Provenance: The Skippe Collection, Christie's 1958, lot 62c. (Lugt 15296)

Private collection, Somerset

£200-400 52 18TH CENTURY SCHOOL A portrait of a boy with powdered hair, wearing a red coat with blue sash and bird adorned Maltese cross type medal, pastel, 21" x 17", oval. See illustration £200-400 53 SIR HENRY E. BUNBURY (1750-1811) "Peep at the Cossack", titled and signed, brown pen and ink over traces of pencil, 7¼" x 7¼" £80-160 54 GEORGE DANCE JUNIOR R.A. (1741-1825) "A consultation on a very difficult case", signed and titled in pencil, pencil sketch on paper, 7¾" x 11¼". See illustration

Provenance: Christie's King Street Lot 17, 7th December 1994.

Private collection Somerset

£300-600 55 ATTRIBUTED TO JACOB SCHNEBBELIE (1760-1792) "St. Alban's Abbey from the west", watercolour over traces of pencil, 6¼" x 9½"

Jacob Schnebbelie painted a series of pictures of St. Alban's Abbey in 1788, which were later made into engravings.

£80-150

56 THOMAS ROWLANDSON (1756-1827) "The High Street, Bermondsey", grey and brown pen and ink and watercolour over traces of pencil, 5¼" x 9", cut and laid on paper. See illustration

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£600-1,200 57 A FOLIO OF MIXED LOOSE LEAF 19TH CENTURY WATERCOLOURS including a copy of the Joshua Reynolds self-portrait at the Uffizi, and a pair of portraits of Eastern warriors (a lot) £150-300 58 CIRCLE OF EDWARD LEAR (1812-1888) A study of Mont Blanc, unsigned, but with inscriptions verso, watercolour and ink, 5¾" x 7¾", and a folio of other 19th century watercolours and pencil sketches (a lot) £300-600 59 18TH CENTURY SCHOOL "Bonner's House Lambeth Marsh destroyed 1823", watercolour over traces of pencil, 5¾" x 8½" £100-200 60 GEORG LUDWIG MEYN (1859-1920) A portrait of two young girls wearing winter fur-trimmed bonnets, signed lower right with Grosse Berlina Kunstaustellung 1895 exhibition label verso, pastel on brown paper, 20¼" x 22¾" £300-600 60A FOLLOWER OF SIR ANTHONY VAN DYCK (1599-1641) Study of an Apostle, pencil, 10¾" x 7½"

P rovenance: Bewley Court, Lacock, Wiltshire.

Previously in the collection of Oliver Ford.

£100-200

Lot 51

Lot 52

Lot 56 Lot 54

66 SIR WILLIAM BLAKE RICHMOND (1842-1921) A study of hands, crayon and white chalks, 7¾" x 14¾"

61 SAMUEL PALMER (1805-1881) Sheep in a wooded grove, monogrammed lower left and dated '56, black chalk, 6¼" x 11¼". See illustration

Provenance: Sotheby's Fine 18th and 19th Century Engravings, Drawings and Watercolours, 14th December 1972, lot 80.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

Literature: Raymond Lister Samuel Palmer 1988, no. 535 illustration page 178.

Provenance: The collection of William E. Fischelis Junior, 24th March 2010, Bloomsbury, New York.

Private collection, Somerset.

£300-600 67 ENGLISH SCHOOL, early 19th century A study of Netley Abbey, watercolour en grisaille, 13½" x 10¾"

£2,000-4,000

62 ATTRIBUTED TO SAMUEL PROUT (1783-1852) "Zwinger Palace, Dresden", titled lower left, and initialled "SP", watercolour, 18" x 13½" See illustration

Provenance: Private Collection, Somerset

£80-160 68 R. DOBSON "Sandsend near Whitby", signed lower right, titled lower left, dated 1872, watercolour, 8¾" x 14¾"

£300-600

£500-1,000

63 J. GILBERT 19th century A portrait of a Victorian lady seated in an easy chair and clasping her pocket watch in her hand, signed and dated 1851, pencil and pastel crayon, 20¾" x 16"

69 CHARLES GREGORY (1850-1920) "Avon Gorge", signed lower right, watercolour, 13½" x 20"

£100-200

£80-150 64 W GUNNING KING (1859-1940) "Fair cyclist and enthusiastic geologist", signed, charcoal on paper, 14" x 10", and a folio of other late 19th/early 20th century works on paper including two by Knighton Hammond (a lot)

69A 5FRED LAWSON (1888-1968) "Cattle at rest", signed lower right, watercolour over traces of pencil, 10½" x 14¾"

£200-400

70 CHARLES GRAHAM (1852-1911) Figures by the Nile with the Pyramids of Gizah in the background, signed lower left, watercolour and gouache, 9¾" x 19½"

65 A FOLIO OF LOOSE LEAF 19TH CENTURY WORKS ON PAPER including a watercolour study entitled "In a Veiled City", by monogrammist HMC (a lot) £100-200

£400-800

Lot 61

Lot 62

71 CIRCLE OF PETER LE CAVE (fl. 1769-1810) Study of a grey horse on a windy day, with a goat and cattle with a rain cloud beyond, watercolour, 8½" x 10½". See illustration

Lot 71

Provenance: Private collection, West Dorset.

Inherited from an aunt, circa 1975.

£500-1,000 72 G. CHAMBERS (1803-1840) An American Cutter out of an English harbour, signed lower left, watercolour, 11" x 16". See illustration

Lot 72

£600-1,200 73 WILLIAM LIONEL WYLLIE (1851-1931) Steam yachts and fishing boats in coastal waters, signed lower right, watercolour, 3¼" x 7¼", and the companion picture of shipping in an estuary (2). See illustration Lot 73

Provenance: A gentleman’s residence in Kensington, London W8.

£300-600 74 THOMAS HENRY NICHOLSON, 19th century "In the Ring at Astleys", inscribed with the title in pencil, signed with Victoria Gallery exhibition label verso, watercolour over traces of pencil, 5" x 6¼" £100-200 75 JOHN HENRY HENSHALL (1856-1928) A portrait of an old man , with pencil colour printing annotations and embossed paper mark for Fairholme Moseley, Birmingham, charcoal and white chalk, with image of an old lady verso, 10½" x 8½" £50-100

Lot 76

76 PERCY FRENCH (1854-1920) A view of a lake with rain clouds above, signed lower right and dated '99, watercolour, 6¾" x 9½". See illustration £700-900 77 PERCY FRENCH (1854-1920) A view of a whitewashed cottage beside a river on heathland, signed lower right, watercolour, 6¼" x 9". See illustration

Lot 77

£700-900 78 MINNIE ROSA BEBB (b. 1857) A pair of kittens watching wasps on a dish of fruit, signed lower left and dated 1899, watercolour, 12" x 18¼". See illustration £300-600 79 WILLIAM HENRY EARP 19th century Rowing boats and yachts on the Dorset coastline, signed lower left, watercolour, 9¾" x 21¾", and the companion painting (2)

Lot 78

£200-400 80 JOHN LAPORTE (1761-1839) "Langdale Pikes, Lake District", signed lower right, gouache, 11¼" x 23" £150-250

86 ENGLISH SCHOOL, 19th century A study of Baalher, Syria, titled and dated June 19th lower left, pencil, 8½" x 13¼"

81 CHARLES EDWARD DIXON (1872-1934) "Above Greenwich", signed and dated '99 with title, watercolour, 10" x 23½". See illustration

£80-160

Provenance: Private collection, West Dorset.

£1,500-3,000

87 WILLIAM SPEECHLEY (1740-1826) "The Red Bird from Surinam in South America", titled, signed and dated 1761, watercolour, pen and ink, 10¾" x 8½"

82 CHARLES EDWARD DIXON (1872-1934) "Greenwich Reach", signed and titled, watercolour, 10½" x 29½". See illustration

Provenance: Private collection, East Dorset.

This painting has remained in the same family for at least 75 years.

£100-200 88 IN THE MANNER OF FRANS VERVLOET (1795-1872) Sailing boats in the Venetian lagoon, signed F (?) Vervloet and titled "Venice", watercolour, 2½" x 8¾"

£1,500-3,000 83 CARLO CHIOSTERI (1863-1939) A portrait of a young lady in traditional dress reclining on a salon chair, with her arms raised, signed, watercolour, 16¾" x 11¼"

Provenance: Private collection, Somerset.

£50-100 89 INDIAN SCHOOL, 19th century A study of the clock tower at the Doon School, Dehradun, India, watercolour, 10" x 14¼".

Carlo Chiosteri was an Italian artist and illustrator, best known for having illustrated the first large print edition of Pinocchio in 1901

£300-600

84 FRANCES MARY WIMPERIS (1840-1925) Workers carrying baskets on their shoulders trekking across a heathland beside a river, signed and dated '92 lower right, watercolour with scratching out, 14¼" x 20½"

£80-160

The Doon School in Dehradun, India, was a high-ranking school with many parallels to Eton.

89A 5ARTHUR BATEMAN (1883-1970) Bridge over a river within a town, signed in pencil lower right and dated '35, watercolour, 9¾" x 14¼"

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£300-600

85 TRISTRAM ELLIS (1844-1922) "Algiers", signed, titled and dated 1897 lower left, watercolour over traces of pencil, 9¼" x 20¼"

90 HERBERT E. BUTLER (fl.1881-1921) A mother and child walking down a hill in a coastal village, signed lower left, watercolour, 6¼" x 9¾"

£300-600

£80-150

£100-200

Lot 81

Lot 82

Lot 91

5CECIL

Provenance: A gentleman’s residence in Kensington, London W8.

BEATON (1904-1980) A study of a whippet resting, signed lower right, pencil, 8¼" x 11½". See illustration

£300-600 92

5CECIL

Provenance: A gentleman’s residence in Kensington, London W8.

Lot 92

BEATON (1904-1980) Old Chinese man - costume study for a Turandat, signed lower right in pencil, watercolour, 13½" x 10½" See illustration

£300-600 93

5LUCIEN

Provenance: Private collection.

Exhibited: Exposition de Brussels Artistes Francais no. 30

LEVY-DHURMER (1865-1953) "Le Sikh" - a nobleman in a yellow turban, signed and dated 1912 lower right, with old ownership labels and exhibition labels verso, pastel, 24½" x 18¾". See illustration

£3,000-5,000 94

5JACOB

EPSTEIN (1880-1959) A study of a nude, signed in black pencil, coloured pastel on brown paper, 13½" x 9¼"

£200-400 95

5ALFRED

Provenance: Purchased from The Catherine Gallery, Marlborough in 1999

J. MUNNINGS (1878-1959) A study of a woman in a ball gown with head studies surrounding her, signed in pencil, pencil on grey paper, 6¼" x 3¾"

£200-400

Lot 93

96 ATTRIBUTED TO M. GIRARDET A head and shoulders study of a woman painting at an easel, wearing a black veil, coloured chalk on brown paper, 16¼" x 20"

101 MONOGRAMMIST J D A study of the Pool of London, circa 1936, monogrammed and dated '85 lower right, gouache, 3" x 3¾"

£100-200

£80-160

97 M. GIRADET A head and shoulders portrait of a woman with a tortoiseshell cat on her chest, signed lower right, coloured pastel on brown paper, 15½" x 12¼"

102 J. PEDDER (1850-1929) Smoking cottages and farm workers on the land, signed lower right, watercolour over traces of pencil, 5" x 6¾"

£100-200

£50-100

5CHARLES

103 L.D. DAY A head and shoulder side portrait profile of a young girl, signed and dated 30 and 41, wash over traces of pencil, 11½", round

FREDERICK TUNNICLIFFE (1901-1979) A study of oyster-catchers on a rocky outcrop, signed lower right, watercolour and gouache over traces of pencil, 16½" x 26". See illustration

Provenance: Private collection, Dorset.

This lot is accompanied by a letter dated September 16th 1995 to the owner from the artist acknowledging his payment: "I do hope the painting continues to give pleasure for I enjoyed painting it ...".

£50-100 104

£1,000-2,000 99

FREDERICK TUNNICLIFFE (1901-1979) A prowling tiger, watercolour heightened with gouache over traces of pencil, 6¾" x 10". See illustration Provenance: Funny Bird Fine Art, London.

Private collection, Europe until 2010.

Steven Ongpin Fine Art.

Private collection, Wiltshire.

105 SAMUEL JOHN LAMORNA BIRCH RA, RWS (1869-1955) Woolbridge Manor House, titled, signed and dated 1935 lower left, pencil with wash, 7¾" x 10¼"

105A ERICH WOLFSFELD (1844-1956) Kneeling old man, signed lower right, coloured pastel, 39" x 27¼"

5CHARLES

FREDERICK TUNNICLIFFE (1901-1979) "Red Breasted Mergansers", watercolour and bodycolour over traces of pencil, 3¾" x 6¾"

Provenance: Guy Peppiatt Fine Art Ltd.

Private collection, Wiltshire.

Provenance: Private collection, Dorset.

£150-300

£400-600 100

ARTHUR BOSS (1891-1981) Four portrait sketches, some annotated for Paris, circa 1910, Timothy Hobart Fine Art London label verso, pencil on paper, each sketch 5½" x 4", mounted as one,

£100-200

5CHARLES

5MARCUS

£400-600 36

£200-400

Lot 98

Lot 99 37

106 JOHN BRATBY (1928-1992) "The Melon Table and the Little Balcony, Positano, Bay of Salerno", signed lower right and dated 1939, extensively inscribed, coloured chalks and pencil, 22" x 16½". See illustration

111 ATTRIBUTED TO LUCIEN DAVIES (1860-1941) Forest scene, unsigned but bearing contemporary inscription stating "unfinished watercolour Lucien Davies given by his widow 1955" verso, watercolour, 15¾" x 20¾"

Provenance: A gentleman’s residence in Kensington, London W8.

£200-400

£800-1,600 107

112 ATTRIBUTED TO LADY DRUSCILLA SCOTT 20th century "Red Sea Hills, Kassala, Sudan", unsigned, but bearing labels "Lady Druscilla Scott, wife of the former ambassador to the Sudan, Sir Ian Scott, circa 1960", gouache, 14½" x 21½"

5JOHN

SKELTON (1923-1999) St. Mary the Virgin Church, Upwaltham, Sussex, signed and titled in pencil, dated 1991 lower right, wash, pencil and ink, 7¼" x 10"

£100-200

108 BERTHA EMILY DIGBY A head and shoulders portrait of a young boy, signed in pencil and dated 1910, watercolour over traces of pencil, 9½", round

113

According to a label verso, this picture was purchased at the Glanvilles Wootton sale in 1986

114 KIM DONALDSON (1952- ) "Number 3 Territorial Male", signed lower right, pastel, with original bill of sale, 21¼" x 33"

109 FELIX TOPOLSKIE (1907-1989) "Kurdoine (?) Beiru ...", signed in pencil and dated '11 and 1949, with gift inscription and further titled indistinctly in ink lower left, crayon and ink wash, 15½" x 12½"

£250-450

£80-150

115 KIM DONALDSON (1952 - ) Birds in flight at sunset, signed lower left, pastel, 20¾" x 28¾"

5VICTOR

LOREIN (1894-1954) Reclining nude studies, signed lower right and dated 1918, pen and ink, 14¾" x 19¾"

Provenance: The collection of Roger Fry.

Acquired from the Fry family.

MICHAEL DINKEL (1894-1983) "St. Gimiguano", signed and dated 1926 and further titled in pencil, watercolour over traces of pencil, 14" x 21"

£200-400

£100-200

110

5ERNEST

£150-300

Lot 106

116 ENGLISH SCHOOL, 19th century A study of a young woman taking care over a sailor arranging his pipe, indistinctly signed and titled verso, watercolour, 16½" x 14¼" See illustration

121

Provenance: Private Collection, Dorset

5FRANK

EDGINGTON (1908-1990) "Connemara Lough", signed lower left, Fine Art Society label dated 1945 verso, watercolour, 14½" x 20½". See illustration

£400-800

£300-600 122 ROSS (THOMAS) "Nin Nebi Yunis (Tomb of Jordan) Nineveh", signed, titled and dated 1959 lower right, pen, ink and watercolour, 14¾" x 21¾"

117 DIANA ARMFIELD (b.1920)) "Queuing at the Fenice, Venice", monogrammed lower left, with Mall Galleries label verso, coloured pastel on grey paper, 11" x 8". See illustration

Provenance: A gentleman’s residence in Kensington, London W8.

Exhibited: New English Art Club at the Mall Galleries, 1991

123

5MARGOT

MAECKELBERGHE (1932-) "Cross Current" 1968, inscribed with the title and artist's details verso, gouache, 6¾" x 10"

£500-1,000

£150-300

118 FELIX KELLY (1914-1994) Kiosk Agra, India, unsigned but Partridge Fine Art label verso, gouache, 3" x 4" See illustration

124

Provenance: A gentleman’s residence in Kensington, London W8.

5HELEN

MCKIE (1889-1957) "The Crested Eagle provides the fast service from Tower Pier to Clacton", signed in ink and titled in pencil, pen, ink and gouache heightened with white, 10½" x 16½", and three further black and white studies (a lot)

£150-300

£400-800 125 119 EDWARD WESSON (1910-1983) Landscape with trees, signed lower right, watercolour and wash, 18½" x 26¼" £300-600

5HELEN

MCKIE (1889-1957) "Bathing Belles of 1939", signed lower left and titled to the mount, red and black gouache heightened with white, 9½" x 14", the companion work "Bathing Belles of the Nineties" and two other similar works (4)

£150-300

120 EDWARD WESSON (1910-1983) "At West Mersea, Essex", signed lower right, watercolour and wash, 12½" x 19½", and the companion view "Port Appin, Argyllshire", (2) £200-400

Lot 117

Lot 116

Lot 118

Lot 121

131 20TH CENTURY SCHOOL "Promenade of an afternoon", illustrations of women in colourful dress walking the streets, indistinctly inscribed in pencil to the margin, watercolour heightened with white, 14½" x 10½", and a folio of other early 20th century illustrations and cartoons (a lot)

126 ATTRIBUTED TO PAUL SIGNAC (1863-1935) "St. Paul's, Mars 31' ", signed in pencil and titled and dated lower left, watercolour over traces of pencil, 6¼" x 8½". See illustration £500-1,000 127

5STUDIO

£150-300

OF REX WHISTLER

(1905-1944) "From Lawn Cottage, Tisbury, Wiltshire Tisbury 254", a sheet of Lawn Cottage writing paper with illustration of a putti holding grapes, flowers and champagne on a tray, with a dog delivering chocolates, watercolour heightened with white and black pen and ink, 8½" x 6¾". See illustration

132 AFTER BEATRIX POTTER (1866-1943) A scene from the Tale of Samuel Whiskers, depicting Tabitha Twitchet washing a kitten in a kitchen, watercolour wash, pen and ink, 4¼" x 4¾". See illustration

£300-600 128 BERNARD CASSON (f L. 1925-1940) Submarine launch, possibly Chatham Dockyard, signed and dated 1960 lower right, black pencil, 3¾" x 14½" (page)

Provenance: Acquired by the vendor through marital links with Sir Henry Enfield Roscoe, Uncle of Beatrix Potter. This picture was discovered between the pages of a family book.

133

5CHARLES

£100-200 129

5MANNER

OF SALVADOR DALI

£500-1,000

(1904-1989)

'Marjore' - a profile study of a lady seated on a cantilever chair, titled upper right, crayon, 11 x 8½"

Sold with a 1964 New York Times newspaper article about the artistic collaboration between Christine Forani and Salvador Dali

Provenance: Phyllis Crawford, Deceased whose brother was a friend of Picasso and thence by descent.

134

5MARGOT

Provenance: Purchased from the artist's first solo exhibition in 1968 and has remained in the same private collection since.

MAECKELBERGHE (1932-) "Prussia", late 1968, signed lower right and titled verso, gouache, 13½" x 9½"

£150-300

£100-200 130

OPPENHEIMER (1875-1961) "Evening Glow: Speyside", signed lower left and titled verso, watercolour, 11¼" x 15". See illustration

5LEWIS

BAUMER (1870-1963) "How many lessons d'you think I shall want ...?", signed lower right, titled and further titled in pencil to the margin, signed letter from the artist, dated 1932 verso, 10" x 13¼"

£150-300

135

5MARGOT

Provenance: Purchased from the artist's first solo exhibition in 1968 and has remained in the same private collection since.

MAECKELBERGHE (1932-) Seascape in celadon brown and yellow, signed lower right, gouache, 8¾" x 10¾"

£150-300 42

Lot 127

Lot 126

Lot 132

Lot 133

Lot 136

136

5ATTRIBUTED

Provenance: The artist's Estate

TO DUNCAN GRANT (1885-1978) Costume design for theatre, unsigned, Bloomsbury Workshop label verso, gouache and oil on linen, circa 1930's, 19½" x 13½". See illustration

£150-300 137

Lot 138

5OLIVE

HENRY (1902-1989) "River Rhythms", signed lower left, inscribed artists label verso, watercolour, 10½" x 14½"

£150-300 138 JOHN ELWYN (1916-1997) "The Meadows I 1964" signed lower right, Leicester Galleries exhibition label verso, gouache, 12¾" x 8¾". See illustration £400-800 139 MARY FEDDEN (1915-2012) Still life study of fruit on a chequered cloth, signed lower left and dated 1989, gouache on paper, 7" x 7¾". See illustration

Lot 139

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£800-1,600 140 GRAHAM SUTHERLAND (1903-1980) "Welsh Landscape", signed and dated 1944 upper right and further dated 1944 lower right, with Redfern Gallery label No. 12 1976, verso, watercolour, ink and pencil, 6½" x 5½". See illustration

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£1,500-3,000 44

Lot 140 45

141

5SIR

146

TERRY FROST (1915-2003) Abstract stripe in white, black and red, signed in pencil and numbered 001, gouache on paper, 19" x 40". See illustration

147

5SIR

TERRY FROST (1915-2003) Abstract stripes in yellow, orange and black, signed in pencil and numbered 001 verso, gouache on paper, 19" x 40". See illustration

5MANNER

OF ALAN DAVIE (1920-2014) Abstract study in red, white and ochre, gouache, 13" x 15¾"

£80-150 144

BERLIN (1911-2000) "Spanish Gypsy Boy", signed and titled lower right, undated but believed to be 1959, pencil, 9½" x 7½".

148

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) "Drawing for Sculpture of White Stallion", signed with monogram and dated 1984, pencil, 12" x 16½".

£200-400

5HENRI

DE JORDAN (1944-1996) "Les Deuniers Rayons de Soleil", signed lower left, inscribed with the title and dated 1983 verso, gouache, 8¾" x 11¾"

£200-400 145

5SVEN

£200-400

£800-1500 143

BERLIN (1911-2000) Spanish Chavvies - Saint Maries - under tamarisk trees, signed and dated (19)59, pencil, 11½" x 15".

£200-400

£800-1,500 142

5SVEN

149

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A study of a horse’s head, signed lower right and dated (19)78, watercolour, 23½" x 16½".

£300-600

5MARC

GRIMSHAW (b.1957) A study of gondoliers in Venice, signed in pencil lower right, pastel, 7½" x 10½", and two similar studies (3)

149A SVEN BERLIN (1911-2000) A study of a swan, signed lower right and dated '79, ink 23½" x 16½"

£200-400 145A N ORWEGIAN SCHOOL, 20th century A cartoon for a textile depicting a rearing horse and organic figures with death looming, initialled "EQN" gouache over pencil traces 39¼" x 47½"

Provenance: The Estate of the artist.

£300-600

Lot 141

Lot 142

Lot 150 150

150A RAY AUSTIN CROOKE (b.1922) An Australian landscape, signed lower right and dated '68, watercolour, 5" x 8¼"

5JAACOV

AGAM (Israeli, b.1928) Abstract linear study, signed in pencil lower right, gouache on paper, 42¾" x 45¾" See illustration

£2,000-4,000

£150-300

151

5BRUCE

MCLEAN (b.1944 ) Abstract study in yellow, green and red, signed in pencil lower right, mixed media, 59" x 44½". See illustration

£1,000-2,000 49

Lot 152

Lot 153

152

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A dove in flight, signed lower left, watercolour and ink, 15½" x 22½". See illustration

£300-600 153

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) Flamenco dancers, ink, 23" x 16". See illustration

£400-800 154

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) Study for a granite sculpture (mother and child), signed with initial lower right, and dated (19)53, watercolour and pencil, 20" x 15½".

£400-800

155

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) "Cat", signed and dated 1947, pencil, 13½" x 10½".

£300-600

156

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) "Hound and Butterfly (Svenotype)", signed upper right and dated 1990, mixed media, 22" x 16". See illustration

Lot 156

£400-800 157

5SVEN

BERLIN (1911-2000) "Rabbit Attacked by Stoat (Svenotype)", signed upper right and dated (19)90, mixed media, 22" x 16" overall. See illustration

Lot 157

Provenance: The Estate of the artist.

£400-800 158

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A study of a pike biting someone's finger, signed lower right and dated (19)82, watercolour and ink, 23" x 15½".

£350-500 159

Lot 159

5SVEN

BERLIN (1911-2000) "Hares Fighting", signed upper right and dated (19)93, pencil, 11½" x 18¼". See illustration

£200-400 159A LIAM HANLEY (1933-) "Dance bofore the morn", signed and dated 12.12.68 ink on paper 16" x 24"

£100-200

160

TERRY FROST RA (1915-2003) "Five in the afternoon", titled, inscribed and signed in red ink verso, acrylic on paper with collage of red and black painted card, 21¾" x 14¾" See illustration

Provenance: Private collection, Dorset.

161-164 Spare lot.

5SIR

This work forms part of the Lorca Series, created by Frost to illustrate the poetry of Federico Garcia Lorca. Ignacio Sanchez Meijas, one of Spain's most celebrated bullfighters, was gored to death at five o'clock in the afternoon and this image is a reference to Lorca's poem about the unfortunate event.

£3,000-5,000

PORTRAIT MINIATURES AND MINIATURE-TOPPED BOXES.

165 A CIRCULAR PORTRAIT MINIATURE OF A WOMAN wearing a white dress with bead decorated bouffant, against a blue ground and set within a circular green marbled rouge box, 2¾" dia.

Lot 166

£50-100 166 AN OVAL PORTRAIT MINIATURE OF A WOMAN in 18th century dress, wearing a veiled head piece, inset into the lid of a circular tortoiseshell trinket box painted in salmon pink and blue, with zig-zag decoration, 2½" dia. See illustration £100-200 Lot 167

167 A LATE 19TH CENTURY CIRCULAR TORTOISESHELL TRINKET BOX inset to the lid with a circular painted panel of a family outside a cottage beside a horse and carriage, within engraved gold borders, with French dogs head hallmark, 3" dia. See illustration £100-200 168 A REGENCY BURR WOOD CIRCULAR BOX inset with a circular panel painted en grisaille with a classical scene of a plinth with courting birds, a leopard and a monument, with applied textured finish, 3¾" dia. See illustration

Lot 168

£150-300 169 A REGENCY CIRCULAR TORTOISESHELL BOX inset to the lid with a circular porcelain panel painted en grisaille, with a woman in 18th century dress, with a hound beside an urn, within rose and yellow gold pique borders, 2½" dia. £150-300

170 MANNER OF JOHN HASLEM (1809-1884) An oval portrait miniature of a young girl with blue eyes and blonde curly hair, watercolour on ivory, 1¼" x 1", and the companion miniature of a sibling (2) See illustration

Lot 170

£80-160 171 ENGLISH SCHOOL, early 19th century An oval portrait miniature of a gentleman in a brown velvet coat, with powdered wig, unsigned, watercolour on ivory, in a yellow metal frame engraved with bellflowers and initialled "PL", 1¾" long, and a portrait miniature attributed to G. Ford of Capetown, apparently signed and dated on the reverse (2) See illustration

Lot 171

£150-300 172 ATTRIBUTED TO FREDERICK CRUICKSHANK (1800-1868) A portrait of James F. Alexander, watercolour on ivory, 1¾" x 1½", oval, in an unmarked yellow metal pendant, and another similar of Amy Laura Alexander(2) See illustration

Lot 172

£200-400 173 ENGLISH SCHOOL, late 19th/20th century A Regency style miniature portrait profile study of a gentleman wearing a white stock with navy jacket, unsigned, watercolour on ivory, 2¼" x 1¾", oval, and a similar oval portrait miniature of a woman in evening dress (2) £80-160 174-179 Spare lots

Oil Paintings

Detail of lot 307

180 AFTER RAPHAEL (1483-1520) The Holy Family with the infant St. John the Baptist, oil on canvas, late 18th or early 19th century, 37¾" x 28½". See illustration

Lot 180

£300-600 181 DIRCK DALENS THE ELDER (1600-1676) A wooded landscape with herdsman, cows and goats beside overgrown ruins in the foreground, a village with a church beyond, oil on panel, 16" x 20". See illustration £1,500-2,500 182 MANNER OF VIVIANO CODAZZI (1603-1672) A capriccio depicting figures amongst classical buildings, oil on canvas, 41¼" x 48¾". See illustration

Lot 181

£500-1000 183 MANNER OF JEAN-ANTOINE WATTEAU (1684-1721) Figures resting beneath a tree beside a lion mask fountain head, oil on canvas, 16¼" x 20" £150-300 184 MANNER OF JEAN-ANTOINE WATTEAU (1684-1721) Three figures beside a pond, one facing across the pond towards two further figures and a dog to the distance, oil on panel, 11¼" x 13¼"

Lot 182

£250-450 185 MANNER OF JEAN-ANTOINE WATTEAU (1684-1721) Figures in a woodland setting being entertained by a musician, oil on canvas, 23" x 31" £400-600

186 ASCRIBED TO BARTOLOME ESTEBAN MURILLO (1618-1682) The Madonna and Child, oil on canvas, 40½" x 30¼", in a magnificent baroque giltwood frame, carved with rocaille-work, acanthus scrolls and flowers, and with a panel inscribed 'Murillo'.

Provenance: Probably acquired by Richardson Browne Esq. in the early 19th century (later the family name changed to Knox-Browne). Acquired at the auction of the contents of Aughentaine Castle, Co. Fermanagh, in 1955 by a member of the vendors family and thence by descent.

Private collection, West Dorset.

Exhibited: 'Pictures from Ulster Houses', May 10th, 1961 - July 15th, 1961. No. 154 as 'Spanish School, late 17th century'

£5,000-10,000 57

187 ATTRIBUTED TO WILLEM SCHELLINKS (1627-1678) A figure driving cattle on a country path before an extensive landscape with river to the distance, with red seal to the reverse, oil on panel, 13¾" x 19¼" See illustration

Lot 187

£1,000-2,000 188 CIRCLE OF MICHAEL DAHL (1659-1743) A half-length portrait of a gentleman, wearing a green jacket, in a feigned oval, oil on canvas, 29" x 24" See illustration

Lot 188

£600-1,200 189 AFTER SIR JOSHUA REYNOLDS (1723-1792) A portrait of general Sir Banastre Tarleton, Bt GCB Colonel 8th Kings Royal Irish Hussars, oil on canvas laid on board, 24" x 16" £300-600 190 AFTER GEORGE MORLAND (1763-1804) A view of three dogs wearing clothes and dancing for a group of figures outside a house, oil on canvas, 29¾" x 24" £300-600 191 ENGLISH SCHOOL 18th century, An oval portrait of a gentleman wearing a red jacket and a white waistcoat, oil on canvas, 16" x 12¼" £100-200 192 ATTRIBUTED TO SIR THOMAS LAWRENCE (1769-1830) A portrait of Lady Pollock (nee Worrall), with canvas fragment and label verso reading "Daughter of Admiral Worrall", oil on canvas, 29½" x 24½" See illustration £1,000-2,000

Lot 192

193 GEORGE CHINNERY (1774-1852) A portrait of Catherine Hungerford, seated in an interior, wearing a gold guard chain over her black dress, her clasped hands resting on her lap, with red curtains behind and a landscape to the distance oil on canvas, 15¼” x 12½”

Catherine, or Katherine Hungerford was the daughter of John Townsend Hungerford, solicitor to the Honourable East India Company Service. She married Welby Brown Jackson, Judge of the Sudder Court, Calcutta, on 10th April, 1823 at St John’s Church, Calcutta.

George Chinnery arrived in India in 1802, firstly establishing himself in Madras (Chennai) before moving on to Calcutta (Kolkata), where he became the leading artist of the British community in India.

He spent twenty-three years in India before, despite many lucrative commissions, he sailed to the China coast to evade his creditors in 1825. He remained in China until his death in 1852, where he was productive to the end, sought out by those who wanted to imitate his drawings and to meet the eccentric genius of the China coast

Provenance: The sitter and thence by descent

Private Collection, Somerset

£5,000-10,000

194 ATTRIBUTED TO WILLIAM SADLER (1782-1839) A fishing vessel mooring alongside a coastal cottage, oil on panel, 13½" x 19"

Lot 194

Provenance: Private collection, Hampshire

£500-1,000 195 ENGLISH SCHOOL, 19th century A depiction of Jean de la Fontaine's fable "The Monkey and the Cat", oil on board, 15¼" x 12½" £150-300

Lot 197

196 MANNER OF GEORGE LANCE (1802-1864) A still life study of dead game amongst flowers and fruit, oil on canvas, 34¾" x 26¾" £200-400 197 ENGLISH SCHOOL, early 19th century A half-length portrait of a young lady wearing an ivory coloured dress with blue sash and lace collar, her hair in a plait, oil on canvas, 20¼" x 16½" See illustration £300-600 198 ENGLISH SCHOOL, 19th century A portrait of R. Walker, Esq., Corporal of Horse, Royal Horse Guards, standing in full uniform with his horse in front of a castle keep, oil on canvas, 23" x 19"

Lot 201

£150-300 199 ENGLISH SCHOOL, 19th century A half-length portrait of Arthur Wellesley, Duke of Wellington, oil on panel, 12" x 9¾" £80-150

Lot 201A

201A FRENCH SCHOOL, circa 1815 A self-portrait of an artist at his easel, oil on panel, 11¼” x 8¼”. See illustration

200 CONTINENTAL SCHOOL, 19th century An interior study depicting an elderly gentleman with a harp, being watched over by a young lady, oil on copper, 10" x 8¾", and two similar works (3)

£200-400

£1,500-2500

202 AFTER SIR EDWIN HENRY LANDSEER (1802-1873) "King Charles Spaniels - The Cavalier's Pets", oil on canvas, 27½" x 34¼"

201 RICHARD HENRY NIBBS (1816-1893) “Morning After Gale” A study of a ship abandoned after a stormy night, signed lower right, oil on canvas, 30" x 45¾" See illustration

£100-200

£2,000-4,000 63

203 ATTRIBUTED TO HENRY JOHN BODDINGTON (1811-1865) "View in the Wye Valley", two figures and a dog resting on a hillside path beside their flock of sheep, with a town and hills to the distance, oil on panel, 24" x 32¼". See illustration

Lot 203

£400-800 204 ENGLISH SCHOOL, 19th century A half-length portrait of a gentleman wearing a dark jacket and tie over a white shirt, oil on canvas, 29½" x 24¼" See illustration

Lot 204

£200-400 205 JAMES EDGELL COLLINS (b. 1820) A half-length portrait of a lady wearing a dark dress with a lace collar and dark blue detailing, signed lower right and dated 1862, oil on canvas, 29½" x 24½". See illustration £300-500 206 AFTER JAMES SANT (1820-1916) A bust-length portrait of a young girl wearing a pastel coloured dress, oil on canvas, 22½" x 18¼" £200-400

Lot 205

207 ENGLISH SCHOOL, 19th century Trees on a bank, oil on canvas, 23" x 35" £200-400

208 ENGLISH SCHOOL, 19th century A group portrait of three members of the Adshead family: Joseph, Benjamin and John, oil on canvas, 39” x 48” See illustration

Provenance: The family of the sitters and thence by descent

Joseph Adshead (1835-1908) is the best known of the three children in this portrait having become a successful artist. Benjamin (1836-1909) also became an artist spending most of his career in Canada. The third child John, died at the age of ten apparently from a throat infection.

£500-1,000

Lot 209

211 ENGLISH SCHOOL, 19th century Figures and animals on a country path, oil on panel, 7" x 8¾"

209 JOSEPH THORS (1835-1898) A country path leading around a cornfield with dwellings beyond, signed lower middle, oil on canvas, 23½" x 35½". See illustration

£150-300 212 JAMES JOHN HILL (1811-1882) "Young Mother and Child", signed lower left and dated 1868, oil on canvas, 35" x 26¾" See illustration

Provenance: Private collection, East Dorset.

£1,000-2,000 210 ENGLISH SCHOOL, 19th century A still life study of dead game on a table, oil on canvas, 14" x 17½"

£800-1,500 212A C. PADLEY, 19th century A view of a river with a figure fishing to the foreground and cattle on the bank, signed lower right and dated 1865, oil on canvas, 22" x 36"

£150-300 210A A NNA CHURCHYARD, 19th century A study of a country lane with an open gate to the foreground, signed verso with remnants of a paper label, oil on panel, 7¼" x 5¼"

£80-150

£400-800

Lot 212

213 HENRY GILLARD GLINDONI (1852-1913) A soldier and a lady conversing in a stately garden whilst another couple walk back towards the house, oil on paper backed on canvas, 21" x 27½" See illustration

Lot 213

£1,000-2,000 214 ENGLISH SCHOOL, 19th century Children and dogs resting in a village square, the oldest child wearing a shoulder yoke and tempting a dog, oil on panel, 21¼" x 26½" See illustration

Lot 214

It has been suggested that this could be the work of William Frederick Witherington (1785-1865), or Edward Villiers Rippingille (c.1790-1859)

£500-1,000 215 FOLLOWER OF JOHN JOSEPH BARKER OF BATH (1824-1904) A shepherd conversing with a family whilst his sheep rest by the side of the road, with buildings beyond, oil on board, 6¾" x 8¾" See illustration £1,500-2,500 216 GEORGE BLACKIE STICKS (1843-1938) A view of a castle atop a cliff stack with fishing skiffs to the foreground and mountains beyond, signed lower right and dated 1888, oil on canvas, 46" x 41½" See illustration

Lot 215

£2,500-5,000 217 WILLIAM HEMSLEY (1819-1893) A young boy and a young girl at the kitchen table with a terrier begging for food at their feet, signed lower left and dated 1857, oil on panel, 10" x 8" £200-400

Lot 216

218 JAMES H. MILLER (fl.1884-1903) A view of a cliff top castle above rough seas and misty skies, signed lower right, oil on canvas, 31¼" x 47¾" See illustration

Lot 218

£1,500-3,000 219 CONTINENTAL SCHOOL, 19th century "The Pfalz", a view of figures in boats around Pfalzgrafenstein Castle, otherwise known as Pfalz Island in the Rhine, Germany, oil on canvas, 27¼" x 41¼" See illustration

Lot 219

£500-1,000 220 ARTHUR DE BREANSKI (1879-1928) A river scene at sunset, signed lower right, oil on canvas, 19½" x 29½" See illustration £300-600 220A LOUIS BARNABA, French, 19th century Boats in heavy seas, one craft being pulled in from the jetty, whilst other figures row towards the shore, signed lower right and dated 1866, oil on canvas, 30.5" x 50.5" See illustration

Lot 220

£500-1,000

221 M.E. BATTEY, 19th century "Curtsey", a full-length portrait of a young girl wearing a long white dress with lace collar and cuffs, signed lower right and dated '95, oil on canvas, 40½" x 31¼" See illustration

Lot 220A

£1,000-2,000

Lot 221

222 A. CLARE, late 19th century A pair of still life studies of flowers and fruit in a woodland setting, one with a nest of birds eggs, one signed lower left, the other lower right, oil on canvas, both 19½" x 29½" (2) See illustration

Lot 222

£500-1000 223 OLIVER CLARE (1853-1927) A still life study of grapes, peaches, plums, raspberries and gooseberries, on a table top, signed lower right, oil on canvas, 15¼" x 30¼" See illustration

Lot 223

£500-1,000 224 OLIVER CLARE (1853-1927) A still life study of grapes, plums and strawberries in a woodland setting, signed lower right, oil on canvas, 7¾" x 9¾" £200-400 225 OLIVER CLARE (1853-1927) A still life study of apples, grapes, strawberries and other fruit, in a woodland setting, signed lower right, oil on canvas, 11½" x 15½" See illustration £400-800 Lot 225 226 JOHN BURR (1831-1893) Children playing in rock pools at the shoreline, signed lower left, oil on canvas, 17½" x 23½" £300-600

227 AFTER SIR JOHN EVERETT MILLAIS (1829-1896) "Ophelia", a study of a woman wearing a headdress made of daisies lying in a river, with swans to the distance, monogrammed "JEM" and dated 1872 lower right, oil on canvas, 17¼" x 22" See illustration

Lot 227

£2,000-3000 228 G. MULLER, early 20th century, A primitive style study of figures in a town street in front of houses, signed lower right, oil on canvas, 19¼" x 23¼"

Lot 229

£150-300 229 ASCRIBED TO G. MARDOU, 19th century "Entre de Charles V a Brussels", oil on metal, signed with a monogram lower left, 10½" x 13¼" See illustration £500-1000 230

5GEORGE

BELCHER (1875-1947) A still life study of a jug of flowers next to a basket of strawberries, oil on canvas board, 13½" x 11¾"

Lot 231

£200-400 231 HENRY MOORE (1831-1895) A paddle steamer moving along a river under moonlit skies, signed lower right and dated 1880, oil on canvas, 11¾" x 20¾" See illustration

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).

£400-800

232 JOHN COLLIER (1850-1934) A portrait of a gentleman, signed lower left and dated 1896, oil on board, 28" x 22" See illustration

Lot 232

£250-450 233

5IRWIN

EICHINGER (1892-1950) A head and shoulders portrait of a Cardinal holding a letter, signed upper left, oil on board, 9¾" x 7½"

£200-400 234 EDWIN LONG (1829-1891) A head and shoulders portrait of an Arab girl wearing traditional dress, oil on canvas, 23¾" x 17½" See illustration

Lot 234

Provenance: Christie's London "Victorian Pictures and Watercolours", lot 131, June 12th 1992

£800-1,500 235 E.A. MARCH, early 20th century A half-length portrait of an Edwardian lady wearing a black coat and hat, signed lower right, oil on canvas, 28¾" x 23½" £300-600 236 ANGLO-AMERICAN SCHOOL, early 20th century A profile portrait of a young girl wearing earrings and a red dress and holding a doll, oil on board, 17" x 13¼" See illustration

Lot 236

£1,000-2,000

237 HAROLD KNIGHT (1874-1963) "A Cornish Maiden", circa 1905-1910, signed lower left, oil on canvas, 23½" x 19½" See illustration

Exhibited: Sherborne House "Face to Face" Exhibition, September - October 2006, cat. no. 26

£5,000-8,000 75

238 ARTHUR ERNEST STREETON (1867-1943) 'Picnic at the Spit', Signed lower right, oil on canvas 11½" x 13½" See illustration Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset. Exhibited: 'Sydney Harbour, 1794-1979' S. H. Ervin Gallery, August 1979. No. 30 'Children on the Beach'.

239 SIR GERALD FESTUS KELLY (1879-1972) 'Burmese Girl', A portrait study of a young girl seated on the floor wearing traditional silk outfit, incised and inscribed 'XXV' verso with label bearing: ' G. F. Kelly Esq. 65 GL.....Place', oil on canvas, 31½" x 28½". See illustration £5,000-10,000

240 WALTER RICHARD SICKERT (1860-1942) A view of a London town house inscribed verso 'W. R. Sickert, circa 1890', oil on board, 11¾" x 9¾" See illustration

Provenance: A gentleman's residence in Kensington, London W8

This work may relate to a painting by Sickert of Cambridge and Oxford Terraces, which were demolished to make way for the extension of Paddington Station.

Duke's are grateful to Wendy Baron for her assistance in cataloguing this lot.

£3,000-£5,000 79

241

Lot 241

5JOHN

WHITLOCK CODNER (b.1913) A portrait of a woman wearing a black coat and hat seated in-front of a white cloth, signed lower left 'John Whitlock' and dated 39' and inscribed verso 'John Codner RWA', oil on canvas, 30" x 25". See illustration.

£300-600 242

5BERTRAM

NICHOLLS (1883-1974) 'A view in Oxford: Figures on a Riverbank’, signed lower right and dated '1945', Fine Art Society label verso, oil on canvas, 13½" x 19¾"

£300-600 Lot 243 243

5MAURICE

FREDERICK CODNER (1888-1958) A portrait of Mrs. Winifred White, signed upper left, oil on canvas, 36½" x 28½" See illustration

£300-600 244 ENGLISH SCHOOL, early 20th century, A profile portrait of an elderly gentleman resting his hands on his cane, oil on canvas, 23¼" x 19½" £100-200 Lot 245

245 ENGLISH SCHOOL, early 20th century, A half-length portrait of a young girl wearing a fur hat, her hands in her muff, indistinctly inscribed verso, oil on canvas, 29½" x 24½". See illustration £200-400

246

5EUSTACE

NASH (b.1886) "Nude", a woman reclining on a chaise lounge, signed lower left, oil on board, 13¾" x 17¼"

Lot 247

£200-400 247

5STEPHEN

Provenance: The Wessel Collection, Leicestershire, purchased from the artist.

MAKEPEACE WIENS (1871-1956) A still life study of sweet peas in a jug, signed upper right, dated 1948, 'Aldridge Bros.' label verso, oil on canvas, 19½" x 15½" See illustration

Lot 248

£600-800 248 JAMES E. BARLING, 20th century, 'Courage' a portrait of Sir Winston Churchill, signed lower left, oil on canvas board, 23½" x 19¼" See illustration £300-600 249 JOHN CAMPBELL MITCHELL (1862-1922) 'Galloway Landscape', view of cows in open fields, signed lower right and signed and titled to the reverse, oil on panel, 5½" x 7½" £100-200

Lot 250 250

5WILLIAM

MCDOWALL (1905-1983) 'Woodbridge Tide Mill', signed lower left, oil on board, 5½" x 11½" See illustration

£200-400

251

5WINIFRED

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

Purchased Crane Kalman Gallery, 178 Brompton Road, London 1990.

"Teatime in Spring" was probably painted in the living room at Winifred's house at Banks Head, Cumberland. It is thought by her family that she painted "Prismatic Still Life" at a later date in her studio at Banks Head. She often painted on both sides of the canvas.

NICHOLSON (1893-1981) "Teatime in Spring", a view of a loaf of bread, teapot and knife to the foreground with garden view beyond, circa 1945, oil on canvas, 20½" x 23¼", the verso painted with a technicolour composition titled 'Prismatic Still Life' circa 1970. See illustration

£5,000-£10,000

Lot 251 verso

252

5WINIFRED

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

Published: "The Painters Place - Banks Head, Cumberland, 1924-1931", published 1987.

£3,000-6,000

NICHOLSON (1863-1981) "Landscape in Cumberland", a stylised view of rolling hills, circa 1930, oil on canvas, 19¼" by 23¾", the verso with a still life study of peonies and cranesbill. See illustration

Lot 252 verso 83

253

5WINIFRED

Winifred Nicholson went to stay with her friend Vera Moore, who shortly after the war went to live at Chardon Par Athee-sur-Cher.

NICHOLSON (1893-1981) "The Loire Valley - Chardon Par Athy Sur Cher", a river landscape with trees to the distance, oil on canvas, 14Â˝" x 21". See illustration

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

Purchased Crane Kalman Gallery, 178 Brompton Road, London 1990.

Exhibited: Abbot Hall Art Gallery, Kendal, 1969 "Winifred Nicholson Geoffrey Bennett" number 2.

ÂŁ3,000-6,000

254 MARY NEWCOMB (1922-2008) "Billingford Mill", signed and dated '75 lower right and titled and dated verso, oil on canvas, 27½" x 23¼" See illustration.

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

Purchased Crane Kalman Gallery, 178 Brompton Road, London 1993.

£2,000-4,000 85

255

Lot 256

5GEORGES

PORCEL (b.1931) A still life study of apples on a table beside a ewer and a tureen, signed lower right, oil on canvas, 17¼" x 14½"

£200-400 256

5MARGARETHA

Margaretha Payne Best van Rees was the second wife of Captain Sigismund Payne Best CBE (1885-1978) a British Secret Intelligence agent during the First and Second World Wars, who was captured by German Gestapo Sicherheitsdienst men on November 9th 1939 in what came to be known as the Venlo incident.

Lot 257

PAYNE BEST VAN REES, 20th century, A bust length portrait of a lady with dark curly hair resting on her shoulders, signed lower right and dated 1946, oil on canvas, 24" x 20" See illustration

£150-300 257

5ANTOINE

BLANCHARD (1910-1988) a view of figures on a Parisian street below the Moulin Rouge, signed lower right, oil on canvas, 20" x 16" See illustration

£400-800 258 LADISLAO SZODY, 20th century, a North African market scene with figures taking tea and smoking a hookah to the foreground, signed lower right, oil on canvas, 25" x 30½" See illustration

Lot 258

£300-600 259

5MABEL

FRANCIS WICKHAM (19011992) "Willows on the Nothe", a landscape view of willow trees in Nothe Gardens, Weymouth, with Portland Harbour beyond, signed lower right, oil on board, 19½" x 23¼"

£150-300

Lot 263

262 VERA LOVE R.A, 20th century, A landscape view of rolling fields with church steeple in the distance, monogrammed lower left, and with Royal Academy of Arts label verso, oil on canvas, 19¼" x 23¼"

260 ALB. LOUIS, 20th century "Summer's End Brabant 1954", a landscape view with trees to the foreground, signed lower left and titled verso, oil on canvas, 19" x 23" £100-200

£100-200

261 VERA LOVE R.A., 20th century, A rural landscape view, with blossoming trees between houses and rolling hills beyond, oil on canvas, 21½" x 26½"

263

£100-200

5ALAN

LOWNDES (1921-1978) A portrait study of a young man resting in an armchair, signed lower left and dated 1954, oil on board 32¾" x 26" See illustration

£1,000-2,000 87

Lot 265

Lot 264

264

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A large still life study of flowers, signed lower right and dated '71, oil on board, 48" x 24" See illustration

ÂŁ1,500-2,500 265

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A still life study of a dead mallard, signed lower right and dated '55, oil on panel See illustration

ÂŁ600-800 Lot 266

266

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A still life study of flowers in a pitcher, signed and dated '80, oil on board, 36" x 24" See illustration

Lot 267

£1,200-1,800 267

5SVEN

Provenance: The Estate of the artist.

BERLIN (1911-2000) A self-portrait of the artist holding a bunch of pansies, signed lower right and dated '76, oil on board, 36" x 24" See illustration

£1,200-1,800 268

5SVEN

Provenance: the Estate of the artist.

BERLIN (1911-2000) "Pheasant Ascending", signed lower left and dated '84, oil on board, 36" x 24" See illustration

Lot 268

£1,200-1,800 268A 5 SVEN BERLIN (1911-2000) "Spanish Romany" a portrait of Sven's daughter Greta wearing bright clothes, signed lower right and dated '62, oil on canvas, 38½" x 23¼". See illustration

£1,500-2,500 Lot 268A

269 ENGLISH SCHOOL, 20th century, a still life study of various flowers, indistinctly signed lower right, oil on canvas, 29¼" x 24¼" £200-400 270

5DAVID

COOPER (1910-1982) "Baptist Church, Lyme Regis 1981", signed lower right, with New Grafton Gallery label verso, oil on board, 15¼" x 21¼"

£80-150 89

271 DIANA ARMFIELD (b.1920) "Flowers at Christmas, Llwynhir", monogrammed lower left and titled verso, oil on board, 10¾" x 11". See illustration.

Lot 271

Provenance: A gentleman’s residence in Kensington, London W8.

Exhibited: Diana Armfield Exhibition 22nd November to 21st December 2000, Browse and Darby, 19 Cork Street, London W1

£800-1,500 272 DIANA ARMFIELD (b.1920) "Normandy, Sea and Cloud", monogrammed lower left and titled verso, oil on board, 5½" x 7½" See illustration Lot 272

Provenance: A gentleman’s residence in Kensington, London W8.

Exhibited: Diana Armfield Exhibition 1996. Browse and Darby, 19 Cork Street, London W1

£400-800 273 ENGLISH SCHOOL, 20th century, a stylised composition showing a bottle, two apples and a spring onion on a table top, indistinctly signed lower right, oil on canvas, 27¾" x 27½" See illustration £200-400 Lot 273

274

5LUCIO

Provenance: Purchased from the artist in Rome in 1967

RANUCCI (b.1924) Boats and umbrellas before buildings, signed lower left and dated '67, oil on canvas, 17½" x 25½"

£300-600 275

5ZSUSI

ROBOZ (1939-2012) A portrait of a girl resting her chin on her hand, signed lower right, oil on canvas, 15½" x 19¼"

£200-400

276

5JOAN

Provenance: Purchased by the vendor on the Isle of Wight 35 years ago.

GILCHREST (1918-2008) Fisherman sorting their catch on the harbour wall with trawlers and a lighthouse behind, monogrammed lower left, oil on board, 8¼" x 11½" See illustration

£1,000-2,000 Lot 276 277

5JOAN

GILCHREST (1918-2008) A view of a fishing trawler moored on one side of the harbour with buildings and a church to the other, monogrammed lower left, oil on board, 7½" x 6¾" See illustration

Lot 277

Provenance: Purchased by the vendor on the Isle of Wight 35 years ago.

£800-1,600 278 JASON BOWYER (b.1957) "Looking Towards the Mesquita, Cordoba", signed lower right, with New Grafton Gallery label verso, oil on board, 12" x 7" £100-200 279

5ALAN

KNIGHT (b.1949) "Mousehole", monogrammed lower right, titled and dated 2003 verso, acrylic on board, 23¼" x 35¼"

Lot 280

£200-400 280

5ALAN

KNIGHT (b.1949) "Yellow Boat, Mevagissey", monogrammed lower left, acrylic on board, 17¼" x 26¼". See illustration.

£300-600

Lot 281

281

5PHILLIP

Provenance: Purchased from Roland Browse and Delbanco, 18th January 1974 for £300

283

SUTTON (b.1928) "Two Vases - Flowers, Falmouth", signed, titled and dated 1970 verso, oil on canvas, 19¼" x 19½". See illustration.

£1,000-2,000 282

5ALBERT

BARLOW (b.1944) A stylised study of four figures, signed and dated '08 verso, oil on board, 11½" x 7¼", and another work by the same artist depicting smoking chimneys, signed lower right and dated '08, oil on board, 11½" x 15½" (2).

£150-300

5JO

JONES (1894-1989) "Gypsy Child Dancing", signed lower left, Wildenstein and Co. label verso, oil on canvas, 22" x 30".

284 ANDREW MACARA, (b.1944) "Allestree Park, Derby", a view of ducks in a parkland setting, signed lower right and dated 1998 and titled verso, oil on canvas, 15½" x 19½".

£300-600

£300-600 92

Lot 285

287 KEN MORONEY (b.1949) A still life study of fruit and tableware, signed lower left, oil on canvas, 17¾" x 24".

285 MARY FEDDEN (1915-2012) "Gozo: The Yellow Car", signed lower right, oil on board, 10" x 11¾". See illustration.

Provenance: Michael Wright Fine Art, Clifton, Bristol.

Private collection.

£100-200 288

£2,000-3,000 286

5JULIE

VERNON, 21st century, A study of a homeless man holding out a bowl, his sign reading "Cheques no longer accepted, thank you", signed lower left and dated 2012, oil on canvas, 17"x 23"

5DAVID

WILDE (1918-1978) "Welsh Cat by Owl Light", signed lower right and titled lower left, acrylic, 15" x 23½"

£200-400

£100-200 93

289 BRIAN WYNDHAM WESTWOOD (1930-2000) An Australian landscape, monogrammed lower right, oil on board, 15" x 15½". See illustration.

Lot 289

Provenance: A gentleman’s residence in Kensington, London W8.

£500-1,000 290 ROBERT JUNIPER (1929-2012) A desert landscape, signed and dated '75 lower left, oil on board, 11½" x 15½". See illustration.

Provenance: A gentleman’s residence in Kensington, London W8.

£400-800

Lot 290

291 RAY AUSTIN CROOKE (b.1922) A coastal landscape with huts on the beach, signed lower left, oil on board, 5½" x 7½" and the companion picture of a shoreline, signed lower right (2). See illustration.

Provenance: A gentleman’s residence in Kensington, London W8.

£500-1,000

Lot 291

Lot 292

292 RAY AUSTIN CROOKE (b.1922) "An Australian Landscape", signed lower left, oil on board, 24" x 36". See illustration

Provenance: A gentleman’s residence in Kensington, London W8.

£1,500-3,000 293 RAY AUSTIN CROOKE (b. 1922) "Village" A Tahitian boy by a beach hut with palm trees and the sea beyond, signed lower right, oil on canvas board, 12" x 15". See illustration

Lot 293

Provenance: A gentleman’s residence in Kensington, London W8.

£1,000-2,000

294

Lot 297

5DAVID

PARFITT R.I. 20th century, "Knossos, Orchard", dated 1994 verso, oil on board, 13½" x 17¼". See illustration

Provenance: A gentleman’s residence in Kensington, London W8. £100-200 295 JULIAN BARROW (1939-2013) A view of Udaipur, India, signed lower right, oil on canvas, 14" x 24". See illustration

Provenance: A gentleman’s residence in Kensington, London W8.

£300-600 296 JULIAN BARROW (1939-2013) A view of the Western Railway Headquarters, Bombay, signed lower right, oil on canvas, 5¼" x 7½", and another work by the same artist "Hotel Vijay, Varanasi", signed lower right, oil on canvas, 11½" x 9½" (2)

Provenance: A gentleman’s residence in Kensington, London W8.

£300-600 297 ARTHUR MERIC BLOOMFIELD BOYD (1920-1999) Shoalhaven River with Pulpit Rock beyond, signed lower right, oil on board 8” x 5¾”

Provenance: A gentleman’s residence in Kensington, London, W8

£2,000-4,000

297A A RTHUR MERIC BLOOMFIELD BOYD (1920-1999) Shoalhaven River landscape, signed lower right, oil on board 8” x 5¾”

Lot 297A

rovenance: A gentleman’s residence in Kensington, P London, W8

£2,000-4,000

298

299 LEONARD MCCOMB RA (b.1930) "Italian Poppies", signed lower right and dated 30.3.2000, oil on canvas, 29½" x 23¼". See illustration

5PETER

BURMAN (b.1950) "Winter Landscape", signed lower left, oil on board, 11" x 15"

£150-300

£4,000-6,000 97

300 NALL (b.1948) "Miranda May", a mixed media portrait collage, signed and dated '92, the reverse with various inscriptions, mixed media, housed in a perspex case, 23½" x 20¼". See illustration £1,000-2,000 98

301

5IAN

CHARLESWORTH (b.1970) "Something Forever", signed, titled and dated 2000 verso, carbon and resin on wood, 71Â˝" x 48", and the companion "Something Forever I" (2). See illustration

ÂŁ1,000-2,000 99

Lot 302

302

303A STURGES MOWER (b.1922) "El Pescador", oil on canvas, 40" x 32"

5JOE

MCWILLIAMS (b. 1938) A street carnival scene, signed lower right and dated 1991, oil on canvas, 59½" x 77". See illustration

£2,000-4,000 303 MARGO MAECKELBERGHE (1930-2014) "High Wind", signed lower left, oil on board, 22¾" x 47" See illustration

S turges Mower was a member of the Post-War group of Zona Rosa artists working in Mexico City. He was a contemporary and friend of James Weeks (1922-1998) and Richard Diebenkorn (1922-1993). Mower studied at the California School of Fine Arts in San Francisco and his work reflects the influences of Maynard Dixon and the Bay Area Figurative Movement.

Provenance: The family of the artist.

Provenance: Purchased from the artist's first solo London exhibition at Peter Hyde Fine Art, Old Brompton Road, London.

£150-300

100

£100-200

Lot 306

304 CARL WHITFIELD (b.1958) A pair of studies of chickens in a farm yard, signed lower right, oil on board, 4½" x 4½" (2) See illustration

Lot 304

£400-800 305 CARL WHITFIELD (b.1958) A study of chickens in a farmyard, signed lower right, oil on board, 4" x 7" See illustration £200-400 306 FRED YATES (1922-2008) "Helicopter, Penzance", signed lower right and titled verso, oil on board, 10¾" x 14¾" See illustration.

Lot 305

£1,500-3,000

101

Lot 307

309 LIAM HANLEY (b.1933) Pots on a windowsill, signed lower left and dated ‘60 oil on canvas, 23¾” x 40¾”

307 MARKEY ROBINSON (1918-1999) Figures approaching a church, signed lower right, oil on board, 31" x 38¾" See illustration

Provenance: Private collection, East Sussex.

Acquired from the artist by the vendors mother.

£5,000-10,000

310 – 319 Spare lots

308 LIAM HANLEY (b.1933) An impressionist style view of a cityscape, with kites flying above trees to the foreground and buildings beyond, signed lower left and dated ’62, oil on canvas, 20” x 24”

£200-400

£150-250

102

BOOK S work s of art Clock s and scientific instruments rugs an d carpets

Detail of lot 396 103

BOOKS 320 T.E. LAWRENCE: "Palestine Exploration Fund. Annual 1914 - 1915" Double Volume published by Order of the Committee; "The Wilderness of Zin (Archaeological Report)"; and "A Brief Record of the Advance of the Egyptian Expeditionary Force July 1917 - October 1918" (2)

325

5ERIC

KENNINGTON: "Portrait of T.E. Lawrence", collotype, with remnants of a paper label applied to the reverse, probably from the Oxford University Press edition of 100, 19" x 15"

£150-250

£100-200

326 T.E. LAWRENCE: A group of thirteen negatives believed to be photographs for "The Golden Rain: The Story of my Friendship with Lawrence of Arabia", by C.S. Smith; a framed photograph of Lawrence and a print "Love" (a lot)

321 T.E. LAWRENCE: "A Brief Record of the Advance of the Egyptian Expeditionary Force Under the Command of General Sir Edmund H.H. Allenby, July 1917 - October 1918" Cairo 1919, 2 copies, with Philips' Strategical Map of Palestine and "An Outline of the Egyptian and Palestine Campaigns, 1914-1918, by Major General Sir M.G.E. Bowman-Manifold", 2nd edition (4)

£80-150 327 "THE DONALD DUCK BOOK" published by Birn Brothers Ltd, by arrangement with Walt Disney - Mickey Mouse Ltd, 1936

£80-150

£80-120 322 T.E. LAWRENCE: A pair of sunglasses, purportedly issued to one of Lawrence's troops during the 1916-17 campaign against Turks, form of service used at the unveiling of the memorial to Lawrence at St. Paul's Cathedral, a signed print, photograph and article relating to speedboat Miss Britain 3 (a lot)

328 RUDYARD KIPLING: "A Song of the English", with illustrations by W. Heath Robinson, Hodder & Stoughton, London £100-200

£80-150

329 HENRY FIELDING: "The Debauchees: or, The Jesuit Court. A Comedy", London 1750, third edition

323 T.E. LAWRENCE: "Seven Pillars of Wisdom", Jonathan Cape, London 1935, 2 copies; C.N. Doughty "Arabia Deserta" 2vols; "Revolt in the Desert"; and letters of T.E. Lawrence, all by the same publisher (6)

£100-200 330 FRANCIS WILLIAM BLAGDON: "Authentic Memoirs of the Late George Morland, with remarks on his abilities and progress as an artist", London 1806

£50-100

£100-200

324 LAWRENCE OF ARABIA: A collection of books by, and relating to, Lawrence. Including: "Genius of Friendship", "Revolt in the Desert", and other similar volumes (a lot)

331 THO. BRIAN M.P.: "The Pisse-Prophet or, Certain Pisse-Pot Lectures", London 1655

£80-150

£200-400

104

Lot 325

105

338 A FIRST WORLD WAR AUTOGRAPH ALBUM, the property of Nurse/Matron E.C. Wood-Homer of Bardoff, Puddletown, who worked at the hospital located in Colliton Street, Dorchester, Dorset with contributions by various patients, a number with sketches and illustrations

332 A.A. MILNE: "By Way of Introduction", London 1929, and a group of nine other volumes (10) £100-200 333 LEWIS CARROLL: "Alice's Adventures in Wonderland", 91st 1000 McMillan & Co., London 1908, with an inscription "Eva from Alice Pleasance Hargreaves, January 1910"

The Eva referred to is Eva Mulholland, the book a gift on her wedding in 1910, from Alice Pleasance Liddell, Hargreaves being her married name.

Provenance: Eva Mulholland, the vendor's grandmother.

£100-200 339 A SINGLE PRINTED PAGE "Berta Etas Mundi", printed on both sides with text and five illustrations to one side "Folium CXCV", possibly a page from The Nuremberg Chronicle, 14¾" x 10", and a double-sided page "Here Beginneth Tales of Canterbury and First the Prologue Thereof " (2)

£200-400

334 GEORGE CRUIKSHANK: "Scraps and Sketches", part II, London 1829, including illustrations of time and phrenological illustrations

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£50-100

340 BEAU BRUMMELL: A LETTER FROM BEAU BRUMMELL TO THOMAS THORNHILL DATED 1814, and three prints of or relating to Thornhill

335 THE REVEREND JOHN HUTCHINS: "The History and Antiquities of the County of Dorset", 2vols, London 1774 (first edition)

Notes: This letter appears to refer to Thornhill's problems at the bank, something he blames on 'those rascally mendiants the Dutch', the muffin man and ''that impudent slut the milkmaid'

336 M. DUBOURG: "Views of the Remains of Ancient Buildings in Rome, and its' Vicinity, with a descriptive and historical account of each subject", London 1820, with 26 colour plates. See illustration

Provenance: Thomas Thornhill was the vendoes great, great, great, great grandfather.

£200-400

341-349 Spare lots

£250-400

£200-400

337 THE GREAT WAR: TWO BOXES OF STEREOSCOPIC PHOTOGRAPHS, official series published by Realistic Travels, London, by Royal Command to Their Imperial Majesties, King George V and Queen Mary, two boxed sets, (circa 190 photographs in total) £200-400

106

Lot 336

107

A PRIVATE COLLECTION OF TEA CADDIES

Lots 350, 351, 354

353 A GEORGE III OVAL MAHOGANY AND SATINWOOD INLAID TEA CADDY, the oval top with a central brass handle within a radiating fan-shaped motif and crossbanded border, the front and back with similar small oval panels of inlay, with a tinlined interior, 5¾" wide

350 A GEORGE III SATINWOOD AND MARQUETRY TEA CADDY, the rectangular top with a brass handle with floral surround, the front similarly decorated with a central foliate swag, with three internal divisions, 9½" wide See illustration £100-200

£100-200

351 A GEORGE III MAHOGANY, SATINWOOD AND MARQUETRY TEA CADDY, the rectangular top with a central oval panel and fan decorated corners, within chequered stringing, the front and sides similarly decorated, the interior fitted with twin metal tea canisters, 8" wide See illustration

354 A GEORGE III MARQUETRY TEA CADDY, the square top with a central fan motif within geometric veneers, the front and sides with a central ovoid satinwood panel, with a lidded lined interior, 4½" wide See illustration £50-100

£100-200 355 A GEORGE III MAHOGANY AND SATINWOOD TEA CADDY, the square top decorated with a central circular fan motif, the front and sides similarly decorated within satinwood crossbanding, with a tin-lined interior, 4¾" wide

352 A GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED TEA CADDY with rectangular top and front, the interior fitted with two differing associated lidded tea canisters, 8½" wide

£50-100

108

Lots 360 and 361

359 A CHINESE EXPORT LACQUERWORK TEA CADDY, the cartouche-shaped top with raised centre, all-over decorated with gilt scenes of Chinese characters in landscapes and foliate borders, the interior fitted with twin lidded tea canisters with engraved decoration, upon carved gilt feet, 9" wide

356 A SORRENTO-WARE TEA CADDY of square form, all-over decorated with traditional scenes of dancing couples, figures riding donkeys and other subjects within decorative borders, 4¼" wide £80-150 357 A TUNBRIDGEWARE TEA CADDY, the rectangular top set with a central panel of geometric coloured veneers within a sloped border, the front similarly decorated, the sides veneered in burr maple, the interior with a lidded tea compartment, 5¼" wide

£80-150 360 A GEORGE III MAHOGANY TEA CADDY, the rectangular top set with a central cast gilt metal handle and twin foliate patera, the top and sides with moulded borders and crossbanding, the interior with three vacant tea compartments, on small gilt animal paw feet, the side with a sliding panel revealing a horizontal "secret" drawer, 10" wide. See illustration

£80-150 358 A GEORGE III MAPLE VENEERED TEA CADDY, the rectangular top with a central brass handle and with satinwood strung borders, the front similarly decorated, the interior with a single lidded tea compartment, on compressed ebonised bun feet, 4¾" wide

£200-400

£80-150

361 A GEORGE III BIRDSEYE MAPLE AND SATINWOOD CROSSBANDED TEA CADDY, the rectangular top enclosing an interior fitted with twin tea canisters with sliding lids and metal liners flanking a cut-glass sugar bowl, 12" wide. See illustration £200-400

109

Lots 362 and 363

364 AN ANGLO-INDIAN OR CEYLONESE WRITING SLOPE, the ebony body with an all-over ribbed surface, the interior with a leather-lined writing slope with ivory stringing, with a rising compartment fitted with a selection of short drawers and pigeonholes with conforming ivory decoration and a sliding pen rest, 16" wide

362 A GEORGE III TORTOISESHELL AND IVORY TEA CADDY of ten-sided form with canted sides and central white metal handle, the front with a conforming key escutcheon and tablet engraved with a tree, 4½" wide. See illustration £200-400

£200-400

363 A GEORGE III TORTOISESHELL VENEERED TEA CADDY of rectangular form with shaped front, the domed top with panels of tortoiseshell within silver wires, the ivorylined interior with twin lidded tea compartments, on small bun feet, 7½" wide. See illustration

365 AN EARLY 20TH CENTURY CARVED EBONY "LONG BOX", the rectangular top carved with Arabic writing within a border of stylised foliate decoration, the interior with ivory dot inlay and brass hinges, 28" wide £100-200

£300-500

110

Lot 371

369 AN EARLY VICTORIAN BRONZE AND POLISHED SLATE DESK STAND with a central figure pouring wine from a flask flanked by twin inkwells decorated with exotic animals, on a shaped base with animal paw feet, 16" wide

366 A GEORGE III MAHOGANY KNIFE BOX, the sloping lid inlaid with a shell motif, the interior similarly decorated, fitted for knives with all-over ebony and satinwood stringing, the front inlaid with heraldic beasts, 8½" wide

£300-500

£150-250 370 A COLLECTION OF FOUR SHOT FLASKS, three with leather bodies, one with an embossed brass body decorated with hanging game and scrolling foliage, 8½" (4)

367 A GEORGE III MAHOGANY KNIFE BOX with a sloping top and serpentine front with satinwood and ebony stringing, with gilt metal carrying handles and conforming lock plate, with vacant interior, 9½" wide

£80-150

£100-200 371 A PAIR OF PERCUSSION CAP FIRING PISTOLS, the side plates signed "Clough & Sons", the barrels set with a similarly inscribed gilt tablet, the metalwork with all-over engraved decoration, the walnut stock with crosshatched grips, 11½" (2). See illustration

368 A POLISHED MARBLE SPHERE, the stone with white and orange veins within a grey body, on a circular wooden base, 6" wide

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£50-100

£400-600

111

Lots 373, 374, 375 and 376

376 A WALKING STICK GUN with recessed trigger and percussion cap firing mechanism, with wooden handle, 34" See illustration

372 A BRASS POWDER-TESTER with a wheel numbered from 1 - 8, with engraved decoration and similarly decorated wooden handle, 6¾" £100-200

£200-400

373 A "BROWN BESS" FLINTLOCK RIFLE, the side plate stamped with a crown and "tower", with a long blade with three proof stamps, the stock with brass fittings, 55" long See illustration

377 A RIFLE VOLUNTEERS SWORD AND SCABBARD with etched blade and pierced hand guard, 40" £150-250

£300-500 378 A KNOBKERRY-TYPE WEAPON with a bulbous end on a slender shaft with woven wirework mounts, 26"

374 A FLINTLOCK RIFLE, the side plate indistinctly stamped, the stock with brass fittings, 47" See illustration

£200-400

£200-400 375 AN ANTIQUE FLINTLOCK AIR RIFLE with ball reservoir, the stock carved in low relief with rococo style scrolls, 51" long See illustration £400-800 112

Lot 384

Lot 385

382 A GERMAN VIOLIN with one piece back and tightly scrolled top and double purfling lines, in fitted case with bow. The violin 23½" long.

379 A LARGE POND YACHT, a model of a gaffe rigged cutter, possibly an East Coast ketch, with red sails and green hull, 60" long. £400-800

£400-600

380 C. F. BIELFELD: AN EARLY VICTORIAN PAPIER MACHE DRESSING TABLE MIRROR, with an oval plate within a moulded rococo revival frame on an adjustable support and spreading circular base. 7½" high.

383 A FRENCH VIOLIN, with two-piece back and tightly scrolled top in a fitted case with spoke on the violin, 23½". £400-600

£200-400

384 A VIOLIN, with internal label “Breton Brevette S. A. R. M.” with one piece and double purfling lines, in fitted case, with bow, the violin 23½" long.

381 A PAIR OF GEORGE III STYLE CHERRY AND BRASS LIBRARY STEPS, the folding steps with two brass line treads, 14" wide.

£500-700

£100-200

385 SARTORY: A VIOLIN BOW, stamped “P. Sartory A Paris”, 29¼" long. £300-500 386-389 SPARE LOTS 113

THE SWAMINATHAN COLLECTION OF BRITISH ART MEDAL SOCIETY MEDALS

he British Art Medal Society was formed in 1982 to promote the study and production of art medals and to re-establish the tradition of artists designing bronze medals as works of art. Since its formation the Society has commissioned many distinguished contemporary sculptors to design medals which have ranged from traditional portraiture to more challenging abstract designs. All BAMS medals are produced in small limited editions, some editions as small as four examples.

Lot 391

This group of medals have come to auction from the Siva Swaminathan collection and they include an interesting range of medals from the earliest years of the BAMS through to recent years. The jewel in the collection is the highly desirable medal by Lynn Chadwick ‘Diamond’ produced in 1984 in an edition of 128, others are by well-known artists such as Malcolm Appleby and Kevin Coates, others by those with reputations still to be established which add a great variety to the collection.

390

5FRED

393

RICH: "OSPREY" 1983, a cast gilt and enamelled bronze medal, from an edition of 60. Bethan Williams: "Gwyniad" 1993, from an edition of 23, and Robert Cook: "Zebra" 1999, from an edition of 47 (3)

5MALCOLM

394

APPLEBY: "FALLOUT" 1986, a small silver medal from an edition of 39, "V. Parma" 1991, from an edition of 32, and a similar medal "The Trafalgar Medal" published by SCA (3). See illustration

5RONALD

SEARLE: "KWAI 50TH ANNIVERSARY MEDAL", 1991, from an edition of 100, "James Boswell" 2000, from an edition of 100 (2)

£100-200

£150-250 392

RANK-BROADLEY: "PRISONER OF CONSCIENCE", 1989, from an edition of 59, Mark Jamieson: "I Have a Dream", 2004, from an edition of 22, and Parviz Tanavoli "Hands and Grill", 2006, from an edition of 60 (2)

£100-200

£100-200 391

5IAN

395

5DHRUVA

£100-200

5FRANK

FORSTER: "MICHELANGELO" 1984, from an edition of 35, Leonda Sinke: "Virginia Woolfe - A Room of One's Own", 1989, from an edition of 63, and Ewa Olszewska-Borys: "In Memory of Joseph Conrad", 1994, from an edition of 66 (3) £100-200

114

MYSTRY: "MAYA MEDALLION - THE DARK ONE", 1988, from an edition of 56, "Humanity" 1997, from an edition of 49, and Franko Antonio Pagliani: "Turning Tide", 2001, from an edition of 29 (3)

Lot 396 front

396

Lot 396 reverse

5LYNN

398

CHADWICK: "DIAMOND", 1983, from an edition of 128. See illustration

£800-1,500 397

5JOHN

LOBBAN: "HOMAGE TO COLLECTORS" 1990, from an edition of 85, Cecilia Yau: "William Morris", 1995, from an edition of 62, and Hazel White: "And Then She Made the Lasses Oh", 1996, from an edition of 52 (3)

£150-250

5AVRIL

VAUGHAN: "ELISABETH FRINK", 1992, from an edition of 47, Ian Rank-Broadley: "Michael Ayrton", 1996, from an edition of 59, and Peter Welton: "Giverny", 2004, from an edition of 34 (3)

399

£150-250

5KATHERINE

MACCARTHY: "BLESSED ARE THOSE WHO MOURN FOR THEY SHALL BE COMFORTED", 1995, from an edition of 5, and Anne-Marie Watkins: "Blessed are the Peacemakers for they shall be called the Sons of God", 1995, from an edition of 4 (2)

£200-400

115

Lot 402

400

5KEVIN

403

COATES: "WOLFGANG AMADEUS MOZART", 1990, from an edition of 40, Julian Cross: "Fox and grapes and crow", 1993, from an edition of 47, Ron Dutton: "Bude Waves", 1995, from an edition of 28, and Bill Woodrow: "Our World", a two-part medal 1997, from an edition of 65 (4)

404

5ROGER

MCGOUGH: "IN GOOD HANDS", 1997, from an edition of 35, Felicity Powell: "Millennium Medal", 1999, from an edition of 65, and Jane Sedgwick: "Isolate", 2000, from an edition of 48 (3)

5RONALD

SEARLE: "PISANELLO", medal cast for the 23rd Fidem Congress, London, two British Museum medals and four other similar (7)

£100-200 405 THE MEDAL: THE MAGAZINE OF THE BRITISH ART MEDAL SOCIETY numbers 11-56, Summer 1987 - Spring 2010, with indices, and two other volumes (a lot)

£100-200 402

ELDERTON: "THE SAINT OF ST. PANCRAS", 2009, Rob Wood: "Past & Present", 2001, from an edition of 40 (2)

£40-80

£150-250 401

5ROBERT

£50-100

5SIMON

BEESON: "LINLITHGOW THRESHOLD", 2001, from an edition of 30, Pawel Leski: "Anxiety and Quiet", 2007, from an edition of 38, and Steven Raw: "Hour", 2008, from an edition of 41 (3). See illustration

£100-200

116

BRONZES, SCULPTURE AND WORKS OF ART

Lot 407

406 AFTER THE ANTIQUE: "VENUS DE MILO" A cast bronze sculpture on a slate base, 15¾" high

407 A PAIR OF 19TH CENTURY CAST AND PATINATED BRONZE MODELS OF PUTTI, both seated, one holding a dove, on spreading rectangular gilt bases, 10" high (2). See illustration

£150-250

£1,500-2,500

117

Lot 412

Lot 413

408 A CAST AND PATINATED BRONZE SCULPTURE OF A STANDING NAKED FEMALE, her hands clasped beneath her chin, indistinctly signed, possibly Eastern European, 19¾" high

411 "LABOR" A 19th century French bronze signed in the cast "La Gaudez" with foundry stamp, the figure a man wearing an apron working at an anvil, 12½" high £150-250

£200-400

412 MARTIN GÖTZE A cast and patinated bronze sculpture of a young boy playing a violin, on a cast and marble base, 17" high. See illustration

409 J. MOXIE: A YOUNG BOY WITH SLINGSHOT, on a naturalistic base, patinated bronze, 20" high £100-200

£250-450

410

5MARY

Provenance: Deceased Estate, West Dorset.

413 A GILT BRONZE SCULPTURE OF A WINGED FIGURE OF CUPID bending a bow, stamped to the base "A. Messina Roma", on a polished marble base, 11½" high See illustration

Illustrated in the Catalogue Raisonné, pg.112.

£450-650

Exhibited: Also previously exhibited at the Dorset County Museum in 1981 and Southampton City Art Gallery in 1982

SPENCER WATSON (1913-2006) "New Worlds to Inherit", a yew wood sculpture, 1978, 48" high

£300-500 118

Lot 414

Lot 415

414 MANNER OF FERDINAND PREISS An Art Deco carved ivory sculpture of a young girl looking to her right in a frilled dress, on an octagonal onyx base, 9½" high. See illustration

416 A GEORGE III STYLE BRASS LOG BIN of flattened oval form, with a moulded border and allover engraved decoration, with twin lion mask mounts to either side, on raised animal paw feet, 28" wide

£400-600

Provenance: The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

£100-200

415 MANNER OF FERDINAND PREISS An Art Deco ivory sculpture of a naked woman, her arms held aloft, on a tapering octagonal base, 7¾" high. See illustration

417 J. HUMBERT "Le Faune Enfant", a cast and patinated study of a child's head, signed to the cast and dated 1869, 12½" high

£200-400

119

Lot 418

419 A BRASS CANDLESTICK attributed to Gordon Russell, the broad drip pan on an octagonal column with central knob and spreading base with slide twisted wire and hammered decoration, converted to electricty, 16¾" high

418 A BRONZED PLASTER BUST OF HORATION, VISCOUNT NELSON (1758-1805), published by James Deville on 1st March 1806, finished to represent marble, with incised inscription to the reverse, 17" high. See illustration £2,000-3,000

120

Provenance: Purchased McWhirter, London, 1993

The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

£150-250

420 A FRENCH PATINATED BRONZE EWER of neo-classical form with a central handle and lid above a broad ovoid body with central spout with female head casting, flanked by similar masks, on a circular foot, probably circa 1820, 41" high. See illustration

Provenance: Acquired from Carlton Hobbs, London in 1993

The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

ÂŁ1,000-2,000

121

Lot 421

421

424 A CAST BRONZE MASK OF DR. CHARCOT with well-patinated surface and marked "Dalou" and "A.A. Hebrard", on rockwork base, 12¾" high

5LUDIVICO

DE LUIGI A cast and green patinated bronze sculpture of a prancing horse, 188 from an edition of 1000, signed to the cast and dated '79, 19½" wide See illustration

£100-200

£600-800 425 A LARGE ITALIAN CAST BRONZE MORTAR dated 1600, the mortar of inverted bell-shape, with twin projecting handles, with cast borders and a coat of arms within a scrolling surround, cast "..Riatti Regete", the coat of arms with a bird above a tree, the reverse with a cartouche marked "A.D. 1600.", the mortar 14" high, on an ebonised wooden stand with circular iron-bound top and spreading base on octagonal plinth, the stand 24" high. See illustration

422 19TH CENTURY FRENCH SCHOOL A cast and patinated bronze sculpture of three cavorting putti, one reaching into a basket of fruit, on a marble base, the bronze 19½" high £300-600 423 A PAIR OF CAST AND PATINATED GARDEN ORNAMENTS in the form of winged cherubs with hands held aloft and with scrolling sea creature-like legs, on circular bases, 25" high (2)

Note: The armorial on this mortar has been identified as an armorial of the Riatti family of Bologna. See 'Armorial General' by J.B. Reitstap, volume 1', p1295. £6,000-8,000

£300-500

122

Lot 425 123

425A A GRAND TOUR BRONZE OF THE BATHING VENUS on a rectangular plinth, 7" high, and a similar bronze (2)

Lot 425A

Provenance: Private collection, Wiltshire

£200-400

426 MANNER OF TIZIANO ASPETTI A bronze of a prancing horse, 6½" high, on an ebonised plinth. See illustration

Provenance: Private collection, Wiltshire

£2,000-4,000

426A A SILVER COLOURED METAL BUST OF CHARLES I on a brass socle with a swirl-fluted base, 6¾" high. See illustration

Lot 426A

124

Provenance: Private collection, Wiltshire

£400-600

Lot 426

125

427

5DAME

Literature: Elisabeth Frink, "Sculpture 1984", published by Harp Vale Books, no. 277, illustrated page 197.

This major commission is erected on Gallow's Hill, Dorchester, Dorset.

Dame Elisabeth Frink’s magnificent larger than life size group of three figures was installed at the top of Gallows Hill on South Walks in 1986, and has been much admired ever since being one of Frink’s most important and significant public works. The site in Dorchester marks the location where the town gallows were located in the 16th and 17th centuries, just outside the old town walls. The group is dedicated ‘In memory of those who suffered in Dorset in the religious troubles of the 16 thd 17th centuries’ many of whom were consigned to a barbaric and blood-thirsty death for their religious beliefs.

ELISABETH FRINK R.A. (1930-1993) A maquette for the Dorset Martyr's Memorial, signed, limited edition, no. 3 of 8, 12¾" high x 11" wide

Frink’s work comprises three figures, a cowled figure, the hangman, who appears like ‘Death’ before the two resigned martyrs with hands clasped, one holding the hangman’s gaze in a defiant manner. Unsurprisingly Frink’s work is often compared to work by Rodin and the textural surface of these figures also suggests a link with the work of Giacometti, however this work is unmistakably her own at her most confident and monumental.

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£8,000-15,000

126

127

428 A BLUE JOHN BOWL, with a flared rim above a deep, rounded body, with several horizontally arranged bands within the stone, above a pronounced circular foot, probably 19th century, 5Âž"diameter. See illustration.

Provenance: Private collection, London.

ÂŁ2,000-4,000

128

429 A. CARRIER: CAST AND PATINATED BRONZE OF A GENTLEMEN IN ANTIQUE SPANISH DRESS, holding a sword and standing on a naturalistic base with cast signature. 25" high. See illustration.

Provenance: purchased by the vendors in Paris in the 1960's.

ÂŁ1,000-2,000 430-434 Spare lots 129

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 438

Lot 439

438 JAMES MCCABE: A GEORGE III BRACKET CLOCK, the white enamel dial signed "James McCabe, Royal Exchange, London" and numbered 1318 beneath a strike/ silent dial, with a similarly signed back plate and two train eight day movement striking on a bell, the arched topped case with gilt metal carrying handle, 17½" high. See illustration

435 A LACQUERED BRASS STUDENTS MICROSCOPE by James Howe & Co., Foster Lane, London, in a fitted case with a quantity of lenses by R & J Beck, and other makers, and a case of microscope slides, by various makers including Ross Ltd, 111 New Bond Street, London £150-300

£500-1,000

436 A GEORGE III MAHOGANY CROSSBANDED LONGCASE CLOCK, the brass dial with an arch signed "John Fletcher, Holbeck", the chapter ring with Roman numerals, the centre with subsidiary seconds and date dials, with a two-train striking movement, the hood with a shapedpediment, the door flanked by turned columns, the trunk with a long shaped door, 87" high

439 A GEORGE II OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the brass dial with arch bearing a tablet "William Harley Salop", the brass chapter ring with Roman numerals, enclosing a subsidiary seconds dial and date aperture, with a two train five pillar movement striking on a bell, the tall hood with raised pagoda top and three ball and pinnacle finials, above a tall case with arched top door and conforming base, 104" high

£300-500 437 A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamel dial signed "G. Stotesbury, Cork", the arch painted with a scene of fighting warships, the chapter ring with Roman numerals, with a central seconds dial, with an eight day two train movement striking on a bell, the arched top hood with a central ball and pinnacle finial, the trunk with quarter recessed fluted columns, 22" high

£800-1,500

£400-600

130

Lot 441

441 A VICTORIAN WALNUT CASED GOTHIC REVIVAL BRACKET CLOCK by Charles Frodsham, 84 Strand, London, no. 880, the silvered dial marked "Arnold" and within Roman numerals, with a two train movement striking on a coiled gong with pull repeat mechanism, the arched top case with applied Gothic revival tracery, and with a fretwork rear door, 20" high, on a bracket with five supports with carved heads and quatrefoil piercing, the bracket 13” high See illustration

440 WILLIAM GRAY: A GEORGE III MAHOGANY FRAMED BAROMETER with broad barometer dial beneath a dry/damp gauge, thermometer, convex mirror and above a level, all within a satinwood strung frame, 44½" high £150-300

Provenance: Purchased from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£1,000-2,000 131

Lot 442

Lot 444

444 A GEORGE III LONGCASE CLOCK, the brass dial signed "John Hayes, Wrexham", with subsidiary seconds dial and date aperture, within scrolling decoration, the chapter ring surmounted by a roundel with winged eagle and named "Charles Harrison", the two train movement striking on a bell, the arch top hood with central eagle and ball finial, the door flanked by turned columns, the trunk with serpentine topped door flanked by quarter recess columns, on plinth base, 84" high See illustration

442 A LATE 17TH CENTURY WALNUT LONGCASE CLOCK, the 10" associated dial signed "John Buckenhill, Worcester", with an eight day two train movement striking on a bell, the hood with a moulded cornice above twin spiral-turned uprights and glazed window, above a tall trunk door with a central lenticle and inlaid star motif, on a conforming base, 17th century and later, 81" high See illustration £400-600

£400-600

443 AN EBONISED AND GILT METAL BRACKET CLOCK, the silvered chapter ring signed "Ste. David, London ", with twin ringed winding holes and date aperture, the chapter ring with Roman numerals within cherubs head spandrels, with a two train five pillar movement with elaborately engraved back plate, the case with a pierced gilt "basket" top with swing handle flanked by four pineapple finials, on short bracket feet, 15" high. See illustration £3,000-5,000

132

Lot 443

133

RUGS AND CARPETS 449 A CAUCASIAN TRIBAL RUG of "Kazak" type, the central blue ground rectangular panel worked with a yellow, ivory and red central pole medallion, within ivory ground multi-coloured floral pattern herati style outer borders and guards, 96" x 50"

445 A BOKHARA RUG, the madder and dark blue ground worked with a central panel of octagonal and stepped guhls, within ivory and key pattern outer borders and guards, 66" x 36" £100-200

£150-300

446 A TEKKE BOKHARA KELIM, the dark red ground worked with a central prayer niche within hooked boteh, outer borders with wide selvedge, 50" x 43"

450 A TEKKE BOKHARA "BAG FACE", the ivory ground worked with three rows of "elephant's foot" guhls within multi patterned outer borders and guards with wide selvedge, 60" x 33"

£100-200

£50-100

447 A PERSIAN RUG of Isfahan style, the salmon pink ground worked with multi flowerheads within a floral herati style outer border and guards, 53" x 40"

451 AN AFGHAN TRIBAL RUG, the dark blue ground with a central floral pattern medallion within outer "wine glass" borders and guards, 72" x 38"

£50-100

448 A TEKKE BOKHARA "BAG FACE", the brick red ground worked with four rows of stepped guhls within outer borders, guards and wide selvedge, 56" x 33"

452 A BOKHARA RUG, the brick red ground worked with a central quadrilateral lozenge panel medallion in red, ivory and blue, within serrated leaf and floral outer borders and guards, size ????

£50-100

£100-200 453-460 Spare lots

134

English and continental furniture

lot 526 135

Lot 466

467 ROBERT THOMPSON: A "MOUSEMAN" STOOL with a dished adze oak top on shaped octagonal legs with rectangular stretchers and carved mouse detail, 16" wide

465 A COALBROOKDALE CAST IRON FOUNTAIN on a scallop shell cast basin, the central column with three swans beneath two broad bowls with cast decoration. 56"h x 44"w See illustration

£250-450

£1,000-2,000

468 JOHN BROADWOOD AND SONS OF LONDON: A MAHOGANY AND ROSEWOOD CROSSBANDED PIANO, the rising top with broad rosewood crossbanding, with a six octave keyboard, inscribed "Patent , John Broadwood & Sons, Maker to His Majesty and the Princesses, Great Pulteney Street, Golden Square, London", with brass drills and brass inlay, on tapering reeded legs and castors, 70" wide

Provenance: Tausma Antiques c1984 466 A PAIR OF BURR OAK AND EBONY TABLES, in the manner of George Bullock, each with octagonal tops with geometric inlaid veneers and ebony crossbanding, on tapering ebonised columns and square bases with applied roundels, on short bracket feet, 19th century and later, 15" wide. See illustration

Provenance: Christopher Hodsoll, London.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£300-600 469 HENRY BROOKS & CO LTD LONDON: A Victorian rosewood piano stool with rising upholstered seat on a moulded frame with cast mechanism marked 'The Ethel Patent', the frame similarly stamped and numbered 96866. 21"wide

£800-1,500

136

£80-160

Lot 465

137

476 A PAIR OF GEORGE III STYLE MAHOGANY BEDSIDE CUPBOARDS, each with square tops with moulded borders above single panelled doors with applied mouldings, above short drawers, on square legs with "X"-form stretchers, 15" wide

470 A GEORGE III STYLE BURR WALNUT SOFA TABLE, the rectangular top with twin drop flap sides with a moulded border, with a central short drawer flanked by two small drawers with brass ring handles and conforming dummy drawers, on lyre-shaped supports with a central turned stretcher and downswept legs with brass cap castors, 36" wide.

Provenance: The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

£300-500

£150-250 477 A VICTORIAN BURR WALNUT AND MARQUETRY WHAT NOT of three heights, with square columns, above a single drawer base, 24" wide £250-350

471 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE, the oval top with a moulded border, on turned tapering column and oval platform base with four carved animal paw feet and recessed castors, 69" wide

478 AN 18TH CENTURY OAK LOWBOY, the rectangular top above three frieze drawers with brass swan-neck handles and a shaped apron, on square tapering block legs, 32" wide

£200-400

£150-250

472 A SET OF SIX REGENCY BAR BACK DINING CHAIRS with bobbin-applied rails, cane seats and bobbin-turned front legs (6)

Provenance: Acquired from Christopher Gibbs, London in 1993

479 A REGENCY MAHOGANY PEMBROKE TABLE, the rectangular top with twin drop-flap sides and reeded border, above a single frieze drawer with lion mask ring handles and conforming dummy drawer, on spiral-turned tapering legs and brass castors, 32" wide

The collection of James Fairfax A.C.

£100-200

Stanbridge Mill, Gussage All Saints, Dorset

£300-600

480 AN 18TH CENTURY DUTCH WALNUT AND MARQUETRY CORNER CUPBOARD, the shaped top inlaid with an elaborate vase of flowers within a scrolling border, above twin bow-front doors similarly decorated, on short shaped feet, 35" wide

473 A REGENCY MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top above two short and two long graduated drawers with brass swing handles, on splayed bracket feet, 35" wide

£200-400

481 A GEORGE II WALNUT VENEERED CHEST ON CHEST, the upper section with a moulded cornice above three short drawers and three long drawers with crossbanded borders, brass handles and key plates, all between canted reeded corners, the lower section with a brushing slide above three further conforming drawers with a central concave sunburst motif, on bracket feet, 43" wide. See illustration

474 AN EARLY VICTORIAN ROSEWOOD FOLD-TOP TEA TABLE, the rectangular top above a plain frieze, on a carved column and four double scroll legs, 38" wide £400-600 475 A LATE REGENCY MAHOGANY AND BRASS INLAID TEA TABLE, the "D"-shaped folding top with brass stringing above a plain frieze, on tapering wrythen-turned columns, brass toes and castors, 36" wide

Provenance: Acquired from the Connor Galleries in 1992

£400-600 138

The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

£2,000-4,000

Lot 481

139

488 A FRENCH PROVINCIAL DRUM TABLE, the coopered circular top above a single short drawer, on an hexagonal column with three downswept flat-sided legs, 19th century, 25½" high

482 A CHARLES II OAK SIDE OR ALTAR TABLE, the rectangular top above a pierced frieze decorated with stylised fish motifs and carved crosses, on pierced flat fronted shaped legs and wavy stretchers, 17th century and later, 36" wide £200-400 483 A PAIR OF CHARLES II WELSH DINING OR SIDE CHAIRS, the rectangular backs with shaped top rails and vaseshaped back splats, above solid seats and turned front legs, 17th century and later, 39" high

Provenance: Acquired from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£200-400

489 A GEORGE III OAK SQUARE-TOP OCCASIONAL TABLE, the top inlaid with a radiating star motif, on a turned column with three downswept cabriole legs with pad feet, 21" wide

£100-200 484 A HOOP-BACK BEECH AND ELM WINDSOR CHAIR with a pierced central splat and solid seat, on turned legs, 34" high

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£200-400

£50-100 490 A LARGE 19TH CENTURY FRENCH OAK FARMHOUSE TABLE, the broad rectangular four plank top above a frieze of three short drawers with brass handles, on square legs, 135" wide

485 A CHARLES II OAK COFFER, the rectangular four-panelled top above an elaborately carved front with a carved crossrail, above four arch-top panels with foliate centres, all between carved details, the sides of two panel construction, 57" wide

£400-600

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£400-600

486 A GEORGE III OAK CHEST ON CHEST, the upper section with a moulded cornice with running frieze, above three short and three long graduated drawers with oval handles with thistle decoration, the drawers between canted fluted corners, the lower section with three further conforming drawers, on bracket feet, probably Scottish, 39" wide

491 A GEORGE III MAHOGANY TALLBOY, the moulded cornice above a frieze of blind fret decoration, above three long graduated drawers between quarter recessed fluted columns and three further long drawers, on tall bracket feet, 39" wide £200-400

£300-600 487 A CHARLES II OAK GATELEG TABLE, the shaped top with twin drop flap sides, on two turned columna uprights and platform base with shaped downswept feet, 33" wide

492 A PAIR OF FRENCH SEMIOCTAGONAL OAK "CHURCH CHANTER" TABLES, the shaped tops with moulded borders, on turned legs and platform stretchers, possibly Northern France, circa 1580, each 22" wide.

Provenance: The collection of James Fairfax A.C.

Provenance: Acquired from Galerie Perpitch, Paris.

Stanbridge Mill, Gussage All Saints, Dorset

£400-800

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

140

493 A SPANISH WALNUT SIDE TABLE, the broad single plank top above three short frieze drawers with extended knob handles and carved decoration, the surround similarly carved, on turned legs and rectangular stretchers, 17th/18th century, 65" wide. See illustration Provenance: The collection of James Fairfax A.C.

Stanbridge Mill, Gussage All Saints, Dorset

ÂŁ1,000-2,000

141

500 A 19TH CENTURY FRENCH MAHOGANY SECRETAIRE A ABBATANT with an overhanging arcaded cornice above a single frieze drawer and fall front enclosing a fitted interior with a central pair of cupboard doors with carved panels, surrounded by columns and an arrangement of short drawers with satinwood veneered and decorated fronts, all above an enclosed recess, two columns of four short drawers and drapery-effect front, all between round columns, 42" wide

494 A SET OF SIX VICTORIAN WALNUT BALLOON BACK DINING CHAIRS with pierced moulded frames above over-stuffed seats and cabriole legs with carved knees and feet, a number with applied metal labels "Chamberlain & King, Cabinet Makers, Birmingham" (6) £180-250 495 AN EARLY VICTORIAN ROSEWOOD CIRCULAR BREAKFAST TABLE, the shaped top on an octagonal column and circular platform base with carved foliate feet, 48" wide

£400-600

£200-400

501 AN EARLY VICTORIAN ROSEWOOD FRAMED SCROLL-BACK SETTEE with curved seat, upholstered in pale blue deep button material, on cabochon-carved scroll legs, 64" wide

496 A REGENCY MAHOGANY FOLD-TOP TEA TABLE, the "D"-shaped top above a deep ebony-lined frieze, on turned tapering legs, 35" wide

£300-500

£250-450 497 A SET OF TEN REGENCY STYLE BAR BACK DINING CHAIRS with broad dished backs, on floral capped uprights, with over-stuffed seats on turned front legs (10)

502 AN INDIAN TEAK AND IVORY INLAID OCTAGONAL OCCASIONAL TABLE, the detachable top with a central foliate pattern within a similarly decorated border, on a folding eight-sided arcaded base, 74" wide

£300-600

498 AN EARLY VICTORIAN STYLE MAHOGANY FRAMED SOFA, the upholstered back with carved border between scrolling ends, on downswept legs, 56" wide

503 A VICTORIAN MAHOGANY FRAMED FIRESCREEN with a central needlework panel depicting the Trustee Winchester Servant in blue coat with armorial to one side, on a short column with mitre top and three downswept scrolling legs, 24" high.

£1,000-2,000

499 A PAIR OF LOUIS XVI STYLE KINGWOOD BEDSIDE TABLES, the rectangular tops with geometric inlaid veneers and gilt border, above two short drawers with gilt metal handles, on slender cabriole legs with conforming mounts, 15½" wide

Provenance: Winchester College

£200-400 504 AN EARLY VICTORIAN ROSEWOOD FOLD-TOP CARD TABLE, the shaped top enclosing a baize-lined playing surface, on a bellied octagonal column on platform base with recessed castors, 36" wide

£500-1,000

£150-250

142

505 AN ITALIAN LABURNUM DESK, with contrasting geometric veneers, the rectangular top with curved canted corners, on twin pedestals with conforming canted sides and each with a single door enclosing a shelved interior, on a plinth base, early 18th century, 60" wide. See illustration

Provenance: Acquired from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

ÂŁ3,000-ÂŁ5,000

143

512 A GEORGE III MAHOGANY BUREAU BOOKCASE, the upper section with a dentil moulded cornice above twin panelled doors with fielded panels, enclosing a fitted interior with an arrangement of three central short drawers and pigeonholes, above a sloping fall with bookrest enclosing a fitted interior with a rising leather-lined writing surface and an arrangement of short drawers and pigeonholes, all above a single long, two short and two long graduated drawers, on bracket feet, 40" wide

506 A GEORGE III STYLE LABURNUM VENEERED TWO-TIER SIDE TABLE, the square top above an open recess and lower shelf with concealed drawer, on square legs, 15¼" wide

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£200-400 507 SPARE LOT

£300-500

508 A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST OF DRAWERS, the shaped top with a moulded border above four long graduated drawers with brass handles, on bracket feet with canted corners, 45" wide

513 A GEORGE II ESTATE MADE OAK TWO DOOR BOOKCASE, the glazed upper section with two doors with eight panes enclosing a shelved interior, above a base with two columns of three short drawers, on platform base, 48" wide

£400-800

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

509 A GEORGE III BOW-FRONT SIDEBOARD of narrow proportions, the shaped top above two drawers and conforming bow-fronted cupboards, on square tapering legs, 44¾" wide

514 AN EDWARDIAN MAHOGANY AND SATINWOOD BOW FRONT DISPLAY CABINET, the shaped front enclosing three fabric-lined shelves and cupboard, on square tapering legs with spade feet, 44" wide

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£100-200

£150-250

510 A REGENCY ROSEWOOD SIDE TABLE, the rectangular top on a moulded frieze and twin "trestle"-end supports with a turned stretcher and downswept legs and ball feet, 30" wide

Provenance: Acquired from Ross Hamilton Ltd. Pimlico Road, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£300-600

£1,000-2,000

515 A VICTORIAN ROSEWOOD FRAMED RECLINING ARMCHAIR, the reclining shaped upholstered back with carved handholds, above a similar overstuffed seat on moulded frame with turned legs and brass castors, 36" high £300-600 516 A LATE GEORGE III BOW FRONT BURR OAK CHEST OF DRAWERS, the shaped top with chequered stringing and narrow crossbanding above four long graduated drawers with ebony borders and gilt metal octagonal handles, on splayed bracket feet, 36½" wide.

511 A VICTORIAN OAK FOLIO OR MUSIC STAND, the rectangular top with a central leather-lined surface and book rest, on a rising adjustable easel support, on square legs with platform bases, turned feet and castors, 23" wide £200-400

144

Provenance: Acquired from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£800-1,500

517 A "BATAVIAN" PADOUK ARMCHAIR of "Burgermeister" type with a dished swept back with three caned panels and turned uprights, above a rushed drop-in seat on four cabriole legs with turned stretchers, 18th century, 36" high See illustration

Provenance: Acquired from McWhirter, London on the 21st March 1996

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

ÂŁ800-1,600

145

Lot 521

518 A 19TH CENTURY FRENCH BIJOUTERIE TABLE with a bevelled glass top within a kingwood and gilt metal mounted border, the top enclosing a shallow silk-lined recess with glazed sides, on slender cabriole legs with conforming gilt metal mounts, 30½" wide

520 A LATE GEORGE III MAHOGANY SOFA TABLE, the rectangular top with twin drop-flap sides, with broad crossbanding, above two short drawers and conforming dummy drawers, on open lyre-shaped supports with downswept legs and brass cap castors, 38" wide

£400-800

£200-400

519 A NEAR PAIR OF CHINESE BLACK LACQUERED SIDE TABLES, the square tops with inset woven panels, above a shelf and lattice-work stretcher, 16" wide (2)

521 A WILLIAM AND MARY WALNUT SIDE TABLE, the rectangular top with geometric inlaid veneers within broad crossbanding and a moulded border, above a single frieze drawer, on scrolling legs and wavy "X"-form stretcher, on ball feet, 30" wide. See illustration

£150-250

Provenance: Acquired from Apter-Fredericks, London in 1993

146

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

Exhibited: Grosvenor House Antiques Fair, June 1952 and apparently illustrated in the handbook

£600-1,200

Lot 522

524 A WILLIAM IV ROSEWOOD EFFECT LIBRARY CHAIR, the swept back above scrolling arm supports and leather upholstered seat, with round headed nailed decoration, on turned and reeded legs with brass castors, 34" high

522 A PAIR OF "EMPIRE" MAHOGANY BERGERE CHAIRS, each with hooped moulded backs above a pierced and carved crossrail with broad seat rails with caned seats and squab cushions, on lion monopodia front legs, 30½" high (2) See illustration

Provenance: Acquired from Carlton Hobbs, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

£300-600 525 A VICTORIAN WALNUT DAVENPORT, the raised top with fitted stationery compartment above a sloping serpentine fronted fall enclosing a fitted interior, the base with four short drawers and confirming dummy drawers with knop handles, with cabriole legs with carved decoration, on compressed bun feet, 21" wide

523 A RARE PAINTED TWO TIER TABLE decorated in blue with chinoiserie on a cream ground, on club legs, 32” wide See illustration

£200-400

This table maybe comparable to the furniture executed by Thomas Chippendale for Garrick’s Villa at Hampton, Middlesex

£300-600

147

Lot 529

528 A GEORGE III MAHOGANY "BIRDCAGE" PILLAR TABLE, the circular tilting top above a "birdcage" on baluster turned column and tripod downswept legs, 28" wide

526 A GEORGE II WALNUT ARMCHAIR with an oval dished back with carved cresting and Chinese style lattice back, above a leather upholstered seat with round-head nailed decoration, on an "X"-form base with turned stretchers, basically 18th century, 38½" high See illustration on page 135

Provenance: Acquired from Carlton Hobbs, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

£350-550 529 AN 18TH CENTURY COLONIAL AMERICAN VIRGINIA WALNUT ARMCHAIR, the scrolling top rail with foliate carving above a broad vase-shaped splat, the arms issuing from low relief carved scrolls with narrow arm rests and scrolling supports, above a drop-in seat and shaped seat rail with central shell, on broad cabriole legs with carved knees and ball and claw feet, 40" high. See illustration

527 A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST OF DRAWERS, the shaped front with broad crossbanding above a decorated frieze and four long graduated drawers with oval backs and brass handles, the drawers with satinwood stringing, on straight-sided bracket feet, 34" wide

£2,000-4,000

£1,000-2,000 148

Lot 533

530 A LATE GEORGE III MAHOGANY BACHELOR'S CHEST, the caddy moulded top with broad crossbanding above a brushing slide and four long graduated drawers with brass handles, on bracket feet, 25" wide

532 AN EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular top with a moulded border, on turned and reeded legs, with four additional leaves, c.130" fully extended

£300-500

531 A PAIR OF WALNUT BERGERE CHAIRS with moulded frames, caned backs and seats, on square tapering legs headed by foliate paterae, 21½"

£300-600

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

Provenance: The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

533 A REGENCY MAHOGANY GAMES TABLE, the rectangular detachable top with a leather-lined playing surface reversing to a baize-lined surface, the interior with an ebony and ivory backgammon board, with twin short drawers to either side and a removable chess and draughts board, on turned legs with brass castors, 45" wide. See illustration Provenance: Acquired from Mallett, London in 1993

149

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£1,000-2,000

Lot 537

534 A SET OF SEVEN REGENCY ROSEWOOD DINING CHAIRS, with broad dish cross-rails on leaf carved uprights with overstuffed seats and octagonal tapering legs. 24" high (7).

536 VICTORIAN ROSEWOOD CENTRE TABLE, with a circular top on a bulbous octagonal column and platform base with animal paw feet and casters, 48" wide

£200-400

£300-500

535 A PAIR OF REGENCY MAHOGANY "D"-SHAPED DINING TABLE ENDS with reeded borders and ebony lined frieze, on turned tapering legs, 7" wide (2).

537 LARGE VICTORIAN ROSEWOOD BIJOUTERIE TABLE, the cartouche shaped top with four rising glazed panels enclosing a velvet lined interior, on elaborate carved cabriole legs with a wavy "X"-form stretched with central carved boss, 71" wide. See illustration.

£300-400

£1,000-2,000

150

Lot 541

540 A WILLIAM IV ROSEWOOD CARD TABLE the rectangular top with rounded corners, on platform base with ball beet and castors. 36"wide

538 A WILLIAM IV ROSEWOOD SUPPER TABLE, the rectangular top, on a straight sided tapering column and platform base, with carved animal paw feet and recessed casters, 48" wide.

£250-450

£200-400

541 A PAIR OF CARVED OAK "GROTTO" STOOLS of rustic design, with "D"- shaped upholstered seats on four rustic legs with raised "X"-form stretchers, probably circa 1850, 30" wide (2). See illustration.

539 A CHARLES II OAK FRAMED SETTEE, with a raised back with plastered side panels and arm rests on turned uprights, with an upholstered seat with rectangular form stretcher, 17th century and later, 60" wide.

Provenance: Acquired from McWhirter, London on the 6th June 1995

£300-500

151

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

Lot 542

542 A PAIR OF SHERATON REVIVAL SATINWOOD AND MARQUETRY COMMODES, each with a shaped top decorated with a musical trophy within a scrolling ribbon-tied surround, with a central frieze drawer with an inlaid vase flanked by winged beasts and scrolling decoration, above twin doors with elaborate vase and swag panels, between concave corners with conforming decoration, and square tapering legs, 39" high by 46" wide. See illustration.

544 GILLOWS OF LANCASTER: AN AESTHETIC PERIOD WALNUT CANTERBURY attributed to Bruce Talbert, with 4 divisions with moulded rails and turned uprights above a single frieze drawer with ring handles, on brass casters, stamped to the drawer "L5358". 22½" wide.

Provenance: Acquired from Jonathan Harris, London

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£3,000-5,000

£400-600

543 A PAIR OF LATE VICTORIAN AESTHETIC PERIOD SIDE CHAIRS, with rectangular pierced backs with pierced leaf decoration, with upholstered seats on square legs with molded stretchers, 34" high (2).

545 ATTRIBUTED TO GORDON RUSSELL: A LIGHT OAK CHEST OF DRAWERS, the rectangular top with a raised background and chamfered sides above two short and two long graduated drawers with block handles and chamfered dividers, 42" wide.

Provenance: Acquired from Westenholz Antiques, London

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£200-400

152

Provenance: Acquired from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£400-800

546 ATTRIBUTED TO GORDON RUSSELL: A CIRCENCESTER STYLE WALNUT WARDROBE, with twin eight panel doors with chamfered dividers enclosing a fitted interior with hanging space and open shelves, above a single long drawer, the wardrobe on bulbous octagonal ebonised feet, 42" wide. See illustration.

Provenance: Acquired from McWhirter, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£800-£1,500 153

Lot 547

548 A VICTORIAN OAK REFORMED GOTHIC CENTRE TABLE IN THE MANNER OF A. W. N. PUGIN, the octagonal top with moulded border on a central octagonal column and four buttress-like supports with downswept legs with chamfered sides and Gothic detailing, 35" wide.

547 MANNER OF A. W. N. PUGIN: A VICTORIAN OAK REFORMED GOTHIC LIBRARY TABLE, with an octagonal top, with a leather lined writing surface above an arrangement of four short drawers and conforming dummy drawers with ring handles, on four heavy turned legs and similar "X"-form stretcher on downswept legs with recessed casters, 44" wide. See illustration.

Provenance: Acquired from Westenholz Antiques, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£800-1,500

Provenance: Jonathan Harris London.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£500-1,000

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Lot 549

550 A VICTORIAN OAK GOTHIC REVIVAL SIDE TABLE, the octagonal top with a central panel of geometric laid veneers with a carved border, on pierced gothic brackets and a carved column with four downswept legs with similar scrolling gothic detailing, 19" wide.

549 A.W.N PUGIN FOR THE DUKE OF MARLBOROUGH AT BLENHEIM PALACE: AN OAK REFORMED GOTHIC SIDE TABLE, with a rectangular top with moulded border above two short drawers on square legs with chamfered and carved corners and rosehead patera, with an "H"-form stretcher with tusked tenon joints, the drop-handles in the form of a gothic "M". 42" wide. See illustration.

Provenace: Acquired from Lennox Money Antiques Ltd. London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£250-450

£500-1,000

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551 CHARLES SPOONER FOR ELMDON & CO: An Arts and Crafts oak Dresser, the upper section with three shelves flanked by panelled cupboards, the base with an arrangement of four panelled cupboard doors with typical arts and crafts handles, with similarly panelled sides. Stamped to the reverse ‘Elmdon London’ and with initials ‘HJSM’, 85” high x 79” wide. See illustration.

£3,000 - 5,000

Provenance: Charles Spooner at his home Eyot Cottage where he lived from 1892 until his death in 1938. The dresser remained at the property until his widow died in 1949 at which time the property, with the dresser, were sold to the current vendors parents. Notes: Charles Spooner (1862 - 1938) was famously described by Charles Ashbee as one of the figures with which the Arts and Crafts movement would be most readily identified in years to come, in saying this he ranked Spooner alongside Lethaby, Barnsely and Gimson. Unfortunately Spooners reputation has not grown at the same rate as some of his contemporaries despite a clear personal style and an architectural career that spanned some fifty years.

Elmdon & Co. were furniture makers at 1 Ravenscourt Park, Hammersmith, London W. They specialised in manufacturing modern furniture and fittings, often to architects designs, and they endeavoured to produce work that harmonised with traditional furniture but did not copy it. The designs were to satisfy the requirements of good taste ‘without the enrichment in the form of carving, inlay, or painting, … We aim at producing well-designed and well-made furniture..’ The firm is best remembered through a small catalogue ‘A catalogue of furniture made by Elmdon & Co at 1 Ravesnourt Park Hammersmith London. From designs by Charles Spooner& Arthur J.Penty’, undated but almost certainly dating to c1906.

The dresser illustrated as Design No5. In this catalogue is almost certainly the dresser offered for sale here (see above). It is one of the most striking items in the catalogue and shows a clear debt to the Cotswold School of Arts and Crafts furniture production whilst showing an informed understanding of, and respect for traditional English cabinet work of the seventeenth and eighteenth centuries.

Spooner established his own architectural practice in 1891 producing some fine domestic work as well as establishing a reputation for fine ecclesiastical work. Like many of his contemporaries Spooner felt that furniture design was an integral part of his work describing furniture making as ‘the finest and most finished of the building crafts’.

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552 SIR ROBERT LORIMER (1864-1929) AN ARTS AND CRAFTS OAK SIDE TABLE with a rectangular top, with rounded corners above a shaped frieze, on typical spiral turned splayed legs and wavy stretcher, 50½" wide. See illustration.

Provenance: Rowallan Castle Scotland,

Acquired from Westenholz Kime, London in 1993

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset

£2,000-4,000

158

159

553 CARLO BUGATTI (1856-1940): AN EBONISED AND PEWTER INLAID STOOL, the square top inlaid with stylised foliage within a running border surrounded by stylised symbols, on splayed sides with similar calligraphic and foliate pewter decoration on upper bound column set legs on block feet with triangular pewter inlay, 14½" wide. See illustration. £4,000-6,000

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Diego Giacometti: The Sylvester Chair

A photograph of Alberto Giacomettiâ&#x20AC;&#x2122;s unfinished portrait of David Sylvester in 1960, on the 19th and penultimate sitting

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554 DIEGO GIACOMETTI (1902 – 1985), ‘Fauteil aux Pommeaux de Canne’, designed c. 1963, Bronze with black patina and tan suede seat, 32” high x 19½” wide Provenance: A gift to David and Pamela Sylvester from Diego Giacometti, c. 1963-1965. Literature: For details and illustrations of comparative chairs of the same design, see:

M. Buto, Diego Giacometti, Paris, 1985, p. 123

F. Francisci, Diego Giacometti, Catalogue de L’oeuvre, Vol. I, Paris 1986, p. 116

D. Marchesseau, Diego Giacometti, Paris, 1986, p. 54

For details on Alberto and Diego Giacometti, see:

D. Sylvester, Looking at Giacometti, Pimlico, 1994

J. Lord, Giacometti: A Biography, Phoenix, 1996.

Estimate: £50,000-100,000

David and Pamela Sylvester strolling the streets of Paris, Summer 1950

Until Alberto’s death in 1966, Diego had largely been in the shadow of his elder brother, as a technical assistant in the production of Alberto’s bronze sculptures and a collaborator in the design of a range of household furnishings produced for interior decorator Jean-Michel Frank in the 1930’s. In his book ‘Giacometti: A Biography’, James Lord describes the beginnings of an autonomous Diego: ‘It was in the early fifties that Diego began making the bronze furniture for which he would finally be famous. The objects made for Jean-Michel Frank had never included tables, chairs, large items…Because Diego had little work of his own to sell, he had few clients. His friends told their friends. The first happy few advertised their satisfaction. Gradually a clientele began to grow, with the result that one day a perfect stranger in search of an authentic Diego presented himself unannounced… In the passageway he chanced upon Diego himself, who inquired his business. The stranger said, “Are you Monsieur Giacometti?” To which Diego replied, “No. You will find him in the Café at the corner of rue Didot’.

David Sylvester (1924-2001) and Pamela Sylvester enjoyed a long relationship with the brothers Alberto and Diego Giacometti. A first trip to Paris in 1947 and curious about Alberto’s peculiar new figure sculptures, David Sylvester secured a visit to Alberto Giacometti’s studios through his friend Daniel-Henry Kahnweiler. There began a relationship which would see David Sylvester, in his role as critic, author, friend and patron, curate and review exhibitions of Alberto’s work , gathering together in the process, the bones and flesh of his acclaimed book ‘Looking at Giacometti’. His wife Pamela Sylvester was crucial in translating David’s interviews with Alberto and Diego Giacometti as he acknowledges in the book: ‘…my oldest debts are to …Pamela Sylvester, who from 1950 on shared many of my meetings with Giacometti, gave help with research and, above all, drafted translations of passages from his writings and interviews, including all of my own interviews with him’. Such was the regard that the Giacometti brothers had for David and Pamela Sylvester, that in the summer of 1960, Alberto Giacometti embarked on a portrait of David, who sat more than twenty times for the artist.

As a symbol of gratitude for the recognition David and Pamela Sylvester had given his work, Diego gifted this chair to the couple shortly after the design for the chair was first conceived, between 1963 and 1965. Housed at the Sylvester’s London home, the proportions of the chair and it’s unfussy yet organic lines, were enriched by the multiple Francis Bacon studies, de Koonig drawings and eclectic Primitive and Islamic work of art they amassed during their marriage.

Today, Diego Giacometti is considered in his own right as one of the 20th century’s most important sculptural designers. Over 50 pieces of his furniture can be found in the Picasso Museum in Paris and many more embellish the homes of American and European collectors.

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Duke’s A UCTIONEERS SINCE 1 8 2 3

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. 164 Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

Duke’s A UCTIONEERS SINCE 1 8 2 3

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law. 5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Duke’s A UCTIONEERS SINCE 1 8 2 3

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

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Duke’s AUCTIONEERS SINCE 1823

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Dukeâ&#x20AC;&#x2122;s Thursday, 25th September. Paintings and Furniture.

Paintings and Furniture

Thursday, 25th September

2014

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