Dukes 9th and 10th June 2016 by john holmes

Duke’s Thursday, 9th and Friday, 10th June. Silver and Jewellery.

Silver and Jewellery

2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 9th and Friday, 10th June

Duke’s AUCTIONEERS SINCE 1823

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

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Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room

and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

FONTHILL ABBEY Fonthill Gifford, Wiltshire 18th June 2016

On the premises: A dispersal sale of selected contents and architectural salvage Viewing: Friday, 17th June 10am-5.30pm Auction: Saturday, 18th June at 10.30am

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AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 4th June, 9.30am - 12noon Monday, 6th June, 9.30 am - 5pm Tuesday, 7th June, 9.30am - 7pm Wednesday, 8th June, 9.30am - 5pm on the morning of the auction days

Catalogues £20.00 (by post)

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ALFRED WALLIS (1855-1942) The Emma Perkin Collection

‘A Schooner in St. Ives Harbour’ Oil on tea chest inscribed verso “To my little Emma Perkin, Uncle Alfred” 15” x 20¼”

One of eleven works to be included in our 15th September 2016 auction

Duke’s AUCTIONEERS SINCE 1823

Thursday, 9th June, 10.30AM Lots 1 – 108

Silver

Lots 109 – 111

Silver Plated Items

Lots 117 – 169

Small Silver and Vertu

Lots 185 – 215

Flatware

Lots 300 – 304

Carriage Clocks

Lots 310 – 327

Pocket Watches

Lots 329 – 336

Gents Watches

Lots 304 – 357

Ladies Watches

Lots 360 – 599

Jewellery

Friday, 10th June, 10.30AM Lots 900 – 963

The Reg Humphris Collection

Lots 1000 – 1042

Objets Vertu

Lots 1100 – 1122

Works of Art

Lots 1125 – 1130

Clocks and Scientific Instruments

Lots 1131 – 1149

Rugs and Carpets

Lots 1150 – 1233

Furniture

View images of all lots and bid live online

Photography by

JONATHAN GOODING www.jonathan-gooding.co.uk

ALFRED WALLIS (1855-1942) The Emma Perkin Collection

‘A Schooner in St. Ives Harbour’ Oil on tea chest inscribed verso “To my little Emma Perkin, Uncle Alfred" 15" x 20¼"

One of eleven works to be included in our 15th September 2016 auction

Duke’s AUCTIONEERS SINCE 1823

THURSDAY, 9 t h JUNE, 10.30A M

silver

Detail of lot 00 Lot 105 detail 9

1 NAVAL INTEREST: A PRESENTATION SALVER of shaped circular form, with raised beaded border, on three ball and claw feet, the centre bearing an engraved presentation inscription "Presented to Lieutenant A.J.A. Carslaw. Royal Navy by the Captain and Officers, HMS Osprey, 3rd August 1935", by Walker & Hall, Sheffield 1934, 10¾" dia. (c.20oz)

Lot 2

£100-200 2 A SET OF FOUR CANDLESTICKS with removable circular sconces, urn-shaped capitals and tapering cylindrical stems, on stepped circular bases, loaded, by MCH, London 1982, 12" high. See illustration

£400-600

3 A VICTORIAN BACHELORS TEASET of circular bellied form with beaded borders and leaf capped scroll handles, monogrammed, by George Fox, London 1871, the teapot 4½" high (c.23oz)

Lot 5

£200-300

4 A NEAR PAIR OF SAUCEBOATS of tapering oval form, with gadrooned borders and lion's mask capped handles, the whole on lion's mask capped claw feet, by T.A.E., Birmingham 1913/1914, 7" long (c.12oz)

£80-160

5 MILITARY INTEREST: A REGIMENTAL PRESENTATION PHOTOGRAPH FRAME of upright rectangular form, with wooden strut and back, the front applied with the badge of the XVI The Queen's Lancers, the base applied with the initials "CL" by D & J Wellby, London 1919, 14" high. See illustration

Lot 6

The 16th The Queen's Lancers was a cavalry regiment of the British Army, first raised in 1759. It saw service for two centuries, before being amalgamated into the XVI/V Lancers in 1922.

£200-400 6 A FOUR PIECE TEA SET of melon style, the teapot and hot water pot with wooden handles, the bodies chased with foliate scrolls, leaf capped fluted spouts, each on a circular foot, by Crichton Brothers, London 1913, also with additional retailers mark, the teapot 6¾" (c.83oz). See illustration 10

£500-800

Lot 10

7 A PAIR OF CANDLESTICKS of corinthian column form, with pull-off beaded sconces, on stepped square bases, filled, by William Hutton & Sons, London 1910, 6" high

12 A LATE VICTORIAN TEA CADDY of octagonal form, the hinged cover with pierced swing handle, by SWS & Co., Birmingham 1900, 3½" high (c.3.2oz)

£100-200

8 A VICTORIAN SALVER of shaped circular form with a beaded border and stylised engraved decoration, on hoof feet, possibly by William Moulson, London 1857, 9" dia. (c.15oz)

13 A VICTORIAN WAITER of circular form with raised slat pierced border, interspersed with classical motifs, crested, on three scroll feet, by IF, London 1860, 8" dia. (c.11oz)

£150-250

£100-200

10 A TWO HANDLED TRAY of oval form with gadrooned border and raised leaf-capped "D"-shaped handles, by D & J Wellby, London 1917, 24" long (from handle to handle) (c.81oz). See illustration

£800-1,500

£200-400

£80-160

15 A TEAPOT of squat circular form with flush hinged lid, disc finial and wooden scroll handle, on a tucked-in circular foot, by D & J Wellby, London 1917, 5¼" high (c.26.8oz)

11 A CONTINENTAL COW CREAMER with hinged top section, the base stamped "800", the remainder of the marks partially rubbed, possibly circa 1900, 4¼" high x 5¾" long (c.4.3oz)

£150-250

14 A PAIR OF EDWARDIAN CANDLESTICKS with pull-off beaded sconces and corinthian columns, on stepped square bases, loaded, by WL & S, Sheffield 1907, 6¾" high

9 A PEDESTAL BASKET of tapering oval form, with beaded and pierced swing handle, on an oval beaded foot, by Jackson & Fullerton, London 1913, 9¼" high (c.16oz)

£80-160

£200-300

16 A GEORGE III SALVER of plain circular form with a raised reeded border, the centre engraved with a crest depicting a goat, the whole on four down curving feet, by John Crouch and Thomas Hannam, London 1788, 15¼" dia. (c.52oz). See illustration

Lot 16

£800-1,200 17 A GEORGE IV SALVER of plain circular form with a raised reeded border, the centre engraved with a crest depicting a goat, the whole on three down curving feet, by Rebecca Emes and Edward Barnard, London 1820, 12" dia. (c.28oz). See illustration

£300-600

18 AN EDWARDIAN TWO HANDLED BASKET of oval form, the body pierced with birds amongst foliage, on a branch style foot, by William Comyns, London 1904, 12" long (from handle to handle) (c.19oz). See illustration

Lot 17

£200-400

19 A VICTORIAN SALVER of circular form with a raised gadrooned border, on three bracket feet, by Charles Stuart Harris, London 1889, 12" dia. (c.29oz)

£200-300

20 A COFFEE POT of tapering circular form with wooden scroll handle, disc finial and cast spout, on a spreading circular foot, by D & J Wellby, London 1917, 8¾" high, and a similar hot water pot by Pairpoint Brothers, London 1918, 8½" high (c.34oz weighable silver)

Lot 18

£250-350

21 A CIRCULAR DISH with stylised decoration on a tucked-in foot, by Mappin & Webb, Sheffield 1937, 9" dia. (c.11oz)

Lot 22

£80-160

22 A NEAR PAIR OF LATE VICTORIAN EPERGNES, each of trumpet form, issuing four detachable sections, on lobed bases, one by William Hutton & Sons Ltd, the other by R & W Sorley, both London 1900/1901, weighted, 14½" high. See illustration

£500-800

23 AN EDWARDIAN ROSE BOWL of tapering circular form with a wavy rim and tucked-in foot, engraved with a presentation inscription, by H.E.B./ F.E.B., Chester, 1908, 9" dia. (c.21oz)

Lot 24

£150-250 24 A PAIR OF DUTCH NOVELTY FIGHTING COCK PEPPERETTES with detachable heads, c.1900, 5" high x 5½" wide (the tallest) (2). See illustration

£200-400

24A A PEDESTAL BOWL of segmented design, Cooper Brothers & Sons Ltd., Sheffield, 1946, 8¼" wide, (c.21oz), on a wooden plinth. See illustration

£150-250

Lot 24A

Lot 25

27 AN EDWARDIAN SUGAR CASTOR of cylindrical form, with pull-off bayonet fitting cover, the wire-work body decorated with swags, blue glass liner, on a circular base, by Haseler Brothers, London 1906, 8" high

25 A SWEDISH PEG TANKARD in the antique manner, with a graduated domed cover, ball thumbpiece and scroll handle, embossed and chased with Celtic style strapwork, the whole on three ball feet, the centre engraved with the inscription "Till Sjokapten, Sigfr. Thorépa 40/Arsdagen 19/18 Fran Befal 1 Rederiaktiebolaget Transatlantic", with gilt interior, by KK Anderson, circa 1910, 9¾" high (c.43oz). See illustration

28 A PEDESTAL BOWL of tapering circular form, the upper section pierced with trailing leaves, on a tucked-in circular foot, with a glass liner, makers mark rubbed, Birmingham 1924, 8" dia. (c.19oz)

£500-1,000

26 A PAIR OF DISHES of shaped oval form with reed and garland borders, the base of one engraved with a presentation inscription, by Charles Stuart Harris & Sons, London 1919, 12" long (c.27oz)

£80-160

£150-250

29 A GEORGE III TEAPOT of oval form with wooden scroll handle, crested and initialled, by Robert and David Hennell, London 1795, 9" long x 5¾" high (c.9oz)

£250-350

£100-200

30 GOLFING INTEREST: A 9CT GOLD PRESENTATION GOLFING TROPHY of urn form, the pull-off cover surmounted by a winged figure, the lobed body decorated with trailing leaves and berries above a fluted lower section applied with rams head masks and swags, the handles applied with sitting figures, on a spreading circular foot, detaching from an ebonised silver gilt mount, applied with three sitting cherubs, the central cartouche reading "Golfing Unions Competition Winner 1913. R W May. Presented by the Daily Mail", the lid possibly by Wakely & Wheeler, the body by Elkington & Co., the silver gilt base by Elkington & Co. London 1913, 11" high (c.358.7grams). See illustration

Provenance: Bournemouth & Meyrick Park Golf Club.

ÂŁ4,000-6,000

Lot 34

35 A HOT WATER POT of octagonal form with vase-shaped finial and wooden scroll handle, on an octagonal base, crested, by D & A, Birmingham 1931, 10¾" high, (c.20oz)

31 A GEORGE III WAITER of circular form with a raised reeded border, crested, on three reeded feet, possibly by Elizabeth Jones, London 1790, 7½" dia. (c.9oz)

£80-160

36 OMAR RAMSDEN: A FRAMED SILVER MOUNTED EBONISED CRUCIFIX applied with a model of Christ, London, 1933, also engraved "Omar Ramsden & Me Fecit", 5" (length of crucifix). See illustration

32 A VICTORIAN COFFEE POT of baluster form with wooden scroll handle, stylised leaf and tendril decoration, crested, by Aldwinkle & Slater, London 1892, 8½" high (c.16oz)

£100-200

33 A GEORGE IV SALVER of square form, with gadrooned borders, shell and foliate corners, on cast leaf capped shell feet, by Joseph Craddock & William Reid, London, possibly 1825, 11" wide, (c.29oz)

£800-1,200

37 A VICTORIAN TOAST RACK of seven arched bars, with central loop handle, monogrammed, on bracket feet, by Henry Wilkinson & Co., Sheffield 1845, 6¼" high (c.9oz)

£200-300 34 A TWO-HANDLED TRAY of rectangular form with a raised gadrooned border and fluted leaf capped carrying handles, the centre engraved with a rectangular foliate cartouche, by WFM, Birmingham 1931, 25" long (handle to handle) (c.76oz). See illustration

£150-250

£100-200

38 AN EDWARDIAN TEAPOT of oval form with embossed decoration and angular handle, Chester 1901, 5¾" high, an Old Sheffield Plate candlestick and an electroplated goblet (c.9oz weighable silver) (3)

£600-800

£80-160

Lot 36

43 A CHINESE MUG of circular form, with simulated bamboo style handle and rim, the body decorated with two dragons amongst clouds in high relief, vacant cartouche and beaded foot, by LH, also stamped '90', circa 1900, 3½" high, (c.5oz).

39 A LATE VICTORIAN DISH of shaped oval form, the border embossed with shells and scrolls, by Martin Hall & Co., Sheffield 1897, 10¾" long (c.8oz) £60-120

£150-250

40 A VICTORIAN SUGAR BOWL of circular form, with pierced border and swirl fluted body, on shell capped feet, by James Wakeley & Frank Wheeler, London 1892, 5½" dia. (c.8oz)

44 A CHINESE BASKET of circular form with wire-work swing handle, the body pierced with flowers, on a tucked-in circular foot, by C.J. Co., also stamped "Sterling" with a character mark, circa 1900, 8½" dia. (c.13oz)

£80-160

41 A SUGAR CASTOR of octagonal form with pull-off pierced cover, filled, by W.A., Birmingham 1936, 7" high, and another example (2)

£100-200

45 A PAIR OF EDWARDIAN CANDLESTICKS with square sconces and tapering square columns, decorated with ribbon swags, on stepped square bases, filled, by Henry Matthews, Birmingham 1909, 6½" high

£80-160

42 A DANISH PITCHER of tapering circular form with curved handle and partfluted decoration, by C.F. Heise, Copenhagen, 1920, 7" high (c.8oz)

£80-160 46 AN EDWARDIAN DRESSING TABLE TRAY of shaped oval form, the centre embossed with roses amongst leaves, by CH, Birmingham 1906, 12" long, (c.7oz)

£100-200

£80-160

54 A MATCHED THREE PIECE TEA SET of bellied oval form with scroll and shell borders and angular handles, the teapot by Carrington & Co., London 1919, the cream jug and sugar bowl by GH, Sheffield 1919, the teapot 6¼" high, (c.40oz)

47 A VICTORIAN HOT WATER POT of baluster form with flame finial, wooden scroll handle and part-fluted decoration, crested, by William Hutton & Sons Ltd, London 1895, 10¾" high (c.18oz)

£100-200

48 A PAIR OF BON BON DISHES of shaped circular form with sinuous legs and pierced decoration, makers mark rubbed, Birmingham 1910, and a pair of toast racks (4)

55 A DUTCH MUSTARD POT of circular tapering form with scroll handle and ball finial, on a triform base, with ball feet, gilt interior, probably 19th century, and a Victorian condiment spoon, 6" high (c.5oz)

£80-160

49 A DANISH VASE of lobed fluted form with stylised decoration and ropework borders, with a gilt interior, the base stamped "Sterling Albing", and a similar example, 3¾" high (c.13oz) (2).

56 A SILVER LID of circular form, with pierced border, and flowerhead finial, together with a pierced silver mount by Carrington & Co., and a glass bowl, (c.19oz weighable silver) (3)

£200-400

50 A GEORGE III TEAPOT of oval form with an angular handle and part-fluted decoration on ball feet, by Robert & Samuel Hennell, London 1810, 6¾" high, (c.21oz)

£150-250

£100-200

£400-600

59 A PAIR OF GEORGE III SALTS of shaped rectangular form with gadrooned borders and part fluted decoration, on ball feet, with wash gilded interiors, by Alice & George Burrows, London 1807, 3¾" long (c.5.9oz)

£80-160

53 A VICTORIAN PART TRAVELLING COMMUNION SET comprising chalice and paten, each engraved with an inscription, by Edward & John Barnard, London 1866, the chalice 4", and another chalice, London 1908, 5" high (c.6.5oz weighable silver) (3)

£700-900

58 AN ART DECO FOUR PIECE TEA SET of octagonal form with angular handles on paw feet, by E. Viner, Sheffield 1945, the teapot 5¾" high (c.50oz)

52 A SILVER MOUNTED DECANTER with a waisted glass body, silver collar and a pull-out stopper, by William Hutton & Sons Ltd, Birmingham 1920, 12" high, and a similar example (2)

£100-200

57 A PRESENTATION TRAY of shaped rectangular form with reeded carrying handles, the body monogrammed and engraved with facsimile signatures, by William Hutton & Sons Ltd, Sheffield 1938, 24¾" long (handle to handle) (c.91oz)

51 A GEORGE II MUG of baluster form with leaf capped scroll handle and spreading circular foot, the body later engraved with flowers and geometric motifs, crested, possibly by Thomas Whipham, possibly London 1745, 4¾" high (c.8oz)

£500-600

£100-200

£50-100

A PRIVATE COLLECTION OF SILVER from a DORSET MANOR house

Lot 63

Lot 65

63 A SET OF THREE GEORGE III BEAKERS of plain circular form with gilt interiors, each engraved with a double crest above a coronet, makers mark rubbed, Sheffield 1812, 4" high (c.14oz). See illustration

60 A GEORGE III OLD SHEFFIELD PLATE TEA URN of ovoid form, with replacement wicker bound carrying handle, crested, with ivory spigot, on a detachable square base with beaded borders and compressed ball feet, the base later drilled for electricity, 21" high.

£300-600

64 A GEORGE III CREAM JUG of baluster form, embossed with foliate scrolls and gilt interior, crested, by IH, London 1761, 4½" high, together with a cream jug, a porringer and a metalware dish (4)

61 A GEORGE II LEMON STRAINER of conventional form, the pierced bowl with a reeded border, lion passant mark struck twice, on each handle, circa 1750, 10½" long (c.4oz)

£100-200

£150-250

65 A GEORGE III TEA CADDY of oval form, with fluted decoration, the flush hinged cover with urn finial and chased floral decoration, by Michael Plummer, London 1792, 5" high (c.16oz). See illustration

62 A GEORGE III TEAPOT of oval form with wooden scroll handle, flush hinged lid and bright-cut borders, monogrammed, by Charles Aldridge and Henry Green, London 1779, 5" high (c.12oz)

£800-1,600

£200-400

£400-700

Lot 69

66 A VICTORIAN PEDESTAL BOWL of shaped oval form, the body embossed with flowerheads, scrolls and pierced sections, on an oval foot, by Charles Stuart Harris, London 1890, 6" high x 9" long (c.14oz)

£200-400

67 A GEORGE II PEPPER POT of baluster form with high pierced pull-off cover, crested, possibly by Samuel Wood, London 1744, 6¾" high (c.11oz), together with another pepper pot and a smaller example (3)

Lot 70

£300-600

68 A GEORGE III TEA KETTLE ON STAND of large proportions, the detachable kettle with wicker-work topped swing handle, leaf finial and cast spout, the body chased and embossed with foliate scrolls, one side engraved with an armorial, the other chased with oriental figures, the base with floral and leaf swags, the whole on extended claw feet, with a detachable burner, and later composite stands, possibly by John Edward Terry, London 1819, (one part of the stand by John Cope Folkard, 1818), 15½" high (c.118oz). See illustration

£1,000-2,000

69 A TEAPOT of circular tapering form with domed hinged cover, disc finial and faceted spout, with a wooden scroll handle, on a tucked-in foot, and a matching coffee pot, by Barraclough & Sons, London 1925, the coffee pot 8¾" high (c.39oz). See illustration £250-450

Lot 71

70 A GEORGE II TWO-HANDLED CUP of circular tapering form with "S"-shaped handles, partfluted decoration and vacant circular cartouche, on a tucked-in circular foot, makers mark of 'M' in a circular punch with star above and below, London 1730, (for a similar maker's mark see pg 183 of Jacksons "Silver and Gold Marks of England, Scotland and Ireland" edited by Ian Pickford), 6¾" high (c.20oz). See illustration

£500-1,000

71 A GEORGE III PORRINGER of circular waisted form with reeded "S"-shaped handles and part-fluted decoration, vacant oval-shaped cartouche, possibly by James Morison, London 1760, 5¼" high (c.9oz). See illustration 20

£300-600

Lot 68

Lots 72, 73 and 74

72 A GEORGE III CHOCOLATE POT of baluster form with domed hinged cover and turned wooden side handle, stork crest, on a tucked-in circular foot, possibly by Charles Kandler II, London 1789, 9" high (c.22oz). See illustration

Lot 75

£500-1,000

73 A GEORGE II COFFEE POT of baluster form, with wooden scroll handle, pineapple finial and domed hinged cover, cast spout, crested, the body chased and embossed in the rococo manner with classical scenes of ruins, balustrades and fountains, on a spreading circular foot, by Thomas Whipham and Charles Wright, London 1759, 10¼" high (c.28oz). See illustration. £800-1,200 74 A KETTLE ON STAND of tapering circular form with hinged handle, faceted spout, the body chased and embossed with foliate scrolls and vacant cartouches, on a pierced stand with down-curving feet terminating in shells, marks obscured, possibly London, the burner marked for London 1805, 14" high (c.60oz). See illustration. 22

£500-1,000

Lot 78

78 A GEORGE III TWO HANDLED TRAY of shaped rectangular form, the raised gadrooned borders with shell and foliate corners, and leaf-capped carrying handles, the centre engraved with a coat of arms, by John Crouch II, London 1810, 28" long (handle to handle) (c.135oz). See illustration

75 A GEORGE III TEA URN of vase form, the pull-off circular lid with pineapple finial, bone/ivory mounted carrying handles, the body applied with ribbon swags and Bacchus masks, also engraved with a coat of arms, fluted tap terminating in a mask spout, the whole on a square pierced base, engraved with a presentation inscription, on a pierced foot, later drilled for electricity, possibly by Thomas Jackson, London 1771, 18" high (c.96oz). See illustration

£1,500-3,000

Lot 77

76 A CAFE AU LAIT SET of circular tapering form with domed covers and side faceted spouts, each engraved with a stork crest, on a reeded circular foot, by Sebastian Garrard, London 1912, also with additional Garrards retailers marks to the base, 9¼" high (c.44oz)

£250-450

77 A GEORGE III BREAD BASKET of oval form, with rope-work swing handle and border, the wire-work body with single girdle, the base engraved with a coat of arms, makers mark over-struck and illegible, London 1761, 11½" high (with handle extended) x 14" (c.27oz). See illustration

£500-1,000

£3,000-6,000

79 A PAIR OF GEORGE IV ENTREE/ VEGETABLE DISHES AND STANDS of shaped circular form, the domed pull-off covers with gadrooned decoration, each side engraved with an armorial, with detachable handles, on removable circular bases above lamp stands with flowerhead capped down-curving claw feet, the burners engraved with stalk crests below coronets, by Joseph Angell, London 1828, 11Âž" high (c.192oz). See illustration

ÂŁ3,000-6,000

Lot 80

81 A SET OF THREE GEORGE III ENTREE DISHES AND COVERS of rectangular cushion-form with detachable handles, the pull-off covers with gadrooned borders, each cover and base engraved with a matching coat of arms, possibly by William Bennett, London 1811/1812, each 11½" long x 6" high (c.160oz). See illustration

80 A PAIR OF VICTORIAN SILVER GILT FRUIT STANDS and a smaller stand ensuite, of circular form on knopped pedestal bases with spreading circular feet, the bodies embossed with fruit and scrolls, by Martin Hall & Co., London 1878, the largest 6" high (c.62oz). See illustration

£1,000-2,000

£3,000-6,000

Lot 81

82 A PAIR OF GEORGE III SILVER GILT WINE COOLERS of urn form with 'egg and dart' borders and fluted top sections applied with leaves and berries, fluted leaf capped twin carrying handles, each engraved with a coat of arms, on a spreading circular feet chased with stylised leaves, each with a detachable unmarked liner, by Benjamin Smith, London 1818, 8Âź" high (c.146oz excluding unmarked liners). See illustration

ÂŁ15,000-25,000

82A A SET OF TWELVE EARLY GEORGE III SILVER DINNER PLATES with gadrooned borders and engraved coats of arms, Frederick Kandler, London, 1761, 9¾” dia., (c.219oz) (12)

£5,000-10,000

This lot will be sold with the option of purchasing the following lot (82B) at the same price.

82B A SET OF TWELVE EARLY GEORGE III SILVER DINNER PLATES with gadrooned borders and engraved coats of arms, Frederick Kandler, London, 1761, 9¾” dia., (c.219oz) (12)

£5,000-10,000

82C A GEORGE II/III OVAL SILVER MEAT DISH engraved with a coat of arms within a gadrooned border, 18" wide, and two smaller gadrooned dishes ensuite, 15¾" wide, by Frederick Kandler, London, 1756, 1752 and 1761 (c. 134oz.) (3). See Illustration £1,500-3,000

83 A GEORGE II SILVER GILT CORONATION CANOPY BELL of conventional form with reeded lower section and loop attachment, the engraved inscription reads "One of the bells belonging to the canopy born over King George II at his Coronation. Given to the Lady Eliz. Germain by the Hon. George Berkeley, her brother, one of the Barons of the Cinque Ports", by Francis Garthorne, London, circa 1727, 3Âź" high (c.7.4oz). See illustration

A small group of Coronation bells survived. The earliest example is thought to have been used at the Coronation of King Charles II in 1660.

Two Coronation bells were bequeathed to the nation by Sarah, Countess of Waldegrave. The first is by Francis Garthorne and is hallmarked for 1714/15, however it is engraved "George II 1727". It has been suggested that it was first used at the Coronation of King George I in 1714 and reused at the Coronation of his son in 1727.

The collection of the Victoria and Albert Museum also includes bells used at the Coronation of King George III in 1761 and King George IV in 1821. The latter also having been bequeathed by Lady Waldegrave. One other bell, used at the Coronation of King George II, is known and is illustrated in M. Clayton "The Collective Dictionary of the Silver and Gold of Great Britain and North America", Woodbridge, 1971, pg. 34, fig. 33b.

Provenance: The Hon. George Berkeley The Lady Elizabeth Germain Private Collection, Dorset

ÂŁ15,000-20,000

90 AN EDWARDIAN PRESENTATION DISH of shaped oval form with a reeded border, the centre presentation engraved, on four ball feet, by F & S, Chester 1906, 11" long, and an Edwardian dressing table tray embossed with angels heads, Birmingham 1903 (c.17oz weighable silver) (2)

84 A CHARLES I SWEETMEAT DISH of circular form, with a wavy border, the body with punch beaded and fluted decoration, the centre bearing a shieldshaped cartouche and scratch initialled "G*S", possibly lacking handles, makers mark possibly of four mullets in a oval punch, London 1635, 6½" dia. (c.4.1oz). See illustration

£100-200

£500-1,000

91 AN EDWARDIAN TEAPOT of tapering oval form with an angular handle and urn finial, monogrammed, on a spreading oval base, by Thomas Bradbury & Sons, London 1905, 8" high (c.19oz)

85 A ROSE BOWL of tapering circular form with a wavy border and reeded girdle on a tucked-in circular foot, by William Hutton & Sons Ltd, Sheffield 1911, 10½" dia. (c.27oz).

£150-250

£200-300

92 A TABLE CIGARETTE BOX of rectangular form with canted sides, the cover inset with three crown coins for 1820, 1887 and 1935, by Richard Comyns, London 1935, 8¼" long x 3" high

86 A GEORGE II MUG of baluster form with leaf-capped scroll handle, the body later embossed with foliate sprigs, vacant cartouche, on a spreading circular foot, possibly by James Manners, London 1739, 4" high (c.4oz)

£100-200

93 A TEAPOT of circular tapering form with scroll handle, on three downcurving legs, by HA, Sheffield 1929, 5½" high, and a small bachelor teapot with part-fluted decoration, marks rubbed (c.25oz weighable silver) (2)

87 A PRESENTATION BOWL of circular tapering form with a wavy border on a beaded foot, presentation engraved, by R.P., London 1935, 5¼" high (c.11oz)

£150-250

£80-160

94 A GEORGE III WARWICK CRUET of conventional form, the frame housing five cut-glass bottles, with central loop carrying handle, the front applied with an engraved coat of arms within a laurel wreath cartouche, the whole on four shell capped feet, by Robert Peaston, London 1761, 10¾" high (c.24oz).

88 A LATE VICTORIAN TEAPOT of oval form with angular handle, 'egg and dart' and scroll border, initialled, on ball feet, by William Hutton & Sons Ltd, London 1897, 5½" high, (c.19oz)

£100-200

89 A ROSE BOWL of circular tapering form with pierced borders and lions mask ring handles, on a reeded circular foot, by Walker & Hall, Sheffield 1916, 7" high x 9" dia. (c.25oz).

£100-200

£200-400

95 A MATCHED VICTORIAN AND LATER THREE PIECE TEA SET of oval form with embossed decoration, the teapot lacking handle, Chester 1899/Birmingham 1902, the teapot 6" high, (c.30oz weighable silver)

£200-300

96 A PRESENTATION SALVER of circular form with a raised reeded border, monogrammed, on three scroll feet, by Mappin & Webb, London 1915, 7½" dia., contained in a presentation case (c.8oz)

Lot 84

£100-200

97 A VICTORIAN/TABLE LIGHTER, the lobed base housing an Aladdin's lamp style lighter with detachable top, with chased geometric decoration, crested, on coiled feet, by James Charles Edington, London 1861, 9" long x 4½" high, (c.13oz). See illustration

£200-300

98 A GEORGE III TEAPOT of oval form, with wooden scroll handle, the body with bright-cut engraved swag and festoon decoration, crested, the lower part with fluted decoration and beaded borders, possibly by Thomas Wallace, London 1784, 5½" high (c.14oz). See illustration

Lot 97

£200-300

99 A PAIR OF SILVER MOUNTED DECANTERS AND STOPPERS of waisted cylindrical form, the glass bodies etched with sinuous flowerheads, the collars engraved "Whiskey" and "Brandy", by Mappin & Webb, Birmingham 1906, 12½" high

£100-200

100 A GEORGE III MUG of baluster form, with leaf capped scroll handle and spreading circular foot, makers mark of 'WT', London 1769, 5¾" high

Lot 98

£150-250

101 A GEORGE II MUG, of baluster form, scroll handle, engraved with a monogram on a spreading circular foot, by Richard Gurney and Thomas Cook, London 1751, 5¼" high (c.13oz) £150-250

Lot 105

104 A SILVER GILT PEDESTAL VASE, the top section pierced with flowers and scrolls, clear glass liner, on a spreading circular foot, by William Comyns, 1897, 7" high (c.7oz)

102 A GEORGE III PROVINCIAL TEAPOT STAND, of oval form, bright cut engraved border, on fluted legs, by Thomas Watson, Newcastle, no date letter, c.1790, 6" long, 4oz

£50-100

£80-160

105 A VICTORIAN ETRUSCAN REVIVAL WINE EWER of extended baluster form with intertwined snake form handle. The lid mounted with a butterfly, the body with all over engraved decoration, by Barnard and Barnard, London, 1859, 13½" high, (c.27oz). See illustration.

103 A VICTORIAN CHRISTENING MUG, of waisted circular form, with a Gothic stylized handle, panelled decoration, inset with classical busts, presentation engraved, by Hayne and Cater, London, London 1847, 4½" high (c.6oz) £80-160

The body with an armorial probably representing the marriage of John Christian Curwen Boyd and Margaret Robert Campbell, c.1840

£1,000-2,000

Lot 106

106 A SET OF FOUR SILVER MOUNTED BUTTER DISHES with scallop shell thumbpieces, on three dolphin form feet, each with scallop shell glass liners, by Thomas Ducrow and Sons, Birmingham, 1935, 5¼" wide, (c.16oz) See illustration

108 A MATCHED VICTORIAN AND LATER THREE PIECE TEA SET of oval form with reeded decoration, sugar bowl with a Masonic presentation inscription and crest, jug also with a crest, Atkin Brothers, Sheffield 1897, 1910 and 1911, teapot 6½" high, overall (c.32oz)

£400-800

107 A GEORGE IV THREE PIECE TEA SET with gadrooned borders and acanthus leaf scroll handles, engraved with crests, possibly H. Hyams, London 1828, teapot 7½" high, overall (c.55oz) £300-£500

£200-£400

SILVER PLATE 111 A VICTORIAN ELECTROPLATED TWO HANDLED TRAY of shaped rectangular form with 'egg and dart' borders and leaf embellished handles, on down curving feet, 222 long

109 A PAIR OF ELECTROPLATED CLARET JUGS of swan-neck form, with fluted glass bodies and downcurving scroll handles, on circular bases, unmarked, 10" high x 9" long

£100-200

112-116 Spare lots

110 A NOVELTY ELECTROPLATED TABLE LIGHTER modelled in the form of a bear sitting on a ball, the hinged lid concealing a lighter, the whole on a square base, 5" high

£100-200

SMALL SILVER AND OBJETS DU VERTU

120 A RUSSIAN NIELLO WORK SNUFF BOX of rectangular form, the body with a vacant central circular cartouche and decorated with geometric motifs, by A.A.C., Moscow, circa 1910, 2½" long. See illustration

117 AN EDWARDIAN DOUBLE SOVEREIGN CASE of rectangular form with engine-turned decoration, suspension ring, by JW, probably Birmingham 1901, 3" long. See illustration

£80-160

121 A GEORGE III NUTMEG GRATER of urn form with ball finial and screw-off cover, lacking grater, the body chased with foliate scrolls, rope-work foot, makers mark only probably of David Field, London circa 1760, 2" high. See illustration

118 AN EDWARDIAN SINGLE SOVEREIGN CASE of watch form with hinged cover and suspension ring, by JW, probably Birmingham 1903, 2" long

£60-100

119 A RUSSIAN NIELLO WORK SNUFF BOX of rectangular form, the body decorated with geometric square motifs, gilt interior, stamped 84 for fineness, Moscow 1862, 2¼" long. See illustration

£100-200

£400-800

£400-600

122 A VICTORIAN SILVER AND ENAMEL VESTA CASE of rectangular form, the cover depicting a coaching scene, by Sampson Mordan & Co., London 1899, 2½" long. See illustration

£500-800

123 A CONTINENTAL SILVER AND GUILLOCHE ENAMEL SNUFF BOX of rectangular form, with beaded border and gilt interior, import marks for 1913?, 3" long. See illustration

119A A GEORGE III SILVER-GILT SNUFF BOX of rectangular form, the cover with a relief scene from antiquity showing the meeting of King Solomon and the Queen of Sheba, Daniel Hockley and Thomas Bosworth, London, 1814, 3¼" wide.

£100-200

£100-200 34

Lots 117, 119, 120, 121, 122 and 123

130 A HIP FLASK of shaped rectangular form with mottled body and screwoff cap, the base stamped "Silver 950", 6" long

124 A SILVER MOUNTED TORTOISESHELL CIGARETTE CASE of rectangular form, the cover applied with a plaque depicting angels heads, Birmingham 1918, 3½" high

£100-200

131 A VICTORIAN CARD CASE of shaped rectangular form, with all over leaf-engraved decoration, presentation engraved, by George Unite, Birmingham 1881, 4" long (c.1.9oz)

125 A GEORGE III PROVINCIAL TOOTHPICK CASE of plain rectangular form, the hinged cover crested, by Hampston, Prince and Cattles, York, circa1810, 3½" long x 1" wide

£100-200

£80-160

£200-300

£100-200

135A A VICTORIAN GOBLET, with a bell shaped bowl decorated with snowdrops, engraved with a presentation inscription, Edward and John Barnard, London 1856, 4¾" high, (c.4.5oz)

£60-100

129A A GEORGE III WINE FUNNEL with removable liner and reeded decoration, Robert Hennell, London 1778, 5½" high, (c.4oz)

£80-160

135 A PROVINCIAL SAUCEBOAT of tapering oval form, scroll handle and scratch-engraved initials, makers mark rubbed, Newcastle possibly 1784, length 5½", and two further sauceboats (c.9.3oz weighable silver) (3)

129 A VICTORIAN SILVER MOUNTED HIP FLASK with detachable cup and raffia-work and glass body, by HE & Co., Sheffield 1864, 4½" long

£100-200

134 A CASED SILVER MOUNTED DRESSING TABLE SET with engine-turned decoration, in a fitted Harrods case, London 1946, the case 12" long

128 A CONTINENTAL WHITE METAL RETICULATED FISH with red glass eyes, 7" long, and an electroplated model of a swordfish, 9" long (2)

£60-100

133 A VICTORIAN TRINKET BOX of shaped oval form with engine-turned decoration, with a later added striker to the side, by Taylor & Perry, Birmingham 1839, 2" long, and a cased pair of leather mounted cufflinks, by Asprey & Co (2)

£100-200

127 A CASED SILVER AND ENAMEL BRUSH AND COMB, the back of the brush decorated in polychrome enamel with a scene of a game bird, by AJ, import marks for 1928, 3½" long

£60-100

132 A VICTORIAN CARD CASE of shaped rectangular form, engraved with geometric motifs, monogrammed, by Hilliard & Thomason, Birmingham 1876, 4" long (c.1.7oz)

126 A HUNTING HORN of trumpet form, engraved with the inscription "A. Scott Browne.M.F.H. from friends and followers of his hounds. February. 1912", makers mark distorted, London 1911, also engraved with a retailers mark of Kohler and Son, 9" high (c.4oz).

£60-100

£100-£200

£200-£400

142 A COLLECTION OF PHOTOGRAPH FRAMES comprising a wooden backed rectangular example, Birmingham 1918, 5½" long, a modern example by Carrs and another (3)

136 A PAIR OF EDWARDIAN MUSTARD POTS of drum form, Birmingham 1909, a silver mounted glass inkwell and a pair of electroplated grape shears (4)

£60-100

137 A MIXED LOT comprising an engine-turned lancet case, Birmingham 1912, a trinket box, a match box sleeve and a Dutch peppermint box, mixed makers and dates (4)

£50-100

142A A NOVELTY SHOE FORM PIN CUSHION, Chester, 1910, 5” long

£80-160

£80-150

£60-100

143 A GEORGE IV VALISE VINAIGRETTE of rectangular form with pierced gilt grille, by TN, probably Birmingham 1820, 1" long, a ring box, a bon bon dish, a trinket box and a Bilston style box (5)

139 A TRINKET BOX of circular form, on down-curving legs, Birmingham 1916, another trinket box, two dishes and a menu holder, mixed makers and dates (c.3.9oz weighable silver) (5)

144 A QUANTITY OF INDIAN WITH METAL CRUETS of mixed designs, and four spoons (a lot)

138 A COLLECTION OF WINE LABELS comprising a George III example of crescent form, incised "Port", circa 1780, and four modern silver labels (5)

£100-200

£60-100

145 A GEORGE III CREAM JUG of oval form with bright-cut engraved decoration, makers mark rubbed, London 1803, a sauceboat, a mustard and another cream jug, mixed makers and dates, (c.12oz weighable silver)

140 A PAIR OF EDWARDIAN NAPKIN RINGS embossed with cherubs and scrolls, by S.T.S., Birmingham 1902, in a fitted case, and two further napkin rings (4)

£60-100

141 A QUANTITY OF CONDIMENTS including a pair of Victorian salt cellars of oval form, by Hilliard & Thomason, Birmingham 1878, together with a cream jug and a sugar bowl (c.15oz) (a lot)

£100-200

146 A MIXED LOT comprising a miniature model of a coronation throne, by Saunders and Shepherd, London 1901, three vesta cases and a matchbox sleeve, mixed makers and dates

£100-200

141A A MIXED LOT comprising a pair of toast racks, Birmingham, 1939, three spoons and other mixed items, mixed makers and dates (a lot)

£80-160

£60-100

147 A LATE VICTORIAN CREAM JUG of panelled form, makers mark rubbed, London 1800, three toast racks and an embossed cream jug, mixed makers and dates (c.11oz) (5)

£100-200

£80-160

147A A GEORGE III MEAT SKEWER, with engraved crest, Solomon Hougham, London 1798, 13” long, (c.2.5oz)

£60-£100

155 A MIXED LOT comprising a Victorian triform condiment set, London 1888, with a pair of modern pepper mills, and a sugar bowl, mixed makers and dates (4)

148 A VICTORIAN MUSTARD POT of drum form with shell thumb-piece, engraved with a double crest, blue glass liner, London 1898, and a dish (c.12oz weighable silver) (2)

£80-160

156 A GEORGE III PEPPER, of baluster form, with pierced pull-off cover and embossed body, London 1782, with two 19th century cream jugs, the pepper 6¼" high, of mixed makers and dates, (c.12oz weighable silver)

149 A PAIR OF NOVELTY FIVE BAR TOAST RACKS, the bars spelling "Toast", on triangular bases and ball feet, by Hugkin & Heath, Birmingham 1912, also with registration numbers, 4½" high (c.4oz). See illustration

£150-250

£80-160

160 A PRESENTATION QUAICHE of conventional form, presentation engraved, by Mappin and Webb, Birmingham, 1916, width 7" (handle to handle), an armada dish by Garrard and Co. Ltd., and a goblet, of mixed makers and dates (c.20oz weighable silver) (3)

£80-160 153 A CASED SET OF SIX SALTS, of circular form, with gilded interiors and beaded borders, makers mark of 'IF', London, 1875, with six associated spoons, in a fitted case, case 9" dia. See illustration.

£150-250

161 A COLLECTION OF CONDIMENTS, predominantly by Mappin and Webb, Birmingham 1910, (c.8oz)

£200-300

154 A SET OF SIX WHITE METAL RICE BOWLS, of tapering circular form, each engraved with Eastern motifs, 4½" dia.

£60-100

159 A VICTORIAN TABLE LIGHTER, modelled in the form of a flaming grenade, crested, London 1896, a mustard pot, a pepper pot, and a table cigarette box (a lot)

152 A SET OF FOUR VICTORIAN SALTS, with embossed decoration and cranberry glass liners, in a fitted case, with spoons, by Nathan and Hayes, Birmingham 1892, together with a cased condiment set (2)

£150-250

158 A VICTORIAN SCENT FUNNEL by Charles Rawlings and William Summers, London, 1839, a mustard pot and three various condiments, mixed makers and dates (a lot)

£80-160

151 A VICTORIAN SILVER GILT SUGAR BOWL of tapering circular form, by The Barnards, London 1872, a cream jug, a Victorian sugar bowl by Charles Stuart Harris and a silver mounted cut-glass vase (c.13oz weighable silver) (4)

£80-160

157 A LARGE QUANTITY OF SILVER CONDIMENTS of mixed makers and dates (quantity) (c.23oz)

150 A COLLECTION OF TOAST RACKS comprising: a small five bar example, Chester 1910, an Old Sheffield plate extending concertina toast rack and an electro-plated extending toast rack (3). See illustration

£80-160

£60-100

162 A PAIR OF SAUCE BOATS, of tapering oval form with flying scroll handles, by Asprey and Co., London 1938, and two further sauce boats by James Dixon and Sons, 5½" long (c.14oz)(4)

£100-200

163 A GEORGE II CREAM JUG, with punched-out borders and embossed and chased floral decoration, monogrammed, makers mark of 'ER', London 1759, 5" high, together witha pair of squat candlesticks, a sugar caster, a Jersey milk can, a cream jug, and a bangle, mixed makers and date (c.9oz weighable silver) (a lot)

Lot 149

£100-200

164 A CAPSTAN INKWELL with reeded borders, Chester 1911, a trophy cup, two sugar bowls and a dish, mixed makers and dates (c.14oz) (5)

£80-160

165 A MIXED LOT, comprising: a George III pepper caster, of baluster form on a square base, marks rubbed, probably London 1798, 6" high, two cream jugs and a sugar bowl, mixed makers and dates (c.8oz)

Lot 150

£60-100

166 A LATE VICTORIAN HIP FLASK of rectangular form, with bayonet fitted cover, detachable cup, by William Hutton and Sons Ltd. London 1898, the base bearing a retailers mark of 'Lund' of 57 Cornhill, 5" long (c.4oz) £100-200 167 A SET OF SIX VICTORIAN BUTTONS of circular form with rope-work borders, the centres embossed with angel's heads, by Levi and Salamon, Birmingham 1899/1900, in a fitted case, and a cased set of salts (2)

£80-160

Lot 153

168 A PAIR OF CASED VICTORIAN PEPPERS, of baluster form, by Roberts and Belk, Sheffield 1898, two silver cigarette cases, and an electroplated purse (4)

£60-100

169 A CONTINENTAL BASKET, of oval form with swing handle, embossed decoration, the underside scratch engraved 'Klaus and Nordenhoff ', below 'AE' and 1672, 3½" high x 4½" long (c.1oz), together with a pair of Victorian salts of shell form, with dolphin style feet (3)

£100-200 39

FLATWARE AND RELATED ITEMS 191 A VICTORIAN PUNCH LADLE of Old English pattern, the handle chased with geometric motifs, the bowl embossed with flower heads and foliage, by Elkington and Co. Ltd., Birmingham, 1898, 12" long, together with a collection of five Old English pattern table spoons of mixed makers and dates (c.13oz weighable silver) (a lot)

185 A GEORGE III AND LATER MATCHED PART CANTEEN of Old English and thread pattern cutlery, for twelve place settings, comprising twelve dessert forks, mainly London 1825, mixed makers marks, twelve table forks predominantly London 1825, eleven teaspoons mixed makers and dates, a mustard spoon, three salt spoons, three sauce ladles, a sifter ladle, and eleven table spoons, some by Eley and Fearn, c.1800, and twelve dessert spoons, predominately London 1822, mixed makers and dates, in a fitted oak canteen box with brass handles, (c.73oz). See illustration.

192 A MIXED LOT OF CUTLERY, comprising: five sauce and sifter ladles, to include one by George Smith and William Fearn, London 1794, a Scottish example, and three others, also a quantity of 18th century and later teaspoons of mixed makers and dates (c.17oz weighable silver) (a lot)

£500-800

186 A GEORGE III SOUP LADLE of fiddle pattern, crested, makers mark of 'RR', London 1810, 13" long (c.6oz)

£80-160

£100-200

194 A SET OF EDWARDIAN MOTHER OF PEARL MOUNTED SILVER FRUIT EATERS, in a fitted case with chased handles, by William Hutton and Sons Ltd., London 1904 (one missing), together witha cased set of fish knives and forks (2)

188 A MIXED LOT OF FLATWARE, comprising: a set of three Victorian dessert spoons of fiddle pattern, initialled, London 1856, an Old English pattern table spoon, a pickle fork and other items, also a part dressing table set (c.8oz weighable silver) (a lot)

£100-200

193 A GEORGE III SOUP LADLE, of Old English pattern, with a fluted wash-gilded bowl, makers mark possibly of 'IS', London 1785, 13" long, an Edwardian King's pattern soup ladle and a pair of Old English and Bead pattern sauce ladles (c.17oz) (4).

£60-100

187 A SET OF SIX VICTORIAN TABLE FORKS of fiddle pattern, monogrammed, by Lias Bros., London 1861, 6½" long (c.8oz)

£100-200

£60-100

195 LIBERTY AND CO.: A CASED SET OF SIX COMMEMORATIVE TEASPOONS, for the Silver Jubilee, the terminals with green and blue enamelled discs, Birmingham 1934, with additional Jubilee mark, 4" long each.

189 A HARLEQUIN SET OF VICTORIAN TEASPOONS, of fiddle pattern, monogrammed, London 1836, 6" long, together with a quantity of teaspoons, mixed makers and dates (c.7oz) (a lot)

£100-200

£50-100 196 A PAIR OF GEORGE III BASTING SPOONS, of fiddle pattern, monogrammed, by Eley and Fearn, London 1814, 11¾" long (c.7oz)

190 A GEORGE III BASTING SPOON, of feather edged pattern, by Hester Bateman, London 1774, 11¼" long, (c.3oz).

£100-200

£150-250

Lot 185

199 AN ARTS AND CRAFTS CADDY SPOON, with a seal terminal and hammered bowl, by Sandheim Bros., London 1919, a quantity of teaspoons, souvenir spoons, and condiment spoons, of mixed makers and dates (c.14.5oz weighable silver) (a lot)

197 A MIXED LOT, comprising: a pair of bright-cut table spoons by Stephen Adams, London 1788, an Old English pattern ladle, a punch ladle with a twisted handle, and other items (a lot)

£80-160

198 A SET OF SIX EDWARDIAN TABLE FORKS, of Fiddle and Thread pattern, initialled, by 'RS', London 1903, 8" long, three dessert spoons, three dessert forks, and four table spoons in the same pattern, and other miscellaneous cutlery (c.51oz) (a lot)

£100-200

200 A PART CANTEEN OF GERMAN CUTLERY, comprising six table forks, six table spoons, six fish knives and forks, six teaspoons, a serving slice, a set of four steel bladed table knives, a tea strainer and stand, and a soup ladle, the majority stamped 'Lohenthal' and stamped '800' (c.60oz weighable silver)

£400-600

£300-600

205 A QUANTITY OF VICTORIAN ALBERT PATTERN SINGLE STRUCK CUTLERY, comprising: eight table forks, nine dessert spoons, two tablespoons, two dessert forks, and two sauce ladles, by Joseph and Albert Savory, London 1847 (c.46oz weighable silver), together with a large quantity of steel bladed King's pattern table knives, and a quantity of miscellaneous cutlery

201 A PART CANTEEN OF CONTINENTAL CUTLERY, of scroll-type pattern, initialled 'HB', and stamped '875' standard, comprising twelve table forks, twelve dessert forks, twelve tables spoons, twelve dessert spoons, eleven tea spoons, twelve coffee spoons, twelve steel bladed table knives, ten steel bladed dessert knives, and a quantity of serving pieces, a quantity of fruit knives and forks (c.145oz weighable silver). See illustration.

£300-500

£800-1,200

206 A SET OF FOUR VICTORIAN TABLESPOONS of fiddle pattern, initialled, London 1854, a quantity of further tablespoons, and a quantity of electro plated cutlery, mixed makers and dates (c.19oz weighable silver)

202 A VICTORIAN BASTING SPOON of Fiddle pattern, initialled, by John and Henry Lias, London, 1844, together with five Continental table spoons, stamped '875', an Onslow pattern condiment spoon, and a quantity of plated cutlery (c.13oz weighable silver) (a lot)

£80-160

207 A GEORGE III FISH SLICE, of fiddle pattern, initialled, by Eley, Fearn and Chawner, London 1808, a serving spoon by Elkington and Co., a caddy spoon, a quantity of continental cutlery, a hand mirror and other items (a lot)

203 A SET OF SEVEN VICTORIAN DESSERT SPOONS, of Old English pattern, crested, by George Adams, London, 1882, together with a quantity of Victorian Old English pattern cutlery, including tablespoons, table forks, teaspoons, and three pairs of sugar tongs (c.42oz weighable silver) (a lot)

204 A PAIR OF EDWARDIAN GRAPE SCISSORS, the cast handles with leaf, branch and berry decoration, by William Hutton and Sons. Ltd., Sheffield, 1907, in a fitted case, and a cased berry spoon (2)

£80-160 208A A PAIR OF QUEEN ANNE HANOVERIAN PATTERN TABLESPOONS, with rat-tail bowls, engraved initials “AB”, by Andrew Dalton, London 1711, 8” long, (c.4oz)

£80-160

204A A SET OF FOUR HUNGARIAN TABLE SPOONS, with pointed bowls, maker SE, 19th century, 9” long, (c.8oz)

£80-160

208 A MIXED LOT OF CUTLERY, comprising: a pair of Fiddle pattern table spoons, London 1830, a set of four pierced spoons, a York ladle, and a further quantity of cutlery, mixed makers and dates (c.12oz)

£300-500

£100-200

£100-£200

Lot 201

211A A SET OF SIX GEORGE II TABLESPOONS, with engraved crests, London 1747, 8” long, (c.16oz)

209 A PAIR OF EIGHTEENTH CENTURY CAST SUGAR TONGS, with pierced arms, c.1770, a quantity of tea spoons, condiment spoons and other items (c.13oz weighable silver) (a lot)

£80-160

212 A MIXED LOT comprising: an 18th century punch ladle, with turned wooden handle, London c.1780, 13" long, two continental spoons and a silver gilt dessert knife (4)

210 A CASED PAIR OF VICTORIAN BUTTER KNIVES, with embossed handles, by Martin Hall and Co., Sheffield 1866, and a Fiddle pattern scoop (2)

£50-100

213 A SET OF SIX CASED COFFEE SPOONS, with seal terminals, London 1938, together with further cased sets of spoons, a set of tea knives, and a small quantity of loose cutlery, mixed makers and dates (a lot)

211 A SET OF SIX VICTORIAN PISTOL HANDLES KNIVES, crested, makers mark of 'BBT', London 1878, 8½" long

£100-£200

£100-200

£50-100

Lot 215

Lot 214

215 A PREDOMINANTLY EDWARDIAN CANTEEN of Old English pattern cutlery, by Carrington and Co., London, 1899-1903, crested, comprising 37 table forks, 15 dessert forks, 17 dessert spoons, 24 tablespoons, 4 sauce ladles, a pair of basting spoons, a soup ladle, a stilton scoop, a marrow scoop, teaspoons, other serving implements, and a quantity of steel bladed knives (c.137oz weighable silver), contained in a fitted oak layered trunk. See illustration.

214 A VICTORIAN CANTEEN OF FIDDLE THREAD AND SHELL PATTERN CUTLERY, predominantly by George Adams, London 1863, crested, for twelve place settings, comprising twelve tables spoons, twelve dessert spoons, twelve dessert forks, twelve table forks, six egg spoons, twelve teaspoons, four salt spoons, two runcible spoons, four sauce ladles, a pair of basting spoons, a soup ladle and a small quantity of other serving items, together with twelve bone handled steel bladed knives, contained in a fitted oak case (c.194oz). See illustration.

£1,500-2,500

216-299 Spare lots

214A A SET OF GEORGE IV FISH KNIVES AND FORKS, with carved ivory handles and engraved crests, twelve place setting, contained in a later mahogany and walnut box, possibly Joseph Law, Sheffield 1828, knives 8”, forks 6½"

£200-£400

CARRIAGE C LOCK S AND WATCHES

Lot 326 detail Detail of lot 00 45

CARRIAGE CLOCKS

Lot 300

300 A FRENCH BRASS CASED CARRIAGE CLOCK, the cream chapter ring with Arabic numerals surrounded by a gilt fret work mask, the back plate stamped 'R and Co.', the case with ringed pillars and swing handle, 6½" high. See illustration.

£150-250

301 A FRENCH BRASS CASED CARRIAGE CLOCK, the white enamelled dial with Roman numerals, inscribed 'Fair Thoughts and Happy Hours attend on you', in a plain brass case with swing handle, 6" high, in a fitted red leatherette travelling case Lot 310

£100-200

302 JAEGER LE COULTRE: A FOLDING TRAVEL CLOCK, the square white dial with Arabic numerals and sweep seconds hand surrounded by a yellow gilt bezel, in a fitted folding leather case

£80-160

303 A GLASS BALL DESK CLOCK, the dial with Arabic numerals and subsidiary seconds dial, surrounded by a brass banded bezel, claw-set with alternating clear and blue paste stones, the reverse with visual movement

£100-200

304 A SILVER GILT TRAVELLING CLOCK, the round dial with Arabic numerals, raised set in a square engine-turned silver gilt case, with outer leather case

Lot 312

£80-160

305-309 Spare lots

GENTLEMEN’S WATCHES

310 A GENTLEMAN'S 9CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with subsidiary seconds dial, inscribed 'Super Akurit', the outer front cover with blue Roman numerals, attached to an 18ct yellow gold fob chain, 33cm long, with attached 9ct gold swivel charm, (c.36g), in a fitted presentation case. See illustration. 46

£400-800

311 A GENTLEMAN'S 18K YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed 'John Hyland, 53 Cheapside London'

Lot 314

£200-400

312 A SLIM 18K YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, centre village scene inscribed 'Raffin Genève'. See illustration

£100-200

313 A GENTLEMAN'S 9CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed 'J W Benson London', the outer front cover with blue Roman numerals

Lot 315

£150-250

314 A GENTLEMAN'S 18CT YELLOW GOLD POCKET WATCH, the gilt dial with Roman numerals, in an engine turned case with embossed edge, attached to a 15ct rose gold fob chain, 34cm long, (c.22g). See illustration. £300-500 315 A GENTLEMAN'S 18K YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial and sweep seconds hand, the movement inscribed 'Milleret Genève 24584'. See illustration.

Lot 316

£400-800

316 JF BAUTTE AND CO. GENÈVE: A LADIES DIAMOND AND TURQUOISE SET FOB WATCH, the white dial with Roman numerals, surrounded by a diamond and turquoise pave-set bezel, the case back also pave-set with diamonds and turquoise, the movement cover inscribed 'J. S. Bautte and Co. Genève', and numbered '81546', in a fitted Howell James and Co. presentation case. See illustration.

£400-800 47

Lots 317, 318, 319 and 321

320 A GENTLEMAN'S 18CT YELLOW GOLD SLIM POCKET WATCH, the dial with Arabic numerals and subsidiary seconds dial, attached to an 18ct yellow and white gold fine link fob chain, 33cm long, (c.6g)

317 A LADIES 18K YELLOW GOLD FOLIATE ENGRAVED FOB WATCH, the white enamel dial with Roman numerals attached to a 9ct yellow gold belcher chain, 148cm long, (c.24.8g). See illustration.

£200-400

321 A GENTLEMAN'S 9CT YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed 'Waltham', attached to a 9ct yellow gold fob chain, with attached swivel charm, 37cm long, (c.56g). See illustration

318 A LADIES 18CT YELLOW GOLD FOB WATCH, the gilt foliate engraved dial with Roman numerals, attached to a 15ct yellow gold bow bar brooch, in a fitted Boucheron London presentation case. See illustration.

£150-250

319 A GENTLEMAN'S 14K YELLOW GOLD AND ENAMEL HUNTING CASED POCKET WATCH, the gilt dial with Arabic numerals, inscribed 'Borel Fils & Cie', in a blue guilloche enamel case, with fleur de lis decoration, attached to an unmarked yellow metal short fob band, 7.5cm long, and fine link chain 16" long. See illustration

£200-400

322 A LADIES 18K YELLOW GOLD OPEN-FACED FOB WATCH, the white enamel dial with Roman numerals, the movement cover inscribed 'Vacheron Genève', and a gentleman's wristwatch, the dial inscribed 'Helvetia' (2)

£150-250

£100-200

Lots 324, 325, 326, and 327

326 A GOLIATH UNMARKED WHITE METAL POCKET WATCH, the printed dial of a hot air balloon, with Roman numerals, outer Arabic seconds numerals and subsidiary seconds dial. See illustration

323 A GENTLEMAN'S SILVER HUNTING CASED POCKET WATCH, the white enamel dial with written Arabic numerals and subsidiary seconds dial, the movement inscribed "J. Dent, London", in an engine-turned case

£50-100

324 A SWISS YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, in a foliate engraved case attached to an unmarked yellow metal fob chain, 69cm long. See illustration

327 A GENTLEMAN'S UNMARKED YELLOW METAL POCKET WATCH, the white enamel dial with Roman numerals, the movement cover inscribed "Patek Phillipe, Geneve", the case and movement cover numbered "39968", in an engine-turned case. See illustration

£180-220

325 A GENTLEMAN'S 9CT ROSE GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed "Thos Russel & Son, Liverpool", attached to a 9ct rose gold fob chain, 32cm long (c.37grams) See illustration

£700-1,000

£250-450 49

£1,500-2,500

GENTLEMEN’S WRISTWATCHES

334 OMEGA: A GENTLEMAN'S UNMARKED YELLOW AND WHITE METAL WRISTWATCH, the round dial with raised baton numerals, date aperture and sweep seconds hand, inscribed 'Omega Automatic Seamaster Deville', attached to a black leather strap, with original guarantee stating the case to be 14k yellow gold. See illustration.

329 ROLEX PRINCE: A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with Arabic numerals and subsidiary seconds dial, inscribed "Rolex Prince Super Precision", the inner case numbered "1490", attached to an articulated replacement bracelet, including original Rolex buckle and receipt of sale dated 17th September. See illustration

335 OMEGA: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the dial with raised baton numerals, date aperture and sweep seconds hand, inscribed 'Omega Automatic Genève', attached to a stainless steel bracelet, with folding clasp

£1,000-2,000

330 TUDOR ROLEX: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round dial with Arabic numerals and sweep seconds hand, inscribed 'Tudor Oyster Royal', the case back inscribed 'Original Oyster case by Rolex Geneva'

340 LA COULTRE: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, inscribed 'La Coultre', attached to a semi-circular linked bracelet with concealed clasp

£500-1,000

£60-120

341 A LADIES VICTORIAN ROSE GOLD WRISTWATCH, the round dial with Arabic numerals, attached to a 9ct rose gold expanding bracelet

333 ROLEX: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round dial with Roman and baton numerals and subsidiary seconds dial, within a stainless steel bezel, attached to a 'fixoflex' expanding bracelet, to include original paperwork, dated 12th Apr. 1946, numbered 184082, movement numbered 22159. See illustration.

£250-500

LADIES WRISTWATCHES

£300-500

332 ROLEX: A GENTLEMAN'S YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, outer seconds numerals and sweep second hand, inscribed 'Rolex', attached to a black leather strap, in a fitted Rolex presentation case. See illustration.

£100-200

336 LONGINES: A GENTLEMAN'S 18K YELLOW GOLD WRISTWATCH, the gilt dial with baton numerals, date aperture and sweep seconds hand, inscribed 'Longines Quartz', attached to a black leather strap, in a fitted presentation case, with original paperwork, 14/12/99

£300-500

331 TUDOR ROLEX: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round dial with raised baton numerals, date aperture and sweep seconds hand, inscribed 'Tudor Prince Oyster Date', the case back inscribed 'Original Oyster case by Rolex Geneva', attached to a black leather strap, with original purchase receipt, dated 25/8/63

£300-500

£300-600 50

£100-200

Lots 329, 332, 333 and 334

342 A LADIES VICTORIAN YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, attached to an unmarked rose gold chain link bracelet, with concealed clasp

344 ZENITH: A LADIES 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with raised gilt baton numerals, inscribed 'Zenith', attached to a 9ct yellow gold chain link bracelet with folding clasp

£100-200

343 CYMA: A LADIES YELLOW GOLD WRISTWATCH, the octagonal dial with Arabic numerals, inscribed 'Cyma', attached to a 9ct yellow gold expanding bracelet and two similar wristwatches (3)

345 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic and gilt baton numerals, attached to a yellow gold mesh bracelet with folding clasp

£100-200

£60-120

346 BUCHERER: A LADIES 18K YELLOW GOLD AND ENAMEL WRISTWATCH, the rectangular dial with Arabic and gilt baton numerals, the dial cover decorated with dark blue enamel and gilt fleur de lis, attached to a torque style bracelet

Lot 347

£80-160

347 ROLEX: A LADIES WHITE GOLD WRISTWATCH, the round dial with baton numerals, inscribed 'Rolex', attached to a white gold mesh bracelet, with folding clasp. See illustration

£400-600

348 ROLEX: A LADIES STAINLESS STEEL WRISTWATCH, the round dial with baton numerals and crown at 12 o'clock, sweep seconds hand and date aperture, inscribed 'Rolex Oyster Perpetual Date', attached to an articulated bracelet with folding clasp. See illustration.

Lot 348

£500-1,000

349 INTERNATIONAL WATCH COMPANY: A LADIES 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with dot and baton numerals, inscribed 'International Watch Company', attached to a 9ct yellow gold mesh bracelet with folding clasp, stamped '1016636'. See illustration. Lot 349

£300-500

350 LONGINES: A LADIES 18K YELLOW GOLD WRISTWATCH, the gilt dial with baton numerals, inscribed "Longines Quartz", attached to a black leather strap, with original paperwork dated 14/12/99

£100-200

351 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, inscribed "Certina", attached to a 9ct yellow gold mesh bracelet with folding clasp, and one other ladies wristwatch (2) 52

£100-200

Lots 353, 354, 355 and 356

355 AN ART DECO PLATINUM AND DIAMOND SET COCKTAIL WATCH, the rectangular dial with Arabic numerals, the case set with baguette, square and round-cut diamonds, attached to a double corded bracelet, in a fitted "Alex. Clark Co. Ltd, Court Jewellers, London" presentation case. See illustration

352 ACCURIST: A LADIES 9CT YELLOW GOLD WRISTWATCH, the square dial with baton numerals, inscribed "Accurist", attached to a 9ct yellow gold bracelet with folding clasp, in a fitted "International" presentation case

£80-160

353 OMEGA: A LADIES YELLOW GOLD WRISTWATCH, the gilt dial with raised baton numerals, attached to a yellow gold bracelet with folding clasp, stamped "750" and numbered "711.829". See illustration

£300-500

356 CARTIER: A LADIES 18K YELLOW GOLD WRISTWATCH, the square dial with Roman numerals, inscribed "Cartier", the case back numbered "8669114957", attached to an 18k yellow gold bracelet with folding Cartier clasp See illustration

£400-600

354 HERMES: A LADIES STAINLESS STEEL WRISTWATCH, the square dial with Arabic numerals, inscribed "Hermes, Paris", enclosed by a "H"-shaped diamond-set bezel, attached to a black leather strap, the case back numbered "2331760", also "HH1.230" See illustration 53

£2,700-3,000

357 A 'TUTTI FRUTTI' COCKTAIL WRISTWATCH the movement by Audemars Piguet circa 1925, the rectangular dial with Arabic numerals set in platinum with a diamond bezel decorated with two lines of paveset calibre-cut emeralds, the bracelet claw-set with carved rubies, sapphires and emeralds, highlighted with pearshaped diamond leaves and circular-cut fancy yellow diamonds, with similarly-set diamond and emerald clasp. The movement signed Audemars Piguet, 18 jewels, No 38717, length 17cm. See Illustration

ÂŁ20,000-40,000

358-359 Spare lots

JE WELLERY

Lot 388 detail 57

367 A COLLECTION OF JEWELLERY including a single row cultured pearl necklace, a 15ct gold tourmaline and half-pearl spider brooch collet-set with a single circular-cut tourmaline and a half pearl; an Edwardian 15ct gold foliate sapphire and half pearl wreath brooch; and two Edwardian gold gem set pendants (5)`

360 A GEORGE V CORONATION RECEPTION MEDAL, 1911, silver gilt and decorated with white, green, blue and red enamel £200-400 361 A COLLECTION OF JEWELLERY including a pair of cabochon amethyst dress studs; a butterfly winged brooch; a cabochon amber bracelet; a silver book mark; a bracelet, bangle and brooch. (7)

£250-350 368 AN EDWARDIAN GEM SET BOW BROOCH the bow motif decorated with rose cut diamonds and two half pearls, supporting a peridot drop, with a single circular cut sapphire to the centre; and a diamond bar brooch, claw set with six cushion shaped stones (2). See Illustration

£80-150

362 A THREE ROW CULTURED PEARL CHOKER, uniformed cultured pearls on a silver pierced clasp See Illustration

369 AN EDWARDIAN DIAMOND AND HALF PEARL BAR BROOCH designed as a cluster claw set at the centre with a cushion shaped diamond, within a frame of half pearls terminated at each end with a single pearl and a diamond See Illustration

363 A COLLECTION OF BLUE AND WHITE ZIRCON JEWELLERY including a flower head cluster pendant, set with a single white zircon in a blue zircon petal frame, marked 9ct, on a fine chain necklet; a similar flower head brooch with blue zircon to the centre and white zircon frame; a blue and white zircon line bracelet; and another white zircon line bracelet. (4)

364 A COLLECTION OF JEWELLERY including a modern 14k gold jadeite plaque bracelet; a chalcedony cabochon ring; a jadeite flower spray; a chalcedony cabochon bracelet; a seed pearl brooch; an early 20th century purple paste bracelet; a white jadeite pierced brooch; a blue agate carved as a bull; and a jadeite menu holder. (9)

£300-500

£150-200

372 A FRESHWATER PEARL NECKLACE WITH A DIAMOND PENDANT the 'Rice Krispie' freshwater two rows of pearls, supporting an openwork foliate plaque millegrain set with circular cut diamonds. See Illustration

£150-250

366 A MOONSTONE CRESCENT BROOCH, claw set with cabochon oval shaped moonstones graduated from the centre. See Illustration

£50-100

371 A 9CT GOLD CHARM BRACELET, the curb link bracelet, supporting a gold pig charm, a bean set with a turquoise and a swivel bloodstone and cornelian seal, each link marked 375, weight c.20g

365 TWO REGIMENTAL ENAMEL BROOCHES including a 9ct gold, red enamel Naval Bar Brooch; and a blue enamel and white paste brooch (2). See Illustration

£50-100

370 AN EDWARDIAN CHAIN/NECKLET supporting a locket marked with initials 'L.K.'; a carved coral hand pendant and two coins, ring marked 15ct. one dollar 1853

£200-400

£50-100

£100-150

£100-200 58

£300-500

Lot 368

Lot 362

Lot 369

Lot 365

Lot 372

Lot 366 Lot 365

380 A PART DIAMOND SECTION channel set with six baguette cut diamonds, possibly from a bracelet.

373 A MODERN GOLD GEM SET BRACELET, the articulate foliate strap decorated with cabochon blue glass and synthetic rubies, marked .750 , weight c42.7gms and length 17.5cm; together with a costume bracelet by 'Ciner' and a paste brooch (3).

381 A PAIR OF DIAMOND AND AQUAMARINE EARRINGS of ribbon bow design, pave set with calibre cut aquamarine with a diamond cluster to the centre of eight cut stones.

£200-400

374 A DIAMOND AND JADEITE BROOCH designed as a stylised spray of flower, claw set with eight cut diamonds, marked 18K.

£100-200

£300-500

£50-100

377 A MODERN MOONSTONE AND SYNTHETIC SAPPHIRE BRACELET claw set with oval shaped moonstones interspaced with synthetic sapphires.

£200-400

385 A COLLECTION OF JEWELLERY including a coral necklace, two Victorian white paste brooches, two white paste and enamel pendants, assorted amber bead necklaces and other bead necklaces with a bracelet (a lot).

£200-400

379 A VICTORIAN DIAMOND STICKPIN claw set with a cushion shaped diamond

£200-400

384 A COLLECTION OF JEWELLERY including a single stone diamond ring; a pair of 18ct gold cufflinks; and a fox mask tiepin brooch, with ruby eyes (3).

378 AN EDWARDIAN DIAMOND ARROW SURÊTÉ PIN, circa 1920, millegrain set with rose cut diamonds

£200-400

383 A COLLECTION OF JEWELLERY including a coral bead necklace; a pair of gold and cultured pearl ear clips with matching ring; a pink and white paste necklace and earrings; an amethyst ring (one stone missing); two amethyst pendants and two pairs of amethyst earrings; a gold chain with a garnet pendant; garnet earrings; garnet ring; and other items (a lot).

376 A PAIR OF 9CT GOLD AMETHYST EARRINGS each circular cut amethyst in a reeded raised mount, marked 9ct.

£200-250

382 A COLLECTION OF JEWELLERY including a portrait miniature pendant with seed pearl frame; a Georgian foiled green plaque brooch decorated with a rose cut diamond clover motif to the centre; a Victorian blue enamel and diamond anchor motif locket; and a Lady's diamond set cocktail wristwatch (4).

375 AN 18CT WHITE GOLD AND JADEITE BRACELET of geometric design claw set with six square shaped jadeite plaques, length 17.5cm

£150-200

£50-100

£100-200

385A A LATE 18TH CENTURY IBERIAN RUBY, DIAMOND AND PEARL BROOCH designed as an openwork bow closed-set with rubies and table-cut diamonds suspending a matching floral spray panel and decorated throughout with nine pearls, the largest at the centre cluster. See Illustration

ccompanied by a pearl report no. 12526 dated A 27th March 2016 from the Gem & Pearl Laboratory London stating that two loose part-drilled 'pearls' with worked bases, as a sample from nine 'pearls' (two largest). 1) 8.1-8.6 x 5.7mm 3.41cts. 2) 6.9-10.6 x 5.3mm 3.09cts, and found to be natural saltwater pearls.

rovenance: This brooch belonged to Dame Zara P Holt (later Dame Zara Bate) the wife of Prime Minister Holt of Australia and was worn by her on a visit to Downing Street to meet the then Prime Minister Harold Wilson, as well as when the Holtâ&#x20AC;&#x2122;s received HRH the Duke of Edinburgh to the Lodge, the official residence of the Prime Minister of Australia.

ÂŁ1,500-2,500

Dame Zara Holt wearing the brooch whilst meeting HRH the Duke of Edinburgh in 1967

Prime Minister Harold Holt and Dame Zara Holt in 1950

390 A ROUGH CUT PIECES OF AMBER NECKLACE graduated showing variations in colour, length c30cm.

386 A TWO ROW JADE BEAD NECKLACE graduated from the front, beads measure 9.5mm to 5.5mm approximately, on a rectangular shaped pierced jade plaque, length 22cm; together with an aventurine green quartz bead necklace (2). See Illustration

£50-100

391 A TWO ROW CULTURED PEARL NECKLACE uniformed in size measuring 8mm approximately, on a ruby and diamond buckle and belt motif clasp pave set with calibre cut rubies and circular cut diamonds. (broken one pearl loose.)

£60-120

386A A COLLECTION OF JEWELLERY including a Georgian gold, enamel and half pearl memorial ring, engraved 'Hardy Robinson Obt. 28th Nov Age 60'; a pair of 9ct gold cufflinks engraved with initials; a 9ct gold bangle and another bangle marked 9kt; a gold cross marked '15c' and another gilt and enamel cross; an enamel oval shaped buckle; an Edwardian gem set fly bar brooch; and a 9ct gold curb link chain bracelet. (9)

£200-400

392 A TWO ROW CULTURED PEARL NECKLACE graduated from the front largest measuring 6.2mm approximately, on a 9ct gold and half pearl cluster clasp, length 22cm

£300-500

387 A SINGLE ROW OF 'RED AMBER BAKELITE' BEAD NECKLACE graduated with barrel shaped beads from the front, together with a matching pendant. Length c40 cm, Pendant c2.5cm x 2.5cm (2). See Illustration

£300-500

393 A SINGLE ROW CULTURED PEARL NECKLACE graduated from the front measuring 7.8mm to 4.5mm approximately, on a silver clasp, length 23cm

£100-200

388 A SINGLE ROW AMBER BEAD NECKLACE the 42 oval beads graduated from the front, length c25cm. Accompanied with a report from Anchorcert Gem Lab dated 9th February 2016 No. 20027186/183973 stating semi translucent to opaque orange beads, the largest 38.4mm x 31.8mm and the smallest bead measures 18.3mm x 12.2mm approximately. Beads found to be Amber. Weight of Necklace c, 204.16gms. See Illustration

394 AN AMBER BEAD NECKLACE graduated from the front, weighting 60gms

£300-500

395 A TWO ROW CULTURED PEARL NECKLACE the baroque pearls on a flower head white and red paste clasp; a single cultured pearl bracelet and a half pearl flower head brooch (3).

£2,000-4,000

£100-200

396 A 9CT YELLOW GOLD GATE LINK BRACELET, the central three links set with cabochon sapphires and a an iridescent coated pink stone, the concealed clasp stamped '9ct', with safety catch, (c. 15.3g all in).

389 A SINGLE ROW AMBER BEAD NECKLACE graduate with translucent pieces of amber, length c47cm weight c.54gms approximately

£60-120

£200-400

£150-300

Lot 386

Lot 388

Lot 387

403 A 9CT YELLOW GOLD RABBIT BROOCH, the side profile of the rabbit with textured highlights and round-cut sapphire eyes, hallmarked, the reverse with brooch fitment and safety catch, 2cm long, c. 6g (all in). See Illustration

397 AN 18CT YELLOW GOLD BI-COLOURED NECKLACE, the flattened curb links alternating between yellow and white gold, one half of the clasp stamped '750', 24in. (61cm) long, (c. 34g.) See Illustration

£500-800

398 A PAIR OF 18CT YELLOW GOLD CUFFLINKS, of oval form, each engraved with the initials 'C.H.C' and stamped '18', (c. 12.4g) See Illustration

404 A 9CT YELLOW GOLD EQUESTRIAN BROOCH, modelled as a mare and foal, with textured highlights, the reverse with brooch fitment with safety catch and loop for fitting a safety chain, hallmarked, 3.2cm long, c. 14.4g See Illustration

£50-100

399 A 9CT YELLOW GOLD CHARM BRACELET, the majority of the links hallmarked, suspending 13 9ct gold charms, including an onyx mounted lion seal, with heart shaped padlock clasp and safety chain, c.53.3g (all in). See Illustration

£400-800

£300-600

£500-800

407 A 14K YELLOW GOLD MODERNIST STYLE BRACELET, formed from stylised graduated open bark textured links with branch and ball fringing, the concealed clasp stamped '14k', with safety catch, c.55g. See Illustration

£100-200

402 AN 18CT YELLOW GOLD FLATTENED CURB LINK BRACELET, stamped '750' at either end and joined by a lobster clasp, c. 3.8g. See Illustration

£150-250

406 A 9CT YELLOW GOLD CHARM BRACELET, each curb link hallmarked, suspending 24 9ct gold and other charms including a harp and kookaburra, united by a 9ct yellow gold heart padlock clasp and safety chain, c. 56.8g (all in). See Illustration

401 A 9CT ROSE GOLD ALBERT CHAIN, formed from clusters of open elongated links and rope twist open links, each link hallmarked with a carabiner clasp at either end, suspending a hallmarked 9ct rose gold T-bar and gilt metal fob with engraved carnelian seal, 15in. (38cm). long, c. 31.1g (all in). See Illustration

£100-200.

405 A YELLOW GOLD BROOCH, modelled as a Parson's terrier, with rose-cut diamond eyes, unmarked, 3cm long, c. 14.2g. (all in). See Illustration

400 AN 18CT TRI-COLOURED GOLD BRACELET, of bark textured snake link form, the concealed clasp stamped '361V 750', with safety catch, c.44.4g. See Illustration

£80-100

£400-800

408 AN 18CT YELLOW GOLD NECKLACE, of graduated squared zigzag form, the concealed clasp stamped '750' with retailers mark, and safety catch, 16in. (41cm) long, c. 95.5g. See Illustration

£100-200

£900-1,800

Lot 406

Lot 402

Lot 397

Lot 399

Lot 408 Lot 401

Lot 398

Lot 404

Lot 405

Lot 403

Lot 407

Lot 400 65

415 A CONTINENTAL GOLD BRACELET WITH A SOVEREIGN PENDANT designed as an articulated line with bright cut decoration, supporting a sovereign for 1913, with a detachable sovereign mount and two extra sections for the bracelet. See Illustration

409 A VICTORIAN STYLE ENAMEL AND GEMSTONE BRACELET, each hallmarked 14ct yellow gold cartouche shaped link with black enamelling to reveal a floral design, interspersed with 6 links each claw-set with four blue sapphires and a ruby, the concealed clasp with safety catch, c. 41.8g (all in). See Illustration

£400-800

416 A CHARM BRACELET hung with eight charms including a four leaf clover; and a fancy link chain (2).

410 AN 18CT YELLOW GOLD NECKLACE, formed as a fringe of open loops, the concealed clasp hallmarked, with safety catch, 16in. (41cm) long, c. 52.6g, in a fitted box for Mappin and Webb Ltd. See Illustration

£2,000-4,000

£1,000-2,000

£1,000-1,500

420 A SAPPHIRE AND DIAMOND RING claw-set with three oval-shaped sapphires interspersed with circular-cut diamonds, in yellow gold mount marked 18ct, rig size 'L'. See Illustration

£1,000-2,000

414 AN EDWARDIAN GOLD BANGLE with engraved decoration to the front, safety chain, in a fitted presentation case.

£300-600

419 AN 18CT GOLD SAPPHIRE AND DIAMOND CLUSTER RING claw-set with an oval-shaped sapphire within a frame of brilliant-cut diamonds, the mount marked 18ct, ring size 'O'. See Illustration

413 AN 18CT YELLOW GOLD AND DIAMOND BRACELET, of ribbed framed heart form, the alternating frames set with round-cut diamonds, with an enclosed clasp, c. 58.3g (all in). See Illustration

£700-900

418 A THREE STONE SAPPHIRE AND DIAMOND RING claw-set with a circular-cut sapphire and two brilliantcut diamonds, the mount marked 18ct & Plat. Ring size 'L1/2'. See Illustration

412 A MIDDLE EASTERN GOLD CUFF BANGLE, decorated with bands of engraved patterns enclosing a central raised pointed stud panel, hinged, with pull-out catch, c. 62.6g, in a fitted case. See Illustration

£200-300

417 A FRENCH SAPPHIRE AND DIAMOND RING, the hexagonal step-cut sapphire claw-set with a frame of brilliant-cut diamonds. See Illustration

£1,000-2,000

411 A MIDDLE EASTERN GOLD BEAD NECKLACE, each graduated open bead with pierced and ribbed decoration, united by a curb chain section, unmarked by tested as 18ct gold or higher, 36in. (91cm) long, c. 129g, in a fitted case.

£450-650

£400-600

421 AN AQUAMARINE AND DIAMOND RING claw-set with a cushion-shaped step-cut aquamarine with collet box-set three stone diamond shoulders. See Illustration

£150-250

£800-1,200

Lot 410

Lot 413

Lot 409

Lot 412

Lot 421

Lot 419

Lot 420

Lot 417

Lot 415

Lot 418

429 A RUBY AND DIAMOND CLUSTER RING millegrain-set with a square-shaped diamond to the centre, within a frame of triangular-cut rubies and circular-cut diamonds. See Illustration

422 A FRENCH SAPPHIRE AND DIAMOND RING, the marquise-shaped sapphire claw-set with a frame of brilliant-cut diamonds. See Illustration

£700-900

£800-1,200

423 A VICTORIAN FIVE STONE DIAMOND RING claw-set with circular-cut stones, the largest at the centre See Illustration

430 AN EMERALD AND DIAMOND CLUSTER RING claw-set with an oval-shaped emerald within a frame of brilliant-cut diamonds. See Illustration

£700-900

£900-1,200

424 A FRENCH FIVE STONE DIAMOND RING collet-set with brilliant-cut stones, the largest at the centre, in a yellow mount, with French assay marks See Illustration

431 A COLLECTION OF GOLD WEDDING BANDS including a 'buckle and belt' motif band ring, and four other wedding bands (5)

£800-1,000

£200-400

425 AN EMERALD AND DIAMOND CLUSTER RING claw-set with an oval-shaped emerald with a frame of brilliant-cut diamonds See Illustration

432 A SINGLE STONE DIAMOND RING claw-set with a brilliant-cut diamond

£1,000-1,500

433 AN EARLY 20TH CENTURY RUBY SNAKE RING, the entwined snake with a pear-shape ruby gypsy-set to the head, in yellow metal. See Illustration

426 A RUBY AND DIAMOND RING channel and pave-set with calibre-cut rubies interspersed with circular-cut diamonds See Illustration

£700-1,000

£100-200

£350-450

434 A GOLD GARNET AND HALF-PEARL RING AND EAR STUDS collet-set with four oval-shaped garnets interspaced with half-pearls, in a yellow 9ct gold mount, and a pair of cluster garnet and seed pearl ear studs (2)

427 A PERIDOT AND DIAMOND CLUSTER RING collet-set with an oval-shaped peridot within a frame of circular-cut diamonds. See Illustration

£500-1,000 428 A RUBY AND DIAMOND RING channel and pave-set with three calibre-cut rubies within a frame of circular-cut diamonds. See Illustration £500-1,000

£80-120

Lot 423

Lot 422

Lot 424

Lot 426

Lot 425

Lot 427

Lot 429

Lot 428

Lot 430

Lot 433

442 A SINGLE STONE DIAMOND RING claw-set with a brilliant-cut stone weighing 0.25cts, with tapering brilliant-cut diamond shoulders, ring size 'K' See Illustration

435 A SINGLE STONE DIAMOND RING, the cushion-shaped diamond claw-set in a square-shaped mount. See Illustration £200-400 436 A DIAMOND CLUSTER RING claw-set with circular-cut stones, the largest at the centre. See Illustration

£200-300

£100-200

£500-1,000

£800-1,000

445 A SAPPHIRE AND DIAMOND CLUSTER RING collet-set with a brilliant-cut diamond within a geometric frame of pave-set calibre-cut sapphires and circular-cut diamonds. See Illustration

£500-1,000

£1,200-1,500

446 AN 18CT GOLD AND DIAMOND SNAKE RING designed as entwined snakes, each head claw-set with a cushion-shaped diamond, size 'O'. See Illustration £300-500

440 A DIAMOND CLUSTER RING millegrain-set with a cushion-shaped diamond, within a frame of eight cut diamonds. See Illustration £800-1,200

447 A LATE VICTORIAN 18CT GOLD SYNTHETIC RUBY AND DIAMOND RING designed as a flowerhead cluster, claw-set with a circular synthetic ruby within a frame of rose-cut diamonds, marked 18ct gold, size 'N'

441 A RUBY AND DIAMOND CLUSTER RING of flower-head design collet-set with a circular-cut diamond to the centre within a frame of five circular-cut rubies

£800-1,500

444 AN EDWARDIAN 18CT GOLD OPAL AND DIAMOND CLUSTER RING claw-set with a cabochon opal within a frame of cushionshaped diamonds, marked 18ct. See Illustration

439 A DIAMOND CLUSTER RING claw-set with brilliant-cut stones, the largest at the centre, in a yellow gold mount (one stone missing). See Illustration

£500-1,000

438 A THREE STONE RUBY AND DIAMOND RING collet-set with a circular-cut ruby and two brilliant-cut diamonds. See Illustration

Accompanied with a report from the Gemmological Institute of Europe, no. 420201509, dated 15th July 2015, stating the brilliant-cut diamond, to be colour grade 'F-G' with clarity 'SI'

443 A SINGLE STONE DIAMOND RING, the brilliant-cut stone claw-set. See Illustration

437 A GENTLEMAN'S SINGLE STONE DIAMOND RING, the rose-cut diamond collet-set, in a yellow gold mount

£80-160

£200-400

Lot 436

Lot 435

Lot 438

Lot 440

Lot 439

Lot 442

Lot 444

Lot 443

Lot 445

Lot 446

454 A GOLD EMERALD AND DIAMOND RING claw-set with a rectangular step-cut emerald within a tapering diamond band pave-set with baguette-cut diamonds and channel-set brilliant-cut diamonds See Illustration

448 A RUBY AND DIAMOND THREE STONE RING claw-set with an oval-shaped ruby with two pear-shaped diamond shoulders similarly set. See Illustration

£4,000-4,500

449 A TWO STONE DIAMOND CLUSTER RING claw-set with two marquise-shaped diamonds, within a frame of brilliant-cut diamonds, size 'J 1/2' See Illustration

456 AN EMERALD AND DIAMOND CLUSTER RING claw-set with a step-cut octagonal emerald within a frame of brilliant-cut emeralds

£500-700

450 A DIAMOND CLUSTER RING claw-set with a brilliant-cut diamond weighing c.0.75cts within an abstract design of claw-set baguette and circular-cut stones, in an 18ct white gold mount, size 'M' See Illustration

£500-700

With 'F 2' indications of moderate clarity enhancement See Illustration

£2,000-2,500

£200-400

£200-400 458 A SINGLE STONE DIAMOND RING claw-set with a brilliant-cut stone, weighing 0.93cts

Accompanied with a report dated 18.11.2015 Gemmological Certification Services stating the rectangular step-cut emerald measurements 9.32 x 7.02 x 3.79mm to weigh 1.99cts of Natural Colombia Emerald, with F1 minor clarity enhancement. See Illustration

Accompanied with a diamond report 7th January 2016 from AnchorCert Gem Lab Birmingham, stating round brilliant 'G' colour, SI 2 clarity, with 'faint' fluorescence See Illustration

£2,200-2,600

459 AN 18CT GOLD, EMERALD AND DIAMOND RING marquise-shaped claw-set with circular-cut stones with an emerald to the centre within a frame of diamonds and a further frame of emeralds, marked 18ct, size 'M 1/2'

£4,500-5,000

453 A PLATINUM SAPPHIRE AND DIAMOND RING claw-set with an oval-shaped sapphire and two brilliantcut diamonds, size 'N'. See Illustration

Accompanied with a report from Gemmological Certification Services, dated 05.04.2016 measurements 6.31 x 5.10 x 3.51mm weight c.0.84cts stating Natural Emerald from Colombia

452 AN EMERALD AND DIAMOND RING claw-set with a rectangular step-cut emerald with baguette-cut diamond shoulders

457 AN OPAL AND DIAMOND RING claw-set with three cabochon opals, the largest at the centre with two circular-cut diamonds interspaced, size 'K 1/2'

451 AN EDWARDIAN FIVE STONE SAPPHIRE AND DIAMOND RING claw-set with three circular-cut sapphires and two circular-cut diamonds, in an 18ct yellow gold mount, size 'M'

£1,500-2,000

£200-400

459A AN 18CT GOLD AND DIAMOND BAND RING of crossover design claw-set with circular-cut diamond, marked 750, size 'P 1/2'

£3,500-4,500

£200-400

Lot 448

Lot 449

Lot 450

Lot 452

Lot 453

Lot 454

Lot 456

Lot 458

467 TWO TURQUOISE RINGS, each with a cabochon stone, one claw-set in a filigree frame, with continental gold marks, the other collet-set in a pierced reeded frame (2)

460 A GENTLEMAN'S SINGLE STONE DIAMOND RING claw-set with a brilliant-cut diamond weighing c.0.75cts, in an 18ct yellow gold mount. See Illustration

£200-400

£400-600

468 A MOONSTONE FRINGE NECKLACE, the front graduated with a line of oval shaped claw set cabochon stones supporting similarly set graduated cabochon moonstones, on a fancy link back chain.

461 A SINGLE STONE DIAMOND RING, the brilliant-cut diamond weighing c.1.3cts, with three stone diamond shoulders, in a platinum mount See Illustration

£700-900

462 AN OPAL AND DIAMOND CLUSTER RING claw-set with a cabochon opal within a circular-cut diamond frame, with matching opal and diamond cluster earrings ensuite (2)

469 AN EMERALD PENDANT/ NECKLACE, the pendant collet set with two oval shaped cabochon emeralds, decorated with three collet set baguette cut emeralds to each side, on a fine chain necklet.

£150-250

463 A SAPPHIRE AND DIAMOND FIVE STONE RING claw set with three circular cut sapphires and two brilliant cut diamonds, in an 18ct and platinum mount. See Illustration

£1,000-2,000

£200-400

471 A PEAR-SHAPED FANCY BROWN/ YELLOW DIAMOND, the sealed pear-shaped diamond weighing c.0.69cts.

£500-800

465 AN EDWARDIAN PEARL AND DIAMOND RING claw-set with three half-pearls, the largest at the centre, interspaced with rose-cut diamonds, size 'L' See Illustration

Accompanied by a Report no. 1136641995 dated 26th July 2011, from the Gemmological Institute of America stating the pear-shaped diamond to weigh 0.69cts, Natural Fancy Light Brown-Yellow. See Illustration

£500-1,000

472 A SQUARE-SHAPED DIAMOND, the sealed square-shaped cut corner modified diamond weighing c.1.20cts.

£200-400 466 A CONTINENTAL GOLD RING and a pair of earrings, the ring of tapering wire-work design, and a pair of earrings of circular honeycomb design (2)

£200-400

470 A 9CT WHITE GOLD AND JADE BRACELET claw-set with seven octagonal shaped plaques of carved jade, interspaced with geometric links, together with a receipt from Wilson G Gill Ltd dated 25.11.46 for £38.

464 A DIAMOND CLUSTER RING, the hexagonal-shaped cluster millegrain-set with cushionshaped diamonds in a cross motif, the largest at the centre, on an 18ct white gold shank See Illustration

£200-400

Accompanied by a report dated 15th November 2015, no. 6157759730 from the Gemmological Institute of America stating the square-shaped cut corner modified diamond to weigh 1.20ct to be Natural Fancy Dark Yellowish Brown. See Illustration

£800-1,500

Lot 460

Lot 461

Lot 464

Lot 463

Lot 465

Lot 471

Lot 472

478 A PAIR OF DIAMOND EARRINGS, each designed as a large scroll decorated with a line of circular-cut diamonds. See Illustration

473 AN 18CT GOLD AND DIAMOND SNAKE BANGLE, the entwined head and tail pave-set with brilliant-cut diamonds, with marquise-shaped ruby eyes, (c.55gms), marked 18k.750. See Illustration

£600-800

479 AN AQUAMARINE AND DIAMOND PENDANT, the rectangular-shaped aquamarine claw-set and surmounted by two circular-cut diamonds, on a fine chain necklet. See Illustration

474 A FRENCH GOLD AND ENAMEL PENDANT, the circular pendant of plique a jour enamel depicting a roaring tiger in jungle settings, with French assay marks and marked mark (?) Str.E, 37mm wide See Illustration

£800-1,000

481 A PAIR OF DIAMOND STUDS, the square-shaped diamond c.0.50cts in total

£400-800

476 A SAPPHIRE AND DIAMOND STAR BROOCH, the eight pointed star claw-set with circular-cut sapphires and diamonds. See Illustration

£450-550

480 A PAIR OF AQUAMARINE AND DIAMOND PENDANT EARRINGS, each collet-set with rectangular aquamarines with foliate diamond surmounts, See Illustration

£150-250

475 A PAIR OF 18CT GOLD, LAPIS LAZULI CUFFLINKS by Asprey & Co., each circular disc of lapis lazuli within a reeded frame and mount, marked A & Co 750, (c.29.7grams). See Illustration

£200-400

£100-200

482 A PAIR OF DIAMOND CLUSTER EARRINGS, each claw-set with eight brilliant-cut stones

£200-400

477 A PAIR OF AMETHYST AND DIAMOND CLUSTER EARRINGS, the oval-shaped amethyst claw-set within a frame of rosecut diamonds. See Illustration

483 A PAIR OF PLATINUM DIAMOND EAR STUDS by Tiffany, each brilliant-cut stone signed 'T & Co' 950 See Illustration

£200-400

£650-750

Lot 479 Lot 480

Lot 483

Lot 477

Lot 476

Lot 473 Lot 475

Lot 474 Lot 478

488 A LATE 19TH CENTURY CONTINENTAL ONYX AND DIAMOND PENDANT, the oval-shaped onyx plaque set with a single circularcut diamond to the centre, within a frame of rose-cut diamonds, on a plain gold loop marked 14k See Illustration

484 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EARRINGS claw-set with a circular-cut sapphire within a frame of brilliant-cut diamonds; and a synthetic sapphire and diamond bar brooch (2) See Illustration

£150-200

485 A VICTORIAN LAVA CAMEO BRACELET, each oval-shaped lava cameo carved with portraits of historical characters in profile, in an original box, the brooch deficient, and a Victorian gilt bangle, the front decorated with emeralds and seed pearls; a matching pendant, two agate brooches and another Victorian brooch/pendant (6)

489 AN EDWARDIAN HALF-PEARL FRINGE NECKLACE, the front decorated with three flowerhead clusters of half-pearls, with a graduated fringe of foliate half-pearls on a back chain similarly set; and a Georgian paste Riviere necklace, closed-set with oval-shaped foiled purple paste stones (2)

£150-200

486 A GEORGIAN HALF-PEARL BROOCH, the cluster of half-pearls with a locket glass centre, adapted to a bar brooch from a slide; and a Victorian blue turquoise enamel and half-pearl bar brooch (2) See Illustration

£100-200

490 A FRENCH ART NOUVEAU GOLD AND DIAMOND BRACELET, circa 1900, the openwork foliate oval links decorated with a line of millegrain-set rose-cut diamonds, with French assay marks. See Illustration

£150-200

£1,000-1,500

491 A DIAMOND PENDANT/NECKLACE, circa 1920, collet and claw-set with seven circular-cut diamonds on an openwork knife bar pendant, the largest claw-set with a circular frame. See Illustration

487 A VICTORIAN DIAMOND CRESCENT BAR BROOCH claw-set with circular-shaped diamonds, boxed; a diamond bar brooch set with eight circular and rose-cut diamonds; and a sapphire and diamond bar brooch (3) See Illustration

£600-800

£150-200

£800-1,000

492-494 SPARE LOTS

Lot 491

Lot 487 Lot 484

Lot 487

Lot 488

Lot 490

Lot 486

500 AN EDWARDIAN NECKLACE festooned with natural pearls interspersed with Georgian seed pearl clusters, in a fitted case. See illustration

495 AN EMERALD, DIAMOND AND PEARL PENDANT, 19th century, possibly French, of foliate ribbon bow design, decorated with pearls and rose-cut diamonds, millegrain-set with circular-cut emeralds, the largest rectangular emerald millegrain-set to the centre, supporting a pearl drop and surmounted with a similarlyset ribbon bow, in original case. See Illustration

£800-1,200

500A A SAPPHIRE AND DIAMOND CROSSOVER RING claw-set with a brilliantcut diamond weighing c.0.75cts, and a circular-cut sapphire, with three stone diamond shoulders, in a platinum mount. See Illustration

£8,000-12,000 497 A SINGLE ROW NATURAL PEARL NECKLACE graduated from the front with a ruby and diamond cluster clasp. See Illustration

Accompanied with a pearl report from the Gem & Pearl Laboratory, No 12678 dated 6th May 2016 stating that the single row graduated necklace of pearls with an oval border cluster clasp. No of pearls 99, largest 6.1 - 6.2mm in width smallest pearl 3.1 - 3.3mm in width, weight of item 12.14 grams to be Natural Saltwater Pearls.

£500-1,000

£1,000-1,500 501 A VICTORIAN FIVE STONE EMERALD AND DIAMOND RING claw-set with three cushion-shaped emeralds interspaced with circular-cut diamonds. See Illustration

£800-1,200

502 A DIAMOND BAR BROOCH, circa 1900, of openwork foliate motif design, claw-set with circular and rose-cut diamonds. See Illustration

498 A SINGLE STONE DIAMOND RING claw-set with a brilliant-cut stone, circa 2.2cts, size 'L'. See Illustration £4,000-5,000

£500-1,000

503 A GEORGIAN GOLD, RUBY AND DIAMOND RING, circa 1830, open and closed set, with a principle cushionshaped diamond to the centre and a cluster of four pearshaped rubies and smaller cushion-shaped diamonds, with pierced scrolled shoulders, size 'P'. See Illustration

499 A SINGLE ROW NATURAL PEARL NECKLACE graduated from the front with a ruby and diamond cluster clasp. See illustration

Accompanied with a pearl report from the Gem & Pearl Laboratory, No 12679 dated 6th May 2016, stating that the one-row to four row, slightly graduated necklace of pearls with four spacers and a rectangular clasp. The spacers are mounted with larger 'pearls' and small seed pearls (not tested) the clasp is mounted with eight pearls (not tested). No of pearls. 94,54, 69, and 38, largest pearl 4.3mm in width smallest pearl 3.1mm, weight of item 24.76 grams to be Natural Saltwater Pearls.

£1,000-1,500

496 A CARVED EMERALD, the rectangular-cut corner emerald measuring c.10mm x 10mm x 6.7mm, the relief carving depicting Neptune. See illustration

Accompanied with a pearl report from the Gem & Pearl Laboratory, No 12677 dated 6th May 2016 stating that the single row graduated necklace of pearls with a round border cluster clasp. No of pearls 175, largest pearl 4.3 -4.5 mm in width smallest pearl 2.4 - 2.6mm in width, weight of item 13.24 grams to be one bead nucleated cultured pearl (80th from the tongue end) and from the remainder Natural Saltwater Pearls.

£400-600

503A A SAPPHIRE AND DIAMOND RING claw-set with an oval-shaped sapphire with two stone diamond shoulders, in a platinum and white gold mount, size 'J 1/2'. See Illustration

£400-600

Lot 497 Lot 495

Lot 499

Lot 500

Lot 498 Lot 503A

Lot 500A

Lot 496 Lot 501

Lot 503 Lot 502

509 A GEORGIAN SEED PEARL CHOKER with enamel and diamond clasps, circa 1820, designed as ten rows of seed pearls, with two marquise-shaped clasps of blue enamel, applied with three collet-set cushionshaped diamonds, within a frame of rose-cut diamonds, adaptable to a pair of bracelets, c.33.5cm long. See Illustration

504 A GEORGIAN SEED PEARL AND AMETHYST PENDANT, the oval-shaped pendant of openwork foliate design close-set with an oval-shaped amethyst at the centre, on two row seed pearl necklace; and another seed pearl brooch/pendant with vacant locket to centre; a pair of seed pearl pendant earrings; a single row seed pearl necklace and a two row seed pearl necklace (5). See Illustration

£150-250

510 A LATE GEORGIAN TURQUOISE AND DIAMOND BROOCH, the hexagonal-shaped turquoise plaque within a frame of rose-cut diamonds. See Illustration

505 A GEORGIAN EMERALD BROOCH, circa 1800, of openwork foliate design close-set throughout with cushion-shaped emerald, supporting a similarly-set drop pendant, in original box, earrings deficient. See Illustration

£200-300

508 A PAIR OF DIAMOND PENDANT EARRINGS, each rose-cut diamond cluster supporting a pear-shaped rose-cut diamond drop. See Illustration

£2,000-2,500

512 A 19TH CENTURY PEARL AND GEM-SET BROOCH/PENDANT of quatrefoil design closed-set throughout, with a rectangular emerald to the centre, within a frame of baroque pearls, pink stones, emeralds and paste, supporting two pearl drops and another similar emerald. See Illustration

£2,000-2,500

507 A LATE 18TH CENTURY GOLD AND AMETHYST RING, the step-cut closed-set foiled amethyst in a scrolled gold mount, size 'K'. See Illustration

£300-500

511 A DIAMOND BRACELET designed as a line of flowerhead clusters, collet and closed-set with rose-cut diamonds throughout, on a three stone diamond clasp. See Illustration

£150-200

506 A PAIR OF DIAMOND PENDANT EARRINGS, mid-19th century, of openwork pear-shaped foliate design, collet-set with rose-cut diamonds. See Illustration

£600-800

£3,200-3,600

£200-300

Lot 504 Lot 504 Lot 506 Lot 507

Lot 512

Lot 509 Lot 511 Lot 510 Lot 508

Lot 504 (part lot) Lot 505

513 A LATE VICTORIAN GOLD, ENAMEL, PEARL AND DIAMOND HOLBEINESQUE PENDANT; with a necklace by Carlo and Arthur Giuliano, in neorenaissance style, the oval-shaped openwork pendant decorated with pearls and half-pearls, with black, white, red, green, dark and light blue enamel, the reverse with engraved floral decoration; on a black and white pique enamel necklace of scroll design, signed C & AC, to the hook fitting of the necklace, boxed by Heming & Co. Length of necklace c.53cm (including hook fitting), the pendant width 34mm. See Illustration

ÂŁ5,000-7,000

518 A VICTORIAN 15CT GOLD AND DIAMOND BROOCH, star and gypsy-set with five graduated circular-cut diamonds, the largest at the centre, with beaded frame. See Illustration

514 AN ANTIQUE CORAL BEAD NECKLACE designed as three rows of festooned carved coral beads, supporting a carved coral oval-shaped plaque depicting a mask of a god, on a gold mount, with a further drop of a pear-shaped coral pendant, width of carving c.2cm, total length of carving and drop c.5.5cm. See Illustration

519 A SCOTTISH AMETHYST AND CITRINE PEBBLE BROOCH of Celtic openwork design, collet-set with a single oval-shaped amethyst and three oval-shaped citrines, decorated with various agates. See Illustration

£2,500-3,500

515 A VICTORIAN GOLD AND AMETHYST NECKLACE collet-set with graduated oval-shaped amethyst, each within a filigree frame of foliate design and a cross pendant/brooch of similar design (2)

£600-800

£400-600

521 A VICTORIAN GOLD BRACELET, circa 1880, of flexible strap design with a beaded frame, (c.30.8grams), the box marked "By Appointment to HRH The Prince of Wales, James Foord & Son, Goldsmiths & Jewellers, Hastings", 19cm long. See Illustration

517 A LATE 19TH CENTURY AMETHYST AND SEED PEARL PENDANT, the oval-shaped amethyst claw-set within a foliate frame decorated with half pearls. See Illustration

£700-900

520 A RUSSIAN GOLD AND AMETHYST BAR BROOCH claw-set with a cushion-shaped amethyst within a frame of rose-cut diamonds, on a tapering gold bar, Russian assay mark .56 and makers mark CH. See Illustration

516 A GEORGIAN AND TOPAZ CROSS PENDANT/BROOCH close-set with five oval-shaped topaz in a quatrefoil design, decorated with pear-shaped topaz and a bead and wire-work cannetille frame. See Illustration

£250-300

£150-200

£1,800-2,200

Lot 515

Lot 515 Lot 516

Lot 521

Lot 517

Lot 514

Lot 519

Lot 518

Lot 520

528 A LATE 19TH CENTURY CONTINENTAL GOLD AND DIAMOND PENDANT, the openwork oval-shaped plaque decorated with clawset rose-cut diamonds, the largest at the centre. See Illustration

522 AN ESSEX ROCK CRYSTAL REVERSE INTAGLIO PENDANT, the cabochon circular top crystal painted with a bird on a branch, the reverse with a locket and the hair compartment with initials 'EEJ from Fed', on a fine chain necklet. See Illustration

£700-900

£200-400 529 A 19TH CENTURY GILT AND GARNET SNAKE CHAIN NECKLACE, the long pierced snake chain linking on a barrel-shaped clasp decorated with three cabochon garnets, 23" long, See Illustration

523 A PAIR OF LATE VICTORIAN GOLD AND GARNET CUFFLINKS, each plaque close-set with a cabochon oval-shaped garnet within a pierced rope frame.

£100-200

524 AN EARLY 19TH CENTURY GOLD CORNELIAN INTAGLIO RING with foliate shoulders, the oval-shaped plaque carved with a bust profile portrait of a man, size 'L 1/2'. See Illustration

530 A GOLD AND DIAMOND SNAKE BANGLE, the coiled body of hammered surface, with five hinges, the head decorated with cushion-shaped diamonds, the largest pear-shaped at the centre, with cabochon ruby eyes (one missing). See Illustration

£600-800

525 A VICTORIAN BLUE ENAMEL, HALFPEARL AND DIAMOND STICKPIN, the spherical blue enamel ball decorated with a star motif with a half pearl and rose cut diamonds; together with five similarly set star dress studs. (6) See Illustration

£50-100

£1,500-2,000

532 A SAPPHIRE AND DIAMOND CROSSOVER BANGLE, circa 1900, channel and claw-set with tapering circularcut diamonds, terminating with a circular-cut sapphire and diamond, in yellow gold mount, cased. See Illustration

£200-400

527 AN EDWARDIAN AMETHYST AND SEED PEARL BROOCH claw-set with an oval-shaped amethyst within a frame of alternate rose-cut diamonds and single button pearls, later adapted to a bayonet clasp fitting. See Illustration

£500-1,000

531 THE PROPERTY OF A LADY OF TITLE: A LATE VICTORIAN SAPPHIRE AND DIAMOND HINGED BANGLE claw-set with a single cushion-shaped sapphire within a border of ten cushion-shaped diamonds, with tapering diamond shoulders, boxed by Frazer & Haws from Garrards, Piccadilly. See Illustration

526 A VICTORIAN GOLD, ENAMEL, HALF-PEARL AND GARNET SNAKE BRACELET, the double row Brazilian linking slightly graduated and terminated with a snake's head of blue enamel decorated with three half-pearls, and cabochon garnet eyes, supporting a heart locket similarly set with a single half pearl, adapted from a necklace. See Illustration

£500-1,000

£500-1,000 533 A FRENCH GOLD AND DIAMOND BANGLE, circa 1890, the plain bangle decorated with rose-cut diamonds in a floral motif to the front, with French assay marks, boxed. See Illustration

£300-500

£1,000-1,500

Lot 529

Lot 528

Lot 522 Lot 527 Lot 525 Lot 526 Lot 524

Lot 532

Lot 525

Lot 531

Lot 530

Lot 533 89

539 A PAIR OF OPAL AND DIAMOND PENDANT EARRINGS, each collet and millegrain-set with a pear-shaped opal, within a swing frame of circular-cut diamonds, surmounted with a line of similarly set diamonds. See Illustration

534 AN AQUAMARINE AND DIAMOND PENDANT millegrain-set with a step-cut hexagonal-shaped aquamarine within an openwork frame of circular-cut diamonds, with scrolled diamond surmount, on a fine chain necklet, in a white gold mount, marked .750. See Illustration

£400-600

540 AN AQUAMARINE RING, the large rectangular step-cut aquamarine claw-set with diamond shoulders. The aquamarine circa 23mm x 16.8mm x 10.6mm. Ring size 'O 1/2'. See Illustration

535 A DIAMOND PENDANT claw-set with a principal brilliant-cut diamond within an openwork double frame of circular-cut diamonds, with tapering diamond loop, on a fine chain necklet. See Illustration

£2,500-3,500

£1,500-2,000

£2,500-3,000

536 A SINGLE STONE PEAR-SHAPED DIAMOND PENDANT, the pear-shaped stone c.2.27cts, claw-set on a fine chain necklet. See Illustration

541 A PAIR OF SAPPHIRE AND DIAMOND PENDANT EARRINGS, each collet-set with a cabochon oval-shaped sapphire with a diamond frame of eight cut stones, surmounted with a single diamond. See Illustration

Accompanied with a G.I.A. Diamond Grading Report dated January 13th, 2016 stating carat weight 2.27cts, colour 'F' clarity VS, fluorescence none.

£15,000-20,000

542 A PAIR OF TURQUOISE AND DIAMOND CLUSTER EAR STUDS, each cabochon turquoise claw-set within a frame of brilliant-cut diamonds. See Illustration

537 A PAIR OF CONTEMPORARY DIAMOND AND BLACK DIAMOND PENDANT EARRINGS, each square-shaped plaque pave-set with circular-cut diamonds, supporting a similarly set ring, and a pearshaped drop of pave-set black diamonds, in white gold mount marked 750. See Illustration

£700-900 543 A PAIR OF DIAMOND CUFFLINKS, each octagonal plaque pierced and millegrain-set with eight cut stones. See Illustration

£1,000-1,500

£900-1,200

538 A PAIR OF EMERALD AND DIAMOND EARRINGS claw-set with pear-shaped emeralds within a frame of brilliant-cut diamonds, surmounted with a single millegrain-set diamond. See Illustration

£400-600

544 A PAIR OF SNOWFLAKE EARRINGS, each of abstract design claw-set with brilliant-cut diamonds, the largest at the centre, boxed by Ogden. See Illustration £600-1,200

£400-600 545 A PAIR OF YELLOW SAPPHIRE AND DIAMOND CLUSTER EARRINGS claw-set with circular-cut yellow sapphires within a frame of brilliant-cut diamonds. See Illustration 90

£300-500

Lot 544

Lot 537

Lot 535

Lot 541

Lot 534 Lot 536

Lot 542

Lot 543

Lot 538 Lot 540 Lot 539

Lot 551 Lot 553 Lot 545

Lot 549 Lot 547

Lot 552 Lot 550

Lot 546 91

Lot 548

552 A MULTI GEM-SET GIARDINETTO BROOCH by Mingardo claw-set with oval-shaped stones including citrine, garnet, amethyst, sapphire, ruby, tourmaline and emerald, the vase set with half amethyst and half citrine. See Illustration on page 91

546 A PLATINUM AND DIAMOND RING of stylised ribbon bow design, claw-set with brilliant-cut stones, the largest c.0.30cts, size 'N 1/2', (c.5.7grams). See Illustration on page 91

£1,200-1,800

547 A PINK TOURMALINE AND DIAMOND BROOCH/PENDANT designed as a shell collet-set at the centre with an ovalshaped pink tourmaline within a frame of rose-cut diamonds. See Illustration on page 91

553 A TWO STONE DIAMOND RING, each brilliant-cut stone claw-set. See Illustration on page 91

£500-700

549 AN 18CT WHITE GOLD, YELLOW SAPPHIRE AND DIAMOND CLUSTER RING claw-set with an oval-shaped yellow sapphire within a frame of brilliant-cut diamonds, in a white gold, the mount marked 750. See Illustration on page 91

550 A DIAMOND BOW BROOCH claw and pave-set with circular-cut diamonds throughout. See Illustration on page 91

£600-800

556 AN EDWARDIAN PINK TOURMALINE, EMERALD AND DIAMOND PENDANT of openwork foliate and swag design, the swing centre claw-set with a cushion-shaped pink tourmaline further decorated with cushion-shaped emeralds, circular and rose-cut diamonds, on a fine chain necklet. See Illustration

£1,500-2,000

551 AN 18CT GOLD AND DIAMOND HALF-BAND RING channel and pave-set with eight baguette-cut diamonds slightly tapering from the centre, in a yellow gold mount, marked .750. See Illustration on page 91

£500-1,000

555 AN EDWARDIAN OPAL AND RUBY PENDANT, the openwork cluster claw-set with cabochon opals supporting three pear-shaped opal drops decorated with circular-cut rubies, on a fine chain necklet. See Illustration

£1,000-2,000

£3,000-5,000

554 AN EDWARDIAN AQUAMARINE, DIAMOND AND SEED PEARL PENDANT, circa 1900, of foliate ribbon-bow design, the swing centre collet-set with an oval-shaped aquamarine decorated within an openwork frame of seed pearls and rose-cut diamonds, supporting a further aquamarine pear-shaped drop, mounted in 15ct yellow gold. See Illustration

548 AN 18CT GOLD AND DIAMOND BAND RING of scroll design pave-set with brilliant-cut and baguettecut diamonds, marked 18k white 750, size 'P'. See Illustration on page 91

£150-250

£200-300

£1,200-1,800 557 A DIAMOND, ENAMEL AND PEARL PENDANT, circa 1900, of geometric flowerhead design supporting a further drop, collet-set with four cushion-shaped diamonds and terminating with a three pearl drop cluster, on a fine chain necklet. See Illustration

£100-200

Lot 558

Lot 560

Lot 557

Lot 556

Lot 555

Lot 566

Lot 563

Lot 564

Lot 561

Lot 565

Lot 559 Lot 562

Lot 554

565 AN ART NOUVEAU FRENCH GOLD, EMERALD AND DIAMOND RING of openwork foliate design claw-set with a pear-shaped emerald and circular-cut diamond, further highlighted with cushion-shaped diamonds, markers mark 'PL', size 'L'. See Illustration on page 93

558 A VICTORIAN BLUE ENAMEL AND DIAMOND PENDANT symbolising love and faith, surmounted with a ribbon bow supporting a heart and cross, the turquoise blue enamel decorated with rose-cut diamonds, on a fine Brazilian linked chain necklet, a locket compartment with hair to the reverse of the heart. See Illustration on page 93

£50-100

566 A VICTORIAN GOLD AND PINK ENAMEL FLOWER SUITE, circa 1860, comprising a brooch and a pair of earrings, each with five petals of pink and white polychrome enamel, decorated at the centre with a single seed pearl and gold stamen, in a fitted Victorian silk and velvet case, with screw fitting for earrings. See Illustration on page 93

559 AN ART NOUVEAU MOONSTONE AND DIAMOND PENDANT collet-set with an oval-shaped cabochon moonstone at the centre within an openwork scrolled frame of cushion and rose-cut diamonds, with rose-cut diamond loop. See Illustration on page 93

£200-400

560 AN EDWARDIAN PERIDOT AND HALF-PEARL PENDANT/NECKLACE of openwork foliate and ribbon-bow design with swing cluster to the centre claw-set with an oval-shaped peridot within a frame of half-pearls, supporting a single peridot drop, on a gold and seed pearl fancy chain necklet. See Illustration on page 93

£300-500

£500-1,000

563 A LATE VICTORIAN DIAMOND GREYHOUND BROOCH formed as a sprinting greyhound, pave-set with rose-cut diamonds and a ruby eye, c.5cm long. See Illustration on page 93

Accompanied by a report no. 09127, dated 13th December 2013, from the Gem & Pearl Laboratory stating that the two pearls are part-drilled, measure 8.1-8.5mm in width (depth 13-15mm) and 7.7-8.3mm (depth 13-15mm) and are natural salt water pearls. Total weight 5.23grams (including surmount rings).

£10,000-15,000

Accompanied by a G.I.A. Pearl Report dated 15th March 2012 stating pearls partially drilled, measurements 9.30 x 7.45mm and 9.50 x 7.70mm (length not measurable), colour silver Natural Saltwalter Pearls.

£22,000-26,000

569 A SINGLE ROW NATURAL PEARL NECKLACE graduated from the front, on a rectangular geometric design, the clasp collet-set with three principal diamonds. See Illustration

£200-400

564 A LATE 19TH CENTURY DIAMOND CLOVER LEAF BROOCH collet and claw-set with cushion and rose-cut diamonds. See Illustration on page 93

568 A PAIR OF EDWARDIAN PEARL AND DIAMOND EARRINGS, each millegrain-set foliate clusters supporting a drop of semi-baroque pearl drops, each with a similarly set diamond cupula mount. See Illustration

562 A THREE STONE DIAMOND RING claw-set with brilliant-cut diamonds, the largest at the centre. See Illustration on page 93

£1,800-2,200

567 A PAIR OF NATURAL PEARL AND DIAMOND EARRINGS, each pear-shaped pearl drop surmounted with a diamond cupula of rose-cut stones and a claw-set single cushionshaped diamond surmount with hook fitting. See Illustration

561 AN EDWARDIAN DIAMOND AND ENAMEL TWINNED HEART BROOCH decorated with blue and red guilloche enamel, claw-set with a circular-cut diamond to the centre of each heart, within a frame of circular-cut diamonds, surmounted with a ribbon bow similarly set with diamonds (two stones missing). See Illustration on page 93

£1,800-2,200

£400-600 94

Accompanied by a report no. 09908 dated 17th May 2014 from the Gem & Pearl Laboratory stating that the pearls graduate from 7.9mm to 2.7mm and are natural saltwater pearls. Total weight including the clasp 16.47grams

£12,000-15,000

Lot 571

Lot 572

Lot 567

Lot 573

Lot 569 Lot 574

Lot 568

Lot 575

576 A THREE ROW CULTURED PEARL CHOKER with emerald and diamond clasp, the uniformed pearls measure c.6.2mm, on a square-shaped step-cut emerald within a frame of rose-cut diamonds similarly set, length including clasp c.38mm. See Illustration

570 SPARE LOT 571 A THREE STONE DIAMOND RING claw-set with brilliant-cut stones, the largest at the centre. See Illustration on page 95

£4,500-5,000

572 A PEARL AND DIAMOND RING claw-set with three half-pearls, the largest at the centre, interspersed with rose-cut diamonds, in an 18ct yellow gold mount, size 'O'. See Illustration on page 95

577 A PAIR OF 'NIGHT & DAY' DIAMOND EARRINGS, circa 1950, each of stylised ribbon bow scroll design pave-set with eight cut diamonds, supporting two line tassel of baguette-cut diamonds, each with a single brilliant-cut diamond termination, total length c.6.5cm. See Illustration

£300-500

573 A TWO STONE DIAMOND CROSSOVER RING claw-set with two step-cut rectangular diamonds, each circa 0.75cts. See Illustration on page 95

£5,000-6,000

A SINGLE ROW NATURAL PEARL NECKLACE, the pearls graduated from 7.6-8.5mm to 4.7mm, on a diamond and single pearl cluster clasp, length 46mm. See Illustration on page 95

£9,000-12,000

579 A DIAMOND LINE BRACELET claw-set in a geometric design with brilliant-cut stones, length c.18cm. See Illustration

Accompanied by a pearl report no. 11957 dated 6th November 2015 from the Gem & Pearl Laboratory London stating that the 67 pearls graduate from 7.68.5mm to 4.7mm, weight 22.97grams are found to be saltwater pearls (single button pearl in cluster not tested)

£10,000-15,000

580 A THREE STONE EMERALD AND DIAMOND RING, the rectangular-cut emerald claw-set with brilliant-cut diamond shoulders.

£4,000-6,000

575 A PAIR OF PEARL, SAPPHIRE AND DIAMOND EARRINGS, each of geometric design millegrain and pave-set with circular-cut diamonds and calibre-cut sapphires, each line supporting a single natural pearl.

£7,500-8,500

578 AN ART DECO SAPPHIRE AND DIAMOND BRACELET, circa 1935, the geometric strap design box and claw-set with oval-shaped sapphires decorated throughout with eight cut and baguette-cut diamonds, the case by 'The Goldsmiths & Silversmiths Company Ltd'. See Illustration

574 THE PROPERTY OF A LADY OF TITLE

£1,800-2,200

Accompanied by a certificate from Gemmological Certification service dated 16.12.2015 stating each pearl half-drilled to measure 9.71 x 8.02 x 10.41mm and 9.04 x 8.13 x 10.51mm; 5.67cts; 5.62cts. cream and grey to be Natural Saltwater Pearls. See Illustration on page 95

Accompanied with a report from Gemmological Certification Service dated 22/12/2015 stating measurements 8.19mm x 7.00mm x 3.68mm, weight 1.57cts, F1 indication of minor clarity enhancement, origin Colombia. See Illustration

£8,000-10,000

581 A PAIR OF DIAMOND PENDANT EARRINGS, each of flowerhead cluster design millegrain-set, the largest at the centre with a surmount line of similarly set stones. See Illustration

£7,500-8,500

£2,000-2,500

Lot 581 Lot 578

Lot 579

Lot 576

Lot 580 Lot 577

588 AN 18CT GOLD GEM SET RING gypsy-set with three oval-shaped stones of ruby and synthetic ruby, the largest at the centre, Ring size 'N'

582 A BELLE époque RUBY AND DIAMOND SAUTOIR, the pendant of Indian influence, decorated with circular and rose-cut diamonds decorated with pear and squareshaped rubies, and supporting nine tassels terminating with five ruby and diamond clusters and alternate single stone diamond terminations, on a long chain necklet, open set of geometric design, with circular-cut diamonds interspaced with rubies (chain adapted to make a bracelet), length of chain 50cm, bracelet 18cm, damaged section 4cm. See Illustration

589 A VICTORIAN 18CT GOLD CLUSTER DIAMOND RING claw-set with cushion-shaped and rose-cut diamonds the largest at the centre, with scrolled openwork shoulders. Ring size 'T 1/2' £200-400

Provenance: Lady Grey Egerton (1874-1958) (née Mary (Mae) Cuyler of Baltimore USA), of Oulton Park, Cheshire and thence by descent

590 A CONTINENTAL GOLD AND PEARL RING with reeded scrolled shoulders and a single half pearl measuring 5.6mm approx. claw set, marks worn. Ring size N ½.

£40,000-60,000

583 A 9CT GOLD GENTLEMAN'S SIGNET RING, the cushion shaped plaque engraved with a bull, Ring size 'W', weight c.28.1gms. See illustration

591 A COLLECTION OF FOUR RINGS including an 18ct gold diamond eternity ring, claw-set with eight cut stones, ring size 'L'; a platinum and 18ct white gold, single stone diamond ring, millegrain-set with a circular-cut diamond, size 'L'; a five stone ruby and diamond ring, ring size 'M'; and an emerald and diamond cluster ring collet-set with a single emerald, marked 750, size 'M'. (4)

£200-300 584 GEORG JENSEN: A SILVER ABSTRACT RING, the square-shaped plaque with rounded corners decorated with bubble motifs, signed Georg Jensen, 95 Sterling Denmark G J Ltd. Ring size J ½. See illustration

585 AN 18CT GOLD AND DIAMOND RING of buckle and belt design, claw and gypsy set with a circular cut diamond weight 0.15cts approx. Ring size 'L', c.11.9gms

£100-200

£60-120

593 A MODERN 18CT GOLD SIX STONE DIAMOND RING claw-set with brilliant-cut diamonds, in a yellow gold mount marked 18ct. Ring size 'O'.

586 A SAPPHIRE AND DIAMOND CLUSTER RING claw set with an oval shaped within a frame of ten brilliant cut diamonds. Ring size M ½

£800-1,600

587 AN 18CT GOLD THREE STONE DIAMOND RING gypsy-set with three circular-cut diamonds, the largest at the centre, (damage to centre stone), Ring size 'Q'

£80-120

592 A THREE STONE DIAMOND RING, AND A FRENCH GOLD WEDDING BAND, the three stone ring illusion-set with brilliant-cut diamonds, Ring size 'K'; and a wedding band, ring size 'S' with French assay marks weight c.6gms. (2)

£200-300

£50-100

£200-400 98

£300-500

Lot 582

594 A PEARL, DEMANTOID GARNET AND DIAMOND CLUSTER RING set with a single pearl within a frame of rose-cut demantoid garnets, and circular-cut diamonds. Ring size 'N' marks worn.

£100-200

595 AN 18CT GOLD AND DIAMOND BAND RING of cross-over design claw-set with circular-cut diamonds, marked 750. Ring size 'P ½' .

£200-400

596 A THREE STONE DIAMOND RING claw-set with brilliant-cut diamonds, the largest at the centre.

£1,800-2,200

597 A FIVE STONE SAPPHIRE AND DIAMOND RING claw-set with three oval-shaped sapphires and two circular-cut diamonds, in a yellow gold mount

£200-400

598 A THREE STONE SAPPHIRE AND DIAMOND RING claw-set with an oval-shaped sapphire with two brilliant cut diamonds. £300-500 599 AN ART DECO SAPPHIRE AND DIAMOND RING claw set with an oval shaped sapphire, within an openwork geometric scroll designed frame, collet set with brilliant cut diamonds triangular cut sapphires and eight cut diamond, marked 18ct and platinum. Ring size 'O'

£500-1,000 END OF FIRST DAY SALE

100

FRIDAY, 10 t h JUNE, 10.30A M

THE REG HUMPHRIS COLLECTION OBJETS DU VERTU

Detail of lot 1007 101

The Collection of the late Reg Humphris

Reg was a very serious collector with good eye for quality. For his private collection he always looked for sculpture , drawings and works of art in good condition and if possible with an interesting historical background or provenance. He specialised in English art of the 18th and 19th century and was knowledgeable on a wide spectrum of art subjects. Reg catalogued several exhibitions when we worked together at the gallery in Kensington including an exhibition of English portrait sculpture and one of Renaissance Medallions. He was always a diligent researcher and had a gift for identifying anonymous works of art in particular the subjects of anonymous portrait busts. He made many discoveries notably the bust of Thomas Hollis by Joseph Wilton now in the National Portrait Gallery that Reg recognised when it was sold in a country sale as anonymous being neither signed nor inscribed. Everything he acquired for his private collection had a story attached to it and he took great pleasure in showing his collection to anyone interested. I am confident that those collectors who buy something from Reg's collection at the sale will get great pleasure from their acquisition. Cyril Humphris, March 2016

102

Lot 904

903 MIYAKAWA GOHEI, 20th century A Japanese woodblock print, from the series "Hichimisan", c. 1935, 5½" x 10¼"

900 SAMUEL AND NATHANIEL BUCK "The North Prospect Of Gravesend In The County Of Kent", coloured engraving, published March 2th 1739, Garden Co, 12" x 31"

£100-200

901 "A VIEW OF GRAVESEND IN KENT, AND THE MANNER OF THE TROOPS PASSING THE THAMES TO TILBURY FORT IN ESSEX, 27TH JULY 1780", coloured engraving, printed for Carington Bowles, published 23rd January 1781, 14" x 19¾" and two other engravings of Gravesend (3)

£80-150

£100-200

Provenance: Liberty, 16th March 1992

904 ITALIAN SCHOOL, 18th century A panoramic view of Piazza San Carlo, Turin, Ink and wash on paper, 6¾" x 17¼", and the companion painting, a view from the river, Turin (2) See illustration £300-600

905 ANGLO-DUTCH SCHOOL, 18th century A botanical study, "Aloe India Orientalis", inscribed, watercolour on paper, 30¾" x 7¾"

902 ENGLISH SCHOOL, 18th century "A Prospect of her Majesties Royal Navy Lying at the several moorings at Chatham", engraving, 20½" x 28"

103

£100-200

Lot 908

906 ENGLISH SCHOOL, 18th century "A Necromancer" inscribed verso, pen and ink with watercolour, 10" x 7½"

£80-150

907 SAMUEL HOWITT (1765-1822) "The Wild Boar", signed lower left, Sabin Galleries Ltd label verso, Grey wash, 5" x 6¾" Lot 909

Provenance: Bt. Sabin Galleries Ltd, 17th May 1972

£100-200

908 FRANCIS NICHOLSON (1753-1844) "Fountains Abbey", old label inscribed verso, watercolour, 11¼" x 16"

Provenance: Bt. Thomas Agnew & Sons Ltd, 3rd March 1978

£200-400

909 ATTRIBUTED TO WILLIAM ETTY (1787-1849) After Giambologna (1529-1608) A study of a standing semi clad beauty, stamped lower right "Baroness Norths Collection of Drawings by H Fuselli & Co" pencil and watercolour, 21" x 12"

Lot 910

Provenance: Bt. Christopher Powney, 11th February 1970

£200-400

910 JOHN THOMAS AND DOMINIC SERRES (1759-1825), (1722-1793) Scene on River Medway by Rochester Castle, signed lower right, watercolour, 16" x 24½"

£200-400

911 THOMAS STOTHARD (1755-1834) "Nymphs bathing in a pool", signed lower left, watercolour, 3½" x 6¼" 104

Provenance: The collection of Earl Wharton £100-200

Lot 912

913 SAMUEL HIERONYMOUS GRIMM (1733-1794) "View of Beauchief Abbey from the South West", signed and dated 1785, pen and ink with watercolour, P&D Colaghi & Co Ltd Gallery label verso, 10½" x 14¾". See illustration

912 SAMUEL HIERONYMOUS GRIMM (1733-1794) "Southeast view of Blackwell Church, Derbyshire, 1785", signed and dated 1785, The Fine Art Society Ltd label verso, pen and ink with watercolour, 10½" x 15"

Provenance: Bt. The Fine Art Society Ltd, 19th November 1971

£300-600

Provenance: Bt. P&D Colaghi & Co Ltd, 19th March 1971

£300-600

Lot 913

105

920 THOMAS HEARNE (1744-1817) A cavalier on horseback, pencil, Fry Gallery label verso, 7" x 4¾"

914 JAMES WARD (1769-1859) "A Pilot", signed with initials lower left, pencil heightened with white, Spink label verso, No. K3/4527/a., 4" x 3¾"

Provenance: Spink and Son Ltd, 11th August 1971

£50-100

£100-200 916 JOHN WARWICK SMITH (1749-1831) "Bridge over the Eure, near Aysgarth, Yorkshire" inscribed on verso, Thomas Agnew & Sons Ltd label verso, watercolour, 5¼" x 8"

£60-120

Provenance: Bt. Annabel Popovic, 6th November 1979

£100-200

Provenance: Bt. Fry Gallery, 10th April 1980

£50-100

Provenance: Bt. Fry Gallery, 19th August 1976

£50-100

£100-200

924 AFTER RAPHAEL (1483-1520) A female carrying water, pencil study, 19th century, 14½" x 9½" and a sketch book by G. Vibert (2)

£80-150

925 FRENCH SCHOOL, 18th century A man kneeling before his Roman Emperor, pencil and wash, 8½" x 12" and Richard Corbould "From the frying pan into the fire" (2)

919 T. WILKINS (fl. 1790) A cottage beside a lane, Fry Gallery label verso, pencil and watercolour, 4½" x 7"

923 AFTER HIERONYMUS SCHOLEUS 18th century A view of Stockholm seen from the north as it looked towards the end of the 16th century, pen and ink with wash, 6" x 11"

918 FRANCO-ITALIAN SCHOOL, 18th century A lion and a Phoenix in a design for decoration, pen and grey ink wash with coloured washes, 7½" x 12"

£50-100

917 EDWARD FRANCIS BURNEY (1760-1848) "The Discovery", Fry Gallery label verso, pen and grey ink with watercolour, 4¼" x 5¼" Provenance: Bt. Fry Gallery, 16th May 1979

922 ATTRIBUTED TO JOHN BACON JNR (1777-1859) A design for sculpture with cherubs, 8½" x 5½"

£100-200

Provenance: Bt. Fry Gallery, 16th November 1971

921 GEORGE SHEPHEARD (1770-1842) "St. Margaret's Church, Rochester", Inscribed upper right, Fry Gallery label verso, pencil and watercolour, 5¼" x 7¼", and a watercolour of Priory Gate, Rochester (2)

915 ATTRIBUTED TO HENRY EDRIDGE (1769-1821) A lady standing beside rocks, pencil heightened with colour, 12" x 8¾"

106

£50-100

926 MANNER OF LORENZO LOLLI (1612-1691), The bacchanal of two children, pen and ink, 6½" x 9"

Lot 929

£80-150

927 ENGLISH SCHOOL, late 18th century Durham Cathedral with a bridge and figures in the foreground, watercolour, 6¾" x 10"

£50-100

928 SIR GEORGE HAYTER (1792-1871) Horse's heads in profile, signed with initials and dated 1832, Ink sketch on paper, 8" x 10½" and seven others (8)

Provenance: Bt. Dessins Anciens, 5th December 1984

£100-200

929 EDWARD DAYES (1763-1804) "Ruined Castle on the Coast", signed lower right, watercolour, 6¾" x 4½". See illustration

Provenance: Bt. Leger Galleries Ltd, 19th November 1971

£150-300 Lot 930

930 ENGLISH SCHOOL, c.1820 A design for the Figurehead of HMS Britannia built in 1820, the design in three parts, pen and ink wash, 7" x 11" See illustration

Provenance: The Fine Art Society Ltd Gallery label verso, "Head of the Britannia", "Collection: The Earl of Antrim",

£200-400

Lot 931

931 RICCIARDO MEACCI (1856-1938) Worship of the Lamb, signed lower right, watercolour, contained in the original gilt wood frame, 12¼" x 13¼" including the frame. See illustration

£300-600

107

937 NAÏVE SCHOOL, circa 1820 A lady wearing a lace bonnet sitting and holding a letter, gouache, 8" x 6"

932 ENGLISH SCHOOL, late 18th century A country house in landscape with a man fishing, watercolour, 11" x 17"

£60-120

938 A. E. CHALON "Portrait of Robert Walpole Esq, Rifle Brigade" signed and dated 1826 lower right, old label inscribed verso, "This picture belongs to Lady Margaret Walpole, Eliz Walpole", watercolour, 16¼" x 9½"

933 Samuel Howitt (1765-1822) "A Gnu", Thomas Agnew & Son Ltd Gallery label verso, No. 43779, signed lower right, watercolour, 6¾" x 5",

Provenance: No. 179 in the 108th Annual Watercolour Exhibition Bt. Thomas Agnew and Sons Ltd, 19th January 1981

£100-200

Provenance: Bt. JS Maas & Co Ltd, 1st December 1971

£80-150

£100-200

Provenance: Bt. Covent Garden Gallery Ltd, 29th October 1980

£200-400

936 J. OTTER, 19th century A Mare and Foal with a cottage in the distance, signed and dated 1817 lower right, watercolour, 9¾" x 13½"

940 EDMUND DULAC (1882-1953) An Oriental beauty reclining on a couch, signed lower left and Inscribed "To Dr Kenneth Perry, with grateful thanks, Edmund Dulac" watercolour, 7½" square See illustration

935 ENGLISH SCHOOL, c.1800 Neptune holding trident with figures in distress, monochrome gouache heightened in white, 16" x 9½"

£100-200

939 ATTRIBUTED TO GEORGE FREDERICK ROSENBERG (1825-1869) "Still Life with Flowers", Covent Garden Gallery Ltd label verso, Watercolour, 16" x 10¾"

934 ION PACE A design for windows over entrance door, St. Mary Priory, Fulham Road, signed lower right, pen , ink and watercolour, old inscribed label verso, 4¼" x 9"

£80-150

£500-1,000

941 FRENCH SCHOOL, 19th century Louis XVIII and the Royal Family gathered in a room, oil on panel, 5½" x 7½"

£50-100

108

£200-400

Lot 940

109

942 A PAIR OF CANTAGALLI MAIOLICA CHARGER painted in blue with mythological scenes, blue marks, one with a "Dominici Giuseppe, Venise" label, variations to the borders, 19th century, 18½" dia (2). See illustration

Lot 942

£300-500

943 AN ITALIAN CANTAGALLI MAIOLICA CHARGER in Deruta style, with a central portrait within a scaled border, cockerel mark, 19th century, 14½". See illustration

£100-200

944 A PAIR OF ITALIAN MAIOLICA OIL AND VINEGAR JUGS of Castelli type, with painted figures playing musical instruments, 18th century, 6¾" high (2)

Lot 943

£80-150

945 AN ITALIAN CANTAGALLI MAIOLICA DOUBLE SPOUT VASE, with mask handles painted with a river landscape, cockerel mark, 19th century, 6¼" high

£80-150

946 A CHINESE FAMILLE ROSE PORCELAIN BOWL with floral decoration, the base with Jiaqing seal mark, 5" dia. See illustration Lot 946

£300-600

947 AN "ISNIC" POTTERY TILE of octagonal form with glazed polychrome decoration, a deer amongst flowers on blue ground, 7" wide, and another similar tile, (2)

110

£50-100

948 AN "ISNIC" POTTERY TILE with glazed polychrome floral decoration on blue ground, with the remains of an old collectors label, c.16th century, 6¼" x 9¾". See illustration

Lot 948

£200-400

949 AN "ISNIC" BOTTLE VASE, with elongated tapering neck and moulded body, painted in colours with flowers, raised foot rim, 19th century, 7¼" high. See illustration

£300-600

950 AGATHA WALKER (1888-1980), A plaster maquette of Dame Edith Evans as Mrs Sullen in "The Beaux Stratagem" by George Farquhar, inscribed on base with initials and dated 1927, 11" high

Lot 949

£80-150

951 AGATHA WALKER (1888-1980) A plaster maquette with polychrome decoration, (possibly Dame Edith Evans playing a maiden in distress), inscribed with initials and dated 1923, 14½" high

£100-200

952 A BRONZED PLASTER PLAQUE in the 17th century style depicting a scholar beside books and scrolls, 19th century, 10¼" high

£50-100

953 A FINE IVORY CRUCIFIX, Christ carved from ivory on an ebonised wood cross on a stepped plinth base, 19th century, 14" high

Lot 253

£100-200

111

954 A MANNERIST FRUITWOOD PLINTH for sculpture with carved bird, floral and mask decoration, old inscribed label on reverse side, possibly 16th century, 5½" wide

Lot 955

£100-200 955 A CARVED OAK TORSO OF CHRIST with a rope and chain around waist, the Lord's outstretched arm holding a palm, probably circa 1650, 10¾" high. See illustration

£150-300

956 AN ART NOUVEAU BRONZE DESK SEAL, in the form of a naked siren standing in rushes, signed 'RUBIN', plain matrix, 4¾" high

Lot 957

£80-150

957 A PATINATED BRONZE BUST OF LORD BYRON, on an acanthus leaf plinth base, 19th century, 10" high. See illustration

£300-600

958 A VIENNESE BRONZE OF A FRENCH BULLDOG, 19th century, 5¼" long

£50-100

959 AN ITALO-FLEMISH BRONZE BULL, with a rich golden patina, mounted on a later wood plinth, 3½" high overall. See illustration

Lot 959

112

£300-500

Lot 963

960 A SMALL BRONZE INDIAN ELEPHANT, 19th century, 1¼" high, and a Chinese bronze ewer, 4½" (2) £50-100

963 AFTER NICOLAS BLASSET: A bronze of "L'ange pleureur", the cherub leaning on a draped skull, with an attractive dark brown patina and a translucent gold lacquer,on an ebonised wood stand, 8¾" high. See illustration

961 A NORTH EUROPEAN BRONZE OF HERCULES leaning forward to support a globe (missing) on his shoulders, 6½" high

This bronze relates directly to the model by Nicolas Blasset in marble which forms part of the monument to the Guilain Lucas in the Cathedrale Notre-Dame d'Amiens created circa 1636.

The facture and finish of the bronze are consistent with a 17th century date. The marble angel was damaged in 1793 by a Belgian officer who struck it with his sabre and damaged the nose and a foot.

£1,000-2,000

£100-200

962 AN ITALIAN BRONZE TAZZA, decorated in high relief with Roman architecture and figures, on a black octagonal slate base, 19th century, 7" high

£200-400 113

1006 AN ART DECO STERLING SILVER AND BLACK ENAMELLED POWDER COMPACT inset to the cover with a circular green "jade" roundel, within a marcasite border, with a gilt and mirrored interior, 2¼" dia., and an unmarked silver purse with engraved scrolling leaf decoration and the name "Millie" (2)

1000 A 15CT YELLOW GOLD DOUBLE SOVEREIGN CASE, London 1909 (c.47grams)

£400-800

1001 A 9CT YELLOW GOLD CIGARETTE CASE with linear engine-turned decoration, London, 1928 (c.68grams) and another similar engine-turned compact (2)

1007 AN ART DECO SILVER AND ENAMELLED SNUFF BOX, the covers enamelled in blue, red, yellow and white, with an Asian elephant and rider, within chased borders, with gilt interior, indistinctly marked to the rim and stamped 'sterling', 3" long

£500-1,000

1002 A RUSSIAN SILVER AND SILVER GILT CIGARETTE CASE with pale blue guilloche enamel within black patterned enamel borders, a 9ct yellow gold cigarette paper case, hallmarked (c.26grams) and a continental repoussé and bright-cut white metal oval box (3)

£300-500

£70-140

1009 A FRENCH IVORY GAMES COUNTER BOX with polychrome and pen-work decoration of festive figures, with a central mother of pearl spinning counter, the hinged lid revealing a polychrome and pen-work vignette, signed "Mariaval le Jeune a Paris fecit", 3¼" long

1004 A VICTORIAN 22CT YELLOW GOLD FULL SOVEREIGN dated 1900, a George V full sovereign dated 1913, and a 1915 half sovereign (3)

£350-650

1005 A WILLIAM IV SILVER AND AGATE SNUFF BOX, the bevelled red agate top and bottom enclosed within engine-turned silver sides, Birmingham 1833, by Edward Smith, 2¾" long

£200-400

1008 A VICTORIAN SILVER TABLE SNUFF BOX with relief carved and engraved rose thistle and shamrock borders, inset with bevelled panels of brown hardstone, the underside with engraved armorial, with a gilt interior, London 1846, by Francis Douglas, 3¼" long

£200-400

1003 A GEORGE V 22CT YELLOW GOLD HALF SOVEREIGN dated 1912

£80-150

£200-400

1010 A 19TH CENTURY CIRCULAR PAPIER MACHE BOX AND COVER, the cover decorated in gilt with a side portrait profile of a Russian raising his glass to toast, 3½" dia., and a Bavarian horn and ivory snuff box with stag decoration to the lid (2)

£80-150

114

£50-100

1011 A SILVER AND ENAMEL LADIES COMPACT, the lid enamelled with a trio of figures conversing in a barn, with farm animals and machinery, with engineturned back and sides, the gilt interior revealing a mirror, two compact compartments and lipstick slide, import marks for 1930, 2½" long. See Illustration

Lot 1011

£1,200-1,800

1012 A DAGUERREOTYPE of a young girl, Nesta Bridge, inscribed "Nesta Bridge at Valleyfield, 1st Dec. 1859", in ink, verso, within a gilt metal foil type frame, 2½" x 2"

£50-100

1013 ENGLISH SCHOOL, 18th century A portrait miniature painted on ivory of a lady wearing a yellow dress with blue bow and coiffured greying hair, against a graduated pale blue ground enclosed within a royal blue guilloche enamel and rose gold frame, the reverse with hair-work and seed pearl panel, the two colours of entwined hair inscribed "first born", 3" long (the whole). See Illustration

Lot 1013

£1,500-2,000

1014 ENGLISH SCHOOL, early 19th century A portrait miniature on ivory of Lady Hamilton wearing a pale blue and lace dress and head scarf, with her head tilted coquettishly enclosed within an unmarked rose metal frame, the reverse with a lock of brunette hair, 3½" x 2½". See Illustration

£250-500 Lot 1014

1015 ENGLISH SCHOOL, 19th century A portrait miniature on ivory of a gentleman wearing a dark coat and stock, with a red drape to the background, rectangular, 4" x 3½", previously attributed to Thomas Hargreaves (1775-1846), framed as an oval in a black rectangular frame

£100-200

1016 L. WOODRUFF A three-quarter length portrait miniature painted on ivory of a young lady in a white evening gown, with elbow-length gloves and a lavender bow to her hair, signed and dated 1902, 4¾" x 3½", and enclosed within a white and blue enamelled ribbon-tie oval frame

£150-250 115

1020 A GEORGE III GOLD MOUNTED WALKING CANE, the top mount with bright-cut and dot engraving, the top with engraved presentation inscription 'From HRH The Duke of Cambridge', the rim hallmarked for London 1786, makers mark 'R (indistinct) M'

Lot 1021

The reference to the Duke of Cambridge could relate to Prince Adolphus the Duke of Cambridge (1774-1850) the tenth child and seventh son of George III and Queen Charlotte

£400-600

1020A A DUNHILL SILVER-PLATED LIGHTER in the form of a 12" ruler, with engraved inscription "Rotol and British Messier"

£200-400

1021 A GOANESE CARVED IVORY FIGURE OF THE MADONNA AND CHILD the Madonna wearing an engraved silver crown with cross mount, 17th century, 10" high. See Illustration.

1017 OLGA MORGAN A portrait miniature on ivory of a side profile of a lady, probably Vera Morgan, wearing a black gown and black ribbon to her hair, signed and dated 1904, 3" x 2", in a heavily step-carved oval ivory frame

1022 A 19TH CENTURY CONTINENTAL SILVER MOUNTED WHITE AGATE BOWL, the floral swag and rope twist mount interspersed with rose-cut garnets with two scrolling handles and raised on four panel feet, numbered '118' with indistinct makers mark 'BM' (?), 4¾" dia.

£100-200

1018 OLGA MORGAN An oval portrait miniature painted on ivory of Vera Morgan wearing a black and white evening gown with black ribbon to her hair, 2½" x 2", in a modern brass frame

£150-300 1023 AN 18CT YELLOW GOLD POCKET PENCIL, with blue glass cabochon push-stud, a 9ct rose-gold watch fob, with 18ct yellow gold T bar, and an 18ct yellow gold cocktail swizzle stick (3)

£80-150

1019 A COLLECTION OF DANISH MEDALS awarded to Oda Huld (1896-1985) actress and dancer, including a large silver medal "Akts.kjobenhavns Sommer Tivoli", with engraved name and dates "1912" and "1937" in the original fitted case, two others similar dated "1951" and "1962", and a Georg Jensen 14ct gold Second World War badge with red and white enamel and the dates "1870-1940" worn by the Danish public as a sign of loyalty to their King and in protest against Nazi occupation (a lot)

£1,000-1,500

£100-200

1024 A VICTORIAN 15CT YELLOW GOLD VESTA CASE, engraved 'Charlie' with an arm and oak leaf armorial, London 1888, c.25g

£300-600 116

£250-500

1025 A TORTOISESHELL AND GOLD MOUNTED PARASOL, circa 1910, Paragon S Fox & Co Limited, mounted by Charles Cooke, retailed by Brigg & Sons London, the tortoiseshell handle decorated with gold mounted swag and ribbon bow design and the name 'Alix' to the finial, with a brown cover, marked "Paragon S Fox & Co Limited, Brigg London", gold assay mark Sheffield 1908, 39 inches long. See Illustration

117

Charles Cooke was the primary mounter of sticks, canes and umbrellas for Brigg & Sons of St James's St. London. His address from 1907 to 1916 was 4 Rigmount Street Bedford Square where he is listed as a stick mounter. (See J Culme 'The Directory of Gold and Silversmiths Jewellers and Allied Traders 1838 1914 vol 1, 1987 p. 95-6.)

Provenance: 'Alix'………… The parasol was given to the vendor's aunt Alix Cavendish (1901 -1925) daughter of Lord Richard Cavendish, younger brother of 9th Duke of Devonshire and Lady Moyra de Vere Beauclerk, daughter of 10th Duke of St Albans, by her godmother Nancy Lady Astor, a great friend of the family.

£500-1,000

1028 A 19TH CENTURY MICRO MOSAIC PORTRAIT OF AN ITALIAN SOLDIER, wearing a sword and grasping a halberd against a black hardstone ground, and enclosed within a gilt metal pierced scrolling and flowerhead frame, with a pair of Roman eagles either side, 10¼" high. See Illustration

Lot 1026

£300-600

1029 DARWIN, CHARLES, 'The Expression of the Emotions in Man and Animals', London, John Murray, 1872 (First Edition), with a dark green cloth binding

£100-200

1030 A ROMAN BRONZE 'COMMA' SPOON, the 'comma' shaped bowl with a square section stem, 4¼" long.

Lot 1028

Similar Roman 'comma' spoons can be found at the Dorset County Museum. Their suggested use is for the eating of shellfish or snails. The small hole at the base of the terminal acts as a strainer for the liquids.

£80-160

1031 A MEDIEVAL LEAD-ALLOY PRESSED PILGRIMS BROOCH, inscribed 'Ave Maria' with a pierced bird to the centre, 15th/16th century, 1¾" wide, a medieval lead buller, and a horse harness pendant (3)

1032 A COLLECTION OF NINE FLINT HEADS each labelled with the location of excavation and the date, including 'Tolpuddle 1924', 'Ridgeway 1924' and 'Corfe 1924', probably Stone Age (a lot)

1026 VAN CLEEF AND ARPELS: A YELLOW GOLD LADIES WOVEN BASKET WEAVE CIGARETTE CASE, signed 'Van Cleef and Arpels' with makers mark and French gold mark, c.150g, 5" x 3½". See Illustration.

£200-400

1033 A COLLECTION OF TEN FLINT AXE HEADS of varying sizes, each labelled with the site of excavation and date, including 'Corfe 1924', 'Morton 1913' and 'Maiden Castle 1924' probably Stone Age (a lot)

£1,000-2,000

1027 A SIR WINSTON CHURCHILL COMMEMORATIVE MEDAL SET, each of the four commemorative medals hallmarked for 18ct yellow gold, numbered, total weight c.57g (all in), in the original fitted case with certificate.

£100-200

£800-1,200 118

£200-400

1034 A 19TH CENTURY ROMAN MICRO MOSAIC of a view in Venice, looking towards the Santa Maria della Salute Basilica, inset into a black hard stone panel, 6¾" x 9¼", enclosed within a pierced ormolu scrolling acanthus leaf frame with four bird trophies, and eagle surmount and engraved with the letters 'SPQR' for the city of Rome, 13" x 14½". See Illustration.

£1,000-2,000

119

1035 AN OVAL AMETHYST SEAL, the intaglio carved to depict a male and female side portrait profile entwined with a rams head and Greek letters probably Roman, and mounted in a 19th century cartouche shaped mother of pearl and silver seal terminal, engraved with nude figures, flowerheads and an inscription in Italian 'A mon Zaporos 1891 Dita (?)', 4" long, the amethyst intaglio 1.1cm x 1.18cm. See Illustration.

ÂŁ3,000-5,000

120

1036 ENGLISH SCHOOL, circa 1815 A set of six portraits of Homer, Ovid, Julius Caesar, Plato, Marcus Brutus and Marcus Agrippa, painted on vellum, each titled on the reverse in a brass plaque, retaining the original papier maché frame, stamped 'Clay', the miniatures, 4" x 3½". See Illustration

£500-1,000 121

1037 GEORGE PERFECT HARDING, 1780-1853, A set of seven portrait miniatures depicting Henry VIII and his six wives, some retaining paper labels, verso, each with ebonised frame with pierced gilt metal mounts behind bevelled glass, Henry VIII 3¾" x 3¼", The Wives, 3" x 2¼" (7). See Illustration £1,500-2,500

122

Lot 1041

Lot 1038

1039A A MEDIEVAL BRONZE AND ENAMELED HORSE PENDANT, believed to be from the house of Beauchamp, c.14th century, 1¾” x 1.1”

1038 A VICTORIAN GOLD SNUFF BOX, with engraved scroll and floral decoration overall, the hinged lid revealing an engraved inscription 'A Token of Regard from Sir Alex William Grierson, Bart, to Alex Simpson, Esq 12th August 1868', London 1841 by John Linnit, c. 99gms. See Illustration

£1,500-2,000

1038A A 9CT GOLD CIGARETTE CASE of canted rectangular form with engine turned decoration, William Neale, Birmingham, 1929, 4¼" x 3¾", (c152g)

A similar effigy belonging to Sir John Beauchamp and his wife can be found on the Beauchamp Tomb at Worcester Cathedral. Sir John Beauchamp was the

S eneschal of King Richard II, who knighted him and also made him a Baron.

£200-£400

1040 AN ICON painted in polychrome to depict St George slaying the dragon with courtiers, indistinctly inscribed to the top, painted on panel, 13" x 9½", possibly early 18th century

£800-1,500

1039 A 'SAFAVID' BLUE AND WHITE JUG with associated trailing floral engraved European pewter mounts, the pottery body 16th/17th century, 6¼" high

£100-£200

1041 AN ETRUSCAN BRONZE MIRROR the cast circular disc engraved on the reverse with a winged deity and other figures and retaining traces of gilt, the obverse with a beaded border and an incised palmette at the base, with a turned ivory handle, probably 3rd Century B.C. 11½" max. See illustration

£100-200

123

£1,000-2,000

1042 A "HELLENISTIC" GOLD WREATH composed of a simple hoop with applied branches of myrtle, with stylised flower heads emerging from spearshaped leaves with delicate veining, 7Â˝" across. See illustration

On stylistic grounds the form of this gold wreath indicates a date in the 2nd/3rd century B.C.

rovenance: Acquired by the Grandfather of the P vendor is the 1930's and thence by descent

Private Collection, Somerset

ÂŁ10,000-20,000

124

WORK S OF ART CLOCK S AND SCIENTIFIC INSTRUMENTS RUGS AND CARPETS

Detail of lot 1106 125

1107 A PATINATED AND GILT BRONZE THREE BRANCH TABLE LAMP, the base mounted with a bird standing on a rocky outcrop overlooking a small frog, with three foliate candle branches above, on an onyx base, fitted for electricity, 20th century, 14" high

1100 A COROMANDEL, MOTHEROF-PEARL AND MARQUETRY WRITING SLOPE, the sloping end fall inlaid with a floral bouquet within a running border, the interior with a velvet-lined writing surface and fitted compartments, Victorian, 14" wide

£80-150

1101 A WALNUT AND MARQUETRY TEA CADDY, the rectangular top inlaid with a central diamond and bands of geometric marquetry, with vacant interior, Victorian, 9" wide

1108 TWELVE HALF BOTTLES OF 1977 GRAHAM'S VINTAGE PORT, bottled 1979 in original wooden case (12 bottles)

£40-80

£300-500

Formerly in the Chateau Triquerville Seine Maritime, France

£100-200

1111 JULES MOIGNIES (1835-1894): A BRONZE STUDY OF A WHIPPET BITCH standing over a dead hare, on a naturalistic base, signed, 7" high, and a smaller example of the same subject, 4½" high (2)

1104 AN ASHANTI 'GOLDEN' STOOL, with dished seat on a pierced and carved support and platform base, 18" wide £80-150

1105 C.B. BIRCH: A PARIANWARE SCULPTURE of a maiden with a deer at her side and calf in her lap, signed to the base, C.B. Birch, S C. 1866, Victorian, 19" high

£120-180

1110 A PAIR OF CRYSTAL TABLE CANDELABRA, each with a central glass mounted column supporting two tiers of glass drops and a tier of four light fittings, on scrolling branches, with further pear-shaped flat-sided drops, 19th century, 29" high (2)

£50-100

1103 A FRENCH BOULLE WORK TEA CADDY, the rectangular top set with scrolling engraved brass against a red tortoiseshell ground, the sides similarly decorated, with twin lidded compartments to the interior, 19th century, 9" wide

£200-400

1109 A HALF CASE OF VINHOS MESSIAS VINTAGE PORT 1985, in unopened case

1102 A VICTORIAN STYLE BRASS TABLE LAMP in the form of a vase-shaped urn with ram's mask mounts, on platform base with animal paw feet, 20th century, 17½" high

£200-400

Provenance: The Late William Gronow-Davis, King John's House

£200-400

1112 ENGLISH SCHOOL, 19th century, a plaster model of a seated whippet, 18" high

£200-400

1106 A CAST AND PATINATED BRONZE SCULPTURE of a bearded warrior wearing a helmet, on a gilt metal base, 19th century, 11" high £200-400

126

Provenance: The Late William Gronow-Davis, King John's House

£100-200

Lot 1113

1113 JOHANN GOTTFRIED SCHADOW (1764-1850): A BRONZE STUDY OF FREDERICK THE GREAT WITH HIS GREYHOUNDS, inscribed 'H. Noack, Berlin, Friedenau', the Greyhound's collar marked 'Alcmene' and 'Hasenfess', with a deep rich brown pattern, 35" high. See Illustration

1114 A GEORGE III ROSEWOOD AND MAHOGANY SEWING BOX of octagonal form with a central oval panel, decorated with a scene of Cherubs 'Cupid's Triumph', 10¼" wide and three similar mother-of-pearl boxes (4)

Acquired from Robert Bowman Ltd 8 Duke Street, St James, London, SW1, who apparently acquired the bronze at auction in Amsterdam on 14th December 1998

Provenance: The Late William Gronow-Davis, King John's House

1115 A CHIPPENDALE STYLE ROCOCO DESIGNED TEA CADDY of serpentine sided rectangular form, with a gilt metal handle and all over carved decoration, 20th century, 12½" wide

£2,000-4,000

127

£100-200

£80-150

1116 A GEORGE III SCROLLED PAPERWORK TEA CADDY with an hexagonal frame, all over mounted with scrolled paper panels, the interior with twin lidded compartments, 4" high x 7" wide See Illustration

Lot 1116

£200-400

1117 A TREEN CUP in the form of a naked man sat legs apart holding a broad bowl, with all over carved decoration, probably South German or Tyrolean, 3½" wide. See Illustration

£300-600

1118 JOHN CHURCH: 'A CABINET OF QUADRUPEDS' with historical and scientific descriptions, London 1805 with drawings by Julius IBBETSON, in gilt tooled and decorated red leather bindings, two volumes

Lot 1117

£200-400

1119 A PAIR OF GILT METAL EMPIRE STYLE CANDLESTICKS of French design with shaped sconces, on tapering reeded stems with spreading foliate cast and lobed circular bases, 9" high

£80-160

1120 A CARVED LAPIS STUDY OF TWO PARROTS with agate beaks and faceted red eyes, on a naturalistic quartz base, probably South American, 20th century, 12½” high. See illustration

£100-200

1121 A CARVED HARDSTONE STUDY OF A PARROT, possibly carved from bowenite, on an amethyst base, probably South American, 20th century, 4½” high and another similar example, 4¼” high, (2). See illustration

Lots 1120, 1121 and 1122

£80-150

1221 A CARVED HARDSTONE STUDY OF A PARROT, perched on a quartz base, probably South American, 20th century, 4¾” high and another similar example, 2¾” high, (2). See illustration £80-150 1123 -1124 Spare lots

128

CLOCKS AND SCIENTIFIC INSTRUMENTS Lot 1127

Lot 1130

1128 A REGENCY MAHOGANY AND BRASS INLAID DROP DIAL WALL CLOCK by Thomas Eames, Bath, with convex dial and single fusee movement, 21" high x 14" wide

1125 A VICTORIAN GILT SPELTER AND MARBLE MANTEL CLOCK, the circular dial signed "T. Schiemer Bordeaux" with gilt numerals, with an eight day two train movement striking on a bell, the dial set within a classical style ivy clad column flanked by a maiden, on an elaborate slate and gilt base, 26½" high x 18¼" wide

£250-450

1129 A REGENCY ROSEWOOD MANTEL CLOCK by Swift of Fenchurch Street, London, the convex dial with Roman numerals, with a single train fusee movement, the case with a stepped pediment and brass stringing, on short ball feet, 14" high x 8" wide

1126 A VICTORIAN SLATE AND GILT METAL MANTEL CLOCK, the circular dial with visible "brocot" escapement and two train eight day movement striking on a bell, the dial in a circular mount above a pendulum window and twin gilt metal columns above a conforming frieze, 18" high x 15" wide, with twin flanking ornaments with conforming decoration, each 10½" high x 7" wide

£250-450

1130 A GEORGE III MAHOGANY BRACKET CLOCK by Leroux, Charing Cross, the white enamel dial with Roman numerals, with an eight day two train fusee movement striking on a bell, the waisted case with pine cone finial and twin carrying handles, with brass grille and stringing, 19" high x 11" wide. See Illustration

£300-500

1127 A GEORGE III LONGCASE CLOCK, the brass dial signed "Simon de Charmes", with subsidiary date aperture and seconds dial, the arch with a central tablet inscribed "W. Hallack, Cambridge", with an eight day two train five pillar movement striking on a bell, the mahogany case with arched top hood, the trunk with tall door flanked by quarter recessed brass stop fluted columns, 92" high. See Illustration

£400-600

£2,000-4,000 129

£1,000-2,000

RUGS AND CARPETS

Lot 1131

1131 AN ART DECO RUG worked with geometric patterns in blue and orange against a beige ground, 146" x 108". See Illustration

£600-800

1132 A CAUCASIAN FRAGMENT OR BAGFACE worked with two rectangular panels in reds, greens and blues, 50" x 32"

£80-150

1133 A CAUCASIAN BAGFACE worked with a central diamond with geometric border, the central diamond in red against a blue ground, 25" x 22"

Lot 1135

£80-150

1134 A CAUCASIAN RUG worked with a central rectangular panel with three diamond shaped motifs within a multi guard border, worked in reds and blues, 76" x 48"

£80-150

1135 A FINE PERSIAN CARPET of Isfahan design, the central rectangular red ground field worked with a blue and ivory floral medallion surrounded by trailing leafage, vases and exotic animals, with corner spandrels, within a conforming outer border and guards, 160" x 125". See Illustration

Lot 1137

£800-1,500

1136 A MAHAL "EMPTY GROUND" CARPET with a broad rectangular panel in beige within a stylised foliate border, 166" x 81"

£300-600

1137 A HERIZ CARPET worked with a large central rectangular panel with stylised foliate motifs within a geometric border against a deep blue ground, 130" x 98". See Illustration 130

£500-800

Lot 1143

1141 A KAZAKH RUG worked with three stylised motifs against a red ground and multi guard border, 88" x 50"

1138 A PERSIAN RUG worked with a central panel of stylised foliage against a faded salmon ground within a multi guard border, 140" x 100"

£300-600

1142 A KAZAKH RUNNER of traditional form worked with repeated geometric octagonal panels within a border worked with geometric designs and stylised animals, 110" x 36"

1138A A PERSIAN CARPET worked with a central stylised medallion with geometric flowers within a conforming surround and multi guard border, worked in reds, blues, greens and yellows, 151" x 115".

£300-600

£80-150

£100-200

1143 AN AGRA CARPET, the indigo field with an overall arabesque lattice enclosing rosettes, within a narrow madder border of arabesques and palmettes, North Indian, circa 1890, 177" x 157". See Illustration

1140 A SMALL TEKKE BOKHARA RUG worked with elephant foot guhls within a multi guard border, 43" x 32"

£150-250

1142A A PAIR OF KASHAN SMALL RUGS each worked with a central star shaped motif and foliate detailing against a cream and red ground, 29" x 25"

1139 A TEKKE BOKHARA RUG worked with repeated elephant foot guhls against a red ground, 66" x 33"

£250-450

£50-100

131

£1,000-2,000

Lot 1149

1147 A PART SILK ISFAHAN RUG finely worked with a central geometric foliate motif against a pale cream ground within a conforming border, 71" x 44"

1144 A QASQAI RUG worked with repeated diamond shaped motifs and foliate forms against an alternating red and blue grounds within a geometric border, 111" x 64"

£250-450

1148 A HERIZ CARPET, the madder ground central rectangular field worked with ivory, blue and multi-coloured floral palmettes and trailing leafy tendrils, within pale blue and ivory herati style outer borders and guards, 124" x 163"

1144A AN AFSHAR COMPLETE SADDLE BAG worked with stylised decoration against a blue and red ground with woven borders, 22" x 26"

£100-200

1145 A KURDISH RUNNER worked with stylised geometric patterns against a blue ground within a multi guard border, 189" x 41"

£500-1,000

1149 A KERMAN LAVAR CARPET, the ivory field with a large indigo reserve enclosing a floral pole medallion, light crimson spandrels, overall flowering vines and palmettes, multiple floral borders, South East Persia, circa 1870, 190" x 146". See Illustration

£150-250

1146 A TURKISH CREAM GROUND RUG worked with a central lozenge and scrolling foliage within a conforming border, 72" x 47"

£500-1,000

£150-250

132

£500-1,000

FURNITURE

Detail of lot 1211 133

1150 A SHERATON REVIVAL MAHOGANY AND MARQUETRY DISPLAY CABINET with a single bow fronted door with shaped glazing bars enclosing a shelved interior, on turned and tapering legs, early 20th century, 63½" high x 31" wide

1152 A ROSEWOOD AND MARQUETRY WORK TABLE, the shaped rising top with central fan motif and scrolling border enclosing a fitted interior with lidded compartments, on four scroll branches and hexagonal baluster faceted column and triform base, Victorian, 30" high x 20" wide.

£200-400

1151 A SATINWOOD CROSSBANDED FOLD TOP CARD TABLE of Sheraton design, the shaped top above a conforming frieze on square tapering legs with spade feet, 18th century, 29½" high x 35" wide

£180-250

1153 A MAHOGANY AND SATINWOOD STRUNG LADY'S WRITING DESK with a raised superstructure with an arrangement of pigeon holes, cupboards and short drawers, the base fitted with five drawers and two slides, on square tapering legs, 19th/20th century, 38½" high x 48" wide

£300-600

Lot 1155

£100-200

1154 A LOUIS XV STYLE MARBLE TOPPED STAND, the circular top with pierced brass gallery and central marble panel above a floral painted frieze on slender fluted columns and triform base with all over gilt metal mounts, 30" high x 13½" wide

£80-150

1155 A CHARLES II OAK ARMCHAIR with a rectangular panel back, beneath a chip-carved top rail flanked by turned finials, with shaped arms and a solid seat, over a chip-carved seat rail and turned baluster legs and squared stretchers 23¼" wide. See Illustration

Lot 1156

Provenance: The Late William Gronow-Davis, King John's House

£300-600

1156 A WILLIAM AND MARY "CUSHION" MIRROR, the rectangular plate with hand bevelled border within a moulded surround and cushion oyster veneered frame, 17th century, 30½" x 26". See Illustration

£400-800

1157 A SET OF SIX REGENCY MAHOGANY BAR BACK DINING CHAIRS, with broad backs above a pierced scrolling splat and cross-rail, with overstuffed seats with brass round headed nailed upholstery, on turned legs, 19th century, 34" high (6) 134

£300-500

1158 A GEORGE III MAHOGANY CHIPPENDALE STYLE DINING CHAIR, with a pierced back splat above a needlework upholstered seat on square legs with 'H' form stretcher, 18th century, 37½" high

Lot 1159

£80-150

1159 A GEORGE II STYLE WINGBACKED ARMCHAIR, the high back with projecting sides and scrolling arm supports on four cabriole legs, the front with shell carved knees and ball and claw feet, 43" high. See Illustration

£800-1,500

1160 A GEORGE III MAHOGANY BOOK STAND with a rectangular rising top on a circular adjustable column with three downswept cabriole legs with pad feet and recessed castors, 18th century, 28" high x 22" wide. See Illustration

Lot 1160

£300-500

1161 A GEORGE II STYLE GILTWOOD WALL MIRROR, the rectangular plate within a shell and scroll carved and pierced frame, 19th century, 24" x 19"

£100-200

1162 A REGENCY MAHOGANY BREAKFAST TABLE, the circular top with broad crossbanding and rosewood banding on a turned column and triform base with reeded feet, early 19th century, 29" high x 51" wide

Lot 1163

£150-250 1163 A GEORGE II MAHOGANY DINING CHAIR, the shaped back with scrolling interlaced splats above a needlework seat, on square section legs with an 'H' form stretcher, 38½" high. See Illustration

This chair bears a striking similarity to a set of similar chairs attributed to William Hallett. from Kirtlington Park

£500-800

135

1164 A GEORGE III MAHOGANY TIPTOP TEA TABLE, the circular dished top with wavy edged border, on a turned and carved column with three downswept cabriole legs with leaf-carved knees and pad feet, 18th century and later, 25" high x 29" wide

Lot 1165

£100-200

1165 A REGENCY MAHOGANY FRAMED LEATHER UPHOLSTERED ARMCHAIR with a raised back and scrolling arms with loose cushion, within a reeded frame and turned legs, 19th century , 40" high. See Illustration

£300-500

1166 A GEORGE II MAHOGANY PAD FOOT DINING TABLE, with an oval drop-flap top above a single end drawer on cabriole legs with pointed pad feet, the top 48" x 56", 28" high

Lot 1168

£100-200

1167 A REGENCY MAHOGANY SIDEBOARD, the rectangular top with a raised shelf on tapering octagonal columns, with a single panel fronted frieze drawer, above twin cupboards enclosing a shelved interior, on short turned legs, 51" high x 50" wide

£200-400

1168 A GEORGE II STYLE MAHOGANY STOOL with an upholstered top on four heavy carved Irish style cabriole legs with hairy paw feet, 19th/20th century, 25'" wide. See Illustration

Lot 1170

£400-600

1169 A GEORGE III STYLE MAHOGANY CANTERBURY with three divisions between turned uprights, above a single frieze drawer, on short turned legs with brass cap castors, 19th century, 22½" x 19"

£200-400

1170 A MAHOGANY DUMB WAITER with two dished tiered shelves on turned uprights with three downswept cabriole legs with pad feet and recessed castors, 38½" high x 20". See Illustration 136

£300-500

1171 A VICTORIAN ROSEWOOD REVOLVING PIANO STOOL, the circular upholstered top on four turned and reeded legs, 19½" high

Lot 1175

£80-150

1172 AN ELM LADDER-BACK ARMCHAIR with six graduated ladders between turned uprights, with flat topped arms and turned legs, 44½" high

£50-100

1173 A LATE REGENCY MAHOGANY PEMBROKE BEDSIDE OR WORK TABLE, the rectangular top with drop-flaps above two short drawers with turned knob handles and conforming dummy drawers, on tapering turned legs with brass castors, 19th century, 28½" high, 18" wide

£150-250

Lot 1176

1174 A GEORGE III STYLE MAHOGANY CANTERBURY with three divisions above a single frieze drawer with brass knob handles, on square legs with brass cap castors, 20th century, 21" high x 20¼" wide

£100-200

1175 EDWARDS & ROBERTS: A LATE VICTORIAN BURR WALNUT AND EBONISED DAVENPORT, with a leather-lined writing surface, opening to a burrwood fitted interior with a stationery compartment above, flanked by ebonised turned pilasters with Wedgwood cameo mounts and four graduated drawers and conforming dummy drawers, stamped 'Edwards & Roberts, Wardour Street, London', 35" high x 24" wide. See Illustration

Lot 1177

£800-1,500

1176 A BAROQUE STYLE GILTWOOD WALL MIRROR with a rectangular plate within heavy scrolling foliate surround, 19th century, 30" high x 25" wide. See Illustration

£250-450

1177 A GEORGE II STYLE GILTWOOD WALL MIRROR with a cartouche shaped plate with a pierced acanthus leaf surround, surmounted by a double scroll floral pediment, 50" x 34". See Illustration

£400-600

137

1178 A GEORGE III MAHOGANY BASIN STAND, the circular dished top above two triangular drawers on scrolling downswept legs, with blue and white Spode basin, 31" high

Lot 1180

£100-200

1179 AN EDWARDIAN SHERATON REVIVAL INLAID MAHOGANY OPEN WORK TABLE, the hinged top opening to a fitted interior, on square tapering legs and spade feet joined by cross stretchers, 30" high x 19¾" wide

£200-400

1180 A GEORGE III MAHOGANY TRAY TOP COMMODE, the rectangular top with wavy border with pierced hand holds above a cupboard and pull-out base, 30" high x 21¼" wide. See Illustration

Lot 1181

£200-400

1181 A GEORGE III MAHOGANY TRAY TOP COMMODE, the rectangular commode with a raised top with three pierced hand holds above a shallow drawer, twin cupboards and a pull forward base modelled as two further long drawers, 32" high x 22½" wide. See Illustration

£200-400

1182 AN EDWARDIAN MAHOGANY AND MARQUETRY GEORGE III STYLE TWO HANDLED TEA TRAY decorated with a musical trophy amongst scrolling decoration, 27" wide

Lot 1183

£150-250

1183 A GEORGE III SATINWOOD FOLD TOP CARD TABLE, the 'D'-shaped top enclosing a baize-lined interior, on square tapering legs, 28½" high x 36" wide. See Illustration

£400-600

1184 A VICTORIAN ROSEWOOD BRASS AND MOTHER-OF-PEARL INLAID OCCASIONAL TABLE, the rectangular top with brass stringing and inlay, on a tapering turned column with central ebonised dished shelf on four downswept scrolling legs, 29" high x 21" wide

138

£200-400

1185 A FRENCH HEPPLEWHITE STYLE MAHOGANY OPEN ARMCHAIR with needlework upholstered seat and back, on scrolling legs and knurl toes, 34" high x 29" wide

Lot 1189

£200-400 1186 A VICTORIAN ROSEWOOD CORNER WHATNOT with four graduated bow fronted tiers between turned uprights, 49" high x 22" wide

£80-150

1187 A GEORGE III STYLE MAHOGANY PILLAR TABLE with a circular top on a Gothic carved tapering column with three downswept legs with leaf-carved knees and ball and claw feet, 18th century and later, 29" high x 28" wide

Lot 1190

£100-200

1188 A GEORGE III STYLE MAHOGANY LONG STOOL, the rectangular top upholstered with a Victorian needlework scene of figures gathered around dead game, on moulded legs with 'H' form stretcher, 15" high x 41" wide

£80-150

1189 A QUEEN ANNE STYLE WALNUT DRESSING MIRROR, the rectangular plate within a moulded surround above an arrangement of three stepped drawers and small bracket feet, 19th century, 29" high x 17½" wide. See Illustration

£200-400 Lot 1191

1190 A GEORGE III MAHOGANY DRESSING TABLE MIRROR with a rectangular bevel-edge plate, within a gilt filet, between sloping uprights on a box base, with a single long drawer with central escutcheon, on short bracket feet, 24½" high x 16½" wide. See Illustration

£150-250

1191 A REGENCY MAHOGANY BOW FRONT CHEST OF DRAWERS, with a crossbanded caddy moulded top above a brass strung frieze and two short and three long graduated drawers on splay bracket feet, 42" high x 42" wide. See Illustration

£150-250

139

1192 A REGENCY MAHOGANY BOW FRONT CHEST OF DRAWERS, with a crossbanded top above a brushing slide and two short and two long graduated drawers, on splay bracket feet, 33" high x 40" wide

Lot 1193

£150-250

1193 A REGENCY MAHOGANY BOW FRONTED CHEST OF DRAWERS, the crossbanded and ebony strung caddy moulded top above four long graduated drawers with bracket feet and wavy frieze, 39" high x 42" wide. See Illustration

£150-250

1194 A CHIPPENDALE STYLE MAHOGANY ARMCHAIR, with a scrolling top rail above a pierced splat and outswept arms, with drop-in seat and cabriole legs, 19th/20th century, 38" high x 23" wide

Lot 1196

£50-100

1195 A VICTORIAN STYLE MAHOGANY FOOTSTOOL with a needlework seat decorated with swans in a lake before a palace, on short turned legs with brass cap castors, 16" high x 24" wide

£50-100

1196 A REGENCY MAHOGANY BREAKFAST TABLE, the square top with rounded corners and reeded border, on a turned column of four downswept reeded legs with brass cap castors, the top 54" x 48", 28" high

Lot 1198

£400-600

1197 A GEORGE III MAHOGANY OCCASIONAL TABLE, with a tip-top with canted corners on spiral-turned baluster column and three downswept legs with ball feet, 28" high x 16" wide and another similar table (2)

£80-150

1198 A LOUIS XV STYLE MAHOGANY ARTIST'S EASEL with scrolling cresting and adjustable picture support on ball and claw feet, 72" high. See Illustration 140

£200-400

Lot 1199

1201 A WHITE AND VARIEGATED MARBLE COLUMN with a square top with canted corners on a fluted pillar and carved octagonal base, 19th century, 41½" high

1199 A GEORGE III MAHOGANY BUREAU BOOKCASE, the upper section with glazed doors enclosing a shelved interior, surmounted by a broken arch pediment, the lower section with a fall-front opening to a fitted interior, with secretaire drawers and pigeon holes, above four long graduated drawers on bracket feet, 93" high x 45" wide. See Illustration

1202 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with a central cupboard, flanked by short drawers and pigeon holes, all above four long graduated drawers on bracket feet, 41.5 high x 37" wide

£500-1,000

1200 A VICTORIAN MAHOGANY TWIN PEDESTAL WRITING DESK, the rectangular top with a lined writing surface above three frieze drawers, on twin pedestals of three further short drawers all with knob handles, 28" high x 41" wide

£300-600

£300-600 141

£200-400

Lot 1203

1203 A LATE GEORGE III SATINWOOD FOLIO STAND in the manner of Shearer, the rectangular top with a leather-lined writing surface, above a shallow drawer and two open shelves, the sides with panels of silk and brass lattice, on short turned legs with brass castors, 30" high x 33" wide. See Illustration

1205 A CARVED OAK PANEL, 17th century carved with a scene of a boy slaying a man, with tents, trees and buildings to the background, 12½" x 23¾"

The form is reminiscent of the published designs of Gillows

£1,000-2,000

1206 A SMALL DUTCH BRASS CHANDELIER of 17th century design, with six scrolling branches with ribbed holders and saucer-shaped drip pans, 19" wide and a pair of similar Dutch brass wall sconces

1204 AN ENGLISH OAK ARMORIAL PANEL, dated 1600, composed of two Coats-of-Arms, each surmounted by a knights helm

Provenance: The Late William Gronow-Davis, King John's House

£100-200 142

Provenance: The Late William Gronow-Davis, King John's House

£80-150

Provenance: The Late William Gronow-Davis, King John's House

£200-400

Lot 1207

1209 A CHINOISERIE LACQUERED 'CARLTON HOUSE' DESK, the shaped top with an arrangement of six central drawers flanked by cupboards, all above three frieze drawers with all over chinoiserie decoration of Oriental figures against a black ground, 20th century, 38" high x 50" wide

1207 A DUTCH OAK BUREAU with a sloping fall, enclosing a fitted interior with a central well, tiered short drawers and pigeon holes, all above three long graduated drawers with wavy front and gilt brass handles, on a carved and shaped base, 18th century, 42½" high x 50" wide. See Illustration

£500-1,000

1210 A PAIR OF CARVED AND GILT 'FLORENTINE' WALL BRACKETS with shaped shelves on scrolling supports, 9" high x 7¼" wide (2)

1208 A LATE VICTORIAN AESTHETIC PERIOD FOLIO STAND with a hinged cover on gilt metal hinges and outswept turned legs with ceramic castors, 42" high x 39" wide

£500-1,000

£200-400

143

£80-150

1211 A NORTH ITALIAN GILTWOOD PIER MIRROR of neo-classical design, the cresting with an urn of flowers swagged with drapes from which emanates sprays of flowering branches, flanked by two seated hounds with tails continuing into leaf-carved scrolls, from which are suspended oak leaves and acorns, the rectangular plate within a simple carved border with cascading leaves at the sides and apron composed of a band of stylised stiff acanthus leaves, with urn finials at the sides, supported on fluted and panelled plinths projecting below the line of the apron, late 18th century, 86" high x 43" wide (maximum). See Illustration

Provenance: The Late William Gronow-Davis, King John's House

ÂŁ2,000-4,000

144

Lot 1212

1214 A GEORGE III STYLE GILTWOOD WALL MIRROR, with a broad rectangular plate, within a scrolling carved frame with central cresting, 19th century, 47" high x 45" wide

1212 A CHARLES II OAK CUPBOARD, the rectangular top with a moulded border above a single long frieze drawer with block moulded front and two cupboard doors with central octagonal panels with star inlay between turned and moulded borders, enclosing three drawers, on compressed bun feet, 34" high x 38" wide. See Illustration

1215 A GEORGE III BURR YEW BUREAU, the sloping fall with broad crossbanding enclosing a fitted interior, with a central cupboard, flanked by short drawers and pigeon holes, all above two short and three long graduated drawer, on bracket feet, 41" high x 39" wide

£500-1,000

1213 A PAIR OF GILTWOOD TABLES in the manner of John Mcclean, with green marble tops on 'X'-form bases with turned stretchers and brass castors, 30" high x 39½" wide (2)

£300-500

£500-1,000

145

£500-1000

1216 A REGENCY MAHOGANY WORK TABLE, the rectangular top with canted corners enclosing a fitted interior with numerous lidded compartments, on four outswept supports, turned column and platform base, with animal paw feet, 29" high x 20½" wide

Lot 1218

£100-200

1217 IN THE MANNER OF LIBERTY & CO: AN ARTS AND CRAFTS DUET STOOL with a rising upholstered seat, on a wavy edged frieze, with tapering legs and stretcher, 20" high x 42" wide

£100-200

1218 A REGENCY ROSEWOOD THREE TIER WHATNOT, the rectangular shelves with turned divisions above a single drawer, on conforming legs and brass castors, 33½" high x 17" wide. See Illustration

Lot 1220

£100-200

1219 A ROCOCO STYLE GILT FRAMED WALL MIRROR, the rectangular plate beneath a conforming shaped plate, all beneath scrolling and entwined gilt decoration with a basket of flowers to the centre, 54" high x 29" wide

£200-400

1220 A MAHOGANY PLAN OR CHART CHEST in three parts, the rectangular top with a moulded border above twelve shallow drawers and a reading slide, 20th century, 60" high x 49" wide. See Illustration Lot 1222

£1,000-2,000

1221 A GEORGE II STYLE MAHOGANY FOOTSTOOL, the rectangular top with a needlework cover, on four cabriole legs with shell-carved knees and ball and claw feet, 17" high x 29" wide

£80-150

1222 A SET OF THREE VICTORIAN WALL SCONCES of rococo revival form, each with a white painted putti seated on a scrolling outcrop and holding twin candlebranches aloft, 34" high x 16" wide. See Illustration

146

According to family tradition, these sconces were purchased at the Great Exhibition of 1851

£500-1,000

1223 A PAIR OF VICTORIAN PIER TABLES AND MIRRORS, the narrow rectangular mirrors in moulded frames beneath scrolling lion-head sea monsters, the marble shelves supported on winged female figures and triform bases, the mirrors 98" x 24". See Illustrations

According to family tradition, these sconces were purchased at the Great Exhibition of 1851

£500-1,000

Lot 1223

1224 A LARGE OAK COFFER, the rising top above a front carved in low relief with three roundels with floral borders and birds to the centre, on a wavy edge plinth base, Continental, 32" high x 75" wide

£300-500 Lot 1223

1225 A GEORGE III MAHOGANY 'SILVER' TABLE, the rectangular top with a raised border and outswept corners above a single frieze drawer with brass handles and key escutcheons, on cabriole legs with pad feet, 29" high x 29½" wide

£100-200

1226 AN ITALIAN CEDAR WOOD CHEST with a rectangular two plank top above a front incised with three arched panels featuring exotic beasts and stylised foliage, with exposed stepped dovetails to the corner and ebonised animal paw feet, 22" high x 45" wide. See Illustration

Lot 1226

£400-600

1227 A LARGE EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular top with a central leaf and moulded border, on four heavy turned and carved legs with large brass wheel castors, the table with double extending winding mechanism and capacity for further leaves, the table top 58½" x 86½", 29" high

Lot 1228

£500-1,000

1228 A SET OF EIGHT REGENCY MAHOGANY BAR BACK DINING CHAIRS comprising two armchairs with broad curved top rails above a carved and pierced crossrail and scrolling arm supports, with drop in seats on turned reeded legs, and six conforming side chairs (8). See Illustration

£400-800

147

Lot 1230

1230 A GEORGE III OAK DRESSER, the top with an overhanging cornice above two shelves and small cupboards, the base with three frieze drawers with moulded fronts above two multi-panel doors and a conforming central panel, with brass drop handles and key escutcheons, 72½" high x 60½" wide. See Illustration

1229 A REGENCY GILT FRAMED CONVEX WALL MIRROR, the circular plate within an ebonised fillet and circular moulded surround, surmounted by an eagle with wings outstretched, and scrolling foliate decoration, 37" x 24"

£400-600

148

£1,000-2,000

Lot 1231

1232 MANNER OF ERNEST GIMSON: AN ARTS & CRAFTS OAK STOOL with arched handles above a solid seat and chamfered stretcher with through tenant joint, with all over chamfered detailing, 21" high x 20½" wide

1231 A MAHOGANY FOUR POSTER BED with moulded hanging rail above a shaped head board, with four turned leaf-carved and reeded baluster columns and carved cherubs head mount to the headboard, the bed 102" high, the base 68½" x 87½" (maximum dimensions). See Illustration

£2,000-4,000

149

£150-250

1233 SIDNEY BARNSLEY: A STAINED OAK KNEELING RAIL, with a rectangular top supported on four hexagonal uprights with through tennoned crossrails, above an open rail of five panels with chamfered edges, on sledge type feet with shaped toe, 34.5" high, 60" wide. See illustration

This rail is believed to be a prototype for the kneeling rails that were use in St Andrews Chapel in Westminster Cathedral. The Roman Catholic cathedral at Westminster was consecrated in 1910, and with numerous carvings by Eric Gill, mosaics by George Jack and work by many other leading designers of the time, the cathedral is one of the most spectacular buildings of the period. The chapel of St Andrew was designed by the leading Arts and Crafts architect Robert Weir Schultz who had been put forward for the commission by the Marquess of Bute. The Bute family had a well recorded love of the progressive arts, and it is not surprising that they were involved with the building of the new Cathedral.

The choir stalls and clergy seats in the chapel were designed by Ernest Gimson and Weir Schultz, and like the kneeling rails, they were made in ebony inlaid in bone. A prototype for one of the clergy seats from the chapel is now in the collection at Cheltenham Museum and Art Gallery, having previously been in the collection of Weir Schultz (CAGM 1941.225.121). It is likely that this prototype was produced both to assess the design and as an aid to costing.

The current lot may well be the prototype for the kneeling rails in the chapel. The examples in use are made of ebony and bone, and this might well explain why the cheaper alternative of stained oak was used for the working model. A drawing of this item by Sidney Barnsley is in the Cheltenham Museum collection, 1972.186:1. the design dated to c1923.

150

ÂŁ1,500 â&#x20AC;&#x201C; 2,500

151

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 152 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 155

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

156

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s Thursday, 9th and Friday, 10th June. Silver and Jewellery.

Silver and Jewellery

2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 9th and Friday, 10th June