Dukes June 2017

Duke’s Silver and Jewellery, Thursday 8th June. An Aston Martin DB6 Vantage Volante, Furniture and Works of Art, Friday 9th June.

Silver and Jewellery Thursday 8th June

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

An Aston Martin DB6 Vantage Volante Furniture and Works of Art

Friday 9th June

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter.

The Saleroom has ample parking.

If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

22% plus VAT on the hammer price (16% plus VAT on lot 650.)

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture and lot 650 not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com (Excluding lot 650). All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

FINE PAINTINGS 14th September 2017

Christopher Wood (1901-1930) Ships and Lighthouse at St. Ives Oil on canvas 19” x 15” Estimate: £30,000-£50,000

We are currently inviting entries into the above auction.

For further information or should you wish to consign please contact Duke’s on 01305 265080 or email enquiries@dukes-auctions.com.

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Duke’s AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 3th June, 9.30am – 12noon Monday, 5th June, 9.30am – 5pm Tuesday, 6th June, 9.30am – 7pm Wednesday, 7th June, 9.30am – 5pm and on the morning of the auction days

Catalogues £20.00 (by post)

Follow us on Twitter @DukesAuctions

Find us on Facebook https://www.facebook.com/dukesauctions

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

FINE CERAMICS 27th July 2017

A rare maiolica jug in the form of a boot, Probably Faenza c 1550/1600 A similar example to be found in the Collection of the Ashmolean Museum 9½” high Provenance: A Noble European Collection

We are currently inviting entries into the above auction.

For further information or should you wish to consign please contact Duke’s on 01305 265080 or email enquiries@dukes-auctions.com.

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Duke’s AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

Thursday 8th May, 10.30am Lots 1-159

Silver and related items

Lots 200-201

Carriage Clocks

Lots 205 – 226

Pocket and Fob Watches

Lots 227 – 267

Gents and Ladies Watches

Lots 300 – 550

Jewellery

Lots 600 – 635

Objets d’Art

Friday 9th May, 10.30am Lot 650

A Great British Icon

Lots 651 – 658

Works of Art

Lots 660 – 671

Clocks and Scientific Instruments

Lots 675 – 677

Rugs and Carpets

Lots 680 – 723

Furniture

Each lot (excluding lot 650) is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%.

Lot 650 is subject to a buyer’s premium of 19.2% inclusive of VAT @ 20%.

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by

JONATHAN GOODING www.jonathangooding.co.uk

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THURSDAY, 8 t h JUNE, 10.30A M

SILVER

Detail of lot 00 Lot 41 detail 9

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 4

Lot 7

SILVER

4 AN EDWARDIAN SILVER MOUNTED CLARET JUG, the tapering rectangular glass body with star-cut base and scroll handle, by Heath and Middleton, London 1906, 9½” high. See illustration

1 A PAIR OF SAUCEBOATS of shaped oval form with gadrooned borders, leaf-capped scroll handles and shell-capped hoof feet, by Richard Woodman Burbridge, also bearing Harrods of London retailers marks, 4½” high (c.19.1oz)

5 A PART CAFÉ AU LAIT SET of baluster form with wooden finials, scroll handles, and reeded lower sections, by Alex Clark & Co. Ltd, Birmingham 1934, 7¾” high (c.20.3oz)

£150-250 2 AN ART DECO SUGAR CASTER of tapering square form with canted corners and pull-off pierced cover, on rectangular splayed feet, by S. Blanckensee & Sons Ltd, Chester 1934, 8” high (c.7.9oz)

£150-250

6 A VICTORIAN HOT WATER POT of baluster form, with domed hinged lid and flame finial, wooden scroll handle, embossed with foliate scrolls, on a circular foot, by Maurice Freeman, London 1898, 8¼” high, (c.8.2oz)

£80-160

3 A SALVER of shaped circular form, with a scroll and shell border and foliate scroll decoration, presentation engraved, on ball and claw feet, by Martin Hall & Co., Sheffield 1911, 10” dia. (c.18.5oz)

£200-400

£150-250

10

£60-100

Lot 8

Lot 10

10 A SCOTTISH ART NOUVEAU PEDESTAL DISH of faceted oval form, with a wavy border, raised on sinuous supports, on a domed oval base, by George Edward & Sons, Glasgow, 1911, the reverse of the base engraved with a retailers mark and a registration number, 8” high, (c.22.4oz).

See illustration

7 AN ART NOUVEAU ROSE BOWL of circular tapering form, the body embossed with stylised floral motifs, on a spreading circular foot, with reeded borders, the whole on a stepped circular wooden plinth, by Hawksworth, Eyre & Co. Ltd, Sheffield 1903, 11” dia. x 10¼” high including plinth (c.28.3oz).

See illustration

£250-450

8 A VICTORIAN THREE PIECE TEA SET of circular form with part fluted decoration, by Lee & Wigfull, Sheffield 1894/5/7, the teapot 4½” high, and an associated hot water pot, (c.24.7oz weighable silver) (4) See illustration

11 A VICTORIAN HOT WATER POT of baluster form with a raffia work scroll handle, ivory finial and gadrooned borders, makers mark over-struck, London 1898, 9½” high, (c.15.7oz)

£200-400

£100-200

12 A VICTORIAN SUGAR BOWL of tapering circular form with beaded border, the body engraved with floral sprigs and applied with oval-shaped classical medallions, on a tucked-in foot, possibly by William Hunter, London 1862, 5½” dia. x 3½” high (c.9oz)

9 A GEORGE III CREAM JUG with a reeded border and handle, possibly by Peter, Anne & William Bateman, London 1802, 4¼” high, and a sauceboat with flying scroll handle, (c.6.1oz) (2)

£200-400

£60-100

11

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 14

Lot 18

16 A VICTORIAN SCENT BOTTLE of shaped rectangular form with a latticework and floral silver mount, embossed hinged cover and glass stopper, with a wavy glass body, by William Comyns, London 1895, 6” high

13 AN EDWARDIAN SUGAR CASTOR of baluster form with high pierced pull-off cover and flame finial, the body with foliate scroll embossing, engraved with a presentation inscription, makers mark rubbed, Chester 1907, 8” high (c.6.2oz)

£80-160

17 A GERMAN ECUELLE of circular form, the pull-off cover with a rosebud finial, lug handles, the body embossed with floral sprigs, marked with a German standard mark of a moon and crown, circa 1900, also stamped 800, 11” long (handle to handle) x 5” high (c.17.2oz)

14 AN ART DECO STYLE FOUR PIECE TEA SET of tapering circular form, with stepped wooden handles, disc finials with stylised engraved friezes, on tucked-in circular bases, by Frank Cobb & Co. Ltd, Sheffield 1946, the teapot 6” high (c.55.4oz).

See illustration

£300-600

£100-200

18 A PART CAFE AU LAIT SET comprising a coffee pot and hot water pot of circular tapering form, with domed hinged lids, wooden scroll handles and faceted spouts on circular bases, by Richard Comyns, London 1966, and a Victorian sparrowbeak cream jug, London 1842, the coffeepot 9¾” high (c.47.9oz). See illustration

15 A CORINTHIAN COLUMN CANDLESTICK (later converted to a standard lamp base), of conventional form, by Hamilton & Inches, Edinburgh 1898, filled (converted for electricity), 13” high

£150-200

£100-200

12

£300-500

Lot 20

Lot 25

22 A MATCHED PAIR OF GEORGE III AND LATER SALTS of oval form with gadrooned borders, the bodies applied with reeds and medallions, on spreading oval pierced feet, one crested, one by Robert Hennell, London 1772, the other London 1913, with later blue glass liners, 2¾” high (c.10.5oz)

19 A GEORGE III TOAST RACK of seven bar wire-work form with loop carrying handle, on bracket feet, by Godbehere, Wigan and Boult, London 1800, 5¾” high (c.3.6oz)

£100-200

20 A GEORGE III BASKET of oval form with a gadrooned border, the body pierced with graduated ringlets, on an oval foot, the underside scratch engraved with a presentation inscription “The gift of Mrs Hamank to Elizabeth Blackstone, 1816”, makers mark rubbed, Sheffield 1816, 11” long x 3½” high (c.17.5oz).

See illustration

23 A VICTORIAN KETTLE ON STAND of oval form with gadrooned border, embossed with foliate scrolls, the base with down-curving legs and pad feet with detachable burner, by Henry Atken, Birmingham 1894, 12” high (c.37.2oz)

£200-400

£300-500

24 A GEORGE III TEAPOT STAND of oval form with a raised reeded border and bright-cut decoration, on bracket feet, by Peter & Anne Bateman, London 1798, 7” long, (c.4.8oz)

21 AN EDWARDIAN PHOTOGRAPH FRAME of shaped rectangular form with a gadrooned border interspersed with embossed flowers, wooden back, makers mark of SE, Chester 1908, 11½” high, and an 18th century punch ladle with twisted baleen handle (2)

£150-250

£80-160

£80-160

25 A FOUR PIECE TEA/COFFEE SET of oval form with stepped hinged lids, urn knopped finials, faceted spouts and wooden scroll handles, on oval feet,

by Atkin Brothers, Sheffield 1942, the teapot 7” high (c.59.9oz).

See illustration

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£400-800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

26 A GEORGE III TEAPOT of oval form with ivory scroll handle and disc finial, the body bright-cut decorated with floral swags, crested, the base engraved with a presentation inscription, possibly by William Stroud, London 1789, 6” high (c.16.3oz)

Lot 28

£150-250

27 A VICTORIAN SILVER GILT MOUNTED CUT-GLASS CLARET JUG with angular handle and flowerhead thumbpiece, the lidded collar embossed with floral sprigs, Bacchus mask spout, by Matthew John Jessop, 1894, 11” high.

£200-400

28 A PAIR OF VICTORIAN GRADUATED SALVERS of circular form with raised beaded borders and vacant cartouches, on ball and claw feet, by Barnard & Sons Ltd, London 1870, the larger salver 10” dia. (c.30oz) (2).

Lot 29

£200-400

29 A TWO-HANDLED TRAY of rectangular form with a raised gadrooned border, shell and scroll cast handles, monogrammed, by Frederick Wilson & Co., London 1910, 28” long (handle to handle) (c.110oz).

See illustration

£800-1,200

30 A DANISH PLATE of circular form with a raised border, by Cohr, also stamped 830/S, 10¼” dia. (10oz)

Lot Lot000 32

£80-160

31 A GEORGE I SCOTTISH BULLET TEAPOT, the flush hinged cover with acorn finial, wooden scroll handle and straight spout, makers mark IK, probably for James Ker, assay masters mark of Edward Penman, Edinburgh 1723, 5¾” high (c.17.7oz).

See illustration

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Provenance: Purchased at Christie’s silver sale, 29th January 1969, lot 143

£600-1,200

Lot 31

34 AN INDIAN WHITE METAL BOWL of lobed circular form, decorated with animals amongst trees, the whole on entwined serpent feet, 6” dia. x 5½” high

32 A TWO HANDLED TRAY of shaped rectangular form with a raised reeded border and shaped handles, makers mark of J.S, Sheffield 1918, 28” long (handle to handle) (c.138oz).

See illustration

£800-1,200

35 A PAIR OF GOBLETS of circular tapering form with baluster stems and circular bases, presentation engraved, London 1971, 5½” high (c.12.2oz)

33 A GEORGE III TEAPOT of oval form with bright-cut engraved borders, wooden scroll handle and finial, by Robert & David Hennell, London 1798, 6” high (c.11oz)

£100-200

£100-200

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£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 36

Lot 41

38 A VICTORIAN TEAPOT of compressed circular form with leaf-capped scroll handle and flowerhead finial, the body chased with foliate scrolls, on a tucked-in circular foot, by James Harvey & Co., London 1848, 5” high (c.18.5oz)

36 A GEORGE III TEAPOT of compressed circular form, with fluted flowerhead finial, scroll handle and part-fluted decoration, on a circular foot, initialled, by Rebecca Emes and Edward Barnard, London 1814, 6” high (c.24oz).

See illustration

£200-400

39 A GEORGE III WINE FUNNEL of conventional form, with a gadrooned border and detachable spout, makers mark rubbed, possibly I*M, London 1771, (c.2.8oz)

37 A SUGAR VASE of tapering oval form, with bright-cut and slat-pierced decoration, on an oval foot, with a later purple glass liner,

by Thomas Bradbury & Sons, Sheffield 1911, 5” high, and a hot water pot applied with an enamel badge, (c.14.7oz weighable silver) (2)

£150-250

£100-200

40 A GEORGE IV TEAPOT of compressed circular form with ivory scroll handle, the body embossed with foliate scrolls, possibly by George Burrows II, London 1823, 5” high (c.20.5oz)

£100-200

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£150-250

Lot 42

Lot 43

43 A VICTORIAN TRAVELLING VANITY SET, the brass bound coromandel case housing a number of silver mounted cut-glass jars and bottles, including a travelling inkwell, a shaving brush, a pair of cologne bottles and other items, with two pull-out tiers, by S. Mordan & Co., London 1841, the silver mounted items with engineturned and chased decoration, monogrammed and crested, complete with key, and a leather travelling case.

See illustration

41 AN EDWARDIAN LIDDED JUG of waisted oval form with carved wooden naturalistic handle, flower and grape finial and hinged cover, the body richly embossed with classical figures and cherubs, amongst trees and animals, with gilt interior, by William Comyns, London 1902, 8½” high (c.16.2oz).

See illustration

£300-500

42 A PAIR OF VICTORIAN SILVER GILT FRUIT STANDS and a smaller stand ensuite, of circular form on knopped pedestal bases with spreading circular feet, the bodies embossed with fruit and scrolls, by Martin Hall & Co., London 1878, the largest 6” high (c.62oz).

See illustration

£300-600

44 A GEORGE III CREAM JUG of tapering oval form with an angular handle, chevron and latticework decoration, scroll embossed spout, on a tucked-in foot, possibly by John Emes, London 1804, 4¼” high (c.8.6oz)

£50-100

45 A VICTORIAN SALVER of shaped circular form with a raised and pierced scroll border, the centre engraved with an armorial, on three scroll feet, by Robinson, Edkins & Aston, Birmingham 1844, 9½” dia. (c.12.8oz)

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£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

SMALL SILVER AND OBJETS DE VERTU

Lot 63

63 A VICTORIAN PHOTOGRAPH FRAME of heart form, with a floral pierced border and velvet back,

by J.T (in script), London 1899, 8¾” high.

See illustration

£100-200

64 A CONTINENTAL PHOTOGRAPH FRAME of rectangular form with engine-turned decoration and wooden strut back, stamped marks of “Franzi”, also stamped 900, 11” high

£60-120

65 A CONTINENTAL LADIES MESH PURSE with chain-link handle and tasselled lower section, London import marks for 1912, in a fitted case for “The Alexander Clark Co. Ltd Fenchurch Street, London”

Lot 66

£60-120

66 A VICTORIAN SILVER GILT MOUNTED PART DRESSING TABLE SET with fluted glass bodies, the lids and covers chased with foliate scrolls centred with monogrammed cartouches, surmounted by coronets and surrounded by turquoise stones, by JH, London, 1855 and later (8).

See illustration

£300-600

67 A TORTOISESHELL AND SILVER MOUNTED PART DRESSING TABLE SET comprising six dressing table pots and bottles with faceted glass bodies, by CD, London 1922/1924 (5)

Lot 68

£150-250

68 A DANISH PEDESTAL BOWL

by Georg Jensen, 1925/1932, of circular tapering form with a stylised pierced stem, on a graduated circular foot, the base also stamped “Sterling Denmark”, and pattern number of 17A, one further mark, and an associated sugar spoon, 1910/1925, with stylised terminal, the bowl 4¼” high (c.5.8oz), the spoon 5” long (2).

See illustration

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£300-600

69 A VICTORIAN SCENT BOTTLE of cylindrical form, the body chased with foliate scrolls, by Sampson Mordan, London 1881, 2¾” high

Lot 72

£100-150

70 A VICTORIAN NOVELTY PIN CUSHION modelled in the form of a ladies slipper, makers mark rubbed, Birmingham 1891, 4½” long

£60-120

71 A RUSSIAN SALT of cauldron form, the body decorated in polychrome enamels, on three ball feet, Moscow circa 1910/20, 2¼” dia. x 1½” high (c.2oz)

£150-250 Lot 73

72 A VICTORIAN VINAIGRETTE of shaped rectangular form with engine-turned decoration, initialled N.E.V., the gilt interior with a foliate pierced grill,

by Nathaniel Mills, Birmingham 1849, 1½” long, and another vinaigrette (2).

See illustration

£100-200

73 A WILLIAM IV SILVER GILT VALISE VINAIGRETTE of rectangular form, drilled grill, probably by Edward Smith, Birmingham 1833, 1” long, and another vinaigrette,

by Samuel Pemberton (2). See illustration

£100-200

74 A SET OF FOUR MENU CARD HOLDERS of circular form, applied with four leaf clovers, decorated in green guilloche enamel, on circular bases, by S. Mordan & Co. Ltd, Chester, 1912, each 1” high (4)

Lot 75

£100-200

75 A VICTORIAN SNUFF BOX of rectangular form with a raised foliate border and cushion moulded sides, embossed with foliate scrolls, plain engineturned base, the cover bearing the presentation inscription “Presented to T.J. Duncan by the Membership of the Poole Harmonic Society 1848”, with gilt interior, by Nathaniel Mills, Birmingham, probably 1837, 2¾” long x 1¾” wide (c.2.8oz).

See illustration

£200-400 19

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

82 A SMALL COLLECTION OF DUTCH BOXES comprising a pair of circular boxes with ribbed bodies, circa 1900, a peppermint box of rectangular form, and two others, mixed makers and dates (c.4.3oz) (5).

See illustration

76 A FIVE PIECE DRESSING TABLE SET comprising three brushes, a hand mirror and a powder pot, crested, stamped 800, and a green glass dressing table bottle (6)

£80-160

77 A CASED THREE PIECE CONDIMENT SET of oval form, Birmingham 1956/58, and another with blue glass liners (2)

83 A COLLECTION OF NOVELTY SILVER, comprising a Continental model of a well, the underside crested and marked 800 and “R. Miracoli”, a shell-shaped trinket box, a plated box in the form of a horse’s head, a novelty vesta, a swirl-fluted plated box and a base metal pomander, mixed makers and dates (5).

See illustration

£60-120

78 A CASED THREE PIECE CONDIMENT SET with matching spoons, Birmingham 1959, and another set (2)

84 A COLLECTION OF CONTINENTAL BOXES including one with an applied coronet to the cover, a paperweight with enamel decoration, and five further boxes, mixed makers and dates, most stamped 800, (c.8.4oz) (7)

£80-160

86 A WINE TASTER of conventional form, by CJ Vander Ltd, London 1932, a christening mug and a pair of small Victorian hammered dishes (c.8.8oz weighable silver) (4)

£80-160

81 A COLLECTION OF CONTINENTAL TRINKET BOXES including a kidney-shaped box engraved with a double crest to the lid, all stamped 800 to the bases (c.8.8oz) (5)

£100-200

85 A COLLECTION OF BOXES comprising a circular Islamic box, and four others of mixed makers and dates (5)

£100-200

80 AN EDWARDIAN TRINKET BOX of navette form with ribbon and reed borders, crested, Chester 1905, and a similar Continental box, a heartshaped box, a trinket box and three miniature cups, mixed makers and dates, (c.4.7oz) (7)

£100-200

£60-120

79 AN EDWARDIAN NOVELTY PEPPER POT modelled in the form of a sitting bird, with pull-off cover and gilt interior, possibly by William Hornby, London 1903, 1¾” high, and a Victorian novelty pen wipe modelled as a boot polisher, by Levi & Saloman, Birmingham 1896, 2” wide (2).

See illustration

£100-200

£100-200

87 A LATE VICTORIAN CREAM JUG of baluster form with gadrooned borders by Charles Stuart Harris, London 1900, a sugar bowl, a sauceboat and another cream jug, mixed makers and dates (c.11oz weighable silver) (4)

£100-200

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£80-160

88 AN EDWARDIAN VESTA/SOVEREIGN CASE with hinged and sprung compartments, Birmingham 1902, a double sovereign case, Birmingham 1910, a toast rack, a vesta case, two bon bon dishes and a card case, (c.8oz weighable silver) (a lot)

Lot 79

£100-200

89 A VICTORIAN MILK JUG of circular bellied form, by P & Co., a sauceboat, a part fluted cream jug and sugar bowl, of mixed makers and dates, (c.17.4oz weighable silver) (4)

£100-200

90 A PAIR OF NAPKIN RINGS in a case, by James Deakin & Sons, Chester 1900, a small photograph frame, three further napkin rings, a bangle and two cigarette cases, (c.12.3oz weighable silver)

Lot 82

£100-200

91 A PAIR OF VASES of cylindrical tapering form on filled bases, by Henry Wilkinson Ltd, Birmingham 1916, a cream jug, a mustard pot, another vase and a quantity of condiments, of mixed makers and dates (a lot)

£80-160

92 A SAUCEBOAT, a small presentation bowl on a plinth, a sugar bowl, and a pair of peppers, mixed makers and dates (c.11.8oz weighable silver) (a lot)

£80-160

93 A PAIR OF GEORGE III SALTS with pierced decoration and blue glass liners, a sugar castor, a mustard pot, a silver-topped dressing table box, and other silver and plated items, of mixed makers and dates (a lot)

Lot 83

£80-160

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

100 A PAIR OF CONTINENTAL WHITE METAL VASES with pierced borders and repousse lobed decoration, stamped ‘800’, 5¼” high (c.10oz)

94 A PHOTOGRAPH FRAME of plain rectangular form with a wooden strut back, Birmingham 1932, 11” high, a dressing table set, a silver mounted dressing table clock, and a pair of cased salts, of mixed makers and dates (a lot)

£100-200

101 AN AUSTRIAN WHITE METAL TEA URN stamped ‘J. Reiner’, of fluted baluster form with foliate knop, scrolling handles and shaped spout on triform base, stamped in three places, 16¾” high, (c.50oz).

See illustration

95 A PAIR OF CONTINENTAL SCENT BOTTLES of circular tapering form with crested screw-tops and wavy glass bodies, crested, stamped 800, 5½” high

£80-160

FLATWARE 120 A PAIR OF VICTORIAN ASPARAGUS SERVERS of fiddle, thread and shell pattern, by Aldwinckle and Slater, London 1892, 9” long, (c.5.9oz)

£100-200

97 THREE NAPKIN RINGS and two pepper pots, mixed makers and dates, (c.4.6oz weighable silver) (a lot)

£80-160

£40-60

121 A GEORGE III SOUP LADLE of Old English pattern, crested, by Solomon Hougham, London 1817, 11” long, and a pair of fiddle pattern sauce ladles, London 1837, (c.8.9oz weighable silver) (3)

98 A TRAVELLING VANITY CASE containing a silver backed engine-turned dressing table set and various glass mounted pots and bottles and a vesta, monogrammed, Birmingham/London 1937, contained in a fitted leather case, the case 20½”

£100-200

122 A PAIR OF GEORGE III SCOTTISH TABLESPOONS of Old English pattern, monogrammed, by J or IO, Edinburgh 1802, 9” long, and a quantity of tea and coffee spoons, some Irish, mixed makers and dates (c.10.1oz) (a lot)

£100-200 99 A CONTINENTAL WHITE METAL TUREEN AND COVER with a pomegranate knop and bellied body with twin carrying handles and four short leaf cast feet, stamped ‘800’, 15” wide (c.62oz).

See illustration

£300-600

96 A VICTORIAN NOVELTY PAPER KNIFE modelled in the form of a sword, with a pierced scabbard, the blade inset with Scottish hardstones, by JR, Edinburgh 1897, 7” long.

£50-100

£300-600

22

£60-120

123 A PAIR OF GEORGE III SCISSOR ACTION SUGAR NIPS, possibly by Richard Mills, London circa 1770, an initialled pair and a plated pair (3)

Lot 99

£50-100

124 A SET OF SIX RUSSIAN SILVER AND ENAMEL TEASPOONS decorated in polychrome enamels, assay masters mark of A.A, Moscow 1895, in a fitted case, 5” long (c.4.1oz).

See illustration

£300-600

125 A GEORGE III GRAVY SPOON of Old English pattern, initialled, by IL, London 1808, a quantity of sugar tongs and other items, mixed makers and dates, (c.8.5oz)

£80-160

Lot 101

126 A PAIR OF GEORGE III SCOTTISH SUGAR TONGS of Old English pattern with bright-cut engraved decoration, monogrammed, makers mark illegible, thistle mark only, probably Edinburgh circa 1780, 5½” long See illustration

£50-100

127 A CONTEMPORARY SAUCE LADLE with a wavy textured handle, gilded bowl and hammered exterior, by PJH, London 1990, together with a shellshaped salt and spoon by the same maker, the ladle 6¾” long, (c.4.7oz) (3)

£100-200 Lot 124

23

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

128 AN EDWARDIAN SILVER GILT DESSERT SET for twelve place settings, comprising knives, forks and spoons, of Hanoverian/rat tail pattern, by Herbert Charles Lambert, in a fitted Lamberts case with brass bound handles, London 1906 and later, (c.19.3oz weighable silver). See illustration

Lot 128

£200-400

129 AN EDWARDIAN SET OF MOTHER OF PEARL HANDLED FRUIT EATERS with silver blades, for six place settings, by the Goldsmiths & Silversmiths Co. Ltd, London 1902, contained in a fitted oak case.

£100-200

130 A SET OF SIX FISH KNIVES AND FORKS with bone handles and scroll-engraved blades, by GB & S, Sheffield 1935, contained in a fitted oak case

Lot 131

£100-200

131 A GEORGE II PUNCH LADLE with a turned wooden handle and shaped oval bowl, the reverse of the bowl scratch initialled L/W*R, possibly

by I.M, London 1759, 12” long, and two unmarked examples (3).

See illustration

£50-100

132 A GEORGE II PUNCH LADLE with turned wooden handle and plain oval bowl, makers mark rubbed, London 1737, 13” long, a Continental ladle and two others (4).

See illustration

Lot 132

£50-100 133 A GEORGE III PUNCH LADLE with a reinforced turned wooden handle, and double lipped bowl, by Nathaniel Appleton and Anne Smith, London 1778, 12½” long and two other ladles (3).

See illustration

24

£50-100

134 A GEORGE III SINGLE LIPPED PUNCH LADLE with baleen twist handle, marks rubbed, London assay, circa 1780, 13” long, and two other ladles (3).

See illustration

Lot 133

£50-100

135 A HARLEQUIN SET OF ELEVEN FIDDLE PATTERN DESSERT SPOONS, George IV and later, by George Adams, London 1824/1857/1870, 7” long, (c.16.8oz) (11)

£100-200

136 A SET OF SIX VICTORIAN DESSERT FORKS of fiddle pattern, by Charles Boyton, London 1894, and two other dessert forks, 7” long, (c.12.2oz) (8)

Lot 134

£100-200

137 A HARLEQUIN SET OF SIX GEORGE IV TABLE FORKS of fiddle pattern, by William Chawner, London 1824/1829, four further fiddle pattern table forks and two dessert forks, the forks 8” (c.23.3oz)

£150-250

138 A HARLEQUIN SET OF WILLIAM IV DESSERT SPOONS of fiddle pattern, crested, London 1830/1834, mixed makers, and a Victorian dessert spoon, 7” long (c.9.9oz) (7)

£80-160 Lot 140

139 A PAIR OF SALAD SERVING FORKS

by Viners, Sheffield 1836, a Newcastle sauce ladle, a pair of bottom marked tablespoons and a further pair of tablespoons, mixed makers and dates (c.16.5oz) (a lot) 140 A SET OF SIX SILVER HANDLED TABLE KNIVES with tapering square stems and stainless steel blades, by Elkington & Co., Birmingham 1940/1947, and a set of six matching dessert knives (12).

See illustration

£150-250

25

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 147

145 A VICTORIAN SILVER GILT SET OF SIX SERVING SPOONS, in a case, with a matching sifter ladle, the finials with figural terminals, possibly by Henry Holland, London 1868, the spoons 6½” long

141 A QUANTITY OF DANISH FISH EATERS comprising four forks and four knives, with a hammered finish, Copenhagen, circa 1920/1924, also stamped 830 standard, the knives 8” long (c.12.7oz)

£80-160

146 AN EDWARDIAN CASED CHRISTENING SET with floral chased handles, by RP, Sheffield 1907/1908, and four cased sets of spoons including a set of grapefruit spoons (a lot)

142 A QUANTITY OF SWEDISH CUTLERY comprising ten teaspoons, six coffee spoons, and a tea strainer with a gilt interior, mixed makers and dates, and a quantity of plated cutlery, (c.7.3oz weighable silver)

£50-100

£50-100

144 A CHRISTENING SET of Albert pattern, initialled, London 1915, two fiddle pattern tablespoons, a pair of sugar tongs and a quantity of condiment spoons, mixed makers and dates (c.10.5oz weighable silver)

£60-120

£100-200

147 A PART CANTEEN OF VICTORIAN CUTLERY of Old English pattern, crested, by George Adams, London 1844. Comprising 12 table forks, 12 tablespoons, 12 dessert forks, and 12 dessert spoons, and four salt spoons with gilt bowls, (c.84oz).

See illustration

143 A COLLECTION OF FLATWARE comprising eight fiddle pattern teaspoons and a quantity of condiment spoons and other items, of mixed makers and dates, (c.8.8oz) (a lot)

£100-200

26

£700-1,400

Lot 149

148 A VICTORIAN PROVINCIAL BASTING SPOON of fiddle pattern, by William Rawlings Sobey, Exeter 1843, 12” long, and another example, by George Adams (2)

149 AN EXTENSIVE EDWARDIAN AND LATER MATCHED CANTEEN OF FLATWARE of Hanoverian pattern, initialled “P”, predominantly

by David Landsborough and Jackson and Fullerton, London, predominantly dated 1908/09/10/16/24/26,27. Comprising 24 table forks, 22 tablespoons, 30 dessert spoons, 27 dessert forks, 30 soup spoons, 6 sauce ladles, 9 teaspoons, 5 coffee spoons, with 4 associated teaspoons, (c.283oz), in a fitted oak brass bound case.

See illustration

£80-160

27

£2,000-4,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 150

153 A HARLEQUIN SET OF SIX FIDDLE PATTERN TABLESPOONS, William IV and later, crested, three London 1835, 9” long (c.16.5oz), and a set of eight electroplated fiddle pattern table forks (a lot)

150 A COLLECTED RAT TAIL PATTERN CANTEEN for six place settings. Comprising six tablespoons, Atkin Brothers, Sheffield 1947/1950, six soup spoons

by Roberts & Belk, Sheffield 1924, six dessert forks, Atkin Brothers, Sheffield 1949, six dessert spoons, Atkin Brothers, Sheffield 1948/9/50, six table forks by Henry Atkin. Sheffield 1950/51, 12 teaspoons, by Atkin Brothers, Sheffield 1951, also a basting spoon, a sauce ladle, salt spoon and three base metal spoons, (c.76oz weighable silver) See illustration

154 A SET OF SIX VICTORIAN DESSERT SPOONS

by J & A Savory, London 1843, crested, 7” long, and a harlequin set of six George III and later fiddle pattern dessert forks, (c.19.1oz weighable silver)

£500-800

151 A SET OF SIX OLD ENGLISH PATTERN TEASPOONS with beaded borders, crested, makers mark of IL and lion passant only, circa 1780, a quantity of teaspoons, a pair of bright-cut sugar tongs, a table fork, two continental tablespoons and a pair of plated butter knives with mother of pearl handles in a fitted case (c.16.3oz weighable silver) (a lot)

£150-250

155 AN ANOINTING SPOON with a tapering strap-work stem, and chased bowl, by S & S Ltd, London 1936, 10” long (c.2.9oz)

£40-60

156 A CONTINENTAL PART CANTEEN for 12 place settings. Comprising 12 table forks, 12 tablespoons, 12 dessert spoons, 12 dessert forks, 11 teaspoons, 12 table knives and 12 dessert knives, with stainless steel blades, stamped “800”, with a three star mark in a triangle (c.114oz weighable silver).

See illustration

£100-200

152 A COLLECTION OF TABLESPOONS including a Scottish tablespoon, Edinburgh 1769, of mixed makers and dates (c.40oz weighable silver) (a lot)

£100-200

£300-500

28

£600-1,200

Lot 156

Lot 157

157 A HARLEQUIN SET OF SIX GEORGE III TABLESPOONS of hour-glass pattern, crested, by Paul Storr, London 1812/1819, 9” long (c.20.2oz).

See illustration

Lot 159

£500-600

158 A SCOTTISH PROVINCIAL TODDY LADLE with feather-edged stem and twisted baleen handle, by Edward Livingstone of Dundee, circa 1800, 15” long

£100-200

159 AN IRISH PROVINCIAL TABLESPOON with bright-cut decoration, crested, by Patrick Connell, Limerick, circa 1785, 10” long (c.2.1oz).

See illustration

Lot 159 (mark)

£700-900

29

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

30

CARRIAGE CLOCK S AND WATCHES

Lot 225 detail 31

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

CARRIAGE CLOCKS

Lot 200

Lot 201

201 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white dial with Roman numerals and outer Arabic seconds numerals, surrounded by an engraved mask, in a fitted foliate engraved case with swing handle, 7” high (including the handle), in a fitted leatherette travelling case.

See illustration

200 L’EPEE FONDEE EN 1839: A FRENCH REPEATING CARRIAGE CLOCK, in a brass and bevelled glass case, with enamel dial “Sainte-Suxanne France”, 19th century, 6¾” high (including the handle) See illustration

£200-300

32

£200-400

POCKET WATCHES AND FOB WATCHES

Lot 208

205 A GENTLEMANS 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamelled dial with Roman numerals and subsidiary seconds dial, the key-wound fusee movement numbered “2062”, in an engine-turned case with blue Roman numerals.

£300-500

206 A GENTLEMAN’S GOLD PLATED HUNTING CASED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, in a plain case

£100-200 Lot 209

207 A GENTLEMAN’S 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement cover inscribed “Lambert, 63 Queens Road, Clifton”, in a plain case with monogrammed back.

£250-450

208 A GENTLEMAN’S 14K YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamelled dial with Roman numerals and subsidiary seconds dial, the key wound movement numbered “96392”, in an engine-turned case.

See illustration

£200-400 Lot 210

209 WALTHAM: A 14K YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, outer Arabic numerals and subsidiary seconds dial, inscribed “Waltham”, in an engraved and monogrammed case.

See illustration

£100-200

210 A GENTLEMAN’S 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamelled dial with Roman numerals and outer Arabic seconds numerals, sweep seconds hand, the movement cover inscribed “Sutcliffe, 153 South Street, Sheffield”.

See illustration

£300-600

33

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

211 ELGIN: A GENTLEMAN’S OPEN FACED YELLOW METAL POCKET WATCH, the white enamel dial with subsidiary seconds dial, inscribed “Elgin”, the movement also inscribed and numbered “14153331”.

Lot 214

£40-80 212 A GENTLEMAN’S 15CT YELLOW GOLD HALF HUNTING CASED SLIM POCKET WATCH, the dial with Arabic numerals and subsidiary seconds dial, the outer cover with black Arabic numerals

£150-250

213 A GENTLEMANS YELLOW METAL OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial

Lot 215

£50-100

214 BADOLLET: A GENTLEMAN’S 18K YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed “Badollet, Genève”, the key-wound movement cover inscribed “Examined by E.J. Dent, 34 Royal Exchange, London”, in an engine-turned case.

See illustration

£300-500

215 A GENTLEMAN’S 18CT YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, in an engine-turned case.

See illustration

Lot 216

£400-800

216 JAMES NEILL & CO: A GENTLEMAN’S 18CT YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamelled dial with Roman numerals and subsidiary seconds dial, inscribed “James Neill & Co, Belfast 3560”, in a plain case with armorial to the cover, attached to an 18ct yellow and white gold fine-link fob chain.

See illustration

34

£500-1,000

217 AN 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, inscribed “Straub & Hebting, London”, the movement cover also inscribed and numbered “03088”, in a plain case with blue Roman numerals.

See illustration

Lot 217

£200-400

218 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and floral centre, in a foliate engraved case

£100-200

219 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and floral centre, keywound movement, in a foliate engraved case

Lot 220

£100-200

220 A LADIES 18CT YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and subsidiary seconds dial, in a foliate engraved case See illustration

£100-200

221 A LADIES 14K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and foliate centre, in a foliate engraved case

£80-150

222 A LADIES 14K FOB WATCH, the gilt dial with Roman numerals and floral centre, in a foliate engraved case, attached to a plaited hair fob with 9ct rose gold terminals.

See illustration

£200-400

Lot 222 35

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 225

225 CARTIER: A GENTLEMANS 18CT YELLOW GOLD POCKET WATCH, the guilloche enamelled dial with Arabic numerals and subsidiary seconds dial, inscribed “Cartier, Paris”, the case back with blue enamel crest, possibly “Follina” family, in a fitted Cartier presentation case.

See illustration

223 CHARLES OUDIN ET FILS PALAIS ROYALE: A LADIES YELLOW GOLD REPEATING POCKET WATCH, the gilt dial with Roman numerals and floral centre, the key-wound movement cover also inscribed and numbered “12016”, and “52”, in a foliate engraved case.

£200-400

224 A GENTLEMAN’S OPEN FACED CHRONOGRAPH POCKET WATCH, the white enamel dial with Roman numerals, outer Arabic numerals, sweep seconds hand and key-wound movement, in a plain case, and another silver pocket watch (2)

£2,500-3,000

226 A GENTLEMANS 9CT YELLOW GOLD OPEN-FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial

£50-100

36

£200-400

Lot 230

Lot 231

GENTLEMEN’S WRISTWATCHES

227 A GENTLEMAN’S 18K YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, the case back with scrollwork initials

230 PATEK PHILLIPE: A GENTLEMAN’S 18CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, subsidiary seconds dial and date aperture, inscribed “Patek Phillipe, Genève” attached to a brown leather strap. This watch is sold with a Certificate D’Origine, ref. no. “3558”, movement no. “1127719”, dated 2.11.1968.

See illustration

£300-500

228 A GENTLEMANS 18CT YELLOW GOLD OPEN-FACED POCKET WATCH, the gilt dial with Roman numerals and subsidiary seconds dial, key-wound movement, in an engraved case

£300-500

£4,000-8,000

231 PATEK PHILLIPE: A GENTLEMAN’S 9CT YELLOW GOLD WRISTWATCH, the oval gilt dial with Roman numerals, inscribed “Patek Phillipe, Genève”, attached to a 9ct yellow gold mesh bracelet with folding clasp.

See illustration

£1,500-3,000

232 OMEGA: A GENTLEMAN’S YELLOW METAL WRISTWATCH, the round dial with Arabic and baton numerals and sweep seconds hand, inscribed “Omega”, attached to a black leather strap with an Omega buckle

37

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

233 VETTA: GENTLEMANS 18K YELLOW GOLD CHRONOGRAPH WRISTWATCH, the round dial with Arabic numerals, sweep seconds hand and two subsidiary dials, inscribed “Vetta”, attached to a brown leather strap See illustration

Lot 233

£200-400

234 MONT BLANC: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round black dial with Arabic numerals, sweep seconds hand, two subsidiary dials and visual escapement, inscribed “Mont Blanc Automatic”, attached to a stainless steel bracelet with folding clasp, in original presentation case.

See illustration

£300-600

Lot 234 235 MONT BLANC: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black round dial with Arabic and baton numerals, three subsidiary dials and sweep seconds hand, inscribed “Mont Blanc Automatic”, attached to a stainless steel bracelet with folding clasp See illustration

£300-500

236 TUDOR: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals and sweep seconds hand, inscribed “Tudor Royal”, attached to a brown leather strap

Lot 235

£100-200

237 RONE: A GENTLEMAN’S VINTAGE 9CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals and subsidiary seconds dial, inscribed “Rone 21 jewels”, attached to a brown leather strap, in original presentation case

£50-100

238 REVERSO: A GENTLEMANS WHITE METAL WRISTWATCH, the rectangular dial with Arabic numerals, inscribed “Reverso”, the case back numbered “5731”, attached to a brown leather strap

38

£50-100

239 A GENTLEMAN’S WHITE METAL WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, the case back numbered “179043”, attached to a black leather strap

Lot 241

£50-100

240 OMEGA: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and subsidiary seconds dial, inscribed “Omega”, attached to a brown leather strap, including original receipt of purchase dated 14.6.1963

£300-500

241 ROLEX: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the round dial with Roman numerals and crown at 12 o’clock, sweep seconds hand and date aperture, inscribed “Rolex Oyster Quartz Date Just”, attached to a stainless steel bracelet with folding clasp, in a fitted presentation case, within a card box and outer card cover, with original paperwork and service receipts.

See illustration

Lot 242

£1,000-2,000

242 ROLEX: A GENTLEMANS 1940’S ROSE GOLD WRISTWATCH, the rose champagne dial with gold Arabic numerals and subsidiary seconds dial, inscribed “Rolex Oyster”, in a cushioned square case, attached to a gold brick link bracelet with folding clasp, marked “750”.

See illustration

£500-1,000

243 ROLEX: A STAINLESS STEEL WRISTWATCH, the round dial with raised baton numerals and crown at 12 o’clock, and sweep seconds hand, inscribed “Rolex Oyster Speedling Precision”, attached to a stainless steel bracelet with folding clasp. £500-1,000

Lot 244

244 ROLEX: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the round dial with Arabic numerals and sweep seconds hand, inscribed “Rolex Oyster”, attached to a stainless steel bracelet with folding clasp, model no. “6022”, date code “894234” (1953).

See illustration

£500-1,000 39

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 245

Lot 246

246 CARTIER: A GENTLEMANS WHITE GOLD TANK AMERICAINE WRISTWATCH, the rectangular dial with Roman numerals, inscribed “Cartier”, in a white gold case with a blue sapphire winding crown, the case back numbered “17361”, “C44084”, attached an articulated white gold bracelet with concealed folding clasp marked “Cartier”, “18K 750”, in a fitted Cartier presentation case, including spare links and original paperwork.

See illustration

245 JAEGER LECOULTRE: A GENTLEMANS 18K YELLOW GOLD WRISTWATCH, the wood effect square dial with four raised baton numerals, inscribed “Jaeger Lecoultre”, attached to a brown leather strap, with original guarantee, model no.

“6029”, dated 31/12/74.

See illustration

£500-1,000

40

Lot 250

Lot 251

LADIES WRISTWATCHES

253 A LADIES 9CT YELLOW GOLD AND ENAMEL WRISTWATCH, the round dial with Arabic numerals, enclosed in a floral enamel case, attached to a black leather strap

250 ROLEX: A LADIES 18K YELLOW GOLD WRISTWATCH, the gilt dial with diamond numerals and crown at 12 o’clock, sweep seconds hand and date aperture, inscribed “Rolex Oyster Perpetual Date Just”, attached to an 18k yellow gold bracelet with folding clasp, in original Rolex presentation case and outer card box.

See illustration

254 SEIKO: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, inscribed “Seiko Quartz”, attached to a 9ct yellow gold bracelet with folding clasp, and two other ladies watches (3)

£2,000-4,000

251 OMEGA: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round gilt dial with baton numerals, inscribed “Omega”, attached to a yellow gold mesh bracelet with folding clasp.

See illustration

£100-200

255 TISSOT: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed “Tissot”, attached to a 9ct yellow gold bracelet with folding clasp, and one other gold cased Bucherer wristwatch, with a leather strap (2)

£800-1,500

252 ARNEX: A LADIES 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with Arabic numerals and subsidiary seconds dial, inscribed “Arnex”, attached to a yellow metal bracelet with folding clasp

£80-150

£50-100

41

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 263

Lot 263-1

259 CARTIER: A LADIES SILVER WRISTWATCH, the rectangular dial with Roman numerals, inscribed “Must de Cartier”, attached to a black leather strap

256 BUECHE-GIROD: A LADIES 9CT YELLOW GOLD WRISTWATCH, the square dial with baton numerals, inscribed “BuecheGirod”, set in a tri-coloured gold bark effect bracelet with concealed clasp.

£100-200

260 LONGINES: A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic and arrow numerals, inscribed “Longines”, attached to a 15ct yellow gold mesh bracelet with concealed clasp and safety chain

257 BULOVA: A LADIES STAINLESS STEEL WRISTWATCH, the round dial with baton numerals, date aperture and sweep seconds hand, inscribed “Bulova”, attached to a stainless steel bracelet with folding clasp, in original presentation case and outer box

£60-80

£250-450

261 OMEGA: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with gilt baton numerals, inscribed “Omega”, attached to a 9ct yellow gold mesh bracelet with folding clasp, in an Omega presentation case.

258 RICHARD: A LADIES 18CT YELLOW GOLD WRISTWATCH, the rectangular dial with baton numerals, inscribed “Richard”, attached to an 18ct yellow gold bracelet with concealed clasp

£150-250

£200-400

42

£100-200

Lot 264

Lot 266

265 IWO: A LADIES ART DECO DIAMOND COCKTAIL WATCH, the rectangular dial with Arabic numerals, inscribed “IWO”, in a diamond-set case with diamond-set lugs, attached to a black corded strap

262 OMEGA: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with dot and Arabic numerals, inscribed “Omega”, attached to an 18ct yellow gold work bracelet with folding clasp, including original Omega buckle.

£300-600

263 DOXA: A LADIES 14K YELLOW GOLD COCKTAIL WATCH, the rectangular dial with Arabic and baton numerals, inscribed “Doxa”, covered with a large purple stone in an openwork raised setting, with three strands of gold terminating in arrows, attached to a bracelet of alternating rows of yellow gold, with concealed clasp and safety chain and ball charm.

See illustration

266 BAUME & MERCIER: A LADIES SAPPHIRE AND DIAMOND COCKTAIL WATCH, the rectangular dial surrounded by a diamond and sapphire bezel and lugs, attached to a black ribbon bracelet, the case back inscribed “Baume & Mercier, Genève”, and numbered “71203” See illustration

£500-1,000

£500-1,000

£300-500

267 OMEGA: A LADIES 14K YELLOW GOLD WRISTWATCH, the round dial with Arabic and baton numerals, sweep seconds hand, inscribed “Omega”, attached to an unmarked yellow metal expanding bracelet with clear paste lugs

264 WAKMANN WATCH CO: A LADIES DIAMOND COCKTAIL WATCH, the square dial with Arabic numerals, surrounded by round and baguette-cut diamonds, with scrollwork diamond lugs, attached to a double square link diamond bracelet with enclosed clasp and safety chain.

See illustration

£200-400

43

£200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

44

JE WELLERY

Lot 355 detail 45

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

307 A RUBY AND DIAMOND HALF ETERNITY BAND, the top half of the undulating 18ct yellow gold band millegrain set with diamond accents and further tensionset with five round-cut pink tone rubies and further individually collet-set diamond accents, the shank stamped ‘18K’, hallmarked and No. T888M See illustration

300 A DIAMOND CLUSTER RING, the central flowerhead design, millegrain rub-over set with seven old cushion-cut diamonds (totalling c.0.7cts), the white metal shank with diamond-set chenier shoulders See illustration

£250-500

301 AN ART DECO CLUSTER RING, millegrain set to the centre with a rectangular cut blue stone, probably spinel and surrounded by a millegrain and diamond-set Celtic style border forming a rectangle in platinum to an 18ct yellow gold shank with platinum topped shoulders. See illustration

307A A N EMERALD AND DIAMOND CLUSTER RING, the central octagonal-cut emerald in a collet setting and surrounded by a rectangular border of six round brilliant-cut diamonds, on an 18ct white gold shank with open shoulders, set to the top of each shoulder intersecting the main ring with a cluster of three round brilliant-cut diamonds, total diamond weight c.0.48cts

£150-300

302 AN EMERALD AND DIAMOND RING, claw-set to the centre with an oval-cut emerald, 13.75mm x 10mm x 7.1mm and flanked to either side by a claw-set round brilliant-cut diamond, each c.0.1cts, to an 18ct yellow gold shank with chenier shoulders See illustration

£450-850

310 A 1970’S DIAMOND CLUSTER RING, claw-set to the centre with a vertical row of four round brilliant-cut diamonds and flanked to either side by a further vertical row of three round brilliant-cut diamonds (total diamond weight c.0.7cts) on an 18ct white gold bark finished shank, with tapering shoulders, stamped 18ct. See illustration

£500-1,000

306 AN ART DECO STYLE DIAMOND CLUSTER RING of tapering lozenge form, millegrain set overall with round brilliant-cut and princess-cut diamonds (totalling c.0.16cts) to an 18ct yellow gold shank See illustration

£400-800

£100-200

305 A SAPPHIRE AND DIAMOND RING, claw-set with three graduated round-cut blue sapphires and interspersed with two round old-cut diamonds, each c.0.2cts, claw-set in 18ct white gold to an 18ct yellow gold shank with open chenier shoulders. See illustration

£1,600-1,800

309 AN EMERALD AND DIAMOND CLUSTER RING, claw-set to the centre with five graduated princess-cut emeralds, surrounded by a claw-set cluster border of fourteen round brilliant-cut diamonds (totalling c.0.7cts), 18ct white gold to an 18ct yellow gold hallmarked shank with open chenier shoulders See illustration

304 A THREE STONE DIAMOND TWIST RING, the three round old-cut stones claw-set on a diagonal (totalling c.0.15cts) on an 18ct yellow gold shank with twisted shoulders. See illustration

£900-1,800

308 AN ART DECO STYLE SAPPHIRE AND DIAMOND RING, the large central elongated hexagonal cut dark blue sapphire in a four claw setting, surrounded by a domed millegrain diamond-set border to an unmarked white metal shank. See illustration

£300-600

303 A RUBY AND DIAMOND CLUSTER RING, rub-over collet-set to the centre in a horizontal line with three princess-cut rubies and surrounded by a shaped cluster border of round brilliant-cut diamonds (totalling 0.16cts) to an 18ct yellow gold shank See illustration

£250-500

£250-500

311 A THREE STONE DIAMOND RING, the three round brilliant-cut diamonds (totalling c.0.9cts) the 18ct white gold shank with diamond set open shoulders. See illustration

£400-800 46

£1,000-2,000

Lot 300

Lot 301

Lot 302

Lot 303

Lot 304

Lot 305

Lot 306

Lot 307

Lot 308

Lot 309

Lot 310

Lot 311

47

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

312 AN ART DECO DIAMOND RING, individually collet-set vertically to the centre with three round old-cut diamonds (totalling c.0.6cts) and surrounded by shaped open borders of further rose-cut diamonds, in white and yellow metal, on an unmarked yellow gold shank.

See illustration

Lot 312

£500-1,000

313 A THREE-QUARTER DIAMOND-SET ETERNITY BAND rub over set with twenty three round-cut diamonds in unmarked white metal, ring size U

£80-150

314 A VICTORIAN BLACK OPAL CABOCHON AND DIAMOND CLUSTER RING, the central oval opal c.9.4 x 6.3mm, surrounded by a millegrain-set border of nineteen round old-cut diamonds, to an unmarked yellow gold shank with stylised open shoulders, the shank engraved to the interior ‘Mary Brown died February 16th, 1905’.

See illustration

Lot 314

£400-800

315 A THREE STONE SAPPHIRE AND DIAMOND RING, the central oval-cut sapphire in a double four-claw setting and flanked to either side by a round European-cut diamond, each c.0.4cts in an open platinum claw setting to an 18ct white gold shank with open chenier shoulders.

See illustration

Lot 315

£400-800

316 A MODERN PLATINUM BAND, collet-set individually to the top with a princess-cut sapphire and princess-cut ruby, Birmingham 2001 and a similar amethyst and emerald example set in silver (2)

£200-400

317 A SAPPHIRE AND DIAMOND LINE RING, rub-over claw-set with four round-cut blue sapphires and three round brilliant-cut diamonds totalling c.0.21cts, to a 14ct white gold shank, stamped BH14K and a 1920’s unmarked white metal engraved wedding band (2)

48

£150-300

318 A DIAMOND SOLITAIRE RING, the central oval old-cut diamond, c.0.75cts in a raised claw setting to an 18ct yellow gold shank with open shoulders

Lot 319

£500-1,000

319 A TWO STONE DIAMOND TWIST RING, the two round brilliant-cut diamonds, each c.0.5cts clawset on a diagonal and mounted in platinum to a platinum shank with twisted shoulders, stamped ‘Plat’ and No. 39.

See illustration

£500-1,000

320 AN ART DECO STYLE ONYX AND DIAMOND RING, collet-set to the centre with a round brilliant-cut diamond, c.0.91cts and mounted on a shaped border of calibre cut onyx and millegrain set diamonds extending to the shoulders on an 18ct white gold shank.

See illustration

Lot 320

£2,200-2,800

321 A FIVE STONE DIAMOND RING, the five graduated round-cut diamonds claw-set in platinum and totalling c.0.35cts, to an 18ct yellow gold shank, stamped 18ct Plat

£100-200

322 A DIAMOND SOLITAIRE RING, the central round-cut diamond, c.0.4cts, claw-set in 18ct white gold, with engraved white gold shoulders to an 18ct yellow gold shank

£300-600 Lot 323

323 A FIVE STONE DIAMOND RING, the five graduated round and cushion old-cut diamonds totalling in excess of 1.8cts in a cut down claw setting to an unmarked yellow gold shank.

See illustration

£2,000-4,000

49

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

324 A FIVE STONE EMERALD RING, the five graduated cushion-cut emeralds in a rub-over scroll claw setting with one rose-cut diamond accent remaining on unmarked yellow gold shank

Lot 325

£150-300

325 A 19TH CENTURY DIAMOND CLUSTER RING, the central old cushion-cut diamond c.0.25cts in a cut down white metal collet setting and surrounded by a halo border of further old-cut diamonds forming a cluster design on a white metal shank, stamped 18ct and Plat and No. 334 with diamond-set shoulders See illustration

£200-400

326 A DIAMOND SOLITAIRE RING, the central round old-cut diamond c.1cts, claw-set to a white metal shank with open chenier shoulders.

Lot 327

£1,000-2,000

327 A DIAMOND BOMBE RING, the 18ct white gold tapering band, pavé set to the top section, with multiple graduated round brilliant-cut diamonds, the shank inscribed ‘Cartier 750’ and No. F60209.

See illustration

£4,000-6,000

328 AN EMERALD AND DIAMOND CLUSTER RING, the central emerald-cut stone in a four corner claw setting and raised above a rectangular cluster border of round brilliant-cut diamonds and baguette-cut diamonds, (total diamond weight c.0.9cts), forming the shoulders, to an 18ct white gold shank.

See illustration

Lot 328

£1,200-1,800

329 A DIAMOND CLUSTER RING, claw-set to the centre with a round brilliant-cut diamond, raised above a border of six further round brilliant-cut diamonds (totalling c. 1.4cts) to an 18ct yellow gold shank

50

£250-500

330 A RUBY AND DIAMOND RING, rub-over claw-set with three round-cut rubies, flanked with six small round brilliant-cut diamonds to a hallmarked 18ct yellow gold shank

Lot 332

£200-400

331 A SEVEN STONE DIAMOND RING, the seven round brilliant-cut diamonds (totalling c.0.49cts) rub-over claw-set to an 18ct yellow gold shank

£250-500

332 A NATURAL COLUMBIAN EMERALD AND DIAMOND RING, the central octagonal cut emerald, c. 1.22cts in a corner claw setting to an unmarked white metal shank with two graduated baguette cut diamonds to either shoulder with Certificate from the Gemmological Certification Services, London, dated 29th March 2017 confirming the emerald is natural with insignificant indications of clarity enhancement.

See illustration

Lot334

£4,000-8,000

333 A FULL DIAMOND ETERNITY BAND, set with twenty one round brilliant-cut diamonds in unmarked white metal, ring size L½

£100-200

334 AN ART DECO STYLE DIAMOND CLUSTER RING, formed from three central round-cut stones, collet-set in squares as a horizontal line and surrounded by further smaller round-cut diamonds with pierced shoulders (total diamond weight c.1.2cts) to an unmarked white metal shank.

See illustration

Lot 335

£900-1,800

335 A ‘JADEITE’ SOLITAIRE RING, the oval cabochon ‘jadeite’ c.19mm x 13.3mm mounted on a brushed 14ct yellow gold shank.

See illustration

£400-600

51

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

342 A DIAMOND SOLITAIRE RING, the central round brilliant-cut stone c.0.15cts in a four claw setting, on an 18ct yellow gold shank, with zig-zag, hallmarked for Birmingham 1994

336 A SEVEN STONE DIAMOND RING, the seven old cushion-cut diamonds totalling c. 0.49cts in a rub-over open claw setting to an unmarked yellow gold shank with scrolling shoulders

£250-500

343 A DIAMOND CLUSTER RING, claw-set with seven round brilliant-cut diamonds (totalling c.1cts) forming a flowerhead design and mounted on an 18ct yellow gold bark textured tapering shank

337 A RUBY AND DIAMOND FLOWERHEAD RING, collet-set in yellow gold to the centre with a round-cut ruby and surrounded by a shaped millegrain halo border of rose-cut and old-cut diamonds to an 18ct yellow gold shank with knife edge shoulders

£80-150

£200-400

339 A DIAMOND SOLITAIRE RING, the central oval cushion-cut stone c.0.45cts, claw-set in 18ct white gold to an 18ct yellow gold shank with open chenier shoulders

£150-300

£1,500-3,000

346 A 1960’S STYLE SAPPHIRE CLUSTER RING, formed from multiple 14ct white gold textured bars stacked to form a raised design with polished scrolling leaves and individually claw-set with seven graduated round-cut blue sapphires on a 14ct white gold shank and a ‘jadeite’ 14ct yellow gold cabochon ring (2)

£250-500

341 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut pink tone ruby, collet-set and surrounded by an open individually collet-set border of ten round brilliant-cut diamonds (totalling c.0.91cts) to an 18ct yellow gold shank

£150-300

345 A FIVE STONE DIAMOND RING, the five graduated round brilliant-cut diamonds totalling c.1.4cts, claw-set to an 18ct yellow gold shank with diamond-set open shoulders

340 A JADEITE AND DIAMOND RING, claw-set to the centre with an oval-cut green jadeite cabochon, flanked on either wide by a graduated cluster of three round-cut diamonds (total diamond weight c.0.8cts) to an unmarked yellow metal shank

£150-300

344 AN EMERALD AND DIAMOND THREE STONE RING, the central rectangular-cut emerald in a four claw cornet setting and flanked to either side by a round brilliant-cut diamond, each c. 0.2cts, with raised open claw framework to an 18ct yellow gold shank with open chenier shoulders

338 A PLATINUM BAND with a princess-cut diamond c.0.15cts in a raised square collet setting, shank hallmarked and a platinum hallmarked plain wedding band (2)

£80-150

£200-400

347 A RUBY AND DIAMOND GYPSY STYLE RING, the top inset with an oval-cut ruby flanked by a pair of smaller round-cut rubies with a round brilliant-cut diamond at either end (total diamond weight c.0.14cts) to an 18ct yellow gold shank with scroll setting

£850-1,250

52

£100-200

348 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut ruby c.11mm x 8mm x 5.6mm, clawset and surrounded by a border of twelve round brilliantcut diamonds (totalling c.1.2cts) claw-set in platinum to an 18ct white gold shank with open chenier shoulders.

See illustration

349 A NATURAL SRI LANKAN SAPPHIRE AND DIAMOND CLUSTER RING, the central cushion-cut natural Sri Lankan sapphire in a four corner claw setting, surrounded by a double tiered border of graduated round brilliant-cut diamonds and mounted on a platinum shank, pavé-set with diamonds to the shoulders and open setting, the shank stamped ‘PT950’.

See illustration

The sapphire in this ring carries a Certificate from the Gemmological Certification Services, London stating the sapphire to weigh 10.41cts, origin Ceylon, Sri Lanka with no indications of heat treatment.

£10,000-15,000

53

£6,000-8,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

350 A PAIR OF DIAMOND AND AQUAMARINE EARRINGS of ribbon-tie design, pavé-set with calibre-cut aquamarines with six individually collet-set round-cut diamonds to the centre, in unmarked white metal.

See illustration

Lot 350

£150-300

351 A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond c.0.85cts, clawset in platinum to an 18ct yellow gold shank with open chenier shoulders

£1,500-3,000

352 A THREE STONE DIAMOND RING, the three round-oval old-cut diamonds (totalling c.0.9cts) in a collet setting to an 18ct yellow gold shank

Lot 353

£200-400

353 A COLUMBIAN EMERALD AND DIAMOND THREE STONE RING, the central rectangular cushion-cut emerald c.1.99cts in a double claw setting and flanked to either side by a round old-cut diamond, each c.0.5cts to an unmarked yellow gold shank with scroll setting.

See illustration

This ring carries a Certificate from the Gemmological Certification Services, London stating the central stone to be a natural emerald, origin Columbia with indications of moderate clarity enhancement

£2,500-4,500 354 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut ruby collet-set and surrounded by a rub-over millegrain set border of ten round-cut diamonds, to an 18ct yellow gold shank with diamond-set open shoulders

Lot 355

£200-400

355 CARTIER: A GEM-SET RABBIT BROOCH, modelled in 14ct yellow gold with pavé diamond-set ears, a ruby eye and a coral carrot, signed ‘14K Cartier’ to bottom with brooch fitment, 3.5mms long, in a Cartier box. See illustration

54

£2,000-4,000

356 A LARGE CITRINE COCKTAIL RING, the large oval-cut citrine, (c.22mm x 17mm) in a four claw setting and raised above a stylised textured leaf and bead border mounted on a 14ct yellow gold band

Lot 359

£200-400

357 A SAPPHIRE LINE BRACELET, rub-over channel-set with 48 baguette-cut blue sapphires, each set as a reticulated link, the concealed clasp with double safety catch and hallmarked for 18ct yellow gold

£300-600

358 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EAR STUDS, each claw-set to the centre with a round-cut sapphire and surrounded by four individually claw-set old-cut diamonds forming a flowerhead design, in unmarked yellow gold with fish hook fitments, 9mm dia

Lot 360

£100-200 359 A PAIR OF DIAMOND AND SAPPHIRE HALF-HOOP EARRINGS of domed form, tension-set with horizontal rows of calibre-cut sapphires and graduated round-cut diamonds in 18ct yellow gold with clip fitments, marked ‘Garrard’ each 20mm long.

See illustration

£1,500-3,000

360 A DIAMOND FLOWERHEAD CLUSTER RING, collet-set overall with seven round brilliant-cut diamonds (total carat weight c.1.6cts).

See illustration

£1,300-1,600

Lot 361

361 A PAIR OF PINK STONE AND DIAMOND EAR STUDS, formed from stylised halo leaf and grape design, rub-over set overall with round-cut pink stones, probably rubies, princess-cut pink stones and round-cut diamonds in unmarked gilt metal, 22mm long (2) See illustration

£200-400

55

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

367 MILITARY INTEREST: AN 18CT WHITE GOLD AND DIAMOND-SET SWEETHEART BROOCH, possibly for The Royal Observer Corps, modelled as a diamond-set letter ‘O’ with a single wing to one side, the reverse stamped 18ct, 47mm wide.

See illustration

362 AN EMERALD AND DIAMOND NECKLACE CLASP of rectangular form, collet-set to the centre with an emerald-cut green stone, probably emerald and surround by an Art Deco style round-cut and baguette-cut diamond border in unmarked white metal, c.15mm long, suspended on a broken row of simulated pearls.

See illustration

£400-800

368 A PAIR OF EMERALD AND DIAMOND DROP EARRINGS, the fish hook fitments individually collet-set with two graduated round old-cut diamonds suspending a diamond-shaped framework further collet-set with five graduated round old-cut diamonds and a central squarecut claw-set emerald (total diamond weight of each earring c.0.91cts, in unmarked yellow and white metal, each 30mm long.

See illustration

363 A CULTURED PEARL NECKLACE, formed from sixty-seven knotted Akoya pearls, c.7.57.8mm wide, united by a 14ct yellow gold oval clasp with safety catch, collet-set to the centre with an oval green jadeite cabochon, c. 11.5 x 10mm and surrounded by a rub-over border of round-cut diamonds and four larger round-cut diamonds (total diamond weight c.0.36cts), the reverse stamped ‘14K 585’, circa 23”, 57.7cms long.

See illustration

£800-1,500

£500-1,000

365 MILITARY INTEREST: A DIAMONDSET BROOCH, modelled as a deer or Springbok, possibly for The Royal Canadian Dragoons, pavé-set overall with graduated round brilliant-cut diamonds in unmarked white metal and mounted on a bar brooch with safety catch, 40mm long.

See illustration

These earrings carry a Certificate from The Gemmological Certification Services, London, dated 2nd November 2016, stating the two rubies to be natural, origin Thailand with no indications of heating.

See illustration

£2,500-3,000

370 MILITARY INTEREST: A ROYAL TANK REGIMENT BROOCH modelled in unmarked white metal as a tank within a diamond-set crowned wreath with enamel “Fear Naught”, 20mm wide

£200-400

366 AN AQUAMARINE AND DIAMOND PENDANT, formed from an oval-cut collet-set aquamarine, suspending a diamond-set curved stylised link centred with a ruby and further suspending a larger oval-cut collet-set aquamarine, with diamond-set pendant bale, in unmarked white metal and mounted on an 18ct white gold trace link chain, 20”, 50cms total length.

See illustration

£500-1,000

369 A PAIR OF NATURAL UNTREATED RUBY AND DIAMOND CLUSTER EAR STUDS, claw-set to the centre with a round-cut ruby, c.0.7cts and 0.8cts and surrounded by a border of eight individually claw-set round brilliant-cut diamonds, each c.0.05cts to form a snowflake design, set in unmarked white metal with stud fitments

364 AN EDWARDIAN STYLE PEARL AND DIAMOND DROP PENDANT, the central pearl c.3.4mm wide, flanked to either side by a round-cut diamond, each c.0.07cts, suspending a colletset diamond train ending in a diamond mounted button pearl, in unmarked yellow gold on a 9ct yellow gold trace link chain, 16”, 40cms long.

See illustration

£200-400

£200-400

371 A PAIR OF DIAMOND CLUSTER EAR STUDS, collet-set to the centre with a Princess-cut diamond, each c. 0.15cts and surrounded by a millegrain-set border of round brilliant-cut diamonds, forming a square design in 18ct white gold

£900-1,800 56

£600-1,200

Lot 364

Lot 366

Lot 362 Lot 363 Lot 367

Lot 365 Lot 370

Lot 368

Lot 371

Lot 369

Lot 372

Lot 373

373 AN INDIAN GEM-SET BRACELET, the three central shaped panels, rub-over set with roundcut white stones and graduated round-cut pink stones, probably rubies, in unmarked yellow metal on a five row curb link bracelet, with screw barrel clasp See illustration

372 AN EARLY 20TH CENTURY PEARL AND DIAMOND BRACELET, the top section individually millegrain collet-set with five graduated half pearls of white tone and five graduated round old-cut diamonds totalling c.0.7cts and mounted on a 15ct yellow gold and platinum strap engraved ‘Plat.

G1796 P.R. 15ct Britannic, 274716, patent 24396/06’.

See illustration

£400-800

57

£500-1,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

380 DAVID MORRIS: A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round brilliant-cut diamond c.0.4cts in a four claw unmarked white metal setting, with sprung platinum backs and the original grey suede David Morris signature jewellery pouch

374 A PAIR OF DIAMOND SOLITAIRE EAR STUDS each round brilliant-cut diamond c.0.33cts, in a four claw 18ct white gold screw back setting

£250-500

375 A PAIR OF MOTHER-OF-PEARL AND DIAMOND CUFFLINKS, each set with a central mother-of-pearl disc, surrounded by a millegrain rose-cut diamond border, in unmarked yellow metal, the ‘figure of eight’ joining link engraved ‘Brevete’

381 A SUITE OF EMERALD JEWELLERY comprising a 9ct yellow gold 1960’s design ring, clawset with four emeralds, a pair of emerald-cut emerald diamond ear studs in unmarked yellow metal, an emerald set 9ct yellow gold leaf brooch and a solitaire emerald-cut emerald pendant in 18ct yellow gold, on an 18ct yellow gold snake link chain (a lot)

£500-1,000

376 AN UNMARKED YELLOW METAL BANGLE, hinged, the top section inset with an oval old-cut diamond within an engraved star, with safety chain, c.11g (all in)

£80-150

£100-200

£600-1200

384 A 9CT YELLOW GOLD AND RUBY BANGLE, hinged, the tapering top section inset within engraved stars, with seven graduated round-cut rubies against a textured ground, the concealed clasp with safety chain, c.16.2g (all in)

£200-400

379 A PAIR OF EARLY 20TH CENTURY BLUE ZIRCON AND ROSE GOLD DROP EARRINGS, each claw-set to the top with a round-cut blue zircon suspending a larger round-cut blue zircon from a rose gold knife edge bar, unmarked but tests as gold with screw back fitments, 37mm long

£100-200

383 A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round brilliant-cut diamond c.0.25cts in a four claw setting, further mounted with four round-cut diamond accents, in 18ct white gold

378 DAVID YURMAN: A 14CT YELLOW GOLD SILVER AND CABOCHON GARNET CROSS PENDANT, the silver cross with engraved swirls and maker’s monogram ‘DY’ with 14ct yellow gold collar ends, with each end set with a deep cabochon garnet, 42mm long and suspended on a silver box link chain with 18ct gold David Yurman makers mark charm, 24”, 60cms long

£200-400

382 AN 18CT YELLOW GOLD RUBY AND PEARL BROOCH, formed as a stylised openwork feather, individually clawset overall with 17 graduated round-cut rubies and three central cultured pearls, the reverse hallmarked, c.8.6g (all in), c.55mm long

377 THEO FENNELL: A DIAMOND-SET CELTIC CROSS PENDANT of open form, millegrain set overall with diamond accents, suspended from a diamond-set pendant bale, hallmarked for 18ct white gold London 2003 with makers mark, c.

37mm long

£1,500-3,000

£150-300

385 A MODERN GEM-SET DRAGONFLY BROOCH, millegrain set to the wings with graduated round-cut rubies, sapphires and diamonds, the body and tail formed from graduated round-cut and oval-cut collet set rubies in unmarked yellow and white metal, 35mm wide x 35mm long

£80-150

58

£150-300

386 AN OPAL AND DIAMOND FRINGE NECKLACE, the centre modelled with a cabochon opal and surrounded by eight old rose cushion-cut diamonds forming a flowerhead design, the chain interspersed with rose-cut diamonds and graduated round cabochon opals, with a conforming drop fringe in unmarked yellow and white metal, the concealed elliptical clasp set with three rose-cut diamonds, 16� (40cm) long, in a fitted case for Carrington & Co. Ltd. See illustration

ÂŁ6,000-12,000

59

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

392 A BLACK OPAL DOUBLET BROOCH of elongated pear form, in a deep unmarked yellow metal mount inscribed “JMH 1935”, 42mm long.

See illustration

387 A VICTORIAN BLACK OPAL AND SEED PEARL COLLAR NECKLACE collet-set with five oval and round black opals united by double chain links interspersed with five seed pearl bars, the remaining yellow metal chain interspersed with seed pearls, with adjustable jump-ring clasps, 14½” (36.25cm) long. See illustration

393 A GEORGE III MOONSTONE CROSS PENDANT collet and claw-set overall with eight round cabochon moonstones surrounded by an ornate granulated and wirework border, with flower scroll and cabochon moonstone-set pendant bail, 105mm long.

See illustration

£500-1,000

388 A VICTORIAN MOONSTONE COLLAR NECKLACE, the central section formed from 18 graduated oval moonstone cabochons, each reticulated with bar-links and suspended on a double unmarked yellow metal chain, the concealed clasp claw-set with an oval moonstone cabochon, 13” (32.5cm) long, and a pair of matching cabochon moonstone screw ear studs, one signed “MB & Co.”, in a case for JW Benson Ltd (2).

See illustration

£400-800

389 A VICTORIAN LOCKET PENDANT of heart form in unmarked yellow metal, the front set with five cushion-cut emeralds and a rose-cut diamond to the centre forming a flowerhead design, with two further emeralds set to the front, the reverse with tier-shaped hairwork locket, with padlock clip bale, 30mm long.

See illustration £200-400

390 MILITARY INTEREST: A GRENADIER GUARDS BAR BROOCH set to the centre with a round button-shaped coral, c.11.1mm wide, with a rose and old-cut diamond surmount creating a flaming bomb design, on a 15ct yellow gold brooch bar stamped 15c, 20mm long (gemset section only).

See illustration

£300-600

396 AN OPAL AND DIAMOND CLUSTER RING, the central oval opal claw-set and surrounded by a rosecut diamond border, to an unmarked yellow gold shank with open split shoulders

£300-600

£100-200

397 A 9CT YELLOW GOLD BAR BROOCH with engine-turned decoration, suspending a rope-twist beehive mounted with a gem-set flower and leaf design, with safety chain, 22mm drop

391 AN OPAL AND DIAMOND BROOCH PENDANT, the rose-cut diamond leaf wreath suspending a claw-set heart-shaped opal drop, in unmarked white metal, 30mm long. See illustration

£800-1200

395 A VICTORIAN TURQUOISE-SET BROOCH formed from Celtic scroll engraved entwined ribbons of unmarked yellow metal, collet-set with graduated round turquoise cabochon suspending three plaited chain links with a further turquoise-set oval locket, the reverse with locket back, 40mm wide

£1,000-2,000

394 A FIVE STONE DIAMOND RING, the five round graduated brilliant-cut diamonds totalling c.1.1cts, in an unmarked white metal claw setting to an unmarked yellow metal shank

£100-200

£500-1,000

£50-100

398 A DIAMOND SOLITAIRE RING, the central pear-cut diamond in excess of 0.4cts, in a three claw setting, to a hallmarked 18ct yellow gold shank

60

£200-400

Lot 391

Lot 393

Lot 388 Lot 390

Lot 389

Lot 392

61

Lot 387

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

399 A GEORGE III HAIRWORK MONOGRAM RING, the oval bezel with a brunette hairwork ground, with applied gold wirework monogram, possibly RA, within a looped border, in unmarked yellow gold with demi-lune arrowhead chased border, the reeded shank with split moulded shoulders. See illustration

Lot 399

£1,600-1,800

400 AN EARLY 19TH CENTURY GEMSTONE CLUSTER RING claw-set to the centre with a round pearl and surrounded by a rub-over border of green and pink stones, on an unmarked yellow metal stop fluted shank with open scrolling shoulders

£80-150

401 A GEORGE III PAINTED MINIATURE PORTRAIT with gem-set mount, the oval portrait of a woman with grey hair wearing a blue dress with red ribbon, surrounded by an open scroll border set overall with graduated rose-cut diamonds, rubies and peridot, in unmarked white metal, the reverse with locket back, 70mm long, in a fitted leather case. See illustration

Lot 401

£1,200-1,800

402 A VICTORIAN SEED PEARL AND DIAMOND BROOCH PENDANT claw-set to the centre with a round old-cut diamond, c.0.15cts and surrounded by a border of graduated seed pearls forming a star burst design, in unmarked yellow metal, with brooch fitment and pendant hook, 30mm wide.

£80-150

403 A 17TH CENTURY ROSE-CUT DIAMOND “HAND IN HEART” RING cut-down collet-set in white metal with a pear-shaped rose-cut diamond, c.7.5mm x 6.4mm, with a triple rosecut diamond collet-set crown surmount, the unmarked yellow gold shank with scroll carving and open hand shoulders. See illustration

Lot 403

Provenance: Private collection, Dorset.

According to a letter from the relative who bequeathed the ring it is referred to as “The Strafford Ring”.

Apparently according to the letter it has descended from the Earl of Strafford, commonly known as the Black Earl, and thence by descent within the Knight family.

£2,000-4,000

404 A SAPPHIRE AND DIAMOND BUTTERFLY BROOCH of openwork form, claw-set overall with round-cut sapphires, the body modelled as a marquise-cut sapphire with diamond highlights, in unmarked yellow gold, 30mm wide

62

£100-200

405 A VICTORIAN DIAMOND AND PEARL CRESCENT BROOCH of openwork form set overall with graduated old and rose-cut diamonds forming scrolls, mounted to the centre of the crescent with a white pearl (untested) and three diamond-set leaves creating a flowerhead in silver and gold, 40mm wide.

See illustration

Lot 405

£500-1,000

406 A 19TH CENTURY MICRO-MOSAIC TARGET BROOCH of circular form, the multi-coloured tesserae depicting daisies against a royal blue ground, with Roman style demi-lune and leaf borders, within an unmarked yellow gold twist mount with brooch fitment and pendant loop, 35mm dia.

£400-800 Lot 407

407 A ROSE-CUT DIAMOND HEART LOCKET PENDANT, the hinged front section millegrain pave-set overall with graduated rose-cut diamonds, with a larger pear-shaped rose-cut diamond to the centre, circa 7.35mm x 6.2mm (widest points) with an unmarked yellow gold back, diamond-set pendant bale, 30mm long and suspended on a later 15ct yellow gold filigree chain, 15” (37.5cm) long.

See illustration

£2,500-3,500

408 A SAPPHIRE AND DIAMOND RING, claw-set to the centre with a round-cut blue sapphire, c.5.85mm dia, in platinum on an 18ct yellow gold shank with open shoulders, each set with three round-cut diamonds

£150-300 Lot 409

409 A VICTORIAN SEED PEARL BANGLE, hinged, the top section set overall with graduated pearls, forming a flower and leaf design, the concealed clasp with safety chain, in unmarked yellow gold, in a fitted case for E Whistler & Co, Strand.

See illustration

£300-600

410 AN EMERALD AND DIAMOND CLUSTER RING of lozenge-shape, claw-set with seven marquise and pearcut emeralds at different heights, interspersed with twelve graduated round brilliant-cut diamonds (totalling c.0.6cts) on an 18ct hallmarked yellow gold shank

£500-1,000 63

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

417 A GRADUATED CULTURED PEARL NECKLACE, the largest pearl c.5mm wide, the smallest c.1.9mm wide, knotted, united by an oval old-cut and rose-cut diamond clasp with triangular-shaped sapphires, in unmarked yellow and white gold with safety catch, 19” (47.5cms) long

411 A FRENCH ART DECO GIARDINETTO BROOCH, the flower basket design set overall with graduated round and rose-cut colourless and champagne diamonds, emeralds and rubies in yellow gold with maker’s mark in a diamond shape ‘EB’, 40mm wide

£500-1,000

412 A DIAMOND CLUSTER HALO RING, set to the centre with a cluster of round brilliant-cut diamonds and surrounded by a halo diamond border, to an 18ct white gold shank, with diamond-set shoulders, total diamond weight c.0.39cts

418 A 9CT YELLOW GOLD CURB BRACELET, each alternate link with floral engraving, united by a floral engraved hallmarked padlock catch with safety chain (c.22.9gms)

£300-600

413 AN 18CT YELLOW GOLD CONTEMPORARY SERPENT RING, the head inset with a round brilliant-cut diamond, c.0.03cts, the shank stamped ‘750’

£50-100

£300-600

£200-400

421 A 9CT YELLOW GOLD CURB LINK BRACELET, each flattened link hallmarked, united with a padlock shaped clasp with safety chain, (c.15.2gms)

£300-600

416 A 9CT YELLOW GOLD TWIST GATE LINK BRACELET, with heart-shaped hallmarked padlock clasp and safety chain, (c.13.3gms)

£150-300

420 AN 18CT YELLOW GOLD GYPSY STYLE RING, inset within an engraved star, with a round-cut diamond, (c.0.05cts) and a collection of four other gold and gemset rings (5)

415 AN 18CT YELLOW GOLD EMERALD AND DIAMOND BRACELET, each open rectangular link set with a claw-set princesscut emerald or a claw-set princess-cut diamond, the concealed clasp hallmarked with safety catch, (c.15.8gms all in)

£200-400

419 A 9CT YELLOW GOLD LOCKET PENDANT of oval form, engraved with scrolls to the front, hallmark to the back, (c.30mm long) and suspended on a 9ct yellow gold link chain, 22” (55cms) long (c.17.5gms all in)

414 A VICTORIAN PEARL BANGLE, the hinged top open section set overall with graduated pearls, forming a triple flowerhead and leaf design, the bottom section open bar, the concealed clasp with safety chain in unmarked yellow gold

£80-150

£100-200

422 TRANSPORT INTEREST: AN UNMARKED YELLOW METAL STICKPIN, modelled with a steam engine, engraved ‘Ransomes of Ipswich’ and a collection of other gold and yellow metal items including a 9ct yellow gold curb link chain (a lot)

£100-200

64

£200-400

423 A DIAMOND MALTESE CROSS BROOCH, collet-set to the centre with a round brilliant-cut diamond, (c.1.25cts) each of the four points of the cross pavé-set overall with graduated round brilliant-cut diamonds, (total carat weight in excess of 11cts) and set in unmarked white metal, 45mm wide in the original fitted case for Alfred Chilcott & Co, Bristol.

See illustration

423A A N EDWARDIAN DIAMOND “BOAT HEAD” RING set in platinum in 18ct yellow gold with a central line of three old-cut diamonds within a border of twelve similar diamonds

£5,000-7,000

65

Provenance: Private Collection, Dorset

£4,000-8,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

429 A CONTINENTAL YELLOW GOLD FANCY CURB LINK BRACELET, suspending a 1958 Full Sovereign within a rope-twist gold metal border, the concealed clasp with hallmark and safety chain and catch, (c. 49.4gms all in).

See illustration

424 AN UNMARKED YELLOW GOLD DOUBLE BELCHER LINK CHARM BRACELET, set overall with twenty three 9ct yellow gold and other charms, including a 1912 Full Sovereign, a 1905 and 1906 Half Sovereign, a hippo and a range(c.98.8gms all in). See illustration

£800-1,500

430 A 9CT YELLOW GOLD GATE LINK BRACELET, the heart-shaped padlock clasp hallmarked with safety chain (c.16.3gms)

425 AN AMETHYST AND DIAMOND BROOCH of open lozenge form, claw-set with six round-cut amethysts, interspersed with collet-set diamonds and collet-set with four round-cut diamonds to the central cross shape, in marked yellow gold, with brooch fitment, (c.42mm long).

See illustration

£900-1,800

£1,000-2,000

£400-800

433 AN 18CT YELLOW GOLD TASSEL NECKLACE, the tassel formed from five beadwork trains, with pierced oval beads at each end and suspended on a trace link chain with hallmarked jump ring clasp, c.20” (50cms) long, (c.4.5gms)

£100-200

428 A PAIR OF OLD-CUT DIAMOND CHANDELIER DROP EARRINGS, formed from two sections to create night and day earrings, this fish hook attachment set with five old cushion-cut diamonds, forming a cross design, united with scrolling wirework, creating a flowerhead, suspending a detachable diamond-set drop centred with a pear-cut diamond, with further cut down collet-set diamond drop in unmarked yellow and white metal (total length 40.5mm long), 19th century and later.

See illustration

£800-1,500

432 A FINE YELLOW METAL TORQUE BANGLE, rope-twist with demi-lune plain ends, with Middle Eastern gold marks, possibly 22ct (c.43.7gms).

See illustration

427 A VICTORIAN 9CT YELLOW GOLD BRACELET, converted from a fob chain, formed from two rope twist rows, united at the centre with a chased heart with ‘T’-bar and tassel at one end and a carabiner clasp at the other, the chain with applied stamp ‘9ct’, the clasp stamped ‘9ct’ (c.9.6gms all in).

See illustration

£100-200

431 AN 18CT YELLOW GOLD BRACELET formed from textured and polished fancy loop links, suspending six fobs including an engraved bloodstone seal fob in unmarked yellow metal, an engraved cornelian seal, set in unmarked yellow gold, the concealed clasp stamped ‘VR59 750’ with safety catch (c.94.9gms all in).

See illustration

426 A DIAMOND DROP PENDANT AND CHAIN, collet-set within an old oval-cut diamond (c. 6mm x 5mm) in a closed back white metal setting, with a train of three further closed back set old-cut diamonds and suspended on a later 18ct white gold belcher link chain, overall length 18” (46cms) long.

See illustration

£600-1,200

£60-120

434 A THREE STONE DIAMOND RING, claw-set to the centre with a round old-cut diamond c.0.68cts and flanked to either side by a further roundold-cut diamond, each c.0.4cts in 18ct white gold to an 18ct hallmarked white gold shank

£1,300-1,800

435 A 9CT ROSE GOLD BELCHER LINK ALBERT CHAIN, suspending a ‘T’-bar with carabiner clasp, stamped 9c, 20”, 50cms long (c.16.4gms all in)

£3,500-4,500 66

£200-400

Lot 424

Lot 426

Lot 431

Lot 428

Lot 427

Lot 429

Lot 425

Lot 432 67

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

442 A PAIR OF 18CT YELLOW GOLD OVAL CUFFLINKS with chain link and engraved with initials and two other pairs of 9ct yellow gold cufflinks, one enamelled (3 pairs) (c.23.4gms all in)

436 A 9CT YELLOW GOLD FANCY CURB LINK CHARM BRACELET, suspending seventeen 9ct yellow gold and other charms including a boot and gypsy caravan, the padlock heartshaped clasp hallmarked with safety chain, (c.40.2gms all in)

£300-600

443 A 9CT ROSE GOLD CURB LINK BRACELET, e ach link hallmarked suspending twelve 9ct yellow gold and other charms including a Boxer and a Corgi with a hallmarked 9ct yellow gold engraved heart padlock clasp with safety chain, (c. 43.9gms all in)

437 AN UNMARKED YELLOW METAL OPERA LENGTH CHAIN, formed from faceted oblong beads, unmarked but tests as gold, 48” (120cms) long (c.24.7gms)

£500-1,000

438 A 15CT YELLOW GOLD GRADUATED ALBERT CHAIN, with ‘T’-bar at one end and carabiner clasp to the other, 16” (40cms) long (c.26gms all in)

£200-400

£250-500

£300-600

446 A 9CT TRI COLOURED GOLD CUFF BRACELET of brick form, each link either rose, yellow or white gold, the concealed clasp with hinged safety catch, hallmarked (c.30.1gms)

£100-200

£200-400

441 A 9CT YELLOW GOLD SNAKE LINK NECKLACE, with large display jump-ring clasp, stamped 375, the other end hallmarked , c.16” (40cms) long and a bracelet en suite (c.41.2gms all in) (2)

£400-800

445 A 9CT YELLOW GOLD CHUNKY CURB LINK CHAIN, with hallmarked heart padlock clasp and safety chain (c.

36.5gms)

440 A 9CT ROSE GOLD CURB LINK BRACELET with yellow gold hallmarked heart padlock clasp, (c.12.9gms), another similar for a child (c.2.5gms) and a rolled gold bangle (3)

£300-600

444 A 9CT ROSE GOLD GRADUATED ALBERT CHAIN, each link hallmarked, with a carabiner clasp at either end and suspending a hallmarked ‘T’-bar to the centre, 15”, 37.5cms long (c.52.1gms all in)

439 AN 18CT YELLOW GOLD FILIGREE BROOCH, modelled as a pair of flowerheads, the back of the stems hallmarked with brooch fitment and safety chain (c.

45mm wide) (c.18.2gms)

£200-400

447 A 9CT YELLOW GOLD GRADUATED ALBERT CHAIN, each link hallmarked, the centre suspending a hallmarked ‘T’-bar and a carabiner clasp at either end (one gold plated), 16” (40cms) long, (c.30.5gms all in)

£200-400

68

£200-400

448 A MOUAWAD: AN 18CT WHITE GOLD AND DIAMOND COLLAR, the eleven central open curved rectangular links, pavé-set overall with round brilliant-cut diamonds adjoining plain polished 18ct white gold conforming links, the concealed clasp hallmarked with makers stamp and safety clasp, c.16” (40cms) long, in original fitted case.

See illustration

£4,000-8,000

449 A DIAMOND LINE NECKLACE, each reticulated link collet-set with a round brilliant-cut diamond (c.0.03cts) with a double sided diamond-set lobster clasp at one end and an expandable chain and double sided diamond point at the other, in unmarked white metal, 18” (46cms) long.

See illustration

69

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

456 AN OVAL CARVED SHELL CAMEO, depicting a winged woman holding her finger up, enclosed within an unmarked yellow metal brooch mount with Etruscan style castellated decoration, the reverse with brooch fitment and safety chain, 42mm long

450 AN 18CT YELLOW GOLD AND GARNET BROOCH of oval form, rub-over claw-set to the centre with four round-cut garnets against a pierced scrolling oval ground, enclosed within round-cut garnet rub-over claw-set borders, all in hallmarked 18ct yellow gold, c. 42mm long

£200-400

457 AN OVAL SHELL CAMEO BROOCH, carved with a pair of figures in flight, one with feathered wings, the other with butterfly wings, within an unmarked yellow metal brooch mount, the reverse of the cameo inscribed ‘N’, 70mm long

451 A YELLOW GOLD OPERA CHAIN, the belcher chain interspersed with engraved and polished ball links, with applied carat grade stamp, (illegible, but probably 9ct) c.56” (140cms long) (c.25.4gms)

£200-400

£500-1,000

£300-600

£100-200

461 A GRADUATED AMBER’ BEAD NECKLACE, the largest spherical bead c. 12mm wide, the smallest c.5.4mm wide, c.15” (37.5cms) long with some additional beads and a further ‘amber’ boulder necklace (2)

£100-200

455 A 19TH CENTURY OVAL SHELL CAMEO, depicting Hebe feeding the eagle, enclosed within an unmarked yellow gold frame with Etruscan style ropetwist border and applied leaves at four points, the reverse with brooch fitment and pendant loop

£100-200

460 A DOUBLE ROW ‘CHERRY AMBER’ GRADUATED BEAD NECKLACE, the largest bead c.25mm wide, the smallest c.12mm wide, 24” (60cms) long

454 A 19TH CENTURY AGATE BROOCH, the large cabochon agate collet-set and surrounded by an open engraved scroll unmarked yellow gold border, c.16mm long, a 19th century yellow metal turquoise enamel and pearl locket pendant and two bar brooches (4)

£50-100

459 A MODERN DIAMOND AND RUBY BUTTERFLY BROOCH, set with a cultured pearl to the centre in unmarked yellow metal, 31mm wide

453 AN UNMARKED YELLOW METAL PENDANT of disc form, with pierced Middle Eastern decoration overall and with applied Arabic cipher to the centre, the reverse stamped ‘14’ with pendant bale, 80mm long and suspended from an unmarked yellow metal polished applied flat link chain c.28” (70cms) long

£50-100

458 A COLLECTION OF STICK-PINS including a coral button example and two 9ct yellow gold hallmarked pearl examples (a lot)

452 A YELLOW METAL BROOCH, modelled as a stringed instrument, unmarked and a similar brooch in unmarked yellow metal depicting a kukri and scabbard (c.25.8gms) possibly Ethiopian (2)

£100-200

£80-150

70

£150-300

462 A NATURAL SRI LANKAN SAPPHIRE PENDANT, the oval blue sapphire, (c.11.6 x 8.7 x 6.9mm) in a deep collet setting, suspended from a princess-cut and roundcut diamond reticulated train terminating in a collet-set round brilliant-cut diamond c.0.4cts, 27mm long, on a platinum trace link chain, 16” (40cm) long.

This pendant is accompanied by a Certificate issued by the Gemmological Certification Services, London, 4th January 2007, stating the sapphire to be natural, origin Sri Lanka Ceylon, with no indications of heat treatment.

See illustration

£6,000-8,000

463 A PAIR OF NATURAL SALT WATER PEARL AND DIAMOND EARRINGS, each natural pearl c.8.3-8.5mm x 9.5-9.7mm, each with a rose-cut diamond set leaf mount suspending from a single old-cut diamond, each circa 0.4cts, in unmarked white metal with fish hook fitments, 22mm long, in a fitted case for Maurice Moses.

See illustration

The pearls are accompanied by a Certificate from the Gem and Pearl Laboratory, London confirming the pearls to be natural salt water

£7,500-9,500

463A AN ART DECO AMETHYST AND DIAMOND RING set with a superb elongated oval amethyst in an unusual scalloped frame set with diamonds, the shoulders of the platinum shank each set with two baguette-cut diamonds in a line £2,500-3,500

71

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

464 A CHINESE JADE BANGLE of plain circular form, the celadon colour with dark to light green tones throughout, 9cms dia.

See illustration

Lot 470A

£100-200

465 A PAIR OF JADE AND ENAMEL DROP EARRINGS, each set with a pear-shaped pierced jade panel, carved with flowers and leaves, within a double sided cloisonné, enamel and wirework border suspended from a train set with two spherical jade balls on a conforming jade and enamel screw back ear stud in unmarked white metal, each c.90mm long.

See illustration

£400-800 468 AN EARLY 20TH CENTURY CARVED AGATE BRACELET, the three carved and pierced graduated panels, depicting Carp and leaves, each within a gilt metal wirework floral surround, the concealed clasp stamped ‘Silver’ with safety chain. See illustration

466 A LARGE CARVED JADEITE PENDANT, the green jadeite carved with groups of Koi Carp to the front and scrolls to the back, c.70mm x 35mm, suspended from a collet-set diamond cluster pendant bale in unmarked white metal and suspended from an unmarked white metal box link chain, circa 16” (40cm) long.

See illustration

469 A CARVED AND PIERCED “JADEITE” SILVER MOUNTED BROOCH and a collection of carved hardstone beads including a graduated row of ivory beads, a seed pearl necklace and other cultured pearls (a lot)

£2,500-4,500

467 AN ART DECO CARVED JADEITE AND DIAMOND BROOCH, the tapering oblong green jadeite pendant carved and pierced with birds and flowers, c.48mm long, mounted in an Art Deco unmarked white metal as a brooch, with stylised diamond mounts at either end, (total diamond weight c.0.6cts).

See illustration

£100-200

£80-150

470 A LONG ROW OF BLUE LACE AGATE CHINESE PRAYER BEADS, each carved with the Shou symbol, circa 40” (100cm) long and a Venetian glass pendant (2)

£500-1,000

£150-300

PAIR OF TIFFANY & CO. 18CT 470A A YELLOW GOLD CUFFLINKS, each of rectangular form with a naturalistic scrollwork border framing a vacant panel, with “S”-scroll links

72

£1,200-1,800

Lot 466 Lot 465

Lot 465

Lot 467

Lot 464

Lot 468 73

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

471 A SET OF GEORGE IV SILVER GILT AND PASTE-SET BUCKLES, comprising a pair of faceted silver bead gilt buckles, hallmarked for London 1824, maker Charles Rawlings, with black satin and leather lining and a matching pair of unmarked yellow and white metal cushion-cut pasteset buckles, in the original fitted case, with Letter of Provenance for March 3rd, 1900, Barnfield Crescent, Exeter stating “These buckles belonged to my greatgrandfather Edward Lewis, Esq..... who was a Member of Parliament for Redcar for over 30 years”. (2).

See illustration

Lot 471

Provenance: Private collection.

£300-600

472 A 19TH CENTURY COLOURLESS PASTE RIVIERE STYLE NECKLACE, each graduated link formed from a flowerhead cluster of rose and old-cut colourless paste in an unmarked white metal closed back setting with concealed clasp, 15” (37.5 cm) long.

See illustration

Lot 474

Provenance: Private Collection, Somerset

See lot 473 for matching earrings.

£400-800

473 A PAIR OF 19TH CENTURY COLOURLESS PASTE CLUSTER EARRINGS, each c.15mm dia in an unmarked yellow metal closed back setting with hinged fish hook fitments.

See illustration

Lot 472 and 473

Ensuite to lot 472

£250-500

474 A REGENCY PASTE-SET MINIATURE MOURNING BROOCH of navette form, painted to the centre en grisaille, with a woman with a heron and dove, surrounded by a rubover cushion-cut colourless paste border, the unmarked rose metal closed back, engraved ‘John Reeves Pris a Bevarage’ with further French inscription, 40mm long.

See illustration Note: This probably relates to John Reeves (177451856) who joined the East India Company as Inspector of Tea in 1808 eventually becoming Chief Inspector of Tea at the company’s Canton offices.

74

£250-450

475 A VICTORIAN YELLOW GOLD BANGLE, hinged, with pierced scrolling acanthus leaf borders, the top section inset with rose-cut diamonds forming a trailing flower design, with French eagle head marks to the concealed clasp, with safety chain (c.26.7g).

See illustration

Lot 475

£300-600

476 AN 18CT YELLOW GOLD AND GEMSET BROOCH modelled as a folded piece of fabric pierced with scrolls and set with clusters of rubies, emeralds and sapphires forming flowerhead designs, the reverse stamped 750, 45mm long

£200-400

477 A SET OF TWENTY SEVEN 18CT YELLOW GOLD BANGLES joined to form a cuff by a yellow gold curb-link bracelet suspending an 18ct yellow gold medallion pendant depicting Casino Municipale de St. Remo, , some of the bangles stamped 750 (c.180g all in) (27).

See illustration

Lot 477

£2,500-3,500

478 A YELLOW GOLD FLOWER BROOCH modelled as a stylised dandelion with a central round brilliant-cut diamond and surrounded by pink rubies, unmarked, 55mm long, and another similar yellow metal rose brooch claw-set to the centre with a round brilliantcut diamond, c.0.07cts (2)

£250-500 Lot 479

479 A RUBY AND DIAMOND LEAF AND FLOWER SPRAY BROOCH, the three 18ct yellow gold textured leaves with multiple knife-edge fans, each claw-set with multiple graduated round-cut rubies and joined by diamond-set ribbons creating a flower bouquet, hallmarked, 50mm dia.

See illustration

£250-500

480 AN EGYPTIAN YELLOW METAL BRACELET formed from square links, each with a different hieroglyphics, joined by double chains, with safety chain

£200-400 75

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

481 AN ART DECO BROOCH of arrowhead form, the open wirework centre modelled as a swan, millegrain-set with rose-cut and old-cut diamonds overall, in unmarked white metal, c.33mm long. See illustration

Lot 481

£300-600

482 UNI DAVID ANDERSEN, NORWAY: A STERLING SILVER ABSTRACT OPENWORK CIRCULAR BROOCH/ PENDANT, the reverse inscribed “Uni DA 925F Sterling Norway Invut”, 58mm dia.

£50-100

483 AN EARLY 20TH CENTURY NOVELTY BROOCH/PENDANT of open circular form modelled in diamonds, rubies and textured yellow gold, with an exotic bird on a branch feeding a pair of chicks in a nest, the reverse with hinged pendant bale, 47mm dia., with an additional diamond and ruby-set pendant bale.

See illustration

Lot 483

£300-600

484 A VICTORIAN UNMARKED YELLOW METAL TARGET BROOCH set to the centre within a star, with a pearl, the reverse with locket back and safety chain, and another similar set with a diamond, hallmarked for 15ct yellow gold (2)

£80-150

485 A BELLE ÉPOQUE DIAMOND BROOCH collet-set to the centre with a round European-cut diamond c.2.25cts, within a stylised lozenge with graduated round-cut diamonds radiating out from the centre and enclosed within pierced rose-cut diamond scroll borders, in unmarked white metal with safety chain, 57mm wide.

See illustration

Lot 485

£2,000-4,000

486 A 9CT YELLOW GOLD HALLMARKED FOB for a Siemens Sportsclub Championship Swimming Section engraved 1920, (c.13grams), a Victorian silver engraved locket hallmarked for Birmingham 1880, and a collection of other jewellery including two vintage wristwatches (a lot)

76

£200-400

487 AN EDWARDIAN RUBY AND DIAMOND LINE BRACELET millegrain collet-set with five graduated round-cut pink rubies and 22 round-cut diamonds totalling c.1.1cts, in unmarked yellow and white gold, the concealed clasp with safety catch.

See illustration

Lot 487

£1,000-2,000

487A A N ART DECO CABOCHON SAPPHIRE AND DIAMOND CLUSTER RING set in platinum with an oval cabochon sapphire in a millegrain collet setting containing fourteen rose-cut diamonds, the shoulders with panels containing rosecut diamonds, on a ribbed shank

£2,500-3,500

Lot 487A

488 A PAIR OF DIAMOND EAR STUDS, each round brilliant-cut stone c.2cts, in a heavy open white metal claw setting with screw fitments.

See illustration £5,000-10,000 489 A 1920’S DIAMOND AND SAPPHIRE LINE BRACELET collet-set to the centre with three graduated oval-cut blue sapphires with ten round collet-set diamonds totalling 0.7cts in between, on a white metal bracelet with scroll chasing to the side, the concealed clasp with safety catch.

See illustration

£1,000-2,000

Lot 488

Lot 489

77

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

490 BUCELLATI: A ROSE-CUT DIAMOND AND SAPPHIRE BROOCH AND EARRING SUITE, the brooch modelled as four flowerheads, the petals set overall with rose-cut diamonds, the centre of each with a cushion-cut blue/green sapphire within a rub-over heavily engraved setting, against a backdrop of unmarked yellow gold leaves, the safety catch inscribed “Bucellati, Italy 96750”, 55mm long, and a pair of matching ear clips, each signed and numbered 94 and 96 (2) See illustration

Lot 490

£1,000-2,000

491 A CARVED “OPAL” PENDANT depicting the side portrait profile of a classical woman with flower at her bosom, mounted and claw-set in yellow gold, c.47mm long and suspended on a 14ct yellow gold box snake-link chain, with brick clasp, c.16” (40cm) long, and a pair of ear studs ensuite (2).

See illustration

£500-1,000

492 A GEMSTONE CLUSTER BROOCH mounted in unmarked yellow gold as a bouquet of flowers and collet-set with clusters of graduated round old-cut diamonds, oval-cut aquamarines and further set with a sapphire flowerhead cluster, a single closed back pink stone, a cultured pearl and three princess-cut emeralds (possibly synthetic), c.45mm long.

See illustration

Lot 491

£250-500

493 A 19TH CENTURY AMETHYST AND PEARL BROOCH set to the centre with an oval-cut amethyst surrounded by a rub-over half pearl set border, in unmarked yellow gold with brooch fitment and safety chain loop, c.27mm long

Lot 492

£50-100

494 A VICTORIAN YELLOW GOLD KNOT BROOCH, the two knot ends each suspending an oval engraved drop, the whole engraved overall with scrolling acanthus leaves and foliage, apparently unmarked but appears to test as gold, c.45mm wide, in the original fitted case

78

£300-600

501 A 15CT YELLOW GOLD SCARF CLIP, hinged and the top section set within an engraved star with a pearl, a 9ct bloomed gold scarf clip, the top hinged section set with a pearl and two rubies, and three similar scarf clips, (c.21.6grams all in) (5) See illustration on page 81

495 A 15CT YELLOW GOLD SCARF CLIP, hinged, the top section set within an engraved star with a round-cut diamond, c.0.2cts, the bottom section stamped 15ct, (c.8gms all in).

See illustration on page 81

£100-200

496 A 9CT YELLOW GOLD SCARF CLIP, hinged, the top section set within three engraved squares, with a rose-cut diamond and two rubies, (c.4.2gms) the reverse hallmarked, a 15ct yellow gold hinged scarf clip inset with coral and pearls (c.4.7gms) and one other unmarked yellow metal scarf clip (3). .

502 AN UNMARKED YELLOW METAL SCARF CLIP, hinged, the top section inset with an old cushion-cut diamond, c.0.2cts, as a buckle, and two other similar (3)

£150-300

£150-300 505 AN UNMARKED YELLOW METAL SCARF CLIP, the top section with engraved scroll decoration and inset with a Celtic Scottish panel of coloured hardstones; a 9ct yellow gold gem-set scarf clip and three others (c.18.3grams all in) (5)

£100-200

499 A 15CT YELLOW GOLD SCARF CLIP, hinged, the top section with Etruscan style granulated decoration, stamped 15ct, three other 15ct yellow gold examples and an unmarked yellow metal scarf clip (c.17.9gms hallmarked clips only), one cased (5) See illustration on page 81

£150-300

506 A 9CT YELLOW GOLD OPENWORK KNOT HINGED SCARF CLIP and two others set with garnets, (c.13.7grams all in) (3)

£200-400

500 AN EARLY 19TH CENTURY 18CT YELLOW GOLD SCARF CLIP engraved overall with Celtic knots and flowers, the top section set with a hairwork and seed pearl panel enclosed within a beadwork border, the interior hallmarked, (c.7.7grams all in), and a gold and silver pique tortoiseshell scarf clip (2).

See illustration on page 81

£200-400

504 A 15CT YELLOW GOLD SCARF CLIP, the top hinged section reeded with graduated bead decoration, and four others including a diamond-set scarf clip and a garnet-set scarf clip, in hallmarked yellow gold or unmarked yellow metal (c.19.2grams all in) (5)

£150-300

498 A 15CT YELLOW GOLD SCARF CLIP, hinged , the top section set within engraved stars and a square with three graduated round-cut garnets, hallmarked (c.7.6gms all in) two 9ct yellow gold garnet set scarf clip and a yellow metal and pearl scarf clip (c.9.8gms) (4) See illustration on page 81

£150-300

503 AN UNMARKED YELLOW METAL SCARF CLIP inset to the top hinged section with a turquoise cabochon horseshoe, a coral and seed pearl unmarked yellow metal scarf clip and three others, in either hallmarked gold or unmarked yellow metal, (c.26.7grams all in) (5) See illustration on page 81

497 A 15CT YELLOW GOLD SCARF CLIP, hinged, with a bloomed gold finish overall, the top section modelled as a belt and inset within squares with two round old-cut diamonds (totalling c.0.06cts), hallmarked (c. 5g), a 15ct yellow gold scarf clip inset with a ruby and two diamonds (c. 6.7g) a yellow gold engraved buckle scarf clip, (c.3.9g) and one other unmarked yellow metal belt scarf clip (4) See illustration on page 81

£150-300

£100-200

507 AN UNMARKED YELLOW METAL SCARF CLIP, , hinged, the top section inset with cabochon turquoise and a rose-cut diamond within wirework borders, five further yellow gold and yellow metal scarf clips, and a 15ct yellow gold example inset with rubies and a diamond, (c.23.1grams all in) (6) £200-400

£80-150 79

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

514 A PAIR OF REVERSE INTAGLIO CUFFLINKS depicting horses heads and set within plated gold borders, a pair of glass reverse intaglios of English sheepdogs, and two other further button sets.

508 A 15CT YELLOW GOLD SCARF CLIP, the top hinged section with wirework and applied cross decoration, inset to the centre within an engraved star with an old cushion-cut diamond, c.0.05cts, stamped 15ct, in a fitted case for Lowe of Darwen, and four other gold or yellow metal examples including one set with a cabochon garnet, (c.20.8grams all in) (5) See illustration

515 A COLLECTION OF GLASS AND BANDED AGATE AND OTHER HARDSTONE DRESS BUTTONS (a lot)

£150-300

509 A 15CT YELLOW GOLD DOUBLE HINGED SCARF CLIP with ribbon-style moulding and inset within two engraved stars with two old cushion-cut diamonds, and three other examples including one set with sapphires (c.21.4grams all in) (4)

£150-300

£150-300

511 A PAIR OF 9CT YELLOW GOLD CUFFLINKS, each of oval form with engine turned decoration, the reverse hallmarked, (c.6.8grams all in), and a set of 9ct yellow gold engraved dress studs, in a leather presentation case. £70-140

£80-150

513 A PAIR OF FLORAL MICRO-MOSAIC DRESS BUTTONS, a pair of porcelain floral painted dress buttons, and three other floral enamelled pairs of dress buttons (a lot).

See illustration on page 82

£50-100

518 A LARGE QUANTITY OF SILVER, GOLD AND YELLOW METAL SCARF CLIPS including a blue stone and pearl 9ct gold example, and a yellow gold example with a leaping hound (a lot)

512 A CASED UNMARKED ROSE GOLD HINGED SCARF CLIP set to the top with a circular sunburst panel inset with a rose-cut diamond, the fitted case with further attachments for converting into a stick pin and dress stud, and two cased sets of yellow metal buttons (3)

£50-100

517 A PAIR OF OVAL HALLMARKED SILVER CUFFLINKS with applied horseshoe decoration, a cased set of unmarked yellow metal horseshoe engraved dress studs and a number of other yellow metal engraved dress studs and buttons (a lot)

£50-100

516 A PAIR OF PAINTED PORCELAIN BUTTONS decorated with flowers against a blue de clair ground, and three other similar pairs (a lot).

See illustration on page 82

510 A SET OF VICTORIAN GARNET CABOCHONS CUFFLINKS AND DRESS STUDS, the cufflinks each set with an oval cabochon garnet within rope-twist borders in unmarked yellow gold closed backs, the studs set with circular garnet cabochons, in the original fitted case.

See illustration on page 82

£80-150

£100-200 80

£200-400

Lot 508 Lot 503 (part)

Lot 501 (part)

Lot 495

Lot 498 (part)

Lot 497 (part)

Lot 499 (part)

Lot 500 (part)

Lot 498 (part)

81

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

519 FIVE CASED SETS OF GOLD FRONTED YELLOW METAL ENGRAVED BUTTONS and dress studs (a lot)

Lot 510

£80-150

520 A QUANTITY OF SILVER AND WHITE METAL BUTTONS and dress studs, some engraved (a lot)

£40-80

521 A LARGE QUANTITY OF SILVER AND WHITBY JET CARVED BUTTONS including a pair of grape enamelled buttons (a lot)

Lot 513

£50-100

522 A LARGE QUANTITY OF YELLOW METAL ENGRAVED AND DIE STAMPED BUTTONS (a lot)

£50-100

523 A COLLECTION OF MOTHER OF PEARL PAUA SHELL AND SHELL BUTTONS mounted in yellow and white metal (a lot)

£40-80

524 A LARGE QUANTITY OF ENGRAVED SILVER AND WHITE METAL DRESS STUDS, BUTTONS AND FASTENINGS including one cased set (a lot)

Lot 516

£200-400

525 A GLAZED WOODEN DISPLAY CASE mounted against blue velvet with multiple sets of silver, gold, white metal, yellow metal and enamelled pairs of buttons, in excess of 50 pairs

£100-200

526 FIVE EARLY 20TH CENTURY FAUX TORTOISESHELL AND PASTE HAIR SLIDES, each with pierced and/or inset paste decoration. (5)

82

£50-100

527 A LARGE TORTOISESHELL HAIR COMB, mounted to the top with a pierced hallmarked silver scroll, c. 14cm wide and an Art Nouveau tortoiseshell and opal silver applied hair comb (2).

Lot 534

£50-100

528 TWO EARLY 20TH CENTURY TORTOISESHELL HAIR COMBS, each with painted and textured gold stylised fan decoration, the largest c. 13.5cm wide, a set of three graduated hair combs with applied yellow metal pierced decoration and three Chinese carved bone hair slides (8)

£50-100

529 A 9CT YELLOW GOLD FOB CHAIN, 37cm long, attached to a 9ct swivel fob with oval hardstone, (c.44grams all in)

Lot 536

£300-500

530 A YELLOW METAL AND ENAMEL PLAQUE BROOCH (tests as gold), the oval panel with a hand-painted scene of Mt. Vesuvius, Italy.

£150-300

531 AN IBERIAN STYLE FLORAL DIAMOND BROOCH, the central flower surrounded by leaves and flower drops, set with old-cut diamonds, on a white and rose-coloured metal

534 A VICTORIAN FRENCH DIAMOND BROOCH of oval open-work form, the central diamond c.0.33cts, flanked to either side by two smaller diamonds, raised set and surrounded by pave-set diamond petals, and a further outer border of graduating diamonds, in an SJ Phillips Ltd of London presentation case See illustration

£150-250

532 A GOLD, DIAMOND AND EMERALD BROOCH, the yellow gold open-work frame of oval form set with diamonds in white metal, the top centre edge with an emerald and diamond-set flower, the reverse marked “18K Italy”

535 A FRENCH GOLD BROOCH, the open scrollwork frame of pear-form, with a pearshaped cultured pearl drop, the reverse marked “Weise”.

£300-600

533 A 9CT YELLOW GOLD AND AMETHYST NECKLACE, the gold chain interspersed with six oval claw-set amethysts, with an amethyst drop set in a star frame

£1,300-1,800

£800-1,600

536 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, the oval claw-set sapphire surrounded by a border of brilliant-cut diamonds, attached to a single claw-set diamond, in a fitted presentation case See illustration

£150-250

83

£600-1,200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

537 A SEVEN STONE DIAMOND RING, each diamond claw-set on an unmarked yellow metal shank (tests as gold)

Lot 540

£150-250

538 A “CITRINE” DRESS RING, the pear-shaped “citrine” in a raised claw setting, on an 18K yellow gold shank

£100-200

539 A DIAMOND DRESS RING, the two rows of seven graduated diamonds in a raised setting, on an 18ct yellow gold shank

Lot 541

£200-400

540 A PRINCESS-CUT DIAMOND RING c.1.21cts, colour grade F, clarity grade VF1, in a raised claw setting, on a platinum shank, with an International Gemmological Laboratory Report.

See illustration

£5,000-10,000

541 A VICTORIAN NATURAL SAPPHIRE AND DIAMOND THREE STONE RING, the central oval claw-set sapphire flanked to either side by three claw-set diamonds, on an unmarked yellow gold shank, with scroll-work shoulders See illustration

Lot 542

£3,500-5,000

542 A DIAMOND AND PLATINUM RING, the central heart-shaped diamond c.2.0cts, clarity VVS2, colour E, surrounded by a pave-set diamond border, on a platinum shank with diamond shoulders, with an AGI diamond identification report See illustration

Lot 543

£3,500-5,000

543 A JADEITE AND DIAMOND DRESS RING, the oval cabochon natural jadeite c.9.71cts, on a white gold shank with diamond shoulders, with Nan Yang Gemmological Institute Singapore Report.

See illustration

84

£1,200-1,600

544 A DIAMOND FULL ETERNITY RING rub-over set in platinum See illustration

Lot 544

£,1000-2,000

545 AN ART DECO CABOCHON EMERALD AND DIAMOND RING set in platinum with a central cabochon emerald between parallel lines of calibre-cut emeralds divided by eight cut diamonds, with outer panels of round brilliant-cut diamonds See illustration Lot 545 546 A RARE MOMENTO MORI RING with a swivelling bone skull set with rose-cut diamond eyes, and another stone to the top of the head, the yellow gold shank with snakes-head shoulders set with further rose-cut diamonds and ruby eyes See illustration

£3,000-4,000

547 A RARE ENAMELLED BLACKAMOOR RING set in silver and gold with a Blackamoor wearing a turban, set with a ruby and a coral bead, on a yellow gold shank, probably 18th century See illustration

Lot 546

£1,500-2,500

548 A ROMAN GOLD INTAGLIO RING set with an oval red cornelian carved with a seated deity holding a globe, apparently retaining the original gold setting and shank See illustration

£2,500-3,500

Lot 548

Lot 547

85

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

549 A FINE EMERALD AND DIAMOND LINE BRACELET set in platinum with seven oval cabochon emeralds interspaced with six old-cut diamonds connected by three curb links of chain work, one emerald incorporated into the clasp and safety catch mechanism

550 AN ART DECO RING set in platinum with a round brilliant-cut diamonds (c.2.5cts) flanked by step-down shoulders set with baguette-cut diamonds

ÂŁ18,000-25,000

86

ÂŁ7,000-9,000

OBJETS D’ART

Lot 600 detail 87

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 600

601 A GERMAN SILVER BIRD AUTOMATON MUSIC BOX,

by Karl Griesbaum. The rectangular box with raised decoration, each side, top and underside decorated with tavern scenes and figures in landscapes. The sliding button revealing a pierced grille to the lid, with an exotic singing and spinning bird automaton, marks on base “EB”, “925” and “STERLING”, 4.1cm high, 10cm wide, 6.5cm deep.

See illustration

600 A GERMAN SILVER-GILT AND ENAMEL BIRD AUTOMATON MUSIC BOX, possibly by Karl Griesbaum. The shaped rectangular box with engraved decoration, each side and the top enamelled with landscapes and a romantic scene. The sliding button revealing a pierced grille to the lid, with an exotic singing and spinning bird automaton, marks on base “EB” and “METALL”, 4.2cm high, 10.6cm wide, 7.5cm deep.

See illustration

£2,000-4,000

88

Cf. Mechanical Singing-Bird Tabatieres, by Geoffrey T. Mayson. Page 158, image no.3

£1,200-1,800

Lot 601

Lot 602

602 A GERMAN SILVER-GILT BIRD AUTOMATON MUSIC BOX,

by Karl Griesbaum. The rectangular box with filigree decoration to the top, two bands of flower heads below.

The sliding button revealing a pierced grille to the lid, with an exotic singing and spinning bird automaton, marked on base, 4.3cm high, 10.5cm wide, 7cm deep.

Cf. Mechanical Singing-Bird Tabatieres, by Geoffrey T. Mayson. Page 159, image no.18 See illustration

£1,000-2,000

Lot 603

603 A SWISS TORTOISESHELL BIRD AUTOMATON MUSIC BOX, possibly by Bontems. The rectangular box with piqué inlay decorated with flowers. The sliding button revealing a pierced grille to the engraved and gilt lid, with an exotic singing and spinning bird automaton, 3.5cm high, 9.6cm wide, 5.7cm deep.

See illustration

Lot 604

£2,000-4,000

604 A TORTOISESHELL BIRD AUTOMATON MUSIC BOX, the rectangular box with an oval enamel portrait of Napoleon Bonaparte. The sliding button revealing a pierced grille to the lid, with an exotic singing and spinning bird automaton, marks on underside of lid “R” and “STERLING”, 3.8cm high, 10cm wide, 7cm deep.

See illustration

£1,500-2,500

89

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

605 A BATTERSEA BILSTON ENAMEL TABLE SNUFF BOX, the hinged lid with gilt metal mounts and decorated with a portrait of a lady wearing a bonnet, each side with raised and coloured harlequin pattern decoration, the front and back with a sprig of flowers, 18th century, 4.4cm high, 7.6cm wide, 4.6cm deep.

Lot 605

£200-400

606 A BILSTON ENAMEL HEARTSHAPED SNUFF BOX, decorated with oriental figures in raised rococo cartouches, on a hatched blue ground, 18th century, 5.5cm, five other enamel snuff boxes, and a finely enamelled snuff box lid panel. (7)

£200-400

607 A BILSTON ENAMEL PATCH BOX, “A Trifle from Chesterfield”, with a mirror on the underside of the hinged lid, a Toleware snuff box “Give me Women / Give me Wine”, and a collection of other boxes. (10)

Lot 606

£100-200

608 A PAIR OF ENAMEL PATCH BOXES, in the form of tricorn hats, with floral decoration on white ground, one hat with a hinged lid enclosing a mirror, 19th century or earlier, 5.5cm dia.

£80-150

609 A RUSSIAN PAPIER MACHE AND LACQUERED SNUFF BOX, of circular form, decorated with a figure beside a horse and exotic bird, signed and dated “1960”, 10cm dia.

Lot 610

£40-80

610 A 1930’S YELLOW GOLD CIGARETTE CASE, possibly Polish, Warsaw 1931-1939. The engraved case set with initials “DM” in diamonds, marked “HK”, c.195.5g, 10.7cm including the button, 7.5cm wide.

See illustration

90

£1,500-2,500

611 A 1940’S YELLOW GOLD 9CT CIGARETTE CASE, with engine turned decoration, the inside of the case engraved with names and date “1898-1948”, hallmarked Birmingham 1946, c.144g, 8.3cm x 10.3cm.

See illustration

Lot 611

£1,000-2,000

612 A 1920’S YELLOW GOLD VESTA CASE, with engine turned decoration, hallmarked Birmingham 1928, c.28g, 4cm.

See illustration

£200-400

613 A VICTORIAN YELLOW METAL DUEL PENCIL AND PEN,

by S. Mordan & Co. Engine turned decoration, the top set with a bloodstone and hinged suspension loop, c.28g, 7.2cm closed including suspension loop, 16.5cm fully extended.

See illustration

Lot 612

£200-400

614 A PAIR OF 1960’S GENTLEMAN’S ASPREY YELLOW GOLD COLLAR STAYS, in a red leather case, hallmarked Asprey London 1968, Collar Stay 5.2cm.

£50-100

615 A CONTINENTAL SILVER-GILT AND ENAMELLED SCENT BOTTLE, with blue enamel scrolling leaf decoration, and a Putto on each side, 19th century, 6.3cm high.

Lot 613

£80-150

616 AN EDWARDIAN AGATE CIRCULAR PHOTOGRAPH FRAME,

by Mappin and Webb. The agate ground inlaid with a band of green agate, in a silver-gilt mount, hallmarked London 1911, with a single strut support, 9.4cm dia.

£80-150

91

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

623 A PAINTED PORTRAIT MINIATURE OF A SEATED LADY, wearing a blue dress and jewellery, with a landscape behind, in a leather frame with gilt slip, 19th century, portrait 9.3cm x 7.2cm.

617 A MUST DE CARTIER BALLPOINT PEN, in original box with certificate, and one other similar Cartier pen in original box with certificate. With some refills. (2)

£100-200

618 A CARTIER BALLPOINT PEN, in original tooled red leather case, with certificate.

624 A CONTINENTAL PAINTED PORTRAIT MINIATURE OF A YOUNG LADY, with long flowing hair, and wearing a white silk and lace head scarf, in a white metal hexagonal frame with scroll finial, 19th century, portrait 5.8cm x 4.1cm.

£200-400

619 A NOREX SILVER BALLPOINT PEN, in original case.

£50-100

620 AN AURORA THESI STEEL PEN, in original case and card slip, with certificate.

£50-100

£50-100

626 A PAIR OF PAINTED PORTRAIT MINIATURES OF A LADY AND GENTLEMAN, James and Caroline Cecilia Simon, inscribed verso “After Benjamin De La Cour / Artist / 1832”, in ebonised wood frames with gilt slips, 19th century, portraits 9.3cm x 7.7cm.

£100-200

622 A PAINTED PORTRAIT MINIATURE OF A GENTLEMAN, wearing a blue jacket, in a wood frame with gilt metal slip, signed “Fran Sacco”, 19th century, portrait 6.3cm x 5.3cm.

£200-400

625 AN ITALIAN PAINTED MINIATURE DEPICTING THE VIRGIN MARY, facing with a halo, in a red velvet box frame, 19th century, portrait 3.5cm x 2.4cm.

621 AN OVAL PAINTED PROFILE PORTRAIT MINIATURE OF A GENTLEMAN, wearing a violet striped waistcoat, contained in a silk lined wooden travelling case, old label verso “My Father done in India”, 19th century, portrait 8.5cm x 6.6cm.

£70-100

£100-200

92

£80-150

Lot 627

628 A MINIATURE PAINTING OF A BOY SEATED WITH HIS DOG, in an ebonised wood frame, 19th century, 9.5cm x 7.5cm, and two other similar miniature studies. (3)

627 AFTER ANTHONY VAN DYKE (1599-1541), a portrait of Philip Earl of Pembroke, old paper label verso inscribed “Philip Earl of Pembroke, London Jan 1842. Painted by Henry Pierce Borne Enamel painter to Her Majesty and Prince Albert the Queen Dowager, H.R.H. the Duchess of Kent. From the original by Van Dyke in the collection of the Earl of Clarendon, the grove Watford, Herts.”, painted in enamel, in a glazed frame with ornate gilt slip, 19th century, the portrait 21.5cm x 16cm.

See illustration

£100-200

629 A CONTINENTAL ENAMEL DISH, decorated with angels in clouds, on a blue and gilt ground, 19th century, 21cm dia.

£1,500-2,500 93

£80-150

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

630 A VICTORIAN GILT METAL PHOTOGRAPH FRAME, with a pierced and engraved surround, two hinged doors and a strut support engraved “MANNING, MANCHESTER.”, 14.5cm x 19cm

Lot 632

£50-100

632 A CONTINENTAL 18CT YELLOW GOLD SNUFF BOX of rectangular form, the lid and base engraved with scrolling acanthus leaves, the sides with beadwork and acanthus leaf moulding, with a blue cabochon thumbpiece, the interior with trellis flowerhead and cross engraving, marked “K18”, c.52g, 7.5cm wide See illustration

£1,000-2,000

633 AN 18CT YELLOW GOLD PILL BOX of square form, engraved overall with scrolling feathers, the rim marked “750” with further stamped marks, possibly Russian, c.17.5g, 3cm dia

Lot 634

£250-500

634 A RUSSIAN GOLD SNUFF BOX of canted rectangular form, the lid with wave engineturned engraving enclosed within twist borders, the centre with a cartouche engraved with a trophy and flowers and scroll to the reverse, with conforming sides, the interior hallmarked (rubbed) and marked “Kiebel”, possibly Kiebel of St. Petersburg, c.52g, 6.3cm wide See illustration

£1,000-2,000

635 A COLLECTION OF SIXTEEN COLOURED AND CLEAR GLASS “TASSIE” TYPE GEMS, each cast in intaglio with a Roman scene or portrait, the largest 2½” x 2½” and smaller, mounted in an oval frame, 14½” x 12”.

See illustration

Lot 635

94

£800-1,500

F R IDAY, 9 t h JUNE, 10.30AM

95

This lot is subject to a buyer’s premium of 19.2% inclusive of VAT @ 20%

LOT 650 A GREAT BRITISH ICON AN ASTON MARTIN DB6 VANTAGE VOLANTE CHASSIS NO: DBVC/3683/R ENGINE NO: 400/3576/VC REGISTRATION: TMP 548F, RIGHT-HAND DRIVE WITH MANUAL TRANSMISSION

The car was delivered in Pacific blue with Natural hide (Connolly VM846) and fitted with a manual gear box.

Purchased by Mrs Sandra Bernstein, wife of Sidney Bernstein (later Lord Bernstein), the founder of Granada Television, on 18th May 1968 from Odeon Motors and registered TMP 548F, the same number plate it wears today. Mrs Bernstein was familiar with Astons having previously owned a DB5 Convertible. This Volante was to prove a firm favourite and she owned and cherished it for the rest of her life before passing the car to her son.

Today the car presents as it left the factory with the exception of a replacement Mohair hood in dark blue. Mileage from new is a mere 38,833. The car has a valid MOT certificate until September 2017.

Only 29 DB6 Vantage Volantes were produced and as such they are highly prized by collectors. What makes this car so special is its single family ownership and its remarkable originality. The interior is wonderfully patinated, the engine bay is original and the engine remains leaded. As one would expect of a car of this age attention has been given to the sills, which were replaced in 2010. The history file that accompanies the car contains correspondence with Ian Mason, Ivon Dutton, Wren Classics and Goldsmith and Young.

Particulars of non-standard equipment are listed on the build sheet as follows: Volante ZF Vantage Convertible Spec.

Vantage Engine Power assisted steering

Today collectors are finding it increasingly difficult to acquire cars that remain original and unrestored from the day they left the factory. This is one such car and it represents a unique opportunity to purchase one of the rarest post-war Aston Martins.

3.73:1 Limited Slip Differential Chrome Road Wheels Power Operated Aerial

It is, in our view, the ultimate DB6 Vantage Volante.

Three Ear Hub Caps

A separate catalogue “A Great British Icon” is available for this lot.

Two Lap % Diagonal Safety Belts (Front Seats) Seven Pints Anti-Freeze

£650,000-£1,000,000

96

97

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

WORKS OF ART

Lot 652

Lot 651

654 A WESTERN STYLE LEATHER SADDLE with all over embossed decoration with a collection of assorted vintage leather chaps, spurs, bridle etc (a lot)

651 ASTON MARTIN INTEREST: A sales brochure for the DB6 and Volante, designed

by Newton & Godin Ltd, printed by H.P. Dorey & Company Ltd. See illustration

£50-100

655 “PLAN DE LA VILLE A FAUBORG DE PARIS DIVISE ON CES 48 SECTIONS”, 1791, a folding map of the city of Paris, with numbered regions and coloured borders, 24½” x 38”

652 A COUNTY OF DORSET BRONZE ‘IMPERIAL’ PECK MEASURE, dated 1858 of traditional barrel form with twin cast handles and with numerous control marks and similar erased marks, 7¼” high x 14½” wide.

See illustration

£500-1,000

£100-200

656 A.E. GARNIER: “THE GARNIERS OF HAMPSHIRE”, Jarrold & Sons, 1900, and a quantity of Garnier family items including a painted crest, family bible, four desk seals, a family tree and other items

653 A GREEK CORINTHIAN STYLE HELMET, with decorated nose guard and articulated cheek guards, bronze, probably 19th century, 11½”

£500-800

£100-200

98

£100-200

Lot 657

657 A SET OF FOUR PAKTONG CANDLESTICKS, each with detachable sconces and decorative shaped stems and spreading six-lobed bases with stepped and anthemion decoration, c.1750, 9¾” high (4)

658 TWO SIMILAR BONE AND IVORY SCULPTURES, one of a figure with head and arm bandaged, the other an elderly gentleman wearing a hat with a small dog at his feet, each on raised bases, 19th century, 7½” high

Paktong, also known as Tutenag or Chinese white copper, is now rare. Once a regular import from China it copied the then fashionable silver shapes exactly.

This set of sticks is almost identical to a pair of “Paktong Table Candlesticks” in an online exhibition “Base Metal Objects 1300-1900” held recently by The Antique Metalware Society.

See illustration

£1,000-2000

99

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

CLOCKS & SCIENTIFIC INSTRUMENTS

Lot 661

660 A MAHOGANY AND EBONY STRUNG STICK BAROMETER, the brass scale signed ‘Jas. Field, Bath’ with central mercury filled tube and domed reservoir cover, late 18th/ early 19th century, 37” high

£100-200

661 A BRASS-FACED DIAL CLOCK, the dial signed ‘Rae, Tunbridge Wells, with Roman numerals and internal date dial, with a single train fusee movement, in a mahogany case, late 18th/early 19th century, 20” high. See illustration

Lot 663

£300-500

662 AN OAK LONGCASE CLOCK with a brass dial signed ‘Tho. Vernon, Ludlow’ with single handed thirty hour movement, striking on a bell, the case with flat topped hood and tall trunk door, 18th century, 81” high

£200-400

663 A FRENCH BOULLE AND ORMOLU MANTLE CLOCK with a circular ormolu dial with inset blue and white enamel hours, with a two-train eight-day movement, striking on a bell, the waisted case with all over engraved brass inlay, on short scrolling legs, on a carved and velvetlined mount, 15” high. See illustration

Lot 664

£250-450

664 A MAHOGANY-CASED ‘BOARDROOM’ CLOCK, the white painted dial signed ‘Will Slade, Taunton’, with a two-train fusee movement striking on a bell, the case with circular dial surround on a leaf carved plinth base, late 18th/early 19th century, 16” high x 12½” wide.

See illustration

£200-400

665 AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the silvered dial signed ‘John Masters, Dartmouth’, with central date aperture and subsidiary seconds dial, with an arch bearing a roundel with an eagle with wings outstretched, ‘Tempus Fugit’, with an eight-day two-train movement striking on a bell, the arch topped hood with blind fret frieze above an arch topped trunk door with all over mahogany crossbanding, 82” high 100

£100-200

666 AN OAK-CASED LONGCASE CLOCK, the silvered chapter ring signed ‘Stephen White, Alton’, with Roman numerals and single-handed thirty-hour movement, striking on a bell, the case with moulded cornice above a long trunk door and short base, 79” high

Lot 667

£100-200

667 WINDMILLS: A WALNUT AND SEAWEED MARQUETRY LONGCASE CLOCK, the brass dial with silvered chapter ring, engraved ‘Windmills, London’ with subsidiary seconds dial and ringed winding holes and date aperture, with a twotrain five pillar movement striking on a bell, the case all over decorated with scrolling marquetry cherubs and geometric borders, with a central green glass lenticel, 85½” high. See illustration

£5,000-10,000

101

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 668

Lot 669

669 A VULLIAMY “TORTOISESHELL” AND ORMOLU MANTEL CLOCK, the white enamel dial signed ‘Vulliamy, London 1889’, with blue enamelled Roman numerals and Arabic minutes, with a single train fusee movement, the back plate also inscribed and numbered, the weighted pendulum numbered, in a tortoiseshell veneered waisted case with all over scrolling rococo style mounts, 15½” high.

See illustration

668 A GEORGE III BLACK LACQUERED DIAL CLOCK, with an 11” silvered dial, signed ‘Jas. Higgs, Walingford’ with a four pillar single fusee movement with knife-edge verge escapement and bob pendulum, the case with gilt rope-twist decorated bezel and chinoiserie decoration to apron below, 16” high.

See illustration

Provenance: Christie’s, King Street, Important Clocks and Watches Auction, 4th July 1990

Private Collection, Somerset

£1500-2500

102

£1,000-2,000

Lot 670

Lot 671

671 A MAHOGANY CASED BRACKET CLOCK, the arched silvered dial signed “Dwerrihouse, Berkeley Square”, with strike/silent dial and date aperture, with a two train fusee movement striking on a bell, the case with brass carrying handle, on a tall raised top above glazed front, back and sides, on bracket feet, 18½” high x 9” wide, 18th century and later.

See illustration

670 A WALNUT CASED BRACKET CLOCK, the silvered dial signed “Jullion, Brentford” with broad chapter ring and subsidiary date aperture, with a two train twin fusee movement striking on a bell with pull repeat, with chinoiserie engraved back plate, the case with a brass carrying handle and raised domed top above glazed front, back and sides, on bracket feet, 20¼” high x 11” wide.

See illustration

£1,000-2,000

103

£800-1,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

RUGS AND CARPETS Lot 675

675 A FERAGHAN TYPE SMALL CARPET, the dark blue ground worked overall with salmon pink and pale blue floral medallions and hooked boteh, within floral and serrated leaf, brick red and ivory running borders and guards, 152” x 84”.

See illustration

677 A PERSIAN SMALL CARPET with central radiating foliate tendrils against a salmon pink ground within conforming cream border, 14” x 106½”

£500-1,000

676 A LARGE MODERN TURKISH RUG with all over geometric decoration against a brick red ground within a multi-guard border with fringed ends, 136” x 102”.

£150-300

104

£200-400

FURNITURE

Lot 731 detail 105

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

680 A LATE GEORGE III MAHOGANY FOLD-TOP CARD TABLE, the rectangular top with rounded corners, enclosing a baize-lined interior, on a ring-turned column and platform base with four downswept scrolling legs and brass cap castors, 28½” high x 36” wide

Lot 682

£80-150

681 A GEORGE III MAHOGANY CORNER WASH STAND with raised back, bow fronted top above an open shelf and single short drawer, flanked by two dummy drawers, with outswept legs, 42” high x 25½” wide

£50-100

682 A QUEEN ANNE OYSTER VENEERED CUSHION FRAMED MIRROR, the rectangular plate within decoratively laid radiating oyster veneers and moulded border, 34” high x 29” wide.

See illustration

Lot 684

£200-400

683 A SET OF SIX REGENCY MAHOGANY BAR-BACK DINING CHAIRS, with dished top rails above ‘X’-form backs and drop-in seats on square legs with ‘H’ section stretchers, 35” high (6)

£200-400

684 A PAIR OF ANGLO-DUTCH WALNUT AND MARQUETRY CANDLE STANDS, each with octagonal tops inlaid with vases of flowers, on tapering turned and hexagonal columns, on downswept scrolling legs, late 17th century and later, 35” high.

See illustration

Lot 685

£400-800

685 A QUEEN ANNE BURR WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with quarter matched veneers, within broad crossbanding above two short and three long graduated drawers with brass handles and key escutcheons, with rounded drawer divisions, on a moulded base and bun feet, 17th century and later, 35½” high x 38½” wide.

See illustration`

106

£300-600

686 A MAHOGANY KNEEHOLE WRITING DESK, the rectangular top with a moulded border above a baize-lined brushing slide and long fitted drawer above a central cupboard, flanked by two pedestals of three short drawers, on bracket feet, 18th century, 32” high x 37½” wide

Lot 688

£200-400

687 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a dentil moulded cornice above two short and three long graduated drawers, between canted fluted corners, the lower section with three further long graduated drawers, on bracket feet, 70” high x 43” wide

£200-400

688 AN OAK ‘CRICKET’ TABLE with a circular three plank top on triangular base, with a single frieze drawer on square legs with chamfered corners, 18th century, 27½” high x 28¾” wide.

See illustration

Lot 690

£150-250

689 A CHARLES II OAK SIDE TABLE, the rectangular top with moulded border above a single frieze drawer with two panel front, on bobbin-turned legs, with ‘X’ form stretcher, 17th century and later, 31” high x 29” wide

£100-200

690 A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST OF DRAWERS, the shaped top with satinwood and mahogany crossbanding, above a fitted dressing drawer with lidded compartments, pigeon holes and central mirror, above three further long graduated drawers with brass handles, on bracket feet, 33” high x 39” wide See illustration

Lot 691

£400-600

691 A GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top with moulded border above four long graduated drawers with brass knob handles, on splayed bracket feet, 33” high x 36” wide.

See illustration

£600-800 107

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

692 A GEORGE III STYLE MAHOGANY ARMCHAIR with tapestry effect upholstery, the rectangular back with arched top, with upholstered arms, on reeded scroll carved arm supports, on similar tapering legs, 19th century, 38” high

Lot 693

£200-400

693 A GEORGE III MAHOGANY TIP-TOP OCCASIONAL TABLE, the circular top with raised moulded scrolling border, on a tapering turned column and three downswept cabriole legs with ball and claw feet, 18th century, 27½” high x 36¾” wide.

See illustration

Lot 694

This table is branded with initials “MD” to the underside.

£500-800

694 A MATCHED SET OF FOUR YEW HOOP-BACK WINDSOR ARMCHAIRS, each with hooped backs and pierced splats, with swept arm supports, above solid seats, on turned legs and curved stretchers, with needlework squab cushions, 18th century, 37” high and similar (4).

See illustration

£1,200-1,800

695 A GEORGE III MAHOGANY TRAYTOP COMMODE, the rectangular top with raised border with pierced handles above a rising front and a pull-forward commode drawer with later leather-lined insert, on square section moulded legs, 29” high x 25” wide.

See illustration

Lot 695

£300-500

696 A CHARLES II OAK COFFER, the rectangular top with moulded border above a three panel front, with arched panels within a carved and moulded surround, 17th century and later, 24” high x 50” wide

£100-200

697 A CHILD’S WINDSOR HOOP-BACK ARMCHAIR, the raised back above a central pierced splat and shaped arms above a dished elm seat, on turned legs and curved stretcher, 27” high £300-500 108

698 A SET OF SIX REGENCY MAHOGANY AND BRASS STRUNG “ROPE-BACK” DINING CHAIRS with broad brass inlaid bar backs, above carved and turned rails, between uprights, with drop-in seats, on ring-turned tapering legs, 32½” high (6).

See illustration

Lot 698

£200-400 699 A LATE GEORGE III MAHOGANY TWIN PEDESTAL DINING TABLE, the twin pillar ends with rounded corners, on ring-turned columns with downswept cabriole legs and brass cap castors, and a single detachable leaf, 28½” high, the top 46½” x 68” (fully extended).

See illustration

£400-600 Lot 699

700 A MAHOGANY MILITARY SECRETAIRE CHEST, the central secretaire drawer with fall front enclosing a leather-lined writing surface and short drawers, flanked by two further short drawers above three long drawers, all with flush fitting brass handles and corner mounts, on short turned legs, 19th century, 42” high x 39” wide

£400-800

701 A SET OF GEORGE III MAHOGANY HANGING WALL SHELVES with three open shelves above two short drawers between scrolling pierced side supports, 25” high x 24¼” wide

£150-250

702 A NARROW OAK DROP FLAP GATELEG TABLE, the oval top with twin drop flap sides, on a frieze with four heavy turned baluster legs and gate action supports, with platform feet, late 17th century and later, 28” high x 30½” fully extended

Lot 703

£100-200

703 A PAIR OF LOUIS XIV STYLE GILTWOOD WALL MIRRORS, the shaped plates within carved and scrolling frames surmounted by twin cherubs before a sunburst motif, 33½” high x 17” wide (2).

See illustration

£300-500

109

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

704 A GEORGE III MAHOGANY AND ROSEWOOD CROSSBANDED SIDEBOARD, the rectangular top with broad crossbanding above a single long frieze drawer flanked by a cupboard and bottle fitted drawer flanking a shaped frieze, on square tapering legs with all over satinwood stringing, 37¾” high x 60½” wide

Lot 705

£100-200

705 A REGENCY ROSEWOOD BOOKCASE, the rectangular top with a three-quarter pierced brass gallery above twin gilt metal grille fronted drawers with faux book-lined shelved interior, on a plinth base with short turned feet, 38½” high x 36¼” wide.

See illustration

Lot 706

£300-500

706 A REGENCY MAHOGANY AND ROSEWOOD CROSSBANDED SOFA TABLE, the rectangular top with drop flap ends above two frieze drawers and conforming dummy drawers, on shaped uprights and downswept legs with turned rail and brass cap castors, 28¾” high x 37½” wide.

See illustration

£400-600

707 A REGENCY MAHOGANY DAVENPORT with a pierced brass rail above a rising leather-lined writing surface, the top rotating on a pedestal of four graduated drawers with brass knob handles, on short legs and castors, 35” high x 20¾” wide.

See illustration

Lot 707

£400-600

708 A REGENCY MAHOGANY PEMBROKE TABLE, the rectangular top with twin drop flap sides with rounded corners, above a single frieze drawer and conforming dummy drawer with turned knob handles, on tapering reeded legs and brass castors, 28” high x 34” wide

£100-200

709 A ROSEWOOD BOUDOIR PIANOFORTE

by Pleyel of Paris, with decorative pierced music stand and carved tapering legs and brass castors, 38” high x 53” wide x 74” long 110

£700-900

710 A MAHOGANY KNEEHOLE LADIES WRITING DESK, the rising rectangular top with moulded border opening to a fitted interior with divisions and lidded compartments, above a dummy drawer and two pedestals of three short drawers flanking a central cupboard, on bracket feet, 18th century and later, 31” high x 33” wide.

See illustration

Lot 710

£600-800

711 A QUEEN ANNE BURR YEW CABINET ON STAND, the upper section with matched veneers within broad crossbanding, above two short drawers and twin cupboard doors enclosing a fitted interior with a central recess containing an arrangement of small drawers surrounded by ten further drawers, on spiral-turned legs and platform stretcher, 17th century and later, 49½” high x 37” wide. See illustration

£300-500 Lot 711

712 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with central cupboard flanked by quarter column fronted drawers, pigeonholes and short drawers, all above a single long, two short and two further long drawers with brass handles and key escutcheons, on bracket feet, 38” wide

£200-400

713 A QUEEN ANNE WALNUT CHEST ON STAND, the upper section with a moulded cornice above two short and three long graduated drawers with brass handles and key escutcheons, above a base with a single long and two small drawers, all with broad crossbanding, on cabriole legs, 67½” high x 43” wide, 18th century and later

£200-400 Lot 715

714 A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the upper section with a moulded cornice above twin glazed doors enclosing a shelved interior, the lower section with a secretaire drawer fitted with short drawers and pigeonholes, above twin panelled cupboard doors enclosing slides, on bracket feet, 93” high x 49” wide £300-500 715 A SET OF SIX “CHIPPENDALE” DESIGN WALNUT DINING CHAIRS with pierced and carved splats beneath a scrolling top rail, with drop-in seats, on a wavy fronted seat rail with cabriole legs, carved knees and feet, with turned stretchers, 39” high, possibly 18th century West Indian.

See illustration

£1,500-2,500 111

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

716 ATTRIBUTED TO GEORGES JACOB: A FAUTEUIL D’OFFICIER with a broad dished leather upholstered back with round headed brass border, above a similar overstuffed seat with projecting and scrolling front legs, 32½” high x 26” wide, circa 1800.

See illustration

Similar examples of this most unusual chair have been offered for sale by Sotheby’s in their auctions on 13th December 1994 and 7th December 2010. Jacob’s stamp is found on a similar armchair from the collection of Prince Murat sold at Hotel Drouot on 14th June 1983.

717 A VICTORIAN WALNUT AND MARQUETRY MIRROR BACK SIDEBOARD, the back with a large mirror plate within a shaped surround with a central cresting and carved leaf columns, with chequered and geometric marquetry, the top inset with a central white marble panel above a frieze of scrolling and foliate marquetry, with a central panelled door decorated with a ribbon-tied bouquet of flowers within a scrolling border, flanked by projecting tapering columns and twin quarter-round mirror-mounted doors with all over conforming marquetry, on a plinth base, the interior with burr walnut veneered shelves, 100” high x 66” wide.

See illustration

£2,000-4,000

113

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 718

718 A GEORGE III OAK DRESSER, the raised back with three shelves and boarded back, beneath a moulded cornice and fluted columns, with seven “spice” drawers, the base with a two plank top above three frieze drawers with brass handles and key escutcheons, above a central panel and twin doors with conforming fielded panels and brass hinges, on short bracket feet, 83” high x 72” wide, 18th century and later See illustration

£1,000-2,000

719 A VICTORIAN MAHOGANY SHAVING STAND with an adjustable circular mirror, on carved support with a dished top on turned column with three scrolling downswept legs, 62” high and taller

£80-150

720 A GEORGE II STYLE CARVED GILTWOOD WALL MIRROR, the rectangular plate within a leaf carved scrolling frame surmounted by an eagle with wings outstretched, 51” high x 38” wide

£200-400

Lot 721 721 A VICTORIAN WALNUT BOOKCASE, the broad breakfront marble top above a central open bookcase with two adjustable shelves flanked by gilt metal mounted cupboards with pierced brass panels with central female head and patera decoration, on a plinth base, 29¾” high x 88½” wide.

See illustration

Lot 723

£800-1,500

722 A WILLIAM IV ROSEWOOD DAVENPORT, the sloping rising top with gilt tooled leather insert opening to reveal an interior with short drawers and pigeonholes, above a column of four short drawers with turned knob handles and conforming dummy drawers, on turned feet, 32” high x 24” wide

£300-500

723 A REGENCY MAHOGANY SOFA TABLE in the manner of Gillows of Lancaster, the rectangular top with drop flap ends with rounded corners and reeded border, above three short frieze drawers and conforming dummy drawers with lion mask ring handles, on turned and blocked stretcher with downswept legs and animal paw castors, 28” high x 57” (fully extended).

See illustration 114 £750-1,000

724 A PAIR OF REGENCY MAHOGANY HALL CHAIRS, the shaped backs with carved foliate decoration above circular seats with scrolled fronts, on four cabriole legs with moulded fronts, 36” high (2).

See illustration

Lot 724

£700-1,000 725 A SET OF EIGHT GEORGE III MAHOGANY HALL CHAIRS, the oval fan backs with radiating decoration above dished solid seats, on square tapering stop fluted legs with spade feet and “H”-section stretchers, 36” high (8).

See illustration £2,500-3,500 726 A GEORGE III MAHOGANY BREAKFRONT SIDEBOARD, the rectangular top with projecting front with satinwood crossbanding and ebony stringing, above a central frieze drawer and concealed drawer flanked by two short graduated drawers and similarly modelled deep drawer with brass handles, on square tapering legs, 35½” high x 58½” wide

Lot 725

£400-500

727 A GEORGE III STYLE MAHOGANY TWIN PEDESTAL WRITING DESK, the rectangular top with moulded border and broad crossbanding above a central frieze drawer flanked by two short graduated drawers, on pedestals of three further short graduated drawers with brass ring handles, on short bracket feet, 31” high x 48” wide

Lot 729

£500-700

728 A CONTINENTAL CARVED GREEN PAINTED AND GILT CEILING BOSS or canopy centre of domed oval form with projecting carved leaf decoration and central rosette, within a gadrooned border, 36” x 26”

£300-500

729 AN EMPIRE STYLE GONZALO ALVES GILT AND MARBLE TOP CONSOLE TABLE and pier mirror, the rectangular plate beneath a pointed cornice and gilt frieze, flanked by semi-circular columns, the table with variegated green marble top on a conforming decorated frieze and animal paw feet with platform base, 99” high x 38” wide.

See illustration £800-1,200

115

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

730 A CONTINENTAL MARBLE TOP AND CARVED GILTWOOD CENTRE TABLE, the circular top with inlaid marble and radiating marble panels within a moulded border, on four heavy scrolling foliate carved legs and platform base, 30” high x 54” dia.

See illustration £2,500-4,500

116

731 A PAIR OF MARBLE TOP CONSOLE TABLES in the manner of Matthias Lock, each with a broad veined white marble top above a carved frieze with vitruvian scroll and hanging mask draped in a lion skin on heavy scrolling legs with leaf carved bases and block feet, each 35½” high, the tops 59.¾” x 29¾” (2).

See illustration

£5,000-10,000

117

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

732 AN ITALIAN MARBLE CENTRE TABLE, the broad rectangular variegated top with moulded border, on twin Roman style conjoined winged lion supports with broad single feet, on platform bases, 29½” high, the top 71” x 35½”.

See illustration £3,000-6,000

118

733 A PAIR OF GEORGE III MAHOGANY SECRETAIRE LIBRARY BOOKCASES, the upper sections with domed dentil moulded cornices above astragal glazed doors enclosing shelved interiors above double drawer fronted fall fronts enclosing fitted interiors with an arrangement of short drawers and pigeonholes, above three further graduated drawers, all with brass handles, on bracket feet, 89” high x 33” wide, 18th century and later.

See illustration

£2,500-£4,500

119

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... i n our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... i n our opinion the work has been signed/inscribed/dated by the artist.

Bears signature/inscription/date NICHOLAS CHEVALIER ... i n our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted 120 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue.

The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

(2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

122

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 123

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

124

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s Silver and Jewellery, Thursday 8th June. An Aston Martin DB6 Vantage Volante, Furniture and Works of Art, Friday 9th June.

Silver and Jewellery Thursday 8th June

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

An Aston Martin DB6 Vantage Volante Furniture and Works of Art

Friday 9th June