Dukes 12th & 13th April 2017 by john holmes

Dukeâ&#x20AC;&#x2122;s Wednesday, 12th and Thursday, 13th April. Affordable Art, Paintings, Books and Furniture.

Affordable Art: An Evening Sale Wednesday, 12th April

Paintings, Books and Furniture Thursday, 13th April

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

From mid February 2006 living artists are entitled by law to receive a resale Artist’s Resale Right: royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room

and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

MASTERWORKS BY WU GUANZHONG 吴冠中名作

Auction: 18th May 2017 This auction will include another painting by Wu Guanzhong from the same private collection. Wu Guanzhong (1919-2010) ‘White Birches on Mount Chang Bai’ Hanging scroll, ink and colour on paper Two seals of the artist, 136cm x 67½cm

Duke’s

Provenance: Christie’s Swire Hong Kong, 7th October 1990, Lot 205.

AUCTIONEERS SINCE 1823

Acquired from Plum Blossoms (Intl) Ltd, Hong Kong, 2nd February 1991.

Tel: +44 (0) 1305 265080. guy.schwinge@dukes-auctions.com dukes-auctions.com

Estimate: £500,000-£1,000,000 4

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 8th April, 9.30am – 12noon Monday, 10th April, 9.30am – 5pm Tuesday, 11th April, 9.30am – 7pm Wednesday, 12th April, 9.30am – 5pm and on the morning of the auction day

Catalogues £20.00 (by post)

Find us on Facebook https://www.facebook.com/dukesauctions

FINE JEWELLERY 8th June 2017

Featured in this sale: A black opal and seed pearl necklace, made by Herr Schmidt, Lausanne, Switzerland for his daughter, circa 1890’s, 15” long. Provenance: Private Collection, Dorset.

Entries are now being invited. Please contact the Saleroom on 01305 265080 or email enquiries@dukes-auctions.com.

Duke’s AUCTIONEERS SINCE 1823

Wednesday 12th April, 7.00pm Lots 1 – 166

Affordable Art: The Evening Sale

Thursday 13th April, 10.30am Lots 200 – 213B

Prints and Engravings

Lots 214 – 289

Watercolours and Drawings

Lots 399 – 506

Oil Paintings

Lots 669 – 675

Maps to include the Beaton Collection

Lots 680 – 716 An Archive of Photographs & Negatives for London Feature International Lots 723 – 877

Books

Lots 800 – 887

A Private Collection of Miniature Furniture

Lots 888 – 916

Sculpture and Works of Art

Lots 935 – 961

Clocks

Lots 970 – 890

Rugs and Carpets

Lots 990 – 1087

English and Continental Furniture

Lots 1088 – 1100

A Private Collection of Robert Thompson “Mouseman” Furniture

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

View images of all lots and bid live online

Photography by

JONATHAN GOODING www.jonathangooding.co.uk

Wednesday 12TH APRIL, 7.00PM AFFORDABLE ART: THE E VENING SALE

Detail of lot 81 9

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

The first 160 lots of this catalogue will be sold on 12th April 2017 forming an evening sale of Affordable Art. This exciting new evening sale format provides the opportunity to secure a Modern British or Contemporary work of art at an affordable price, ideal for those establishing or building a collection. The majority of the lots available have been consigned by The Art House Gallery, Bournemouth and are to be sold as part of their retirement dispersal sale. The gallery proprietor, Paul Watts, has invaluable experience in the art world, successfully running his own gallery for the past thirty years. He has used this knowledge and understanding to carefully curate the selection of works he has sold through the gallery and which are now on offer in this sale. Many of the artists he supported during their early careers have gone on to become significant names on the contemporary art market. The sale includes work by a number of notable artists from the West Country such as Peter Joyce, Robert Woolner and George Dannatt in addition to important Modern British artists such as Sir Terry Frost and Graham Sutherland. With estimates starting at ÂŁ50 and mediums ranging from lino-cuts to oils and sculpture, there is something for every taste. Unless otherwise stated, all lots are framed and ready to be displayed. Measurements given refer to the visual area of the work of art in the mount or frame and not the overall frame dimensions.

PROPERTY FROM THE ART HOUSE GALLERY, BOURNEMOUTH WORKS ON PAPER 1 JOHN LIDDELL (1924-2005) "Swanage, Dorset", titled, signed, dated 1984 and numbered 12/20 in pencil to the margin, lino-cut, 16" x 24" See illustration

Lot 1

£120-180

2 PETER DAVIES (1953-) "German Tower, Guernsey", titled, signed, dated '10 and labelled artists proof in pencil to the margin, lino-cut, 15" x 20" (page) (unframed)

£120-180

3 PETER DAVIES (1953-) "Wooden Seagull, St. Ives", signed, dated '10, titled and numbered 3/12 in pencil to the margin, lino-cut, 9" x 7" (unframed)

Lots 4 and 5

£60-120

4 MARTYN BREWSTER (1952-) "Composition no. 2", titled, signed and dated '93 to the margin, monoprint lino-cut, 4½" x 4½" See illustration

£200-400

5 MARTYN BREWSTER (1952-) "Composition no. 9", titled, signed and dated '93 in pencil to the margin, mono-print, lino-cut, 4½" x 4½" See illustration

Lot 6

£200-400 6 JOAN MIRO (1893-1983) "LE LEZARD AUX PLUMES D'OR IV", unsigned but apparently published by Louis Border, printed in Paris at Mourlot, November 1971, proof aside from the edition of 100, colour lithograph, 13¼" x 19¼" See illustration

£1,200-1,800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

13 CLARE SHERVIN (contemporary) "A Light Within The Ocean", signed, titled and numbered 1/15 to the mount, hand embellished giclee print on Hahnemuhle fine paper, 11¼" x 7¾"

7 JOHN LIDDELL (1924-2005) "Abstract 4", signed, dated '65 and numbered 3/10 in pencil to the margin, artists impression, lino-cut, 12½" x 12" (mounted)

£100-200

14 JOHN LIDDELL (1924-2005) "SS Sirius", signed in pencil, titled and dated '60 with artists coding in pencil verso, artist's proof, lino-cut, 13¼" x 21½", (mounted)

8 CLARE SHERVIN (contemporary) "The Moon Weeps", signed, titled and numbered 1/5 to the mount, giclee print on Hahnemuhle paper, 26¾" x 19"

£200-400

£50-100

10 AFTER MARC CHAGALL (1887-1985) "Paradise II - The Green Donkey", apparently unsigned but believed to be 1960, coloured lithograph, 13½" x 10"

£100-200

16 MARTYN BREWSTER (1953-) "Beauty & Sadness no.70", titled, signed and dated '96 in pencil to the margin, silk screen mono-print, 18¾" x 18¾" See illustration

£500-1,000

11 SIR WILLIAM NICHOLSON (1872-1949) "U for Urchin", from the series "An Alphabet", first published 1898, lithograph, 10" x 8"

£400-800 17 MARTYN BREWSTER (1953-) "Beauty & Sadness no.71", titled, signed and dated '96 to the margin, silk screen mono-print, 18¾" x 18¾" See illustration

£60-120 12 CLARE SHERVIN (contemporary) "Evolution", signed, titled and numbered 1/15 to the mount, hand embellished giclee print on Hahnemuhle fine paper, 7¾" x 11¼"

£100-200

15 JOHN LIDDELL (1924-2005) "Spring in the Studio", dated 1993, numbered, titled in pencil to the margin, monochrome lino-cut with yellow, 22¼" x 15¼" (page) (mounted) See illustration

9 JOHN LIDDELL (1924-2005) "Madonna & Child", signed to the margin and numbered 3000.040.01, monochrome wood engraving, 7½" x 5¼" (page) (mounted)

£80-150

£400-800

18 JOHN LIDDELL (1924-2005) "Toledo", signed, dated '86, titled and numbered 4/10 in pencil to the margin, coloured lino-cut, 22" x 16¾" (page) (mounted)

£80-150

£100-200

Lot 15

Lot 17

Lot 16

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

25 MICHAEL GOUGH (contemporary) "Sunlight Woodland", signed verso, watercolour over conte crayon, 11½" x 17¼"

19 AFTER JOAN MIRO (1893-1983) "Le Lezard aux Plumes d'Or no. 1", apparently unsigned, but proof aside from the edition of 100, 1971, coloured lithograph, 13½" x 19½"

26 JOHN WELLS (1907-2000) "Spatial Study 1", circa 1947, embossed studio stamp lower right, sepia, pen and ink, 6" x 7½"

20 AFTER JOAN MIRO (1893-1983 ) "Le Lizard aux Plumes d'Or no.2", apparently unsigned but proof aside from the edition of 100, 1971, coloured lithograph, 13½" x 19½"

£1,200-1,800

£50-100

£80-150

£100-200

29 MICHAEL GOUGH (contemporary) "Hill Farm 1", signed to the mount, titled verso, watercolour and gouache, 9" x 12" (image)

23 JOHN LIDDELL (1924-2005) "Fish 3", signed in pencil and dated '87 within the image, with printed initials and further pencil artists numbering to margin, mono-print, lino-cut, on recycled paper, 18½" x 25" (unframed)

£200-400

30 RENE LE FORESTIER (1903-1972) Harbour scene, signed lower right, watercolour over charcoal heightened with gouache, 12" x 8½" (page)

£100-200

24 GRAHAM SUTHERLAND (1903-1980) "Rams Head (rocks and skeletons)", 1968, signed in pencil and titled within the image, apparently an unnumbered proof (there were ten proofs before the addition of 70) printed by Mourlot, Paris, published by Marlborough Fine Art, lithograph, 25½" x 19½" (page) See illustration £1,000-2,000

£80-150

28 ABI KREMER (contemporary) "Treescape 7" , signed in pencil to the margin, watercolour, 9¼" x 12"

22 JOHN LIDDELL (1924-2005) "Fish 2", titled with artists numbered to margin, lino-cut on recycled paper, 15" x 22¼" (unframed)

£800-1,500

27 ABI KREMER (contemporary) "Treescape 6", signed to the margin, handwritten title verso, watercolour, 13¾" x 10"

21 JOHN LIDDELL (1924-2005) Self-portrait, numbered, dated 1991 with artists pencil annotations to the page, sepia lino-cut, 8" x 6", (unframed)

£200-400

£1,200-1,800

£120-180

31 MARTIN PIERCE (contemporary) "The Spanish Guitar Player", signed, watercolour heightened with crayon, 6¾" x 5" 14

£50-100

Lot 24 15

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

32 MARTIN PIERCE (contemporary) "The Trumpeters", signed lower right, gouache, 8" x 9½"

Lot 33

£50-100

33 PADRAIG MACMIADHACHAIN (1929-2017) "Fornaluty Mallorca", signed lower left and dated '58, inscribed "Spent winter months here painting in 1958" signed and dated II-VII-08, watercolour, 9" x 12¾" See illustration

£300-600

34 JOHN WELLS (1907-2000) "Flight Study 1" circa 1975, Belgrave Gallery, St. Ives label verso, embossed studio stamp, lino-cut, 3½" x 4½" See illustration

Lot 34

£700-1,400

35 ALAN CARTER (1920-2009) "Pirouette en dehours en attitude", 1978, mixed media on a black ground, titled, signed and dated '78 lower right, artists estate label verso, 30¾" x 20¾"

£300-600

36 GEORGE DANNATT (1915-2009) Abstract rectangle circle study, initialled lower left and dated '02, bodycolour and pencil, 3" x 4¾" See illustration

Lot 36

Provenance: Purchased by the Art House Gallery, Bournemouth, directly from The George Dannatt Trust.

£600-1,200

37 ALAN CARTER (1920-2009) "Tour en l'Air Cambrai", signed, titled and dated 1981 lower right, artists estate label verso, gouache on brown paper, 30" x 20"

£300-600

38 ALAN CARTER (1920-2009) "Earth Dances", signed, titled and dated 1991 lower right, artists estate label verso, gouache, 18½" x 28" 39 SVEN BERLIN (1911-1999) Self-portrait in red cap, watercolour and gouache on card, painted on the back of a sketch book cover (visible to the back), artist studio label verso, 20" x 14½" See illustration

Lot 40

£300-600

Lot 39

40 SIR TERRY FROST RA (1915-2003) "Three Graces", 1964, signed and dated lower right, Belgrave, St. Ives Gallery label verso, sepia pen and ink, 7¾" x 9¾" See illustration

Provenance: The artists estate. Belgrave, St. Ives Gallery

£800-1,600

41 SIR TERRY FROST RA (1915-2003) "Untitled Composition" 1962, signed and dated in pencil lower right, Belgrave St. Ives Gallery label and Austin Desmond Fine Art label verso, oil on paper, 9" x 11½", See illustration

Exhibited: Austin Desmond Fine Art "Terry Frost Works on Paper 25 Years 1947-1972", 1989, no. 51., illustrated page 12.

Published: "Terry Frost: Act and Image: Works on Paper through Six Decades, no.55

£1,200-1,800

Lot 41

42 BONNIE BROWN (contemporary) "Entering I", signed in pencil with title back of mount verso, oil and collage on paper, 10" x 10" (page)(mounted)

£70-140

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

43 ROBERT FREAME (contemporary) "Before the Storm", signed lower left, titled verso, oil on canvas board, 4¾" x 6¾"

Lot 45

£120-180

44 ROBERT FREAME (contemporary) "Aqua Sea", signed lower left, titled verso, oil on canvas board, 4¾" x 6¾" £120-180 45 LAUREN BISSELL (contemporary) "Herring", initialled lower left, oil on board, 6" x 12" (mounted) See illustration

Lot 46

£80-150

46 TERESA LAWTON (contemporary) "The Mount", signed lower right, titled verso, oil on canvas, 10" x 11¾" See illustration

£800-1,500

47 CHRIS BILLINGTON (b.1955) "The Emerald Tablet", 2012, titled and signed verso, mixed media on canvas, 31" x 23½"

Lot 48

£200-400

48 PETER JOYCE (1964-) "Portrait of the Marais", signed lower left and dated '12, further titled and signed in pen with original artists label verso, acrylic and collage on wood panel, 18" x 25" See illustration

£800-1,500

49 LAUREN BISSELL (contemporary) Study of a pear, initialled lower right, oil on panel, 4" x 2¾"

Lot 51

£150-200

50 RICHARD PRICE ROI (1962-) "Sunlit figure", signed, oil on board, 9½" x 7½"

£200-400

51 CHRIS BILLINGTON (1955-) "World of the 5th Sun", 2012, titled, dated and signed verso, mixed media on canvas, 19¼" x 27¼" See illustration

Lot 52

£500-1,000

52 GEORGE DANNATT (1915-2009) "Post and Blue Horizon", 1993, titled, signed and dated verso with artists label, oil on prepared card, 7½" x 5¼". See illustration

Provenance: Purchased by the Art House Gallery, Bournemouth, directly from the George Dannatt Trust.

£700-1,400

53 LAUREN BISSELL (contemporary) "Sasha" artist copyright stamp to canvas verso, oil on canvas, 20" x 16" (unframed) See illustration

Lot 53

£350-650

54 CLAIRE WILTSHER (Contemporary) "Autumn Birch", oil on canvas, 23½" x 23½" (unframed)

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

56 B. MCDONALD (20th century) "Harvest Scene", signed lower left, oil on canvas, 24½" x 29½"

55 RICHARD PRICE ROI (1962-) "Reclining Redhead", signed lower right, titled in pencil verso, oil on board, 9½" x 11½"

£100-200

£200-400 57 MARTYN BREWSTER (1952-) "Pale Light", 2010, signed and titled verso, oil on canvas, 16" x 16" See illustration

Lot 57

£1,000-2,000

58 RICHARD PRICE ROI (1962-) "Drawing The Curtains", signed lower left, titled verso, oil on board, 9½" x 7½" See illustration

£200-400

59 MARTYN BREWSTER (1952-) "Nature Painting no.253", signed, titled and dated 2004 verso, oil on canvas, 10" x 10" (unframed) Lot 58

£400-800

59A LAUREN BISSELL (contemporary) "One Small Step", initialled lower left, oil on canvas, 24" x 18" (unframed)

£450-650

60 MARTIN BREWSTER (1952-) "Nature Painting no.256", signed, titled and dated 2004 verso, oil on canvas, 10" x 10" (unframed)

£400-800

Lot 62

61 MARTYN BREWSTER (1952-) "Nature Painting Series Red Sky", signed, titled and dated 2007 verso, oil on canvas, 10" x 10" (unframed)

Lot 65

£400-800

62 GEORGE DANNATT (1915-2009) "Two Point Painting", signed, titled and dated 2005 verso, oil and pencil with collage on hardwood, 4" x 15" See illustration

Provenance: Purchased directly from the George Dannatt Trust by the Art House Gallery, Bournemouth

£1,200-1,800

Lot 66

63 RICHARD PRICE ROI (1962-) "The Line of Beauty", signed lower left, titled in pencil verso, oil on board, 15½" x 11½"

£400-800 66 MARTYN BREWSTER (1952-) "Hengistbury Head Study 2", signed, titled and dated 2012 verso, acrylic on canvas with collage, 8" x 15" (unframed) See illustration

64 ROGER STEPPENS (1956-) "Man's Best Friend", signed, oil on board, 13½" x 13½"

£80-150

65 PADRAIG MACMIADHACHAIN (1929-2017) "Two Boats Moored", signed lower right, further signed and titled to painted verso, 7½" x 9¼" See illustration

£400-800

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

67 MARTYN BREWSTER (1952-) "Hengistbury Head Study 1", signed, titled and dated 2012 verso, acrylic on canvas, 15" x 8" (unframed)

Lot 72

£300-600

68 GEOFFREY ROBINSON (1945-) "England Cathedral 2", titled verso, acrylic painted relief construction, 9" x 6"

£250-500

69 GEOFFREY ROBINSON (1945-) "England Cathedral 3", titled verso, acrylic painted relief construction, 9" x 6"

Lot 73

£250-500

70 GEOFFREY ROBINSON (1945-) "England Cathedral 4", titled verso, acrylic painted relief construction £250-500 71 RICHARD PRICE ROI (1962-) "In Between", signed lower right with title label verso, oil on board, 15½" x 11½" Lot 74

£400-800

72 PETER JOYCE (1964-) "Exposed Seams", signed and dated '07 lower right, further signed, titled and dated verso, with artists label, acrylic and collage on wood panel, 9" x 22" See illustration

£800-1,500

73 PETER JOYCE (1964-) "Quarry Hut", signed and dated '07 lower right, further signed, titled and dated with artists label verso, acrylic and collage on board, 10" x 24" See illustration 22

£800-1,500

74 TERESA LAWTON (contemporary) "Fallen Star", signed lower right, further signed with title label verso, oil on canvas, 34" x 30" See illustration

Lot 75

£1,000-2,000

75 CLAIRE WILTSHER (contemporary) "Manifestation", signed lower left, with artists label verso, oil on canvas, 35½" x 35½" (unframed) See illustration

£700-1,400

76 DAVID CARTWRIGHT (contemporary) "Grand Prix", signed lower right, oil on canvas, 23½" x 35½"

Lot 77

£800-1,500

77 GEORGE DANNATT (1915-2009) "Chalklands Quarry no.3", signed, dated 1987 and titled verso, artists label and exhibition label for Osborne Samuel & New Art Centre, mixed media on board, 11" x 15½" See illustration

Provenance: Purchased directly from the George Dannatt Trust by the Art House Gallery, Bournemouth

Exhibited: Paintings, Drawings and Constructions: A Retrospective at Osborne Samuel LLP, September 13th-October 1st 2005

£2,500-3,000

Lot 78

78 STEPHEN BISHOP (contemporary) "Flight-The End Game", signed lower right, further signed, titled and dated 2008 in pencil verso, oil on canvas, 42" x 42" See illustration

£800-1,500

79 MARTYN BREWSTER (1952-) "Lakeside Vertical 1989", signed, titled and dated verso with some gallery label, oil on canvas, 70" x 34"

£1,800-2,500 23

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

80 SVEN BERLIN (1911-1999) "Hare Leaping", signed and dated 78/79 lower right, oil on board, 23" x 35"

Lot 82

£2,000-3,000

81 PADRAIG MACMIADHACHAIN (1929-2017) "The Green Fishing Boat, St. Ive's", signed lower left, titled and signed verso, oil on linen canvas, 7½" x 9½" See illustration on title page

£600-1,200

82 GERRY DUDGEON (1952-) "Ajmer Pinks", signed, titled and dated 2008 verso, acrylic on canvas, 43½" x 39½" (unframed) See illustration

Lot 84

£1,800-2,500

83 TERESA LAWTON (contemporary) "Out of Bounds", signed lower right, further signed and titled verso, oil on canvas, 48" x 35½" See illustration £4,000-6,000 Lot 85

84 SVEN BERLIN (1911-1999) "Shepherd and Ram", signed lower left and dated '99, oil on board, 23" x 34½" See illustration

£1,400-1,800

85 MARTYN BREWSTER (1952-) "Coastal Light no. 8 (Sunset)", signed, titled and dated 2011 verso, oil on canvas, 59½" x 59½" (unframed) See illustration 24

£5,000-10,000

Lot 83 25

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

86 GEORGE DANNATT (1915-2009) "Verona", signed verso, titled and dated 1979, with artists label verso, painting and collage on wood, 7½" x 5¼" See illustration

Lot 86

£600-1,200

87 PETER JOYCE (1964-) "East of Tyneham", signed, titled and dated 2005 verso with artists label, acrylic on canvas, 52½" x 42¼" See illustration

£4,500-6,500

88 JAMES LAWRENCE ISHERWOOD (1917-1989) "Miner", signed lower left, titled with price verso, oil on board, 17½" x 13½" See illustration

Lot 87

£700-1,400

Lot 88

89 ROBERT LENKIEWICZ (1941-2002) "Karen Ciambriello Flash Study, St. Antony Daemon Series", signed twice verso with title and details "Painter with women observations on the theme of the 'Double' project 18 Relationship Series", oil on panel, 19¼" x 12¼" See illustration

Lot 89

£6,000-8,000

90 TERESA LAWTON (contemporary) "Bird Song", signed lower right, titled and signed verso, 60" x 48" (unframed) See illustration

£4,000-6,000

91 HANS VAN BEMMELEN (contemporary) "Metal Sculpture CH2", coloured and polished steel mounted on wood, in a wooden perspex case, 19¾" x 23½" x 8½" (overall measurements)

£200-400

92 ROGER STEPHENS (contemporary) "Plus Ca Change", carrera marble on a blue lias limestone square base, 53½" high

Lot 90

£800-1,500

Other properties:

Prints and works on paper

92A RONALD BROOKES KITAJ (19322007) "Marie Ann, 1980", signed lower left and numbered 60/150 in pencil to the margin, colour lithograph. 20½" x 15"

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

94 ANTHONY FROST (1951-) "First Frost of the Season" - poster for the Forefront Gallery University College Suffolk 1997, signed in pencil to the margin, dated 30.7.98, colour lithograph, 23¼" x 33", and an identical poster signed in black ink and dated 2000 (2)

Lot 95

£80-150

95 SIR SIDNEY NOLAN (1917-1992) "Kelly V", signed in pencil and numbered 12/65 in pencil to the margin, inscribed "Nicki Dal Pozzo 1973" verso, screen print in colours, 27½" x 21". See illustration

£150-300

96 ROBERT HEINDEL (1938-2005) "Jumping Dancers", signed lower right black ink and numbered lower left 10/125, coloured print on giclee paper, 32½" x 41" See illustration

Lot 96

£100-200

97 AFTER MARIE LAURENCIN (18831956) Winged girl with guitar, printed signature within the image, dry point etching with hand colouring, 7¾" x 6¾" (plate) (unframed) 93 ROSA SEPPLE ROI (contemporary) "Footballers Wives", titled within the image, marked AP2 in silver ink lower right, D'Art Gallery label verso, coloured lithograph, 19¾" x 28¼"

98 A FOLIO of seven original lino-cuts by the Porthmeor Printmakers produced to raise funds to refurbish the print workshop in the Penwith Gallery & Studio Complex St. Ives. Artists include John Charles Clark, Stephen Dove, John Emmanuel, Naomi Freers, Sheila Oliner, Roy Ray and Roy Walker, each signed and dated 1992 lower right by the artist and numbered 40 of a limited edition of 50, each 18" x 19¼", in the original folio

£100-200

93A ALEXANDER TISCHLER "Drawings", A book folio with loose leaf lithograph prints, text by Flora Sirkin, pub. Sovetsky Khudozhnik

£50-100

£150-300

99-100 spare lots

101 JOHN TENNENT (1926-) Study of water birds, signed lower right, pastel on paper mounted on board, 32½" x 24" (unframed) See illustration

£80-150

102 ROSA SEPPLE ROI (contemporary) "Footballers Wives", gouache, pastel and fabric collage, titled lower right, signed lower left, 20¾" x 29". See illustration

Lot 101

£600-1,200

103 K. VIRGILS (20th century) "By the light of the moon Pechhavais", 1987, signed in pencil and dated 1987 to the margin, some gallery label verso, mixed media, collage, 35" x 34" (including mounts)

£80-150

104 DAVID GENTLEMAN (1930-) "Piazza Dellerbe, Verona", signed lower right, watercolour, pen and ink, 14" x 19", and the companion book David Gentleman's Italy published 1997 by Hodder & Staunton (2)

This watercolour in reproduced in the book on page 34

£150-300

Lot 102

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 105-116 have come directly from the estate of the artist 105 SVEN BERLIN (1911-1999) "Number 5 Cat", signed in pencil and dated '66 lower right, watercolour over pencil, 15½" x 10". (unframed) See illustration

£300-600

106 SVEN BERLIN (1911-1999) "Number 3 - Horse", titled lower right, signed and dated '66 in pencil, watercolour and pencil, 11¾" x 15¾". See illustration

111 SVEN BERLIN (19911-1999) "Number 19 Crab", double titled lower left, signed and dated '66, watercolour pencil heightened with white, 11½" x 15½". See illustration

£300-600

112 SVEN BERLIN (1911-1999) "Number 15 Fowl", titled lower right, signed and dated '66 lower left, pencil watercolour heightened with white, 14¼" x 15½". See illustration

107 SVEN BERLIN (1911-1999) "Number 9 Sheep", titled lower left, signed and dated 1966 in pencil lower right, pencil and watercolour heightened with white, 11¾" x 15". See illustration 108 SVEN BERLIN (1911-1999) "Number 22 Serpent", titled lower right, signed and dated '66 in pencil, pencil and watercolour heightened with white, 11" x 16½". See illustration

£300-600

109 SVEN BERLIN (1911-1999) "Number 12 Swan", titled lower right, signed and dated '66 in pencil, watercolour pencil heightened with white, 12¼" x 19¼". See illustration

£300-600

110 SVEN BERLIN (1911-1999) "Number 6 Ox", titled lower right, signed and dated in pencil, pencil and watercolour, 11½" x 15¾". See illustration £300-600

£300-600

113 SVEN BERLIN (1911-1999) "Number 20 Earthworm", titled lower right, signed and dated '66, pencil and watercolour, 11¾" x 16". See illustration

£300-600

114 SVEN BERLIN (1911-1999) "Number 21 Snail", titled lower right, signed and dated '66, pencil watercolour heightened with white, 11½" x 15¾". See illustration

£300-600

115 SVEN BERLIN (1911-1999) "Number 11 Fox", titled lower right, signed and dated '66, watercolour pencil heightened with white, 12" x 15". See illustration

£300-600

116 SVEN BERLIN (1911-1999) "Number 18 Toad", titled lower right, pencil and watercolour, 11½" x 15". See illustration

£300-600

Lots 105-116

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

117 JOHN SCARLAND (contemporary) King with crown in red with princess at banquet, signed in pencil lower left, gouache and conte crayon, 18" x 11½" (arch top mount)

123 JOHN SCARLAND (contemporary) Landscape, signed lower right, charcoal and gouache, 8½" x 8½"

£100-200

118 LESLEY FULLER (contemporary) "Sailing the Grasses", signed lower left, titled to artist label verso, pen and wash, 13¼" x 21¾"

124 AMANDA J. HOSKINS (contemporary) "Devon Wall and Sea Pinks", initialled lower left, signed, titled and dated 08 in pencil verso with D'Art Gallery label, acrylic on canvas, 13½" x 16"

£40-80

£80-150

120 LIONEL JEANS (1956-) Man in rowing boat with ginger and white terrier, signed lower right, D'Art Gallery label verso, gouache, 9½" x 17¾"

126 COLIN KENT RI (1934-) "Number 59 Sunlight and Shadow", signed lower right with artists label verso, watercolour with ink, 13½" x 26"

£80-150

121 JOHN SCARLAND (contemporary) Monochrome study of lilies, signed, charcoal, chalk and gouache, 24" x 8¾"

£150-300

127 COLIN KENT RI (1934-) "Number 97 Receded Tide", signed lower right, artists label verso, watercolour, 11" x 25½"

£40-80

122 ROBERT FREAME (contemporary) "The Cobb, Lyme Regis", signed lower left, artists label and Minstrels Gallery Bridport stamp verso, oil on canvas board, 9" x 14"

£200-400

125 JOHN SCARLAND (contemporary) "Estuary Boats", signed lower right, further titled and signed verso with presentation inscription, gouache, 9" x 12½"

119 LIONEL JEANS (1956-) Man and dog in a rowing boat, signed lower right, bearing D'Art Gallery label verso, gouache, 9¾" x 17¼"

£40-80

£150-300

128 HENRI EDION (1905-1987) "Two in a Boat", signed and dated 1968 lower right, gouache, pastel and charcoal, 14½" x 20½"

£200-400

£100-200

129 TREVOR WILLOUGHBY (1926-1995) Study of a girl lying down, signed and dated '67, charcoal, 21" x 14"

Lot 130

£50-100

130 JACK MARLOWE WISE RCS (1926-1996) "Mad-Ave Moon-Rite", signed lower right with Bau-Xi Gallery Vancouver label verso, mixed media, 7¼" x 5½" See illustration £150-300 131 TREVOR WILLOUGHBY (1926-1995) A study of two nudes from behind, signed lower right with artists signature and title "Two Girls" and price of £40 verso, pencil, 19" x 12"

Lot 132

£50-100

132 COLIN KENT RI (1934-) Cottages and boats, signed lower right with artists title label verso, watercolour, 9½" x 9½". See illustration

£100-200

133 GIUSEPPI SERAFINI (1915-1987) "Amanti", signed, titled with artist details verso, mixed media on board, 19" x 27". See illustration

£200-400

Lot 133

134 JOSEF HERMAN RA (1911-2000) full frontal nude, artists sketchbook stamp, 1986-88 frame verso, 7½" x 4¾". See illustration

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

OILS AND ACRYLICS

Lot 136

135 ANTONY ROBERT KLITZ (1917-2000) A view of the Houses of Parliament 1967, signed lower right, with artists printed copyright stamp to canvas structure, oil on linen canvas, 11½" x 19½"

£100-200

136 ALAN COTTON (b.1938) A pair of figures walking down a road in Sidmouth, Devon, signed lower left, oil on board, 7½" x 13½". See illustration Provenance: A gift from the artist to the vendor's mother.

Lot 138

£500-1000

137 ATTRIBUTED TO PAUL LUCIEN DESSAU (b. 1909) Adult and child harlequin carrying balloons, signed lower right, oil on board, 15½" x 12½"

£50-100

138 SUSAN HEARSON (contemporary) The Eliza at West Bay, monogrammed lower left, oil on board, 7¾" x 16¾". See illustration 139 ALAN COTTON (1938-) "Woodland Interior", signed lower right, artist's handwritten label verso, oil on board, 5¼" x 10½"

Lot 140

£300-600

140 ALAN COTTON (1938-) "Barley Lane 1984", signed lower right, further inscribed to canvas stretcher and dated 1984, 9½" x 11½". See illustration 34

£300-600

142 FRANCIS RUSSEL FLINT (1915-1977) "The Sleeping Fishermen", signed lower right, further titled and marked to the frame, oil on canvas, 21" x 24". See illustration

Lot 142

£300-600

143 FRANCIS RUSSEL FLINT (1915-1977) "First Clouds", signed lower right, titled and signed to frame verso, oil on canvas, 21" x 24". See illustration

£300-600 Lot 143

144 GLYNN MACEY (contemporary) Crew on a yacht with sea spray, signed lower left, oil on canvas, 24" x 24". See illustration

£150-300

145 JOHN 18 Woodland harbour scene, possibly Poole? signed lower right with artists inscribed details verso, oil on board, 20¼" x 47½"

£100-200 Lot 144

146 ALAN LOWNDES (1921-1978) A portrait study of a young man resting in an armchair wearing glasses, signed lower left and dated 1954, oil on board, 32¾" x 26"

£400-800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

147 GUY CAMBIER (French b.1923) Study of two nude women, signed lower left, oil on canvas, 13¼" x 8¼". See illustration

Lot 147

£200-400

148 RONALD COPPING (contemporary) "Offloading Newlyn", signed lower left and dated '91, title label verso, oil on board, 8" x 10"

£50-100

149 PACO GOROSPE (1939-2002) Study of faces, signed lower left, oil on canvas mounted on board, 11¼" x 15¼". See illustration

£200-400

150 DAWSON MURRAY (b.1944) "Flutter", 1982, signed lower left, titled, signed and inscribed verso, oil on canvas, 30" x 40". See illustration

Lot 149

£200-400

151 GUY RODDON (contemporary) "Wrecked Boats Brittany", signed lower left, signed and titled frame verso, oil on canvas, 19¼" x 27¼"

£40-80

152 JACKIE SPURRIER (contemporary) Study of three cows faces, signed lower right, oil on canvas, 23½" x 47½". See illustration

£300-600

Lot 150

Lot 152

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

159 ROBERT WOOLNER (contemporary) "Jump up", signed and dated 2006 lower right, further inscribed with Alpha House Gallery label, verso, mixed media on board, 14¼" x 13"

153 ANTONY FREEMAN (contemporary) "Grass Patch", signed and titled with artists address to New English Art Club label verso, further inscribed to reverse "Antony Freeman, Kingston School of Art, Knight Park, Kingston on Thames" oil on canvas

£100-200

160 ROBERT WOOLNER (Contemporary) Landscape, initialled lower right, mixed media, 6½ x 7½"

154 PRINGLE (20th century) Abstract landscape in grey, signed lower right and dated '66, oil or acrylic on canvas, 27¾" x 33¾"

£50-100

161 ROBERT WOOLNER (Contemporary) Abstract, signed lower right, mixed media on canvas, 24 x 16"

155 GIL IMANA GARRON (Mexican, b.1933) "Sueno Petreo" 1966, signed lower left with artists label verso, acrylic on canvas, 34½" x 23¼"

SCULPTURE 162 RAFAEL (RANDY) KLEIN (1949-) A group of four abstract figures holding masks, each signed with foundry stamp for Fiorini, London, and numbered 1/9, bronze, the largest 16" high, the smallest 10¾" high (4).

£400-800

157 ATTRIBUTED TO JOHN KING (20th century) Pink-white buddleia in a bottle, apparently unsigned, oil on board, 15 x 13¼",

163 20th Century School "Stone Face", carved boulder of grey stone, mounted on a slate cube base, 36" high. See illustration

£100-200

158 ROBERT WOOLNER (contemporary) "All Alona" signed and dated 04 lower right, mixed media on board, 4 x 12"

£100-200

156 PHILIP D HAWKINS (contemporary) "Footplate", signed lower right, titled with inscriptions, verso, oil on canvas, 15¼" x 19¼" See illustration

£50-100

£200-400

Lot 156

Lot 163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

PHOTOGRAPHY

Lot 164

THE 3 LOTS BELOW HAVE BEEN CONSIGNED DIRECTLY FROM THE ARTIST

164 TOR EIGELAND (contemporary) "Dayak Children", 1966, limited edition of 6, photograph printed on canvas, 22¾" x 35" See illustration. £500-700 165 TOR EIGELAND (contemporary) "Timeless", 1967, limited edition of 12, photograph printed on HD acrylic, 20" x 30" See illustration.

Lot 165

£250-500 166 TOR EIGELAND (contemporary) "Dutch Tulips", 1985, photograph fine art print, 21¾" x 19¼" See illustration. £100-200

Lot 166

Thursday 13TH APRIL, 10.30a m

PRINTS work s on paper

Detail of lot 265 41

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

203A ROBERT THORNTON (1799-1807) "The Night-blooming cereus" and one other 'The American cowslip', a pair of coloured engravings, 18" x 14" (2).

200 AFTER HENRY SALT (1780-1827) “Poonah”, engraved by R. Havell & Son, 8” x 23½”, and seven other Indian topographical aquatint engravings ‘After J.B. Fraser (1783-1856)’ (8). See illustrations

£1,000-2,000

204 FRANK BRANGWYN (1867-1956) Church of St. Nicolas, Furnes (L,Eglise s. Nicolas a Furnes), signed in pencil to the margin, etching, 12" x 12".

200A A FTER J. MAURER (1713-1761) "A Perspective View of St. James's Palace" coloured engraving, 10" x 17" and 2 other companion prints (3) See illustrations

£100-200

201A C ONTINENTAL SCHOOL (late 18th century) Woman seated, a cherub to her side holding a looking glass, hand coloured mezzotint, oval 11½" x 11", and another (a pair).

£50-100

£200-400

£100-200

£80-150

208 AFTER BRANGWYN (1867-1956) Groene Rey, Bruges, coloured woodcut by Yoshijuro (1888-1953), signed in pencil lower left probably by Yoshijuro and lower right by Brangwyn. 15½" x 19½"

203 A FOLIO OF ENGRAVINGS AND ETCHINGS including "A history of naval architecture" by John Fincham, 'Near the Braid Hills, Edinburgh' dry point, signed Alfred Bentley (1879-1923) and others.

£80-150

207 FRANK BRANGWYN (1867-1956) Buttress of the Pont Neuf (Une Pile du Pont Neuf), etching, 14" x 8¾".

202 A FOLIO OF ENGRAVINGS AND ETCHINGS including 'After Giovanni Francesco Barbieri' etching by Giovanni Vitalba (1738-1792), "Summer Morning" John Constable mezzotint by David Lucus (1802-1881) "A Martyr" Jean-Jacques Henner engraving by Charles Henri Toussaint (1849-1911) and others including some later etchings and watercolours.

£80-150

206 FRANK BRANGWYN (1867-1956) Venetian boats (Barques de Venise), signed in pencil to the margin, etching, 6½" x 9".

£100-200

205 FRANK BRANGWYN (1867-1956) Cornfield, Montreuil (Champ de Ble a Montreuil), signed in pencil to the margin, etching, 9" x 14".

201 AFTER R. A BAUDOUIN (1723-1769) & after the engraver N. de. Launay (1732-1806) "Le Carquois Epuis", signed 'Petitjean' in pencil to the margin, engraving, 12½" x 9½", and 3 other companion prints (4).

£100-200

Yoshijuro and Brangwyn worked together in 1919 on the portfolio "Bruges". The portfolio was designed by Brangwyn to illustrate a series of poems by Laurence Binyon.

£100-200

Lot 200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

210A HESKETH HUBBARD (1892-1957) Two men with scythes, signed in pencil, woodblock print, 9" x 10½".

Lot 212A

£100-200

211 ROWLAND LANGMAID (1897-1956) London Bridge, a marine scene, signed in pencil to the margin, dry point etching, 5½" x 10".

£100-200

211A EDWARD ARDIZZONE (1900-1979) "These Men Use Shell. You Can Be Sure of Shell" signed in pencil lower left, lithograph 29½" x 44½"

212 William Lionel Wyllie RA. (1851-1931) "Another fleet comes into mooring, anchor instantly!", signed in pencil to the margin, old label on verso, dry point etching, 4¼" x 8¾".

208A A FTER GEORGE M WOODWARD (1760-1809) engraved by Thomas Rowlandson (1756- 1827) "A bill of fare for Bond Street Epicures!", hand coloured engraving, 9½" x 13½".

£100-200

£50-100 212A LAWRENCE STEPHEN LOWRY RBA RA (1887-1976) St. Lukes Church, signed in pencil and numbered 649/850, lithograph, 24½ x 18" See illustration

209 E. HESKETH HUBBARD (1892-1957) Men and machinery, signed in pencil, woodblock print, 8¾" x 10½".

£100-200

210 HESKETH HUBBARD (1892-1957) "The Pilgrims Way", signed in pencil, coloured woodblock print, 5½" x 9½" and 3 other signed woodblock prints (4).

£100-200

£200-400

£1,000-2,000

Lot 213

213 SIR TERRY FROST (1915-2003) "Newlyn Blue Q", signed in pencil and numbered 14/125, screen-print, 37" x 36". See illustration.

Provenance: Private collection, Dorset.

£800-1,500

213A SVEN BERLIN (1911-1999) "Sheep and moon", signed and dated '90 in pencil, monotype print, 15¾" x 22".

Provenance: The estate of the artist.

£400-800

213B SVEN BERLIN (1911-1999) "Hare", signed on the plate, monotype print, 15" x 18¾".

Provenance: The estate of the artist.

£400-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

217 DAVID COX (probably the Senior, 1783-1859) Cows by a river, signed lower left, watercolour, 10" x14½".

214 FRENCH SCHOOL (18th century) Portraits of possibly two sisters, watercolour, 16" x 13½" (a pair). £100-200

£200-300

214A N AIVE SCHOOL (18th century) A mountainous trek, watercolour, 10" x 14", and 3 companion paintings depicting marine scenes and church ruins (4).

218 DAVID COX (probably the Jnr. 1809-1885) Ploughing in a landscape, inscribed David Cox Jnr on mount, watercolour, 8¾" x 14½".

£100-200

214B GIOVANNI BATTISTA CIPRIANI (1727-1785) "Nymph", old labels on verso watercolour, 5" x 4¼"

219 HERCULES BRABAZON BRABAZON (1821-1906) Venice, monogrammed lower right, label from the Albany Gallery, London applied on verso, watercolour, 6½" x 9½".

£100-200

215 MONOGRAMMIST H (18th century) Profile of a seated woman, initialled and dated 1782, pencil sketch with colour, 5" x 6½".

215A E DOUARD CARDIEU FECIT (19th century) Le Chateau, signed in pencil and dated 1825, pencil drawing, 6¼" x 7¾".

£80-150

221 JACQUES-MARIE-GASTON JOB (1858-1931) Bandsman of the Swiss Guard, signed lower right, watercolour, 11"x 8½".

£50-100

216 MANNER OF DAVID COX SNR (1783-1859) A ploughing scene, signed lower right, watercolour, 6½" x 10¾".

£150-300

220 HERCULES BRABAZON BRABAZON (1821-1906) "Lawrence", monogrammed in pencil lower left, chalk and graphite, 9" x 6¾".

£80-150

£150-200

£150-300

222 E. DUNCAN (19th century) Cows crossing a bridge, watercolour, 8¾" x 12½".

£150-200

£100-200

Lot 228 Lot 229

227 CONTINENTAL SCHOOL (late 18th century) Village life, watercolour and gouache, 9¾" x 14", and the companion painting (2).

223 FRENCH SCHOOL (19th century) Portrait of a lady and another, watercolour, 11" x 9" (2).

£100-200

228 EDWARD PRITCHETT (c.1828-1864) "S. Georgio Maggiore, Venice", watercolour, 9¾" x 13¾". See illustration.

224 ALFRED EDWARD CHALON (1780-1860) A lady seated by two gentlemen looking on intently, signed lower left, a 'caricature' style sepia-tone watercolour and pencil sketch, 13" x 14¾".

£150-300

225 JOHN VARLEY (1778-1842) House with trees by a lake, bears signature and dated 1835 lower left, watercolour, 3½" x 5¼".

Provenance: Acquired from the Appleby Bros Ltd. London, 1967. Original receipt available upon request.

£1,500-3,000

229 JOHN MULCASTER CARRICK (1833-1896) "Monaco, Rivierade, Ponente", signed lower left, title and date 1883 inscribed on verso, watercolour, 9¾" x 18". See illustration.

£250-350

226 JOHN VARLEY (1778-1842) Cottage and trees by a lake with a boat, bears signature lower left, watercolour, 3½"x 5¼".

£100-200

£250-350

£500-1,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

231 DAVID HALL MCKEWAN (1816-1873) A river landscape with bridge, figures and eel bucks, signed lower right, watercolour, 10" x 18". See illustration.

Lot 231

£300-400 232 J. SUSINI (late 19th century) Mackerel on the shore, signed lower left, watercolour, 11½" x 17½". Lot 236

£100-200 233 ENGLISH SCHOOL (c.1847) The ship "Atala", pastel, 20" x 29½".

The 'Atala" was a barque of 698 tons and was built in 1847, N.S by Francis Bourneuf.

£250-300

234 EMILE VERNON (1872-1919) Portrait of a young girl with bows in her hair, signed and indistinctly titled lower right, pastel, 12" x 16".

Lot 238

£100-200

235 RICHARD MALCOLM LLOYD (1855-1945) "Leaving Littlehampton", signed lower right, watercolour, 13½" x 21" and the companion painting (2).

£100-200

236 GEORGE HENRY ANDREWS (1816-1898) "H.M.S Warrior with sister ship, H.M.S Black Prince", signed lower right, watercolour, 12" x 19½". See illustration. £200-400

Lot 237

239 FLORENCE SMALL (1860-1933) Head and shoulder study of a young girl, probably her daughter, signed in pencil and indistinctly dated, coloured pastel on buff paper, 17" dia. (oval).

237 GEORGE SYDNEY SHEPHERD (1784-1862) Holywell Street, London, signed lower left, watercolour and gouache with scratching out, 43½" x 29½". See illustration.

The painting depicts George Berger's bookshop; the street however was demolished in 1900.

£1,000-1,500

238 CARL HAAG (1820-1915) "A street in Cairo", signed lower right, watercolour, 24" x 12½". See illustration.

£400-800 49

£150-300

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

239A GIUSEPPE GUSTAVO SCOPPA (b. 1856) "V, Della Villa Reale" signed lower left, watercolour, 20" x 28½" and the companion painting "St Lucia", watercolour, 20" x 28½" (2). See illustration.

Lot 239A

£1,500-3,000

240 GIUSEPPE GUSTAVO SCOPPA (b. 1856) "Foro Nundiario A Pompei", watercolour, 20" x 28½" and the companion painting "Tempio Di Venere A Pompeii", watercolour, 20" x 28½" (2). See illustration.

Lot 239A

£1,500-3,000

240A GIUSEPPE GUSTAVO SCOPPA (bn. 1856) "Strada De Sepolcri A Pompeii", watercolour, 20" x 28½". See illustration.

Lot 240A

£500-1,000

Lot 240

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

247A J. E. MACE (early 20th century) A country path, signed lower right, watercolour, 10¼" x 14".

241 NOEL HARRY LEAVER (1889-1951) "Summer in Herefordshire", signed lower right, watercolour, 7¼" x 10".

248 M.T.HLA (UTunHa- 1874-1946) Burmese river scene, initialled lower right, watercolour, 9" x 11", and two other Burmese companion paintings (3).

242 ENGLISH SCHOOL (early 20th century), Cow's by a river, watercolour, 9¾" x 11".

£80-150

248A YATANABON MAUNG SU (1903-65) "Burmese lady, Rangoon", signed, watercolour, 10" x 7½".

£80-150

£300-600

246 ROLAND BATCHELOR (1889-1990) "The Market, Etretat", signed lower right, 6¾" x 10".

£150-250

251 GEORGIA VALENZIN (1901-1978) Saint Agnese, Rome, signed lower right, mixed media on paper, 9¾" x 13¼".

£200-300

247 ROLAND BATCHELOR (1889-1990) "Boules at la Cherite sur Loire", signed lower left, 6" x 8½".

£100-200

250 J. E. MACE (early 20th century) "Farm buildings, Whittersham", signed lower right, watercolour, 15" x 22", and companion painting (2).

245 ROWLAND LANGMAID (1897-1956) Yachts passing the Needles, signed and dated 1932 lower left, watercolour, 2¾" x 11½".

£50-100

249 J. E. MACE (early 20th century) "Cadgwith Beach", signed and dated 1922 lower right, watercolour, 10½"x 14¼"

244 MARION L BROOM (1878-1962) Anemones, signed lower right, watercolour, 16" x 20".

£80-150

243 ENGLISH SCHOOL (early 20th century) "S S Etherley" a cargo ship built by the Tyne Iron Shipbuilding Company, gouache, 17" x 25".

£60-120

£150-300

£50-100

252 GEORGE GROSZ (1893-1959) "Heute Frische Wurst", signed in pencil lower right, Thos Agnew & Son label on verso, mixed media on paper, 13" x 10". See illustration.

George Grosz was a member of the Berlin Dada group and part of the 'Degenerate art movement'. After moving to New York from Germany to teach, he transposed from political propaganda to caricatures, illustrating the inhabitants of New York. His most significant works were predominately in pen and ink and 'worked into' with watercolours and many of his illustrations were typically reproduced in periodicals and journals.

ÂŁ800-1,500 53

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

253 SIR WILLIAM RUSSELL FLINT (1880-1969) "Cloisters, Orio", signed, inscribed and dated 1921, pencil drawing, 9¾" x 13¾". See illustration.

Lot 253

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£500-800

254 SIR WILLIAM RUSSELL FLINT (1880-1969) "The Bridge, Cabazon", signed, inscribed and dated 27.6.21 lower left, pencil drawing, 10" x 13¾". See illustration.

Lot 254

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£700-1000

255 SIR WILLIAM RUSSELL FLINT (1880-1969) "Model at Heatherleys", Italian Boy, signed, inscribed and dated 1901, pencil drawing, 14" x 9¾". See illustration

Lot 255

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£800-1,000

256 SIR WILLIAM RUSSELL FLINT (1880-1969) "Model at Heatherleys" Tribesman (five heads), signed and dated 6th December 1902, pencil drawing, 6" x 4½".

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£400-800

257 SIR WILLIAM RUSSELL FLINT (1880-1969) "Model at Heatherleys", a monk with a bowl, signed and dated 1902, pencil drawing, 6" x 4½". See illustration.

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£300-500

Lot 257

258 SIR WILLIAM RUSSELL FLINT (1880-1969) "Patsy" My Landlady's pet, monogrammed and dated 1902, pencil drawing, 5½" x 4". See illustration.

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available upon request.

£300-500

Lot 258

259 FRANCIS RUSSELL FLINT (1915-1977) "Fresh wind and spray", signed lower left, watercolour, 6¾" x 10". See illustration.

£200-400

260 GORDON BENNINGFIELD (bn. 1936) "Detail of birthplace, Higher Brockhampton", signed lower right, pencil drawing, 9¾" x 13¾" £100-200 Lot 259

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 263

Lot 264

263 EDWARD SEAGO RWS, RBA (1910-1974) "Black Horse Square, Lisbon", signed in pencil, Spink label on verso, watercolour, 11" x 15¼". See illustration.

261 MARGOT HARRISON (20th century) Farm in midwinter, signed lower right, watercolour, 10½" x 14½".

£50-100

262 C.E. TAYLOR (20th century) "Snow on the Downs", monogrammed lower right, watercolour, 9¾" x 14".

Provenance: Acquired from Spink & Son, Ltd, London, 1973. Original receipt available upon request.

£1,800-3,000

264 EDWARD SEAGO RWS, RBA (1910-1974) "Ash trees at the bottom of my garden in Norfolk", signed in pencil, "Royal Society of Painters in Water-Colours" label on verso, watercolour, 14" x 20¾". See illustration.

£80-150

Provenance: Acquired from "Royal Society of Painters in Water-Colours", Conduit Street, London, Sept 1970. Original receipt available upon request.

£2,000-4,000

Lot 265

266 ROY PERRY (1935-93) "Frosty morning near Binstead", signed lower right, gouache, 13" x 20½".

265 EDWARD SEAGO RWS, RBA (1910-1974) "Essaouira Morocco, sunlight and shadow", bears studio stamp, Spink label on verso, watercolour, 15" x 11¼". See illustration.

Provenance: Acquired from Spink & Son, Ltd, London, 1987. Original receipt available upon request.

£3,000-5,000

£80-150

267 ROY PERRY (1935-1993) "Smallholding near Petersfield", signed lower right, gouache, 9¾" x 14". 57

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

268 PADRAIG MACMIADHACHAIN (1929-2017) "Tiles and El Santuario de Chimayo, nr. Santa Fe, New Mexico USA", oil pastel, 7½" x 10". See illustration.

Lot 268

£250-450 269 ERROL JOHN LE CAIN (1941-1989) "Story-time" and "At one with the forest animals", two 'cartoon' style illustrations, signed and dated 1956, handwritten message with signature on verso, gouache, 8¼" x 12" and 4¾" x 11" (2).

Lot 271

Provenance: Gifted to a family member, and thence by descent.

£200-400

270 WILFRID RAMSEY (Exh.1939/40) Seascape, signed in pencil lower right, gouache on buff paper, 9¾" x 13¾".

£50-100

271 SVEN BERLIN (1911-1999) "Paul", signed and dated 1955 in pencil lower right, pencil drawing, 19½" x 7". See illustration.

Provenance: The estate of the artist.

£500-1,000

272 SVEN BERLIN (1911-1999) Girl with a goose, ink and watercolour on paper, 16¾" x 23½".

Provenance: The estate of the artist.

£400-600

273 SVEN BERLIN (1911-1999) Cougar, ink and watercolour on paper 16¾" x 23½" See illustration.

Provenance: The estate of the artist.

£400-600

Lot 273

273A  SVEN BERLIN (1911-1999) Leopard ink and watercolour on paper 16¾" x 23½". See illustration.

Provenance: The estate of the artist.

£400-600

Lot 273A

274 SVEN BERLIN (1911-1999) Study of a horse head, a leopard and three other 'Isle of Wight period' paintings on paper, ink and watercolour on paper, 16¾" x 23½". See illustration.

Provenance: The estate of the artist.

£400-600 Lot 274

274A SVEN BERLIN (1911-1999) Two Pheasants and a Hen, ink and watercolour on paper 16¾" x 23½" See illustration.

Provenance: The estate of the artist.

£400-600

275 GILLEAN WHITAKER (20th century) "Flowers from the garden of the old school house, Southam, Cheltenham", signed, watercolour, 21" x 14".

Lot 274A

£100-200 276 ENGLISH SCHOOL (20th century) The farm, watercolour, 9¼" x 13¾".

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

277 GORDON KING (1939-) A lady seated, holding a basket of flowers, signed, watercolour, 19" x 15¼". See illustration.

Lot 277

£200-400

278 GORDON KING (1939-) The flower seller, signed, watercolour, 19" x 15¼". See illustration.

£200-400

279 GEOFFREY FLETCHER (20th century) "Rio della Fava, Venice", signed and dated '71 lower left, watercolour, 16" x 11".

Lot 278

£80-150

280 AUSTIN A. DEANS (1915-2011) Mountain landscape, possibly around Mount Peel, signed and indistinctly dated lower left, watercolour, 10" x 14". See illustration.

£100-200

281 FRANK TAYLOR (20th century, fl. '80's) "Courtyard Kalymnos", signed in pencil, watercolour, 15" x 21¾".

£100-200

282 TREVOR CHAMBERLAIN (bn. 1933) "The Thames at Sunbury", signed and dated 1990, watercolour, 9¾" x 14".

Lot 280

£100-200

Lot 283

Lot 288

286 JOHN YARDLEY (bn.1933) "Barges at Maldon", signed in pencil lower left, watercolour, 7½" x 10".

283 GEOFFREY ROPER (bn.1942-) "City", titled and dated on verso, oil on paper, 6¾" x 6¼". See illustration.

£200-400

287 JOHN YARDLEY (bn. 1933) "The Institution of Antiquities, Venice", signed in pencil lower left, watercolour, 14" x 11¼".

284 GEOFFREY ROPER (bn. 1942) "The Three Trees" after Rembrandt, signed lower left, watercolour, 18¼" x 23".

288 CECIL COLLINS (1908-1989) "Woman in a forest", Anthony d'Offay gallery label on verso, signed and dated 1977 lower right, gouache, 7½" x 9". See illustration.

£150-250

285 JOHN YARDLEY (bn.1933) "Corner Cape, Nice", signed in pencil lower right, watercolour, 8" x 11".

£100-150

£100-200

£800-1,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

289 SIR TERRY FROST (1915-2003) "Blue Moon, Black Lace", signed and dated '95, Flowers East gallery label on verso, mixed media collage, 8½" x 7½". See illustration.

Includes the book 'Terry Frost', signed and inscribed '95, with 'drawing of the sun' and a photograph of Terry Frost in his Newlyn studio.

Provenance: "Blue Moon, Black Lace" was a gift to the owner from Terry Frost at his 80th Birthday party and was named on this day in '95. 62

£3,000-5,000

OILS

Detail of lot 488 63

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

399 ASCRIBED TO JAN DAVIDSZ DE HEEM (1600-1674) A still life study of fruits and a wine glass on a table, oil on canvas, in a silvered carved wood frame, 18¾” x 24¾”. See illustration

Lot 399

Provenance: Handwritten label verso “This painting was originally in the collection of Edward Hasted Esq. a Historian of Kent, and was left by the will of the Rev. Edward Hasted, his son, with his other pictures, to Jospeh Oliver Esq…….”

£3,000-5,000

400 ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table in an Arcadian interior, oil on canvas, 21" x 18", and the companion painting of classical figures gathered around a woman playing a musical instrument (2).

Lot 401

Provenance: The Batten Family, Church Farm, Ryme Intrinseca, Dorset.

£1,000-2,000

401 ASCRIBED TO PIETER VAN DER MEULEN (b.1638) Military figures on horseback approaching a riverside settlement, oil on canvas, 18" x 24¼". See illustration.

£1,000-2,000

Lot 402 402 DUTCH SCHOOL, 17TH CENTURY A still life study of flowers in a vase, oil on canvas, 25½" x 21¼". See illustration.

£2,000-4,000

403 MANNER OF MELCHOIR D'HONDECOETER (1636-1695) Chickens with chicks, oil on canvas laid on panel, 24¼" x 29¼", and the companion painting (2). See illustration.

Provenance: Acquired in 1978 from Lord Douglas Gordon, the son of the Marquis of Huntly, originally from the family home Aboyne Castle, Aberdeenshire

£5,000-10,000 65

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 407

Lot 408

407 ITALIAN SCHOOL, 18TH CENTURY A portrait of a young girl holding a basket of flowers, oil on canvas, apparently retaining the original giltwood frame, 23¾" x 18½". See illustration.

404 AFTER CORREGGIO (1489-1534) 'Mother and Child', oil on canvas, 17" x 13¼"

£100-200

405 AFTER CORREGGIO (1489-1534) 'Mother and Child', oil on canvas, 18½" x 14½"

Provenance: Acquired from Robert Bradley Antiques. Private Collection, Hampshire.

£1,000-2,000

408 CIRCLE OF CORNELIUS JONSON (1953-1661) A half-length portrait of a gentleman wearing a lace collar over armour, painted in an oval cartouche, oil on panel, 28" x 23¾". See illustration.

£200-400

406 CONTINENTAL SCHOOL, 18TH CENTURY A half-length portrait of a young girl feeding cherries to a parrot perched on her index finger, oil on canvas laid on panel, 25¾" x 20¼"

£200-400

£1,000-2,000

409 ENGLISH SCHOOL, 18TH CENTURY A half-length portrait of a woman wearing a pearl necklace, in oval cartouche, oil on canvas, 11" x 9" 66

£500-1,000

Lot 410

Lot 411

410 ATTRIBUTED TO MARY BEALE (1633-1699) A bust length portrait of a gentleman, believed to be Sir John Trenchard (1649-1675), painted within a foliate scrolling oval cartouche, oil on canvas, 29½" x 24½". See illustration

Lot 412

£500-1,000

411 ATTRIBUTED TO MARY BEALE (1633-1699) A bust length portrait of a lady, believed to be one of the sisters of Sir John Trenchard (1649-1675), painted within a foliate scrolling oval cartouche, oil on canvas, 29½" x 24½". See illustration

£500-1,000

412 CIRCLE OF WILLEM WISSING (1656-1687) A bust length portrait of a gentleman, believed to be one of the sisters of Sir John Trenchard (1649-1675), painted within an oval cartouche, oil on canvas, 29½" x 24½". See illustration

Lot 413

£500-1,000 413 CIRCLE OF DAVID MARTIN (1737-1797) A bust length portrait of a gentleman, believed to be William Trenchard of Lytchett Matravers and Wolverton (d.1829), painted within an oval cartouche, oil on canvas, 28¼" x 24¼". See illustration £400-800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

420 ENGLISH SCHOOL, 19TH CENTURY A bust-length portrait of Lieutenant General Edward Osborne Hewett C.M.G R.E, Governor of the Royal Military Academy, Woolwich. Second son of Colonel John Hewett, oil on canvas, 12¼" x 10½" (oval), and the companion portrait of Catherine Mary Hewett, wife of Lieutenant General Edward Osbourne Hewett (2)

414 ENGLISH SCHOOL, 19th century, A bust length portrait of Reverend George PickardCambridge (1790-1868) of Bloxworth, Dorset, oil on canvas, 23¼" x 18¼"

£200-400

415 ENGLISH SCHOOL, 19TH CENTURY A bust-length portrait of a gentleman wearing a red and white hat and heavy coat before a red curtain, the gilt frame bearing the name plate 'Raeburn', oil on canvas, 28¼" x 23¼"

421 ATTRIBUTED TO FREDERICK GOODALL (1822-1904) 'Study for a head in the happy times of Charles I', with label below inscribed 'A present from artist', oil on canvas, 9½" x 7½"

£100-200

416 SPANISH SCHOOL, 19TH CENTURY A bust length portrait of a lady in mourning dress, oil on canvas, 28½" x 24" (oval)

£80-150

423A FLEMISH SCHOOL, 17th/18th century, “The Moneylenders”, two figures counting coins in an interior, oil on canvas laid on panel, 17¾" x 13½”.

£300-600

419 ENGLISH SCHOOL, 19TH CENTURY A half-length portrait of Colonel John Hewett JP, of Tyr Mab Ellis, Llantrisaint, Glamorgan, oil on panel, 11½" x 9½", and the companion picture of Frances, second wife of Colonel John Hewett (2)

£100-200

423 ENGLISH SCHOOL, 19TH CENTURY A bust-length portrait of a young man, inscribed verso 'Joseph Tanner of Frome, 1798-1898', oil on canvas, 23½" x 19"

£400-800

418 ENGLISH SCHOOL, 19TH CENTURY A half-length portrait of a military gentleman, possibly Lieutenant Colonel Sir William Lewis Herries KCH, with partial inscriptions verso, oil on canvas, 11¾" x 9¾"

£100-200

422 G. DARBY OF BATH, 19TH CENTURY A bust-length portrait of a man seated in a red chair, inscribed verso 'Mr Joseph Tanner, age 63, June 1829', oil on canvas 29½" x 24½"

£300-600

417 AFTER JACQUES-LOUIS DAVID (1748-1825) 'The Emperor Napoleon in his study at the Tuileries', indistinctly signed lower left, oil on canvas, 31¼" x 24¾"

£100-200

£500-1,000

Lot 424

Lot 425

425 ATTRIBUTED TO JEAN BAPTISTE HUET (1745-1811) Children with sheep and a cow in a landscape, oil on panel, apparently retaining the original giltwood frame, 26" x 19½". See illustration.

424 FRANCESCO ZUCCARELLI (1702-1788) A woman, child and goat crossing a bridge, with figures fishing below, oil on panel, 15½" x 11½". See illustration.

Provenance: With applied label verso inscribed 'Ex Dr Prangley, formerly Lord Methuen, Corsham Court'. Private Collection, Hampshire.

£1,000-2,000

£1,500-3,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 431

429 MANNER OF RICHARD WILSON (1714-1782) 'A scene in Italy with Classical Figures', attributed and titled to paper label verso, oil on canvas, 20½" x 27½"

426 FOLLOWER OF PHILIPS WOUEERMAN (1619-1668) Figures on horseback in front of buildings, oil on panel, 17½" x 14½"

£200-400

427 FOLLOWER OF CORNELIS DECKER (1618-1678) Figures beside a river in a rural landscape, 13¾" x 18½"

430 CONTINENTAL SCHOOL, 18TH/19TH CENTURY Figures and goats beside a waterfall, with Classical buildings beyond, oil on panel, 24½" x 29½"

£150-250 428 DUTCH SCHOOL, 17TH CENTURY STYLE A pair of still life studies of flowers and fruit, oil on panel, 7" dia. (2)

£200-400

431 JOSEPH NICHOLS (1692-1760) 'Hampton Court', oil on canvas, 24" x 39½". See illustration.

£80-150

428A D UTCH SCHOOL, 18th century, a still life study of fish and cooking vessels on a tabletop, oil on panel, 10½” x 13¼”

£200-400

£400-600 70

Provenance: Acquired from Oscar and Peter Johnson Ltd., London, 28th June 1976. John Tapp Esq., Southborough House, Surbiton, Surrey. Private collection Dorset.

With original reciept

£6,000-10,000

Lot 432

432 AFTER GEORGE STUBBS (1724-1806) A study of a cavalier King Charles spaniel in a woodland setting, oil on canvas, 16" x 20½" (oval). See illustration. £300-600 433 ENGLISH SCHOOL, 19TH CENTURY A study of a white horse in a woodland setting, oil on canvas, 16½" x 21½"

£150-250

434 CHARLES FAIRFIELD (1761-1804) A study of a cow in a landscape, signed lower left, oil on copper, 7½" x 6¾"

Lot 435

£100-200

435 DUTCH SCHOOL, 18TH CENTURY A cavalry battle scene, inscribed verso 'Huytenberg', oil on panel, 7" x 9½". See illustration.

£400-800

436 ATTRIBUTED TO WILLIAM SADLER (1782-1839) A fishing vessel mooring alongside a coastal cottage, oil on panel, 13½" x 19". See illustration.

Provenance: Private Collection, Hampshire.

£250-450

Lot 436

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 437

437 PHILIPPE JACQUES DE LOUTHERBOURG (1740-1812) 'Chepstow Castle from the River Wye with cattle to the foreground', signed lower left, oil on canvas, 26" x 41". See illustration.

Lot 438

£4,000-8,000 438 JOHN JAMES WILSON (1818-1875) 'Fishing vessels off the Channel Coast', signed lower right, oil on canvas, 11¼" x 19½". See illustration.

Lot 439

£800-1,200

439 ARTHUR JOSEPH MEADOWS (1843-1907) 'Off Whitby', signed lower right, oil on canvas, 11" x 23". See illustration. 72

£500-1,000

Lot 440

Lot 441

441 THOMAS LUNY (1759-1837) 'Teignmouth, Devon', signed and dated 1832 lower left, oil on panel, 8¼" x 11½". See illustration.

440 THOMAS LUNY (1759-1837) 'Beach Scene near Teignmouth', signed and dated 1825 lower left, oil on panel, 11¼" x 15½". See illustration.

£2,000-4,000

£3,000-5,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

442 AFTER THOMAS LUNY (1759-1837) Figures in a rowing boat in choppy seas, with tall ship beyond, with signature and date 1820, inscribed lower left, oil on panel, 11¼" x 15¼" See illustration.

Lot 442

£200-400

443 ENGLISH SCHOOL, 19TH CENTURY Figures bringing their cargo ashore, with smoking chimney of a coastal town beyond, oil on panel, 12½" x 24½" £150-250

Lot 445

444 ENGLISH SCHOOL, 19TH CENTURY A small boat passing a harbour lighthouse in heavy seas, oil on board, 6¼" x 10¾"

£50-100

445 ATTRIBUTED TO JOSEF ISRAELS (1824-1911) 'Fisherfolk bringing in their catch at low tide', signed lower left, oil on canvas, 19¼" x 31½". See illustration.

Lot 446

£300-600

446 WILLIAM WIDGERY (1822-1893) Fisherfolk working on their boats in a harbour at low tide, signed and dated 1869 lower left, oil on canvas, 39¼” x 59¼”. See illustration 446A JANE VIVIAN (fl. 1869-1877) A view across the Venetian lagoon towards St Mark’s with fisherfolk to the foreground, signed lower right, oil on canvas, 15½” x 23½”. See illustration

Lot 447

£1,000-2,000

447 ARVID JOHANSSON (1862-1923) A steamer in rolling seas, signed, indistinctly dated and titled 'Boulogne' lower left, oil on canvas, 24¾" x 35¼". See illustration. 74

£300-600

448 CIRCLE OF ALEXANDER NASMYTH (1758-1840) Figures on a country path, oil on canvas, 17¼" x 23¼". See illustration.

Lot 446A

£400-800

449 DUTCH SCHOOL, 19TH CENTURY Figures playing cards outside a tavern, oil on canvas, 19¼" x 23¼"

£100-200

Lot 448

450 ASCRIBED TO JOHN (JOCK) WILSON (1774-1855) A horse and cart crossing a bridge followed by a child on a pony or donkey, oil on canvas, 19½" x 23½"

£200-400

451 ATTRIBUTED TO THOMAS BAKER OF LEAMINGTON (1809-1869) 'A wooded landscape with plough team', signed lower right, oil on canvas, 12¼" x 18½". See illustration.

Provenance: With David Messum, Beaconsfield. Lot 101, 'Portraits, British and Victorian Pictures', Christie's South Kensington, 11th November 2004

£500-1,000

Lot 451

452 ENGLISH SCHOOL, 19TH CENTURY Children and a dog at play on a country path, oil on canvas, 17½" x 23¼"

Lot 453

£100-200

453 CONTINENTAL SCHOOL, 19TH CENTURY A lady on horseback and her attendants approaching a cliff top castle, oil on canvas, 20½" x 24¼". See illustration.

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

459 ENGLISH SCHOOL, 19TH CENTURY A woman placing a young child on the back of a donkey while a young boy holds the reins, oil on canvas, 23½" x 19¼"

454 PAUL (PAOLO) MANZONI (c.1825-1906) A study of figures collecting wood in a forest clearing, signed and dated (18)74 lower left, oil on panel, 32" x 40"

£300-600

460 P. BRAUNS, 19TH/20TH CENTURY Figures in a tavern interior, indistinctly signed lower right, oil on canvas, 26" x 21"

455 MANNER OF WILLIAM HAVELL (1782-1857) Figures by a river, with hilltop castle, ruins and mountains beyond, inscribed lower left, oil on canvas, 19¼" x 23¼"

£200-400

£150-250

463 CALLOW, 19TH CENTURY 'Dolly Varden' a study of a woman on a woodland path, whilst a man lurks in the trees, indistinctly signed and dated lower left, oil on canvas, 23" x 19"

£60-120

458 FOLLOWER OF THOMAS SIDNEY COOPER (1803-1902) Cattle watering, bearing signature lower right, oil on board, 11" x 15¾"

£300-600

462 HAROLD WAITE (1870-1939) Figures working a threshing machine in a farmyard, signed lower left, oil on canvas, 23¼" x 35¾"

457 ENGLISH SCHOOL, 19TH CENTURY Figures by a woodland stream, oil on canvas, 27½" x 35½"

£200-400

461 FRENCH SCHOOL, 19TH CENTURY A still life study of fruit and flowers on a stone ledge, oil on canvas laid of panel, 23¼" x 19¼"

456 MANNER OF GEORGE MOORLAND (1763-1804) Two men working on a rowing boat whilst a woman looks on from a cottage, oil on canvas, 11½" x 13¼"

£500-1,000

£400-800

463A I TALIAN SCHOOL, 19TH/20TH CENTURY, Figures outside whitewashed buildings, oil on canvas, 27¼” x 37”

£100-200

£150-250

Lot 465

Lot 464

467 FRENCH SCHOOL, 19TH/20TH CENTURY A pair of half-length portrait studies of man and woman, both bearing signature, 'Eugene Chigot' upper left, oil on panel, 13¾" x 10½" (2)

464 FERDINANDO CAVALLERI (1794-1865) A study of a young woman on a balcony, her head resting in her left hand, signed and dated lower left 'Ferd Cavalleri Pinx Roma, 1837', oil on canvas, 36" x 29". See illustration.

£400-800

468 ENGLISH SCHOOL, 19TH CENTURY A study of a robin perched on a bramble whilst another bathes below, oil on panel, 15½" x 11½"

465 ALFRED O. TOWNSEND (1846-1917) 'A wintry sunset, Leigh Woods', oil on canvas, 50" x 31½". See illustration.

£400-800

£150-300

469 HARDEN SIDNEY MELVILLE (fl.1837-1881) A study of a man working a two horse plough in a field, signed lower left, oil on canvas, 12½" x 18¾"

466 ENGLISH SCHOOL, 19TH CENTURY Portrait of a young girl seated in a panelled interior, oil on canvas, 31½" x 21"

£200-400

£150-300 77

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

470 ENGLISH SCHOOL, 19TH CENTURY A study of a huntsman on horseback in a landscape with fellow huntsman beyond, oil on canvas, 19¼" x 23½". See illustration.

Lot 470

Provenance: Acquired by the current vendor in 1977 for £100

£800-1,500

471 DORIN, 19TH/20TH CENTURY Two spaniels exploring a woodland landscape, signed lower right, oil on canvas, 17½" x 21" Lot 472

£200-400

472 GEORGE DENHOLM ARMOUR (1864-1949) A study of a young girl galloping her horse as dogs chase alongside, signed and dated 1889 lower right, oil on canvas, 24½" x 31½". See illustration.

£800-1,500

473 CHARLES HANCOCK (1802-1877) 'General Colin Mackenzie's Greyhound Stellar', signed and dated 1839 lower left, oil on panel, 8¼" x 11½"

£200-400

Lot 474 474 EDWIN BOTTOMLEY (1865-1929) A study of a young girl sitting on a wall feeding geese, signed lower left, oil on canvas, 20" x 30". See illustration.

£200-400

475 RONALD OSSORY DUNLOP (1894-1973) 'In the New Forest', signed lower right and signed and titled verso, oil on board, 5¾"x 23¾". See illustration.

Lot 475

£200-400

Lot 476

Lot 477

477 FREDERICK WHITEHEAD (1853-1938) A figure fishing from a weir crossing a river, probably the Frome, with ducks to the foreground, signed lower right, oil on canvas, 23½" x 35½". See illustration.

476 FREDERICK WHITEHEAD (1853-1938) 'Cottages of Poole Harbour', signed lower right, oil on canvas, 20" x 30". See illustration.

£1,000-2,000

£3,000-6,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

478 FREDERICK WHITEHEAD (1853-1938) A view of cattle on the banks of a river probably the Frome, with stone river crossing to the foreground, signed and dated 1895 lower right, oil on canvas, 11¼" x 17½". See illustration.

Lot 478

£200-400

479 FREDERICK WHITEHEAD (1853-1938) A view of sheep grazing in the rolling fields of Dorset, with Hardy's monument to the distance, signed and dated 1895 lower right, oil on canvas, 11¼" x 17½". See illustration.

Lot 479

£200-400

480 GEORGE CLARE (c.1830-1900) A still life study of fruit on a mossy bank, signed and dated 1865 lower left, oil on canvas, 11¼" x 15½". See illustration. Lot 480

£400-600

481 AFTER EUGENE BOUDIN (1824-1898) 'La Debardeurs', bearing signature lower right and also bearing signature and title verso, oil on canvas board, 7½" x 11". See illustration.

£200-400

482 FRANK ORMROD (fl.1922-1938) 'Bucklebury Church', a view of rural buildings and a church tower, signed lower right, oil on board, 13¼" x 17¼"

Lot 481

£80-150

483 ENGLISH SCHOOL, 20TH CENTURY A still life study of fish, oils, 7½" x 10¾"

£80-150

Lot 484

486A English School, 19th century, A study of trout on a riverbank, oil on canvas, 16½” x 20¾”

484 GIUSEPPE RAGGIO (1823-1916) 'War party', signed 'G. Raggio Roma (18)83', oil on canvas, 21" x 31". See illustration.

Provenance: Lot 97, '19th century Continental pictures and watercolours', Christie's London, October 2nd, 1992

£1,000-2,000

487 FRENCH SCHOOL, 20TH CENTURY A stylised forest landscape with figures, animals and dwellings, possibly Polynesia, oil on canvas, 25¼" x 43¾"

485 MANNER OF FRIDA KAHLO (1907-1954) A woman in Mexican style dress standing at an altar in a Church interior, oil on board, 13" x 9½"

£300-600

487A ENGLISH SCHOOL, 20th century, a study of a hound seated in a stable interior, indistinctly monogrammed and dated ’19 lower right, oil on canvas, 37½” x 15¼”

£100-200

£300-600

486 JACOBUS DOESER (1884-1969) A still life study of flowers in a jug, signed lower right, oil on canvas, 38½" x 30½"

£200-400

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

488 FERNAND ALLARD-L'OLIVIER (1883-1933) First World War soldiers sheltering on the battlefield, signed and dated 1917 lower left, oil on canvas, 24" x 33Âź". See illustration. Provenance: Private Collection, East Sussex

Fernand Allard-L'Olivier was born in Belgium in 1883, the son of the engraver and watercolourist Charles Allard. He studied art at the Academie Julian in Paris in 1901, and remained there to begin his career. Volunteering to serve during the First World War he was incorporated to the Artistic Section of the Belgian Army in the field. For three years he painted his war companions, the destroyed villages, the country infirmary. Following the conclusion of the war he moved with his family to Brussels. In 1928 he made his first trip to the African Congo, working on behalf of the Colonial Office of Congo Propaganda. Allard-L'Olivier returned with some forty works, earning his a reputation as an Africanist painter. Returning to the Congo in 1933, Fernand Allard-L'Olivier died following a fall in Yanonge, near Stanleyville, now Kisangani.

ÂŁ2,000-4,000

Lot 489

Lot 490

489 FELIX KELLY (1914-1994) A view of a country house with figures on the lawn to the foreground, oil on board, 6¼" x 9". See illustration.

Lot 491

£300-600

490 FELIX KELLY (1914-1994) A view of a country house from across a lake with Classical style ruins to the foreground, inscribed verso 'For Leo, to Remember Felix 1914-1994', oil on board, 6½" x 9". See illustration.

£400-800

491 OLGA GRANDI DELL ‘ORTO (1898-1986) A study of a woman plucking a chicken whilst a young boy watches on, signed and dated 1945 lower right, oil on canvas, 11½" x 9¼". See illustration.

Lot 492

£150-300

492 GEORGE SPENCER WATSON (1869-1934) 'The Blue Pool', oil on panel, 11¼" x 15¼". See illustration.

Provenance: With applied label verso inscribed, 'The Blue Pool', by Spencer Watson, given to Joan Wood and Donald Sturdy on their wedding by the Spencer Watson family.

£800-1,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

493 EDWARD WESSON (1910-1983) 'Low Tide in the Estuary', signed lower right, oil on board, 11½" x 15½". See illustration.

Lot 493

£200-400

494 WILLIAM HOWARD JARVIS (19031964) 'Weather ship on station, North Atlantic', a study of a ship in heavy seas under a dark sky, signed lower right and titled verso, oil on canvas, 12" x 29¼"

£100-200

495 BERNARD DUNSTON (1920-2005) 'San Gimignano', a study of a woman dressing by an open window, monogrammed lower left, oil on board, 8½" x 10½". See illustration.

Lot 495

£300-600

496 WALTER BEAUVAIS (1942-1998) A Parisian street scene, signed lower left, oil on panel, 9¾" x 8½"

£200-400

497 RENZO PAOLETTI (b.1922) 'Sofia Fiesole', Italian buildings flanked by cypress trees on a rural path, oil on board, 6½" x 4¾"

£200-400

498 KEN HOWARD (b.1932) 'The red and brown windbreak', signed lower right, signed and titled verso, oil on board, 8¾" x 11½". See illustration. Lot 498 84

£1,500-2,000

Lot 500

499 PETER KUHFELD (b.1952) 'Duomo - Arrival in Florence....', signed lower right, oil on panel, 9½" x 13". See illustration.

Exhibited: Peter Kuhfeld, Messum's Fine Art, 2012

£600-800

Lot 499

500 ALBERT TUCKER (1914-1999) 'Ibis - Metung', signed and dated (19)64 lower left, oil on board, 23½" x 31½". See illustration.

Lot 501

£3,000-6,000

501 GILL WATKISS (b.1938) 'A winter's morning, St. Austell', signed lower right, oils, 10¼" x 12¾". See illustration.

£150-300

502 SPARE LOT 85

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 503

Lot 505

503 SVEN BERLIN (1911-2000) 'Julie', signed and dated (19)63 lower left, oil on board, 48" x 24". See illustration.

Provenance: The estate of the artist.

£600-1,200

504 SVEN BERLIN (1911-2000) 'Countryman with duck in the snow', signed and dated (19)84 lower left, oil on board, 36" x 24". See illustration. Lot 504

Provenance: The estate of the artist.

£1,200-1,800

505 SVEN BERLIN (1911-2000) 'Yellow Spectacles', signed upper left and dated 69 verso, oil on canvas, 10¼" x 8¼". See illustration.

Provenance: The estate of the artist.

£700-900

506 SVEN BERLIN (1911-2000) 'Still life with roses', signed and dated (19)90 lower left, 13½" x 11½". See illustration.

Provenance: The estate of the artist.

£800-1,200

Lot 506

M AP S

Detail of lot 675 87

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

The Beaton Collection of Early Atlases, Dorset and other Maps. As with so many collections David Beaton began with the chance purchase of a single map of Dorset in 1987. The history that the map represented fascinated him, another map soon followed and a lifetime’s passion was ignited. Now, some thirty years later the time has come to sell the collection and allow others to become the temporary custodians of these maps and atlases, some of which must have already had many different owners during their long lives. The proudest moment for David Beaton must surely have come in 2001 with the publication of his volume ‘Dorset Maps’ by the highly regarded Dovecote Press in Wimborne. Thoroughly researched, beautifully produced and scholarly in approach this volume was lavishly illustrated with many maps from David’s collection. This volume, long out of print and listed on internet sites at as much as £75.00 has, become the standard text for those interested in this area of study. The range of Dorset maps in the collection is not surprisingly as thorough as one might expect, with a magnificent Saxton being the crowning glory as it is in any map collectors' possessions. Alongside these maps this collection includes some of the finest atlases in private hands. The two volume ‘Pocket Guide’ of 1720 being one of the nicest examples of this rare volume that one could hope to see.

Lot 601

Lot 600

601 "A POCKET GUIDE TO THE ENGLISH TRAVELLER: BEING A COMPLETE SURVEY AND ADD MEASUREMENT OF ALL THE PRINCIPAL ROADS AND MOST CONSIDERABLE CROSSROADS IN ENGLAND AND WALES IN 100 COPPER PLATES", London, printed for J. Tonson & J. Watts 1719, in two volumes, in original embossed leather binding, 7½" x 6¼" (2) See illustration.

600 "THE NEW DESCRIPTION AND STATE OF ENGLAND CONTAINING THE MAPS OF THE COUNTIES OF ENGLAND AND WALES" in 53 copper plates, newly designed by Mr Robert Morden, London 1704, second edition, gilt embossed leather binding, 8" x 5¼". See illustration.

Provenance: The Library of the Earls of Macclesfield, Shirburn Castle.

£1,500-2,500 88

£2,000-4,000

Lot 602

Lot 603

602 "BRITANNIA DEPICTA OR OGILBY IMPROV'D BEING A CORRECT COPY OF MR OGILBY'S ACTUAL SURVEY OF ALL YE DIRECT AND PRINCIPAL CROSSROADS IN ENGLAND AND WALES ….", engraved by Emmanuel Bowen, first edition, London 1720, in original embossed boards with rebound spine, 8" x 5½" See illustration.

Lot 604

£500-800

603 "CHOROGRAPHIA BRITANNIAE OR A SET OF MAPS OF ALL THE COUNTIES IN ENGLAND AND WALES TO WHICH ARE PREFIX'D THE FOLLOWING GENERAL MAPS…" by Thomas Badeslade, Surveyor, and William Henry Thoms Engraver, London 1742, first edition, original leather binding, 6½" x 4½" See illustration.

£500-800 Lot 605

604 "THE SMALL ENGLISH ATLAS BEING A NEW AND ACCURATE SETT OF MAPS OF ALL THE COUNTIES IN ENGLAND AND WALES" published by Kitchin & Jefferys, London 1751, second edition, rebound with original covers, 6½" x 4¾" See illustration.

£800-1,500

605 "CARY'S NEW AND CORRECT ENGLISH ATLAS: BEING A NEW SET OF COUNTY MAPS FROM ACTUAL SURVEYS …" London 1787, rebound in leather by Frank Brown of Dorchester, 13½" x 10½" See illustration.

£800-1,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 606

Lot 607

606 "SMITHS NEW ENGLISH ATLAS BEING A COMPLETE SET OF COUNTY MAPS DIVIDED INTO HUNDREDS … " printed for C. Smith, London 1804, rebound in cloth with leather spine, 21½" x 15½", See illustration.

Lot 608

Lot 609

£800-1,500

607 "NEW BRITISH ATLAS, BEING A COMPLETE SET OF COUNTY MAPS, ON WHICH ARE DELINEATED ALL THE ROADS, CITIES, TOWNS, VILLAGES, RIVERS AND CANALS…", printed for John Stockdale, London 1805, in original marbled boards with leather spine, 20¼" x 13½", See illustration. £500-1,000 608 "CARY'S TRAVELLERS COMPANION, OR A DELINEATION OF THE TURNPIKE ROADS OF ENGLAND AND WALES …", printed for John Cary, Engraver, London 1817, including a folding map of England, Wales and part of Scotland (12 sheets on linen), rebound with original boards, 7¼" x 5"

£400-800

609 "PATERSON'S ROADS; BEING AN ENTIRELY ORIGINAL AND ACCURATE DESCRIPTION OF ALL THE DIRECT AND PRINCIPAL CROSSROADS IN ENGLAND AND WALES …", 6th edition by Edward Mogg, London 1822, with marbled end papers, in original chased black leather with holding strap, 8¼" x 6", See illustration. 90

£400-800

Lot 610

610 CHRISTOPHER SAXTON: "DORCESTRIAE, COMITATUS VICINARUMQUE REGIONUM NOVA VERAQUE DESCRIPTIO ANNO.DM 1575", 15¾" x 21¾". See illustration.

613 JOHN SPEED: "DORSETSHYRE WITH THE SHYRE TOWNE … ANNO 1610", with inset map of the County Town, with description to the reverse, 15½" x 20¼". This map is illustrated on page 19 of Beaton's Dorset Maps

This map is illustrated on page 12 and to the front cover of Beaton's Dorset Maps.

£1,500-2,500

614 MICHAEL DRAYTON: A MAP OF DORSET SHERE, HAMP SHERE AND THE ILE OF WYGHT, for Drayton's Series of Poems "Polly-Albion", 1612", 10½" x 13". See illustration.

611 "GERARD MERCATOR" CORNUBIA, DEVONIA, SOMERSETUS … " A map of South Wales and South West England, with decorative title by Mercator for his "Mercator Projection" map of the world, circa 1580, 14½" x 18¼"

£200-400

This map is illustrated on page 21 of Beaton's Dorset Maps.

£200-400

615 JOHN BILL: "DORSETSHIRE" A map of the county from the abridgement of Camden's Britannia, 1627 (unframed), 5¾" x 7½". This map is illustrated on page 22 of Beaton's Dorset Maps.

612 WILLIAM KIP FOR CAMDEN'S BRITANNIA, 1607 "DORCESTRIAE COMITATUS VULGO DORSETT …", with description to the reverse, 11" x 15¼". This map is illustrated on page 16 of Beaton's Dorset Maps.

£300-500

£200-400

£100-200 91

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

616 PIETER VAN DEN KEERE: "DORCET SHIRE" A "Miniature Speed" of the County, coloured, 3½" x 4¾", and another similar uncoloured example (2). The second is illustrated on page 23 of Beaton's Dorset Maps.

£100-200

617 WILLIAM WEB: "DORCESTRIAE COMITATUS VICINARUMQUE … ANNO DN. 1642" A revised edition of Saxton's map, the "Civil War Issue". 15½" x 21". See illustration

£500-1,000

618 JOAN BLAEU: "COMITATUS DORCESTRIA …" 1645 from the Atlas Novus, a New Atlas for the British Isles, 16" x 20", with description to the reverse. This map is illustrated on page 26 of Beaton's Dorset Maps. See illustration

£300-500

622 ROBERT MORDEN: "DORSET SHIRE" The hand-coloured map sold by Able Swale … 1695 the first time Morden's map was included in Camden's Britannia, 15" x 16¾". This map is illustrated on pg. 35 of Beaton's Dorset Maps.

623 JOHN SENEX: "THE ROAD FROM LONDON TO THE LANDS-END IN CORNWALL" printed on both sides of a page, 6½" x 8½" (unframed) and a map of the county by Jacob Van Langeren, 1657, with mileage chart, 7" x 5" (2). The second example is illustrated on page 25 of Beaton's Dorset Maps.

£300-500

620 ROBERT MORDEN: "DORSET SH", The Seven of Diamonds from William Redmayne's pack of playing cards of 1676, 3¾" x 2¼". This map is illustrated on pg. 32 of Beaton's Dorset Maps. £50-100 621 PHILLIP LEA & CHRISTOPHER SAXTON: "Dorsetshire described by C. Saxton, corrected and amended with many additions as roads by P. Lea", 1689, 15" x 21¼"

£200-400

£50-100

624 ROBERT MORDEN: "DORSET SHIRE" from Thomas Cox Magna Britannia et Hibernia, 8¾" x 10½", with distance chart from the same volume (unframed), "The Road from Bristol to Weymouth" by Owen & Bowen (2). The first is illustrated on page 33 of Beaton's Dorset Maps.

619 JAN JANSSON: "COMITATUS DORCESTRIA" A hand coloured map published in the French edition of Atlas Novus, 1650, unframed, 19½" x 23". This map is illustrated on pg. 27 of Beaton's Dorset Maps. See illustration

£150-350

£40-80

625 OWEN & BOWEN: "BRITANNIA DEPICTA" (pages 153 and 154) "The Road from Bristol to Weymouth", 7½" x 5". This map is illustrated on page 38 of Beaton's Dorset Maps.

£40-80

626 HERMANN MOLL: "DORSET SHIRE" 1724 from a new description of England and Wales" with illustrations of antiquities to the margins, 8½" x 12¾". This map is illustrated on pg. 39 of Beaton's Dorset Maps.

£80-150

627 THOMAS BADESLADE & WILLIAM TOMS: "A MAP OF DORSET SHIRE", 1742, 6¼" x 6¼", an unframed map of the county by J. Cowley, 1744, and a county map by Emmanuel Bowen 1759 (3). The first two are illustrated on pgs. 42 & 43 of Beaton's Dorset Maps 92

£80-150

628 GEORGE BICKHAM: "A MAP OF DORSET SHIRE WEST FROM LONDON" inscribed to Yeo of Shaftesbury, Lord Lieutenant of the County, a landscape map circa 1754 with two pages of descriptions, 14½" x 9¼" (unframed). See illustration.

This map is illustrated on pg. 51 of Beaton's Dorset Maps.

£100-200

Lot 617

629 JOHN ROCQUE: "DORSET-SHIRE" from "The Small British Atlas", published from 17531769, 6½" x 7¾", Francis Grose's Map of the County, 8½" x 6¼", and Thomas Conder's 1784 map of the county from Walpole's New & Complete British Traveller (unframed), 4¼" x 7" (3). These maps are illustrated on pages 49, 34 and 61 of Beaton's Dorset Maps.

£80-150

630 THOMAS KITCHIN & EMMANUEL BOWEN: "AN ACCURATE MAP OF DORSET SHIRE …" from R. Martin's The English Atlas", 1794, 17" x 21". This map is illustrated on pg. 47 of Beaton's Dorset Maps

£50-100

Lot 618

631 JOHN CARY: "DORSETSHIRE" 1792 from a New Pocket Atlas and Geography of England and Wales, 6" x 4", John Luffman's 1803 Small Circular Map of the County, 6¼" x 4", and Henry Teesdale's County Map from the New British Atlas, 1829 (unframed), 15" x 19" (3). The first and second maps are illustrated on pgs. 62 and 73 of Beaton's Dorset Maps

Lot 619

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 632

634 JAMES PIGOT: "A MAP OF THE COUNTY" from "The British Atlas of the Counties of England" 1841, 4½" x 6½" (unframed), Reuben Ramble's Map of the County surrounded by illustrations of local agriculture and industry, Samuel Lewis's map from the topographical dictionary of England, 1845, and Thomas Moule's Map of the County from Barclays Dictionary 1850 (4). Three of these are illustrated on pages 88, 89 and 92 of Beaton's Dorset Maps.

632 ISAAC TAYLOR: "DORSET SHIRE to the Right Hon. Lord Lieutenant … 1765", a largescale folding map of the county with vignettes of Maiden Castle, Lulworth Castle and other landmarks, printed on six sheets, each unmounted, each sheet 23¾" x 22¾". See illustration.

This remarkable map is probably the first large-scale survey of the county produced as a direct result of the Society of Arts advert of 1759 offering the sum of £100 to any person who shall make an accurate survey of any county on the scale of one inch to one mile. Beaton suggests that fewer than 200 copies will have been produced originally and "only a few are known to be in existence". See illustrations on pages 52-55

635 AN ORDNANCE SURVEY MAP OF THE COASTLINE FROM PORTLAND TO KIMMERIDGE, circa 1880, 13" x 19", a similar map by George Philip & Son, and a recent map by Gillian Moores "the Chideock Parish Map", 24" x 24" (3). The second and third maps are illustrated on pgs. 94 and 95 of Beaton's Dorset Maps

£1,00-2,000

633 WALLIS AND REID: "A MAP OF THE COUNTY", 1820, 2¾" x 4½", Aristide Michel Perrot, a decorative map of the county from "L'Angleterre ou Description Historique a Topographique …1823", 4¾" x 3½", a similar uncoloured example, and a map by Charles Smith, 1822 (4), all unframed. The second of these illustrated on pg. 80 of Beaton's Dorset Maps

£50-100

£30-50

Lot 636

638 JOHN HARRISON: "A MAP OF MIDDLESEX: ENGRAVED FROM AN ACTUAL SURVEY WITH IMPROVEMENTS" from Maps of the English Counties 1781, 14½" x 18½"

636 JOHN SPEED: "WILSHIRE" A map of the County with detail of Salisbury and Stonehenge, with description to the reverse, 15" x 20". See illustration

£300-500

639 "A TOPOGRAPHICAL MAP OF THE COUNTY OF SUSSEX" by W. Gardner and the Late T. Yeakell, published by W. Faden, June 4th 1795, 32 panels mounted on linen, 31" x 39½" (unframed)

637 OWEN & BOWEN: A ROAD MAP FROM "BRITANNIA DEPICTA SHOWING THE ROUTE FROM LONDON TO BAGSHOT" with a description of the road from London to Lands End on the reverse, 7¼" x 5", a map of Surrey by Thomas Conder, 1784, from Walpole's New and Complete British Traveller, 4¼" x 7", Edward Mogg's Map of the Road from London to Exeter, 9" x 6½" (3)

£100-200

£250-450

640 A GEOGRAPHICAL AND STATISTICAL MAP OF SCOTLAND FROM LAVOISNE'S GENEALOGICAL, HISTORICAL, CHRONOLOGICAL AND GEOGRAPHICAL ATLAS, revised 1828, 18½" x 23" (unframed), a map of the Isle of Thanet, a map of Mont Blanc published 1954, and a folded map of Nepal (4)

£30-50

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

641 JOAN BLAEU "COMITATUS DORCESTRIA 1645" published in the Atlas Novus, a new atlas of the British Isles with Latin text in 1645, 19½" x 20½", See illustration

£200-400

642 ROBERT MORDEN: "A HAND COLOURED MAP OF THE COUNTY OF DORSET SHIRE" from "Camden's Britannia 1695", published by Abel Swale Awensham & John Churchill, 14½" x 17½"

Lot 641

£50-100

643 "DORSETSHIRE" by John Cary corrected by E. Boswell, published 1795 by J. Cary, 8¾" x 11"

Lot 646

£30-50

644 THOMAS KITCHINS "ACCURATE MAP OF DORSETSHIRE …", 8½" x 9¾"

£50-100

645 JOHN & CHARLES WALKER: A HAND COLOURED MAP OF THE COUNTY WITH RAILWAY LINES, 1851, 14½" x 17"

£50-100

646 WILLIAM KIP: "DORCESTRIAE COMITATUS VULGO DORFETT …. " 11" x 15". See illustration

£200-400

647 THOMAS MOULE: "DORSETSHIRE" A hand-coloured map with a vignette of Shaftesbury, 8½" x 10"

£30-50

648 JOHN SPEED: "DORSETSHYRE WITH THE SHYRE TOWNE …" published in the first National Atlas of the British Isles "Theatre of the Empire of Great Britain", 1611, hand coloured, 15" x 20". See illustration

Lot 648

£200-400

Lot 649

671 "A MAP OF SOUTH AMERICA CONTAINING TIERRA FIRMA, GUYANA ...FROM MR D'ANVILLE WITH SEVERAL IMPROVEMENTS ... LONDON 1779", printed on two sheets, each 21¼" x 47½" (2) (unframed)

649 A COLLECTION OF EARLY 19TH CENTURY FOLDING MAPS including Carte d'Europe, dated 1837, folding laid on linen with thirty segments, in a marbled slip case with printed title, the case 10" x 6¾", and a collection of other similar maps (a lot)

£150-250

£500-1,000

672 "PINKTONS MODERN ATLAS" published January 1812 by Cadell & Davies, four sheets "La Plata", "Peru", "Chili" and "New Granada", each sheet 33½" x 22" (4) (unframed)

669 MAPS OF THE AZORES: "CARTE REDUITE DES ISLES ACORES POUR SERVIROAUX VAISSEAUX DU ROI ...1755", three sheets, 25¼" x 37"; and a collection of similar maps (13)

673 "SOUTH AMERICA" A map published by the Superintendence of the Society for the Diffusion of Useful Knowledge, 1842, 16" x 13½" (unframed), and a collection of similar South American and Central American maps (all unframed) (9)

£150-250

670 "PLANO DE LA RADA DE ANGRA ... 1788" A hand-coloured map of a section of coastline, unframed, 24¾" x 37¼", and a collection of other similar maps (6)

£100-200

£50-100

674 "SOUTHERN PART OF ABERDEEN AND BANFF-SHRS." published by John Thomas, Edinburgh 1826, 21" x 27", and a similar map from the same publication depicting parts of Aberdeenshire (2)

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 675

675 JOHN ARROWSMITH: “THE LONDON ATLAS”, 1842. “The London Atlas of Universal Geography, Exhibiting the Physical & Political Divisions of the Various Countries of the World, constructed from Original Materials. Is most respectfully dedicated to his venerable friend John Middleton Esqr. As a Testimony of gratitude and esteem by his much obliged & humble servant. John Arrowsmith, F.R.G.S & R.A.S. 10 Soho Square, London. Published by J.Arrowsmith 10 Soho Square 1842.”

Note: John Arrowsmith was a member of one of the most important London based families of map makers, eventually taking over the running of the family business and publishing the highly regarded London Atlas. The set of maps in this volume were amongst the best available at the time being compiled from the most up to date information and presented in a pleasing clear manner, the atlas is generally regarded as the first ‘modern’ Atlas of the Victorian period.

Containing 50 maps with hand coloured details and borders. Rebound with leather spine, corners and title. The volume 22¼” x 15”.

A founder member of the Royal Geographical Society he was awarded their gold medal in 1863.

Mounted in a Rosewood veneered metamorphic table and stand. The table with a rectangular top with a moulded border resting on a square column with recessed panelled sides, and on a quadriform base with turned feet and recessed castors. The rectangular top opening along its’ length to reveal the Atlas in a fitted compartment. The entire top tilting ona pivot with adjustable bolt, the top folding and sliding to support the atlas when open. With a concealed slide below. 29” high x 25” wide x 18.5” deep.

This atlas has remained in the same family collection for much of the 20th century. In a remarkable metamorphic library table which was surely commissioned to house the Atlas in a fine gentleman’s library, this is one of the most interesting pieces of Victorian Library furniture to have come to the market in many years.

£20,000 - 30,000

Provenance: Private collection West Dorset

Lot 675

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

100

Photographic Ar chiveS BOOKS

Detail of Lot 864 101

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

TRAVEL PHOTOS AND AUTOGRAPHS

Lot 682

682 "DAI VIAGGI CORRADO" Two albums of photographs, various large format images, Egypt and other locations (2 volumes) See illustration

680 "EGITTO 1899, FAZIO" An album of photographs of an Egyptian tour including landscapes, ruins, figures aboard a ship, animals and other varied subjects

£300-500

681 AN ALBUM OF PHOTOGRAPHS dated to the inside cover 1898, the photographs depicting scenes of an alpine tour, winter sports, figures in uniform, views, motor cars, Egypt and numerous other subjects

£300-500

102

£300-500

THE John halsall PHOTO ARCHIVE

Marc Bolan, Shirley Bassey, Cat Stevens, Steve Winwood, David Attenborough, The Who, Peter Cook, Cliff Richard, Morecambe and Wise and even Prince Charles. A veritable Who’s Who of the celebrity, rock ‘n roll and actual royalty of the 1960’s and 70’s is included in this photographic archive. Previously part of the John Halsall Photographic Archive, these images are now to be dispersed. Apparently never published before and sold with full title these iconic images of some of the most celebrated entertainers of their age offer the collector or enthusiast an unrivalled opportunity to acquire images which can be exploited in any and all forms of media without any third party claims or copies retained. The majority are Images taken by photographers who appear to have unrivalled access to their subjects resulting in some rare relaxed informal shots as well as images of artists performing or in more traditional posed scenes.

Lot 691

Lot 690

690 MARC BOLAN: Nine shots photographed with his wife and new born baby (Rolan) See illustration

£250-450

691 THE OSMONDS: Five films of negatives featuring the band playing and posed See illustration £150-250 103

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

692 SHAKIN' STEVENS: Ten sets of negatives featuring the artist in various poses, with contact sheets See illustration

Lot 692

£150-250

693 JOHN MAYALL: A large collection of negatives and contact sheets of John Mayall in various poses and playing with various musicians £250-450 694 SHIRLEY BASSEY: A large collection of negatives, contact sheets and images from her early career See illustration

£350-450

Lot 694 695 ALEXIS KORNER: A large collection of negatives and contact sheets of Alexis Korner posed with other musicians, playing the guitar and others

£250-450

696 RADIO CAROLINE: Seven films of negatives featuring images of Radio Caroline presented John Peel and Johnny Kidd, the ship and other related subjects, with contact sheets See illustration

£250-450

697 CAT STEVENS: Three sets of negatives, Cat Stevens playing in concert.

Lot 696

£150-250

698 RONNIE SCOTT: A collection of negatives and copy sheets with Ronnie Scott playing saxophone with his band and in various other poses

104

£300-500

699 THE CHRIS BARBER BAND: A large collection of negatives and contact sheets featuring various musicians

£300-500

700 STEVE WINWOOD: With Traffic and other artists, in various poses playing live and in other poses See illustration

Lot 700

£1,000-1,500

701 KENNY EVERETT: Five sets of negatives of Kenny Everett in various costumes See illustration

Lot 701

£300-500

702 PETER SELLERS: A collection of fifteen negatives of Peter Sellers and others whilst filming, and a black and white image of Peter Sellers and Maggie Britten.

£300-500

703 PETER COOK: A large collection of negatives from a photo shoot of Peter Cook dressed as a judge holding a record, being the occasion of the launch of a 12" EP of Peter Cook performing a spoof on the Jeremy Thorpe trial that he had originally performed at the Secret Policeman's Ball in 1979, and other images

£500-800

704 DAVID ATTENBOROUGH: Two sets of negatives of a young David Attenborough relaxing in an interior

Lot 705

£500-800

705 MONTY PYTHON AND OTHERS: A large collection of negatives and contact sheets including Monty Pythons Flying Circus performing live, various artists including Cliff Richard and Kate Bush at the LSO 75th Anniversary Concert; images from the 1969 NME poll winners concert including Long John Baldry and Desmond Decker; images from an Amnesty International Show including Monty Python, Pete Townsend and others. See illustration

£500-1,000 105

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

706 A COLLECTION OF VARIED IMAGES including two frames of a young Dustin Hoffman, two sets of negatives of Larry Hagman, and six images of Jayne Mansfield in bed receiving an award, and other images See illustration

Lot 706

£100-200

707 A COLLECTION OF NEGATIVES AND IMAGES FROM LONDON CLUBS in the 1960's and 70's; royal images to include images of a young Prince Charles, the Queen and Prince Philip; and other images

£200-400

708 BRITISH COMEDY: A collection of negatives and contact sheets from Morecombe & Wise shows including images of Eric & Ernie in bed; The Two Ronnies; and various celebrities at the 1967 Battersea Fun Fair Celebrity Gala. See illustration

Lot 708

£500-800

709 A LARGE COLLECTION OF TV RELATED NEGATIVES AND IMAGES including: images from Upstairs Downstairs, Coronation Street, the cast of Dad's Army recording "The March" from the Dad's Army film, Dixon of Dock Green and others

£500-800

710 A COLLECTION OF IMAGES OF POP STARS including images and contact sheets of Hank Marvin and the Shadows, Toyah Wilcox and Boney M.

Lot 712

£200-400

711 A COLLECTION OF IMAGES AND CONTACT SHEETS for various artists including The Average White Band, the New Seekers, the Darts, Stylistics, Go-Go's and other artists

£200-400

712 A LARGE COLLECTION OF IMAGES AND CONTACT SHEETS relating to various bands including The Jam, The Cure, Specials, The Undertones and Squeeze See illustration 106

£200-400

Lot 713

Lot 714

713 A COLLECTION OF NEGATIVES AND CONTACT SHEETS of various artists including Jimmy Cliff, Dave Dee, Sister Sledge, Suzi Quattro, David Cassidy and others See illustration

£200-400

714 A COLLECTION OF NEGATIVES AND IMAGES of various pop events including The BBC Beach Show 1961 with an early image of Cliff Richard, the Hyde Park Corner Free Concert of 1970, and other similar events See illustration

£200-400 Lot 715

715 A COLLECTION OF NEGATIVES AND PRINTS of various artists including Nana Mouskouri, Legs & Co., three colour images from the set of Baywatch, and others

Lot 716

£200-400

716 A LARGE COLLECTION OF NEGATIVES AND PRINTS relating to rock and jazz musicians, including: Acker Bilk, The Who, Chris Barber, The Richmond Jazz Festival and other similar events

£500-1,000

107

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 720

720 THE BEATLES: Autographs of the four Beatles on the front cover of the 1964/5 Hammersmith Odeon show "Brian Epstein presents Another Beatles Christmas Show", 10¾" x 8½". See illustration

721 QUEEN MARY: A photograph with signature to the reverse "With best wishes from Victoria Mary 1909 and grateful thanks for the lovely little bag ... ", in a gilt frame, the photographs 5" x 3"

This lot is accompanied by a hand-written note: "I was working at Hammersmith this week. I went on Tuesday and went backstage! Also went into THEIR DRESSING ROOM. Havoc but met them in their shiny suits + powdered noses. Very casual lot but great fun, with their dressing room filled with gonks + toys".

£80-150

722 A PHOTOGRAPH OF PRINCE GEORGE in naval uniform, signed "George 1890", late King George V, 5½" x 4", in a needlework frame

£1,500-2,500

108

£100-200

BOOKS 723 PUFFIN PICTURE BOOKS. Colour illustrations by Edward Bawden, Lionel Edwards, C.F. Tunnicliffe and others, 21 vols, boards or wrappers, 1948 and later. Rogerson, Noel Carrington and his Puffin Picture Books, Manchester 1992. (22)

727 LAWRENCE, D.H. Women in Love, Secker, 1921, 1st edn., cloth, with seven other 1st edns. by Lawrence. YEATS, W.B. Essays. Macmillan, 1924, 1st edn. THOMAS, Edward. Cloud Castle, Duckworth, 1922, 1st edn., cloth; and 2 others. (12)

£50-100

727A N ONESUCH PRESS. Pope's Own Miscellany. Nonesuch Press, 1935. One of 750 copies, buckram gilt; eight further Nonesuch Press titles and three others, limited editions. (12)

724 ELIOT, T.S. Elizabethan Essays, Faber, 1934, 1st edn., cloth; The Use of Poetry and the Use of Criticism, Faber, 1933, 1st edn., cloth; and others by or with contributions by Eliot, most 1st edns., many in dust-jackets. (20)

728 ROSS, John. Narrative of a Second Voyage in Search of a NorthWest Passage, and of a Residence in the Arctic Regions during the years 1829, 1830, 1831, 1832, 1833. Including the Reports of... James Clark Ross... and the Discovery of the Northern Magnetic Pole. A.W. Webster, 1835. 1st edn., 4to, recent half calf; without the two folding charts but all twenty-nine plates present, nine of them finely hand coloured.

£100-200

725A D OUGLAS, Keith. Complete Poems. OUP, 1979, 1st edn., cloth, dw. CAMPBELL, Roy. The Georgiad, Boriswood, 1931, 1st edn., cloth and other poetry by Gascoyne, Graves, Aldington, Frost, Enright, Betjeman, Day Lewis, Kathleen Raine, Grigson and others, most 1st edns in dws. (67)

£100-200

£80-150

729 CONRAD, Joseph. Typhoon. Heinemann, 1903, 1st edn, cloth. AMIS, Kingsley. I Like It Here. Gollancz, 1958, 1st edn., dw. and other English and American 1st and early edns including Steinbeck, Faulkner, Hemingway etc. (25)

£50-100

729A SIDNEY, Sir Philip. The Countess of Pembroke's Arcadia. For George Calvert, 1674, thirteenth edition, folio, later half morocco, worn, lacks portrait. BOSTON, Thomas. The Whole Works. William Darling, Edinburgh, 1767, folio, contemp. calf. (2)

726A N EW VERSE. Nos. 1-4, 6-8, 11-15; New Series Nos. 1-2, 1933-39; with other poetry magazines and anthologies of the 1930s-50s and a large quantity of mid-20th c. polemics and criticism by Aldous Huxley, Michael Roberts, Leonard Woolf, Herbert Read, Edwin Muir, Cyril Connolly and others, cloth and wrappers, most 1st edns. (62)

£100-200

728A RANJITSINHJI, K.S. The Jubilee Book of Cricket. Illus. Blackwood, 1897, 1st edn., 4to, cloth. PYCROFT, J. The Cricket-Field. Illus. St James's Press, 1922, 4to, cloth and others on cricket and football (14)

726 WOOLF, Virginia. The Years, Hogarth Press, 1937, 1st edn., cloth. BOWEN, Elizabeth. The Death of the Heart, Gollancz, 1938, 1st edn., cloth, and other mid-20th c. fiction, most 1st edns. (26)

£50-100

£80-150

725 AUDEN, W.H., and Christopher Isherwood. On the Frontier. Faber, 1938, 1st edn., cloth; and other poetry by Auden, Vernon Watkins, Louis MacNeice, de la Mare, Pound, Robert Lowell and others, 1930s and later, all published by Faber, most 1st edns. in dust-jackets. (42)

£50-100

109

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

730 DANIEL DEFOE (1660-1731) "THE LIFE AND STRANGE SURPRISING ADVENTURES OF ROBINSON CRUSOE OF YORK, MARINER", vol.I, printed for John Stockdale, Piccadilly 1790, and "The Farther Adventures of Robinson Crusoe Being the Second and Last Part of His Life and the Strange Surprising Accounts of his Travels Round Three Parts of the Globe", vol.II, printed for John Stockdale, Piccadilly, London 1790, Both volumes in tooled leather bindings (2)

Lot 731

£100-200

731 VIVANT DENON (1747-1825) "Travels in Upper and Lower Egypt in Company with Several Divisions of the French Army During the Campaigns of General Bonaparte in that Country", vols.I-III, printed for T.M. Longman and O. Rees, 1803, translated by Arthur Aiken, each volume with pull-out including maps, in tooled leather bindings (3). See illustration

Lot 733

£300-600 732 BENVENUTO CELLINI (1500-1571) "Memoirs of Benvenuto Cellini. A Florentine Artist Written by Himself ", translated by Thomas Roscoe, Esq., 2 volumes, printed for Henry Colburn & Co., 1822, each volume in tooled leather bindings (2 books)

£50-100

733 CARSTEN NIEBUHR (1733-1815) "Travels Through Arabia and Other Countries in the East", performed by M.Niebuhr, translated into English by Robert Heron, 2 volumes, printed for R. Morison & Son, 1792, each volume with pull-out maps, in quarter tooled leather bindings (2). See illustration

Lot 734

£500-1,000

734 "A COMPLETE VIEW OF THE CHINESE EMPIRE", printed and published by G. Cawthorn, British Library 1798, in a half-leather binding. See illustration

110

£200-300

735 LEWIS CARROLL (1832-1898) "Alice's Adventures in Wonderland", MacMillan & Co., New York 1905; Lewis Carroll "Alice's Adventures in Wonderland", illustrated by Arthur Rackham; William Heinemann "Rubaiyat of Omar Khayyam"; Dean Swift "Gulliver's Travels"; "A Midsummer Night's Dream" illustrated by Arthur Rackham, 1917 (5)

Lot 736

£150-250

736 JONAS HANWAY (1712-1786) "An Historical Account of the British Trade over the Caspian Sea" 1753, vols.I-IV, with pull-out maps, the four volumes in three tooled leather bindings (4). See illustration

£800-1200

737 EDWARD WRIGHT: "Some Observations Made in Travelling Through France, Italy and Sea. In the Years 1720, 1721 and 1722", 1730, vols. I&II with pull-outs, in a single tooled leather binding (2 books bound as one)

Lot 738

£200-400

738 HIS EXCELLENCY E.YSBRANTS IDES (1657-1708) "Three Years Travels from Moscow Overland to China", 1706, with engravings and pull-outs, in a tooled leather binding. See illustration

£300-600

739 EBENEZER SIBLY M.D. F.R.H.S. (1751-1799) "A Key to Physics and the Occult Sciences", printed by Hamblin & Seyfang, 1810, in a tooled leather binding. See illustration

Lot 739

£300-500

740 SIR HENRY CHAUNCY (1632-1719) "The Historical Antiquities of Hertfordshire", reprinted and published by J.M. Mullinger 1826, vols. I&II, in half tooled leather bindings (2)

£150-300

111

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

741 RICHARD BRIGHT, M.D. (1759-1858) "Travels from Vienna Through Lower Hungary", printed for Archibald Constable & Co., Edinburgh 1818, in a half tooled leather binding. See illustration

Lot 741

£300-500

742 GIORGIO VASARI (1511-1574) "Lives of the Most Eminent Painters, Sculptors and Architects", with notes and illustrations chiefly selected from various commentators by Mrs Jonathan Foster 1850, vols I-V, in half tooled leather bindings (5) £50-100 743 CHARLES DICKENS (1812-1850) "Pictures from Italy", published for the author by Bradbury & Evans 1846, with vignette illustrations by Samuel Palmer, in a fine tooled green leather binding (1). See illustration

Lot 743

£200-400

744 EDWARD GIBBON (1737-1794) "The History of the Decline & Fall of the Roman Empire", printed for A. Strahan; and T. Cadell 1782-1788, vols.I-VI, in tooled leather bindings (6)

£200-400

745 M.C-F. VOLNEY (1757-1820) "Travels Through Syria and Egypt", translated from the French, 1788, vol.I, in a tooled leather binding

£50-100

746 JOHN COOK: "Voyages and Travels Through the Russian Empire Tartary and part of the Kingdom of Persia", 1770, 2vols, in tooled leather bindings (2). See illustration

Lot 746

112

£300-500

747 JOSEPH MARCHALL: "Travels through Holland, Flanders, Germany ... in the Years 1768, 1769 and 1770", printed for J. Almon, 1773, volsI-III, in leather bindings (3)

Lot 748

£150-300

748 LOUIS LE COMTE (1655-1728) "Memoirs and Observations made in the Late Journey through the Empire of China", printed for Benjamin Tooke 1699, with engravings and pull-outs, in a leather binding. See illustration

£200-400

749 HENRY MAUNDRELL (1665-1701) "A Journey from Aleppo to Jerusalem at Easter, A.D.1697", with engravings and pull-outs, in a tooled leather binding

£100-200

Lot 750

750 THE BOOK OF COMMON PRAYER, Oxford at the Theatre 1675, bound together with The Holy Bible, printed by Bonham Norton and John Bill, 1620, in a leather and brass mounted binding. See illustration

£400-600

751 MACGREGOR LAIRD (1808-1861) & R.A. K. OLDFIELD: "Narrative of an Expedition into the Interior of Africa by the River Niger", printed by Richard Bentley, 1837, 2vols, (2). See illustration

£400-800

Lot 751

113

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

752 DAVID LIVINGSTONE (1813-1873) "Missionary Travels and Researches in South Africa", printed by John Murray, 1857, in a half tooled leather binding; David & Charles Livingstone "Narrative of an Expedition to the Zambezi and its' Tributaries", printed by John Murray, 1865, in a half tooled leather binding; Horace Waller "The Last Journals of David Livingstone in Central Africa", printed by John Murray, 1874, 2vols, in half tooled leather bindings (4)

Lot 754

£100-200

753 JAMES BRUCE OF KINNAIRD (1730-1794) "Travels to Discover the Source of the Nile", printed by J. Ruthven, 1790, 5vols, in tooled leather bindings (5). See illustration

£2,000-4,000

754 FYNES MORYSON (1566-1630) "An Itinerary Written by Fynes Moryson containing his ten years travel through the twelve Dominions of Germany Bohmerland ..." divided into three parts, printed by John Beale, 1617, in a leather binding. See illustration

Lot 755

£1,000-2,000

755 SIR THOMAS HERBERT 1ST BARONET (1606-1682) "Some Years Travels into Africa and Asia", printed by R. Everingham, 1677, in a leather binding. See illustration

£500-1,000

756 THE QURAN A handwritten and illuminated copy of the Quran, 18th/19th century, in a tooled leather binding

£40-80

757 THE BIBLE printed by Robert Barker, 1605, in a leather binding

114

£80-150

Lot 753

115

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

763 ALEXANDER POPE (c1688-1744) "The Works of Mr Alexander Pope" printed by W. Bowyer, "The Bernard Lintot between the Temple Gates 1717", and "The Works of Mr Alexander Pope, Vol.II", tooled leather binding (2). See illustration

758 EDWARD MOORE (1712-1757) "Fables for the Female Sex", 1771; "Almanac Genealogique Pour L'Annee 1779"; "Blossoms at Christmas and First Flowers of the New Year", 1825; "The Art of Cookery made Plain and Easy", 1770 (4)

£50-100

£300-500

759 MAJOR DENHAM, CAPTAIN CLAPPERTON AND THE LATE DR. OUDNEY: "Narrative of Travels and Discoveries in Northern and Central Africa", printed by John Murray, 1826; N. D. Anvers "Heroes of North African Discovery", printed by Marcus Ward & Co., 1877; Mungo Park "The Journal of a Mission to the Interior of Africa in the year 1805", printed for John Murray by W. Bulmer & Co., 1815, with a pullout map and in a tooled leather binding (3)

764 ALFRED RONALDS (1802-1860) "The Flyfishers Entomology", printed London by Longman Rees Orme, Brown, Green and Longman, 1836

£80-150

765 RUDYARD KIPLING (1865-1936) "The Jungle Book", with illustrations by J.L. Kipling, W. H. Drake and P. Frenzeny, printed London and New York, MacMillan & Co., 1894

£150-300

£100-200 760 WILLIAM GIFFORD PALGRAVE (1826-1888) "Narrative of a Years Journey through Central and Eastern Arabia", printed by MacMillan & Co., 1865, in half tooled leather bindings (2)

766 LORD MOTTISTONE (1868-1947) "My Horse Warrior" (General Jack Seely), printed London Hodder & Stoughton Ltd, 1934 £80-150

£100-200

768 COMMANDER CHARLES LIGHTOLLER (1874-1952) "Titanic and Other Ships", signed by the author and dated June 18th 1937, printed Ivor Nicholson and Watson Ltd, London 1935, together with a letter from Sylvia Lightoller, on printed mourning paper after Charles Lightoller's death (2). See illustration

761 OYER & TERMINER: "The Proceedings at the Sessions of Peace" for the City of London and County of Middlesex, 18th century stitched copies by various London printers (25)

£100-200

762 A GEORGE III NAVAL SIGNALS BOOK with paper label on the inside of the front cover "F. Baker", hand-written and coloured, mottled board and leather binding

£500-1,000

769 THOMAS DUNHAM WHITAKER L.L.D.F.F.A. (1759-1821) "Loidis & Elmete: The History of Leeds", 1816, 2vols, board and cloth bound (2)

£500-1,000

£100-200

770 WILLIAM HENRY HUDSON (1841-1922) "Far Away and Long Ago", limited edition, 88/110, with wood engravings by Eric Fitch Daglish, printed London & Toronto J.M. Dent & Sons Ltd

116

£100-200

771 "PATAGONIA 1910-1916", 2vols, collaborators F.R. Alfredo Kolliker, Dr. Franz Kuhn, Dr. Fritz Reichert, Adolfo Tomfen, Dr. Ltuz Witte, printed Buenos Aires Compania Sud-Americana de Billetes de Banco 1917 (2). See illustration

Lot 763

£200-400 772 "TROFEOS DE LA RECONQUISTA DE LA CIUDAD DE BUENOS AIRES, 1806", publicacion official Buenos Aires litografia inprenta encuadernacion de guillermo kraft, 92-reconquista-92 1882

£50-100

773 J. GORDON HAYES, MA (1877-1936) "Antartica", printed by the Riverside Press Ltd, Edinburgh 1928, tooled leather bound, and "The Amazon & Madeira Rivers" (2)

Lot 768

£50-100

774 PAUL MARCOY: "A Journey Across South America", 4 half-volumes, printed Blackie & Son, Paternoster Buildings, E.C., Glasgow and Edinburgh 1872 (4)

£100-200

775 "ACT OF PARLIAMENT, DORCHESTER", printed by Thomas Bafkett, printed to the King's Most Excellent Majesty, and by the Affigns of Robert Bafkett, 1746, and The Petition of the Right Hon. Joseph, Lord Milton 1785, both copies rebound (2)

£50-100 Lot 771

776 R.E.M. WHEELER: "Maiden Castle, Dorset", printed at the University Press by John Johnson for the Society of Antiquaries, Burlington House, London 1943

£50-100

117

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

784 POWYS BROTHERS: A collection of Powys and related books and pamphlets, including a hardback copy of "A Baker's Dozen", illustrations by Matthias Noheimer, first edition 9/493 numbered copies, signed by the author and artist, published by Trovillion Private Press, Herrin, Illinois, USA, 1939 (a lot)

777 PAMELA COLMAN SMITH (1878-1951) "Widecombe Fair" with pictures , 13 coloured plates, and music and lyrics in a folio

£150-300

778 MOYSHEH OYVED: (1885-1958) "The Book of Affinity", coloured drawings by Jacob Epstein, limited edition 132/525, inscribed "To the youngest of my oldest friends, who sees with me a glorious world friendship over ending mountain, bless him!"

785 HARPER'S MONTHLY MAGAZINE, December 1880 - May 1881, June 1881-November 1881 and December 1881 - May 1882, published by Sampson Low, Marston, Searle & Rivington, Crown Buildings, 188 Fleet Street, 1881 (3)

£50-100

779 CHARLES DICKENS (1812-1970) "Great Expectations", "Nicholas Nickleby", "Oliver Twist" and "David Copperfield", published by Chapman and Hall, 193 Piccadilly, and six other volumes (10)

£50-100

£200-400

£40-80

789 E.J. LOWE (1825-1900) "Our Native Ferns", 2vols, published Groombridge & Sons, 5 Paternoster Row, London; "New & Rare Ferns" and "Fern Growing" (4)

£100-200

783 BOOTHBY, SLADE, HUME, SAVAGE, FITCHETT AND MARSH: Eight various first editions, by various publishers, late 19th/early 20th century (8)

£300-500

788 JONATHON COUCH F.L.F. (1789-1870) "A History of the Fishes of the British Islands", 4vols containing coloured plates from drawings by the artist, published Groombridge & Sons, 5 Paternoster Row (4)

782 "THE NAVAL HISTORY OF GREAT BRITAIN from the Declaration of War by France in 1793", 6 volumes, printed London, Richard Bentley, New Burlington Street, 1837 (6)

£50-100

787 REV. JOHN COLLINSON, F.A.F (1781-1857) "The History of Somersetshire", three first edition volumes, one with copied engravings, 1791, printed by R. Cruttwell (3)

781 EDWARD GIBBON (1737-1794) "The History of The Decline and Fall of the Roman Empire", 8 vols, printed for T. Cadell, Strand, London, 1838 (8)

£50-100

786 T.E. LAWRENCE (1888-1935) A collection of Lawrence related books, including "Seven Pillars of Wisdom" and "Letters of TE Lawrence" edited by David Garnett (a lot)

780 SAMUEL CARTER HALL (1800-1889) "The Book of Gems", three leather bound volumes including: "Wordsworth to Bayly", published London, Whitaker & Co. Ave Maria Lane, 1838 (3)

£100-200

£50-100

790 JOAOA VIGIER: "Historia Daf Plantas Da Europa", published EM Lion, Na Officina de Anisson, Posuel & Rigaud, 1718, GUILLAUME LOUIS FORMANOIR DE PALTEAU, "Nouvelle Construction de Ruches de Bois", 1761 (2)

£200-400

118

£40-80

Lot 795

794 CHARLES DICKENS (1812-1870) "The Haunted Man and the Ghost's Bargain", published Bradbury & Evans, 11 Bouverie Street, London 1848, and five others (6)

791 E.J. LOWE (1825-1900) "Ferns, British and Exotic", 8vols, published Bell & Daldy, York Street, Covent Garden, London (8) £50-100

792 JANE WELLS (MRS) LOUDON (1807-1858) "The Ladies Companion to the Flower-Garden", 3rd edition, published William Smith, 113 Fleet Street, London, and six similar books (7)

£40-80

795 THOMAS PHILIPOTT: "Villare Cantianum or Kent Surveyed and Illustrated", first edition, 1659 (no map), printed by William Godbid, London See illustration

£40-80

793 CHARLES DICKENS (1812-1870) The Works of Charles Dickens, The Temple Edition including "Oliver Twist", Nicholas Nickleby and "David Copperfield", published by JM Dent & Co., London 1899 (16) £50-100

119

£200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

803 JOHN RUSKIN (1819-1900) "Modern Painters", 5vols, published Smith, Elder & Co., 65 Cornhill, London 1851 (5)

796 SIR JAMES GEORGE FRAZER (1854-1941) "The Golden Bough. A Study in Magic & Religion", 3rd edition, 13vols, published by Macmillan & Co. Ltd, St. Martin Street, London, 1936 (13)

£50-100

804 PAUL DE RAPIN (1661-1725) The History of England", 2vols, printed for James, John and Paul Knapton, "at the Crown in Ludgate-Street, near the West End of St. Pauls" (2)

797 HER MAJESTY'S STATIONERY OFFICE 1952, Dorset, vol.I West "A Survey & Inventory by the Royal Commission on Historical Monuments", and 7 other volumes of Dorset (8)

£50-100

809 F. BARTHELEMY: "Les Menus Expliques de Cuisines Pratique", published Bibliotheque du Journal le Cordon Bleu, 129 Faubourg Saint-Honore, Paris (1)

£200-300

802 HJALMAR HJORTH BOYESEN.PH.D. (1848-1895) "The Works of Goethe", 5vols, copyright, 1885, by George Barrie (5)

£40-80

808 CHEFS-D OEUVRE: "Theatres Etrangers", 24 leather-bound volumes, published a Paris, chez Ladvocat, Libraire (24)

£200-400

801 THOMAS JOHNES (1748-1816) "Sir John Froissarts Chronicles of England, France, Spain, and the Adjoining Countries", 12vols, printed for Longman, Hurst, Wreath & Orme, Paternoster-Row and J. White, Fleet Street, 1806 (12)

£100-200

807 MONTESQUIEU (1689-1755) "Lettres Perfanes" published a Paris, chez Garnery Libraire Rue du Fot-de-Fer, no.14, 1819 (7)

£40-80

800 CHARLES DICKENS (1812-1870) "The Old Curiosity Shop", "Oliver Twist", Little Dorrit" and "Martin Chuzzlewit" and others (23)

£200-400

806 PHILIP FRANCIS (1708-1773) "The Satires of Horace" in Latin and English, 8th edition, 3vols, printed for W. Strahan; J. Rivington & Sons, London, including 4 vols "Oeuvre De Vade" (7)

799 EDWARD BAINES (1800-1890) "History of the County Palatine & Duchy of Lancaster", 4vols, printed Fisher, Son, & Co., London, Paris & New York

£200-400

805 WILLIAM MAKEPEACE THACKERAY (1811-1863) "Thackeray's Works", 24vols including "Vanity Fair", "Irish Sketch Book Cornwall - Cairo" and "Contributions to Punch" (24)

£80-160

798 GEORGE STEPHENS (1813-1895) "The Old-Northern Runic Monuments of Scandinavia and England", 3vols, printed by H.H. Thiele, 1867-68, and "The Handbook of the Runic Monuments" (4)

£300-400

£40-60

810 DE MEZERAY (1610-1683): "L'Histoire de France", 3vols, printed by a Paris chez Thomas Lolly, en la Petite Salle du Palais, a la Palme & aux Armes de Hollande (3)

£100-200

£40-80

120

818 ALBERT SAMAIN (1858-1900): "Au Jardin de Linsante", published Paris Mercvre de France, 2vols; J.J. Rousseau "Les Confessions" 3vols (5)

811 LORD BYRON (1788-1824): "Oeuvres de Lord Byron" Quatrieme edition, printed a Paris, chez Ladvocat Libraire Editeur de Shakespeare et Schiller, 1822 (7)

£40-80

£50-100 819 RENE FRANCOIS (SULLY) PRUDHOMME (1839-1907): "Poesies", 2vols, 1872-1878, and 1879-1888, published Paris Alphonse Lemerre Editeur, and a collection of French literature (26)

812 A.H. JOHNSON (1494-1598): "Europe in the 16th Century", 7vols, various authors and titles, and "Oeuvres De Boileau", 4vols (11)

£50-100

£100-200

813 CHARLES HUBERT MILLEROYE (1782-1816): "Oeuvres Completes De Milleroye", 4vols, published a Paris, chez Ladvocat Libraire; Voltaire including "Histoire De Charles XII", 6vols, and Oeuvres De Beranger, 2vols (12)

820 LAMARTINE (1790-1869): "Nouvelles Confidences", "Poesies Inedites" and "Les Confidences", 3vols, two dated 1893 and one 1885, and a collection of French literature (15)

£50-100

814 SIR WALTER SCOTT (1771-1832) : "Kenilworth le Pirate" and "Charles le Temeraire", published Paris, Charles Gosselin Libraire, and others (45vols)

821 J-B LEVEE & LE MONNIER: "Theatre Complet Des Latins", published a Paris chez a. Chasseriau, Libraire-Editeur, 1820 (15)

£100-200

£50-100

816 CHARLES TERRASSE (1893-1982): "La Cathedrale Miroir du Monde", editions alpina 20, Rue Armand Moisant, Paris, and a collection of French literature (11)

£50-100

£40-80

824 THE REV'D JOHN HUTCHINS (1698-1773) "The History and Antiquities of the County of Dorset", 4 vols, third edition reprint, EP Publishing Ltd in collaboration with Dorset County Library, 1973 (4)

£50-100

817A A N ALBUM OF WATERCOLOURS, LETTERS AND SKETCHES belonging to an Agnes K Newman and dated October 1893

£50-100

823 STANLEY DUNCAN AND GUY THORNE: "The Complete Wildfowler", published by Grant Richards Ltd, 1911 and a small quantity of similar volumes on naturalism and other subjects (10)

817 PAUL BOURGET (1852-1935): "Le Demon de Midi", published Paris Libraire Plon, 2vols, and a further 19 volumes by various authors (21)

£100-200

822 CHARLES ST JOHN (1809-1856) "Wild Sports and Natural History of the Highlands", published by Gurney and Jackson, 1927, THOMAS ARCHER "Pictures and Royal Portraits", Blackie and Son, vols, I&II (3)

815 A. DE LAMARTINE (1790-1869): "Histoire des Girondins", 8vols, and "Toussaint Louverture", published Paris, 1850 (2)

£100-200

£80-150

121

£150-300

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

825 HUMPHRY REPTON (1752-1818) AND JOHN ADEY REPTON (1775-1860) "Fragments on the Theory and Practice of Landscape Gardening" London, T. Bensley & Son for J. Taylor, 1816. See illustration

Â£4,00-6,000

122

123

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 826

Lot 827

826 "CARTES ET FIGURES DU TROISIEME VOYAGE DE COOK" A bound volume containing plates and maps from Captain Cook's voyages, the frontispiece dated 1785. See illustration

Lot 828

£300-600

827 JACQUES-GERARD MILBERT (1766-1840) "Voyage Pittoresque - A I'Ile-De-France, Au Cap de Bonne-Esperance, et a l'Ile de Tenerife, Atlas" A bound volume of plates, maps and architectural engravings, Paris, 1812. See illustration Lot 829

£300-600

828 J. CASTERA: "Relation de L'Ambassade Anglaise - Collection de Planches" A bound volume of engravings, maps and botanical studies relating to South East Asia, Paris, 1800. See illustration

£300-600

829 PROFESSOR PETER SIMON PALLAS (1767-1810) "Second Voyage de Pallas - Planches" A bound volume of plates, maps and engravings of Russian scenes, Paris, 1811. See illustration

124

£300-600

830 "DN . NICASII DE VOERDA MECHLINIENSIS, I.C. CLARISSIMI" Venice, 1583, together with a similar antiquarian volume (2)

Lot 831

£150-300 831 ITALIAN, 11th/12th Century: A framed fragment of liturgical chant, decorated with lyrics and musical notes, later re-used as a book cover in the 16th century. See illustration

£100-200

832 WILLIAM BARNES (1801-1886) "Solace of the Fields" a previously unpublished poem in four verses, handwritten and inscribed at the end "Mrs Hodding with kind compliments, WB". See illustration

Lot 832

£400-800

833 WILLIAM BARNES (1801-1886) A handwritten letter from William Barnes to Mrs Hodding, 8th October 1886. The letter originally accompanied lot 832 in this catalogue. It concerns Mrs Hodding's effort to publish Barnes' work.

Provenance: The Library of Siegfried Sassoon. Private Collection

£100-200

834 TOLPUDDLE MARTYRS INTEREST: A group of six letters written by the Vicar of Tolpuddle, Rev. Thomas Warren to his nephew, 1832-34. (6). See illustration

Reverend Thomas Warren was closely involved in the Martyrs affair, firstly trying to broker an agreement between the two sides, acting as a witness to an agreement between the farm labourers and land owners for a fair wage, but then was accused of betraying the workmen, apparently denying any such agreement when the land owners went back on their promises.

£200-400

Lot 834

835 A HOLOGRAPH LETTER sent from Cadiz, 18th November 1755, apparently concerning the aftermath of the Great Lisbon Earthquake of the 1st November 1755

£100-200 125

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

836 THE BATTEN FAMILY ARCHIVE: A very substantial archive of family papers amounting to several thousand individual items, the legacy of a prominent Yeovil family of solicitors, bankers and landowners. The majority of the collection dates from the eighteenth and nineteenth centuries but it also includes a considerable quantity of material dating back to the late sixteenth and seventeenth centuries with a smaller amount extending into the early 1900s. The papers fall into three main categories: (1) those amassed and carefully preserved over the years by a large and prosperous family; (2) legal documents and ancillary material retained in the way of business by several generations of lawyers; and (3) material collected by the historian John Batten the younger for his antiquarian and genealogical researches during the second half of the nineteenth century.

Documents from all three categories and of all dates from the earliest to the latest include indentures, mortgages, tenancy agreements, wills, property valuations, releases, conveyances and other deeds on both vellum and paper. There are numerous maps and estate plans, an important group of parish surveys, grants of arms, certificates of various sorts, pedigrees, diaries, and a mass of correspondence both professional and private. Among correspondents are numerous aristocrats, politicians and other luminaries, amongst them the Lord Chancellor Lord Eldon, Lord Shaftesbury, the Marquess of Westminster, the antiquary Joseph Hunter and James Morrison of Fonthill, while signatories of legal documents include William Pitt the Elder; many more doubtless remain to be discovered. Individual documents of note include two early vellum account rolls and a sixteenth century deed incorporating a fine depiction of Queen Elizabeth. Many of the earlier pieces retain their original seals.

Worthy of mention too are John Batten's notebooks; miscellaneous pamphlets and offprints; and a considerable quantity of printed ephemera, together with photographs and other family memorabilia.

ÂŁ3,000-5,000

126

127

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

837 DORSET INTEREST: A collection of ephemera, mainly comprising various deeds and covenants (a lot)

Lots 840 and 841

£40-80

838 DORSET INTEREST: A collection of ephemera, photographs, pamphlets and guides relating to Dorset towns, attractions and individuals (a lot)

£100-200

839 DORSET INTEREST: DORSET INTEREST: A collection of ephemera, photographs, pamphlets and guides relating to Weymouth and Portland (a lot) Lot 842

£100-200

840 WILLIAM BARNES (1801-1880) "The Song of Solomon" in the Dorset Dialect, from the authorised English version, 1859, one of 250 copies. See illustration

£100-200

841 GEORGE M GREEN "The Song of Solomon" in the Saxon-English, from the authorised English version, 1862`, one of 250 copies. See illustration

£50-100

842 WILLIAM BARNES (1801-1880) "A few words to the advantages of a more common adoption of the mathematics as a branch of education or subject of study" Whittaker and Co., London, 1834. See illustration

Lot 843

£80-150

843 WILLIAM BARNES (1801-1880) "A Popular Selection from Barnes' Poems in the Dorset Dialect", Henry Ling, Machine Printer, County House , Dorchester. See illustration

128

£80-150

Lot 846

Lot 844

844 WILLIAM BARNES (1801-1880) "A mathematical investigation of the principle of hanging doors, gates, swing bridges and other heavy bodies swinging on vertical axis" Simonds and Sydenham, County Chronicle Office, Cornhill, Dorchester, 1835. See illustration

£80-150

845 WILLIAM BARNES INTEREST: A collection of ephemera relating to Barnes, to include "Linden Lea" sheet music (a lot)

Lot 847

£40-80

846 THOMAS HARDY INTEREST: A letter from Florence Hardy to Major H.O. Lock, a Royal Society of Literature Christmas card signed by Florence Hardy, "The Poetry of William Barnes" by Thomas Hardy, Tragara Press, 1979, "The Old Clock", SouthworthAnthoensen Press, Portland Maine, 1946 and "The Three Wayfarers" Henry Ling Ltd. Dorchester, 1935 (5). See illustration £200-400 847 THOMAS HARDY INTEREST: A small collection of Hardy ephemera including; the catalogue of furniture, paintings, prints and other effects from Max Gate, conducted by Hy. Duke & Son, Dorchester, a similar catalogue of the auction of Hardy's library, three programmes for performances f Hardy's plays and other similar items (7). See illustration

£200-400 129

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 848

848 THOMAS HARDY (1840-1928) A letter from Hardy to Mr Stephens of the Dorset Dramatic Society, subsequently the Hardy players, dated 13th November 1911. See illustration £500-1,000 849 THOMAS HARDY (1840-1928) A handwritten card from Hardy to Sir Robert Hudson, dated 21st July 1910, a similar handwritten card to Lady Jeune and a photograph of an illustration of Hardy in his study (3)

Lot 851

£200-400

850 THOMAS HARDY INTEREST: An invitation and order of service for Thomas Hardy's funeral, Westminster Abbey, London, 16th January 1928 and an auction catalogue for the sale of Max Gate, 6th May 1938 (3)

£150-250

851 THOMAS HARDY INTEREST: Four handwritten letters by Florence Hardy to Miss Stevens, the daughter of E. Steven, the Hardy Players pianist, a letter and a note from Florence Hardy to Lady Grogan of Melcombe Bingham and other Florence Hardy related correspondence (a lot). See illustration

Lot 853

£300-600

852 A LIMITED EDITION POOLE POTTERY CHARGER "Hardy's Wessex", 77/250, 16" dia., an artist's proof engraving "Hardy's Cottage, Dorset, Oct '79" by Anne Shingleton, 7¼" x 10½" and a bronze effect study of the Thomas Hardy statue situated at the Top of Town, Dorchester, 7" high (3)

£200-400

853 THOMAS HARDY (1840-1928) "The Mayor of Casterbridge", "The Wessex Novels, Vol. III", with an etching by H. Macbeth-Raeburn, and a map of Wessex, printed by Osgood, McIlvaine & Co., 45 Albemarle Street, London 1895, hand inscribed in ink on end papers "To Miss Jean Rosamond Ffooks on her marriage from Mr and Mrs Thomas Hardy, October 1921"

130

Provenance: The vendor's great-aunt's father, E.A. Ffooks was a prominent member of Dorchester Society and was in charge of the Dorset County Council at its' inception, with a staff of six. This is how they came to know the Hardy family. £400-600

854 THOMAS HARDY (1840-1928) "The Collected Letters" Ed. R.L. Purdy and Michael Millgate, Clarendon Press, 1978-2012, 8 vols, and other editions of Hardy's letters, notebooks and minor works (18)

Lot 855

£150-300

855 THOMAS HARDY (1840-1928) A handwritten note "Every object in nature seems to have an unfulfilled intention. Thomas Hardy, Feb 1890" framed together with a photograph of Hardy. See illustration

£300-600

856 THOMAS HARDY (1840-1928) A handwritten letter from Hardy to Mr Arthur Symons, inviting him to visit Dorchester, dated 13th July 1900. See illustration

Lots 856, 857 and 858

£300-600

857 THOMAS HARDY (1840-1928) A typed letter from Thomas Hardy to Mr Henderson of the Omar Club, thanking him for the distinction of being elected an honorary member, signed in Hardy's hand, dated 31st January, 1921. See illustration

£200-400

858 THOMAS HARDY (1840-1928) A handwritten letter dictated by Thomas Hardy and apparently written by Florence Hardy, due to Thomas 'overstraining his eyes', signed by Thomas Hardy, dated 24th December 1912. See illustration

£300-600

Lot 859

859 THOMAS HARDY INTEREST: A glazed ceramic portrait tile by George Cartlidge, incised verso " Mr Thomas Hardy O.M., D. Litt (Oxon), Geo. Cartlidge Sculpt. 1924 , 8½" x 5½" in black oak frame, 14½" x 11¼". See illustration

£200-400

860 THOMAS HARDY INTEREST: A black and white photograph of Hardy reading, another of Hardy as a younger man, a copy of the Daily Mirror, January 17th 1928, covering Hardy's funeral and a box of Hardy ephemera (a lot)

£100-200

131

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

861 THOMAS HARDY INTEREST: A black and white photograph of Hardy standing by his desk, signed Bernard Griffin, Dorchester, 1906, to the mount, a further Griffin photograph of Hardy seated in a garden and two photographic reproductions of Hardy (4)

Lot 864

£100-200

862 THOMAS HARDY INTEREST: A pastel study "Tess's Cottage, Evershot" by Anne M.D. Jones, 11½" x 17" and a head and shoulders portrait study of Hardy, oil on canvas, 12½" x 10½" (2)

£100-200

863 THOMAS HARDY (1840-1928) "Jude the Obscure" Macmillan and Co, London, 1908, "The Collected Letters of Thomas Hardy" R.L. Purdy and Michael Millgate, Clarendon Press, vols I-VII, and two bound volumes of Cornhill Magazine, vols XXIX and XXX (10)

Lot 865

£100-200

864 THOMAS HARDY (1840-1928) "The Wessex Novels" a set of 18 of Hardy's works, Macmillan and Co, London, various dates, and three further works by hardy, presented as a set in half polished calf binding. See illustration

£300-600

865 THOMAS HARDY (1840-1928) "Under the Greenwood Tree", Chatto and Windus, Piccadilly, London, 1891, signed in black ink "Yours faithfully, Thomas Hardy". See illustration

Lot 866

£400-800

866 THOMAS HARDY (1840-1928) "Tess of the D'Urbervilles", 3 vols, first edition, first issue, James R. Osgood, McIlvane and Co. London, 1891 (3). See illustration

132

£1,500-3,000

Books from the library of John Fowles, all with his stamp, bookplate or ownership signature, many with his annotations, others with inscriptions, letters & c.

867 STONE, Reynolds. Engravings. John Murray, 1977, 1st edn., 4to, cloth, dw, ownership stamp of Julian Huxley, bookplate of John Fowles. PIERPONT MORGAN LIBRARY. English Drawings and Watercolours 1550-1850 in the collection of Mr. and Mrs. Paul Mellon. Harper & Row, 1972, 4to, cloth, dw. MARKS, J.G. Life and Letters of Frederick Walker, A.R.A. Macmillan, 1896, 4to, cloth; and others, art and antiques. (12)

Lot 868

£50-100

868 WATSON, W. Orchids: their culture and management. Upcott Gill, 1903, new edition enlarged, cloth. MABEY, Richard. Selected Writings 1974-1999. Chatto & Windus, 1999, 1st edn, boards, dw, publisher's comps slip and prospectus inserted. HILLIER, H.G. Hillier's Manual of Trees and Shrubs. David & Charles, 1972, boards, dw, notes by Fowles on end-paper, letter, offprints etc inserted; and others, horticulture, natural history, palaeontology. (19)

Lot 869

£80-150

869 HARRAP'S Shorter French and English Dictionary. Harrap, 1946, cloth, worn, Fowles' signature dated January 1948; MARIVAUX, P. de. Théatre Complet. Gallimard, 1949, cloth, much worn;* and other French literature, most with Fowles' signature of 1948-51. (31)

* 'Over many years Fowles was never without his volume of Marivaux as he travelled through France, Austria, Spain, England. and, especially, Greece' (Warburton, John Fowles, p.78).

£100-200

Lot 870

870 FOWLES, John. John Aubrey. Monumenta Britannica, ed, with intro by John Fowles. Little, Brown & Co., 1981, 4to, cloth, dw. KING, A., and S. CLIFFORD. Trees be Company. Foreword by John Fowles. Green Books, 2001, wrappers, postcard to Fowles from editors inserted; and other books, journals and periodicals by, about, or with contributions by Fowles, all his own copies, many with inscriptions or letters. (50)

£100-200

133

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

871 BROWN, N. Life Against Death. The Psychoanalytic Meaning of History. Routledge, 1959, cloth, dw, inscription to John and Elizabeth Fowles from 'Podge' Porter, Fowles' oldest friend. PRIGOGINE, Ilya. The End of Certainty. Time, Chaos, and the New Laws of Nature. Free Press, 1997, boards, dw, publisher's press release, press cuttings and slip of Fowles' notes inserted; and other modern books, science, psychology, travel, history, politics. (38)

875 ARGENSON, M.P. Correspondence du Comte d'Argenson, Ministre de la Guerre. Messein, Paris, 1922, cloth, bookplates of Baron Heyden de Lancey and John Fowles, tipped in l.s. d'Argenson (Versailles, July 1746, while he was Secretary of State for War) to the Chief Surgeon of Les Invalides, telling him to expect wounded personnel, with relevant paperwork to follow. GORSE, L. Souvenirs d'un Homme de Cour. Dentu, Paris, 1805, 2 vols, boards, bookplates of Lytton Strachey, Roger Senhopuse and John Fowles; and others on French history, mostly revolutionary period, including another from Lytton Strachey's library. (32)

£50-100

872 BEAUMARCHAIS, P.-A. de. Mémoires de M. Caron de Beaumarchais . . . accusé de corruption de Juge contre M. Goëzman . . . accusé de Subornation & de Faux. Paris, 1775, 2 vols in one, contemp. mottled sheep, bookplates of Roger Senhouse and John Fowles. VOLTAIRE, F.-M. de. Contes de Guillaume Vadé. [Geneva?] 1764, later boards; and other French literature, late 17th - early 19th centuries. (26)

876 WORDSWORTH, C. Athens and Attica: Journal of a Residence there. Maps, plates. Murray, 1837, calf gilt. MITFORD, M.R. Country Stories. Saunders and Otley, 1837, 1st edn., contemp. calf; and others, 19th century English literature and history. (40)

£50-100

874 PEIGNOT, G. Le Livre des Singularités, par G.P. Philomneste. Lagier, Dijon, 1841, 1st edn., contemp. half morocco. SAINTPAVIN, D.S. Recueil Complet des Poésies. Techener, Paris, 1861, 1st edn., patterned boards. AZAIS, H. Précis du Systeme Universel. Eymery, Paris, 1825, 1st edn., contemp. quarter calf; and other 19th century French literature. (20)

£80-150

877 PIGGOT, C. The Female Jockey Club, or a Sketch of the Manners of the Age. Eaton, 1791, calf rebacked. GEORGE IV. A Review of the Conduct of the Prince of Wales. Lee and Hurst, 1797, bound with three others, similar, 19th century half calf, Fowles' bookplate, typed contents list and five inserted slips of notes. JONES, W. The Design of Enslaving England Discovered. Richard Baldwin, 1689, 4to, disbound; and a quantity of 17th and 18th century books and pamphlets, English literature and history. (22)

873 ROSS, A. Pagan Celtic Britain: studies in iconography and tradition. Routledge, 1967, 4to, cloth, dw, with card to Fowles from Dorset historian Rodney Legg. HOMANS, G. English Villagers of the Thirteenth Century. Harvard, 1942, cloth, dw. VULLIAMY, C. John Wesley. Bles, 1931, cloth, numerous marginal notes by Fowles; and others, history and biography. (33)

£100-200

£50-100

878-879 SPARE LOTS

£50-100

134

WORKS OF ART CLOCKS RUGS

135

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

880 A MINIATURE WINDSOR CHAIR with hooped back and a solid seat and turned legs and stretchers, 19th/20th century, 20" high. See illustration

Lot 880

£80-150

881 A VICTORIAN STYLE MINIATURE CHEST OF DRAWERS with rectangular top above four graduated drawers with knob handles, 12¾" x 12", and another similar chest (2)

£80-150

882 A REGENCY STYLE BAR-BACK ARMCHAIR with downswept scrolling arms above a drop-in seat on sabre legs, 10¾" high, and a similar chair with solid seat and turned legs, 19th/20th century, 17½" high £100-200

Lot 883

883 A VICTORIAN MAHOGANY MONEY BOX in the form of a Victorian chest, the front modelled as two short and three long graduated drawers, 4¾" high x 7" wide; a George III style bow front chest, and another straight front chest (3). See illustration

£100-200

884 A MINIATURE VICTORIAN CHEST OF TWO SHORT AND TWO LONG DRAWERS with raised back and small ceramic knob handles, 19th century, 9¼" high x 9" wide; and two similar miniature chests (3)

Lot 886

£80-150

885 A QUEEN ANNE STYLE YEW VENEERED MINIATURE KNEEHOLE DESK, a similar walnut veneered cabinet and two further items (4)

£100-200

886 A MINIATURE RUSH-SEAT CHAIR with dished top vase-shaped splat and downswept side supports and sabre front legs, 19th century, 23" high. See illustration 136

£100-200

887 A CONTINENTAL PAINTED MINIATURE BUREAU STYLE CHEST with a sloped rising lid decorated with a painted diamond within wavy borders, the top above two dummy and four small drawers with unusual internal locking mechanism, the drawers between painted column legs and pierced frieze, 18th/19th century, 12" high x 22½" wide. See illustration

Lot 887

£200-400

888 AN ITALIAN GILT TOOLED LEATHER STATIONERY BOX, the sloping fall with gilt tooled armorial within an elaborate surround, with gilt metal carrying handle and lined interior, 19th/20th century, 9½" high x 12½" wide

£100-200

889 GUGLIANETTI OF MILAN: Two gilt tooled leather dome top jewellery boxes, with fitted interiors, a similar blotter and letter case, the jewellery boxes 5" high x 8" wide, 19th/20th century (4)

Lot 891

£100-200

890 A VICTORIAN BRASS GOTHIC REVIVAL DESK STAND with raised pierced scrolling back above a pen well and taperstick flanked by two glass inkwells, all on paw feet, 19th century, 9¼" x 11½" wide, and a brass ornament in the form of a hippocamp (2)

£100-200

891 AN EMPIRE ORMOLU VASE, the flat sided oval body decorated with a female figure above a foliate swag, on a narrow stem and oval plinth base, with cast decoration, 11" high x 7" wide. See illustration

Lot 892

£200-400

892 A COLLECTION OF SIX CARVED BONE FRAGMENTS depicting religious subjects, probably late 15th century, mounted within a ripple moulded frame, 7" x 4", and two similar smaller (3), See illustration

£200-400

893 AN ART NOUVEAU MARBLE BOWL decorated with an applied band of scrolling leaves and dragonfly, 14" wide, early 20th century

£80-150 137

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

894 A CONTINENTAL WHITE METAL CRUCIFIX in a gilt tooled leather case, 4¾" high, and a quantity of similar items (a collection)

Lot 896

£100-200 895 A MAHOGANY APOTHECARY'S CABINET, the rising top opening to reveal graduated glass bottles, above a flush-fitting drawer with scales, pestle and mortar and other accessories, the rectangular box with twin brass carrying handles, 18th century, 10" high x 12" wide

£500-1,000

896 LOUIS-ALBERT CARVIN (1875-1951) "Fighting Sealions", a spelter sculpture of two sealions on a marble plinth, with presentation plaque "Les Combattants Mutualistes ... 1932", 8" high, 7¾" wide. See illustration

Lot 898

£80-150

897 A PAIR OF BRASS "PRICKET"-FORM CANDLESTICKS with broad drip pans, on short turned columns and spreading bases, 18th century, 6½" high

£80-150

898 A PAIR OF SILVERED BRONZE SCULPTURES of seated winged cherubs, one blowing a horn, the other a stringed instrument, on short fluted columns and square bases, 19th century, 9" high x 4½" wide. See illustration

£300-500

Lot 899 899 A PAIR OF RENAISSANCE STYLE BRONZE CANDLESTICKS with detachable sconces and slender ivory clad columns, on splayed legs with animal paw feet, 19th century. 11½" high (2). See illustration

£150-250

900 A CAST AND PATINATED BRONZE STUDY OF A CLASSICAL SCHOLAR seated on a pile of books and holding a volume in his left hand, on a raised plinth with stepped base, 19th century, 7½" high 138

£100-200

901 TRIBAL ART: A MAORI CEREMONIAL SPEAR with flattened end, the top decorated with a stylised face, 58½" long. See illustration

Lot 901 and 902

£200-400

902 TRIBAL ART: A MAORI CEREMONIAL SPEAR with flattened rounded end, the top decorated with a stylised face with all over scrolling carving, 52". See illustration

£500-1,000

903 A "COPPER" of riveted form, 19th century, 13½" high x 18½" wide. £100-200 Lot 905 904 A DUNHILL GENERAL PURPOSE LEATHER SADDLE, narrow fit, stamped "Dunhill"

£300-600

905 CONTE. STANISLAO GRIMALDI: A CAST AND PATINATED BRONZE SCULPTURE OF A MAN in elaborate cavalry uniform brandishing a sword, on a rearing charger, on a naturalistic base, with incised signature and stamped foundry mark ... Terino, 17½" high x 18" wide. See illustration

£400-600

906 A DUTCH STYLE RIPPLE MOULDED EBONISED PICTURE OR MIRROR FRAME with swept and moulded surround, 36¼" x 31¼", to take a picture or plate, 21½" x 16¾", 17th/18th century

Lot 907

£200-400

907 SVEN BERLIN (1911-1999): A CAST BRONZE SCULPTURE OF A MOTHER AND CHILD, the child held aloft on the mother's shoulders, with signature to base, on a wooden plinth, the bronze 6" high. See illustration

With a letter of provenance from John Paddy Browne confirming that this bronze was a gift to Jackie Browne.

£300-500 139

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

908 SVEN BERLIN (1911-1999) A sculpture of a snail carved in Cornish serpentine stone, with carved signature to the underside, 5" high x 9" wide. See illustration

Lot 908

Provenance: The Estate of the Artist.

£2,500-3,500

909 MANNER OF FERDINAND PREISS An Art Deco bronze, ivory and alabaster sculpture of a Pierrot or clown seated, playing a mandolin, with coloured clown robes on a stepped base, 13½" high x 5" wide. See illustration

£4,000-6000

910 A CAST AND PATINATED BRONZE SCULPTURE of two naked lovers entwined, mounted on a board with hessian backing, the bronze 19½" x 12"

Lot 909

Provenance: Purchased circa 1971/2 from a commercial gallery in Bedford.

Private collection, Dorset.

£200-400

911 A PAIR OF CAST AND PATINATED BRONZE SCULPTURES of military gentlemen in full dress, one holding a rifle with bayonet, the other a flag, each on green marble bases, 11" high (2)

£300-500

912 A CARVED AND PAINTED FIGURE OF CHRIST on a cross with arms outstretched, with painted hair and beard, possibly 16th century, 14½" high x 11" wide.

£200-400

913 A RENAISSANCE STYLE MARBLE RELIEF in the manner of Donatello, carved with the Madonna and Child seated on a throne beneath garlands, 15” x 9.5” 913A A LARGE WOODEN LOVE TOKEN probably Welsh, dated 1792 and carved with a heart and initials E.B. 12½" long.

140

£150-250

Lot 914

915 AFTER THE ANTIQUE: A CAST AND PATINATED BRONZE of a reclining bacchanalian cherub with vine and grape in his hair, resting on a wine flask and naturalistic base, 10" high x 21" wide. See illustration

914 AFTER FREDRIC REMINGTON (1861-1909) "The Mountain Man", a cast and patinated bronze of an Iriquois trapper on horseback descending a steep slope, on a naturalistic base and marble plinth, 28½" high, on a stone effect column, 52½" high overall. See illustration

£2,000-4,000

£800-1,500

Lot 915

141

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

916 PRINCE PAUL TROUBETZKOY (1866-1938) A woman seated, signed and dated “Paul Troubetzkoy, Paris, 1906”. Bronze, 46cm high Provenance: A European noble family

Exhibited: Prima Esposizione Internazionale

D’arte, Della Secessione, Roma 1913, No. 452

Prince Paul Troubetzkoy was born in Lake Maggiore, Italy, the son of an aristocratic Russian diplomat and an American opera singer. This gilded social status, coupled with his artistic talent meant Troubetzkoy was perfectly placed to capture the social elite at the turn of the nineteenth to twentieth centuries and indeed was a celebrity in his in own right.

Troubetzkoy’s forte was the society portrait, with particular emphasis on the seated figure. The present bronze can be compared to the well-known ‘After the Ball’, a portrait of Adelaide Auernheimer who along with her wealthy merchant husband Carlo Federico Aurnheimer became one of the main patrons of the Famiglia artistica milanese, an art gallery founded in 1873 for supporting young artists.

Instead of modelling in clay, Troubetzkoy used a nondrying compound of clay and wax called plastilene, giving his finished works a great impression of immediacy. The present bronze is no exception. Troubetzkoy’s fluid modelling technique can be seen here in the manipulation of the material, leaving clear thumb prints to be seen in the folds of drapery around the base.

£40,000-60,000

142

143

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

CLOCKS

Lot 935

935 A DIAL CLOCK with silvered dial signed "Archd. Jno. Currie, London", the 10" dial with Roman numerals, with a single train fusee movement, 13" wide. See illustration

£200-400

936 A FRENCH MANTEL CLOCK, the white enamel dial signed "Hey. Marc, Paris", with Roman numerals, with a two train eight day movement striking on a bell, the case with raised lacquered decoration within an ebonised surround, with visible pendulum, 19th century, 13" high

£100-200

937 A 19TH CENTURY ORMOLU MANTEL CLOCK of rococo form, the white enamel dial with a two train eight day movement striking on a bell, the clock 9" high, 19th century, beneath a glass dome on an ebonised base, 11½" high overall. See illustration

Lot 937

938 A FRENCH MARBLE AND GILT METAL CLOCK GARNITURE, the central clock with a white enamel dial with painted floral decoration, with a two train eight day movement striking on a bell, the case topped by a vase-shaped ornament with gilt metal mounts, with twin flanking vaseshaped ornaments to either side, 19th century, 12½" high

£100-200

939 A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, the dial signed "John Jenkins, Swansea", with a single train chain fusee movement, the architectural case surmounted by a brass urn with twin ring carrying handles, early 19th century, 15" high x 9½" wide Lot 941

£150-250

940 A MINIATURE SKELETON CLOCK, the enamelled dial with Roman numerals and "A"-shaped frame, the base stamped "Ms. Honorables Exp. Paris. Londres", on an ebonised base beneath a glass dome, 10½" high

£150-250

941 A FRENCH BISQUE PORCELAIN MANTEL CLOCK, the circular enamel dials with floral swags, with a single train movement, surmounted by three cherubs cavorting amongst grapes, on a gilt metal base, 19th century, 10" high x 9½" wide. See illustration 144

£100-200

942 A REGENCY MAHOGANY AND BRASS INLAID MANTEL CLOCK, the white enamelled convex dial signed "Huggins, London" with a single train fusee movement striking on a bell, the case surmounted by a brass pineapple and with all over brass inlay, on ball feet, 15" high x 8" wide. See illustration

Lot 942

£200-400

943 A BRASS "FOUR GLASS" MANTEL CLOCK, the bevelled glass plates enclosing a circular white enamel dial with Roman numerals and two train movement striking on a bell with a "grid iron" type pendulum, 9½" high x 6" wide

£200-400

944 A BRASS "FOUR GLASS" OVAL MANTEL CLOCK, the shaped bevel edged glass panels enclosing a white enamel dial with Roman numerals, with a two train eight day movement striking on a bell, 10½" high x 7" wide.

Lot 945

£300-500

945 A MODERNIST CHROME AND ROSEWOOD MANTEL CLOCK, the square silvered dial with geometric numerals, signed "Aurelio Bosato, Milano", of geometric design on a stepped base, 7" high x 9½" wide. See illustration

£150-250

946 AN AESTHETIC PERIOD CERAMIC CASED MANTEL CLOCK, the circular dial within a circular case with turquoise foliate border and green surround surmounted by a Chinese "lion dog" and Chinese style handles on conforming base, the clock with an eight day two train movement striking on a bell, 19th century, 15½" high x 11" wide. See illustration Lot 946

£300-500 947 AN EMPIRE STYLE MANTEL CLOCK with a small silvered dial mounted on an eagle with wings outstretched, on a velvet-covered shield and carved support, 19th century, 11" high x 8" wide

£50-100

948 AN 18TH CENTURY STYLE LACQUERED BRACKET CLOCK of waisted form with a circular dial, indistinctly signed and inscribed "Zenith", with a three train movement striking on gongs, the waisted rounded case with all over gilt floral decoration, on scrolling feet and a matching wall bracket, the clock 25" high x 13" wide, the bracket 9½" high x 14" wide.

£250-450

145

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 949

950 A FRENCH GILT METAL TRAVELLING CLOCK and perpetual calendar, the rectangular case with gilt clock face above perpetual calendar and thermometer, the easel support marked "C.H. Depose 228 France", in leather travelling case, the clock 6¼" x 4½"

949 AN OLIVEWOOD CASED BRACKET CLOCK, BY CHARLES GOODE, LONDON (FL. 1686-1730) the brass dial with strike/silent ring above a silvered chapter ring enclosing a date aperture and visible pendulum bob, with a two train fusee movement striking on two bells, the elaborate backplate signed "Cha. Goode, London", the case surmounted by a gilt carrying handle and domed top, the sides with glazed fretwork panels, 18th century, 18" high x 11" wide. See illustration

£200-400

950A A JAEGER LE COULTRE: A 1960's inline skeleton desk clock in gilt case, 5" high x 5¼" wide. With original box and receipt dated 1963.

Charles Goode was made Free of the Clockmakers Company in 1686 with workshops in the Strand employing a number of apprentices. Similarities between his work and that of George Graham and Daniel Quare have been noted, with some considering him one of the great underrated makers of his age.

£1,500-2,500 146

£100-200

Lot 951

952 A PLATED "PORTICO" MANTEL CLOCK, the architectural frame with triangular pediment, on twin reeded columns supporting a circular gilt dial with engineturned decoration and drum-cased movement striking on a coiled gong, 11½" high x 8" wide

951 AN OLIVEWOOD CASED BRACKET CLOCK SIGNED PELLEGRINO AMOROTTI, with gilt dial, with sona/non-sona dial above a chapter ring with Roman numerals enclosing a pendulum window and alarm dial, with a two train movement striking on two bells, the elaborate case with a raised top and central carrying handle, the arched top door with gilt metal brackets, the sides similarly decorated, on splayed gilt feet, 18th century, 24" high x 19" wide. See illustration

£800-1,500

147

£200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

953 A LOUIS XV STYLE GILT METAL MANTEL CLOCK of rococo form, the scrolling case surmounted by a bouquet of flowers, the circular dial with enamelled Roman numerals, with an eight day two train movement striking on a bell, 15" high x 10" wide

Lot 956

£200-400

954 A GEORGE III OAK LONGCASE CLOCK, the arched dial signed "Jacob Mickelfield, Goldhanger", the dial decorated with buildings in a landscape, with subsidiary seconds dial and date arch, with a two train five pillar movement striking on a bell, 18th century, 80" high

£200-400

955 A CONTINENTAL GILTWOOD MANTEL CLOCK, the circular convex dial with Roman numerals within a barrel-form carved and gilt case flanked by an oil lamp and classical figure, on a conforming base and stand, with all over classical decoration, 18" high x 12¼" wide

Lot 957

£200-400

956 A LACQUERED BRASS "BINOCULAR" MICROSCOPE, the base signed "S.H. Dallmeyer, London 1860", in a fitted case with accessories, the case 21½" x 10". See illustration

£200-400

957 GUILMET: A FRENCH BRONZED SPELTER SWINGING "MYSTERY" TIMEPIECE with an eight day movement numbered 1628, the white enamelled dial in a brass drum case, on a grid iron pendulum with decorative counterweight, the clock held aloft by a lady in flowing robes, on a circular plinth, the figure 24" high. See illustration

Lot 959

£400-800 958 AN OAK LONGCASE CLOCK, the silvered chapter ring signed "Thomas Hellier, Frome", the chapter ring enclosing an engraved centre and date dial, with a thirty hour movement striking on a bell, 18th century, 78" high x 18" wide

£100-200

959 AN ONYX CASED MANTEL CLOCK with central white enamelled dial with Roman numerals, in an architectural carved alabaster case surmounted by a carved serpentine stone lion with front foot resting on a ball, 19th century, 15" high x 13" wide. See illustration 148

£200-400

960 A GEORGE III MAHOGANY CASED BRACKET CLOCK, the silvered arched dial signed "John Lloyd Bittleston, London" with strike/silent dial and date aperture, with a two train fusee movement striking on a bell with an elaborate engraved backplate, the case surmounted by a gilt metal carrying handle, 16" high x 10Â˝" wide. See illustration

ÂŁ500-1,000

149

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

961 A LOUIS XIV STYLE BOULLE AND ORMOLU MOUNTED BRACKET CLOCK, retailed by S. Wartenberg, Paris, the gilt dial with enamel Roman numerals, with a three train fusee movement striking on a coiled gong and eight graduated bells, the elaborate case surmounted by a winged cherub, with all over boule work decoration and gilt metal mounts, 19th century, 31" high x 15" wide. See illustration

ÂŁ1,000-2,000 150

RUGS 970 A LARGE MODERN TURKISH RUG with all over geometric decoration against a brick red ground within a multi-guard border with fringed ends, 136" x 102". See illustration

Lot 970

£300-600

971 A LARGE PERSIAN CARPET worked with a central diamond motif within a scrolling surround against a red ground and multiguard border, 109" x 147". See illustration

Provenance: Private collection, Dorset

£200-400

972 AN HERIZ CARPET, the madder ground central rectangular field worked with ivory, blue and multi-coloured floral palmettes and trailing leafy tendrils, within pale blue and ivory herati style outer borders and guards, 124" x 163". See illustration

£400-800

973 A CAUCASIAN FLAT WEAVE RUG worked with a central row of geometric diamond panels within a stepped border, worked in red, green, orange and cream, 106½" x 60½"

£50-100

Lot 971

974 A RED GROUND PERSIAN RUG the central field worked with a repeated motif within a multiguard border, 72" x 155"

£200-400

975 A NORTHWEST PERSIAN RUG worked with a large central diamond motif with floral decoration against a deep blue ground within a multiguard border with similar finely woven decoration against a pale red ground, 54" x 86" and a similar small prayer rug, 31" x 45" (2)

Lot 972

£180-250

976 A BOKHARA TYPE SMALL CARPET worked with repeated octagonal motifs against a brick red ground, 152" x 93"

£200-400 151

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 981

980 A LARGE TABRIZ CARPET, worked with a central ivory panel, decorated with exotic vases, and scrolling foliage and animals, within a conforming multiguard border, 158" x 122½"

977 A SMALL BOKHARA TYPE PERSIAN RUG with a central rectangular panel with repeated geometric motifs within a multiguard border, all against a red ground, 81" x 51"

£100-200

981 A DONEGAL STYLE ARTS AND CRAFTS CARPET worked with stylised tulip and leaf motifs in pale blues and greens against a deep red ground, 140" x 111". See illustration

978 A PERSIAN RUG worked with a central rectangular panel decorated with stylised buildings and minarets within a multiguard border against a red/brown ground, 86" x 62"

£100-200

979 A PAIR OF NORTHWEST PERSIAN RUGS worked with intricate central medallions against a red ground, with all over stylised foliate and geometric decoration within a multiguard border with fringed ends, each 83" x 53" (2)

£150-300

£300-600 152

Designs of this type are often linked to the work of C.F. Voysey and the firm of Liberty & Co.

See "Arts and Crafts Carpets" by Malcolm Haslam, David Black, London, 1991, pages 121-123

£800-1,500

Furniture

153

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

990 A LARGE EDWARDIAN "CHIPPENDALE REVIVAL" DISPLAY CABINET, the front with two large astragal glazed doors beneath a scrolling pierced and blind fret cornice, 19th/20th century, 81" high x 77" wide.

Lot 991

£200-400

991 A REGENCY ROSEWOOD MARBLE TOP CHIFFONIER, the raised back with scrolling border above a shelf and mirrored back, the marble top above a flush fitting drawer and twin panelled cupboard drawers between column effect sides, on a plinth base, 19th century, 53½" high x 35½" wide. See illustration

£200-400

992 A REGENCY MAHOGANY SIDE TABLE, the rectangular top with rounded corners and reeded border above a single frieze drawer with brass knob handles, on trestle supports with downswept legs and brass cap castors, 18th/19th century, 28½" high x 35½" wide

Lot 993

£150-250

993 A REGENCY ROSEWOOD OPEN FRONTED BOOKCASE, the rectangular top above a shallow frieze above open adjustable shelves, on gilt metal animal paw feet, 36" high x 66" wide. See illustration

£300-600

994 A LOUIS XVI STYLE ROSEWOOD, KINGWOOD AND MARQUETRY TABLE, the square top with four shaped drop flaps with conforming decoration, on slender cabriole legs with gilt metal mounts throughout, 20th century, 30½" high x 40" wide (open). See illustration

Lot 994

£250-450

995 A REGENCY MAHOGANY FOLD TOP CARD TABLE, the rectangular top with rounded corners above a frieze with carved brackets, on a tapering octagonal column and splayed platform base with turned feet, early 19th century, 29" high x 36" wide

£100-200

996 A VICTORIAN WALNUT FRAMED BUTTON BACK ARMCHAIR upholstered in green with scrolling carved arm supports and conforming seat rail and legs, on castors, 19th century, 33½" high 154

£80-150

997 A PAIR OF ELABORATE CARVED GILTWOOD AND PAINTED WALL APPLIQUES of rococo vase-form, surmounted by sprays of leaves and flowers, 18th century, 27" high. See illustration

Lot 997

£100-200

998 A GEORGE III MAHOGANY CIRCULAR TIP-TOP OCCASIONAL TABLE, the one piece top on a vase-turned column with three downswept cabriole legs, 28" high x 23¾" wide

£80-150

999 A CARVED AND PAINTED ROCOCO STYLE CARTOUCHE MIRROR, the waisted plate in an elaborate scrolling and foliate carved surround, above a conforming shelf, 18th/19th century, 42" high x 25" wide

Lot 1002

£200-400

1000 A VICTORIAN ROSEWOOD CENTRE TABLE, the rectangular top with a swept border on twin lyreshaped supports with turned cross-stretcher and turned legs, 19th century, 27½" high x 36" wide

£150-250

1001 A VICTORIAN LOUIS XVI STYLE MARQUETRY JARDINIÈRE, the cartouche form top with removable lid decorated with panels of marquetry flowers and foliage, within a raised gilt border and band of conforming marquetry, on a wavy frieze and slender cabriole legs with gilt metal mounts, 27½" high x 26" wide £350-450 1002 A VICTORIAN WALNUT AND MARQUETRY JARDINIÈRE with a removable rectangular lid with a central panel of floral marquetry within a raised gilt surround, with swept border with gilt metal mounts, on slender cabriole legs, 19th century, 32" high x 26" wide. See illustration

Lot 1003

£250-450

1003 A REGENCY MAHOGANY SECRETAIRE CHIFFONIER, the upper section with a shaped frieze above a central recess flanked by cupboards enclosing short drawers and pigeonholes, the lower section with a fitted secretaire drawer above two cupboard doors and tapering turned columns, 54" high x 38" wide. See illustration

£600-800

155

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1004 AN EDWARDIAN MAHOGANY SHERATON STYLE CABINET, the upper section with a dentil-moulded cornice above a marquetry frieze and twin glazed doors enclosing a shelved interior and three small drawers, the lower section with twin panelled cupboard doors, on bracket feet, 85" high x 37" wide

Lot 1005

1005 A GEORGE III OAK DRESSER, the raised back with a moulded cornice above an openwork frieze and an arrangement of shelves, cupboards and short drawers, the base with a rectangular top above three short drawers, a central "dog kennel" and twin panelled cupboards, 18th century and later, 88" high x 74" wide

£300-500

1006 IN THE MANNER OF GILLOWS: A REGENCY ROSEWOOD WORK TABLE, the rectangular top with carved scrolling border above a removable rectangular panel enclosing a shallow well, on a turned leaf-carved column and three conforming downswept legs with carved feet, early 19th century, 31" high x 18½" wide. See illustration

Lot 1006

£300-500

1007 A GEORGE III MAHOGANY TIPTOP OCCASIONAL TABLE, the rectangular top with canted corners, on a slender turned column and three downswept legs, 28" high x 21" wide

£80-150

1008 A REGENCY MAHOGANY CHIFFONIER, the raised back with two shelves on scrolling brackets, the rectangular top above a single frieze drawer with central carved floral tablet, above twin panelled doors between turned columns, on plinth base, early 19th century, 55" high x 40" wide. See illustration

Lot 1010

£250-450

1009 A GEORGE III MAHOGANY STOOL, the rectangular tapestry upholstered drop-in seat on a straight-sided frieze and square legs, 18" high x 18" wide

£100-200

1010 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a dentil moulded cornice above two short and three long graduated drawers between canted fluted corners, the lower section with three further long graduated drawers, on bracket feet, 70" high x 43" wide. See illustration 156

£400-800

1011 A DUTCH MARQUETRY CYLINDER FRONT BUREAU, the top with a rectangular marble panel, above a swept frieze of scrolling marquetry against a kingwood ground, the fall elaborately decorated with a musical trophy within a foliate border, the interior fitted with short drawers and a central well, over a lined writing surface, above three short and a single long frieze drawer, with all over conforming marquetry and gilt metal mounts, on slender cabriole legs, 19th century, 39½" high x 29" wide. See illustration

Lot 1011

£400-600

1012 A MAHOGANY MILITARY SECRETAIRE CHEST, the central secretaire drawer with fall front enclosing a leather-lined writing surface and short drawers, flanked by two further short drawers and above three long drawers, all with flush fitting brass handles and corner brackets, on short turned legs, 19th century, 42" high x 39" wide. See illustration

£800-1,500

1013 AN EDWARDIAN "ADAM REVIVAL" MAHOGANY, SATINWOOD AND MARQUETRY CABINET, the upper section with a moulded cornice above twin glazed doors, the lower section with two conforming doors with neo-classical style vase marquetry, within satinwood borders, on short square tapering legs, late 19th/early 20th century, 84" high x 45" wide

Lot 1012

£400-800

1014 MANNER OF GILLOWS: A REGENCY STYLE MAHOGANY OCCASIONAL TABLE, the rectangular top with rounded corners and beaded border, on spiral-turned column with four downswept scrolling leaf-carved legs with ball feet, 19th century, 28" high x 26" wide

£250-450

1015 A GEORGE III MAHOGANY BOW FRONT SERVING TABLE, the shaped top above a conforming frieze with central tablet, on ring-turned tapering legs, 33½" high x 60" wide

1017 A SHERATON REVIVAL SATINWOOD LADIES WRITING DESK, the upper section with three-quarter pierced brass grille above pigeonholes and short drawers flanked by two cupboards, the lower section with a flush fitting drawer with fitted pen slide, on square tapering legs with brass castors, 20th century, 37½" high x 27".

£600-800

1016 AN ORIENTAL SCARLET AND GOLD LACQUERED WARDROBE and blanket box ensuite, richly decorated with figures in pavilion settings, with decorative lock plates, the wardrobe with floral pierced apron, 20th century, 46½" wide x 71" high

£200-400

£500-1,000 157

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1020

1018 A SILVERED CARVED WOODEN TORCHERE of turned and fluted column form, 19th century, 40½" high

£100-200

1019 A SET OF EIGHT SHERATON STYLE DINING CHAIRS with all over cream painted and green lined frames, with foliate painted uprights, with striped over-stuffed seats with round headed nail borders, on square tapering legs, 35" high

Lot 1022

£300-500

1020 A GEORGE III OAK DRESSER, the raised back with moulded cornice and original iron hooks above two shelves, the base with a rectangular top with three short drawers with brass handles, on ring turned legs with "fan" corner mounts, above a pot board base and square legs, 72" high x 58" wide.

£500-800

1021 AN OAK PRESS OR HOUSEKEEPERS CUPBOARD, the top with two panelled doors enclosing a shelved interior, the lower section with two short and three long graduated drawers with brass handles, on bracket feet, 18th century and later, 25" high x 35" wide

£150-250

1022 A GEORGE III MAHOGANY CELLARETTE, the oval top enclosing a fitted interior with divisions for 12 bottles, with brass bands and carrying handles, on splayed square legs with brass castors, 26½" high x 20" wide. Lot 1023

£250-450

1023 A QUEEN ANNE BURR VENEERED CHEST OF DRAWERS, the rectangular top with quarter matched veneers within broad crossbanding above two short and three long graduated drawers with brass handles and key escutcheons, with rounded drawer divisions, on a moulded base and bun feet, 17th century and later, 35½" high x 38½" wide

£500-800

1024 A GEORGE III OAK CHEST OF DRAWERS, the rectangular top above three short drawers with brass handles and key escutcheons, on short bracket feet, 28½" high x 29½" wide, 18th century and later. See illustration 158

£200-400

1025 A VICTORIAN FOLDING "COACHING" TABLE, the rectangular top folding along the centre with locking mechanism to the reverse, on shaped uprights, 30" high x 24¼" wide

Lot 1026

£100-200

1026 GILLOWS OF LANCASTER: AN AESTHETIC PERIOD EBONISED AND GILT INCISED CARD TABLE, the rectangular top with moulded border above a gilt incised frieze, on turned tapering and fluted legs, 29½" high x 34" wide. See illustration

£200-400

1027 A "CHIPPENDALE" STYLE MAHOGANY "SUPPER" TABLE, the shaped top with eight roundels with a central foliate motif against a matted ground, on a birdcage base and vase-shaped turned upright and three cabriole legs with carved knees and feet, 29" high x 28½" wide. See illustration

Lot 1029

1028 A PAIR OF REGENCY MAHOGANY OCCASIONAL TABLES, the rectangular tip-tops with rounded corners, on turned tapering columns with three downswept legs, 28" high x 24½" wide.

£150-250

1029 A GEORGE III MAHOGANY BUREAU, the sloping crossbanded fall enclosing a fitted interior, with a central door inlaid with a scene of Britannia, flanked by pigeonholes and short drawers, all above four long graduated drawers with brass handles, on bracket feet, 18th century, 42" high x 43" wide. See illustration

£200-400

Lot 1031

1030 A GEORGE III MAHOGANY LIBRARY BOOKCASE, the upper section with twin astragal glazed doors enclosing a shelved interior above a base with twin oval panelled cupboard doors, on a wavy plinth and splayed bracket feet, 18th century, 92½" high x 53" wide

£400-600

1031 A MAHOGANY KNEEHOLE WRITING DESK, the rectangular top with a moulded border above a baize-lined brushing slide and long fitted drawer above a central cupboard flanked by two pedestals of three short drawers, on bracket feet, 18th century, 32" high x 37½" wide. See illustration

£400-600

159

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1032 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above four long graduated drawers with oval brass handles, on bracket feet, 38" high x 39" wide

Lot 1036

£150-250

1033 A TERRACOTTA VESSEL of archaic form with ribbed decoration and pointed base, on a scrolling metal stand, 35" high

£100-200

1034 A GEORGE III MAHOGANY LINEN PRESS, the upper section with a moulded cornice above twin panelled doors, the lower section with two short and two long drawers with brass knob handles, on a wavy frieze and bracket feet, 87" high x 56" wide Lot 1037

£300-500 1035 A GEORGE III MAHOGANY SIDE TABLE, the rectangular top above a single long frieze and two short drawers with brass handles, on square tapering legs, 32" high x 37" wide

£100-200

1036 A GEORGE III MAHOGANY ARMCHAIR, the rectangular back with serpentine top rail above padded arms on scrolling carved supports, with overstuffed seat, on short cabriole front legs with ball and claw feet, 40½" high. See illustration

£300-500

1037 A REGENCY MAHOGANY FRAMED ARMCHAIR with a swept upholstered back with foliate carved scrolling arm supports and moulded seat rail, on short turned legs and brass castors, 31" high See illustration

Lot 1038

£100-200

1038 A LATE GEORGE III ROSEWOOD AND SATINWOOD STRUNG SOFA TABLE, the rectangular top with drop flap ends with rounded corners, above four short drawers with brass knob handles, on trestle end supports with downswept legs and brass cap castors, late 18th/early 19th century, 29" high x 32½" x 61". See illustration 160

£300-500

1039 A FRENCH WALNUT CARD TABLE, the serpentine bordered top enclosing a baize-lined playing surface above a serpentine edged frieze on slender cabriole legs, 19th century, 29" high x 33½" wide

Lot 1043

£150-250

1040 A CHINESE HARDWOOD OCCASIONAL TABLE, the rectangular top with central fretwork panel with carved peach details, above a similar frieze, on moulded legs, with glass top, 18" high x 40" wide

£100-200

1041 A GEORGE III MAHOGANY DROP FLAP DINING TABLE, The rectangular top with square tapering legs, and twin D shaped ends. 30” high the top 105” x 50” (fully extended)

£300-500

Lot 1044

1042 A MAHOGANY PEMBROKE TABLE, the oval top with twin drop flap sides above a single frieze drawer, on square tapering legs with brass castors, 19th century, 28" high x 34" wide

£100-200

1043 A GEORGE III MAHOGANY PEMBROKE TABLE, the oval top with crossbanded border and twin drop flap sides above a single bow fronted drawer and conforming dummy drawer, on square tapering legs with brass castors, 28" high x 36" wide See illustration

£200-400

1044 A GEORGE III STYLE MAHOGANY ARMCHAIR with tapestry effect upholstery the rectangular back with arched top, with upholstered arms, on reeded scroll carved arm supports, on similar tapering legs, 19th century, 38" high. See illustration

Lot 1045

£500-800

1045 AN OAK CROSSBANDED CHEST ON STAND, the upper section with a moulded cornice above two short and three long graduated drawers with brass key escutcheons and handles, the base with a central small drawer flanked by two short deep drawers, on slender cabriole legs, 18th century and later, 61½" high x 42" wide. See illustration

£300-500

161

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1046 A FRENCH MARBLE TOP CENTRE TABLE, the circular marble top with pierced brass gallery above a frieze with two short drawers and slides, on tapering fluted legs with brass caps, 19th century, 28½" high x 26" wide

Lot 1049

£100-200

1047 SPARE LOT 1048 A VICTORIAN BUTTON UPHOLSTERED ARMCHAIR, the shaped back and scrolling arms above an upholstered seat, on serpentine seat rail, on short turned legs with brass cap castors , 32½" high, and another similar chair (2) Lot 1050

£300-600

1049 A PAIR OF ART DECO LEATHER AND MOQUETTE UPHOLSTERED "CLUB" ARMCHAIRS with fabric upholstered cushions within a brown leather surround, on ebonised bracket feet, 33" high x 39" wide. See illustration

£200-400

1050 A GEORGE III MAHOGANY COMMODE, the rectangular top with raised and pierced border above a single cupboard door and a commode drawer modelled as two short drawers, on bracket feet, 18th century, 29½" high x 21" wide. See illustration £200-400 Lot 1052

1051 A GEORGE III MAHOGANY TEA TABLE, the shaped top above a conforming frieze on square tapering legs, late 18th/early 19th century, 29" high x 36" wide

£100-200

1052 A MAHOGANY CELLARETTE, the square top with raised central panel with fan motifs to each corner, the lid rising to reveal nine bottle divisions, the front with an oval satinwood panel, with twin carrying handles, on short square legs, 18th century, 24" high x 16" wide. See illustration 162

£200-400

1053 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with a central cupboard flanked by short drawers and pigeonholes, all above three long graduated drawers, with brass handles, on tall bracket feet, 18th century, 44" high x 43" wide

Lot 1054

£100-200

1054 A PAIR OF ANGLO-DUTCH WALNUT AND MARQUETRY CANDLESTANDS, each with octagonal tops inlaid with vases of flowers, on tapering turned and hexagonal columns, on downswept scrolling legs, late 17th century, 35" high. See illustration

£800-1,500

1055 A LATE GEORGE III MAHOGANY SOFA TABLE, the rectangular top with twin drop flap ends with rounded corners above two frieze drawers and conforming dummy drawers with brass knob handles, on trestle end supports with turned stretcher, and downswept legs with brass cap castors, 28½" high x 29" wide

Lot 1058

£100-200

1056 A PAIR OF OAK SINGLE BED FRAMES, the rectangular headboards of panelled construction, in the 17th century style, 36" wide

£100-200

1057 AN OAK COFFER, the rectangular top with moulded border above a three panelled front with moulded rails, 17th century, 26½" high x 51½" wide

£200-400 Lot 1059

1058 AN OAK "CHILDS" BUREAU, the sloping fall with moulded border enclosing a fitted interior with a central arch top cupboard flanked by short drawers and pigeonholes, above two short and two long drawers with brass drop handles and key escutcheons, on tall bracket feet, late 17th/early 18th century and later, 35½" high x 24" wide. See illustration

£300-500

1059 A PRIMITIVE THREE LEGGED TABLE OR CHOPPING BLOCK, the top formed from a section of tree trunk on three splayed tapering legs, 18th/19th century, 27" high x 17½" wide. See illustration £100-200

163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1060 A SET OF SIX SMALL DINING CHAIRS or "back stools" with rectangular backs, with vacant centres above solid seats with moulded borders, on turned front legs and "H"-section stretchers, 17th/early 18th century, 33½" high (6). See illustration

Lot 1060

£300-500

1061 A CHILD'S ROCKING CHAIR of turned construction, the spindle turned back with conforming "wings", the rush seat on turned legs and stretchers, 30½" high. See illustration

£50-100

1062 A SMALL OAK GATELEG OCCASIONAL TABLE, the oval top with twin drop flap sides above a single short drawer, on turned legs and rectangular section stretchers, 17th century and later, 27½" high x 34" wide (open). See illustration

Lot 1061

£150-250

1063 A PRIMITIVE OAK SETTLE with rising two plank top between rising shaped ends, one with integral cupboard, all above a four panel front, 17th century and later, 29" high x 69" wide

£300-500

1064 AN OAK GATELEG DINING TABLE, the oval top with twin drop flap sides above a single short drawer, on turned legs with rectangular section stretchers, 29" high x 50" x 45½" (open)

Lot 1062

£150-250

1065 AN OAK JOINT STOOL, the rectangular top on splayed ring-turned legs with carved frieze, 22" high x 18½" wide

£100-200

1066 A VICTORIAN ROSEWOOD EFFECT SALON CHAIR, the back and seat upholstered in period floral needlework, the grained and carved frame with all over moulded and foliate decoration, on short cabriole legs with ceramic castors, 41" high £80-150 164

Lot 1071 Lot 1071

1067 A LARGE OAK PRESS CUPBOARD with two four-panel doors within a carved and stopfluted surround, above two short deep drawers, 17th century and later, 76" high x 63" wide

£300-600

1068 A REGENCY MAHOGANY PEMBROKE TABLE, the rectangular top with twin drop flap sides with rounded corners, above a single flush-fitting frieze drawer, on a central turned pedestal and platform base with four downswept legs with brass cap castors, late 18th/early 19th century, 26½" high x 41¾" wide

Elliptoid, created by James Verner in 2009 was originally commissioned for an important Arts and Crafts Manor House; home for a large collection of work by James Verner Furniture.

The pieces completely break the mould of traditional upholstered furniture.

The upholstery is arranged on a complex framework of Birch Plywood cut by a CNC router.

After assembly of the framework the furniture was upholstered using hides of the finest quality leather by a specialist upholsterer having to carefully plan the positions of the seams in order to keep the leather tight around compound concave curves. The footstools, upholstered without stitching, had to have the leather moulded over a former whist wet and then shrunk on to the stools to remain taught.

£2,000-£4,000

£100-200

1069 A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS with broad backs above pierced splats in between reeded and leaf-carved uprights, above padded seats on turned legs. Comprising six standard and two armchairs, 34¼" high (8) £300-500 1070 A GEORGE III MAHOGANY "CHIPPENDALE" STYLE DINING CHAIR, the pierced splat beneath a serpentine top rail, on moulded uprights, with a drop-in seat on moulded legs with "H"-section stretchers, 38½" high, and another similar chair (2)

1071 JAMES VERNER “ELLIPTOID” A contemporary six piece suite comprising; two large asymmetric sofas, 124” x 50” x 33” (max), an arm chair, 61” wide, and three egg shaped footstools (6). See illustration

£80-150

1071A AN OAK JOINT STOOL, the weathered rectangular top with moulded border, on tall chamfered legs, 17th century and later, 22" high x 19" wide. See illustration

£100-200

1072 AN OAK FARMHOUSE KITCHEN TABLE, the rectangular top above a single frieze drawer with twin knob handles, on turned legs with rectangular section stretcher, 18th/19th century, 29" high x 35" x 71" wide. See illustration

£300-500

1073 A REGENCY STYLE CARVED MAHOGANY PANEL relief carved overall with scrolling foliage, vine leaves and grapes, 19th century, 19½" high x 91" wide 165

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1078 AN EDWARDIAN THREE-FOLD DRAUGHT SCREEN with pierced scrolling cresting rails above needlework panels within moulded surrounds, each section 64½" x 23"

Lot 1074

£50-100

1079 A GEORGE III INLAID MAHOGANY DEMI-LUNE TEA TABLE, the folding top with boxwood and ebony chequered stringing above, A similarly decorated frieze on square tapering moulded legs, 37" wide £100-200 1080 AN OAK AND ELM TOP JOINT STOOL, the rectangular top with a moulded border on a shaped frieze and tall turned legs with moulded stretchers, 17th century and later, 26" high x 20" wide.

1074 A BLACK FOREST STYLE CHILD'S SEAT in the form of a bear with arms outstretched, naturalistically carved overall and patinated, with glass eyes, 38" high x 21" wide. See illustration

1081 A CONTINENTAL GREY PAINTED AND MARBLE EFFECT COMMODE, the rectangular top with moulded border above three long drawers with brass handles and key escutcheons, on moulded legs, 32" high x 46" wide

£500-1,000

1075 AN OAK "CRICKET" TABLE with a circular three plank top on a triangular base, with a single frieze drawer, on square legs with chamfered corners, 27½" high x 28¾" wide.

£200-400

£250-450

1083 AN OAK JOINT STOOL, the rectangular top with a moulded border above a shallow moulded frieze, on turned legs with rectangular section stretchers, 17th century and later, 19.25" high x 18" wide, and two similar stools (3)

1077 AN AESTHETIC PERIOD TURNED OAK AND SUEDE UPHOLSTERED SETTEE, the broad seat with raised back and arms on turned supports with bobbin-turned seat rail and conforming legs, 19th century, 35" high x 69" wide

£300-500

1082 A VICTORIAN STYLE TERRACOTTA GARDEN FOUNTAIN with three putti at the base of a leaf-cast spout, the figures seated on a dolphin and naturalistic base, on a circular plinth with Adam style moulded decoration, 20th century, 65" high x 38" wide. See illustration

£300-500

1076 A CHARLES II OAK SIDE TABLE, the rectangular top with moulded border above a single frieze drawer with two panelled front, on bobbin turned legs with "X"-form stretcher, 17th/18th century and later, 31" high x 29" wide

£200-400

£100-200

166

£200-400

1084 A NARROW OAK DROP FLAP GATELEG TABLE, the oval top with twin drop flap sides, on a frieze with four heavy turned baluster legs and gate action supports and platform feet, late 17th century and later, 28" high x 36" x 30.5"

Lot 1082

£200-400

1085 A GEORGE III OAK DRESSER BASE, the rectangular top above two frieze drawers on turned front legs with pot board base and square feet, 18th century, 34" high x 51" wide

£300-500

1086 AN ANGLO-DUTCH OAK AND EBONISED CUPBOARD, the rectangular top with moulded border above an ebonised frieze with single long drawer and shaped brackets, above twin panelled cupboard doors with ebonised panels and conforming applied half-round mouldings, the doors enclosing a fitted interior with two internal drawers, on bun feet, 17th century and later, 38" high x 46" wide. See illustration

Lot 1086

£400-600

1087 AMBROSE HEAL FOR HEAL & SON: AN OAK CIRCULAR DINING TABLE, the broad top with moulded border on four splayed square section legs with "X"-shaped stretcher, 30" high x 49" dia. See illustration

This appears to be a variant of the popular "Number 9" dining table which was in production between 1908 and 1939. The standard version of the design which formed part of Heal's ground-breaking "simple cottage furniture" range appears to be identical with the exception of the attractive extended border on this example. See Heal, O. "Sir Ambrose Heal and The Heal Cabinet Factory", pg. 58 and pg.184.

Provenance: Private collection. Purchased from Heals circa 1920 by the vendor's parents.

£1,000-2,000

Lot 1087

167

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

AN IMPORTANT PRIVATE COLLECTION OF MOUSEMAN FURNITURE 1088 ROBERT THOMPSON: A PAIR OF OAK PANELLED BACK ARMCHAIRS with nine panel adzed backs and shaped arms above panelled sides and rectangular rails, with a carved mouse to the front upright, 37" high x 23½" wide, with tapestry effect fabric cushions. See illustration

Lot 1088

Provenance: Private collection, Hampshire.

£1,800-2,500

1089 ROBERT THOMPSON: A FREESTANDING OAK CORNER CABINET with twin panelled doors, each with ten panels with adzed surface, the cabinet with exposed hammered hinges and latch, the sides similarly panelled, on short octagonal legs with carved mouse to front leg, 59½" high x 43" wide. See illustration

Lot 1089

According to family tradition this cupboard was the property of the vendor's mother-in-law - a wedding present which was purchased from the original Robert Thompson in 1936. The vendor's mother-in-law lived in Oswald Kirk at the time and her husband was a teacher at Ampleforth College where he fell in love with the Thompson work in the Abbey Church. He later joined the Royal Navy as an Instructor Lieutenant and was lost in the sinking of HMS Neptune in December 1941.

Provenance: Private collection, Hampshire.

£1,000-2,000

1090 ROBERT THOMPSON: AN OAK ADZED TOP COFFEE TABLE, the rectangular top with rounded corners on shaped octagonal columns and platform stretchers, the carved mouse to the upright, 17½" high x 48" x 17½". See illustration

Lot 1090

Provenance: Private collection, Hampshire.

£400-800

1091 ROBERT THOMPSON: AN OAK ADZED TOP COFFEE TABLE, the thin rectangular gently dished top on four octagonal legs with rectangular section stretchers, with carved mouse to one upright, 16" high, the top 32½" x 14½". See illustration

168

Provenance: Private collection, Hampshire.

£300-600

Lot 1091

Lot 1092

1092 ROBERT THOMPSON: AN OAK COFFEE TABLE, the rectangular adzed top twin octagonal uprights and platform stretcher, with carved mouse to an upright, 17¾" high, the top 36" x 14¾". See illustration

Provenance: Private collection, Hampshire.

£250-450

Lot 1093

1093 ROBERT THOMPSON: AN OAK OCTAGONAL ADZED TOP OCCASIONAL TABLE on quadriform base and platform feet, with carved mouse to an upright, 18¾" high x 22" wide. See illustration

Provenance: Private collection, Hampshire.

£300-600 Lot 1095

1094 ROBERT THOMPSON: AN OAK ASHTRAY with prominent mouse, 4" x 3".

Provenance: Private collection, Hampshire.

£40-80

1095 ROBERT THOMPSON: AN OAK TABLE LAMP with tapering octagonal column on a square base with prominent mouse halfway up the column, with green shade, the oak lamp base 10¼" high x 3¾" wide. See illustration

Provenance: Private collection, Hampshire.

£200-400 169

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1097

Lot 1096

Lot 1098

1096 ROBERT THOMPSON: AN OAK OCTAGONAL COFFEE TABLE, the shaped adzed top with concave sides on four octagonal column legs and platform stretcher, with carved mouse to one upright, 18½" high, the top 35½" wide. See illustration

Provenance: Private collection, Hampshire.

£400-600

1097 ROBERT THOMPSON: A PAIR OF OAK LATTICE BACK ARMCHAIRS, the rectangular backs with central lattice carved panels with swept arms, on octagonal column uprights, the leather seats with round headed nail detailing, with carved mouse to the front legs, 35½" high (2). See illustration

Lot 1099

These chairs were ordered in April 1989 where a delivery time of sixteen to eighteen months was advised.

Provenance: Private collection, Hampshire.

£800-1,500

1098 ROBERT THOMPSON: AN OAK OPEN FRONTED BOOKCASE with a gently adzed top above open adjustable shelves, with recessed mouse to left upright, 36" high x 60" wide. See illustration

This "special order" bookcase was ordered in February 1989.

Provenance: Private collection, Hampshire.

£800-1,500

1099 ROBERT THOMPSON: AN OAK LATTICE BACK ARMCHAIR or desk chair, with a "horseshoe"-shaped back rail over three lattice carved panels, above a leather upholstered seat with round-head nail detailing, on octagonal legs with "X"-form stretcher, the mouse carved to the front leg, 32" high. See illustration 170

Provenance: Private collection, Hampshire. £800-1,500

1100 ROBERT THOMPSON: AN OAK TWIN PEDESTAL WRITING DESK, the broad rectangular top with a gently adzed surface, on twin pedestals of three short drawers with turned knob handles, the desk with panelled front and sides, with additional pen-tray to the upper right drawer, with recessed mouse to the kneehole, 29" high, the top 30¾" x 55". See illustration

This "special order" desk was ordered from Robert Thompson in February 1989, a time when delivery of eighteen months was expected.

Provenance: Private collection, Hampshire.

£2,000-4,000

171

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 172 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 175

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

176

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Wednesday, 12th and Thursday, 13th April. Affordable Art, Paintings, Books and Furniture.

Affordable Art: An Evening Sale Wednesday, 12th April

Paintings, Books and Furniture Thursday, 13th April

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT