Duke February 2018

Duke’s Thursday 22nd February, Ceramics, Silver, Jewellery and Asian Art. Friday 23rd February, Paintings, Furniture and Works of Art

Ceramics, Silver, Jewellery and Asian Art Thursday, 22nd February

Paintings, Furniture and Works of Art Friday, 23rd February 2018

PRINTED IN DORCHESTER BY EPIC PRINT

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter.

The Saleroom has ample parking.

If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Midlands and Cotswolds Mark Allum (01249) 447478 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

22% plus VAT on the hammer price

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description.

Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work Artist’s Resale Right: is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright).

Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

VIEWING Saturday, 17th February, 9.30am-12noon Monday, 19th February, 9.30am-5pm Tuesday, 20th February, 9.30am-7pm Wednesday, 21st February, 9.30am-5pm And on the morning of the auction days

Catalogues £20.00 (by post)

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Duke’s AUCTIONEERS SINCE 1823

SPRING FINE ART Including Property from the Estate of the late Lord Neill QC and furniture from the Collection of the 1st Earl of Iveagh.

Thursday 22nd February, 10.30am Lots 1 – 102

English and Continental Ceramics

Lots 130 – 150

Glass

Lots 200 – 351

Silver

Lots 400 – 405

Carriage Clocks

Lots 408 – 439

Gents and Ladies Watches

Lots 440 – 572

Jewellery

Lots 600 – 647

Objets de Vertu

Friday 23rd February, 10.30am Lots 700 – 871

Asian Art

Lots 900 – 927

Prints and Engravings

Lots 930 – 993

Works on Paper

Lots 1000 – 1113

Oil Paintings

Lots 1146 – 1159

Books

Lots 1160 – 1199

Works of Art

Lots 1200 – 1210

Clocks and Scientific Instruments

Lots 1230 – 1233

Rugs and Carpets

Lots 1238 – 1379

Furniture

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%.

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by JONATHAN GOODING www.jonathangooding.co.uk 5

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

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THURSDAY, 22 nd FEBRUARY, 10.30A M

ENGLISH AND EUR OPEAN CER A MICS

Lot 63 detail 7

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1

Lot 4

4 A PAIR OF DERBY CANDLESTICK FIGURES modelled as a girl and boy holding chickens in front of floral bocage, standing on heavy rococo bases heightened in gilt, circa 1765, 31.5cm high.

See illustration

1 AN ENGLISH DELFTWARE TIN GLAZED PUZZLE JUG, the pierced and bulbous body painted in blue with Chinese style decoration, the central panel with “Here gentleman, come try your skill. I’ll hold a wager if you will that you don’t drink this liquor without you spill or let some fall”, with initials and dated 1741, 6½” high.

See illustration

£200-400

5 A DERBY CANDLESTICK FIGURE of a man seated beside a dog and holding a bird before a flowering bocage, on a heavy rococo base heightened in blue and puce, circa 1770, 11¼” high

2 A FRENCH FAIENCE TIN GLAZED POTTERY PUZZLE JUG, the pierced and bulbous body with yellow and blue painted floral decoration, probably circa 17th century, 7½” high

£100-200

£150-250

6 A VICTORIAN STAFFORDSHIRE GIRAFFE laying beside a palm tree, 4½” high, an early Staffordshire pearlware deer laying on a green mound, 4½” high, and three other similar ceramic and pearlware animals (5)

3 A DUTCH DELFT TIN GLAZED POTTERY PLATE painted in blue in the Chinese style, with figures in boats and fishing, houses in the distance, 18th century, 11¾” dia.

£300-500

£80-150

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£80-150

14 A DERBY PORCELAIN FIGURE OF A GIRL standing with outstretched arms and wearing a polychrome painted apron heightened in gilt, the rococo mound base with floral bocage, circa 1775, 8” high, and another English porcelain figure of a lady seated playing a musical instrument (2)

7 A STAFFORDSHIRE PEARLWARE SHEEP AND LAMB standing before a bocage, on a mound base, circa 1820, 6¼” high, and two other similar pearlware sheep (3)

£80-150

8 A STAFFORDSHIRE PEARLWARE FIGURE OF A LADY holding a fan, circa 1810, 6” high, and four other similar English pearlware figures and groups, early 19th century (5)

15 A PAIR OF STAFFORDSHIRE POTTERY SHEEP with a floral bocage standing on a mound base with a stream, circa 1840, and two other similar Staffordshire sheep (4)

£80-150

10 A STAFFORDSHIRE PEARLWARE FIGURE OF NEPTUNE standing beside a dolphin on a rococo scroll base, applied with shells and seaweed, circa 1820, 7” high, and two other similar pearlware figures (3)

£50-100

£80-150

£80-150

18 A PAIR OF STAFFORDSHIRE PEARLWARE FIGURES of a girl with a sheep and a boy, each standing before a bocage, on green mound bases, circa 1810, 5¾” high, and another Staffordshire pearlware figure (3)

£50-100

13 A PAIR OF STAFFORDSHIRE POTTERY FIGURES depicting a cobbler and his wife, circa 1850, 6½” high

£80-150

17 A VICTORIAN STAFFORDSHIRE HORSE standing on a green and yellow mound base, circa 1860, 5” high, and a collection of nine other Staffordshire animals and a figure (10)

12 A STAFFORDSHIRE PEARLWARE FIGURE OF A WEEPING WOMAN beside an urn, circa 1810, 9¼” high, and three other similar Staffordshire pearlware figures (4)

£100-200

16 A DERBY PORCELAIN DEER reclining before a floral bocage, circa 1780, and a Staffordshire pearlware cow with calf, on a green mound base applied with flowers (2)

11 A STAFFORDSHIRE PEARLWARE SHEEP SPILL VASE with three sheep reclining and standing amongst encrusted flowers beside a tree trunk, circa 1820, 6¼” high, and a Derby candlestick base decorated with a dog leaning towards two birds amongst a floral bocage, on a heavy rococo base heightened in gilt, circa 1765, 7” high (2)

£80-150

£80-150

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£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

26 AN EARLY BOW PORCELAIN WHITE GLAZED FIGURE OF A NUN standing holding a book, circa 1760, 6½” high

19 A VICTORIAN STAFFORDSHIRE FIGURE OF A LADY holding a muff, 4” high, and a pair of similar candle snuffers (3)

£50-100

20 A VICTORIAN STAFFORDSHIRE CAT with kitten, 2¾” high, a pair of similar cats with kittens, and two other cats including a pen holder (5)

£50-100

£80-150

£50-100

£50-100

30 A RUSSIAN GARDNER PORCELAIN FIGURE of a tradesman, wearing a white apron, tall boots, striped trousers and a top hat, holding a gilt kettle and bag, circa 1830, 7½” high.

See illustration

24 A DERBY PORCELAIN SPANIEL reclining on a raised base applied with flowers, circa 1770, 2” high

£50-100

29 A FIRST PERIOD WORCESTER PORCELAIN SAUCEBOAT, the moulded body painted in blue with floral decoration, on an oval raised foot, blue painted crescent mark, circa 1775, 3” high

23 A STAFFORDSHIRE PEARLWARE TITHE PIG GROUP, the figures and pigs standing on a green mound base applied with flowers and straw, circa 1820, 5¼” high

£200-400

28 A STAFFORDSHIRE PEARLWARE BUST of John Locke, (1632-1704), the bust modelled on a marble effect plinth base, inscribed “Locke”, circa 1830, 7” high

22 A BOW PORCELAIN FIGURE OF A LADY wearing a flowing dress standing on a rococo base with applied flowers, iron red and blue painted marks, circa 1765, 7¼” high

£200-400

27 A VICTORIAN STAFFORDSHIRE PEARLWARE BULL BEATING GROUP modelled in the “Sherratt Style” with a man and two dogs baiting a bull, the rectangular and decorated plinth base inscribed “Bullbeating” and “Now Captin Lad”, 19th century, 5¼” high

£50-100

21 A VICTORIAN STAFFORDSHIRE VASE with a leopard and two kittens beside a tree trunk, with a snake, 10” high, and another Staffordshire porcelain group of dogs chasing a deer (2)

A similar example can be found in the “Sheila Pettit Collection at Warrington. The National Trust Warrington, Northumberland”, 1994 edition, page 66.

£80-150

25 A BOW PORCELAIN SALT modelled as a lady holding a shell, sitting on a mound base applied with flowers, circa 1770, 7” high £80-150

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£500-1,000

Lot 30

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

37 A PAIR OF CONTINENTAL PORCELAIN VASES of classical urn form with scrolled mask handles, each vase decorated with polychrome painted scenes on a gilt ground, incised marks, 19th century, 12” high.

See illustration

31 A MEISSEN PORCELAIN POT AND COVER in the form of a lemon with applied flowers, blue crossed swords mark, 19th century or earlier, 6” long (including handle)

£50-100

32 A CONTINENTAL PORCELAIN DOG with painted features sitting on a mound base , impressed marks, 19th century, 3¾” high, and another continental porcelain whippet (2)

38 A PAIR OF ITALIAN DOCCIA STYLE PORCELAIN VASES AND COVERS, the body with a polychrome painted and raised battle scene below a pierced border and cover with crown finials, standing on three feet, on a raised base, gilt marks, 19th/ early 20th century, 12” high; a similar urn-shaped vase and a tankard (4)

£50-100

33 A BERLIN PORCELAIN SALT in the form of a classical dolphin supporting a shell, painted with cockerels and insects, blue painted mark, 19th century, 2½” high

£300-500

£50-100

41 A PAIR OF STAFFORDSHIRE PEARLWARE ZEBRAS standing before trees, on oval bases, circa 1820, 6½” high.

See illustration

£50-100

36 A FIRST PERIOD WORCESTER PORCELAIN TEA BOWL and saucer, the raised fluted and floral ground within borders of blue painted leaf decoration, circa 1770, the saucer 5” dia.

£100-200

40 A CONTINENTAL ITALIAN FAIENCE CHARGER painted in polychrome with a figure walking between trees on a grassy path, 18th century, 13” dia.

35 A SPODE PORCELAIN POT POURRI and cover, with stand, the pot and stand with raised and polychrome painted fruit and flower decoration within giltlined borders, iron red painted marks, 19th century, 3” high overall

£100-200

39 A PAIR OF PORCELAIN AND BRASS MOUNTED GARNITURE VASES, the porcelain decorated with African hunting scenes, standing on gilt and ebonised wood bases, 19th century, 14” high overall (including bases).

See illustration

£50-100

34 A COLLECTION OF FIVE MEISSEN PORCELAIN FIGURES, three playing musical instruments, one of a lady holding a book and a similar figure of a man holding a scroll, with arm raised, 19th century, blue crossed swords and/or impressed and incised marks, the tallest 6” high (5) .

See illustration

£150-250

£80-150

42 A MEISSEN STYLE CONTINENTAL PORCELAIN GROUP of five labourers working around a tree stump, encrusted with leaves and flowers, 19th century, 13½” high.

See illustration

£50-100

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£100-200

Lot 34

Lot 37

Lot 39

Lot 41

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

43 A DRESDEN PORCELAIN TEAPOT of globular form, painted in coloured enamels with floral decoration and ormolu mounts with a hinged handle, blue crossed swords marks, overall 10¾” high

Lot 42

£100-200

44 A CAPODIMONTE WHITE GLAZED PORCELAIN GROUP of naked putti frolicking in a cart with garlands of flowers led by two goats, blue mark, 19th century, 7” high

£100-200

45 A LOUIS XV STYLE ORMOLU MOUNTED INKSTAND with two compartments decorated in relief with shells and leaves, the Sevres style porcelain panel painted in polychrome with flower decoration within a gilt scrolling cartouche on blue ground, 19th century, 11” wide.

See illustration

Lot 45

£150-250 46 AN ITALIAN “SAVONA” BLUE AND WHITE MAIOLICA ARMORIAL PLATE painted with a bold coat of arms, enriched in yellow, above a mountainous village landscape, church spire mark to the base, 18th century, 14” dia.

See illustration

£100-200

47 A CONTINENTAL FAIENCE POTTERY SHAVING BOWL with polychrome painted floral decoration, on a pale blue ground, 19th century, 12¾” wide

Lot 46

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£50-100

48 A CONTINENTAL FAIENCE POTTERY BULL reclining on a sloped rectangular base, painted in polychrome with floral decoration, painted marks possibly 18th century, 9½” wide

Lot 49

£100-200

49 A ROYAL WORCESTER PORCELAIN VASE AND COVER, of classical urn shape, the body decorated by J. Davis within a blue, white and gilt ground, puce printed and incised marks, 18½” high.

See illustration

£150-250

50 A SEVRES PORCELAIN CHARGER painted with three portraits of Napoleon Bonaparte, his wife and son, within gilt borders on green ground, each portrait signed “D. Humbert Sevres”, printed and painted marks, 19th century, contained in a carved wood and velvet-lined frame with brass mount, overall 21½” x 21½” (including the frame).

See illustration

Lot 50

£200-400

51 A MINTON URN VASE supported by two putti on a square naturalistic base with canted corners, impressed and incised marks, 19th century, 12¾” high.

See illustration

£150-250

52 A NAST A PARIS PART TEA SERVICE painted with flowers within a blue and gilt border.

Comprising nine cups, sixteen saucers and a slops bowl, 19th century (a lot)

Lot 51

£150-250

53 AN ITALIAN CANTIGALI FAIENCE POTTERY PART TABLE SERVICE painted in blue with putti and cherubs within floral and insect scattered borders, painted marks. Comprising four footed bowls and six plates, 19th century.

£50-100

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 58

57 A VICTORIAN ENGLISH PORCELAIN DESSERT SERVICE painted with floral decoration within a gilt floral scroll cartouche on apple green ground within moulded rococo borders heightened in gilt. Comprising ten comports and fifteen dessert plates (a lot)

54 A VICTORIAN STONE CHINA DINNER SERVICE painted and printed in the Chinese style with flowers.

Comprising twenty five dinner plates, eleven side plates, eleven soup bowls, five tureens, two soup tureens with stands, five meat plates, and two pickle dishes (61)

£150-250

58 A SEVRES PORCELAIN DUAL INKSTAND the boat shaped dish with two pierced wells and removable brass covers and glass liners, the dish polychrome painted with floral sprigs in a blue and gilt border, painted puce marks, 18th century, 10½” wide.

See illustration

55 A SPODE “CHINESE TREE” PATTERN DINNER SERVICE comprising four tureens, four tureen stands, three graduated meat plates, 40 dinner plates and 17 soup bowls (a lot)

£200-400

£250-450

56 A SPODE CREAMWARE PART DINNER AND TEA SERVICE with painted floral sprigs on cream ground within bluelined borders. Comprising sauce tureens, nut basket and stand, comport, side plates and other pieces, impressed marks, 19th century (a lot)

£300-500

59 A ROYAL DOULTON GLAZED POTTERY VASE with underglaze leaf decoration on a blue/green ground, impressed and incised marks, 13” high

£100-200

£80-150

60 A PAIR OF ROYAL WORCESTER PORCELAIN NAUTILUS SHELL SPOON WARMERS the nautilus shells supported by a gilt coral stem on a shell encrusted foot, puce printed and impressed marks, 19th century, 8½” high

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£80-150

Lot 63

63 A PAIR OF CONTINENTAL SEVRES STYLE PORCELAIN AND GILT METAL MOUNTED VASES AND COVERS, each vase polychrome painted with hunting scenes to both sides, signed “M. Brouard” within gilt borders on a blue ground, painted marks, 19th century, 36½” high.

See illustration

61 A CONTINENTAL PORCELAIN URN, the raised classical decoration in gilt with entwined handles on a square sloped base, 19th century, 9½” high

£50-100

62 AN ENGLISH PORCELAIN BOUGH POT decorated with polychrome painted floral and classical decoration within gilt borders on a yellow ground, early 19th century, 6¾” high

£5,000-7,000 64 A MEISSEN PORCELAIN SUGAR CASTOR with blue painted floral and insect decoration and a pierced pine cone finial, blue painted marks, c.1780, 6½” high

£80-150

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£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

65 A CONTINENTAL PORCELAIN BOWL of quatrefoil shape with a pierced rim and twin handles, gilt with stylised floral decoration on a blue ground, raised on scroll feet, impressed marks, 19th century, 8” high.

See illustration

Lot 65

£400-600

66 A PAIR OF VICTORIAN PRERAPHAELITE STYLE COPELAND & SONS FIREPLACE TILE PANELS, each painted with one of the Four Seasons “ Autumn” and “Winter”, each decorated with maidens in flowing gowns, with mosaic glazed borders in tones of mottled green, reds and blues, By Robert John Abraham, signed lower right “R.J. Abraham”, 38” high.

See illustration

£1,500 - £2,500

Lot 66 67 A SAMPSON PORCELAIN EWRE modelled in the form of a duck amongst flowers, polychrome painted and heightened in gilt, 19th/20th century, 8½” high

£150-250

68 AN ITALIAN FAIENCE POTTERY DISH, square, with blue painted decoration, raised on four feet, blue painted mark, 10”

£40-80

69 A MASONS IRONSTONE DINNER SERVICE polychrome painted with flowers in the Chinese style, impressed “Mason’s patent ironstone china”, early 19th century, comprising: 6 meat plates, 4 sauce tureens, 1 vegetable tureen, 15 soup bowls, 31 dinner plates, 17 dessert plates, 11 side plates, 2 bowls, 2 serving dishes, 2 dessert dishes and 1 comport (92).

See illustration

Lot 69

£500-1,000

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A PRIVATE COLLECTION OF 18TH CENTURY ENGLISH PORCELAIN

Lot 70

70 A PAIR OF CHELSEA DERBY CANDLE HOLDERS modelled as winged cherubs with floral garlands and quivers of arrows on shell pierced face with bocage backgrounds, c.1770, 6½”.

See illustration

£200-400

71 A BOW FIGURE OF JUNO standing holding a cape with eagle to base on a pierced rocaille base, painted in polychrome and highlighted with gilding, c.1760, 11½”.

See illustration

Lot 71

£200-400

72 A FIRST PERIOD WORCESTER BLUE AND WHITE TEAPOT AND COVER with a “feather moulded” globular body, decorated with floral sprigs surmounted by a domed cover, with underglazed crescent “C”-mark to base, 5¼”, and another first period Worcester blue and white globular teapot and cover (2)

£200-400

73 A FIRST PERIOD WORCESTER BLUE AND WHITE TEA CADDY decorated with a version of the Mansfield pattern (lacks cover), with underglaze blue crescent “C” mark to base, 5½” £100-200 74 A CHELSEA “COS LETTUCE” SAUCEBOAT, with a rustic scroll handle and leaf-moulded body painted in polychrome with scattered insects and flowers, crossmarks to base, circa 1765, 9”, and another similar sauceboat (2) .

See illustration

Lot 74

£200-400

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

75 A FIRST PERIOD WORCESTER BLUE AND WHITE MUSTARD POT of cylindrical form decorated with the Mansfield pattern, circa 1757-80, 2½”, and a small blue and white strainer with lug handle (2) .

See illustration

Lot 77

£80-150 76 A FIRST PERIOD WORCESTER BLUE AND WHITE SAUCEBOAT with moulded body, pedestal foot and spur capped scroll handle, decorated in the “The Mission Church” pattern with open crescent “C”-mark to the base, circa 1765, 7”

£100-200

77 A LOWESTOFT BLUE AND WHITE SAUCEBOAT, the Hughes type moulded body painted with a fisherman on a rock, workman’s mark to base, circa 1760, 6½”

Lot 78

£150-250

78 A FIRST PERIOD WORCESTER BLUE AND WHITE SAUCEBOAT, the press moulded silver shape body decorated with the “Cannonball” pattern, circa 1765-75, 4¾”.

See illustration

£120-180

79 A LOWESTOFT BLUE AND WHITE MILK JUG, the ovoid body with sparrow beak spout printed with the “Three Flowers” pattern, circa 1775, 4½”.

See illustration

Lot 79

£120-180

80 A FIRST PERIOD WORCESTER BLUE AND WHITE CREAM JUG decorated with the “Zig-Zag Fence” pattern and underglazed blue crescent “C”-mark to the base, circa 176570, 4”, and a First Period Worcester blue and white butter boat decorated with the “Two Porter Landscape” pattern, with crescent “C”-mark to the base, 5½” (2)

£100-200

81 A FIRST PERIOD WORCESTER BLUE AND WHITE FEATHER MOULDED CREAM JUG decorated with sprays of flowers, workman’s mark to base, circa 1760, 4”.

See illustration

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£150-250

82 A FIRST PERIOD WORCESTER BLUE AND WHITE MINIATURE TEAPOT AND COVER decorated with the “Rock Warbler” pattern, workmans numeral mark to the base, circa 1754-60, 3”

Lot 81

£100-200

83 A PAIR OF FIRST PERIOD WORCESTER BLUE AND WHITE BUTTER BOATS, the moulded bodies with a chinoiserie pattern, circa 1765, 4½”.

See illustration

£150-250

84 A CAUGHLEY BLUE AND WHITE SHELL-SHAPED DISH printed with a version of “The Fishermans” pattern within a cellular border, circa 1765-70, 5½”, and a Worcester blue and white saucer decorated in the “Zig-Zag Fence” pattern, crescent “C”-mark to the base (2)

Lot 83

£100-200

85 AN 18TH CENTURY BUTTER BOAT of silver shape, decorated in polychrome with flowers within a brown/red border, probably Caughley, circa 1780, 4”

£100-200

86 A FIRST PERIOD WORCESTER “DOLPHIN EWER” CREAM JUG, the moulded body on a pedestal foot, painted with sparse sprays of polychrome flowers, circa 1765, 5”

£70-100 Lot 87

87 A FIRST PERIOD WORCESTER BARREL-SHAPED POLYCHROME CREAM JUG with sparrowbeak spout and simple loop handle, decorated with sprays of flowers, circa 1765, 3”.

See illustration

£200-400

88 A BOW BUTTER BOAT, the fluted body and pedestal foot decorated with polychrome floral sprays, circa 1755, 4½”

£100-200

21

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

89 A SMALL POLYCHROME BOWL decorated with “Long Eliza” type Oriental acrobats and dogs, possibly Liverpool, 18th century, 4½”.

See illustration

Lot 89

£100-200

90 A CAUGHLEY BLUE AND WHITE TEABOWL decorated in the “Mother and Child” pattern, Salopian mark, circa 1755-85, 3”, and three other 18th century blue and white tea bowls (4)

£50-100

91 A CHELSEA/DERBY SAUCER with stiff leaf moulded border painted with polychrome trailing flowers and gilding, the reverse with gilt anchor and “D”-mark, 5”, a blue and white tea bowl and saucer and a Chamberlains Worcester type tea bowl with wrythen moulded body (3)

Lot 92

£50-100 92 AN 18TH CENTURY TREFOIL SHELL SWEETS DISH, the three shell moulded bowls painted in polychrome with disheveled birds with a shell surmount, on shell encrusted “rocaille” base, possibly Plymouth, 6½”.

See illustration

£100-200

93 A CHELSEA OVAL DISH painted with polychrome sprays of flowers within a brown/ red lined border, on low pedestal foot, red anchor mark to base, circa 1770, 8½”.

See illustration

Lot 93

£150-250

94 A BOW “BLANC DE CHINE” COFFEE CUP AND SAUCER moulded with prunus blossom, circa 1752,

£80-150

95 A CHELSEA DERBY TEA BOWL AND SAUCER, the acanthus leaf moulded and fluted body painted with polychrome flowers within a blue and gilt border, gold anchor and “D”-mark to base, circa 1775.

See illustration

22

£80-150

96 A FIRST PERIOD WORCESTER POLYCHROME COFFEE CUP painted with blossom and insect, circa 1770, and a Worcester coffee cup painted with green floral sprigs (2).

See illustration

Lot 95

£120-180

97 A FIRST PERIOD WORCESTER COFFEE CUP painted with polychrome flowers within a brown/red lined border, circa 1780, and another similar coffee cup (2)

£80-150

98 A BLUE AND WHITE COFFEE CUP, printed with the “Two Quails” landscape pattern, possibly Liverpool, circa 1760-70, and a cylindrical coffee can decorated with the “Cannonball” pattern and three other 18th century blue and white coffee cups (5).

See illustration

Lot 96

£100-200 99 A FLIGHT WORCESTER COFFEE CAN with fluted body painted with sparse polychrome sprigs and gilding, a Worcester Hancock transfer printed coffee cup and an early Minton coffee can sepia transfer printed with a landscape (3)

£70-100

100 A DERBY IMARI PATTERN COFFEE CAN and three other coffee cans (4)

£80-150

101 A PAIR OF 18TH CENTURY DELFT BLUE AND WHITE PLATES, the central panel painted with an Oriental garden landscape, 9”

Lot 98

£70-100

102 A NEWHALL HELMET-SHAPED CREAM JUG painted in polychrome with Oriental figures, circa 1790, 4½”, a Newhall type chinoiserie small bowl and a Coalport type cabinet cup and saucer painted with flowers in reserves on a royal blue and gilt ground, the central panel with an armorial (3)

£80-150

Lots 103-129 Spare lots 23

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

GLASS

136 A GEORGE II WINE GLASS, the bell-shaped bowl on a hollow baluster stem on a domed circular folded foot, circa 1735, 6” high, the bowl 2½” dia., the foot 2¾” dia.

130 A CONTINENTAL GLASS LEMONADE JUG AND COVER, the frosted ground painted with fish and coral, late 19th/ early 20th century, 11½” high

£50-100

137 A GEORGE II WINE GLASS, the drawn trumpet bowl on a multi-spiral air-twist stem, on a circular foot, circa 1750, 6½” high, the bowl 2¾”, the foot 3¼”

131 A GEORGE II WINE GLASS, the bell-shaped bowl supported by an air-twist stem on a circular foot, 6¾” high, the bowl 2¾” dia. , the foot 3” dia., circa 1750

£80-150 138 A GEORGE II SWEETMEAT GLASS, the waisted ogee bowl on an eight-sided pedestal stem, on a domed folded foot, c.1750, 6¾” high, the bowl 3” dia., the foot 3½” dia.

See illustration

132 A GEORGE II WINE GLASS, the conical bowl on a tapered air-twist stem on a circular foot, circa 1750, 6½” high, the bowl 2.4” dia., the foot 3.4” dia.

£80-150

£80-150

134 A GEORGE II WINE GLASS, the conical bowl on a tapered and rounded square stem, on a domed folded foot, circa 1745, 5½” high, the bowl 2¼” dia., the foot 2½” dia.

£150-250

140 A GEORGE II WINE GLASS, the bell-shaped bowl on a thick stem, on a circular folded foot, c.1750, 7” high, the bowl 3” dia., the foot 3¼” dia., and two other similar glasses (3)

£80-150

135 A GEORGE II WINE GLASS, the round conical bowl on a balustroid stem, on a domed circular folded foot, 5¼” high, the bowl 2” dia., the foot 2½” dia.

£150-250

139 A GEORGE II WINE GLASS, the drawn trumpet bowl on a tapered stem with tearshaped bubble, on a circular foot, c.1750, 6” high, the bowl 3” dia., the foot 3” dia., and two other similar glasses (3)

133 A GEORGE III WINE GLASS, the round funnel bowl on an opaque air-twist stem, on a circular foot, circa 1770, 6” high, the bowl 2½” dia., the foot circa 3” dia.

£80-150

£50-100

24

£150-250

141 A GEORGE III WINE GLASS, the bell-shaped bowl on a clear stem, on a circular foot, c.1755, 6¾” high, the bowl 2¾” dia., the foot 2¾” dia., and one other similar glass (2)

Lot 138

£100-200

142 A GEORGE II CORDIAL GLASS, the bucket-shaped bowl on a waisted clear stem on a folded foot, c.1755, 5½” high, the bowl 2” dia., the foot 2½” dia., and three other similar glasses (4) .

See illustration

£150-250

143 A SMALL GEORGE II CORDIAL GLASS, the bell-shaped bowl on a baluster stem, on a circular folded foot, c.1755, 5½” high, the bowl 2¼” dia., the foot 2½” dia.; a heavy glass inkwell or toastmasters glass and four other ale or cordial glasses (6)

Lot 142

£80-150

144 A GEORGE II BALUSTER WINE GLASS, the round funnel bowl on an opaque twisted stem, on a circular foot, the bowl probably Dutch engraved with three women at their spinning wheels “O. Blyden Dagh”, and “Gratias, Perge Parce”, circa 1755, 7¼” high, the bowl 3” dia., the foot 3¼” dia.

See illustration

£500-1,000

145 A PAIR OF HEAVY VICTORIAN RUMMERS, the bowls with sliced cut decoration, on waisted cut stems, on a circular foot, 7” high, the bowls 3¾” dia., the foot 3¾” dia. (2)

Lot 144

£50-100

146 A BOHEMIAN OVERLAID GLASS SCENT BOTTLE, the green and clear bottle slice-cut with hobnail stopper and foot, 19th century, 8½” high

£50-100

25

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 148

Lot 149

149 A PAIR OF BOHEMIAN RED GLASS VASES with oval panels painted with portraits of young ladies, on a gilt ground and a circular foot, 19th century, 20½” high.

See illustration

147 A PAIR OF CONTINENTAL CUTGLASS FLASKS with pewter covers, the bodies decorated with flowers, late 18th/early 19th century, 8¼” high

£80-150

148 A GEORGE III CUT GLASS URN AND COVER on a waisted and stepped stem and square “lemon squeezer” foot, probably Irish, 17” high.

See illustration

£300-500

150 A SET OF 24 CRANBERRY AND CLEAR GLASSES with etched with armorials, on clear baluster stems and circular feet, 19th century, 5” high

£300-500

26

£80-150

SILVER

Lot 299 detail 27

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

SILVER PLATE AND RELATED ITEMS

Lot 204

202 CHRISTOFLE; AN EMPIRE STYLE SILVER PLATED MALMAISON SERVING TRAY, of oval form with raised border, decorated with a frieze of delicate palm and lotus leaves, gadrooned border, loop twin handles, with original dust cover, 25" wide (handle to handle)

200 A FRENCH SILVER PLATED TUREEN AND COVER, of neo-classical form, the cover, with raised centre and acorn finial decorated with a band of leaves, openwork twin handles terminating on a circular pedestal base,

by Ravinet D'Enfert, Paris, 10" high (boxed) and an associated Kings pattern soup ladle (2)

£80-150

203 CHRISTOFLE; A SILVER PLATED MALMAISON COFFEE SET, comprising coffee pot, milk jug and sugar bowl, In the Empire style, each decorated with a frieze of palm and lotus leaves, and a silver plated dish in the form of an apple, (boxed) (4)

201 CHRISTOFLE; A SILVER PLATED MALMAISON GRAVY BOAT ON STAND, the handle in the form of an eagle, resting on an oval base decorated with a band of palm and lotus leaves, gadrooned border, stamped markings to base, 8¾" long (boxed)

£100-200

£150-250

£150-250

204 CHRISTOFLE; A PLATED MALMAISON CANTEEN OF CUTLERY, In the Empire style, decorated with palm and lotus leaves to borders, setting for eight people, in original fitted case.

See illustration. £400-800 LOTS 205-209 SPARE LOTS 28

SILVER AND RELATED ITEMS

Lot 210

210 A SET OF FOUR VICTORIAN SILVER CANDLESTICKS, of cylindrical form with detachable square shaped sconces, the columns each applied with reeds, swags and bows on square fluted bases, filled, by Thomas Bradbury & Sons, London, 1896/1897, 9" high.

See illustration

£300-500

211 A GEORGE III STYLE SILVER MUG, of cylindrical form decorated with two horizontal reeded bands, scroll handle with gilt washed interior, engraved to base, by John Henry Rawlings , London, 1907, 3" high, (c.4.9oz)

£60-100 Lot 213

212 A GEORGE II STYLE SILVER MUG, of plain waisted form with acanthus capped double scroll handle, raised on a spreading circular base, by Edward Barnard & Sons Ltd, London, 1936, 13.5cm high, (c.12oz)

£150-250

213 A PAIR OF GEORGE III SILVER SAUCE BOATS, tapering oval form with gadrooned borders and fluted bodies, with leaf capped scroll handles, resting on shaped pedestal bases, makers mark rubbed, London, 1764, 7" long (c.18.9oz).

See illustration.

£500-1,000 Lot 214

214 A GEORGE III SILVER WARWICK CRUET of conventional form, the frame with central carrying handle, the whole on extended shell feet, the frame housing five different silver and glass mounted condiment pots and castors, the frame engraved with a coat of arms, possibly by Walter Tweedie, London 1767, 9¼" high (c.38.7oz). See illustration

£300-500

215 A GEORGE II SILVER CREAM JUG, of baluster form with leaf-capped scroll handle, resting on three extended hoof feet, by William Cripps, London, 1764, and a set of six silver apostle spoons, and other silver flatware, (c.4.2oz weighable silver)

£50-100

29

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

222 A PAIR OF GEORGE III SILVER PEPPERETTES, circular tapering form, reeded borders, high pierced pulloff covers, ball finials, part fluted decoration on square bases, makers mark rubbed, London, 1809, 5½" high, (c.8.8oz)

216 A GEORGE III SILVER INK STAND, of oval form, raised reeded boarder resting on four paw feet, the two glass bottles, of twisted form with detachable lids, by John Green & Co, Sheffield, 1801 (c.4.4oz), and two silver rimmed glass match strikers (3)

£100-200

217 A CONTINENTAL SILVER CREAM JUG, of urn form, decorated with a band of acanthus leaves on a fluted body, gilt washed interior, resting on a square base, Russian import marks, assayer Kliment Zagayevsky, circa 1900, 6½" high, (c.9.oz)

223 A GEORGE III SILVER PAP BOAT of conventional form with gadrooned border, one end applied with a shell and leaf motif, by Samuel Knight, London 1817, 6" long (c.4oz)

£100-200

£100-200

£150-250

220 A GEORGE III SILVER TEAPOT STAND, oval form with raised border, decorated with a band of fern leaves, on four shaped feet, by Hannah Northcote, London, 1800, 6" length, (c.3.5oz)

£280-350

226 A GEORGE III SILVER SNUFFER TRAY of waisted rectangular form with leaf-capped flying scroll handle and gadrooned borders, on hoof feet, by John Carter II, London 1774, 7" long (c.5.5oz)

£200-400

221 A PAIR OF GEORGE III SILVER WINE COASTERS, of circular form with pierced scroll and foliate surround, gadrooned wavy border on turned wooden bases, by Charles Aldridge & Henry Green, London, 1768, 4¾" dia (2)

£100-200

225 A GEORGE III SILVER SWING HANDLED SUGAR BASKET with beaded and slat-pierced borders, engraved swag decoration, crested and monogrammed, on a circular beaded foot (with later blue glass liner), makers mark rubbed, possibly H & G, Sheffield 1787, 6" high (with handle extended) (c.5.3oz)

219 A SILVER SALVER, of shaped circular form with raised border, fluted decoration, on three hoof feet, by J.A Campbell, London, 1982, 12" dia, (c.23.1oz)

£100-200

224 A GEORGE III SILVER PAP BOAT of conventional form with a reeded border, by Thomas Wallis & Jonathan Hayne, London 1813, 7¼" long (c.2.1oz)

218 A GEORGE III STYLE SILVER MUG, of plain tapering cylindrical form, scroll handle, on a raised circular foot, monogramed, by J B Chatterley & Sons Ltd, Birmingham, 1937, 5" high, (c.10.5oz)

£80-150

£150-250

227 A SET OF THREE GEORGE III SILVER TEA CADDIES, rectangular form with detachable and hinged covers, each applied with bud and flower finials, with a gadrooned border, the body engraved with a trail of flowers, possibly

by William Abdy, London 1762, 5¾" high, (c.38.9oz).

See illustration.

£200-400

221A A GEORGE III SILVER WINE FUNNEL, plain bell-shaped, applied reeded borders, complete with detachable strainer and ring, By Peter and Ann Bateman, London, 1792, 5” length, c. 2,2oz.

£100-200 30

£3,000-5,000

Lot 227

31

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

234 A WILLIAM IV SILVER TEAPOT, of compressed circular form, wooden scroll handle, reeded girdle, crested on a circular tucked in foot, makers mark of WB, London, 1832, 11" length, (c.18.1oz)

228 A GEORGE III SILVER TEA CADDY, of oval form the hinged cover with pineapple finial, gadrooned border, the body decorated with garlands and a vacant oval cartouche, by Andrew Fogelberg & Stephen Gilbert, London, 1783, 6" long x 6" high, (c.13.9oz).

See illustration.

£1,200-1,500

235 A GEORGE III SILVER TOAST RACK of seven bar arched form, central oval ring carrying handle, the whole on splayed feet, by Henry Green, London, 1793, 7" high (c.4.6oz)

229 A SET OF FOUR GEORGE IV SILVER WINE COASTERS of circular form, with bright engraved decoration, reeded borders, crested, possibly by Eley and Fearn, London, 1823, 5½" dia.

See illustration.

£1,400-1,800

£800-1,200

£100-200

239 A GEORGE III SILVER MUSTARD POT of oval form, angular handle, hinged domed cover with ball finial, reeded borders, later blue glass liner, by James Barratt, London, 1807, 4" high (c.3.6oz)

£250-350

233 A SET OF FOUR GEORGE III SILVER SALTS, of rectangular form, the borders decorated with shells, gilt interior, on a rectangular foot, engraved with a crest of a stag, probably by Sarah & John William Blake, London, 1814/ 1815, 3¾” long (c.14.1oz)

£100-200

238 A VICTORIAN SILVER SIPHON STAND, of circular form with scroll and pierced body, by Mappin and Webb, Sheffield, 1896, 18.5cm high, (c.16.6oz)

232 A GEORGE III IRISH SILVER TEAPOT STAND of oval form, with reeded borders and engraved decoration, crested, on four tapering feet, by Daniel Egan, Dublin, 1800, 8" long, (c.6.7oz)

£80-150

237 A VICTORIAN SILVER MOUNTED GLASS CLARET JUG, with angular shaped handle, the lidded collar decorated with roman style busts within an oval cartouche, with a shaped spout above a Bacchus mask, tapering circular body with star-cut base, by George Angell & Co , London, 1845, 10" high.

231 A GEORGE III SILVER CHEESE TOASTING DISH of rectangular form, the domed hinged lid with urn finial, gadrooned borders and turned wooden handle, the cover engraved with a crest and motto, removable interior, by J. Wakelin & Robert Garrard, London 1799, 9½" long (c.35.9oz).

See illustration.

£150-250

236 A VICTORIAN SILVER BOSUN'S CALL, of conventional form with fouled anchor and crown motif with engraved decoration, by Joseph Willmore, Birmingham, 1843, 5½" length, (c.17g)

£1,400-1,800

230 A GEORGE III SILVER SWING HANDLED CAKE BASKET of oval form with reeded and pierced borders, one end engraved with a coat of arms, the whole on a slat pierced tucked-in oval foot, by William Abdy, London 1788, 18½" long x 11" high (with handle extended) (c.30.2oz) .

See illustration.

£100-200

£100-200

239A AN ITALIAN SILVER GILT FRAMED EASEL BACK DRESSING TABLE MIRROR, the scroll stylised frame mounted with an armorial, with a bevelled plate below, resting on two shaped scroll feet, stamped “ A. Giacche, Milano 800” to reverse, 23½” high.

£300-500

£200-400 32

Lot 228

Lot 229

Lot 231 Lot 230

33

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

246 A VICTORIAN SILVER FOUR PIECE TEA AND COFFEE SET, comprising teapot, coffee pot, milk jug and sugar bowl, all with engraved floral, leaf and scroll decoration, monogramed to central cartouche, by Atkin Brothers, Sheffield, 1897, (teapot 6" high), c. 49.9oz.

240 A GEORGE II SILVER TEA CADDY of rectangular form, the pull-off cover applied with a hinged finial and chased with flowerheads and shell motifs, the body chased with foliate scrolls and vacant cartouches, on a stepped rectangular base, makers mark of Christian Hillan, London, 1739, 5" high (c.14.4oz).

See illustration.

£1,000-2,000

247 A VICTORIAN SILVER HIP FLASK, of plain rectangular form, with pull off cup and bayonet fitting to cap, monogramed, engraved with a crest of a Galleon by Sampson Mordan & Co, London, 1891, 5½" high, (c.8.2oz)

241 A PAIR OF GEORGE II SILVER BUTTER DISHES of scallop shell form, each raised on three pad feet, crested, possibly by Philip Goddard, London, 1747, 3½" wide (c.5.9oz)

£250-350

£350-450

243 A MATCHED PAIR OF GEORGE I BRITANNIA STANDARD SILVER TRENCHER SALTS of conventional form, each engraved with scratch initials, one makers mark distorted, one London, 1721, the other possibly London, 1737

£200-300

£50-100

250 A PAIR OF GEORGE I SILVER TRENCHER SALTS of conventional form, with gilded interiors, crested, by Glover Johnson, London, 1723, 3" long, (c.3.5oz)

£1,200-1,500

£180-250

251 A GEORGE III SILVER DOUBLE TRAVELLING BEAKER, of cylindrical form with pull out central beaker, ring loop handle, gilt washed interior, each monogramed, by Robert Garrard I, London, 1814, 3¼" high, (c.9.3oz).

See illustration.

245 A VICTORIAN SILVER TEAPOT of melon form, scroll handle and fluted shell-capped spout, with disc finial, crested, on shell-capped downswept feet, by Edward, Edward Junior, John & William Barnard, London 1838, 6¼" high, (c.21oz)

£750-1,000

249 A VICTORIAN SILVER SUGAR BOWL, of circular form with pie crust boarder with embossed floral decoration, three lion masks capped hoof feet, makers marked rubbed, probably Charles Stewart Harris, London, 1901 and a white metal eastern milk jug, with "C" shaped handle, decorated with signs of the Zodiac, (c.9.6oz weighable silver)

244 A PAIR OF GEORGE III SILVER VEGETABLE DISHES of cushion form, the detachable covers with shaped handles, gadrooned borders, each engraved with a coat of arms and crested to the interiors, later initialled to the undersides, by Thomas Heming, London, 1764, 10" long (handle to handle) (c.44.9oz).

See illustration.

£100-200

248 A GEORGE II SILVER COFFEE POT of tapering cylindrical form, the domed hinged cover with wooden disc finial, wooden scroll handle, faceted leaf capped spout, one side engraved with a crest, possibly by Thomas Whipham, London, 1752, 9½" high (c.22.9oz).

See illustration.

242 A PAIR OF GEORGE II SILVER BUTTER SHELLS of conventional form, by William Grundy, London, 1747/48, 6" long (c.8.6oz)

£200-400

£100-200

34

£1,200-1,500

Lot 240

Lot 244

Lot 248

Lot 251

35

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

252 A PAIR OF GEORGE III SILVER WINE COASTERS of circular form with gadrooned borders and fluted decoration, reeded bases with disc centres and wooden inserts, probably by Rebecca Emes and Edward Barnard, London, 1813, 7½".

See illustration.

Lot 252

£700-900

253 A SET OF FOUR GEORGE III SILVER SALTS of oval form with reeded borders, gilt interiors, on reeded oval bases, monogrammed, by Robert and David Hennell, London, 1797, 2½" high (c.9.3oz)

£250-350

254 A SET OF FOUR GEORGE III SILVER SALTS of shaped rectangular form, with gadrooned borders and part fluted decoration, crested, with wash gilded interiors, possibly by IET, London 1817, and four matching spoons, 3½" wide, (c.13.5oz)

Lot 255

£80-150

255 A QUEEN ANNE BRITANNIA STANDARD SILVER PORRINGER of tapering circular form with scrolling s-shaped handles, crested, one side engraved with scratch initials "W over F.M", the underside engraved "Ex Dono Jo Hannis Sawbridge, 1725", on a tucked-in spreading foot, by Nathaniel Lock, London, probably 1705, 6¾" (c.9.9oz).

See illustration.

£750-1,000

256 A VICTORIAN SILVER CHRISTENING BOWL of circular form with gadrooned border, engraved aesthetic movement decoration, gilt washed interior, on a circular foot, by William Evans, London, 1882, and a Victorian fiddle pattern sifter ladle, initialled, gilt washed bowl, by William Rawlings Sobey, Exeter, 1850, both in fitted case, 4½"dia (c.5.3oz)

Lot 257

£80-150

257 A SET OF THREE GEORGE III SILVER CONDIMENT VASES AND COVERS of urn form, the pull off covers with flame finials, the bodies applied with swags and paterae, the whole on spreading beaded feet, by Richard Mawson & Benjamin Smith, London, 1773, 8½" high (tallest) (c.22.3oz).

See illustration.

36

£1,000-1,500

258 A GEORGE III SILVER SALVER of shaped circular form, with a raised gadrooned border, the centre engraved with an armorial, the whole on three leaf-capped scrolling feet, by Richard Rugg, London 1767, 10" dia. (c.22.4oz).

See illustration.

Lot 258

£800-1,200

259 A PAIR OF EDWARDIAN SILVER PEPPER POTS, In the George III style, tapering form with wire bodies, Bristol blue glass liners, by Haseler Brothers, London, 1905 and a collection of mixed flatware and condiments (a lot), weighable silver (c.21oz)

£150-250

260 A MATCHED PAIR OF GEORGE III SILVER SUGAR BOXES AND COVERS, the domed covers with triangular finials, gadrooned borders, the whole on gadrooned feet, each lid crested, and each body engraved with a coat of arms, one by John Henry Vere and William Lutwyche, London, 1763, the other by Samuel Taylor, London, 1762, 5,5" high (c.15.6oz).

See illustration.

Lot 260

£800-1,200

261 A CONTINENTAL SILVER TEA CADDY, of oval form, the hinged lid with lotus flower finial, decorated with garlands, with two busts of a gentleman, raised on an octagonal shaped foot, bearing Pseudo Hanau marks, probably by Georg Rothe, c.1900, 4" x 4" (c.6.6oz) , and a metalware continental pedestal bowl, 4¼" high.

£80-150

Lot 263

262 A GEORGE III SILVER WINE FUNNEL of conventional form with a gadrooned border and removable shell-capped strainer, monogrammed, makers mark rubbed, London 1815, 6" high (c.4.8oz)

£200-300

263 A PAIR OF GEORGE III SILVER SAUCEBOATS of tapering oval form with leaf-capped scroll handles, crested, on shell-capped hoof feet, possibly by Thomas Morton, London 1808, 8½" long (c.18.6oz).

See illustration.

£700-900 37

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

270 A SILVER TEAPOT, tapering oval form, part fluted decoration, by Walker and Hall, Sheffield, 1919, 7½" high, (c.20.3oz)

264 A GEORGE II SILVER EWER of helmet form, the cast handle modelled in the form of a swan, the body decorated with applied wavy acanthus leaves and scrolls, engraved with the Royal Arms below a scrolling and beaded frieze, the whole on a spreading gadrooned foot with stiff leaf decoration, the underside engraved with a scratch weight "20=0", makers mark rubbed, London, 1740, 9" high (c.20oz).

See illustration.

271 A MATCHED PAIR OF GEORGE II SILVER SALVERS of shaped circular form, with plain raised borders, geometric engraved decoration, each engraved with an armorial to the centre, on four extended hoof feet, makers mark possibly of George Hidmarsh, London, 1732/36, 12" dia. (c.59.1oz).

See illustration.

£2,500-3,500

265 A PAIR OF GEORGE II SILVER SAUCEBOATS of tapering oval form, the cast flying scroll handles modelled in the form of cornucopia, each engraved with a crest and motto, the whole on three cast shell and foliate capped scrolling feet, the underside of each engraved with a scratch weight "35=14", by William Grundy, London, 1744, 6" high (c.34.5oz).

See illustration.

£1,800-2,500

£350-450

£150-250

£60-100

£2,000-3,000

275 A SILVER PRESENTATION TRAY, of shaped square form with raised border, engraved with facsimile signatures from The Birmingham Press Club, February 1949, by Bert Gordon, Birmingham, 1946, 12" dia. (c.26oz)

269 A PAIR OF VICTORIAN SILVER SUGAR CASTORS of cylindrical form with pull-off covers, writhen fluted decoration, on spreading circular bases, makers mark rubbed, Birmingham, 1891, 5" high, (c.7.3oz)

£100-200

274 A GEORGE I CAST SILVER GILT SNUFFER STAND AND SNUFFERS, the stand of tapering rectangular form, with loop handle and cylindrical sconce, above an octagonal stem, the whole on an octagonal foot, chased scroll decoration, engraved with a crown above a monogram, the stand

by Gawen Nash, London 1726, the snuffers apparently unmarked, the stand 4½" high, the snuffers 5" long (c.10.7oz).

See illustration.

268 A SILVER INK STAND, of rectangular form with raised border, pen well, with two facet-cut bottles with silver lids, resting on four hoof shaped feet, by Barker Brother, Chester, 1920, 6" long, (c.

4.8oz), and a silver handled paper knife (2)

£80-150

273 A SET OF FOUR SILVER CANDLESTICKS, of squat fluted octagonal form, filled, by Ellis & Co, Birmingham 1936/37, retailers marks for Harrods, London, 3¾" high.

267 A SILVER COFFEE POT, oval form with raised pierced border, hinged cover, turned ebony wooden handle, terminating on four scroll feet, by Cooper Brothers & Sons Ltd, Sheffield, 1918, 9" high, (c.27.2oz)

£1,800-2,500

272 A SILVER FOUR DIVISION TOAST RACK, of typical form, on four ball shaped feet, by the Goldsmiths and Silversmiths Company, Sheffield, 1931 and a Georgian style sauce boat, with scroll handle, wavy boarder and resting on out-swept feet, by Viners, Sheffield, 1931, (c.13oz weighable silver)

266 A SET OF FOUR GEORGE III SILVER GILT SALTS of navette form, with angular handles and reeded borders,

by Henry Chawner and John Eames, London, 1797, 3½" high, (c.12.7oz)

£150-250

£120-180

38

£150-250

Lot 264

Lot 265

Lot 271

Lot 274

39

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

276 A GEORGE II SILVER KETTLE ON STAND, the kettle of circular tapering form with hinged raffia-work handle, the pull-off cover with flame finial, the body with swirl fluted decoration, engraved with a coat of arms, the cast spout with animal head mouth, the detachable stand with cast and pierced foliate and shell decoration, above a detachable burner, the whole on openwork scroll feet, by Thomas Heming, London, 1758, 15" (c.82oz).

See illustration. ÂŁ2,800-3,500

40

277 A QUEEN ANNE BRITANNIA STANDARD SILVER LIDDED TANKARD of circular tapering form, scroll thumbpiece, the domed hinged lid with fluted decoration, centred with a flowerhead, scroll handle, prick dot engraved "D.W.", the body engraved with an armorial above a band of partfluted decoration, the whole on a stepped circular base, by Humphrey Payne, London, 1704, 8" high, (c.32.8oz).

See illustration. ÂŁ3,500-4,500

41

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

284 A SILVER MUG, of plain cylindrical form with scroll handle, presentation engraving to front, makers mark rubbed, London, 1931, 4¾" high (c.10.9oz)

278 A PAIR OF SILVER CANDLESTICKS, of squat form with reeded decoration, filled, by W I Broadway & Co, Birmingham, 1973, 5" high.

£50-100

279 A SILVER SALVER, of shaped circular form, raised pie crust boarder with shell and leaf decoration, raised on four scroll feet, by Walker and Hall, Sheffield, 1941, 10½" dia. (c.18.9oz)

285 A SCOTTISH SILVER MUG, of plain tapering cylindrical form, with "C" shaped handle, engraved initials, by Hamilton & Inches, Edinburgh, 1938, 4½" high (c.13oz)

£100-200

280 TIFFANY & CO; A THREE PIECE SILVER CONDIMENT SET, Comprising two pepper pots and a mustard pot, all of globular form, each raised on three elongated leaf capped legs, resting on claw feet, stamped Tiffany & Co, Sterling Silver, with registration numbers, circa 1900 (c.9.oz)

£100-200

£100-200

£80-150

£80-150

288A A GEORGE III SILVER ENTRE DISH AND COVER of oval form with reeded “D” shaped handles, the cover engraved with a later monogram and date, with later liner, by WS, London, 1798, 14” wide (across the handles), (c.44oz)

£80-150

283A A GEORGE II SILVER BLEEDING BOWL of circular form, the pierced lug handle scratched engraved “L over S.M.”, by John Swift, London, 1736, 7” across (c.7.7oz)

£80-150

288 A SILVER SUGAR CASTER, of baluster form with knop finial, pierced pull-off cover, with crest, by R H Halford & Sons Ltd, London, 1929, and a silver capstan inkwell and a contemporary silver coaster, (c.7.1oz weighable silver) (3)

283 A SILVER HUNTING HORN, of typical form with ribbed stem, makers mark rubbed, London, 1920, 11½" length, (c.1.5oz)

£50-100

287 A THREE PIECE SILVER AND GUILLOCHE ENAMEL DRESSING TABLE SET, comprising two brushes and a comb, each decorated with hand painted flowers, by DCBs, London, 1960, (3)

282 A SILVER MUG, of plain cylindrical form, with "C" shaped handle, raised on a circular foot, by Joseph Gloster Ltd, Birmingham, 1952 and another similar, marked John Round & Son Ltd, Sheffield, 1912 (c.9.6oz weighable silver) (2)

£80-150

286 A SILVER AND TORTOISHELL DRESSING TABLE BOX, of circular form, the tortoiseshell lid with pique work crests and armorials, resting on three scroll feet, by Edward Souter Barnsley, Birmingham, 1911, 3½" dia.

281 A PAIR OF SILVER CANDLESTICKS, of fluted cylindrical column form, the detachable sconces each applied with gadrooned borders, with reeded columns resting on square bases, each decorated with garlands and swags, monogramed, by Fordham & Faulkner, Sheffield, 1922, filled, 5½" high.

£60-100

£200-400

289 A CONTINENTAL SILVER TWIN HANDLED SUGAR BOWL, of neo-classical form, decorated with a band of acanthus leaves, with fluted body, the cover, with an acorn finial, gilt washed interior, on a square base, Russian import marks, assayer Kliment Zagayevsky, circa 1900, 6½" high, (c.14.2oz)

£350-500

42

£150-250

Lot 295

293 A CONTINENTAL SILVER WAX JACK, of urn tapering form, the pierced body and cover with stylised flowers, with capped shield scroll handle, on a square base, stamped markings, 5½" high.

290 A CONTINENTAL SILVER TWIN HANDLED TRAY, of rectangular form with raised gadrooned border decorated with a band of grapes and vines, loop reeded handles, Russian import marks, assayer Kliment Zagayevsky, circa 1900v(handle to handle) 26" long, (c.117oz).

294 A CONTINENTAL SILVER ASHTRAY, of octagonal form, the centre with a flamingo, A white metal tray, with palm and lotus leaf border with two armorial crests to centre, and other silver and white metal items (9)

£500-1,000

291 A PAIR OF CONTINENTAL SILVER SUGAR SHAKERS, of baluster form, with fluted bodies, high pierced pull-off cover, knop finial, on a circular pedestal base, stamped "800", 7½" high, (c.13.5oz)

£100-200

295 A VICTORIAN SILVER PUNCH BOWL of tapering circular form, gadrooned border, decorated with a frieze of classical urns and swags, interspersed with applied lions masks, two with ring handles, above an acanthus and stiff leaf lower section on a circular foot, the underside bearing a serial number of '19898', by Elkington and Co. Ltd, Birmingham, 1899, 10½" dia (c.71oz) See illustration

£80-150

292 A CONTINENTAL SILVER SAUCE BOAT, of oval form, with eagle head handle, gadrooned border, the body engraved with a crest, on an oval shaped foot, the foot, decorated with a band of palm leaves, stamped "800", 5" high, (c.7.2oz)

£80-150

£60-100

43

£3,000-4,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 296

Lot 297

298 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER VASE AND COVER of flared cylindrical form, the pull-off openwork cover surmounted by a finial cast in the form of an English Knight, the body with planished decoration, central girdle, castellated lower section, on a spreading circular foot, the whole on a silver mounted wooden plinth, underside engraved "Omar Ramsden Me Fecit", London, 1920, 14½" high overall, (c.20.3oz).

See illustration.

296 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER SALVER of shaped circular form with raised wavy border, the whole on three applied compressed ball feet, the underside engraved with a presentation inscription, also engraved "Omar Ramsden Me Fecit", London, with a hammered finish,1938, 9" dia. (c.15.5oz).

See illustration.

£1,200-1,800

297 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER THREE PIECE TEA SET of undulating oval form, the teapot with a domed hinged cover surmounted by a pineapple style finial, carved wooden scroll handle, the whole on a tucked-in oval foot, the underside engraved "Omar Ramsden Me Fecit", with a hammered finish, London, 1931-32, teapot 6" high, (c.34.2oz).

See illustration.

£2,500-3,500

299 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER CUP AND COVER of tapering circular form, the pull-off cover surmounted by a finial cast in the form of a lamb holding a flag, the body engraved with a presentation inscription "I was wrought by Omar Ramsden for consul, General E.G. SAhlin at the wish of the council of the Swedish Chamber of Commerce in London, to mark their appreciation of his great services and as a gift on the 50th anniversary of his birthday, Jan 9th MCMXXIX", above a knapped stem with an openwork section, the whole on a graduating domed foot, the underside engraved "Omar Ramsden Me Fecit", with a hammered finish, London, 1928, 12" high, (c.35oz).

See illustration.

£4,000-6,000

£4,000-6,000

LOTS 300-310 SPARE LOTS 44

Lot 298

Lot 299

45

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

SMALL SILVER AND VERTU 315 A VICTORIAN SILVER GILT SPECTACLES CASE, of oblong form, with chased floral scrolled repousse decoration, suspended from a belt clip, by George Unite, Birmingham, 1876, 8" long, (c.2.1oz)

310 A 19TH CENTURY SILVER MOUNTED HORN SNUFF MULL of conventional form, the horn section applied with a shield-shaped cartouche, the ball hinged cover centred with a gemstone surrounded by a rope-work border, initialled, 3¾" long

£50-100

316 A FRENCH SILVER GILT SNUFF BOX, of rectangular form with rounded corners, hinged lift top lid, decorated with foliate scrolls, 19th century, 2½" long, (c.36g)

311 A SILVER CONTINENTAL PILL BOX, heart shape form decorated with a classical scene with scroll and floral borders and gilt interior, important marks Sheffield 1898 , a silver backed dressing table mirror charm, a white metal art nouveau miniature hand mirror decorated with a maiden, a silver plated pickle fork and a silver thimble (5)

£50-100

318 A PAIR OF SILVER BON BON DISHES, of circular form with pierced lattice borders, with entwined serpent handles, by Maples & Co, Sheffield, 1912, 4"dia. (c.6oz)

£120-180

313 A GEORGE III SILVER VINAIGRETTE, of octagonal form, decorated with a Greek key chapter ring with a central vacant cartouche, the interior with a hinged pierced and engraved silver-gilt grille, probably by John Death, London, 1805, 1½" long, (c.23g)

£150-250

317 A RUSSIAN SILVER NIELLO NAPKIN RING, circular form, decorated with scrolls, St Petersburg, c.1900, 1¾" (c.28g)

£50-100

312 A PAIR OF GEORGE III SILVER AND IRONWORK BUCKLES, convex form, impressed “Eleys Pattern 34997" by William Eley and William Fearn, London, 1796

£80-150

£150-250

319 A RUSSIAN SILVER PURSE, of oval form with hinged lid, decorated with engraved stylised decoration, with a central vacant cartouche, Moscow, c.1900, 3" long

£150-250

314 NATHANIEL MILLS: A VICTORIAN SILVER VINAIGRETTE, of shaped oval form with engine turned and scroll decoration, with a vacant cartouche, the interior with a hinged pierced and engraved silver-gilt grille, Birmingham, 1845, 1½" long, (c.20g)

£150-250

320 A GLASS AND SILVER TOPPED SCENT BOTTLE, of oval form with screw top cover, by Sampson Mordan & Co, London, 1885, a metalware cup, of fluted form with ribbed stem, metalware cream jug and a pair of silver spill vases (4)

£150-250

46

£80-150

321 A VICTORIAN SAMPSON MORDAN & CO SILVER SCENT BOTTLE, of cylindrical form, the hinged top monogramed with initials, enclosing a cut glass fan top stopper, the body decorated with birds and flowers on a gilt ground, London, 1882, 2¼" long, in fitted velvet lined case.

See illustration.

Lot 321

£450-550

322 A VICTORIAN SAMPSON MORDAN & CO SILVER SCENT BOTTLE, of cylindrical form, the hinged top enclosing a cut glass fan top stopper, gilt washed interior, the body decorated in the aesthetic taste with exotic birds and palm trees on a matt ground, London, 1881, 2¼" long, in fitted velvet lined case.

See illustration.

£450-550 Lot 322

323 BULGARI: A SILVER PORRINGER, the flat shaped handle inset with a coin, the circular bowl stamped "Bvlgari 925", 4½" long (c.3.4oz) £50-100 324 A ROYAL COMEMORATIVE SILVER TEA STRAINER, with crown mounts, pieced bowl with stylised border, retailed by Asprey & Co, in original fitted presentation box, by Robert Edgar Stone, London, 1935, 5½" long, (c.37g)

£50-100

325 A PAIR OF SILVER HANDLED SCISSORS, the ring handles with leaf decoration, by Garrard and Co, London, 1981, in original red felt lined presentation box, 17cm long, French steel blades.

Lot 326

£80-150

326 A PART BRITANNIA STANDARD SILVER CONDIMENT SET, comprising; four peppers and four salts, the castors with reeded borders and high pierced pull-off covers, the salts of spool form, by Lionel Alfred Crichton, London 1917/24, the peppers 5" high (c.46.7oz).

See illustration.

£500-700

47

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 327 and 328

327 A SET OF THREE VICTORIAN SILVER GILT CAST VINE LEAF WINE LABELS, pierced with the names "Sherry", "Port" and "Madeira", possibly by Benjamin Smith, London, 1838, (c.3.4oz).

See illustration.

Lot 329

£1,000-1,500

328 A SET OF SIX GEORGE III SILVER GILT WINE LABELS, each label pierced " Hock, Champagne, Claret, Port, Madeira and Burgundy", surrounded by grapes and vine leaves with a ribbon surmount byDigby Scott and Benjamin Smith, London, 1806.

See illustration.

£700-1,400

329 A GEORGE III SILVER KITCHEN NUTMEG GRATER of conventional form, with gadrooned border and steel grater, hinged cover, crested, by John Reily, London, 1814, 4" long.

See illustration.

Lot 330

£350-450

330 A VICTORIAN SILVER AND ENAMEL VESTA CASE, of rectangular form, the hinged enamelled top with a scene of a black devil "I am ….. Who the devil are you?"

by Horton & Allday, Birmingham, 1888, 1½" long.

See illustration.

£350-450

LOTS 331-334 SPARE LOTS 48

FLATWARE

Lot 335

335 A PART VICTORIAN SILVER GILT AND PORCELAIN MOUNTED SET OF DESSERT EATERS, the ceramic handles decorated with a Meissen 'Blue Onion' style pattern, London, 1874/75, comprising; eighteen forks and twelve knives (30).

See illustration.

£700-900

336 A QUEEN ANNE BRITTANIA STANDARD DOG NOSE SILVER SPOON, the reserve of the stem, prick dot initialled D.I over 1704,

by Andrew Archer, London, rubbed date letter, c. 1705, 7½" long (c.1.7oz)

£80-150

Lot 337

337 A VICTORIAN SILVER CASED FRUIT SERVING SET, comprising; four serving spoons and a sifting ladle, the stems cast and pierced with maiden finials, gilded bowls,

by Aldwinckle and Slater, London, 1884/85, serving spoon 9" long.

See illustration.

£500-800

338 A COLLECTION OF VICTORIAN SILVER PISTOL HANDLED DESSERT EATERS, comprising five knives and six forks, London, 1899 (11). £50-100 Lot 340

339 A GEORGIAN SILVER OLD ENGLISH PATTERN CADDY SPOON, typical form, the bowl engraved with a heart, makers mark TS, London 1796 , 3" long (c.10g)

£80-150

340 PAUL STORR: A GEORGE III SILVER 'STAG HUNT' PATTERN TABLE SPOON AND FORK, London, 1816, in a later fitted case, 9" long (c.7.3oz).

See illustration.

£400-600

49

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

347 A MIXED COLLECTION OF SILVER FLATWARE, comprising a set of five George IV Irish dessert spoons, of fiddle pattern, engraved with a boars head crest, Dublin, 1828, and a collection of flatware, of mixed makers and dates (c.14oz)

341 AN EDWARDIAN DOUBLE ENDED SILVER MARROW SCOOP, of typical form, engraved with a crest and coronet, by Francis Higgins III, London, 1903, 8" long, (c.1.4oz)

£60-100

342 A GEORGE III SILVER PUNCH LADLE with turned wooden handle and double lipped oval bowl, with embossed decoration, makers mark rubbed, London, 1772, 12" long

348 A PAIR OF VICTORIAN FISH SERVERS, with embossed scroll work handles, by John Gammage, Birmingham, 1852, 12" long

£50-100

343 A GEORGE III SILVER PUNCH LADLE, with turned wooden handle, bright engraved decoration, makers mark of 'I.M.', London, 1802, 14" long

£80-160

£80-160

£50-100

351 GEORG JENSEN; A SILVER SPOON, decorated in the Acorn pattern, designed by Johan Rohde, impressed markings to reverse, 6" long (c.34g) and a pair of Danish white metal and lacquered candle holders, stamped "Meka", 2½" dia. (3)

£100-200

346 A GEORGE III SILVER MOUNTED TODDY LADLE with baleen twist handle, unmarked, the bowl inset with a coin, 14" long

£150-250

350 A SET OF SIX SCANDINAVIAN SILVER GILT AND ENAMEL SPOONS, with rope twist stems each applied with scrolls on a turquoise ground with white jewelled boarders, stamped to reserve, and a similar baby’s spoon, by Marius Hammer (c.2.9oz weighable silver)

345 A GEORGE III SILVER GILT STILTON SCOOP with faceted agate handle, crested, makers mark rubbed, London, 1808, 9¾" long

£50-100

349 A SET OF SIX SILVER AND ENAMEL TEASPOONS,

by Turner & Simpson Ltd, Birmingham, 1971, a cased set of six Scandinavian silver and enamel teaspoons, silver engine turned cigarette case, condiment set and seven various silver napkin rings (a lot)

344 A GEORGE II SILVER MOUNTED TODDY LADLE with turned wooden handle, the bowl with embossed decoration, monogrammed, maker’s mark of 'D.W.', London, 1745, 15" long

£80-150

£50-100

£50-100

LOTS 351-399 SPARE LOTS

50

CARRIAGE CLOCK S AND WATCHES

Lot 423 detail 51

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

CARRIAGE CLOCKS

Lot 403

Lot 400 Lot 402

Lot 401

Lot 404

Lot 405

403 A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed "Page Keen & Page, Plymouth", the movement striking on a coiled gong, the back plate with "Richard & Co." symbol, the case with Corinthian columns and a swing handle, 7½" high.

See illustration

400 A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, striking on a coiled gong, in a plan case with swing handle, 7¼" high

£150-300

401 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, striking on a coiled gong, the case with presentation inscription to the front, with swing handle, 7¾" high.

See illustration

404 A FRENCH MINIATURE BRASS CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals, in a plain brass case with swing handle, 3½" high.

See illustration

£200-400 402 A FRENCH SILVER PLATED BAMBOO STYLE REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals and subsidiary alarm dial, the movement striking on a coiled gong, 8" high including the handle, in a fitted leatherette travelling case.

See illustration

£500-800

£150-250

405 A FRENCH TORTOISESHELL AND SILVER CARRIAGE CLOCK, the round white enamel dial with Roman numerals, in a fitted tortoiseshell case with silver trim, bun feet and swing handle, 5½" high.

See illustration

£200-400

£800-1,200

LOTS 406 & 407 SPARE LOTS 52

POCKET WATCHES

Lot 408

408 A GENTLEMANS 18CT YELLOW GOLD OPEN FACE CHRONOMETER POCKET WATCH, the white enamel dial with Roman numerals, sweep seconds hand and sunken centre, the key-wound movement cover inscribed "M. Steinart, Manchester".

See illustration

£1,300-1,800

409 A LADY'S 14K AND GUILLOCHE ENAMELLED OPEN FACE FOB WATCH, the dial with Arabic numerals, the reverse decorated with roses on a guilloche enamel ground

£250-350

410 A GENTLEMANS SILVER HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement numbered "313", in an engine-turned case hallmarked London 1865, circa 5cm dia.

Lot 411

£40-80

411 A GENTLEMANS 18TH CENTURY SILVER HUNTING CASED POCKET WATCH, the white enamel dial with Arabic numerals, the fusee movement inscribed "Dwerrihouse & Carter, Berkeley Square", the case with silver gilt interior, c.5.5cm dia.

See illustration

£80-160

412 A GENTLEMANS 18TH CENTURY PAIR-CASED POCKET WATCH, the white enamel dial with Roman and outer Arabic numerals, the fusee movement inscribed "Jno. Rekab, London", c.5.1cm dia.

See illustration

Lot 412

£80-160

413 A GENTLEMANS SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement inscribed "H & J Barker, Easingwold", c.6cm dia. and another (2)

£50-100

414 A GENTLEMANS SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement inscribed "Rob Kneeshaw, Stokesley", c.6cm dia., a pair-cased pocket watch and four open-faced pocket watches (5)

£60-120

53

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

GENTS AND LADIES WRISTWATCHES 418 OMEGA: A GENTLEMANS YELLOW GOLD WRISTWATCH, the round dial with baton numerals and subsidiary seconds dial, inscribed "Omega" attached to a brown leather strap

Lot 421

£100-200

419 OMEGA: A GENTLEMANS WHITE METAL WRISTWATCH, the round dial with Arabic and dot numerals, sweep seconds hand, inscribed "Omega" attached to a brown leather strap

£60-120

420 GUCCI: A GENTLEMANS YELLOW METAL WRISTWATCH, the round black dial inscribed "Gucci", with an outer yellow metal bezel with Roman numerals, attached to a black leather strap, in a fitted Gucci presentation case

421 ROLEX: A GENTLEMANS YELLOW GOLD WRISTWATCH, the square dial with Roman numerals inscribed "Rolex Genève Cellini", surrounded by a ribbed bezel with left side winding crown, the case back numbered "3660353" attached to a black leather strap with "Rolex" buckle.

See illustration

415 MAPPIN & WEBB: A GENTLEMANS YELLOW METAL WRISTWATCH, the round dial with baton numerals, inscribed "Mappin & Webb", attached to a brown leather strap in a fitted presentation case

£100-200

£50-100

417 LONGINES: A GENTLEMANS WHITE METAL WRISTWATCH, the round dial with gilt Arabic numerals and subsidiary seconds dial inscribed "Longines"

£600-1200

422 JAEGER-LECOULTRE: A GENTLEMAN’S 18CT ROSE GOLD MASTER CONTROL WRISTWATCH, the round silvered dial with appliqued hour marker, date aperture and sweep seconds hand, dial and movement inscribed “Jaeger-LeCoultre” with display back and attached to a black alligator strap with rose gold buckle, with fitted presentation case, outer card box and original paperwork See illustration

416 ROTARY: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic and dot numerals and subsidiary seconds dial, inscribed "Rotary", attached to a stainless steel expanding bracelet

£50-100

£80-160 54

£5,000-8,000

Lot 422

55

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

423 HUBLOT: A GENTLEMAN’S CLASSIC FUSION MOONPHASE ‘BLACK MAGIC’ WRISTWATCH, the black ceramic case with skeleton dial and silvered indices, day, date, month and subsidiary dials and sweep seconds hand, ceramic bezel and display back attached to a black alligator strap with deployant clasp, inscribed “Hublot”, in a fitted presentation case, outer box and with original paperwork See illustration

£7,000-10,000

56

424 BREITLING: A GENTLEMANS NAVITIMER 01 CHRONOMETER WRISTWATCH, the dial with Arabic numerals, subsidiary dials, outer tachometer and sweep seconds hand, inscribed "Breitling 1884 Chronometer Navitimer", attached to a stainless steal bracelet with folding clasp, in a fitted leatherette travelling case and outer card case with original paperwork.

See illustration

ÂŁ3,000-5,000

57

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 425

Lot 426

426 CYMA: A GENTLEMANS 14CT YELLOW GOLD CHRONOGRAPH WRISTWATCH, the round dial with Arabic numerals, subsidiary seconds dials, outer telemetre and sweep seconds hand, inscribed "CYMA", attached to a brown leather strap See illustration

425 IWC: A GENTLEMANS 18CT ROSE GOLD AUTOMATIC WRISTWATCH, the round dial with baton numerals, date aperture and sweep seconds hand, inscribed "International Watch Co. Schaffhausen", attached to a black leather strap.

See illustration

£800-1,600

58

£700-1,000

428 A DIAMOND COCKTAIL WATCH, the rectangular dial with Arabic numerals, surrounded by a diamond-set bezel, attached to a diamond-set bracelet with concealed clasp.

See illustration

Lot 428

£1,000-1,500

429 OMEGA. A LADY'S WHITE METAL WRISTWATCH, the round dial with Arabic numerals inscribed "Omega" in a fitted white metal case, attached to a leather strap

£50-100

430 CHANEL: A LADIES J12 CERAMIC AND DIAMOND WRISTWATCH, the white dial with diamond dot numerals, date aperture and sweep seconds hand, the centre with pave-set diamonds, inscribed "Chanel" and outer seconds bezel, attached to a ceramic bracelet with folding clasp, in a fitted Chanel presentation case, with certificate, guarantee booklet and card dated 22nd April 2009.

See illustration

Lot 430

£300-500

431 A LADIES 18K YELLOW GOLD AND DIAMOND COCKTAIL WATCH, the black diamond-shaped dial with "diamond" numerals, inscribed "Corum", surrounded by a diamond bezel, attached to an unmarked yellow gold bracelet set with diamonds, in a fitted presentation case.

See illustration

£600-1,200

432 CARTIER: A LADIES QUARTZ TANK WRISTWATCH, the rectangular dial with Roman numerals inscribed "Must de Cartier", the case back numbered "87041 3 66001", attached to a brown leather strap with yellow metal buckle

£120-240

433 PATEK PHILLIPE: A LADIES 18K YELLOW GOLD WRISTWATCH, the rectangular dial with Arabic and baton numerals, inscribed "Patek Phillipe, Genève", the 18 jewelled movement also inscribed and numbered "946868", attached to an 18k yellow gold bracelet with folding clasp.

£300-600 Lot 431 59

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 434

Lot 435

437 JAEGER-LECOULTRE: A LADIES WHITE METAL WRISTWATCH, the round dial with baton and Arabic numerals, attached to a brown leather strap and two other wristwatches (3)

434 ROLEX: A LADIES STAINLESS STEEL AND YELLOW GOLD WRISTWATCH, the round white dial with Roman numerals and crown at 12 o'clock, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual Date Just", attached to a stainless steel and yellow gold bracelet with folding clasp, in a Rolex card case.

See illustration

438 AN EDWARDIAN COCKTAIL WATCH, the oval dial with Arabic numerals, surrounded by a diamond-set bezel in a platine case, the reverse inscribed "Rue Barree 1931" and two other wristwatches (3)

£800-1,600

435 ROLEX: A LADIES STAINLESS STEEL AND YELLOW GOLD WRISTWATCH, the round gilt coloured dial with Roman numerals and crown at 12 o'clock, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual Date Just", attached to a stainless steel and yellow gold bracelet with folding clasp, in a Rolex card case.

See illustration

£60-120 439 A SWISS SILVER CASED PURSE WATCH, the square dial with Arabic numerals, one other silver cased purse watch and one enamelled cased (3)

436 LONGINES: A LADIES YELLOW METAL WRISTWATCH, the round dial with Roman numerals, the reverse inscribed "La Grande Classique de Longines" and numbered "L4 135 2", "28963432", attached to a black leather strap

£80-160

£80-160 60

£100-200

JE WELLERY

Lot 445 detail 61

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

440 A 19TH CENTURY OLD-CUT DIAMOND PENDANT NECKLACE, the open scrollwork pendant circa 44mm long, with a later oval-cut ruby set in unmarked yellow metal, attached to a short old-cut diamond necklace, set in unmarked yellow metal, with a later fine-link yellow metal chain, c.42cm long

446 AN OLD-CUT DIAMOND BROOCH of floral form, the old-cut diamond set in unmarked white and yellow metal, the yellow metal pin with push fastener

447 A MINIATURE PIG BROOCH, the mother of pearl body decorated with a letter "A" set with turquoise, the head and feet set with old-cut diamonds and a pink gem-set eye, c.27mm wide.

See illustration

£400-600

441 A DIAMOND ENCRUSTED OPENWORK BALL PENDANT circa 32mm dia., attached to a black leatherette choker necklace with white metal clip fastener.

See illustration

£800-1,200

451 A BURMESE BLUE ENAMEL AND UNMARKED YELLOW METAL SNAKE BANGLE, the crossover hinged body decorated with seed pearls and red cabochon gem-set eyes, in a fitted presentation case

£3,000-4,000

445 A DIAMOND FLORAL SPRAY BROOCH set in unmarked yellow metal, c.50mm wide See illustration

£300-500

450 FOPE GIOIELLI: A MODERN ITALIAN WHITE GOLD EXPANDING BRACELET with an attached white gold ring set to the centre with round-cut diamonds, the ring inscribed "Fope", in a fitted presentation case.

£500-1,000

444 A DIAMOND AND TANZANITE PENDANT, the pear-shaped tanzanite c.1.90cts, surrounded by a border of 17 round-cut diamonds, attached to a single diamond bale, c.5.40cts (total) on a white gold fine-link chain, 40cm long.

See illustration

£500-1,000

449 AN EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH, the princess-cut sapphires and brilliant-cut diamonds set in white and yellow metal, with pearl terminals, in a fitted "E. Lloyd Lawrence, South Molton Street, London" presentation case.

£300-500

443 A DIAMOND NECKLACE with 53 graduated brilliant-cut diamonds interspersed with two twisted white metal bars, each set with three baguette-cut diamonds, attached to a white metal chain link necklace, c.44cm long.

See illustration

£200-400

448 AN ART DECO DIAMOND AND GEM-SET BROOCH of open-work navette form, the diamond encrusted brooch with a yellow tone gemstone centre, flanked to either side by two cushion-set diamonds, c.8cm long.

See illustration

£500-800

442 A JADEITE AND DIAMOND PENDANT, the jadeite c.45mm long, attached with a single collet-set diamond to a three stone claw-set bale, on a fine white gold chain, stamped 750, c.39cm long.

See illustration

£100-200

£300-600

62

£200-400

Plate A

Lot 445

Lot 448

Lot 441

Lot 447

Lot 442

Lot 444 Lot 443 63

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

458 A FIVE STONE DIAMOND RING, each brilliant-cut diamond c.0.20cts, claw-set in a raised white gold setting, on an 18k yellow gold shank (ring size O).

See illustration

452 A DIAMOND CLUSTER RING, the central brilliant-cut diamonds surrounded by a border of eight further brilliant-cut diamonds c.2.15cts (total), on a white gold shank (ring size N).

See illustration

£2,000-3,000

459 A SEED PEARL AND DIAMOND DRESS RING, the band of open-work tiara form, set with four claw-set seed pearls and three brilliant-cut diamonds, the 18k yellow gold shank marked "© MF85" (ring size W).

See illustration

453 A DIAMOND SOLITAIRE RING, the round-cut diamond c.0.50cts, on an 18ct yellow gold shank with open-work diamond shoulders (ring size J) See illustration.

£200-400

454 AN EMERALD AND DIAMOND DRESS RING, the princess-cut emerald c.1.0cts, flanked to either side by a baguette-cut diamond, claw-set on an 18ct white gold shank (ring size O).

See illustration

£500-1,000

455 AN EMERALD AND DIAMOND DRESS RING, the collet-set emerald c.0.50cts, surrounded by an openwork frame of brilliant-cut diamonds c.1.10cts total, on an 18ct white gold shank "(ring size N) £1,000-1,500

£200-400

462 AN 18CT YELLOW GOLD BAND rub-over set with two rows of ten round-cut sapphires with a central round-cut diamond row, the shank stamped 750.

See illustration

£800-1,000

457 AN ART DECO STYLE DIAMOND DRESS RING, the square open-work frame set with round and baguettecut diamonds, c.1.25cts (total), on an 18ct white gold shank (ring size M-N).

See illustration

£600-1,200

461 AN EMERALD AND DIAMOND DRESS RING, the three graduating baguette-cut diamonds interspersed with two baguette-cut emeralds set in platinum, on an 18ct white gold shank (ring size P-Q).

See illustration

456 AN AQUAMARINE AND DIAMOND DRESS RING, the central oval-cut collet-set aquamarine surrounded by a border of 12 diamonds, 0.80cts (total), on an 18ct yellow gold shank with open-work shoulders (ring size P-Q).

See illustration

£200-400

460 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.0.50cts claw-set in a raised white gold setting, on an 18k yellow gold shank with open-work shoulders.

See illustration

£800-1,600

£200-400

463 A GUILLOCHE ENAMEL AND DIAMOND CHUNKY DRESS RING with seven red guilloche enamel leaves set in yellow metal, interspersed with six round-cut diamonds, on an unmarked yellow metal bark effect shank, with open-work shoulders, (ring size N-O).

See illustration

£1,100-1,500

£250-500

64

Lot 452

Lot 453

Lot 454

Lot 455

Lot 456

Lot 457

Lot 458

Lot 459

Lot 460

Lot 461

Lot 462

Lot463

65

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

464 A RUBY AND ROSE DIAMOND DRESS RING, the central oval-cut ruby surrounded by a border of rose diamonds, with enclosed yellow metal back, on a yellow metal engraved shank (ring size O-P).

See illustration

470 A FRENCH DIAMOND CLUSTER RING, the 19 brilliant-cut diamonds in a raised setting in white gold, on a white gold shank (ring size M).

See illustration

£350-450

471 A DIAMOND AND GEM-STONE DRESS RING, the round-cut green gemstone centred in an open-work oval frame set with brilliant-cut diamonds, on a yellow gold shank stamped "585" (ring size P).

See illustration

465 A GARNET AND DIAMOND DRESS RING, the round-cut collet-set garnet flanked to either side by two curved rows of pave-set diamonds, on an 18ct white gold shank (ring size Q).

See illustration

472 A SAPPHIRE AND DIAMOND DRESS RING, the oval cabochon sapphire channel-set to the centre of the divided wide band, surrounded by rub-over set brilliant-cut diamonds, narrowing to an 18ct yellow gold shank (ring size T).

See illustration

£100-200

467 AN AQUAMARINE AND DIAMOND DRESS RING, the central oval-cut collet-set aquamarine surrounded by a border of 12 diamonds, c.0.65cts (total), on an 18ct yellow gold shank, with diamond-set shoulders (ring size R).

See illustration

£600-800

£200-400

473A A DIAMOND AND GEM-SET DRESS RING, the oval-cut red gemstone surrounded by a border of baguette and round-cut diamonds, on an 18ct yellow and white gold shank.

£100-200

474 A SMOKY QUARTZ DRESS RING, the emerald-cut quartz in a raised claw setting with twisted gold supports, on an 18ct yellow gold shank (ring size O-P)

£1,300-1,600

468A A N AQUAMARINE AND DIAMOND DRESS RING, the baguette-cut aquamarine claw-set on an 18ct white gold shank with diamond shoulders (ring size P-Q).

See illustration

£50-100

475 AN EMERALD THREE STONE DRESS RING, the three oval-cut cabochon emeralds set in a yellow gold twisted setting, on an 18ct yellow gold shank (ring size M) See illustration

£100-200 469 AN ART DECO STYLE AQUAMARINE AND DIAMOND DRESS RING, the oval-cut collet-set aquamarine surrounded by an open-work border of eight round-cut diamonds c.1.0cts, on an 18ct yellow gold shank (ring size N).

See illustration

£250-500

473 A GREEN CABOCHON GEMSTONE AND DIAMOND DRESS RING, the gemstone surrounded by a border of 12 round-cut diamonds, in a raised setting, on an 18ct yellow gold shank (ring size M).

See illustration

468 AN AQUAMARINE AND DIAMOND DRESS RING, the central oval-cut aquamarine c.1.55cts, surrounded by a border of 12 round-cut diamonds, c.1.80cts (total), on an 18ct yellow gold shank with open-work shoulders (ring size O).

See illustration

£100-200

£150-250

466 A VICTORIAN FIVE STONE RING, the five graduated oval cushion-cut stones possibly green sapphires (one replacement green stone), set in 18ct yellow gold with a scroll setting.

See illustration

£300-600

£500-800

66

£150-250

Lot 464

Lot 465

Lot 466

Lot 467

Lot 478

Lot 468A

Lot 469

Lot 470

Lot 471

Lot 472

Lot 473

Lot 475

67

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

483 AN EMERALD AND DIAMOND CLUSTER RING, the central collet-set emerald c.0.7cts surrounded by a double open-work border of brilliant-cut diamonds, c.0.75cts (total) on an unmarked white metal shank with diamond shoulders (ring size M).

See illustration

476 A DIAMOND SOLITAIRE DRESS RING, the round-cut diamond c.0.75cts, claw-set on an unmarked white hammered metal shank (ring size N)

£200-400

477 AN AQUAMARINE AND DIAMOND DRESS RING, the oval-cut collet-set aquamarine c.0.55cts, surrounded by a border of openwork round-cut diamonds, c.1.0cts, on an 18ct yellow gold shank (ring size N-O)

£2,000-4,000

£1,500-3,000

£2,000-3,000

482 AN EMERALD AND DIAMOND DRESS RING, the central octagonal-cut emerald c.0.67cts flanked to either side by two brilliant-cut diamonds c.1.80cts (total), on an unmarked white metal shank (ring size N).

See illustration This ring is accompanied by a Gemmological Report stating the emerald to be natural Beryl from Columbia.

£4,500-5,000

£3,000-6,000

This ring is accompanied by a Gemmological Report stating the ruby to be natural Corundum.

See illustration

£4,500-5,000

487 CARTIER: A WHITE GOLD "LOVE" RING, the crossover shank joined with two decorative screws, the interior inscribed "Cartier 750 53 BK3832" (ring size M-N), in a fitted Cartier presentation case and outer card case.

See illustration

£1,800-2,000

£5,000-8,000

486 A RUBY AND DIAMOND DRESS RING, the cushion-cut ruby c.1.82cts flanked to either side by graduated diamonds, on an 18ct yellow gold shank.

481 A GEMSTONE AND DIAMOND PLAQUE RING, the gemstone set with a cluster of diamonds and a border of diamonds, the back enclosed and on an unmarked yellow gold shank (ring size L).

See illustration

£1,200-1,800

485 AN ART DECO STYLE EMERALD AND DIAMOND DRESS RING, the collet-set emerald c.1.31cts surrounded by a double border of brilliant-cut diamonds c.1.0cts (total) on an unmarked white metal shank (ring size O).

See illustration

480 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.0.88cts, on an 18ct white gold shank with open-work shoulders.

See illustration

479 A DIAMOND FULL ETERNITY RING comprising nineteen brilliant-cut diamonds, on an unmarked white metal shank, c.2.30cts (total) (ring size P). See illustration

This ring is accompanied by a Gemmological Report stating the emerald to be natural Beryl from Columbia.

484 AN EMERALD AND DIAMOND DRESS RING, the oval-cut emerald c.6.44cts, surrounded by a border of brilliant-cut diamonds c.1.36cts (total) on an 18ct white gold engraved shank with diamond shoulders (ring size O).

See illustration

£500-800

478 A DIAMOND CLUSTER RING, the central brilliant-cut diamond claw-set with a border of ten further brilliant-cut diamonds, c.2.50cts (total), on an 18ct white gold shank with openwork shoulders (ring size M).

See illustration

68

£500-800

Lot 476

Lot 477

Lot 478

Lot 479

Lot 480

Lot 481

Lot 482

Lot 483

Lot 484

Lot 485

Lot 486

Lot 487

69

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

495 A SINGLE STRAND CULTURED PEARL NECKLACE, each graduated pearl terminating in a white gold clasp, c.48cm long

488 A 19TH CENTURY MOURNING RING, the enclosed plaited hair surrounded by a border of seed pearls (one pearl missing) on an unmarked yellow metal shank with shaped shoulders (ring size Q)

£50-100

496 A TRIPLE STRAND CULTURED PEARL NECKLACE, each pearl knotted and terminating in a white gold clasp set with 15 pearls and 8 pale blue gemstones, the shortest strand c.38cm long

489 A SINGLE STRAND GRADUATED AMBER BEAD NECKLACE, each oblong natural resin amber ranging from c.10.2mm38.3mm (one bead repaired). c.90cm long (total weight c.96.71g).

See illustration

The amber beads are accompanied by a Gemmological Report stating the amber to be natural resin from the Baltic.

£1,000-2,000

£50-100

£50-100

£100-200

£250-350

501 A GRADUATED "CHERRY AMBER" BEAD NECKLACE, the largest bead c.3.3cm long, the smallest bead c.1.3cm long, overall c.90cm long (c.104g)

£150-250

494 A SINGLE STRAND CULTURED PEARL NECKLACE, each graduated pearl terminating in a yellow gold clasp decorated with a pearl cluster, c.40cm long

£100-200

500 A MOTHER OF PEARL BARK EFFECT NECKLACE terminating in a yellow gold clip clasp, stamped "585", c.46cm long

493 A SINGLE STRAND CULTURED PEARL NECKLACE, each graduated pearl terminating in a yellow gold clasp decorated with a pearl cluster, c.42cm long

£50-100

499 A DOUBLE STRAND CULTURED PEARL NECKLACE (originally a triple strand), each pearl knotted and terminating in a 9ct yellow gold clasp set with seed pearls and garnets

492 A TRIPLE STRAND CULTURED PEARL NECKLACE, the graduated pearls terminating in a 9ct yellow gold clasp decorated with a garnet and seed pearls, the longest strand c.43cm long.

£50-100

498 A DOUBLE STRAND CULTURED PEARL NECKLACE, each pearl knotted and terminating in a 9ct yellow gold clasp set with an oval dark blue opal, the shortest strand c.47cm long

491 A DOUBLE STRAND CULTURED PEARL NECKLACE, each "champagne" pearl knotted, terminating in a 9ct yellow gold clasp, the longest strand c.49cm long

£60-120

497 A CULTURED PEARL NECKLACE, each pearl knotted and terminating in a 9ct yellow gold clasp set with a dark blue oval opal, c.56cm long

490 A MULTIPLE STRANDED TWISTED SEED PEARL NECKLACE of chunky design, c.80cm long

£50-100

£200-400

£150-250

70

Lot 849

506 A CORAL BROOCH, the oval-cut coral surrounded by a border of ten roundcut coral set on unmarked yellow metal, with locket back

502 AN "AMBER" BEAD NECKLACE c.70cm long £50-100

503 AN "AMBER" GRADUATED BEAD NECKLACE, c.52cm long

507 A VICTORIAN SCARAB BEETLE BROOCH AND EARRING SUITE, the brooch modelled in the form of a flowerhead, formed from five claw-set scarab beetles, with a claw-set ruby to the centre, in unmarked yellow metal, and a pair of single scarab beetle earrings ensuite, the brooch 3.8cm long (2)

£50-100

504 AN "AMBER" GRADUATED BEAD NECKLACE, c.39cm long, and a similar necklace (2)

£50-100

£100-200

508 A JADEITE PENDANT carved with a cockerel and foliage, c.58mm long, with an unmarked yellow metal suspension, and another similar (hardstone) (2)

505 A CORAL BROOCH, the oval-cut coral surrounded by a border of ten roundcut coral, set on unmarked yellow metal, c.35mm wide

£80-160

£100-200

71

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

514 A DIAMOND ENCRUSTED HEARTSHAPED PENDANT, c.1.60cts (total) attached to a fine white gold chain, c.40cm long.

See illustration

509 ADMIRAL LORD NELSON: A REGENCY SHELL CAMEO carved with a classical bust in profile, in an oval gold frame, with a stylised anthemia border.

See illustration

Provenance: According to a hand-written label dated 1943, the brooch was given to Lady Hamilton by Nelson.

It then passed to his daughter, who gave it to Douglas Sladen (author of The Admiral) who gave it to his granddaughter, Ursula Sladen on January 2nd 1943.

515 A PAIR OF PEARL AND DIAMOND DROP EARRINGS, each drilled pearl mounted with two old mine brilliant-cut diamonds and six rose-cut colourless stones, with fishhook fasteners, in a fitted presentation case.

£500-1,000

510 AN AMETHYST AND PEARL NECKLACE comprising five oval-cut amethysts claw-set in yellow gold, interspersed by four pearls, attached by a single pearl suspension to a yellow gold fine-link chain decorated with seven round-cut amethysts and six further pearls, c.46cmn long. See illustration

These earrings come with a Gem and Pearl Laboratory Certificate stating natural salt water pearls.

£6,000-8,000

516 A PAIR OF DIAMOND STUD EARRINGS collet-set in 18ct white gold, c.0.40cts (total)

£600-1,200

511 A PINK TOPAZ, PERIDOT AND DIAMOND NECKLACE, the seven graduating oval-cut pink topaz interspersed with four graduated peridots and a single round-cut diamond, attached to a fine link yellow gold chain, c.36cm long, in a fitted presentation case.

£1,800-2,000

£550-650

518 A DIAMOND NECKLACE comprising twenty one marcasite-cut collet-set diamonds c.3.33cts total, interspersed with white gold solid bar chain links, c.45cm long

£2,500-3,000

519 A PEARL AND DIAMOND BROOCH comprising five open-work white metal petals decorated with sprays of diamonds and pearls, the reverse with a yellow metal pin clasp.

See illustration

£1,800-2,000

513 A PAIR OF DIAMOND CLUSTER EARRINGS, the central brilliant-cut diamond surrounded by a border of five further diamonds, c.4.2cts (total), claw-set on unmarked white metal.

See illustration

£350-450

517 A PAIR OF DIAMOND STUD EARRINGS, claw-set in 18ct white gold, c.0.60cts (total)

512 A PAIR OF DIAMOND CLUSTER EARRINGS of heart-shape form, the pave-set diamonds on unmarked white metal, c.3.40cts total, in a fitted Tessier presentation case.

See illustration

£1,200-1,400

£350-450

520 A PEARL AND DIAMOND SPRAY BROOCH, the unmarked white metal open-work spray decorated throughout with graduated coloured pearls and ten brilliant-cut diamonds.

See illustration

£2,500-3,000

£250-350

72

Lot 514

Lot 512

Lot 513

Lot 510

Lot 520

Lot 519

Lot 509 73

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

528 A RED GEMSTONE AND PEARL GYPSY STYLE RING, the oval-cut gemstone flanked to either side by a white tone pearl set on a 22ct yellow gold band (ring size M-N)

521 A JADEITE AND DIAMOND PENDANT, the jadeite carved as a dog of fo standing on a plinth edged with a diamond fringe and diamond looped fitment, c.1.10cts (total).

See illustration

£2,000-3,000

529 A SAPPHIRE AND DIAMOND GYPSY STYLE RING, the round-cut sapphire flanked to either side by a brilliantcut diamond, set on an 18ct yellow gold band (ring size R)

522 A JADEITE AND DIAMOND PENDANT, the carved jadeite claw-set in a 14ct yellow gold openwork frame set with eighteen diamonds.

See illustration

£300-600

£500-1,000

£80-160 532 A 9CT YELLOW GOLD FOB CHAIN with "T"-bar, c.44cm long (c.16.9g) £60-120

£800-1,600

533 A 9CT YELLOW GOLD LOCKET of oval form with foliate engraving to the front, (c.14g)

525 A LAPIS LAZULI BEADED NECKLACE terminating in an unmarked yellow metal ring fastener, c.63cm long, and one other "cats eyes" bead necklace, c.80cm long (2)

£80-160 534 A PAIR OF GENTLEMANS 18CT YELLOW GOLD ENGRAVED CUFFLINKS of oval form, each cufflink joined by a chain, (c.8.90g)

£50-100

526 A 15CT YELLOW GOLD BAR BROOCH set with three peridots, red gemstones and seed pearls, and four other 9ct gold brooches (5)

£100-200

527 A 9CT YELLOW GOLD TIE CLIP with attached safety chain, (c.6.5g)

£50-100

531 A CABOCHON JADEITE PENDANT, the oval jadeite set in a 9ct yellow gold frame, attached to a 9ct yellow gold fine-link chain, c.48cm long, and an unmarked yellow gold sovereign mount (2)

524 A DIAMOND DRESS RING, the brilliant-cut diamond c.0.40cts in a square platinum setting, on a platinum shank with diamond-set shoulders, (ring size O).

See illustration

£50-100

530 A SEED PEARL DRESS RING comprising five graduated seed pearls set on an 18ct yellow gold band (ring size O), and a yellow gold ring set with turquoise (ring size M) (2)

523 A SAPPHIRE, DIAMOND AND PEARL PENDANT NECKLACE, the oval-cut sapphire suspended in an open-work diamond frame set with four white tone pearls, attached to a diamond-set suspension, on a fine unmarked white metal chain, c.39cm long, in a fitted presentation case.

See illustration

£50-100

£50-100

74

£50-100

Lot 521

Lot 522

Lot 523

Lot 524

75

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

542 A PAIR OF MOTHER OF PEARL AND ENAMELLED CUFFLINKS in the form of buttons, the mother of pearl centres enclosed by emerald green enamelling and backed in unmarked yellow gold, with a similar stick pin, in a fitted presentation case

535 A 9CT TRI-COLOURED GOLD BRACELET comprising three tri-coloured gold box-link chains entwined and terminating in a concealed yellow gold clap with safety hook, c.19cm long (c.16.9g)

£80-160

536 A 9CT TRI-COLOURED GOLD NECKLACE comprising three tri-coloured gold box-link chains entwined and terminating in a single yellow gold box-link chain, with a box clasp and safety hook, c.41cm long (c.21.8g)

543 A CHRISTIAN DIOR SUITE OF COSTUME JEWELLERY comprising a necklace and earrings, with diamond stile and black enamel decoration, contained in a Christian Dior box

£100-200

£150-250

£200-400

538 A 9CT YELLOW AND WHITE GOLD ARTICULATED BRACELET, the concealed clasp with safety hooks, c.18.5cm long (c.38.4g)

545 AN UNMARKED WHITE AND YELLOW METAL BROOCH of abstract form, c.12cm long

£200-400

539 A 9CT YELLOW GOLD BOW BROOCH, a gentleman's 9ct yellow gold armorial ring and a bar brooch set with gemstones (3)

£50-100

£200-400

547 A 9CTS YELLOW GOLD CURB LINK BRACELET, with concealed clasp, attached 9cts yellow gold horse charm, c. 19.5cms long, (c.70g)

£150-250

541 A 9CT YELLOW GOLD TORQUE BRACELET terminating in snakes heads

£40-80

546 A 9CTS YELLOW GOLD GATE LINK NECKLACE, with attached tassel clasp, decorated with raised gold beads, the concealed clasp stamped "375", c. 43cms long, c. (43.6g)

540 A 9CT YELLOW GOLD IDENTITY BRACELET inscribed "Sylvia", on a flat entwined ring bracelet with concealed clasp and safety chain (c.25.9g)

£40-80

544 AN UNMARKED YELLOW GOLD GUARD CHAIN c.178cm long (c.30g) with an attached 9ct yellow gold pendant with a cabochon fire opal

537 A 9CT YELLOW GOLD FOB CHAIN with attached "T"-bar, c.38cm long, (c.31.8g)

£100-200

£400-800

548 A YELLOW GOLD CURB LINK BRACELET, with concealed clasp and safety chain, the clasp stamped "750", c. 18cms long, (c.34.4g)

£80-160

76

£500-1,000

549 AN 18CTS YELLOW GOLD CHAIN LINK NECKLACE, c. 72cms long, (c.21g) and a collection of costume jewellery

Lot 548

£200-400

550 AN UNMARKED YELLOW METAL AND ENAMEL MEMORIAL PENDANT VINIAGRETTE, the front black enamel chapter ring inscribed "In Memory Of ", the reverse with enclosed vinaigrette See illustration

£150-250

551 A 14K YELLOW GOLD AND "LARIMAR" NECKLACE, BRACELET AND RING, (3)

£100-200

Lot 550 closed

552 A 9CTS ROSE GOLD GATE LINK BRACELET, with engraved padlock clasp, c. (27g)

£100-200

553 A 9CTS ROSE GOLD GATE LINK BRACELET, with padlock clasp, c. (18g)

£50-100

554 A 9CTS YELLOW GOLD CHAIN LINK NECKLACE, c. 55cms long, and a 9cts yellow gold cross and chain, c.

(13.8g)

£100-200

Lot 550 open

555 AN EDWARDIAN 15CTS YELLOW GOLD PENDANT, the open work oval frame decorated with seed pearls and a single turquoise to the centre and one to the suspension, the reverse with safety chain, c. 25mm x 35mm including the suspension

£100-200

556 A GEORGE III 1760-1820 GUINEA, 1785 LBR, Rev., Crowned shield, c. (8.4g), a/f, mounted (one coin)

£200-300 77

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

565 A DIAMOND AND GEM SET BUTTERFLY BAR BROOCH, the butterfly wings and body set with old-cut diamonds, gem set body and green gem set eyes, on an unmarked yellow metal bar with pearl terminal

557 A GOLD SOVEREIGN, dated 1976, mounted as a pendant

£150-300

558 A GOLD SOVEREIGN, dated 1981 and two others also dated 1981, mounted into a 9cts yellow gold gate link bracelet with padlock clasp, c. (34g)

566 A 9CTS YELLOW GOLD CHARM BRACELET, with fourteen yellow gold and unmarked yellow metal charms, c. (161g) total

£500-1,000

£1,400-1,800

559 AN UNMARKED TRI-COLOURED CHUNKY BRACELET, with concealed clasp

567 A 9CTS TRICOLOUR NECKLACE, with concealed clasp and a matching bracelet, in a fitted presentation case

£200-400

560 AN 18 CTS YELLOW GOLD AND GARNET BROOCH, of oval form, rub-over claw set to the centre with four round-cut garnets against the pierced scrolling oval ground, enclosed within round-cut garnet, rub-over claw set borders, all in hallmarked 18cts yellow gold, c. 42mm long

£100-200

£250-350

£200-400

571 A PAIR OF DIAMOND AND JADEITE CHANDELIER EARRINGS, six graduating diamonds claw set in unmarked white metal c. 1.55cts total, terminating in a dark green jadeite bead with white metal tip, c.3.5cms long

£100-200

£500-1,000

572 A TURQUOISE AND GOLD BROOCH of oval form, c.2cm x 1.5cm and a seed pearl set "M" pendant (2)

564 A 15CTS YELLOW GOLD BRACELET, four links set with round-cut sapphires, interspersed with three round-cut diamonds, with concealed clasp and safety chain

£50-100

570 A SEVEN STONE DIAMOND RING, the central diamond c. 0.15cts, flanked either side by three graduating diamonds, claw set on a yellow gold shank, ring size P

£250-350

563 TIFFANY: A 14CTS YELLOW GOLD BROOCH, of leaf form, the reverse stamped "Tiffany & Co., Germany, 14k", c. 44mm diam., c. (6.6g)

£150-300

569 THREE 18CTS YELLOW GOLD COLLAR STUDS, in a fitted presentation case

562 A 15CTS YELLOW GOLD AND PEARL BROOCH PENDANT, of openwork form

£200-400

568 A PEARL AND DIAMOND BROOCH PENDANT, the flower centre decorated with a single pearl surrounded by diamond set petals and outer pearl set petals, on unmarked yellow metal, attached to an unmarked yellow metal fine link chain, c. 58cms long

561 A PAIR OF 14K YELLOW GOLD AND PEARL EARRINGS, the circular open work frame decorated with seed pearls and suspended from a single seed pearl set on unmarked yellow metal, with looped screw fitments

£400-600

£800-1,600 78

£40-80

OBJETS DE VERTU

79

Lot 642 detail

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

600 A BILSTON AND BATTERSEA ENAMEL PILL BOX in the form of an apple, with a hinged lid, enamelled in tones of red and white, 19th century, 2” dia.

See illustration

Lot 600

£150-250

601 A STAFFORDSHIRE ENAMEL PILL BOX of trapezium form, the hinged lid decorated with playing cards, newspapers and notes on a pink ground with raised white enamel flowers, the interior of the lid with painted musical notes, 18th/19th century, 3½” long x 2¾” wide.

See illustration

£200-300

602 A GEORGIAN BILSTON AND BATTERSEA ENAMEL PATCH BOX of oval form, the hinged top inscribed “A pledge of Love” with mirror to underside, another inscribed “ My Love Ill treat with kisses fweet” and three Staffordshire enamel patch boxes with mixed inscriptions (5)

Lot 601

£150-250

603 A GEORGIAN ENAMEL PATCH BOX of oval form, the hinged lid decorated in relief with a swan, with a white jewelled border on a dark blue enamelled ground, a mirror to the underside, and a Staffordshire enamel patch box decorated with a classical landscape, with polychrome painted striped borders (2)

£100-200

604 A GEORGIAN ENAMEL PATCH BOX of oblong form, the hinged cover with a scene of horse racing, entitled “Racing” with metal mounts, 2¼” long

Lot 605

£80-150

605 JAMES GILES (1718-1780): A GLASS SCENT BOTTLE of octagonal form, with detachable fan stopper, the facet cut body with gilt decoration depicting exotic birds and a campana vase with trellis borders, with fitted shagreen case, 2¼” high.

See illustration

80

£200-400

606 A GEORGIAN STAFFORDSHIRE ENAMEL PATCH BOX, the hinged top cover dececorated with a scene of St Michaels Mount, another with a scene of a young boy and a squirrel entitiled “enjoyment” and two others similar (4)

Lot 608

£80-150

607 A GEORGIAN STAFFORDSHIRE ENAMEL PATCH BOX of oval form, the hinged top lid painted with a bust of Young Roscius, with a mirror on the underside, another of hexagonal form with a painted lid of a classical scene, entitled “Peace and Love”, and two other similar (4)

£100-200

608 A CONTINENTAL SILVER AND GUILLOCHE ENAMEL CARD CASE, of rectangular form, the hinged top set with marquesite on blue enamelled ground with scroll borders, engine turned sides and back, gilt washed interior, stamped markings, 3” long (3.3oz).

See illustration

Lot 609

£200-400

609 A CONTINENTAL SILVER AND ENAMEL COMPACT of oval form, decorated with a chinoiserie landscape on agreen ground with engraved and jewelled bands, the gilt interior with engine turned decoration, 3¼” long.

See illustration

£280-350

610 A CONTINENTAL BLOODSTONE PILL BOX of cabochon form, the hinged top with a gilt metal border, 18th century, 2¾” long.

See illustration

Lot 610

£200-300

81

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

611 A GEORGE III SILVER GILT SNUFF BOX, of rectangular form with rounded corners, the hinged top cast with a hunting scene, with engine turned sides and base, by Thomas Edwards, London, 1819, 3¾” length (c.4.8oz).

See illustration

Lot 611

£300-500

612 A CONTINENTAL FLASH CUT BLUE GLASS AND WHITE METAL TOPPED SCENT BOTTLE, rectangular form with embossed foliate lid, complete with stopper, four other scent bottles of various forms, a 19th century yellow metal and enamel buckle with foliate border, and a hand painted enamel Sherry label (7)

Lot 614

£80-150

613 A 19TH CENTURY GLASS VINAIGRETTE facet cut with original glass stopper, fitted in a moroccan leather polychrome painted case, 1½” high.

£50-100

614 A CONTINENTAL GILT AND CRYSTAL SET EWER AND TRAY the ewer of baluster form, the hinged lid with flower finial above masks and scrolls, the scroll handle mounted with a female figure, the body with jewelled cabochons on a circular spreading foot (6” high), the tray of octagonal form with similar decoration, 19th century, 6¼” dia.

See illustration £350-500 615 A CONTINENTAL GILT AND TURQUOISE JEWELLED TELESCOPIC LOOP of typical form with six sections, 19th century, 3¼” total length.

Lot 616

£150-250

616 A CONTINENTAL YELLOW METAL LADIES NECESSAIRE of rectagular form, the walnut, shagreen and ivory hinged lid enclosing a silk and velvet lined interior, the contents comprising scissors, needle case, spike and thimble, 4¼” long, the case marked Asprey, London.

See illustration

82

£500-1,000

617 A CONTINENTAL AGATE PARROT with yellow metal legs stamped “14k” on a hardstone rocky base (3½” high) and a agate model of a Crane with metal metal mount perched on a lapis lazuli base, 4¾” high. (2) See illustration

Lot 617

£250-350

618 A VICTORIAN LEATHER CASED SCENT BOTTLE, the rectangular formed case with brass jewelled top, enclosing two cut-glass scent bottle with reeded white metal detachable lids, 19th century, 3¼” long £50-100 619 NAPOLEONIC INTEREST: A PRESSED HORN SNUFF BOX, in the form of Napoleon’s hat, the hinged lid with a depiction of Napoleon in battle, entitled “Bonaparte a Toulon”, 3¼” long long.

See illustration

Lot 619

£250-350

620 A CONTINENTAL AGATE HANDLED SEAL, the facet-cut handle with white metal foliate mount, 3½” long.

£80-150

621 A CONTINENTAL HAND PAINTED ENAMEL DISH of circular form, the scroll foliate border with gilt highlights on a white ground, the centre painted with a classical landscape scene with figures, ruins and animals in foreground, 7¼” dia.

See illustration

Lot 621

£300-500

622 FOUR 19TH CENTURY GEORGIAN GILT METAL SEALS, each set with carved gemstones (4)

£80-150

83

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

630 MANNER OF RICHARD COSWAY (1742-1821) An oval painted portrait miniature of Lady Elizabeth Townshend, wife of General Loftus, wearing a white frilled dress and gold necklace, in a glazed frame with ornate gilt slip, 3¾” high.

623 A MONTBLANC MEISTERSTUCK CLASSIQUE FOUNTAIN PEN with 14ct gold nib, no. 4810, ref no. EP2019636, with service booklet and presentation box.

£80-150

624 A PARKER DUOFOLD SENIOR FOUNTAIN PEN with 14ct gold nib, two Conway Stewart no.45, Parker 51 and a Mentmore auto-flow (5)

631 A 19TH CENTURY SILHOUETTE PORTRAIT MINIATURE, of a lady dressed in a long gown, in an ebonised frame with gilt metal slip and three others similar (4)

£100-200

£200-400

625 A FRENCH WHITE METAL FIGURAL SEAL in the form of a young warrior standing on a circular plinth with a band of laurel leaves, in original red velvet lined presentation case, 19th century, 3¼” high.

632 KING GEORGE V AND QUEEN MARY: A ROYAL WEDDING BLACK AND WHITE PHOTOGRAPH, signed in black ink to front “Victoria Mary, July 6th 1893” with applied card to reverse inscribed “Victoria Mary, Christmas 1893” in gilt frame, 6” high x 8¼”wide excluding frame.

£200-300

626 A FRENCH MOTHER OF PEARL AND WHITE METAL DOUBLEENDED SNUFF BOX of rectangular form with hinged lids and white metal mounts, the panels each decorated with engine turned and foliate decoration, 19th century, 2¾” long.

£180-250

£200-300

£500-1,000

629 A CONTINENTAL SATINWOOD SEWING BOX, of rectangular form, with carved mother of pearl panels and central loop handle, the interior with silk lid panel and mirror over a flush fitted red velvet lined tray with mother of pearl contents, 10½” long

£100-200

634 A 19TH CENTURY IVORY BACK SCRATCHER, the terminal carved in the form of a hand, 19” long

628 A CONTINENTAL PIQUEWORK TORTOISHELL BOX, of circular form, inset with animals, birds and insects, 19th century, 2¾” dia.

£80-150

633 AN IVORY FAN, the paper leaf painted with a cartouche of a couple in a park, flanked by ribbon suspended vignettes, the parcel gilt staves with three mother of pearl backed pierced Watteaesque cartouches, 11¼” radius

627 A CONTINENTAL GILT METAL CIRCULAR BOX, the hinged top lid with fluted and embossed foliate decoration, 19th century, 3”dia.

£250-350

£200-400

84

£80-150

636 A VICTORIAN INTAGLIO GLASS AND SILVER GILT CLARET JUG of cylindrical tapering form, the mount with hinged pierced lid with stylised thumbpiece, with embossed floral mounts, tapering “C”-shaped handle with gadrooned decoration, the ovoid glass body decorated with pelicans, insects and pampas grass on a circular star-cut base, by William & George Sissons, Sheffield, 1879, 10½” high.

635 A VICTORIAN INTAGLIO GLASS AND SILVER GILT MOUNTED CLARET JUG of slender baluster form, the mount with a raised lip with a Bacchanalian mask, the “S”-shape scroll handle mounted with a female figure, the glass ovoid body with engraved grapevine, stags and mask decoration, on a raised circular foot, with stylised decoration and masks, by George Fox, London, 1881, 12¾” high

£5,000-10,000

85

£2,000-4,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

637 A CONTINENTAL WHITE METAL PERFUME CASKET in the form of a beehive, the purple-lined velvet interior, fitted with four silver topped scents, with detachable covers, the rope twist exterior applied with five bees, fitted on a square onyx base raised on four gilt ball feet, 7½” high. See illustration

Lot 637

£2,800-3,500

638 A PAIR OF CONTINENTAL GILT METAL AND JEWELLED CASSOLETS of tapering form with detachable lids, the stems each applied with turquoise, garnets and scroll mounts, on spreading circular bases, 19th century, 6½” high.

£280-350

639 A SET OF THREE VICTORIAN SILVER GILT AND CRYSTAL VASES, of urn form, the covers each applied with a pineapple finial and a pierced band decorated with flowers, the crystal body with hob nail and facet-cut stem on a sta-cut base, with a silver gilt square mount resting on four ball and claw feet, marks rubbed, London, 9½” high.

See illustration

Lot 639

£800-1,500

640 A RENAISSANCE STYLE VIENNESE SILVER AND ENAMEL EWER, of tapering form, with a raised silver lip, polychrome painted with flowers, putti and scrolls, stem twist glass handle with silver mounts, the body set with lapis lazuli panels and jewels, with a raised band of enamelled flowers, on an octagonal base, 8¾” high See illustration

Lot 640

£2,800-3,500

641 A RUSSIAN SILVER GILT AND ENAMEL CUP AND SAUCER, the saucer and exterior of the cup decorated with white and green enamel overlaid with silver gilt stringing, manufactured by “Production Technical Unification Russian Samotsvety” Leningrad” circa 1970’s.

86

£200-400

642 FABERGE: A PARASOL HANDLE, the red guilloche enamel rim decorated with old cut diamonds and edged in gold, with a bowenite handle. makers mark for Michael Perkhin (1860-1903), 2¾” long.

£2,000-3,000

87

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

643 HEINRICH LEVINGER; A PAIR OF SILVER AND GUILLOCHE ENAMEL VASES of cylindrical form each decorated with scenes of Putti at a waters edge, import marks, Birmingham, 1900, 6¼” high, in original fitted leather and velvet lined case, the hinged lid with a metal panel with a scene of a chariot and Greek figures, 9¼” high.

£3,500-4,500

88

Lot 644

Lot 645

644 A HAND PAINTED ENAMEL PLAQUE, decorated with a portrait of a gentleman wearing masonic regalia, edged with a gilt metal slip, in a wooden glazed frame, 5” x 4” See illustration

Lot 646

£3,500-4,500 645 ASCRIBED TO HENRY BONE; A HAND PAINTED ENAMEL PLAQUE, decorated with a young lady in prayer leaning over a skull and bible, probably depicting Mary Magdalene, the gilt metal slip engraved “ENAMEL. H BONE.”, inscribed in puce verso, “London April 1822, Painted by Henry Bone R.A. Enamel painter to His Majesty and after the original

by Elsheimer”, 6½” x 5”.

See illustration

£4,500-5,500

646 A CONTINENTAL ROCK CRYSTAL STYLE RABBIT, seated, with cut and engraved body, with two red eyes and yellow metal surround, 6” long x 5” high.

See illustration £300-500

89

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

647 OLYMPIC INTEREST: London Olympics, 1908: A Referee Badge, white metal and blue enamel, impressed “VAUGHTON BIRM”, 5.7cm wide.

£800-1,500

Lots 648-699 Spare lots

90

FRIDAY, 23 R D FEBRUARY, 10.30A M

A SIAN ART

Lot 714 detail 91

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

700 A FINE JAPANESE CLOISONNE VASE, the slender flared neck with twin scroll handles, the baluster body finely decorated with two panels depicting a dragon and a phoenix reserved in red against a turquoise ground, Meiji period

Lot 701

£250-350

701 A FINE JAPANESE BLUE-GROUND CLOISONNE VASE, the ovoid sides with twin dragon mask handles, and decorated in coloured enamels with birds and blossoming branches in a mountainous landscape, Meiji period, 23cms high.

See illustration

£350-500

702 A FINE JAPANESE COBALT BLUE GROUND CLOISONNE VASE, the baluster sides decorated in coloured enamels with three cranes, Meiji period, 25cms high

Lot 703

£350-500

703 A FINE JAPANESE COBALT BLUE GROUND CLOISONNE VASE, the baluster sides finely decorated in coloured enamels with a bird perched amongst a blossoming branch, signed, Meiji period, 22cms high.

See illustration

£500-1,000

704 A GOOD JAPANESE LACQUER COVERED BOX, of globular pouch form, the lid decorated in low relief with geomtric panels of insects and flowers, enclosing a shallow tray with further shell and fan decoration, the sides with conforming decoration to the shoulders, Meiji period, 10cms high.

See illustration

Lot 704

£250-350 705 A JAPANESE GOLD LACQUER TRAY of quatrefoil form, centrally decorated in mother of pearl and coral with a flowering basket within geometric reserves, Meiji period, 30cm wide.

See illustration

92

£500-1,000

706 A JAPANESE GOLD LACQUER BOX, decorated with a pagoda within a wooded mountainous landscape, with a compartmented interior, Meiji period, 14cms wide

Lot 705

£200-400

707 A FINE JAPANESE GOLD LACQUER BOX, in the form of a dragon turtle, its shell as the cover surmounted by a further turtle finial, signed Morinobur, Meiji period.

See illustration

£350-500

708 A FINE JAPANESE GOLD LACQUER BOX, in the form of a dragon turtle, its shell as the cover, surmounted by a further turtle finial, signed Morinobu, Meiji period

Lot 707

£150-250

709 A JAPANESE GOLD LACQUER BOX, formed as a stringed instrument (Koto), Meiji period, 13cms long

£80-120

710 A FINE JAPANESE GOLD LACQUER FOUR CASE INRO, the sides decorated with village scenes and mountains and with applied gilt metal ornament, one side two galloping horses, the other a buffalo, reserved against a takamakie ground and nashiji interiors, signed koho, Edo period, 10cms high.

See illustration

Lot 710

£1,500-2,500

711 A JAPANESE GOLD-LACQUER FIVE CASE INRO, the sides decorated with pine trees and applied with mixed metal ornament, depicting a scholar with a deer, the interior decorated with nashiji, signed Kamikawa, Meiji period, 8 3/4ins long

£1,500-2,500

93

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

712 A JAPANESE LACQUER SILVER CORAL AND MALACHITE OKIMONO, modelled as a turtle resting on an island rock surrounded by a flowing river, signed, Meiji period

Lot 712A

£700-1,000

712A A JAPANESE LACQUER GLOVE BOX, the rounded rectangular slightly domed box decorated with calligraphic tags, on a faux bois ground, Meiji Period, 23cm wide.

See illustration

£250-350

713 A FINE JAPANESE MIXED METAL BOX AND COVER, modelled as a mallet surmounted by a rat, Meiji period, 9 1/2cms wide.

See illustration

Lot 713

£700-1.000

713A FIVE JAPANESE SILVER AND ENAMEL KORO, with a wire work pierced cover, the compressed globular sides decorated in relief with brightly coloured flowering stems, on three bracket feet, signed Baiosen, Meiji period with wood box, 11cms high.

See illustration

£1,500-2,500

714 A FINE JAPANESE MIXED METAL BOX AND COVER, the lid decorated in high relief with a young beauty playing a string instrument (Biwa), the underside with a coiled dragon, signed Nagamitsu, Meiji period, 7cms diam.

See illustration

Lot 713A

£1,000-2,000

715 A JAPANESE MIXED METAL BRONZE KORO, the pierced cover over silvered shoulders and ovoid sides, decorated in relief with birds and flowers, signed, Meiji period

94

£700-1,000

Lot 714

Lot 720

720 A SMALL JAPANESE MIXED METAL VASE, of flattened ovoid form, the sides decorated in relief with panels of figures and turtles, Meiji period, 9cms high.

See illustration

716 A JAPANESE SILVERED BRONZE FIGURE OF AN ONI, modelled as the seated figure with arms and legs outstretched, Meiji period, 5cms high

£350-500

717 A JAPANESE MIXED METAL CARD CASE, the sides decorated in gilt and applied in high relief with figures, Meiji period, 9cms long

721 A JAPANESE BLACK AND GILT LACQUER BOX, formed as three oni, carrying a temple bell, Meiji period, 21cms high

£150-250

718 A JAPANESE BRONZE AND MIXED METAL INKWELL, of globular form, the hinged lid and sides with figured relief decoration, Meiji period, 7 1/2cms wide

£350-500

722 A FINE JAPANESE SATSUMA BOWL, the sides painted with brightly coloured flowers and butterflies, signed, Meiji period, 16cms diam

£150-250

£350-500

723 A JAPANESE TOBACCO POUCH, of naturalistic form, surmounted by a toad, Meiji period, 9cms wide

719 A JAPANESE MIXED METAL FIVE CASE INRO, the sides decorated with figures on horse back, the reverse with two galleons, Meiji/Taisho period, 7cms high

£350-500

£150-250

95

£70-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

730 AN EXPORT ENAMEL PLAQUE, decorated in polychrome with with phoenix, cranes and other exotic birds within a mountainous landscape view, later framed, 35cms wide

724 A NOVELTY JAPANESE LACQUER AND MIXED METAL NETSUKE, modelled as a flintlock pistol, Meiji period, 7cms long

£250-350

725 A JAPANESE CLOISONNE VASE, the foil green ground decorated in coloured enamels with a crane standing beside a leafy bamboo, signed, Meiji period, 25cms high

731 A PAIR OF BRONZE MEIPING VASES, the sides decorated in relief with panels of kylins against a foliate ground, 9cms high

£100-150

£80-120

727 A JAPANESE SILVER AND SHIBAYAMA DISH, decorated in gold lacquer, mother of pearl and hardstone with a bird amongst blossoming branches, encased within an ornate foliate wire work border, signed, Meiji period, 13cms diam

£600-800

£150-250

734 A CHINESE HARDWOOD ‘DOUBLE LOZENGE’ BRUSH POT (Bitong), with wire inlaid decoration, the sides with calagraphic panels, 15cms high

£100-200

£120-180

735 A CHINESE CLOISONNE FIGURE OF A ROOSTER, modelled as the bird perched atop of a barrel on stand, the yellow enamel ground decorated with four dragons and flaming pearl, 26cms high

729 A CLOISONNE CRANE, the standing bird decorated in coloured enamels, late Qing dynasty, raised on an associated European gilt bronze base, 28cms high

£150-250

733 A CHINESE HARDWOOD AND INLAID BRUSH POT (Bitong), of square form, the sides decorated in relief with various hardstones with blossoming branches and insects, apocryphal seal mark, 14.5cms high

728 A CHINESE EXPORT SILVER PLATED WRITING BOX, in the George III style, pierced throughout with scrolling foliage, the cover enclosing two further lidded compartments, the sides with twin handles, raised on rococo cast feet, 26cms wide

£150-250

732 A CHINESE CINNABAR LACQUER ‘PEACH’ SHAPED BOX, the gently domed cover carved in relief with a fruiting peach tree, the sides with chrysanthemum leaves and scrolls, 11cms wide

726 A PAIR OF JAPANESE HARDWOOD, GILT LACQUER AND BONE WHIST MARKERS, of typical form, decorated with insects, 9.25cms

£50-100

£350-500

96

£150-250

Lot 737

Lot 738

738 A SOUTH EAST ASIAN LAPIS LAZULI BUDDHA, on a silvered metal shrine, the figure seated in vajrapayankasana on a double lotus pedestal, the pierced shrine cast with animals and flowering stems, embellished with hardstone ‘jewels’, 20cms high.

See illustration

736 A CHINESE ‘TIXI’ LACQUER SEAL PASTE BOX, the sides carved through layers of black and red with ruyi scrolls, 7.5cms diam.

£50-100

737 A CHINESE CLOISONNE VASE, the green and turquoise ground decorated with leafy tendrils and arabesques, late Qing dynasty, 19cms high.

See illustration

£200-400

739 A CHINESE GILT BRONZE CENSOR, of compressed globular form with twin loop handles, late Ming/Qing dynasty apocryphal seal mark, 15cms wide

£200-400

97

£180-250

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 744

743 A CHINESE ROCK CRYSTAL DOUBLE VASE, the cover and sides covered in high relief with chilongs raised on an openwork geometric base, 19cms high

740 A CHINESE SPINACH JADE ‘LOTUS’ AND CORAL CENSER, the pierced domed cover with a lotus blossom finial, flanked at each corner by conforming outset handles, 24cms wide

£200-400

744 A CHINESE EXPORT MOTHER OF PEARL AND SILVER MOUNTED CADDY, with rococo silver mounts, the gently domed lid and sides ornately decorated with blind fret pierced foliate panels opening to reveal a compartmented velvet lined interior, 18th century, 26cms wide.

See illustration

740A F IVE ASSORTED JADE PENDANTS, to include three white jade, one celadon jade and another of archaic style (5), largest 6.5cms high 741 A PAIR OF CHINESE CARVED WOOD ‘EROTIC’ BOXES, the circular boxes carved in low relief with figures engaged in amorous positions, the sides decorated with stylised ruyi bands

£1,500-2,500

745 A CHINESE EXPORT MOTHER OF PEARL TEA CADDY, the hinged lid and sides decorated with blind fret pierced figural and foliate panels, opening to reveal a compartmented lined interior, 19th century, 21cms wide

£150-250

742 A CHINESE RED LACQUER DISH, decorated with five claw dragons chasing a flaming pearl amongst clouds, Qing dynasty, 19th century, 25.5cms diam

£200-400

£150-250

98

£280-350

Lot 746

747A A WHITE JADE HORSE, modelled standing with one front leg raised, 5cms high

746 A CHINESE WHITE JADE ‘LOTUS’ VASE, the flared neck with twin lion mask loop handles with ovoid body and spreading foot, 11cms high.

See illustration

748 A CHINESE CELADON JADE VASE, of flattened baluster form, the domed cover with a clear finial, the sides carved in high relief with a deer and a phoenix amongst blossoming branches, wood stand, 14cms high

£1,000-2,000

746A A WHITE JADE FIGURE OF A RAM, modelled as the recumbent animal with its head slightly turned to one side, 4cms high

£300-400

£280-350

748A THREE JADE PENDANTS, one carved with a double dragon, one four kylins and the other a crane and ruyi, largest 6cms diam

747 A CHINESE WHITE JADE BRUSH WASHER, of compressed baluster form, the sides carved in high relief with three chilongs and a phoenix, 16cms wide

£200-300

£700-1,000 99

£200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

753 A CHINESE CINNABAR LACQUER SEAL PASTE BOX, the side carved with panels of stylised ruyi scrolls centred by a lotus blossom, 5cms dia.

749 TWO CHINESE JADE RETICULATED REVOLVING SNUFF BOTTLES, each of baluster form, largest 8.5cms high

£150-250

749A A RUSSET JADE ‘DRAGON’ PENDANT, carved with ruyi motifs, 7.5cms high

753A A QUANTITY OF WHITE AND CELADON JADE PENDANTS, various sizes and styles

£400-500

750 TWO CHINESE GLASS SNUFF BOTTLES, one amber and the other yellow, late Qing dynasty, largest 8.5cms high

£150-250

£400-500

£150-250

£70-100

£150-250

756 A CHINESE HARDSTONE WEIGHT, of gently domed rectangular form, carved in low relief with a bird perched amongst leafy bamboo apocryphal seal and poem verso, 17cms long

752A A N ARCHAISTIC JADE ‘DRAGON’ PENDANT, carved on both sides with relief spirals, 9cms high; together with a bi disc, 6cms diam (2)

£200-400

755 A CHINESE EXPORT ENAMEL FINIAL, modelled as an elephant standing four square, decorated in coloured enamels and enriched with hardstone ‘jewels’, 18th/19th century, 3cms high

752 A CHINESE SPINACH JADE VASE, of flattened baluster form with twin rams mask loop handles, 11cms high

£280-350

754A A CHINESE AGATE AND SMALL BOWL, 7cms diam, together with an agate brush rest, in the form of a bamboo, 6.5cms wide

751 AN ARCHAIC JADE CONG, Chow dynasty or later, 5cms wide

£200-400

754 A PAIR OF SPINACH JADE VASES, of slender baluster form, the sides carved in relief with leafy scrolls and tendrils, 14cms high

750A A SMALL WHITE JADE WASHER, the shallow circular washer carved with a stylised geometric band, 5cms diam

£50-100

£100-200

100

£30-60

Lot 762

Lot 764

760 A CELADON JADE FIGURE OF A HOUND, modelled as the recumbent dog with its head turned to one side, 11cms wide

756A A CHINESE RUSSET HARDSTONE BRUSH POT (BITONG), of gently tapered rectangular form, raised on four small bracket feet, 12cms high

£100-200

761 A CELADON AND RUSSET JADE ‘MONKEY AND PEACH’ GROUP, modelled as the seated monkey holding a peach with two playful young by its side, later stand, 7 1/2cms high

757 A CHINESE SPINACH JADE CITRUS FINGER OR BUDDAH HAND, of naturalistic form, 12cms long

£70-100

757A A PAIR OF YELLOW JADE WASHERS, of compressed baluster form, with apocryphal incised seal marks

£200-400

£1,000-2,000

763 A CHINESE BRONZE AND CLOISONNE BUDDAH, the seated figure on a single lotus throne, 29cms high

£120-180

758A A CHINESE HARDSTONE LAUGHING BUDDHA, the reverse carved with a lily pad, 9cms high

£200-400

764 A PAIR OF PEKING RED OVERLAY GLASS VASES, the baluster sides and slender necks decorated with squirrels amongst leafy branches, divided by ruyi bands, Qing dynasty, 19th century, 22cms high See illustration

£500-700 759 A CHINESE WHITE JADE PENDANT, with figural and calagraphic caned decoration, together with two further celadon jade pendants (3), largest 6.5cms

£200-400

762 A CHINESE WHITE JADE PLAQUE, carved with figures in a grotto amongst pine trees, bamboo and pagoda, on a wood stand, 29cms wide See illustration

758 A CHINESE ROCK CRYSTAL BOX, carved in the form of a citrus finger, 10cms long

£120-180

£700-1,000

£200-400 101

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 773 front

Lot 773 reverse

769 A CHINESE EXPORT ENAMEL TEA CADDY, the lobed cylindrical sides painted with Europeans and cherubs in a Chinese garden scene, 19th century, 10cms high

765 A SET OF EIGHT CHINESE ENAMEL DISHES, the shaped dishes each painted in bright colours with dragons amongst clouds within faux crackle sides, Qing dynasty, 19th century, 18cms long, together with a set of similar enamel dishes (16)

£120-180

770 A SET OF FOUR CHINESE EXPORT ENAMEL COASTERS, each painted with European figures in mountainous, garden and port scenes, 19th century, 9.4cms diam

766 A PAIR OF CHINESE BLUE LUSTRE ENAMEL FOUR-SECTION HEXAGONAL BOXES, the sides painted with panels of courtiers and scenic views, Qing dynasty, 19th century, 11cms high

£350-500

£120-180

£70-100

772 A CHINESE EXPORT ENAMEL DISH, painted in polychrome colours with blossoming branches, late Qing dynasty, 21cms diam

768 A CHINESE CLOISONNE CYLINDRICAL BOX, the gently domed lid and sides decorated with bull rushes and panels of bamboo and blossoming branches, bears monograms, 9.5cms diam

£250-350

771 TWO CHINESE EXPORT ENAMEL DISHES, each decorated with Europeans in garden views reserved against a geometric ground with dragon medallions, 19th century, 12cms diam.

767 A CHINESE CLOISONNE SWAN FORM BOX, the upper section decorated in coloured enamels with ruyi and stylised motif, the lower as water and bullrush, 12cms high

£150-250

£70-100

773 A CHINESE ENAMEL DISH, brightly painted with figures, trees and fishing boats within a mountainous landscape view, Qing dynasty, 19th century, 26.5cms wide.

See illustration

£70-100

102

£350-500

774 A CHINESE CLOISONNE CENSER, the pierced cover with a lion finial and twin lion handles, decorated throughout with lotus flower tendrils, bats and motifs, on three elephant mask cast feet, Qing dynasty, 19th century, 19cms high See illustration

Lot 774

£1,400-1,800

775 EIGHT CHINESE EXPORT ENAMEL CUPS, each painted with European figures in garden views, Qing dynasty, 18/19th century, together with four further enamel cups, 5cm wide (12)

£180-250

775A A CHINESE EXPORT ENAMEL BOX, of flattened oval form, the sides painted with scrolling lotus flowers, the underside a lotus blossom, Qing dynasty, 18th/19th century, 9.5cms wide

£150-250

Lot 776

776 A PAIR OF CHINESE CLOISONNE BOXES, of domed circular form, the sides decorated with scrolling flower blossoms with ruyi bands and against a turquoise ground, with twin lions mask handles, on knop finials, Qing dynasty, 19th century, 13cms high.

See illustration

£400-800

777 A CHINESE CLOISONNE TRIPOD CENSER, made for the Middle Eastern Market, the domed lid and sides with lotus scroll decoration, within a ruyi band and three Islamic motif roundels, 14cms high

Lot 779

£150-250

778 A CHINESE CLOISONNE VASE, the baluster sides decorated with a dragon amongst clouds, lotus scrolls and waves, reserved against a turquoise ground, 19th century, 22.5cms high

£200-400

779 A CHINESE CLOISONNE ELEPHANT, standing four square with an ornamental blanket over its back and inlaid with gilt wires to imitate wrinkles, the separately cast saddle surmounted by an urn, raised on an associated cloisonne stand, Qing dynasty, 18th/19th century, 27cms high overall. See illustration

£1,000-2,000 103

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

787 A PAIR OF CHINESE SOAPSTONE CRICKET CAGES, each of covered cylindrical form, the pierced sides carved in relief with scholars in mountain landscapes, on hexagonal bases, 29cms high.

See illustration

780 A CHINESE CLOISONNE BRONZE CENSER, of square compressed globular form with twin rope twist handles, the sides decorated with lotus scrolls, on four plain feet apocryphal seal mark, Qing dynasty, 19th century

£350-500

£150-250

788 A CHINESE SANCAI GLAZE FIGURE OF GUANYIN, modelled as her standing, holding a ruyi sceptre with a lotus and two attendants by her side, Qing dynasty, 18th century, 18cms high

781 A CHINESE CLOISONNE HANGING CENSER, the baluster sides decorated with panels of fruiting branches, Qing dynasty, late 19th century, 13cms high

£150-250

782 A CHINESE PEKING GLASS BLUE VASE, of baluster form, 22cms high

789 A FAMILLE VERTE CHINESE FIGURE GROUP, depicting two figures, one standing holding a sceptre, the sealed figure on a basket, on an hexagonal base, 19th century, 17cms high

£150-250

783 A CHINESE PEKING BLUE-OVERLAY GLASS JAR, the sides decorated in relief with warriors on horse back with a ruyi band, wood cover, late Qing dynasty, 15cms high

£700-1,000

£150-250

£150-250

792 A PAIR OF CHINESE BLUE AND WHITE VASES, the square sides painted with geometric designs with stylised ruyi bands, bears Leonard Gow Collection label, Kangxi period, 17cms high.

See illustration

£70-100

786 A CHINESE ROCK CRYSTAL VASE, in the form of an elephant standing four square, a ceremonial blanket over its back, surmounted by a baluster vase carved in high relief with a flowering lily pad, raised on a giltwood base, 23cms high

£150-250

791 A CHINESE YELLOW PEKING GLASS VASE, of compressed basket weave form, 9cms high

785 A CHINESE PEKING RED GLASS VASE, of baluster form, 12cms high

£250-450

790 A CHINESE FAMILLE VERTE HEXAGONAL GU-FORM VASE, the sides painted with blossoming handles and bands of stiff leaves, Qing dynasty, 18th century, 17cms high

784 A CHINESE PEKING TURQUOISE GLASS LOW BOWL, the sides decorated in relief with scrolling lotus blossom, 23cms diam.

£150-250

£500-1,000

104

£700-1,000

793 A CHINESE SANCAI GLAZE FIGURE OF GUANYIN, the seated figure holding a child and a ruyi sceptre.

Ex Collection of Villa Fiorentina, Cap Ferrat, Qing dynasty, 18th century, 20cms high

£200-400

Lot 787

794 A CHINESE FAMILLE VERTE CYLINDRICAL VASE, the sides painted with dragons and roundels amongst blossoming leafy tendrils, Qing dynasty, 18th century, 27.5cms high

£200-400

795 A CHINESE BLANC DE CHINE LIBATION CUP, the sides moulded in relief with a deer, a dragon, a crane and a tiger amongst pine and prunus, together with a smaller blanc de chine libation cup (2), largest 13cms wide

Lot 792

£100-200

796 A CHINESE FAMILLE VERTE VASE, the baluster sides painted with bands of phoenix, clouds and scales, with an associated Japanese lacquer cover, Qianlong seal mark but 19th century, 12cms high

£120-180

797 A CHINESE FLAMBE GLAZE JARDINIERE, the baluster sides with twin lions mask handles and a rich raspberry red glaze, Qing dynasty, 19th century, 23cms diam. See illustration £150-250 Lot 797 797A A CHINESE FAMILLE ROSE JARDINIERE with crackle glaze, the sides painted with exotic birds and insects within a rich blossoming rocky garden, 34cm high x 39cm dia.

£80-120

798 TWO SIMILAR CHINESE EGG AND SPINACH GLAZE BOWLS, Qing dynasty, 19th century, 18cms diam

£280-350

105

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

806 A PAIR OF YELLOW AND GREENGLAZE ‘DRAGON’ BOWLS, the sides painted and incised with dragons and flaming pearls, with ruyi and lappet bands, apocryphal Yongzheng six character marks, 12cms diam, together with a Chinese yellow-glaze vase and a moulded blanc de chine bowl (4)

799 SPARE LOT 800 A CHINESE FAMILLE VERTE DISH, painted with dragons, clouds, flaming pearls and ruyi, Kangxi period, 23cms diam.

£150-250

801 A FAMILLE VERTE DISH, centrally painted with a lotus and ruyi roundel from which issue flowering branches and stems, Kangxi period, 27cms diam.

See illustration

807 A CHINESE SANCAI GLAZE FIGURAL JOSS STICK HOLDER, modelled as a figure seated on a kylin, pierced pedestal base, Qing dynasty, 19th century, bears The Chinese Porcelain Company paper label, 17cms high

£700-1,000

802 A CHINESE FAMILLE VERTE FIGURE GROUP, modelled as a cloaked louhau and attendant, raised on a pedestal base, Kangxi period, 21cms high

£350-500

£280-350

809 A CHINESE CELADON GLAZE MEIPING VASE, the baluster sides with incised decoration and a later hardwood cover, Ming dynasty, 21cms high

£350-500

804 A PAIR OF CHINESE SANCAI GLAZED LION DOGS, of typical form on shaped bases, Qing dynasty, 19th century, 9cm high.

£350-500

808 A CHINESE CELADAON GLAZE TRIPOD CENSER, the sides with incised decoration, Ming dynasty, 15cms diam

803 A SET OF FOUR CHINESE FAMILLE VERTE POURING VESSELS, the shaped two-handled bowls painted with phoenix and flowering stems, Kangxi period, 19cms wide

£200-400

£150-250

810 A PAIR OF CHINESE EXPORT IMARI PATTERN VASES, the baluster sides painted with panels with figures and flowring urns, bears I.M. Chait NY labels, Qing dynasty, 18th/19th century, 26cms high.

See illustration

£70-100

805 A PAIR OF CHINESE BLUE AND WHITE CUPS AND SAUCERS, of lobed form painted with flower sprays, Kangxi period, 8cms diam

£700-1,000

811 A CHINESE FAMILLE VERTE LIBATION CUP, with a double chilong handle, the sides painted with mask and floral sprays, Qing dynasty, 19th century, 14cms long, together with a smaller example, 10cms long (2)

£150-250

106

£150-250

Lot 801

Lot 810

814 A CHINESE FAMILLE VERTE CENSER, of compressed baluster form, the pierced domed cover surmounted by a lion dog and with twin naturalistic handles, the body painted with four ferocious dragons, on three lion mask feet, Qing dynasty, 19th century, 20cms high

812 A CHINESE FAMILLE VERTE JAR AND COVER, the cylindrical sides painted with auspicious items with stylised bands, Qing dynasty, 19th century, 19cms high

£200-400

813 A PAIR OF CHINESE SANCAI GLAZE LION DOGS, of typical form, on later wood stands, Qing dynasty, 19th century, 17cms high

£150-250

815 A PAIR OF ‘DA JI’ WALL PLAQUES, each of flattened double gourd form, painted with medallions inscribed with a single character da and ji, reserved against coral trellis gourds and encircled by bat motifs, with simulated wood stands, 36cms high

£200-400

107

£150-250

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

822 A CHINESE EXPORT BLUE AND WHITE DISH, the rectangular shallow dish painted in underglaze blue with cranes in a fenced garden, Qing dynasty, 19th century, 25cms wide; together with a famille rose baluster tea caddy, 18th century, 11cms high; and two blue and white export tea cups (4)

816 A CHINESE BROWN-GLAZE BOWL, the baluster sides decorated in a rich brown glaze with twin scroll handles, Song dynasty, 14cms diam

£150-250

817 A CHINESE BLANC DE CHINE CENSER, of compressed baluster form with lion mask handles, apocryphal incised seal mark, 16cms wide

823 A CHINESE EXPORT BLUE AND WHITE PLATE, the centre later applied with an angel blowing a trumpet and suspending a badge of the Order of the Cincinnati, within a scalloped rim, 18th century and later, 24cms diam

£100-200

818 A CHINESE GOLD-SPLASH SIMULATED BRONZE PORCELAIN CENSER, the compressed baluster sides with scroll handles and decorated in relief with a band of stylised ruyi motifs, Qianlong seal mark but late

£200-300

£200-400 825 A CHINESE FAMILLE ROSE BOWL, painted throughout with courtiers engaged in various pursuits, 32.5cms diam.

820 A CHINESE FAMILLE ROSE YELLOW GROUND BOWL, the sides decorated with lotus and scrolling tendrils, Jiaqing mark but later, 15cms diam

£200-400

£700-900

826 A CHINESE BLUE AND WHITE JARDINIERE, the baluster sides painted with panels of fish and cranes, late 19th century, 32cms wide

821 A CHINESE BLUE AND WHITE TEAPOT, the square sides painted with figures in mountainous views, Kangxi period, 18cms high, together with a famille rose teapot, Republic period, 11cms high and four famille rose tea cups (6)

£350-500

824 A LARGE CHINESE BLUE AND WHITE BOWL, the interior and exterior decorated with scaly dragons contesting flaming pearls amidst cloudscrolls within formalised borders, 37.5cm dia., on a hardwood stand

£200-400

819 A CHINESE GOLD GLAZE DISH, the finely potted shallow dish bears an apocryphal poem, Qianlong seal mark, but later, 13cms diam

£100-200

£150-250

828 A CHINESE “TILE WORKS” FIGURE OF A HORSE wearing an elaborate saddle covered in straw and greencoloured glazes, on a rectangular base, probably Ming, 23cm high

£100-200

108

£150-250

Lot 831

Lot 830

832 TWO CHINESE POTTERY BURIAL POTS, each of cylindrical gently tapered form with domed covers and figural moulded feet, Tang dynasty or later, 40cms high (2)

829 A PAIR OF JAPANESE IMARI PORCELAIN SLENDER BALUSTER VASES, richly decorated with birds amongst blossoming shrubs and rocks, with later 19th century French ormolu mounts as lamps, with dragon handles, and openwork scrolling bases, C.1800, 50cm high

£50-100

833 A SET OF FOUR CHINESE PORCELAIN PLAQUES painted with insects, fruit and flowers, signed ‘Li Mingliang’, 20th century, in hardwood frames, 15.5” x 11.25”

830 A CHINESE POTTERY MODEL OF A CAMEL, the recumbent beast with a laden saddle carrying two rope tied cart wheels, in later glass case, Tang dynasty or later, 26cms long.

See illustration

831 A CHINESE POTTERY FIGURE OF A POLO PLAYER on a horse, the figure with right arm raised, with extensive traces of polychrome decoration, Tang, 39cm high.

See illustration Sold with a Thermoluminescence Analysis Report from Oxford Authentication dated 8th June 2004 confirming firing between 900 and 1,500 years ago.

£500-1,000

£150-300

834 A SMALL CHINESE BLUE AND WHITE BALUSTER VASE, the sides painted in underglaze blue and iron red with warriors on horseback, apocryphal character mark, 7cm high

£700-1,000

£100-200

109

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

842 A CHINESE RED CORAL CARVING, the sides carved in relief with a heron standing beneath pine, 19th/20th century, 4.2in wide at widest point and 4.1in high

835 A YIXING WARE SQUARE FORM BOTTLE, the side inscribed “Kompira”, 19th century, 13cm high

£50-100

836 A LARGE CINNABAR LACQUER BOX, the domed box carved in relief throughout with figures, trees and pagoda in a mountain landscape, within bands of scrolling lotus apocryphal Kangxi six character mark, 27cm dia.

843 A CHINESE RED CORAL CARVING, the sides carved in relief with a dragonfly hovering above lotus, 19th/20th century, 3.25in wide at widest point and 4.75in high

£1,000-1,500

£100-200

838 A CHINESE BRONZE CENSER, the compressed baluster sides with a pierced cover, apocryphal seal mark, 5cm high

£50-80

845 A CHINESE RED CORAL SNUFF BOTTLE AND STOPPER, carved in the form of a standing boy leaning against rockwork, 19th/20th century, 3.1in high overall

£200-400

839 A SMALL ARCHAISTIC GILT BRONZE SEAL, modelled as a turtle, 3cm high

£50-80

846 A CHINESE ROCK CRYSTAL SNUFF BOTTLE AND STOPPER, carved in the form of a kneeling boy clasping a large carp, 19th/20th century, 2.3in wide at base and 2.8in high

840 A CHINESE GILT BRONZE WEIGHT modelled as a snail, 9cm high

841 A CHINESE RED CORAL CARVING, the sides carved in relief with a lady standing before a tree bearing a fan and beneath cloud scrolls, 19th/20th century, 7in high

£100-150

844 A CHINESE RED CORAL SNUFF BOTTLE AND STOPPER, carved in the form of a sage leaning against rockwork, 19th/20th century, 2.9in high overall

837 A GILT BRONZE TRIPOD CENSER, the pierced domed cover surmounted by a dragon turtle, the sides cast in relief with flying cranes, 11cm high

£100-150

£40-60

847 TWO CHINESE PIECES OF CARVED RED CORAL, the larger carving in the form of Guanyin supported by a dragon next to rockwork, the smaller carving in the form of Guanyin seated beside lotus, 19th/20th century, 6in wide x 8.3in high x 5.7in wide x 4.75in high (2)

£150-250

110

£600-900

Lot 849

851 A PAIR OF CHINESE CLOISONNÉ COVERED URNS with gilt lion dog finials, the sides decorated in coloured enamels with scrolling lotus, within rug and lapet bands, 14cm high

848 A CHINESE JADE CARVING OF TWO BOYS AND A WATER BUFFALO, the stone of pale celadon tone with russet inclusions, 3.25in long

£500-700

849 A CHINESE CELADON JADE CARVING OF A RUYI SCEPTRE, carved in shallow relief with ducks in a lotus pond, the end of the handle carved with a bat, 2.1in wide the widest point and 6.25in long.

See illustration

852 A SOUTH EAST ASIAN SILVER BRONZE BUDDHIST PLAQUE cast as the Buddha seated in the dhyanasana with hands resting on his lap holding an urn, within a flaming mandala and on a double lotus throne, associated red velvet stand, 19th century, 9cm high

£500-800

850 A CHINESE SILVER MINIATURE FOUR-FOLD SCREEN cast with lotus, pine and bamboo below calagraphic panels, on a wood base, 16cm high

£50-100

£150-250

853 A PAIR OF CHINESE ARCHAISTIC BRONZE MOUNTS with pierced roundels and arrowhead-shaped pendants, inscribed, 16cm high

£200-400 111

£300-500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 860

858 A CHINESE AGATE SNUFF BOTTLE, the sides carved in high relief with two scholars beneath a tree, with turquoise stopper, 8cm high; and another agate snuff bottle with a lapis lazuli stopper, 9.5cm high (2)

854 A CHINESE BRONZE SILVERED BRONZE EWER ornately cast with dragon roundels with a dragon mask spout and lion mask scroll handle, surrounded by a lion dog finial, apocryphal character mark, 30cm high

£200-400

859 TWO ASIAN CARVED WOOD AND CLOTH DRESS DOLLS, one in Mongolian tradition dress, the other a Court Official, 20th century, the largest 30cm high

855 A STRING OF CHINESE CHENXIANG WOOD BEADS with a plaited silk tassle, 97cm long (including tassle)

£400-500

£100-200

860 A CHINESE BRONZE ARCHAISTIC VASE, the baluster sides with twin Taotie mask handles and decorated in low relief with further masks, mythical beasts and stiff leaf bands, Qing Dynasty, 19th century, 27cm high. See illustration

856 A SET OF ARCHAISTIC JADE CONG BEADS on a plaited silk necklace 857 A PAIR OF CHINESE CORAL-RED CLOISONNÉ COVERED URNS of barrel form with foliate decoration, 15cm high

£150-250

£50-100

112

£1,000-2,000

Lot 862

864 A CHINESE SILK PAINTING of a bird flying towards bamboo shoots with leaves, on a scroll, 33” high overall

861 TWO LARGE CHINESE CARVED WOOD FIGURES, including an emaciated Luohan, late Qing-early Republic, 25.5” high; and a warrior guardian, 26” high (2)

£100-200

865 CHINESE SCHOOL, Qing A set of three paintings of figures and boats, gouache on pith paper, 11cm x 17cm, a larger study of a sailing boat with numerous oarsmen and a study of crabs, butterflies, shells and flowers (5)

862 A CHINESE CLOISONNE AND HARDSTONE JARDINIERE, the square turquoise ground jardiniere decorated with scrolling lotus, from which issues a flowering tree, 20th century, 71cms high.

See illustration

£400-600

£50-100

866 TWO INDIAN PAISLEY SHAWLS, the wool grounds embroidered with paisley forms, 19th century

863 A CHINESE CLOISONNÉ VASE AND HARDSTONE JARDINIERE, the circular jardiniere of compressed baluster form, on a wood stand, 25cm high (including stand)

£30-50

Lots 867-899 Spare lots

£200-300

113

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114

PAINTINGS

Lot 957 detail 115

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

PRINTS AND ENGRAVINGS 903 H.C BREWER (19th century) “Birds View of Oxford, 1894”, A Meiseenbach process print, 14¾” x 35½”

900 AFTER MARTIN SCHONGAUER (1440-1491) The Crucifixion with four angels, engraving, 11½” x 7½”

£50-100

904 MANNER OF SAMUEL PALMER (1805-1881) Five monochrome block prints with black ink, 6” x 8” (5).

900A AFTER NICHOLAS LANCRET (1690-1743) A set of four engravings of the seasons, engraved by I Simon Fecit, 11” x 15” (4).

£100-200

£50-100

£100-200

£100-200

907 IAN MACNAB (1890-1967) “La Place Jean Bart, Quiberon”, numbered 9/50 and signed in pencil lower right, etching with aquatint, 10” x 8”, and companion print (2)

901A P UBLISHED BY J.PHILLIPS of “Persuasion”, “Condsideration”, “Resolution” and “Conclusion, coloured mezzotints, No. 164, Piccadilly, London, 14½” x 10½” (4).

£150-250

£100-200

908 IAN MACNAB (1890-1967) “The House of Pere Crabot, Saint Goustan” numbered 4/50 and signed in pencil lower right, etching with aquatint, 13¾” x 12”

90 I PIERSON (c. 19th century) “Girl and Kitten”, colour aquatint, 13¾” x 16”, and one other “Girl and Parrot” (2).

£150-300

906 IAN MACNAB (1890- 1967) Fishermen in preparation, numbered 15/50 and signed lower right in pencil, etching with aquatint, 8” x 10”

901 AFTER FRANCESCO ALBANI AND ETIENNE BAUDET (1638-1711) “Dedie a Louis le Grand, Roy de France et de Navarre”, and three other engravings, 24”x 22” (4).

£80-150

905 IAN MACNAB (1890- 1967) Unloading the catch, numbered 27/50 and signed lower right in pencil, etching with aquatint, 10¾” x 10½”

900B A FTER FRANCIS WHEATLEY (1747-1801) “La Belle Francais”, engraved by G.T Stubbs, and companion engraving “La Belle Anglais”, 11¼” x 9¾” (2).

£80-150

£100-200

116

£150-300

Lot 913

909 CECIL ALDIN (1870-1935) “The Bowl of Punch”, published by Lawrence & Jellicoe Ltd, London, signed in pencil lower left, chromolithograph, 17½” x 21½”

£100-200

910 CECIL ALDIN (1870-1935) “The Fitzwilliam”, signed in pencil lower left, old ‘Vicars Brothers Ltd’ label with inscription on verso, coloured artists proof, chromolithograph, 14½” x 28”

£80-120

911 JAMES JACQUES TISSOT (1836-1902) L’ Histoire ennuyeuse, signed and dated 1878 top right within the plate, etching, 12½” x 8” £150-300

Lot 914

912 AFTER MARC CHAGALL (1887-1985) “Paradise II- The Green Donkey”, apparently unsigned but believed to be 1960, coloured lithograph, 10” x 8”.

Provenance: Acquired from The Art House Gallery, Bournemouth.

£150-250

913 AFTER JOAN MIRO (1893-1983) “Le Lezard aux Plumes d’Or No.1”, apparently unsigned, but proof aside from the edition of 100, 1971, coloured lithograph, 13½” x 19½”.

See illustration

Provenance: Acquired from The Art House Gallery, Bournemouth.

£600-1,000

914 AFTER JOAN MIRO (1893-1983) “Le Lezard aux Plumes d’Or No.2”, apparently unsigned, but proof aside from the edition of 100, 1971, coloured lithograph, 13½” x 19½”.

See illustration

Provenance: Acquired from The Art House Gallery, Bournemouth

£600-1,000

117

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922 JOHN LIDDELL (1924-2005) “Toledo”, signed, dated ‘86, titled and numbered 4/10 in pencil to the margin, coloured lino-cut, 22” x 16¾” (mounted).

915 VALERIE THORNTON (bn. 1931) “Amboise”, Artist’s proof, signed and dated ‘72 in pencil lower right, aquatint etching, 16½” x 23”

£100-200

916 BERNARD DUNSTAN R.A (1920-2017) “Interior, Viterbo”, Artist’s proof, signed in pencil lower right, lithograph, 19” x 20”, and companion print of a seated nude on a bed, signed and numbered 1/120 in pencil, lithograph (2).

£80-150

£100-200

£80-120

£250-500

£100-150

926 MARTYN BREWSTER (1953-) “Composition No.9”, titled, signed and dated ‘93 to the margin, monoprint lino-cut, 4½” x 4½”

920 ANDY WARHOL (1928-1987) Campbells Soup Can (Tomato), published by Guild Paper Products Co. New York, screen print in colours on a paper bag, 23½” x 17¾”

£100-150

927 MERLYN OLIVER EVANS (1910-1973) “The Stranger”, signed, titled and dated 1946 in pencil and inscribed ‘to Roy Campbell - 49’, Aquatint etching, 14” x 9¾”. £150-250

£200-400

921 JOHN LIDDELL (1924-2005) “SS Sirius”, signed in pencil, titled and dated ‘60 with artist’s coding in pencil verso, artist’s proof, lino-cut, 13¼” x 21½” (mounted).

£80-120

Provenance: Acquired from The Arthouse Gallery, Bournemouth.

£80-150

925 MARTYN BREWSTER (1953-) “Composition No.2”, titled, signed and dated ‘93 to the margin, monoprint lino-cut, 4½” x 4½”

919 GRAHAM CLARKE (bn.1941) “Dingley Dell” , Artist’s proof, signed and titled in pencil, aquatint etching, 16” x 23”, and the companion etching “Prospect Cottage”, signed titled and numbered 23/100 in pencil, 17” x 24½” (2).

Provenance: Acquired from The Art House Gallery, Bournemouth.

£80-120

£150-300

924 MARTYN BREWSTER (1953-) “Beauty & Sadness No.70”, titled, signed and dated ‘96 to the margin, silk screen monoprint, 18¾” x 18¾”

918 GRAHAM CLARKE (bn.1941) Four aquatint etchings of the four seasons, “Winter”, “Spring”, “Summer” and “Autumn”, all Artist’s proof, signed and titled in pencil, 15” x 18” (4).

Provenance: Acquired from The Art House Gallery, Bournemouth.

923 JOHN LIDDELL (1924- 2005) “Spring in the Studio”, dated 1993, numbered, titled in pencil to the margin, monochrome lin-cut with yellow, 22¼” x 15¼” (mounted).

917 JOE TILSON (bn.1928) “So Far”, signed, dated 1976 and numbered 54/200 in pencil, screen print in colours, 25” x 33”

118

Provenance: Letter from The British Museum, Department of Prints and Drawings available to view upon request.

928 ‘LEONARD NIMOY’ (1935-2015) Female form signed ‘Nimoy’ and dated ‘96 on the reverse of the photograph, ‘Tasia Arts, Nevada City’ label on verso, monochrome photograph 6¾” x 8¼” See illustration

£2,000-3,000

LOT 929 SPARE LOT

119

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

WORKS ON PAPER Lot 937

933 ITALIAN SCHOOL, (c.17th/18th century) Figurative study, graphite and red chalk, 8” x 11½”

930 ASCRIBED TO ANTOINE CHARLES HORACE VERNET (1758-1835) A gathering, inscribed on verso, signed and dated, inc. a date of sale by ‘Charles Gasc’, possibly inc. in Charles Gasc’s private collection, brown ink on paper, 8” x 7½”

933A IN THE MANNER OF SIR GEORGE BEAUMONT (1753-1827) Figures with donkey crossing a stone bridge, watercolour, 9¼” x 12¾”

£100-200

931 ATTRIBUTED TO THOMAS RACKETT THE ELDER (1725-1799) A view from the village of Charing c.1750, watercolour, 12” x 19”

£100-200 934 IN THE MANNER OF SIR GEORGE BEAUMONT (1753-1827) Figure on a donkey and one at rest, watercolour, 7¾” x 11½”

£50-100

932 AFTER GIOVANNI FRANCESCO BARBIERI, IL GUERCINO (1591-1666, Bologna) Portrait of a young girl, red chalk on paper, 9” x 5½”

£200-400

£200-400 120

£100-200

Lot 938

937 ATTRIBUTED TO WILLIAM & JOHN CANTILOE JOY (1803-1867 and 1806-1866) A ship-rigged sailing vessel and fishing boat on choppy seas, watercolour, 10” x 14” See illustration

934A M . HAUGHTON (c.18th/19th century) Classical figuartive study, a gathering, signed centrally and dated 1817, monochrome watercolour, 8” x 12”

£80-150

935 JAMES BOURNE (1773-1854) Landscape with a castle to the distance, monochrome watercolour, 9¾” x 12¼”

937A R. SIMKIN (1840-1926) “1st Bombay Grenadiers, Indian Officer, Review Order, 1901”, watercolour, 5¼” x 3½”

£50-100

936 AFTER CHARLES ROBERT LESLIE (1794-1852) Arthur Wellesley, 1st Duke of Wellington, KG, KB, MP, watercolour, 14” x 9.25

£400-800

£80-150

938 JOSEPH EDWARD SOUTHALL (1861-1944) “Ponte Vecchio-Florence”, monogrammed and dated 1913 lower left, chalk pastel on paper, 11½” x 8”

£100-150

121

£1,000-2,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

939 FRANK DEAN (1865-1947) “India”, signed and dated 1909 lower left, watercolour, 12” x 17¼”

946 SIR BERNARD PARTRIDGE (1861-1945) “Open House”, signed lower right, pen and ink drawing, 14½” x 10”

£200-400

940 CONTINENTAL SCHOOL, (19th century) A classical style capriccio with figures amidst classical ruins, indistinctly signed, watercolour, 18” x 21½”

947 JOHN FULLEYLOVE (1847-1908) “Athens from Colones”, signed lower left, Fine Art Society label on verso, watercolour, 7½” x 10½”

£200-400

941 ENGLISH SCHOOL, (19th century) A male nude, charcoal on paper, 23” x 9½”, and another similar (2).

£50-100

£150-250

943 FRENCH SCHOOL, (c. 18th/19th century) “Fusilier de Montagne”, and five other figuartive studies of military interest, all with inscription on verso, watercolour, 11” x 8” (6) £100-200

£100-150

951 CIRCLE OF ELIZABETH FORBES (1859-1912) A profile portrait of a Romany woman, graphite and chalk, 17¼” x 13”

£300-500

945 CHARLES M GERE (1869-1957) “Piers”, monogrammed and dated 1909, watercolour, 6” x 4¾” See illustration

£100-150

950 W.E. ATKINS (1842-1910) Battleship beaneath a stormy sky, signed lower right, watercolour, 12½” x 20½”

944 EDWARD LEAR (1812-1888) Italian landscape, signed lower right, Squire Gallery label on verso, pencil and wash, 2” x 9”

£100-200

949 ALFRED CHARLES CONRADE (1863-1955) Landscape with figures to the foreground and a castle beyond a lake, signed lower left, watercolour, 14¼” x 20¼”

£150-300

948 ASCRIBED TO S.G.PROUT (1783-1852) Cathedral and town square, mongrammed S.P. lower left, watercolour, 23¾” x 19”

942 ENGLISH SCHOOL, (19th century) A portrait of a gentleman, inscriptions on verso “Joseph Evans” (bn 1817 d.1889) and portraits of family members, coloured chalk and graphite on brown paper, 22¾” x 18½”, and four other similar portraits with inscriptions on verso, on paper (4)

£100-150

£200-400

952 E.TUCKER, (19th century) Snowdonia, signed lower right, watercolour, 12” x 17½”

£400-600

122

£80-120

953 PHILIP HICKMAN (c. 19th/20th century) Partridges in a field, signed lower left, watercolour, 13½” x 19½”

Lot 945

£100-200

954 VANESSA BELL (1879-1961) ‘Borgo Sansepolcro’ monogrammed V.B, titled and dated 1952 in pencil lower right, watercolour, 19½” x 12”.

See illustration

£800-1,600

954A M ONOGRAMMIST B.F.L (19th century) French courtiers, monogrammed and dated 1870 lower left, watercolour, 9” x 6”

Lot 954

£50-100

955 PARKER HAGARTY (1859-1934) “Bolt trail, Devon”, signed lower left and titled on old label on verso, watercolour, 15¼” x 19¼”

£50-100

956 WALTER FREDERICK OSBORNE R.H.A. (1859-1903) “By the River”, signed lower left, watercolour, 4½” x 5¾”.

See illustration

£500-800 Lot 956

123

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

957 ARCHIBALD THORBORN (1860-1935) “Mallard”, signed lower left, The Brook Street Art Gallery, Mayfair old label on verso, watercolour, 16” x 25”.

See illustration

£3,000-5,000

124

963 J. GALIA (20th century) “Malta”, signed and titled lower right, watercolour, 21” x 17½”

958 J.C. HARRISON (1898-1985) Airborne Golden Eagle, signed lower right, watercolour, 26” x 39”

£300-600

959 ARTHUR HENRY KNIGHTONHAMMOND (1875-1970) “Le Puy”, titled lower right, watercolour, 23¼” x 17½”

964 Monogrammist ‘HEMH’ (20th century) Thespians, monogrammed lower left, watercolour, 9¼” x 12¼”

£150-300

£50-100

964A BRIAN JOHN LOMBARD PALMER (20th century) “Hound Tor, Dartmoor”, signed lower left, watercolour, 13¾” x 20”

960 PHIL MAY (1864-1903) A caricature, a horse and a chap in a bowler hat, signed lower right, pen and ink, 6¼” x 6¼”

£50-100

£100-200

£50-100

961 E.K.SUDDEN (c.early 20th century) Bathers, signed lower right, watercolour, 1¾” x 15”

965 SIR HUGH MAXWELL CASSON (1910-1999) “The Lighthouse, Aegina” mongrammed lower right, watercolour, 3” x 9½”.

£50-100

961A F REDERICK J WIDGERY (1861-1942) “The Purbeck Hills, from near Studland, Isle of Purbeck”, signed lower left, watercolour, 11” x 17¼”

966 MEL CALMAN (1931-1994) “In Case of Emergency, Break Glass”, graphite sketch with oil pastel, 7½” x 9½”

£100-200

962 WILLIAM DRING R.A. (1904-1991) “Lady in a hat”, signed in pencil lower right, pencil sketch, 8¾” x 14½”, and one other portrait of a woman, in graphite, 4¾”x 4¾” (2).

125

£150-250

£80-150

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 972

Lot 971

971 SIR TERRY FROST RA (1915-2003) “Three Graces”, signed and dated ‘64 in pencil lower right, Belgrave, St Ives Gallery label verso, sepia pen and ink, 7¾” x 9¾”.

See illustration.

967 G. MASSARI (20th century) Ironsmiths, signed and dated 1940, graphite sketch and watercolour in monochrome, 10¼” x 11¾”

£50-100

968 MURRAY MACPHERSON TOD (1909-1974) “Protest March”, signed and dated 1968 lower left, pen and ink on paper, 10” x 30”

£100-200

£600-800

See illustration.

Exhibited: Austin Desmond Fine Art “Terry Frost Works on Paper 25 years 1947- 1972”, No.51, illustrated page 12.

Published: “Terry Frost: Act and Image: Works on Paper through Six Decades, No.55.

Provenance: Acquired from the Art House Gallery, Bournemouth.

£800-1,000

£100-200

970 *CLARK (20th century) A moorland view, signed ‘Clark’ lower right, acrylic on paper, 27” x 39”

Provenance: The artists estate. Belgrave, St Ives Gallery.

Acquired from the The Art House Gallery, Bournemouth.

972 SIR TERRY FROST RA (1915-2003) “Untitled Comosition”, signed and dated ‘62 in pencil lower right, Belgrave, St Ives Gallery label and Austin Desmond Fine Art label verso, oil on paper, 9” x 11½”.

969 B. RYBCHENKOV (1899-1994) “Metro Builders”, London gallery label on verso, signed and dated 1939 in chalk lower right, chalk pastel in monochrome, 14” x 12½”

£100-200

126

973 KEITH GRANT (bn. 1930) “Kourou”, signed, titled and dated ‘82 lower right, acrylic on paper, 22¾” x 32”

Lot 973

£200-400

974 KEITH GRANT (bn. 1930) “No.12 Kourou Jungle, lit by a rocket”, signed, titled and dated Dec 02 and inscribed on verso, acrylic on paper, 20” x 26”

£200-400

975 RONALD JESTY (1926-2016) “Cala D’or, Majorica”, signed and dated ‘89 in pencil lower right, watercolour, 10¾” x 8”

Lot 974

£50-100

976 RONALD JESTY (1926-2016) “Felixtowe”, signed and dated ‘79 lower right, watercolour, 6” x 9¼”

£40-80

977 JOHN CAMPBELL (20th century) Valley and a mountain, signed lower left, watercolour, 6½” x 20½”, and the companion painting, a detail of, 4¾” x 13½” (2).

£50-100

978 JOHN SKEAPING R.A. (1901-1980) “Camargue Horses Grazing”, signed and dated ‘70 lower right and inscribed ‘Royal Academy Exhibition number 375 on verso’, coloured chalk pastel, 16¾” x 22¾”

Lot 978

£150-300

127

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

986 MICHAEL GOUGH (contemporary) “Sunlight Woodland”, signed verso, watercolour over conte crayon, 11½” x 17¼”

979 PETER EVANS (bn.1943-) “Chez Louis”, signed lower left, The Catto Gallery, London label on verso, acrylic pn paper, 16” x 16”

£100-200

980 MONOGRAMMIST VMA (20th century) Still life, wild flowers in a vase, monogrammed and dated 1994 lower right, watercolour, 11½” x 7½”

£50-100

£50-100

£100-150

£100-150

989 PAMELA KAY (b.1939) “My Garden, Forget-Me-Knots in a glass”, Tail piece study, signed lower right, The Catto Gallery label and inscription on verso, pen and ink study, 6” x 5¾”

983 PHILIP MENINSKY (bn.1919) A classical ballet pose, signed and dated ‘84, chalk pastel, 24” x 19”

£50-100

990 PAMELA KAY (b.1939) “My French Pink’s”, signed lower left, The Catto Gallery label and inscription on verso, watercolour, 13” x 10”

£200-400

984 CHRIS ROSE (20th century) Sparrow in foliage, signed and dated ‘87 lower left, 8½” x 10½”

£50-100

985 IVAN TAYLOR (1946-) “The Walberswick, Suffolk”, signed lower left, watercolour, 15½” x 22”

£150-300

988 PAMELA KAY (b.1939) “Victorian Rummer of Spring Flowers”, signed lower right, The Catto Gallery label and inscription on verso, watercolour, 17” x 13”

£100-200

982 ANNETTE KANE (20th century) “Three Autumn Baskets”, signed lower right, The Catto Gallery label on verso, watercolour, 26” x 17”

Provenance: Acquired from The Art House Gallery, Bournemouth.

987 PAMELA KAY (b.1939) “Narcissus, Helebore and Soleil D’Or”, signed lower right, Chris Beetles Gallery label on verso, watercolour, 18” x 14”

981 MONOGRAMMIST VMA (20th century) Still life, tomatoes on the vine with bread, monogrammed and dated 1994 lower right, watercolour, 11” x 14¾”

£100-200 128

£50-100

Lot 988

Lot 983

991 PAMELA KAY (b.1939) “Shaker Basket of Clementines, cut lemons & Pansies, signed lower right, The Catto Gallery label and inscription on verso, watercolour, 13¼” x 18¾”

Lot 992

£100-150

992 PETER JOYCE (contemporary) “The Trip to Winspit”, signed and dated ‘01 lower right, inscribed on verso, mixed media on panel, 9” x 6”

£180-300

993 PETER JOYCE (contemporary) “Stack” signed and dated ‘01 lower right, inscribed on verso, mixed media on panel, 4¾” x 7”

£180-300

LOTS 994-999 SPARE LOTS

129

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

OIL PAINTINGS

1000 GILLIS VAN HULSDONCK (1626-1670) “Still Life on a Terrace” signed lower left “Hulsdonck”, oil on canvas, 11¼” x 9½”.

See illustration

Provenance: Collection Jean Henri Beissel, Aix-LaChapelle.

Collection Jean Henri Pauwels-Allard, Bruxelles (1927).

Collection Oscar Nottebohm, Antwerp.

Acquired from Eugene Slatter, 30 Old Bond Street, London, Exhibition of Dutch and Flemish Masters, 1958 for £700.

Exhibited: Nottebohm Private Museum, Antwerp

Literature: “Les Peintres Flamands de Nature Morte au XVII Siecle” Edith Grendel, 1956, p.33

£3,000-6,000

130

131

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1004

1003 AFTER SIR ANTHONY VAN DYCK (1599-1641) A study of King Charles I on horseback in full armour, oil on canvas, 18¼” x 12”

1001 ASCRIBED TO JACOPO AMIGONI (1682-1752) The Madonna and Child, inscribed to the reverse, oil on canvas, 24” x 18” in a baroque gilt wood frame carved and pierced with scrolling feathery leaves.

See illustration.

1004 FOLLOWER OF JOHN OPIE (1761-1807) Study of a young peasant boy seated outside a house, oil on canvas, 28¾” x 24½” See illustration.

Provenance: A European Noble Family

£5,000-£10,000

1002 AFTER FRANCESCO GRANACCI (1477-1543) The Madonna and Child, oil on canvas, 21” x 17”

£100-200

£200-400 132

Provenance: Chateau Miramar Collection, Nice.

Sotheby’s Amsterdam , 17th December 2003, Lot 1300

£2,000-4,000

Lot 1001

133

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1005 MANNER OF GODFREY KNELLER (1646-1723) A half-length portrait of a lady with dark hair loosely swept back and wearing a red and blue gown, painted in a false oval, oil on canvas, 29” x 24”.

See illustration

Lot 1005

£1,500-2,500

1006 ENGLISH SCHOOL, 17th century A bust-length portrait of a gentleman wearing a curling wig, white neck piece and red jacket, painted in a false oval, oil on canvas, 29” x 24”.

See illustration

£1,500-2,500

Lot 1006 1007 MANNER OF GODFREY KNELLER (1646-1723) A bust-length portrait of a gentleman in a shoulderlength curled wig, wearing a scarf tied around his neck, oval, oil on canvas, 29” x 24”.

See illustration

£1,800-2,500

1008 CIRCLE OF NATHANIAL HONE (1718-1784) a bust-length portrait of Reverend Donnithorne, Rector of Landsdowne, near Fowey, Cornwall, depicted with arms crossed holding a small book, painted in a false oval, oil on canvas, 29½” x 24½”

Lot 1007

£250-450

1009 AFTER REMBRANDT VAN RIJN (1606-1669) A half length portrait of a young man wearing a feather plume hat, oil on canvas, 31½” x 25¼”

134

£300-500

1009A AFTER PETER PAUL RUBEUS (1577-1640) A head and shoulders portrait of an elderly gentleman, oil on panel, 4½” x 3¼”

Lot 1010

£100-200

1010 ATTRIBUTED TO JOHN MOIR (1775-1857) A half-length portrait of James Shearer, seated in a leather covered chair, oil on canvas, 29½” x 24½”.

See illustration

Provenance: The sitter and thence by descent

£400-800

1011 ENGLISH SCHOOL, 19th century A half-length portrait of a lady in black dress with lace bonnet and collar, a dog at her lap, oil on canvas, 29½” x 24¼”.

See illustration

Lot 1011

£500-1,000

1012 ENGLISH SCHOOL, 18th century A half-length portrait study, apparently of the poet John Gay (1685-1732), painted in classical style oval cartouche on a plinth bearing the inscription “John Gay, Poet, 1712”, oil on canvas, 14¼” x 12” and the companion portrait of an unidentified gentleman (2).

See illustration

£300-600 Lot 1012

1013 ENGLISH SCHOOL, 19th century, a half-length portrait of a classically dressed woman seated holding an oil lamp, oval, oil on canvas, 36½” x 29¼”

£300-600

1014 ENGLISH SCHOOL, 19th century A bust-length portrait of a young boy wearing a black jacket, oval, oil on canvas, 19” x 19”

£100-200 135

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1015

Lot 1016

Lot 1017

Lot 1018

1017 BENJAMIN ZOBEL (1762-1831) A ‘Marmotinto’ sand painting of six sheep in a woodland landscape, monogrammed ‘B.Z.’ lower right, 18” x 23”.

See illustration

1015 BENJAMIN ZOBEL (1762-1831) A ‘Marmotinto’ sand painting of a recumbent tiger in a woodland landscape, after Stubbs, 18½” x 23½”.

See illustration

£500-1,000

1016 BENJAMIN ZOBEL (1762-1831) A ‘Marmotinto’ sand painting of a python constricting a deer in a woodland landscape, 18½” x 24½”.

See illustration

£400-800

1018 BENJAMIN ZOBEL (1762-1831) A ‘Marmotinto’ sand painting of a horse and cart, pigs, donkeys and goat in a farmyard, monogrammed ‘B.Z.’ lower right, 18½” x 23½”.

See illustration

£500-1,000

136

£400-800

Lot 1020

1019 AFTER WILLEM VAN DE VELDE THE YOUNGER (1633-1707) “Dutch vessels close inshore at low tide and men bathing” oil on canvas, 23½” x 34½”.

See illustration.

Provenance: Deceased Estate, Warwickshire

£800-1500

Lot 1019

1020 THOMAS LUNY (1759-1837) “On the coast at Weymouth” signed and date 1828 lower left, oil on panel, 11¾” x 16¼”.

See illustration

Lot 1021

£2,000-3,000

1021 JAMES WEBB (1825-1895) “On the Sussex coast” signed lower left, oil on panel, 7” x 10”.

See illustration

£300-600

137

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1023

1026 MANNER OF THOMAS LUNY (1759-1837) A ship hoisting its sail, signed ‘Thomson’ lower right, oil on panel, 20th century, 8¼” x 12½”

1022 ENGLISH SCHOOL 19th century, A naval battle scene, oil on canvas, 20½” x 35½”

£400-600

1023 HENRY REDMORE (1820-1887) “Shipping in a choppy sea” signed and dated 1869 lower left, oil on canvas, 21½” x 39½”.

See illustration.

Provenance: Deceased Estate, Warwickshire

£2,500-4,500

1027 AFTER JEAN-HONORE FRAGONARD (1732-1806) “The See-Saw” oil on canvas, 16” x 11¾” (unframed)

1024 CONTINENTAL SCHOOL 18th/19th century A man and his children working amongst boats at the water’s edge, indistinctly signed lower right, oil on panel, 14½” x 21”

£200-400

£400-800

£80-150

1027A DUTCH SCHOOL, 18th century Two men in a tavern interior, Oil on canvas 7” x 9¼”

1025 GUSTAVE DE BREANSKI (1856-1898) “A summer’s morning, Newlyn” signed lower right, inscribed and titled verso, oil on canvas, 29” x 19¼”

£200-400

138

£100-200

Lot 1028

1028 JOHN BOULTBEE (1753-1812) A study of a horse in a wooded landscape, signed and dated 1804 lower left, oil on canvas, 23” x 26”.

See illustration.

Provenance: Deceased Estate, Warwickshire

£2,000-4,000

Lot 1029

1029 HENRY WILLIAM PICKERSGILL (1782-1875) A study of a young woman in a garden, oil on canvas, 43” x 31¾”.

See illustration.

Provenance: Label verso stating “This picture by Pickersgill was purchased April 1891 from the collection of E.H. Hole Esq. J.P. of Ravensthorpe Hall near Doncaster. Deceased Estate, Warwickshire

£1,200-1,800

139

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1031

1033 J. GAISER, 19th century Figures in an interior, possibly taken from Shakespeare’s Othello, signed and dated 1870 lower left, oil on canvas, 29¼” x 23½”

1030 CONTINENTAL SCHOOL, 18th/19th century A landscape view with figures stood at the base of a statue, possibly of the River God Tiber, a ruined building across from them, and a river and mountains beyond, oil on canvas, 25” x 31¼”

£150-250

1034 ATTRIBUTED TO CHARLES LEICKERT (1816-1907) A town scene with river to the foreground and church spire beyond, oil on panel, 7¾” x 10”

1031 JAMES BARENGER (1780-1831) A study of a young boy wearing a top hat seated on his pony, in a woodland landscape, signed lower right, oil on canvas, 39” x 48”.

See illustration

£200-400

1035 NORWICH SCHOOL, 19th century, a figure, his dog and cattle on a country path, oil on canvas, 16½” x 19¼”

£2,000-4,000

1032 DÜSSELDORF SCHOOL 19th century A young girl picking flowers in a garden beside a well, indistinctly signed lower left, oil on canvas, 23½” x 19”

£200-400

£200-400 140

£100-200

Lot 1038

Lot 1036

1036 GEORGE COLE (1810-1883) Figures and cattle beside a river, signed and dated 1845 lower left, oil on canvas, 23½” x 34½”, See illustration.

Provenance: Deceased Estate, Warwickshire

£800-1,500

1037 ANDREW SHEERBOOM (1832-1880) A Cardinal adressing figures in an interior, signed and dated 1873 lower right, oil on canvas, 16¼” x 21½”.

See illustration

Lot 1037

£400-800

1038 PIETER CHRISTIAN DOMMERSEN (1834-1908) A Continental market scene, signed and dated 1903 lower right, oil on canvas, 19½” x 29½”.

See illustration

£1,500-2,500 141

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1039 CONTINENTAL SCHOOL 19th century, Figures working on buildings in a rural landscape, oil on canvas, 21¾” x 27”

Lot 1040

£100-200

1040 AMERICAN NAIVE SCHOOL, 19th century A study of a locomotive and carriages emerging from a tunnel and crossing a bridge, two figures waving red flags to the foreground, oil on canvas, 28” x 36”.

See illustration

Lot 1041

£1,000-2,000

1041 ROBERT GALLON (1845-1925) A rural river landscape with figures across the water and sheep to the distance, signed lower left, oil on canvas, 19½” x 29½”.

See illustration

£300-600

1042 EDMUND MORISON WIMPERIS (1835-1900) Cattle at the waters edge, signed and dated (18)98 lower left, oil on canvas, 14½” x 22½”.

See illustration

Lot 1042

£300-600

1043 NILS HANS CHRISTIANSEN (1850-1912) River landscape under moonlight, signed lower right, 23½” x 34½”.

See illustration.

Lot 1043

Provenance: Deceased Estate, Warwickshire

£400-800

1044 ENGLISH SCHOOL, 19th century A river scene at dusk with moored ships to the foreground, oil on canvas, 11¼” x 15¼”.

142

£100-200

Lot 1045

1046 CHARLES PARSONS KNIGHT (1829-1927) A coastal view with gulls near the cliff edge to the foreground, possibly South Wales, monogrammed lower left, oil on canvas, 14¼” x 18½”

1045 JOHN MACALLAN SWAN ( 1847-1910) “Dante and the Leopard”, signed and dated 1875 lower left, oil on canvas, 35¾” x 25¼”.

See illustration.

Provenance: Deceased Estate, Dorset. the artist was a friend of the family

£1,000-2,000

£200-400

143

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1048 J. MURRAY 19th/20th century A highland scene with a figure passing a cottage to the foreground, signed lower left, oil on canvas board, 17” x 26”

Lot 1047

£300-600

1048A ROBERT ATKINSON FOX (1860-1935) A study of a cow wading in a woodland stream, signed lower right, oil on canvas, 29½” x 23½” See illustration Lot 1048A

£500-1,000

1049 WALTER HEATH WILLIAMS (1835-1906) A pair of rural landscape scenes with figures on paths, oil on canvas, 11½” x 9½” (2) £300-600 1050 WILLIAM WILLIAMS OF PLYMOUTH (1808-1895) “Holly Street Mill, Chagford, Devon”, signed lower right and titled verso, oil on board, 7¾” x 11½” and the companion painting “In the Wood” (2)

£250-450

1051 ENGLISH SCHOOL, 19th century, Choristers in a Cathedral interior, oil on panel, 10” x 13½”

1052 MARK EDWIN DOCKREE (1858-1890) “Vale of the Chess, Sarratt”, a river landscape, signed lower right, oil on canvas, 8¼” x 13¾”

1047 ASCRIBED TO FREDERICO OLIVA, 19th/20th century “Venus and Cupid”, signed verso, oil on canvas, 12½” x 17”.

See illustration

£200-400

£800-1,500

144

£200-400

1053 GROSVENOR THOMAS (1856-1923) A view towards cottages over water, signed lower right, oil on board, 9½” x 13½”.

See illustration

Lot 1053

£200-400

1054 ENGLISH SCHOOL, 19th century A still life study of a birds nest amongst foliage, oil on canvas, 11¾” x 15¾”

£100-200 Lot 1055

1055 WILLIAM THOMAS WOOD (1877-1958) A view of trees with water to the foreground, signed lower right, oil on canvas, 30” x 36”.

See illustration

£200-400

1056 FORREST HEWIT (1870-1956) “Cafe Porto Fino”, figures seated at tables, signed lower right, oil on canvas, 20” x 30”

Lot 1057

£200-400 1057 CIRCLE OF WILLIAM NICHOLSON (1872-1949) A study of a tree, oil on canvas, 20½” x 13½”.

See illustration

£200-400

1058 ENGLISH SCHOOL 19th/20th century, A view of a thatched cottage, indistinctly monogrammed lower right, oil on board, 11½” x 17½”

£100-200

1058A C HARLES THOMAS BALE (1826-1945) A still life of a basket of fruit, signed lower left, oil on canvas, 19½” x 29½”

£250-450 145

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1059 CONTINENTAL SCHOOL 19th century, a river scene with boats moored to the foreground, a church spire to the distance, oil on canvas, 6½” x 8¾”

Lot 1060

£50-100

1060 EVERT MOLL (1878-1955) “Busy day, Rotterdam harbour” signed lower right, oil on canvas, 15½” x 23”.

See illustration.

Lot 1061

Provenance: Captain Douglas Maude DSO DSC, Royal Navy Officer during World War II and Beachmaster of Juno Beach during the D-Day Landings

£400-800

1061 WILLIAM ELLIS BARRINGTON BROWNE (1908-1985) A man standing beside a river, signed lower left, oil on canvas, 15½” x 19½”.

See illustration

£200-400

Lot 1063 1062 ENGLISH SCHOOL, 20th century A street scene with figures outside buildings and a red pillar box, oil on board, 7½” x 10”

£80-150

1063 CONTINENTAL SCHOOL, 20th century, a river or estuary scene with trees to the foreground, indistinctly signed lower right, oil on canvas, 49½” x 29½”.

See illustration

Lot 1064

£200-400

1064 SIR GERALD FESTUS KELLY (1879-1972) “Part of the Kuthodaw, Dec 21 1908”, titled and dated verso, oil on board, 5½” x 7.

See illustration

146

Provenance: Michael Parkin Fine Art Ltd. London

£400-800

Lot 1065

1067 PAUL AYSHFORD, LORD METHUEN R.A. (1886-194) A view of Corsham Court, indistinctly signed and dated 1957, oil on board, 9” x 11”

1065 MARCEL DYF (1899-1985) “Matin brumeux sur…”, signed lower left, oil on canvas, 17½” x 21¼”.

See illustration

£2,500-4,500

1066 PAUL AYSHFORD, LORD METHEUN, R.A. (1886-1974) A view of Corsham Court, oil on board, 11½” x 15¾”.

£100-200

1068 GUDRON SIBBONS (b.1925) Figures working in the fields, with a church spire to the distance, signed lower left, oil on canvas, 15½” x 19½”

£150-250

147

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1069 REG GAMMON (1894-1997) “Peasants and Landscape” signed lower right, oil on board, 24” x 30” .

See illustration Exhibited: New Grafton Gallery, London 21st March 1992

Lot 1069

£500-1,000

1070 REG GAMMON (1894-1997) Figures gathering a harvest in a landscape, signed lower right, oil on board, 18½” x 26¾” .

See illustration

Lot 1070

£500-1,000

1071 CAREL WEIGHT (1908-1997) “Sarah” A study of a young lady seated in an interior, signed lower left, oil on board, 36½” x 24½”.

See illustration

£4,000-6,000

1072 ENGLISH SCHOOL, 20th century Figures in a tavern interior, oil on board, 18¼” x 22¾”

Lot 1073

£200-400

1073 GEORGE DANNATT (1915-2009) “Two Point Painting”, signed, titled and dated 2005 verso, oil and pencil with collage on hardwood, 4” x 15” See illustration

Lot 1074

Provenance: Purchased directly from the George Dannatt Trust by the Art House Gallery, Bournemouth

£1,000-1,500

1074 ROSE HILTON (b.1931) “On the sands”, signed and titled verso, oil on canvas, 10” x 12”.

See illustration

148

Provenance: Acquired from Wills Lane Gallery, St. Ives, 1977 for £45

£300-600

Lot 1071

149

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1075 JOAN GILCHREST (1918-2008) The look out” monogrammed lower right, oil on board, 26¾” x 23¼”.

See illustration

Lot 1076

£3,000-6,000

1076 KEN HOWARD (b.1932) “Sennen Beach, low tide” signed lower right, titled verso, oil on board, 6” x 8¼”.

See illustration

£500-1,000

1077 JOHN MILLER (1931-2002) “Beach with palms” signed and titled verso, oil on canvas, 26” x 24”.

See illustration

Lot 1077

£2,000-4,000

1078 REGINALD J LLOYD (b.1926) A view of Mullion Cove, signed and dated 2005 lower right, oil on board, 12” x 8¾”

£100-200

1079 REGINALD J LLOYD (b.1926) A view of Mullion Cove, signed and dated 2004 lower left, oil on canvas board, 9½” x 7¾”

£100-200

1080 REGINALD J LLOYD (b.1926) A view of Mullion Cove, signed and dated 2004 lower right, oil on canvas board, 9½” x 7¾”

Lot 1081

£100-200

1081 PETER KELLY (b.1931) “The Setting Sun, Florence”, monogrammed lower right, oil on canvas, 11” x 16”.

See illustration

150

Provenance: Thompson’s Gallery, Mayfair, London

£300-600

Lot 1075

151

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1082 SIR HOWARD HODGKIN (1932-2017) “Gramophone” signed, titled and dated 1957 verso, oil on board, 34½” x 29¾”

Provenance: Acquired directly from the artist by the vendor, who he met whilst studying at Camberwell School of Art

Exhibited: “Howard Hodgkin - Absent Friends” National Portrait Gallery, London, 23rd March - 18th June 2017, catalogue page 62-63. Victoria Gallery, Bath, 14th October 2017 - 7th January 2018

£60,000-100,000

152

153

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1084

1083 DAVID CARTWRIGHT (b.1944) “Grand Prix”, signed lower right, oil on canvas, 23½” x 35½” See illustration

Lot 1083

£500-800

1084 GLORIA MUNOZ PFISTER (b.1949) “Objetos con fondo rosa” A still life study of objects on a sideboard, signed lower right, oil on canvas, 23½” x 50”.

Lot 1085

Provenance: David Messum Fine Art, 7th July 1995

£400-800

1085 PAUL S. BROWN (b.1967) “Ready to start” A still life study of an artist’s equipment, signed and dated 1998 lower right, oil on panel, 17½” x 23½”.

See illustration

154

Provenance: W.H. Patterson Fine Arts Ltd. Mayfair, London, 11th March 1998

£500-1,000

Lot 1086

1088 KEITH INGERMANN (1929-2012) “Angel” A study of a Matador or ‘Torero’, signed and dated (19)93 lower right, oil on board, 8¼” x 10¼”

1086 WILLEM DOLPHYN (1935-2016) “Dish of greengages with white jug and glass on green cloth” signed lower right, oil on panel, 19¼” x 23¼”.

See illustration

£800-1,600

1089 ESSE PIMENTA (20th/21st century) “Igreja do Carmo, Bahia” A view of a church in Bahia, Brazil, signed lower right, oil on canvas, 21” x 12½”

1087 KEITH INGERMANN (1929-2012) “Hassan, Marrakech, Morocco-1995” A study of three figures, signed lower left, titled and dated verso, oil on board, 11½” x 16”

£80-150

£150-250

155

£50-100

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1090

1090 FRED CUMING (b.1930) “Studio interior” signed lower left, oil on canvas, 35” x 47½”.

See illustration

Lot 1091

£4,000-6,000

1091 KEITH GRANT (b.1930) “The Gull in the North III, Lofoten Islands” titled and dated (19)61/62 verso, oil on board, 30” x 48”.

See illustration

Lot 1092

£500-1,000

1092 KEITH GRANT (b.1930) An abstract landscape, oil on board, 29½” x 40”.

See illustration

156

£400-800

Lot 1094

1093 KEITH GRANT (b.1930) “Untitled”, oil on board, 23” x 31”.

See illustration

Lot 1095

£200-400

1094 JOHN HUBBARD (1931-2017) “Fresh Water Bay”, signed titled and dated 1963 verso, oil on canvas, 45” x 60”. (unframed) See illustration

£800-1,500

1095 GERRY DUDGEON (b.1952) “Ajmer Pinks”, signed, titled and dated 2008 verso, acrylic on canvas, 43½” x 39½” (unframed) See illustration

£1,500-2,000 157

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1099

1098 ROY PETLEY (b.1951) “Passing Storm, Sea Palling” signed lower left, oil on canvas, 16” x 24”

1096 ANTONIO PECARARO (b.1938) Two women in a rural landscape, signed lower left, oil on canvas, 11¼” x 15¼”

£100-200

1097 JOHN WALKER (b.1939) Thatched cottages, monogrammed lower right, oil on canvas, 20½” x 24¾”

£200-400

1099 MARTYN BREWSTER (b.1952) “Lakeside”, signed, titled and dated 1990 verso, oil on canvas, 72” x 60”.

See illustration

£100-200

158

£800-1,500

Lot 1101

Lot 1100

1100 MARTYN BREWSTER (b.1952) “Lakeside Vertical 1989”, signed, titled and dated verso with some gallery label, oil on canvas, 70” x 34”.

See illustration

£800-1,500

1101 MARTYN BREWSTER (b.1952) “Pale Light”, 2010, signed and titled verso, oil on canvas, 16” x 16” See illustration

£700-1,000

1102 MARTYN BREWSTER (b.1952) “Nature Painting Series Red Sky”, signed, titled and dated 2007 verso, oil on canvas, 10” x 10” (unframed)

£350-500

159

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1103 MARTIN BREWSTER (b.1952) “Nature Painting no.256”, signed, titled and dated 2004 verso, oil on canvas, 10” x 10” (unframed).

See illustration

Lot 1103

£350-500

1104 MARTYN BREWSTER (b.1952) “Nature Painting no.253”, signed, titled and dated 2004 verso, oil on canvas, 10” x 10” (unframed) £350-500 1105 CHRIS BILLINGTON (b.1955) “World of the 5th Sun”, 2012, titled, dated and signed verso, mixed media on canvas, 19¼” x 27.25

Lot 1106

£200-400

1106 RICHARD PRICE ROI (b.1962) “The Line of Beauty”, signed lower left, titled in pencil verso, oil on board, 15½” x 11½”.

See illustration

£400-600

1107 RICHARD PRICE ROI (b.1962) “In Between”, signed lower right with title label verso, oil on board, 15½” x 11½”

Lot 1108

£400-600

1108 STEPHEN BISHOP (b.1963) “Flight-The End Game”, signed lower right, further signed, titled and dated 2008 in pencil verso, oil on canvas, 42” x 42” See illustration

160

£500-800

Lot 1109

Lot 1110

1109 PETER JOYCE (b.1964) “Exposed Seams”, signed and dated ‘07 lower right, further signed, titled and dated verso, with artists label, acrylic and collage on wood panel, 9” x 22

Lot 1111

£700-1,000

1110 PETER JOYCE (b.1964) “Quarry Hut”, signed and dated ‘07 lower right, further signed, titled and dated with artists label verso, acrylic and collage on board, 10” x 24” See illustration

£600-800

1111 LAUREN BISSELL (contemporary) “One Small Step”, initialled lower left, oil on canvas, 24” x 18” (unframed).

See illustration

£250-450 161

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1113

1112 TERESA LAWTON (contemporary) “The Mount”, signed lower right, titled verso, oil on canvas, 10” x 11¾” See illustration

Lot 1112

£600-800

1113 TERESA LAWTON (contemporary) “Out of Bounds”, signed lower right, further signed and titled verso, oil on canvas, 48” x 35½” See illustration

162

£2,500-4,000

BOOK S WORK S OF ART CLOCK S AND SCIENTIFIC INSTRUMENTS

Lot 1198 detail 163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1152 JOHN BRITTON: THE HISTORY AND ANTIQUITIES OF THE ABBEY, AND CATHEDERAL CHURCH OF BRISTOL.

By J. Britton, published 1830. And eight other volumes.

The Restoration of The Church of St. Mary Magdalene,

by Rev. James Cottle, printed by Vizetelly Brothers & Co of London, 1845. The Pugin Society Edition of Contrasts and The True Principles of Pointed or Christian Architecture, printed by Alden Group Ltd, 2003. Two volumes of the History Of Granchester, by Samuel Page Widnall, published by the author, 1875. Unorthodox London, by Rev. C. Maurice Davies D.D., published by Tinsley Brothers of London, 1876. The Imperial Gazetteer of England and Wales, in two volumes, published by A. Fullerton of Edinburgh, 1872. The Antiquities of The Priory of Christ-Church, Hants, by Benjamin Ferrey, printed for Benjamin Ferrey, 1834. (9)

1146 A.A. MILNE: WINNIE THE POOH, FIRST EDITION 1926.

Now We Are Six, first edition 1927, When We Were Very Young, fourteenth edition, 1926. (3)

£300-600

1147 AUGUSTUS WELBY NORTHMORE PUGIN: PIONEERS OF MODERN ARCHITECTURE. By Phoebe Stanton, Viking Press 1972. And one other volume A.W.N. Pugin Master of Gothic Revival, edited by Paul Atterbury, Yale University Press, 1996. (2) £50-100 1148 AUGUSTUS WELBY NORTHMORE PUGIN: AN APOLOGY FOR THE REVIVAL OF CHRISTIAN ARCHITECTURE. By A.W.N. Pugin, printed by W. Hughes of London, 1843

1149 AUGUSTUS WELBY NORTHMORE PUGIN: THE PRESENT STATE OF ECCLESIASTICAL ARCHITECTURE IN ENGLAND.

By A.W.N. Pugin, republished from the Dublin Review, printed by Charles Dolman of London, 1843

1153 A GENERAL VIEW OF THE WRITINGS OF LINNAEUS,

by Richard Pulteney M.D. F.R.S., printed for J. Mawman of London, 1805

£50-100

1155 JOHN HUTCHINS; THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET in two volumes, first edition, printed by W. Bowyer and J. Nichols, 1774 (2)

£200-400

1156 COKER (REVEREND) A SURVEY OF DORSETSHIRE containing the Antiquities and Natural History of that County, 1732, printed for John Wilcox at the Green Dragon in Little Britain

£100-200

1151 HUTCHINS, J. The History and Antiquities of the County of Dorset.

Nichols, 1861-74, 3rd edn. in original 15 parts, folio, printed wrappers, William Barnes’ copy with his signature on several parts and a few marginal markings probably in his hand. (15)

£50-100

1154 THE HISTORY OF THE REBELLION, IN EIGHT VOLUMES.

By Edward Earl of Clarendon, Clarendon Press, 1826.

Each volume in tooled leather full bindings. (8)

£80-150

1150 AUGUSTUS WELBY NORTHMORE PUGIN: THE TRUE PRINCIPLES OF POINTED CHRISTIAN ARCHITECTURE.

By A.W.N. Pugin, printed by Henry G. Bohn of London 1853. And three other volumes. Pugin’s Ornamental Gables, by A.W.N. Pugin, printed by Henry G. Bohn of London 1839. Specimens of Gothic Architecture, two volumes in a single binding, by A.W.N. Pugin, published

by J. Taylor of the Architectural Library, London, 1823.

Details of antient timber houses of the 15th and 16th centuries, by A.W.N. Pugin, printed by Ackermann & Co of London, 1836. (4)

£150-250

£100-200

1157 THE ARCHITECTUAL REVIEW: A collection of twenty-three illustrations containing topics on architecture, design, sculpture. Sixteen in green bindings, late 19th century and later (23)

£400-600

164

£50-100

Lot 1159

1159 DAMPIER’S VOYAGES: A COLLECTION OF VOYAGES IN FOUR VOLUMES, 1729.

The four volumes each containing folding maps, in tooled leather full bindings (4)

1158 JOHN HUTCHINS; THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET: Four Volumes, third edition by William Shipp and James Whitworth Hodson, Edition originally printed

by J.B. Nichols and Sons, publ. EP Publishing Limited in collaboration with Dorset County Library, 1973.

An Inventory of the Historical Monuments in the County of Dorset: Volume II in three parts, by Royal Commission on Historical Monuments, printed by Unwin Brothers Ltd, London, 1970. An Inventory of Historical Monuments in Dorset: Volume I - West, Publ.

Her Majesty’s Stationary Office, 1952 (8)

£100-200 165

£4,000-6,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1160 SCRIMSHAW: A WHALES TOOTH decorated to one side with a three-masted ship beneath a sun with a landscape to the distance, 19th century, 5½” high.

Lot 1161

Provenance: According to family tradition originally the property of a Great Aunt whose relative was a sea captain.

Private family collection, East Dorset.

£150-250

1161 SCRIMSHAW: A PAIR OF WHALES TEETH engraved to either side with ladies in fashionable dress, with red and blue colouring, 19th century, 6¼” and 6” high (2).

See illustration

Lot 1162

Provenance: According to family tradition originally the property of a Great Aunt whose relative was a sea captain.

Private family collection, East Dorset.

£500-1,000

1162 A GEORGE III ROLLED PAPERWORK TEA CADDY of oval form, the hinged lid with a brasswork loop handle and boxwood inlaid bands, enclosing two lidded compartments, 7” long x 4½” high.

See illustration £200-400

1163 A PAIR OF PLASTER RELIEFS OF GEORGE III AND QUEEN CHARLOTTE, in painted cream and gilt frames, possibly Austrian, c.1810, 10” x 8½” (2)

Provenance: Acquired from Halliday Fine Antiques Ltd., November 1996 £100-200

1164 ATTRIBUTED TO AUGUSTE EDOUART (1789-1861) A set of three reverse painted silhouette hunting pictures in maple frames with gilt surround, c.1820, each 14” x 18” inc frame (3)

Lot 1165

Provenance: Acquired from Styles of Stow, October 1996. £300-600

1165 A GERMAN EMPIRE STYLE EBONISED AND GILT METAL OVAL MOUSTACHE MIRROR of architectural form with column beneath a triangular pediment, the oval mirror with gilt metal surround, the reverse with a circular plaque embossed with the conjoined portraits of Franz I, Alexander I and Friedrich William III, date in Roman numerals below 1813.

9½” high See illustration

166

£80-150

1166 A CONTINENTAL BRASS AND COPPERWORK TABLE SNUFF BOX oblong form with rounded corners, the hinged lid engraved with an officer below on armorial with a poem, the reverse with a scene of a maiden and child, 19th century, 5¾” long

Lot 1169

£150-250

1167 A CAMPAIGN APOTHECARY CABINET the mahogany case, with brass bands and flush handles, the hinged lid opening to reveal a fitted interior with glass bottles and an engraved brass plaque inscribed “From Apothecaries Hall, London”, below, a single drawer, fitted with balance scales and weights, 19th century, 7” long x 7½” high.

£100-200 Lot 1170

1168 A VICTORIAN COPPER HUNTING HORN, with brass and nickle mouthpiece, the flared rim decorated with a hunting scene, stamped “Henry Potter, 30. Charing Cross, London & Aldershott”, 27” long

£50-100

1169 A PAIR OF PAINTED MARBLE EFFECT WOODEN URNS of campana form with flared rim on a pedestal octagonal base, 20th century, 19½” high.

See illustration £100-200 1170 A MARBLE HEAD OF VITELLIUS the head in a painted lead draped torso on a stepped square base, the head possibly 18th century, 12” high.

See illustration

Lot 1171

£300-600

1171 MANNER OF JOE DESCOMPS; A NUDE FEMALE IVORY SCULPTURE standing nude, her hands holding up her hair behind her head, on a rectangular base, 8¾” high.

See illustration

£700-1,000

167

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1172

1175 A MAHOGANY CLARET TILT of rectangular form, a pair of 19th century oak turned pots, of cylindrical form and a tobacco pot and cover, with turned knop finial on a pedestal base, 5½”high (4)

1172 AFTER ANTOINE-LOUIS BARYE (1795-1875), A BRONZE OF A POINTER, on naturalistic base, signed “Barye”, 7” long.

See illustration

£80-150

Provenance: Acquired from The Sladmore Gallery, Mayfair, April 1996

£500-1,000

1176 AN EASTERN METAL EWER, with long neck stem with globular body and scroll handle, the body engraved with flowers, fern leaves and stylised decoration, 8½” high.

1173 AFTER PIERRE JULES MENE (b. 1810 - d. 1879); A BRONZE OF A POINTER, alert, standing on a naturalistic base, inscribed P J. MENE, 12” long

£80-150

1177 A GENTLEMAN’S SILVER TOP WALKING CANE with engraved terminal and tapering shaft, 36” long, and another similar with birds head terminal (2)

Provenance: Acquired from Westerham House Antiques, April 1996 £300-600

£50-100

1174 AFTER PIERRE JULES MENE, A bronze model of a greyhound at play, on an oval based, impressed PJ Mene, (5½” long), and a spelter model of a seated greyhound (8½” long) (2)

1178 AFTER ÉTIENNE-MAURICE FALCONET (1716-1791) A PARIAN WARE STUDY, modelled as a female figure of a bather, 19th century, 25½” high

£80-150

168

Provenance: Acquired from Churchgate Antiques, November 1996 £200-400

Lot 1179

Lot 1181

1181 A CONTINETAL IVORY CARVED FIGURE OF CORPUS CHRISTI ON A WOODEN CRUCIFIX, probably Dieppe, mounted on a contemporary wooden cross, metal plaque above inscribed “ INRI”, 19th century, 32” high.

1179 D. WATRIN; A GILT BRONZE AND IVORY SCULPTURE, modelled as a lady in medieval dress, holding a book and an ivory flower, walking down granite steps, 13” high. See illustration

£5,000-10,000

1180 A SET OF FOUR REGENCY PAPIER MACHE LACQUERED BOTTLE COASTERS circular form, black lacquer with gilt Greek key decoration, 5”dia (4)

£1,500-2,500

1182 AN ALABASTER URN of neo-classical design, the oval body mounted with ormolu lion’s masks, on a rectangular plinth base, possibly partly ancient, 8¼” high.

£100-200

£300-600

1183-1190 SPARE LOTS

169

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1197

1195 R.S: A CAST AND PATINATED BRONZE SCULPTURE A head and shoulders portrait of a young girl wearing a bonnet, monogrammed to the reverse, on a tapering serpentine type stand, late 19th/early 20th century, 11” high

1191 A “TUNBRIDGEWARE” MARQUETRY SEWING BOX with a rectangular rising lid, all-over decorated with micro mosaic marquetry in geometric patterns, opening to reveal a mirror and twin pivoting compartments flanked by similar short drawers with all-over conforming marquetry, 5” high x 15” wide

£100-200

1196 A TERRACOTTA FIGURE OF A YOUNG GIRL seated, nude, on a draped rocky outcrop, signed Peiffer and stamped ‘AW’ 300, 25½” high

1192 A PAIR OF CORINTHIAN COLUMN STYLE TABLE LAMPS with chamfered tapering columns, on square stepped bases with leaf-carved capitals, 18” high x 6” wide

£200-400

£100-200

Provenance: From a Noble European Family

£400-800

1198 A GOOD CARVED MARBLE HEAD OF ULYSSES (ODYSSEUS), After a Roman cop, After Hellenistic sculpture of the Rhodian School, 15ins high, mounted on a stone base.

See illustration

1194 SANTIAGO RODRIGUEZ BONOME (1901-1995) A TERRACOTTA STUDY OF A MOTHER AND CHILD, head and shoulders, signed to the front and inscribed to the side “Epreuve d’Artiste”, 14” high

£200-400

1197 A SET OF FOUR CARVED MARBLE ROUNDELS of the Popes Gregory XII, Alexander VIII, Paolos II and Evgenivs IV, the largest 13½” dia. (4).

See illustration

1193 A CAST AND PATINATED BRONZE STUDY OF A LOOSELY CLAD FEMALE holding a winged cherub in one arm and a flower on the other, on a naturalistic base and slate plinth, 19th century, 9” high x 7½” wide

£100-200

£150-250 170

£3,000-5,000

Lot 1198

171

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1199 A LARGE PEWTER BOWL of deep circular form with a wide rim, the bowl with a central boss, engraved with a scene depicting the expulsion of Adam and Eve from paradise by an angel with a sword, within an oak leaf band, the rim with scrolling foliate decoration, probably later decorated, touch marks “B.L. 1634” and bearing the initials “V.I” and “S.R”, 16” dia.

£500-800

172

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 1200

1200 J.W. BENSON, LONDON: A QUARTER CHIMING TABLE CLOCK, the 6¼” brass dial with foliate spandrels and foliate engraved centre inscribed “J.W. Benson, London”, the silver chapter ring with Roman numerals, the movement striking on a coiled gong, in a fitted black lacquer case with gilt chinoiserie decoration and brass claw feet, 15” high. See illustration

£250-450

1201 A FRENCH ORMOLU AND PORCELAIN PANELLED MANTEL CLOCK, the 4” foliate painted dial with Roman numerals, the movement stamped “JBD”, striking on a bell, in an ormolu case with painted porcelain panels and acorn finials, 13” high, standing on a wooden plinth and housed under a glass dome.

See illustration

Lot 1201

£500-1,000

1202 HALLET, TROWBRIDGE: A WILLIAM IV MAHOGANY WHEEL BAROMETER with a 10” silver dial, hygrometer, thermometer and a spirit level, the case with swan-neck cresting and outlined in boxwood stringing, 44” high

£100-200

1203 A GEORGE III STYLE STICK BAROMETER, the engraved silver dial marked “Comitti, Holborn”, the case with architectural pediment and boxwood stringing, 20th century, 38½” high

Lot 1204

£100-200

1204 A MAHOGANY CASED SHIPS BAROMETER bearing a label “Blachford & Co., 79 Leadenhall St., London”, the enclosed barometer with a small door fitted with a thermometer and revealing the barometer, 38” high.

See illustration

£300-600

173

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1208

Lot 1207

1205 JOHN WILLIAMS: AN EARLY 20TH CENTURY GILT METAL MANTEL CLOCK, the 4” dial with Arabic numerals, two train French movement striking on a coiled gong, in a fitted architectural case, standing on a giltwood plinth and housed under a glass dome, with urn garnitures, also standing on giltwood plinths and housed under glass domes £200-400

1206 A VICTORIAN OAK MOUNTED STICK BAROMETER, the ivory scale signed Browns Universal Barometer, registered December 21 1850, 35½” high £300-500

1207 NICOLE FRERES, A 19th CENTURY SWISS MUSIC BOX, the 33 cm cylinder playing 12 airs with 6 bells in sight,the interior stamped “ Geneve Nicole Freres Londres”, with change /repeat and stop /play levers to the side, in a fitted mahogany case with a marquetry panel to the lid depicting a seated drummer boy.

See illustration.

£400-800

1208 A 19TH CENTURY DUTCH ADMIRAL FITZROY BAROMETER signed “I.H. Arzoni Leeuwarden”, in a fitted and painted gilt wood case with eglomise panels, 46” high.

See illustration

174

£500-1,000

1210 CHRISTOPHER GOULD (LONDON, FL 1682-1718): A WALNUT AND MARQUETRY LONGCASE CLOCK, the 12” brass dial with subsidiary seconds dial, date aperture and cherub foliate spandrels, the silvered chapter ring with Roman numerals inscribed “Christopher Gould, London”, the five pillar movement striking on a bell, in a walnut and marquetry case decorated with foliage and birds, the long door fitted with a lenticle, 83” high

1209 A GEORGE II CHINOISERIE LACQUERED LONGCASE CLOCK, the 12” brass arched dial with subsidiary seconds dial and date aperture, the silvered chapter ring inscribed “Henry Rogerson, London”, the arch with strike/silent chapter ring and dolphin scroll spandrels, the five pillar movement striking on a bell, in a black and polychrome chinoiserie lacquered case, the hood with a broken arch and ogee dome pediment, surmounted by three giltwood finials, the arched panelled door decorated with pavilions, foliage and figures, on a plinth stepped base, 111” high

£1,000-2,000 175

£6,000-£9,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

RUGS

Lot 1230

Lot 1233

1230 A LARGE PERSIAN QASHQAI TYPE RUG all over decorated with repeating boteh against a red and ivory ground within a repeating foliate border, 160” x 83½”.

See illustration

1232 A LARGE PERSIAN ZIEGLER TYPE RUG with central foliate medallion against a ivory ground with all over foliate decoration within conforming borders, 125” x 125”

£400-800

1233 A LARGE PERSIAN RUG all over decorated with repeating boteh against an ivory ground within repeating borders, 146” x 100”.

See illustration

1231 A PERSIAN SILK RUG with central foliate medallion against a pale red ground within multiguard border, 75” x 51”

£800-1,500

£100-200

£500-1,000

176

FURNITURE

Lot 1379 detail

177

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

SELECTED CONTENTS FROM THE ESTATE OF MAREVNA (1892-1984) LOTS 1238-1249A

Born Marie Vorobieff-Stebelska in Cheboksary, Russia and given her signature nickname by Maxim Gorky, after a Russian fairy sea princess, Marevna moved to Paris in 1912 as an aspiring twenty year old. It was there that she became friends with some of the greatest artists and writers of the early twentieth century then resident in Montparnasse and especially at La Ruche, among them were Pablo Picasso Georges Braque, Marc Chagall , Jean Cocteau, Ilya Ehrenburg, Max Jacob, Moise Kisling, Henri Matisse, Amedeo Modigliani and Chaim Soutine.

It was while a resident of La Ruche that Marevna met the prominent Mexican artist Diego Rivera and the two had a complicated relationship, which produced a daughter, Marika in 1919. Rivera returned to Mexico in 1921, leaving Marevna and their daughter behind in Paris.

It was when Marika married Rodney Phillips, the owner of the literary periodical ‘Polemic’ that Marevna came to England and lived with her daughter, son in law and two young grandsons in the picturesque Athelhampton House in Dorset from 1948 to 1956 Marevna never stopped working, continuing to produce works including a view of the famous pyramid topiaries at Athelhampton and ‘Homage to friends at Montparnasse’ a mural sized tribute to some of her contemporaries from her time in Paris.

Marevna died in London, in 1984, after living out the latter part of her life in the London suburb of Ealing.

The following lots (1238-1249a) are some of the items Marevna chose to surround herself with in later years, some of which can be seen in the images shown here, notably her easel, upon which no doubt she created and showcased some of her most famous works, and an alabaster mask of an unidentified face, perhaps showcasing the inspiration she received from her friends and contemporaries, such as Picasso and Braque.

178

Lot 1238

Lot 1239

1240 A PAIR OF FRENCH EMPIRE MAHOGANY FAUTEUILS, with gilt bronze mounts, the padded backs and stuffedover seats covered in faux red velvet, the down-swept scroll arms with dolphin mask facings, raised on sabre legs, 36

1238 ‘L’Inconnue de la Seine’ (The Unknown Woman of the Seine), 11” long.

See illustration

L’Inconnue de la Seine was an unidentified young woman pulled out of the Seine River at the Quai du Louvre in Paris around the late 1880s, whose putative death mask became a popular fixture on the walls of artists’ homes after 1900. Her visage inspired numerous literary works. Among her 20th century admirers were Giacometti, Man Ray and Vladimir Nabokov. Albert Camus referred to her as the “drowned Mona Lisa.”

1241 A GEORGE IV GILTWOOD AND GESSO OVERMANTLE MIRROR, the triple divided plate surmounted by a relief foliate scroll moulded apron and flanked by twin doric pilasters, 27¼” high x 54” wide

£200-400

1239 A VICTORIAN MAHOGANY ARTIST’S EASEL, the painting support and brush compartment with a height adjustable brass mechanism, in the manner of Windsor & Newton, 81” high x 27½” wide.

See illustration

£200-400

£400-600

179

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1242 A FRENCH GILTWOOD AND GESSO WALL MIRROR, the rectangular plate surmounted by ribbon tied wheat sheafs and flanked by fluted pilasters, 46½” high x 26¼” wide

Lot 1244

£150-250

1243 A LACQUER BRASS STANDARD LAMP, the onyx circular tier with an ornate fret pierced apron, raised on an openwork triform base with lobed feet, now fitted for electricity, 65½” high (including fitting)

£100-200

1244 A GEORGE IV GILTWOOD AND GESSO OVERMANTLE MIRROR, the triple divided plate with a reeded ebonised plate with a reeded ebonised slip, the ball moulded cornice above a fluted frieze centred by an entwined sea horse cresting, flanked by triform pilasters surmounted by figured recesses, bears paper label W.H. HAYWARD, Frame Manufacturer, 37.5 cms high x 61cms wide.

See illustration

Lot 1245

£300-500

1245 A FRENCH MAHOGANY AND UPHOLSTERED CLUB CHAIR, covered in green fabric above a plain apron raised on ebonised claw and ball feet, 32¾” high.

See illustration

£200-400

1246 A FRENCH EMPIRE BURR-WOOD MARBLE TOP CENTRE TABLE, with gilt bronze mounts, the circular top above a plain frieze, raised on a column support ending in a triform base, 28cms high x 33cms diam.

See illustration

Lot 1246

£200-400

1247 A CONTINENTAL CARVED GILTWOOD WALL MIRROR, the rectangular plate within an ornate rococo scroll frame, 10½” high x 8” wide

180

£100-200

Lot 1248

Lot 1249

1249 A FRENCH EMPIRE MAHOGANY COMMODE, with gilt bronze mounts, the rectangular marble top above an ogee mounted frieze drawer and three further long drawers, flanked by twin scroll pilasters and raised on blocked feet, 37in high x 51½” wide.

See illustration

1248 A FRENCH EMPIRE MAHOGANY AND GILT BRONZE MOUNTED ARMOIRE, the marble top above two cupboards each centred by a profile roundel and flanked by elongated caryatid pilasters, raised on square tapered legs, early 19th century, 67” high x 23¼” deep.

See illustration

£400-600

£3,000-5,000

1249A A REGENCY SIMULATED ROSEWOOD CHAISE LONGUE, the scroll end frame with applied floral paterae above four turned legs, 33½” high x 75” long

181

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1250

Lot 1255

1253 AN EDWARDIAN MAHOGANY DRESSING TABLE, the adjustable shield-shaped mirror above a threequarter galleried top with a frieze drawer, above a fielded panel door enclosing a faux sienna marble-lined interior, on square tapering legs united by an “X”-shaped stretcher and terminating in spade feet, the drawer stamped “Morris & Co., 149 Oxford Street”, 53½” high x 20” wide

1250 A QUEEN ANNE WALNUT AND FEATHER BANDED ESCRITOIRE, the cavetto moulded cornice above a fall front, opening to reveal a fitted interior with an arrangement of small drawers and pigeonholes around two central cupboard doors, the lower section with two short and two long drawers, on bun feet, 17th century and later, 66¼” high x 48” wide.

See illustration

£800-1,200

1254 A GEORGE III MAHOGANY TOILET MIRROR, the moulded adjustable mirror with a rectangular bevelled plate above an ogee form base fitted with three short drawers, on bracket feet, 23” high x 15½” wide

1251 A SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS, the square backs with triple pierced vase-shaped splats, above serpentine green upholstered overstuffed seats, on square tapering legs terminating in spade feet, late 19th century, 34¾” high

£150-250

£80-150

1255 A GEORGE III MAHOGANY AND CROSSBANDED BUREAU BOOKCASE, the simulated dentilled cornice above a ribbon-tied and foliate painted frieze, over two oval panel doors enclosing adjustable shelves, the lower section with a fall front, opening to reveal a satinwood veneered fitted interior with pigeonholes, small drawers and an inset leather writing surface, all above three short loper drawers and three further drawers around an arched kneehole, on square tapering legs, 18th century with alterations, 71½” high x 42” wide.

See illustration

1252 A REGENCY MAHOGANY TILT-TOP BREAKFAST TABLE, the rounded rectangular top with a reeded edge on a baluster column support from which emanate four reeded downswept legs terminating in brass caps and castors, 29¼” high x 64¾” long x 43¾” deep

£100-200

£150-250

182

£400-800

1256 A GEORGE I OAK AND CROSSBANDED BUREAU, the fall front enclosing a stepped and fitted interior with a covered well, above three long graduated drawers, on shaped bracket feet, early 18th century, 37¾” wide x 42” high

Lot 1257

£300-600

1257 A GEORGE III MAHOGANY AND INLAID HALL CHAIR, the fluted oval back centred by a satinwood medallion above a panelled solid seat, on square tapering legs, 38½” high; and a George III mahogany hall chair, 40” high (2).

See illustration

£200-300

1258 A GEORGE IV MAHOGANY SECRETAIRE DESK, the moulded rounded rectangular top with an inset writing surface over a fall front drawer enclosing a fitted interior, on a stiff leaf and lapette covered column support ending in a quadriform base with scroll feet, 33½” high x 38” wide

Lot 1259

£150-250

1259 A PAIR OF GEORGE I JAPANNED SIDE CHAIRS, with chinoiserie decoration throughout, the vase shaped splats above drop-in seats, on cabriole legs and terminating in pointed pad feet, 18th century with restoration, 42” high.

See illustration

£300-500

1260 A LOUIS XVI PROVINCIAL OAK COMMODE, the cleated rectangular top with outset corners, over three long breakfront drawers flanked by fluted pilasters, on short turned feet, 18th century, 43” wide x 31½” high

Lot 1261

£300-500

1261 A GEORGE I WALNUT AND FEATHER BANDED BACHELORS CHEST, the fold-over top enclosing an inset writing surface above a frieze fitted with one long drawer flanked by lopers, above two short and two further long drawers, on shaped bracket feet, 18th century and later, 34in high x 32in wide.

See illustration

£400-600 183

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1263

Lot 1268

1266 A BLACK JAPANNED HANGING BOWFRONT CORNER CABINET, with chinoiserie decoration throughout, the two cupboard doors enclosing a shelved and painted interior, 47” high x 22¼” wide

1262 A REGENCY MAHOGANY AND BRASS INLAID TOILET MIRROR, the rectangular plate with a bead moulded frame and surmounted by an arched pediment, on two spiralturned upright supports, the conforming based fitted with two short drawers and with lobed bun feet, 33½” high x 29½” wide

£200-400

1267 A REGENCY CHEVAL MIRROR, the adjustable rectangular plate within a moulded frame and supported by urn finials, on conforming reeded sabre legs, terminating in brass hairy paw caps and casters, 62” high x 25¼” wide

1263 A WILLIAM IV ‘PLUM PUDDING’ MAHOGANY CONSOLE TABLE, the rouge marble top above a frieze drawer, supported by twin scroll end supports and ending in a shaped platform base, 37½” high x 70½” wide.

See illustration

£100-150

1265 A REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, the shaped top with a reeded edge above four long graduated drawers, on splayed bracket feet, 36” high x 36” wide

£200-400

1268 A GEORGE III MAHOGANY AND INLAID LINEN PRESS, the moulded cornice above a pair of panelled cupboard doors later inlaid in the neoclassical style with flowering urns and fruiting baskets, opening to reveal an interior fitted with sliding trays, the lower section with two short and two long drawers, on bracket feet, 75½” high x 48½” wide. See illustration

£1,500-2,000

1264 A GEORGE III MAHOGANY PEMBROKE TABLE, the rounded rectangular drop-leaf top with a reeded edge, above a frieze drawer, on fluted square tapering legs, 27¾” high x 42”wide (open) x 30” deep

£250-300

£150-200 184

£500-800

Lot 1273

1272 A GEORGE III MAHOGANY SIDE TABLE, the rectangular top over a frieze drawer on square tapering legs, 28in high x 36in wide

1269 A LATE GEORGE III MAHOGANY BREAKFAST TABLE, the rectangular tip-up top with rounded corners on a ring-turned column and four down-swept legs with brass capped castors, the top 34½” x 48”, 28” high

£250-350

1273 A CAMPAIGN BRASS DAY BED, in the Regency taste, the openwork arched back, scroll arms and seat applied with puce coloured loose cushions, on turned legs terminating in castors, 19th century, 87” wide.

See illustration

1270 A GEORGE III MAHOGANY TRIPOD TABLE, the circular tip-up top on a vase-turned column with three outswept cabriole legs on pad feet, 28” high x 32½” wide

£100-150

1271 A GEORGE III MAHOGANY CHEST ON CHEST, the dentil moulded cornice above two short and three long drawers, flanked by reeded canted corners, the conforming lower section fitted with three further long drawers, on ogee bracket feet, 68in high x 47in wide

£100-200

£500-800

185

Provenance: Created for Henry Cadwallader Adams CB and thence descended through the family

Henry Cadwallader Adams CB joined the Royal Berkshire Regiment, 49th Foot (founded 31st March 1714) in 1847. He served throughout the Crimean War at the Battles of Alma, Inkerman and Sevastapol as Commanding Officer (1863-1869) becoming Major General in 1877. The camp bed was specially made for him and was taken everywhere for him

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1274 A GILLOWS STYLE MAHOGANY WORK TABLE, the folding top opening to reveal a baize-lined surface above a single small frieze drawer with turned knob handles and conforming dummy drawer, on spiral turned legs and brass castors, 33” high x 17¾” wide

Lot 1276

£200-300

1275 A NEST OF FOUR VERNIS MARTIN TYPE OCCASIONAL TABLES, the rectangular tops painted with a Watteau style couple or landscape, on slender turned legs, the largest 21½” wide

£100-200

1276 A GEORGE III MAHOGANY AND CROSSBANDED BUREAU, the fall front enclosing a fitted interior with a later inset leather writing surface, below two short and three long drawers, on bracket feet, 40¼” high x 33¼” wide.

See illustration

Lot 1277

£200-400

1277 A VICTORIAN MAHOGANY POT CUPBOARD with a marble top above a cupboard door, on a plinth base, 29” high x 15¼” dia.

See illustration

£800-1,200

1278 A GEORGE I WALNUT AND FEATHER BANDED BUREAU BOOKCASE, the moulded cornice above two glazed panel doors enclosing shelves, the lower section with a fall front, opening to reveal a stepped fitted interior with covered well, with three long drawers below, on bracket feet, 18th century with restorations, 73” high x 36” wide.

See illustration

Lot 1278

£800-1,200

1279 A LOUIS XVI STYLE GILTWOOD AND UPHOLSTERED DAY BED, the padded back, scroll arms and stuffed over seat covered in green foliate silk upholstery, on laurel leaf carved turned tapering legs, circa 35” high x 75” long

186

£200-300

Lot 1282

1282 AN EMPIRE STYLE SATINWOOD AND ROSEWOOD CROSSBANDED CHEST OF DRAWERS, the moulded rectangular top above two short drawers on splayed bracket feet, 39¾” x 48¼” wide.

See illustration

1280 AN INDIAN BONE AND EBONY INLAID TRAVELLING CHEST, the rectangular top inlaid with radiating leaf motifs within chequered borders, the front and sides similarly decorated, with carrying handles and lock, 13” high x 24” wide

£200-400

1283 A GEORGE IV BOW FRONT TOILET MIRROR, the rectangular adjustable plate on turned column supports, the base fitted with three drawers, on bun feet, 25” high x 22” wide

1281 AN INDIAN EBONISED SERVING TABLE, the rectangular top with moulded border above two frieze drawers with lion mask handles, on cabriole legs with pad feet and shelf stretcher, Calcutta, c.1920, 37½” high x 42” wide

£1,500-2,500

£200-400

187

£80-120

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1284 A REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, the shaped top with a moulded edge above a brushing slide and three long drawers on splayed bracket feet, 19th century with restorations, 33½” high x 36½” wide.

See illustration

Lot 1284

£200-300

1285 A LATE GEORGE III MAHOGANY TILT-TOP TABLE, the circular dished top on a fluted variform column support ending in a tripod base, 27¾” high x 26” dia.

£80-120

1286 A REGENCY STAINED BEECHWOOD TRIPLE CHAIR BACK SETTEE, the caned back with “X”-form stretchers and open scroll arms, above a conforming caned seat with fitted loose cushion, on outswept sabre legs terminating in brass caps and castors.

See illustration

Lot 1286

£200-400

1287 A SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS, including two armchairs, the serpentine caned top rails with interlaced variform pierced splats above green studded leather seats, raised on acanthus carved cabriole legs terminating in claw and ball feet (8) See illustration £300-500 1288 A GEORGE III MAHOGANY CHEST OF DRAWERS, the caddy moulded top above four long graduated drawers, on shaped bracket feet, 37½” high x 36” wide

Lot 1287

£200-400

1289 A GEORGE IV SIMULATED ROSEWOOD SETTEE, the padded back, stuffed arms and loose cushion seat upholstered in red velvet, with anthemion carved urnshaped arm facings above a moulded apron, on reeded turned tapered legs, 32” high x 79” wide

188

£200-400

1290 A LATE GEORGE III MAHOGANY TRIPOD TABLE, the circular dish top on a turned column support, terminating in three cabriole legs with pad feet, 28” high x 24” dia.

Lot 1291

£80-120

1291 A WILLIAM IV MAHOGANY LIBRARY CHAIR, with a caned back, scroll arms and seat, raised on reeded turned tapered legs ending in brass cappings and casters, 41” high.

See illustration

£1,000-2,000

1292 A GEORGE III MAHOGANY AND UPHOLSTERED LIBRARY ARMCHAIR, the square back, padded down-swept scroll arms and seat covered in studded red leather, on square chamfered legs ending in brass cappings and casters, 35½” high.

See illustration

Lot 1292

£300-500

1293 A GEORGE III MAHOGANY AND UPHOLSTERED WING ARMCHAIR, covered in green foliate patterned fabric, on square chamfered legs united by an “H”-stretcher, 44” high

£300-500

1294 A GEORGE IV MAHOGANY AND OAK INLAID LONGCASE CLOCK,

by Edward Nickolds, Brewood, the arched painted dial with subsidiary seconds and date aperture, the eight day movement striking on a bell, the hood with a swanneck arched pediment flanked by reeded pilasters, the crossbanded case with triple arched door, on a shaped platform base, 87in high x 22in wide

Lot 1295

£150-300

1295 A GEORGE I WALNUT AND FEATHER BANDED KNEEHOLE DESK, the moulded top above a frieze drawer and three further short drawers, flanking a recessed knee-hole fitted with a cupboard door and a shaped apron drawer, on bracket feet, 32” high x 31½” wide.

See illustration

£400-800 189

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1298

Lot 1299

1300 A REGENCY STYLE LACQUER AND GILT SIDE CABINET with chinoiserie decoration throughout, the rectangular top over four frieze drawers and four cupboard doors, flanked and divided by rams mask pilasters, on ogee moulded gadrooned block feet, 35½” high x 74” wide.

See illustration

1296 A GEORGE III MAHOGANY AND UPHOLSTERED OPEN ARMCHAIR, the serpentine shaped back with scroll arms above a padded seat, on square chamfered legs united by an “H”-stretcher, 39in wide x 25in high

£250-350

1297 A GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK,

by Thomas Frigg, London, the brass dial with subsidiary seconds dial, date aperture and crowned angel spandrels, the eight day movement striking on a bell, the hood with an arched pediment and stop fluted pilasters, the feather banded case with a stepped base and bracket feet, 86” high x 19½” wide

£1,500-2,500

1301 A REGENCY STYLE LACQUER AND GILT SIDE CABINET with chinoiserie decoration throughout, the rectangular top over four frieze drawers and four cupboard doors, flanked and divided by rams mask pilasters, on ogee moulded gadrooned block feet, 36” high x 74” wide.

See illustration

£300-500

£1,500-2,500

1298 A GEORGE IV YEW WOOD ‘WATERFALL’ BOOKCASE, the graduated tiers with spindle-turned supports above an apron drawer, on turned tapering legs, 49½” high x 43½” wide See illustration

1302 A GEORGE III STYLE MAHOGANY TRIPOD TABLE, the dish top on a fluted and stiff leaf carved turned column support ending in three cabriole legs, 18th century and later, 28” high x 22¾” wide

£400-600

1299 A SET OF SIX REGENCY EBONISED AND PARCEL GILT CHAIRS of Grecian form, with “X”-form backs and cane seats, on conforming “X”-form front supports, 32½” high.

See illustration

1303 A GEORGE III MAHOGANY AND UPHOLSTERED WING ARMCHAIR, covererd in foliate patterned fabric, on square chamfered legs united by an “H”-stretcher, 44½” high

£500-1,000

190

£80-150

£200-400

Lot 1300

Lot 1301

191

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1309 A CONTINENTAL PAINTED AND PARCEL GILT WALL MIRROR, the rectangular plate within an ornate frame carved with flowering cornucopia, fruit and shells, 26in high x 25in wide

1304 A NEOCLASSICAL STYLE GILTWOOD WALL MIRROR, the rectangular plate surmounted by a stiff leaf moulded cavetto cornice flanked by twin Corinthian pilasters, 19th century, 45¾” high x 31½” wide

£200-400

£200-400

1310 AN ITALIAN WALNUT AND CROSSBANDED SERPENTINE SIDE TABLE, the shaped top above a carved frieze drawer, on cabriole legs ending in scroll feet, 31½” high x 38” wide

1305 A GEORGE III MAHOGANY SIDE TABLE, the rectangular top above a fluted frieze fitted with one drawer, on moulded square chamfered legs ending in block feet, 30½” high x 39” wide

£400-600

1311 A SPANISH WALNUT AND PARQUETRY CABINET ON STAND, the fall front centred by two geometric roundel motifs opening to reveal an interior fitted with twelve short drawers, each with a bone pen-work panel, on a later base with square legs, 17th century, 54in high (including stand) x 43in wide.

See illustration

1306 A REGENCY GILTWOOD, GESSO AND EBONISED WALL MIRROR, the divided triple plate flanked by spiral-turned pilasters and surmounted by a ball moulded cornice, the reeded frieze centred by an applied sea horse motif, 29” high x 60½” wide

£250-350

1307 A CHARLES II OAK COFFER, the panelled hinged lid enclosing a void interior with a covered Bible box, the conforming panelled front later carved with enclosed paterae and demi-lune motif, on stile feet, 26½” high x 60½” wide

1312 AN OTTOMAN MOTHER OF PEARL AND PARQUETRY CENTRE TABLE, the dished rectangular top with outset corners, above a shaped frieze centred by star motifs, on slender square tapering cabriole legs united by an undertier, late 19th/ early 20th century, 30in high x 33in wide

£300-400

1308 A REGENCY STYLE GILTWOOD, EBONISED AND REVERSE GLASS PAINTED MIRROR, the triple plates flanked and divided by caryatid pilasters and surmounted by a central panel depicting an allegorical female reclining in a chariot pulled by a lion, 31in high x 48in wide

£400-600

1313 A ROCOCO STYLE GILTWOOD AND GESSO FIRE SCREEN with a rectangular floral wool work panel, on ornate acanthus and shell moulded scroll legs, late 19th century, 44” high x 23½” wide

£400-800

192

£200-400

Lot 1311

193

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1314 A ROCOCO STYLE CARVED GILTWOOD OVERMANTLE MIRROR, the triple divided plate with an ornate open-work shell and scroll carved frame, 18th century, 29in high x 49in wide.

See illustration

Lot 1314

£300-600

1315 A CARVED GILTWOOD WALL MIRROR, the rectangular plate with an ornate “C”-scroll and shell carved frame, 45½” high x 24½” wide

£200-400

1316 A FRENCH GILT TRUMEAU MIRROR, the rectangular plate within a moulded frame, surmounted by a neoclassical style panel depicting a young beauty painting a portrait flanked by two winged cherubs, 44in high x 20½” wide.

See illustration

Lot 1316

£300-600 1317 A PAIR OF GEORGE II STYLE WALNUT AND PARCEL GILT WALL MIRRORS with broken swan neck pediments centred by cartouche shaped crestings, over rectangular plates with shaped moulded frames, early 20th century, 52½” high x 29” wide.

See illustration

£1,000-2,000

1318 A CARVED OAK SIDE CABINET, the rectangular top above two mitre moulded drawers and two conforming cupboard doors, on stile feet, 17th century and later, 39in high x 38in wide

Lot 1317

£200-400

1319 AN INDIAN COFFEE TABLE, the painted panelled top above a plain frieze, on turned legs, converted from a pair of window shutters, 17” high x 27” wide

194

£100-200

1320 A REGENCY MAHOGANY TWIN PILLAR DINING TABLE, the “D”-shaped top with a reeded edge, on turned column supports and downswept legs terminating in brass caps and castors, with two additional leaves, 28” high x 50½” wide x 92” long (extended).

Lot 1321

£100-200

1321 A GEORGE III MAHOGANY TEA TABLE, the rectangular fold-over top with a foliate carved edge above a fret pierced frieze, on chamfered square legs, 28½” high x 35” wide.

See illustration

£250-450

1322 A GEORGE II STYLE MAHOGANY AND UPHOLSTERED WING ARMCHAIR, covered in studded brown leather, on carved cabriole legs with pad feet, 41in high.

See illustration

Lot 1322

£300-600

1323 A GEORGE III MAHOGANY PEMBROKE TABLE, the quarter veneered crossbanded drop-leaf top above a lateral frieze drawer, on slender legs terminating in brass caps with leather castors, 28in high x 29in dia.

£200-400

1324 A GEORGE III MAHOGANY HANGING CORNER CUPBOARD in the manner of Gillows, the moulded cornice above a pair of arched triple panel doors, enclosing an interior with three serpentine shaped shelves and two apron drawers, 54¾” high x 38” wide

Lot 1326

£100-200

1325 A VICTORIAN MAHOGANY AND UPHOLSTERED ARMCHAIR, covered in grey buttoned fabric, on turned legs with ceramic castors, 35½” high

£150-250

1326 AN ELM “DUG-OUT” CHAIR of typical form, 47in high.

See illustration

£1,000-2,000 195

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1327 A GEORGE III MAHOGANY AND UPHOLSTERED LIBRARY ARMCHAIR, the shaped back, padded arms and stuffed-over seat covered in green foliate patterned fabric and raised on moulded square chamfered legs, 39in high.

See illustration

Lot 1327

£300-500

1328 A GEORGE III MAHOGANY GAMES TABLE, the fold-over top enclosing a baize playing surface above a plain frieze, on square chamfered legs, 27½” high x 35½” wide.

See illustration

£400-800

1330 A PAIR OF GEORGE III MAHOGANY HALL CHAIRS, the fluted shield-shaped backs above solid seats with fluted aprons, on moulded square legs, 37” high (2)

Lot 1328

£100-200

1331 A MAHOGANY AND BRASS BOUND PEAT BUCKET with twin side carrying handles, the tapered spiralturned sides carved in relief with shell motifs, 26in high x 20in dia.

See illustration.

£400-800

1332 A VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rounded rectangular top with a moulded edge above a plain frieze, on reeded turned tapering legs ending in brass caps and castors, with two additional leaves, 30” high x 46½” wide x 93” long (extended)

Lot 1331

196

£250-450

1333 A WILLIAM IV STYLE OAK AND UPHOLSTERED FOOTSTOOL of large rectangular form, the purple upholstered cushion above six reeded legs on brass castors, 45” wide x 17” high.

See illustration

Lot 1333

£200-400

1334 A LARGE RECTANGULAR BEVELLED EDGE MIRROR in an elaborate rococo style gilt frame, 40” x 49” £150-300 1335 A REGENCY MAHOGANY TEA TABLE, the fold-over top above a plain frieze on four reeded sabre legs, 36” wide.

See illustration

Lot 1335

£200-400

1336 AN EMPIRE STYLE MAHOGANY TEA TABLE, the plain frieze with gilt metal mounts above a “U”-form support, on four downswept legs, 33¾” wide

£100-200

1337 A NAPOLEON III EBONISED AND UPHOLSTERED SETTEE, the carved and moulded show-frame with upholstered back, seat and armrest, on conforming seat rail and short legs, 42” high x 72” wide

£300-600

1338 A GEORGE III MAHOGANY WINE COOLER of square form with fluted and canted corners, brass carrying handles and animalistic tap with wooden handle, on conforming base, the tin-lined interior with nine divisions, 18” wide x 27½” high.

See illustration

Lot 1338

£400-800

197

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1339 AN INDIAN CIRCULAR MARBLE TOP CENTRE TABLE, the veined marble top on a leaf-carved frieze and central triform base and scrolling outswept legs with foliate feet, 19th century, 30” high x 48” wide

Lot 1340

£500-1,000

1340 A GEORGE III LIBRARY ARMCHAIR with tub-shaped back and serpentine seat, on turned and fluted legs ending in brass toe caps and castors, 31” wide x 38½” high.

See illustration

£500-1,000

1341 A DUTCH WALNUT AND MARQUETRY TIP-TOP OCCASIONAL TABLE, the shaped top with a central marquetry vase of flowers flanked by exotic birds within scrolling and foliate surround, with chequered border, on a conforming vase-shaped hexagonal column with three scrolling downswept legs, 33” high x 31” wide

Lot 1343

£100-200

1342 A GEORGE III OAK MULE CHEST, the rectangular rising top above two drawers, on shaped bracket feet, 47½” wide

£100-200

1343 A GEORGE II WALNUT CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers with cockbeading and feathered crossbanding, the base with two further long graduated drawers, with brass handles and key escutcheons throughout, on bracket feet, 63” high x 41” wide.

See illustration

Lot 1345

£800-1,500

1344 A GILLOWS STYLE MAHOGANY AND ROSEWOOD CROSSBANDED WORKTABLE, the rectangular top with rounded corners and rosewood crossbanding above a single fitted drawer with ebony stringing and gilt metal mounts, above an upholstered needlework basket, on single reeded legs with brass castors, 29” high x 21” wide

198

£300-500

1345 A GEORGE IV MAHOGANY AND PARCEL GILT EXTENDING DINING TABLE, the circular top with moulded border with two additional leaves, on a square section column with canted corners and stepped moulding, on a platform base with gilt scrolling feet and castors, 29” high, the top 51” x 98” (fully extended).

See illustration

Lot 1346

£500-1,000 1346 A VENETIAN TYPE WALL MIRROR with an octagonal plate in a mirrored frame etched with foliage, with a shaped and mirrored surmount and apron, 48” high x 30” wide.

See illustration

£300-600

1347 A MAHOGANY BREAKFAST TABLE, the rectangular tip-up top with rounded corners, on a reeded column and four downswept legs with brass hairy paw castors, the top 54” x 38¾”

Lot 1348

£150-250

1348 A CONTINENTAL GILTWOOD WALL MIRROR with oval plate and rococo style foliate scrolling surround, 40½” high x 30½” wide.

See illustration

£200-400

1349 A GEORGE III STYLE LIBRARY ARMCHAIR with upholstered seat back and arms, on foliate carved ball and claw front legs, 39½” high x 27” wide

£200-400

Lot 1351

1350 A LATE GEORGE III MAHOGANY BREAKFAST TABLE, the rectangular top above a turned column base on four downswept reeded legs and brass cap castors, the top 44” x 55”

£100-200

1351 A VICTORIAN MAHOGANY TWIN PEDESTAL DESK, the rectangular top with a moulded border and divided writing surface, above a frieze of three drawers with turned knob handles, on twin pedestals of three further short graduated drawers, on plinth bases and castors, 30½” high x 60” wide.

See illustration

£800-1,500

199

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1352

Lot 1353

1355 A GEORGE I WALNUT PIER MIRROR with a divided bevelled plate, the upper part with etched decoration, 36” x 16”

1352 A REGENCY ROSEWOOD AND BRASS INLAID CHIFFONIER BOOKCASE in the manner of George Oakley or John McLean, the raised back with a three-quarter gilt gallery and graduated shells with brass inlaid fronts and cast supports, the base with two mirror-mounted doors between carved and gilt scrolling uprights, with giltwood animal paw front feet and turned rear legs, 52½” high x 36” wide.

See illustration

1356 A PAIR OF EBONISED FRAMED BERGERE ARMCHAIRS with caned backs and side panels, upholstered seats and short turned legs with wavy stretchers, 20th century, 29” high x 33” wide

£4,000-8,000

1353 A PAIR OF HEPPLEWHITE STYLE TWIN ARM GILTWOOD WALL LIGHTS, each with two scrolling arms issuing from a panel carved as a quiver of arrows, 17” high.

See illustration

£400-600

1357 AN ART DECO STYLE HARDWOOD DESK, the rectangular top on twin pedestals with rounded uprights, open shelf and short drawers with satinwood veneered compartments, 30” high x 65” wide

£500-1,000

1354 A HEPPLEWHITE STYLE ELBOW CHAIR with carved and fretwork backsplats, shaped arms and cabriole legs, 36” high x 22½” wide

£150-250

£50-100 200

£400-600

1358 A GEORGE II MAHOGANY BREAKFRONT LIBRARY BOOKCASE with a triangular arched pediment and diamond-shaped glazing bars to the upper section, the base with panelled cupboards, 97” high x 96” wide.

See illustration

£3,000-5,000

201

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1365 A MATCHED PAIR OF EIGHTEEN EIGHTEEN-INCH MALBY & SONS TERRESTRIAL AND CELESTIAL GLOBES, on mahogany stands, each raised on three turned and reeded supports united by spindle turned stretchers, centred by a compass and terminating in brass casters One labelled Malby’s Terrestrial Globe, Compiled from the latest and most Authentic Sources including all the recent Geographical Discoveries Manufactured and Published under the superintendance of the Society for the Diffusion of Useful Knowledge by Thos. Malby & Son, Map & Globe Sellers to the Admiralty, 37 Parker Street, Little Queen Street, Holborn, London.

1359 A GEORGE I STYLE STOOL, the rectangular needlework covered top above four carved cabriole legs, on pad feet, 16½” high x 19” wide

£100-200

1360 A GEORGE II WALNUT SIDE CHAIR, the carved and shaped splat back above a shaped seat with drop-in cushion, the front rail with a central shell decoration, the ball and claw front legs with a similar shell motif, 38¾” high x 23” wide

£150-300

1361 A VICTORIAN MAHOGANY OPEN FRONT BOOKCASE with adjustable shelves, 48¼” wide x 53¾” high

The other, Malby’s Celestial Globe Exhibiting the Whole of The STARS contained in the Catalogues of Piazzi Bradley Hevelius Mayer la Caille and Johnson The Double Stars From Sir W. Herschd & Strieve reduced to the year 1870 By Jrd Adfil Manufactured & Published Under The Superintendance of The Society For The Diffusion Of Useful Knowledge by Malby & Son, 37 Parley Street, Little Queen Stret, Lincolns Inn Fields, London.

See illustration

£25,000-35,000

£150-250 1362 A CONTINENTAL WALL MIRROR, the rectangular plate within a swept and leaf-cast giltwood surround, possibly Peruvian, 20” high x 17” wide

£100-200 1366 A REGENCY MAHOGANY TEA TABLE with canted rectangular top on four column supports and downswept sabre legs ending in brass claw castors, 29” high x 34” wide

1363 A CHARLES III OAK MULE CHEST, the rectangular top with a moulded border above a plain fronted long frieze drawer, on bun feet, 17th century and later, 42” wide

£150-300

1367 A PAIR OF OAK ARTS AND CRAFTS HALL CHAIRS, on turned legs with shaped back, each chair set with a panel of two Minton Hollins & Co Aesops Fables tiles, designed by John Moyr Smith, 38” high

1364 AN ANGLO-INDIAN DESK, the rectangular top with moulded border and rounded corners above three frieze drawers, on bobbin-turned legs, 19th century, 66” wide x 30” high

£150-300

£400-600

202

£200-400

Lot 1365

203

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1370

Lot 1373

1372 A SET OF SIX MAHOGANY DINING CHAIRS in the manner of Duncan Phyfe, the double “X”-form backs with inlaid decoration over caned seats, on turned and splayed legs (6)

1370 A LOUIS XV STYLE PAINTED LEATHER SCREEN with six rectangular sections with shaped tops, decorated with gilt cartouches of playful cherubs and neoclassical urns on a burgundy ground. Each panel 76½” high x 24½” wide.

See illustration

£800-1,600

1373 A PAIR OF BAROQUE GILTWOOD TORCHERES, each with a circular top carved with an egg and dart edge on openwork triform bases carved with curluing acanthus leaves, bellflowers, rocaille work and scallop shells, on bold incurved scroll supports, 53” high.

See illustration

1371 A PAIR OF LOUIS XV STYLE SIDE CHAIRS with chinoiserie upholstery, the frame with foliate decoration, on cabriole legs with conforming single stretcher, 36¼” high x 20” wide

£300-600

£200-400

204

£500-1,000

1374 A SET OF SIX BIEDERMEYER FRUITWOOD CHAIRS, each with a splat carved and pierced with a figure, a goat, a ram, a cow, a lion and a deity, with rush seats on splayed front legs (6)

Lot 1375

£300-500

1375 A PAIR OF LOUIS XVI STYLE TUBSHAPED BERGERE CHAIRS with ivory linen upholstery and chanelled frames, on turned and fluted legs, 32” wide (2).

See illustration

£400-800

1376 A PAIR OF LATE VICTORIAN BUTTON-BACK CHAIRS on short turned legs ending in brass toe caps and castors (2)

Lot 1377

£300-500

1377 A PAIR OF REGENCY STYLE PAINTED PIER CABINETS, each with open shelves over a faux marble top and a simulated brass grill, on a plinth base, 14¾” wide x 61½” high.

See illustration

£400-800

1378 A DUTCH BOMBÉ AND PARQUETRY BUREAU of Louis XV design with a fall flap enclosing a fitted interior with a well over an arrangement of two drawer flanking a simulated drawer with a long drawer below, the back also veneered, on shaped legs with gilt metal sabots, 18th century, 38” wide.

See illustration

Lot 1378

£500-1,000

205

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1379 AN IMPORTANT GEORGE III GILTWOOD MIRROR in the manner of Thomas Johnson, with a divided shaped rectangular plate within mirrored borders, the elaborately carved frame with feathery leaves, scrolling acanthus, flowering branchwork, architectural balconies and pavilions, 95” high x 42½” wide.

See illustration

Edward Cecil Guinness, First Earl of Iveagh

Farmleigh, Castleknock, Co. Dublin

206

Provenance: From the Collection of Edward Cecil Guinness, First Earl of Iveagh at Farmleigh, Castleknock, Co. Dublin.

At Farmleigh the mirror is recorded as hanging in the main ground floor corridor. Farmleigh was sold by the Guinness family to the Irish Government in 1995.

This magnificent rococo mirror is a tour de force, both in terms of scale and the execution of the design and carving. It relates to the published designs of Thomas Johnson and was almost certainly produced by one of the leading London cabinet makers during the 1760’s.

Elements of the carving may be compared to comparable pieces by Thomas Chippendale and John Linnell.

£20,000-30,000

Lot 1379

207

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

208

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue.

The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

(2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

211

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

212

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s Thursday 22nd February, Ceramics, Silver, Jewellery and Asian Art. Friday 23rd February, Paintings, Furniture and Works of Art

Ceramics, Silver, Jewellery and Asian Art Thursday, 22nd February

Paintings, Furniture and Works of Art Friday, 23rd February 2018

PRINTED IN DORCHESTER BY EPIC PRINT