THE AR T OF
NATURE CONNECTION D R L E S L E Y DI C K I E C HI E F EXECUTI V E OFFI CER
This will be the summer of giant, colourful gorillas across our island. Fabulous life-size works of sculpture, subject to the imagination of artists from far and wide. Our Go Wild Gorillas sculpture trail will be fun, exciting, thoughtful and, due to its very nature, it will get people out and about exploring Jersey, as they track these magnificent silverbacks. But what can we really say about the use of the arts in nature connection and species conservation? Is it just fun, or something deeper? For me, it goes beyond the obvious, into how we interact and make sense of the world and our place in nature. First, let’s remind ourselves about nature connection. In our Rewild our World strategy, which governs all our work, we have committed to helping one million people feel better connected to nature. ‘Nature Connection’ refers to a person’s beliefs about the extent to which they are part of the natural environment. It has been demonstrated to be a powerful underlying structure, impacting our values, our self-identity, attitudes and ultimately pro-environmental behaviour. We have all experienced the pleasure of a woodland, a sandy beach, a view for miles across countryside. We like how it feels and intuitively we know its ‘good for us’, but we seldom stop to consider it in a mindful way. We also know from multiple studies that children who have extensive nature connections will grow into adults who are more protective of nature. We also know that children draw freely, only tending to stop when others suggest, either directly or indirectly, that some people are ‘good’ at drawing and some people ‘bad’. What a tragedy – everyone can draw and we know that art practice actually helps people in multiple ways, from being in art classes and socialising, to slowing the progress of some forms of degenerative brain disease as we age. Art therapy has been used extensively with patients suffering both physical and mental ill-health, and has been shown to improve mood, and reduce perception of pain and anxiety. Put art and nature together and I think we have a free-for-all wonder drug! The importance of art in human culture is notable, having been observed in cave and rock art in very early human civilisation. Intriguingly, animals are by far the most depicted aspects found in early cave art, indeed the most depicted images in all early figurative art. It has been suggested that this ‘storage of external information’ is due to the reliance early humans had on animals for their survival, either as sources of food or to be avoided as large predators. Simply put, can I eat it or will it eat me? There is evidence that even amongst the earliest peoples moving to new areas. Not only did they bring artistic methodology and traditions, but they responded to the environment around them by developing new imagery. This is seen in the Sahul region (New Guinea, Australia, and Tasmania), populated 45,000 years ago, where paintings and carvings showed distinctive styles and views. Rock art can also tell us about humans changing relationship with nature, away from a hunter-gatherer lifestyle to agricultural settled peoples, as the form of art undertaken moves from the naturalistic animal designs to more stylised forms of animals, more human forms and geometric designs.
2
W IL D L I F E I SS U E 1 • 2 01 9
