Port folio Wesley’ W
作 品 集
Happiness is Simple Simplicity is Happy
=
幸 福 是 简 单
, =
简 单 是 幸 福
Contact : 016 5790045
’
Tearing’ Truth 撕 裂’ 坦 诚
Architecture is merely paintings and buildings to me when I`m younger. See there, how naïve I`m! Simple.Happiness is simple.
’
THE TEAR
BE
TRUE
’
I start learning every foundamental of architecture that evolves every cultural background, human and culture, and site analysis. I also appreciate and apply aesthetical value, contextual axes and scale and proportion. (design strategies). Nakedly, this times I welcome mistakes, advice and criticism open-armed to grow maturely, there is no shame to hide, no added value to pretend. I start reshaping my own identity. Simple. Happiness.
BE TRUE & MINIMALISM
’
I realise the identity can be greatly manifested in my personal design intention. Instead of the deceptive exuberance outside, I would rather savour the rich content inside. Simple but concise! Clear and meaningful! Sometimes, I allow graphic value to draw readers` attention, minimally but not thing superfluous so that the essential is shown to the best possible advantage. My portfolio is the story of my breakthrough to wear my true personality, simple journey through, but not easy! I have been nurtured along the way by tears and joys, an amazing growth! Nakedly, I would like to share with you the inner beauty that lies between each lines and colours.
Raised in a family of modesty, I`ve always wanted to become a leader as a naturally-born supporter. I leave from my hometown, Borneo Island in Malaysia, to set foot on Peninsula to pursue architecture. Gifted with only drawing flair, I hardly cope with the study and sometimes, I lose track of the study journey. Throughout the journey, I shoulder the responsibility to try becoming a leader and keep masking my ignorance towards knowledge. ( pretend to be knowledgeable towards some unknown knowledge). Engulfed by this habit, I am exhausted and tired to clothe the high self-expectation along the way. One very night, I break down, tearing my inner self wipe apart. I crush all the illusive masks in order to live my true colours. I admit and accept my weakness. If I am born as a supporter, I want to start supporting others to help them and me myself achieving success in every aspect of lives.
Architecture is true and simple living to me now. Simplicity makes me happy.
Tearing’ Truth 撕 裂’ 坦 诚
“撕裂” 儿时，建筑设计是彩绘，是房子。幸福好 简单。。。 生长于东马，出世于小康之家，我是个想成 为领袖的辅助者。当年 ，抱着骛远的志愿，踏入异 乡来认识建筑设计。但，驾着仅有的绘画 天赋，我往往追赶着学 习进度，有 时差点落后，有 时落后了。建筑 设计学业里，我一直扛起 领袖责任，一直 伪装自己智慧具 备（对于 不会的事物装懂），一直一直。。。崩 溃的那个晚上，我撕裂自己， 领悟到的是，我真有不会的事物，我必 须承认与接纳自己的弱点。 如 果 我 是 个 辅 助 者，那 我 就 做 个 辅 助 者，扶 助 他 人 ,自 己 创辉煌。
“坦诚” 从文化背景， 风土人情， 实地考察到居家安适，个个与建筑 设计息息相关。我重 新坦诚地，打从基 础去学美感， 规模和比例，横直原理等美学。我赤落落地承 认 自己的不足，有空 间进步。
“坦诚与极简” 设计，不也是 这样吗？与其外 观虚构着华丽装饰，不如里 头丰富结实。艳丽的花 瓶，远不及内涵 饱满的米缸。我的个性反映我的 设计理念，朴朴素素， 简简单单 ，却含盖着大道理， 让读者易懂，易 产生共鸣。我的作品集 记录了我学习的过程 ，有泪，有笑。我不再装腔作 势，反倒破碎自己，体 现 自然美。 现在，建筑 设计是是简单生活，是共 鸣。简单是幸福的！
01
Content’ 目 录
2017
2019
2018
2019
Linear Memorials, The Horizon Single-Parent Community Support Centre
Kajang Art Centre Social-Cultural Centre
02
1
Linear Memorial, The Horizon Preikestolen cliff
“The horizon” is a proof of victory and the celebration of pride to love. The concept came from the Pagan symbols for genders. The two symbols are placed against one another as the iconic feature of “The horizon”.
Preikestolen cliff
03
Pagan Gender Symbol
“Walking for those who cannot join us.”“Love always wins”.“Love is love”. “I am comfortable with who i am.” These are the quotes from people who joined the Pride March for the LGBTQIAPK community. The legislation of same-sex marriage in the United States on 26th June 2015 started a revolution for the freedom to love all around the globe. That very day marked the day love won. Love has no boundaries. Love even defies the laws of nature. 2000`s decade was the decade of realisation of love, but 2010`s decade became the decade of celebration of love. “The horizon” serves as an icon which represents LGBTQIAPK`s identity, and as a platform for people to further understand the community. The building is a proof of victory and the celebration of pride to love. The concept came from the Pagan symbols for genders. The two symbols are placed against one another as the iconic feature of “The horizon”.
04
05
SPATIAL ORGANISATION
NATURAL LIGHTING Cuts on the ceiling of underground walkway at the turning point allows the passage of light to increase light intensity gradually to represent hope
SYMMETRY
CIRCULATION
Symmetrical black marble walls redeďŹ ne gender and create a balance between both.
Users walk into the underground space via the unwelcoming entrance and ascend to the open amphitheatre and ascending ramp towards to horizon
06
07
08
09
PHYSICAL MODELS
10
2
Single Parent Community Support Centre Ipoh old town
As the central heartbeart of Single parent community around Fair park, it reects the bitter experience, the struggle to love again and the later reciprocation of love.
Views and Vistas
11
12
Located at Ipoh, near to Dr. Seenivasagam park, the site is lacking sense of home, mutual interaction and social engagement. It is an abandoned parking lot needed to be adaptive reused.
CONTEXTUAL ISSUE
13
SITE RESPONSE
PRECEDENT STUDY
The Couch/ MVRDV is the tennis club that embraces the curvy ceiling throughout the whole design.The downward-curving ceiling gives protective and warm feeling to the users.
14
IDEATION
BROKEN Broken fragments are the pain, emptiness, loneliness in the void left behind
BLESSED Being hugged and ďŹ lled by the curvy elements (ceiling & roof)
TRANSITION SPACE Voids/ Fragments are ďŹ lled with right source of love again. Carry the voids on with the colours of life alongside
TO BLESS Permeability of facade is the highest, single parent is open to engage with other single parent community.
15
DESIGN DEVELOPMENT
16
DESIGN STRATEGIES
17
17 16 11
18 15
12
6 5
14
9
10
4 2
7 3
8 13
1
1 Day Care 2 Catharsis Bakery Workshop 3 Info Walkway 4 Herbal Garden 5 Pantry 6 Guard House 7 Administration Room 8 Foyer 9 Kitchen 10 Bakery
11 Male W.C. 12 Female W.C. 13 Drop Off Point 14 Dining Area 15 Community Hall 16 M&E Room 17 Storage 18 Meeting Room 19 Bicycle Rack
18
1 6
10 4
5
8
9 7 6
2
1
3
1 Adult Counseling Room 2 Children Counseling Room 3 Admin OfďŹ ce 4 Meditation Deck 5 Interactive Corridor
6 Central Courtyard 7 Playscape 8 Pedestrian Walkway 9 Jogging Track 10 Community Park
19
20
21
22
INTERACTIVE CORRIDOR
CHEERFUL BAKERY | visual connectivity with interactive corridor through central void of roof
23
BICYCLE GARDEN | deliver breads to community
COMMUNITY PARK
24
3
Kajang Art Centre Kajang old town
After 10 years, let the current young and old rock the city together with food art and performing art! People come,stay and go in a city keep progressing. This explains the CIRCADIAN RHYTHM.What they intersect & leave behind is carefully stored in my proposed Kajang Art Centre.
Kajang old town
25
26
27
28
INTENTION
URBAN ISSUES
SITE RESPONSE
29
DESIGN STRATEGY
2 30 7
31
1:500
32
1:500
33
1:500
34
35
36
37
38
39
40 Physi cal Models
41
4
Social Cultural Centre JB old town
While celebrating the gaps of Johorian with same blood owing in the vein, the proposed sosiocultural hub intended to bridge the gaps among the community through solid and void & porosity. If there`s 99% gaps, you`ve 1% to bridge them Richie Norton
JB old town
42
Johor Bahru, the proposed site is still breathing with the diversity of 3 major races, Chinese, Malay and Indian. Together they build up the state while embracing the Bangsa Johor concept. However, diversity causes gap between them, ranging from business hour, communal living (gap in authentic market selling true product of JB`s identity) and expression of art. While celebrating the gaps of Johorian with same blood owing in the vein, the proposed sosiocultural hub intended to bridge the gaps among the community through solid and void & porosity.
INTENTION
time gap?
lack of authenti city?
platform to express?
inďŹ ll time gap
iconic cultural product strengthen identity
common ground for all
activities that overlap
collective & creative
43
SITE ISSUE
44
DESIGN STRATEGY
45
BASEMENT PLAN
GROUND FLOOR PLAN
46
FIRST FLOOR PLAN
SECOND FLOOR PLAN
47
THIRD FLOOR PLAN
48
FRONT ELEVATION JALAN TRUS
BACK ELEVATION JALAN SEGGET
49
LEFT ELEVATION JALAN DHOBY
RIGHT ELEVATION JALAN TAN HIOK NEE
50
Lively zone
Quiet zone
3F COMMUNAL LIIVING Rooftop playground bridges the people as the focal point.
Social pod.(Shared space) Living pod. Recreation.
2F THE BRIDGE IN WORKING TIME GAP Cultural cafeteria serving the local famous beverage and desserts bridges the users from admin office, collaboratory and fitness gym. After toiling in work, people from these work-based spaces will contact and interact at the central cafeteria.
1F PRODUCT OF JB IDENTITY Artisan market bridges the users from souvenir shop, music studio and bakery workshop. To bridge the gap in product of identity and authenticity, local and foreigners source genuine artisan product here, experience hands-on famous bread and cake making from Hiap Joo bakery and Salahuddin bakery within this lively zone.
Open library.(Shared space) Study room.
Exhibition. Gallery.(Shared space)
GF PLATFORM OF ART EXPRESSION Central performance space bridges the users from info centre, event space and food hub. The community shares the performance space for art expression under the same roof.
51
SECTION C’C’’ JALAN TAN HIOK NEE
52
53
SECTIONAL PERSPECTIVE A`A``
54
55
56 Vertically bridging as central common ground Performance space, Artisan market, Roof top playground
Building void towards ground floor
57 Void as porosity between two building block bridged by elevated slab that accommodates double volume art studio
DETAIL
58
Versidrain 150
Green roof system
Elmich Bracket
Vertical living green wall system
59 Physi cal Models
谢² Thank You
，
你 会 与 我 产 生 共 鸣 吗
Do you feel what i feel
?
终 End