Dukes 14th April 2016 by john holmes

Duke’s

Paintings and Furniture Thursday, 14th April

including the residual contents of King John’s House, Tollard Royal

Thursday, 14th April. Paintings and Furniture.

2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Duke’s AUCTIONEERS SINCE 1823

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

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From mid February 2006 living artists are entitled by law to receive a resale royalty Artist’s Resale Right: each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of

your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

FONTHILL ABBEY Fonthill Gifford, Wiltshire 18th June 2016

On the premises: A dispersal sale of selected contents Viewing: Friday, 17th June 10am-5.30pm Auction: Saturday, 18th June at 10.30am

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For further information please visit www.dukes-auctions.com or email Richard.Gold@dukes-auctions.com

AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 9th April, 9.30am - 12noon Monday, 11th April, 9.30 am - 5pm Tuesday, 12th April, 9.30am - 5pm Wednesday, 13th April, 9.30am - 5pm and on the morning of the auction day.

Catalogues £20.00 (by post)

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T he C ollection of the late W illiam G ronow D avis M F H

William Gronow Davis and Michael Pitt-Rivers sailing on the Solent William Gronow Davis was the lifelong partner of the late Michael Pitt-Rivers. He moved to King John’s House on the idyllic Rushmore Estate in 1961. William was an accomplished artist and he drew inspiration from the beautiful setting of King John’s House and his extensive travels with Michael. Travelling was, indeed, a passion and this they did in great style; Venice was a favourite and the Gritti Palace became something of a home from home. When at Rushmore they loved to entertain and as dedicated epicureans an invitation to King John’s House was not one to be missed. Both William and Michael were great patrons of the arts and friends included Dame Elisabeth Frink, whose work is well represented in this collection. They both had a great love of opera, sailing, whippets, field sports and country pursuits. Collecting art and objects to enhance the historic interiors of King John’s House was a shared passion. The rooms were filled with sumptuous fabrics, early tapestries, Asian Art and period furniture arranged with great panache and style. Duke’s are honoured to be conducting this sale on behalf of the Executors of the Estate.

Duke’s AUCTIONEERS SINCE 1823

Thursday, 14th April, 10.30AM Lots 1 – 42 Lots 50 – 185 Lots 220 – 229 Lots 240 – 246 Lots 250 – 406 Lots 500 – 668 Lots 720 –739 Lots 749 - 804 Lots 805 – 814 Lots 835 - 917

Prints Works on Paper A Family Collection of works by Frederick and Elizabeth Whitehead A Private Collection of paintings formerly at Château Seilleraye, France Oil Paintings The Collection of the late William Gronow Davis MFH Rugs and Carpets Works of Art Clocks and Scientific Instruments Furniture

View images of all lots and bid live online

Photography by

JONATHAN GOODING www.jonathan-gooding.co.uk

ALFRED WALLIS (1855-1942) The Emma Perkin Collection

‘A Schooner in St. Ives Harbour’ Oil on tea chest inscribed verso “To my little Emma Perkin, Uncle Alfred” 15” x 20¼”

One of eleven works to be included in our 15th September 2016 auction

Duke’s AUCTIONEERS SINCE 1823

THURSDAY, 14 t h April, 10.30A M

PRINTS

Detail of lot 00 Lot 41 Detail 9

7 WILLIAM HODGES (1744-1797) 'A view of a mausoleum at Etmadpoor', published 5th November 1787, by J. Grives, 103 Strand, London, inscribed and dated in the margin, 13¼" x 19¼", and three other Indian views (4)

1 JACOB GEORGE STRUTT (1790-1864) "Pine in the Colonna Gardens, Rome", etching from "Sylva", 14" x 12¼"

£80-150

2 FREDERICK LANDSEER GRIGGS (1876-1938) "The timbered south porch of St. Giles Church, Stoke Poges, Buckinghamshire", signed in pencil to the margin, etching, 4¾" x 3¾" See illustration

£200-400 8 A YOUNG PORTRAIT OF QUEEN VICTORIA AND PRINCE ALBERT, ovals, mounted in a single giltwood frame, engravings. mount size 12¾" x 21" See illustration

£100-200

3 FREDERICK LANDSEER GRIGGS (1876-1938) 'Castor', signed in pencil to the margin, etching, 5½" x 4¾". See illustration

9 AFTER JMW TURNER RA (1775-1851) A collection of eight coloured Dorset prints, inscribed in the margins, 6¼" x 9¼"

£100-200

£80-150 12 AFTER LIONEL EDWARDS (1878-1966) "The Berkeley Hunt near Rockhampton", printed and published by Eyre & Spottiswoode Ltd., 11½" x 19¼"

£50-100

6 THOMAS BOWLES (1695-1767) 'The Cathedral Church of Ely', printed and sold by J. Smith, engraving, 16¾" x 21"

£100-200

11 HERBERT DICKSEE (1862-1942) 'Sleeping lioness', signed in pencil in the margin, etching, 7" x 12"

5 FRANCESCO BARTOLOZZI (1725-1815) Noah's Vineyard, inscribed in the lower margin "Benozzo Gozzoli.nat.1400.ob.1478", published London as the act directs Jan 1st 1795, by A. Molteno Print Sellers to Her Royal Highness, The Duchess of York, 76 St. James Street, 13¾" x 13¾"

£100-200

10 JAMES MCBEY (1883-1959) "Venice, 22nd October 1925", inscribed lower right and signed in the margin, etching, 9¾" x 17¾"

4 FREDERICK LANDSEER GRIGGS (1876-1938) "St. Ippolyts", inscribed to the lower edge "To Russell George Alexander ..... ", signed in pencil to the margin, 5¾" x 4¾". See illustration

£200-400

£80-150 10

£50-100

Lot 2

Lot 3

Lot 4

Lot 8

18 LAURENCE STEPHEN LOWRY RA (1887-1976) "Cricket Match", numbered in the margin 116/850, 13" x 25¾"

13 AFTER CHARLES "SNAFFLES" JOHNSON PAYNE (1884-1967) "Great banks there was below in the fields", the mount with three printed vignettes, 11½" x 17"

£80-160

19 DAVID SHEPHERD (b.1931) "Tiger Fire", published by Soloman & Whitehead (Guild Prints) Ltd, by courtesy of the Tryon Gallery Ltd, signed in pencil in the margin, 22½" x 39¼"

14 SIR WILLIAM RUSSELL FLINT (1880-1969) "The Dance of a Thousand Flounces", a limited edition print, signed in the margin, 17¾" x 24".

£400-800

£200-400

15 LAURENCE STEPHEN LOWRY RA (1887-1976) "The Noticeboard", this reproduction is one of a single edition limited to 500 copies, signed in the margin, 15½" x 19¾". See illustration

20 DAVID SHEPHERD (b.1931) "Elephant", numbered 119/850 and signed in pencil in margin, 18¼" x 39½" £200-400

£400-800

21 DAVID SHEPHERD (b.1931) "Lion Majesty", copyright Solomon & Whitehead (Guild Prints) Ltd by courtesy of the Tryon Gallery Ltd, numbered 37 in the margin

16 LAURENCE STEPHEN LOWRY RA (1887-1976) "Our Town", published by Grove Galleries Ltd, Manchester. Copyright in all countries including the USA, numbered 753/850 and signed in the margin, 16½" x 24". See illustration

£200-400 22 GEORGES ROUAULT (1871-1958) "Le Passion", coloured etching, 12½" x 8¼"

£500-1,000

17 LAURENCE STEPHEN LOWRY (1887-1976) "Level Crossing", signed in the margin, 16" x 22¼"

£100-200

£200-400

£100-200

Lot 15

Lot 16

Lot 25

27 MAXWELL BATES (1906-1980) "Beggar", signed and dated 1958 in the margin, 17¾" x 14¾"

23 EDWARD ARDIZZONE (1900-1979) "On the Move with the 300th", initialled "EA" lower right, coloured lithograph, 12" x 16"

£80-150

£200-300

28 MAXWELL BATES (1906-1980) "Oriental Hunter", signed "Maxwell Bates 1958" and artist proof 4/5 in the margin, 14½" x 13"

24 TWO PRINTS entitled "King Charles Spaniel" and "The Foxhound", framed as one, the maple frame inscribed "Samuel Wilberforce Bishop of Winchester", each print 8" x 11½"

£80-150 29 HOMAGE TO SENEFELDER (Poster) An original poster for the Felix Man collection at the Victoria and Albert Museum 1971, 29¾" x 19¾"

£80-150

25 EDWARD ARDIZZONE (1900-1979) "Shelter Scene 1941 Tilbury Arches, Stepney", signed and dated on the mount, lithograph, 26" x 39". See illustration

£100-200 30 CHRIS ORR MBE "Arthurs Kitchen", a limited edition lithograph numbered 49/100, signed and dated 1978 in the margin, 9¼" x 13"

£300-600

26 EDWARD ARDIZZONE (1900-1979) "Henley Regatta", circa 1954, lithograph, 13¾" x 19¾",

£200-300 14

£50-100

31 MARINO MARINI (1901-1980) "Nude", special edition print, 14¼" x 10¾" See illustration

Lot 31

£100-200

32 JOSEF HERMAN (1911-2000) "Fisherwoman", signed in pencil and numbered 10/100 in the margin, lithograph, 17¾" x 25"

£100-200

33 CHRIS PLOWMAN (1952-2009) After Arcimboldo "War", numbered 4/50, signed and dated 1999 to the margin, 14" x 11¾"

£150-250

Lot 35

34 CHRIS PLOWMAN (1952-2009) After Arcimboldo "Music", numbered 4/50, signed and dated 1999 to the mount, 14¼" x 11¾" £150-250

35 GERALD SCARFE (b.1936) "Catastrophy", signed edition print, 23" x 32½" See illustration

Lot 36

£100-200

36 EDWARD BURRA (1905-1976) "Figures at a Bar" or "Boys Night", lithograph, 16" x 11½" See illustration £100-200

37 RUSKIN SPEAR (1911-1990) "The Arty Tie", limited edition print, 90/150, signed in the margin, 25½" x 25½"

Lot 39

£100-200

38 MARY FEDDEN (b.1915) A basket of lemons set within an Arabic landscape, artist proof print See illustration

£150-300

39 JOAN MIRO (1893-1993) A coloured abstract face, numbered V11/XXX, 25" x 18½". See illustration

£800-1,500

40 CIRCLE OF EMIL ORLIK (1870-1932) Two gents resting on a beach beside a rowing boat, etching, 17½" x 19½", and two other similar etchings (3)

Lot 38

£300-600

41 AFTER WASSILY KANDINSKY (1866-1944) "Lyrishes", a man on horseback, limited reprint numbered 213/300, 13½" x 20" plate

£100-200

42 MATTI BASIS (b.1933) Two artist proofs, 11¾" x 15¾" and 7" x 7¾"

£100-200

43 – 49 Spare lots

WORK S ON PAPER

Lot 185 17

50 WILLIAM HENRY HUNT (1790-1864) Still life, Irises in a vase watercolour, signed, 21''x 17½'', and companion, Still life with fruit (2) See illustration

Lot 50

£500-1,000 51 DAVID COX JR. (1809-1885) Two figures carrying baskets in a sparse landscape, signed and dated 1847 lower left, watercolour, 9½" x 13¾" £100-200 52 THOMAS ROWLANDSON (1756-1827) Dr. Syntax series "Accident at the Club", watercolour, 6" x 9½" See illustration

Lot 52

Provenance: J. Appleby, St Hellier Galleries, Jersey, label verso £500-800 53 JOHN NIXON (1760-1818) "At Exeter Cathedral", signed with initials and dated 1809, pen, ink and watercolour, 5" x 4" Provenance: Private English Collection; bought from Fry Gallery, Jermyn Street, label verso Lot 54

£100-200 54 JOHN SKINNER PROUT (1806-1876) A set of four miniature studies of classical ruins, watercolour, 3" x 2" See illustration £500-1,000 55 THOMAS ROWLANDSON (1756-1827) A study of mythical figures, indistinctly marked lower right, pen and ink over traces of pencil, 8¾" x 7", and the companion studies of grotesques (2) £800-1,000

56 ENGLISH SCHOOL, 19th century A study of a young girl holding fruit, indistinctly signed and dated 1850, chalk pastel, 18" x 12", and companion study, indistinctly signed and dated 1849 (2) See illustration

Lot 56

£200-400 57 WILLIAM CALLOW (1812-1906) "Malines, Belgium," inscribed and dated, "Malines, Sep 27 1850", Pencil, 14½" x 10½" Provenance: From the Michael Ingram collection (1917-2005) £100-200 58 WILLIAM CALLOW (1812-1906) "Arona on Lake Maggiore" Inscribed and dated "Arona Augt 29th", Pencil, 7" x 10¼" Provenance: From the Michael Ingram collection (1917-2005)

Lot 59

£100-200 59 JOHN FREDERICK LEWIS R.A (1805-1876) "A Moroccan Soldier", Pencil and Watercolour, 14¼" x 9¼" See illustration

Spink & Son Ltd, London, 1976; Judy Edgerton; by descent, label verso

£3,000-4,000 60 ENGLISH SCHOOL, 19th century, A"Grand Tour" album, with drawings of Rome and it's environs completed by a British artist working in Italy. Some of the drawings dated 1818. The drawings are contained in a fine earlier Italian album.

Lot 61

£300-500

61 AMADEO PREZIOSI (1816-1882) "The Bazaar, street trading", signed and dated 1852, lower right watercolour, 13¾" x 20¼" See illustration £1,800-2,500 19

62 AMADEO PREZIOSI (1816-1882) "Suleymaniye Mosque, Istanbul", signed and dated 1852 lower left, watercolour, 13¾" x 21"

68 CIRCLE OF JOHN VARLEY (1778-1842) A view of a country path towards open fields with hills beyond and a figure resting on a rock, watercolour, 8¾" x 12¾"

£1,800-2,500

£200-400

63 STYLE OF SIR THOMAS LAWRENCE, P.R.A. (1769-1830) Study of a Man, full length, standing in an arch, pen and ink and wash, 4½" x 3¼"

69 WILLIAM ROXBY BEVERLEY (1811-1899) An alpine scene with dwellings beneath a mountain top castle, watercolour, 8½" x 12½"

Provenance: Spink & Son collection; Willism E. Fischelis, Jr

£30-50

70 ATTRIBUTED TO PIERRE JOUFFROY (fl.1742-1776) Mercury, signed, pencil and blue wash, A leaf from an antiphon on verso, 21¼" x 13¾"

64 Charles Edward Brittan (1837-1888) "Trebanwith, Cornwall", watercolour, 9½" x 13½" and companion, "Stormy Sunrise at Trebanith, Cornwall" (2)

£100-200

£60-80

£200-400 71 GIOVANNI BATTISTA CIPRIANI, R.A (1727-1785) Allegorical subject, pencil heightened with white on blue paper, study of a man holding a tablet on verso, 5¾" x 4¾"

65 E.WAKE COOK, R.B.C (1843-1926) "Lake Nemi, and the Campagna of Rome" signed lower left, titled verso, watercolour, 5½" x 8¼"

£60-80

£100-200

66 HERCULES BRABAZON BRABAZON (1821-1906) A Venetian canal, initialled lower right, watercolour over traces of pencil, Albany Gallery label verso, 10¼" x 7½"

72 THOMAS BUSH HARDY (1842-1897) Shipping in a stiff breeze, signed and dated lower left, watercolour 10" x 29"

£300-600

73 F. SYDNEY MUSCHAMP, (1851-1929) "I'm going a milking sir, she said" watercolour, and companion, "Where all my fancy dwells" (2) J.Davey &Sons label verso 15" x 21½"

£300-600

67 HERCULES BRABAZON BRABAZON (1821-1906) "Garden sketch", initialled in pencil lower left, pastel, 5¾" x 7½"

£150-250

£80-150

74 ATTRIBUTED TO JOSEPH MALLORD WILLIAM TURNER R.A (1775-1851) A man resting by a stone bridge with hills beyond, blue and grey washes over pencil, 9" x 11¾"

Lot 74

£400-600 75 JOHN LEECH (1817-1864) A hunting scene, pencil, 5¾" x 9¼" Provenance: Ian & Mary Lowe collection £150-200 76 ATTRIBUTED TO ALEXANDRE MOITTE (1750-1828) A girl with a chained dancing bear, pencil, 5½" x 3¾"

Lot 77

£80-120 77 WILLIAM GRIMALDI (1751-1813) After Sir William Beechey King George III in uniform, with label verso "His Majesty George III, painted by W Grimaldi, enamel and miniature painter to their Royal Highnesses the Duke and Duchess of York 1801. Albermarle Street, London.", oval, miniature probably on ivory, in the original ormolu-mounted gilt gesso frame, 4¾"x 5½". See illustration and inside back cover

Provenance: The Earl of Eldon.

£4,000-£6,000 Lot 78

78 ENGLISH SCHOOL 19TH CENTURY A portrait study of John Scott, 1st Earl of Eldon, seated wearing Chancellors robes and regalia, watercolour, 14" x 11¼". See illustration

The 1st Earl of Eldon was Lord Chancellor of Great Britain between 1801 and 1806 and again between 1807 and 1827

£200-£400

79 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) A study of Abbey ruins, watercolour, 10" x 16"

£50-£100

80 THOMAS MILES RICHARDSON SNR (1784-1848) A fallen medieval soldier in full armour beside his comrade, signed "T.M Richardson Snr" gouache, 13¼" x 11¼" See illustration

Lot 80

£80-£150

81 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) A Study of an Abbey crypt, watercolour and pencil sketch, 8¾" x 13¼"

£50-£100

82 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) Figures seated by a bridge, watercolour, 11¼"x 17¾" £50-£100

Lot 84

83 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) Moored boats and fishermen, watercolour, 9"x 12.5" and the companion (2) Lot 85

£80-£150

84 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) Fishing boats in harbour, watercolour, 12"x 17½"

£80-£150

85 CIRCLE OF LOUIS-LEOPOLD BOILLY (1761-1845) Portrait of a lady, pen and ink and brown wash, 21¼" x 16¼" See illustration Provenance: J.S. Maas & Co., London, William E. Fischelis, Jr. collections £150-200

86 WILLIAM CHARLES THOMAS DOBSON (1817-1898) A young girl seated with a basket of flowers, monogrammed and dated 1877 lower left, watercolour, 19" x 21¾"

Lot 86

£800-1500 87 S.NOGUES (19TH CENTURY) A three-quarter length portrait of Mary Hext wearing a lace dress, standing in an interior, signed lower left and dated 1843, chalk on paper laid on canvas, 22¾" x 17" £100-200 88 G. F. ROBERTSON (19TH CENTURY) A pensive cardinal, signed lower left, watercolour and body colour, 19¼" x 12"

Lot 89

£300-600 89 FRANCESCO COLEMAN (1851-1918) Eastern riders at chase, lassoing ostrich, watercolour, 8¾" x 19¼" and the companion (2) See illustration £1,000-2,000 90 SAMUEL PHILLIPS JACKSON (1830-1904) A lakeland view with a castle to the distance and heron to the foreground, signed and dated 1857 lower left, watercolour, 20½" x 34" £300-600 Lot 91

91 JAMES GEORGE PHILP (1816-1885) Boscastle, Cornwall signed lower left, watercolour, 16¾" x 23½" See illustration £500-800

92 COLLINGWOOD SMITH (1815-1887) "Fish market" signed lower left, watercolour, 19¼" x 28.5 See illustration

Lot 92

£300-500 93 DORIS CLARE ZINKEISEN (1898-1991) "Town Mother- Company at the Manor" costume design, watercolour, 14½" x 10½" Lot 95 94 ENGLISH SCHOOL (LATE 19TH CENTURY) The fisherman, watercolour, 9¼" x 11" £50-100 95 THOMAS ROBINS (Probably the elder, 1716-1880) Botanical illustration, watercolour, 7¾" x 11½" See illustration

£500-1,000

96 HENRY JOHN STOCK (1853-1930) A priest reclining on a chaise longue beside an organ player, signed and dated 1879 lower left, watercolour, 13" x 18"

£200-400

97 SIR ERNEST ALBERT WATERLOW RA P.R.W.S. (1850-1919) "The House on the Moor", signed and dated 1870 lower right, watercolour, 13" x 20¼", with a label verso "The Verity Waterlow Bequest" and a number of gallery labels including a label "Dudley Gallery, Egyptian Hall, Piccadilly. General Exhibition of Watercolour Drawings, "and Others".

Lot 96

£300-600

Lot 101

101 DAVID COX (1783-1859) "Stonehenge by Moonlight", charcoal and pastel on paper, signed lower left, 18½" x 28¾", label on verso "JS Maas & Co. Ltd" See illustration

98 RICHARD HARRY CARTER (1839-1911) A coastal scene with a rocky shore and ships to the distance, apparently Treen Cliffs, Lands End, signed and dated 1873 lower left, watercolour, 17¼" x 24½"

£250-450

99 John Collingham Moore (1829-1880) A portrait of William Leigh Mellish, three-quarter length standing in a landscape holding a stick in his right hand, signed and dated 1864 lower right, watercolour and pencil, 20" x 12½"

102 MANNER OF GEORGE MORLAND Figures standing with a child and dogs below a tree, wash and pencil study on paper, 11" x 13¾"

Apparently commissioned by Sir Samuel Cunard, the sitter's father in-law after Mellish had died.

100 John Collingham Moore (1829-1880) A portrait of William Leigh Mellish seated with a book open on his lap, watercolour, 19th century, 17½" x 13" Apparently commissioned by Sir Samuel Cunard, the sitter's father in-law after Mellish had died.

£80-150

£50-100

103 JOSEPH KNIGHT (1838-1909) "Roscoff, Brittany, circa 1869", gouache, 8" x 10¼"

£200-400

£1,000-2,000

Provenance: The Hon. Richard Smith and thence by descent.

Private collection, Channel Islands.

£100-200

Lot 107

Lot 107A

107 ATTRIBUTED TO JACOPO CONFORTINI (1602-1672) “St. John with arm raised”, the verso with a study of an angel on a cloud, red chalk, verso black chalk with white, 16½” x 9¼”

104 WILLIAM BURCHILL (1884-1941) William Minshall "The Fishing Port", titled, signed and dated 1917 lower left, watercolour and gouache, 20" x 30"

Provenance: The Hon. Richard Smith and thence by descent.

Private collection, Channel Islands.

£100-200

105 JOHN WHITE (1851-1933) A coastal path with a man and donkey, and a similar view, signed and dated '98 lower left, watercolours, 8¾" x 12½" (2)

Provenance: Private collection, Wiltshire

£600-1,200

See illustration

106 ENGLISH SCHOOL, 19th century An estuary scene with boats and forest beyond, 11" x 16½"

See illustration

107A B OLOGNESE SCHOOL, 17th century A study of a head, the eyes gazing skyward, red chalk, 7” x 4¾”

£200-400

Provenance: Private collection, Wiltshire

£500-800

108 ALBERT POLLITT (1856-1926) Figures on a country path beside a bridge, signed and dated 1916 lower right, watercolour, 8½" x 12¼"

£80-150

£150-300

109 JOHN MACWHIRTER (1839-1911) Fishing from a Highland stream, signed lower right, watercolour, 7" x 9¾"

Lot 111

£200-400

110 ENGLISH SCHOOL, A study of a hound in landscape, watercolour, 20th century, 5" x 8"

£50-100

111 MANNER OF REMBRANDT (1606-1699) A study of a man warming his hands beside a pot, pencil on paper, 7½" x 6¾"

£100-200

112 ITALIAN SCHOOL , 19th century, musicians seated around a table, pen and ink 8" x 12¾"

Lot 113

£50-100

113 THOMAS LEESON ROWBOTHAM (1783-1853) A view across Italian lakes, signed, numbered 554 and dated 1863 lower right, watercolour and bodycolour, 7" x 19"

Lot 115

£100-200 114 CHARLES SIM MOTTRAM (1852-1919) A Cornish beach scene with fishing boats, signed and dated '94, 8¼" x 33½" Provenance: The Late Ian MacKenzie, London

£150-250

115 CHARLES ROWBOTHAM (1856-1921) An Italian seascape with figures and trees in the foreground, signed and dated 1891 lower right, watercolour, 12" x 24", and the companion painting (2)

£200-400 27

116 SIR JOHN TENNIEL R.I. (1820-1914) "November, now gents 'unt in Gorse", signed with monogram lower right, pencil and coloured chalks heightened with white, 6¼" x 9¼"

Lot 116

£250-450

117 ATTRIBUTED TO GEORGE BRYANT CAMPION (1796-1870) Cattle in a hilly landscape, watercolour, 6" x 13½" Lot 118

£100-200

118 GEORGE BROOKS Percy Lillingston (1850-1932) A Cornish fishing village with a beach in the distance and landed fish in the foreground, signed and dated '83, watercolour, 13¼" x 23"

£400-600

119 THOMAS MARJORIBANKS HAY (1862-1921) A Highland river with hills in the distance, signed lower right, watercolour, 13" x 19½"

Lot 121

£100-200

120 HORACE VAN RUITH (1839-1923) A view of Winchester College Chapel with figures walking, watercolour, late 19th century, 12¼" x 19¼"

£150-250

121 ALEXANDER CARRUTHERS GOULD (1870-1948) A landscape with windmill, signed lower left, watercolour, late 19th/early 20th century, 11½" x 15½" £200-400

Lot 127

122 ATTRIBUTED TO EDWARD WEBB (1805-1854) A series of monochrome landscapes, chalk and wash, 4¼" x 7½"

Lot 125

£200-300

123 ATTRIBUTED TO COTMAN Landscape sketches and one of ruins, pencil (3) 5" x 8½", 7" x 12" and 5¾" x 9½" £80-150 124 ENGLISH SCHOOL Landscape sketch, collecting water, pencil, 19th century, 7½" x 10"

Lot 126

£50-100 125 DAVID COX SENIOR (1783-1859) "The Path by the River" Agnew & Sons Ltd label numbered 18605 on verso, watercolour and charcoal, 6" x 8½" £600-800 126 HECTOR MCDONNELL (b.1947) "West Tibet No.2, Ruined Castle, Ladakh" signed lower right, watercolour, 12¼" x 8¾" £100-200 127 HENRY MAYO BATEMAN (1887-1970) Scoring a try, signed lower right, watercolour, 3" x 8½" £400-800

Lot 128

128 HELEN ALLINGHAM (1848-1926) "In Gertrude Jekyll's Garden" signed lower right, watercolour, 12½" x 9¾" See illustration Provenance: The collection of Penelope Hobhouse, V.M.H. M.B.E.

Illustrated in "Painted Gardens" by Penelope Hobhouse and Christopher Wood, 1991, No.104, pg 174

£3,000-5,000

129 WILLIAM PYE (fl. 1881-1908) A village with thatched cottages and a man walking down a lane beside trees, signed "Will Pye" and dated '91 lower right, watercolour, 10" x 14" £200-400

130 WILLIAM PYE (fl. 1881-1908) "Evening, a Dorsetshire Hamlet", signed "Will Pye" and dated '24 lower right, watercolour, 14¼" x 20½" See illustration Lot 130

£300-600

131 MICHAEL LYNE (1912-1989) Captain D.A. Gale riding the ground hunting with the Heythrop, signed lower right, gouache, label on verso, 11½" x 18¾" See illustration

Lot 131

£500-800

132 A. RAMIANDRASOA (fl. 1900-1920) African workers and village scenes, signed lower right, watercolours, 11" x 7½", two others, and another study by Kalala Elise, a portrait of an African woman, watercolour, 13" x 10½" (4)

£200-400

133 ENGLISH SCHOOL, "Cullompton, Devon", signed with monogram and dated 1915 lower left, watercolour, early 20th century 10" x 16" 30

£300-600

134 ALEXANDER NISBET PATERSON (1862-1947) "Puerto Orotavo, Tenerife", signed, titled and dated 1928 lower right, watercolour, Belgrave Gallery Ltd exhibition label on verso, 14" x 20¾" See illustration

Lot 134

£200-400 135 ALFRED HAYWARD, R.P., N.E.A.C. (1875-1971) A mountainous landscape with river in foreground, signed and dated 1957 lower right, watercolour, 9½" x 12½" See illustration

Lot 135

£100-200

136 E.M. BOTTOMLEY "Kirkby Stephen", signed and dated August 4th 1964 lower right, watercolour, 12" x 9" See illustration

£100-200

137 JOHN CARLYLE A river scene with cows in the distance, signed and dated 1908 lower right, watercolour, 11" x 19¼"

Lot 136

£100-200

138 RALPH TODD (1856-1932) Two ladies standing by a thatched cottage, signed lower left, watercolour, 16" x 21½" £300-500

139 GEORGE CLAUSEN (1852-1944) "The Harbour, Torquay Morning", signed lower right, watercolour, 8¼" x 11", and the companion "The Harbour, Torquay Evening" (2) Provenance: From the collection of the Late Herbert M. Hepworth, Esq.

£600-800 31

140 SPARE LOT

Lot 142

141 THOMAS W. MORLEY (1859-1925) Breton market scene with haycart being pulled by oxen in the foreground, signed lower left, watercolour, 19½" x 29" £300-500 142 RUBENS SOUTHEY (1881-1933) A coastal scene with gulls flying above rocks, signed lower left, watercolour and bodycolour, 13¾" x 30¾" See illustration

Lot 143

£200-400

143 JOSEPH HUGHES CLAYTON (1870-1930) "Newlyn - Cornwall", signed and titled lower left and right, watercolour, 18½" x 29" See illustration £400-600

Lot 144

144 ALBERT GOODWIN (1845-1932) "Winchester", titled lower left, signed lower right, watercolour highlighted with pen, ink and white, Fine Art Society label dated March 1951, no. 13 verso, 9½" x 14¼" See illustration

£1,000-2,000

145 ROBERT BORLASE SMART (1881-1947) A Scottish loch, watercolour, 13½" x 20¼" See illustration

Lot 145

This work, which is listed as BS112 is illustrated on page 67 of "Borlase Smart A Life in Art ...", Sims Gallery 2014

£400-600

146 ROBERT MOORE (b.1905) "Pilot Cutters", signed lower left in red, watercolour, 7" x 11½"

Lot 149

£100-200

147 ROBERT MOORE (b.1905) "Drying Sails", signed lower left in red, watercolour, 6¾" x 11¾"

£100-200

148 EDWARD F. ERTZ (1862-1954) Figures seated and fishermen mending nets beside boats, watercolour, 13" x 20¼"

Lot 150

£100-200

149 J.C. MOODY (1884-1962) A view of Blandford, watercolour and pencil, 14" x 20" See illustration

£400-800

150 VIOLET M. KAY A.S.W. (1914-1971) "Loch Long and entrance of Loch Goil", signed lower right and inscribed and dated 1950 on verso, watercolour and pencil sketch, 3½" x 5½" See illustration

Lot 151

£80-150

151 GILBERT SPENCER (1892-1979) A rural landscape with buildings in the distance amongst trees, signed lower right, watercolour and pencil, 8½" x 11" See illustration

£200-400

151a  JOHN ERNEST AITKEN (1881-1957) "Amsterdam” river scene with windmills, signed lower right, watercolour, 9¼ x 12¾”

£150-300

152 PHILIP NAVIASKY (1894-1983) A portrait of a girl seated, signed lower left, charcoal on paper, 19" x 13¼"

Lot 153

£80-150 153 ROWLAND EMETT (1906-1990) "Two travellers in far places homing for a happy Christmas", signed upper right, watercolour, 7¼" x 8" See illustration

£300-500

154 DONALD MCGILL (1875-1962) "I feel a lethargy creeping over me Cyril. No wonder ... the place is alive with 'em", signed lower right, watercolour, 5" x 10" See illustration £200-400 Lot 154

155 CAPORT, 20th century "Why Doctor! Has your stethoscope gone wrong again?", signed lower left, watercolour, 4" x 8" See illustration £80-150 156 BORIS O'KLEIN (1883-1985) Four dogs infuriated by a cat urinating against a tree, signed lower right, watercolour, 10½" x 14", and two similar humorous works (3) See illustration

Lot 155

Lot 156

£300-600

157 LEONARD JOHN FULLER (1891-1973) Girl seated left beside curtain, signed and dated Jan 1969 lower left, pastel on paper, labels on verso 23½" x 19½", 34

£300-500

158 FELIKS TOPOLSKI (1907-1989) "Mali In Marathi Haina", a West African lady in a green, yellow and blue dress walking, signed lower right, charcoal and pastel on paper, 22½" x 16" See illustration

Lot 158

£300-500

159 FELIKS TOPOLSKI (1907-1989) A sketch of a donkey, signed lower left, ink on paper, 9½" x 12" See illustration

£80-150

160 SIR STANLEY SPENCER (1891-1959) Figures around a table, catalogue label verso, sepia wash, 9¾" x 3¾" See illustration Provenance: Christie's Stanley Spencer Studio Sale, 5th November 1998.

Private collection, Bristol. £300-500

Lot 159

160A A FTER SIR EDWARD COLEY BURNE-JONES (1833-1898) “If hope were not, heart should break” pencil sketch, 11½” x 8¼” £100-200

161 JO JONES (1894-1989) A portrait of a lady wearing a purple scarf, signed lower right, watercolour, 18½" x 13¼"

£100-200

Lot 160

162 JO JONES (1894-1989) A portrait of a girl in a pink dress, signed upper right, watercolour, 16½" x 10½"

£80-150

163 ATTRIBUTED TO JO JONES (1894-1989) A portrait of a lady seated beside a table, ink and watercolour, 11" x 8¾"

£100-200

164 JO JONES (1894-1989) "Early Morning" landscape with buildings and a figure, signed and titled lower left, watercolour, 16½" x 10" See illustration

Lot 164

£150-250 165 JO JONES (1894-1989) "The Alhambra from Sacromonte, Granada", signed lower left and titled on verso, watercolour, 15" x 10" £80-150

166 JO JONES (1894-1989) A study of a standing female nude, signed lower right, watercolour, 11" x 5"

£80-150

167 DUNCAN GRANT (1885-1978) "Still life with two goblets", pencil study, gallery label on verso "Antony D'Offay, New Bond Street, London" 9½" x 8¼" See illustration

Lot 167

£300-600

168 ARTHUR RALPH MIDDLETON TODD (1891-1967) A portrait of a lady, with a red background, pastel, stamped on verso "I certify this is an original work by A.R. Middleton Todd, 16.3.94 Executor", 11" x 11", See illustration

Lot 168

£400-600

169 BRITISH SCHOOL, 20th century Lady in the street wearing a blue coat with figures beyond, unsigned but possibly by Stanley Dyson or Nora Scragg, Stanley Dyson Studio 2011 exhibition stamp verso, gouache, 13" x 11¾" 36

£80-150

170 ABSTRACT 20TH CENTURY Black highlights on blue and red ground, indistinctly signed lower left, watercolour, 14½" x 11" See illustration

Lot 170

£100-200

171 MAXWELL BATES (1906-1980) An abstract study, signed and dated Feb 5th, 1964 lower right, watercolour, 19" x 11½" See illustration

£180-250

172 E.M. BARLING, 20th century "Storm over Castle", a view of Corfe Castle, signed lower left, label on verso, work on paper, 23" x 19" See illustration

Lot 171

£80-150

173 IZABELLA GODLEWSKA DE ARANDA (b.1937) Still life studies of flowers, signed lower right, 14" x 10", and three companion paintings (4) Provenance: A gift from the artist to the vendor

£100-200

174 SVEN BERLIN (1911-1999) Joseph and a ram, signed and dated '99. watercolour, 11½" x 8¼"

Lot 172

Provenance: From the estate of the artist.

£180-250

175 SVEN BERLIN (1911-1999) A lady wearing a hat and veil, black ink, 11" x 8" Provenance: From the estate of the artist.

£180-250 37

Lot 178

178 SVEN BERLIN (1911-1999) "The Persian Book", a book of eleven hand written poems with eighteen original illustrations in watercolour, felt, pen, ink and other mediums. Dated 1911-1993, the pages between Persian decorated boards, the album 14¾" x 12" See illustration

176 SVEN BERLIN (1911-1999) A girl with a butterfly hat, black ink, 11¾" x 8" Provenance: From the estate of the artist.

£180-250

177 SVEN BERLIN (1911-1999) "Stallion with gadfly", titled, signed and dated '99 lower left, pencil, 14¾" x 19"

Provenance: From the estate of the artist.

£2,500-3,500

179 SVEN BERLIN (1911-1999) A study of a swan, signed and dated '81 lower right, watercolour, 31" x 23"

Provenance: From the estate of the artist.

£300-400

Provenance: From the estate of the artist.

£400-500

Lot 181

180 CAROLYN BOWYER (born circa 1935) Folios and albums of artwork and material, the folios with Royal College of Art labels.

181 GWEN JOHN (1876-1939) "Red flowers on white bloom", stamped signature lower left, watercolour, gallery/exhiition labels on verso "Matthiesen Ltd, Gwen John Memorial Exhibition 1946" and "The Matthiesen Gallery Gwen John Exhibition 1961", 6¼" x 4¾" See illustration

Provenance: Purchased directly from the artist's Estate.

£100-200

£1,500-2,500

Lot 182

182 ERTE (ROMAIN DE TIRTOFF) (1892-1990) A clown standing on a pedestal with an umbrella hooked over his arm, signed in ink lower right, gouache, 9¾" x 8", and the companion painting (2)

184 ASTOR, late 19th century A set of ten spy style caricature, jockeys, signed, inscribed and dated, watercolours, and a related newspaper cutting and book "The Jockeys of Vanity Fair"

Provenance: Given by Erte to the vendor's grandfather in the mid 1940's-50's

185 AUGUST SPECHT (1849-1923) A study of large and small dogs outside a building whilst a cat watches on, signed “Aug. Specht, Stuttgart” lower right, gouache, 17½” x 13” and two companion studies rabbits and guinea pigs and goats (3) See illustration on page 17

£500-1,000

183 VICTOR PROUVE (1858-1943) "Les Meeres, Les Epouses ...", signed, inscribed and dated 1904 lower right, black crayon, labels on verso 15" x 18½",

£800-£1,500

£100-200

Provenance: Private collection, East Dorset

£800-1,500

186-219 Spare lots 40

A family collection of works by Frederick and Elizabeth Whitehead consigned by direct descendants of the Whitehead family.

Lot 225

Lot 226

224 ELIZABETH WHITEHEAD (fl. c. 1877-1930) "Cottage Gardens, Warwick Castle" a view of flowers outside a row of cottages, watercolour, 12¾" x 10½"

220 ELIZABETH WHITEHEAD (fl. c. 1877-1930) A view of a canal in Dordrecht, the domed roof of the Groothoofdspoort building visible above the rooftops, signed and titled "Dortrecht" lower right, watercolour, 9½" x 12½"

£200-400

221 ELIZABETH WHITEHEAD (fl. c. 1877-1930) A view of a canal in Dordrecht, with boats moored at the quay, watercolour, 10¼" x 14¼"

225 ELIZABETH WHITEHEAD (fl. c. 1877-1930) A view of Warwick Castle from the river, with small dwellings to the foreground, signed lower right, oil on canvas, 9" x 13½". See illustration

£100-200

222 ELIZABETH WHITEHEAD (fl. c. 1877-1930) A view of a canal in Dordrecht, with moored boats to the foreground and "de Grote Kerk" (the big church) beyond, watercolour, 14" x 21"

£150-250

£200-400

£300-500

226 ELIZABETH WHITEHEAD (fl. c. 1877-1930) A study of a farmer ploughing his field with two horses, signed lower right, oil on canvas, 17¾" x 24". See illustration

223 ELIZABETH WHITEHEAD (fl. c. 1877-1930) "Leicester's Hospital, Warwick", a study of figures walking past buildings on a hill, signed lower left, watercolour, 10" x 12¼"

£100-200

£800-1,500

Lot 229

227 RUTH GIBBS (20TH CENTURY) A view of a canal in Dordrecht, with moored boats to the foreground and "de Grote Kerk" (the big church) beyond, signed lower right, watercolour, 19" x 12"

Lot 228

Ruth Gibbs was the wife of the nephew of Frederick and Elizabeth Whitehead

£80-150

228 FREDERICK WHITEHEAD (1853-1938) A study of cattle crossing a bridge, signed lower right, oil on canvas, 11½" x 19½". See illustration

£1,400-1,800

229 FREDERICK WHITEHEAD (1853-1938) Sheep in a heathland landscape with the sea beyond, signed lower right, oil on canvas, 23½" x 35½". See illustration

£1,800-2,500

229-239 spare lots

End of collection 42

OIL PAINTINGS

Lot 341 43

A Private Collection of paintings formerly at Château de la Seilleraye, Carquefou, Loire-Atlantique, France

Château de la Seilleraye,

An interior view of Château de la Seilleraye, showing lots 245 and 246.

Lot 240

Lot 241

240 MANNER OF FRANS DE MOMPER (1603-1660) Figures and animals outside buildings in a village square, oil on canvas, 10¾" x 12¾". See illustration

241 MANNER OF JEAN-BAPTISTE GREUZE (1725-1805) A portrait study of two young children, oil on canvas, 18¼" x 14½". See illustration

£500-1,000

£500-800

Lot 242

Lot 243

242 ATTRIBUTED TO PIERRE MIGNARD (1612-1695), A head and shoulders portrait of William Harouys (1611-1699), oil on canvas, 26½" x 23". See illustration

243 FRENCH SCHOOL, 17th century A head and shoulders portrait of Thomas Charles de Becdelièvre (d. 1711), Marquis of Cany and Quevilly, with title inscription above and family arms to the right, oil on canvas, 26" x 23½". See illustration

William Harouys La Seilleraye was treasurer of the state of Brittany from 1657-1687 and built Chateau Seilleraye in 1671. He received several times the celebrated and revered Madame de Sevigne, as well as Marie Angelique de Coulanges. Harouys died without issue in the Bastille prison in 1699.

The Becdelièvre family was a noble Breton family to whom ownership of Chateau Seilleraye passed following William Harouys death in 1699. Thomas Charles Becdelièvre was also Baron of Archigny and President Mortar of the Parliament of Normandy. £1,000-2,000

£1,000-2,000

Lot 244

Lot 245

245 MANNER OF MARTIN MIJTENS (1684-1736) A portrait of young girl wearing a wide-skirted dress and matching bonnet, a bird perched on her outstretched fingers, oil on canvas, 32" x 25". See illustration

244 CIRCLE OF PIERRE MIGNARD (1612-1695) A portrait of a noble woman being attended by a slave servant, oil on canvas, 23¾" x 19½". See illustration

For a similar work by Mignard, see the portrait of Louise de Kéroualle, painted 1682, National Portrait Gallery (NPG 497)

£500-1,000

£1,500-2,500

246 JEAN FRANCOIS DE TROY (1679-1752) A portrait group of a noble woman and her daughters in a palatial interior, a servant on his knees before them, whilst two more workers bring fruit from the gardens beyond, oil on canvas, 55" x 65". See illustration

ÂŁ5,000-10,000

End of collection

247-249 spare lots 47

Lot 250

Lot 252

250 MANNER OF GIUSEPPE ARCIMBOLDO (1527-1593) A still life study of fish and seafood arranged so as to form a face, oil on canvas, 18" x 15". See illustration

253 CIRCLE OF ANNIBALE CARRACCI (? Boys with fruit, oil on canvas, 31¾" x 27". See illustration

Probably a 17th or 18th century copy of the water painting by Arcimboldo in the Kunsthistorisches Museum, Vienna.

£2,500-4,500

254 AFTER RAFAEL (1483-1520) "Madonna & Child", an oval portrait study, oil on canvas, 23¼" x 19¼"

251 ADRIAEN CORNELISZ BEELDEMAKER (1618-1709) A study of sporting dogs in a landscape, signed and dated 1693 lower right, oil on canvas, 11¼" x 14¼"

£5,000-£10,000

£250-450

255 ENGLISH SCHOOL, 19th century A half-length portrait of Sir Walter Raleigh, oil on panel, 7½" x 6"

£1,000-2,000

252 EVERT VAN AELST (1602-1657) A still life study of flowers in a glass vase on a stone ledge beside a cricket and grapes, signed lower right, oil on panel, 15½" x 11½". See illustration

Provenance: The attics at Encombe House (removed in 2003)

£100-200

255A BALKAN SCHOOL, 17th/18th century An icon of St. Nicholas, possibly a triptych fragment, oil on panel, 10” x 4”

£2,000-3,000

Provenance: Icons, Temple Gallery, London, December 1966-January 1967, Catalogue no. 56

£300-600

Lot 253

Lot 257

Lot 258

259 AFTER SIR PETER LELY (1618-1680) A miniature bust-length portrait of Nell Gywn, enamels on copper, 2¾" x 2¼"

256 ASCRIBED TO GIOVANNI BATTISTA SALVI DA SASSOFERRATO (1609-1685) "Madonna at Prayer", oil on canvas, 19¼" x 15¼". See illustration

Provenance: The Duke of Hamilton, Hamilton Palace, Christie's, 24th June 1882, Lot 401. The Earl of Eldon at Encombe House.

£15,000-£25,000

260 AFTER CORNELIUS JOHNSON (1593-1661) A half-length portrait study of John White of Trelogas, holding his brown robes together at the breast, with elements of a landscape beyond, oil on canvas, 29" x 24"

257 PETER VAN LINT (1609-1690) A bust-length portrait study of a monk wearing a brown habit, oil on canvas, 20.¾" x 16". See illustration

£100-200 261 CONTINENTAL SCHOOL, 18th century A half-length portrait of a young man holding a scroll of paper, with architectural details to the background, oil on canvas, 17½" x 13"

£1000-2000 258 ENGLISH SCHOOL, 16th/17th century A bust-length portrait of a bearded gentleman, apparently a member of the Samwaies (Samways) family, with family crest and motto upper left, oil on panel, 22¼" x 16¾". See illustration

£150-250

£6,000-10,000 50

£500-1,000

Lot 256

Hamilton Palace catalogue listing, Christies 24th June, 1882, Lot 401 51

262 FRANCESCO SIMONINI (1668-1766) A study of two figures mounted on horseback, oil on copper, 4¼" x 5". See illustration

Lot 262

£2,000-3,000

263 CONTINENTAL SCHOOL, 18th century A portrait of a young girl wearing a blue dress and bonnet, holding a silver rattle, her dog by her side, and a bird to the window ledge, oil on canvas, 32¾" x 25½". See illustration Lot 263

£500-1,000

264 ENGLISH SCHOOL, 18th century A young girl holding a flower in a wide skirted dress with roses and landscape to the distance, oil on canvas, 28" x 36". See illustration

With paper label attached verso "My great great great grandmother, Barbara Read (of Tremere) who married Admiral William Hext of Tredethy. They have seven children. Admiral W. Hext joined the Navy aged 14 and died aged 86. His brother was Samuel Hext who won the Peninsula Gold Medal. £1,000-2,000

265 DUTCH SCHOOL, 18th century A half-length portrait study of a gentleman wearing a copper coloured jacket with green lapels, oil on canvas, 29½" x 24¼". See illustration

Lot 264

£1,000-2,000

266 ENGLISH SCHOOL, 18th century A portrait of a gentleman wearing silk head dress, oil on copper, 21" x 16½"

£100-200

267 ENGLISH SCHOOL, 19th century A portrait study of a lady wearing a lace bonnet and shawl and sitting on a button-back chair, in an interior, oil on canvas, 35½" x 27½"

£200-400

268 ENGLISH SCHOOL, 19th century A half-length portrait of a lady wearing a white dress with landscape beyond, indistinctly monogrammed and dated 1866 lower right, oil on canvas, 28½" x 24". See illustration

Lot 265

£700-900

269 ATTRIBUTED TO WILLIAM OWEN (1769-1825)

A half-length portrait study of Nicholas Smith, Esq., Accountant General of the High Court of Chancery, oil on canvas, 29½" x 24½". See illustration.

Provenance: The First Earl of Eldon (1751-1838), Lord Chancellor of Great Britain between 1801 and 1806, and again between 1807 and 1827, appointed Nicholas Smith Accountant General of the High Court of Chancery in 1801.

Lot 268

£250-£450

270 W. SMITH, 19th century A pair of portrait studies of Joseph and Helen Franklin, one work signed and dated 1857 lower left, oil on canvas, 29¾" x 24¾"

Joseph and Helen Franklin were from farming families in Oxfordshire, who lived at Hill House, Parsons Lane, Ewelme.

£300-600

271 MARTIN ARCHER-SHEE (1769-1850) A half-length portrait study of William Norris (17571827), Past President, Royal College of Surgeons, oil on canvas, 29½" x 24". See illustration

Lot 271

Exhibited: Royal Academy, 1826, no. 152.

£800-1,500

272 DUTCH SCHOOL, 18th century Figures playing cards in a tavern interior, oil on canvas, 29½" x 24¼" £200-400

273 MANNER OF FRANCIS GOYA (1746-1828) Figures in traditional dress on a rural path, oil on canvas, 14¾" x 22"

£300-600

274 ATTRIBUTED TO WILLIAM TOMKINS (c.1732-1792) "The Grotto at Encombe", and the companion painting, oils on canvas, 15½" x 12¼" (2). See illustration

Provenance: The Earl of Eldon at Encombe House.

Tomkins was engaged as drawing-master to the daughters of George III and spent time at Court. He was appointed as historical engraver to the Queen.

A painting by Tomkins of tourists visiting a limestone cavern, (thought to be Kent's Cavern in Torquay) is signed and dated 1773. It is tempting to speculate that these paintings were executed on the same sojourn to the West Country. £6,000-£12,000

Lot 276

275 ATTRIBUTED TO JOHN WOOTTON (c.1682-1764) A study of a groom leading a horse, possibly an early Arabian, in a landscape with river beyond, 19" x 23¼". See illustration

An alternative attribution to Francis Stringer (fl.17641778) has been suggested.

£1,000-2,000

Lot 275

276 WILLIAM ORAM (fl. circa 1730, died 1777) Figures and buildings in a coastal town, with clifftop castle to the distance, oil on canvas, signed lower left 27" x 40½". See illustration

Lot 277

277 WILLIAM SHAYER (1787-1879) "Unloading the Catch, Isle of Wight", signed lower right, oil on canvas, 29½" x 24½". See illustration

£1,500-2,500

278 WILLIAM BARNETT SPENCER (c.1810-1880) The Brig "Celebrity" (Captain W. Mann), in a heavy ale off the coast of Suffolk, October 24th 1882, signed lower right, oil on canvas, 18¼" x 30½", and the companion painting of the Celebrity in calmer seas (2) See illustration

Lot 278

£3,000-6,000

279 GEORGE CHAMBERS (1803-1840) Heavy seas crashing against cliffs with a wrecked ship lower right, signed lower left, oil on panel, 8" x 11¾"

Lot 278

£100-200

280 MANNER OF FREDERICK CALVERT (1785-1845) Dover Castle from the shore with boats to the foreground and cliffs to the distance, oil on canvas, 19½" x 23½"

Lot 282

£150-250

281 DUTCH SCHOOL, 19th century Boats in an estuary at dusk, with buildings to either side of the water, indistinctly signed lower right, oil on canvas, 19½" x 29½"

£180-250

282 EDWARD HOYER, 19th century Tall ships on calm waters under moonlight, signed and dated '70 lower left, oil on canvas, 19¼" x 29¼" See illustration

Lot 283

£500-1,000

283 HANS KRUUSE (1893-1964) "Skagen" A study of a tall ship on the horizon with waves breaking on the shore to the foreground, signed and titled lower right, oil on canvas, 27" x 38½" 56

£150-250

284 I.L. ROBERTS 19th century Figures sorting their catch at the shoreline, signed lower left, oil on panel, 9½" x 13¼"

Lot 285

Provenance: A letter verso stating the painting was a gift to the Countess of Eldon in 1843. £300-£600

285 ATTRIBUTED TO JOHN BRETT (1831-1902) Figures on a rocky shore, oil on canvas, 15½" x 21½". See illustration

Lot 288

£400-600

286 ARTHUR HEYDEN, 19th century A still life study of flowers in a glass vase, standing on a stone ledge, signed lower left, oil on panel, 25¼" x 19½"

£500-1,000

287 JOHANNES JACOBUS KERREBIJN (1803-1884) A still life study of flowers in a basket on a stone ledge, signed lower left, oil on canvas, 16¾" x 13"

Lot 289

£100-200 288 AFTER SIR EDWIN LANDSEER (1802-1873) "Alexander and Diogenes", oil on canvas, 24¼" x 29½". See illustration

£300-600

289 A MASONIC "TRACING BOARD" PAINTING depicting steps leading to a pair of decorated doors flanked by columns, below the sun and moon, oil on canvas, 43½" x 31". See illustration

£400-800

290 ENGLISH SCHOOL, 19th century A Crimean war scene showing cavalry troops charging towards riflemen, oil on canvas, 13¼" x 17"

Lot 291

£200-400

291 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951) A shepherd and his flock in a yard beside a thatched barn, signed lower right, oil on canvas, 26½" x 38¼". See illustration

Lot 292

£500-1,000

292 ALFRED FONTVILLE DE BREANSKI (1877- 1957) A Scottish loch scene with Highland cattle in the shallows to the foreground and mountains to the distance, signed lower right, oil on canvas, 19¼" x 29¼". See illustration

£300-600

293 ENGLISH SCHOOL, 19th century A figure on a woodland path, oil on board, 9" x 11¾"

Lot 294

£80-150

294 CIRCLE OF JAMES EDWIN MEADOWS (1828-1888) "Gypsy Encampment", oil on canvas, 15½" x 25¼". See illustration

Lot 295

£500-1,000

295 J. WALTER GOZZARD (1888-1950) Horses and figures on a county path, signed lower right, oil on canvas, 15½" x 23½". See illustration

£300-600

296 SIDNEY RICHARD PERCY (1821-1886) A figure leading cattle down a loch side path, signed and dated 1875 lower left, 9" x 15", and the companion painting of figures on a loch side path with cattle in the shallows. (2) See illustration

Lot 296

£1,000-2,000

297 E. CLARKE, 19th century A highland landscape with three figures fishing in a river, an extensive landscape beyond, signed lower left, oil on canvas, 16" x 25¼"

Lot 296

£200-400

298 A. WILSON, 19th century A figure leading a cow across a stone bridge, signed lower left, oil on canvas, 9¼" x 12¼", and the companion painting of a figure seated before an alpine lake (2)

Lot 299

£300-600

299 WILLIAM TURNER OF OXFORD (1789-1862) "New College, Oxford, from parkland", oil on board, 8" x 10". See illustration

£400-800

300 THOMAS CRESWICK (1811-1869) A figure standing by a woodland river where large boulders sit in the water, stone arch bridge beyond, oil on canvas, 23¼" x 31½". See illustration

Lot 300

£500-1,000

301 ENGLISH SCHOOL, 19th century A highland landscape with figures standing by a river, indistinctly signed and dated lower left, oil on canvas, 11½" x 17½"

£150-250 59

308 ATTRIBUTED TO JOHN SAMUEL RAVEN (1829-1877) A wildfowl shooting scene, oil on panel, 4¼" x 5¼"

302 ENGLISH SCHOOL, 19th century Trees beside a river, indistinctly signed lower right, oil on canvas, 11½" x 17¼"

£100-200

309 MANNER OF PHILIP H. RIDEOUT (1850-1920) A pair of hunting scenes, signed "P.H. Ridout", oil on board, 11½" x 15½"

303 JOHN HENRY BOEL (fl. 1889-1912) A woman and ducks walking down a country path between a cottage and a river, signed and dated 1900 lower right, oil on canvas, 19" x 29" £150-250

310 CIRCLE OF JOHN AUSTEN FITZGERALD (1832-1906) "The Fox Hunters Dream, after a Pantomime and Kidney Supper", oil on canvas, 16" x 22". See illustration

304 FREDERICK GOLDEN SHORT (1863-1936) A New Forest scene with ponies by a stream, signed and dated '98 lower right, oil on board, 5¾" x 10"

311 FOLLOWER OF PHILIP REINAGLE (1749-1833) "The Kill" A cowering fox cornered by a pack of hounds, oil on canvas, 20" x 24"

£200-400

£150-250

£100-200

313 ATTRIBUTED TO JOHN EMMS (1843-1912) Children feeding an apple to a donkey and its' foal, signed lower right and dated '07, oil on canvas, 13½" x 17½". See illustration

307 ATTRIBUTED TO JOHN NOST SARTORIUS (1759-1828) A small pair of hunting scenes, oil on panel, 3¾" x 6¼" (2).

£50-100

312 ATTRIBUTED TO SAMUEL ALKEN (1824-1894) A study of a man leading his horse into a stable accompanied by his hounds, oil on board, 5¾" x 8"

306 ENGLISH SCHOOL, 19th century A stylised study of a shepherd and his dog resting by the side of the road watching over his sheep in the fields, monogrammed WH and dated 1877 lower right, oil on canvas, 16" x 26"

£500-1,000

£100-200

305 WILLIAM WATSON (1831-1921) A study of sheep and cattle in a Highland landscape, with mountains and loch beyond, signed and dated 1883 lower left, oil on canvas, 8¾" x 5¾"

£150-250

£300-600

Provenance: Private collection, New Forest

£3,000-5,000

Lot 310

Lot 313

Lot 314

314 PERCY EARL (fl. 1909-1930) "First Flight & Foal, August 1911", A study of a horse and its foal in a landscape, monogrammed PE lower right, oil on canvas, 19½" x 23¾". See illustration

317 J, MORGAN, 19th century A genre painting depicting a man and woman in classical dress playing chess in an interior, inscribed verso "J.Morgan 1894", oil on canvas, 31¼" x 25"

318 FRANK CRUMP (c.1862-c.1929) Charles I taking leave of his children before his execution, oil on canvas, 30¼" x 38¼"

315 WILLIAM HENRY HAMILTON TROOD (1848-1899) Hound puppies at play while other animals look on, signed and dated 1895 lower left, oil on canvas, 36" x 24". See illustration

£150-300

£2,000-4,000

£200-400 319 F. VEZZANI, 19th century "The Marriage Contract", a young couple in an interior, whilst two gentlemen, presumably their fathers, consult over paperwork, signed lower left, oil on board, 11" x 14½".

£4,000-8,000

316 GEORGE RICHMOND R.A. (1809-1896) "Marsyas" oil on panel, inscribed verso "by George Richmond R.A.", 5½" x 5"

Provenance: The collection of Judy Egerton

£250-350

£300-600

Lot 315

320 ENGLISH SCHOOL, 19th century Figures emerging from a cathedral after a wedding, indistinctly signed lower left, oil on canvas, 16½" x 28

Lot 320A

£100-200 320A BARKER OF BATH (1769-1847) A study of young boys roughhousing, oil on board, 26¾” x 35½” and the companion work of boys keeping snarling dogs apart (2) See illustration

Lot 320A

£500-1,000

321 ENGLISH SCHOOL, 19th century A genre painting depicting a woman reading a book in an interior, oil on canvas, 8¾" x 6¾"

£80-150

322 THOMAS FRANCIS DICKSEE (1890-1895) "Good-Morrow, my little dear, said the wolf ", monogrammed and dated 1868 lower right, oil on canvas, 17¾" x 13¾" (oval). See illustration

Lot 322

£2,000-4,000

323 OLIVER CLARE (1853-1927) A pair of still life studies of fruits in a woodland setting, signed lower right, oil on board, 8½" x 11¾" (2). See illustration £800-1500 324 OLIVER CLARE (1853-1927) A still life study of fruit in a woodland setting, signed lower right, oil on canvas, 8½" x 11½"

Lot 323

£400-800

325 OLIVER CLARE (1853-1927) A still life study of fruit on a ledge, signed lower right, oil on board, 9½" x 13½" 64

£400-800

Lot 326

329 PARKER HAGARTY (1859-1934) A river landscape with woodland beyond, signed lower right, oil on panel, 9¾" x 13½"

326 GEORGE BERNARD O'NEIL (1828-1917) A study of young children in an interior with a dog and a basket of puppies, signed lower right and dated '95, oil on canvas, 13½" x 17¾". See illustration

£2,500-4,500

330 JOSHUA ANDERSON HAGUE (1850-1916) A landscape and river with trees to either bank and swans to the foreground, signed lower right, oil on canvas, 15½" x 19½"

327 CONTINENTAL SCHOOL, 19th/20th century A child asleep in its' cradle whilst a dog sleeps on the floor next to it, oil on board, 15½" x 21¼"

£200-400

331 HAROLD GOLDTHWAITE (1869-1932) A river landscape with trees lining the left bank, signed lower right, oil on canvas, 13½" x 17¾"

328 AMERICAN SCHOOL A folk art style study of figures waving American flags at passing hot air balloons, with mountains to the distance, indistinctly signed and dated lower right, oil on panel, 9½" x 14¼"

£150-250

Lot 332

332 CHARLES HERMANS (1839-1924) A portrait study of a lady seated at a table resting her head on her hands, signed lower right, oil on canvas, 24" x 36". See illustration

Lot 333

£10,000-20,000

333 GEORGE CARLINE (1855-1920) Gathering blossom, signed lower left, oil on panel, 11¼" x 8¼". See illustration

Provenance: The collection of Richard Carline.

The subject of this work is George Carline's wife and daughter (Hilda) who went on to marry Sir Stanley Spencer.

£1,000-2,000

334 SIR JOHN ALFRED ARNESBY BROWN RA (1866-1955) Cattle in a roadside meadow on a sunny day, signed verso, oil on canvas, 16" x 20". See illustration

Lot 334

£1,000-2,000

335 GEORGE SPENCER WATSON RA, RWS, ROI (1869-1934) "A River in Spate", oil on board, 11¼" x 15". See illustration

Lot 335

£800-1,500

336 JEAN DELESCLUSE (1871-1947) A rural scene with church spire to the distance, signed lower right, oil on board, 9½" x 12¼"

£180-250

337 ALGERNON TALMAGE (1871-1939) "A Siesta (young steers)", signed lower left, oil on board, 14½" x 17½". See illustration

Lot 337

£1,000-2,000

338 FREDERICK R. FITZGERALD (1897-1938) A coastal scene with heavy seas, signed lower left, oil on canvas, 20" x 30"

£250-450

Lot 339

339 JOHN CAMPBELL MITCHELL (1862-1922) A farming scene with fields being ploughed by horses, signed lower right, oil on canvas, 19¾" x 23½". See illustration

£500-1,000

340 SPARE LOT 67

341 STANHOPE ALEXANDER FORBES RA (1857-1947) "A Breton Girl with a basket of daffodils", signed and dated 1882 lower left, oil on canvas, 29½" x 24¼" Footnote: Similarities could be drawn to the sitter in this portrait and the young girl depicted in Forbes’s celebrated composition “ A Street in Brittany”, Walker Art Gallery, Liverpool.

£30,000-50,000

“A Street in Brittany”, Walker Art Gallery, Liverpool.

342 STANHOPE ALEXANDER FORBES RA (1857-1947) "The Artist's Nephew". A study of a young boy playing the piano, signed and dated 1926 lower left, oil on canvas board, 18½" x 12½". See illustration

Lot 342

£3,500-4,500

343 ASCRIBED TO ALBERT NEMETHY (1920-1998) A portrait of the side wheeler "Reindeer", indistinctly monogrammed lower left, oil on canvas, 9" x 19"

Lot 344

Albert Nemethy was a Hungarian born American artist noted for being one of the Hudson Valley's most legendary art figures.

£500-800

344 ERNEST BORDES (1852-1914) A nude seated on a bed in an interior, signed lower right, oil on canvas, 21" x 17½". See illustration £1,500-2,500 345 AUGUST WILHELM DIEFFENBACHER (1858-1940) A horse and cart and figures on a country path, signed and dated '13 lower left, oil on board, 17" x 20¼" Lot 347

£100-200

346 F. HACKMAN, 20th century A landscape view showing a path leading around a building, signed and dated 1930 lower right, oil on canvas, 19¾" x 23½"

£150-250

347 MANNER OF WILLIAM LEE HANKEY (1869-1952) A half-length portrait of a young girl clasping a white scarf around her head, oil on canvas laid on board, 22½" x 17¾". See illustration 70

£1,500-2,500

348 WILLIAM LEE HANKEY RWS ROI (1869-1952) "Motherhood", signed lower left, oil on canvas laid on panel, 35½" x 30". See illustration

£6,000-8,000 71

Lot 349

349 LEILA FAITHFUL (b. 1898) An allegorical fete champetre scene, oil on canvas, 39½" x 49½". See illustration

Lot 350

£1,000-2,000

350 WILLIAM SAVAGE COOPER (1880-1926) "Spring", signed and dated 1896-7 lower left, oil on canvas, 29½" x 15¼". See illustration

Possibly the Royal Academy exhibit "Pamona" no. 289, 1897.

£5,000-10,000

Lot 351

351 ERNEST ROSEN (1877-1926) A semi-clad lady reclining in a chair, signed lower left, oil on board, 23" x 15½", and the companion work of a semi-clad woman sleeping in a chair (2). See illustration

351A MANNER OF PAUL HENRY (1876-1958) A rural landscape with cottages and mountains, possibly Achill, oil on canvas, 11½” x 13½”

£4,000-6,000

£500-1,000

Lot 352

Lot 353

352 CIRCLE OF CARL HOLSOE (1863-1935) A study of a woman by a window, oil on canvas, 19¼" x 17". See illustration

Lot 354

£500-1,000

353 LAURA B.S. FIDLER (b.1936) A young girl seated in a window, signed lower right, oil on canvas, 20½" x 15½". See illustration Lot 355

£1,000-2,000

354 JULIUS OLSSON (1864-1942) A coastal scene with waves gently breaking over rocks, signed lower left, oil on canvas, 16" x 24". See illustration

£800-1,600

356 MARGARET FISHER PROUT (1875-1963) "Reflections", a study of a nude female in an interior, seated by a mirror, the reflection showing a triptych mirror on a dressing table, signed lower right, oil on board, 44" x 37¼". See illustration

355 HERBERT DAVIS RICHTER (1874-1955) "Anenome and a lady of Japan", signed lower right, oil on canvas, 16¼" x 20½". See illustration

£1,000-2,000

£5,000-10,000 75

357 ROBERT BORLASE SMART (1881-1947) A view of St. Paul's Cathedral standing amongst four damaged buildings, signed lower right, oil on canvas, 24½" x 29¾"

£15,000-25,000

St Paul’s Unscathed

On the night of 29th/30th December 1940 German bombers, under the orders of Adolf Hitler, tried to destroy St Paul’s Cathedral. His idea was that if St Paul’s was destroyed it would so demoralise the British that they would surrender to his superior forces. As it happened, this didn’t happen and instead of demoralising the British public it strengthened their resolve to fight.

My grandfather, Robert Borlase Smart, was in London and although too old to fight was having discussions with the army regarding ways of camouflage.

After the fires had died down and the area approachable again, Borlase set up his easel and sat down to paint what had been the most horrific bombing so far of the war.

Although well known for his strong colourful paintings of the seas and cliffs around St. Ives, Cornwall, sometimes almost to the point of abstraction, he set to and recorded the scene before him.

A sensitive man, he wanted to show, for posterity, the truth of the scene before him. Not only in detail but conveying the silence and the atmosphere after the turmoil and also the massiveness of the great cathedral which was totally unscathed and standing, sculptural and still intact in defiance of the German bombardment. By using a very minimal palette, basically many shades of a single colour, he drew what was before him. By cleverly painting the cathedral in an almost architectural style, so different from his usual technique, and with the minimum of colour, he gives the impression of total silence and shows the destruction all around and the completely unscathed cathedral they had tried to destroy still intact.

Herbert Mason took a photograph of this scene from the roof of the Daily Mail building and it became the most iconic image of the Second World War and a symbol of British resilience and courage and turned the still standing cathedral into a symbol of “togetherness, survival and suffering”.

Here, in this wonderful painting, is the scene painted from life at the time of the bombings for future generations to see and appreciate. He has captured one of the most horrendous moments in British history for posterity.

DIANA SMART - the artist’s granddaughter.

358 ROBERT BORLASE SMART (1881-1947) "The Mountains of Skye", signed lower right, oil on canvas, 40" x 50". See illustration

Lot 358

This work, which is listed as BS152, is illustrated on page 42 of "Borlase Smart - A Life in Art ..." Sims Gallery, 2014.

£1,000-2,000

359 ROBERT BORLASE SMART (1881-1947) "Cornish Cliffs", signed lower left, oil on canvas, 36" x 42". See illustration Lot 359

This work, which is listed as BS 183 is illustrated on pages 27 and 44 of "Borlase Smart - A Life in Art ...", Sims Gallery 2014.

£1,000-2,000

360 ROBERT BORLASE SMART (1881-1947) "Landscape with Trees", oil on canvas, 24" x 30".

This work, which is listed as BS190, is illustrated on page 38 of "Borlase Smart - A Life in Art ...", Sims Gallery, 2014. £700-900

361 ROBERT BORLASE SMART (1881-1947) "Cornish Cliffs and Tin Mines", oil on canvas, 25" x 30". See illustration

Lot 361

Exhibited: The Royal Academy of Art

This work, which is listed as BS184, is illustrated on page 41 of "Borlase Smart - A Life in Art ...", Sims Gallery 2014.

£700-900

362 JOHN NORTHCOTE NASH CBE RA (1893-1977) "The Mill Pool - Evening" A river landscape with red roofed building amongst trees across the water, signed lower right, oil on canvas, various labels verso 23½" x 33½". See illustration

Provenance: Mrs Marchant, 11 Berkeley Square, London W1

Browse & Derby Ltd, 19 Cork Street, London W1.

Private collection, West Dorset.

£12,000-18,000

363 THOMAS BLINKS (1860-1912) A study of lions, monogrammed lower left, oil on board, 6½" x 9". See illustration

Lot 363

£300-600 364 THOMAS BLINKS (1860-1912) A man standing over a dead horse, holding a tricorn hat in his left hand, monogrammed lower left, oil on board, 6" x 9". See illustration

Lot 365

£300-600

365 THOMAS BLINKS (1860-1912) A study of a huntsman jumping a gate, monogrammed lower left, oil on board, 9" x 5¾". See illustration

£300-600

366 ARNOLD H. MASON (1885-1963) A portrait of the artist, Lionel Ellis, seated at a table with paintings behind, signed and dated '27 lower left, oil on canvas, 24½" x 29½"

£300-600

367 JAMES EDWARD DUGGINS (1881-1968) "September Moonrise", signed lower left, oil on canvas, 23" x 26"

£200-400

368 ARTHUR RALPH MIDDLETON TODD (1891-1967) A portrait study of a woman resting her head on her left hand, oil on mahogany panel, 19¼" x 14"

Lot 364

Provenance: Mr John Innes, the artist's great nephew.

£300-500

369 MILLICENT LISLE WOODFORDE (1880-1923) A portrait of Isabel Holst, wife of the composer Gustav Holst, painted in their home 10 The Terrace, Barnes, London, circa 1910-11, oil on board, 25¾" x 19½". See illustration

Lot 369

£1,000-2,000

370 YAMADA BASKE (1871-1934) A nocturnal river landscape with lantern lit boats at anchor, signed and dated '13 lower left, oil on board, 12½" x 18½" £150-300

371 RODERIC O'CONNOR (1908-2001) A seated nude in an interior, inscribed verso "Roderic O'Connor, seated nude 1952, for Patrick, 180 Bleeker Street, Greenwich Village", oil on canvas, 29¼" x 19¾"

£600-800

372 CHARLES KVAPIL (1884-1957) A stylised study of figures seated at a table under a hanging light, oil on board, 21½" x 29½". See illustration

Lot 372

£300-600 Lot 374

373 JO JONES (1894-1989) A study of a house amongst trees, signed and dated '74 lower right, oil on board, 19¼" x 23½"

£200-400

374 BERNARD LEMOTTE (1903-1983) Figures crossing a city street at dusk, probably a view of Central Park, New York, near the William Tecumseh Sherman Monument, signed lower right, oil on canvas, 26½" x 20¾". See illustration

£1,000-2,000 81

Lot 375

Lot 376

375 PIERRE DE CLAUSADE (1910-1978) 'Soir sur les landes', signed lower right, oil on canvas, 19" x 25" See illustration.

Lot 377

£1,000-2,000 376 CAMBELL A. MELLON (1876-1955) A beach scene with figures on the sands and the cliffs above, signed lower right, oil on board, 8½" x 11½" See illustration. £800-1,500

Lot 378

377 ATTRIBUTED TO HOPE JOSEPH (fl. 1907-1936) A ploughed field in a landscape beneath a stormy sky, oil on canvas, 12½" x 15¼" See illustration.

£400-600

378 JOHN ARTHUR MALCOM ALDRIDGE (1905-1983) 'The Grove, Winter', oil on board, 10" x 13½" See illustration. Exhibited: Leicester Galleries, Leicester Square, London, October 1947, no. 22. 82

£500-1,000

Lot 379

379 KEITH SHACKLETON (1925-2015) A study of ducks in flight, signed and dated 63' lower left, oil on board, 23½" x 29½", and the companion study of a pheasant taking off (2) See illustration.

Lot 380

£1,000-2,000 380 GEORGE FRANKLIN ARBUCKLE (1909-2001) 'Lake Louise, Canadian Rockies', an advertising work for Canadian Pacific, signed lower right, oil on board, 23½" x 30", and the companion work 'Moraine Lake' (2) See illustration.

Lot 380

£100-200

382 RYAH LUDINS (1898-1957) A stylized landscape scene, oil on canvas, 42" x 34"

381 RYAH LUDINS (1898-1957) A head and shoulders portrait of a woman wearing hooded robes, signed lower right, oil on canvas, 29½" x 23½"

£200-400

Lot 383

383 JEREMY KING (1933-) 'Man's Head, St. Ives', signed and indistinctly dated lower right, oil on canvas laid on board, 33½" x 31¼" See illustration.

Lot 384

£400-600 384 KEITH JOUBERT (1948-) River landscape with guinea fowl, signed lower right, oil on canvas, 20" x 23½" See illustration. Provenance: Acquired in Johannesburg in 1976 £500-1,000 Lot 386 385 Spare Lot 386 JOHN MILLER (1931-2002) 'Cornish Winter Landscape, a view to St. Michaels Mount', signed lower right, oil on canvas, 11¾" x 17¼" See illustration. £200-400 85

Lot 388

Lot 390

387 SPARE LOT 388 SVEN BERLIN (1911-1999) A study of a man and woman kissing, the man wearing a Roman Centurion style helmet, signed and dated 1993 lower left, acrylic on card, 32" x 21" See illustration. Provenance: From the estate of the artist. £600-800 389 SVEN BERLIN (1911-1999) A study of a peacock alarmed by lightning, signed and dated 85' lower left See illustration.

Lot 389

Provenance: From the estate of the artist.

£1,200-1,800

390 SVEN BERLIN (1911-1999) 'Appaloosa Stallion and gadfly', signed and dated 99', 24" x 35¼" See illustration. Provenance: From the estate of the artist. £1,200-1,800

391 SVEN BERLIN (1911-1999) 'Deer and apple tree', signed lower right, oil on board, 36" x 24" See illustration.

Lot 391

Provenance: From the estate of the artist.

£1,000-1,500 392 SVEN BERLIN (1911-1999) A study of a fox killing a peacock, signed lower right, oil on board, 34½" x 24" See illustration.

Provenance: From the estate of the artist.

£1,200-1,800

Lot 392

393 JAMES MORRISON RSA RSW (b.1932) A panoramic landscape study, oil on board, 13" x 59" See illustration. £2,000-4,000 393A DEIRDRE DAINES (b.1950) “Interior, Mompesson House, Salisbury” monogrammed “D.D.” lower left, oil on canvas board, 17½” x 23½”

rovenance: Waterman Fine Art Ltd. 746 Jermyn St. P St. James’s, London SW1Y 6MP

£300-600

Lot 393

Lot 394

394 FRED YATES (1922-2008) 'The Hospital Ward', signed lower left, oil on board, 17½" x 27" See illustration.

Lot 395

£1,500-2,500 395 JAMES FRY (1911-1985) 'Near Witch Farm', monogrammed lower right, oil on board, 11¼" x 15½" See illustration. £200-400

Lot 396

396 CHRISTOPHER INSOLL (1956-) 'Boats on bar with car', signed and dated 91' lower right, oil on board, 11¼" x 15¼" See illustration. £200-400

397 GWEN WICKER (fl.1940-1965) 'Morning glory and wild convolvulus', signed lower left, oil on board, 11½" x 13" £200-400 398 DOROTHY GOURLEY 'Tomorrow's Africa', a study of children sitting on benches, signed lower right, oil on canvas, 23½" x 29½" See illustration.

Lot 398

£400-600 Lot 399

399 REGINALD CAMPBELL (1923-2008) A portrait of an Australian Aboriginal woman, with outback landscape beyond, signed lower left, oil on board, 18½" x 13½" See illustration. Provenance: Acquired by the vendor's father from the artist.

£300-500

400 REGINALD CAMPBELL (1923-2008) A portrait of an Australian Aboriginal woman and a child, oil on board, 20" x 15¾" See illustration. £100-200 401 REGINALD CAMPBELL (1923-2008) A portrait of an Australian Aboriginal Woman, oil on canvas board, 17" x 13"

Lot 400

£100-200 402 HAMISH BLAKELY (b. 1968) “Meditrina” A classical style maiden reclining in a palatial interior, signed lower right, oil on canvas, 27¼” x 56¾” £500-800

Lot 404

Lot 403

403 NEJAD DEVRIM (1923-1994) An abstract composition in reds, blacks, blues and greens, signed and dated 67' lower left, oil on canvas, 25½" x 18½" See illustration.

Lot 405

£1,000-2,000 404 MALCOM BENNETT (1942-) 'Turf bank, Pollaguill Bay, Donnegal', mixed media, signed lower centre, 35¾" x 35¾" See illustration. Lot 406

£500-1,000

405 BRIAN BALLARD (1943-) 'Rose in glass, 1987', signed and dated lower right, oil on canvas, 7½" x 9½" See illustration. £300-500 406 PAT HARRIS (1953-) 'Pear', signed, titled and dated 2002 verso, oil on canvas, 19¾" x 16" See illustration. £400-600

T he C ollection of the late William Grono w Davi s M F H

Lot 502

500 W.H. HARKNESS, 19th/20th century A study of the steamship "Drummond Castle", signed lower right and dated (18)97, watercolour, 13½" x 20¼", and the companion work of a steamship, probably the Drummond Castle, sinking by the bow (2). See illustration

Lot 500

£100-200

501 CONTINENTAL SCHOOL, 19th century Figures seated by docked boats, by the riverside with buildings beyond, watercolour, 8½" x 12½"

Lot 503

£50-100

502 ROBERT A WADE (1930-) "Venetian Evening", signed and dated '94 lower right, watercolour, 7" x 21½". See illustration

£300-600

503 JOHN WEBSTER (b. 1932-) A Venetian canal scene depicting gondolas in front of the Santa Maria Della Salute, signed lower right, watercolour and bodycolour, 10" x 14", and another similar work by the same artist, 5" x 7" (2) See illustration

£150-250

504 EDOUARD VUILLARD (1868-1940) "Madame Hessel", monogrammed E.V lower right, pencil sketch, 7¾" x 4½". See illustration Provenance: JPL Fine Arts label verso dating the work to circa 1912.

£2,000-4,000 93

505 MANNER OF JAN VAN OS (1744-1808) A pair of still life studies of flowers in a sculpted urn on a stone ledge, oil on canvas, 26½" x 12½" (2). See illustration

Lot 505

£300-600

506 MANNER OF JEAN BAPTISTE MONNOYER (1636-1699) A still life study of flowers in a vase and fruits in a basket, oil on canvas, 23" x 39". See illustration

£500-1,000

506A ENGLISH SCHOOL, c. 1600 A young child holding a rattle and wearing an elaborately embroidered robe, oil on canvas, 31½” x 21¾” See illustration

Lot 506

£800-1,500

507 ENGLISH SCHOOL, 19th century Figures in a small boat avoiding a tall ship, oil on panel, 19½" x 30" £100-200 508 ENGLISH SCHOOL, 19th century A portrait of Lady Hester Lucy Stanhope in Syrian dress, oil on board, 12½" x 9¾".

Lot 506A

Lady Hester Lucy Stanhope (1776-1839) was the daughter of the 3rd Earl of Stanhope and niece of William Pitt. She died in the Lebanon in 1839.

Provenance: Purchased from Indar Pasricha, 22 Connaught Street, London, on 20th January 1993.

£100-200

509 ENGLISH SCHOOL, 18th century A bust-length portrait of a young man wearing a floral embroidered waistcoat and a red coat, oil on canvas, 18" x 14".

£100-200

Lot 510

511 ROBERT FREEBAIRN (1765-1808) A view of Tyrol with a shepherd and his flock on a bridge to the foreground, signed and dated '93 lower centre, and inscribed to the reverse, oil on canvas, 26½" x 37¾". See illustration

510 MANNER OF CLAUDE LORRAIN (1600-1682) A capriccio of a Mediterranean harbour at sunset with figures on a rocky promontory in the foreground, oil on canvas, 30" x 52". See illustration

£500-1,000

£2,000-3,000

Lot 511

512 WALTER OSBORNE (1859-1903) "A Favourite Corner", signed lower left, oil on board, 6" x 5". See illustration

Lot 512

£600-1,200

513 SYDNEY LONG (1871-1955) An extensive landscape with a group of trees to the foreground and water visible in the distance, signed lower right, oil on board, 14" x 18". See illustration Provenance: Greenhill Galleries, 20 Howard Street, Perth, Western Australia.

£1,000-2,000

514 LOUIS MCCUBBIN (1890-1952) A landscape with trees, signed and dated '22 lower left, oil on canvas board, 12¾" x 9". See illustration

Lot 513

£500-1,000

514A ROBERT JUNIPER (1929-2012) An Australian landscape with leafy foliage to the foreground and trees beyond, signed and dated ’73 lower right, oil on board, 42½” x 29½” Lot 514

£500-1,000

515 DAVID PARFITT, 20th/21st Century "Pink Cloud", oil on board, 9" x 8¾" Provenance: Piers Feetham Gallery, 475 Fulham Road, London, SW6 1HL.

£80-150

515A MONOGRAMMIST, 20th century A study of a leopard in a tree, monogrammed “D.H.” and dated ’77 lower right oil on canvas, 36” x 36”

£200-400

Lot 516

516 DAME ELISABETH FRINK (1930-1993) Two studies from the "Birds of Prey" series; "Osprey" and "Honey Buzzard", both signed in pencil to the margin and numbered 37/50, coloured screen prints, 36" x 25½", with minor variations in size (2). See illustration

517 DAME ELISABETH FRINK (1930-1993) Two studies from the "Birds of Prey" series; "Peregrine Falcon" and "Kestrel", both signed in pencil to the margin and numbered 37/50, coloured screen prints, 36" x 25½", with minor variations in size (2). See illustration

£1,000-2,000

Lot 517

£1,000-2,000

Lot 517

Lot 518

518 DAME ELISABETH FRINK (1930-1993) "Cormorant" from the "Images Series", signed in pencil to the margin and inscribed "A", coloured screen print, 22¼" x 28¾". See illustration

Lot 519

£500-1,000

519 DAME ELISABETH FRINK (1930-1993) "Man", signed in pencil to the margin and numbered 48/100, printed at Kelpra Studio with their blind stamp, etching and aquatint in brown, plate size 8½" x 7¾". See illustration

Lot 520

£400-800

520 DAME ELISABETH FRINK (1930-1993) "Horse", signed in pencil to the margin and numbered 8/100, printed at Kelpra Studio with their blind stamp, etching with aquatint in reddish brown, 8¼" x 7¾". See illustration 98

£400-800

Lot 521

522 DAME ELISABETH FRINK (1930-1993) "Lying Down Horse", signed in pencil and inscribed A/P, artist proof lithograph in brown drawn on grained zinc, 1972, 22" x 30". See illustration

521 DAME ELISABETH FRINK (1930-1993) "Strawberry Roan", signed in pencil to the margin and inscribed A/P, printed at Kelpra Studio with their blind stamp, artist proof etching with aquatint in brown, 1980, plate size 21¼" x 27¼". See illustration

£2,000-4,000

£500-1,000

Lot 522

523 DAME ELISABETH FRINK (1930-1993) A study of a man and a baboon, signed "Frink" and dated '89 lower left, watercolour and bodycolour, 38½" x 31". See illustration

£3,000-6,000 100

524 ď&#x20AC;ľDAME ELISABETH FRINK (1930-1993) "Small Male Figure, 1986", signed "Frink" and numbered 2/10, bronze, 12" high, on a marble plinth base (17" high overall). See illustration

ÂŁ10,000-20,000 101

525 A SET OF FOUR ROYAL WORCESTER PORCELAIN VASES in the form of nautilus shells on naturalistic bases with applied shells, green, purple and impressed marks, 19th century, 8¼"-9" high (4) See illustration

Lot 525 and 526

£200-400

526 A ROYAL WORCESTER PORCELAIN VASE in the form of a nautilus shell with applied lizard on naturalistic base applied with shells, purple printed and impressed marks, 19th century, 9" high See illustration £100-200 527 A BISQUE PORCELAIN JUG, Battle of Waterloo interest, La Belle Alliance, with decoration moulded in relief and two portraits of Blucher and Wellington on brown glazed ground, early 19th century, 8" high

Lot 528 and 529

£200-400

528 A HUTSCHENREUTER PORCELAIN MODEL OF A BIRD OF PREY, perched on a tree stump, blue stamp and impressed marks, 12¼" high See illustration £150-250 529 A 'DRESDEN' PORCELAIN MODEL OF A GOLDEN EAGLE, perched on a rocky mount, blue stamp and impressed mark '12367', 17" high

Lot 531

£200-400

530 A HUTSCHENREUTHER PORCELAIN MODEL OF A FALCON, perched on a naturalistic base, gilt mark, 9" high and one other Kiaikaiser bisque porcelain model of a falcon, blue stamp and impressed marks, 12" high (2)

£80-150

531 A DERBY PORCELAIN PART DINNER SERVICE, comprising eight plates and a shell shaped dish, with Imari style decoration, iron red painted marks, early 19th century, plate 10" dia. (9) See illustration 102

£80-150

532 A PAIR OF 'PARIS' PORCELAIN VASES of urn form, with painted castle ruins in landscape, within gilt borders, converted to table lamps, 19th century, overall height 14" (2)

Lot 533

£200-400

533 A PAIR OF AUSTRIAN PORCELAIN EQUESTRIAN ORNAMENTS, of horses and riders of the Spanish riding school in Vienna, blue printed and impressed marks, 11½" and 9½" (2) See illustration £200-400

534 A PAIR OF STAFFORDSHIRE POTTERY GREYHOUNDS, seated on blue glazed and gilt lined bases, 19th century, 7" high, and a pair of similar Staffordshire models of seated whippets, on naturalistic gilt lined bases, 19th century, 4" high (4)

Lot 536

£80-150

535 A PAIR OF STAFFORDSHIRE POTTERY INKWELLS, in the form of greyhounds sitting on blue glazed and gilt lined cushions, 19th century, 3½" high (2) Provenance: Acquired from Howard's of Aberystwyth.

£60-120

536 A PAIR OF COPELAND "PARIAN" ORNAMENTS OF SEATED WHIPPETS, modelled facing left and right on canted rectangular bases, impressed marks, 19th century, 11¼" (2) See illustration

Lot 537 and 538

£100-200

537 A NYMPHENBERG GLAZED PORCELAIN ORNAMENT OF A WHIPPET standing with front leg raised, green stamp and impressed marks, 20th century, 11½" high See illustration

£50-100

538 A GERMAN GLAZED BISQUE PORCELAIN ORNAMENT OF A STANDING WHIPPET, rectangular base, signed "D.Moldenhauer", blue and impressed marks, 20th century, 10" high See illustration £100-200

103

Lot 545

543 A GERMAN PORCELAIN "CLASSIC ROSE" ROSENTHAL ORNAMENT OF TWO RACING WHIPPETS, green stamped mark, 20th century, 15" wide,

539 A CONTINENTAL BISQUE PORCELAIN ORNAMENT OF A SEATED WHIPPET wearing a hunting coat on a circular plinth base on four scrolled feet, painted and gilt, impressed marks, 19th century, 10½" high

544 A NYMPHENBURG GLAZED PORCELAIN ORNAMENT OF TWO WHIPPETS, green stamp and impressed marks, 20th century, 5½" high and one other Rosenthal porcelain ornament of a seated Whippet on gilt base, 7" wide, 20th century. (2)

£100-200 540 A CONTINENTAL BISQUE ORNAMENT OF A SEATED WHIPPET, wearing a hunting coat, on an oval base, impressed marks, 19th century, 8" high and one other bisque porcelain ornament of two Whippets seated on a large cushion, 19th century, 7" wide. (2)

£100-200 545 A "MEISSEN" GLAZED PORCELAIN ORNAMENT OF TWO WHIPPETS PLAYING, signed on rectangular base "O.PILZ", blue cross swords and incised numeral marks, 20th century, 9½" high and one other similar ornament with polychrome painted decoration, 10" high. (2) See illustration

£80-150 541 A "MEISSEN" GLAZED PORCELAIN ORNAMENT OF A SEATED WHIPPET, blue and impressed marks, 20th century, 7½" high and one other similar Whippet with blue and impressed marks, 5¼" high. (2)

£100-200

£100-200 546 A CONTINENTAL CREAMWARE TOBACCO BOX AND COVER, with relief moulded mask handles and Whippet surmount, impressed marks, 19th century, 6¼" high

542 A PAIR OF GERMAN PORCELAIN MODELS OF SEATED WHIPPETS, wearing turquoise lined coats seated on square tasseled cushions, incised numerals on base, 4" high, a Continental porcelain ornament of a Whippet seated on a yellow and gilt lined cushion, and a Staffordshire enamel bonbonniere in a form of a seated Whippet. (4)

Provenance: Christie's Ven House Sale, 21st-22nd June 1999, lot 1008 £80-150

£100-200 104

Lot 551

Lot 552

550 A CONTINENTAL PARIAN CIRCULAR PLAQUE, with raised decoration in relief, Frederick The Great standing between two Whippets "Konig Friedrich II 1712-1786", contained in glazed frame, plaque 4" diameter

547 A CONTINENTAL BISQUE PORCELAIN ORNAMENT OF FREDERICK THE GREAT, standing beside a seated Whippet, blue stamped and impressed numeral marks, 20th century, 11" high

£100-200

£50-100

548 A CONTINENTAL GLAZED PORCELAIN FIGURE OF FREDERICK THE GREAT, standing beside a Whippet on a paved base with gilt lining, blue stamped and impressed marks, 20th century, 11½" high

551 A "MEISSEN" PORCELAIN ORNAMENT OF FREDERICK THE GREAT, standing between two Whippets on an oval gilt-lined naturalistic base, blue stamped mark, 20th century, 18½" high See illustration

£100-200

£300-600

549 A CONTINENTAL GLAZED PORCELAIN ORNAMENT OF FREDERICK THE GREAT, standing between two Whippets on an oval gilt-lined base, blue stamped and impressed marks, 20th century, 9¾" high and one other similar ornament. (2)

552 PATRICIA LOW- A GLAZED CERAMIC VASE, decorated with Whippets, signed to base Patricia Low 2002 "Tidpit works" Whippet pot, 16¼" high See illustration

£100-200

£300-600 105

Lot 553

554 A VICTORIAN GLASS EWER with engraved rose thistle and shamrock decoration, 11¼" high

553 A "DRESDEN" PORCELAIN CHANDELIER OF 18TH CENTURY DESIGN with a central baluster shaft and six S-scroll branches encrusted with naturalistic flowers and moulded with acanthus leafage highlighted in gilt, the base of the shaft and each of the six branches with the pendant drop encrusted with flowers fitted for electricity 28" high, together with a set of four branch wall lights of conforming design. (5) See illustration

£50-100

£800-1,600 106

Lot 559

558 WILLIAM WALKER, TWO CRANBERRY AND GOLD LEAF ART GLASS BOWLS, signed and one dated 2002, 16¼" diameter. (2)

555 A PAIR OF GEORGE III CORDIAL GLASSES, with facet cut stems and bell- shaped bowls and three other cordial glasses, 18th century. (5)

£100-200

£100-200 559 WILLIAM WALKER, A SUITE OF ART GLASS LANDSCAPE VASES, Rushmore 2004, West Lulworth 2003, and others similar, signed, 7¼" high- 4½" high. (7) See illustration

556 A PAIR OF CONTINENTAL GLASS TRUMPET-SHAPED GLASSES with applied gilt wreath decoration on square bases, 19th century, 13¾" high. (2) £60-100

£500-1,000 557 WILLIAM WALKER, A LARGE CRANBERRY ART GLASS TRUMPETSHAPED VASE, signed and dated 2004 and one other similar comport signed, 15½" high. (2)

560 G SCHOBEL, Frederick The Great ascending steps beside a Whippet, framed and glazed, 22" x 15½", and two books "Frederick The Great" by Nancy Mitford and Giles MacDonogh. (3)

£80-150

£50-100

107

Lot 561

561 AFTER PIERRE-JULES MÊNE (1810-1879) A large pair of bronze whippets, each standing with head twisted around, 22" high (2). See illustration

Lot 562

£1,000-2,000

562 AFTER PIERRE-JULES MÊNE (1810-1879) A bronze group of Jiji and Gisella, the playful whippets on an oval reeded base, signed, 24" high, on a wooden plinth base (26" high overall). See illustration

£500-1,000

563 PIERRE-JULES MÊNE (1810-1879) A bronze group of Jiji and Gisella playing with a ball, on an oval patterned base, signed, 6" high. See illustration

Lot 563 and 564

£500-1,000

564 PIERRE JULES MENE (1810-1879) A bronze study of a whippet standing with head turned, on an oval patterned base with a fan, signed, 7" high. See illustration

108

£300-600

Lot 565 and 566

565 JULES MOIGNIEZ (1835-1894) A bronze study of a whippet startled by a macaw, the bird perched on an upturned table, signed to the wood effect base and incised "Paul Le Blanc 1068" to the underside, circa 1860, 9" high. See illustration

568 JULES MOIGNIEZ (1835-1894) A bronze study of a standing whippet being confronted by a frog, on oval naturalistic base, signed "JM", 5¼" high

Provenance: Purchased from the Victor Franses Gallery, 17th June 1997.

569 JULES MOIGNIEZ (1835-1894) A bronze study of a whippet bitch standing over a dead hare, on a naturalistic base, signed, 7" high, and a smaller example of the same subject, 4½" high (2)

£800-1,500

566 JULES MOIGNIEZ (1835-1894) A bronze group of a whippet and a King Charles spaniel at play, the whippet with a glove in its' mouth, signed to the patterned base, 6" high. See illustration

£800-1,500

567 JULES MOIGNIEZ (1835-1894) A bronze group of two whippets standing over a hare, the naturalistic base signed and stamped "Cire Perdue Bronze", 7½" high

£400-700

570 ENGLISH SCHOOL, 20th century A bronze study of a standing whippet, its head turned back on itself and one full leg raised, on a patterned oval base, signed "S. March", 5¾" high, and another bronze study of a whippet of similar composition, on a marble plinth base, 6" high (2)

Provenance: Purchased from the Victor Franses Gallery, 2nd February 1999.

£300-600

£500-1,000

109

£200-400

571 JEAN FRANCOIS THEODORE GECHTER (1796-1844) A bronze study of a whippet standing over a dead hare, on naturalistic base, signed and dated 1843, 14¼" high. See illustration

Lot 571 and 572

Provenance: Purchased from the Victor Franses Gallery, September 1998.

£800-1,500

572 JEAN FRANCOIS THEODORE GECHTER (1796-1844) A bronze study of a whippet standing over a dead hare, on naturalistic base, signed and dated 1843, 9¼" high. See illustration Provenance: Purchased from the Victor Franses Gallery, September 1998.

Lot 574

£500-1,000

573 FRENCH SCHOOL, 19th/20th century A bronze study of a standing whippet, on a rectangular marble base, 6" high, and a study of a recumbent whippet with crossed fore legs, stamped to the underside "Carnari", 3" high (2)

£300-600

574 FRENCH SCHOOL, circa 1840 An amusing bronze group of a whippet and a long haired cat, the cat tangled in a fallen stool and the whippet balanced above, on a gilt carpet base and ebonised plinth, 11¾" high. See illustration

£500-1,000

575 FRENCH SCHOOL, 19th century A pair of bronze studies of recumbent whippets, on rectangular slate bases, 4" high (2)

Lot 576

£300-600

576 FRENCH SCHOOL, circa 1880 A bronze group of a whippet and a spaniel fighting over a top hat, the spaniel's fore leg resting on a footstool, against which rests an umbrella, on an oval carpet patterned base, inscribed to the underside "Le Blanc Freres", 11¼" high. See illustration

110

£800-1,500

Lot 577

577 EMILE FREDERIC SALMON (1840-1913) A bronze study of a whippet seated beside a ball, on a patterned base, signed "E. Salmon", 21¼" high. See illustration

Lot 578 and 579

Provenance: Purchased from Robert Bowman Ltd (the invoice undated)

£2,000-4,000

578 ALFRED BARYE (1839-1882) A bronze study of a whippet with head turned to look at a fly that has landed on his back, standing on a fringed rug above a fallen glove, the base stamped "A. Barye. FS", 11¼" high. See illustration

£800-1,500

Lot 580

579 ANTOINE LOUIS BARYE (1796-1875) A bronze study of a whippet with one fore leg raised, standing on a scalloped base with angular linear incised curve, signed "Barye", 9¾" high. See illustration

£500-1,000

580 CHRISTOPHE FRATIN (1801-1864) A bronze study of a whippet with one fore leg raised and head turned around, standing on an oval naturalistic base, signed "Fratan", 12" high. See illustration £800-1,500 111

Lot 581

581 J. HODRONIG (?) A life size bronze study of a whippet with one fore leg raised, standing on a naturalistic rectangular base, indistinctly signed "J. Hodronig" and dated 1922, 24" high See illustration

Lot 582

Provenance: Purchased from the Sladmore Gallery, 32 Bruton Place, London W1 on 20th March 1996.

£3,000-6,000

582 HENRI EMILE ADRIEN TRODOUX, A bronze study of a whippet with one fore leg raised and holding a whip in its mouth, the plain oval base signed "Trodoux", 12½" high. See illustration Lot 584

£500-1,000

583 FRENCH SCHOOL, circa 1880 A bronze study of a whippet standing on a naturalistic base and holding a whip in its mouth, apparently unsigned, 6¼" high

£300-600

584 ARTHUR WAAGEN (1869-1910) A bronze study of a greyhound with head turned and one fore leg raised standing over a flowering branch, on a naturalistic oval base, 17" high. See illustration 112

£1,000-2,000

585 A PAIR OF EMPIRE BRONZE WHIPPETS reclining on rouge marble plinth and wearing gilded hunting coats with ducal crowns, early 19th century, 12" high overall (2). See illustration

Lot 585

Provenance: Purchased from Georgina Ryder Textiles on 31st January 1996.

£400-600

586 OLGA LANNER (1884-1961) A bronze study of a whippet standing with one fore leg raised, signed and dated 1930, on a rectangular stone plinth, 27½" high overall. See illustration

£1,000-2,000

587 FRENCH SCHOOL, 19th century A bronze study of a whippet with head raised and ears back, on rectangular base with canted corners, signed "Ogier" and dated 1878, 8" high. See illustration

Lot 586

£300-600

588 JOSEPH FRANCOIS VICTOR CHEMIN (1825-1901) A bronze study of a whippet scratching itself with one paw, standing on an oval base adorned with a whip and bowl, signed "V. Chemin", 5¾" high. See illustration £300-600 589 AFTER ARTHUR WAAGEN (1833-1898) A bronze study of a whippet with one fore leg raised and head turned, standing over a flowering branch, on a naturalistic base, apparently unsigned but the underside inscribed "Le Blanc Freres", 11½" high. See illustration

Lots 587, 588 and 589

Provenance: Purchased from the Victor Franses Gallery on 12th December 2000.

£500-1,000

113

Lot 590

590 FRANZ STRACKE (1820-1898) "Diana" A bronze study of a seated whippet, startled by a beetle emerging from the folds of the fringed rug she is seated upon, inscribed to the reverse "F. Stracke Amstellodami, 1881 sculp. Fonderia Nelli Roma", 18" high. See illustration

Lot 591

Provenance: Purchased from the Victor Franses Gallery, 57 Jermyn Street, London SW1 on 11th April 2003.

£3,000-6,000

591 HENRI ALFRED JACQUEMART (1824-1896) A life size bronze study of a whippet standing on a carpet and looking down at a bowl, on an oval base, signed "A. Jacquemart" and with the foundry mark "Vr. Paillard FEL Fondeurs (Paris)", circa 1880, 24½" high. See illustration

114

£8,000-15,000

Lot 593

594 A PATINATED BRONZE STUDY OF A GREYHOUND wearing a gilt collar, on white marble base, 4¾" high overall, and another small study of a recumbent greyhound on grey mottled marble base, 3" high overall (2)

592 HENRI ALFRED JACQUEMART (1824-1896) A small bronze study of a whippet standing on a rug and looking down at a bowl, the oval base signed "A.J." and stamped "A. Jacquemart", 6½" high

£300-600

593 JOHANN GOTTFRIED SCHADOW (1764-1850) A bronze study of Frederick the Great with his greyhounds, inscribed "H. Noack, Berlin Friedenau", the greyhounds collars marked "Alcmene" and "Hasenfess", with a deep rich brown patina, 35" high. See illustration

595 FRENCH SCHOOL, 19th century A bronze study of a standing whippet with one fore leg raised, on an oval base, 7" high overall, and a small study of a recumbent whippet wearing a collar, on a black and white mottled marble base, 2¾" high overall (2)

Provenance: Acquired from Robert Bowman Ltd, 8 Duke Street, St. James's, London SW1, who apparently acquired the bronze at auction in Amsterdam on 14th December 1998.

£200-400

£3,000-6,000 115

£200-400

596 AN ITALIAN GREEN PATINATED BRONZE STUDY OF A SEATED GREYHOUND on a waisted octagonal plinth base, 33¼" high. See illustration

Lot 596 and 597

£500-1,00 597 A PAIR OF BRONZE STUDIES OF SEATED GREYHOUNDS on octagonal waisted plinth bases, 32¼" high (2). See illustration

£600-1,200

598 ALBERT ERNEST SANCHEZ (b.1878) A patinated bronze study of a recumbent whippet with fore legs outstretched, the rectangular base signed "A. Sanchez" and stamped "Bronze" with the Colin Foundry, Paris seal, 6¾" high. See illustration

£800-1,500

599 EDWINA EMERY (born c.1942) A bronze study of a whippet in playful mood twisting to one side, with green patination, signed "Edwina Emery AC" to the underside of the animal, on a rectangular green marble base, 8¼" high overall. See illustration

Lot 598 and 599

£300-600

600 HARRIET GLEN, 20th/21st century A limited edition bronze study of two whippets at play, the naturalistic oval base signed Harriet Glen, on a wooden plinth base, 12¾" high overall, and another work by the same artist, a bronze study of a reclining whippet seated on two shaped cushions, signed "Harriet Glen", on a shaped wooden base, 4¾" high overall (2)

Lot 601 and 602

£600-1,200

601 JAMES OSBORN (1940-1992) A limited edition bronze study of a whippet scratching its ear with a hind leg, the shaped base signed "Osborn 91" and numbered 1/10, 5" high, and another similar study of a whippet with legs outstretched and head lowered, signed to the underside "Osborn" and numbered 7/20, 6½" high (2). See illustration

£300-600

602 BELINDA SILLARS, 20th century A limited edition bronze study of a running greyhound, signed and numbered 1/24 to the base, 6" high. See illustration 116

£500-1,000

603 ENGLISH SCHOOL, 20th century A bronze study of a standing whippet with one fore leg raised, the base indistinctly signed and incised A/P, 1995 and stamped with a Black Isle Bronze foundry mark, on a black slate base, 11¾" high

Lot 604

£300-600

604 ENGLISH SCHOOL, 20th century A patinated bronze study of a recumbent whippet resting its head against the ground, the hind quarters signed with a stylised monogram "PMK", and numbered 1.9, 4¼" high. See illustration £300-600 605 AN ANTHROPOMORPHIC BRONZE STUDY OF A GREYHOUND wearing a coat and resting its leg against a pedestal, 5" high, and a small quantity of similar small bronze studies of whippets including works by Jule Moigniez and Pamela H. Du Boulay (8)

Lot 607

£300-600

606 AN AUSTRIAN COLD PAINTED BRONZE STUDY OF A WHIPPET wearing a brown padlocked collar, 5¼" high, and a similar study of a whippet and tortoise group, 5¼" high (2)

£200-400

607 AN AUSTRIAN COLD PAINTED BRONZE STUDY OF A WHIPPET with one foreleg raised, 3½" high, and a small collection of similar figures including a seated whippet wearing a hunting coat with tassel (7). See illustration

£200-400 Lot 609

608 A SILVERED BRONZE STUDY OF A WHIPPET with one foreleg raised and tail between its legs, on a rectangular black slate base, 6¾" high, and three similar studies (4)

£100-200

609 THEO FENNEL: A GROUP OF TWO SILVER WHIPPETS, portraits of Alix and Brutus, hallmarked London 1992, 3½" high, on a dark green marble base with metallic inclusions, 5" high overall. See illustration Provenance: Purchased from Theo Fennel Jewellers, 22nd May 1992.

£400-700

117

Lot 611

611 JOSEPH GOTT (1786-1860) A white statuary marble carving of a bitch playing with her two young puppies, signed "J. Gott Fecit" on the original black and creamy brown figured marble base, 17¾" high overall. See illustration

Lot 610

Provenance: Purchased from William Agnew at The Grosvenor House Art and Antiques Fair, June 1998.

£5,000-10,000

612 JOSEPH GOTT (1786-1860) A white statuary marble group of an Italian greyhound feeding her two young pups whilst resting on folded cloth, signed "J. Gott Ft" on an oval black marble base, 14" high overall. See illustration Provenance: Purchased from Stair & Co. 14 Mount Street, London W1 on 17th June 1999.

613 AFTER JOSEPH GOTT (1786-1860) A simulated marble group of an Italian greyhound feeding two young pups whilst resting on a folded cloth, apparently unsigned, on a mottled black marble base, 13¼" high overall. See illustration

610 ENGLISH SCHOOL, 19th century A plaster model of a seated whippet, 18" high. See illustration

Provenance: Purchased from the Victor Franses Gallery, 13th October 1998.

£4,000-7,000

£300-600 118

£300-600

Lot 612

119

Lot 614

Lot 616

614 A WHITE MARBLE bust of a classical youth, probably Antinous, with curly hair, his head turned to sinister, 18th/19th century, 15½" high, on a waisted socle. See illustration £500-1,000

Lot 615

615 AFTER THE ANTIQUE A bronze figure of Narcissus, by the Chiurarazzi foundry, 19th century, on a circular base, 25" high. See illustration

After the original bronze discovered in Pompeii in 1862 now housed in the Museo Nazionale, Naples, described by Bieber as probably Hellenistic. See Francis Haskell "Taste and the Antique", no.64, fig.141.

£500-1,000

616 MARK CORETH (b.1958) A limited edition bronze study of a sea lion, with green patination, signed and numbered 1/9, on a rectangular black marble base, 6¾" high overall. See illustration

120

£300-600

Lot 617

617 A SMALL COLLECTION OF PRECOLUMBIAN TERRACOTTA ARTEFACTS including a standing figure, 5½" high, and four arrowheads (a lot). See illustration

Lot 618 and 619

£150-250 618 A PAIR OF ITALIAN ALABASTER TWO-HANDLED URNS, circa 1800, with lobed spherical bodies on dished bases, fitted for electricity, 15" high (repaired) (2) See illustration

£500-800

619 A GREEN VEINED MARBLE URN FORM TABLE LAMP, fitted for electricity, 20th century, the base 14" high. See illustration

Lot 620

£80-150

620 AN EBONISED AND GILT METAL MANTEL CLOCK, the back plate signed James Tick, London, 1745, with a silvered dial with Roman numerals and single winding hole. With chain fusee movement and short pendulum, the arch top case with carrying handle and pierced side panels, on bun feet, 18th century and later, 8½" high See illustration £800-1,500

121

621 A "GRAND TOUR" SPECIMEN MARBLE RULE of octagonal form, 11¾" long

Lot 622

£100-200

622 AN ELIZABETHAN OAK ARMORIAL PANEL, dated 1600, composed of two coats of arms, each surmounted by a Knights Helm and with an oak-leaf mantling, with traces of the red painted background. See illustration

£300-500

623 A FRAGMENT OF CARVED OAK with a figure wearing armour, riding in a carriage, 17th century, 10½" x 13" £100-200 624 A FLEMISH CARVED OAK PANEL, 17th century, from a chest showing a soldier outside a tent and a shepherd boy outside a hut, the hats representing David and Saul, or an allegory of war and peace, with a later gadrooned border concealing the former keyhole and with traces of parcel gilt decoration, 12¼" x 23½". See illustration

Lot 624

£200-400 625 A CARVED OAK PANEL, 17th century, carved with a scene of a boy slaying a man, with tents, trees and buildings to the background, within a moulded and gilt decorated surround, 12½" x 23¾" Lot 626

£180-250

626 A FLEMISH CARVED OAK HEAD of a winged cherub, circa 1650, with slightly tilted head, 18". See illustration

122

£200-400

627 A FLEMISH WALNUT FIGURE OF THE VIRGIN, probably circa 1500, wearing a diadem over her long tresses, her dress with deep "V"-shaped folds, 44" high. See illustration

ÂŁ3,000-6,000

123

630 A CHARLES II OAK ARMCHAIR, the rectangular panelled back with a "cupids-bow" cresting over shaped arms and a solid seat, on turned baluster legs united by squared stretchers, 23¼" wide. See illustration

Lot 630

£600-1,200 631 A CHARLES II OAK ARMCHAIR, the rectangular panelled back surmounted by opposing "S"-scrolls over two foliate lunettes and a central lozenge, with slightly downswept arms, on turned supports and with a solid seat over a moulded seat rail, on turned legs and squared stretchers, 28¼" wide. See illustration

£800-1,500

632 A CHARLES II OAK ARMCHAIR with a rectangular panel back beneath a chip-carved top rail flanked by turned finials, with shaped arms and a solid seat over a chip-carved seat rail and turned baluster legs and squared stretchers, 23¼" wide. See illustration

Lot 631

£600-1,200

633 A 17TH CENTURY WALNUT CANEBACKED SIDE CHAIR, the raised back with turned uprights and scrolling rails, above a replaced solid seat and scrolling and turned stretchers, 43½" high

£50-100

634 A VICTORIAN OAK " x"-FRAME ARMCHAIR with carved top rail, above an upholstered back and seat, on curved legs and turned stretcher, 35" high

Lot 632

£100-200

635 A LARGE RIVETED COPPER with flared rim and later oak base, 32" wide

124

£200-400

Lot 636

638 A VENETIAN STYLE GILT METAL HANGING LANTERN of tapering hexagonal form with all over scrolling decoration, fitted for electricity, 22"

636 A HENRY VIII OAK BOARDED CHEST, the channel-moulded hinged top with iron strap hinges, over a chip-carved roundel pattern front incorporating an iron lock plate with similarly carved angle brackets below, on trestle-shaped end supports, mid 16th century, 50½" wide. See illustration

639 A "VENETIAN" GILT METAL LANTERN with a hexagonal body, with all over pierced and scrolling mounts, on a later velvet-lined pole, fitted for electricity, 84"

This chest is illustrated as fig. 2:188 on page 180 of Victor Chinnery "Oak Furniture: The British Tradition", in which Chinnery suggests"The whole piece displays remarkable sense of the casual enjoyment of surface pattern and lacks any formal symmetry".

£100-200

£2,000-4,000 640 A MARBLE AND GILT METAL PEDESTAL with a square top on a stop fluted column and square base with all over gilt metal mounts, 40" high

637 A "VENETIAN" LANTERN surmounted by a cross above stepped pierced borders and the lantern body, on a velvet-lined column, fitted for electricity, 75" high

£200-400

£150-300 641 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a broad crossbanding above two short and three graduated drawers, on slender bracket feet, 25¼" wide 125

£100-200

Lot 642

643 AN HISPANIC WALNUT REFECTORY TABLE, the rectangular top above shaped and pierced end supports joined by a single shaped stretcher, basically 17th century, 100" long x 36½" wide

642 A CHARLES II OAK REFECTORY TABLE, the cleated rectangular two plank top over a moulded frieze fitted with a drawer at one end, on baluster legs with squared peripheral stretchers, 17th century and later, 110" long x 34¼" wide.

£1,000-2,000

Lot 643

126

644 A SMALL DUTCH BRASS CHANDELIER of 17th century design, the six scrolling branches with ribbed holders and saucer-shaped handles, the turned stem ending in a sphere with a ring terminal, 60" high, and a pair of similar Dutch brass wall sconces, 15½" high. See illustration

Lot 644

£500-1,000 645 A GEORGE III MAHOGANY CARD TABLE of Sheraton design, with a folding "D"shaped top, with broad satinwood crossbanding over an inlaid frieze centred by a rectangular table, on turned and reeded legs terminating in "toupie" feet, 36" wide

£200-400

646 A LATE VICTORIAN "CHIPPENDALE REVIVAL" OCCASIONAL TABLE, the square top with serpentine borders, on shaped legs and raised platform stretcher, 17" wide

Lot 647

£50-100

647 A REGENCY MAHOGANY CHEST OF DRAWERS, the rectangular top with a reeded edge over two short and three long graduated drawers fitted with oval pressed brass handles, repousse with Admiral Lord Nelson within a trophy of arms with the Victory beyond, on splayed bracket feet joined by a valanced apron, 42" wide. See illustration

£500-1,000

648 A CHINESE HARDWOOD OCCASIONAL TABLE, the rectangular top above a three-quarter pierced frieze on slender moulded legs with shaped feet, 20" wide

Lot 649

£100-200 649 A PAIR OF SPANISH WALNUT FRAMED ARMCHAIRS with upholstered rectangular backs above scrolling and carved arm rests above similarly upholstered seat, on scrolling legs and stretchers, 39" high. See illustration £500-1,000

127

Lot 650

Lot 655

653 A REGENCY ROSEWOOD WORK TABLE inlaid with brass stringing, the rectangular flap tops over an arrangement of two drawers with brass button handles and a pull-out work-bag (now missing), on shaped and downswept trestle supports joined by a platform stretcher and downswept legs with brass leaf-cast castors, 35½" wide

650 A LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE with a moulded cornice over a pair of astragal glazed doors incorporating pointed Gothic arches, the lower section with a secretaire drawer over a pair of panelled doors, on later splayed bracket feet, 92" high x 41" wide. See illustration

£300-600

651 A WILLIAM IV ROSEWOOD CANTERBURY with three "swept" divisions with vertical slats, over a single drawer with a turned wood handle, on turned legs and brass cap castors, 20" wide

654 A GEORGE III MAHOGANY BEDSIDE TABLE with a shaped tray-top incorporating hand apertures over a cupboard and commode drawer with a double simulated front, on square moulded legs, 20" wide

£200-400

652 A GEORGE III MAHOGANY WINE COOLER of hexagonal form, the brass-bound body with "Dutch" drop side handles, on a stand with a stop-fluted frieze and splayed moulded legs terminating in brass cap castors, 18" wide

£300-600

£200-400

655 A VENETIAN STYLE PAINTED BUREAU BOOKCASE, the upper section with twin arched top painted doors enclosing a mirror-lined interior, the lower section with a similarly decorated sloping fall enclosing a fitted interior, above three serpentine front drawers and bracket feet, with all over conforming foliate and scrolling painted decoration against a yellow ground, 19th century, 75" high

£300-600

128

£500-1,000

Lot 658

659 A GEORGE IV MAHOGANY SOFA TABLE, the rectangular top with drop-flap sides above two concealed frieze drawers, on turned and lotus-carved column and gadrooned lower collar with a quadriform base, with turned and lobed feet with recessed castors, 37½" wide (closed)

656 A VICTORIAN MAHOGANY "CHIPPENDALE REVIVAL" DISPLAY CABINET, the upper section with a pierced border above twin glazed doors enclosing a shelved interior, above two short drawers and an open shelf stretcher, with all over blind fret and pierced carved decoration, 29" wide

£100-200

660 A GEORGE II OAK MULE CHEST, the rectangular top with a moulded border above a panelled front with four arched top fielded panels, the base with two small and two short drawers, 18th century and later with converted front, 56" wide

657 A GEORGE III STYLE MAHOGANY SILVER TABLE of Chinese Chippendale design, the rectangular top with a pierced fretwork gallery over a conforming blind fret work frieze, on four chamfered legs, pierced corner brackets and block feet, with "S"-scroll stretcher with a dished circular platform, 27¼" wide

£100-200

£200-400

661 A QUEEN ANNE OAK SIDE TABLE, the rectangular top over three frieze drawers and a deeply undulating apron, on turned and squared legs and conforming stretchers, 34½" wide

658 A GEORGE III MAHOGANY SERPENTINE SIDEBOARD with a tubular brass back and a top crossbanded in kingwood edged with boxwood stringing, the fluted front edge carved with oval patera at intervals, over a central bow-fronted drawer flanked by two fan-shaped spandrels and two deep cellarette drawers, on square tapering stopfluted legs and spade feet, 72¼" wide. See illustration

£100-200

£500-1,000 129

£300-600

Lot 662

Lot 663A

663A AN ITALIAN "ARTE-POVERA" COMMODE with a faux marble top above three polychrome decorated drawers with figures in landscapes flanked by canted angles with figures in medallions, the sides with applied mouldings and conforming decoration, basically 18th century, 47" wide. See illustration

662 A GEORGE I WALNUT BUREAU BOOKCASE with a double domed and glazed upper section over a fall front enclosing a stepped interior with a well, above two short and two long drawers, on shaped bracket feet, 18th century and later, 35" wide. See illustration Provenance: Purchased from Murray Thompson Ltd, 152 Kensington Church Street, London W8, on 7th November 1994.

664 A GEORGE III MAHOGANY NIGHT TABLE with a divided and hinged top over a single panelled door and a drawer, on turned tapering legs, 20" wide

£800-1,600 663 A PAIR OF JAPANESE STYLE LACQUERED HANGING CORNER SHELVES with three graduated shelves on supports decorated with fans against a black ground, 25" high

£1,500-3,000

£100-200

130

£100-200

Lot 667

667 A QUEEN ANNE "MULBERRY" CHEST OF DRAWERS with a crossbanded quarter-veneered top over two short and three long graduated drawers with walnut-banded borders, on later shaped bracket feet, 38" wide. See illustration

665 A LATE GEORGE III MAHOGANY "DUMB WAITER" with two graduated circular tiers, on a baluster shaft and an inverted tripod base, basically 18th century 34" high

£150-250

666 A DUTCH WALNUT AND MARQUETRY SIDE TABLE with a pierced brass gallery, above two dummy drawers with ring handles, on square tapering legs, with all over chequered stringing, late 18th century, 27½" wide £100-200

131

£1,500-3,000

668 A NORTH ITALIAN GILTWOOD PIER MIRROR of neo-classical design, the cresting with an urn of flower swagged with drapes from which emanate sprays of flowering branches, flanked by two seated hounds with tails continuing into leaf-carved scrolls, from which are suspended oak leaves and acorns, the rectangular plate within a simple carved border, with cascading leaves at the sides and apron composed of a band of stylised stiff acanthus leaves, with urn finials at the sides supported on fluted and panelled plinths projecting below the line of the apron, late 18th century, 86" high x 43" wide (maximum)

ÂŁ5,000-10,000

END OF COLLECTION 669 â&#x20AC;&#x201C; 719 Spare lots 132

RUGS AND CARPETS WORK S OF ART Clock s and Scientific instrumentS

Lot 782 133

RUGS AND CARPETS

720 A NORTHWEST PERSIAN TRIBAL RUG, the royal blue and ivory ground with a central red medallion within hariti pattern floral outer borders and guards, 80" x 53"

727 A CAUCASIAN TRIBAL RUNNER, the blue ground worked with four stylised mirhab shaped panels, in red and pale blue, within floral herrati style outer borders and guards, 163" x 38"

£70-100

728 A CAUCASIAN TRIBAL RUNNER, the dark blue rectangular panel worked with a central hexagonal pole medallion in ivory and coral, within stylised hooked boteh pattern outer borders and guards, 163" x 34"

721 A PERSIAN RUG OF SHIRAZ TYPE, the central ivory rectangular panel worked in red and dark blue with birds, tarantula motifs and vases, within floral pattern outer borders and guards, 46" x 62"

£100-200

722 A NORTHWEST PERSIAN RUG, the salmon pink ground with an ivory and blue central diamond quadrilateral, 30" x 49"

£100-200

723 A NORTHWEST PERSIAN CARPET, the ivory ground with three rows of hexagonal medallions, with hooked boteh borders and floral panels within outer borders and guards, 117" x 78"

730 A NORTH WEST PERSIAN TRIBAL RUG, the dark blue ground worked with coral and salmon pink stylized flowerheads within multi flower outer borders and guards, 73" x 44"

724 AN AFGHAN ZIEGLER TYPE SMALL CARPET, the ivory ground worked with pastel shaded stylized leafage and flowerheads, within conforming outer borders and guards, 135" x 103"

£80-150

732 A KHALIM OF BIGAR TYPE, the blue ground worked with a triple-pole medallion within a floral border, 60" x 42"

£300-600

£100-200

726 A CAUCASIAN TRIBAL RUG, the royal blue ground worked with a central ivory and red triple pole medallion within serrated leaf and floral outer borders and guards, 84" x 54"

£100-200

731 A SMALL KHALIM OF MALDOVIAN TYPE, the ivory ground with brick red central rectangular panel worked with stylised medallions within tarantula motoif outer borders and guards, 37" x 36"

£300-600

725 AN AFGHAN ZIEGLER TYPE SMALL CARPET, the pale lemon ground worked with magenta and pastel shaded stylized leafage and flowers within conforming outer borders and guards, 124" x 96"

£100-200

729 A NORTHWEST PERSIAN TRIBAL RUG, the dark blue central panel worked with an ivory and coral medallion, within outer borders and guards, 81" x 56"

£40-60

£100-200

733 A SMALL CHINESE RUG, the ivory ground with a blue Greek key pattern border, 26" x 25"

£80-150

134

£80-150

Lot 737

734 A SMALL PERSIAN RUG OF ISVAHAN TYPE, the ivory ground with a pale blue and red floral pattern, within floral borders and guards, 44" x 23"

737 A FINE TABRIZ CARPET, the salmon pink ground worked with a central pale blue and ivory oval floral medallion, birds, stylised lions, vases and flowers, with conforming corner spandrels and ivory ground, the floral pattern outer borders and guards worked with animal and human faces, 197" x 136". See illustration

£80-150

735 A TURKHAMAN TYPE PERSIAN CARPET, the dark blue ground with a madder central quadruple diamond pattern pole medallion, with hooked boteh ivory border, the field decorated with stylized flowers, within ivory and multicoloured outer borders and guards, 138" x 77"

738 A SMALL NORTH WEST PERSIAN RUG, the brick red ground with a central ivory stepped medallion on a multicoloured field with ivory outer borders and guards, 62" x 42"

£500-1,000

736 A BOKHARA TYPE SMALL CARPET, the aubergine ground worked with stylized ivory, dark blue medallions within serrated leaf ivory ground outer borders and guards, with wide selvedge, 129" x 79"

£2,000-4,000

£80-150

739 AN ANATOLIAN KELIM RUNNER with brightly coloured wavy and stylised foliate decoration, 154" x 56"

£400-600

135

£200-400

WORKS OF ART

Lot 755

753 JAMES COOK: "A Voyage towards the South Pole and Round the World", 2vols, London 1777, with numerous illustrations (2)

749 AN AUSTRIAN "COLD PAINTED" BRONZE of a bird with all over naturalistic finish, with stamped marks, 4½", and another smaller bronze (2)

£200-400

754 HUTCHENS, J.: "The History and Antiquities of the County of Dorset", 1861(34), third edition in original fifteen parts, folio, William Barnes's copy with his signature on several parts and a few marginal markings, probably in his hand (15)

750 A VICTORIAN COROMANDEL WOOD WRITING SLOPE, the sloping fall with mother of pearl tablet engraved "M.P. Adam", with fitted interior and inkwells, 14" wide

£200-400

751 AN ART DECO ALABASTER UPLIGHTER with broad curving bowl, on a square base, early 20th century, 14" high

£200-400

755 THOMAS HARDY: "The English Woman's Cookery Book" by Isabella Beeton, London 1865, inscribed "Mrs Thomas Hardy Jan. 18.1866" and with a paper label to the cover "Cookery book used by Mrs T. Hardy, Bockhampton". See illustration

£100-200

752 SIDNEY HALL: POCKET COUNTY MAPS, small folding maps in a fitted green leather container. Chapman & Hall, London.

£150-300

£200-400 136

This volume has come from a relative of Harry & Joan Lock, solicitor and personal friend of Kate Hardy (Thomas's sister).

£100-200

Lot 757

758 WILLIAM BARNES: A hand-written letter from William Barnes to Mrs Hodding, 8th October 1886. This letter originally accompanied lot 757 in this catalogue. It concerns Mrs Hodding's effort to publish William Barnes's work.

756 THOMAS HARDY: Two volumes from Thomas Hardy's library: J.Mead Falkner "Moonfleet", inscribed "Thos. Hardy from the author 1898"; and G.W. Forrest "Cities of India", inscribed "To Thomas Hardy from G.W. Forrest" and with paper label "From the library of Thomas Hardy O.M. Max Gate" (2)

This volume has come from a relative of Harry & Joan Lock, solicitor and personal friend of Kate Hardy (Thomas's sister). £100-200

Provenance: The library of Siegfried Sassoon.

Private collection.

£300-600

759 WILLIAM BARNES: "Poems of Rural Life in the Dorset Dialet", London 1879; "Hwomely Rhymes, A Second Collection of Poems in the Dorset Dialect", London 1859; and "Poems of Rural Life in the Dorset Dialect", London 1862 (3)

757 WILLIAM BARNES: "Solace of the Fields", a previously unpublished poem in four verses, hand-written and inscribed at the end "Mrs Hodding with kind compliments WB". See illustration

£200-400

Provenance: Local Dorset family, Duke's of Dorchester 2004.

Private collection.

760 WILLIAM BARNES: "Tiw; or, A View of the Roots and Stems of the English as a Teutonic Tongue", London 1862

£1,000-2,000

£50-100 761 WILLIAM BARNES: "Notes on Ancient Britain and the Britons", London 1858, and a similar volume, "Poems of Rural Life in the Dorset Dialect", London 1844 137

£80-150

Lot 766

765 A LATE VICTORIAN "AESTHETIC" BRASS WALL SCONCE with a bevel edged plate within a foliate surround with three candle branches, 15¾"

762 WILLIAM BARNES: A Collection of material including "A Selection from Unpublished Poems", Winterbourne Monkton, 1870, two editions of "Wessex", nine editions of Mercury, a review of the Arts in Wessex, photographs of Dorchester by M & E Case, and "A Grammar and Glossary of the Dorset Dialect", Berlin 1863 (13)

766 EMMANUEL VILLANIS (1858-1914) A CAST AND PATINATED BRONZE BUST of an Art Nouveau maiden wearing a head dress, on marble plinth, with cast signature. See illustration

£150-250

763 A LARGE PAIR OF FRENCH GILT BRONZE RENAISSANCE REVIVAL JUG-SHAPED ORNAMENTS with all-over cast and chased decoration, 19th century, 23" high

£700-900

767 WILLY: A CAST GILT BRONZE ART NOUVEAU TRAY of hexagonal form decorated with dragonflies and flowers, with cast signature, 7¼" wide

£500-1,000

764 LIBERTY & CO: A PAIR OF BRASS ART NOUVEAU VASES of tapering shoulder design, with "Glasgow" style roses and similar decoration, stamped "Liberty & Co.", 13¾" high (2)

£80-150

£100-200 768 KAYSERZINN: AN ART NOUVEAU PEWTER SAUCEBOAT, 8½" wide, and a similar "dish" (2)

£200-400

138

£80-150

Lot 772

771 J. MARIONETT: A CAST AND GILT BRONZE ART NOUVEAU PEN TRAY with cast signature, 10½" wide

769 WMF: A PAIR OF ART NOUVEAU SPILL VASES with glass bodies and pewter bases, 7" high

£100-200

772 EMILE GALLE (1846-1904): A CAST AND PATINATED BRONZE SCULPTURE OF AN ELDERLY MAN leaning against a spade, on a naturalistic base with cast signature, 16" high. See illustration

770 HUGH WALLIS (1871-1943) A CIRCULAR COPPER TRAY with silver decorated border and stamped signature, 40½" wide, and three similar items (4) £100-200

139

£500-1,000

Lot 777 and 778

776 CHARLES LEONARD HARTWELL R.A. (1873-1951) A CAST AND PATINATED BRONZE OF A PEASANT BOY holding crops beneath his arm, with cast signature, on marble base, 13" high

773 AFTER BARON FRANCOIS-JOSEPH BOSIO (1768-1845) A cast and patinated bronze of a young boy in antique dress, on square base with cast signature, 10" high

£200-400

774 A CAST AND PATINATED BRONZE OF AN 18TH CENTURY STYLE DANDY in frock coat, on a circular base, 19th century, 8¾" high

777 EMMANUEL VILLANIS (1858-1914) "SAPHO: A CAST, PATINATED COLOURED BRONZE of a young woman playing a harp, with cast signature and foundry mark, on marble base, 10½" high. See illustration

£100-200

775 HARRIET SANDERSON STEWART A cast and patinated bronze of a woman holding a fan, with cast signature and dated 1911, on marble plinth, 16" high

£100-200

£800-1,500

778 V. BRUYNEEL: A CAST AND PATINATED ART NOUVEAU BRONZE OF A MAIDEN, head and shoulders, 10" high. See illustration

£150-250

140

£300-500

Lot 781 and 782

783 IN THE MANNER OF SIR JACOB EPSTEIN: A CAST AND PATINATED BRONZE STUDY OF A YOUNG GIRL, the head and neck with long flowing hair, on a wooden plinth, 16" high

779 A LARGE BRONZE ART NOUVEAU LILY FORM JARDINIERE with broad splayed rim and circular base, 19" wide

£150-250

780 AFTER JEAN-ANTOINE HOUDIN (1741-1828) A TERRACOTTA SCULPTURE OF A BOY, on marble plinth, 14" high

783A A CAST AND PATINATED BRONZE OF A YOUNG MAN playing the pipes, with foliate and leaf effect lights above, 24" high

£700-1,000

781 MARTIN: A CAST AND PATINATED BRONZE PEN TRAY decorated with a roaring tiger by a bone, with cast signature, 7" wide. See illustration

£200-400

784 BRUNO FRIEDREICH EMILE KRUSE (1855-1906) A cast and patinated Art Nouveau style sculpture of a naked woman with arms outstretched, with cast signature, on a marble plinth, 16" high

£300-500

782 DEMETRE CHIPARUS (1886-1947): A GILT BRONZE AND IVORY SCULPTURE OF A SCHOOLGIRL holding a satchel, on a marble base, unsigned, 6¾" high. See illustration

£600-800 141

£700-900

785 A PAIR OF CAST AND PATINATED BRONZE "COLZA" OIL LAMPS of classical vase form, with flame mounted lids, twin handles and square bases with animal paw feet, 19th century, 13" high. See illustration

Lot 785

£400-800

786 JOSEPH HEU: A CAST AND PATINATED BRONZE PORTRAIT BUST OF WALTER BURTON BALDRY with cast signature and dated 1938, on plinth base, 17½" high

£300-500

787 AFTER COUSTEAU: A PAIR OF PATINATED CAST BRONZE "MARLEY" HORSES with attendants restraining rearing horses, on naturalistic bases, 22¾" high. See illustration

Lot 787

£700-900

788 A PAINTED PLASTER AND TIMBER "BLACKAMORE" FIGURE, the figure in elaborate Venetian style costume holding a scrolling support, on circular base, 20th century, 27¼" high £200-400 789 CAMILLE FAURE FOR LIMOGES: TWO ENAMEL ON COPPER paintings of exotic birds against a mottled background, signed "Faure. Limoges. France" and with paper labels to the reverse, each 6¼" x 4½". See illustration

Lot 789

142

£1,500-2,500

790 MOREAU SAURE: A PAIR OF CAST AND PATINATED ART NOUVEAU BRONZE VASES with stylised naturalistic handles, floral encrusted necks and similar bodies, with cast signatures, on marble bases, 19" high (2). See illustration Provenance: Purchased Christie's South Kensington, Lot 354 on 24th November 1997.

£4,000-6,000

143

791 A MARBLE AND GILT BRONZE INK STAND with Napoleonic regalia and surmounted by an eagle between two ink wells, standing on paw feet, 19th century, 11" high x 17" wide See illustration

Lot 791

£300-500

792 A VINTAGE CORKSCREW, the ebonised handle with brush to one end and gearwound winding mechanism £80-150

793 A VICTORIAN WALKING CANE with silver-plated terminal and ivory band, 33¼"

£150-250

Lot 794

794 A PAIR OF GRAND TOUR BRONZE AND GILT BRONZE TAZZA on rouge marble plinth with gilt metal wreaths, 10" high. See illustration

£200-400

795 A REGENCY PEN-WORK SEWING CASKET of rectangular form with gilt gilt metal handles and feet, the interior fitted with mother of pearl handled sewing accessories, 9½" wide See illustration

£200-400

796 A REGENCY BURR WALNUT AND ROSEWOOD CROSSBANDED SARCOPHAGUS-FORM TEA CADDY, the raised top enclosing a fitted interior with twin lidded tea canisters and glass basin, the interior of the lid decorated with geometric specimen wood marquetry, 14¾" wide

Lot 795

144

£150-250

Lot 797 and 798

798 A LARGE BOROUGH OF BARROW IN FURNESS BEAM SCALES by Doyle & Son, London, to weigh 56lbs, with a decorative black and gold painted frame and twin copper pans, and a fitted ebonised case, the stand 61½" high. See illustration

797 TWO MIDDLESEX COUNTY COUNCIL WEIGHTS in an oak box bearing a tablet "Standard Weights, 56 lb and 28lb Middlesex County Council", the weights marked W & T Avery Ltd, Birmingham, and with various proof marks from 1907 and later See illustration

£200-400

145

£300-600

Lot 799

801 A PAIR OF BRASS WALL SCONCES with scrolling surrounds and central bevelled mirrors, with three scrolling candle branches, 18" high

799 ILHAN KOMAN (1921-1986) A direct metal abstract sculpture, 16" high. See illustration

£8,000-12,000

800 A 14TH/15TH CENTURY MARNHULL STONE CORBEL carved to one element with a man's head, the fragment 16½" high

£200-400 146

£100-200

Lot 804

802 JUAN CLARA (1875-1958) "Heureuxage" A gilt bronze study of a young child seated in a chair with cast signature and foundry mark, 9½" high. See illustration

Lot 802

£200-400

803 JUAN CLARA (1875-1958) A cast and patinated bronze study of a young child standing on a stool, with cast signature, 13½" high. See illustration

£200-400

804 A. TITZE: AN AUSTRIAN COLDPAINTED BRONZE MODEL OF A BULLDOG, early 20th century with cast signature, 8"

Lot 803

£500-1,000

147

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 810

807 A BRASS FACED LONGCASE CLOCK by Daniel Tantum of Nottingham, with subsidiary date aperture, the chapter ring with a tablet dated 1727, with an eight day two train movement striking on a bell, the oak case with flat top hood and long trunk door, 89" high

805 A 19TH CENTURY FRENCH ROUGE MARBLE AND GILT BRASS "FOUR GLASS" MANTEL CLOCK, the dial signed "J. Sewill, 30 Cornhill, London", with two train movement with mercury filled compensating pendulum, in a marble mounted case, 13½" high

£150-300

808 A BLACK JAPANNED CHINOISERIE LONGCASE CLOCK, the brass dial signed "Jn. Ford, Aylesbury" with subsidiary seconds dial and date aperture, with a two train five pillar movement striking on a bell, the case with flat top hood and long trunk door with glass window with all over Japanned decoration, 87" high

806 A FRENCH MARBLE AND GILT METAL MOUNTED MANTEL CLOCK, the broad circular convex dial with a two train movement striking on a gong, the architectural case with twin Jasperware medallions above white marble columns, late 18th/early 19th century, 17" high. Provenance: Formerly in the Manoir de Trinel Perrier sur Andell, Eure, France.

£400-600

£150-250 148

£300-600

Lot 812

Lot 811

811 A FRENCH BOULE AND ORMOLU BRACKET CLOCK, the gilt metal dial with enamel plaque to the centre signed "Adre Furet, Paris", surrounded by blue painted Roman numerals with a two train movement, the waisted case with all over boule marquetry surmounted by a cherub, on a matching wall bracket with gilt metal mounts and boule decoration, 18th century, the clock 26½" high, the bracket 11½" high. See illustration

809 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial with silvered chapter ring signed "Tho. Lumpkin, London", with subsidiary seconds dial, with an eight day two train movement striking on a bell, the hood with scrolling pediment and central lion mask, the trunk with quarter recessed columns, 91" high £600-800 810 A NOVELTY WINDMILL FORM CLOCK with central clock dial beneath a barometer and thermometer, with rotating sails, above a turreted windmill effect case, 18½" high. See illustration

Provenance: Formerly in Chateau de la Seilleraye Carquefou Loire-Atlantique, France.

£1,000-2,000

812 A CIRCULAR WALL CLOCK, the silvered dial signed "John Rapkin, London", with Roman numerals, with single train fusee movement with crown escapement, with convex glass, 15½" wide. See illustration

£400-800

149

£600-800

Lot 813

814 A VICTORIAN NOVELTY CLOCK in the form of a lantern, each side mounted with a clock, barometer, thermometer and day of the week indicator, 10" high

813 A 19TH CENTURY FRENCH GILT METAL AND CERAMIC MANTEL CLOCK, the dial of "Sevres" style porcelain painted with a lady playing a harp and a child in a landscape, the dial with gilt and jewelled border, the sides similarly decorated, with an eight day two train movement striking on a bell, 15" high. See illustration

£300-500

815 – 834 Spare Lots

£2,000-4,000

150

Furniture

Lot 909 151

835 A GEORGE III MAHOGANY CHEST OF DRAWERS with two short and three long graduated drawers with brass handles, on short bracket feet, 42" wide

Lot 837

£200-400

836 A CHARLES II OAK COFFER, the rectangular two plank top above a carved frieze and two decorative panels, on tall moulded legs, 17th century, 49" wide

£180-250

837 A GEORGE II OAK DRESSER BASE, the rectangular two plank top above three frieze drawers, a central panel and twin panelled doors with conforming arched panels, 63½" wide See illustration

Lot 839

£400-600

838 A REFECTORY STYLE OAK DINING TABLE, the three plank top with cleated ends, on turned legs, 66" wide

£300-500

839 A QUEEN ANNE WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with quarter matched veneers within broad crossbanding, above two short and three long graduated drawers with semi-circular drawer mouldings, on bracket feet, 38½" wide. See illustration Lot 840

£600-800

840 A SET OF TWELVE GOTHIC REVIVAL OAK DINING CHAIRS, the tall rectangular backs with differently carved panels of Gothic tracery, above solid seats on square chamfered legs with conforming stretchers, 19th century, 41" high. See illustration

£800-1,500

841 A LATE VICTORIAN ROSEWOOD, SATINWOOD AND EBONY INLAID SIDEBOARD BASE, the top with shaped and moulded border above a central glazed panel flanked by shelves and twin panelled doors, all with hanging swag and Italianate ivory and satinwood inlay, 79" wide 152

£200-400

842 A LATE 19TH CENTURY FRENCH MAHOGANY AND "VERNIS MARTIN" BONHEUR DU JOUR with all over gilt metal mounts, with a two-barred opening front enclosing a fitted interior, above a single frieze drawer on cabriole legs with all over gilt metal mounts and borders, 31" wide

Lot 843

£400-600

843 A NORTH EUROPEAN PAINTED SOFTWOOD WARDROBE with a moulded top above two panelled doors with all over floral painted decoration, the cornice with marble effect above a frieze of faux drapery, inscribed "Anna Magdalena Geisslerlerin, 1776", 68" high x 48" wide. See illustration

£300-500

844 MANNER OF LIBERTY & CO: A VICTORIAN MOORISH STYLE FOLDING FOLIO STAND of Moorish design, with pierced and bobbin-turned panels, 31½" high

Lot 846

£100-200 845 A WILLIAM IV ROSEWOOD CENTRE TABLE, the rectangular top with rounded ends on tapering fluted columns and platform bases with turned feet and recessed castors, 50" wide £200-400

846 A VICTORIAN MAHOGANY WRITING DESK, the upper section with two cupboards, above a leatherlined sloping writing surface enclosing a fitted interior, above a single blind and two short drawers, on two pedestals of three short drawers and plinth bases, 54½" wide. See illustration

Lot 847

£400-800

847 A REGENCY REVIVAL CENTRE TABLE with a broad smoked glass top on a patinated and polished base in the form of three dolphins with raised tails, on a moulded triform base, 59" wide. See illustration

£400-800 153

Lot 851

Lot 853

852 A WILLIAM AND MARY WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with quarter matched veneers within broad crossbanding, above two short and three long graduated drawers with rounded drawer dividers, on bracket feet, 17th century and later, 35" wide

848 A PRIMITIVE "DOUGH" BIN with a three plank top above sloping sides, the base with a single small drawer, on tapering legs, 62" wide

£300-500

849 A PAIR OF GEORGE III MAHOGANY LADDERBACK DINING CHAIRS, the wavy pierced backsplats above dished overstuffed seats, on square moulded legs with "H"-form stretchers, 36½" high

853 A WILLIAM AND MARY WALNUT VENEERED CHEST ON STAND, the rectangular top with quarter matched veneers within broad crossbanding, above two short and three long graduated drawers with rounded drawer dividers, the base with a single long drawer above arched frieze and turned legs with wavy stretcher and bun feet, 17th century and later, 41" wide. See illustration

£100-200

850 A LATE 19TH CENTURY FRENCH ROSEWOOD AND SATINWOOD STRUNG ROLL-TOP WRITING DESK, the rectangular top above a roll-front with sliding leatherlined writing slope within pigeonholes and short drawers, on square tapering legs, 27" wide

£1,000-2,000

854 A WILLIAM AND MARY WALNUT VENEERED CHEST OF DRAWERS, the rectangular top above two short and two long graduated drawers with rounded dividers, on later base, 17th century and later, 37" wide,

£200-400

851 A LATE 19TH CENTURY FRENCH ROSEWOOD AND MARQUETRY CENTRE TABLE, the rectangular top with wavy gilt metal mounted border enclosing elaborate foliate and scrolling marquetry above a single frieze drawer and conforming sides, on slender cabriole legs with conforming gilt metal mounts, 32" wide. See illustration

£300-600

£200-400

855 A GEORGE III MAHOGANY FRAMED UPHOLSTERED OPEN ARMCHAIR with an arched upholstered back above moulded scrolling arm supports, with an upholstered seat on square moulded legs, 38¼" high

£500-1,000

154

£100-200

856 A REGENCY ROSEWOOD AND BRASS INLAID CENTRE TABLE, the circular top with a band of rosewood inlay on a tapering triangular column with platform base and scrolling animal paw feet, 47½" wide. See illustration

Lot 856

£500-800

857 A GEORGE III MAHOGANY MULE CHEST, the rectangular rising top with a moulded border, above a single frieze drawer with elaborate key escutcheons and handles, on a low base with shell-carved centre and short cabriole legs with carved knees and animal paw feet, possibly Irish, 51½" wide. See illustration

£400-800

858 A PAIR OF CHINESE RED LACQUERED CABINETS with rectangular tops above twin cupboard doors, decorated overall with plants and precious objects against a red ground, 24" wide

Lot 857

£200-400

859 A CHINESE LACQUERED CABINET, the twin flat fronted doors inlaid with hardstones and ivory with scenes of figures in a landscape, against a red and gilt ground, late Qing, 21½" wide

£200-400

860 A LOUIS XVI STYLE UPHOLSTERED ARMCHAIR, the raised rectangular back with a carved surround with all over upholstered back and sides, on short spiral-turned legs, 41" high

Lot 861

£150-300

861 A GEORGE III MAHOGANY PILLAR TABLE, the single plank top with moulded scrolling border, on a fluted and turned column with three downswept legs with pad feet, 32½" wide. See illustration

£300-600

862 A GEORGE III MAHOGANY POLE SCREEN with a rectangular needlework panel and turned column, with leaf-carved base on three tall cabriole legs with pad feet, 18th century and later, 61" high

£100-200 155

Lot 863

863 AN EARLY 18TH CENTURY WALNUT CHEST ON STAND, the upper section with a moulded cornice above two short and three long graduated drawers with brass handles and key escutcheons, the base with a central frieze drawer flanked by two small drawers, on cabriole legs, 18th century and later, 42" wide. See illustration

£500-800

864 A QUEEN ANNE STYLE FOOTSTOOL, the rectangular upholstered seat on a plain frieze and four cabriole legs with pad feet, 23" wide

Lot 865

£100-200

865 A PAIR OF GEORGE I STYLE WING BACK ARMCHAIRS with raised backs, above scrolling arm rests with all over upholstery on cabriole legs with shell-carved knees and pad feet, 44½" high. See illustration

£400-800

866 A GEORGE III MAHOGANY SOFA TABLE, the rectangular top with twin drop-flap ends, above two frieze drawers with brass handles, on turned column and four downswept legs with brass animal paw cap castors, 36" wide (closed)

Lot 869

£200-400

867 A CHINESE EXPORT LACQUER CABINET, the twin panelled doors with oval centres decorated with landscape scenes in gold against a black ground, the interior with a central mirrored cupboard flanked by short drawers and pigeonholes, on a plinth base, 28" wide

£300-600

868 A PAIR OF REGENCY STYLE SIMULATED ROSEWOOD AND PARCEL-GILT TORCHERES on triform bases with claw feet, fitted for electricity, 68" high (2)

£300-600

869 A DUTCH WALNUT HANGING CHINA CABINET with a scrolling cornice above a single glazed door enclosing a shelved interior with canted sides, 31" wide. See illustration 156

£300-600

870 A GEORGE III MAHOGANY TRIPOD TABLE, the octagonal top with pierced Gothic arched gallery over a bird-cage, on a baluster and spirally turned shaft and acanthus and rocaille work carved tripod base, with elongated claw and ball feet, 24" wide. See illustration

Lot 870

£500-1,000

871 AN EARLY GEORGE III MAHOGANY DUMB WAITER with a small tier over a wider tier, on a twin spirally-fluted column and three downswept legs with scrolling block feet, 19½" wide

£300-600

872 A LOUIS XV STYLE PARQUETRY SIDE TABLE with a kidney-shaped top above a single frieze drawer on slender cabriole legs with conforming undertier, 21" wide. See illustration

Lot 872

£100-200

873 A PAIR OF CONTINENTAL CARVED GILTWOOD AND PAINTED TABLE LAMPS of turned construction with lobed bases, fitted for electricity, 21½" high

£100-200

874 A GEORGE III MAHOGANY ELBOW CHAIR of Hepplewhite design with an oval back and acanthus carved outscroll arms, on turned and fluted front legs and another ensuite (2)

Lot 875

£80-160

875 A CONTINENTAL GILTWOOD STOOL with later painted gilt decoration, probably 18th century, with shaped crossover stretcher, 21" wide. See illustration £100-200 876 A NORTH ITALIAN WALNUT AND MARQUETRY BEDSIDE TABLE with an inset polished stone top above a single short drawer and cupboard, with all over marquetry decoration, on square tapering legs, 16½" wide

£150-250

157

Lot 878

879 AN UNUSUAL GEORGE III BURR YEW SIDEBOARD crossbanded in satinwood, the raised back incorporating cupboards and inlaid oval panels, the bow front with three drawers flanking an undulating apron, on square tapering legs, 69" wide

877 A LOUIS XVI STYLE PARQUETRY PETIT COMMODE with repoussé gilt metal mounts, the front with two drawers with gilt metal handles and key escutcheons, on slender cabriole legs, 18" wide

£200-400

878 A FINE GEORGE III MAHOGANY SERPENTINE COMMODE with banded decoration, the top with an inlaid oval satinwood panel, the top drawer with a fitted interior enclosed by a baize-lined slide, with four drawers below, the projecting angles inlaid to simulate fluting bracket feet, inlaid with oval panels, crossbanded, 44¼" wide. See illustration

£800-1,600

880 A GEORGE III MAHOGANY "D"-SHAPED CARD TABLE of Sheraton design with banded and inlaid decoration, on square tapering legs with spade feet, 36" wide

£1,500-3,000 158

£200-400

Lot 882

883 A LOUIS XV STYLE PETIT COMMODE with an inset oval marble top over three short drawers and a kidney-shaped undertier, on slender cabriole legs with gilt metal mounts, 18½" wide

881 A GEORGE II STYLE WING ARMCHAIR on carved cabriole front legs and ending in claw and ball feet, 45½" high £300-500

882 A WILLIAM AND MARY OYSTER VENEERED CHEST OF DRAWERS, the rectangular top with oyster veneers within circular and oval banding, above two short and three long graduated drawers, on bun feet, 17th century and later, 37" wide. See illustration

£200-400

884 A GEORGE III STYLE DRESSING TABLE with an inset mirrored top and a brass baluster gallery over an arrangement of drawers surrounding a central kneehole, on swept bracket feet, 50" wide £300-600

£2,000-4,000

159

Lot 888

887 A GEORGE III BRASS SERPENTINE FENDER with pierced and engraved decoration, 56" wide

885 A LATE GEORGE III ROSEWOOD AND SATINWOOD STRUNG SOFA TABLE, the rectangular top with drop flap ends, above two frieze drawers with turned knob handles and conforming dummy drawers, on trestle ends with downswept legs and brass cap castors, 35" wide (closed)

888 A SET OF FOURTEEN LATE GEORGE III MAHOGANY DINING CHAIRS of Sheraton design with panelled tablet-shaped cresting rails, over curved bar backs and centred by turned roundels, with green leather seats, on reeded sabre legs, 33½" high (14). See illustration

£150-250

886 A GEORGE III BRASS FIRE GRATE with a pierced and engraved serpentine apron and urnshaped finials to the tapering mounts, 31" wide

£200-400

£500-1,000

160

£2,000-4,000

Lot 889

891 A CHARLES II OAK GATE LEG DINING TABLE the shaped top on bobbin turned uprights with moulded square section stretchers, 48½" wide x 59" long

889 A GEORGE I WALNUT BACHELORS CHEST with a folding rectangular top over an arrangement of five simulated drawers and a slide, the ends each with a drawer over a panelled cupboard, on bracket feet, 34" wide. See illustration

892 A RUSTIC CHILD'S HIGHCHAIR with downswept arms and rush seat, on tall slender legs, 19th century retaining traces of the original painted finish, 36" high

£800-1,600

890 A GEORGE II BURR WALNUT TALL CHEST OF DRAWERS with three short and four long graduated drawers flanked by fluted quarter pilaster angles, on reduced shaped bracket feet with pierced decoration, 44" wide

£440-£600

£800-1,600

161

£100-£200

893 A GEORGE III MARQUETRY SERPENTINE COMMODE, inlaid with a military trophy within scrolling foliate surround, above three long graduated drawers with all over scrolling inlay and conforming sides, on shaped bracket feet, basically 18th century, 46" wide. See illustration

Lot 893

£2,000-£4,000

894 A LATE GEORGE III MAHOGANY AND BRASS MOUNTED SIDEBOARD, the rectangular top with rounded corners above a single frieze drawer and deep drawer with satinwood stringing, flanked by a bottle drawer and cupboard, on square tapering legs with spade feet, with brass ring lion mask handles and all over brass stringing, 73¼" wide. See illustration

Lot 896

The type of brass mount employed on this sideboard is associated with the workshops of John Maclean. £1,500-£2,500

895 A GEORGE II MAHOGANY DROP FLAP DINING TABLE, the shaped top above a later carved frieze on cabriole legs with carved knees and pad feet, 43½" x 55

£100-£200

896 AN EARLY VICTORIAN ROSEWOOD AND GILT METAL MOUNTED LIBRARY TABLE, in the manner of Richard Bridgens, the octagonal top with leather-lined surface above dummy drawers, on a quadruped base with downswept scrolling legs with conforming gilt metal mounts and recessed castors, 33" dia. See illustration

Lot 898

£1,500-£2,500

897 A GEORGE III FRUITWOOD SETTLE of good colour, with a curving back, above a solid seat with twin arm rests, 18th century, 60" wide

£800-£1400

898 A GEORGE III MAHOGANY DRUM TABLE, the octagonal leather-lined top above eight short drawers with gilt brass handles, on a fluted column and three downswept cabriole legs with scrolling feet and recessed castors, 45" dia. See illustration

162

The base relates to the designs of Thomas Chippendale.

£2,000-£3,000

899 A GEORGE II MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above a brushing slide and two short and three long graduated drawers, on bracket feet, 38" wide

Lot 900

£1,000-£1,500

900 A REGENCY MAHOGANY AND PARCEL-GILT WINE COOLER with a roll-over rim and lead-lined interior, the sides with gilt patera and moulding, on gilt feet and a rectangular stepped base, 32" wide. See illustration £1,000-£1,500

901 A PAIR OF LATE GEORGE III LIBRARY CABINETS in the manner of Henry Holland, with later rectangular white marble tops above twin cupboard doors with wire mesh panels and gilt borders, with fluted pilasters with carved capitals, on plinth bases, 78" wide (2). See illustration

Provenance: Castle Archdale, Enniskillen, Co. Fermanagh

£5,000-£8,000

Lot 901

902 A REGENCY ROSEWOOD AND MARBLE MOUNTED SIDE CABINET, the rectangular top above twin cupboard doors with wire mesh front and moulded borders, on a plinth base, 48" wide.

£200-400

903 A DUTCH WALNUT AND MARQUETRY DISPLAY CABINET, the upper section with a scrolling cornice above a glazed door enclosing a velvet-lined shelved interior, the lower section with four graduated drawers with curved fronts, between splayed serpentine fronted pillars, on ball and claw feet, 41" wide. See illustration

Lot 903

£2,000-4,000

904 A REGENCY MAHOGANY BREAKFAST TABLE with rosewood and satinwood inlaid border, on a tapering square section column and platform base with four downswept legs with cast brass cap castors, 49½" wide. £400-600 163

Lot 908

907 A GEORGE II WALNUT STOOL, the rectangular over-stuffed seat on cabriole legs with leaf-carved knees and ball and claw feet, 24" wide

905 A GEORGE II/III MARBLE TOP SIDE TABLE, the variegated top above a moulded frieze with central fluted tablet, on four slender cabriole legs with ball and claw feet, 41" wide

£1,000-2,000

£500-1,000

908 A QUEEN ANNE WALNUT BUREAU CABINET, the upper section with a raised centre with doubledomed mirrored doors with bevelled plates, enclosing a fitted interior, the lower section with a sloping fall with book rest and broad crossbanding, with a fitted interior with central well and cupboard flanked by pigeonholes and short drawers, all above two short and two long graduated drawers, on bracket and bun feet, 41" wide. See illustration

906 AN EDWARDIAN THREE-FOLD DRAUGHT SCREEN with pierced fret panels and earlier crewel-work panels of brightly coloured flowers amongst foliage, the screen 58½" high x 24" wide £300-600

164

£2,000-4,000

Lot 909

909 A GOANESE MARQUETRY CABINET with all over geometric rosewood, ivory and similar inlay, the upper section modelled as twelve small drawers with rosewood crossbanding, the sides similarly decorated with twin carrying handles, the lower section with two further drawers and a single deep drawer, four carved Goanese figural supports, 47" high x 36" wide. See illustration Provenance: Private collection, North Dorset.

ÂŁ4,000-8,000

165

911 J.R.R. TOLKIEN: "WOODRIDINGS" A carved Purbeck stone house sign, 22" wide. See illustration

910 J.R.R. TOLKIEN: AN ADAM STYLE FIRE PLACE with carved pine surround with a rectangular mantelpiece, over a fruit, foliate and swag carved frieze, and marble inset, 53" high x 66" wide. See illustration

J.R.R. Tolkien lived at "Wood Ridings, a bungalow in Branksome, Poole from 1968 until his death in 1972. This fireplace is sold with a postcard which was recovered from behind it upon the demolition of the property. The postcard is franked for 1968 and is address to J.R.R. Tolkien "I have been thinking of you a lot ...".

ÂŁ3,000-5,000

166

J.R.R. Tolkien retired to "Wood Ridings", a bungalow in Branksome, Poole in 1968 and lived there until his death in 1972. Tolkien moved to Poole to escape his ever increasing fame in Oxford and apparently enjoyed a happy retirement in this property. Following his death, the property was later demolished and the house sign rescued from demolition.

ÂŁ300-500

912 AN AMERICAN MAHOGANY BUREAU in the manner of John Cogswell of Boston, Massachusetts. The sloping fall enclosing a fitted interior with two small drawers between column fronted drawers and further short drawers and pigeonholes, above a "serpentine" double bowed front, with four long graduated drawers with brass handles and oval key escutcheons, on a moulded base with central shell motif and ogee bracket and ball and claw feet, 45" wide. See illustration

The uniquely American design of this bureau is a subtle variant of the more familiar "blockfront" chests of the region. The moulded base and exaggerated bracket and ball and claw feet are equally typical of this region showing influences from both English and Dutch cabinetmaking traditions.

John Cogswell (1738-1818) has been linked with a number of pieces of high quality furniture of this type, although the shop of Thomas Shelburne has also been suggested as a source for some of this work.

The small drawer to the upper left of the interior appears to be inscribed, possibly by a maker, although indistinct it appears to say "G. Lunt, September 9th 1813" which may provide further clues to the workshop from which this undoubtedly very fine piece of furniture originally emanated.

ÂŁ2,000-4,000

167

Lot 914

914 A GEORGE I WALNUT DOUBLE DOME BUREAU BOOKCASE, the top with mirrored panels and the base with a fall flap enclosing a well, central cupboard, short drawers and pigeonholes, above two short and two long graduated drawers, on bracket feet, 32" wide. See illustration

913 A BECHSTEIN ROSEWOOD CASED GRAND PIANO, the case marked "C. Bechstein, Berlin" and numbered 43786, with a label "C. Bechstein, Pianoforte Manufacturer by Special Appointment to Her Majesty, The Queen ...", the case 78" long

£800-1,500

£1,000-2,000

168

Lot 917

917 GILLOWS OF LANCASTER: A Sheraton revival satinwood and marquetry cabinet, the upper section with twin glazed cupboards encloshing shelved interiors flanking a central recess with bow fronted shelf, the base similarly configured with twin panelled cupboard doors with marquetry panels of sheet music and mustical trophies to one side and scientific instruments to the other, the three short drawers with hanging swag and patera decoration, on short turned legs, 62½" high x 49½" wide. See illustration

915 A GEORGE III MAHOGANY FRAMED 'TUB' ARMCHAIR with a raised back and shaped arm supports above an upholstered seat and squab cushion on tapering mahogany legs, 35" high

£300-500

916 A PAIR OF GEORGE III STYLE LEATHER LINED DRUM TABLES, the circular tops above a single frieze drawer on a vase turned column with three downswept cabriole legs terminating in spade feet, 20th century, 18" wide

£200-400

£800-1,500

END OF SALE 169

NOTES

170

NOTES

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Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 172 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 175

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

176

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s

Paintings and Furniture Thursday, 14th April

including the residual contents of King John’s House, Tollard Royal

Thursday, 14th April. Paintings and Furniture.

2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT