Design II Final Portfolio

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EMILY DESIGNAUDETFUNDEMENTALS II | AAID 201 SERGIO ELIZONDO SPRING 2022

TABLE OF CONTENTS FLEETING VESSELS PAGES 01-27 DELAMINATION AND DEDUCTION COLOR SPACIALVACATEDSPATIALCAPTURINGVOLUMETRICCOMPOSITIONSVESSELSVESSELSSEQUENCEVESSELSVOIDS FLUID VESSELS PAGES 28-47 THICK SKINS THICK SKINS EXFOLIATION FLUID NESTINGPOURINGPROGRAMWATERTHICKSKINS SUNKEN VESSELS PAGES 48-67 ANCHOR SITE SITE PASSAGETRANSFORMATIONSPACES

FLEETING VESSELS EMILY AUDET01

FLEETING VESSELS

BEGINNING WITH A LE CORBUSIER PAINTING COLORS AND CONTOURS WERE EXTRACTED. THOSE CONTOURS WERE THEN USED TO CREATE 3 DIMENSIONAL VESSELS. THE VESSELS WERE USED TO CREATE THREE SCENES. Painting Analysis: Through the process of identifying relationships between the parts and the whole of the painting Le De Violet by Le Corbus ier the goal was to extract 2D characters/figures through the method of tracing in Rhino and post-producing in Illustrator.

56557BE6E2981E142F868A4EC7C1E91511403A323CDFDDA863E374C672BB6B694B3674 E6E298 56557B 1E142F 868A4E C7C1E9 151140 3A323C DFDDA 863E37 4C672B B6B69 4B3674 Colors were then assigned to each character/ part of the painting. The colors were taken from the original painting and placed in the same place. 2D sketch diagrams were developed in order to identify and analyze specific parts and characters of the painting. FLEETING VESSELS EMILY AUDET 02 03

1 2 3 4 5 6 7 8 9 10 11 12 FOREGROUND MIDDLE GROUND BACKGROUND SMOOTH CONTOURS SHARP CONTOURS SMOOTH AND SHARP CONTOURS COOL COLOR TONES WARM COLOR TONES LEFT SIDE RIGHT SIDE 1 2 3 4 5 6 7 8 9 10 11 12 FOREGROUND MIDDLE GROUND BACKGROUND SMOOTH CONTOURS SHARP CONTOURS SMOOTH AND SHARP CONTOURS AFTER THE CONTOURS AND COLORS WERE EXTRACTED, THEY WERE PLACED INTO FRAMES DEPENDING ON THEIR PLACE WITHIN THE ORIGINAL PAINTING NEXT OVERLAPING FIGURES WERE CHOSEN IN ORDER TO CREATE COLOR TRANSPARENCIES BETWEEN THE ORIGINAL COLORS IN THE PAINTING FLEETING VESSELS EMILY AUDET 04 05

060504030201 CONTOUR ] [ SHAPE ] REVOLVE LOFT EXTRUDE THE CONTOURS WERE TAKEN INTO RHINO AND TRANSFORMED INTO SPATIAL VESSELS WITH THE USE OF DIFFERENT COMMANDS SUCH AS LOFT, REVOLVE, AND EXTRUDE FLEETING VESSELS EMILY AUDET 06 07

AFTER THE MATRIX OF VOLUMETRIC VESSELS WAS CREATED, COMBINATIONS OF VESSELS ARE CREATED. EACH GROUP OF FOUR VESSELS WAS COMBINED IN A WAY THAT CONNECTED THE CHARACTERISTICS OF EACH VESSEL. THE COMBINATIONS CAME FROM THE PROCESS OF STUDYING EACH ORIGINAL CONTOUR AND HOW IT HAD TRANSFORMED.

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P 01 P 02 S 02 S 01 NE ISOMETRIC VESSEL CLUSTER 01 PLAN 01 PLAN 02 SECTION 01 SECTION 02 P 01 P 02 S 02 S 01 NE ISOMETRIC VESSEL CLUSTER 01 PLAN 01 PLAN 02 SECTION 01 SECTION 02 EACH VESSEL COMBINATION WAS THEN REFINED FOR THEIR CONNECTIONS FLEETING VESSELS EMILY AUDET 10 11

PLAN 01 PLAN 02 SECTION 01 SECTION 02 S - 01 S - 02 P - 01 P - 02 NE ISOMETRIC VACATED VESSEL 01 PLAN 01 PLAN 02 SECTION 01 SECTION 02 S - 01 S - 02 P - 01 P - 02 NE ISOMETRIC VACATED VESSEL 01 EACH VESSEL COMBINATION WAS CARVED OUT OF THE 10”X10”X10” BOUNDING BOX TO CREATE INTERIOR SPACES AND CONNECTIONS. FLEETING VESSELS EMILY AUDET 12 13

SE ISOMETRIC PLAN 01 PLAN 02 SECTION 01 SECTION 02 P 01 P 02 S 01 S 02 VESSEL CLUSTER 02 VACATED VESSEL 02 SE ISOMETRIC PLAN 01 PLAN 02 SECTION 01 SECTION 02 P 01 P - 02 S - 01 S 02 SE ISOMETRIC PLAN 01 PLAN 02 SECTION 01 SECTION 02 VESSEL CLUSTER 02 P 01 P 02 S 01 S 02 PLAN 01 PLAN 02 SECTION 01 SECTION 02 VACATED VESSEL 01 P - 01 P - 02 S 01 S 02 NW ISOMETRIC FLEETING VESSELS EMILY AUDET 14 15

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FLUID VESSELS IN THE NEXT PART OF THIS PROJECT LIQUID WAS POURED INTO THE INTERIOR SPACES OF THE VESSEL CLUSTERS. THERE ARE TWO DIFFERENT POOLS WITHIN EACH CLUSTER FOR A TOTAL OF SIX INTERIOR POOLS. ALONG WITH THE LIQUID BEING ADDED, TESSELATED VESSELS WERE ALSO ADDED TO TWO POOLS. THICK SKINS | TILE 1 [FILTER & TRANSFORMATION OF LIGHT] TILE TOP VIEW AGGREGATION TOP VIEW TILE SECTION AGGREGATION SECTION 12’ 12” 4’ 4’ 9 AM 10 AM 12 PM 1 PM 3 PM 5 PM SECTIONAL INTERIOR PERSPECTIVES | TILE 1 [FILTER & TRANSFORMATION OF LIGHT] AS THE TILES WERE CREATED LIGHTING WAS THE PRIMARY ASPECT OF THE DESIGN. THE LIGHT CONDITIONS CHANGE AND EVOLVE THROUGHOUT THE DAY WITH THE DESIGN OF EACHEMILYTILEAUDET28

THICK SKINS TILE 2 [FILTER & TRANSFORMATION OF LIGHT] TILE SECTION AGGREGATION SECTION TILE TOP VIEW AGGREGATION TOP VIEW 12’ 12” 4’ 4’ 9 AM 11AM 12 PM 2 PM 3 PM 5 PM SECTIONAL INTERIOR PERSPECTIVES | TILE 2 [FILTER & TRANSFORMATION OF LIGHT] 8 AM 9 AM 12 PM 3 PM 4 PM 5 PM SECTIONAL INTERIOR PERSPECTIVES | TILE 3 [FILTER & TRANSFORMATION OF LIGHT] FLUID VESSELS EMILY AUDET 29 30

THINK SKINS:EXFOLIATION | TILE 1 [FILTER COLORED LIGHT] TILE SECTION AGGREGATION SECTION TILE TOP VIEW AGGREGATION TOP VIEW 12’ 12” 4’ 4’ 9 AM 11 AM 12 PM 2 PM 3 PM 4 PM THICK SKINS: EXFOLIATION | SECTION PERSPECTIVES [FILTER COLORED LIGHT] THINK SKINS:EXFOLIATION | TILE 2 [FILTER COLORED LIGHT] TILE SECTION AGGREGATION SECTION TILE TOP VIEW AGGREGATION TOP VIEW 12’ 12” 4’ 4’ THICK SKINS: EXFOLIATION | SECTION PERSPECTIVES [FILTER COLORED LIGHT] 9 AM 11 AM 12 PM 1 PM 3 PM 4 PM AFTER EACH TILE WAS MADE COLORS FROM THE ORIGINAL PAINTING WER ADDED IN ORDER TO CREATE LIGHT CONDITIONS THAT ARE COLORED FLUID VESSELS EMILY AUDET 31 32

THINK SKINS:EXFOLIATION | TILE 3 [FILTER COLORED LIGHT] TILE SECTION AGGREGATION SECTION TILE TOP VIEW AGGREGATION TOP VIEW 12’ 15” 4’ 4’ THICK SKINS: EXFOLIATION | SECTION PERSPECTIVES [FILTER COLORED LIGHT] 9 AM 11 AM 12 PM 2 PM 3 PM 4 PM PANELIZED VESSELS VESSEL 01 THICK TILE VESSEL 01 PANELIZED VESSELPANELIZED VESSELS VESSEL 02 THIN TILE VESSEL 02 PANELIZED VESSEL AFTER THE TILES WERE DESIGNED THEY WERE THEN TESSELATED ONTO VESSELS FROM THE ORIGINAL VESSEL MATRIX. THE TESSELATED VESSELS WILL THE BE PLACED INTO THE SCENES. FLUID VESSELS EMILY AUDET 33 34

POURING WATER | SCENE 1 CALDARIUM, TEPIDARIUM | PLANS, SECTIONS, ISOMETRICS, PERSPECTIVES PLAN 01 SECTION CALDARIUM01 SECTION NATATORIUM02 SECTION NATATORIUM03 P-01 S-01 S-02 S-03 60’ N SECTION PERSPECTIVE 01 LOOKING AT PANELS SECTION PERSPECTIVE 02 INSIDE VESSEL POURING WATER | SCENE 1 CALDARIUM, TEPIDARIUM | PLANS, SECTIONS, ISOMETRICS, PERSPECTIVES PLAN 01 SECTION CALDARIUM01 SECTION NATATORIUM02 SECTION NATATORIUM03 P-01 S-01 S-02 S-03 60’ 60’ 60’ N SECTION PERSPECTIVE 01 LOOKING AT PANELS SECTION PERSPECTIVE 02 INSIDE VESSEL AT THIS POINT IN THE PROJECT WATER AND PROGRAM IS BEING INTRODUCED INTO THE SCENES. IN THIS SCENE THE CALDARIUM AND NATATORIUM WERE PLACED. AS WELL AS ONE OF THE TESSELATED VESSELS. FLUID VESSELS EMILY AUDET 35 36

. . 30’ 30’30’ POURING WATER | SCENE 2 FRIGIDARIUM, NATATORIUM | PLANS, SECTIONS, ISOMETRICS PLAN 01 PLAN 02 SECTION FRIGIDARIUM01 SECTION TEPIDARIUM02 TEPIDARIUM DETAILFRIGIDARIUM DETAILNE ISOMETRIC NW ISOMETRIC P-01P-02 S-01 S-02 MODEL- 5’-6” MODEL- 6’ WITHIN THIS SCENE THE FRIGIDARIUM AND TEPIDARIUM ARE PLACED FLUID VESSELS EMILY AUDET 37 38

20’ 20’20’ MODEL- 3’ 5” POURING WATER | SCENE 3 MEDICINAL BATH, ICE CHAMBER | PLANS, SECTIONS, ISOMETRICS PLAN 01 PLAN 02 SECTION 01 ICE CHAMBER SECTION MEDICINAL02 BATH P-02P-01 S-01 S-02 SECTION PERSPECTIVE 01 SITTNG IN VESSEL SECTION PERSPECTIVE 02 LOOKING INTO VESSEL 20’ 20’20’ MODEL- 6’ MODEL- 3’ 5” MODEL- 5’ 6” POURING WATER | SCENE 3 MEDICINAL BATH, ICE CHAMBER | PLANS, SECTIONS, ISOMETRICS PLAN 01 PLAN 02 SECTION 01 ICE CHAMBER SECTION MEDICINAL02 BATH P-02P-01 S-01 S-02 SECTION PERSPECTIVE 01 SITTNG IN VESSEL SECTION PERSPECTIVE 02 LOOKING INTO VESSEL THIS SCENE HAS THE MEDICINAL BATH AND ICE CHAMBER, AS WELL AS THE SECOND TESSELATED VESSEL FLUID VESSELS EMILY AUDET 39 40

SECTION PERSPECTIVES | SCENE 01 NATATORIUM AND CALDARIUM CALDARIUM NATATORIUM 60’ 60’ 60’ 60’ . . WHEN TAKING SECTION PERSPECTIVES THE FOCUS WAS ON THE TEMPERATURES WITHIN EACH POOL AND THE COLORS FROM THE ORIGINAL PAINTING THAT COINCIDE WITH THOSE TEMPERATURES. FLUID VESSELS EMILY AUDET 41 42

SECTION PERSPECTIVES | SCENE 02 FRIGIDARIUM AND TEPIDARIUM 30’ 30’ 30’ 30’ FRIGIDARIUM TEPIDARIUM . . FLUID VESSELS EMILY AUDET 43 44

PERSPECTIVES | SCENE 03 CHAMBER 35’ 35’ ICE CHAMBER MEDICINAL BATH . . ICE CHAMBER TEPIDARUIM FRIGIDARIUM FLUID VESSELS EMILY AUDET 45 46

SUNKEN VESSELS AFTER FINALIZING EACH OF THE THREE SCENES A CLIFF SITE WAS THEN INTRODUCED. THIS SITE CONSISTED OF 96’X96’X96’ EXTENTS FOR THE SITE AND 120’X120’X80’ CLIFF DIMENSIONS, ALL ABOVE A RIVER. THE SITE WENT THROUGH MANY ALTERATIONS TO ACHIEVE THE FINAL VESSEL INTERACTIONS AND CLIFF AND SITE INTERACTION. CALDARIUM NATATORIUM MEDICINAL BATH FLUID VESSELS 47

04. ADD HEIGHT TO BACK OF CLIFF WITH THE USE OF BOOLEANUNION MORE HEIGHT WAS ADDED TO THE BACK OF THE SITE TO ALLOW FOR A MAIN ENTRY PLACE TO THE SITE AS WELL AS PROVIDE PRIVACY FOR THE MEDICINAL BATH .05 BEGIN CARVING CLIFF FOR CIRUCLATION

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06. ADDITION OF RAMPS RAMPS WERE ADDED WITH THE USE OF BOOLEANUNION THIS ALLOWS FOR DOWNWARD CIRCULATION TO THE ENTRY WHILE ALSO KEEPING THE EXPERIENCE OF EXPLORATION WITHIN THE SITE .07 SUN STUDY THIS AIDED IN DISCOVERING THE LIGHTING CONDITIONS OF EACH SPACE WITHIN THE BATHHOUSE

BY CARVING THE CLIFF WITH THE USE OF BOOLEANDIFFERENCE IN THIS PLACE IT WILL ALLOW FOR DOWNWARD CIRCULATION TO THE ENTRY TO THE BATHHOUSE. .06 CREATION OF ENTRY SIMILAR TO THE CIRCULATION THE ENTRY TO THE BATHHOUSE WAS CARVED INTO THE CLIFF USING BOOLEANDIFFERENCE

INTERACTION96’x96’SITEEXTENTSTHE120’x120’x80’CLIFFWILLBECARVEDOUTWITHTHEBATHHOUSESCENEWITHINTHEEXTENTS

02. JOIN 3 SCENES THE 3 SCENE WERE PLACED THROUGH APERTURE CONNECTIONS WITH THE USE OF THE RHINO COMMAND03.BOOLEANUNIONCARVING OF CLIFF AFTER JOINGING THE SCENES THE COMBINATION WAS USED TO CARVE OUT THE CLIFF IN ORDER TO ENCAPSULATE THE SITES, WITH THE USE OF BOOLEANDIFFERENCE

01. STUDY OF CLIFF AND RIVER

96’ 60’ 0’ 10’ 20’ SITE PLAN AS THE SITE WAS BEING DESIGNED THE MAIN FOCUS WAS ON THE EXPERIENCE OF A PERSON AS THE TRAVEL DOWN THE OUTSIDE OF THIS INTO THE INSIDE SUNKEN VESSELS EMILY AUDET 50 51

ISO SECTION 01 ISO SECTION 02 P-01 P-02 1 0’ 10’ 20’ 40’0’ 10’ 20’ 40’ PLAN 01 PLAN 02 SECTION 02 SECTION 03 0’ 10’ 20’ 40’ 0’ 10’ 20’ 40’ 0’ 10’ 20’ 40’ ISO SECTION 03 SECTIONISO01 SECTION 04 THE CONNECTIONS AND PASSAGE ON THE INSIDE OF THE SITE ALLOWS FOR THE MAXIMUM AMOUNT OF EXPERIENTIAL POSSIBILITES ANYONE VISITING THE SITE CAN HAVE. SUNKEN VESSELS EMILY AUDET 52 53

96’ 60’ ISO PLAN 02 ARRIVAL DEPATURE ISO PLAN CIRCULATION01 FRIGIDARIUMCALDARIUMTEPIDARIUM . NATATORIUM CHAMBERICE MEDICINAL BATH SUNKEN VESSELS EMILY AUDET 54 55

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