A Hidden Treasure - The contents of Melplash Court by john holmes

Duke’s AUCTIONEERS SINCE 1823

Duke’s

a hidden treasure Melplash Court Dorset

Wednesday 22nd and Friday 24th September 2010 Melplash Court

Duke’s AUCTIONEERS SINCE 1823

Auction on the premises Wednesday 22nd September 2010. Friday 24th September 2010.

On the instructions of the Trustees of the Fran Lewis Millenium Settlement and Mrs Fran Lewis.

Auction on the premises Melplash Court, Melplash, Dorset DT6 3UH

Wednesday, 22nd September, 2010 at 10.30 am GLASS

LOTS 1 – 85

CHINESE BLUE AND WHITE AND EXPORT PORCELAIN

LOTS 100 – 189

EUROPEAN CERAMICS

Lots 190 – 220

BOOKS

Lots 225 – 235

RUSSIAN ICONS & MANUSCRIPTS

Lots 243 – 245

TEXTILES

LOTS 246 – 248

SILVER PLATE SILVER CLOCKS & WORKS OF ART

LOTS 250 – 281 LOTS 282 – 448 Lots 449 – 458A

Friday, 24th September, 2010 at 10.30 am PAINTINGS, DRAWINGS AND PRINTS

LOTS 459 – 549

FURNITURE AND FURNISHINGS

LOTS 550 – 830

THE GARDENS

LOTS 860 – 897

THE ATTICS AND ADDENDUM

LOTS 900 – 999

Tessa Jackson Tim Lewis

Charlotte Townshend

West Dorset was blessed in 1984 when Tim and Fran bought Melplash Court. Their enthusiasm for life generally was infectious and very quickly they amassed a large number of friends who are as well able as I am to testify to the wonderful characters they were. Their passion for Melplash, its gardens, the Arts in general and the countryside was contagious and I was absolutely delighted when Tim agreed to join Tessa Jackson and I in the Mastership of the Cattistock Hunt. Timâ&#x20AC;&#x2122;s commonsense approach to getting things done combined with his flair for people contributed to seven very happy years in the Joint Mastership. We were all shocked by Timâ&#x20AC;&#x2122;s sudden death in late 2004: Fran was robbed of a husband and all of us of a good friend. Fran has recently moved back to Bangkok and I know that there are a steady stream of her Dorset friends knocking on her door there. At Melplash Court, they have left a fascinating and unusual collection of art, furniture, silver, porcelain and other contents. For those of us that knew them both, the sale of the contents of Melplash Court will have many fond memories of Tim and Fran attached to it.

The Hon. Mrs Townshend Melbury, August 2010

LOCATION AND CONTACT INFORMATION

Location: Melplash Court, Melplash, Dorset DT6 3UH is located between Bridport and Beaminster on the A3066. The house is approached through wrought iron gates at the end of a long tree-lined drive. Enquiries: From 18th September onwards Tel: 01308 488418 Prior to 18th September Tel: 01305 265080 Fax: 01305 260101 enquiries@dukes-auctions.com The Dorchester Fine Art Salerooms Weymouth Avenue Dorchester Dorset DT1 1QS

BUYERS INFORMATION Registration: If you intend to bid please register in advance. Please remember we may request proof of identity.

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves. Commissions must be received at least 48 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Online bidding: Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop, and an internet connection. You will be able to bid in real time; a live audio feed means you hear the auctioneer at exactly the same time as other bidders. You will see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

Mobile telephones: Reception is poor in the house and the grounds.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Refreshments: Will be available on the auction and viewing days in the marquee on the north lawn. Terms and Conditions: It is important that you read our terms and conditions of sale at the back of this catalogue in conjunction with the glossary of cataloguing terms.

VIEWING: Saturday 18th September Sunday 19th September Monday 20th September Tuesday 21st September 6

10am – 4pm 10am – 4pm 10am – 7pm 10am – 5pm

REFLECTIONS OF THE ORIENT Melplash Court Dorset

payment and collection Payment: The auctioneers are unable to accept payment by cheque from buyers not known to them. Intending purchasers who wish to pay by cheque are asked to instruct their bank to contact the auctioneers bank (Nat West, 49 South Street, Dorchester, Dorset DT1 1DW, (tel: 01202 444711) as early as possible to confirm clearance in writing up to a stated maximum amount. In the absence of such information purchasers will not be permitted to remove goods until their cheques have been cleared.

Credit Cards: We are delighted to accept credit cards, but there is a 3% surcharge on credit card transactions.

Debit Cards: We are delighted to accept debit cards as a form of payment

Buyers Premium: 19.5% plus VAT on the hammer price

Carriers: For local deliveries a representative from Empire Removals will be available on the auction day 01305 262186. For national and international carriage please contact Alan Franklin Transport 01202 826539.

Collection: Items not collected by 4pm on Tuesday 28th September 2010 will be transported to store at the buyerâ&#x20AC;&#x2122;s expense. The buyer will also be responsible for arranging their own insurance and any subsequent storage charges. Limited clearance may be possible whilst the auction is in progress.

access and transport

Access: E ntry strictly by catalogue (admits two people). At busy times access to some rooms may be restricted for safety reasons. Your cooperation is appreciated. The house and grounds include uneven and slippery surfaces and viewing is entirely at your own risk.

Parking: Visitors are requested to park along the drive and in the grounds as directed by attendants and signage.

By Air: There are airports at Bristol, Exeter, Southampton and Bournemouth. By Train: There is a regular service from London to Dorchester South Station in Dorset and Crewkerne in Somerset. For details contact National Rail Enquiries on 0871 2003456.

By Taxi: B ridport: Bridport Taxis 01308 424252 Crewkerne Taxis: 01460 75088 Dorchester: Silverline Cars 01305 267107 or 07973 267167

Thursday 23rd September 2010 The Lewis Collection of Oriental Art Catalogues: ÂŁ20

ACCOMMODATION AND Where to eat

MELPLASH COURT AND THE LEWIS COLLECTION

The Hive Beach Café Beach Road Burton Bradstock BRIDPORT Dorset DT6 4RF Tel: 01308 897070 he Riverside Restaurant Riverside T West Bay BRIDPORT Dorset DT6 4EZ Tel: 01308 422011 Hix Oyster & Fish House Holmlea Cobb Road LYME REGIS Dorset DT7 3JP 01297 446910

The late Tim Lewis in the grounds of Melplash Court

The Bull Hotel 34 East Street BRIDPORT Dorset DT6 3LF Tel: 01308 422878 Summer Lodge Hotel 9 Fore Street Evershot DORCHESTER Dorset DT2 OJR Tel: 01935 482000 Alexandra Hotel

Pound Street LYME REGIS Dorset DT7 3HZ Tel: 01297 442010

The Bridge House Hotel 3 Prout Bridge Beaminster Dorset DT8 3AY Tel: 01308 862200

There has been a dwelling on the site for hundreds of years with the earliest mention referring to a Lease of the Manor of Melplash in 1350. Today Melplash Court shows evidence of three major phases of building. The earliest phase occurred during the great rebuilding period of 1570-1640, while in the ownership of the Paulet family. Two overmantels removed from the house in 1907 and now at Mapperton feature the arms of James I and Paulet and are dated 1604 being contemporary with the fireplaces in the dining room and the drawing room at the Court. Today Melplash Court is best known for its’ wonderful gardens, the bones of which were originally laid out by Lady Diana Tiarks during her tenure at the Court, from 1953-1977, but extensively and imaginatively developed by the late Tim Lewis, aided by Terry Baker of the Botanic Nurseries, Atworth and head gardener, Tim Bartlett. Tim and Fran Lewis acquired the house in 1984 and immediately began to fill it with wonderful things – jades, old master and impressionist paintings and fine furniture. These “new” acquisitions complemented treasures from the Foley family, who were also passionate collectors. Mrs Fran Lewis is the daughter of Harold Scanlon Foley, a member of the highly successful Foley family, one branch of whom were responsible for building over 25,000 miles of rail roads across the northern states of America and Canada. Harold Foley was so successful in the lumber industry that in 1937 he was sent to run Powell River in British Columbia, which he turned into one of the best-managed and most successful pulp and paper mills in North America and where he was in charge of operations and expansion until 1955. At one point one in every four newspapers published world-wide, on any given day, was printed on paper from the Powell River Mill.

Melplash Court Part I Wednesday 22nd September, 10.30am

GL A SS

5. A SET OF TWELVE WINE GLASSES with green tinted bowls and circular bases, 6” high, nine similar glasses with ruby-twisted bowls, a set of six green rummers and a set of ten pale green glasses with ogee moulded bowls (a collection) £50-100 6. A SET OF EIGHT BACCARAT GLASS TUMBLERS of slightly tapering form, each with an etched mark on the base (8) £50-100 7. A COLLECTION OF CUT AND FACETED GLASS TUMBLERS and sixteen other glasses with cut and fluted decoration (a collection) £50-100 Lot 1 1. A PAIR OF ANGLO-IRISH TABLE LUSTRES, each with two lights flanking a central spire-shaped finial and hung with faceted prismatic drops, 19th century, 21” high (2). See illustration £500-1000 2. A PAIR OF GLASS BEAKERS with a band of moulded flutes, the rims with engraved decoration, early 19th century, 6.25” high, two glasses engraved with fruiting vines and a collection of plain and fluted glasses (a collection) £50-100 3. A PAIR OF NEO-CLASSICAL STYLE URNS AND COVERS with gilt decoration and circular bases, 8.75” high, three glass condiment bottles and stoppers with faceted and gilt-lined decoration, 6.75” high, and two similar pieces (7) £80-160 4. A GLASS BISCUIT BARREL and cover of plain barrel form with bands of cut decoration, 8.25” high, another biscuit barrel cut with oval facets and fluting around the rim and a glass urn and associated cover (3) £50-100

8. A SET OF TEN WINE GLASSES with faceted bowls and circular bases, 6.75” high, a set of eight wine glasses with diagonally fluted bowls and baluster stems, 6.25” high and other similar drinking glasses (a collection) £100-200 9. A SET OF SIX WINE GLASSES with moulded bowls and trumpet-shaped feet, 6.5” high, and a collection of other drinking glasses (a collection) £50-100 10. A SET OF TWELVE CHAMPAGNE FLUTES with knopped stems and circular bases, 7” high, and seven similar glasses, late 18th/early 19th century, 6.75” high (19) £100-200 11. A COLLECTION OF CHAMPAGNE FLUTES with faceted bowls and knopped stems, with variations, 7.75” high, early 19th century, 7.5” high, and smaller (22) £100-200 12. A SET OF SIX RUMMERS with bucket-shaped bowls, baluster stems and circular bases, 6.5” high, a Regency rummer and another with a flared bowl cut with elongated oval facets (8) £50-100 Lot 17 16

Lot 19 13. A SET OF THIRTEEN RUMMERS with faceted bowls, on conforming stems and circular feet, 5.5” high (13) £100-200 14. A SET OF THREE REGENCY ALE GLASSES with spirally-moulded bowls and knopped stems, on circular feet, 7.5” high, and three ale glasses with moulded bowls etched with hops, early 19th century, 7” high (6) £80-160 15. A SET OF FOURTEEN REGENCY STYLE RUMMERS, each with a border of cut foliate decoration to the rim and a square “lemon-squeezer” base, with the etched signature of William Yeowood, 5.25” high (14)

£80-160

16. A SET OF SIX REGENCY STYLE PORT GLASSES with faceted bowls etched with fruiting vines, 4.25” high, four similar glasses and three others with armorial decoration and star-cut bases (13) £50-100 17. A GEORGE III CAVIAR URN AND COVER of neo-classical design with cut and faceted decoration, on a square foot, probably Cork, circa 1800. 14.5” high, and another glass urn and cover 13.75” (2) See illustration on previous page. £100-200 18. A SET OF EIGHT WATER GLASSES, the elongated bowls moulded with flutes and with cut, foliate and faceted decoration, 5.75” high, and a Victorian cut-glass goblet etched with panels of fruiting vines, on a circular star-cut foot, 7” high (9)

19. A SET OF FOUR REGENCY CUTGLASS TABLE SALTS, each on a faceted shaft and a lozenge-shaped foot, possibly Cork, 3.75” high (4) See illustration £100-200 20. A PAIR OF REGENCY CUT-GLASS SALTS, the boat-shaped bodies with cut and faceted decoration, on lozenge-shaped feet, 3.5” high, four other salts including a pair, and three other pieces (9) £50-100 21. A SET OF EIGHT WINE GLASSES, the bowls etched with bellflowers within undulating borders, 5” high, and a collection of sixteen similar glasses etched with ferns (24) £80-160 22. A SET OF EIGHT REGENCY STYLE RUMMERS, the bucket-shaped bowls moulded with flutes, on spoolshaped stems and circular feet, 5” high (8) £100-200 23. A SET OF FIFTEEN GLASSES with bucket-shaped bowls etched with aquatic plants, on circular feet, 4.75” high, and eight other glasses with etched decoration (a collection) £80-150 24. A COMPOSITE SET OF ELEVEN REGENCY WINE GLASSES with etched star decoration, 5.5” high, and two pairs of glasses with similar etched decoration (15) £80-160

£50-100 18

25. A PAIR OF REGENCY ALE GLASSES, the elongated bowls moulded with flutes, on knopped baluster stems and circular feet, 7” high, and six similar glasses including one lightly etched with hops (8)

32. A SET OF TEN PORT GLASSES, the faceted bowls etched with an entwined monogram beneath a crown, on faceted knopped stems and star-cut circular bases, 4.25” high (10)

£100-200

26. A SET OF TWENTY FOUR WINE GLASSES, the bowls with a band of oval facets, on double-knopped stems and circular feet, 6” high (24)

33. A SET OF SIX REGENCY PORT GLASSES with moulded bowls and circular feet, 4.25” high, six similar glasses with faceted decoration and a set of eleven similar glasses with multi-faceted bowls (23)

£200-400 27. A SET OF FIVE PORT GLASSES with etched bands to the rims, incorporating stars and oval facets, 5” high, a pair of Regency glasses with moulded tulip-shaped bowls, 4.25” high, and a collection of other glassware, including some with etched decoration (a collection) £60-120 28. A SET OF TEN REGENCY STYLE PORT GLASSES with etched decoration around the rim of stylised garlands, with oval facets between, on square “lemonsqueezer” bases, with variations, 4.25” high, and a glass ensuite, 4.5” high (11) £100-200 29. A PAIR OF REGENCY PORT GLASSES with moulded bowls, on circular feet, 4” high, a similar glass with etched decoration, a pair of wine glasses with oval faceted bowls and three other glasses (8) £50-100 30. A SET OF FIFTEEN REGENCY STYLE LIQUEUR GLASSES with ribbed and faceted decoration, on square feet, 3” high, a set of five port glasses with faceted trumpetshaped bowls and circular feet, 4” high, with variations, and other glassware (a collection) £80-150 31. A SET OF TEN PORT GLASSES with faceted bucket-shaped bowls and baluster stems, on circular feet, 4.25” high, and six moulded glasses (16)

£80-150

£100-200 34. A REGENCY RUMMER with a shallow bucket-shaped bowl and a cylindrical stem, on a circular foot, 5.25” high, and a large collection of plain drinking glasses (a collection) £50-100 35. A SET OF TEN PORT GLASSES with faceted bowls and stems, on circular feet, 4.5” high, with variations, a set of nine firing glasses with trumpetshaped bowls and other cut, moulded and etched drinking glasses (a collection) £50-100 36. A SET OF EIGHT PLAIN GLASS FINGER BOWLS engraved with the initial “M”, 5” dia., and a collection of moulded vases and other glassware (a collection) £50-100 37. A SET OF SIX HOCK GLASSES with faceted and cut decoration, on knopped stems and circular feet, 5.75” high, five similar glasses with etched decoration and other glassware (a collection)

£50- 100

38. A SET OF TWELVE CHAMPAGNE FLUTES with etched star decoration and knopped stems, on circular feet, 6.25” high (12) £60-120

£80-150

Lot 44

Lot 41

Lot 40 39. A LATE REGENCY RUMMER with a bucket-shaped bowl and spreading cylindrical stem, on a circular foot, 5.75” high, and a collection of glassware including rummers with faceted bowls and ale glasses (a collection) £50-100

44. A DUTCH “AMORIAL” GOBLET etched with the monogram of the East India Company in a cartouche suspended from a ribbon-tied bow and the reverse with a basket of flowers similarly suspended, on a knopped and moulded stem and a stepped circular foot, 18th century, 7.25” high. See illustration on previous page £200-400

40. A FINE REGENCY COCK FIGHTING GOBLET of large proportions, etched with four panels of fighting birds, on a diaper ground cut and etched with foliage, on a spool-shaped foot and a circular base, circa. 1820, 10” high. See illustration and detail on page 19

45. A PAIR OF REGENCY RUMMERS with moulded bowls and circular feet, 5.25” high, a similar glass with etched decoration to the rim and three other glasses (6)

£200-400

£80-150

41. A COMPOSITE SET OF EIGHTEEN AMERICAN MOULDED GLASS “RUMMERS” on faceted stems and circular feet, 6” high with variations, a pair of moulded glass rummers decorated with oval vignettes of neo-classical figures and other similar glassware (a collection). See illustration.

46. A COMPOSITE SET OF TWENTY SIX DRINKING GLASSES with bucket-shaped bowls, cylindrical stems and circular feet, 5.5” high, with variations (26)

£100-200 42. A SET OF EIGHT REGENCY “FIRING GLASSES” with cut and etched decoration of stylised swags of flowers and tassels, on faceted stems and circular feet with faceted borders, circa. 1800, 4.25” with variations (8) £100-200 43. A RUMMER cut and etched with a lion with flowers flanking a cartouche with an entwined monogram and the date “1852”, with a band of facets below, on a spool-shaped stem and a circular foot, 5.5” high

£50-100 47. A SET OF SEVENTEEN GLASS “RUMMERS”, each with an ogee-shaped bowl with a central rib, 5” high, and a collection of similar drinking glasses, including eleven port glasses and miscellaneous (a collection) £100-200 48. A COLLECTION OF MODERN DRINKING GLASSES including brandy balloons, wine glasses and flutes (a collection) £100-200

£50-100 Lot 52 22

Lots 49 and 50 49. A SUITE OF VENETIAN GLASS CANDLESTICKS comprising a pair of candlesticks with bell-shaped nozzles and hollow baluster stems incorporating ribbed gilt globes, 13” high, and a pair smaller candlesticks with bell-shaped bases ensuite (4) £80-150 50. A PAIR OF EARLY VICTORIAN CUT-GLASS TABLE CANDLESTICKS, each with a faceted bell-shaped nozzle on a conforming baluster stem with a circular foot, 10.5” high (2) £50-100

55. A CLARET JUG AND STOPPER, 15.5” high and a water carafe of conical form with a single-ring neck, 9.5” high (2)

£50-100

56. A REGENCY DECANTER AND STOPPER of large proportions with a “mushroom” stopper and a plain body, 13.5” high and a Ravenscroft style bottle with a ribbed globular body and a flared neck, 9.25” high (2) £50-100

51. A SET OF FOUR MOULDED GLASS TABLE CANDLESTICKS with spirally-moulded stems and circular feet, 9.5” high and five other pairs of glass candlesticks (12)

57. A REGENCY DECANTER, the shouldered body with bands of faceted decoration and a conforming octagonal stopper, 10.25” high, a Regency decanter with a “bulls-eye” stopper, a faceted neck and a fluted base, 12” high and two other decanters and stoppers (4)

£80-160

£60-120

52. A SET OF FOUR REGENCY STYLE CUT-GLASS WALL LIGHTS hung with oval and spear-shaped faceted drops, each with three scrolling arms centred by a spire-shaped finial, fitted for electricity, 22.5” high max. See illustration on previous page

58. A PAIR OF REGENCY BARRELSHAPED DECANTERS and “bulls-eye” stoppers with ribbed decoration, 10.5” high, and a pair of faceted water carafes with triple ring necks, 8.75” high (4)

This lot must be removed at the buyer’s risk and expense. £800-1600 53. A COLLECTION OF SIX GREEN WINE GLASS COOLERS , 4.5” dia. with variations, and other coloured glass (a collection) £50-100 54. A SET OF FOUR DECANTERS with faceted bodies etched with a vine, 6” high and a set of ten port glasses with faceted bowls etched with fruiting vines, 4” high (14)

£50-100 59. A PAIR OF REGENCY STYLE GLASS DECANTERS and stoppers, 13” high, and a collection of various decanters and stoppers (a collection) £50-100 60. LALIQUE: AN OVOID VASE with an opalescent ovoid body moulded with circular panels of birds amidst stylised foliage, the base with an etched signature “Lalique, France”, 7” high See illustration on next page

£200-400

£60-120 Lot 60 24

Lot 61 61. LALIQUE: A MODEL OF A PARTRIDGE moulded with plumage, the base with an etched signature in script “Lalique, France”, 7.25” high, and another of a quail, 5.75” high (2). See illustration £300-600 62. A LATE GEORGE III STYLE BUTTER DISH AND COVER with faceted decoration and an undulating border, the slightly domed cover with a faceted spear-shaped finial, on a star-cut base, probably Cork, circa 1800, 6.75” wide, and a boat-shaped strawberry bowl with similar decoration, on a lozenge-shaped foot, 10” (2) £100-200 63. A GLASS FLY CATCHER of typical globular form with three feet and a removable stopper, 7.25”, another similar, a Lalique-style vase moulded with nymphs and other glassware (a collection) £50-100 64. A PAIR OF REGENCY STYLE STORM LANTERNS with glass shades, on ebonised wood and square marble bases, 21.5” high, and a pair of cut-glass candlesticks with fittings for storm lanterns (4)

66. A VICTORIAN MOULDED GLASS CHARGER with a star-cut centre and an undulating rim incorporating beaded oval panels, 22.75” dia. £80-160 67. A SET OF SIX GLASS FINGER BOWLS with cut and etched star decoration, 4.5” dia. and a collection of other plain finger bowls (a collection) £60-120 68. A SET OF FOUR REGENCY WINE GLASS COOLERS with cut and faceted decoration, with a double lip, 5.5” dia., and a collection of similar wine glass coolers (a collection) £80-160 69. A GILT METAL TABLE CENTREPIECE with three trumpet-shaped glass vases and a collection of other glassware (a collection) £50-100

£100-200 65. A SET OF FOUR STORM LANTERNS, the glass shades with serrated edges and etched decoration, with silver plated and ivorine mounts, stamped with a patent number, 19.5” overall (4) £100-200

Lot 78

Lot 70 70. A PAIR OF “BACCARAT” VASES, each cut and etched with aquatic birds and foliage, the lower part of the bodies with spirally-reeded decoration, 7.25” high, on naturalistic ormolu branchwork stands (2). See illustration £500-1000 71. A VICTORIAN CUT-GLASS CHEESE DISH AND COVER with faceted decoration and a spear-shaped finial, the dish with an undulating petal-shaped border and a starcut base, 11.25” high £50-100 72. A LARGE WATER JUG with panelled decoration and a simple scroll handle, 12.25” high and three smaller jugs of similar design (4)

73. A PAIR OF VICTORIAN CUT-GLASS COMPORTS, the shallow bowls with undulating borders on faceted and waisted tear-drop stems and star-cut bases with an undulating border, 7” dia., and a water jug with faceted decoration and a simple loop handle, 8” high £50-100 75. A VICTORIAN GLASS DISH etched with a formalised design of flowers on a diaper ground highlighted with gilding, 12.75” dia. and three other dishes with cut and etched decoration £60-120 76. A LARGE BACCARAT GLASS BOWL with spirally reeded decorations, the base signed “Baccarat Depose”, 16.5” dia. £100-200

£50-100

77. A GEORGE III GLASS TAZZA with a reeded edge and a fold-over trumpet-shaped foot, 13.25” dia., together with a large shallow dairy bowl of plain form, with a polished-out pontil, 18” dia. (2)

81. LALIQUE: A GLASS LEAF-SHAPED DISH of naturalistic form, the base with an etched signature “Lalique R. France”, 8”

£100-200

78. A “PALAIS ROYALE” RECTANGULAR GLASS CASKET with hob-cut decoration and chased gilt metal mounts, the lid with four tulip-shaped flowers, 6” wide, and two similar glass caskets (3) See illustration of part above

82. A GREEN TINTED GLASS JAR AND COVER, 11.5”high, similar jars and other glassware (a collection)

£200-400 79. A DUTCH DECANTER of shouldered rectangular form etched with stylised flowers, with a faceted spear-shaped stopper, late 18th century, 12.5” high, and a glass vase of baluster form, with a ribbed neck and a circular foot, 9.5” high (2)

£50-100 80. A GLASS BOWL with a lobed lower body, on a knopped stem and a stepped circular foot, probably mid-18th century, 5.52 high

£100-200

83. A LARGE PLAIN GLASS BOWL with an everted rim, 16.25” dia., a green-tinted bowl with a lobed lower body, 11.75” dia., a Waterford style oval fruit dish with cut and faceted decoration, 10.75” and two other glass dishes (5) £50-100 84. A RUMMER with a flared bowl, a faceted stem and a circular foot, 19th century, 6” high, a pair of beakers with etched decoration and a pair of glass tumblers with Dickensian style polychrome decoration, 3.75” high (5) £50-100 85. A PAIR OF REGENCY STYLE GLASS HALL LANTERNS with beaded gilt metal terminals and acorn finials, lacking the suspension mounts, 14.25” high (2) £80-160

chinese blue and white a nd e xport por c e l ain

Lot 181 30

Lot 101 100. AN ARITA STYLE BLUE AND WHITE PORCELAIN CHARGER decorated with a central vase of flowers within a panelled border containing precious objects and blossoming branches, 21.5” dia. See illustration £200-400 101. A PAIR OF CHINESE BLUE AND WHITE SEATS OR STANDS of 18th century design, with reticulated circular tops and pierced baluster bodies decorated with winged serpents, lotus flowers and leafy tendrils, 10.5” high (2) See illustration £300-600 102. A CHINESE BLUE AND WHITE KENDI decorated with leafy tendrils, 17th century, 6.5” high and another blue and white Kendi decorated with blossoming branches and precious objects, 6.5” high (2) See illustration

Provenance: Probably the Hatcher Cargo.

£500-1000 103. A CHINESE BLUE AND WHITE DISH, COVER AND STAND of 18th century design, decorated with lotus flowers, precious objects and leafy tendrils within key-pattern borders, the interior with a pierced drainer, 8.5” high

Lot 102 104. A JAPANESE “ARITA” CHARGER decorated with birds amidst blossom within a panelled border, 14.5” dia. and another dish decorated with a central jardinière of flowers (2) £200-400 105. A CHINESE BLUE AND WHITE COCKEREL TUREEN AND COVER decorated with palatial buildings and pagodas in a landscape, 9.25” high £100-200 106. A CHINESE EXPORT BLUE AND WHITE BOWL, the interior decorated with flowers within diaper borders and the exterior covered in a lustrous brown glaze, 6” dia., Qianlong, and three other bowls (4) £100-200 107. A PAIR OF CHINESE VESSELS modelled as crouching mythical beasts, each with an open mouth and an aperture in the back, 2.25” high and a brush-washer modelled as entwined fish, the base with a six character mark, 3.25” (3) £80-160

£200-400

Lot 100 32

108. A PAIR OF CHINESE BLUE AND WHITE BALUSTER VASES AND COVERS decorated with phoenix amidst blossoming foliage, the domed covers with buddhistic lion finials, 25.5” high, on hardwood stands. (2) £800-1600

112. A CHINESE BLUE AND WHITE DISH decorated with a central panel of fish amidst aquatic plants within a border of flowering tendrils, the reverse with conforming decoration, late Ming, 13” dia. £200-400

109. A CHINESE “PILLOW” in the form of a crouching boy wearing a floral embroidered robe, the base with an impressed mark, 11.5” long

113. A CHINESE BLUE AND WHITE DISH decorated with wading birds within a border of wave scrolls, flowers and aquatic plants, the reverse with conforming decoration, late Ming, 12.75” dia.

£100-200

£200-400

110. A CHINESE BLUE AND WHITE BOX AND COVER of lobed form decorated with a dragon and the sides with key pattern panels and wave-scrolls, 5.5” dia., a stand, a Ming style brush washer modelled as two birds and a set of blue and white dishes (a lot)

114. A CHINESE BLUE AND WHITE FISH BOWL, the interior decorated with ornamental fish swimming amidst aquatic plants, the exterior with a continuous riverside landscape with pavilions and the diaper rim with panels of birds and foliage, 27.25” dia., on a shaped hardwood stand

£50-100 111. A CHINESE BLUE AND WHITE DISH decorated with flowers and leafy tendrils within a panelled petal-shaped border on a cellular ground, Kangxi, 14.25” dia. £200-400

£300-600 115. A CHINESE BLUE AND WHITE JARDINIÈRE of square form, the raised back with an undulating border, decorated with entwined lotus and chrysanthemums and the back with a bird on a gnarled branch amidst flowers, 13.25” wide

Lot 120

£100-200

Lot 120 34

Lot 122 and 123 116. A CHINESE BLUE AND WHITE JARDINIÈRE of canted square form decorated with lotus flowers, on a ground of leafy tendrils, 12.25” wide, two further blue and white jardinières and an hexagonal stand (a lot) £100-200 117. A CHINESE BLUE AND WHITE JARDINIÈRE decorated with lotus flowers on a ground of scrolling leafy tendrils, the base with simulated fluting, 14.75” dia. £100-200 118. A PAIR OF CHINESE EXPORT BLUE AND WHITE CHARGERS with “carved” decoration flowers and central circular panels painted with stylised flowers within diaper pattern borders, Qianlong , 15.25” dia. (2) £300-500 119. A CHINESE BLUE AND WHITE CHARGER decorated with scrolling lotus flowers surrounding a central stylised flowerhead, 17.75” dia. £100-200

120. A PAIR OF CHINESE EXPORT BLUE AND WHITE WALL MOUNTS, each modelled as a stag’s head surrounded by a mantling of oak leaves applied to an escutcheon-shaped panel, with detachable antlers, Qing, 15.25” high. See illustrations on previous page £2000-4000 121. A CHINESE BLUE AND WHITE “KRAAK” CHARGER decorated with a jardinière containing flowers and precious objects within a panelled border, Wanli, 20” dia. £500-1000 122. A CHINESE EXPORT BOWL AND COVER decorated with lotus flowers and feathery leaves, the domed cover with a double knot finial, probably Kangxi, 10” high, and a similar bowl and cover, 9” high (2) See illustration £300-600 123. A CHINESE EXPORT BLUE AND WHITE BOWL AND COVER decorated with branches of blossoming chrysanthemums and other flowers within diaper borders, the domed cover with a button finial, Qianlong, 9.5” high See illustration £200-400 36

Lot 130 37

Lot 132

Lot 130 124. A CHINESE BLUE AND WHITE JARDINIÈRE of square form decorated with stylised lotus flowers, shells and precious objects on a ground of leafy tendrils, enclosed by formalised borders, 16.5” wide, on a hardwood stand £300-600 125. A PAIR OF CHINESE EXPORT BLUE AND WHITE SLEEVE VASES of cylindrical form with flared necks decorated with panels of figures and birds perched on branches, 7.75” high, and three Chinese blue and white bowls (5) £100-200 126. A CHINESE BLUE AND WHITE FIGURE OF A DIGNITARY standing holding a ruyi sceptre, 4.75” high and another blue and white figure (2)

128. A CHINESE BLUE AND WHITE BOWL decorated with bats flying around a central panel containing a lotus flower and leafy tendrils, with a conforming rim, 15” dia. and a shallow bowl (2) £100-200 129. A “SWATOW” BLUE AND WHITE CHARGER decorated with flowers and leafy scrolls, the unglazed base covered in a reddish brown wash, 14.5” dia., and a similar charger, probably 17th century, 14.5” dia. (2) £100-200 130. A SET OF THREE CHINESE BLUE AND WHITE FIGURES, one holding a ruyi sceptre and the others with hands aloft, on oval bases decorated with blossoming prunus and bamboo, with variations, Qing, 17.75” high (3)

£50-100

See illustration and detail on previous page £500-1000

127. A CHINESE BLUE AND WHITE BOWL, the exterior decorated with a mass of birds including two phoenix with flowing tails, the interior with a central panel of fishermen in a boat with a pavilion on an island and the inner rim with a band of fishermen throwing nets from boats, probably Wanli, 13.5” dia.

131. A CHINESE BLUE AND WHITE DISH decorated with a phoenix amidst flowers, 11.75” dia. and a “Swatow” dish decorated with a central panel of flowers, the exterior with a panelled border, 10” dia. (2)

£500-1000

£100-200

132. A CHINESE BLUE AND WHITE CHARGER with a central circular panel of birds in the branches of a blossoming prunus tree, within a formalised border, the rim with sprays of flowers with birds between, the exterior with conforming decoration and the base with a six character Xuande mark, probably late Ming, 14” dia. See illustrations £300-500 133. A CHINESE BLUE AND WHITE DISH decorated with deer in the shade of a fruiting tree with insects, the border with Chilongs, Wanli, 7.75” dia., and a similar dish decorated with a phoenix and a bird in flight, 7.52 dia. (2) £200-400 134. A CHINESE EXPORT BLUE AND WHITE DISH decorated with peonies and chrysanthemums within a feathered border, Kangxi, 11” dia. and a smaller dish with a panelled border containing precious objects and feathery plants, Kangxi, 8.5” dia. (2)

Lot 132

135. A CHINESE EXPORT BLUE AND WHITE CHARGER decorated with peonies and other flowers within foliate panelled diaper borders, Qianlong, 14.5” dia. £150-250 136. A CHINESE BLUE AND WHITE BALUSTER VASE decorated with a fenced garden within formalised borders incorporating stiff acanthus leaves, probably Qianlong, 6.5” high, on a hardwood stand £100-200 137. A CHINESE VASE of shouldered ovoid form decorated with shaped panels of blossoming foliage, the neck and base with a border of flame scrolls, probably Kangxi, 6.75” high, on a hardwood stand £100-200

£150-300

138. A CHINESE BLUE AND WHITE BOWL decorated with scrolling lotus and leafy tendrils, probably 17th century, 5.25” dia. and three similar bowls (4) £100-200 139. A CHINESE BLUE AND WHITE “KRAAK” SAUCER DISH decorated with a wading bird within a border of precious emblems tied with ribbon, Wanli, 5.75” dia. and a pair of Chinese blue and white saucers decorated with acrobats, 17th century, 5.25” dia. (3) £200-400 140. A PAIR OF CHINESE BLUE AND WHITE BOWLS decorated with dragons, precious objects and flowers, the bases with six character marks enclosed by a double circle, probably 17th century, 4.5” dia. (2) £200-400 141. A CHINESE BLUE AND WHITE BOWL, the interior decorated with ducks swimming on a pond surrounded by aquatic plants, and the exterior similarly decorated, on four lobed feet, 15” dia. 142. A PAIR OF CHINESE ARMORIAL TEA BOWLS AND SAUCERS enamelled in polychrome and gilt with a recumbent stag crest above an entwined monogram, within blue foliate bird and cellular borders, and a pair of shallow bowls ensuite, Qianlong. The bowls 6” dia. (6) £100-200

143. A CHINESE ARMORIAL BOWL decorated in polychrome and gilt with a palm tree sprouting from a coronet, within an undulating border decorated in blue with a band of butterflies, foliage and diaper panels, Qianlong, 6.5” dia., a Chinese armorial shallow bowl and a set of eight Chinese armorial shallow bowls, 6.25” dia. (10)

148. A CHINESE EXPORT BLUE AND WHITE BOWL decorated with figures and pavilions in landscapes, the inner rim with a geometric band with stylised spear heads below, 11.25” dia., and a Chinese export porcelain mount in the form of a bowl with an aperture in the base, 8.75” dia. (2)

£150-300

£50-100

144. A CHINESE BLUE AND WHITE BOWL decorated with birds on rockwork from which sprout peonies and other flowers, the interior with blossoming prunus on a cracked ice ground, 11.5” dia. and a similar bowl (2)

149. A CHINESE BLUE AND WHITE DISH decorated with petal-shaped panels of blossoming plants, now fitted with a silver coloured metal swing handle with engraved decoration, the porcelain Kangxi, 10.75” dia., and a blue and white shallow bowl, the base with a seal mark, 8.75” dia. (2)

145. A CHINESE BLUE AND WHITE CISTERN in two parts, the cylindrical body decorated with blossoming plants and insects and the sides with moulded carrying handles, the lower section with a metal tap, 14” high

£100-200

£100-200 146. A CHINESE BLUE AND WHITE CISTERN in two parts, the cylindrical body decorated with scaly dragons amidst cloud scrolls with crashing waves below, the sides with moulded carrying handles and the base with a circular aperture for a tap, 14” high

150. A CHINESE PROVINCIAL BLUE AND WHITE BOWL decorated with birds within key pattern borders, probably 17th century, 9” dia., four other bowls and a blue and white box and cover of elongated oval form, 7.5” (5) £50-100 151. A CHINESE BLUE AND WHITE BOWL decorated with dragons amidst cloud scrolls, probably Kangxi, 6.75” dia. and two other bowls (3)

£100-200 £50-100 147. A CHINESE EXPORT BLUE AND WHITE CHARGER decorated with plants in a fenced garden within diaper borders, the rim with sprays of flowers, Qianlong, 14.75” dia., and a Chinese export blue and white bowl with foliate decoration and panelled geometric borders, 10” dia. (2)

152. A “SWATOW” BLUE AND WHITE STORAGE JAR decorated with dragons and flowers, the neck with four moulded loop handles, 14.5” high, another similar jar and a collection of various blue and white vases of varying sizes (10)

£100-200

£200-400

153. A “SWATOW” BLUE AND WHITE BOWL AND COVER decorated with stylised flowers and leafage, 5.5” dia. and nine other cushion-shaped boxes and covers (a collection) £200-400 154. A “SWATOW” BLUE AND WHITE BOX AND COVER with ribbed decoration, 4” dia. and a collection of other blue and white ceramics, including a stem cup, cushionshaped boxes and vases (a collection) £100-200 155. A CHINESE BLUE AND WHITE FIGURE OF A JOVIAL YOUNG MAN carrying a boy on his back, the robes of each decorated with cranes and sprays of flowers, 11” high, and four various blue and white vessels in the form of birds and an elephant (a lot) £50-100 156. A PAIR OF CHINESE BLUE AND WHITE BOWLS decorated with sprays of blossoming prunus, chrysanthemums and other flowers, the bases with circular apertures, 15.5” dia. (2) £50-100 157. A CHINESE BLUE AND WHITE CHARGER decorated with stylised flowers and leafage, the exterior with a band of pendant flowers, probably 17th century, 14.5” dia. and a “Swatow” type blue and white charger with a flanged rim, 16.25” dia. (2) £100-200

Lot 17 40

158. A PAIR OF CHINESE BLUE AND WHITE BOXES AND COVERS of rounded rectangular form decorated with sprays of flowers within panelled borders, the base of each with a label “The Hatcher Collection, Christies Amsterdam 14th March 1984”, 17th century, 5.25” (2) See illustration £100-200 159. A PAIR OF CHINESE BLUE AND WHITE BOXES AND COVERS of elongated oval form, decorated with flowers within conforming panelled borders, the base of each with a label “The Hatcher Collection, Christie’s Amsterdam, 14th March 1984”, 17th century, 5.5” (2) See illustration £100-200 160. A CHINESE BLUE AND WHITE SHALLOW BOWL decorated with flowers and the border with a flowering vine inhabited by birds, 17th century, 11.75” dia.

Provenance: Probably part of The Hatcher Collection, but the label detached.

£100-200 161. A CHINESE BLUE AND WHITE BOWL decorated with stylised flowers including trumpetshaped blooms, 17th century, 5.75” dia., and seven other blue and white bowls (8) £100-200

162. A CHINESE BLUE AND WHITE SAUCER DISH decorated with pavilions and buildings in a landscape, within a diaper and prunus border, probably Wanli, 6” dia. and a collection of other blue and white bowls and dishes (a collection) £100-200 163. A CHINESE EXPORT BLUE AND WHITE SHELL-SHAPED DISH decorated with flowers, Qianlong, 5.25” dia., and a collection of other Chinese and South East Asian blue and white ceramics, including bowls, plates and two rectangular trays (a collection) £80-160 164. A CHINESE ARMORIAL PLATE with an undulating border, the centre decorated in polychrome enamels and gilt with an armorial incorporating a standing parrot, with a motto below, the undulating border with underglaze decoration of butterflies, diaper panels and flowers, Qianlong, or a European copy, 9.75” dia., and a rare Chinese export blue and white plate decorated with a prancing buddhistic lion, the undulating border with geometric panels, cloudscrolls and flowers, Qianlong, 9.5” dia. (2) £80-150 165. A CHINESE BLUE AND WHITE OVAL JARDINIÈRE with a moulded frieze decorated with archers and warriors, on four lobed feet, 11.5”, and two similar jardinières (3) £100-200

Lots 158 & 159 42

166. A LARGE CHINESE UNDERGLAZE BLUE AND IRON RED JARDINIÈRE decorated with figures in palatial buildings, within formalised foliate and key-pattern borders, the rim with scattered prunus blossom, Qing, 21” dia. x 18.25” high See illustration £500-1000 167. A CHINESE PROVINCIAL BLUE AND WHITE VASE of baluster form, the neck with four moulded lions masks and the body decorated with lotus flowers and leafy tendrils, 14.5” high £100-200 168. A CHINESE EXPORT FAMILLE ROSE BOWL for the Islamic market, enamelled in polychrome with four circular panels containing Islamic script within a border of summer flowers, the rim with purple and puce diaper borders enriched with gilt, Qianlong , 8.75” dia. and a collection of other export ceramic bowls and dishes (a lot) £200-400 169. A PAIR OF CHINESE EXPORT CATS covered in a white glaze, 5.75” high, and two other Oriental ceramic dogs with terracotta bodies, the bases with impressed seal marks, 5.75” high (4) £50-100

170. A PAIR OF “SAMPSON” ARMORIAL VASES in the form of famille rose vases with iron red and gilt handles, 9.75” high (2) £150-300 171. A JAPANESE “IMARI” CHARGER decorated in underglaze blue, iron red, green and gilt with panels decorated with figures riding on the back of fish, pavilions and figures kneeling on mats, the borders with feathery leaves and geometric patterns, 19th century, 18.25” dia. £100-200 172. A CHINESE BLUE AND WHITE PLATE in the Wanli style, 8.25” dia. and three other blue and white plates (4). The surface condition of these plates may indicate that they have been recovered from a wreck. 173. AN ORIENTAL ARMORIAL BOX AND COVER with a quatrefoil body, the lid with an armorial surmounted by a bird crest, 3”, and eight similar boxes (9) £80-160 174. A SET OF TWELVE CHINESE EXPORT BLUE AND WHITE PLATES of octagonal form decorated with pavilions and pagodas in landscapes, with a bridge crossing a waterway, Qianlong, 8.5” dia. (12) £100-200

Lot 166 44

Lot 182 175. THE NANKIN CARGO: A CHINESE EXPORT BLUE AND WHITE DINNER SERVICE for 12 place settings, decorated with pavilions on islands surrounded by trees, in panelled diaper-pattern borders, the undulating rims with sprays of flowers, Qianlong

178. THE NANKIN CARGO: A CHINESE EXPORT BLUE AND WHITE DINNER SERVICE for 12 place settings, decorated with pavilions on islands surrounded by trees, in panelled diaper-pattern borders, the undulating rims with sprays of flowers, Qianlong

Comprising: a set of twelve bowls, 8.75” dia., a set of twelve plates, 9” dia. (24) See illustration

Comprising: a set of twelve bowls, 8.75” dia., a set of twelve plates, 9” dia. (24)

£500-1000 176. THE NANKIN CARGO: A CHINESE EXPORT BLUE AND WHITE DINNER SERVICE for 12 place settings, decorated with pavilions on islands surrounded by trees, in panelled diaper-pattern borders, the undulating rims with sprays of flowers, Qianlong.

Comprising: a set of twelve bowls, 8.75” dia., a set of twelve plates, 9” dia. (24)

£500-1000 177. THE NANKIN CARGO: A CHINESE EXPORT BLUE AND WHITE DINNER SERVICE for 12 place settings, decorated with pavilions on islands surrounded by trees, in panelled diaper-pattern borders, the undulating rims with sprays of flowers, Qianlong. Comprising: a set of twelve bowls, 8.75” dia., a set of twelve plates, 9” dia. (24) £500-1000

£500-1000 179. A PAIR OF CHINESE EXPORT CHARGERS ensuite with lots 175-178, 15.5” dia. (2) £500-1000 180. A PAIR OF CHINESE EXPORT CHARGERS ensuite with lots 175-179, 14” dia. (2) £300-600 181. A PAIR OF CHINESE EXPORT DISHES ensuite with lots 175 - 180, 11.5” dia. (2) £100-200 182. THE NANKIN CARGO: A PAIR OF CHINESE EXPORT BLUE AND WHITE DAIRY BOWLS of circular form with a lip and a single loop handle, the bodies decorated with Chinese landscapes beneath geometric borders, Qianlong, 8.5” dia. including the handles (2)

Lots 175-178

£150-300 46

183. THE NANKIN CARGO: A SET OF TWENTY FOUR CHINESE EXPORT BLUE AND WHITE TEABOWLS AND SAUCERS decorated with pavilions on rocky mounds from which sprout trees, with geometric borders, Qianlong. The saucers 4.5” dia. (48) See illustration £250-450

184. A SET OF TWENTY-FOUR CHINESE EXPORT BLUE AND WHITE TEA BOWLS AND SAUCERS ensuite with lot 183 (48) £250-450

185. A SET OF TWENTY-FOUR CHINESE EXPORT BLUE AND WHITE TEA BOWLS AND SAUCERS ensuite with lots 183 and 184 (48) £250-450

186. A SET OF TWENTY-FOUR CHINESE EXPORT BLUE AND WHITE TEA BOWLS AND SAUCERS ensuite with lots 183, 184 and 185 (48) £250-450

187. A SET OF THIRTEEN CHINESE EXPORT TEA BOWLS AND SAUCERS ensuite with lots 183 - 186 (26) £250-450

Lot 183

Lot 188 188. A CHINESE EXPORT FAMILLE ROSE DINNER SERVICE decorated in polychrome enamels, underglaze blue and gilt with pavilions and pagodas beside a lake, with blossoming trees and a building on stilts, the cellular and geometric borders with foliage and ribbons highlighted in gilt, with undulating rims, Qianlong. Comprising:

a large charger, 16”,

a pair of chargers, 14.75” dia.,

a pair of large dishes, 12.25” dia.,

189. A CHINESE EXPORT BLUE AND WHITE OVAL DISH decorated with lotus flowers and flowering bamboo shoots within an undulating border with four masses of blossoming plants including prunus and peonies, Qianlong, 20.25” wide £150-300

a tureen with a domed cover surmounted by a moulded foliate finial, 11.5” high,

a set of fifteen plates, 9” dia.,

a set of eleven bowls, 11” dia. (32)

£5000-10000 Lot 188 50

eur opea n c e r a mic s

Lot 193 52

Lot 190

Lot 192

190. A PAIR OF “CAPODIMONTE” POT POURRI VASES AND COVERS moulded and decorated in polychrome with putti engaged in a variety of pursuits emblematic of the arts, 16” high (2). See illustraion

192. A SET OF FOUR “MEISSEN” FIGURES emblematic of fire, earth, air and water, each with a blue crossed swords mark in underglaze blue, 8.5” high and various (4). See illustration

£300-600

191. A PAIR OF CONTINENTAL PORCELAIN CACHEPOTS with oval reserves of summer flowers on an emerald green ground overpainted in gilt with beaded borders and branches of blossom, with gilt lions’ mask handles and detachable bases, 5.25” high (2)

193. A COLLECTION OF STAFFORDSHIRE FIGURES including a dandy and his bride, 19th century, 7.5” high, a cobbler, a witch riding on the back of a bird and three others (6). See illustration

£50-100

£100-200

Lots 199 and 200 54

194. A “WALTON” POTTERY GROUP entitled “Friendship” modelled with two boys standing in front of a floral bocage, the reverse of the square base impressed with a “W”, 7” high, and a tithe pig group, the reverse moulded with a ribbon inscribed “Walton”, 5.75” high (2) £100-200

199. A “CAPODIMONTE” TANKARD AND COVER moulded and decorated in polychrome with bacchanalian figures merrymaking and the domed cover surmounted by a monkey, the base with a crowned “N” in underglaze blue, 8.5” high, and a similar tankard with an elephant’s mask handle and a domed lid surmounted by a lion, 7.25” high (2) . See illustration £150-300

195. A STAFFORDSHIRE FIGURE of “Uncle Tom” with a young girl on his knee, the base moulded with the title and the underside with a label for “Sydney Reynolds, Victoria, British Columbia”, 10.5” high £50-100

196. A “STAFFORDSHIRE” BULL-BAITING GROUP inscribed on the base “Bull Beating” and “Now Captin Lad”, 7.25” wide £100-200

197. A DERBY STYLE PORCELAIN GROUP of the cobbler’s wife riding on the back of a goat, 5.75” high

200. A “CAPODIMONTE” VASE AND COVER moulded and decorated in polychrome with frolicking and musical putti amidst cloud scrolls, with borders of stiff leaves in puce and gilt, the domed lid with a gilt metal pineapple finial, the base with a crowned “N” in blue, 11.25” high. See illustration on previous page £80-150 Lot 202 201. A MASON’S IRONSTONE JUG AND BASIN transfer printed and decorated in polychrome with Chinese landscapes and flowers, the faceted baluster jug with a moulded snake handle, with printed marks. The basin 16.25” dia. (2)

202. AN EXTENSIVE MEISSEN BOTANICAL DINNER SERVICE of 18th century design, enamelled in polychrome with sprays of summer flowers within gilt borders, each piece with a blue cross swords mark in underglaze blue.

£60-120

Comprising: an oval tureen, the domed cover with a cloaked putto finial, 14.25”,

a pair of circular tureens and covers, 13.5”,

two square dishes with undulating rims, 8.75” x 8”,

a pair of oval meat plates, 20.5”,

a smaller pair of oval meat plates, 17.75”,

a pair of circular dishes, 11.75” dia.,

a circular dish, 13.5” dia.

a pair of circular dishes, 15.25”,

thirty five plates, 9.5” dia.,

fourteen bowls, 9” dia.,

fifteen small plates, 6” dia.,

sixteen plates, 8.25” dia., a spare tureen lid (a collection) See illustration

198. A CHAMBERLAINS WORCESTER SUGAR BOWL AND COVER with a ribbed oval body decorated with feathery leaves entwined with a flowering vine, the lid inscribed in gilt “Chamberlains Worcester warranted no. 34”, 5.75” high and a similar sugar bowl and cover with spiral fluting (2)

three twin-handled sauceboats, with integral shaped oval stands, 10”,

a square bowl with an undulating rim, 9.75”,

£50-100

£1000-2000

a dish modelled as two conjoined shells, with a central scroll handle, 11”, an elongated oval fish platter, 23.5”

Lot 17 56

209. A SET OF NINE NYMPHENBURG PLATES decorated in puce with sprays of flowers within moulded basket-weave borders, nine similar plates and a collection of Ostrom porcelain plates decorated in gold and red with stars (a lot) 210. A COLLECTION OF CHINESE STYLE BROWN-GLAZED DINNERWARE including square plates and bowls with undulating rims (a lot) 211. AN ENGLISH PORCELAIN PART DESSERT SERVICE decorated with vignettes of fruit within blue and gilt borders. Comprising two dishes and ten plates and other ceramics (a lot)

Lot 203 203. A MEISSEN TUREEN AND COVER of oval form enamelled in polychrome with sprays of summer flowers, the domed cover with an entwined scroll finial and the body with two rocaille-work scroll handles, the base with blue crossed sword and the Arabic numeral “94” in green enamel, 15” dia. See illustration £100-200 204. A WEDGWOOD GAME PIE DISH in biscuit-coloured stoneware moulded with game and fruiting vines, with impressed marks, 11.5” wide, and a smaller Wedgwood game pie dish (2) £150-250 205. A WT COPELAND & SONS PART DINNER SERVICE transfer printed in polychrome with fish amidst aquatic plants and a collection of greenware plates (a lot)

206. A MINTONS PORCELAIN PART DINNER SERVICE with gilt decoration, the base with a printed mark for “Davis Collamore & Co. Ltd, 5th Avenue, New York”, and other white and gilt dinnerware (a lot) 207. A COLLECTION OF IRONSTONE PLATES including a collection of nine soup bowls with typical Imari pattern decoration (a lot)

212. A CZECHOSLOVAKIAN PORCELAIN PART DINNER SERVICE with blue and gilt foliate decoration. Comprising tureens, serving dishes and plates (a lot) 213. A LONGCHAMPS “FAIENCE” PART DINNER/BREAKFAST SERVICE naively decorated with sprays of flowers in polychrome (a lot) 214. A COPENHAGEN BOTANICAL PART DINNER SERVICE decorated in polychrome with botanical specimens within moulded borders enriched with gilt (a lot)

215. AN EXTENSIVE SPODE “TRADEWINDS” PART DINNER, TEA AND BREAKFAST SERVICE in the 18th century style (a collection) 216. AN ENGLISH PORCELAIN PART TEA AND COFFEE SERVICE decorated with sprays of flowers within maroon and gilt borders overpainted with vines 217. A TRANSFER PRINTED POTTERY TUREEN, COVER, LADLE AND STAND transfer printed in blue with the Medina pattern, the base of the stand with a printed mark “Medina JF & Co.”, 19th century, 14.5” wide £100-200 218. A CONTINENTAL PORCELAIN ARMORIAL PART DINNER SERVICE with green and gilt borders (a lot) 219. A MINTON PART DINNER SERVICE with blue and gilt decoration and other ceramics (a lot) 220. A SET OF SIX WORCESTER TEA BOWLS AND SAUCERS with spirally-fluted bodies decorated in puce with sprays of flowers beneath chain borders, late 18th century (12) £100-200

208. A MOTTAHEDEH PART DINNER SERVICE with ornithological and botanical decoration in polychrome and other similar plates (a lot)

Lot 17 58

bo ok s, icons, m a nuscripts a nd te xtile s

225. JOHN HUTCHINS MA: THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET, in two volumes, the first edition, published 1774, full calf (2) £300-600

226. H. AVRAY TIPPINS MA FSA: ENGLISH HOMES PERIOD I, II, III & IV, in 5 separate vols., published by Country Life 1929 (5) £100-200

227. PERCY MACQUOID, RI: A HISTORY OF ENGLISH FURNITURE in 4vols., together with “English Furniture from Charles II to George II” by RW Symonds and “The Decoration and Furniture of English Mansions in the 17th & 18th Centuries” by Francis Lenygon (6) £100-200

228. A COLLECTION OF BOOKS ON ANTIQUES AND THE ARTS (a collection) 229. A COLLECTION OF BOOKS ON THE FINE AND DECORATIVE ARTS (a collection)

230. A COLLECTION OF BOOKS on Chinese and South-East Asian ceramics and works of art (a collection)

232. A COLLECTION OF BOOKS ON JADE and Oriental works of art (a collection) 232A. A COLLECTION OF BOOKS ON TRAVEL and related subjects (a collection)

233. LOUBERE: DU ROYAUME DE SIAM, published Paris MDCXCI, in 2 separate vols, calf bound with marbled end papers, together with Neale’s Residence in Siam, Bowring’s Siam in 2vols, and the History of Siam by WAR Wood (6) £100-200

234. WILLIAM ALEXANDER: PICTURESQUE REPRESENTATIONS OF THE DRESS AND MANNERS OF THE CHINESE illustrated with 50 coloured engravings with descriptions, published London 1814, and The Chinese by John Francis Davis, in 2vols (3) £100-200

235. GEORGE HENRY MASON, ESQ, MAJOR OF HIS MAJESTIES (LATE) 102ND REGIMENT: THE COSTUME OF CHINA illustrated by 60 engravings with estimations in English and French, printed for William Miller by William Bulmer & Co., Cleveland-Row, St. James’s, London 1804, red Morocco with fine gilt tooling. See illustration £300-600 236.-242. Spare lots.

231. DAVID SANCTUARY HOWARD: CHINESE ARMORIAL PORCELAIN and other related volumes (a collection)

silver and pl ate TE XTI LE S 246.

A RARE ARMORIAL LACE SAMPLER with the arms of Sterne, with crest and motto, 8.75” x 6.25” and another lace armorial with the arms of Drury, 10.25” x 7”, both circa 1850 (2)

Provenance: Acquired from Heirloom & Howard, Berkeley Square, London W1.

£80-160

247.

A VICTORIAN PETIT POINT PICTURE of a dog after Sir Edwin Landseer, 9.75” x 13”, apparently retaining the original black and gilt eglomise mount and rosewood frame, and a George III sampler by “Matsey Gibbons West-Town School 1801”, 10.25” x 10.25” (2)

£100-200

248.

A COLLECTION OF TAPESTRY SEAT COVERS AND UPHOLSTERY of 18th century design, one worked with stags in a landscape and others with figures and vases charged with flowers (a collection)

£100-200

250. A PAIR OF OLD SHEFFIELD PLATE THREE BRANCH CANDELABRA with detachable sconces, urn-shaped capitals, reeded arms and tapering columns, the whole on stepped oval bases, 16.5” high.

254. AN ADAM STYLE TEA URN of vase form with pull-off knopped cover and wire handles, embossed with swags and paterae, with a bone handled pouring tap, gadrooned circular foot, on later shaped wooden base, 17.75” high.

£100-200

251. A VICTORIAN TRAY of shaped oblong form with a raised gadrooned border, with leaf- capped carrying handles, on claw and ball feet, engraved with a crest and motto, 30.5” wide

255. A PAIR OF GEORGE III OLD SHEFFIELD PLATE CANDLESTICKS with oval columns and reeded borders and a similar pair (4)

£100-200

£50-100

252. A VICTORIAN WINE COOLER of campana form, with scroll borders and leaf-capped carrying handles, on a circular base, and an electro-plated wine cooler (2)

256. A COLLECTION OF ELECTRO-PLATED ICE BUCKETS and a pair of wine coolers (7)

£50-100

253. A PAIR OF OLD SHEFFIELD PLATE ENTREE DISHES and covers, with detachable handles and pull-off fluted covers, on shell and gadrooned borders, 11” wide £50-100

£100-200

257. A GEORGE III OLD SHEFFIELD PLATE MEAT DISH COVER of oval form with “egg and dart” border, engraved with a crest of a rampant lion below a coronet, 20” wide £100-200

261. A SET OF FOUR ELECTRO-PLATED VEGETABLE DISHES of circular form with pull-off covers, gadrooned borders and wooden handles, by Walker & Hall, and one other (5) £50-100

262. AN OLD SHEFFIELD PLATE TRAY of rectangular form with “egg & dart” border and scroll handles, bearing an armorial, on leaf and hoof feet, 24.5” wide £50-100

258. A PAIR OF GEORGE III SHEFFIELD PLATE SALVERS of oval form with reeded borders, each engraved with a shield crest in a wreath, with fluted bracket feet (possibly with replaced bases). £100-200

259. AN EDWARDIAN GALLERY TRAY of oval form and two others (3)

263. SPARE LOT

264. A CUT-GLASS LEMONADE JUG with electro-plated mounts, and a pair of Old Sheffield plate warming dish stands and a large quantity of electro-plated wares (a lot) £100-200

£50-100

260. MATTHEW BOULTON: A GEORGE III OLD SHEFFIELD PLATE ARGYLE with gadrooned border and later wooden handle and a pair of Argyles by Mappin & Webb (3)

265. AN ELECTRO-PLATED BREAKFAST DISH of oval form, with a revolving cover, and a large quantity of warming dish stands, with wooden handles, and entree dishes and covers (11) £100-200

£50-100 266. A GEORGE III OLD SHEFFIELD PLATE CAKE BASKET of oval form, lacking handle, and a sauceboat, two glass mounted teapot stands and further plated items (15) £50-100

continenta l a nd a m eric an silv e r

Lot 271 267. A PAIR OF PLATE ON COPPER WATER JUGS, an ink stand and a collection of plated items (15) £50-100

268. A PAIR OF OLD SHEFFIELD PLATE WINE COASTERS of circular form with turned wooden bases, a second pair of coasters and a quantity of Old Sheffield and electroplate (13) £50-100

270. AN OLD SHEFFIELD PLATE CHEESE DISH of rectangular form with gadrooned border and turned wooden handle, 9” wide £50-100

271. A SHEFFIELD PLATE MIRROR PLATEAU of rectangular form, shell and “egg and dart” borders, acanthus leaf corners, of three detachable sections, mirror top, on a wooden base, each base section bearing a carved mark of “B-CCLVII”, 48.5” long. See illustration £300-500

272. A PAIR OF SOUTH EAST ASIAN METALWARE PRICKET CANDLESTICKS chased with floral decoration, 24” high, and a Burmese style rice bowl on three squat circular feet, a Chinese style plated tea caddy, a spirit kettle base and a silver topped glass flask in a leather case (6) £100-200

269. MATTHEW BOULTON: A GEORGE III OLD SHEFFIELD PLATE VEGETABLE DISH of circular form with graduated pull-off domed cover with ball finial, detachable central dividing section and oval swing handles, the base numbered “83”, 12” dia. £100-200

273. AN ELECTRO-PLATED ICE BUCKET by Elkington & Co., three further ice buckets and other plated wares (10) £40-60

274.-282. SPARE LOTS

285. A PAIR OF AMERICAN SWEETMEAT DISHES of shaped circular form, chased with floral and geometric borders, monogrammed, on circular bases, by Gorham & Co., 3.5” high, (c.10oz)

291. AN AMERICAN SOUP BOWL with matching plate, both monogrammed, the reverse of each marked “Sterling” (2) (c.16oz) £100-200

£50-100

286. AN AMERICAN MILK JUG in the Georgian revival style, of tapering circular form with scroll handle terminating in a heart, engraved “C.F.R.S.”, 4.2” high, (c.10oz) 282. A PAIR OF AMERICAN SAUCEBOATS of stepped oval form with angular handles, with rams head masks, on an oval foot, each monogrammed, retailed by Shreve Satinwood and Co., by Gorham & Co., circa 1880, 5.5” high, (c.21oz). £100-200

294. A LATE VICTORIAN AMERICAN DISH of circular form, chased with floral sprigs and a raised border, the centre engraved with an initial “F”, by Towle, 14” dia., and a matching bowl, 10” dia. (c.30oz)(2) £200-300

292. A CANADIAN SALVER of shaped circular form with raised border, by Birks, also marked “Sterling”, 14” dia. and a similar salver by Birks, 14” dia. (c.68oz) (2)

295. SPARE LOT

£300-500 296. A PINT MUG with a “C”-shaped handle and a spreading circular foot, the base marked “Sterling”, presentation engraved, a Sterling cup and cover and a small Sterling beaker by Reed and Barton (3) (c.20oz)

£50-100

287. A COLLECTION OF CHRISTENING MUGS including one by Tiffany & Co. (5)

£100-200

283. TIFFANY & CO.: AN HORS D’OEUVRE DISH of rectangular form with reeded borders, the reverse marked “Tiffany & Co. Sterling Silver, 925-1000”, 11.5” wide (c.24oz)

288. A COLLECTION OF AMERICAN PORRINGERS, one by Gorham, two by Birks, all marked “Sterling” (4) (c.15oz)

£100-200

289. A COLLECTION OF AMERICAN DISHES including a set of eight saucers (16)(c.74oz) £300-500

290. AN AMERICAN HIP FLASK of shaped rectangular form with a bayonet fitting cap, by Gorham & Co., and an engine-turned example, the cap removing to form a collapsible drinking cup (2) (c.19.5oz) 284. A SET OF TWENTY FOUR AMERICAN BUTTER SHELLS naturalistically modelled, monogrammed, by Gorham & Co., also marked 925, circa 1920, 4.5” wide, (c.79oz).

297. A COLLECTION OF AMERICAN AND ORIENTAL DISHES, a beaker, a strainer, a pair of salts and other items (a lot) £100-200

298. A PAIR OF CONTINENTAL WHITE METAL CANDLESTICKS of squat form, with knopped columns, on octagonal bases, 3.75” high, (c.23oz) 293. A GERMAN CUP AND COVER of tapering oval form, embossed in the 17th century German manner, with masks and strapwork, each end bearing an engraved crest, the cover pulling off to form two cups, bearing English import marks for London 1899, 4.75” high, (c.7oz). £100-200

£100-200

299. A SET OF FOUR ITALIAN PEPPER MILLS of squat circular form with reeded decoration, and two table lighters (6) £50-100

£100-200

£300-500

300. A GERMAN DRESSING TABLE BOX of octagonal form, richly embossed with cherubs and maidens amongst foliage, the base marked with a German standard mark and stamped “800”, and a smaller example (2) (c.15.5oz)

304. A PAIR OF CONTINENTAL DOUBLE LIPPED SAUCEBOATS of oval form, gilt interiors and pierced scroll handles, on fluted oval stands, the underside marked “800N”, probably early 20th century, 5.5” high (c.26oz)

£100-200

£200-400

301. A DUTCH TRINKET BOX circa 1900 of rectangular form, the body embossed with figures in pastoral scenes and a German trinket box, decorated with musicians in a pastoral landscape, (2)

305. A CONTINENTAL WHITE METAL CHARGER of circular form with gadrooned border, the underside scratched “BCA/1941”, also “MCH” within a building motif, with a lightly planished finish, c.1930, 14” dia. (c.49oz)

£100-200

£300-500

306. A SMALL COLLECTION OF CONTINENTAL BEAKERS including one Russian example, Moscow 1871, and three other beakers (4) £100-200

302. AN 18TH CENTURY COCONUT CUP, the carved cup bearing a crest and motto “Through: 1794” above a coronet and tree, on a later Sterling silver pedestal base, 7.75” high. £100-200

303. A GERMAN DINNER PLATE of shaped circular form with raised border, initialled, the reverse bearing a German standard mark, 13” dia., (c.21oz) £100-200

307. A CONTINENTAL PIERCED DISH of shaped oval form, the body pierced with floral sprigs and vignettes of playful putti, the centre embossed with a pastoral scene, also marked “Sterling 925”, 13.25” wide (c.22oz). £200-300

308. A CONTINENTAL SILVER GILT MODEL OF A SLEIGH AND REINDEER, the base of the sleigh marked “Sterling”, early 20th century, 5.5” long £50-100

312. A DUTCH NOVELTY BIRD SPICE BOX modelled in a standing position, the pull-off head set with red eyes, 7” long. £100-200

309. A CONTINENTAL BOX of rectangular form, with a gilt interior, the body embossed with running figures, the base bearing a Dutch import mark for 1893-1906, 12.5” long. £200-300

310. A COLLECTION OF NAPKIN RINGS, initialled, each marked “Sterling 925” (16) (c.12oz) £100-200

311. A FRENCH HOT WATER JUG of tapering circular form, the loop handle with ebony insulators, with pull-off knopped cover and sparrowbeak spout, the cover and body applied with a coat of arms, bearing a standard mark and makers mark of “U COC” to the base, 8.75” (c.34oz), and a squat early 20th century French coffee pot (2) £300-500

313. A PAIR OF DUTCH TABLE ORNAMENTS in the form of pheasants, with amber glass eyes and detachable heads, revealing detachable pierced sections, the foot of the tail marked “Holland” in a rectangularshaped punch, the top of the detachable head bearing control marks of a Minerva’s head, the foot bearing a mark of a rampant lion, circa 1900, 24” long, (c.48oz). £500-1000

314. A PAIR OF AMERICAN ROSEBOWLS, the castellated borders interspersed with maiden’s heads, with swirl decoration, on spreading circular feet, by Blackstar and Frost, marked “Sterling”, circa 1900, 13” dia. x 7.75” high (c.134oz). £1000-2000

315. A SET OF TWELVE GOBLETS of tapering circular form with spreading circular bases and gilt interiors, each engraved with a crest of a lion within a shield, a stag above it, below the motto “Perseverance”, each base marked “Sterling”, possibly American, circa 1900, 5.25” high, (c.112oz).

317. A PAIR OF AMERICAN SILVER MOUNTED CORNUCOPIA VASES, the glass bodies with etched floral decoration, filled silver bases, marked “Sterling”, 11.5” high. £100-200

£800-1200

316. A PAIR OF FRENCH CAST CANDLESTICKS in the Egyptian revival style, on circular bases with acanthus leaf borders, the bases monogrammed, the underside of one bearing a Paris mark for 1793, both marked J.G.D.A. in a diamond punch, 11” high (c.35oz).

318. AN AMERICAN WHITE METAL MEAT PLATTER of oval form with stylised flowerhead and dart border, curved beaded handles terminating in stylised leaves, the whole on beaded pad feet, the base bearing marks for Gorham & Co., circa 1900, 25.5” wide. £300-500

£500-1000

CH I NESE AND SOUT H EA ST A SIA N SI LVER AND META LWA R E

319. A CONTINENTAL WHITE METAL NEF on a detachable stand, apparently unmarked, 13.75” high. £100-200

322. A CONTINENTAL 14CT GOLD DRESSING TABLE SET of oval form, with gold banded ivory handles, engraved with floral sprigs and cartouches, monogrammed, marked “Brand-Chatillion Co. Inc.”, (14). £500-1000

320. SPARE LOT

321. A DUTCH SILVER MOUNTED DECANTER with stopper, of canted oval form with etched glass decoration, encased in a pierced silver mount, with bird decoration, bearing import marks for London 1929, and two decanters with figural cork stoppers (3) £100-200

323. A COLLECTION OF THAI WHITE METAL RICE BOWLS including a large bowl embossed with birds amongst foliage, and four others (5) £100-200

328. A COLLECTION OF THAI BETEL-LEAF HOLDERS, some with pierced decoration (19) “One universal South East Asian habit which both intrigued and repelled Europeans was the chewing of a mild stimulant called Betel, which originated in India some 2000 years ago. Shavings of the Areca nut are mixed with lime paste and spices and wrapped in a leaf of the Piper Betle vine”. Silverware of South East Asia by Sylvia Fraser-Loo, Singapore Oxford University Press, Oxford, New York 1989. £100-200

330. A COLLECTION OF CHINESE AND SOUTH EAST ASIAN TRINKET BOXES modelled in the form of dogs of fo, with detachable octagonal bases, bearing character marks, early 20th century and later (13). £200-400

331. A PAIR OF CHINESE FINGER BOWLS of plain lobed form, on a tucked-in circular foot, by Luen-Wo, circa 1900, 3.75” dia. (c.9oz) £100-200

334. A CHINESE CIGAR BOX of rectangular form, the cover decorated with courtly figures within an architectural back-drop, the sides embossed with hunting scenes, the base bearing a double character mark, circa 1900, 8” wide (c.27oz). £300-500

324. A THAI WHITE METAL MODEL OF A SEATED BUDDHA on a graduated triangular base, filled, 12” high. £100-200

325. SPARE LOT

326. A THAI WHITE METAL POT POURRI BOX of rectangular form, embossed with scrolls and birds centred with a part-gilt pierced section, and a lobed box with pull-off cover surmounted by a recumbent lion (2)

329. A SOUTH EAST ASIAN PEDESTAL DISH modelled in the form of lotus leaves, on a tucked-in circular foot, the base bearing character marks, 5.5” high, and a Thai white metal pedestal bowl with ring handles, on a stepped circular foot (2). £200-400

332. A CHINESE COCKTAIL SHAKER of tapering circular form with reeded pull-off cover, decorated with dragons chasing a flaming pearl, possibly by Wing Chung, possibly c.1890, 7.5”, (c.13oz). £300-500

333. AN ORIENTAL CIGAR BOX of rectangular form profusely decorated with birds and dragonflies amongst water lilies and rushes, the base bearing a three part character mark, circa 1900, 7.75” wide (c.28oz).

£100-200

327. A LARGE COLLECTION OF SOUTH EAST ASIAN METAL WARES including boxes, niello work pedestal dishes and bowls, cases, beakers and other items (a lot)

335. A SMALL COLLECTION OF ORIENTAL SILVER WARE comprising: three white metal seals with dogs of fo terminals, two other seals, four Oriental pepper pots, a small container and a model of a moorhen (11) £100-200

336.-345. SPARE LOTS.

£200-400

£300-500

ENG L I SH , I RI SH AND SCOT TISH SILVER

346. A COLLECTION OF SILVER ITEMS comprising a sugar basket with pierced body and blue glass liner, by Henry Matthews, Birmingham 1910, a teapot stand, a butter dish and other items (14)

351. AN EDWARDIAN CHRISTENING MUG of circular tapering form engraved with floral wreaths and an angular handle, Chester 1901, 3.75” high (c.5oz)

£200-300

£50-100

347. A PAIR OF SILVER MOUNTED CANDLESTICKS with turned wooden stems, by D & H, Birmingham 1932, 8.5” high

352. A MILK JUG of circular bellied form with reeded scroll handle, lightly hammered finish, by C.J. Vander, London 1937, 4.75” high (c.12oz)

£50-100

£100-200

348. A HIP FLASK of shaped rectangular form with bayonet fitting cap, by James Dixon & Sons, Sheffield 1936, 6.5” long £50-100

353. A LATE VICTORIAN PLANTER of circular form with castellated border, embossed with flowers and scrolls, mask and ring handles, on circular foot, by Charles Stuart Harris, London 1897, 4.5” high (c.9oz) £100-200

349. AN EDWARDIAN SCOTTISH DISH of lobed form on four leaf capped paw feet, by Hamilton & Inches, Edinburgh 1909, and a mustard pot (2) £50-100

358. A GEORGE III MUSTARD POT of oval form with reeded borders, domed hinged cover, pierced thumbpiece and scroll handle, the body prickdot and bright engraved with geometric bands and a wreath, one side crested, with later blue glass liner, by Peter and Anne Bateman, London 1799, 3.5” high.

359. A GEORGE III MUSTARD POT of oval form with a domed hinged cover, disc thumbpiece and angular handle, London 1790, possibly by John Carter II, 3.5” high. See illustration

£50-100

£100-200

rovenance: Purchased from Tessiers Ltd, Jewellers P and Silversmiths, 26 New Bond Street, London W1Y OJY on 14th November 1980.

£100-200

360. A GEORGE III MUSTARD POT of oval pedestal form with ball finial, flush hinged cover and reeded scroll handle on a graduated oval foot, by John Wakelin and William Taylor, London 1786, 3.5” high. See illustration

356. - 357. SPARE LOTS

£100-200

364. A VICTORIAN IRISH CREAM JUG and matching sugar bowl, of melon form with scroll handles, chased with floral scroll decoration, on cast pierced feet, by JS, Dublin 1856, (c.23oz) (2)

365. A GEORGE III IRISH SAUCE BOAT of tapering oval form with leaf-capped scroll handle, shell-capped hoof feet, engraved with a stags head crest, the base scratch engraved H/RS, by Matthew Walsh, Dublin 1786, 4.25” high (c.5oz) £200-400

361. A GEORGE III CREAM JUG of baluster form with punch bead border and scroll handle, the body embossed with floral decoration, vacant central cartouche, on a circular pedestal foot, makers mark rubbed, London 1787, 4.75” high (c.3oz)

£800-1200

363. A GEORGE III IRISH WINE FUNNEL with circular lobed body, crested, marks rubbed, Dublin circa 1790, 4” high (lacking strainer)

£200-400

£100-200 350. AN EDWARDIAN SCOTTISH TWO HANDLED BOWL of plain circular form with reeded girdle and scroll handles, on a tucked-in circular foot, by Hamilton & Inches, Edinburgh 1904, 19” wide from handle to handle, (c.89oz).

£200-400

£100-200

354. A PAIR OF EDWARDIAN KITCHEN PEPPER POTS with pull-off pierced covers, by Charles Stuart Harris, London 1903, and one smaller (3)

355. AN IRISH CREAM JUG decorated in the 18th century manner, with embossed animals amongst flowers and scrolls, leaf capped scroll handle and central reeded girdle, the whole on three lions head capped feet, by TW, retailed by Weir & Sons, Dublin 1913, 5.25” high (c.7oz)

362. A GEORGE III WINE FUNNEL of conventional form with part fluted decoration, engraved with a crest, by John Emes, London 1798, 6.5” high (c.5oz).

366. SPARE LOT

£80-120

367. A GEORGE III PINT MUG of barrel form with reeded sections and angular handle, possibly later glass base, possibly by Hannah Northcote, London 1807, c.5.5”.

370. A SET OF FOUR VICTORIAN SALTS of oval form, decorated with slat and dot piercing with bright engraved floral borders, on fluted feet, blue glass liners, by ECB, London 1873.

373. A GEORGE II BOWL AND COVER of tapering circular form, the pull-off cover with embossed border and bud finial, the bowl with floral embossed border and scratch initialled H/WE, by John Swift, London 1759, 5.25” high (c.9oz).

375. A GEORGE II WAITER of shaped circular form with scroll and shell border, later chased floral and scroll decoration, crested, on three pad feet, the underside scratch engraved G/IA, by William Peaston, London 1741, 8.75” dia., (c.11oz).

£200-400

£300-500

£100-200

368. A GEORGE III MUG of baluster form with leaf-capped scroll handle and spreading circular foot, by Francis Crump, London 1763, 5.25” high (c.13oz)

371. A SET OF FOUR GEORGE III SALTS of oval form with slat-pierced bodies, crested, on downcurving feet, by Henry Chawner, London 1788, some with associated liners

£200-300

£100-200

376. A GEORGE III BOWL of plain circular form, the underside scratched “No. 2 2510”, by Richard Carter, Daniel Smith and Robert Sharp, London 1781, 10” dia., (c.21oz), and another bowl with a beaded border, makers mark only rubbed, 9” dia. (c.14oz) (2). £300-500

374. A GEORGE III WAITER of oval form with raised reeded border, crested, on reeded bracket feet, by J. Wakelin and Robert Garrard, London 1801, 9” wide, (c.15oz).

369. A GEORGE III SAUCE TUREEN AND COVER of oval form, with reeded scroll handles, monogrammed, on an oval foot, by George Smith and Thomas Hayter, London 1801, 6” high (c.17oz). £300-500

372. A GEORGE III WINE COASTER of circular form with undulating gadrooned rim and pierced border, makers mark rubbed, London 1773, 5.25” dia.

rovenance: Purchased from Tessiers Ltd, Jewellers P and Silversmiths, 26 New Bond Street, London W1y OJY on 14th November 1980.

£200-400

377. A PAIR OF GEORGE III CANDLESTICKS with wrythen pull-off sconces and knopped waisted columns, terminating in stepped square bases with gadrooned borders, pitch-filled bases, by John Carter II, London 1765, 11” high. £500-1000

378. A GEORGE III SILVER GILT JUG of circular bellied form with leaf capped scroll handle, part fluted decoration, on spreading circular foot, by I.C., London 1773 (re-gilded), 6” high, (c.14oz). £300-500

379. A GEORGE III THREE BOTTLE INK STAND of rectangular form with “egg and dart” border and leafjoined rectangular carrying handles, housing three cutglass silver topped inkwells, on four leaf capped scroll feet, by T & J Guest and J. Craddock, London 1808, 12” wide. £300-500

380. A GEORGE III DISH CROSS of conventional form, the central burner with pierced shell supports and feet, the burner monogrammed, by John Langford II and John Seville, London 1764, 13” long, (c.22oz). £300-500

381. A WILLIAM IV BRANDY PAN AND COVER of circular bellied form with turned wooden handle and finial, the pull-off cover and body monogrammed, by William Woodman, Exeter 1834, 10” long. £300-500

383. A GEORGE III COFFEE POT of baluster form with domed hinged cover, urn finial and replacement wooden handle, beaded spout and beaded borders, on a circular pedestal foot, makers mark rubbed, possibly Hester Bateman, London 1787, 13” high (c.27oz). £500-800

382. A GEORGE III TEAPOT of oval form with flush hinged cover, wooden disc finial, wooden scroll handle and beaded borders, the body bright engraved with a geometric frieze and centred by an oval cartouche, with a deer-head crest, by Hester Bateman, London 1781, 5.75” high, (c.14oz). £300-500

384. A SET OF FOUR LATE VICTORIAN CANDLESTICKS with pull-off gadrooned sconces, corinthian capitals, plain columns with trailing leaves, the square bases with leaf swags and gadrooned borders, crested, filled, by James Dixon & Sons, Sheffield 1894/1895, 13.5” high. £500-1000

385. A SET OF FOUR GEORGE I BRITANNIA STANDARD TRENCHER SALTS with gilt interiors, possibly by Thomas Fawler, London 1720, 3” wide (c.9oz). £500-1000

386. A WILLIAM III PORRINGER of circular form with “S”-shaped handles, gadrooned girdle, one side scratch initialled I/TA, the other I/TE, part fluted lower body with tucked-in circular foot, by Robert Timbrell, London 1696, 4.25” high (c.10oz).

For this makers mark RT with a mullet above and below see Jackson’s “Silver and Gold Marks of England, Scotland and Ireland” edited by Ian Pickford, page 145. £500-1000

387. A SET OF FOUR GEORGE III SWEET MEAT BOWLS, the cut-glass bowls mounted on pierced silver stands, with floral garlands, the legs decorated with acanthus leaf sections, terminating in a claw and ball feet, possibly by William Hall, London 1800 (no town mark), 4.5” high (c.37oz). £500-1000

388. A GEORGE III AND LATER KETTLE ON STAND of circular tapering form with swing loop handle and flame finial, the body embossed with flower and scroll panels, crested, on a triangular-shaped stand with

straight tapering legs terminating in claw feet, the kettle and lid by Henry Holland, London 1865, the base by Andrew Fogelberg and Stephen Gilbert, London 1786, 14.5” high (c.86oz). £500-1000

389. A PAIR OF GEORGE III SAUCE TUREENS AND COVERS of oval form with beaded borders and fluted scroll handles, the covers engraved with a crest of a recumbent stag, the bodies engraved with an armorial, on oval pedestal feet, by Daniel Smith and Robert Sharp, London 1782, 5.5” high (c.46oz).

rovenance: P urchased from Tessiers Ltd, Jewellers P and Silversmiths, 26 New Bond Street, London W1Y OJY on 14th November 1980.

£1500-3000

390. A PAIR OF GEORGE III SAUCEBOATS of tapering oval form with gadrooned borders and reeded scroll handles, on gadrooned oval feet, each engraved with a matching armorial, the underside of each scratch-engraved “No. 1” and “No. 2” respectively and each bearing an engraved scratch weight, by John Wakelin and William Taylor, London 1784, 6.25” high (c.32oz).

The arms are of those of Cavendish with Compton in pretence. Provenance: Purchased from Tessiers Ltd, Jewellers and Silversmiths, 26 New Bond Street, London W1Y OJY on 14th November 1980. £2000-4000

392. A GEORGE II SALVER of shaped circular form with raised scroll and shell border, the centre chased with a floral border, centred with an engraved crest within a cartouche, with a motto “In Deo Fido”, on four extended leaf-capped scroll feet, with traces of gilding, by Thomas Heming, London 1750, 20” dia. (c.96oz).

391. A GEORGE III SALVER of shaped circular form with raised gadrooned border, engraved with a shield-shaped armorial, within a wreath, on three scroll feet, the underside scratch-weighted, by John Parker and Edward Wakelin, London 1772, 16” dia. (c.61oz). £500-1000 100

The arms are those of Entwistle near Bolton £1000-2000

101

393. A GEORGE III SOUP TUREEN AND COVER of oval form, the pull-off cover with urn finial, engraved with matching crests, gadrooned border, with plain scroll handles, engraved to each side with a matching armorial, with a motto beneath reading “Paitter Vincit”, on an oval foot, the underside scratched number 2 above a scratch weight, by James Wakelin and Robert Garrard, London 1794, 11.5” high x 16” wide (c.83oz).

The arms are those of Kinnaird and Fitzgerald.

This soup tureen probably commemorates the marriage of Charles, 8th Baron Kinnaird to Lady Olivia Letitia Catherine Fitzgerald, youngest daughter of the 2nd Duke of Leinster. £2000-4000

102

103

394. A SET OF FOURTEEN GEORGE III DINNER PLATES of shaped circular form with raised gadrooned border, engraved with an armorial, the underside of each scratched with a number and a weight, by John Parker and Edward Wakelin, London 1770, 9.75” (c.244oz).

The arms are those of Bligh, 3rd Earl of Darnley. Following his marriage on 11th September 1766 to Mary, daughter and heiress of Barrister John Stoyte of Westmeath. £5000-10000

104

105

395. MATTHEW BOULTON & CO.: A GEORGE III EPERGNE mounted with five cut-glass bowls, the central section with “egg and dart” border, issuing four tapering fluted legs with acanthus leaf-capped shell sections, the shaped square lower section engraved with matching armorials and crests, centred with a detachable upright fluted flowerhead section, with four detachable sinuous fluted arms terminating in cut-glass bowls, on leaf-capped claw feet, Birmingham 1814, 13” high (c.66oz).

The arms are those of the Earls of Sutherland impaling Hussey and quartering Lake. Although Matthew Boulton died in 1809 “The Matthew Boulton Plate Company” continued manufacturing silver and plated items until 1833 when his son Matthew Robinson sold the firm. In terms of design a similar Epergne is pictured on page 168 of “Matthew Boulton: Selling What all the World Desires”. Edited by Shena Mason, published by Birmingham City Council 2009”. £4000-7000

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396. A VICTORIAN TWO HANDLED SILVER MOUNTED CUP of campana form, with a frosted glass body, scroll handles, strapwork border and central reeded girdle, by Edward and John Barnard, London 1859, 9.5” high.

SM AL L SI LVER A ND VERTU

397.-405. SPARE LOTS.

£300-500

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406. AN EDWARDIAN DUTCH SNUFFBOX of oblong form with flush hinged cover, ribbed body and plain thumbpiece, 4.75” long £50-100

407. A VICTORIAN RUSSIAN CIGARETTE CASE of oblong form with sprung-hinged cover and engineturned decoration, with strap-work borders centred by a cartouche, bearing a Cyrillic monogram, assay master possibly of Johann Sallman, also bearing a quality mark “84” struck twice, 3.5” long £50-100

409. A NOVELTY VICTORIAN WHISTLE in the form of a spaniel’s head, with suspension ring, by WS, London 1874, 1.75” long. £100-200

410. AN EDWARDIAN PAGE TURNER with embossed silver handle and ivory blade, by William Comyns, London 1903, 17” long

413. AN 18TH CENTURY KITCHEN PEPPER CASTOR of cylindrical form, the pull-off cover with drilled holes, scroll handle and reeded base, engraved with a crest of a knight emerging out of a coronet, the underside bearing a scratched “3-8” and a makers mark only of JW, probably provincial, 2.75” high.

416. A COLLECTION OF VICTORIAN AND LATER SILVER MOUNTED MATCH STRIKERS of mixed makers and dates (17).

£100-200

417. A SMALL COLLECTION OF SILVER AND WHITE METAL NAPKIN RINGS of oblong form with front sections for place name settings, of mixed makers and dates (12)

£50-100

£100-200

£50-100 411. A SILVER TORCH by Asprey & Co., of cylindrical form with fluted decoration, in a fitted case, a silver model of a penguin and one of a hippo and four other items (a lot) 408. HUNTING INTEREST: A WILLIAM IV SNUFF BOX of rectangular form with raised foliate border, engineturned base and sides, the base bearing a crest, the cover depicting a fox-hunt, by Joseph Willmore, Birmingham 1835, 3.5” wide, (c.5oz). £200-400

£50-100

412. A PLATED DUNHILL TABLE CIGAR LIGHTER of upright rectangular form with engine-turned decoration, the base bearing a patent number of 390107, 2.75” high £50-100

414. AN EDWARDIAN NOVELTY PIN CUSHION modelled in the form of an elephant, Birmingham 1905, 2.5” long. £80-120 415. A NOVELTY PIN CUSHION modelled in the form of a fish, by S. Mordan & Co., Chester 1911, the base also stamped with a registration mark, 2” long. £80-120

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418. A SILVER GILT DRESSING TABLE SET comprising four boxes, a hand mirror, button hook, shoe horn, three brushes and three silver mounted bottles, engraved with a coronet crest and monogrammed, by the Goldsmiths & Silversmiths Co., London 1923 and later (14 pieces). £300-500 419.-428. SPARE LOTS.

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429. A GEORGE III SCOTTISH STRAINING SPOON of Old English pattern, crested, with a later straining section, possibly by Robert Grey, Edinburgh 1796, 12” long.

434. A SET OF SIX VICTORIAN DESSERT SPOONS of Old English pattern, crested, London 1882, (c.10.5oz) £80-120

£100-200

430. A GEORGE III IRISH BRIGHT-CUT AND STAR-PATTERN SOUP LADLE, the stem scratch initialled F/I/M, with a fluted bowl, by JS, Dublin 1792, 13” long £100-200

431. A GEORGE III BASTING SPOON of fiddle pattern, crested, possibly by John Lambe, London 1811, 11.5” long, and a Continental fiddle pattern basting spoon (2) £100-200

432. A VICTORIAN BASTING SPOON of fiddle pattern, crested, by George Adams, London 1850, and a George III basting spoon of fiddle pattern, crested, London 1816 (2) £100-200

433. A LATE 18TH/EARLY 19TH CENTURY PUNCH LADLE with turned wooden handle and lipped bowl, marks rubbed, and a pair of Victorian grape scissors with feather edges, engraved with a double lion crest, by TP & S, Birmingham 1878, also with an electro-plated punch ladle with turned wooden handle (3)

435. A SET OF TEN FRENCH WHITE METAL TABLESPOONS with decorative floral borders, two similar examples and a set of six Continental fiddle and thread style tablespoons (c.49oz) (a lot) £200-300

436. A PAIR OF GEORGE III DESSERT SPOONS later decorated as berry spoons, with gilt bowls, London 1812, and three other berry tablespoons (5) £50-100

437. A PAIR OF LATE VICTORIAN SILVER MOUNTED SALAD SERVERS with glass handles, by Henry Wilkinson, Sheffield 1897, and a modern Italian spaghetti serving spoon, by Peretti, a pair of sterling serving tongs, four sauce ladles and two other items (a lot) £100-200

438. A SET OF EIGHTEEN FRUIT KNIVES AND FORKS with vine decorated silver handles and plated blades, Sheffield assay, no date letter, early 19th century £100-200

£100-200

439. A COLLECTION OF FLATWARE comprising a pair of Eastern salad servers with elephant terminals, an American cheese scoop, a pair of sugar nips, various teaspoons and condiment spoons and other items (a lot)

443. A LARGE QUANTITY OF PLATED AND SILVER HANDLED CUTLERY mainly serving pieces, including fish cutlery, bone handled knives, nut crackers and other items, in three bags (a lot)

£100-200

£50-100

440. A CASED SET OF 18TH CENTURY TEASPOONS with trefid ends, later converted to berry spoons with gilt bowls, by T.W. and lion passant only, and a cased set of Danish silver gilt coffee spoons with enamel stems and a cased set of pistol handled tea knives (3)

444. A SET OF FOUR CHINESE SERVING SPOONS, the bowls, stems and terminals decorated in polychrome enamels, the terminals in the form of dragons heads, the reverse of the bowls bearing a character mark, 9” long

£50-100

£100-200

441. A LATE VICTORIAN CASED CHRISTENING SET comprising fork and spoon, by William Hutton & Son Ltd, London 1895, and a second cased christening set comprising fork and knife, with bone handles, in a red Morocco case (2) £40-60

442. A CASED SET OF SIX FRENCH TABLESPOONS AND FORKS decorated with flowers and scrolls, and a set of twelve French teaspoons, in a fitted case (2) £100-200

445. A VICTORIAN PART CANTEEN OF FIDDLE PATTERN CUTLERY for twelve place settings. Comprising: twelve dessert spoons, twelve teaspoons, twelve dessert forks, twelve tableforks, four serving spoons, twelve Sterling silver handled pistol grip table knives and dessert knives, engraved with a crest, the fiddle pattern cutlery by James and Josiah Williams, Exeter 1873, (c.85oz weighable silver). £500-1000

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447. A SET OF TWELVE 18TH CENTURY PISTOL HANDLED TABLE KNIVES AND FORKS with silver handles and later steel blades, marked with a lion passant only, contained in a fitted velvet-lined shagreen cutlery box (24).

446. A SILVER GILT DESSERT SET comprising twelve knives, twelve forks and eleven spoons, the handles mounted with green stained ivory, and with scroll finials, by Crichton Bros., London 1921 and later (35 pieces). £300-500

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clo ck s a nd w or k s of art

448. FABERGE: A DINNER SERVICE for twelve place settings. Comprising: twelve tablespoons, twelve tableforks, twelve dessert spoons, twelve dessert forks, twelve table knives and a carving fork and knife, also bearing additional Kokoshnik mark, circa 1900, decorated with stylised floral scrolls, (c.136oz excluding knives and carvers). ÂŁ3000-6000

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449. A RARE FLEMISH BRASS AND SILVERED ALARM TABLE CLOCK inscribed “Wecken Wifen Flam”, originally striking the hours and half-hours and with an alarm mechanism, now converted to a balance spring, the great wheel going, the count wheel, the third, fourth and possibly the fly pinion in the striking and the under-dial wheels apparently original, the silvered dial with a single hand and engraved strapwork decoration with classical mask spandrels, the sides similarly engraved and incorporating circular panels with cherubs masks, the base with a circular medallion engraved with a warrior, on four compressed bun feet, basically circa 1570, 4.5” wide x 2.75” high We are indebted to the British Museum for information supplied in private correspondence in 1998 relating to this clock, which emphasises the rarity and the fact that there is not a similar example in the collection of the British Museum. £500-1000

452. A WALKING STICK with an ivory dogs-head terminal with glass eyes, inscribed “Pepin”, 34” long £200-400 453. A WALKING STICK with a bamboo shaft and an ivory terminal carved as a dog’s head, with glass eyes, 36.5” long, and an ivory walking stick terminal carved as a clenched fist, early 19th century, 1.75” (2) £80-150

450. A VIENNESE ENAMEL CLOCK of architectural form with a watch movement in an engraved gilt metal case mounted with enamel panels of mythological scenes and arcadian landscapes, with a cupola top surmounted by a statue, losses 9” high

454. A “LACCA POVERA” OVAL BOX decorated in polychrome with Florentine scenes with figures in 18th century costume, the interior painted green, 6.5”, and a George III style tole pientre tea caddy with a domed top, naively painted in polychrome with figures in 18th century costume in a landscape with a cathedral or abbey church in the distance, 5.75” (2)

£200-400

£100-200

451. A BURR-WOOD BOWL of canted rectangular form, the rim with panels of metal inlay of flowerheads and leafy branches within stringing, on four turned feet, 18th/19th century, 11.75” £200-400

455. A FABERGE STYLE CHALCEDONY MOUSE with finely carved fur and cabochon red stone eyes mounted in yellow gold, 3” £300-600

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Melplash Court 458. AN INDO-PORTUGUESE IVORY CUSHION-SHAPED BOX AND COVER with a repoussé metal mount to the lid and a conforming hinge and hasp, probably 17th century, 3” dia. and a South East Asian knife with a steel blade and a well-patinated ivory handle, 10.5” long (2) £100-200

456. AN ISLAMIC NIELLO-WORK WALKING STICK decorated with leafy tendrils and flowerheads along the faceted shaft and the curved handle with a lion’s mask terminal, the handle unscrewing to reveal a dagger, 38.25” long £100-200

458A. A TREEN SNUFF BOX in the form of a shoe with gilt metal pique inlay including initials on the sliding lid, probably AngloChinese, early 19th century, 3.25” and a bronze seal in the form of Atlas holding an alabaster globe on his shoulders, 19th century, 3.75” high (2) £50-100

457. A COLLECTION OF IVORY including a blotter with a claw and ball terminal, the arched base engraved with a crest and a monogram, 19th century, 4.5”, an opera glass, a cylindrical box and cover, 2.75” dia., an ivory head of a bearded man, 2”, on a wooden plinth, and an ivory purse with copper-gilt mounts, 19th century, 4.5” (5)

END OF FIRST DAY’S SALE

£200-400

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Part II Friday 24th September, 10.30am

PAI NT I NG S, DR AW I NG S AND PR INTS

Lot 460

459. SIR WILLIAM DOBELL Aborigines thatching a building, signed and dated (19)53, oil on board, 12” x 18”

Provenance: According to the family archive, this painting was acquired at the Australian Galleries, Victoria, Australia in 1975.

460. EDUOARD VUILLARD “Le Chateau de Fontainebleau”, signed, and the reverse with various labels, oil on board, 12.5” x 15.75”

Literature: For a comparable painting from the Clune Collection, see plate 104 in “William Dobell” by James Gleeson, pg. 173.

£3000-5000

Provenance: The Rhode Island Museum of Art, Rhode Island, USA.

Acquired from Arthur Tooth & Sons Ltd, 31 Bruton Street, London W1 and recorded on a statement dated 19th November 1971 ($28,750).

The reverse with a label (no.7448)

Exhibited: Bernheim-Jeune 83 Rue du Faubourg, St. Honoré, Paris, 7th November 1961- 17th February 1962 (no. 39)

£40000-70000

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Lot 465

Lot 461

461. HENRI FANTIN LATOUR Study of a female nude, half-length, signed, charcoal on buff paper, 4.5” x 3.5” £1000-2000 462. MANNER OF AUGUSTUS E. MULREADY “Ciss out for a holiday AD1856”, titled on the frame, oil on board, 11.75” x 9” £250-450

463. CONTINENTAL SCHOOL, 18th CENTURY A woman picking nits from the hair of a young boy, a cat in the foreground and a donkey beyond, oil on canvas, 18.5” x 27.25” £100-200

465. SHERARD GRAUER An abstract composition with a “V”, inscribed on the reverse “Grauer 623”, oil on canvas, 37.5” x 54” £3000-6000

467. ANNETTE DE JONQUILIERES “Musa”, signed, dated and inscribed in pencil 1997/98, watercolour, 28.5” x 20.75” and a smaller work by the same artist of “Bilbergia Pyramidlis” (2) £100-200

466. TONI ONLEY Landscape, signed, oil on board, 20” x 25.75” £100-200

464. WILLIAM GRONOW DAVIES “River Draa”, monogrammed and dated (19)93, bodycolour, two in a single frame, both 9.25” x 4”, and a collection of other works by the artist (a lot)

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Lot 469 p CORAL GUEST 468. A study of lilies, signed and dated 1984 in pencil, watercolour and bodycolour, 42” x 26”

£200-400

p CORAL GUEST 470. Amaryllis Belladonna “Hathor”, signed and dated 1984 and titled on the mount, watercolour and bodycolour, 29.5” x 21.75” and the companion of “Lilium Longiflorum” - “White Queen” (2)

£500-1000

p CORAL GUEST 469. “Tulipa Renown”, signed and dated 1984 in pencil, watercolour and bodycolour, 29.5” x 21.75”

£200-400

Lot 473 130

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474. THOMAS FAED “Study of a door, Haddon Hall”, signed, oil on board, 12.75” x 9.5”

Lot 472 (part)

471. ENGLISH SCHOOL, 19th century A portrait of a lady seated in an interior, oil on canvas, 9.75” X 24.5” £100-200 472. ITALO-FLEMISH, 17th/18th century A river landscape with a figure in the foreground, with buildings on a rocky outcrop beyond, oil on canvas, Apparently retaining the original moulded frames with carved borders. 21.25” x 30.5” and the companion painting (2)

473. GEORGE GOLDIE “Joan of Arc”, signed and dated 1863, oil on canvas, 7.75” x 6” See illustration on previous page

rovenance: Apparently sold in the auction of the P artists’ property on 11th June 1880.

475. JEAN JACQUES HENNER “The Brunette”, signed, and the reverse inscribed on various labels, oil on canvas, 18” x 12.5” £500-1000

Acquired from Rafael Valls, 34 Bury Street, London SW1 in 1981/82 £300-500

P rovenance: Almost certainly acquired from Martyn Gregory. 34 Bury Street, St. James’s, London SW1 in the 1970’s.

£300-600

Provenance: The De Schauensee Collection, USA. £500-1000

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Lot 477

476. ENGLISH SCHOOL, circa 1820 A portrait of a woman wearing a lace bonnet, oil on panel, 9.5” x 17.25” 477. CIRCLE OF THOMAS GAINSBOROUGH A portrait, said to be Lady Welch, inscribed on a label on the reverse, oil on canvas, 12.5” x 27.25” £500-1000

478. CIRCLE OF THOMAS GAINSBOROUGH A portrait said to be of Sir Richard Welch standing three-quarter length in an interior, resting his elbow on a book, oil on canvas, 25.5” x 27.25” £500-1000 479. AFTER NICHOLAS CONDY Fisherfolk preparing the nets, indistinctly signed, oil on board, 6” x 8” and three companion paintings (4) £300-500

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480. PAUL MATHEY “Le Port de Marseilles”, signed and the reverse inscribed on a label, oil on board, 5.25” x 9”

481. RICHARD EURICH RA “The Pink Room”, signed and dated and the reverse with a label, oil on canvas, 40” x 50”.

Provenance: Acquired from Arthur Tooth & Sons Ltd, 31 Bruton Street, London W1

Exhibited: The Fine Art Society, Edinburgh and London 1977, cat. no. 6 and illustrated in the catalogue.

£1000-2000

£10000-20000

Lot 480 136

137

484. RICHARD EURICH RA A view of a beach and estuary, signed, and the reverse with a label for Arthur Tooth & Sons Ltd, oil on board, 8” x 12” £600-1200

485. RICHARD EURICH RA An interior with a bowl of fruit, signed and dated 1951, the reverse with a label and various inscriptions, oil on panel, 7.25” x 8.25”

482. RICHARD EURICH RA “Hole in the Wall”, signed and the reverse inscribed with the artist’s name and the title, oil on board, 11” x 24”

£600-1200

£2000-4000

486. FRANK KLEINHOLZ “Autumn Walk”, signed, oil on panel, 6” x 4” Provenance: Maxwell Galleries Fine Paintings, San Francisco. 483. RICHARD EURICH RA “Old Cemetary (sic) Tain Dornach Firth”, signed and inscribed on a label on the reverse, oil panel, 4.5” x 6” £500-1000

Lot 480 138

139

Lot 488

487. LYDIA MODI-VITALE “Dove in Arch”, monogrammed, and the reverse with a label, oil on canvas, 9” x 9”

490. FELIX VARLA Spanish peasants with donkeys, signed “Varla” and the reverse with a label, oil on canvas, 10.25” x 13.25”

Provenance: The Maxwell Galleries, San Francisco.

Provenance: Continental Galleries of Fine Art, Montreal.

488. PAUL LE MASSON “The Huntsmen”, signed, oil on board, 10.25” x 8”

£200-400

£300-600 489. MONOGRAMMIST EOM Man leaning against a boat, monogrammed and dated (19)60, oil on canvas, 9” x 10”

491. GERALD A ROACH A landscape with fields and woods, signed and dated (19)63, and the reverse with a label, oil on board, 20” x 30”.

P rovenance: The Waddington Gallery, Montreal, Canada.

£100-200 492. MURIEL MITCHELL BRANEGAN BACON “Miss Sampaquita”, signed and the reverse with a label inscribed with the artist’s name and the title, oil on canvas, 24” x 20”

493. KAZUO NAKAMURA “Morning”, signed and the reverse with a label, oil on canvas, 42” x 37”

rovenance: The reverse with the label of the Equinox P Gallery, Vancouver, Canada, dated 1962.

£5000-10000

Provenance: The Kerwin Galleries, California, USA. Lot 480

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495. KAZUO NAKAMURA Reversed images 1965, oil on canvas, 32” x 34”

494. KAZUO NAKAMURA Suspended landscape, signed and dated (19)69, and the reverse with various labels, oil on canvas, 43” x 45”

£5000-10000

rovenance: The reverse with the label of the Equinox P Gallery stating the artist’s name, the title of the work and the date “1975”

£5000-10000

Lot 480 142

143

497. MARCEL DYF A girl with a birdcage, signed “Dyf ”, oil on canvas, 22.5” x 27.5” £3000-6000

496. GATHIE FALK Flowers in a meadow, signed and dated (19)83, oil on canvas, 79” x 67” £1500-3000

Lot 480 144

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Lot 503 498. ALEXANDRA HAESEKER “August Green”, signed and dated (19)81, and the reverse inscribed on a label, acrylics on canvas, 60” x 8”

501. ... MASKELL A still life of a vase of flowers, signed, oil on board, 9.75” x 7.75”

Provenance: Murray & Robinson, Vancouver 1985.

499. JOYCE DEVLIN “Still life kitchen table”, signed, oil on canvas, 20” x 24” 500. JOYCE DEVLIN “Red Planet”, signed and dated in pencil (19)74, and numbered 21/65, limited edition coloured print, 28.25” x 22.25”

502. ... PLASKETT “Market Square, Rhonda”, indistinctly signed and dated (19)58, pastel on grey paper, 18.75” x 24” and a self-portrait of the artist (2) 503. PENELOPE LOTTE Men in conversation, pastel and watercolour on grey paper, 26” x 38”

Provenance: The Oliver Swann Gallery

Lot 504 504. LEONARD TSUGUHARO FOUJITA Mother and child with a cat, signed in pencil “L. Foujita”, lithograph with colour, 22” x 15” £1000-2000 505. PAULINE LIU Daniel in the lions den, signed, mixed media collage, 8.25” x 9.75”

rovenance: The Portal Gallery, Grafton Street, Bond P Street, London W1.

The Equinox Gallery.

506. JOHN KORNER “Coast Glitter (31)”, signed, and dated (19)60, and the reverse with a label and an inscription, oil on canvas, 24” x 30” 507. ... MASKELL Spanish Madonna with turquoise beads and an orange shawl, signed, watercolour and gouache, 19.5” x 15.25” 508. RONALD CHASE “The Chronicle ... Immigrants”, signed and dated 1963, oil collage (Dominion of Canada), 16.5” x 22”

Lot 480 146

147

Lot 511 509. RONALD OSSORY DUNLOP “Madonna of the Cafe”, oil on board, signed, and the reverse with a label, oil on board, 14.5” x 10.5”

P rovenance: The Alex Fraser Galleries, Vancouver, Canada.

£400-700 510. RONALD OSSORY DUNLOP R A Nude Study, signed, and the reverse with a label, pencil and charcoal on paper, 8” x 9.5” Provenance: The Alex Fraser Galleries, Vancouver, Canada. £100-200 Lot 509 511. RONALD OSSORY DUNLOP R “Cafe Royale”, signed and the reverse with a label, oil on board, 6” x 9”.

Lot 513 512. WILLIAM BROOKER Chrysanthemums in the studio, signed and dated (19)54 and the reverse with a label, oil on canvas, 22.5” x 22.5” £500-1000 513. WILLIAM BROOKER A lady seated making a dress, signed and dated (19)55, oil on canvas, 16” x 22.5”

Provenance: According to family archive acquired from Arthur Tooth & Sons Ltd, London.

£500-1000

Lot 512

Provenance: The Alex Fraser Galleries, Vancouver, Canada. £300-500 Lot 480 148

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Lot 517 p DAVID HOCKNEY 516. “Henry Geldzahler with hat 1976”, signed, dated and numbered in pencil, 15/96, lithograph, 14” x 12”

Lot 515 514. VILA MORGUA “Oiseau Comique”, signed and dated (19)66, oil and mixed media collage on hardboard, 35.5” x 35.5”

Provenance: Waddington & Tooth Galleries Ltd, 2 Cork Street, London W1. £300-500

515. R.S. MAYES Cactus in a snow storm, signed and dated (19)73, oil on board, 21.5” x 26”

p DAVID HOCKNEY 517. Man and plant, signed, dated and numbered in pencil 33/96, lithograph, 29.5” x 41.5”

Lot 516

Lot 514

£1000-2000

Lot 480 150

151

520. ELISABETH FRINK Golden Eagle, numbered 26/50, pencil, limited edition coloured print, 24” x 24” Lot 518

£500-1000

518. ELISABETH FRINK “The Second Nun’s Tale”, signed, titled and numbered in pencil, 23/50, limited edition print, 30.5” x 21.75”, and the companion “The Ship Man’s Tale”, signed, titled and numbered in pencil, 23/50 (2)

Provenance: Christie’s London 30th October 2003, with the lot number still in place on one.

£500-1000 519. ELISABETH FRINK Eagle in flight, signed and numbered 1/50, limited edition coloured print, 34” x 24” £1000-2000

Lot 519

521. ELISABETH FRINK Tiger, signed and numbered in pencil 7/40, limited edition coloured print, 15.25” x 13” £300-600

Lot 480 152

153

522. ELISABETH FRINK An owl in flight, signed and numbered in pencil 37/75, limited edition coloured print, 32.75” x 23.25” £500-1000 Lot 524 524. JAMES FENWICK LANDSDOWNE Thrush on a rock, signed and dated 1968 and with an inscription in pencil, watercolour, 13.5” x 13.5”

526. TERENCE LAMBERT “Black Crowned Night Heron”, signed and titled and the reverse with a label dated 1986, pencil/charcoal, 25.5” x 17.5”

Provenance: The Equinox Gallery 1979

£100-200

£300-600 525. TERENCE LAMBERT Red Breasted Goose, signed and titled in pencil, watercolour, 17” x 22.5”

Provenance: Oliver Swann Galleries

£300-500

523. ELISABETH FRINK An owl landing, signed and numbered in pencil 33/75, limited edition coloured print, 32.75” x 23.25” £500-1000

p ANDREW STOCK 527. “Housemartin”, signed and dated (19)90, watercolour, 23.5” x 17”

£200-400 528. GEOFFREY D. LEWIS Oriental study, signed and dated (19)29, oil on board, 9” x 7.5”

Provenance: The Maxwell Galleries, Toronto, Canada

£100-200

Lot 480 154

155

Lot 532 529. DANIEL O’NEILL “Candé Recollective”, signed and the reverse inscribed on a label, oil on board, 13.75” x 17.5”

530. JACK WISE “369”, signed and dated (19)69, watercolour and gouache, 15.5” x 11.25”

Provenance: The Waddington Galleries, Montreal, Canada. £1000-2000

531. JACK WISE An abstract composition with segmented wheel, signed and dated (19)67, watercolour and gouache, 23” x 30.75” 532. JACK WISE “Mad-Ave Moon-Rite”, signed and the reverse with a label, mixed media with bodycolour, 7.75” x 5.75”

Provenance: The Bau-Xi Gallery, Vancouver, Canada.

p MARZIA COLONNA 533. Reclining male nudes, signed, watercolour and ink on cream paper, 4.5” x 9.5” and another portrait study by the same artist (2)

534. WARREN DAVIS The Dancers, signed, pastel on buff paper, 14.75” x 11.25” and a study of a nude partially draped in a diaphanous robe by the same artist (2) 535. MAXWELL BATES “Girl in a red bikini” (back view), signed and dated August 1967, crayon, watercolour and gouache, 14” x 8.25” Provenance: According to the family archive, The Vancouver Art Gallery, Canada.

Lot 480 156

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Lot 539

537. CONTINENTAL SCHOOL, 18th century A portrait of a young gentleman wearing a green jacket and a lace-trimmed shirt, bust length, oil on canvas, 23.5” x 19.25”

536. HENRI FANTIN-LATOUR A still life of fruit and a basket, signed and dated 1861, oil on canvas, 15” x 15.75”

£300-600 538. MANNER OF ALFRED EDWARD CHALON A portrait of a gentleman seated half length with a landscape beyond, oil on canvas, 25.5” x 28.5” and the companion of a lady (2)

Provenance: Correspondence exists in the family archive indicating this painting was acquired from Arthur Tooth & Sons Ltd in early 1977. The original invoice no longer appears to be extant.

£20000-40000

£500-1000

539. CON JOS SPECK A portrait of a lady holding a fan, identified on the reverse as Frau Schulthesiss Rickenmann (nee Müller), signed and dated “Leipzig 1768” and inscribed “Aetatis 26” and with an armorial in the upper right corner, the reverse extensively inscribed, oil on canvas, 38.5” x 28.5” Provenance: The De Schauensee Collection, USA. £500-1000 540. GERMAN SCHOOL, circa 1777 A portrait of a lady wearing a black bonnet and a tightlybound floral bodice, with an armorial and the date 1777, oil on canvas, 29” x 23.5” £200-400

Lot 480 158

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Lot 548

Lot 544 541. J..T.. SHORTS “The Bellona French Privateer”, inscribed with the artist’s name and the title, watercolour with pen and ink, 8.75” x 11” £200-400

544. FLEMISH SCHOOL, 17th century A man in a red coat beneath trees bowing to a chariot in the skies, a mountainous landscape beyond, oil on copper, 6.25” x 5.5”

£500-1000

£300-600

542. JOHN TETHERICK JUNIOR “A light breeze”, signed and titled in the margin, pen and ink with watercolour, 6.25” x 7.5”

545. COLONIAL SCHOOL, 17th/18th century The Madonna with figures, oil on copper, 8.5” x 6”

£100-200

543. GERMAN SCHOOL A three-quarter length portrait of Fr. Muller in 18th century costume, the reverse inscribed, 27.75” x 27.5”

546. FLEMISH SCHOOL, 17th century (?) “The Bathing Venus”, red chalk, 7” x 8.5”

£200-400

547. AMERICAN SCHOOL, 1863 Katharina Winkler wearing a pink dress and holding a basket of flowers with an extensive landscape beyond, the reverse inscribed and dated 1863 and the canvas stamped “Prepared ... New York”, oil on canvas, 24” x 18”, in a carved and moulded giltwood and gesso frame

548. ALBERT FREDERICK BELLOWS A landscape with a figure beside a pond, a farmstead and a church beyond, signed and indistinctly dated, oil on board, 9.75” x 14.5” £500-1000

£100-200 Lot 547

Lot 480 160

161

549. ABEL GRIMMER A wedding and figures merrymaking in the grounds of a manor house, with an extensive landscape beyond, indistinctly signed “AB. GR. 16...?”, lower right, oil on panel, 29.75” x 38” Provenance: Sir George Leon Murray Marx, The Collection of AJ Sully, Arthur Tooth & Sons Ltd, 31 Bruton Street, London W1, Acquired from the above by Mr and Mrs Timothy Lewis, circa 1977.

Literature: Reine de Bertier de Sauvigny, “Jacob et Abel Grimmer”, listed as LXXXI and illustrated as no. 119.

Recorded and reproduced in The Witt Library, London, The Frick Library, New York, The Rijksbureau, The Hague.

In the Catalogue Raisonné Reine de Bertier de Sauvigny admires the rendering of the architecture and the fine quality of the background. She also suggests the figures may be by another hand. An enlightening correspondence between Arthur Tooth & Sons and Tim Lewis exists in the family archive dating from the period shortly after the acquisition of the painting, circa 1976/1977. £30,000-50,000

Lot 480 162

163

Lot 555

FUR NITUR E

Lot 554

164

165

550. A REGENCY MAHOGANY AND MARQUETRY “BANJO” BAROMETER signed “A. Pagani, Nottingham” on the silvered dial, 38.5” £300-400

551. A STAVED WOOD JARDINIÈRE, the metal bound body with carrying handles and a false bottom, and a baroque style carved wood pricket candlestick, 41” high (2) £100-200

552. A LATE REGENCY MAHOGANY DINNER WAGON with three tiers on ring-turned uprights ending in brass castors, 37.5” wide £300-600

553. A WILLIAM AND MARY ELBOW CHAIR with a caned back and seat, the frame with traces of the original surface decoration, basically late 17th century, 26” wide £200-400

554. A CHINESE ELM SIDE CABINET with two sets of sliding doors and iron carrying handles to the sides, 38.5” wide. See illustration on previous page. £300-600

555. A GEORGE II GILTWOOD AND GESSO WALL MIRROR with a rectangular plate in an eared frame with a swan-neck pediment and an apron centred by curling acanthus leaves, basically circa 1735, 51” high. See illustration on previous page £500-1000

556. A CHINESE HARDWOOD DISPLAY CABINET, the interior with glass shelves, the stand with a shaped apron and square legs terminating in block feet carved with scrollwork, 36.5” wide £200-400

557. A SET OF THREE LOUIS XVI STYLE MAHOGANY FAUTEUILS with tapering rectangular backs, fluted arms and conforming turned legs, 22” wide (3) £100-200

Lot 560 166

167

Lot 559

558. A GILTWOOD MIRROR of neo-classical design with a principal rectangular plate in a reeded frame bound with crossed ribbons, the upper part with a shaped plate carved with curling acanthus leaves and rams mask terminals, 81” high See illustration opposite.

562. A CHINESE “KANG” TABLE with a rectangular top over a frieze carved with chrysanthemums and other flowers on a green stained ground, 32” wide £100-200

£500-1000

559. A GEORGE III MAHOGANY BUCKET with a shaped top and a brass bound body surmounted by a swing handle, 13.5” wide, and a similar bucket (2) See illustration. £500-1000

560. A GEORGE II STYLE GREEN JAPANNED BUREAU BOOKCASE of small proportions, decorated in shades of gilt with chinoiserie, the upper section with a shaped pediment over a pair of panelled doors and the base with a fall flap over three drawers, on bracket feet, 27” wide See illustration on previous page. £1000-2000

561. A GEORGE III OVAL WINE COOLER with a brass bound body and lion’s mask handles, on an associated stand with chamfered square legs, 24” wide

563. A COLONIAL HARDWOOD AND BRASS BOUND STATIONERY BOX with a fitted interior, the sides with carrying handles, 19th century, 16.5” wide

£100-200

564. A COLONIAL HARDWOOD AND BRASS BOUND BOX with a fitted interior incorporating covered compartments, the exterior with brass carrying handles, 19th century, 18.5” wide £100-200

565. A CHINESE HARDWOOD “KANG” TABLE with a carved and pierced frieze and scroll legs, 24.25” wide, a Chinese hardwood tray inlaid with mother of pearl, 27.25” and a tray carved with a leaf (3) £100-200

£200-400

Lot 558 168

169

Lot 570

566. AN ORIENTAL HARDWOOD STAND with a rectangular top over a carved frieze and claw and ball feet, 17” wide, and two other Oriental stands (3)

569. A GEORGE III MAHOGANY SIDE TABLE of Sheraton design, with two tiers and a single drawer, on turned legs joined by conforming crossover stretchers centred by a dished vase stand, 22.75” wide £100-200

567. A LATE GEORGE III SATINWOOD BOOK CARRIER of Sheraton design with a banded carrying handle and a drawer in the base, 17” wide See illustration £300-600

568. A PAIR OF TABLE LAMPS mounted with Oriental carved wood kneeling figures with traces of polychrome decoration, 31” high (2) £100-200

570. A PAIR OF CHINESE ALTAR TABLES extensively carved with mystical beasts, bats and fruit amidst scroll work, 42” wide (2) See illustration. £500-1000

571. A COLONIAL LOVE SEAT of neo-classical design with two pierced splats and a drop-in seat, on square tapering fluted legs, 33.5” wide £100-200

Lot 567 170

171

Lot 573

572. A GEORGE III MAHOGANY DINING TABLE, the rectangular flap top with rounded corners, on square chamfered legs, 50” x 68”

576. A PAIR OF EASY CHAIRS with floral print loose covers, 32” wide and a footstool ensuite (3)

577. A THREE SEATER SOFA upholstered in figured pale claret “damask” of 18th century design, 90”

£200-400

573. A LOUIS XV MAHOGANY TRIPOD TABLE of neo-classical design with a circular tip-up top on a fluted and beaded shaft and three downswept legs carved with bellflowers and terminating in panelled rectangular blocks carved with foliate paterae, 30” dia. See illustration. £300-600 574. A CONTINENTAL WALNUT STOOL with a floral tapestry seat on square legs joined by a turned “H”-stretcher, 17.5” wide £100-200 575. A LATE GEORGE III MAHOGANY BUTLER’S TRAY, the undulating gallery with pierced hand apertures, on a later stand with square chamfered legs, 29.25” £200-400

578. A GEORGE III STYLE MAHOGANY OCCASIONAL TABLE with a rectangular top on square legs, 20” wide, and a pair of Hepplewhite style side chairs (3) £50-100 579. A PAIR OF ROUGE MARBLE CORINTHIAN COLUMN TABLE LAMPS with brass capitals and stepped square bases, 31” high (2) £200-400 580. A PAIR OF GEORGE III MAHOGANY “GAINSBOROUGH” ARMCHAIRS with downswept arms, on square chamfered legs joined by stretchers and ending in brass castors, 28” wide (2) See illustration opposite. £5000-10000 Lot 580 172

173

Lot 582

581. A CHINESE “KANG” TABLE with red stained decoration and a rectangular top over shaped frieze and inverted scroll legs, 49” wide

£100-200

582. A LATE GEORGE III MAHOGANY CELLARETTE of Sheraton design, the hinged top with a quarter veneered circular panel and the sides with brass carrying handles, on square tapering legs, 16” wide See illustration. £500-1000 583. A GEORGE II STYLE MAHOGANY TRIPOD TABLE, the circular top with a pie-crust edge on a turned baluster shaft carved with acanthus leaves, on three shaped legs with pad feet, 18.25” dia. £100-200

Lot 586

584. A REGENCY OVAL PAPIER MACHÉ TRAY painted in polychrome with a spray of summer flowers, now mounted on an ebonised and parcel-gilt stand with outswept simulated bamboo legs, 19th century and later, 33” wide £200-400 585. A CHINESE HARDWOOD GAMING BOARD with contrasting dark and pale wood squares and shaped ends to contain the counters or pieces, possibly early Qing , 24” x 18.25”, and another hardwood board (2) £100-200 586. A CHINESE HARDWOOD TABLE, the square top inset with a blue and white porcelain panel decorated with auspicious Buddhist emblems and lotus flowers amidst scrolling tendrils, the border with conjoined bats, the hardwood base with geometric carving and conforming pierced spandrels, 31.25” wide See illustration £1000-2000

Lot 586

174

175

587. A LATE GEORGE III MAHOGANY LIBRARY TABLE banded in kingwood, with an embossed leather top over two frieze drawers and opposing simulated drawers, on turned and fluted legs ending in brass toe caps and castors, 39” x 24.75” £1000-2000

176

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588. A PAIR OF NEWTONS TERRESTRIAL AND CELESTIAL LIBRARY GLOBES, the terrestrial globe inscribed “Newtons New and Improved Terrestrial Globe embracing every recent discovery to the present time”, manufactured by Newton & Son 66 Chancery Lane, London, published January

1st 1841, each on a mahogany stand with a turned and spirally reeded column and three inverted scroll legs centred by a silvered compass, also inscribed “Newton & Son, Chancery Lane, London”. The globes 12” in diameter and 35” high overall (2) £8000-16,000

178

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Lot 590

589. A GEORGE III STYLE MAHOGANY BOOK PRESS on square chamfered legs, 14.75” wide

593. A PAIR OF LOUIS XV STYLE LIMED OAK FAUTEUILS carved with flowers and acanthus scrolls, 29” wide (2)

£100-200

£300-600

590. A CAMPAIGN MAHOGANY BIDET STOOL with a rising cover and recessed brass carrying handles, the interior with a turned wood lid, a blue-printed ceramic bowl, a covered compartment for water and a pumping mechanism with a turned ivory handle, 19th century, 22.5” wide

594. A GEORGE II MAHOGANY TABLE with circular tip-up top, on a fluted baluster shaft and a tripod base with pad feet, 18” dia.

£300-600 591. A REGENCY STYLE MAHOGANY OCCASIONAL TABLE with a circular top inlaid with chequered stringing on a turned column and a triform base, 15.25” dia. £100-200 592. A REGENCY MAHOGANY BOX of rectangular form, veneered in well-figured timber and with rosewood banding, the lid with an oval pressed brass handle stamped “WJ”, 14.5” wide

£500-1000 595. A REGENCY MAHOGANY CANTERBURY with a plain slatted superstructure over a single drawer, on ring-turned legs ending in brass toe caps and castors, 20” wide £300-600 596. A LOUIS XVI STYLE WALNUT BERGERE CHAIR with a double caned back and a padded seat with a cushion, the frame carved with beading and spiralling ribbons, on turned and fluted legs headed by foliate paterae, 27.5” wide £200-400

Lot 600

597. A PERSIAN CARPET of Feraghan type with an indigo ground worked with medallions, foliage and leafy tendrils, with conforming borders and flowering vine guard stripes, 160” x 130” approximately

601. A PAIR OF REGENCY STYLE ARMCHAIRS, the frames carved with feathery foliage and acanthus leaves, with floral “tapestry” upholstery, on scroll legs with knurled toes, 25.5” wide (2)

£200-400

£500-1000

598. A GEORGE III STYLE MAHOGANY WING ARMCHAIR with “flame stitch” upholstery, on square legs joined by conforming stretchers, 33” wide

602. A CHINESE ALTAR TABLE with a cleated rectangular top over a plain frieze with carved brackets on either side of the moulded square legs, on conforming block bases, 101” wide x 20.5” deep

£200-400

£400-700

599. A THREE SEATER SOFA with striped red and green upholstery, c.92” wide

603. A PAIR OF EASY CHAIRS with printed loose covers, 35” wide, and a matching footstool (3)

600. A REGENCY MAHOGANY SOFA TABLE, the rectangular flap top with a reeded edge over two drawers with brass button handles repoussé with lions masks, on rectangular standard end supports joined by ring-turned stretcher and ending in reeded and downswept sabre legs ending in brass toe caps and castors, 58” x 24” extended See illustration.

604. A GEORGE III MAHOGANY CABINET converted from a commode with a pull-down front over a drawer with a double simulated front, on bracket feet, 24” wide £100-200

£500-1000

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Lot 609 605. A REGENCY MAHOGANY READING TABLE, the rectangular top supported on a ratchet and flanked by candle slides and with a drawer below with leopards’ mask handles, the reverse with a simulated drawer, on ring-turned legs joined by curved stretcher, 17.75” wide £300-600 606. A TWO SEATER SOFA with figured rose-coloured upholstery, c.60” wide 607. A PAIR OF BIEDEMEYER STOOLS with modern black leather upholstery and square tapering legs, early 19th century, 24.5” wide (2) £300-600 608. A NEST OF THREE ORIENTAL RED LACQUER TABLES with gilt decoration. The largest 15.75” wide £100-200

609. A PAIR OF WALNUT CARYATIDS, each carved as a cloaked putto supporting a basket of flowers on his head, on acanthus-carved canted rectangular bases and later plinths, late 17th/early 18th century, 15” high (2) £400-700 610. A CHINESE HARDWOOD OCCASIONAL TABLE, the square top with a floating panel, with an open frieze and square legs, 16.5” dia. £100-200 611. A GEORGE III STYLE MAHOGANY BUTLER’S TRAY, the undulating gallery with pierced hand apertures, on a stand with square-chamfered legs, 23.5” wide £100-200 612. A PAIR OF CHINESE STYLE BLACKGLAZED CERAMIC TABLE LAMPS with pleated shades, 37” high (2) £200-400

182

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Lot 620 613. A WOODEN TABLE LAMP carved as an elephant carrying a howdah, with gilt and red painted decoration, with a plain shade, 21” high and another table lamp carved with a buddhistic lion recumbent on a rectangular plinth (2) 614. A HAND-BELL with a turned Lignum Vitae handle, late 18th/19th century, 10.25” high £80-160 615. A VICTORIAN ORMOLU TABLE LAMP with a cut-glass reservoir and a plain shade, 38” high £100-200 616. A CONTINENTAL WALNUT FIGURE OF A SAINT with polychrome decoration, 14” high, another carving of the Madonna and Child, 6.5” high (2)

£100-200

617. A CARVED WOOD GROUP of three angels with a scroll, 15” wide 618. A PAIR OF WILLIAM AND MARY STYLE IRON ANDIRONS with gilt ball finials supporting a fire basket, the andirons 22.5” high, together with a folding mesh firescreen and various implements in a metal stand (a collection) £300-500 619. AN IRON FIRE BACK cast with rampant lions supporting an armorial surmounted by a coronet within a border of rocaille work and foliate scrolls, with an arched top, 18th century, 43” wide x 48” high £200-400 620. A COLLECTION OF FIVE INDOPORTUGUESE CARVINGS of putti with traces of polychrome decoration, probably Goanese, 17th/18th century, 12.5” high and various, now mounted on metal rods and perspex stands. The tallest 21.25” high overall (5) £500-1000

184

621. A THAI LACQUER BOOK CABINET decorated with monkeys and squirrels swinging amidst leafy tendrils, with figures and animals, including a tiger, below, the doors opening to reveal a red-stained interior, on slightly splayed square legs with a parcel-gilt carved and pierced apron, probably Ayudhya, 32.75” wide

622. A PERSIAN CARPET of Heriz type, 216”x149”

For a similar book cabinet see “The Suan Pakkad Palace Collection” first published in 1982 by Princess Chumbhat of Nagara Svarga, plates 54,55 and 56. £500-1000

185

£1000-2000

623. A GEORGE I WALNUT BUREAU in well-figured timber with herringbone banding throughout, the fall flap with a book rest and enclosing an interior with a well and drawers, the exterior with a long drawer over two short and two further graduated drawers, on shaped bracket feet, basically early 18th century, 36” wide

624. A GEORGE II WALNUT AND PARCEL-GILT MIRROR, the bevelled rectangular plate with a shaped top in an eared frame surmounted by a swan-neck pediment centred by an imbricated foliate cartouche, basically 18th century, 52.5” high

£3000-6000

186

187

625. A GEORGE II WALNUT AND PARCEL GILT MIRROR with a rectangular plate in an eared frame with cascading drapery swags at the side and surmounted by a swanneck pediment centred by a foliate cartouche, basically 18th century, 54” high £2000-4000

188

189

Lot 628

626. A GEORGE II MAHOGANY CHAIR with a vase-shaped splat over a drop-in seat upholstered in floral tapestry, on cabriole front legs ending in pad feet, 20” wide £100-200

627. A REGENCY KINGWOOD TEA CADDY with banded decoration and two interior canisters, the sides with gilt metal lions’ mask handles and on conforming paw feet, 13” wide

630. A CHINESE HARDWOOD CABINET with three drawers over a cupboard enclosed by sliding doors, Qing, 30” wide

631. A GEORGE III STYLE MAHOGANY STOOL of large proportions, on chamfered and square moulded legs joined by an “H”-stretcher, 41” x 28.5” £200-400

£100-200

628. A PAIR OF LOUIS XV STYLE BRASS AND GLASS CANDELABRA, the central spire-shaped finial surrounded by five scrolling branches hung with faceted drops, 29.5” high (2)

£450-750

634. A PAIR OF RENAISSANCE STYLE IRON ANDIRONS with notched decoration, 22.25” high, a fire basket, a brass and mesh fire screen and a collection of brass fire implements in a stand (a collection) £100-200

632. A PAIR OF GEORGE III STYLE ELM ELBOW CHAIRS of Chippendale design with pierced vase-shaped splats and outswept arms over drop-in seats with blue upholstery, 26” wide (2)

635. A PAIR OF CHINESE HARDWOOD OCCASIONAL TABLES with inset blue and white porcelain tops decorated with lotus flowers and leafy tendrils, within key pattern borders, on square legs with inverted scroll feet, 16.75” wide (2)

£200-400

£300-600

£500-1000

629. A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a crossbanded border over four graduated drawers, on shaped bracket feet, 33.75” wide

Lot 638

£100-200

633. A VICTORIAN ROSEWOOD FIRESIDE STOOL with a rectangular padded seat over a moulded frieze with a central carved motif, on four cabriole legs carved with cabochons at the knees and ending in knurled toes, 50” long £200-400

190

636. A PAIR OF BRASS AND GLASS CORINTHIAN COLUMN TABLE LAMPS with spirally reeded glass stems and brass corinthian capitals and stepped square bases, with pleated shades, 31.5” high (2) £300-500

637. A CONTINENTAL CHANDELIER with twelve scrolling branches emanating from a central cartouche-shaped frame with a dimpled ball hanging above a spire-shaped finial, with numerous faceted and leaf-shaped drops with star-cut decoration, fitted for electricity, 32” dia. This lot must be removed and disconnected at the buyers’ risk and expense. £1000-2000 638. A SET OF FOUR LOUIS XVI STYLE RED-PAINTED AND PARCEL-GILT FAUTEUIL, the oval padded back carved with spiralling ribbons centred by a spray of flowers and the padded arms with curling acanthus leaves, on turned and fluted legs ending in toupie feet, 26” wide (4) £1000-2000 639. A PAIR OF MODERN THREE SEATER SOFAS with biscuit-coloured upholstery with brighter texturing, 82” wide (2)

191

Lot 643 640. FOUR FLORAL TAPESTRY SCATTER CUSHIONS of 18th century design and other scatter cushions (a collection) 641. AN EARLY VICTORIAN PAPIER MACHÉ TRAY decorated in polychrome and gilt with sprays of flowers, now mounted in an ebonised and parcel-gilt simulated bamboo stand to form an occasional table, 32.25” wide £200-400

Lot 644 643. A GEORGE III MAHOGANY PILLAR TABLE, the circular tip-up top with a pie-crust edge, on a carved and reeded baluster shaft with three acanthus carved legs ending in claw and ball feet, basically 18th century, 24” dia. £500-1000 644. A LATE GEORGE II MAHOGANY PILLAR TABLE with a circular tip-up top on a plain “cannon-barrel” shaft and a bold tripod base with pad feet, 28.5” dia. £450-750

642. A MATCHED PAIR OF MAHOGANY TORCHERES in the manner of Gillows of Lancaster, each with an octagonal burr-wood top, one with segmented veneers and the other “mirrored”, on turned and fluted shafts carved with beading and pelmets ending in triform bases with scroll feet, 14.5” dia. (2)

645. A FINE EARLY GEORGE III MAHOGANY TRIPOD TABLE, the circular tip-up top with a pie-crust edge, on a fluted columnar shaft and a tripod base carved with rocaillework, beading and leafy scrolls, on castors, 30.25” wide

£500-1000

£1000-2000

Lot 645

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Lot 649

646. AN EARLY GEORGE III MAHOGANY CANDLESTAND with a circular “pie-crust” top on a baluster turned shaft with a register of spiral fluting, on a tripod base and pad feet, 12” dia.

647. A GEORGE III MAHOGANY KETTLE STAND of Chinese Chippendale design, the hexagonal top with a gallery and a slide below, on a pierced fretwork shaft and three downswept legs, with knurled toes, 13.5” wide

£1000-2000

£500-1000

648. A REGENCY ROSEWOOD COMBINED SOFA AND GAMING TABLE with gilt metal mounts, the rectangular flap top with rounded corners and inlaid with banding, with scroll terminals, with a reversible central section inlaid on the underside with a chessboard and opening to reveal a later leather lined backgammon board, with two drawers and opposing simulated drawers, on ormolu mounted rectangular standard end supports and downswept sabre legs terminating in brass claw toe caps and castors, 59.25” x 26”

£1500-3000

649. A SET OF EIGHT REGENCY ROSEWOOD AND BRASS INLAID DINING CHAIRS with gadrooned top rails and pierced horizontal splats inlaid with a monogram in script surmounted by a coronet, with caned seats and sabre legs, 18.25” (8) £1500-3000

194

195

650. A PAIR OF QUEEN ANNE WALNUT VENEERED CARD TABLES inlaid with herringbone banding and with concertinaactions, the eared rectangular tops opening to reveal a suede-lined interior with candlestands in the corners and guinea wells, with shaped aprons and club legs ending in pad feet, early 18th century, with minor restorations and replacements, 35.25” wide It is rare to find a pair of card tables of this period. They may be compared to an “exceptional” single card table illustrated by Mallett in their catalogue of recent acquisitions, 2008. £10000-20000

196

197

Lot 655

651. A PERSIAN CARPET of Mahal type with a red ground, 160”x124” £500-1000 652. A PERSIAN RUG of Bidjar type, 87” x 48” £150-300 653. A GEORGE III MAHOGANY CHILD’S CHAIR of Chippendale design with an undulating cresting rail over a pierced vase splat and a drop-in seat, on square moulded legs, 17.5” wide

654. A PAIR OF BAROQUE STYLE GILTWOOD WALL BRACKETS, each with a serpentine shelf, 6.25” high and another pair of brackets (4) 655. A PAIR OF GEORGE III GILTWOOD WALL BRACKETS of rococo design carved with rocaille-work and curling acanthus leaves, 14” high £800-1600

656. A PAIR OF ANGLO-CHINESE REVERSE PAINTINGS ON GLASS after a painting by Debacourt, one of a woman resting her head on her hand, and the companion with an elegantly dressed woman holding a Venetian mask, both apparently retaining the original Chinese carved giltwood frame with traces of red-lacquer decoration, the reverse with various labels, mid 18th-century, 15” x 12.5” (2)

£300-600

198

rovenance: According to various labels on the reverse, P Mrs Ogden-Armour. Arthur Ackermann & Son Inc., 408 South Michigan Avenue, Chicago.

£3000-6000

199

657. A CHINESE EXPORT LACQUER SECRETAIRE CABINET of architectural design, decorated in shades of gilt with chinoiserie landscapes and sprouting bamboo with insects, the upper section with a shaped broken-arched pediment over a pair of panelled doors with arched tops, opening to reveal an interior of drawers and pierced fretwork panels, over two candle slides, the base with a panelled secretaire drawer and on a japanned square tapering legs ending in block feet, 18th century and later, 39.5” wide x 95” high A Chinese export cabinet with a comparable top was exhibited by Michael Lipitch at The Grosvenor House Antiques Fair, London, 2007 £3000-6000

Lot 657 200

201

Lot 658 658. A CHINESE HARDWOOD OCCASIONAL TABLE, the top inset with a rectangular blue and white porcelain panel decorated with dragons, lotus flowers, bats and leafy tendrils, with a moulded frieze on conforming square legs with inverted-scroll block feet, 33” x 20.25” overall £500-1000 659. A GEORGE II STYLE MAHOGANY BOOKSTAND with turned uprights and club legs ending in pad feet, 19” wide x 33.5” high £100-200

661. A REGENCY MAHOGANY PARTNER’S DESK with a lined writing surface over an arrangement of nine drawers surrounding the central kneehole on either side, on a plinth base, basically early 19th century, 44.5” x 42” £1000-2000 662. A FINE MAHOGANY AND SATINWOOD BANDED LIBRARY STAND with three rectangular tiers, the uppermost adjustable on a brass “U”-shaped mechanism, on fluted and reeded turned and splayed supports ending in brass toe caps and castors, 36” wide x 42.25” high £500-1000

660. A REGENCY BRASS-BOUND AMBOYNA WORK BOX with a re-fitted interior, 16.25” wide £100-200

202

203

Lot 673

663. A GEORGE III MAHOGANY AND BRASS-BOUND WINE COOLER with an octagonal body and brass carrying handles, on moulded square legs, 19.25” wide £800-1600 664. A WILLIAM IV MAHOGANY SERVING TABLE with two rectangular tiers and an acanthus-carved apron, on scroll supports and carved paw feet £200-400 665. A VICTORIAN GILTWOOD AND GESSO WALL MIRROR with an oval plate in a frame moulded with cabochons, acanthus leaves and beading, with a scrolling foliate pediment and a conforming apron, 63” high £300-600

666. AN EARLY GEORGE III MAHOGANY DUMB WAITER with three graduated circular revolving tiers separated by two reeded baluster supports, the base with a columnar column and a tripod base with pad feet, 23” dia. x 43” high £800-1600 667. A REGENCY MAHOGANY SIDE TABLE with a raised gallery over a single drawer fitted for cutlery, on square tapering legs joined by an undertier, 36” wide £100-200 668. A JAPANESE HARDWOOD SIDE CABINET with applied metal mounts chased with birds and foliage, with an arrangement of drawers surrounding a central cupboard enclosing further drawers, Meiji, 54” wide x 37.75” high £300-600

669. A PAIR OF FEDERAL STYLE BRASS ANDIRONS of neo-classical design with fluted Doric columns surmounted by urn finials, 25” high (2) £100-200 670. A CAST IRON FIRE BACK of arched form with an armorial surmounted by a medieval helm and surrounded by a leafy mantling, 31” high x 24.75” wide £100-200 671. AN OVAL BRASS PAN with a fluted body, shaped carrying handles and four cabriole supports ending in ball feet, probably 18th century, 21” wide, and a glass fire screen with a brass frame (2) £100-200 672. A PAIR OF ROCOCO REVIVAL BRONZE AND GILT METAL TAZZAE, each with a merman holding a shaped and pierced dish aloft, 19th century, 9.75” high (2) £200-400

673. A PAIR OF LOUIS XVI STYLE GILT METAL CANDELABRA, each with two scrolling branches emanating from a central shaft with rams’ masks and swags, on toupie feet, stamped, 19th century, 14.5” high £250-450 674. AN EMPIRE BRONZE AND GILT BRONZE URN of neo-classical form, with a gadrooned edge and applied decoration, 5” high, and a pair of bronze metal amphora, each with a register of figural decoration, 7” high (3) £100-200 675. A SET OF EIGHT GEORGE II STYLE MAHOGANY DINING CHAIRS with carved and pierced splats flanked by fluted uprights over drop-in seats, on acanthus carved cabriole front legs ending in claw and ball feet. Comprising a pair of elbow chairs and six single chairs, 26” wide (8) £800-1600 676. A PAIR OF GEORGE III MAHOGANY DINING CHAIRS of Chippendale design with carved and pierced splats over serpentine seats, on moulded and chamfered square legs with carved corner brackets, 23.5” wide (2)

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205

£300-600

Lot 680 677. A GEORGE III STYLE MAHOGANY ELBOW CHAIR of Chippendale design with a pierced vase-shaped splat over a drop-in seat, on square moulded legs joined by stretchers, 25.25” wide and three George II style mahogany side chairs, with cabriole legs and claw and ball feet (4) £200-400 678. A GEORGE III STYLE MAHOGANY THREE-PILLAR DINING TABLE, the rectangular extending top with a reeded edge and rounded corners, on three “canon-barrel” turned supports, each with four downswept reeded legs ending in brass claw toe caps and castors, 48” wide x 174” extended £1000-2000 679. A GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE, the upper section with a pierced fretwork swan-neck pediment over four glazed doors with plain horizontal glazing bars, the lower section with four panelled cupboards with applied mouldings with scalloped upper corners, on a plinth base, 123” wide x c.113” high. See illustration opposite £5000-10000

Lot 681 681. A CARVED AND PAINTED PANEL with an oval medallion containing a neo-classical bust surmounted by winged putti sitting amidst leafy scrolls, probably 17th century, 18” high x 14.5” wide See illustration £300-600 682. A PORTUGUESE CHAIR of Chippendale design, with a pierced vase-shaped splat over a serpentine drop-in seat and a carved frieze, on foliate carved cabriole legs joined by serpentine stretchers and ending in attenuated claw and ball feet, 18th century, 23.5” wide £100-200 683. A CONTINENTAL EBONISED AND GILTWOOD MIRROR with a rectangular plate in a cushion-moulded frame surmounted by a pierced cresting carved with flowers and leafy scrolls, basically 18th century, 45.5” high £200-400 684. A PAIR OF RENAISSANCE STYLE WROUGHT IRON TORCHERES with shaped circular top supported on three open scroll corbels, on tripod bases, 66” high (2) £100-200

680. A PAIR OF GEORGE II STYLE MAHOGANY BASIN STANDS, each with a triangular central section fitted with two drawers, on downswept legs and pad feet, 32.25” high (2) See illustration. £300-500 206

207

685. AN ORIENTAL HARDWOOD CABINET inlaid with geometric banding and with pierced brass mounts, with two drawers over two cupboards, 20.5” wide £100-200 686. AN ANTLER TROPHY mounted on a shield-shaped wooden panel, c.28” high, and a leather shell case with a polychrome and armorial, 20.75” high (2)

690. A GEORGE II STYLE WALNUT CHEST OF DRAWERS with a brushing slide over three graduated drawers inlaid with herringbone banding, on bracket feet, 38.75” wide £200-400 691. A GILTWOOD PIER MIRROR with a rectangular plate in a frame carved with spiralling ribbons alternating with curling acanthus leaves, the cresting centred by a leafy cartouche, 66” high x 36.5” wide £300-600

687. A GEORGE II MAHOGANY DINING TABLE with an oval flap top on acanthus-carved cabriole legs ending in claw and ball feet, basically 18th century, 52” x 75”

692. A LATE REGENCY MAHOGANY TRIPOD TABLE with a dished circular top on a ring-turned shaft and a tripod base, 19.75” dia.

£500-1000

£80-160

688. GEORGE III MAHOGANY CORNER WASH STANDS with galleried back over a shelf with three pierced apertures and a drawer and a shelf below, on square legs joined by an undertier, 22.25” wide (2) £100-200 689. A PAIR OF EDWARDIAN MAHOGANY BOOKSTANDS each with a rectangular top over an angled shelf, on turned club legs joined by turned crossover stretchers and ending in pad feet, 36.5” wide £200-400

693. A BIJOUTERIE TABLE decorated with book spines, with a rectangular glass top on turned tapering legs, 25” wide £100-200 694. A GEORGE III MAHOGANY SECRETAIRE BOOKCASE of Hepplewhite design, with a dentiled cornice and a pediment inlaid with marquetry shell medallions over a pair of glazed doors, the projecting lower section with a fitted secretaire drawer over a pair of cupboards with applied mouldings and inlaid with circles enclosing sliding trays, on ogee bracket feet, 51.25” wide See illustration £800-1600

Lot 694 208

209

Lot 700 695. A PAIR OF EASY CHAIRS with floral chintz upholstery, 28.5” wide (2) 696. A REGENCY MAHOGANY BOW FRONT DRESSING MIRROR apparently retaining the original rectangular plate, the bow fronted base with an unusual hinged top enclosing a fitted interior, 23.25” wide £80-160 697. A LATE GEORGE III MAHOGANY DRESSING TABLE with a three quarter gallery over two drawers with circular pressed brass handles, on square tapering legs, 38” wide

699. A CHINESE HARDWOOD “KANG” TABLE, the rectangular top with a “floating” panel over a shaped and moulded frieze, on square legs, 30.25” wide £100-200 700. A GEORGE III MAHOGANY PIER CABINET of Chippendale design, the upper section with serpentine shelves with pierced “Chinese” fretwork sides and gallery, the base with a rectangular top with a carved edge over two short and three long drawers, on bracket feet with carved fretwork decoration, basically 18th century, 35” wide x 59.75” high See illustration £800-1600

£150-300 698. AN ORIENTAL RED-STAINED AND PARCEL-GILT COFFER of rectangular form with carved decoration of auspicious objects, flowers and bats within conforming borders, 31.5” wide, and a “Kang” table with a carved frieze and legs, 26.25” wide (2) £100-200

701. A GEORGE III MAHOGANY SUPPER TABLE, the rectangular flap top with rounded corners over a frieze fitted with a single drawer, on square tapering legs, 34.5” x 37” 702. AN EDWARDIAN MAHOGANY DRESSING TABLE of Sheraton design with a shield-shaped plate over an arrangement of cupboards and drawers, on square tapering legs joined by crossover stretchers, 27” wide

Lot 707 703. A GEORGE III MAHOGANY BEDSIDE CUPBOARD of Chippendale design with a pierced and partly undulating gallery over a cupboard, on moulded square legs, 17.75” wide £200-400 704. A PAIR OF BLACK GLAZED CERAMIC TABLE LAMPS fitted with shades and with circular brass bases, 22.5” high (2) £50-100 705. AN ORIENTAL CERAMIC TABLE LAMP modelled as a bundle of bamboo, on a hardwood base, with a plain shade, 25” high and a glass table lamp (2)

706. A CAUCASIAN RUNNER with a plain blue field enclosed by a flowering vine principal border and conforming guard stripes, 284” x 34” £100-200 707. A REGENCY ROSEWOOD CANTERBURY carved with a lotus wreath tied with ribbon enclosing a cross-over superstructure, the base with a single drawer and turned legs ending in brass toe caps and castors, 19.25” wide. See illustration £500-1000 708. A REGENCY STYLE PAINTED AND PARCEL-GILT ELBOW CHAIR with a cane seat and a squab cushion, with buttoned geometric upholstery, the cresting rail with an oval panel containing a putto enclosed by diaper panels, on ringturned legs, 21.75” wide £100-200

£100-200 210

211

Lot 710

709. A SET OF SIX VICTORIAN STYLE BALLOON BACK DINING CHAIRS with carved and red-stained decoration, on cabriole legs ending in peg toes, 16.75” wide £200-400 710. A FRENCH PROVINCIAL WALNUT SERPENTINE COMMODE with three drawers with carved decoration and the sides with shaped panelling, basically 18th century, 52” wide See illustration.

712. A SHERATON STYLE MAHOGANY AND SATINWOOD BIJOUTERIE TABLE with a glazed octagonal top over a frieze inlaid with panels of drapery swags, on square tapering legs joined a shaped crossover stretcher, 17.5” wide £300-600 713. A PAIR OF SINGLE BEDS and a double headboard covered in floral chintz, a stool with brown upholstery and another (4)

£500-1000 711. A PAIR OF LOUIS XV STYLE FAUTEUILS with carved frames and padded arms, on foliate carved cabriole legs ending in peg toes carved with acanthus leaves, 28.25” wide (2) £200-400

714. A GEORGE III MAHOGANY WASH STAND, the square top with pierced apertures over a single tier with a drawer, on square legs joined by a shaped undertier, 13.25” wide £100-200 715. A GEORGE III STYLE MAHOGANY WING ARMCHAIR with padded ears and outscroll arms, on square legs joined by conforming stretchers, 32” wide £500-1000

Lot 716

716. A GEORGE III “BAMBOO” PAVILION CHAIR with a shallow “U”-shaped back and upright arms, over a caned seat, 22.25” wide This chair was probably conceived as part of a scheme for an Oriental pavilion, or grotto, which were fashionable from the mid 18th century until the Regency period. This barrel-backed armchair may be compared to an example at the Royal Pavilion, Art Gallery and Museums, Brighton. Bamboo armchairs of this design are visible in the engravings after AC Pugin of The Blue Drawing Room and the Red Drawing Room at the Royal Pavilion. See John Nash “Views of the Royal Pavilion”, published 1826, plates 13 & 30. £500-1000 717. A LATE GEORGE III GILTWOOD FIRE SCREEN with a sliding panel decorated on either side with panels of Chinese wallpaper, decorated in polychrome with figures in interiors, 16.25” wide £100-200 718. AN ORIENTAL HARDWOOD LOW TABLE, the rectangular top with a “floating” panel over a moulded frieze, on square legs joined by conforming stretchers and ending in inverted scroll block feet, 29.5” x 23.25”

719. A LOUIS XVI STYLE GILT METAL TABLE CANDELABRUM, the central moulded glass shaft from which emanate six scrolling branches hung with faceted and spear-shaped drops, with a spire-shaped finial surrounded by glass drops hung from branches with star terminals, 30.75” high £150-300 720. A TABLE LAMP with a spirally reeded glass column and a brass corinthian capital and a stepped square base, with a pleated shade, 32.5” high 721. A LOUIS XVI STYLE MAHOGANY COMMODE, the shaped front with three drawers with incised decoration flanked by fluted angles and on foliate carved feet, 45” wide £300-500 722. A GEORGE II MAHOGANY SUPPER TABLE with an oval flap top, on club legs and pad feet, 38.25” x 36” extended £200-400

£100-200

212

213

Lot 728 723. A GEORGE II OAK LOWBOY with a rectangular walnut top over a single frieze drawer, on cabriole legs and pad feet, 29.5” wide £250-450 724. A LOUIS XIV STYLE CHAIR with acanthus carved scroll legs joined by undulating stretchers, 19.5” wide, and an elbow chair with an upholstered ladder back (2) 725. A CHINESE HARDWOOD OCCASIONAL TABLE, 16.75” high and a “bamboo” three tier stand (2)

726. A GEORGE II STYLE GILTWOOD TRIPLE DRESSING TABLE MIRROR, the central section with a shaped cresting centred by curling acanthus leaves flanked by eagles heads, with a walnut frame, 34.25” x 39” wide £100-200 727. A CHINESE CARVED HARDWOOD TABLE LAMP carved as an elegant woman standing on a shaped plinth, fitted with a plain shade, 48” high, and a pair of table lamps surmounted by black ceramic cats, with glossy black shades, 17.5” high (3) 728. A CHINESE LACQUER BED decorated in polychrome and gilt with panels of figures auspicious objects and cord knots, the front with an intricately carved and pierced frame incorporating shaped panels with figurative decoration, on square legs with inverted scroll block feet, 54” wide x 90” high £1000-2000 Lots 734, 735, 736, 737 214

215

Lot 729 729. A THAI HOWDAH with a turned ivory-mounted gallery, the frame extensively carved with birds, mystical beasts and flowers highlighted in gilt, 60.5” wide x 29.5” high See illustration £300-600

733. AN EARLY GEORGE III MAHOGANY SUPPER TABLE with a rectangular flap top, on turned club legs and pad feet, the drop flaps probably re-shaped, 39” x 42.75” £100-200

730. A REGENCY MAHOGANY CHEST of two short and three long drawers inlaid with geometric banding, on swept bracket feet joined by a valanced apron, 47.25” wide

734. A GEORGE III STYLE MAHOGANY FOUR-POSTER BED, the fluted front posts carved with a band of stiff acanthus leaves over beading, 70” wide x 90” high See illustration on previous page

£200-400

£600-1200

731. A REGENCY MAHOGANY DRESSING MIRROR with later marquetry decoration and a rectangular bevelled swing plate, the base with three drawers and gilt metal paw feet, 25” wide

735. A GEORGE III STYLE MAHOGANY LONG STOOL with a flame-stitch and floral tapestry drop-in seat, 43.25” wide. See illustration on previous page

£80-160 732. AN OCCASIONAL CHAIR with a geometric loose cover and a folding luggage rack (2)

£100-200 736. A GEORGE III MAHOGANY BEDSIDE TABLE with two hinged bow-fronted shelves, the lower one enclosing storage space, 21.75” wide See illustration on previous page £100-200

Lots 740 216

217

737. A NORTHERN FRENCH OAK ARMOIRE with a pair of triple-panelled doors, the uppermost panels with ogee-arched tops, the interior with hanging space, 18th/early 19th century, 50.5” wide x 80.5” high £300-600

738. A PAIR OF TABLE LAMPS mounted with Staffordshire figures of huntsmen, one with a hound and one with a bow, with ebonised oval bases and shades, 22.5” high overall (2)

741. A GEORGE III STYLE MAHOGANY BEDSIDE TABLE with two hinged side compartments and three drawers at the front, on square tapering legs, 26” wide £100-200

742. A VICTORIAN WALNUT TOWEL RAIL on inverted scroll supports, 32” wide and an easy chair with a blue loose cover, 25” wide (2)

£50-100

739. A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a reeded edge over two short and three long drawers, with shield-shaped bone escutcheons, on shaped bracket feet, 47.25” wide £150-300

740. A GEORGE II STYLE GILTWOOD PIER MIRROR with two plates in a moulded frame carved with stylised acanthus leaves, foliage and lozenge-shaped panels, and with re-entrant upper corners, the swan-neck pediment with similar decoration and centred by an armorial cartouche surmounted by curling plumage, 63.5” high x 27” wide . See illustration on previous page

743. A VICTORIAN STYLE DAY BED with a buttoned back and outscroll arms upholstered in floral chintz on a blue ground, 58” long, and four scatter cushions (a lot) £100-200

744. A PAIR OF FOOT STOOLS with rose-coloured upholstery covering the seat and frames and an occasional table with a glass top and textile covers, 24” dia.

£800-1600

Lots 750 218

219

Lot 747 745. A NORTHERN FRENCH OAK ARMOIRE with a pair of doors, each containing two panels with shaped tops over a drawer, the sides panelled, basically 18th/19th century, 54” wide x 85” high

749. A LATE GEORGE III MAHOGANY BEDSIDE TABLE with banded decoration and a three-quarter gallery over an undertier fitted with a drawer, on square legs, 17.25” wide

£250-450

£100-200

746. A GEORGE III MAHOGANY DRESSING STAND with a hinged top over a panelled door and a drawer, the sides with brass handles, on square legs joined by a shaped undertier with a central dish stand, 14.5” wide

750. A SOUTH GERMAN KINGWOOD WALL CABINET with a shaped double-domed top over a pair of doors inlaid with parquetry panels enclosed by broad featherbanded borders, with an undulating apron and canted sides, mid 18th century, 21.5” wide x 27.75” high.

£200-400 747. A PAIR OF BIEDEMEYER STYLE POLISHED BEECH FAUTEUILS with channelled frames carved with stylised flowerheads, the turned arm supports headed by reeded panels and the legs with lozenge-shaped panels containing flowerheads, 26.5” wide (2) See illustration. £300-600 748. A REGENCY PAINTED TOLE TRAY of oval form decorated with an arcadian landscape with a country house and a figure beside a waterfall, the raked gallery with pierced hand apertures, now converted to a coffee table and fitted in an ebonised and parcel-gilt stand, 30” wide

A French origin has been suggested. See illustration on previous page.

£500-1000 751. A PAIR OF SINGLE BEDS with Louis XV style green-painted headboards, with chintz upholstery ensuite with the day bed (lot 743) and pleated valances in contrasting fabric, together with a pair of embossed “white-work” bed covers (a lot) 752. A PAIR OF TABLE LAMPS, each mounted with a Chinese style gilt-lacquer figure on an ebonised plinth base, with black and parcel-gilt shade, 22” high (2)

753. A PAIR OF TABLE LAMPS mounted with Staffordshire figures entitled “Returning Home” and “Going to Market”, on ebonised bases and fitted with pleated shades, 19.5” high overall (2) 754. A BRASS AND GLASS TABLE LAMP with a spirally-reeded glass shaft and a brass corinthian capital and stepped square base, with pleated shade, 30.25” high overall, and a ceramic lamp modelled as a rhyton covered in a lustrous black glaze, 20.75” high (2) 755. A SET OF THREE GEORGE III STYLE BRASS FIRE IMPLEMENTS comprising a shovel, poker and tongs, together with a Regency style green painted book carrier, 9.5” wide (4) 756. A REGENCY MAHOGANY CARD TABLE with banded decoration and a hinged rectangular top with rounded corners opening to reveal a baize-lined interior, over a panelled frieze, on a tapering square shaft and four downswept sabre legs ending in brass toe caps and castors, 36” wide

757. A LATE GEORGE III MAHOGANY TALL CHEST OF DRAWERS, with two short and five long drawers now fitted with oval pressed brass handles, with pine sides on swept bracket feet, 45” wide x 68.5” high £200-400 758. A VICTORIAN MAHOGANY TOWEL RAIL, 37.5” wide and a folding luggage stand of Sheraton design (2) 759. A GEORGE III STYLE GILTWOOD CHIMNEY MIRROR with three plates in a reeded frame with crossed ribbons at intervals, 42.25” wide x 27.25” high £100-200

£300-600

£200-400

220

221

Lot 770

Lot 760

760. A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice over two short and three drawers flanked by canted and reeded angles, the base with a brushing slide over three drawers, the drawers with well matched flame figuring on the fronts, on bracket feet, 42.5” wide x 74.5” high £1000-2000 761. A VICTORIAN STYLE PAINTED METAL BEDSTEAD, with a textile canopy and four gilt metal pineapple finials, 81” long x 37” high, together with a “white-work” bedspread with fringed border (a lot) £200-400

762. A LATE VICTORIAN BAMBOO AND LACQUER OCCASIONAL TABLE, with an octagonal top, inset with a glass panel, 19.75” wide and a late Victorian occasional chair (2) 763. A FRENCH PROVINCIAL FRUITWOOD WRITING TABLE, now with a green leather lined surface over a drawer and an undulating apron, on slender cabriole legs, basically 18th century, 36.5” wide £250-450

765. A LOUIS XVI STYLE MUSIC STOOL, with blue upholstery and a carved frame, on turned and fluted legs, 25” wide and an Empire style painted chair with a caned seat and a squab cushion upholstered ensuite with lot 766 (2)

769. A SET OF JAPANESE BAMBOO AND STAINED WOOD HANGING SHELVES, incorporating a cupboard, 19.5” wide x 24.75” high and seven Chinese giltwood and red stained panels, carved and pierced with birds, animals, figures and pavilions (8)

766. A LOUIS XVI STYLE “LOVE SEAT” with a carved and grey-painted frame, upholstered in blue and pink toile de jouy, 36” wide

£300-600 767. A PAIR OF CUT GLASS TABLE LAMPS of 18th century design, with gilt metal mounts and pleated shades, 15” high (2) 768. A RENAISSANCE STYLE PLASTER PANEL, moulded with a winged mask flanked by griffins, in an integral moulded frame, 22.75” x 16.5”

770. A GEORGE II GILTWOOD AND GESSO MIRROR, with a bevelled rectangular plate in an eared frame carved with curling acanthus leaves and vitruvian scrolls on a pounced ground, the sides with oak leaves cascading from an “S” scroll and a swan-neck pediment with foliate terminals issuing leaves with a central cartouche, the undulating apron with a scallop shell, basically 18th century, 51” high See illustration £2000-4000

764. A GEORGE III MAHOGANY DRESSING MIRROR of Hepplewhite design, with an oval swing plate between turned uprights, 24.5” wide £80-160

222

In various locations, including the library.

223

771. A GEORGE I STYLE WALNUT DRESSING TABLE, the crossbanded rectangular top over a shaped front with five drawers, on shell-carved cabriole legs ending in shaped pad feet, 35” wide

776. A MAHOGANY “SUTHERLAND” TABLE, the rectangular banded top inlaid with an oval shell medallion, 28.5” x 23”

£300-600

772. A GEORGE I STYLE WALNUT STOOL, with a drop-in seat and four shell-carved cabriole legs ending in pad feet, 22” wide

773. A NORTH EUROPEAN WALNUT ARMOIRE, with a moulded cornice over a pair of rectangular panelled doors, enclosing hanging space, on bracket feet, 52” wide x 76.5” high

777. A VICTORIAN MAHOGANY TOWEL RAIL, inlaid with stringing, 30” wide and a white painted oval occasional table with an inset ironstone “drainer” top, 14.75” wide (2)

778. A GEORGE III MAHOGANY BEDSIDE TABLE of small proportions, the shaped top with pierced hand apertures over an open shelf, on square legs, 11.75” wide £200-400

£200-400

774. A GEORGE III STYLE MAHOGANY CHAIR of Chippendale design, with a carved and pierced vase-shaped splat and a George III mahogany stool with a rectangular padded seat, on square chamfered legs joined by an “H” stretcher, 35.5” wide (2)

779. A CHINESE HARDWOOD AND BAMBOO LOW TABLE, the rectangular hardwood top with a floating panel and with applied bamboo moulding to the edge, the frame covered in sections of bamboo arranged vertically, 24” wide £100-200

£100-200

775. A GEORGE III MAHOGANY BEDSIDE TABLE with two tiers and an undulating frieze, the middle tier with a drawer, on square chamfered legs joined by a shaped stretcher, 15” wide. See illustration opposite

780. A GEORGE III STYLE MAHOGANY “GAINSBOROUGH” ARMCHAIR, with a shaped back and outswept moulded arms over a padded seat, on moulded and chamfered legs, joined by and “H” stretcher, 36.75” wide £500-1000

£100-200

Lots 775, 781, 782 224

225

Lots 787 781. A QUEEN ANNE STYLE SMALL SOFA upholstered in floral chintz on a biscuit-coloured diaperground, with a buttoned back and arms and a serpentine seat on three shell-carved cabriole legs ending in pad feet, 46.5” wide. See illustration on previous page £500-1000 782. A GEORGE III STYLE MAHOGANY FOUR POSTER BED, with slightly swollen reeded posts carved with collars of palmettes, on square section supports, with chintz drapes and valences ensuite with lot 781, 55.5” wide x 78.5” high. See illustration on previous page £800-1600 783. A NEO-CLASSICAL STYLE GILTWOOD AND GESSO WALL MIRROR, in the manner of Robert Adam with an oval bevel plate in a moulded frame, surmounted by a basket of flowers suspended from a ribbon-tied bow with garlands of summer flowers hanging from foliate bosses, 49.5” high x 48.75” wide £500-1000 784. A CHINESE CARVED AND PIERCED PANEL of a dignitary on horseback with attendants, with red stained and gilt decoration, 5.75” x 7.5” and two other carved panels (3)

785. AN ORIENTAL “KANG” TABLE, with red stained decoration and a rectangular top over a moulded frieze carved on three sides with flowering tendrils, on claw and ball feet, 37.5” wide 786. A VICTORIAN MAHOGANY FOLDING GAMES BOX, the exterior with a chess board and the interior with a backgammon board, together with a collection of turned wood counters and a die shaker, 18” wide £100-200 787. AN ANGLO INDIAN IVORY AND SANDALWOOD GAMES BOX of folding rectangular form, the exterior with a chessboard within a border etched with entwined vines, the interior with a backgammon board, inlaid with two circular panels engraved with an entwined monogram surmounted by a stag crest, Vizagapatam, late 18th/early 19th century, 18” wide and a smaller rectangular box ensuite containing ivory and wood counters and a pair of turned ivory die throwers, 8.75” wide (a collection) See illustration The lid of the smaller box is also engraved with the entwined monogram surmounted by a stag’s crest, together with the motto “Vigilantia Rodur Voluptas”. £800-1600

226

Lot 789 788. A WROUGHT IRON AND BRASS-MOUNTED CONSERVATORY TABLE, with a rectangular grey marble top on a scrolling base fitted with castors, 47.5” wide £200-400 789. A RED JAPANNED TOLE WINE COOLER of oval form, decorated with chinoiserie landscapes in shades of gilt and black on a red ground, the sides with cast carrying handles and the base with a label for Wilson & Smith, Late Barron & Wilson, King William Street, Strand, 19th century, 21” wide . See illustration £300-600 790. AN ORIENTAL RED STAINED CUPBOARD in two parts, the upper section and base each fitted with two rectangular-panelled doors, 41.5” wide x 84” high £200-400

£200-400 792. A DECORATIVE PAIR OF BRASS TABLE LAMPS each with three lights emanating from leafy scrolls, each with a painted tole shade on an ebonised rectangular base, 34” high (2) £100-200 793. AN ORIENTAL CARVED AND PIERCED WOOD PANEL, with two birds seated on a flowering branch, with red stained decoration, 18.25” and a collection of other similar panels (a lot) 794. A WOODEN “KAVA” BOWL with incised decoration and a woven edge, on four turned feet, 30.25” 795. A PAIR OF WROUGHT IRON TORCHERES, with tripod bases and stems entwined with flowering branches, 66” high (2)

791. A BLACK AND GOLD JAPANNED TRAY-TOP OCCASIONAL TABLE, the tray decorated with sprays of flowers and foliage within a raked gallery, on a mahogany stand with square chamfered legs joined by stretchers, 48” wide

227

796. AN ORIENTAL DISPLAY CABINET with carved and red-stained decoration, with a glazed door and sides, on carved claw feet, 21” wide x 27.75” high, and a basket-work box of rectangular form, on a hardwood stand, with bracket feet, 21” wide (2) £100-200 797. A SET OF SIX SHERATON STYLE MAHOGANY DINING CHAIRS inlaid with stringing, with rectangular backs and square tapering legs (6) £100-200 798. A LARGE COLLECTION OF SEASHELLS including conch, scallop and exotic shells (a collection) See illustration opposite £100-200 799. AN ORIENTAL CIRCULAR BASKETWORK PICNIC BASKET with three circular sections and red-stained decoration, with a carrying handle, 17.5” and a similar carrier (2) £100-200 800. AN ORIENTAL CARVED HARDWOOD FISH SIGN with suspension rope and metal attachment, 23.5”, an Oriental hardwood stand and two “lacquer” pillows (4) 801. AN ORIENTAL CASE with shaped metal mounts, handles and lock hasp, 18.5”, an Oriental basket-weave picnic basket in two parts and a Thai lacquer group of a deity riding on the back of an elephant, 17.5” high (3)

803. AN ORIENTAL BASKET WEAVE PICNIC BASKET with metal mounts, 15.75” dia., a Chinese hardwood tray with mother of pearl decoration, one in the form of a leaf, another with a mirrored base and a carved hardwood border and a black lacquered picnic basket (a lot) 804. A “COROMANDEL LACQUER” EIGHT-LEAF SCREEN in the Kangxi style, decorated in polychrome and gilt with elegant figures, sages and immortals in the environs of a palace, within a border of archaic vessels and vases of fruit and flowers, 132” x 96.5” high

805. AN ITALIAN “BAROQUE” SILVERED MIRROR with a cartouche-shaped plate in a frame carved with scrolls and flowers, 21.25”, and a small giltwood mirror of baroque design with an oval plate, 8.25” (2) £100-200 806. AN ORIENTAL RED LACQUER CYLINDRICAL BOX AND COVER with two interior trays, 9.25” dia. and eleven other boxes and covers, the majority with red lacquer decoration, but some with gilt and polychrome (a collection) 807. A YELLOW PINE KITCHEN TABLE with a cleated rectangular top on chamfered square legs joined by an “H”-stretcher, 84” x 35.5” £200-400

802. A PAIR OF ORIENTAL CARVED WOOD RICE BARRELS with polychrome and gilt decoration and removable lids, 15.75” high (2) £100-200

Lot 798 228

£500-1000

229

808. A SET OF SIX LATE REGENCY ELM AND FRUITWOOD CHAIRS of Sheraton design with dished burr-elm seats, on square legs joined by stretchers, 17.5” wide (6) See illustration opposite

814. A PAIR OF ORIENTAL BLUE AND WHITE VASES of rectangular form decorated with fruit, bats and emblems above wave scrolls, now fitted as table lamps, 30.5” high (2)

£500-1000 809. A GEORGE III MAHOGANY CORNER WASHSTAND with a raised superstructure and a drawer flanked by simulated drawers in the middle tier, on downswept square legs joined by a shaped stretcher, 26.5” wide £100-200

815. A PAIR OF VICTORIAN WALNUT SIDE CHAIRS of Louis XVI design with guilloche-carved frames, on stop-fluted legs headed by foliate paterae and ending in castors, possibly by Holland & Sons, 21” wide (2)

810. A LATE GEORGE III COPPER SAMOVAR with a brass and ivory tap, on a square base, 14.75” high

816. A CHINESE REVERSE PAINTING ON GLASS of an old man and a young boy on a terrace, with trees beyond, 18th/early 19th century, in a later giltwood and silk-lined frame, 9” x 6”

£80-160

£100-200

811. A PAIR OF GOTHIC REVIVAL POLISHED BRONZE CANDLESTICKS, each with a nozzle supported by three owls with outspread wings and the bases with three lions with tails wrapped around the lower part of the column, 19th century, 9.25” high

817. A VICTORIAN PORCELAIN PANEL enamelled in polychrome with buildings on a waterfront, probably in China, 2.25” x 3.25”, now in a birds-eye maple frame

£100-200 812. A GEORGE III STYLE GLASS CANDLESTICK with cut decoration and a gilt brass nozzle, now fitted as a table lamp with a pleated shade, 25” high overall, and a similar candlestick (2) £80-160

£50-100 818. AN ANGLO-CHINESE REVERSE PAINTING ON GLASS of infantrymen playing cards outside a tent, 7” x 9.25” £100-200 819. A CHINESE REVERSE PAINTING ON GLASS of Christ on the cross, 18th century, 10” x 7.5” £100-200

813. A PAIR OF FAMILLE NOIRE OVOID VASES decorated in polychrome with birds perched on blossoming branches of prunus, now fitted as table lamps, 21” high (2)

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821. AN ORIENTAL STORAGE JAR, the ovoid body with moulded decoration and loops around the neck, covered in a brown and straw-coloured glaze, 33.5” high and another vase with lions’ masks around the neck, on a metal stand (2) 822. AN ORIENTAL STORAGE JAR of massive proportions, the slightly bulbous body covered in a mottled brown and dark blue glaze, 30” high 823. A PAIR OF ORIENTAL CARVED WOOD ORNAMENTS in the form of jardinière’s of flowers, 13” high, a bronze metal leaping carp and a miniature bronze “shan” drum, 7” dia. and a wooden candlestick in the form of an elephant, with polychrome decoration (a lot) 824. A BRONZE SUN DIAL bearing the date “1659”, 9.75” dia., an oval tin box with brown painted finish, 34.5” wide, a fire back, four wire-work jardinières, 14.25” and other metalware (a collection) 825. A JAQUES CROQUET SET containing four mallets and four balls, with central marker, in a green painted box inscribed “Harrods”

820. A CHINESE REVERSE PAINTING ON GLASS of a woman holding a pipe, a landscape beyond, in a giltwood frame carved with flowers and foliage on a hatched ground, 18th century, 3.25” x 4”

827. AN ORIENTAL COPPER BOWL with silver metal inlay of precious objects and branches of blossom, with an undulating edge, 20.25” dia. and a metal birdcage (2) 828. A THAI TERRACOTTA VASE AND COVER of architectural form with moulded and incised decoration, 17.5” high, a green glazed ceramic stand, a ceramic toad covered in a cream glaze and three wooden sculptures, two of monkeys (a lot) 829. A SET OF FOUR DIRECTOR’S CHAIRS with blue upholstery, six director’s chairs with white metal frames, a cane chair with matching blue upholstery and a collection of scatter cushions (a lot) 830. A GREEN PAINTED METAL CONSERVATORY SOFA with blue upholstery and a shaped backing board painted to match, 77.5” wide 831.-859. Spare lots

826. A LARGE PAIR OF ORIENTAL CARVED WOOD BUDDHISTIC LIONS with bushy tails and beards, with traces of green-painted decoration, 26” wide (2)

£200-400

£100-200

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860. AN ORIENTAL PLANTER of oval form decorated with horses in the shade of willow trees on a greenish-brown glazed ground, 34.25” wide, and a pair of Oriental ceramic stands with brightly coloured decoration (3)

865. AN HISPANIC COPPER JARDINIÈRE with repoussé decoration, the gadrooned body with lions mask mounts, now fitted with a liner, probably 19th century, 35” dia. See illustration £300-600

861. A PAIR OF VICTORIAN STYLE GARDEN TABLES with grey-green stone tops and green-painted iron bases, 26.5” dia. (2) 862. A MODERNIST POLISHED CONCRETE “MONOLITH” TABLE with a square top and a block base, 51” square 863. A COLLECTION OF GREEN PAINTED GARDEN TABLES, two with solid square tops and others with rectangular wire-work tops (a lot) 864. A SET OF TWELVE GREENISHGREY PAINTED METAL GARDEN CHAIRS including four with arms (12)

866. A PAIR OF CONCRETE BUDDHISTIC LIONS on rectangular bases, 19.75” high and other garden ornaments (a lot) 867. A PAIR OF CERAMIC JARDINIÈRES covered in a mottled brown and pale green glaze containing box trees (2) 868. A PAIR OF ORNAMENTAL TREES in wooden “Versailles” planters containing a pair of ornamental Viburnum Tinus. The planters 23.75” wide (2) 869. A PAIR OF NEO-CLASSICAL STYLE SIMULATED STONE BENCHES with fluted bases, 42.75” wide (2)

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870. A PAIR OF MASSIVE ORIENTAL CERAMIC JARDINIÈRES of octagonal form decorated with panels of blossoming prunus, lotus and horses, on a dark olive glazed ground, both presently containing water lilies, 34.5” dia. (2)

To be removed at the buyers risk and expense.

871. A PAIR OF WOODEN “VERSAILLES” PLANTERS containing large box balls. The planters 27.75” wide (2)

874. A SET OF FOUR TEAK GARDEN CHAIRS with shaped cresting rails and slatted seats, 26.5” (4) £100-200 875. A PAIR OF TEAK CHAIRS ensuite with the previous lot (2) 876. A PAIR OF TEAK GARDEN BENCHES ensuite with lots 874 and 875, 52” wide (2)

872. A CIRCULAR TEAK GARDEN TABLE with a slatted top, 59.5” dia.

£300-600

£200-400

877. A GREEN PAINTED METAL GARDEN TABLE with a scrolling iron frame, 59.5” x 31.75” and a suite of green metal folding garden chairs comprising four armchairs and a double seat (7)

873. A SET OF EIGHT TEAK FOLDING GARDEN CHAIRS with crossover frames (8) £200-400

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878. A WOODEN “VERSAILLES” PLANTER containing an ornamental tree, 27.5” wide and two others (3)

883. AN ORIENTAL STORAGE JAR of massive proportions, the ovoid body covered in a mottled blue and sea-green glaze with some brown striations, 29” high

879. A WOODEN VERSAILLES PLANTER containing a palm tree, 27.75” wide and three others (4)

884. A COLLECTION OF THREE TROPICAL PLANTS on metal stands and another plant (4 and 3 metal stands)

880. A PAIR OF SUN LOUNGERS with anodised grey-green metal frames and teak arm pads, 31” wide (2) 881. A LARGE TERRACE UMBRELLA with a cream cover and a square green-painted metal stand, and a similar umbrella (2)

885. A MING STYLE CERAMIC FINIAL modelled with a buddhistic lion crouching on a ball covered in green, brown and straw-coloured glazes, 25” high, and a collection of Oriental ceramic garden seats (a lot)

882. A PAIR OF ORIENTAL CERAMIC DRUM GARDEN SEATS covered in a sea-green glaze and with pierced decoration, 18.75” high, another seat and two similar stands (a lot)

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886. A WROUGHT IRON JARDINIÈRE STAND painted green, a chair, an oriental red-painted altar table and miscellaneous (a lot) 887. A GARDEN BENCH with an oak back and seat, on a green painted metal frame, 73” wide 888. A VICTORIAN STYLE WROUGHT IRON GARDEN BENCH with a slatted wood back and seat, the scrolling green-painted frame with dogs head finials and leafy branchwork scroll supports £200-400 889. A GARDEN BENCH with a wooden back and plank seat, on a green painted metal frame, 101” wide, and a similar bench (2) £100-200 890. A NEO-CLASSICAL STYLE SIMULATED STONE GARDEN URN with a spirally-fluted and reeded body and a detachable lid, on an acanthus moulded socle and a square panelled plinth base, 86” high, and a matching urn on a lower plinth (2) £300-600 891. A PAIR OF THAI BRONZE SCULPTURES of mystical birds perched on top of red-painted metal columns, estimated at 22’ high (2) See illustration 892. THE POTTED PLANTS in the greenhouse (a lot)

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893. A NEO-CLASSICAL CAST IRON GARDEN URN with a lobed compartment-shaped body, on a simulated stone plinth, with panelled sides, 69” high overall £200-400 894. A PAIR OF VICTORIAN STYLE TERRACOTTA PLANTERS containing bay trees. The planters 24” high, and three matching terracotta planters containing strawberry plants (a lot)

896. A PAIR OF BLUE CERAMIC POTS containing “Francoa Sonchifolia” and various metal plant containers (a lot) 897. AN “ISTRIAN” STONE WELL HEAD carved with Norman arches supported on plain columns beneath a notched border, with a wroughtiron top and a stepped plinth base, 32” dia. x c.77” high excluding the stepped plinth base. See illustration

To be removed at the buyers’ risk and expense.

£150-300 895. A PAIR OF WOODEN “VERSAILLES” PLANTERS containing large “Laurus Nobilis”. The planters 27.75” wide (2)

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GLOSSARY OF CATALOGUING TERMS

The auctioneer is always pleased to discussed individual lots with prospective purchasers prior to the auction and will provide condition reports on request. Please bear in mind, however, that condition reports are subjective and we earnestly request potential purchasers to inspect personally any lot on which they intend to bid. Use of inverted commas around a word, or phrase, indicates that the piece, or object, may not be what it is purporting to be, or it may be an old-fashioned term of art no longer in use. If you are in doubt, our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements are statements of opinion and not to be taken as statements, or representations, of fact. Duke’s reserve the right, in forming their opinion, to consult and rely upon any expert, or authority, reasonably considered by them to be reliable. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers PAINTINGS, DRAWINGS AND PRINTS

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros (approx £890 according to the daily exchange rate) to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

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CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law. 5 VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 17.5% on the buyers premium. 6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

CONDITIONS OF SALE 9 THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. In the absence of such information, a Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at Melplash Court, Dorset, or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed before 4pm on Tuesday 18th September the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

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BIDDING FORM FOR MELPLASH COURT I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name.................................................................................................... Tel..........................................................................................................

Address............................................................................................... Mobile................................................................................................ ................................................................................................................... Signed................................................................................................. Lot No:-

£’s

Duke’s at Melplash Court, Dorset. Telephone 01308 488418 from Saturday 18th September.

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

£’s

Duke’s at Melplash Court, Dorset. Telephone 01308 488418 from Saturday 18th September.

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Duke’s

a hidden treasure Melplash Court Dorset

Wednesday 22nd and Friday 24th September 2010 Melplash Court

Duke’s AUCTIONEERS SINCE 1823

Auction on the premises Wednesday 22nd September 2010. Friday 24th September 2010.