Dukes December 2016 by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 8th and Friday, 9th December. Silver, Jewellery and Furniture.

Silver, Jewellery and Furniture 2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 8th and Friday, 9th December

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of3sale for charges.

Duke’s

CERAMICS 16th February 2017

AUCTIONEERS SINCE 1823

A Wedgwood Creamware tureen, cover and stand. One of a number of pieces from an important Armorial service

We are currently inviting entries to the above auction. For further information or should you wish to consign please contact Duke’s on 01305 265080 or email enquiries@dukes-auctions.com 4

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 3rd December, 9.30am – 12noon Monday, 5th December, 9.30am – 5pm Tuesday, 6th December, 9.30am – 5pm Wednesday, 7h December, 9.30am – 5pm and on the morning of the auction days

Catalogues £20.00 (by post)

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COINS, MEDALS AND MILITARIA 9th March 2017

George VI, Official Coronation Medal, 1937, struck in gold, by Percy Metcalfe for the Royal Mint. 274 struck. 57mm. Estimate: £2,500-£3,500 To include two important private collections of Commemorative Medals spanning over 400 years.

We are currently inviting entries to the above auction. For further information or should you wish to consign please contact Timothy Medhurst on 01305 265080 or email Timothy.Medhurst@dukes-auctions.com

Duke’s AUCTIONEERS SINCE 1823

Thursday, 8th December, 10.30AM Lots 1 – 258 Lots 300 – 304 Lots 307 – 323 Lots 325 – 363 Lots 387 - 738

Silver Carriage Clocks Pocket Watches Ladies and Gents Watches Jewellery

Friday, 9th December, 10.30AM Lots 900 – 961 Lots 1000 – 1030 Lots 1200 – 1260 Lots 1300 – 1397 Lots 1410 – 1477

Objets d’Art The Victor Needham Collection Furniture and Furnishings from St. Stephen’s House, Yorkshire Clocks to include a Private Collection from East Dorset Furniture

View images of all lots and bid live online

THURSDAY, 8 t h December, 10.30A M

Silver

Detail of lot 43 9

SILVER PLATE AND RELATED ITEMS

Lot 1

1 A PAIR OF VICTORIAN ELECTROPLATED WINE COOLERS of barrel form, with lug handles and detachable interiors, crested, 9" high. See illustration

5 A PAIR OF OLD SHEFFIELD PLATE BUTTER SHELLS engraved with a bird crest, 5" wide, a pair of pedestal salts with blue glass liners, a toast rack, a mustard pot, a white metal box and cover and other items (a lot)

£150-250

£80-160

2 A GEORGE III OLD SHEFFIELD PLATE TEA URN of ovoid form, with replacement wicker-bound handle, crested, with ivory spigot, on a detachable square base with beaded borders and compressed ball feet, the base later drilled for electricity, 21" high

6 A 19TH CENTURY PLATED DISH RING of conventional form, decorated with animals and birds, 7½" dia., a pair of plate on copper candlesticks and a cheese toasting dish (4) £50-100

£100-200 7 AN OLD SHEFFIELD PLATE MONTEITH with shaped border and rams mask ring handles above a leaf cast oval base, 7½" high x 11½" wide

3 A 19TH CENTURY MEAT DISH COVER of oval form with a detachable handle, engraved with a crest to each side, 10" high x 17" long, two Old Sheffield Plate dinner plates including one by Matthew Bolton, and a set of three cauldron salts with blue glass liners (6)

£80-160

£250-350

8-9 Spare lots

4 A SET OF THREE GRADUATED MEAT DISH COVERS of oval form, with detachable carrying handles, each crested and bearing a retailers mark of "S. Smith & Sons, King St., Covent Garden", and a quantity of entree and breakfast dishes, coasters, serving pieces, a salver and a cased set of dessert eaters with mother of pearl handles (a lot) £100-200 10

SILVER AND RELATED ITEMS 10 AN ART NOUVEAU THREE HANDLED CUP of circular tapering form with sinuous "D"-shaped handles, on a flared circular foot, by William Aitken, Birmingham 1906, 7" high (c.16.4oz)

Lot 12

£100-200 11 AN EDWARDIAN TEA CADDY of oval form with part-fluted decoration, by William Hutton & Sons Ltd, London 1903, 4¾" high (c.6.5oz) £80-160 12 A HARLEQUIN SET OF FOUR NEOCLASSICAL STYLE CANDLESTICKS, the waisted square columns applied with rams heads, festoons and masks, on square bases, monogrammed, one engraved with the presentation inscription "From the Tenants and Work People on the Maer Estate November 9th 1915", filled. Comprising two silver candlesticks, by Thomas Bradbury & Sons, Sheffield 1907, and two electroplated candlesticks, by the same maker, 9¼" high (4). See illustration

Lot 14

£200-400 13 A PEDESTAL BOWL of lobed form, chased with a floral frieze, on a spreading circular foot, by Roberts & Belk, Sheffield 1911, 7½" dia. x 4½" high (c.11.2oz) £100-200 14 A VICTORIAN FRUIT BASKET of shaped circular form, with a scroll and pierced border of leaves and grapes, chased floral decoration, on a spreading circular foot, the centre engraved with an inscription "This fruit basket forms a portion of a service of plate. Presented to George Brown, Esq. of Avebury. By upwards of 320 of the principal gentry, landowners, tenant farmers and other friends, resident in and connected with the County of Wilts, April 1853". By Edward and John Barnard, London 1852, 13" dia. x 3¾" high (c.28.5oz). See illustration

Lot 15

£200-400 15 A SET OF FOUR EDWARDIAN GRADUATED PEDESTAL DISHES of circular form, with pierced borders, scroll handles and circular bases, monogrammed and dated, by Jackson & Fullerton, London 1906, the largest 7" high, 10½" wide (c.31oz). See illustration £200-400

Lot 20

Lot 22

16 A PAIR OF VICTORIAN BON BON DISHES of oval form with pierced decoration on rope-work feet, by Charles Stuart Harris, London 1890, 6" long x 2" high (c.7.1oz)

19 AN EDWARDIAN BRITANNIA STANDARD CHOCOLATE POT of circular tapering form with a hinged domed cover, disc finial, wooden handle and capped spout, on a spreading circular foot, by Daniel and John Wellby, London 1902, 9½" high (c.24.3oz)

£80-160

£200-300

17 A SET OF SIX SUNDAE DISHES of circular tapering form, on circular feet, by James Dixon & Sons, Sheffield 1949, 4" high (c.26.7oz).

20 AN INK STAND of rectangular form with reeded borders, the hinged cover divided into one large and three small compartments, with two detachable inkwells and hinged handles, the whole on compressed ball feet, by Crichton Brothers, London 1930, with additional retailers marks, 9" wide x 2½" high (c.48.4oz). See illustration

£200-400 18 AN EDWARDIAN THREE PIECE TEA SET of shaped circular form with a wavy border, the teapot with a wooden handle and finial, on down-curving legs, by MEB/FEB, Chester 1909/1910, the teapot 5¾" high (c.17.7oz)

£400-600 21 A MILK JUG of baluster form with ribbed spout and scroll handle, on a circular foot, by Charles Stuart Harris, London 1912, 6¼" high (c.14.6oz)

£150-250

£100-200

Lot 25

Lot 27

22 ASPREY & CO: A SILVER MOUNTED STATUE modelled in the form of an opening hand, with a mottled finish, on a green marble base, engraved "Asprey London", 1976, 21cm high (c.8.5oz). See illustration

25 ASPREY & CO: A SET OF THREE GRADUATED ARMADA DISHES of conventional form with reeded borders, London 1934, with additional Jubilee mark, the reverse of each also bearing an Asprey retailers mark, the largest 11½" dia., the two smaller 6" dia. (c.51oz). See illustration

£300-600

£400-600

23 A SALVER of shaped square form with a reeded border and re-entrant corners, on four hoof feet, by Thomas Bradbury & Sons, Sheffield 1935, 8" wide (c.13.3oz)

26 A CIGARETTE BOX of rectangular form with engine-turned decoration and wood-lined interior, by Turner & Simpson, Birmingham 1960, and another cigarette box engraved with facsimile signatures, the first 6½" long (2)

£100-200

£80-160

24 LIBERTY & CO: A QUAICHE of conventional form, with Celtic style decoration and a spot hammered finish, initialled, Birmingham 1935, 7½" wide (handle to handle) (c.9.8oz)

27 TWO WHITE METAL TABLE ORNAMENTS modelled in the form of birds, the underside of each marked "AV" in an oval punch, possibly Islamic, the tallest 8¾" high x 10" long (2). See illustration

£100-200

£200-400

Lot 29

Lot 31

32 A PAIR OF GEORGE III SALTS of oval form with blue glass liners, possibly by William Foster, London 1795, 2½" high (c.5oz), and an Edwardian silver mounted inkwell (3)

28 AN EDWARDIAN MATCHED THREE PIECE TEA SET of tapering circular form with scroll handles, embossed with flowers, fluting and swags, on circular feet, the teapot by JD/WD, Chester 1902, the cream jug and sugar bowl Birmingham 1908, the teapot 6½" high (c.21oz)

£100-200

£150-250

33 A SUGAR CASTOR of baluster form with pierced pull-off cover, on a circular foot, by James Deakin & Sons, Sheffield 1911, 8" high (c.6.2oz), together with a jug with embossed decoration and an Irish mustard pot of drum form, with a beaded pattern condiment ladle, mixed makers and dates (3)

29 A GEORGE III CAKE BASKET of shaped oval form with swing handle, the body with a ropework border, pierced with scrolls and geometric motifs, the whole on a pierced oval foot, engraved with a bird crest, makers mark partially lost in piercing, London 1760, 10¾" high x 13" long (c.29.5oz). See illustration

£150-250 34 A VICTORIAN MUG of baluster form with leaf capped scroll handle, floral embossed decoration and vacant cartouche, with gilt interior, on a circular foot, by Henry Holland, London 1859, 5½" high (c.9oz)

£300-600 30 A GEORGE III CREAM JUG of helmet form with angular handle and bright-cut leaf engraved frieze, monogrammed, on a square base, by TM, London 1798, 6" high, and an Edwardian cream jug with embossed decoration (c.10.7oz weighable silver) (2)

£100-200 35 A GEORGE I MUG of circular tapering form with scroll handle, the body later embossed with flowers and scrolls, crested, on a circular foot, the base engraved with a presentation inscription, makers mark rubbed, London 1720, 4¾" high (c.10.7oz)

£80-160 31 A TWO HANDLED TRAY of shaped rectangular form with raised borders and "D"-shaped handles, by Adie Brothers Ltd, Birmingham 1947, 19" long (from handle to handle), (c.47.5oz). See illustration

£100-200

£400-600

Lot 36

36 AN EDWARDIAN PRESENTATION TRAY of oval form, with raised scroll and shell border and plain handles, the centre chased with flowers and scrolls, engraved with a presentation inscription "Presented by the Planters Association of Ceylon to Mrs E.H.L. Thomas (Miss Geraldine Blake) in appreciation of the artistic skills displayed and generously given in the designing and execution of the Ceylon Contingent Memorial, Kandy", by James Dixon & Sons, Sheffield 1909, 26" long (handle to handle), (c.91oz). See illustration

The tray marks an important moment in the history of the Boer War and of the contribution made by a patriotic group of soldiers from Ceylon. The fine memorial created to mark this history is also one of the finest bronze war memorials to have been created by a female artist at the turn of the nineteenth century.

Unveiled in 1907, the 'Ceylon contingent memorial' is a large and impressive work by Geraldine Blake, a successful sculptor who was one of very few female artists to obtain a commission to create a work on this scale. Depicting a trooper of the Ceylon Mounted Infantry giving the signal 'enemy in sight', the sculpture is full of life and movement, with the soldier in full uniform holding a rifle above his head. Geraldine Blake, who became Geraldine Thomas at her marriage, was the sister-in-law of Lt Arthur H Thomas, one of the soldiers who died in action and is consequently commemorated on the memorial. Commissioned by A.H. Thomas' father to remember his son and fallen comrades, the choice of Geraldine Blake will have been a fitting family collaboration.

The 'Ceylon contingent' were a locally raised unit of Ceylon volunteers drawn largely from the local white planter community. A 129 strong contingent travelled to fight in South Africa as a sign of their patriotic ardour and loyalty to the Queen and Empire. Described in the pages of the Daily Telegraph as 'lithe, clean-cut fellows and their 'mounts' are the hardy and wonderful Burma ponies'.

Originally sited along the Lakeside Esplanade in Kandy the memorial became something of a focal point for nationalist sentiment in post-independence Sri Lanka in the 1960s. To protect the memorial it was removed from its plinth and relocated within the confines of the Sri Lankan Army barracks at Kandy where it remains.

ÂŁ800-1,200 15

Lot 39

39 A GEORGE III TROPHY CUP AND COVER of circular tapering form, the pull-off cover with beaded border, bud finial, the body with beaded scroll handles, embossed swag decoration, on a circular beaded foot, with gilt interior, possibly by William Hunter, London 1797, 13¾" high (c.35.4oz). See illustration

37 A PRESENTATION TROPHY CUP of circular tapering form with scroll handles, the whole on an ebonised plinth, with presentation inscription, by Walker & Hall, Sheffield 1914, 11" (on plinth) £150-250 38 AN EDWARDIAN PRESENTATION CUP of circular form with beaded borders, on an ebonised plinth, bearing the presentation inscription "The Osmoston Cup presented to Ashbourne Cycling and Athletic Club by Sir Peter C.W. Walker, Bt. 1904", the cup by D & M Davis, Birmingham 1903, 15½" high (on plinth) (c.19.9oz)

£800-1,200 40 A GEORGE III TEAPOT STAND of oval form with reeded borders and engraved decoration, on bracket feet, by John Emes, London 1802, 6¾" long, (c.5oz)

£150-250

£80-160 16

Lot 43

43 AN EDWARDIAN EPERGNE, the waisted central stem issuing five detachable dishes with shell and scroll borders, on wire-work scroll supports, the whole on shell-capped down-curving legs and shell feet, by James Dixon & Sons, Sheffield 1904, 13¾" high, the top 10¾" dia. (c.93.7oz). See illustration

41 A SET OF TWELVE ISLAMIC WHITE METAL FINGER BOWLS of circular tapering form, embossed with Islamic script and scrolls, unmarked, 5" dia. £200-400 42 A CHINESE NOVELTY CRUET SET modelled in the form of a man pulling a cart, housing three detachable unmarked condiments, the underside bearing a makers mark of SW with a character mark, 7½" long x 4¾" high (c.5.3oz excluding unmarked condiments)

£800-1,200 44 A MATCHED THREE PIECE TEA SET of bellied oval form with scroll and shell borders and angular handles, the teapot by Carrington & Co., London 1919, the cream jug and sugar bowl by GH, Sheffield 1919, the teapot 6¼" high, (c.40oz)

£100-200

£400-600 17

Lot 48

48 A SET OF THREE ENTREE DISHES AND COVERS of cushion form, the pull-off covers with detachable reeded handles and gadrooned borders, each engraved with a double crest, by The Goldsmiths & Silversmiths Co. Ltd, London 1912, 11" long x 4¾" high (c.149.3oz). See illustration

45 A GEORGE III SUGAR BOWL of bellied circular form with leaf capped scroll handles, on a spreading circular foot, the body embossed with foliate scrolls, initialled, by WI/J, London 1814, 4¼" dia. x 5½" high (c.15.7oz) £100-200

£,1000-2,000

46 A SALVER of shaped circular form with a raised border, on four scrolling feet, by James Dixon & Sons, Sheffield 1926, 8" dia. (c.13oz)

49 A GEORGE III PROVINCIAL MUSTARD POT of oval form with reeded angular handle, gadrooned border, hinged cover and shell thumbpiece, later embossed with foliate scrolls, crested, Newcastle, makers mark and date letter rubbed, possibly 1795, 3¾" high (c.3.7oz)

£80-160 47 A GEORGE III CREAM JUG of helmet form with reeded angular handle and square base, monogrammed, makers mark rubbed, London 1788, 7" high, and a Victorian drum mustard pot and associated spoon, (c.8.1oz weighable silver) (2)

£80-160 50 A GEORGE III IRISH EPERGNE BASKET of circular tapering form, with a pierced swing handle and flat pierced body lined with swags, on a tucked-in circular foot, makers mark rubbed, Harp and Hibernia marks only, no date letter, circa 1780, 5¼" high (with handle extended) x 12¼" dia. (c.4.4oz)

£80-160

£100-200 18

Lot 52

Lot 54

54 A GEORGE II COFFEE POT of baluster form with wooden scroll handle, pineapple finial and domed hinged cover, with cast spout, crested, the body chased and embossed in the rococo manner with classical scenes of ruins, balustrades and fountains, on a spreading circular foot, by Thomas Whipham and Charles Wright, London 1759, 10¼" high (c.28oz) See illustration

51 A GEORGE II PEPPER POT of baluster form with high pierced pull-off cover, crested, possibly by Samuel Wood, London 1744, 6¾" high (c.11oz), another pepper pot and a smaller example (3) £150-300 52 A GEORGE II TWO HANDLED CUP of circular tapering form with "S"-shaped handles, part fluted decoration and vacant circular cartouche, on a tucked-in circular foot, makers mark "M" in a circular punch with star above and below, London circa 1730, 6¾" high (c.20oz). See illustration

£400-700 55 A GEORGE III TEAPOT of compressed circular form, the handle part modelled as a coiled snake, wooden disc finial and scroll embellished spout, with bright-cut engraved frieze and two vacant cartouches, makers mark rubbed, London 1805, 4¾" high x 10½" long (c.20.7oz)

For a similar makers mark see page 183 of Jacksons "Silver and Gold Marks of England, Scotland and Ireland", edited by Ian Pickford.

£300-500

£200-400

53 A GEORGE III PORRINGER of circular waisted form with reeded "S"-shaped handles and part fluted decoration, with vacant oval-shaped cartouche, possibly by James Morison, London 1760, 5¼" high (c.9oz)

56 A VICTORIAN CHAMBERSTICK of conventional form with a pull-off conical snuffer, by T.J. & N. Creswick, Sheffield 1846, 4½" high (c.10.8oz) and a pair of George III candle douters, London 1802, 4¾" long (3)

£150-300

£150-250

Lot 60

Lot 62

£80-160

60 A GEORGE III CHOCOLATE POT of baluster form with domed hinged cover and turned wooden side handle, engraved with a stork crest, on a tucked-in circular foot, possibly by Charles Kandler II, London 1789, 9" high (c.22oz). See illustration

58 A WILLIAM IV SCOTTISH COFFEE POT of baluster form with a leaf-capped scroll handle, ivory insulators and cast fluted spout, crested, on a spreading circular foot, by J. McKay, Edinburgh 1834, 9½" high (c.26.2oz)

61 A VICTORIAN OIL AND VINEGAR FRAME of oval form with loop handle, the frame housing two cutglass vinegar/oil bottles, by Robert Dicker, London 1873, 7½" high (c.6.5oz)

£200-400

£60-100

59 A VICTORIAN SALVER of shaped circular form with a raised and pierced leaf and scroll border, the centre chased with foliate scrolls and engraved with an armorial, on three bracket feet, by George Richards and Edward Brown, London 1862, 12" dia. (c.30oz)

62 A GEORGE I/GEORGE II IRISH CREAM JUG of tapering circular form, with a leaf-capped scroll handle and reeded girdle, the body chased with foliate scrolls, vacant cartouche, the whole on three mask capped extended hoof feet, by John Hamilton, Dublin circa 1730, 4¾" high (c.7.8oz). See illustration

57 A PAIR OF GEORGE III CAULDRON SALTS with gilt interiors, on shell-capped hoof feet, makers marks rubbed, London 1772, and two similar salts, London 1782, 2¾" dia. (c.9.9oz weighable silver) (4)

£300-500

£200-400

63 A WILLIAM IV IRISH SUGAR BOWL of lobed circular form with a raised reeded border, on shell capped bracket feet, crested, by James Fray, Dublin 1833, 7" dia. x 4" high (c.14oz)

Lot 65

£150-250 64 A GEORGE III WAITER of circular form with beaded borders, crested, on ball and claw feet, by BM, London 1780, 7" dia. (c.9oz) £100-200 65 A GEORGE III BREAD BASKET of oval form with rope-work swing handle and border, the wirework body with single girdle, the base engraved with a coat of arms, makers mark over-struck and illegible, London 1761, 11½" high (with handle extended) x 14" long (c.27oz). See illustration Lot 68

£300-600 66 A GEORGE II MUG of baluster form with a leaf capped scroll handle and spreading circular foot, possibly by James Morison, London 1756, 4¾" high (c.10.5oz) £150-250 67 A GEORGE II MUG of baluster form with a scroll handle, on a spreading circular foot, by William Shaw and William Priest, London 1750, 5" high (c.11.4oz) £150-250 68 A SET OF THREE GEORGE III ENTREE DISHES AND COVERS of rectangular cushion form with detachable handles, the pull-off covers with gadrooned borders, each cover and base engraved with a matching coat of arms, possibly by William Bennett, London 1811/1812, each 11½" long x 6" high, (c.160oz). See illustration

Lot 69

£1,500-2,500 69 A GEORGE III TWO HANDLED TRAY of shaped rectangular form, the raised gadrooned borders with shell and foliate corners and leaf capped carrying handles, the centre engraved with a coat of arms by John Crouch II, London 1810, 28" long (handle to handle) (c.135oz). See illustration £2,000-4,000 21

A SMALL PRIVATE COLLECTION

75 A FRUIT BOWL of circular form with scroll border, the body with stylised pierced decoration, on three ball and claw feet, makers mark obscured, Birmingham 1911, 7½" dia. x 4" high (c.12oz)

70 AN EDWARDIAN DISH RING of tapering circular form, decorated in the Irish manner with birds, animals and mythical creatures, pierced with leaves and scrolls, two vacant cartouches, by Nathan & Hayes, Chester 1901, 7" dia. x 4½" high (c.14.1oz) See illustration

£100-200 76 A VICTORIAN COFFEE POT of baluster form with scroll handle, ivory insulators, knopped finial and faceted spout, the body embossed with foliate scrolls, crested, on a circular foot, by Martin Hall & Co., London 1876, (with an additional retailers mark for the Goldsmiths & Silversmiths Co.), 10¾" high, and a matching cream jug, London 1887, 5½" high (c.34.8oz weighable silver) (2).

£300-500 71 AN EDWARDIAN IRISH DISH RING of tapering circular form, the body pierced with exotic birds amongst scrolls, flower heads and foliage, with two vacant cartouches, with blue glass liner, by West & Sons (with additional retailers mark), Dublin 1907, 6¾" dia. x 3¾" high (c.10.4oz). See illustration

£300-500 77 A VICTORIAN THREE PIECE TEA SET of compressed circular form with scroll handles and engraved geometric decoration, vacant cartouches, on circular feet, by Alexander Macrae, London 1868/1873, the teapot 5" high (c.30.4oz)

£400-600 72 AN IRISH DISH RING of tapering circular form, the body with slat pierced decoration, and applied with birds perched on swags, by Weir & Sons (with additional retailers mark), Dublin 1918, 7" dia. x 4" high (c.11.3oz). See illustration

£300-500

78 A COMMEMORATIVE PARCEL GILT GOBLET of circular tapering form, the stem pierced with religious figures, on a spreading circular foot, the base engraved no. "251" of a limited edition of 500, made by The Order of The Dean and Chapter of Canterbury to Commemorate the 900th Anniversary in 1989 of the death of Archbishop Lanfranc, by Hector Miller, for Aurum, London 1989, 6¾" high (c.11.5oz)

£400-600 73 A DISH RING of tapering circular form, with slat piercing and demilune borders, the body applied with swags and circular cartouches, makers mark possibly WS Ltd, Birmingham 1914, 7½" dia. x 4¼" high (c.9.7oz). See illustration

£300-500

To be sold with original box, certification and correspondence to the vendor.

£100-200

74 A WHITE METAL DISH RING of tapering oval form, with reeded borders and pierced friezes, the body engraved with a foliate frieze and vacant cartouche, apparently unmarked, circa 1790, 8¾" long x 4" high. See illustration £200-400

Lots 70-74

79 A COMMEMORATIVE ARMADA DISH of conventional form, the border acid etched with historical scenes, to commemorate the 400th Anniversary of the Armada, in a fitted Garrards box, by Garrard & Co. London 1988, 5" dia. (c.3.9oz)

81 A GEORGE III CRUET FRAME of conventional form with a central carrying handle, and five circular compartments, crested, on extended hoof feet, by John Delmester, London 1763, 9" high (c.14.8oz), and five caster/condiment tops (a lot)

£50-100

£100-200

80 A COMMEMORATIVE DISH of circular form, with a lightly textured border, inset with a George III cartwheel penny for 1797, the dish by Christopher Lawrence, London assay, in a fitted Royal Mint case, 5½" dia. (c.6oz)

82 A COMMEMORATIVE DISH TO MARK THE QUEEN'S SILVER JUBILEE OF 1977 of rectangular form with a raised border, the centre engraved with the Royal Coat of Arms and various armorials, by YM, Sheffield 1977, 10" long (c.13.8oz)

£60-100

£100-200

Lot 84

Lot 86

86 A GEORGE I BRITANNIA STANDARD CUP AND COVER of campana form, the graduated detachable cover with disc finial, with scroll handles, the body with a reeded girdle, one side engraved with a crest above a motto, the other engraved with an armorial, the whole on a spreading circular foot, the cover unmarked, possibly by Benjamin Pyne, London 1719, 11" high (c.56oz). See illustration

83 A GEORGE III EWER of pear form with a wooden scroll handle and hinged lid, with gadrooned borders, crested, on a circular foot, possibly by John Schofield, London 1783, 12" high (c.24.1oz). £300-500 84 A GEORGE III DISH CROSS of conventional form with gadrooned detachable burner, crested, with embossed centre, with pierced extending legs on pad feet, by Edward Aldridge, London 1764, 14½" long (when extended) (c.27.2oz). See illustration

£800-1,200

85 A GEORGE III WINE FUNNEL of tapering circular form with a reeded girdle, crested, makers mark rubbed, London 1808, 7" high (c.5.7oz)

87 A SET OF FOUR GEORGE II CAST CANDLESTICKS with detachable sconces, waisted circular capitals and stems with knopped shell-capped sections, each engraved with an armorial, on shaped square bases, by William Gould, London 1750, 8¾" high (c.72.3oz). See illustration

£100-200

£2,000-4,000

£300-500

88 GEORG JENSEN: A PAIR OF SALTS of circular tapering form with lightly hammered bodies, on pierced foliate stems and spreading circular bases, Copenhagen, 1922, also with import marks for George Stockwell, London 1922, 2" dia. x 1½" high, and a pair of associated English condiment spoons (4) £150-250 24

Lot 87

91A A PRESENTATION ROSE BOWL with panelled body and twin handles with inscription "Presented to Alfred Roberts..... 1916" by Charles and Richard Comyns, London 1915, 13" wide (c.29oz), on wooden stand

89 A PAIR OF SAUCEBOATS of shaped oval form with gadrooned borders and flying scroll handles, on extended hoof feet, by AM & Co., Birmingham circa 1960, 7" long x 5" high (c.18.2oz) £100-200

90 A MUG of circular tapering form with a "C"-shaped handle and gilt interior, by Goldsmiths & Silversmiths Co. Ltd, London 1915, 5" high (c.10.2oz)

£200-400

92 AN ENTREE DISH AND COVER of shaped rectangular form with moulded decoration and "D"-shaped handles, by E. Viner, Sheffield 1931, 11" long (c.39oz)

£80-160

£300-500

91 A MUG of circular tapering form with "C"-shaped handle, by TH, Sheffield 1934, with additional Jubilee mark, 1¾" high (c.7.4oz)

92A

A VICTORIAN GOATS FOOT INKWELL with engraved mount with conjoined initials "Perry Farm East Quantoxhead Aug 1883" by Bourne & O'Neil, Birmingham, 4½"

£100-200

£80-160

Lot 94

93 A MATCHED SET OF THREE ROYAL COMMEMORATIVE PLATES of circular form with reeded borders and engraved portraits, London 1972, 73 and 75, mixed makers, 9" dia. (c.36.6oz)

95 A VICTORIAN MUG of baluster form with a leaf capped scroll handle, embossed with floral sprigs, monogrammed, on a spreading circular foot, by RH, London 1840, 4½" high (c.7oz)

£250-350

£50-100

94 A SET OF SIX GOBLETS of circular tapering form with knopped stems, on circular feet, by Mappin & Webb, Sheffield 1968, 6" high (c.38.8oz) (with original box) (6). See illustration

96 A SUGAR CASTOR of baluster form with a high pierced pull-off cover, on a spreading circular foot, by Garrard & Co. Ltd, London 1965, 6¾" high (c.6oz) £50-100

£300-600

97 AN EDWARDIAN TEAPOT of shaped rectangular form wooden angular handle, on a rectangular foot, by WGK, Birmingham 1908, 5" high (c.13.4oz)

£80-160

A PRIVATE COLLECTION OF WINE LABELS

Lot 98

98 A GEORGE IV WINE LABEL of collar form, pierced "Madeira" twice, by Charles Rawlings, London 1824, 2½" dia.; and another wine label incised "Port" by Phipps & Robinson, London 1799, 2" dia. (2). See illustration £80-160 99 A GEORGE III NECK RING WINE LABEL incised "Madeira", by IT, London 1795, 4" long; and a similar wine label "Port", London 1792 (2). See illustration £100-200 Lot 99 100 A COLLECTION OF SAUCE LABELS including one George III label of navette form, with a reeded border, incised "Elder", by Susannah Barker, London 1792, and four other labels for "Shrub", "Harvey", "Soy" and "Tarragon", mixed makers and dates (5). See illustration £150-250 101 A COLLECTION OF WINE LABELS comprising a Victorian pierced wine label incised "Orange Bitters", London 1875, another "Rum" by Joseph Willmore, Birmingham 1827, and two others (4) £80-160 102 A PAIR OF CONTEMPORARY IRISH WINE LABELS of circular form with shaped rectangular centres, one engraved "Claret", the other engraved "Burgundy", with textured chains, by JAD, Dublin assay, 2¼" dia.

Lot 100

£50-100 103 A COLLECTION OF NINE VICTORIAN AND LATER WINE LABELS comprising an oval pierced example for "Whisky" by Sampson Mordan & Co., Chester 1910, a cut-out letter example for "Brandy" and seven others, mixed makers and dates (9) £50-100

104 A COLLECTION OF WINE LABELS comprising: a George III wine label of shaped rectangular form with gadrooned borders, incised "Mountain" by Margaret Binley, London circa 1770, and a label incised "Lisbon", and three others, of mixed makers and dates (5)

Lot 105 and 106

£100-200 105 A COLLECTION OF "MADEIRA" WINE LABELS comprising: one wavy rectangular label with a feather edge border, by Margaret Binley, London circa 1780, and a small crescent example, makers mark stamped twice for John Rich, London circa 1780, and three other examples, mixed makers and dates (5). See illustration £100-200 106 A COLLECTION OF WINE LABELS comprising: an unmarked George III escutcheonshaped label, pierced "Claret", two vine-leaf labels, one for "Bucellas", by Reily & Storer, London 1839, and two others (5). See illustration

Lot 108

£100-200 107 A GEORGE III WINE LABEL of navette form with an engraved border, incised "Calcavella", makers mark stamped twice for Thomas Phipps & Edward Robinson, London circa 1790, a label incised "Prenaac", unmarked, and another "Bucellas" (3) £100-200 108 A COLLECTION OF WINE LABELS comprising: a novelty example, modelled in the form of a cutlass with a wooden handle, engraved "Port", another "Port" with canted corners, a cut-out letter "C", and "Brandy", unmarked, mixed makers and dates (4). See illustration

Lot 109

£50-100 109 A GEORGE III WINE LABEL of crescent form with a reeded border, incised "Ratifier", by William Tucker & Co., Sheffield 1806. This lot is to be sold with a Christie's catalogue "The Extensive Collection of Wine Labels formed by R.B.C. Ryall, Esq. on Friday June 14th 1968", and a small oak display case with key. See illustration £100-200

Lots 110 and 111

Lots 112 and 116

A PRIVATE COLLECTION OF CARD CASES, PURSES AND AIDE MEMOIRES

113 A LADIES PURSE of shaped rectangular form, with engine-turned decoration and circular cartouche, on a fitted link chain, by Synyer & Beddoes, Birmingham 1911, 3½" long £80-160

110 A VICTORIAN CARD CASE of shaped rectangular form, the body engraved with ferns and fruit trees, with vacant cartouches, by D & M/W, Birmingham 1870, 4" long, and a second example, Birmingham 1900 (2). See illustration

114 AN EDWARDIAN PURSE of rectangular form, one side embossed with an arcadian scene, the other embossed with a courting scene, with a chain-link attachment and fabric interior, makers mark rubbed, Birmingham 1905, 3¾" long

£80-160

£60-100 111 A VICTORIAN CARD CASE of shaped rectangular form with engraved foliate scroll decoration, makers mark rubbed, Birmingham 1876, 4" long, and another, Birmingham 1892 (2). See illustration

115 "THE AUGUSTA TREASURY NOTECASE" of folding rectangular form, with engine-turned decoration and gilt interior, housing a sprung money-clip, engraved with a patent number and containing two paper notes, by Trevitt & Sons, Chester 1926, 4" long

£80-160

£60-100

112 A VICTORIAN AIDE MEMOIRE of rectangular form, the cover engraved both sides with foliate scrolls, with a monogrammed shield-shaped cartouche, by William Neal, Sheffield 1898, in a fitted case retailed by Joseph Rogers & Sons, Sheffield, 3¾" long. See illustration

116 A VICTORIAN PURSE of rectangular form chased with foliate scrolls, monogrammed, with suspension ring, the hinged cover revealing three sprung compartments for coins, by Henry Matthews, Birmingham 1898, 3½" long. See illustration

£100-200

£60-100 29

Lots 117-122

120 AN EDWARDIAN AIDE MEMOIRE/ PURSE of rectangular form, the cover embossed with angels amongst clouds, makers mark rubbed, probably Birmingham 1902, 4" long, and a Victorian purse with foliate scroll decoration, by Sampson Mordan & Co., London 1892 (2). See illustration

117 AN INDIAN FILIGREE-WORK CARD CASE of rectangular form with scrolling decoration and monogrammed cartouche, unmarked, 19th century, 4" long. See illustration £80-160

£80-160

118 A CHINESE FILIGREE CARD CASE of book form, with a sprung hinged lid, decorated with a raised dragon on a floral ground, with vacant cartouche, single character mark to the front, circa 1900, 3¾" long. See illustration

121 A VICTORIAN AIDE MEMOIRE/ PURSE of plain rectangular form with a leather interior, Chester 1898, and four further aide memoires and cases, of mixed makers and dates (5). See illustration

£80-160 119 A VICTORIAN CARD CASE of shaped rectangular form with engine-turned decoration and monogrammed cartouche, by George Unite, Birmingham 1879, 3" long, and a floral engraved card case (2). See illustration

£100-200 122 AN EDWARDIAN PATENTED CARD CASE of rectangular form with slide action, by Sampson Mordan & Co., London 1903, a similar card case and two with stamp compartments, mixed makers and dates (4). See illustration

£80-160

£150-250 30

Lots 126, 128-133

126 A WILLIAM IV "CASTLE-TOP" VINAIGRETTE, the hinged cover depicting Abbotsford House, with raised foliate borders, engine-turned sides and base, the reverse initialled, the gilt interior with floral pierced gilt grille, by Taylor and Perry, Birmingham, date letter rubbed, probably 1835, 1½" long. See illustration

123 AN EDWARDIAN VISITING CARD CASE of rectangular form with foliate scroll engraved decoration and monogrammed, Birmingham 1901, 3¼" long, with five others, of mixed makers and dates (a lot) £150-250

£300-500 124 A VICTORIAN CARD CASE of shaped rectangular form with engine-turned decoration, one side monogrammed, the other engraved with a vase issuing flowers, by Nathaniel Mills, Birmingham 1845, 4" long

127 A WILLIAM IV VINAIGRETTE of rectangular form with engraved floral decoration, monogrammed, with gilt interior and floral pierced grille, by Nathaniel Mills, Birmingham 1832, 1½" long, and a scent bottle by Hilliard & Thomason, 2" high (2)

£100-200

£80-160 125 AN EDWARDIAN AIDE MEMOIRE of shaped rectangular form, monogrammed, 4", another aide memoire, an engine-turned match case and a card case, mixed makers and dates (4)

128 A GEORGE III SILVER GILT VINAIGRETTE of shaped rectangular form with re-entrant corners, raised foliate border and engine-turned decoration, pierced grille, by Matthew Linwood, Birmingham 1813, 1½" long. See illustration

£60-100

£100-200

129 A GEORGE IV SILVER GILT VINAIGRETTE of rectangular form with a raised foliate border and engine-turned decoration, initialled, with suspension ring and foliate pierced grille, by John Bettridge, Birmingham, possibly 1827, 1¾" long. See illustration on page 31

133 A VICTORIAN VINAIGRETTE of book form with all over foliate scroll engraved decoration, monogrammed, with gilt scroll pierced grille, by Charles Rawlings and William Summers, London 1842, 2" long, housed in a fitted velvet-lined case, for Lambert & Rawlings, Jewellers of 12 Coventry Street. See illustration on page 31

£80-160

£200-400

130 A VICTORIAN VINAIGRETTE of shaped rectangular form chased with foliate scrolls, and vacant cartouche, the gilt interior with foliate pierced grille, by Francis Clarke, Birmingham 1842, 1¼" long. See illustration on page 31

134 A CONTINENTAL STAMP CASE of rectangular form with engine-turned decoration and red stone thumb-piece, the gilt interior with three rectangular compartments, the base with import marks for London 1905, 3" long, and an oval French snuff box (2)

£80-160

£100-200

131 A GEORGE III VINAIGRETTE of canted rectangular form, with a wriggle-work cover and pierced gilt grille, by Samuel Pemberton, Birmingham 1808, 1" long, and another (2). See illustration on page 31

135 A 19TH CENTURY VINAIGRETTE of scallop shell form, marks rubbed, a box, a pepperette and small fruit knife (4) £100-200

£100-200

136 A SILVER MOUNTED TABLE BELL with baluster shaped ivory handle and reeded borders, makers mark rubbed, possibly George Fox, London 1872, 4" high

132 A WILLIAM IV VINAIGRETTE of rectangular form with raised foliate borders, engineturned decoration and vacant rectangular cartouche, with pierced gilt grille, by John Bettridge, Birmingham 1834, 1½" long, and another (2) See illustration on page 31

£80-160 137 A VICTORIAN SCENT BOTTLE of cylindrical form, decorated in the aesthetic manner, with owls and birds amongst trees and ferns, hinged lid with gilt interior and pull-out stopper, in a fitted case, by Sampson Mordan & Co., London 1892. See illustration

£100-200

£150-250

138 ASPREY & CO: A HIP FLASK of rectangular form with engine-turned decoration and pull-off lower section, with additional Asprey retailers mark, Chester 1934, 4" long, (c.4.8oz)

Lot 137

£80-160 139 AN EDWARDIAN SPIRIT FLASK of shaped rectangular form, crested, by Sampson Mordan & Co., London assay, date letter rubbed, circa 1900, 6" long, (c.6.2oz) £80-160 140 A VICTORIAN SILVER GILT POSY HOLDER of trumpet form with a beaded border, chain attachment and three spring action legs, decorated with geometric scrolls and monogrammed, makers mark rubbed, London 1866, 1¼" high. See illustration

Lot 140

£200-400 141 A 19TH CENTURY NIELLO WORK RUSSIAN BEAKER of circular tapering form, the body decorated with architectural scenes amidst a geometric panel, Moscow 1872, 3" high, and a baleen handled George III toddy ladle and a sugar scoop with gilt bowl and mother of pearl handle (3) £100-200 142 A VICTORIAN AIDE MEMOIRE of rectangular form, with embossed decoration depicting a hunt on one side, the other classical scenes, by TG, London 1891, 3" long £50-100

Lot 142

143 SPARE LOT

149 A GEORGE III PEPPER POT of tapering circular form with a pull-off cover, by Robert Hennell, London 1786, a quantity of condiments and teaspoons, of mixed makers and dates (c.13.4oz)

144 NAVAL INTEREST: AN EDWARDIAN PRESENTATION CIGARETTE CASE of rectangular form, the hinged cover initialled and engraved with an insignia within a garter, "H.M.S. Renown" above India 1905/6, with gilt interior, the top with additional hinged section, by Alexander Clarke, London 1905, in a fitted red Morocco leather presentation case for "Clarke, 83 New Bond Street, London", 4" long (c.5.4oz). See illustration

£80-160 150 A SET OF SIX ARMADA DISHES with reeded borders, London 1971/1972, a pair of mustard pots, London 1900, a pair of fluted peppers, and a pair of menu holders (c.13.4oz weighable silver) (a lot)

HMS Renown was a Second Class pre-Dreadnought battle ship built for the Royal Navy in the early 1890's. intended to command cruiser squadrons operating on foreign stations. The ship served as the flagship of the North America and West Indies Station and the Mediterranean fleet early in her career. Later in her career she became a royal yacht, having all of her secondary armament removed to make her more suitable for such duties.

£100-200 151 A PAIR OF VICTORIAN PEPPER POTS of cylindrical form with part fluted decoration, Birmingham 1890, a quantity of condiments, thimbles and other items (c. 7oz weighable silver) (a lot)

£150-250

£50-100

145 A PAIR OF GEORGE III WINE LABELS of rectangular form with canted corners and reeded borders, incised "Rum" and "Gin", by WB, London 1819, 1¼" long, and a label for "Dry Sherry" by Roberts and Belk (3)

152 A SUGAR CASTOR of baluster form with a pull-off pierced cover, monogrammed by G.M. Coe, Birmingham 1913, a cream jug, a sugar bowl, a napkin ring and a plated example (c.11oz weighable silver) (a lot) £100-200

£50-100 153 A QUANTITY OF PERSIAN WHITE METAL WARES comprising a tea strainer, a cake slice, a pair of sugar tongs, a sundae spoon, a quantity of condiments and teaspoons, some pieces marked "Tabriz, Vige" (a lot)

146 AN EDWARDIAN SQUEEZE ACTION TOBACCO BOX of oval form with flush-hinged cover, by Saunders & Shepherd, Birmingham 1904, 3¼" long, a pair of Victorian cauldron salts, London 1864, and a cigarette box (4)

£80-160

£60-100 154 A VICTORIAN CURLING TONGS BOX of rectangular form, with embossed decoration, by Carrington & Co., Birmingham 1894, 7" long, a Georgian wine funnel strainer, a filled lemon strainer and a cigarette box with presentation inscription, of mixed makers and dates (4)

147 A COLLECTION OF NAPKIN RINGS of mixed makers and dates, an Edwardian small dressing table tray embossed with angels, Birmingham 1906, and other items (a lot) £60-100

£80-160

148 A SCOTTISH "TRAPRAIN TREASURE"BOWL of triangular form with beaded borders, Edinburgh 1934, retailed by Brook & Son, a quantity of condiments, a pierced dish, a toastrack and other items (c.11.3oz weighable silver) £80-160

Lot 144

£80-160

158 A SILVER MOUNTED TORTOISESHELL AND PIQUE WORK DRESSING TABLE BOX of circular form, by the Goldsmiths & Silversmiths Co., London 1909, an oval box, three dressing table brushes and a mirror, of mixed makers and dates (6)

156 A SCOTTISH BOWL of circular form with part textured decoration, by Cecil Colyer, Edinburgh 1976, 3" dia., a tea strainer, a cigarette case and a jam pot lid with hinged action (c.13.6oz weighable silver) (4)

159 A TEAPOT of oval form with part fluted decoration and angular handle, by Joseph Rogers, Sheffield, date letter rubbed, circa 1900, 5" high (c.7.7oz)

£100-200

£60-120

157 A CONDIMENT SET comprising two mustards, two peppers, two salts and a matching sugar castor, of baluster form with moulded girdles, by LS, London 1971, the castor 1969, (c.23.3oz weighable silver)

160 A VICTORIAN TEAPOT of oval form with part fluted decoration and angular handle, makers mark rubbed, possibly CB, London 1894, 6" high (c.7.6oz)

155 A PAIR OF EDWARDIAN STANDS AND BURNERS, by William Hutton & Sons, Sheffield, 1906, a vase, a pair of metalware butter dishes, two metalware matchbox slides, and other items (a lot)

£80-160

£80-120

£200-300

161 A LATE VICTORIAN CREAM JUG with matching sugar bowl, with a reeded girdle, by Henry Wilkinson, Sheffield 1898, two further cream jugs and a sugar bowl (c.12.8oz) (5)

167 A FRENCH BREAD BASKET of oval form, with a gadrooned border, the scroll and slat pierced body on a fluted foot, 19th century, 13" long (c.19.4oz)

£80-160

£150-250

162 A LATE VICTORIAN SEVEN BAR TOASTRACK with central loop carrying handle, on four ball feet, by Elkington & Co. Ltd, Birmingham 1896, 5¾" high (c.9.6oz)

168 Spare lot

£60-100

169 A PAIR OF GEORGE III CHOP OR MEAT TONGS of Old English pattern, crested, by George Smith & William Fearn, London, date letter rubbed, circa 1790, 9¾" long (c.4.8oz)

FLATWARE

163 A PAIR OF LATE VICTORIAN TOASTRACKS of five bar form with central loop carrying handles, on ball feet, by the Goldsmiths & Silversmiths Co. Ltd, London 1900, and another toastrack by Thomas Bradbury, London 1900, (c.18oz)

£80-160 170 A HARLEQUIN SET OF TEN SOUP SPOONS with tapering stems and stylised finials, all by Elkington & Co., six Sheffield 1964 and four Birmingham 1961/1963, 7" long (c.20oz)

£100-200 164 A GEORGE III PEPPER POT of baluster form with a high pierced pull-off cover and flame finial, later embossed decoration, London 1760, three bon bon dishes, an etui, and a kettle stand and burner (c.18oz) (7)

£200-300 171 A GEORGE III SOUP LADLE of Old English pattern, crested, by Thomas Chawner, London 1772, 12" long, a marrow scoop, a sifter ladle of fiddle and thread pattern and a pistol handled fork, mixed makers and dates (4)

£80-160 165 A CASED PAIR OF VICTORIAN PEPPER POTS of vase form on square bases, by George Unite, Birmingham 1887, and a cased christening set, a toastrack and mustard pot, mixed makers and dates (c.7.1oz)

£100-200 172 A SET OF NINE GEORGE III TABLE FORKS of fiddle pattern, crested, by Ely & Fearn, London 1817/18, 8" long (c.21.4oz)

£50-100 166 AN ART DECO CASED CHRISTENING SET comprising mug, egg cup, napkin ring, all Birmingham 1935, together with, a cased christening bowl and spoon (c.10.2oz) (2)

£150-250

£80-160

Lot 176

175 A GEORGE III CADDY SPOON with loop handle, the fluted oval bowl inset with a filigree panel, by Joseph Willmore, Birmingham 1807, and a rat tail mote spoon, another mote spoon and a modern wine label (4)

173 A GEORGE I BRITANNIA STANDARD TABLESPOON of Hanoverian pattern, the reverse of the stem scratch initialled FH, with a rat tail, by Joseph Clare, London 1714, 7¾" long, and a pair of Hanoverian pattern tablespoons, crested, by Isaac Callard, London 1741, (c.6.7oz weighable silver) (3)

£100-200

176 A WILLIAM IV AND LATER COLLECTED PART CANTEEN OF FIDDLE PATTERN CUTLERY, London made, comprising 18 table forks, 12 dessert forks, 11 dessert spoons, 6 tablespoons, 8 teaspoons, 4 sauce ladles and 3 salt spoons, some crested, predominantly by Metcalf Hopgood, London 1834/1835/1838 (c.114 oz weighable silver) and a pair of fish servers with loaded handles (a lot). See illustration

174 A GEORGE I BRITANNIA STANDARD MARROW SCOOP of double ended form, the reverse of the bowl crested, by Andrew Archer, London 1719, 9" long, and a George III marrow scoop (2) £100-200

£800-1,200 37

181 A HARLEQUIN SET OF EIGHT VICTORIAN AND LATER DESSERT FORKS, of fiddle pattern, mixed makers and dates, including four by Joseph & Albert Savory, London 1840, 7" long (c.11.9oz) (8)

177 A GEORGE III IRISH MEAT SKEWER of tapering form with a ring end terminal, engraved with a crest of a boar, makers mark rubbed, Dublin 1790, 10" long, (c.1.5oz) £80-160

£100-200

178 A PAIR OF GEORGE III IRISH SAUCE LADLES of Old English pattern with fluted bowls, possibly by Samuel Neville, Dublin 1804, a quantity of Irish salt shovels, butter knives and other items, mixed makers and dates, (c.12.5oz weighable silver)

182 A COLLECTION OF FLATWARE comprising a George II Hanoverian pattern tablespoon, makers mark rubbed, London 1752, five George III and later tablespoons and a set of nine Old English pattern teaspoons, mixed makers and dates (a lot)

£100-200

£150-250

179 A HARLEQUIN SET OF EIGHT WILLIAM IV AND LATER DESSERT SPOONS of fiddle pattern, five by ADS, London 1833, and three London 1859, 7" long (c.12.6oz)

183 AN AMERICAN CANTEEN OF CUTLERY by Gorham & Co., initialled, comprising 12 table forks, 12 dessert forks, 12 sundae spoons, 12 grapefruit spoons, 23 teaspoons, 12 coffee spoons, 12 soup spoons, and 12 cake forks, some pieces with gilded bowls, marked Sterling (c.112.9oz). See illustration

£100-200 180 A SET OF TWELVE CONTINENTAL WHITE METAL TABLE FORKS of elongated fiddle pattern, monogrammed, 8" long (12)

£800-1,200

£300-500

183A A CANTEEN OF FIDDLE THREAD AND SHELL PATTERN CUTLERY comprising twelve dessert spoons, tea spoons, table forks, dessert forks, six serving spoons, various dates and makers (c.188oz)

£800-1,500

Lot 183

190 A SET OF SIX VICTORIAN TEASPOONS with circular cartouches, by Martin Hall & Co., Sheffield 1873, 5" long, and five bead pattern teaspoons and a quantity of fiddle pattern teaspoons, mixed makers and dates (c.16oz) (a lot)

184 A PART CANTEEN OF VICTORIAN QUEENS PATTERN CUTLERY, predominantly by George Adams, London 1874, comprising a set of 6 tablespoons, a harlequin set of 6 table forks, one by WR Smiley, London 1845, a set of 5 teaspoons, a set of 5 dessert spoons and 6 dessert forks, four by George Adams, London 1874 and two by WR Smiley, London 1845, initialled (c.65.7oz) (a lot)

£100-200

£600-800

191 AN EDWARDIAN CASED SET OF SIX SILVER GILT TEASPOONS modelled as coronation anointing spoons, London 1902 and another set of six teaspoons (2 sets)

185 A SET OF SIX GEORGE III TEASPOONS of Old English pattern by Hester Bateman, London 1783, two small ladles and a quantity of teaspoons (c.5.3oz) (a lot)

£50-100

186 A SET OF SEVEN VICTORIAN DESSERT FORKS of Old English pattern, by Joseph Rodgers & Sons, Sheffield 1898, 6¾" long (c.10.3oz) (7)

192 A PAIR OF VICTORIAN IRISH TABLESPOONS of fiddle pattern with rat tails, crested, possibly by PW, with retailers mark of Grays, Dublin 1842, 9"long, three Scottish toddy ladles with baleen handles, Edinburgh 1840, a larger ladle and a cased set of pistol handled fruit knives and forks, (c.5oz weighable silver) (a lot)

£80-160

£100-200

187 A SET OF SIX LATE VICTORIAN TABLE FORKS of Old English pattern, by Joseph Rogers & Sons, Sheffield 1898, 8" long (c.11.6oz) (6)

193 A MATCHED SET OF SIX VICTORIAN SCOTTISH TABLESPOONS of fiddle pattern, initialled, by David McDonald, Glasgow 1838/39, 9" long (c.15.7oz)

£60-100

£80-160

£100-200

188 A LATE VICTORIAN SET OF SIX OLD ENGLISH PATTERN DESSERT SPOONS by Joseph Rogers & Sons, Sheffield 1899, and a London example, 6¾" long (c.10oz) (7)

189 A PAIR OF DANISH SALAD SERVERS with loaded silver handles and stainless steel bowls, a set of five Sheffield made teaspoons by Joseph Rogers & Sons, a pair of fiddle pattern sugar tongs, and other silver mounted items, mixed makers and dates (a lot)

194 A COLLECTED VICTORIAN AND LATER CANTEEN of fiddle and thread pattern cutlery, monogrammed, comprising a harlequin set of 12 tablespoons, London 1864 and later, with some George Adams examples, a set of 6 dessert spoons, by George Adams, London 1864, 6 teaspoons by George Adams, London 1864, a harlequin set of 12 dessert forks, six by George Adams, London 1864, a harlequin set of 12 table forks, mixed makers and dates, and a basting spoon, London 1894, (c.120.8oz weighable silver) (a lot). See illustration

£50-100

£800-1,200

£80-160

195 A GEORGE III BASTING SPOON of fiddle pattern, initialled, by IB, London 1807, 30cm long, and another basting spoon London 1837, , (c.7.9oz weighable silver) (2) £80-160 40

Lot 194

203 A SET OF SIX GEORGE III FRUIT KNIVES with mother of pearl handles and silver blades, with duty mark and lion passant only, a pair of Kings pattern grape scissors and a cased christening set, mixed makers and dates (a lot)

196 A SET OF THREE GEORGE III TABLESPOONS of Old English and feather edge pattern, monogrammed, by Hester Bateman, London 1773, 9" long (c.6.56oz) (3) £80-160

£50-100

197 THREE GEORGE III TABLESPOONS of Old English and feather edge pattern, by WT, London 1777/9, monogrammed, 9" long (c.6.8oz) (3)

204 A SET OF SIX VICTORIAN IRISH DESSERT SPOONS of fiddle pattern, crested, possibly by Peter Walsh, retailers mark of Grays, Dublin 1842, 7" long, and another four dessert spoons (c.15oz) (10)

£80-160 198 A COLLECTION OF GEORGE II AND LATER TABLESPOONS, Hanoverian pattern, one possibly London 1748, mixed makers and dates, 8" long (c.7.1oz) (a lot)

£100-200 205 A SET OF TWELVE VICTORIAN IRISH TABLE FORKS of fiddle pattern, crested, by Peter Walsh, and with Grays retailers marks, Dublin 1839, 8" long (c.30oz) (12)

£80-160 199 A SET OF SIX GEORGE III TABLESPOONS of fiddle pattern, by Eley, Fearn & Chawner, London 1813, 8" long (c.11.4oz) (6)

£250-350 206 A MATCHED SET OF SIX VICTORIAN IRISH DESSERT FORKS of fiddle pattern, crested, by Peter Walsh, with Grays retailers mark, Dublin 1839, 7" long, and a quantity of teaspoons etc, mixed makers and dates (c.13.6oz weighable silver) (a lot)

£80-160 200 A PAIR OF SILVER MOUNTED FISH SERVERS with bone handles, Sheffield 1912, a set of six silver handled tea knives, a paper knife by Royal Irish Co., and various silver and plated serving pieces, mixed makers and dates (c.4.1oz) (a lot)

£100-200

201 A TODDY LADLE with whalebone handle, possibly marked for Perth, makers mark struck twice but only partially visible, possibly William Ritchie, circa 1790, 15½" long, and two toddy ladles, marks rubbed (3)

207 A COLLECTED CANTEEN OF CUTLERY for 6 place settings, by Roberts & Belk and Mappin & Webb, Sheffield 1964 and later, comprising 6 table forks, 6 dessert forks, 6 soup spoons, 6 dessert spoons, 6 teaspoons, 6 table knives with stainless steel blades and silver handles, and 6 dessert knives, Old English, shell and drop pattern(c.53oz weighable silver)

£80-160

£400-600

£60-100

202 A SET OF NINE GEORGE III TABLESPOONS of Old English pattern, crested, makers mark rubbed, either WF/WE, London, possibly 1774, 8" long, a fiddle pattern dessert spoon, and a quantity of silver handled knives and forks of mixed designs, makers and dates (c.20.4oz weighable silver) (a lot) £150-250

Lot 208

Lot 209

210 A SET OF TWELVE EDWARDIAN TABLE FORKS of Kings pattern, initialled, by Jackson & Fullerton, London 1909, 9" long, and a matching set of nine dessert forks and twelve dessert spoons, with two by different makers, (c.88.5oz weighable silver) (a lot)

208 AN EDWARDIAN SILVER GILT AND MOTHER OF PEARL MOUNTED DESSERT/FRUIT SET, comprising: 12 dessert spoons, 12 forks and 12 knives, the part fluted tapering handles with scroll terminals and mother of pearl sections, by Harrison Brothers, Sheffield 1905/6/8, in a fitted brass bound rosewood case, the cover presentation inscribed "Presented to A.L. Bower, Chairman by the Improvements and Finance Committee of the Corporation of London 1908", with two detachable tiers and a fitted key, the case 13" long x 1¾" high. See illustration

£600-800 211 A VICTORIAN BASTING SPOON of Kings pattern, the reverse of the bowl with a shell heel, crested, by J & A Savory, London 1844, 12" long, and a pair of sauce ladles, London 1835, (c.11.5oz) (3)

£250-450

£100-200 209 A COLLECTED CANTEEN OF GEORGE IV AND LATER IRISH FIDDLE PATTERN CUTLERY, Dublin assay, comprising: 12 tablespoons, 11 dessert spoons, 12 table forks, 12 dessert forks and 12 teaspoons, crested, some items by Peter Walsh, Dublin 1831 (c.107oz weighable silver) (a lot). See illustration

212 A TABLESPOON of feather edge pattern, by Hester Bateman, London 1787, a pair of Old English pattern tablespoons by Solomon Hougham, another Newcastle and some continental examples (c.17.7oz) (10) £100-200

£800-1,200

Lot 213

Lot 214

214 A PART CANTEEN OF ART DECO CUTLERY by Elkington & Co., Birmingham 1936/37. Comprising 9 table forks, 10 tablespoons, 12 dessert spoons, 11 dessert forks, a pair of sauce ladles, and 10 teaspoons, crested, in a fitted oak canteen box, (c.88.1oz weighable silver). See illustration

213 A GEORGE III BRASS BOUND SHAGREEN CUTLERY BOX of rectangular form with a sloping hinged lid and red velvet interior, with 14 compartments containing 8 George III Old English pattern teaspoons, of mixed makers and dates, some crested, (c.3.8oz weighable silver), the box 8¼" high. See illustration

£600-800

£200-400

215 A SET OF SIX GRAPEFRUIT SPOONS with tapering stems, in a fitted Harrods case, Sheffield 1962, a similar set, a cased set of teaspoons, a cased pair of pickle forks, and a cased knife, of mixed makers and dates (5) £80-160

A PRIVATE COLLECTION REMOVED FROM A CENTRAL LONDON APARTMENT 222 A VINTAGE SILVER PLATED TELEPHONE on a rectangular base with a circular dial, with wound cord flex, the receiver marked G.P.O./No.164, 7" long x 6" high

Lot 223

£80-150

223 AN ELECTROPLATED JEWELLERY CASKET of oval tapering rectangular form, the hinged lid and body applied with masks and scrolls, swivel cartouches and leaf capped swing handles, the lower section with beaded borders and applied with lions head masks, early 20th century, 9½" high x 11" long. See illustration Lot 224

£300-600

224 AN ELECTROPLATED COCKTAIL SET comprising a shaker and six beakers, on a circular pierced tray, by D & P, the shaker 8" high, the tray 10" dia. See illustration £100-200 225 A LATE VICTORIAN ELECTROPLATED BASKET of rectangular form with bamboo style swing handles, the body engraved in the aesthetic manner with flying birds, flowers, ferns and butterflies, the whole on bamboo pierced feet, by W & D/S, also engraved with a Victorian date diamond, 9½" high x 11" long. See illustration £150-250

Lot 225 226 A CIRCULAR WHITE METAL SIDEBOARD DISH, the raised border with flowerheads and scrolls, the centre embossed with a rocaille mask, 14" dia.

£60-120

227 A LATE VICTORIAN ENTREE DISH AND COVER of cushion form, with detachable shell and branch handle, with scroll and shell borders, by Walker & Hall, 13" long, another three entree dishes and covers and a cut-glass jar with initialled top (5) 45

£100-200

Lot 229

Lot 230

228 A FRENCH ELECTROPLATED TWO HANDLED TRAY of rectangular form with gadrooned borders and fluted handles, by Christofle, 24" long, and a meat plate by the same maker, 21" long (2)

231 A JAPANESE SWING HANDLED TEAPOT of circular tapering form, the swing handle cast in the form of conjoining dragons, the pull-off circular cover with tortoise finial, cast cockerel spout, the body embossed with Oriental beasts amongst clouds, with import marks for Liberty & Co., London 1897, the reverse of the lid with an Oriental character mark in an oval punch, 9" high (with handle extended) (c.24.9oz). See illustration

£100-200

229 TWO 19TH CENTURY CHINESE STRAIGHT-SIDED MUGS with crouching dragon handles and gilt interiors, the larger decorated in relief with birds amongst prunus trees and blossom, with a vacant shield-shaped cartouche, the base marked for Lee Ching in script, circa 1870, 4" high, the second with a monogrammed cartouche and decorated with fighting warriors amongst trees and buildings, also by Lee Ching, and engraved to the base "Florence Mary Lyall from AAs Murray Singapore December 1864", 4" high (c.12.7oz). See illustration

£800-1,600 232 A CHINESE GILT METAL ETUI of oval form with stylised filigree leaf and scrolling decoration and hinged cover, one side initialled "S.H.M.", otherwise unmarked, 1¾" long

233 A PAIR OF MODERN ORIENTAL TWO HANDLED SUGAR BOWLS with matching spoons, of spreading circular form, decorated in polychrome enamels with birds amongst trees and flowers, on tucked-in feet, the base of each marked "Silver 98%", 3" high (c.10.8oz)

£500-1,000 230 A LATE 19TH CENTURY CHINESE CARD CASE of rectangular form with a detachable cover and vacant shield-shaped cartouche, one side decorated with prunus blossom, the other with bamboo, possibly by Wang Hing, 4" long. See illustration

£100-200

£150-250 46

£200-300

Lot 231

Lot 237

Lot 239

234 A SET OF TEN MENU CARD HOLDERS modelled in the form of playing card suits on circular bases, two of each suit and two additional holders, all stamped "Sterling" (a lot)

237 A PAIR OF VICTORIAN DISHES of shaped oval form with floral and scroll borders, pierced bodies, on pierced cast feet, by William Comyns, London 1889, 9" long x 4" high (c.23.9oz). See illustration

£100-200

£500-1,000 238 A LATE VICTORIAN DISH of oval form with foliate scroll decoration, by Fenton Bros. Ltd, Sheffield 1900, 12" long (c.11.7oz) £100-200

235 A SILVER MOUNTED "SHIPS" DECANTER of tapering circular form with a round ball stopper and silver collar, Sheffield 2003, retailed by Carrs, 7" high

239 A SET OF FOUR SILVER MOUNTED TORTOISESHELL AND PIQUE WORK MENU CARD HOLDERS of oval form with ribbon and reed borders, each decorated with swags and festoons, on oval bases, by William Comyns, Birmingham 1913 and two further pairs, 1" high (8). See illustration

£100-200

236 A LATE VICTORIAN SWING HANDLED BASKET of shaped oval form with foliate scroll decoration, engraved with a bird crest, on fluted feet, by Nathan & Hayes, Chester 1899, 10" long (c.7oz)

£300-600

£100-200

240 A SILVER MOUNTED TORTOISESHELL AND PIQUE-WORK DRESSING TABLE BOX of oval form with raised border, the hinged cover decorated with ribbons and swags, on four leaf capped hoof feet, makers mark rubbed, Birmingham 1912, 5" wide

Lot 242

£100-200

241 A SILVER MOUNTED TORTOISESHELL AND PIQUE-WORK JEWELLERY BOX of escutcheon form, the hinged cover decorated with floral sprigs and scrolls, on pierced feet, possibly by E.S.B., Birmingham 1918, 7" long

£150-250

242 AN EDWARDIAN SILVER MOUNTED TORTOISESHELL INKSTAND of shaped rectangular form with inlaid silver and piquework decoration, the stand holding two detachable glass inkwells with tortoiseshell tops, on bracket feet, by William Comyns, London 1907, 12" long. See illustration

Lot 243

£800-1,200 243 A VICTORIAN GALLERY INKSTAND of rectangular form with a raised gadrooned and pierced border, housing two inkwells and a sander with red glass liners, the whole on leaf capped scroll feet, by Charles Thomas Fox and George Fox, London 1846, 10½" wide. See illustration £600-800 244 A TORTOISESHELL AND PIQUEWORK DRESSING TABLE SET comprising four brushes and a mirror, Birmingham 19131914 (a set)

Lot 245

£80-160

245 AN ART NOUVEAU THREE PIECE TEA SET of octagonal form with sinuous scroll handles, the whole on stylised pierced feet, by Sibray, Hall & Co. Ltd, London 1910, the teapot 6" high (c.36.3oz). See illustration £250-450

251 A COLLECTION OF MODERN PHOTOGRAPH FRAMES, one Sheffield 1977, and six other smaller frames, mixed makers and dates (7)

246 A NOVELTY CARD CASE modelled in the form of "The Times" newspaper, with a hinged cover, by KH, London 2000, with additional Millennium hallmark, 4" long (c.2.7oz)

£30-60

£100-200

252 A PAIR OF BON BON DISHES of circular form, with raised borders and ribbon-tied pierced handles, Birmingham 1919, 6" long (c.5.2oz)

247 AN EDWARDIAN LADIES PURSE, each side decorated with embossed musical instruments, with fitted interior and chain attachment, by JR, Birmingham 1909, 1¼" long

£50-100

253 A PAIR OF CIRCULAR DISHES with raised pierced borders, makers mark rubbed, London 1910, 6.5" dia. (c.9.6oz)

248 A PAIR OF AMERICAN PRESERVE SPOONS with fluted bowls and flowerhead terminals, by Reed & Barton, each stamped "Sterling", 5" long (c.1.6oz)

£100-200

255 A PAIR OF VICTORIAN BON BON DISHES of oval form with pierced foliate scroll borders, by John Millward Banks, Birmingham 1896, a circular pierced dish and a set of four electroplated apostle style fruit serving spoons (c.3.8oz weighable silver) (a lot)

£80-160

250 A COLLECTION OF MODERN SILVER PHOTOGRAPH FRAMES, one decorated in the Art Nouveau style, and four others, of mixed makers and dates (5)

£150-250

254 A COLLECTION OF NAPKIN RINGS including one of wirework form, Sheffield 1898, of mixed makers and dates, (c.12.7oz) (16)

£40-80

249 A CASED SET OF SIX SILVER HANDLED FRUIT KNIVES AND FORKS, Sheffield 1937, a pair of salts with blue glass liners and pierced bodies, a quantity of fruit knives with plated blades and other items (a lot)

£80-120

£60-120

256 A PAIR OF SCOTTISH PEPPERETTES modelled in the form of a thistles, by Hamilton & Inches, Edinburgh 1932, 2" high, an egg cup, a beaker, a continental dish, a silver mounted Common Prayer book, and another dish (c.10.2oz weighable silver) (7)

£100-200

£80-160

257 A GARNITURE OF THREE EDWARDIAN PIERCED VASES, each of waisted oval form, with rope-work borders, the wire-work bodies applied with birds amongst leaves and flowerheads, on oval bases and pierced floral bracket feet, with cranberry glass liners, by William Comyns, London 1908, the largest 8Â˝" high, the two smaller 5.75" high, (c.49.8oz). See illustration ÂŁ1,200-1,800

258 A PAIR OF VICTORIAN FIGURAL CENTREPIECES, each modelled in the form of three cavorting putti holding aloft a cornucopia issuing leaf baskets, on detachable tapering circular bases with fluted sections, on three scroll feet, each engraved with an armorial of a leopard holding a fouled anchor beneath the motto "J'Espere", by John Samuel Hunt, London 1850/51, each also bearing a retailers mark on the reverse of the base for Hunt & Roskell, late Storr & Mortimer & Hunt 4764-4672, 18" high (c.193oz). See illustration

ÂŁ2,500-4,500

END OF COLLECTION

CARRIAGE CLOCK S AND WATCHES

Detail of lot 313 53

CARRIAGE CLOCKS

Lot 300

302 A FRENCH BRASS CASE CARRIAGE CLOCK, the white enamel dial with Roman numerals, the movement stamped "R & Co. Made in Paris", in a plain brass case with fluted front columns and swing handle, 5½" high including the handle

300 AN ENGLISH FUSEE BRASS CASE CARRIAGE CLOCK, the silvered dial with Roman numerals, inscribed "Law Dublin", below a vertical balance wheel escapement, surrounded by an engraved gilt mask, the chain fusee movement in a foliate engraved case, with engine-turned circular feet, the engraved case top with corner raised ball finials and swing handle, the case base numbered 994, the plain door with armorial decoration, 5¾" high (including the handle). See illustration

£80-160 303 A FRENCH BRASS CASE STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, the movement striking on a bell, in a plain brass case with swing handle, 6¾" high including the handle

£3,000-6,000 301 A FRENCH BRASS CASE REPEATING CARRIAGE CLOCK, the cream enamel chapter ring with Arabic numerals, with an engine-turned gilt centre and mask, the movement striking on a coiled gong, in a brass case with swing handle, 7" high (including the handle), in a leatherette presentation case, and another oval carriage clock (2)

£100-200 304 A FRENCH GORGE CASE REPEATING CARRIAGE CLOCK, the white enamel dial indistinctly inscribed, with Roman numerals and outer Arabic seconds numerals, surrounded by a foliate engraved mask, the movement striking on a coiled gong, in a gilt brass engraved gorge case, with swing handle, 6" high (including the handle), in a later wooden case.

£200-400

£200-400 305-306 Spare lots 54

POCKET WATCHES 307 A LADIES VICTORIAN GREEN GUILLOCHE ENAMEL FOB WATCH, the movement cover inscribed "Breguet, Paris", the enamelled reverse with diamond-set maple leaf, suspended on a 15ct yellow gold and enamel bow brooch, in an Asprey & Co. presentation case See illustration

Lot 307

£400-800 308 A GENTLEMANS 18CT YELLOW GOLD POCKET WATCH, the gilt dial with Roman numerals and floral outer border, the fusee movement inscribed "Litherland Davies & Co. Liverpool" and numbered "9145", the watch suspended on a silver gilt watch stand. See illustration £400-800 Lot 308 309 A GENTLEMANS 18CT YELLOW GOLD POCKET WATCH, the dial with Roman numerals and subsidiary seconds dial, inscribed "2964", the key-wound movement also numbered. See illustration £200-400 310 AN 18K YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, in a foliate engraved case £100-200 311 AN 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals and engraved centre, the movement cover inscribed "MN Mains" and numbered "16311"

Lot 309

£300-600

312 AN 18TH CENTURY FRENCH GOLD AND ENAMEL POCKET WATCH by Musson, Paris, no. 2301, the outer case with two colour gold decoration on a blue enamelled ground within a green cabochon outer border, the centre with a portrait profile of a young lady, the convex white enamel dial with Arabic and Roman numerals and key-wound movement. See illustration

Lot 312

£800-1,600 313 A GEORGE III GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, the key-wound movement inscribed "Hedge & Banister, Colchester" and numbered "6823", circa 1810. See illustration £500-1,000

Lot 313

314 A GENTLEMAN'S 9CT ROSE GOLD OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, attached to a 9ct rose gold fob chain, in a presentation case. See illustration £500-1,000 315 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement cover inscribed "GF Kibble, Knightsbridge" and numbered "20160" in an engine-turned case £300-600

Lot 314

316 AN 18CT YELLOW GOLD POCKET WATCH, the engraved gilt dial with Roman numerals, the movement inscribed "L Aitchison" and numbered "24603" £300-600 317 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, the movement cover inscribed "George Cook, 58 Spencer St., Clerkenwell, London" and numbered "24659", in an engraved case £400-600 56

318 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed "JN Jones, 338 Strand, London 22865", the movement also inscribed and numbered See illustration

Lot 318

£500-1,000 319 A GENTLEMANS SILVER PAIR CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the fusee movement inscribed "John Conway, Sturminster" £100-200 320 CYMA: A GENTLEMANS WHITE METAL SLIM OPEN FACED POCKET WATCH, the dial with Arabic and diamond-shaped numerals and subsidiary seconds dial, inscribed "CYMA" and another silver pocket watch (2)

Lot 322

£40-60 321 A LADIES YELLOW GOLD FOB WATCH stamped "585", the round dial with Arabic numerals, in an engraved case attached to a 9ct yellow gold bar brooch with safety chain £100-200 322 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals, inscribed "Etier Lacroix", the reverse decorated with old-cut diamonds on a dark blue enamel ground, attached to a yellow gold bar brooch decorated with a round-cut sapphire. See illustration

Lot 323

£200-400 323 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, the fusee movement inscribed "Widdonson, Fleet Street", in an engine-turned case with foliate engraved edge See illustration £300-500 324 Spare lot

WRISTWATCHES 325 ROLEX: A GENTLEMANS 18K YELLOW GOLD CHRONOMETER WRISTWATCH, the square dial with Arabic numerals and subsidiary seconds dial, inscribed "Rolex", the case interior numbered "4471", attached to a brown leather strap with a yellow metal Rolex buckle. See illustration

330 TUDOR: A GENTLEMANS YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed "Tudor", the case back inscribed "BR North Eastern Region, JG Tomlinson 45 year’s service", attached to a replaced expanding bracelet, in original Tudor Rolex presentation case with original guarantee dated 14-11-1957

£800-1,600

£100-200

326 ROLEX: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with Arabic numerals and subsidiary seconds dial, inscribed "Rolex", the case back inscribed "P. F. R. 6.6.37" and numbered "12884 1879", attached to a brown leather strap with a gold plated Rolex buckle. See illustration

331 TUDOR: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with raised baton numerals, date aperture and sweep seconds hand, inscribed "Tudor Prince Oyster Date", the case back inscribed "Original Oyster Case by Rolex Geneva" attached to a black leather strap £150-300

£500-1,000 332 OMEGA: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with Arabic and dot numerals, sweep seconds hand, inscribed "Omega Automatic" attached to a replaced stainless steel expanding bracelet. In original presentation case, with original certificate of origin dated 14 February 1949

327 ROLEX TONNEAU: A GENTLEMANS 18K YELLOW GOLD WRISTWATCH, the rectangular dial with Arabic numerals and subsidiary seconds dial, inscribed "Rolex", the case back numbered "710248 870", attached to a brown leather strap, with a yellow metal buckle. See illustration

£150-300

£400-800 328 TUDOR: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with baton numerals and sweep seconds hand, inscribed "Tudor Oyster Prince", the case back inscribed "Original Oyster Case by Rolex, Geneva", attached to a leather strap.

333 OMEGA: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with dot baton numerals, date aperture and sweep seconds hand, inscribed "Omega Seamaster Professional 200M", the outer seconds bezel with Arabic numerals, attached to a stainless steel bracelet with folding clasp

£100-200

£300-600

329 TUDOR: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic and baton numerals and sweep seconds hand, inscribed "Tudor Royal", attached to a brown leather strap

334 A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, set in a square 9ct yellow gold case, the movement stamped "Talis Watch Swiss Made"

£200-400

£40-80

Lots 325, 326 and 327

335 CARTIER: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the square dial with Roman numerals, sweep seconds hand and date aperture, inscribed "Cartier", surrounded by a yellow metal bezel, the case back inscribed "Santos de Cartier" and numbered "187901 29282", attached to a stainless steel bracelet with folding clasp, including the original purchase receipt dated 3.4.97

Lot 336

£200-400 336 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with Arabic and baton numerals and sweep seconds hand, inscribed "Rolex Oyster Perpetual Explorer", the case back inscribed "GW Dixon 1979" attached to a stainless steel bracelet with a folding "Rolex" clasp, spare links and a Rolex leather strap, in a Rolex card box with original paperwork and receipts, dated 7/12/79. See illustration

Lot 337

£1,500-2,500 337 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the white dial with Roman baton numerals, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual Date", attached to a stainless steel bracelet with folding "Rolex" clasp, the case back numbered "15210", in a fitted Rolex presentation case, with paperwork dated 06/01/06. See illustration £500-1,000 338 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with dot and baton numerals, sweep seconds hand and subsidiary date aperture, inscribed "Rolex Oyster Perpetual Date Sea-Dweller", the outer rotating bezel with Arabic numerals, attached to a stainless steel bracelet with folding "Rolex" clasp, in a Rolex presentation case with purchase receipt and guarantee date 15/3/80. See illustration

Lot 338

£2,000-4,000

Lot 339

Lot 342

342 OMEGA 007F: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with dot numerals, date aperture and sweep seconds hand, inscribed "Omega Seamaster Professional Chronometer 007F", the dial with outer rotating bezel, attached to a stainless steel bracelet, with folding clasp in a fitted Omega presentation case and outer card box, including original warranty and paperwork. See illustration

339 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with baton numerals and crown at 12 o'clock, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual Date Just", the case back inscribed "J. Dixon 0452713786", attached to a stainless steel bracelet with folding "Rolex" clasp, in a fitted Rolex presentation case, with extra links, original paperwork and receipt dated 16/5/79. See illustration

£1,200-1,800

£1,000-2,000 343 OMEGA: A GENTLEMANS YELLOW GOLD WRISTWATCH, the dial with Arabic and baton numerals, subsidiary seconds dial, inscribed "Omega", attached to a replaced leather strap

340 TAG HEUER: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with dot and Arabic numerals and subsidiary seconds dial, inscribed "Tag Heuer Formula 1 Professional 200 metres", the dial with outer rotating bezel with Arabic numerals, attached to a stainless steel bracelet, with folding clasp

£250-500 344 OMEGA: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with baton numerals, three subsidiary dials and sweep seconds hand, inscribed "Omega Speed Master Automatic", the dial with outer tachymeter bezel, attached to a stainless steel bracelet with folding clasp, including original international warranty and paperwork

£300-500 341 OMEGA: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with Arabic and baton numerals, three subsidiary dials and sweep seconds hand, inscribed "Omega Seamaster Co-Axial Chronometer", the dial with outer rotating bezel with Arabic numerals, attached to a stainless steel bracelet with folding clasp

£400-800

£800-1,500 61

Lot 346

Lot 347

348 INTERNATIONAL WATCH COMPANY: A LADIES 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with dot and baton numerals, inscribed "International Watch Company", attached to a 9ct yellow gold mesh bracelet with folding clasp, stamped "1016636"

345 A LADIES DIAMOND AND PEARL COCKTAIL WATCH, the oblong dial with Arabic numerals, surrounded by a pave-set diamond bezel, attached to circular pave-set diamond links, interspersed with eight certified natural pearls, in a fitted presentation case. Including a Gem and Pearl Laboratory Pearl Report dated 20th December 2011. See illustration

£180-250

£5,000-8,000

349 H. STERN: A LADIES YELLOW METAL COCKTAIL WATCH, the oval dial inscribed "H. Stern", surrounded by a coloured gemstone bezel, attached to a black ribbon strap, with a yellow metal buckle

346 A LADIES DIAMOND AND SAPPHIRE COCKTAIL WATCH, the round dial with Arabic numerals surrounded by a diamond-set bezel and shaped links, the links interspersed with sapphires set on white gold, the case back inscribed "E.E.C.", attached to a corded double strap with white gold clasp. See illustration

£100-200 350 ROLEX: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, inscribed "Rolex", attached to a 9ct yellow gold expanding bracelet with enclosed clasp and safety chain

£500-1,000 347 A LADIES 9CT WHITE GOLD AND DIAMOND COCKTAIL WATCH, the rectangular dial with Arabic numerals surrounded by a pave-set diamond bezel and scroll work links, attached to a double white gold snake-link bracelet with folding clasp and safety chain. In a "Kendal & Dent" presentation case. See illustration

£100-200 351 A LADIES 9CT YELLOW GOLD AND DIAMOND COCKTAIL WATCH, the round dial with Arabic numerals, the dial bezel set with diamonds, attached to diamond-set lugs and expanding gold bracelet, in a fitted presentation case

£100-200

£100-200 62

Lot 345

354 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, attached to a 9ct yellow gold expanding bracelet

352 AN ART DECO PLATINUM AND DIAMOND-SET COCKTAIL WATCH, the rectangular dial with Arabic numerals, the case set with baguette, square and round-cut diamonds, attached to a double corded bracelet, in a fitted presentation case "Alex Clark Co. Ltd, Court Jewellers, London"

£100-200

£150-250 353 A LADIES 9CT ROSE GOLD WRISTWATCH, the round dial with Roman numerals, attached to a 9ct rose gold expanding bracelet, with enclosed clasp

355 LONGINES: A LADIES 9CT YELLOW GOLD WRISTWATCH, the cream dial with raised baton numerals, inscribed "Longines", attached to a yellow gold bracelet with a clip clasp, stamped "375", including the original receipt dated 9/4/81

£200-400

£400-600

Lot 356

Lot 357

360 CARTIER: A LADIES STAINLESS STEEL WRISTWATCH, the round dial with Roman numerals, sweep seconds hand and date aperture, the case back inscribed "Santos De Cartier" and numbered "296653646", attached to a stainless steel bracelet with folding clasp, including two extra links

356 OMEGA: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round gilt dial with Roman and baton numerals, inscribed "Omega", with replaced movement attached to a yellow gold bracelet with folding clasp marked "750", including original movement and purchase receipt dated 23/1/97. See illustration

£200-400

£500-1,000 361 ETERNA MATIC: A LADIES YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and date aperture, attached to a yellow gold mesh bracelet with folding clasp marked "750", in a Garrard card box with a service receipt

357 ROLEX: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, inscribed "Rolex", attached to a 9ct yellow gold chain-link bracelet with folding clasp, in a Rolex presentation case with original Rolex guarantee. See illustration

£400-800

£300-600 362 OMEGA: A LADIES STAINLESS STEEL WRISTWATCH, the round dial with baton numerals, sweep seconds hand and date aperture, inscribed "Omega", attached to a stainless steel bracelet with folding clasp, in a red fabric "Omega" presentation bag, with original warranty and receipt dated 25/09/03

358 OMEGA: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed "Omega", attached to a 9ct yellow gold bracelet with folding clasp, in a fitted Omega presentation case £150-250

£200-400

359 ROLEX: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, the movement inscribed "Rolex", attached to a 9ct yellow gold expanding bracelet £200-400 64

363 A LADIES ART DECO COCKTAIL WATCH, the octagonal dial with Arabic numerals, surrounded by an onyx and diamond-set bezel and lugs, attached to a four strand "pearl" bracelet with concealed white metal clasp, in a "Tessiers Ltd" presentation case. See illustration ÂŁ1,500-2,500 364-369 Spare lots 65

Je wellery

Detail of lot 586 67

A PRIVATE COLLECTION REMOVED FROM A CENTRAL LONDON APARTMENT 376 GEORG JENSEN: A SILVER AND ONYX SPUTNIK COCKTAIL RING, set to the centre with a circular cabochon onyx, the heavy silver collet further set with 10 smaller circular onyx cabochon forming a sputnik design, the thick silver shank hallmarked. See illustration.

370 A GEM-SET BUTTERFLY BROOCH, set overall with diamonds to the wings, with a pair of round-cut sapphires, a pair of round-cut emeralds and a marquise and round-cut ruby body, in 18ct yellow gold, stamped '750', verso, c. 2.7cm wide. See illustration £400-800

£250-500

371 A GEM-SET BEE BROOCH, the wings pave set graduated round, brilliant-cut with diamonds, the body pave set with calibre cut pink stones, probably rubies, with pink stone eyes, in 18ct yellow gold, stamped '750', verso, possibly by Sabbadini, c. 3.5cm. See illustration.

377 GEORG JENSEN: A SILVER TORQUE NECKLACE, curved, with makers mark to one end. See illustration. £300-600

£500-1,000 378 A PAIR OF GEM-SET HOOP EARRINGS, set overall in squares with round, brilliant-cut diamonds, cabochons sapphires, emeralds and rubies, in 18ct yellow gold, with stud fitments, stamped '750', each c. 3cm long. See illustration.

372 ILIAS LALOUNIS: AN 18CT YELLOW GOLD MESH BANGLE, the chimera terminals set with diamonds, sapphires and rubies, joined by a sapphire-set loop, on a mesh tube bangle, the concealed clasp hallmarked and signed. See illustration.

£800-1,500

£1,500-3,000

£250-500

379 A LARGE ORANGE-STONE COCKTAIL RING, probably citrine or topaz, with an ornate scalloped diamond-set surround and further orange stone briolette drop fringe, in 18ct white gold with diamonds set to the shoulders, the shank stamped 18K. See illustration.

374 ILIAS LALOUNIS: A PAIR OF 18CT YELLOW GOLD TRIANGLE EARRINGS, with moulded hieroglyphic-type patterns, stamped '750' and signed with makers mark, each c. 7cm long. See illustration.

380 A PAIR OF YELLOW GOLD (UNMARKED) CHANDELIER EARRINGS, each curb link chain suspending 3 Turkish or Egyptian coins, with stud fitments, each earring c. 6cm long.

£150-250

£150-300

375 AN AQUAMARINE AND DIAMOND COCKTAIL RING, the cushion-cut aquamarine in a four-claw setting, surrounded by a diamond-set rub over border, the 18ct white gold shank with diamond set heart, crescent and star designs to the sides, the shank stamped '750'. See illustration.

381 A PAIR OF 14K WHITE GOLD EAR HOOPS, with black enamelling to create numerals, some numerals set with colourless white stones, with stud fitments stamped '14K', each c. 2cm long.

373 AN 18CT YELLOW GOLD LADYBIRD BROOCH, set with mother of pearl trefoil spots and a pave set diamond head, the reverse stamped '750', c. 3.5cm long. See illustration

£800-1,500

£400-800

£80-150 68

Lot 372

Lot 378

Lot 374

Lot 370 Lot 373

Lot 371

Lot 376

Lot 379

Lot 375

Lot 337

389 A DIAMOND RING, the central round, old-cut diamond c. 1.25cts, claw-set in platinum, the platinum shank with open diamond-set shoulders.

382 A YELLOW GOLD ABSTRACT SQUARE RING, stamped 14K (stone missing), c. 13.7g. £100-200

383 A PAIR OF 18CT WHITE GOLD HOOP EARRINGS, set within engraved stars with small diamonds to the top hinged section, with stud fitments, each c. 3cm long.

£1,000-2,000

£300-600

390 A DIAMOND SOLITAIRE RING, the round European-cut diamond c. 0.4cts, claw-set in white metal, to a yellow metal shank with indistinct numbering and white tipped chenier shoulders.

384 A PAIR OF 14K YELLOW GOLD EARRINGS, each set with rows of small graduated, round-cut diamonds and two large replacement moissonite stones, the gold with ribbed decorations, with stud fitments, stamped '14K', each c. 2.7cm long.

391 A SAPPHIRE AND DIAMOND RING, set to the centre in two claws with a square-cut sapphire, flanked on either side by a round, claw-set European-cut diamond each c. 0.33cts, to an unmarked white metal shank with open chenier shoulders.

£150-250

£250-500

385 A LARGE GARNET COCKTAIL RING, the oval-cut garnet in a textured open loop 18ct yellow gold surround, the shank stamped '18K'.

392 AN EARLY 19TH CENTURY PINK SAPPHIRE RING, the 5 cushion-cut pink sapphires, in a rubover claw setting with open loop borders, the yellow gold shank with open stylised shoulders and hallmarks.

£200-400

£50-100

£300-600

386 AN EDWARDIAN DIAMOND SCROLL STICK PIN, the scroll terminal rubover set with 10 graduated roundcut diamonds, in unmarked yellow gold.

393 A DIAMOND CLUSTER RING, millegrain-set to the centre with an old-cut diamond c. 0.33cts and surrounded by multiple smaller graduated round-cut diamonds forming a circular design, to a hallmarked 18ct yellow gold shank with open shoulders.

£80-150 387 A 14K YELLOW GOLD ENAMELLED BOMBE RING, with all over enamelled decoration in blue, green and pink (damaged), the shank stamped '14K', c. 9.7g (all in).

£200-400 394 A RUBY AND DIAMOND CLUSTER RING, claw-set to the centre with an oval-cut pink tone ruby, surrounded by a millegrain-set border of 8 round-cut diamonds totalling c. 0.24cts, to a yellow gold shank stamped '18CT'.

£100-200 388 A COLOURLESS QUARTZ SQUARECUT COCKTAIL RING, the quartz c. 2.1 x 2.1cm, set in an ornate leaf carved 18ct gold shank.

£250-500

£80-150

395 AN AQUAMARINE AND DIAMOND COCKTAIL RING, the central square, step-cut aquamarine in a yellow gold collet setting, raised above a rubover border of 16 graduated round, brilliant-cut diamonds totalling c. 1.8cts, to a white gold shank with open chenier shoulders stamped '18CT'. See illustration

Lot 395

£2,000-4,000 396 AN EDWARDIAN RUBY AND DIAMOND 'GYPSY' RING, rub-over claw-set with three cushion-cut rubies and four round-cut diamonds, to a hallmarked 18ct yellow gold shank with pinched shoulders. £150-250 397 AN ART DECO DIAMOND THREE STONE RING, the central step-cut diamond c 1.77cts, in a corner claw setting, to an 18ct white gold shank stamped '18CT PMH', each shoulder rubover set with a single baguettecut diamond each c. 0.1cts. See illustration

Lot 397

Provenance: Private Collection, Bath £3,000-6,000 398 A SAPPHIRE AND DIAMOND HALF ETERNITY RING, channel-set in yellow gold (marks rubbed) with 4 round brilliant-cut diamonds totalling c. 0.2cts and 4 round-cut sapphires. £80-150 399 A VICTORIAN THREE STONE EMERALD AND DIAMOND CLUSTER RING, collet-set in yellow gold with a central square-cut emerald and flanked by two pear-cut emeralds, each within a graduated old-cut diamond shaped cluster border with scrolling ends, the yellow gold shank with reeded decoration. See illustration

Lot 399

£2,000-2,500

400 A RUBY AND DIAMOND 1950'S STYLE COCKTAIL RING, set to the centre with a raised curved line of calibre-cut rubies, intersecting a diamond pave-set ground, with a further two rubies on the opposite shoulder, the shank with continental marks. See illustration

406 A THREE STONE DIAMOND RING, the central round, old-cut stone, c. 1.25cts and flanked on either side by a smaller round, old-cut diamond each c. 0.65cts, claw-set, to an unmarked white metal shank. See illustration.

£1,200-1,800

407 AN EMERALD AND DIAMOND CLUSTER RING, the central cushion-cut emerald surrounded by a millegrain-set diamond accent border, on a reeded unmarked white metal shank with open shoulders. See illustration.

£2,000-4,000

401 AN EDWARDIAN DIAMOND RING, claw-set to the centre with a round, old-cut diamond c. 0.85cts, on an unmarked white metal shank with diamond-set open leaf shoulders. See illustration

£400-800

£500-1,000

408 A SAPPHIRE AND DIAMOND ABSTRACT CLUSTER RING, formed from marquise and baguette-cut stones, in a raised claw setting, to an 18k white gold shank stamped '18Kt'. See illustration

402 AN ART DECO SAPPHIRE AND DIAMOND RING, collet-set to the centre with an oval-cut blue sapphire, flanked at the top and bottom with a round old-cut diamond each c. 0.33cts forming a vertical row, enclosed within a diamond-set canted rectangular border, the unmarked yellow gold shank with diamond-set open leaf shaped shoulders. See illustration

£500-1,000 409 A RUBY AND DIAMOND BOMBE RING, claw-set to the centre with a round-cut ruby and surrounded by a border of 8 round-cut diamonds within a graduated round-cut ruby border, to an unmarked yellow metal multiple rope-twist shank with open shoulders. See illustration.

£1,000-2,000 403 A DIAMOND THREE STONE RING, the central emerald-cut stone c. 1cts, flanked on either side by a smaller emerald-cut diamond each c. 0.33cts, all in corner claw settings, the yellow gold shank stamped '18K'. See illustration.

£500-1,000 410 AN EMERALD AND DIAMOND RING, rubover set in a platinum rectangle with a square-cut emerald and a round-cut diamond c. 0.33cts, the white gold shank stamped '18CT PLAT'. See illustration.

£1,500-3,000 404 A SAPPHIRE AND DIAMOND CLUSTER RING, the central oval-cut sapphire claw-set and surrounded by a pave-set double border of old-cut diamonds, the yellow gold shank with split shoulders and stamped '18CT'. See illustration

£250-500 410A A THREE STONE DIAMOND RING, the heavy 18ct yellow gold shank inset with three graduated round, old-cut diamonds totalling c. 1.1cts (central stone chipped).

£200-400

405 A CITRINE AND DIAMOND CLUSTER RING, the oval-cut citrine in a four-claw setting, surrounded by a rubover-set border of round brilliant and baguette-cut diamonds, to an unmarked white metal shank with open shoulders. See illustration

£300-500

411 A TANZANITE AND DIAMOND CLUSTER RING, the central oval-cut tanzanite collet-set and surrounded by a collet-set border of round, brilliant cut-diamonds c. 1.35cts, to a white gold shank stamped '18CT'. See illustration. £2,000-4,000

£500-1,000 72

Lot 400

Lot 401

Lot 402

Lot 403

Lot 404

Lot 405

Lot 406

Lot 407

Lot 408

Lot 409

Lot 410

Lot 411

412 A DIAMOND AND RUBY LINE RING, tension-set to the centre with 4 princess-cut rubies and flanked on each side by a row of 6 round-cut diamonds, to a white gold shank stamped '18CT'.

Lot 413

£400-800 413 A GEORGE III PAINTED MINIATURE MOURNING RING, of navette form, painted probably on ivory with a classical woman weeping before an urn with initials ER and motto 'Not lost but gone before', set in chased rose gold, inscribed 'Eliza Ranking Ob. June 14 1781 Oct 22'. See illustration £100-200 414 A RUBY AND DIAMOND 'GYPSY' RING, the hallmarked 18ct yellow gold band inset to the top with a row of small rubies and diamonds, with dot engraved shoulders.

Lot 415

£50-100 415 A RUBY INTAGLIO AND DIAMOND RING, collet-set to the centre with an oval ruby engraved with a Romanesque portrait profile, c. 5.6x 7.9mm, flanked on either side by a small collet-set diamond, the yellow gold shank stamped '18CT'. See illustration £800-1,500 416 A THREE STONE DIAMOND RING, illusion-set in white gold with three round brilliant-cut diamonds each c. 0.4cts, to a hallmarked bark textured 18ct yellow gold shank.

Lot 417

£1,000-2,000 417 A ROSE-CUT DIAMOND RING, the large oval rose-cut diamond c. 9.4mm x 7.2mm, in a closed back setting and flanked on either side by two graduated square-set old cushion-cut diamonds, on a yellow gold shank with bifurcated shoulders. See illustration £500-1,000

418 A DIAMOND HALF ETERNITY RING, rub-over set in white gold squares to the top half with 7 round, old-cut diamonds totalling c. 0.21cts, to a hallmarked 18ct yellow gold shank.

Lot 419

£100-200 419 A VICTORIAN RUBY AND DIAMOND RING, rubover set in a scroll setting with three graduated ovalcut rubies flanked by two round, old-cut diamonds totalling c. 0.8cts, with diamond points, to an unmarked yellow gold shank with stylised shoulders. See illustration. £1,000-2,000 420 A BLACK OPAL RING, rub-over set to the centre with an oval black opal displaying strong dark blue and green tones, within a heavy yellow gold shank stamped '18ct 750' with makers monogram and further impressed letters, with stylised reeded shoulders.

Lot 421

£300-600 421 A DIAMOND SOLITAIRE RING, the central round, brilliant-cut diamond c. 2.03cts (estimated to be VVS1/E), claw-set, to a hallmarked 18ct yellow gold shank. See illustration.

Provenance: Private Collection, West Dorset

£8,000-12,000 422 A DIAMOND SOLITAIRE RING, the round brilliant-cut diamond c. 0.85cts, in a tall coronet claw setting, to a white gold shank with open shoulders stamped ' BIJ14K'.

Lot 423

£500-1,000 423 A VICTORIAN ENTWINED HEARTS RING, rubover-set to the centre with an oval-cut pale blue sapphire and a pear-cut ruby, within rose-cut diamond borders with a rose-cut diamond ribbon tie surmount, in hallmarked 18ct yellow gold for Birmingham, 1863. See illustration. £1,000-2,000

424 A JADEITE AND DIAMOND RING, the marquise cabochon green jadeite claw set, to a yellow gold shank stamped '18CT' with split diamond-set shoulders, in a Liberty of London box. See illustration.

430 A THREE STONE DIAMOND RING, the central, round European-cut stone c. 1cts and flanked on either side by a further round, European-cut diamond each c. 0.75cts, claw-set, to a hallmarked 18ct yellow gold shank with open chenier shoulders. See illustration.

£400-800

£1,500-2,500 430A A TWO STONE DIAMOND RING, claw-set on a twist with two round cut diamonds each c. 1cts, the platinum shank with diamond-set twisted shoulders.

425 A CULTURED GREY PEARL AND DIAMOND RING, set to the centre with a grey -green cultured pearl c. 9.4mm wide, on a continental hallmarked white gold shank inset with diamonds to the solid shoulders and mount. See illustration

£4,000-6,000

431 A SAPPHIRE AND DIAMOND COCKTAIL RING, rubover-set to the centre with a square cluster of 9 princess-cut diamonds, with similar graduated princesscut sapphires forming clusters to each shoulder, millegrain-set with round-cut diamonds to the setting, on an unmarked yellow gold shank. See illustration.

£800-1,500 426 A SAPPHIRE AND DIAMOND CLUSTER RING, claw-set to the centre with a round-cut sapphire and raised above a border of 10 round, old-cut diamonds totalling 0.7cts , to an unmarked yellow gold shank with open chenier shoulders. See illustration

£800-1,600 432 AN EMERALD AND DIAMOND THREE STONE RING, corner-claw set to the centre with a cut-corned emerald, flanked on either side with a round-cut diamond, each c. 0.33cts, in platinum to a yellow gold shank with open chenier shoulders and stamped '18CT PLAT'. See illustration

£500-1,000 427 AN EMERALD AND DIAMOND BELLE ÉPOQUE STYLE RING, collet-set to the centre with a cut-cornered emerald, surrounded by 8 graduated individually-set round-cut diamonds totalling c. 0.52cts, the white gold shank stamped '18CT' with diamond-set split shoulders. See illustration.

£400-800 433 AN ART DECO STYLE SAPPHIRE AND DIAMOND RING, collet-set to the centre with a round-cut sapphire, surrounded by a graduated old and round-cut diamond stylised flowerhead border, total diamond weight c. 0.4cts, to a yellow gold shank stamped '18CT'. See illustration.

£800-1,600 428 A PINK STONE AND DIAMOND CLUSTER RING, the central emerald-cut pink stone, probably tourmaline, collet-set, surrounded by a small diamond scallop edged border, on a hallmarked 18ct yellow gold shank.

£500-1,000 434 A BAGUETTE-CUT DIAMOND RING, the 18ct white gold shank tension-set to the top with graduated baguette-cut diamonds totalling c. 1.5cts, the shank stamped '750'. See illustration.

£150-300

£1,200-1,800

429 AN ART DECO STYLE RUBY AND DIAMOND RING, tension-set in a vertical line with four square cut rubies and flanked on either side by millegrain clusters of graduated round-cut diamonds forming arrow head shoulders, the yellow gold shank stamped '18CT'. See illustration.

435 A SAPPHIRE AND DIAMOND CLUSTER RING, the central oval-cut sapphire of pale blue tone, claw-set, surrounded by a border of 10 round-cut diamond, total diamond weight c. 1cts, the yellow gold shank with a single diamond inset to the shoulders, stamped '18CT'. See illustration.

£500-1,000

£1,600-1,800 76

Lot 424

Lot 425

Lot 426

Lot 427

Lot 429

Lot 430

Lot 430A

Lot 431

Lot 432

Lot 433

Lot 434

Lot 435

442 A PAIR OF GEM-SET ETERNITY BANDS, one set overall with calibre-cut emeralds, the other with sapphires, both in unmarked white metal. (2).

436 AN OPAL AND DIAMOND 'GYPSY' RING, set with three oval graduated opal cabochons, between six diamond spacers, in a heavy scroll setting, the 18ct yellow shank hallmarked.

£600-1,200

£100-200 443 A DIAMOND RING, claw-set to the centre with a round-cut diamond c. 0.65cts in platinum, to a yellow gold shank stamped '18CT PLAT', with 3 graduated diamonds inset to the shoulders.

437 A DIAMOND THREE STONE RING, claw-set with three round-cut diamonds totalling c. 0.9cts, to an unmarked white metal shank with open chenier shoulders.

£500-1,000

£800-1,600 444 A SAPPHIRE AND DIAMOND COCKTAIL RING, claw-set to the centre with a cluster of three oval-cut sapphires, enclosed by two diamond set loops on one side and five small individually set diamonds to the other, the white gold shank with shaped split shoulders and stamped '18K 750'.

438 A RUBY AND DIAMOND RING, rub-over set to the centre with an emerald-cut ruby, surrounded by a border of round brilliant and baguette cut diamonds, the white gold shank stamped '18CT' with three diamond inset to each shoulder. £900-1,800

£200-400

439 A JADEITE AND DIAMOND RING, claw-set to the centre with an oval -cut green jadeite cabochon, flanked on either side by a graduated cluster of three round-cut diamonds, total diamond weight c. 0.8cts, to an unmarked yellow metal shank.

445 A RUBY AND DIAMOND RING, rubover claw-set to the centre with a round-cut ruby, flanked on either side with a round, old-cut diamond each c. 0.15cts, in platinum to a yellow gold shank stamped '18CT PLATINUM'.

£500-1,000

£150-300

440 A VICTORIAN EMERALD AND DIAMOND RING, rubover claw-set with three graduated rectangularcut emeralds interspersed with two old, cushion-cut diamonds each c. 0.15cts, on an unmarked yellow gold shank with stylised shoulders.

446 A DIAMOND SOLITAIRE RING, the round-cut diamond c. 1cts (pique) in a white gold coronet setting, the shank marked to the exterior. £200-400

£800-1,600

447 A DIAMOND RING, claw-set to the centre with a round, European-cut diamond c. 0.85cts, the white metal shank with open shoulders each millegrain-set with three round-cut diamonds.

441 A FIVE STONE DIAMOND RING, the five round, old-cut graduated diamonds in a rubover setting totalling c. 1.1cts, in a scroll setting, the yellow gold shank stamped '750'.

£1,000-2,000

£250-500

448 A DIAMOND SOLITAIRE RING, the princess-cut diamond c. 0.35cts in a tall four claw coronet setting, the platinum shank hallmarked, and a matching hallmarked platinum wedding band channel-set with 7 small princess-cut diamonds (2).

Lot 449

£300-600 449 A VICTORIAN DIAMOND BEE BROOCH, the bee modelled with open wings, pave set overall with graduated round, old and rose-cut diamonds, with cabochon ruby eyes, in unmarked yellow gold, c. 3.3cm wide. See illustration £800-1,500 450 A SAPPHIRE AND DIAMOND HALF ETERNITY RING, claw-set with four baguette-cut sapphires between three clusters of four small brilliant-cut diamonds, the yellow gold shank with pierced side and textured top decoration stamped '18CT'.

Lot 451

£150-250 451 A FRENCH ART DECO GIARDINETTO BROOCH, the flower basket design set overall with graduated round and rose-cut colourless and champagne diamonds, emeralds and rubies, in yellow gold with makers mark in a diamond shape EB, c. 4cm wide. See illustration £800-1,500 452 A RUBY AND DIAMOND COCKTAIL RING, collet-set to the centre with a pear-cut ruby, the yellow and white metal shank pierced with a trellis design and set with small round-cut diamonds, within calibre-cut ruby borders, the shank stamped '485 50'.

Lot 453

£500-1,000 453 A VICTORIAN DIAMOND MALTESE CROSS CLIP/PENDANT, claw-set to the centre with a round, European-cut diamond c. 1cts, further set a four points with a round or cushion-cut diamond, each c. 0.4cts, within graduated pave-set diamond borders, the white and yellow gold mount engraved '20 JUNE 1897', the reverse with clip, hinged pendant loop and a screw fitment, c. 3.7cm wide. See illustration. £2,000-4,000 79

458 A SAPPHIRE, RUBY AND DIAMOND ETERNITY RING, one half set with calibre-cut rubies, the other with sapphires, with a fixed double diamond border to the sapphire side, in unmarked white metal.

454 A SAPPHIRE AND DIAMOND FLOWERHEAD RING, claw and collet-set with a central round-cut sapphire and 8 oval-cut sapphires of pale blue tone, within a diamond millegrain-set accent border, to an unmarked yellow metal shank.

£1,200-1,800

£300-600 455 A CHILD'S DIAMOND AND RUBY RING, claw-set in a diagonal with an oval-cu ruby and two round, old-cut diamonds each c. 0.1cts, in an unmarked yellow metal open scroll shank.

459 AN EMERALD AND DIAMOND RING, claw-set to the centre with a round-cut emerald, with a small round-cut diamond accent to either side, the unmarked rose gold shank with twisted diamond-set shoulders.

£80-150

£100-200 460 A SAPPHIRE AND DIAMOND RING, rub-over set in a heavy scroll setting with an oval-cut sapphire, flanked on either side with a round old-cut diamond each c. 0.15cts, with diamond points, the yellow gold shank stamped '18CT M&M'.

455A B OODLES: A DIAMOND CLUSTER RING, rub-over set with 7 round, brilliant-cut diamonds totalling c. 1.7cts, in 18CT yellow gold with chenier shoulders, the shank hallmarked and inscribed 'Boodles 1.70'.

£400-800

£500-1,000

461 A SAPPHIRE AND DIAMOND 'GYPSY' RING, set in 18ct yellow gold and four similar gem-set rings set in gold (5).

456 A THREE STONE DIAMOND RING, claw-set to the centre with a round-cut diamond c. 0.4cts and flanked on either side by a smaller round-cut diamond each c. 0.15cts, to an unmarked white metal shanks, and a diamond five stone ring, total diamond weight c. 0.4cts. (2).

£300-500 462 A DIAMOND THREE STONE RING, claw-set with three graduated, European-cut diamonds totalling c. 0.4cts, the platinum shank stamped 'PLAT'.

£300-600

£150-300

457 AN AQUAMARINE AND DIAMOND RING, collet-set to the centre with an emerald-cut aquamarine and surrounded by a millegrain-set round-cut diamond border with two baguette-cut diamonds intersecting the centre, the white gold shank stamped '18CT'

463 A DIAMOND SOLITAIRE RING, the rounded cushion, old-cut diamond c. 0.65cts, claw-set, to a replacement hallmarked white gold shank. £300-600

£300-600 464 A GEORGE III DIAMOND AND ENAMEL RING, the oval blue enamel ground set to the centre with an oval-cut foiled red stone, with a rose-cut diamond outer border, closed back, to an unmarked white metal shank.

457A A VICTORIAN DIAMOND STAR BURST RING, claw-set to the centre with a round, old-cut diamond with 8 millegrain-set graduated diamond rays and 8 knife-edge rays each terminating in a small round-cut diamond, to a yellow gold shank stamped '18CT platinum'.

£150-300 465 A MODERNIST AMETHYST COCKTAIL RING, the unmarked yellow metal shank with oversized squared shoulders collet-set with a large round-cut amethyst c. 1.95cm dia.

£150-300

£200-400

466 BOODLES: A PAIR OF SAPPHIRE AND DIAMOND DROP EARRINGS, each claw-set to the studs with a brilliant-cut heart shaped diamond, each c.0.75cts, suspending a heartcut blue sapphire c.8.9mm wide (at the widest point), enclosed within a diamond halo border, in platinum, each stamped 'Boodles 0927J1124B CN. XXX sapp.6.06 dia. 1.46', with original box. See illustration.

Lot 466

Provenance: Purchased from Boodles March 2010 for £32,000. (Copy of original receipt available on request). Private Collection, Jersey. £5,000-10,000 467 BOODLES: A SAPPHIRE AND DIAMOND PENDANT, collet-set with a round brilliant-cut diamond at the top of a diamond-set train, suspending a heart-cut blue sapphire c. 10mm wide (at widest point), within a diamond border, with diamond-set heart to the back of the pendant setting, in platinum, c. 3.8cm long (pendant only), on a platinum trace link chain, collet-set with two small round, brilliantcut diamonds, the clasp stamped '0741 J0058B ARBxx sapp 4.12', in the original box. See illustration.

Lot 467

Provenance: Purchased from Boodles, New Bond Street on 22nd December 2009 for £16,200 (copy of original receipt available on request).

Private collection, Jersey.

£4,000-8,000 468 BROWNS: A TANZANITE AND DIAMOND PENDANT, the central heart-cut tanzanite c. 21.46cts, claw-set and surrounded by a double row cluster border of round brilliant-cut diamonds, with a round, brilliant-cut diamond cluster pendant bale, total diamond weight c. 1.4cts, c. 2.8cm long, the 18ct white gold basket setting stamped 'Browns 18CT 227614', on a triple row 18ct white gold tracelink chain, in the original fitted case. See illustration. Provenance: Purchased from Browns, Johannesburg 4th December 2011 for ZAR 370,000.00 (current equivilent of approx. £20,000) (copy of original receipt available on request).

Private collection, Jersey.

An appraisal certificate issued by Browns and a certificate of authenticity state the tanzanite to be Vivid Violet Blue and eye clean.

£4,000-8,000

Lot 468 81

476 A SAPPHIRE AND DIAMOND BAND, the yellow gold band stamped '750', inset to the top with a cluster of 9 square-cut sapphires, flanked by a cluster of 9 square-cut diamonds on each side.

469 A SAPPHIRE AND DIAMOND CLUSTER RING, rub-over set with three graduated oval-cut pale blue sapphires, the central sapphire surrounded by a small rosecut diamond cluster border, to a hallmarked 18ct yellow gold shank

£300-600

£200-400

477 A DIAMOND CLUSTER PENDANT, claw and tension-set with 7 round, brilliant-cut diamonds totalling c. 0.23cts, in hallmarked 9ct white gold on a fine white gold curb link chain.

470 A YELLOW STONE SOLITAIRE RING, claw-set with a round-cut pale yellow stone, possibly yellow sapphire on a yellow gold shank stamped '9CT'.

£100-200

£400-800 478 A PAIR OF DIAMOND EAR STUDS, each princess-cut diamond c. 0.1cts, in a four corner claw setting, in hallmarked 18ct white gold, with screw butterflies.

471 A SAPPHIRE AND DIAMOND RING, set to the centre with a square cut dark blue sapphire, possibly synthetic, surrounded by a millegrain-set diamond border, to an unmarked yellow metal shank.

£100-200

£100-200 479 A DIAMOND AND EMERALD JABOT PIN, modelled as cupid's arrow, millegrain-set with rosecut diamonds and a row of baguette-cut emeralds, in unmarked yellow and white metal, c. 7cm long.

472 A DIAMOND AND SAPPHIRE RING, claw-set to the centre with a cushion-cut diamond c. 0.5cts, further set with two cushion-cut rubies and six small old-cut diamond accents, to an unmarked yellow gold shank.

£100-200

£800-1,600 480 A DIAMOND PIG PENDANT CHARM, pave-set overall with graduated round-cut diamonds, totalling c. 0.65cts, with ruby eyes, in unmarked yellow and white gold, c. 2cm long.

473 A VICTORIAN STYLE PEARL AND ENAMEL DOME RING, enamelled in turquoise overall with engraved gold leaves and inset with seed pearl decoration, the yellow gold shank with open shoulders stamped '9ct'

£200-400

£80-150 481 AN EARLY 19TH CENTURY DIAMOND BROOCH, of open scroll form, set to the centre with a semi-oval rose-cut diamond c. 7.2mm x 6mm, further set with graduated rose-cut diamond overall, in unmarked yellow and white metal, c. 4cm long.

474 A DIAMOND SOLITAIRE RING, the central round, brilliant-cut diamond c. 0.5cts, claw-set, to a hallmarked 18ct yellow gold shank with open chenier shoulders. £500-1,000

£200-400

475 A SAPPHIRE AND DIAMOND FANCY CLUSTER RING, claw-set to the centre with an oval-cut dark blue sapphire, surrounded by a wavy diamond-set border and four outer calibre-cut sapphire fan borders, the yellow gold shank numbered and indistinctly marked. £100-200

482 A VICTORIAN DIAMOND AND TURQUOISE SERPENT BROOCH/ PENDANT, claw-set to the centre with an oval cabochon turquoise surrounded by an old-cut diamond border enclosed by four diamond-set serpents with ruby eyes, scattered between with 6 claw-set round old-cut diamonds, with a further detachable cabochon turquoise and diamond cluster drop, total diamond weight c. 2.58cts, in unmarked yellow and white metal, the reverse with detachable brooch fitment and associated safety chain, 5.2cm wide, in the original fitted case for Joseph Heming and Co. See illustration

Lot 482

Provenance: Private Collection, Dorset

£1,000-2,000 483 ROYAL YACHT SQUADRON: A DIAMOND AND RUBY FLAG BROOCH, pave set overall with rose-cut diamonds and calibre-cut rubies mounted with an enamelled crown to the centre, in unmarked yellow gold, c. 2.6cm wide

Lot 484

£100-200 484 A DIAMOND BOW BROOCH, millegrain-set overall with graduated round, old-cut diamonds, totalling c. 6cts, the reverse with yellow gold detachable brooch fitment, 5.5cm wide, with safety chain. See illustration

Provenance: Private Collection, East Dorset

£2,000-4,000 485 A DIAMOND PEAR-DROP SHAPED PENDANT, the central pear-shaped drop rubover set with a round brilliant-cut diamond c. 0.3cts and a small diamond accent, suspended within a millegrain-set diamond border, in white gold stamped '14K', 2cm long, on a fine 9ct white gold belcher link chain, c. 16in. (41cm) long.

Lot 486

£400-800 486 A VICTORIAN INDIAN-STYLE DIAMOND AND TURQUOISE PENDANT MEDALLION, claw-set to the centre with an oval turquoise cabochon c. 18.7mm x 13.4mm, raided above an old, round and cushion-cut diamond leaf shaped border, the outer border formed from 25 graduated cushion and pear-cut diamonds, the largest c. 0.65cts, the pendant bale set with a single old, oval-cut diamond c. 1.5cts, total diamond weight overall c. 6.8cts, in unmarked yellow gold, with locket, verso, c. 5.1cm long. See illustration

Provenance: Private Collection, Poland. Thence by descent.

£1,500-3,000 83

493 A GEORGE III SERPENT BROOCH, set overall with graduated round old-cut diamonds forming a coiled serpent design, with an emerald drop to the centre, in an unmarked rose gold closed- back setting, c.2.2cm wide , in a fitted case for S. J. Phillips. See illustration.

487 AN ART DECO DIAMOND BROOCH, of stylised open rectangular form, collet-set to the centre with a graduated line of 11 round, old-cut diamonds, the largest c. 0.4cts, surrounded by shaped borders of further graduated old-cut diamonds, total diamond weight in excess of 3.52cts, in unmarked white metal, c. 6cm wide, in the original fitted case. See illustration

£1,500-3,000

494 AN EDWARDIAN DIAMOND RIBBON TIE BROOCH, collet-set to the centre with a round-cut diamond c. 0.5cts, and millegrain-set overall with graduated roundcut diamonds, total diamond weight overall c. 3.96cts, in unmarked yellow and white metal, c. 4.1cm wide. See illustration

488 A DIAMOND SOLITAIRE BAR BROOCH, collet-set to the centre with an old, round-cut diamond c. 2.22cts, within a square open border and mounted on an unmarked white metal knife edge bar brooch, in a Mallett box. See illustration

£800-1,500

£3,000-6,000 489 A DIAMOND LINE BRACELET, formed from 53 round-cut diamonds, the largest c. 0.4cts, each individually collet-set in platinum, the concealed clasp with French dogs head mark, in a fitted case for Wartski. See illustration

495 AN ART DECO SAPPHIRE AND DIAMOND BRACELET, set to the top with three graduated square-cut sapphires enclosed within diamond-set fan borders, joined with curved calibre-cut sapphire links, on an unmarked white metal elasticated bracelet. See illustration

£2,000-4,000

£1,400-1,800

490 AN ART DECO DIAMOND AND SAPPHIRE BOW BROOCH, millegrain-set overall with graduated round-cut diamonds with calibre-cut sapphire clusters, total diamond weight c. 2.2cts, in unmarked white metal, c. 6cm long, in the original fitted case for Mallett. See illustration

496 AN ART NOUVEAU DIAMOND AND RUBY BROOCH, of open stylised leaf scroll form, collet and millegrain-set overall with graduated round old-cut diamonds with a single diamond drop totalling in excess of 0.5cts, set to the centre with three cushion-cut rubies creating flower heads, in unmarked white metal, c.4.7cm long. See illustration

£4,000-6,000

£300-600 491 A GEORGE V DIAMOND PALM LEAF BROOCH, millegrain-set overall with graduated round, old-cut diamonds, total diamond weight c. 2.72CTS, in yellow and white gold engraved 'EMH to FHA 26 8 19', 8cm long. See illustration.

497 A VICTORIAN STYLE DIAMOND HEART PENDANT, pave-set overall with graduated round-cut diamonds, with diamond-set pendant bale, locket, verso, 2.5cm long. See illustration

£500-1,000

£1,000-2,000

492 AN EDWARDIAN DIAMOND PENDANT, of wreath and ribbon tie form, millegrain-set overall with round, old-cut diamond accents, suspending to the centre two round, old-cut collet-set diamonds totalling c. 0.15cts, 3.8cm long, on a white metal trace link chain with brick clasp and safety catch, in a fitted case. See illustration. £250-500

498 A RUBY AND DIAMOND FLOWER BOUQUET BROOCH, the flower centre formed from a cluster of round-cut rubies with open diamond-set petals, with ruby set flower bud branches, total diamond weight c. 4cts, in unmarked yellow gold, c. 6cm long. See illustration £1,400-1,800 84

Lot 497

Lot 493

Lot 495

Lot 489 Lot 490

Lot 492

Lot 487

Lot 496

Lot 488

Lot 498 Lot 491 Lot 494 85

505 A VICTORIAN DIAMOND CRESCENT BROOCH, rubover set with 17 round, old-cut diamonds, the largest c. 0.3cts, in unmarked yellow and white gold, c. 2.3cm wide, in a fitted case.

499 A GEORGE III ROSE-CUT DIAMOND MALTESE CROSS BROOCH, of open form, set overall with graduated rose-cut diamonds with a central rose-cut diamond rosette, in unmarked yellow and white gold, 3.7cm dia.

£200-400

£500-1,000 506 A DIAMOND SNOWFLAKE PENDANT, formed from a double snow flake millegrain-set with diamond chips and each collet-set to the centre with a round-cut diamond each c. 0.05cts, with further stylised diamond-set drop, in unmarked white metal, c. 3cm long, on an 18ct white gold hallmarked trace link chain, c. 16in. (41cm) long.

500 A DIAMOND CAT BAR BROOCH, modelled as a pair of cats pave set overall with graduated rose-cut diamonds and ruby eyes, playing with a cultured pearl ball, on an unmarked yellow gold bar brooch, c. 5cm long. £400-800

£300-600

500A A PAIR OF DIAMOND FLOWERHEAD CLUSTER EAR STUDS, each collet-set to the centre with a round, old-cut diamond c. 0.25cts, surrounded by a border of 8 smaller round, old-cut diamonds, total diamond weight of each earring 0.65cts, in in unmarked white metal.

507 A VICTORIAN FLOWERSPRAY BROOCH, the leaves and stems millegrain-set overall with rose-cut diamonds terminating in three pearl flowerheads, in unmarked yellow and white gold, c. 5.7cm long, in a fitted case

£800-1,600

£100-200

501 A PAIR OF EMERALD CUFFLINKS, each collet-set to the centre with a cabochon emerald c. 6.6mm dia., in yellow and white gold with indistinctly marked yellow gold joining clips.

508 A PAIR OF CULTURED PEARL AND DIAMOND DROP EARRINGS, set with a cultured pearl surrounded by a cluster of 3 round, brilliant-cut diamonds suspending a baguette-cut diamond train, total diamond weight for pair c. 1cts terminating in a cultured pearl drop, in unmarked white metal with stud fitments, c. 3.5cm long.

£1,600-1,800 502 A GEM-SET GIARDINETTO BROOCH, the flowers formed from claw-set rubies, sapphires diamonds, opals and emeralds, with millegrain and rose-cut diamond highlights to the leaves and baskets, in unmarked yellow and white gold, c. 4.5cm wide.

£900-1,800 509 A VICTORIAN DIAMOND STAR BURST BROOCH, claw-set to the centre with a round, old-cut diamond c. 0.33cts, surrounded by an outer diamond-set border and a double layer of undulating graduated old-cut diamond rays, total diamond weight in excess of 1cts, in unmarked yellow and white metal, the reverse with detachable brooch fitment and pendant hook, c. 4cm dia.

£1,200-1,800 503 AN ART NOUVEAU DIAMOND BROOCH, of open scroll design, millegrain and rubover claw-set with graduated round, old-cut diamonds, total diamond weight in excess of c.1.2cts, 4.6cm wide, in a fitted case for The Goldsmiths and Silversmiths Company.

£250-500

£500-1,000

510 A PAIR OF DIAMOND AND PEARL EAR STUDS, each set with a white cultured pearl to the centre, surrounded by a cluster border of 10 round, old-cut diamonds, total diamond weight overall c. 0.6cts, in unmarked yellow gold, c. 1.1cm dia.

504 A DIAMOND LINE BRACELET, formed from 33 round brilliant-cut diamonds totalling c. 0.99cts, each individually rub-over set in hexagonal links, the concealed clasp stamped, with safety catch. £900-1,800

£200-400 86

511 A BELLE Ă&#x2030;POQUE DIAMOND PENDANT, of fleur de lis form millegrain-set overall with graduated old-cut diamonds, claw-set on either side with an old, cushion-cut diamond each c. 1.92 and 1.98cts, further claw-set with an old cushion-cut diamond to the top c.1.4cts, a pair to the bottom each c. 0.5cts and a claw-set diamond drop c. 1.44cts, in unmarked yellow gold, the reverse with fitment to detach the chain, c. 4.5cm long, in the original Goldsmiths and Silversmiths Co Ltd box. See illustration Provenance: Acquired by descent from an important Merseyside shipping company family. ÂŁ4,000-8,000

518 AN ART DECO DIAMOND BRACELET, collet-set to the centre with a round-cut diamond c. 0.25cts, within a white metal octagonal halo border, flanked on either side with 5 graduated round-cut diamonds in millegrain arrow-head settings, to an unmarked white metal rectangular link bracelet, the concealed clasp with safety catch.

512 AN ART DECO DIAMOND AND BLUE SYNTHETIC SPINEL BROOCH, collet-set to the centre with an oval-cut pale blue synthetic spinel within an open stylised tapering border millegrainset overall with round-cut diamonds, in unmarked white metal, 5.7cm long, in a fitted case for The Goldsmiths and Silversmith Co Ltd. £250-500

£900-1,800

513 A VICTORIAN DIAMOND BANGLE, the top section set with 5 old and rose-cut diamond graduated flowerhead clusters, with single diamonds set between, total diamond weight c. 1.23cts, on a hinged unmarked yellow gold knife-edge bangle, the concealed clasp with safety chain.

519 A VICTORIAN DIAMOND STAR BURST BROOCH, claw-set to the centre with a flowerhead cluster of old-cut diamonds, with 6 millegrain diamond-set rays interspersed with trefoil diamond clusters, total diamond weight in excess of 2cts, in unmarked yellow and white metal, the reverse with detachable brooch fitment and hinged pendant bale, c. 4cm dia.

£500-1,000 514 A PAIR OF RUBY AND DIAMOND CLUSTER EAR STUDS, claw-set to the centre with an oval-cut ruby, surrounded by a claw-set border of 10 round, brilliant-cut diamonds, total diamond weight of each earring c. 0.3cts, in unmarked 18ct white gold, c. 0.9cm dia.

£500-1,000 520 AN OPAL BRACELET, collet-set with 12 oval cabochon opals within open oval yellow gold links, with cross links between, the concealed clasp with safety chain.

£1,000-2,000

£250-500

515 A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round, brilliant-cut diamond c. 0.2cts each, in a four claw 18ct white gold setting.

521 A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS, rubover-set to the centre with a canted square-cut sapphire surrounded by a border of trapeze and baguettecut diamonds forming an octagonal design, in hallmarked white gold, c. 0.8cm wide.

£350-650 516 A DIAMOND AND RUBY LEAF BROOCH, modelled as a long curved leaf in 18ct yellow and white gold, pave-set to the centre with a ground of round-cut diamonds with linear ruby highlights, stamped 'CLIO' in an applied rectangle, verso, c. 11cm long.

£1,500-3,000 522 AN EARLY 20TH CENTURY LORGNETTE PENDANT, the unmarked white and yellow metal navette shaped case chased and pierced overall with wreaths and rosettes, rubover-set to the centre with a princess cut pale blue stone, the lenses releasing on a spring button, probably French, 7cm long.

£1,000-2,000 517 A PAIR OF DIAMOND EAR STUDS, each round, brilliant-cut diamond c. 0.2cts, in a heavy four claw unmarked white metal setting.

£400-800

£200-400

523 A PAIR OF DIAMOND KNOT EAR STUDS, each designed as large stylised knots pave-set overall with round, brilliant-cut diamonds, in white hallmarked metal, each earring c. 2.7cm long. £1,000-2,000 88

524 A GRADUATED DIAMOND COLLAR, converting to a pair of bracelets, square-set overall with graduated round, old-cut diamonds totalling c. 14cts, each with a diamond-set tulip fringe, in unmarked white metal, c. 14in. (35.5cm) long, in a fitted case for Hancocks and Sons.

Provenance: Private Collection.

ÂŁ12,000-18,000

525 A DIAMOND CUFF BRACELET, tension-set to the centre with a vertical row of baguettecut diamonds, surrounded by borders at the top and bottom of claw-set round, brilliant-cut diamonds, total diamond weight c. 14.91cts, in an unmarked white metal pierced heart setting, the concealed clasp with double safety catch. See illustration

531 A PAIR OF GREEN JADEITE AND DIAMOND DROP EARRINGS, set to the centre with a deep circular jadeite cabochon c. 11.5mm dia. surrounded by a round, brilliant-cut diamond border and loop, on detachable unmarked white metal half hoops, total length of each earring c. 3.3cm. See illustration.

£12,000-18,000

£1,800-2,200

526 A BELLE ÉPOQUE RUBY AND DIAMOND BRACELET, the pink-tone ruby in an open diamond-set scroll surround, on an elasticated strap, numbered, in a Hancocks and Co box. See illustration.

532 A LARGE DIAMOND FLOWER SPRAY BROOCH, modelled as rose with leaf sprays millegrain-set overall with graduated round, old-cut diamonds, the largest stone c. 0.5cts, in unmarked white metal with brooch clip, c. 5.5cm long. See illustration.

£1,000-2,000 527 AN ART DECO DIAMOND PENDANT, collet-set with a round, old-cut diamond c. 0.5cts, suspending a knife edge bar with old, pear-cut diamond solitaire drop, c. 1.71cts, in unmarked white metal, c. 3cm long, on an unmarked white metal belcher link chain with brick clasp and safety catch, c. 15in. (38cm long). See illustration. £2,500-4,500

£500-1,000 533 A GREEN JADEITE AND DIAMOND PENDANT, the green jadeite pendant carved and pierced with a heron and flowers, c. 4.8cm long, with a rose-cut diamond ribbon-tie surmount, on a white metal belcher link chain. See illustration. £2,000-4,000

528 A PAIR OF 1950'S STYLE DIAMOND AND SAPPHIRE EAR CLIPS, claw-set to the centre with a round-cut blue sapphire, c. 7.15mm dia. Surrounded by two scroll shaped borders claw-set with graduated round, brilliant-cut diamonds, each end terminating in a single pear-cut diamond, total diamond weight overall c. 4.5cts, in white gold, the ear clips stamped '750', each c. 3.1cm long. See illustration

534 A CARVED JADEITE AND DIAMOND BROOCH, the tapering oblong green jadeite pendant carved and pierced with birds and flowers, 4.8cm long, mounted in an Art Deco unmarked white metal as a brooch with stylised diamond mounts at either end, total diamond weight c. 0.6cts. See illustration.

£6,000-8,000

£1,000-1,500

529 AN AQUAMARINE AND DIAMOND PENDANT, collet-set to the top with a round-cut aquamarine suspending a rose-cut diamond train with a further clawsset rectangular cushion-cut aquamarine drop, c. 4cm long, on a white gold tracelink chain stamped '14K', 18in. (46cm) long. See illustration £500-1,000 530 GüBELIN: AN 18CT YELLOW GOLD AND DIAMOND BROOCH, modelled as stylised spray of feather claw-set with diamonds overall, the reverse numbered and signed, c. 6cm dia. in a Harrods box. See illustration £1,000-2,000

535 A BELLE ÉPOQUE CARVED JADEITE AND DIAMOND PENDANT, the tapering oblong green jadeite pendant carved and pierced with birds and flowers, 4.9cm long, mounted at the top in unmarked white metal with millegrain-set diamonds suspended from a triple collet-set diamond pendant bale totalling c. 0.17cts. See illustration. £600-1,200 536 A PAIR OF MODERNIST STYLE DIAMOND BOMBE EAR CLIPS, the 18ct yellow gold open textured branch ground interspersed with 13 round, graduated brilliant-cut diamonds, the white gold clips stamped '750', c. 2cm dia. 90 £1,000-2,000

Lot 528

Lot 533

Lot 527

Lot 534

Lot 529

Lot 526

Lot 535

Lot 525

Lot 531

Lot 532 Lot 530

537 A PAIR OF ORANGE AND COLOURLESS PASTE DROP EARRINGS, in 18th century Portuguese style, each earring set with a square-cut orange paste and clusters of graduated roundcut colourless paste forming a leaf trail design suspending a further orange and colourless paste cluster drop, in unmarked white metal, with fish hook fitments, 8cm long, in the original fitted case for Mallett, Bath. See illustration.

Lot 537

£400-800 538 A PAIR OF VICTORIAN DIAMOND AND MOONSTONE HEART EARRINGS, each set with a heart cabochon moonstone within rosecut diamond borders, with a single rose-cut diamond set to the fish hook attachments, each c. 2cm long. See illustration.

Lot 538

£700-1,400 539 A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round, brilliant-cut diamond c. 0.4cts, in a four-claw white gold setting. £750-950 540 A PAIR OF VICTORIAN DIAMOND SOLITAIRE EAR STUDS, each round old-cut diamond c. 1.5cts, claw-set in unmarked yellow gold with fish hooks and hinged hooks to convert into night earrings, in a fitted case. See illustration.

Provenance: Private Collection, East Dorset.

£1,500-2,500 Lot 540 541 AN EDWARDIAN SEED PEARL AND PERIDOT BAR BROOCH, collet-set to the centre with a round-cut peridot, c. 8.5mm dia. Flanked on either side with rose-cut diamond and seed pearl branches, in unmarked yellow gold, in the original fitted case. £200-400 542 A VICTORIAN DIAMOND AND SEED PEARL BROOCH, designed as a stylised cross, set overall with graduated seed and half pearls with round, old-cut diamond accents, set in unmarked yellow gold on a slight curve, c. 7cm long. 92

£400-800

543 A PAIR OF DIAMOND TWO-TRAIN DROP EARRINGS, each train claw-set with graduated round-cut diamonds united by a single claw-set round-cut diamond, total diamond weight overall c. 6cts, in unmarked white metal with safety catch, each earring c. 5cm long. See illustration.

Lot 543

£4,500-6,500 544 AN ETRUSCAN REVIVAL PENDANT, of oval form, set in unmarked yellow metal with an oval garnet cabochon to the centre, surrounded by a rope twist border and outer ovolo enamelled border, the side with applied bead decoration, the reverse with locket fitment and snakelink fringe, with confirming pendant bale, 4.5cm long, on a later unmarked yellow metal belcher chain. £250-500 545 AN EARLY 19TH CENTURY DIAMOND HEART BANGLE, set to the centre with a large rose-cut heart shaped diamond in a closed back setting, c. 2.31cm wide, surrounded by a rose-cut diamond border and further graduated rose-cut diamonds to the shoulders, on an unmarked rose gold knife edge hinged bangle, the concealed clasp with safety chain. See illustration.

Lot 545

£7,000-9,000 546 A DIAMOND AND PEARL RING, rubover claw set with three graduated round white pearls between diamond highlights, in a scroll carved setting to an 18ct yellow gold hallmarked shank and a diamond and seed pearl open wreath brooch pendant. (2). £150-300 547 A PAIR OF DIAMOND AND NATURAL PEARL DROP EARRINGS, each train modelled with stylised diamond-set leaf and flowerheads terminating in a single tested natural saltwater pearl, 8-9mm and 9mm long, in yellow and white metal with indistinct marks to the fish hook fittings, c. 4.4cm long.

Lot 547

With certificate from the Gem and Pearl Laboratory no 08554 stating the pearls to be natural saltwater, part drilled. See illustration.

£5,000-7,000 548 AN EMERALD AND DIAMOND LINE BRACELET, claw-set overall with 13 oval-cut emeralds between open oval links each claw-set with a small diamond, in yellow golf, the concealed clasp with double safety catch and stamped '18K 750'. £400-800

555 A PAIR OF CORAL AND DIAMOND FLOWER EAR STUDS, in the manner of Van Cleef and Arpels, each formed from 5 carved coral petals with a single claw-set diamond to the centre each c. 0.05cts with a pave diamond-set leaf, in unmarked yellow gold, c. 3.7cm long. See illustration.

549 A 9CT YELLOW GOLD ABSTRACT BROOCH, formed from cufflinks and set with opal, jadeite and sapphire, c. 5.5cm wide, in a Hancocks box. See illustration. £300-600

£2,000-4,000

550 A LARGE AQUAMARINE PENDANT, the step-cut aquamarine measuring 20 x 23.6mm, in an unmarked yellow gold leaf carved claw setting, the pendant bale with pierced decoration. See illustration.

556 AN 18CT GOLD DIAMOND AND EMERALD BRACELET, the yellow gold brick link bracelet with 18ct white gold double horseshoe clasp millegrain-set with graduated diamonds overall, with a central curved channel-set square-cut emerald clip, the reverse stamped '750'. See illustration.

£400-800 551 DISNEY INTEREST: AN 18CT YELLOW GOLD MICKEY MOUSE CHARM BRACELET, the yellow gold belcher link chain suspending 6 charms modelled as the heads of Mickey Mouse in enamel and pave-set with diamonds, the clasp stamped '750'. See illustration.

£500-1,000 557 A TURQUOISE AND DIAMOND BROOCH, of oval form, set to the centre with an oval turquoise cabochon c. 1.8cm x 2.7cm, within an old-cut diamond border and an outer rose-cut diamond open scalloped border, in unmarked white metal with engraved sides, c. 4cm wide. See illustration. £1,400-1,800

£1,000-2,000 552 AN 18CT YELLOW GOLD AND DIAMOND BRACELET, formed from multiple elliptical links with clusters of 4 links millegrain-set with diamonds set throughout the bracelet, the concealed clasp hallmarked, with safety catch and safety chain, c. 30.1g (all in). See illustration.

558 A BOULDER TURQUOISE LONG NECKLACE, the unmarked yellow gold chain interspersed with drilled boulder turquoise beads (some loose and the chain divided into sections), c. 49in. (124.5cm) long. See illustration.

£600-1,200

£150-300

553 ANDREW GRIMA: A TOPAZ CRYSTAL PENDANT, the large natural orange Topaz crystal mounted at the top with clustered bars of gold claw-set with a single diamond c. 0.07cts, the reverse stamped 'GRIMA' and further hallmarked 7.2cm long. See illustration.

559 A TOURMALINE FLOWER BROOCH, modelled in yellow and rose gold as two flower stems and leaves, the petals formed from pear-cut pink and modified cushion-cut green tourmalines, the brooch hook stamped '14K', 8cm long. See illustration £400-800

£4,000-6,000

560 BOUCHERON: A NOVELTY BIRD BROOCH, the body modelled as mother of pearl with a ruby eye and gold open work wings, holding a worm in its mouth, sitting on a branch with a round-cut diamond to the end, c. 0.03cts, , the pierced floral reverse hallmarked with makers mark BM Co, 4cm long, in the original Boucheron fitted case. See illustration.

554 ATTRIBUTED TO STUART DEVLIN: A SILVER AND ENAMEL BROOCH, of circular form, moulded with leaves enamelled in yellow, red and green with a central silver polished butterfly, unmarked c. 4.3cm dia. Provenance: Given to the vendor by her cousin who worked for Stuart Devlin. See illustration.

£80-150

Provenance: Private Collection, Hampshire.

£600-1,200 94

Lot 556

Lot 560

Lot 557

Lot 553

Lot 555 Lot 554 Lot 559

Lot 551 Lot 550 Lot 552

Lot 549

Lot 558

561 A 1950'S DIAMOND AND SAPPHIRE BROOCH AND EARRING SUITE, the brooch modelled as a stylised double ribbon tie millegrain-set overall with graduated round-cut diamonds with 3 individual claw-set round-cut diamonds totalling c. 0.2cts, with calibre-cut sapphires set to the ribbon ends, 4.5cm long, and a pair of conforming ear studs, all in unmarked white metal. (2). See illustration.

Lot 561

£800-1,500 562 A MODERNIST STYLE PENDANT AND EARRING SUITE, the pendant formed from textured shards of unmarked yellow metal claw-set with 3 round, brilliant-cut diamonds totalling c. 0.27cts, further claw-set with 3 oval-cut blue stones, probably aquamarines, c. 5cm long, and a pair of ear studs ensuite (2). £400-800

Lot 564

563 A SEED PEARL ANCHOR BROOCH, pave set overall with graduated seed pearls, in unmarked yellow metal, 4cm long. £100-200 564 RUSSIAN INTEREST: A PAIR OF STAR SAPPHIRE AND ENAMEL CUFFLINKS, each collet-set to the centre with a round cabochon star sapphire, surrounded by a green guilloche enamel border, in yellow 14K gold, the joining links with indistinct Russian hallmarks, possibly for Moscow. See illustration. £500-1,000 565 A PAIR OF GREEN JADEITE EARSTUDS, each green circular jadeite disc carved with fruit, in a four claw unmarked yellow gold open scroll setting, each earring c. 1.8cm dia., and a pair of yellow gold diamond and emerald hoop drop earrings (2).

Lot 566

£150-250 566 A VICTORIAN STYLE AMETHYST BANGLE, the unmarked yellow gold bangle hinged, the top half rubover claw-set with 13 round-cut graduated amethysts, interspersed with diamond chip highlights, the concealed clasp with safety chain, in the original Antrobus cardboard box. See illustration. 96

£400-800

567 A 19TH CENTURY CARVED LABRADORITE CLOAK CLIP, the oval 'Madagascan' labradorite carved in relief with Neptune, in a yellow gold mount stamped '18', 3cm long in a fitted case. See illustration

Lot 567

Provenance: The Barons Family £500-1,000 568 AN UNMARKED YELLOW GOLD OPERA CHAIN, formed from rectangular open links, scattered with 9 spectacle-set oval coloured gemstones including tourmaline, c. 55in. (140cm) long, c. 27.5g (all in). £900-1,800 569 A PAIR OF VICTORIAN CLOAK CLIPS, each circular labradorite button carved with the face of an owl, in yellow gold mounts stamped '18', each c. 2.8cm dia., in a fitted case. See illustration

Lot 569

Provenance: The Barons family £1,000-2,000 570 A VICTORIAN CABOCHON GARNET AND DIAMOND BROOCH, the central cabochon garnet surrounded by 20 round, old-cut diamond totalling c. 1cts, in an unmarked yellow metal closed-back setting, c. 3cm wide., in a fitted case. £500-1,000 571 A VICTORIAN DEMANTOID GARNET AND DIAMOND LIZARD BROOCH, the body pave-set overall with graduated round-cut demantoid garnets with a central graduated round-cut diamond line, with cabochon ruby eyes, in unmarked yellow and white metal, c. 6cm long. See illustration. £800-1,500 572 A 19TH CENTURY PINK TOPAZ AND CHRYSOBERYL NECKLACE, the yellow gold tracelink chain spectacle set to the bottom section with oval-cut pink topaz and cushioncut chrysoberyls joined by chains to create a fringe, the largest pink topaz drop surmounted with a small old-cut diamond, c. 18in. (46cm) overall length.

Lot 571

£2,000-4,000 97

579 A PAIR OF GEORGE III DROP EARRINGS, the heavy unmarked yellow gold scroll and leaf mounts in three sections, each rubover-set with a green stone, possibly peridot or tourmaline with ruby accents, closed back settings with fish hook fitments, each earring c. 8.4cm long. See illustration

573 A VICTORIAN SEED PEARL NECKLACE, the chain formed from circular links each set with a pearl, spaced with three pearl double cluster vertical flowerheads, the bottom half suspending a knife-edge pearl graduated fringe, in unmarked yellow gold, c. 15in. (38cm) overall length, in a fitted case for J.W. Benson. See illustration.

£3,600-3,800

£2,000-4,000

580 A STUART MEMENTO MORI PENDANT, the oval crystal face above a gold wirework monogram below a painted skull within a rope twist border, in a yellow metal closed back setting with the remains of engraved initials, with later attached loops for threading ribbon, c. 2.3cm wide. See illustration.

574 A 19TH CENTURY GARNET RIVIERE NECKLACE, formed from foiled, closed-back oval graduated garnets, with concealed clasp, c. 17.25in. (43.5cm) long, and a pair of later similar drop ear clips. (2). See illustration. £200-400

£800-1,600

575 A VICTORIAN SPLIT PEARL AND DIAMOND NECKLACE, with central crescent moon and diamond-set star motifs, in yellow gold, the reverse engraved 'From Tommas … Morning Sweet', c. 15in. (38cm) long, in a fitted case for Hancocks and Co. See illustration.

581 AN UNMARKED YELLOW GOLD LOCK CHARM, the barrel with four spinning enamelled letters to create a word lock, with omega shaped rosette mounts, c. 2cm wide. See illustration.

£2,000-3,000

£500-1,000 576 AN ITALIAN SARD CAMEO, carved with the double-headed figure of Janus and the head of Socrates, in an unmarked gold pendant frame, c.4cm long, on later rose gold trace chain. See illustration.

582 A GRAND TOUR 19TH CENTURY MICROMOSAIC BROOCH PENDANT, of circular form, the coloured tesserae depicting a moth to the within micromosaic Etruscan style borders, with three conforming drops, cross keys mark, verso, with pendant hook and brooch mount, c. 6cm long. See illustration.

Provenance: Accompanied with an old label from the Gallery of Antiquities, Guildford suggesting the pendant is Italian 13th century. Apparently from the collection of the late Sir Alfred Jodrell's collection. Ex. Christies - 'C33'. Private collection.

£600-1,200

£400-800

583 A GRADUATED DOUBLE-ROW CULTURED PEARL NECKLACE, knotted, the largest pearl c. 8.3mm wide, the smallest c. 3.5mm wide, united by a white stone and moonstone cluster clasp, in unmarked yellow metal, c. 18in. (46cm) long and a single row knotted pearl necklace with a table cut diamond to the clasp, c. 20in. (51cm) long. (2).

577 A PAIR OF EARLY !19TH CENTURY ALMANDINE GARNET AND CANNATILE CHANDELIER EARRINGS, each set on the lever fitment with a circular almandine garnet within cannatile scroll borders, with a double chain suspending a larger almandine garnet and cannatile pendant with 3 almandine garnet drops, each earring c. 6.5cm long, in a fitted case for Mrs. Newman. See illustration

£100-200 584 A VICTORIAN DEMANTOID GARNET AND SEED PEARL NECKLACE, modelled as a central seed pearl flowerhead with detachable star burst seed pearl drop, the reverse stamped '18', and flanked on either side by openwork seed pearl wings with demantoid clusters to the centre, the reverse stamped '15CT', on a gold rope twist chain, 18in. (46cm) overall length.

£1,600-1,800 578 A 19TH CENTURY MICROMOSAIC BROOCH, of oval form, the coloured tesserae depicting a recumbent spaniel on grass, against a black hardstone ground, within an unmarked yellow metal brooch border, c. 4.5cm wide. See illustration. £80-150

£250-500

Lot 579

Lot 576

Lot 574

Lot 573 Lot 575

Lot 577

Lot 578

Lot 581

Lot 582 Lot 580

590 A VICTORIAN STYLE AQUAMARINE AND SEED PEARL NECKLACE, of open reticulated scroll form, set overall with graduated seed pearls with a central claw-set oval-cut aquamarine and three pear-cut aquamarine drops, stamped '14K', verso, on a yellow gold trace link chain, c. 14in. (43cm) overall length.

585 A GRADUATED PEARL BEAD NECKLACE, knotted, the largest pearl c. 6.3mm wide, the smallest c. 2.88mm wide, knotted, united by a rectangular millegrain diamond-set clasp, c. 18in. (46cm) long and a 9ct yellow gold and seed pearl 'Baby' brooch. (2). £150-300

£1,200-1,800

586 A VICTORIAN CORAL AND SEED PEARL PENDANT, of oval form, set to the centre with a round pale pink coral cabochon surrounded by a seed pearl border, mounted on a pear-drop coral cabochon and seed pearl star burst, enclosed within a graduated half pearl border, with pearl and coral ribbon tie surmount and pendant bale, in unmarked yellow metal, the reverse with screw fitment to detach the surmount, c.7cm long, on a 15ct yellow gold rope twist chain, c. 17in. (43cm) long.

591 AN EARLY 20TH CENTURY PURPLE STONE NECKLACE, collet-set with 5 oval-cut purple stones between pierced ball links, suspending 5 conforming drops, in unmarked white metal with a toggle clasp, 18in (46cm) overall length, in a fitted case. £100-200 592 AN OPAL CLUSTER PENDANT, claw-set with 4 oval opal cabochons within a shaped 9ct yellow gold framework, c.2cm long, on a yellow gold box link chain, the clasp stamped '585'.

£1,400-1,800 587 AN OPAL PENDANT, the boomerang shaped cabochon opal c. 1.7cm long, showing good green-orange iridescence, collet-set in unmarked yellow gold, on a 9ct yellow gold chain, c. 18in. (46cm) long.

£50-100 593 A TANZANITE PENDANT, the oval cushion-cut tanzanite in a heavy yellow metal collet setting, the pendant bale inset with two round-cut colourless stones, c. 2.6cm long, on a hallmarked 18ct yellow gold flattened curb link chain, c. 17in. (43cm) and another pink-purple stone pendant (2).

£80-150 588 AN EDWARDIAN AMETHYST AND SEED PEARL PENDANT, of open scroll form, collet-set to the centre with an ovalcut amethyst and a further amethyst pear-cut drop, the reverse indistinctly stamped with brooch fitment and pendant hook, 5.5cm long, a pair of oval-cut amethyst ear studs, an amethyst ring and another similar (4).

£200-400 594 AN EDWARDIAN AMETHYST AND DIAMOND BANGLE, the top section collet-set with a round-cut amethyst with open tapering shoulders each individually colletset with three round-cut diamonds each c. 0.05cts, on an unmarked yellow gold knife-edge hinged bangle, the concealed clasp with safety catch and chain.

£150-300 589 AN EDWARDIAN SNOWFLAKE/LEAF PENDANT, set with clusters of seed pearls and a central turquoise cabochon, with pearl-set pendant bale, in unmarked yellow gold, suspended on a 9ct yellow gold belcher link chain, c. 17in. (43cm) long.

£600-1,200 594A BOUCHERON: A RUBY AND DIAMOND BROOCH, modelled in 18ct yellow gold rope twists as a branch, with claw-set round, brilliant-cut diamonds and rubies overall, the reverse signed ‘Boucheron Paris’ and numbered 910, with hallmarks, c. 5.5cm long, in a Hancocks of London box.

£40-80

100

£1,000-2,000

Provenance: Private Collection, Bath

595 A PAIR OF VICTORIAN DIAMOND DROP EARRINGS, each claw-set with a round, old-cut diamond stud c. 0.25cts, suspending an old, square-cushion cut diamond drop c. 3.29cts and 3.43cts, with unmarked white metal fish hook fitments, each c. 1.7cm long, in a fitted case for The Goldsmiths and Silversmiths Company Ltd. Provenance: Given by the vendor's Grandmother to her mother, Mrs. Arthur Wood, on the occasion of her wedding in 1941. Thence by descent. See illustration. ÂŁ14,000-20,000

101

602 A VICTORIAN 'SUFFRAGETTE COLOURS' BROOCH/PENDANT, collet-set to the centre with a round-cut amethyst with seed pearl and peridot borders forming a flowerhead design, in yellow gold stamped '9ct', 3cm dia., suspended on an 18ct yellow gold bar, chain and ball link necklace, the barrel clasp stamped '18CT'.

596 A BLUE AND COLOURLESS ZIRCON BAR BROOCH, collet-set on a white metal knife edge bar to the centre with a round-cut blue zircon and a further colourless zircon at either end, in a fitted case. £80-150

£200-400

597 A VICTORIAN RUBY AND PEARL PENDANT, of symmetrical scroll form, collet-set to the centre with an oval-cut ruby and a further ruby drop with pearls throughout, 5cm long, on an unmarked yellow gold belcher link chain with barrel clasp, in original fitted case.

603 A VICTORIAN GEM-SET FLY BROOCH, the oval cabochon garnet ground modelled as a fly with rose-cut diamond wings, ruby eyes and an emerald body, in unmarked yellow and white metal, c. 2cm long.

£150-300

£200-400

598 A DIAMOND PENDANT, claw-set with three graduated round, brilliant-cut diamonds totalling c. 0.2cts, on a stylised plant background, within a hallmarked 22ct yellow gold wedding band, the pendant bale stamped '14K', suspended on a yellow gold box link chain stamped '14K', c. 17in. (43cm) long.

604 A PAIR OF VICTORIAN YELLOW GOLD EARRINGS, of Etruscan Revival style, the circular disc with cut-out star and bead decoration, on ball and fish hook fitments, (unmarked but tests as gold), c. 3.2cm long. £500-1,000

£100-200 605 A 19TH CENTURY 'GOOD LUCK' PENDANT, captured with a dried four-leaf clover behind glass to the centre within a seed pearl border, the gold back inscribed 'Amicizia' [friendship], 1.75cm long and an Edwardian white enamel, gold and amethyst drop pendant, 4.5cm long (2).

599 A GEORGE III PINCHBECK CHAIN, each belcher link with granulated decoration, c. 38in. (96.5cm) long. £300-600 600 A 19TH CENTURY SHELL CAMEO, depicting the profile portrait of a classical woman with wheat sheafs in her hair, the reverse indistinctly scratch signed and date 1862, within an unmarked yellow gold rope twist and bead frame, with safety chain, c. 5.5cm long.

£100-200 606 A VICTORIAN CITRINE AND SEED PEARL BROOCH, the oval-cut citrine surrounded by a cluster border of half pearls, set in unmarked yellow metal, 3.5cm long.

£100-200

£80-150

601 A 19TH CENTURY GUILIANO -STYLE DIAMOND AND ENAMEL PENDANT, set to the centre with a cabochon stone, possibly moonstone, surrounded by a black and white enamel inner border and a red guilloche enamel outer border, enclosed by open rose-cut diamond-set leaf scrolls, in unmarked yellow and white gold, with pearl drop, c.4.2cm long, on an unmarked yellow metal trace link chain, c. 19in. (48.5cm) long.

607 A VICTORIAN MOURNING BROOCH, set to the centre with an oval hair work panel within wavy black enamelled and patterned borders, in unmarked yellow metal, engraved 'Mary Wainwright died 22nd May 1855 aged 78', c. 5.5cm long and a similar purple stone set and black enamelled mourning ring (2). £80-150

£1,600-1,800

102

608 A 19TH CENTURY OVAL CAMEO, carved in brown and white with the apotheosis of the sea nymph Galatea, c.4cm long, on a 9ct yellow gold chain and another profile portrait shell cameo brooch (2).

Lot 609

£100-200 609 KUTCHINSKY: A MODERNIST STYLE TIGERS EYE MEDALLION PENDANT, the circular tigers eye disc mounted in hallmarked 18ct yellow gold (London, 1975) with textured shards, the pendant bale inscribed 'Kutchinsky', 5.5cm dia., on a hallmarked 18ct yellow gold hallmarked textured belcher link chain, 32in. (81cm) long. See illustration. £500-1,000 610 A SET OF VICTORIAN CUFFLINKS AND DRESS STUDS, each formed from an oval cabochon garnet set with a diamond within a gold cut-out star, with unmarked yellow gold 'figure-of-eight' links, comprising a pair of cufflinks and 8 dress studs, in the original fitted case.

Lot 611

£500-800 611 A GEORGE III GEMSTONE LAVALIER PENDANT, the two chains collet-set to the bottom with three rose-cut diamonds, terminating in a pear-cut amethyst and peachpink topaz, united together by a cushion-cut almandine garnet and colourless topaz with 4 rose-cut diamonds surrounding each, on a 15ct yellow gold tracelink chain, the barrel clasp stamped '15CT', c. 21in. (53.5cm) overall length. See illustration £1,400-1,800 Lot 613

612 A VICTORIAN STYLE RUBY AND PEARL BROOCH/PENDANT, of leaf and ribbon tie design, with a central cultured pearl to the centre and interspersed with 4 claw-set rubies, with 3 smaller pearl drops, the reverse hallmarked for 9ct yellow gold, on a 9ct yellow gold belcher link chain 30in. (76cm) long. £50-100 613 A LARGE 18CT YELLOW GOLD CUFF, hinged, each side with ornate pierced decoration, untied by a sliding bar clasp stamped '750' with Continental marks, c. 128.4g. See illustration. £3,600-4,000 103

614 A 9CT YELLOW GOLD LONG FANCY LINK CHAIN, interspersed with round, white cultured pearl and tigers eye beads, the clasp hallmarked, c. 38in. (96.5cm) long. See illustration.

620 AN UNMARKED YELLOW GOLD COIL BRACELET, graduated to wrap around the wrist with large ball terminals, c. 65.3g (all in). See illustration.

£100-200

£3,500-4,000

615 A 9CT YELLOW GOLD CHUNKY CURB LINK BRACELET, some links hallmarked, with a hallmarked heart shaped padlock clasp, with safety chain. See illustration.

621 A 9CT YELLOW GOLD TEXTURED CUFF BRACELET, hallmarked to the clasp, with safety catch, c. 80.4g. See illustration. £400-800

£900-1,500 616 AN 18CT YELLOW GOLD PENDANT, modelled as a swirl engraved medallion with an Egyptian monarch's profile in relief, the pendant bale stamped '750', c. 4.5cm dia., c. 14.2g. See illustration.

622 A 9CT ROSE GOLD CURB LINK BRACELET, suspending 13 yellow gold and other charms including religious medallion charms and an 1853 Scvdo, the concealed clasp with safety catch, c. 41g (all in). See illustration

£200-400

£300-600

617 A CONTINENTAL UNMARKED YELLOW GOLD TORQUE BANGLE, hinged, with applied vine and grape decoration, terminating in lapis lazuli ball ends. See illustration.

623 JANE GORDON: A PAIR OF SUNFLOWER EAR CLIPS, each modelled in white and yellow gold as a sunflower with collet-set diamond seeds to the centre, applied makers monogram, verso, 3.3cm dia. C. 373.7g (all in). See illustration

£600-1,200

£1,500-2,000

618 A DANISH STYLE 15CT YELLOW GOLD BRACELET, each link formed as a pair of ellipses, united by an openwork clasp with safety chain, suspending a circular locket stamped '15', c. 20.3g (all in). See illustration.

624 AN 18CT YELLOW NECKLACE AND BRACELET SUITE, each of textured and chain rope twist design, the concealed clasps hallmarked, with safety catches, 12in. (30cm) long (necklace), c. 77.9 (all in) and a pair of yellow gold textured weave bun shaped ear clips, the clips stamped '18K'. (3). See illustration

£1,200-1,800 619 A PAIR OF 18CT YELLOW GOLD CUFFLINKS, of square form, one enamelled 'Ridden By E.J.B. Nelson - Manners Cup Stanley Chase 1935', the other with an enamelled racing trophy and 'Last Glow', hallmarked, verso, c. 14.4g (all in). See illustration

£1,000-2,000 625 AN 18CT YELLOW GOLD MULTIPLE SNAKELINK NECKLACE, formed from 7 graduated brushed snakelink strands, united by a hallmarked concealed clasp, with safety catch, c. 107.2g, c. 17in. (43cm) overall length, in a Richard Ogden case. See illustration.

£200-400

£1,500-3,000

104

Lot 618

Lot 623

Lot 615

Lot 614

Lot 624

Lot 625

Lot 619

Lot 617

Lot 620

Lot 616

Lot 621

Lot 622 105

632 A 9CT ROSE GOLD CHARM BRACELET, each link hallmarked, suspending 11 9ct gold hallmarked charms including a post box and horse, the heart padlock clasp with safety chain, c. 33.3g (all in).

626 HERMES: A PAIR OF SNAFFLE BIT CUFFLINKS, each modelled in yellow gold with Continental stamps, c. 12.6g (all in), in the original Hermes fitted case. £1,200-1,800

£250-500

627 A GEORGE III MOURNING RING, the central swivelling bezel set with facetted black stones and a hairwork panel, inscribed 'W. Wainwright Ob. 26 July 1813 aged 38', verso, with conforming stone set shoulders and another ring of identical design and inscription. (2)

633 A 9CT YELLOW GOLD STAG BROOCH, modelled as a stags head with antlers and red stone eyes, hallmarked, c. 4.6g (all in). £50-100

£80-150

634 A 9CT ROSE GOLD LONG GUARD CHAIN, the belcher links with applied oval stamped '9', suspending a lobster clasp at one end and a jump ring clasp the other, c. 62in. (157cm) long, c. 21.5g.

628 AN OPAL, EMERALD AND DIAMOND BROOCH, the central oval opal cabochon surrounded by a rosecut diamond border and an individually set native-cut emerald border forming a cluster design, in unmarked yellow gold, with safety chain, c. 2.5cm long.

£150-250

£150-300 635 A 22CT YELLOW GOLD HALF SOVEREIGN, dated 1909, set as a ring in hallmarked 9ct yellow gold, c. 12.3g. (all in)

629 A ROSE GOLD BRACELET, of curb form, set to the centre with a carved circular intaglio in grey and black depicting a jockey and racing horse, the concealed clasp with safety chain, c. 17.1g (all in).

£150-200

£400-800

636 A 9CT YELLOW GOLD FANCY LINK CHAIN, formed from alternate polished bar and belcher links, 28in. (71cm) long, c. 9.5g, suspending a hallmarked thistle pendant claw-set with a small cairngorm.

630 A PAIR OF ART DECO CARVED JADEITE EARRINGS, each white metal stylised drop collet set with two small diamond accents, terminating in a tablet of green jadeite with archaistic carving, each earring c. 3.4cm long, with screw fitments.

£80-150

£100-200

637 A 9CT YELLOW GOLD CURB LINK BRACELET, the carabiner clasp stamped '375', with safety chain, c. 18.7g.

631 A YELLOW GOLD ELASTICATED SNAKELINK NECKLACE AND PENDANT, the snakelink chain, c. 16in. (41cm) long, suspending a yellow gold oval pendant mounted with an oval black onyx to the centre, the necklace and pendant each stamped '14K'.

£100-200

106

638 A RENAISSANCE ENAMEL AND GEM-SET PENDANT, with a pelican in Piety within a border of foliate scrolls incorporating masks and cornucopia, set with emeralds, rubies and pearls, the reverse with cross keys enamelled motif, possibly Papal, 6.7cm long, on a section of enamelled chain set with table-cut stones and pearls, with loops at either end, c. 24cm long, probably late 16th/17th century, with extensive losses.

The chain may be compared to a necklace from the Gutman Collection, No. 53, illustrated in ‘Renaissance Jewels and Jewelled Objects – The Melvin Gutman Collection’, page 148/149, published by the Baltimore Museum of Art, 1968.

Provenance: Private collection, Poland. Thence by descent.

107

645 AN 18CT YELLOW GOLD SIGNET RING, engraved to the centre with motto and device, the shank stamped '18CT' in a fitted Garrard and Co case, c. 7.2g

639 A PAIR OF ART DECO BLUE AND COLOURLESS ZIRCON DROP EARRINGS, claw-set on a white metal knife edge with two round-cut colourless zircons and a larger round-cut blue zircon, with screw fitments, 3.5cm long, in a fitted case.

£70-140

£150-300

646 A 22CT YELLOW GOLD HALF SOVEREIGN, dated 1982, set within a hallmarked 9ct gold bracelet panel, c.6.1g and a 22ct yellow gold full sovereign, dated 1974, set within a hallmarked 9ct yellow gold pendant, c. 9.8g. (2).

640 A YELLOW GOLD BAR BROOCH, of pierced tubular form, one end stamped '18K', with safety chain, c. 9.1g, a hallmarked yellow gold belcher link chain suspending a carved stone Egyptian hieroglyph pendant and a gold coloured Hawaii pendant (3).

£300-600

£100-200 647 A 22CT YELLOW GOLD SOVEREIGN, dated 1910, mounted as a pendant in hallmarked 9ct yellow gold, c. 11.8g.

641 AN 18CT YELLOW GOLD BALL PENDANT, modelled as a globe, the pendant bale stamped '750', suspended from a yellow metal fine curb link chain, c. 7.6g (all in).

£200-400 648 A 9CT YELLOW GOLD CHRISTMAS PENDANT, the oval pendant engraved with a robin and holly, the reverse inscribed 'Robin Redbreast Christmas 1977', hallmarked, c. 3cm long, c. 15.8g.

£100-200 642 A FOREIGN YELLOW GOLD RING, the top with textured curb link decoration and stamped '23K', c. 9.9g, an unmarked yellow gold (tested) fringe necklace, each fan shaped link with pierced stylised decorations, c. 16.2g and an oval-cut amethyst pendant (3).

£100-200 649 A 22CT YELLOW GOLD FULL SOVEREIGN, dated 1907, mounted as a ring in hallmarked 9ct yellow gold, c. 15.4g.

£150-300 643 A 22CT YELLOW GOLD SOVEREIGN, dated 1911, mounted on a yellow gold bar with diamondset ends, stamped '18VT', with safety chain, c. 13.4g (all in).

£200-400 650 AN 18CT YELLOW GOLD NECKLACE, the box link chain set with two graduated diamond-set bars, with a conforming concealed clasp with safety catch, stamped with makers mark and '750', c. 9.8g (all in), 16.5in. (42cm) long.

£200-400 644 A CASED SET OF FIVE YELLOW GOLD BUTTONS, each with enamelled monogram and date 1900, stamped '178', verso, and a similar part set, both in fitted leather cases. (2).

£150-250

£200-400

108

651 9CT YELLOW GOLD HALF CURB LINK NECKLACE, the concealed clasp hallmarked, with safety catch, 17.5in. (44cm) long, c. 27.8g. £150-300 652 A YELLOW GOLD, YELLOW SAPPHIRE AND DIAMOND BRACELET, claw-set to the centre with an oval-cut yellow sapphire, total carat weight c. 3.52cts, surrounded by a round, brilliant-cut diamond border, mounted on a heavy unmarked yellow gold curb link bracelet, the top section set overall with rose-cut diamonds, the concealed clasp with safety chain, c.42.8g (all in). See illustration

Lot 652

£2,600-2,800 653 A 9CT YELLOW GOLD SERPENT BANGLE, sprung, the engraved head with ruby cabochon eyes, hallmarked. £100-200 654 AN UNMARKED YELLOW METAL CURB BRACELET, each link formed from multiple oval links, suspending 6 9ct gold and other charms including a cabochon amethyst turtle, the hallmarked heart padlock clasp with safety chain, c. 30.8g (all in). £300-600 655 A 9CT YELLOW GOLD GATELINK BRACELET, the heart padlock clasp hallmarked, with safety chain, c. 28.8g. £200-400 656 A 9CT ROSE GOLD GRADUATED ALBERT CHAIN, each link hallmarked, two lobster clasps at either end, suspending a hallmarked 9ct T-Bar and jump ring, 15.25in. (39cm), 34.2g (all in), and an unmarked yellow metal belcher Albert chain with engraved T-bar, 13.75in. (35cm) long. £300-600

109

657 A 22CT YELLOW GOLD FULL SOVEREIGN, dated 1967, set in a hallmarked floral engraved pendant, c. 12.6g, on an unmarked yellow gold belcher chain, 27in. (68.5cm) long.

663 A 22CT YELLOW GOLD SHIELD BACK SOVEREIGN, dated 1872, in a hallmarked 9ct yellow gold engraved medallion pendant, suspended on a 9ct yellow gold belcher link chain, c. 24in. (60cm) long, c. 38.9g (all in).

£300-600

658 A 9CT YELLOW GOLD FANCY CURB LINK ALBERT CHAIN, suspending a hallmarked 9ct rose gold fob with Osmaston Cup presentation inscription and a yellow metal T-bar, c.37cm long, c. 39.8g. (all in).

664 A 22CT YELLOW GOLD WEDDING BAND, hallmarked, a 9ct yellow gold tie pin and another yellow metal example, c. 8.9g (all in). £80-160

£300-600 665 A 9CT YELLOW GOLD HEAVY CURB LINK ID BRACELET, each link with bark texture, the concealed clasp hallmarked, with safety chain, c. 90.3g.

659 A 9CT ROSE GOLD CHARM BRACELET, each link hallmarked, suspending 14 9ct yellow gold and other charms including a pair of skis and a steeplechaser, united by a hallmarked 9ct yellow gold heart padlock clasp with safety chain, c. 52.7g (all in).

£800-1,600 666 A 22CT YELLOW GOLD SHIELDBACK HALF SOVEREIGN, dated 1877, set in a hallmarked 9ct yellow gold rink with stylised pierced shoulders, c. 7.4g (all in).

£400-800 660 A COLLECTION OF 9CT GOLD JEWELLERY, including a box link chain, a snakelink and bead chain and an Egyptian Pharaoh pendant, c. 26.1g (all in).

£100-200 667 A 15CT YELLOW GOLD GUARD CHAIN, formed from four fancy belcher link row, unite by a jump ring at one end and a lobster clasp the other, the clasp and chain stamped '15CT', suspending an unmarked yellow metal repousse decorated fob whistle, 31in. (79cm long), c. 39.6g (all in).

£150-300 661 A YELLOW GOLD SPADE GUINEA, dated 1788, with attached pendant loop, c. 8.6g. (all in) £150-300

£250-500

662 A 15CT YELLOW GOLD BRACELET, formed from chunky textured and scroll engraved links, the concealed clasp stamped '15CT', with safety chain, c. 22.4g.

668 A 9CT ROSE GOLD ALBERT CHAIN, each graduated curb link hallmarked, with a lobster clasp at one end and suspending a hallmarked T-bar at the other, 13in. (32.5cm), c. 34.8g (all in)

£150-300

£300-600

110

675 A 9CT YELLOW GOLD CUFF BRACELET, of textured brick form, the concealed clasp hallmarked, with safety catches, c. 66.3g.

669 A 9CT YELLOW GOLD OVAL CURB LINK BRACELET, the jump ring clasp suspending a heart shaped padlock clasp stamped '9CT ' with makers mark and engraved initials 'ND', engraved with scrolls on the reverse, c.24.3g.

£600-1,200

£200-400

676 A YELLOW GOLD INDIAN ELEPHANT BROOCH, the elephant modelled with ceremonial adornments, unmarked, with safety chain, c. 2.2cm wide, c. 6.1g (all in).

671 AN UNMARKED YELLOW GOLD CURB LINK BRACELET, the concealed clasp with safety chain (unmarked but tests as gold) and suspending a yellow gold heart padlock clasp stamped '9CT', c. 23.3g

677 A 9CT YELLOW GOLD TEXTURED BRICK NECKLACE, the concealed clasp hallmarked, with safety catch, 16.5in. (42cm), 56.6g

£200-400

£500-1,000

672 AN UNMARKED YELLOW GOLD LOCKET PENDANT, of cartouche form, with engine turned and engraved floral decoration, the double hinges opening to reveal 4 photo compartments, c. 3.5cm, on a double strand unmarked yellow gold curb link chain, 16in. (40cm) long, c. 19.4g.

678 AN 18CT YELLOW GOLD NECKLACE, formed from multiple open loops, the concealed clasp hallmarked, with safety catch, c. 17in. (43cm) long, in a fitted case for Mappin and Webb Ltd.

670 A 9CT GOLD HINGED BANGLE, of square form, hallmarked, c. 22.8g.

£100-200

£600-1,200

£150-300 679 A 9CT WHITE GOLD TIFFANY STYLE NECKLACE, formed from multiple trace link strands suspending an openwork heart, the jump ring clasp with heart charm stamped '375', c. 17in. (42.5cm) long, c. 5.3g.

673 AN UNMARKED YELLOW GOLD NECKLACE, formed from open brick links within bead and loop borders, the concealed rectangular clasp engraved, (unmarked but tests as gold), 17in. (42.5cm) long, c.37.9g.

£100-200

£300-600 680 A PAIR OF 18CT YELLOW GOLD CUFFLINKS, each of canted rectangular form and engine-turned, hallmarked to each section and chain, c. 7.1g.

674 A 9CT YELLOW GOLD CUFF BRACELET, of textured brick form, the concealed clasp hallmarked, with safety catches, c. 70g.

£50-100

£500-1,000

111

680A A 9CT YELLOW GOLD GUARD CHAIN, formed from three strands untied by a hallmarked carabiner clasp, c. 20in. (51cm), c. 21.8g and a collection of other gold jewellery including 22ct yellow gold wedding bands, c. 63.7g (all in). (a lot).

687 AN EDWARDIAN PAINTED PORTRAIT BROOCH, the oval panel painted with a woman in prayer in a garden, within a gilt metal seed pearl set open scroll border, c. 5.3cm long.

£40-80

£500-1000

681 AN EARLY 20TH CENTURY SHELL CAMEO, carved with the profile portrait of a young lady, within a gilt metal leaf wirework brooch frame, with safety chain, c. 5.7 long.

688 A PAIR OF VICTORIAN SCARAB BEETLE EARRINGS, each collet-set within fine rope twist yellow metal borders with a single green iridescence scarab beetle, each c. 2cm long.

£40-80

£80-120

682 A PAIR OF 1960'S DESIGN TIGERS EYE CUFFLINKS, each triangular shaped tigers eye cabochon in a yellow metal setting with safety chains, each c. 1.3cm long.

689 A COLLECTION OF JEWELLERY INCLUDING: a demantoid garnet and diamond shamrock stick pin, a yellow gold script ring, two lapel buttons with chains, a pair of gold tweezers and a silver pill box. (one lot).

£80-150

£200-400

683 A CARVED JADE BROOCH, the oval green 'jade' panel carved with a bird and flowers, in unmarked yellow gold, c. 3.5cm wide and a similar ring (2).

690 A COLLECTION OF GOLD JEWELLERY including an 18ct yellow gold textured wedding band and a 9ct yellow gold Koi carp ring with ruby eyes, c. 25.4g (all in). (8).

£80-150

£200-400

684 A 1960'S MODERNIST STYLE PENDANT, formed from open yellow gold wavy strands, collet-set to the centre with a pear-cut citrine, with empty claw mounts overall, stamped '18CT', c. 6cm long.

691 A FIVE STONE DIAMOND RING, (one stone lacking), the four remaining graduated round, old-cut diamonds in an 18ct yellow gold setting, a hallmarked silver engine-turned cigarette case and a collection of other jewellery including a wedding band and a cinnabar lacquer brooch (a lot).

£150-250 685 A ROSE-CUT DIAMOND AND ENAMELLED FLYING DUCK BAR BROOCH, set on a yellow gold bar stamped '9CT', a three stone diamond and ruby bar brooch and 4 others (6).

£150-300 692 A COLLECTION OF CARVED STONE BEADS AND NECKLACE LINKS, one dark red stone navette-shaped modelled with a man’s face and set in rose gold as a clasp, c. 4.3cm long, four further coloured square examples depicting leaves and insects and 7 rams head links, with a handwritten note dated 1891 stating 'Necklace of Magatama and Kudadama worn 2000 years ago....These beads were dug out of the earth in several places [many] times...' (13)

£150-300 686 AN UNMARKED ROSE METAL CURB BRACELET, suspending 10 gilt metal and 9ct gold fob seals including a rose gold bloodstone fob, a Victorian gilt metal cairngorm brooch and a 9ct yellow gold smoky quartz brooch (3).

£150-300

£200-400

112

693 A CULTURED PEARL AND DIAMOND RING, the central white cultured pearl c. 7.6mm and flanked on either side by a round, brilliant-cut diamond each c. 0.05cts, on a hallmarked 18ct white gold shank and a pair of ear studs ensuite. (2). £100-200 694 A DOUBLE ROW PEARL NECKLACE, knotted, the pearls graduating from c. 3.5mm to 7.7mm, ((untested but probably natural), showing pink-peach iridescence, united by an old-cut diamond elliptical cluster clasp totalling c. 1cts (one stone paste), with safety chain, c. 18.5in. (47cm) maximum length. £1,000-2,000 695 A PEARL NECKLACE, knotted, the pearls graduating from c. 3.05mm to 7.2mm, (untested but probably natural), united by a diamond-set figure of eight clasp, the reverse engraved 'JOAN', with safety chain and case, c. 15in. (38cm) long. £150-250 696 A BELLE ÉPOQUE NATURAL PEARL AND DIAMOND CHOKER, formed from six rows of natural seed pearls each c. 2.38mm, united with a central millegrain-set diamond pendant modelled as a ribbon tie with rosette and half Greek key motifs to the outer edges, with a conforming diamond-set clasp to the back, in unmarked white metal, c. 15in. (38cm) long. See illustration £800-1,600 697 A CULTURED PEARL NECKLACE, each oval semi-baroque cultured pearl knotted graduating from c. 8.7mm long to 11.5mm long, united by an unmarked yellow gold heart and cupid's arrow toggle clasp, c. 15in. (46cm) long. £400-800 698 A DOUBLE ROW CULTURED PEARL NECKLACE, knotted, the pearls graduating from c. 3.4mm to 7.5mm, united by a Victorian yellow metal pearl-set bar clasp, with safety chain, c. 22in. (56cm) maximum length.

Lot 696

£80-150

113

706 A 19TH CENTURY IVORY BROOCH, carved with a group of horses, 7.3cm. See illustration.

699 A DOUBLE ROW CULTURED PEARL NECKLACE, knotted, the pearls graduating from c. 2.8mm to 7.3mm, united by a hallmarked yellow gold bow-shaped clasp, 22in. (56cm) maximum length.

£200-300

£60-120

707 A LARGE SCOTTISH CAIRNGORM BROOCH, claw-set to the centre with a large round-cut cairngorm c. 3.2cm dia., raised in a claw-setting above a Celtic engraved silver border, the reverse with makers mark R&HBK, c. 8cm wide. See illustration.

700 A CULTURED PEARL DOUBLE ROW BRACELET, each cream cultured pearl c. 5.3mm, united by a continental silver hallmarked bar clasp, claw-set with round green stones and a graduated single row knotted pearl necklace, with a white metal bow shaped pearl-set clasp, 24in. (61cm) long. (2).

£80-150

£300-600 701 A CULTURED PEARL NECKLACE, the 43 oval white cultured pearls knotted, each c. 9.2 x 10.3mm, with an oval white metal colourless and purple paste clasp with safety chain, c. 18in. (46cm) long.

708 AN ART NOUVEAU PENDANT, modelled as a dragonfly amongst scrolls, pave set overall with round, cabochon turquoise with red stone eyes, on a conforming turquoise scroll chain, in unmarked white metal, c. 16.5in. (42cm) overall length. See illustration.

£50-100

£80-150

702 A PEARL NECKLACE, each pearl semi-baroque showing pink-cream iridescence, each pearl c. 5.5mm, (untested but probably natural), c.36in. (91.5cm) long.

709 AN AUSTRO-HUNGARIAN PARURE, comprising a bracelet, brooch and a pair of dress studs, each of circular domed form, enamelled with cabochon turquoise and red stones, in unmarked gilt metal, in the original fitted case. See illustration.

£50-100

£100-200

703 A GRADUATED 'BUTTERSCOTCH AMBER' BEAD NECKLACE, the 41 oval beads knotted, the largest c. 18.2mm long, the smallest c. 11.1mm long, c.36.6g (all in), three pieces of modern heat treated amber and a red hardstone bead necklace (5).

710 A 9CT YELLOW GOLD AND TIGERS EYE NECKLACE AND BRACELET SUITE, each formed from oval tigers eye cabochons with circular gold links between, the necklace on a yellow gold curb link chain, c. 13in. (33cm) long, the clasp of the bracelet stamped '9CT', (2). See illustration.

£300-600 704 A ROW OF AMBER BOULDER BEADS, ranging from opaque butterscotch to orange transparent in colour, the largest bead c. 12.7mm long, c. 84.2g (all in), 61in. (155 cm) long, and a collection of coral beads. (5).

£100-200 711 ILIAS LALOUNIS: A STERLING SILVER CUFF BANGLE, modelled with relief Grecian coins, the top section hinged to open, marked, with original guarantee certificate and box and an Eastern white metal belt (2). £100-200

£800-1,500 705 A VICTORIAN SCOTTISH AGATE BUCKLE, the clasp modelled with shaped sections of specimen agate, against a gilt metal engraved mounts, on a black linen belt, the buckle c. 9.5cm long. See illustration. £50-100

114

Lot 705

Lot 708 Lot 707

Lot 710

Lot 709

Lot 706 115

A PRIVATE COLLECTION OF HAIR ACCESSORIES

712 A BUTTERSCOTCH 'AMBER' BEAD NECKLACE, the oval beads graduated between c. 3cm long to 0.8cm long, 29in. (75cm) long, c. 48g (all in), a 'red amber' graduated beads necklace and a collection of other amber and hardstone jewellery including a cloisonné enamel bracelet (a lot).

718 A 19TH CENTURY FRENCH TORTOISESHELL, PEARL AND GOLD AIGRETTE, the tortoiseshell comb with a curved hinged mount in hallmarked French gold, pierced and enamelled in black with a wave design and surrounded by two prong-set rows of cultured pearls, c, 12 cm wide, in the original fitted case for Bosson, Marseille. See illustration.

£100-200 713 AN EDWARDIAN DIAMOND-SET CLIP, modelled with the letter 'Y', c. 0.8cm long, a diamond and pearl brooch and a collection of other diamond, pearl and gem-set brooch, some cased. (a lot).

£500-1,000

£250-500

719 A PAIR OF EARLY 20TH CENTURY JAPANESE TORTOISESHELL HAIR SLIDES, with painted iridescent micromosaic-effect decoration, painted gilt characters, verso, each c. 11.5cm long, in a presentation case and a pair of Japanese painted hair sticks (4). See illustration.

714 A VICTORIAN CORAL CABOCHON AND UNMARKED YELLOW GOLD TARGET BROOCH, c. 5cm dia., in a fitted case, a cabochon garnet and yellow gold target brooch and a collection of other brooches including two mourning brooches (a lot).

£80-150

£150-300 715 A YELLOW GOLD IRIS BROOCH, modelled with cultured pearls overall, stamped 18K, c. 5.7cm long, a diamond and pearl yellow metal floral brooch and a collection of other gold and silver jewellery including a hallmarked silver small tea caddy (a lot).

720 A PAIR OF VICTORIAN TORTOISESHELL AND GOLD PIQUE HAIR SLIDES, with scallop shaped ends mounted with an unmarked gold pique panel depicting Indian-style scrolling leaves and birds with a central dragon motif, each c. 12.7cm long (2). See illustration.

£200-400

£200-400 721 A CARVED TORTOISESHELL TIARA, carved with graduated chain-links and rope twists, with holes at either end to secure with elastic, c. 5cm high at highest point, a tortoiseshell spiral carved hair comb and two others similar (4). See illustration.

716 ST. JAMES' CAT CLUB: A SILVER FOB PENDANT, enamelled with a head and shoulder portrait of a Siamese cat, c. 4.5cm long, hallmarked with fancy link silver chain, a modern silver rabbit teether, a marquisate brooch and a silver baby feeding set. (4).

£150-300

£80-150

722 A 19TH CENTURY CARVED IVORY AIGRETTE, the flared top section carved with a central floral display against a star pierced ground, 11.5cm at the widest point, See illustration.

717 AN EARLY 19TH CENTURY PAINTED PORTRAIT MINIATURE PENDANT, depicting a gentleman wearing a sky blue jacket, 3.5cm long, a hallmarked silver and yellow guilloche enamel compact, a cased set of pearl and rose gold dress studs and other costume and gold jewellery (a lot).

£100-200 723 FIVE EARLY 20TH CENTURY FAUX TORTOISESHELL AND PASTE HAIR SLIDES, each with pierced and/or inset paste decoration. (5). See illustration.

£100-200

£100-200 116

Lot 718

Lot 726 (part)

Lot 720

Lot 723 (part) Lot 725 (part)

Lot 725 (part)

Lot 722

Lot 719

117

Lot 721 (part)

729 AN INDIAN GEMSTONE BANGLE, the unmarked yellow metal bangle, hinged, the top half modelled as a pair of love birds and set with pink, red and colourless stones, the concealed clasp with safety catch.

724 A LARGE TORTOISESHELL HAIR COMB, mounted to the top with a pierced hallmarked silver scroll, c. 14cm wide and an Art Nouveau tortoiseshell and opal silver applied hair comb (2).

£100-200

£100-200 730 AN EDWARDIAN WRAP-AROUND RING, set with rose-cut diamonds and pearls as a flower, a carved shell cameo modelled with figures by a fountain and a collection of gold and other gem-set jewellery. (a lot).

725 AN EARLY 20TH CENTURY PASTESET HAIR SLIDE, the scroll surmount set overall with green, blue and colourless paste, c. 5.5cm wide and a collection of other faux tortoiseshell, early resin and faux amber hair slides (a lot). See illustration

£200-400

£80-150

731 TIFFANY AND CO, LTD: A PAIR OF 18CT YELLOW GOLD CUFFLINKS, oval, with floral carved borders, inset to the centre of each with a round old-cut diamond c. 0.15cts, the reverse stamped 'Tiffany 750'.

726 TWO EARLY 20TH CENTURY TORTOISESHELL HAIR COMBS, each with painted and textured gold stylised fan decoration, the largest c. 13.5cm wide, a set of three graduated hair combs with applied yellow metal pierced decoration and three Chinese carved bone hair slides (8). See illustration

£600-1,200 732 A BELLE ÉPOQUE BROOCH set in white metal with a central blue jasperware panel in a frame of ribbon-tied flowers set with old-cut diamonds within an outer border of pearls. See illustration

£100-200 727 A VICTORIAN TORTOISESHELL AND YELLOW GOLD HAIR SLIDE, the two prongs mounted in unmarked yellow gold with a twist and bar and ball decoration, c. 13.5cm long, a Victorian gilt metal and faux pearl tiara and a collection of other hair accessories (a lot).

£1,500-£2,500

733 A DIAMOND, EMERALD AND PEARL BROOCH, set to the centre with an old, cushion-cut diamond c. 0.65cts, set within a yellow and white metal circular mount, with leaf-shaped rows of calibre-cut emeralds with half pearls between, the closed-back reverse with hinged pendant bale, c. 2.3c, dia.

£100-200 728 A VICTORIAN PIERCED TORTOISESHELL HAIR COMB, the top section with ornate carved and pierced acanthus leaf decoration, c. 12cm wide, a pair of Victorian tortoiseshell two-prong hair slides with pierced acanthus leaf decoration and 6 other tortoiseshell, faux tortoiseshell and horn hair slides (9).

£200-400

734 A PAIR OF EDWARDIAN DIAMOND BROOCHES, each of open work scroll form, millegrain-set overall with graduated round, old-cut diamonds, in unmarked yellow and white gold, possibly converted from part of tiara, c. 3.7cm long. (2)

£100-200

118

£200-400

735 ATTRIBUTED TO ANTON FRUHAUF (1914-1999): AN 18CT YELLOW GOLD ABSTRACT BROOCH, of square form, depicting Masai Tribe figures under a moon, the moon modelled as a round, brilliant-cut diamond c. 0.4cts, the reverse stamped ‘750’ with makers mark for Charles de Temple, c. 7.5cm wide, c. 116.2g (all in). See illustration. Provenance: Purchased in a Mayfair jewellers by the vendor’s mother in the 1980’s. Thence by descent. Private Collection, Bath.

The design and construction of this piece is wholly consistent with the work of Anton Fruhauf, an award winning modernist Austrian jeweller and graphic designer who sought to make wearable works of art. Numerous identical brooches with the same casting have appeared on the open market in recent years but without the addition of a diamond and the Charles de Temple mark. It is possible that Fruhauf sent a small number of these ‘Masai Tribe’ brooches to his friend and contemporary Charles de Temple for gem-stone embellishment which would explain the addition of de Temple’s mark.

£3,000-6,000

119

738 DAVID DEAKIN: AN ANSTRACT CRYSTAL AND DIAMOND PENDANT AND CHAIN, the pendant set to the centre with an orange rock crystal surroudne dby a yellow gold open branchwork setting individually claw-set with 8 graduated round, brilliant-cut diamonds, the reverse signed, c. 6cm long, suspended on a conforming 18ct yellow gold reticulated branchwork chain, the barrel clasp stamped ‘750’, c. 96cm long. See illustration.

736 ANTON FRUHAUF (1914-1999): A MODERNIST AQUAMARINE AND DIAMOND COCKTAIL RING, the large step, emerald-cut aquamarine c. 1.7cm x 2.2cm, in an 18ct yellow gold heavy branch textured setting with diamond highlights, with ‘A . Fruhauf ’ stamp. See illustration. £2,000-4,000

Provenance: Private Collection, Bath.

737 ATTRIBUTED TO GERDA FLOCKINGER C.B.E (b.1927): AN ABSTRACT GEM-SET RING, the openwork yellow gold lattice shank set with a round white cultured pearl and a cabochon citrine carved with a flower, unmarked. See illustration.

Provenance: Private collection, Bath.

£800-1,200

Provenance: Private Collection, Bath.

£1,000-2,000

Lot 737

Lot 738

Lot 736

120

FRIDAY, 9 t h December, 10.30A M

COINS AND OBJETS D'ART

Lot 930 121

859 ROYAL MINT, GOLD PROOF TWO POUNDS, 1997, with certificate in leather box. (1 coin)

850 ROYAL MINT, 500TH ANNIVERSARY 1489-1989 GOLD PROOF SOVEREIGN THREE-COIN SET, Double Sovereign, Sovereign and Half-Sovereign, with certificate in leather box. (3 coins)

£300-500

£800-1,500 851 ROYAL MINT, GOLD PROOF BRITANNIA COLLECTION, 1996, with certificate in leather box. (4 coins)

860 ROYAL MINT, HIS ROYAL HIGHNESS THE PRINCE OF WALES 50TH BIRTHDAY GOLD PROOF CROWN, 1998, with certificate in leather presentation box. (1 coin)

£1,200-1,800

£500-1,000

852 ROYAL MINT, GOLD PROOF BRITANNIA COLLECTION, 1997, with certificate in leather box. (4 coins)

861 ROYAL MINT, GOLD PROOF 50 PENCE, 25TH ANNIVERSARY EEC, 1998, with certificate in leather presentation box. (1 coin)

£1,200-1,800

£300-500

853 ROYAL MINT, GOLD PROOF BRITANNIA COLLECTION, 1998, with certificate in leather box. (4 coins)

862 ROYAL MINT, QUEEN ELIZABETH THE QUEEN MOTHER CENTENARY YEAR GOLD PROOF CROWN, 2000, with certificate in velvet presentation box. (1 coin)

£1,200-1,800

£500-1,000

854 ROYAL MINT, UNITED KINGDOM GOLD PROOF THREE-COIN SOVEREIGN SET, 1998, Two Pounds, Sovereign and Half-Sovereign, with certificate in leather box. (3 coins)

863 ELIZABETH II, PROOF SOVEREIGN, 1998, with certificate in leather box. (1 coin)

£500-1,000

£150-250

855 ROYAL MINT, JERSEY GOLD PROOF SOVEREIGN TWO-COIN SET, 2000, with certificate in leather box. (2 coins)

864 ELIZABETH II, PROOF SOVEREIGN, 2016, with certificate in wooden box. (1 coin)

£300-500

£150-250

856 ROYAL MINT, HER MAJESTY QUEEN ELIZABETH THE QUEEN MOTHER 90TH BIRTHDAY GOLD PROOF CROWN, 1990, with certificate in leather box. (1 coin)

865 ROYAL MINT, BEHIND ENEMY LINES SOVEREIGN COLLECTION, Elizabeth II Sovereign, 1958 and two miniature medals, with certificate in box. (1 coin) £150-250

£500-1,000

866 HONG KONG, $1,000 GOLD PROOF COIN COLLECTION, 1997/1998, two-coin set with certificate in leather box. (2 coins)

857 ROYAL MINT, HER MAJESTY QUEEN ELIZABETH II 70TH BIRTHDAY GOLD PROOF CROWN, 1996, with certificate in leather box. (1 coin)

£500-1,000

867 ROYAL MINT, MACAU GOLD PROOF 1,000 PATACAS, 1997, with certificate in velvet box. (1 coin)

858 ROYAL MINT, BRILLIANT UNCIRCULATED GOLD FIVE POUNDS, 1996, with certificate in velvet box. (1 coin) £500-1,000

£300-500 122

877 ROYAL MINT, THE 100TH ANNIVERSARY OF THE FIRST WORLD WAR, Silver Proof Six-Coin Collection, 2016, and one other First World War Anniversary Silver Proof Six-Coin Collection, 2014. (2 coin sets)

868 ROYAL MINT, MACAU GOLD PROOF 1,000 PATACAS, 1998, with certificate in velvet box. (1 coin) £300-500 869 ROYAL MINT, MACAU GOLD PROOF 1,000 PATACAS, 2004, with certificate in velvet box. (1 coin)

£80-150 878 ELIZABETH II, PROOF SOVEREIGN, 2002, with certificate in velvet box. (1 coin)

£300-500 870 ROYAL MINT, LUNAR YEAR OF THE HORSE TENTH-OUNCE GOLD £10, 2014, one other Year of the Monkey tenth-ounce gold £10, 2015, and a Year Of The Sheep Silver Proof £2, 2015, with certificates in boxes. (3 coins)

£150-250 879 ELIZABETH II, SOVEREIGN, 2001, in blister pack. (1 coin)

£100-200

£150-250

871 ROYAL MINT, YELLOW GOLD (9CT) JUBILEE INGOT PENDANT, 2002, with certificate in box.

880 GEORGE V, HALF SOVEREIGN, 1911, EF. (1 coin) £80-150

£80-150 872 ROYAL MINT, AUSTRALIAN GOVERNMENT SILVER COLLECTION, 2015, The Longest Reigning Monarch of the Commonwealth three-coin set, and The Queen's Coronation 60th Anniversary 1953-2013 four-coin silver proof collection, with certificates in boxes. (2 coin sets)

881 VICTORIA, SOVEREIGN, 1890, Jubilee Bust, VF, and one other Sovereign, 1900, AEF. (2 coins) £300-500 882 IRAN, GOLD PAHLAVI, AUNC. (3 coins)

£80-150

£400-600

873 ROYAL MINT, THE 2016 UNITED KINGDOM SILVER PROOF COIN SET, with certificate in box. (16 coins)

883 IRAN, GOLD PAHLAVI, AUNC. (3 coins) £400-600

£100-200

884 IRAN, GOLD HALF PAHLAVI, AUNC. (3 coins)

874 ROYAL MINT, A PORTRAIT OF BRITAIN, 2014, four-coin silver proof set, with certificate in box. (4 coins)

£200-400

£50-100 885 IRAN, GOLD HALF PAHLAVI, AUNC. (3 coins)

875 ROYAL MINT, THE 2016 UNITED KINGDOM SILVER PROOF COMMEMORATIVE COIN SET, with certificate in box. (8 coins)

£200-400 886 IRAN, GOLD QUARTER PAHLAVI, AUNC. (3 coins)

£80-150 876 ROYAL MINT, SILVER PROOF COMMEMORATIVE SET, 2014, The 2015 Proof Coin Set, The 2016 Proof Coin Set, and The 1996 United Kingdom Silver Anniversary Collection, with certificates in boxes. (4 coin sets)

£80-150 887 A VICTORIAN FULL SOVEREIGN, 1901 M. GF.

£100-200 123

£150-250

890 CARTIER: A 9CT YELLOW GOLD CIGARETTE CASE, with reeded and nail head decoration, with cabochon sapphire clasp, hallmarked, inscribed Cartier H3780 Made in London, 13cm wide, c. 216g (all in), in the original fitted case. See illustration.

Lot 890

£1,500-3,000 891 ASPREY AND CO LTD: AN 18CT YELLOW GOLD CIGARETTE LIGHTER, engine turned overall with engraved initials 'FCT' , hallmarked, c. 5.8cm long, c. 61.8g (all in), in an Asprey case. £300-600 892 A FRENCH GOLD BASKET-WEAVE PURSE, the hinged lid with Eagle's head hallmark and crossed wheatsheaf makers mark with initials PB, c. 8.2cm wide, c. 96.4g. See illustration.

Lot 892

£1,500-3,000 893 A 9CT YELLOW GOLD PILL BOX, with all over crosshatched decoration, hallmarked and numbered N5428, with engraved initials FCJ to the interior, 3.5cm wide, c. 20.4g, in a fitted Cartier case. £300-600 894 A FRENCH TORTOISESHELL AND GOLD PIQUE CARD CASE, the dark tortoiseshell ground with gold star and dot pique decoration, mounted with an oval painted miniature of a young girl and boy on one side and a vacant hairwork compartment on the other, the hinged lid with applied gold 'SOUVENIR' one side and 'D'AMITIE' the other [souvenir of Friendship] , the white metal interior with card slot and pull-out pencil, c. 9cm long, in a fitted case for Wartski. See illustration

Lot 894

£2,000-4,000 895 DUNHILL: A 9CT YELLOW GOLD CIGARETTE CASE, with all over engine turned decoration, hallmarked to the interior, c. 13cm wide, c. 205.5g. £400-800 124

896 ASPREY: A 9CT YELLOW GOLD CIGARETTE CASE, plain polished with engraved cross within a shield to the lid, hallmarked to the interior and engraved 'Jon from Nell Oct. 20', c. 10cm wide, c. 133.8g. See illustration.

Lot 897

£1,000-2,000 897 A TORTOISESHELL AND GOLD PIQUE SNUFF BOX, of circular form, with swirl engraved dot pique overall, within gold rims, indistinctly marked to the rim, 6.7cm dia., with handwritten note inside 'Given by George 2nd whose snuff box it was to Dr. Sculty who gave it to Mrs ... of Peterford.'. See illustration. £500-1,000 Lot 899

898 A 9CT YELLOW GOLD CIGARETTE CASE, of hipped form, engraved to the front with a crown and spear cipher, and dated September 27th 1909, verso, hallmarked to the interior, c. 9cm long, c. 39.3g. See illustration. £300-600 899 ASPREY AND CO LTD: A 9CT YELLOW GOLD CIGARETTE CASE, with all over linear decoration, the white metal clasp set with 5 square-cut blue sapphires, the interior hallmarked, c. 8.6cm wide, c. 100.1g (all in). See illustration. £500-1,000 900 ST. CROIX, SWISS: A YELLOW METAL MUSIC BOX CHARM, the rectangular box with allover engraved song bird, butterfly and scrolling branch decoration, the hinged winder with makers name, with push button and metal pendant bale, c. 2.8cm long.

Lot 901

£200-400 901 A FRENCH YELLOW GOLD CIGARETTE CASE, with inlaid black enamelled stylised Greek key panels to the hinged lid, the interior engraved 'Bill 1930', with Eagles head and makers marks, c. 9.3cm wide, c. 142.4g. See illustration. £1,000-2,000 125

908 MUST DE CARTIER: A YELLOW GOLD PLATED FOUNTAIN PEN, with engine turned linear chequer decoration, with makers mark and monogram to pen lid and further numbered 7 11560 to the pen body.

902 A 9CT YELLOW GOLD THIMBLE, hallmarked to the rim, c. 5.3g, a yellow metal and turquoise-set pencil and a yellow metal watch key with inset hardstone fobs. (3). £80-150

£100-200

903 A VICTORIAN GEM-SET CLEAR GLASS SCENT BOTTLE, the unmarked yellow metal hinged lid set to the top with a trefoil of cabochon garnets with rose-cut diamond highlights, the interior engraved 'MAC HENRY', with a garnet push button, unmarked but probably gold, c. 7.2cm high.

909 MONT BLANC MEISTERSTUCK 4810: A SILVER FOUNTAIN PEN, the lid with black enamelled engine turned panels and star to the top, hallmarked, in the original fitted case with ink pipette and cardboard sleeve. £80-150

£50-100 910 AN AUGSBURG SILVER GILT CASKET, with applied scrolling acanthus leaf decoration, encrusted with cabochon turquoise, cut garnets amethyst and other semi-precious gemstones, on flattened button feet, the hinged lid bearing marks and revealing a gilt interior, further marked to the underside with makers mark HB, 17th/18th century, (some elements missing) c. 9.5cm wide. See illustration

904 A GEORGE III SILVER GILT VINAIGRETTE, oval, with all over engraved chequer decoration, the pierced and hinged grille revealing the original sponge, hallmarked for London, 1804, c. 4cm long. £50-100 905 A 19TH CENTURY FRENCH GOLD NEEDLEWORK SET, comprising a thimble, needle case, needle, piercer and pair of scissors, with stop fluted and scroll decoration, most pieces bearing Eagle's head marks, the thimble engraved with initials R.C, in a fitted blue leather and velvet case.

£2,000-3,000 911 A 9CT YELLOW GOLD THREE PIECE DRESSING TABLE SET, each with engine turned scale decoration and engraved with the initial N within plain polished rectangles, hallmarked for Birmingham, 1929. Comprising a pair of hair brushes and a hand mirror. (3).

£150-300

906 A 9CT YELLOW GOLD WATERMAN IDEAL FOUNTAIN PEN, hallmarked with Ideal mark to the clip and further marked with the makers name and patent to the black Bakelite end, in the original fitted case.

£800-1,500

£200-400 907 A 9CT YELLOW GOLD SWAN FOUNTAIN PEN, with herringbone engine turned decoration, hallmarked and further inscribed for Mabie Todd and Co Ltd, the barrel engraved 'LOCPHALTE'. £80-160

126

Lot 910

127

912 ADIE BROTHERS LTD: A 9CT YELLOW GOLD CIGARETTE CASE, with engine turned decoration and applied with a motif of a dog to the hinged cover, hallmarked, c. 13.2cm long, c. 164.3g. See illustration

919 A FRENCH IVORY GAMES COUNTER BOX, with polychrome and penwork decoration of festive figures, with a central mother of pearl spinning counter, the hinged lid revealing a polychrome and penwork vignette signed ' Mariaval le Jeune, Paris fecit', 9cm long.

£1,000-2,000

£80-150

913 A 9CT YELLOW GOLD CIGARETTE CASE, hip shaped, with engraved roaring lions head and harberd armorial to the hinged cover, the interior with an identification card for Mechanical Transport Drivers for The War Office for Lt. Col. L. B Rathbone, with old Gauloise cigarettes inside, c. 10.5cm long, c. 134.7g (all in). See illustration

920 A REGENCY IVORY SNUFF BOX, of circular form, inset to the lid with a painted miniature of an 18th century woman walking her spaniel, within gilt metal gadroon engraved borders, tortoiseshell lined, c. 5.6cm dia, and a small pill box with gold star pique decoration. (2).

£1,000-2,000

921 A 19TH CENTURY MOTHER OF PEARL NECESSAIRE, the white mother of pearl case with engraved initials to the hinged lid MER, revealing a fitted interior with mother of pearl accessories including a ribbon reel, scissors and a silver thimble, c. 10.5cm high.

£80-120

914 SPARE LOT 915 BACCARAT: A BLUE OVERLAY CUT GLASS 'VAPORISATEUR', with gilt metal lid, the glass body with etched makers mark to the base, c. 9.5cm high.

£50-100 922 A BANDED AGATE DESK BOX, formed from two hinged lidded compartments, with zigzag engraved gilt metal mounts and legs, on agate ball feet, c. 10 cm wide and three others similar (4).

£100-200 916 A VICTORIAN PAPIER MACHE SNUFF BOX, the hinged lid with transfer printed scene of a boy riding a camel with onlookers riding in an ostrich-drawn carriage, c. 9.7cm wide.

£80-150 923 A STAFFORDSHIRE ENAMEL PATCH BOX, of cartouche form, enamelled in white with courting figures against a royal blue ground, the white enamelled interior with blue painted monuments, c. 5.5cm long.

£80-150 917 A MAUCHLINEWARE SNUFF BOX, the hinged lid with a head and shoulder portrait of a woman entitled 'A Wife: The Young Man's Best Companion', with heavy leaf decoration overall, c. 8.7cm wide and a treen snuff box modelled as a book. (2).

£100-200 924 A CONTINENTAL ENAMELLED TABLE SNUFF BOX, of cartouche form, enamelled in polychrome against a white ground with a man riding a horse beside a moat, with painted floral trails to the sides, with unmarked gilt metal mounts, with painted mark VP and scroll cross mark to the base, c. 10.5cm wide.

£80-150 918 Spare Lot

£150-250

128

Lot 912 and 913

129

925 A NOVELTY SILVER SNUFF BOX, modelled as a book in unmarked white metal, the spine engraved with the title 'Ovid De Arte Amandi', with engraved mother of pearl covers and gilt interior, c. 7.8cm long. See illustration.

Lot 925

£100-200 926 A BLONDE TORTOISESHELL NECESSAIRE, of oval casket form, with unmarked gilt metal scroll mounts, the red velvet interior fitted with white metal implements including a needle case, scissors and two glass jars, c. 15.5cm wide. £100-200 927 A VICTORIAN TABLE SNUFF BOX of rectangular form, the cover inset with a micro-mosaic plaque depicting a ruined temple on a bridge, with gilt interior, by George Lambert, London 1890, 3" long x 2" wide (c.4.1oz). See illustration

Lot 927

£200-400 928 A REGENCY IVORY PIQUE 'PATCH' BOX, the rectangular ivory body with rose gold pique studwork to the hinged lid, revealing a mirror and small hinged compartment with velvet lining, c. 8.5cm long and another similar (2). £100-200 929 A WILLIAM IV SILVER AND MICROMOSAIC SNUFF BOX, the hinged lid decorated in micromosaic with a hen and five chicks, within carved floral and engine turned borders, with gilt interior, Birmingham, 1824 by Thomas Newbold, c. 7.7cm wide. See illustration.

Lot 929

£500-1,000 930 A CHANTILLY PORCELAIN ENAMELLED SNUFF BOX, modelled as a couple tucked up in bed, painted overall in polychrome, with flowers to one side, the interior with Chantilly mark and painted with an insect, c. 9cm wide.

130

931 A STAFFORDSHIRE ENAMELLED SNUFF BOX, of cartouche form, painted to the hinged lid with boats at a European harbour, the body enamelled with scrolls and floral vignettes against a rose pink ground, c. 8cm long.

Lot 932

932 A GERMAN SILVER GILT BIRD AUTOMATON MUSICAL BOX, the box with moulded and wirework scroll and rosette decoration to the lid, the body with applied wirework zigzag borders, the sliding button revealing a pierced grille to the lid with exotic singing spinning bird automaton, c. 10.8cm wide, with key. See illustration. £1,000-2,000 933 A GERMAN SILVER BIRD AUTOMATON MUSICAL BOX, in the manner of Karl Griesbaum, decorated with scrolls and birds overall, the sliding bird button revealing a pierced grille with a singing spinning bird automaton, stamped 925 to the base with further marks, c. 10.3cm wide. See illustration.

Lot 933

£1,000-2,000 934 A 19TH CENTURY SWISS TORTOISESHELL SINGING BIRD AUTOMATON, the tortoiseshell box with sliding button and gilt floral engraved lid revealing a pierced grille and singing spinning bird automaton, c. 10cm wide. See illustration. £600-1,200 935 A 19TH CENTURY SWISS TORTOISESHELL MUSICAL BOX, the tortoiseshell body with hinged lid in yellow and rose metal engraved with a pair of swallows, revealing a pierced gilt grille with singing spinning bird automaton, c. 10cm wide.

Lot 934

£600-1,200

131

936 A VICTORIAN MOTHER OF PEARL CARD CASE, with allover engraved floral and bird decoration with abalone shell panels to the centre c. 10.6cm high and three similar mother of pearl card cases. (4).

942 A VICTORIAN BLONDE TORTOISESHELL CARD CASE, with inlaid trailing flowers and foliage in mother of pearl to each side, with a vacant mother of pearl cartouche, c. 11cm high and four similar card cases (5).

£100-200

£150-300

937 A VICTORIAN MOTHER OF PEARL CARD CASE, modelled as a book with white metal circular cartouche to the front engraved 'Lallie', with a blue silk and paper concertina interior, c. 11.2cm high and four similar mother of pearl and abalone shell card cases (5).

943 A VICTORIAN TORTOISESHELL CARD CASE, inset with a rectangular silver panel to one side engraved with scrolling foliage and a vacant cartouche, c. 11cm high and four others similar. (5). £150-300

£100-200 938 A VICTORIAN MOTHER OF PEARL CARD CASE, with diamond-shaped silver panels to one side, each engraved with flowers, the central panel with a vacant cartouche, c. 10.4cm high and three other similar card cases. (4).

944 A VICTORIAN TORTOISESHELL CARD CASE, inlaid in mother of pearl with a view of Abbotsford House on one side and Newstead Abbey the other, with inlaid mother of pearl flowers to the hinged lid, c. 10.3cm high and another similar inlaid with a mother of pearl panel etched with a fishing scene. (2).

£100-200

£80-150

939 A MATCHED PAIR OF VICTORIAN MOTHER OF PEARL AND ABALONE SHELL CARD CASES, each with alternate patchwork panels of abalone and mother of pearl creating a chequer design, c. 11cm high and two other mother of pearl card cases. (4).

945 A VICTORIAN PAPIER MACHE CARD CASE, the black ground with mother of pearl and gilt painted vase of flowers scene, with painted trailing flower border, the reverse with mother of pearl 'Triumph of Love' scene, c. 11cm high.

£100-200

£60-120

940 A VICTORIAN MOTHER OF PEARL AND ABALONE SHELL CARD CASE, the mother of pearl with wriggle-work engraving set with panels of abalone shell, c. 11cm high, two other similar card cases and an aide memoire. (4). £100-200

946 A 19TH CENTURY IVORY CARD CASE, with steel stud decoration depicting an urn of flowers to each side, c. 11cm high, an ivory and stud pique card case, an ivory fretwork aide memoire and a leather card case (4).

941 A CARVED VICTORIAN MOTHER OF PEARL CARD CASE, the mother of pearl sections each engraved overall with acanthus leaves and foliage, the four central panels carved in high relief with birds in flight, the reverse with floral engraving, c. 11cm high.

947 A 19TH CENTURY ANGLO-INDIAN IVORY AND SANDALWOOD CARD CASE, with inlaid pewter and ebony stringing, 10cm high and three other similar card cases (4).

£80-150

£100-200

132

Lots 936-947

133

955 FRENCH SCHOOL (?), 19TH CENTURY A portrait miniature of a military gentleman wearing a red uniform with sash, with short grey hair, painted on ivory, oval, c. 6.5 x 5.5cm, in a modern gilt brass oval frame with a modern outer frame, an oval wax study portrait miniature and two other painted portrait miniatures. (4).

948 A CANTONESE SANDALWOOD CARD CASE, carved with figures amongst pavilions and trees, Qing, 11cm high and another similar (2). £150-250 949 AN INDIAN SANDALWOOD CARD CASE, carved with dancing figures, animals and birds within scrolling foliage, c. 12cm high.

£150-300 956 ENGLISH SCHOOL, 19TH CENTURY A portrait miniature painted on ivory of a gentleman, looking to the right wearing a white stock with yellow collar, oval, mounted in an unmarked rose metal oval closed-back frame, 9.5cm long.

£80-150 950 A CANTONESE IVORY CARD CASE, carved with figures amongst pavilions and trees within cross and oval cartouches, Qing, 19th century, 8.5cm high.

£200-400

£60-120

957 18TH CENTURY SCHOOL A portrait miniature of a gentleman wearing a red coat with blue frill to his shirt, painted on ivory, oval, c.4 x 3.2cm, in a gilt metal frame, the reverse with opalescent guilloche enamel and hairwork, and two further 19th century oval portrait miniatures of women, all mounted in one display frame. (3).

951 A 19TH CENTURY CANTONESE IVORY CARD CASE, carved with figures amongst pavilions and trees, Qing, c. 9.5cm high and another similar (2). £150-250

£200-400

952 A JAPANESE IVORY CARD CASE, carved in relief with the figure of a seated boy on one side and a lake with mountains, birds and buildings the other highlighted in gilt, c.9.2cm high.

958 ENGLISH SCHOOL, 18TH CENTURY A portrait of a gentleman, looking over his right shoulder into the distance, wearing a beige waistcoat and black jacket, beside a red curtain, oil on panel, c. 18 x 15.5cm.

£50-100

£100-200

953 A 19TH CENTURY CANTONESE IVORY CARD CASE, carved with a figure on horse, a man in a boat and figures within pavilions, Qing, c. 10.5cm high.

959 ENGLISH SCHOOL, 19TH CENTURY. A portrait of Admiral Patrickson Braithwaite, Royal Navy Flag Lieutenant to Lord Howe, oil on canvas, oval, 24 x 19cm, with remains of old handwritten label about the sitter, verso.

£150-250

£80-150

954 ENGLISH SCHOOL, 19TH CENTURY. A head and shoulder portrait miniature of a Commander, wearing full uniform, painted on ivory, c. 7 x 5.7cm, in a gilt and ebonized wood frame and the companion portrait of his wife. (2).

960 A SET OF THREE 19TH CENTURY NEEDLECASE COVERS, each with printed and handcoloured scenes including portraits of Victoria and Albert and the third depicting the inspection of the fleet, each c. 3 x 5cm, framed. (30).

£60-120

£50-100

134

961 A RUSSIAN ICON, depicting the Madonna and Child, the faces painted and mounted behind an engraved yellow and white metal oklad with pierced and raised headdress, within a mahogany glazed box frame, the icon c. 20 x 16cm, probably 19th century. See illustration Provenance: Acquired by the vendors Grandmother. Thence by descent.

Private Collection, North Dorset.

ÂŁ150-300 962-999 Spare lots

135

THE VICTOR NEEDHAM COLLECTION "Pop", as I knew him was immersed in the world of antiques throughout his interesting life. He was a quiet and unassuming man with immense knowledge and experience which he freely shared with other members of the trade and collectors who came to him for advice. One of the pearls of wisdom which he passed on to me was "Buy with your eyes, not with your ears". He served on The Council of The BADA and was on the committee of the first Bournemouth Antiques Fair at The Palace Court in 1970. After leaving school at the end of the First World War he followed his elder brother Walter in to the renowned family firm of J.W.Needham in Deansgate Arcade Manchester, founded by his father around 1890. He had a deep appreciation for early objects and furniture and made such good progress that, in 1927, he was sent to America to open up a Victor Needham branch of the business in New York which became Needhams Inc. and the first of a long succession of containers full of quality antiques started to arrive from England. This was at the time of Prohibition, and after the first two consignments, the last item to be packed was always a chest of drawers full of bottles of whiskey so that when the New York Customs Officer (an Irishman called Pat) whose job it was to certify that the items being imported were antiques and, under American law, not subject to import duty broke the seal and opened the container he was presented with a couple of bottles and he went off home and took the day off. The reputation of Needhams spread rapidly amongst other New York dealers and a number of them would gather outside the shop when a new delivery arrived and consequently a lot of very nice pieces were sold on the pavement before even being delivered! Interestingly, every shipment included a couple of dozen butlers' trays which were very sought after at the time, and the profit on these alone covered the cost of packing and shipping including insurance for the whole container load! This must have been a very exciting time to be in New York and Victor was entertained by clients at The Cotton Club on 142nd Street and was served whisky poured from tea pots! The stock market crash and the subsequent Depression put an abrupt end to the booming business and the Needhams pulled out and Victor came back to rejoin his father in Manchester, leaving all the remaining stock with the shop assistant - Jack Trelevean - who paid the Needhams for each item as he sold it. Jack survived the Depression and kept the Needham name and went on to become one of the most successful dealers in New York. In the mid-thirties Victor opened up his own business in St Anne's Square in Manchester, and on one occasion during the Second World War the shop windows were blown in during an air raid. During the early 1950s he transferred the business to Bournemouth and his premises soon became a regular calling shop for the London Trade and collectors in the area. One of these customers was Laurence Olivier , before he was knighted, who purchased a very nice secretaire bookcase. As a result Victor ended up having tea with Vivien Leigh - I wish I could have been a fly on the wall! I was fortunate to join the firm in 1961 and was able to witness the passing cavalcade of devoted collectors from every walk of life, as well as the London Mandarins of the Trade, who were all drawn to this gentle connoisseur. Brian Fox, November 2016

136

1000 A NUREMBERG BRASS ALMS DISH with a raised central foliate boss enclosed by a Latin inscription and a band of punched flowerheads, the folded rim with further punched flowerheads and an inner band of stars, late 16th century, 19½" dia. See illustration £400-700

Lot 1000

1001 A CONTINENTAL BRASS ALMS DISH, the centre repousse with two figures carrying grapes within a punched border, the rim with a double band of conjoined ovals, the outer band interspersed with triangles with pierced centres, 17th century, 14¼" dia. £200-400 1002 A GEORGE III PEWTER CHARGER of plain design, the rim inscribed "ST1776" and "MT", 16¾" dia., and a similar pewter charger inscribed on the rim MM/AC/MD (arranged in a rectangle), 16¾" dia. (2)

Lot 1003

£150-300 1003 A FRENCH BRASS CANDLESTICK with a dished circular base supporting a fluted stem and a gadrooned nozzle with a knop below, circa 1580, 13½" high. See illustration

Cf: for a comparable Renaissance pillar candlestick see Christopher Bangs: "The Lear Collection", published 1998, fig: 98.

Provenance: Acquired from Robert Bradley, October 1979

£300-600 Lot 1005

1004 A SET OF FOUR SPANISH IRON "TASSELS" possibly intended for an ecclesiastical function, probably 16th/17th century, 9" high (4)

Provenance: Purchased at the Mary Bellis Sale, Christies, London, 28th May 1987

£150-250

1005 A LEAD FIGURE in the manner of John Nost, modelled as a Grecian boy in classical dress supporting a basket on his head, on a circular base, 38¼" high. See illustration

£1,000-2,000 137

Lot 1006

1007 A PAIR OF WILLIAM AND MARY PEWTER CANDLESTICKS with slightly domed circular bases supporting knopped "acorn" stems incorporating disc-shaped "drip-pans" towards the base, with slightly tapering cylindrical sconces and flared nozzles, late 17th century, 9½" high (2). See illustration

1006 A RARE SPANISH ENGRAVED STEEL INCENSE LADLE decorated with geometric and stylised foliate decoration, the terminal dated 1611, with an integral arched wrought iron stand with pointed leaf-shaped feet, 33¾" long. See illustration

Identified by the late Tony North, Keeper of the Department of Metalwork, Victorian and Albert Museum, London.

Provenance: Acquired on 11th June 1974 from the Collection of the Late Dr. Hugh Statham. Dr. and Mrs Statham were founder members of the English Ceramic Circle and formed an renowned collection of yellow ground Worcester. In addition they acquired exceptional English furniture and early works of art.

£1,000-2,000

138

These unusually large candlesticks probably date from the reign of William and Mary. The acorn section and the trumpet-shaped element beneath the "drip pan" may be indicative of an English origin, whilst the domed base is a feature more readily associated with Dutch metalwork of the period.

£4,000-6,000

Lot 1007

139

1008 JOHN SPEEDE Cambridgeshire, described with "… the hundreds, the townes (sic) with the armes of the colleges …", inscribed "Performed by John Speede and to be solde in Popes-Head Alley by John Sudbury and G. Humbell", "Privilegio 1610", coloured engraving, 16" x 21"

Lot 1009

£300-500

1009 A MASSIVE CREAMWARE JUG, the bulbous body painted with naturalistic summer flowers including roses and delphiniums, the scrolling handle painted with flowering branches, circa 1835, 17" high. See illustration

Lot 1011

The massive proportions of this jug suggest it may have been conceived as a display item for a shop window.

£400-700

1010 A VICTORIAN GREEN MARBLE COLUMN with an octagonal base supporting a spirally fluted stem and a circular top, 32½" high

£100-200

1011 A PAIR OF NORTH EUROPEAN PAINTED AND GILT WALL BRACKETS, each with a winged cherub supporting bold scrollwork and stylised leafage, probably South German, 17th century, 36" high x 13" wide maximum (2) See illustration

Lot 1014

Provenance: Acquired from Jonathan Horne at the BADA Bath Antiques Fair on 13th June 1977

£1,500-2,500

1012 A LOUIS XV STYLE GILT METAL CHANDELIER of rococo design with numerous scrolling foliate branches emanating from a central openwork stem cast and chased with feathery leaves, flower heads and rocaille-work, fitted for electricity, c.26" high

£200-400

1013 A GEORGE II GROS AND PETIT POINT PANEL worked with a central cartouche containing a carousing peasant raising a glass aloft dancing amidst trees, the border with flowering branches and scrollwork, 28¼" x 23½", in a walnut frame £200-400 140

Lot 1016

Lot 1015

1016 A RARE "ELIZABETHAN" OAK BOARDED CHILDS CHEST with a moulded lid over a plain front with iron lock plates and with two heavy spandrels carved with fruit and pine cones amidst scrolls, the side boards cut to form the feet and the interior lined with early German woodcuts in the style of Durer, late 16th/17th century with a partially replaced rear foot, 23" wide.

1014 A PAIR OF QUEEN ANNE BLACK JAPANNED SIDE CHAIRS, the padded backs with arched cresting and moulded frames over padded seats with fringes, on bold turned front legs incorporating moulded discs and joined by a carved and pierced front stretcher with a simplified stretcher behind surmounted by a turned vase-shaped finial, on carved "Braganza" feet, 18" wide (2). See illustration

Literature: These chairs may be compared to a set of ten "japanned" examples supplied by John Burroughs to Stoneleigh Abbey, Warwickshire in 1709, illustrated by Adam Bowett: "English Furniture 1660-1714", published Woodbridge, Suffolk 2002. According to Bowett these are the earliest documented back-chairs with fully raked back legs and "braganza" feet.

Provenance: Acquired from Robert Bradley on 13th July 1976

£400-750

£1,000-2,000

1017 AN ITALIAN BAROQUE GILTWOOD MIRROR apparently retaining the original plate, the frame boldly carved with fruit and foliage within an undulating border carved with scrolls and stylised shells, 17th century, 3½" high x 18" wide

1015 A LARGE OAK BOARDED COFFER of good colour and surface, the single plank top with chip-carved ends and the ends at the front and back single planks with conforming decoration, on projecting "trestle" feet formed from the notched ends, late 16th/17th century, 51½" wide. See illustration

The boldly carved brackets may be compared to the flamboyant spandrels on a boarded chest dating from the mid-17th century illustrated by Victor Chinnery "Oak Furniture: The British Tradition", fig: 3:366, published Woodbridge, Suffolk 1979/1980.

£500-1,000

141

£300-600

Lot 1018

Lot 1021

1020 A PAIR OF CHARLES II WALNUT BACK STOOLS, the rectangular backs and seats covered in later needlework depicting a boar hunt and a stag hunt, on spirally-turned legs joined by conforming "H"-stretchers, 20½" wide (2)

1018 A GEORGE II WALNUT CARD TABLE opening on a concertina action, the well-figured top with projecting corners opening to reveal a baize-lined interior with candle stands and guinea wells, on shellcarved cabriole legs ending in webbed claw feet, 34" wide. See illustration

Provenance: Purchased from Colonel Peter Dryden in October 1988

£1,000-2,000

1019 A CHARLES II OAK BACK STOOL with an arched cresting over a rectangular panel with later carved decoration of flowers and leafage including stylised tulips, with a solid seat over a channelled frieze and on elongated ball-turned supports with a conforming front stretcher and rectangular moulded stretchers at the sides and back, 19" wide

The raised front stretcher at the front may be indicative of a Continental origin.

A backstool illustrated by Adam Bowett: "English Furniture 1660-1714", published Woodbridge, Suffolk 2002, plate 3:27, has a similarly turned underframe and a raised front stretcher. The author suggests a Dutch origin on the basis of the high fore-rail and the nature of the turned and block elements.

Provenance: Purchased from Colonel Peter Dryden on 10th December 1982

£600-1,200

1021 A CHARLES II OAK GATELEG TABLE with an oval flap top on well-turned standard end supports ending in bold downscrolled feet joined by a flat rectangular central stretcher, 30" x 35½" extended. See illustration

£250-400

142

Literature: Victor Chinnery: "Oak Furniture: The British Tradition", fig.3:221, published Woodbridge, Suffolk 1979/1980.

Provenance: Acquired from Harriet Wynter at the Grosvenor House Antiques Fair on 13th June 1973.

£1,500-2,500

Lot 1022

Lot 1023

1023 A CHARLES II OAK "WAINSCOT" ARMCHAIR, the scroll cresting and earpieces incised with a pattern of leaves, the panelled back with a lightly incised pattern of fruit and flowers over scrolled arms and a plank seat, on plain turned "cannon-barrel" front legs joined by moulded rectangular stretchers, South West Yorkshire, circa 1670, 24" wide. See illustration

1022 A CHARLES II OAK "SPINDLEBACK" ARMCHAIR, the rectangular back with turned uprights and crossbars over downswept arms on ball-turned supports, the solid seat enclosed by conforming turned elements and the underframe with turned and block legs joined by ballturned stretchers with turned feet, circa 1675. 24" wide. See illustration

This type of chair, with multiple turnings, can be seen as a progression from the earlier sculptural "turners" chair, which were often constructed with triangular seats and three sturdy turned legs.

Cf: For a comparable chair from Nostell Priory (National Trust) with an oak frame "turned all over" see Adam Bowett: "English Furniture 1660-1714", published Woodbridge, Suffolk 2002.

Provenance: Purchased at Sotheby's on 4th February 1983

ÂŁ600-1,200

Provenance: Purchased from Mary Bellis on 3rd July 1974.

Literature: Victor Chinnery: "Oak Furniture: The British Tradition", fig: 4:137, published Woodbridge, Suffolk 1979/1980.

143

ÂŁ1,500-2,500

Lot 1026

1024 A WILLIAM AND MARY WALNUT ELBOW CHAIR with a caned back and seat, the back with turned uprights carved with "S"-scrolls and joined by a conforming carved and pierced cresting over a rectangular panel of caning flanked by pierced "S"-scrolls and feathery leaves, with downscroll arms on conforming supports over a caned seat in a frame with unusual incised decoration over a pierced and carved front stretcher and "S"-scroll legs joined by turned and squared "H"-stretchers, 33½" wide

Literature: This caned chair may be compared to a number of examples illustrated by Adam Bowett: "English Furniture 1660-1714" published Woodbridge, Suffolk 2002. "Restoration" chairs of this type were previously thought to date from 1660-1680, but Bowett proposes a later system of dating which places the present chair in the last decade of the 17th century.

£400-600

1025 A PAIR OF OAK COMMUNION RAILS of 17th century design with moulded rectangular tops on turned baluster supports and moulded plinth bases, the rectangular uprights at either end with recessed panels, 92½" long x 26½" high (2).

Provenance: These communion rails originally formed part of the fittings of a family Chapel at a country house in Somerset.

£300-600

Lot 1027

1026 A GEORGE II WALNUT WING ARMCHAIR, the shaped back with padded ears and outscroll arms, on cabriole legs with corner brackets carved with rocaille-work and ending in moulded pad feet, 32" wide. See illustration

£800-1,600

1027 AN EARLY GEORGE III MAHOGANY STANDING CORNER CUPBOARD with a carved and dentilled cornice over a pair of panelled doors (now detached) flanked by broad stopfluted canted corners and opening to reveal shaped shelves and a finely painted interior with a mask, a scallop shell and leafy scrollwork on a sea green ground, with three drawers below, apparently retaining the original cast brass handles and escutcheons, on ogee bracket feet, 42" wide x 85½" high. See illustration

Provenance: According to old labels on the reverse, and various chalk markings, from the Collection of Colonel Curtis in 1948. "From Randell", probably a house in West Sussex.

144 £800-1,600

Lot 1028

1028 A PAIR OF KINGWOOD AND PARCEL GILT SIDE CABINETS in the manner of John Maclean, each with a canted rectangular granite top with a moulded edge over a single drawer and a cupboard inlaid with brass stringing and edged with reeded gilt metal mouldings and flanked by canted corners, on parcel-gilt carved claw front feet, 26¾" wide x 37½" high (2). See illustration £1,000-2,000

145

Lot 1030

Lot 1029

1029 A RARE LATE GOTHIC OAK MONASTIC TABLE, the twin plank top with a moulded central section and cleated ends hinged on pegged brackets and opening to reveal a vestment well, the front centred by a panelled door with a fielded panel flanked by two larger panels set in a moulded framework, the ends with deeply recessed panels, on shaped trestle feet with "buttress" brackets, probably North German, circa 1550, 67½" wide x 18¼" deep. See illustration

1030 A FLORENTINE SILKWORK COPE worked with scrolling branches of flowers and foliage, on a silvery grey and ivory ground, possibly circa 1680, 119" x 54½", now mounted on a folding hardwood board to facilitate wall display. See illustration

Tables of this type are extremely rare and this example appears to retain the original iron lock and key with a distinctive elongated shield-shaped escutcheon.

Provenance: The Heywood Manor Collection, Hampshire.

£3,000-5,000 146

Provenance: Acquired from The Reverend Anthony Howland in October 1976. This cope was a parting gift to the Reverend Howland from his parishioners in Boston, Massachusetts, USA upon his retirement when he returned to England after thirty years as their parish priest.

£1,000-2,000

A PRIVATE COLLECTION OF FURNITURE AND FURNISHINGS FR OM ST. STEPHEN'S HOUSE, YORK SHIRE.

147

Lot 1200

1200 A LATE GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the shaped top above a central bow front drawer flanked by a fitted bottle drawer, short drawer and cupboard, modelled as four short drawers, on turned reeded legs with heavy gilt ring handles throughout, 37" high x 75" wide £300-500 1201 A SET OF TEN REGENCY MAHOGANY BAR BACK DINING CHAIRS with bar backs, carved splat, drop-in seats and sabre legs. Comprising eight standard and two armchairs with scrolling arm supports, 32" high (10) £400-600

Lot 1202

1202 A NEAR SET OF EIGHT LANCASHIRE LADDERBACK RUSH SEAT DINING CHAIRS with shaped back rails, rush seats, turned legs and stretchers, 39½" high (8) £400-600 1203 A VICTORIAN VARNISHED PINE KITCHEN DRESSER with open shelved back with wavy edged cornice above an arrangement of a central small drawer and cupboard flanked by two columns of four short graduated drawers with knob handles, on a plinth base, 19th century and later, 72" high x 72" wide £200-400

Lot 1204

1204 A QUEEN ANNE WALNUT CHEST OF DRAWERS, the rectangular top with broad crossbanding and moulded border above two short and three long graduated drawers, on tall bracket feet, 18th century and later, 43" high x 40" wide £250-450 1205 A CHARLES II OAK "SIX PLANK" COFFER, the rectangular top with moulded border above a plain front with incised zig-zag decoration, 17th century and later, 33" high x 51" wide £150-250 1206 A GEORGE III OAK AND MAHOGANY CROSSBANDED HANGING CORNER CUPBOARD, the rectangular panelled door enclosing a shelved interior, 39" high x 31½" wide 148 £50-100

1207 AN EDWARDIAN MAHOGANY AND SATINWOOD STRUNG REVOLVING BOOKCASE, the square top with central inlaid panel within geometric stringing, 37" high x 19" wide

Lot 1207

£80-150 1208 A VICTORIAN WALNUT AND SATINWOOD INLAID OCCASIONAL TABLE, the oval top with moulded border, on four turned uprights, on carved and downswept legs with recessed castors, 21" high x 36" wide £50-100 1209 A FRENCH LOUIS XVI STYLE JARDINIÈRE with oval metal liner within a leaf carved and foliate support, on slender cabriole legs with caned shelf stretcher below, 19th century, 29" high x 22½" wide

Lot 1209

£100-200 1210 A VICTORIAN MAHOGANY REVOLVING TOP PIANO STOOL, the circular upholstered seat on a turned column and circular base with three scrolling feet, 13" wide £40-60 1211 A VICTORIAN ROSEWOOD POLE SCREEN, the brass pole supporting a needlework banner decorated with French and British flags, the base with turned and lobed column on three scrolling legs with foliate carved knees, 55" wide, and another similar pole screen (2) £50-100

Lot 1211

1212 A GEORGE III MAHOGANY AND EBONY STRUNG DRESSING TABLE MIRROR, the rectangular top between sloping reeded uprights and box base with three bow fronted drawers, on short bracket feet, 18" high x 18" wide £40-80 1213 A GEORGE III STYLE MAHOGANY PARTNERS DESK, the rectangular top with lined writing surface above three frieze drawers to either side, the base with cupboards to one side and three short graduated drawers to the other, on plinth bases, 20th century, 31" high x 59" wide £250-450

149

1214 A REGENCY ROSEWOOD LIBRARY CABINET, the upper section with moulded and bobbin-turned cornice above twin glazed doors enclosing a shelved interior, the base with swept top above two frieze drawers and panelled cupboards between turned columns with carved capitals, on ball feet, 19th century and later, 76" high x 49" wide

Lot 1216

£200-400 1215 A GEORGE III MAHOGANY TIPTOP OCCASIONAL TABLE, the circular one piece top on a vase-turned column and three downswept legs with pad feet, 36½" wide £50-100 1216 A VICTORIAN TWO-FOLD DRAUGHT SCREEN with "Moorish" style bobbin-turned decoration, above four feather pictures of exotic birds, on ceramic castors, 39½" wide x 58½" high

Lot 1219

£80-150 1217 A VICTORIAN FOUR-FOLD "SCRAP" SCREEN decorated to either side with prints of children and animals surrounded by foliate and other similar decorative scraps, within an ebonised frame, each panel 60½" high x 25" wide £200-400 1218 A VICTORIAN CORNER CHAIR, the scrolling top rail with carved and pierced hand grip above twin splayed pierced splats, above an upholstered seat on turned legs and stretcher, 29" high

Lot 1220

£20-40 1219 AN ITALIANATE STOOL, the raised arms with animal carved terminals above an upholstered seat, on scrolling sea-beast formed legs, 31" high x 25" wide £150-250 1220 A REGENCY MAHOGANY FRAMED LIBRARY CHAIR with later buttoned leather upholstery, the adjustable back between scrolling arm supports, on turned legs with brass cap castors, 45½" high x 25" wide £300-500 150

Lot 1224

1221 A ROSEWOOD FRAMED SETTEE, the upholstered back and seat within a carved and scrolling frame with lobed seat rail, on heavy ball and claw feet, 19th century, 36" high x 76" wide

Lot 1221

£300-500 1222 A VICTORIAN WALNUT FRAMED CHAISE LONGUE, the scrolling back and raised arm on carved, turned and fluted frame, on a moulded seat rail and short turned legs and castors, 30" high x 69" wide £100-200 1223 A VICTORIAN ROSEWOOD FRAMED SOFA, the arched raised back within a moulded and foliate carved surround, with button upholstered raised ends and serpentine seat, on conforming foliate carved uprights and brass castors, 34" high x 87" wide

Lot 1223

£200-400 1224 A LOUIS XV STYLE DAY BED, the raised ends with scrolling carved foliate frames, in a distressed painted grey finish, with conforming scrolling seat rail and short cabriole legs, upholstered in cream striped fabric with matching bolsters and cushions, 36" high x 87" wide £400-600 151

1225 A SUITE OF LOUIS XV STYLE GILTWOOD DRAWING ROOM FURNITURE comprising a three seater settee with scrolling carved and moulded top rail, outswept arms, serpentine seat rail and short scrolling legs with all over conforming carving and gilt finish, and six matching side chairs, the settee 45Â˝" high x 74" wide

This suite can be seen illustrated in the Long Gallery at Strawberry Hill prior to the recent restoration of the property on page 142 of Chalcraft & Viscardi "Strawberry Hill, Horace Walpole's Gothic Castle", London 2007.

Provenance: Strawberry Hill, Twickenham. ÂŁ3,000-5,000 152

1226 FRANCOIS LINKE, 1855-1946: A LOUIS XVI STYLE KINGWOOD, SATIN, ORMOLU AND PARQUETRY JARDINIERE, the rectangular top with serpentine edges, the detachable lid with a central panel of geometric parquetry within broad crossbanding, opening to a vacant interior, the sides and slender cabriole legs with all over gilt metal mounts, the front and back centred by a leaf-shaped scallop-shell, stamped 'Linke 1763', 30" high x 24" wide

Provenance: Christie's 19th March 2008, 7569. Lot 120.

£2,000-£4,000 153

1227 BASSIE & CO: A FRENCH "EXHIBITION QUALITY" MARQUETRY CENTRE TABLE, the shaped top with a marquetry picture of a young girl feeding a donkey in a rural setting, birds, dogs and insects within a rococo revival border and foliate edge against a rosewood ground, all divided by geometric laid kingwood veneers, with a gilt metal border, the table with a single flush fitting drawer and shaped sides with conforming foliate marquetry, on cabriole legs with gilt metal mounts and feet, mid-19th century, 31" high x 60" wide

This table is accompanied by the original receipt from "Bassie & Cie Fabrique D'Ebenisterie De Luxe ... 89 Boulevart Beaumarchais", the receipt dated 1859.

ÂŁ4,000-8,000

154

1228 A GILT MIRROR FRAME, square with projecting corners and applied tied ribbon and carved fruit and scroll decoration, with vacant central oval with upholstered panel, 19th century, 51" high x 59" wide.

Lot 1231

£150-250 1229 A VICTORIAN GILT FRAMED GIRANDOLE WALL MIRROR, the oval plate within a rococo revival style surround with twin scrolling candle branches, 37" high x 22" wide. £100-200 1230 A LOUIS XVI STYLE GILT FRAMED WALL MIRROR, the rectangular plate within a foliate and scroll-cast surround, 53" high x 45" wide £100-200

Lot 1233

1231 A VENETIAN STYLE WALL MIRROR, the bevelled octagonal plate within a foliate etched mirrored surround and scrolling cresting, 35" high x 21½" wide £200-400 1232 AN OAK AND MAHOGANY LONGCASE CLOCK, the enamelled dial signed Thoms. Baitson Beverley, with date aperture and Roman numerals, with thirty house two train movement striking on a bell, the hood with scrolling pediment with central ball and spike finial, the trunk with short door with arched inlay between quarter recessed fluted columns, 82" high x 19" wide £200-400 Lot 1234 1233 A 19TH CENTURY FRENCH MANTEL CLOCK, the white enamelled dial with Roman numerals, within a foliate gilt border with decorative pendulum with elaborate bob between ebonised spiral-turned columns and architectural cresting, with all over brass inlay, 19½" high x 10" wide £100-200 1234 A LOUIS XVI STYLE ORMOLU "CARTEL" TYPE WALL CLOCK, the white enamel dial with painted foliate decoration with a two train movement within an elaborate case surmounted by a cherub holding a cornucopia, 17½" x 8" £200-400

155

1235 A LOUIS XVI STYLE ORMOLU CASED MANTEL CLOCK, the circular convex dial with a two train movement striking on a bell, the elaborate rococo revival case with all over scrolling foliate decoration surmounted by a bouquet of flowers, 14½" x 10"

Lot 1235

£300-500 1236 A FRENCH BRASS CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals, with an eight day movement within brass and glass case, 4½" high x 3½" wide £80-150 1237 A PAIR OF ROCOCO STYLE ORMOLU TABLE CANDELABRA, each with two candle sconces, on scrolling branches issuing from a central leaf and foliate-cast column on scrolling base, 9" high x 9" wide (2)

Lot 1238

£100-200 1238 A CAST AND PATINATED BRONZE SCULPTURE "REBECCA", the loosely clad figure carrying an urn on her head with stamped foundry mark "H. Blanchet Fondeus, Paris", 16" high £150-250 1239 A SET OF EIGHT VENETIAN STYLE GREEN GLASS CHAMPAGNE FLUTES with tall straight sided bowls, on gilt flecked knopped and openwork stems with spreading feet, 10" high (8) £80-150

Lot 1240

1240 A DERBY POTTERY MODEL OF SHAKESPEARE standing by a column and resting on a pile of books, stamped to the underside no. 305, and a similar Derby figure of Milton, 7½" high (2) £80-150 1241 A 19TH CENTURY GERMAN PORCELAIN VASE in the form of a large floral encrusted seashell, 14" wide £50-100

156

1242 A MEISSEN STYLE PORCELAIN FIGURAL GROUP, 'The chess players', a lady and gentleman seated playing chess with a girl looking on, with polychrome decoration, with AR mark to the underside, 7" high x 8½" wide

Lot 1244

£50-100 1243 A PAIR OF GERMAN PORCELAIN FIGURES, 'Dumouriez', and 'Kallermann', both in military uniform with incised description to the underside, marked 'Made in GDR', 9¾" high (2) £50-100 1244 A PAIR OF JAPANESE SATSUMA MINIATURE VASES, decorated with female figures standing by buildings and similar warriors, within decorative gilt and coloured borders, with indistinct marks to the base, 4" high (2)

Lot 1245

£80-150 1245 A PAIR OF GERMAN STYLE PORCELAIN COMPORTS, with basket effect tops with allover painted and pierced floral encrusted decoration on foliate columns flanked by a lady and gentleman in period costume, on conforming bases, 14½" high x 10" wide (2) £150-250 1246 SPODE CERAMIC COMPORT with flared dish supported on a foliate column flanked by a loosely clad winged maiden on naturalistic base, stamped to the underside 'Spode Copeland china England', 16" high

Lot 1247

£50-100 1247 A PAIR OF ITALIANATE POTTERY FIGURES, of a male and female travelling musician, with allover poly chrome decoration, 18" high (2) £80-150 1248 A STAFFORDSHIRE POTTERY 'FLATBACK' FIGURE of Queen Victoria standing with arms folded, 17½" high £40-60

157

1249 A PAIR OF STAFFORD SHIRE 'FLATBACK' SPANIEL ORNAMENTS, the dogs with black sponged decoration, 12" high and a small collection of similar ceramics (11)

Lot 1250

£50-100 1250 A PAIR OF PINK WHITE AND PAINTED GLASS LUSTRES, with flared rims and painted bodies with hanging clear cut lustres, each beneath a glass dome, on an ebonised base, the domes 19" high £200-400 1251 A DRESDEN STYLE FLORAL AND CHERUB ENCRUSTED WALL MIRROR, the shaped plate within a scrolling surround with twin candle branches with conforming applied floral decoration, 26" high x 16" wide

Lot 1251

£200-400 1252 A PAIR OF ELKINGTON & CO ELECTROPLATED CANDELABRA, each with three leaf cast candle scones on naturalistic branch effect supports and conforming naturalistic base, one with detachable branches to enable the other to be reconfigured as a five light candelabra, 20" high £300-500 1253 A PAIR OF SILVER GRAPE SCISSORS with bird and fern engraved handles, hallmarked for London 1883 and another similar plated pair (2) £80-150 Lot 1252

1254 A PLATED NUT DISH of scrolling leaf form, surmounted by a scroll and other similar plated wares (a lot) £50-100 1255 A RENAISSANCE REVIVAL CAST BRASS TWIN INKWELL, with allover scrolling cast decoration on four animal paw feet, 9½" wide and a similar lidded pot (2) £40-60

158

Lot 1259

1256 'HORWOOD'S: A PLAN OF LONDON WESTMINSTER, SOUTHWARK AND PARTS ADJOINING, 1792-1799', reprinted as publication 106 of the London Topographical Society 1966 (each 24½" x 23")

Lot 1255

£40-80 1257 A COPPER BODIED WARMING PAN, a set of antlers and two long barrelled rifles (4) £60-100 1258 A TWO MAN GAME CARRIER, with central pine board and stepped pegs to either side, 108" long £50-100 Lot 1260 1259 A PAIR OF NAIVE STYLE PORTRAITS of a lady and gentleman in early 19th century costume, half-length against a curtain hung background, oil on canvas, 24" x 20" (2) £300-500 1260 A PAIR OF VICTORIAN GILTWOOD AND BEADWORK FOOTSTOOLS, of circular form, with foliate and geometric beadword decoration within a moulded gilt border and turned legs, 12" wide (2) £50-100 1261

159

160

WORK S OF ART

Detail of lot 1309 161

1300 A GEORGE III SATINWOOD AND MARQUETRY TEA CADDY, of extended octagonal form, the lid and front inlaid with Prince of Wales feathers motifs, the interior with a tinlined lidded compartment, 5" high x 6¾" wide

Lot 1302

£100-200 1301 A 19TH CENTURY MAHOGANY 'CAMPAIGN' APOTHECARY'S BOX, containing mixed clear glass flasks, with flush fitting handles and escutcheon, 9" high x 10" wide £100-200 1302 A REGENCY MAHOGANY SARCOPHAGUS SHAPED TEA CADDY, the shaped top with rounded central panel enclosing a fitted interior with twin lidded tea canisters and glass sugar basin, with mother of pearl escutcheon's and compressed bun feet, 8½" high x 15" wide. See illustration.

Lot 1304

£300-500 1303 A LARGE COLLECTION OF HARDSTONE MOUNTS, and similar items, to include agate and other stones, the majority oval-cut or cabochons (a lot) £100-200 1304 A GEORGE III BRASS SNUFFBOX of shallow oval form with a hinged lid decorated with a portrait of a gentleman wearing a hat, inscribed 'Old Q', probably represents Third Earl March and Fourth Duke of Queensbury, 4" wide. See illustration. £100-200

Lot 1305

1305 A WHALE'S TOOTH, with scrimshawed decoration of a three masted vessel, 5½". See illustration. £500-1,000 1306 A VICTORIAN ROSEWOOD AND MOTHER OF PEARL INLAID SEWING BOX, the rectangular rising lid inset with mother of pearl decoration enclosing an interior with a leather lined mirror and divided compartments with mother of pearl accessories, all above three short drawers behind mother of pearl decorated cupboard doors, the lower drawer fitted as a writing slope, 12½" high x 12" wide 162

£200-400

1307 A GROUP OF FAMILY ITEMS RELATING TO SUSAN COURTIER, to include a strip sampler dated 1844 at the age of seven, four family portrait miniatures, and a bible inscribed 'Susan Courtier, with John and Susan Brown's affectionate love and best wishes, December 5th, 1858' (6)

Lot 1308

£200-400 1308 A STAUNTON PATTERN EBONY AND BOXWOOD CHESS SET, with red crown 'Kings Side' marks to relevant pieces, maximum 3½" tall, a similar travelling chess set, two boards and a folding board with further pieces. See illustration. £200-400 1309 JOHN MAKEPEACE: A BEECH AND HARDWOOD CHESS SET, with stylized playing pieces, contained in a folding yew banded chess board, the board 21" square, the playing pieces 3¼" and smaller. Commissioned by Dr Neil Wynn-Williams in the late 1950's. See illustration.

Lot 1309

£300-500 1310 TWO BOTTLES OF 1978 CHATEAU LAFITTE ROTHSCHILD, PAPILLA, a bottle of 1990 Chateau d'Yquem Sauternes and a bottle of 1995 Chateau Smith Haute Lafitte (4) £250-350 1311 A CASE OF CHATEAU LA LAGUN, 1983 (twelve bottles), in packing crate £200-400 1312 A CASE OF CHATEAU DUTERTRE MARGOT, 1983 (twelve bottles), in shipping case. See illustration.

Lot 1312

£300-500 1313 A DUNHILL HUMIDOR, 20th century, 13½" wide £100-200 1314 A VICTORIAN BURR WALNUT AND BRASS BOUND WRITING SLOPE, the rectangular top with brass mounted corners and bands, with central inset tablet, the interior fitted with lined writing surface, an arrangement of compartments and inkwells above three concealed drawers, 22" wide £80-150

163

1315 A VICTORIAN COROMANDEL AND GILT BRASS MOUNTED TRAVELLING CASE, the rectangular case containing an assortment of glass jars with engraved plated lids and mother of pearl handled manicure tools, with a flush fitting drawer, with bramha type lock, lower drawer signed 'D. Cattaneo and Co. Leeds', 12" wide. See illustration.

Lot 1315

£150-250 1316 A VICTORIAN ROSEWOOD AND BRASS BOUND WRITING SLOPE, with a rectangular top with brass mounted corners and central tablet with conjoined initials dated '1871', the folding interior with leather lined writing slope and fissured inkwells and compartments, 16.6" wide £100-200 1317 A REGENCY MAHOGANY AND BRASS BOUND WRITING SLOPE, the rectangular top with brass bound border and central tablet engraved with conjoined initials, the interior with leather lined writing surface, and pocket bearing a paper label, 'D. Edwards, Manufacturer of Writing and Dressing cases to His Majesty the Duke of York, 21 King's Street, Bloomsbury Square', with flush fitting carrying handles and bramah lock, 14" wide. See illustration.

Lot 1317

£150-250 1318 A VICTORIAN ROSEWOOD AND BRASSBOUND WRITING SLOPE, the rectangular top with brass mounted corners and central tablet, the interior with lined writing surface, inkwells and compartments, 16" wide £70-90 Lot 1320

1319 A VICTORIAN ROSEWOOD AND MOTHER OF PEARL INLAID WRITING SLOPE, the rectangular top and front with allover scrolling mother of pearl inlay, the interior with fitted writing slope, inkwells and pigeon holes, with a flush fitting side drawer, and conforming carrying handles, 16" wide £100-200 1320 A VICTORIAN COROMANDEL AND BRASS BOUND WRITING SLOPE, the rectangular top with brass edging and central tablet, the interior with lined writing surface, inkwells and short drawers, with bramah type lock, 20" wide. See illustration. 164

£100-200

1321 A 19TH CENTURY FRENCH EBONISED AND BRASS INLAID WORKBOX, the rectangular top with central brass and tortoiseshell effect inlay, the silk lined interior with a selection of glass jars with plated lids, manicure tools and accessories, 9½" wide

Lot 1323

£80-150 1322 A VICTORIAN ROSEWOOD AND BRASSBOUND WRITING SLOPE, the rectangular top with brass bound corners and central tablet enclosing a fitted interior with lined writing surface, inkwells and compartments above a flush fitting drawer and conforming carrying handles, 14" wide £80-150 1323 A REGENCY ROSEWOOD AND BRASS BOUND WRITING SLOPE, the rectangular lid with scrolling brass mounts and central tablet, the interior fitted with a leather lined writing surface, and concealed drawers, 20" wide. See illustration.

Lot 1324

£100-200 1324 A PRIMITIVE 'DECOY' TYPE PIGEON, carved in wood with original painted finish, 9½" high x 13" wide, and three similar primitive birds (4). See illustration. £200-400 1325 AN EMPIRE STYLE GILT METAL DESK STAND, the rising lid with allover cast and applied foliage and scrolling decoration, revealing ten well and twin inkwells, 4½" high x 16" wide £150-250 1326 'A MAP OF LONDON, WESTMINSTER AND SOUTHWARK, WITH YE NEW BUILDINGS TO YE YEAR 1733', hand coloured, 10¼" x 19". This is probably the map which was published as the frontispiece to volume one of 'A Survey of the Cities of London and Westminster, borough of Southwark', by Robert Seymour

Lot 1327

£100-200 1327 'NOUVEAU PLAN ILLUSTRE DE LA VILLE DE PARIS', A. Vuillemin, 1849, a folding map of the city of Paris with decorative vignette details, 33" x 43". See illustration. £200-400

165

1328 'PLAN DE LA VILLE A FAUBORG DE PARIS DIVISE ON CES 48 SECTIONS', 1791, a folding map of the city of Paris, with numbered regions and coloured borders, 24½" x 38"

Lot 1329

£250-450 1329 'VENANZIO MONALDINI, PIANTA DELLA CITTA DI ROMA CON LA INDICAZIONE DITUETTE LE ANTICHITA ENUOUI ABBELLIMENTI' 1832, a folding map of the city of Rome with engraved images of notable architecture, 29" x 43". See illustration. £200-400 Lot 1331

1330 'A NEW PLAN OF THE CITY AND LIBERTY OF WESTMINSTER, EXHIBITING ALL THE NEW STREETS AND ROADS WITH THE RESIDENCES OF THE PRINCIPAL NOBILITY, PUBLIC OFFICES ETC', a hand coloured map of the city of London, by Thomas Jefferys 1766, 18½" x 37".

Provenance: A note to the reverse, 'Purchased by me from a street vendor on St. Christopher's pavement, in exchange for one 'Luncheon Voucher', value three shillings in 1962'.

£150-250 1331 A PAIR OF GILT BRONZE CANDLESTICKS, the florid rococo sconces held aloft by storks with crowns around their necks, on cast rocky bases, 15½" high. See illustration.

Lot 1332

£200-400 1332 SCHMIDT KESTNER, 'Europa and the Bull', a cast and patinated sculpture of a bull with a gilt Europa draping a wreath across the bull's back, signed to the base 'Schmidt-Kestner', on marble plinth, 9¾" high x 9½" wide. See illustration. £300-500 1333 VICTOR HEINRICH SEIFERT (1870-1953), 'Trinkende', a gilt bronze statue of a naked female holding a bowl to her lips, with signature to base, on a marble plinth, 15" high 166

£200-400

1334 OLIVIA MUSGRAVE (b.1958), a cast and patinated bronze of a rotund gentleman riding on a sheep, with cast signature, on a wooden base, 13" high

Lot 1335

£500-1,000 1335 ATTRIBUTED TO ALFRED BUXTON (b.1883), a bronze effect plaster sculpture of a naked female seated on a rocky outcrop, on a wooden plinth, apparently unsigned, 29" high x 18" wide. See illustration.

This statue was given by Alfred Buxton as a wedding present to the vendor's parents in March 1919

£200-400 1336 A MONUMENTAL PAIR OF EMPIRE ALABASTER CORNUCOPIA VASES, with broad circular dished rims on hippocampi bases, and floral carved plinths, 19th century, 21½" high x 17" wide. See illustration. £2,000-4,000

Lot 1336

1337 A LEAD DEATH MASK, probably 18th century, 8" x 5½" £200-400 1338 TANYA BRETT (b.1974), 'Leaping Sheep', three ceramic sheep in various jumping poses on a wooden base and metal rods, c.19" x 26" £200-400 1339 A REGENCY ROSEWOOD AND MOTHER OF PEARL INLAID TEA CADDY, the rectangular domed lid with cut mother of pearl decoration, enclosing a fitted interior with central glass base, and twin lidded tea canisters, the front similarly decorated, 7½" x 12½" £80-150 1340 A GEORGE III MAHOGANY TEA CADDY, the rectangular top with strung borders and canted corners enclosing a fitted interior with three lidded compartments, on ball feet, 6¾" high x 12½" wide and three similar boxes (4) £150-250 1341 JAN JANNSSON, 'Comitatus, Nottinghamiensis', a map of the county of Nottinghamshire with decorated armorials and borders, 17th century, 15½" x 19¾". See illustration. 167

Lot 1341

1342 TRIBAL ART: A FULL FACE MASK, with pronounced forehead, pointed nose with bead and cowry work borders and projecting tongue, believed to be a Royal Bwoom mask, Cuba tribe from Congo, approx. 10" wide x 18" high. See illustration. Provenance: According to family tradition, the vendor's cousin purchased the mask in Rhodesia in the 1960s. £100-200

1343 A GRADUATED SET OF SEVEN BRONZE MEASURES, the largest 'Imperial Gallon' with crossed naval anchors before scrolling ropes, dated 1826, 'R D. Vandome and Co. London', 6½" high x 11½" wide and smaller, all with various duty marks to the rim (7). See illustration.

1344 A RUSSIAN STYLE ICON, with the Christ figure, oil on panel, in an elaborate silver plated and gilt oklad with pronounced halo, 13" x 10½" £200-400

168

A PRIVATE COLLECTION OF CLOCKS FROM EAST DORSET

Lot 1350

1350 DONNE, LONDON: A 19TH CENTURY TWIN CHAIN FUSEE MAHOGANY TABLE CLOCK, with carved case and shaped pediment, striking on a gong, possibly by Griffith Donne or Lewis Donne, 20½" high. See illustration.

According to the vendor, this clock was believed to have been the boardroom clock of De Beers Diamond Mines.

£800-1,500

1351 JOHN HAYTER, BATH: A REGENCY MAHOGANY BRACKET CLOCK, with pull repeat, twin fusee and striking on a bell, the case with brass finial to the arch top and ebonized scroll motifs, 21½" high. Provenance: Purchased in 1995 from National Westminster Bank, Poole.

Lot 1352

£800-1,500

1352 T. REYNOLDS, LONDON: A REGENCY EBONIZED BRACKET CLOCK, twin fusee and striking on a bell, the ebonized case with gilt grilles, stringing and side carrying handles, 15½" high. See illustration.

£500-1,000

1353 D. C. BURLINGHAM, KINGS LYNN: A VICTORIAN MAHOGANY CASED BRACKET CLOCK, single fusee, the case with brass scroll inlay and brass side carrying handles, 14½" high.

£300-600 Lot 1355

1354 GOLDSMITHS AND SILVERSMITHS COMPANY LONDON: A MAHOGANY CASED MANTLE CLOCK, with twin fusee and striking on a gong the mahogany lancet case with stringing and inlaid patera, 14.5" high

£300-600

1355 RICHARD SMITH, SCARBOROUGH: AN EIGHT DAY REGULATOR STYLE LONGCASE CLOCK, the dial with subsidiary seconds dial, in a golden oak case with ornate floral frets and glass front revealing the weights, 62" high. See illustration.

£300-600 169

1356 AN EARLY 20TH CENTURY OAK CASED MANTLE CLOCK, the circular silver dial inscribed RIF beneath the crown and flanked by outstretched wings, with single train fusee movement, the movement stamped "F.W. Elliott Ltd 1939", 14" high

Lot 1359

£300-600

1357 AN EARLY 20TH CENTURY OAK CASED MANTLE CLOCK, the circular silver dial inscribed RAF beneath the crown and flanked by outstretched wings, with single train fusee movement, the movement signed 'E. C and W', 14" high £300-600 1358 AN EARLY 20TH CENTURY OAK CASED BRACKET CLOCK, the silvered dial marked RAF beneath a crown and within a laurel wreath, with a single train fusee movement stamped 'S M and C, 1936', 14" high

Lot 1360

£300-600 1359 CHARLES FRODSHAM, LONDON: A MODERN SILVER CASED MINIATURE CARRIAGE CLOCK, 4" high. See illustration.

£250-500

1360 AFTER NATHANIEL HEDGE, COLCHESTER: A LANTERN STYLE WALL CLOCK, with pierced brass bell top, 16" high. See illustration. Lot 1363

£200-400

1361 A BRASS SKELETON CLOCK, with single fusee, under a glass dome, 12½" high.

£150-300

1362 A VIENNA WALL CLOCK, in a mahogany glazed front case, with two train movement and subsidiary seconds dial, 46" high

£150-300

1363 A VICTORIAN BRASS FOUR-GLASS MANTLE CLOCK, with visible balance wheel to the dial, two winding holes and a mercury pendulum, numbered 12033, 10¾" high. See illustration. 170

£150-250

1364 A VIENNA WALL CLOCK, with two train movement, in a glazed golden oak case, 46" high

Lot 1365

£150-300

1365 GRIFFIN AND ADAMS, LONDON: A VICTORIAN GOTHIC REVIVAL TABLE CLOCK, the silvered dial with a single winding hole, the mahogany arch top case with cross and feather banding, 13¼" high. See illustration.

£100-200

1366 A VIENNA WALL CLOCK, with single train movement, in an architechtural walnut case, 37" high

£100-200

Lot 1367

1367 J. WEARE, WINCANTON: A VICTORIAN ROSEWOOD WALL CLOCK, with mother of pearl inlaid case, 14" high. See illustration.

£100-200

1368 G.P.O: A VICTORIAN MAHOGANY CASED WALL CLOCK, with white enamel dial and single winding hole, 24" wide. See illustration.

£50-100

1369 A MODERN OAK CASED "GRANDMOTHER" LONGCASE CLOCK, with brass corner spandrels to the archtop dial, in a golden oak architectural case with glazed trunk door, 67½" high

Lot 1368

£50-100

1370 A VICTORIAN MAHOGANY CASED WALL CLOCK, with plain white dial and single winding hole, 15" wide

£40-80

171

Lot 1375

Lot 1376

1375 A MAHOGANY CASED DIAL CLOCK, with a convex glass and cream painted dial with Roman numerals, with a single train fusee movement, 15" wide. See illustration.

1371 TWO VICTORIAN SLATE AND MARBLE MANTLE CLOCKS, 8¾" and 8¼" high

£40-80

£100-200

1372 AN EARLY 20TH CENTURY BRASS DRUM WALL CLOCK, 12" wide.

1376 A MAHOGANY CASED DIAL CLOCK, the cream enamel dial with Roman numerals, with a single train fusee movement, 15" wide. See illustration.

£40-80

1373 A MAHOGANY CASED DIAL CLOCK, the circular white enamel dial marked G.P.O with Roman numerals, with a single train fusee movement, 15½" wide

£100-200 1377 A DIAL CLOCK with white enamel dial marked 'G.P.O' with slow/ fast adjustment and single train clockwork movement, signed 'C. Coventry', the case numbered 535 343/5, 15" wide

£80-150 1374 A MAHOGANY CASED DIAL CLOCK, the circular white enamel dial with Roman numerals, with a single train fusee movement, 15½" wide

£40-80

£80-150

172

Lot 1381

Lot 1380

1381 A VICTORIAN BRASS CASED TABLE STANDING TELESCOPE, by Broadhurst Clarkson and Co., 63 Faringdon Road, London EC, in pine travelling case, with eyepiece and table stand, the telescope 39" long. See illustration.

1378 A FRENCH WALL CLOCK, the convex enamelled dial signed 'Barthelemy Horologer' with a pressed brass surround and two train 'birdcage' movement striking on a bell, 15" high £40-80

£200-400

1379 A COLLECTION OF REFERENCE BOOKS to include Earnest Edwardes, 'The story of the pendulum clock', 'Watch and clock makers in the city of Bath and numerous other volumes' (a lot)

1382 A GEORGE III OAK LONGCASE CLOCK, the arched brass dial signed 'Robert Windsor, Newport', with silvered chapter ring and subsidiary seconds dial and date aperture, with two train eight day movement striking on a bell, the case with arched top trunk door, 80" high.

£50-100

Provenance: Private collection Dorset. Acquired from T Tribe Sturminster.

CLOCKS AND SCIENTIFIC INSTRUMENTS

£200-400

1380 CARY OF LONDON: A GEORGE III MAHOGANY STICK BAROMETER with a silvered dial signed Cary London, and silver backed mercury filled thermometer, the case with turned ivory finial, 39" high. See illustration.

1383 A LOUIS XIV STYLE BRASS AND TORTOISESHELL EFFECT MANTLE CLOCK, with boulle work and gilt metal decoration, with an eight day two train movement with decorated pendulum, in a waisted case, with short gilt feet, 12" high

£200-400

£250-500

173

1384 A 'SHERATON' STYLE WHEEL BAROMETER, with a broad silvered dial signed 'G Brogi', the case with shell and foliate inlay against a mahogany ground, 38" high

Lot 1386

£50-100 1385 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial with subsidiary seconds dial and date aperture, the chapter ring signed 'J Cocks, Worcester', with a two train movement striking on a bell, 82" high £300-600 1386 A BRASS LANTERN STYLE BRACKET CLOCK, with a circular chapter ring enclosing an engraved centre, with a two train fusee movement striking on a large bell, 22" high. See illustration. £800-1,600

Lot 1387

1387 A FRENCH GILT METAL AND 'SEVRES' STYLE PORCELAIN MOUNTED MANTLE CLOCK, the painted dial with Roman numerals above a scene of a courting couple with an eight day two train movement striking on a bell, the case surmounted by a vase shaped ornament with allover scrolling ribbon and leaf decoration, 16" high. See illustration. £200-400 1388 A 19TH CENTURY FRENCH MANTEL CLOCK, with a brass dial with silvered chapter ring and signed 'Leroi a Paris', with a two train eight day movement striking on a bell, the rectangular case with gilt metal carrying handle and stepped base, 8½" high £200-400 Lot 1390

1389 A GEORGE III OAK LONGCASE CLOCK BY DAVID WILLIAMS, NEATH, the brass dial with eight day movement, silvered date aperture and moon face, with 'High Water Neath', in the arch, the case with long door, square plinth and dental carved pediment, 87" high £600-800 1390 AN ORMOLU AND CHAMPLEVÉ ENAMEL CASED MANTLE CLOCK, the circular dial with Roman numerals against a turquoise ground, with an eight day movement striking on a bell, the architectural case surmounted by a vase ornament, the dial supported on four outswept legs with panel of brightly coloured foliage below, on a plinth base, 19½" high. See illustration. 174

£300-600

1391 A LARGE 19TH FRENCH GILT METAL MANTLE CLOCK, the circular dial with decorated centre with a two train movement flanked by two winged cherubs amongst scrolling pierced and foliate rococo decoration, with a single six light supporting candelabra, the clock 23" high x 24" wide, the candelabra 29" high See illustration.

Lot 1391

£300-500 1392 A HOLOSTERIC BAROMETER, retailed by C. H. Loveday, Worthing, in brass case, stamped with initials 'HPBN' to the reverse, 5" dia, in a fitted leather case similarly stamped £50-100 1393 A SCOTTISH MAHOGANY LONG CASE CLOCK, the enamelled dial signed 'I. Gardner, Glasgow', with subsidiary seconds and date dials, the arch decorated with a scene of a sportsman and spaniel hunting pheasant, with an eight day two train movement striking on a bell, the case with tall hood with swan necked pediment and tall trunk door, flanked by rounded columns, on square base, 18th/19th century, 87" high See illustration.

Lot 1393

£300-500 1394 A MAHOGANY LONGCASE CLOCK, the 9" brass dial signed F. Farr, Bristol, with thirty hour movement and alarm mechanism striking on a bell, the hood with scrolling pediment and central eagle and ball finial, with a tall trunk door and rectangular base, on bracket feet, 18th century and later, 77" high See illustration. £300-500

Lot 1394

1395 A MAHOGANY AND CROSSBANDED LONGCASE CLOCK, the enamelled dial with moon phase above chapter ring with Roman numerals, subsidiary seconds dial and date aperture, above a two train movement striking on a bell, the hood with scrolling swan necked pediment and columns to either side of the dial, the trunk with an arch topped door between canted corners, on conforming base with bracket feet, 85" high £200-400

175

1396 A GEORGE III OAK LONGCASE CLOCK, the brass and silver dial signed 'James Blytho Callington', with an anatomical depiction of Old Father Time flanked by two cherubs, striking on bells, the silver chapter ring enclosing subsidiary seconds and date dials, with a two train movement striking on a bell, the hood with scrolling arch pediment and fluted columns, the trunk with conforming mahogany cross banded arch top trunk door, 86" high ÂŁ250-500 1397 A MAHOGANY LONGCASE CLOCK, the arched dial with moon face, the chapter ring flanked by spandrels painted with representations of the continents, decorated to the centre with a scene of Wellington and Nelson, with an inscription, 'The first and only interview between Nelson and Wellington', with an eight day two train movement with subsidiary seconds dial and date aperture, the case with turned columns, swan-neck pediment and short Gothic archtop door, 91" high ÂŁ250-500

176

FURNITURE

Detaail of lot 1421 177

Lot 1414

1410 A LATE GEORGE III MAHOGANY SERPENTINE FRONTED DESK, the shaped top with three-quarter raised gallery above a brushing slide and single long drawer, on two pedestals with three short drawers flanking a central cupboard, on shaped bracket feet, 35" high x 40½" wide £180-250 1411 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with central cupboard flanked by concealed column fronted drawers, flanked by pigeon holes and short drawers, above four long graduated drawers with brass handles and key escutcheons, on bracket feet, 40" high x 33" wide £250-450

Lot 1415

1412 A LATE GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top above three small drawers and three long graduated drawers with brass drop handles and key escutcheons, on bracket feet, 34½" high x 39" wide £100-200 1413 A GEORGE II OAK LOW BOY, the rectangular top with a moulded border above three small drawers and a wavy frieze, on square tapering legs, 28" high x 35½" wide £80-150 1414 A VICTORIAN ROSEWOOD WORKSTAND, the circular top with a raised border on bobbin turned supports, on a spiral turned column with conforming central shelf with bobbin mounted rail, on a circular base with three out swept feet, 30" high x 17½" wide. See illustration.

Lot 1416

£150-250 1415 A GEORGE I GILT FRAMED WALL MIRROR, the rectangular plate with shallow bevelled border within a leaf carved frame, with scrolling, cresting and tapering, 33" high x 17½" wide. See illustration. £300-500 1416 A CHARLES II OAK CHILD'S CRADLE, of traditional form, with foliate carved sides and end, carved to the footboard 'EB 1685', on curved rockers, 12½" high x 19" wide. See illustration. Provenance: From the collection of S. W. Wolsey and thence by descent. 178 £300-500

1417 A MAHOGANY CHEST OF DRAWERS, the rectangular top with moulded border above four narrow drawers with brass ring handles, on tall bracket feet, 18th century and later, 30" high by 25" wide

Lot 1418

£80-150 1418 A GEORGE II CENTURY WALNUT CHEST ON STAND, the upper section with a moulded cornice, two frieze drawers and three below, the base with three drawers, on cabriole legs, 18th century and later, 63" high x 41" wide. See illustration. £400-600 1419 A REGENCY MAHOGANY SECRETAIRE CHEST OF DRAWERS, the upper drawer with fall front and fitted secretaire drawers, with three drawers below with ebonised stringing, on splayed bracket feet, 41½" high x 38½" wide

Lot 1421

£200-400 1420 A REGENCY MAHOGANY CARD TABLE, the rectangular top with rounded corners and reeded border, enclosing a baize lined playing surface, above a frieze carved with a central foliate lunette, on turned reeded tapering legs, with similar carved patera, 31" high x 36½" wide £100-200 1421 A GEORGE III MAHOGANY AND BRASS BOUND PEDESTAL FORM WINE CISTERN, with a brass bound staved lead lined bucket, on a single pedestal, the front modelled as three short drawers, with a central cupboard and lower drawer fitted for bottles, with a plinth base, 43½" high x 17½" wide. See illustration.

Lot 1422

£300-600 1422 A REGENCY ROSEWOOD AND MARQUETRY WORK TABLE, the rectangular top inset with a central pointed star motif within a parquetry surround, above a single fitted frieze drawer and hanging basket on an octagonal column platform base, with animal paw feet, 29" high x 18¼" wide. See illustration. £150-250 179

1423 A SET OF SIX 'COUNTRY HEPPLEWHITE' DINING CHAIRS, each with arched top rails above pierced splats, with drop-in seats and square tapering legs and conforming stretchers, comprising a single armchair and five standard chairs, the armchair 37½" high (6)

Lot 1424

£200-400 1424 A GEORGE II MAHOGANY THREE TIER DUMB WAITER with three dished graouated shelves on vase, turned and carved upright with three downswept cabriole legs with pad feet, 42" high x 21" wide. See illustration. £150-250 1425 A PAIR OF FOLDING STEPS, with a rectangular top with rounded corners above twin steps with reeded treads, 21" high x 14" wide £150-250

Lot 1426

1426 A QUEEN ANN OAK FALL FRONT ESCRITOIRE, with a moulded cornice above a flush fitting cushion fronted drawer, the fall front with geometric oak veneers with twin starbursts between columns, enclosing a vacant interior with single shelf and two small drawers, all above two short and two long graduated drawers with half-round drawer dividers and broad crossbanding, on bun feet, 18th century and later, 67" high x 41" wide. See illustration. £400-800 1427 A SET OF EIGHT CHIPPENDALE DESIGN DINING CHAIRS, each with rococo style scrolling top rails with leaf carved decoration above pierced splats, with needle work covered drop-in seats, on square legs and conforming stretchers, comprising six standard and two armchairs, the armchairs 38½" high x 27" wide. See illustration.

Lot 1427

£1,500-2,500 1428 A PAIR OF LIGHT OAK OPEN FRONTED BOOK CASES, each with rectangular tops above open fronts with adjustable shelves between and beneath 'Jacobean' style carved uprights and sides, each 47" high x 26" wide, 19th century and later £250-450

180

1429 A GEORGE II 'RED WALNUT' PAD FOOT DROP FLAP SIDE TABLE, the shaped top on four turned tapering legs with pad feet, 28" high x 37" wide £100-200

1430 A SET OF LIBRARY STEPS, with applied label 'Slingsby-Ladders', with four treads and upright with shaped handgrip, with two small wheels to one side, 78" high x 37" wide

Lot 1431

£400-600 1431 A GEORGE II IRISH MAHOGANY WINGBACK CHAIR FRAME, the arched top rail and shaped wings above outswept arms, on cabriole legs with foliate shell carved knees and webbed pad feet with barrel form casters to the rear legs, 43" high x 33" wide. See illustration. £800-1,500 1432 A GEORGE III MAHOGANY KNEEHOLE DESK, the rectangular top with moulded border and re-entrant front corners, above a single long drawer above a recessed cupboard, small drawer and two columns of three short drawers, on bracket feet, 31" high x 35" wide £300-500

Lot 1435

1433 AN OAK 'BREAD' OR LIVERY CUPBOARD, the rectangular top with moulded border above a dentil frieze and a panel front with two central cupboard doors with cross-hatched incised decoration, the sides similarly decorated, with incised initials 'GE' to a top rail, basically 17th century, 45½" high x 45" wide £300-600 1434 A GEORGE III MAHOGANY PILLAR TABLE, the circular tip-top on a turned column and three outswept legs, 35½" wide £50-100 1435 A GEORGE II OAK DRESSER, the open shelved back with shaped side rails above a rectangular top with projecting front corners and moulded border above an arrangement of three small and three short drawers and a pot board base, with turned uprights, 81" high x 60" wide. See illustration.

Lot 1437

£400-800 1436 AN OAK COFFER, the rectangular two panel top above a conforming front with carved top rail and panels between moulded styles, 17th/18th century, 23" high x 37½" wide £150-300 1437 A GEORGE III OAK DRESSER, the raised back with open shelves beneath a shaped cornice with cup hooks, with three short drawers over an arcaded pot board base, with chamfered legs, 80" high x 61" wide. See illustration. £800-1,500 181

Lot 1442

Lot 1438

1438 A GEORGE III GILTWOOD MIRROR, the upper panel containing a 17th century Italian oil on canvas in the manner of Panini, depicting ruins in a landscape above the triple divided plate, the frame carved with rococo scrollwork, acanthus leaves and flowers, 52½" high x 53" wide. See illustration.

1441 AN EDWARDIAN MAHOGANY SHERATON STYLE CABINET, the upper section with a dental moulded cornice, above a marquetry frieze and twin glazed doors enclosing a shelved interior and three small drawers, the lower section with twin panelled cupboard doors, on bracket feet, 37" wide £400-600

Provenance: Private Collection, Wiltshire.

£1,000-2,000

1442 A GEORGE III OAK DRESSER, the raised back with a moulded cornice above an open work frieze and an arrangement of shelves, cupboards and short drawers, the base with rectangular top with cross-banding and chequered stringing above three short drawers, a central 'dog kennel' and twin panelled cupboards, on turned feet, 88" high x 74" wide, 18th century and later. See illustration.

1439 A VICTORIAN OAK LIBRARY TABLE, the octagonal top with central leather lined writing surface and a moulded border, four frieze drawers with carved fronts, flanked by pierced divisions, on a turned and carved column with 'X' form base and legs in the form of winged female torsos, with scrolling feet and recessed casters, 30" high x 48½" wide £250-450

£1,000-2,000

1440 A VICTORIAN MAHOGANY ROLL FRONT DESK, the roll front enclosing a range of satinwood fronted small drawers and pigeon holes above a pull forward writing surface with rising central panel, all on two columns of three short drawers with turned knob handles and plinth bases, 45" high x 54" wide

1443 A LOUIS XVI MARBLE TOP COMMODE, the rectangular top with moulded border and rounded corners above twin cupboard doors with kingwood and marquetry veneered panels, on short cabriole legs with allover gilt metal mounts, 33" high x 34" wide £200-400

£500-1,000

182

Lot 1444

Lot 1445

1445 DAVID LINLEY: AN OAK AND BURR OAK PEDESTAL DESK, with macassar, ebony and burr elm inlaid borders, the rectangular top on an arrangement of nine graduated drawers with ebony handles, 30" high x 71" wide x 31½" deep, and the original David Linley furniture plans, pencil and watercolour, 15" x 22½". See illustration.

1444 A SET OF EIGHT GEORGE III MAHOGANY 'SHERATON' STYLE DINING CHAIRS, with arched back rails above splayed pierced and carved back splats with conjoined wheat sheaf decoration with overstuffed seats with round headed nailed borders, on square moulded legs with splayed feet and 'H' section stretchers, comprising six standard and two arm chairs, the arm chairs 37½" high x 25" wide (8). See illustration.

£2,000-4,000

£800-1,500

1446 A CHINESE LACQUER WORK SIX FOLD SCREEN, decorated with a panel of Chinese characters amongst buildings and trees, pursuing various pursuits, within a geometric and decorative border, decorated to the reverse with birds amongst a rocky landscape, each panel 72" high x 16" wide

1444A A YEW AND ELM WINDSOR ARMCHAIR, with an arched back and shaped arm rail with three carved and pierced uprights, above a solid seat on turned legs within 'H' form stretchers, 19th century, 39" high

Provenance: Private Collection, Wiltshire.

£300-600

£400-600

183

1447 A WELSH OAK AND MARQUETRY MULE CHEST, the rectangular rising top above a three panelled front, with scrolling foliate and flower inlay, the central arched panel above a date '1756', and two short drawer, on shaped bracket feet, 57" wide. See illustration.

Lot 1447

£250-450 1448 A GEORGE II STYLE MAHOGANY FOLD TOP CARD TABLE, the rectangular top with projecting corners, enclosing a base lined playing surface and candle stands, above a shaped frieze on cabriole legs and pad feet, 28½" high x 32½" wide £100-200 1449 A DIEPPE IVORY AND BONE MIRROR with an oval bevel edged plate within a carved surround of trumpet playing cherubs, sea beast and other subjects, against a leaf effect ground, 33" x 20". See illustration.

Lot 1449

£800-1,500 1450 AN EMPIRE OVERMANTEL MIRROR with an arch topped plate within a carved gilt and decorated surround, with foliate scrolls above a moulded and dentil moulded frieze and hanging ribbon tied swags, 81" high x 56½" wide £500-1,000 1451 A SET OF THREE NEO-ROCOCO GILT WOOD PELMETS, each centred by the initial 'n' with ornate scrolling surround flanked by hanging swags of roses beneath moulded and decorated scrolling sections, each 72" wide, approximately 23" high and 12" deep (3). See illustration.

Lot 1451

£600-1,200 1452 ECOLE DE NANCI: A GALLE STYLE ART NOUVEAU WALNUT AND MARQUETRY SINGLE BED, the rectangular shaped headboard with scrolling foliate marquetry against a pale ground, between turned uprights, the footboard similarly decorated, 41½" wide, the headboard 53½" high £200-400 184

1453 A PAINTED SATINWOOD 'HEPPLEWHITE' STYLE OVERMANTEL MIRROR, with a rectangular plate within a painted and moulded frame with a scrolling cresting with a central bouquet of flowers within a scrolling surround, 32" high x 42" wide

Lot 1454

£100-200 1454 AN OAK DRESSER with a raised back, with moulded cornice above three shelves and boarded back, between wavy sided uprights, the base with a central column of four short drawers, flanked by two further short drawers and cupboards with arched panels, 76½" high x 87" wide. See illustration. £1,500-2,500 1455 AN ITALIANATE WALNUT AND GILT CENTRE TABLE, the rectangular top with a carved gilt border on trestle ends with gilt scrolling and carved animal paw decoration, with wavy cross stretcher, 28" high, the top 22½" x 67½"

Lot 1457

£300-600 1456 A GEORGE II STYLE GILT FRAMED WALL MIRROR, with a rectangular bevel edged plate beneath a scrolling cresting with central pierced vase shaped ornament flanked by foliate scrolls, the plate surrounded by conforming moulded border and hanging drapery effect swags, 52½" high x 29" wide £300-600 1457 A WILLIAM AND MARY STYLE NEEDLEWORK UPHOLSTERED GILT FRAMED SETTEE, the rectangular back with needlework border against a green ground, with scrolling arm supports and seat rail carved in low relief with scrolling strapwork, on short cabriole legs with wavy 'X' form stretchers, 41" high x 104" wide. See illustration. £500-1,000

185

1458 AN AMERICAN PAINTED MAHOGANY EXTENDING DINING TABLE, the rectangular top with a broad painted border of scrolling gilt decoration against a green ground with six additional leaves, on six turned reeded carved and painted legs with polychrome decoration and gilt capitals, 19th century, 29" high, the top 113" (fully extended)

Lot 1459

£500-1000 1459 A 19TH CENTURY SPECIMEN MARBLE TABLE TOP, with a central pietra dura panel of a bird on a fruiting branch, within 132 specimen marble squares within a border set with further diamond set squares of marble, on a later satinwood gilt and ebony strung base in the manner of Thomas Hope with four lion monopodia supports and platform base with concave sides, 32" high x 42" wide. See illustration.

Lot 1460

£1,800-2,500 1460 A PAIR OF LOUIS XVI STYLE MARBLE COLUMNS, with gilt metal capitals and bases, on slender tapering form width scrolling and leaf cast mounts, 67¾" high. See illustration. £2,000-4,000 1461 A PINE CASSONE OF 17TH CENTURY DESIGN, with domed top and carved floral swirl sunburst panels and iron lock £200-400 1462 A 19TH CENTURY PINE REFECTORY TABLE the three plank top with cleated ends on turned legs with central stretcher, 28" high, the top 29" x 85½" wide £200-400 1463 A GEORGE III MAHOGANY CORNER CUPBOARD, with arch moulded panelled doors with brass 'H' hinges, the moulded base with ogee bracket feet enclosing three small spice drawers to the bottom, 55½" high x 37" wide £200-400

186

Lot 1464

1464 AN 18TH CENTURY OAK BREAK FRONT DRESSER, the simple moulded cornice above a serpentine shaped sides and three shelf Delft rack, the base with three long and three short drawers, with brass swan-necked handles, flanked by two panelled doors, on bracket feet, 67" wide. See illustration.

1466 AN OAK COFFER, with a rectangular three plank lid on pin hinges above a four panel front, the central panels dated 1637, flanked by initials 'FL' and 'PL' all between moulded and carved stiles, 29½" wide x 65"

£1,000-2,000

1467 AN OAK COFFER with a rectangular lid above a three panel front carved in low relief with lozenge decoration between moulded stiles, 26" high x 46" wide, 17th/18th century

£200-400

1465 AN 18TH CENTURY OAK CHEST ON STAND, the moulded top with plain frieze, with three long and two short graduated drawers below with brass swanneck handles on base, with two long slender drawers and two smaller drawers, on cabriole legs, with braganza paw feet, 39" wide

£150-250

£300-500 187

Lot 1471

1468 A 'TRUMEAU' TYPE WALL MIRROR, within a rectangular plate within a carved gilt rococo style frame, the mirror surmounted by three painted panels of cherubs frolicking in landscape settings, each oil on canvas, 19th century, 50" high x 54" wide

1470 A WILLIAM IV MAHOGANY SOFA, with scrolled back with foliate and leaf carved ends above a cream upholstered seat and scrolling arms with matching bolster cushions, on carved legs with animal paw feet, 32" high x 88" wide

£250-450

£400-600

1469 A GEORGE III MAHOGANY BACHELORS DRESSING TABLE, the rectangular top above a frieze drawer with brass swan-neck handles, opening to a leather-lined writing surface, and fitted compartments below, with two small drawers around a large kneehole on square tapering legs, brass toes and roll casters, 30½" high x 39" wide

1471 A GEORGE IV MAHOGANY AND PARCEL GILT EXTENDING DINING TABLE, the circular top with moulded border with two additional leaves on a square section column with canted corners and stepped moulding on a platform base with gilt scrolling feet and casters, 29" high, the top 51" x 98" (fully extended)

£400-600

£1,500-2,500

188

Lot 1473

1472 A GEORGE II WALNUT CHEST ON CHEST with canted reeded moulded corners, the three small drawers to the upper frieze and three long drawers below, with brass handles, the lower section with two long and two short drawers, on moulded bracket feet, 70" high x 39" wide

1473 A VENETIAN 'SILKWORK' BED, the bed with a raised headboard with scrolling outline mounted with 17th century polychrome needlework of elaborate flowers and foliage amongst silver thread, with similarly mounted side rails, the headboard 52½" high x 63" wide, the bed frame 63" x 79". See illustration.

£600-1,200

£1,500-3,000

189

1474 A SUITE OF SEA-GREEN VELVET CURTAINS, probably 19th century, each 120" x 56" with floral needlework borders and trimmed edges, with matching tie backs, a pelmet and a portiere 120" x 75½"(a lot)

£1,000-2,000

190

1475 A SUITE OF COLEFAX AND FOWLER FLORAL CHINTZ CURTAINS AND PELMETS for three windows, lined and interlined, c.10'6" (320cm) drop. See illustration.

1476 A "COADE" STONE URN FINIAL with a spirally fluted top surmounted by a flambeau finial, the body with circular paterae and ribbon-tied husks above a band of upright palmettes and a spirally fluted socle, on a square base, with a modern internal metal fixing, 44½" high.

Comprising: Three pairs of curtains, three pelmets, three covered pelmet boards with cords, six tie backs and three under pelmets.

Provenance: Monks Park. Wiltshire

£400-£700

See illustration.

191

Provenance: According to the vendor, this urn was acquired from Belmont, Lyme Regis, Dorset when he lived in the town. Belmont was Mrs Coade's house (1784) and the exterior has extensive Coade ornament including comparable urn finials along the parapet.

£1,000-£2,000

1477 AN EXCEPTIONAL SUITE OF ROYAL GOBELINS (OR BEAUVAIS) TAPESTRY BED HANGINGS made for King Louis Philippe I, and a long runner ensuite, circa 1830, runner c.161" x c.45½", pelmets c.59" x c.23", headboard 60¼ wide x 54¼" high, hangings 106" x 18"

Provenance: The Palais de Chateau d'Eau

King Louis Philippe of France in exile at Claremont, Esher, Surrey

Private collection, London and Devon.

The three pelmets were acquired from Mayorcas Ltd, April 1981 and reunited with the other bed hangings and the runner.

These bed hangings relate to an exceptionally important tapestry carpet which shares the Claremont provenance (photograph available on request).

King Louis Philippe I of France was born at the Palais Royale, Paris, on 6th October 1773 and died at Claremont, Surrey, on 26th August 1850. He was proclaimed King in 1830 after his cousin, Charles X, was forced to abdicate in the wake of the events of the July revolution of that year. His Government, known as the July Monarchy, was dominated by members of the French elite and numerous former Napoleonic officials. His popularity faded as economic conditions in France deteriorated and in 1847 he was forced to abdicate after the outbreak of the Second French Revolution. Fearful of what had happened to Louis XVI the King quickly left Paris under disguise riding in an ordinary cab under the name of "Mr Smith". He fled to England and was given permission to live at Claremont by Queen Victoria. The house was originally a wedding present to George IV's daughter, Princess Charlotte and her husband Prince Leopold of Saxe-Coburg. Louis Philippe and his Queen, Marie Amelie, were parents-in-law to Leopold I of Belgium.

The Gobelins and the Beauvais tapestry works were great rivals. Work continued at both factories until the French Revolution. The Gobelins factory was revived during the Bourbon Restoration and in 1826, the manufacture of carpets was added to that of tapestry. This suite of bed hangings and the associated runner were probably made to celebrate the Coronation of King Louis Philippe I in 1830.

£20,000-40,000

192

193

NOTES

194

NOTES

195

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 196 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Lot No:-

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Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

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The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 199

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

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200

Lot No:-

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The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Thursday, 8th and Friday, 9th December. Silver, Jewellery and Furniture.

Silver, Jewellery and Furniture 2016

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 8th and Friday, 9th December