Illuminazione/Lighting
Illuminazione/Lighting
We have been seeing g the last few years thanks t clever balancing acts for that 2017 was dominated artistic arrangements. So seen in furniture spilled updates to the colourway organic forms coming th strong year for lighting continuing to pus
Illuminazione/Lighting
lass balls creep in over to Michael Anastassiades r Flos, but it is fair to say by glass globes in various ome of the colour trends d over into lighting with ys for some products and through. Overall it was a design with technology sh the boundaries.
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Macaron, a new collection of striking table lights by designer and Brokis art director Lucie Koldova.
Macaron The Macaron table light pays homage to the beauty and complex textures of crystalline stone by showcasing it in opposing domes of delicate handblown glass. As the name implies, the poetic yet striking design draws its inspiration from the famed French meringue confection. Concealed in an elegant flueshaped marble base, the light source casts its gentle glow upward to energise the meandering chalcedon veins in the central onyx plate. Irregularities and imperfections intrinsic to both semi-precious stone and handblown glass make each light unique and original. The purity of the natural materials and the artisanship applied in processing them have given rise to an extraordinary ambient lighting experience. Produced using traditional techniques, Macaron is characteristic of the distinctive and enduring aesthetic of the Brokis brand. The Macaron table light comes in three sizes, the largest doubling as an impressive floor light, and a selection of refined marble and glass colour options.
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Macaron by Lucie Koldova for Brokis. A subtle colour scheme of transparent, white, grey, and brown emphasises the refined nature of the handblown glass objects.
B RO K I S
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Designer Report
Lucie Koldova Brokis art director, Lucie Koldova, is an acclaimed Czech product and furniture designer. Her collaboration with the brand began in 2010 with the timeless Muffins and Balloons lighting collections, which she designed while living and working in Paris. The voluminous glass lights embody her charismatic, elegant style and quickly established Brokis as an innovative producer of handblown glass lighting. She is the creative force behind the brand and is instrumental in shaping its product portfolio and image. Her creations are objects of desire and include glass sculptures, glass lighting, poetic gallery pieces, and limited-series works. Breathtaking colours, unusual proportions, and vibrant formal contrasts seemingly move her work beyond the realm of the possible, a trademark at once apparent in lighting collections such as Balloons, Capsula, Whistle, and Mona. In addition to developing ever-more novel and exciting motifs, Lucie Koldova has introduced important technological and formal solutions that have enabled Brokis to push the limits of handblown glass production.
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Knot by Chiaramonte Marin for Brokis
Knot
Knot is a collection of stately pendant lights that appose two dramatically dissimilar materials. The design combines coarse natural fibre with smooth, transparent blown glass to arouse a dignified contrast. Full-bodied globes of varying shapes and sizes are penetrated by robust cords that seemingly pull the bottom of the glass inward for a bemusing plastic effect. The LED light source is housed in a handsome top hood, which, like the cord end cap, is fashioned in refined metal. The collection currently comprises four pendant lights and several colour options.
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B RO K I S
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Brand Report
Flos An outstanding collection of new home, architectural and outdoor lighting was presented by Flos against a stunning architectural backdrop. This year it was the turn of architecture and interiors duo Calvi Brambillia to lead visitors through an immersive journey into the Universe of Light. The itinerary unveiled a stellar list of Flos collaborators with the new addition of Italian artist duo Formafantasma and Japanese renowned brand Nendo.
01 Verticale, by Ronan & Erwan Bouroullec, is a set of modular suspension lights of variable length. The unit is a blown glass cylinder inside an aluminium structure. The colours of the anodised aluminium respond to the heat of the light source.
02 Last Quarter and Overlap, by Michael Anastassiades, both explore the iconic cocoon resin first used in 1960 by the Castiglioni brothers and Tobia Scarpa that is now an integral part of the Flos identity.
04 Gaku, by Nendo, satisfies the urges of those who like to tinker with their interiors, albeit on a mini scale, thanks to wireless charging technology and moveable magnetic accessories.
03 Arrangements, by Michael Anastassiades. There are few who can pare their designs back to the true essence of their lights in that way that Anastassiades can. Arrangements show his signature style in a range of simple, yet elegant, lights.
05 Bellhop, by E. Barber & J. Osgerby, was first designed for the London Design Museum. Now it has been developed into a range for Flos, including a portable version that casts an atmospheric pool of light much like a candle.
06 Noctambule, by Konstantin Grcic, is composed of cylindrical glass modules that can stack on top of each other to create a light column, or suspended chandelier. Extra glass domes or cones can be added for uplighters and pendants.
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An exciting new collection of pendant lights by Michael Anastassiades for Flos
Arrangements “I have always been fascinated with the parallel that exists between lighting and jewellery. Starting from the simple fact of how each piece relates to the human scale: one is designed to be worn on the body whereas the other is made to decorate the space someone occupies. I’m challenged in how the delicate nature of something small can be translated spatially and still manage to retain its preciousness in the way materials are presented. It is no coincidence that the word ‘pendant’ has a double meaning. Existing both as a piece of jewellery that hangs from a chain worn round the neck, and a light designed to hang from the ceiling. Arrangements is a modular system of geometric light elements that could be combined in different ways, creating multiple compositions into individual chandeliers. Each unit simply attaches onto the previous one as if resting, balancing perfectly as part of a glowing chain.” Michael Anastassiades
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Arrangements by Michael Anastassiades
FLOS
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Gaku by Nendo for Flos
Gaku
A box used together with lamps and other objects, sits between the realms of lighting and furniture. A pendant lamp hangs down inside one box, while another has non-contact charging to power a matching spot light that can be moved around freely when lighting is needed elsewhere. Bowls, vases, a tray, a mirror, bookends, and other accessories are held firmly in place at the centre of the box by magnets. An assortment of accessory-like lighting and lighting-like accessories makes combining the two simple, as if one were casually rearranging the interior of a miniature room.
Oki Sato, Chief Designer and Founder of Nendo
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Michael Anastassiades presents two lighting designs for Flos, created with the use of Cocoon, a special liquid resin sprayed on a steel structure to determine the shape of the lamp.
Last Quarter “Half way between the cycle of a full and new moon, the last quarter describes the point in which only half of the surface is visible to the eye. An imaginary, glowing half sphere. The light itself suggests direction and focus, yet its uniform illumination gives it an abstract function”. — Michael Anastassiades
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FLOS
Overlap “It is almost unimaginable to think of the space that exists around two perpendicular planes. Overlap consists of two interlocking rings that intersect at right angles. When I first came across the cocoon wrapping technique that has been used by Flos to create so many historic designs, it was the perfect opportunity to define such a space. In this piece it is beautiful to see the rings try and push through the membrane. Yet what remains hidden and undefined, is the space where they interlock, leaving the imagination to complete the geometry.� — Michael Anastassiades
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Noctambule by Konstantin Grcic for Flos
Noctambule Noctambule: the night owl or reveller. Mostly invisible during the day, but coming to glamorous activity at the night-time, the analogy is fitting. The new collection of lamps is made of blown glass modules, which are see-through and therefore almost inexistent at day-time, but in the dark when you switch them on they transform into gorgeous illuminated lamps.
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FLOS
WireRing by Formafantasma for Flos
WireRing The object is exclusively composed of two separate elements: a custom made belt-like electric cable and a ring that contains a LED strip. The cable, which is often considered something to hide, is the focus allowing for the transmission of energy to the ring via electrical connectors. Disassembled, the lamp is reduced to a minimum. When mounted, it then reveals sculptural traits. WireRing is an exercise in reduction: stripped back to its most essential components, the lamp delivers the most with the least.
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FLOS
Brand Report
Flos Outdoor
My Way by Piero Lissoni
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Belvedere Clove by Antonio Citterio
FLOS
Casting by Vincent Van Duysen
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FLOS
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Climber by Piero Lissoni
FLOS
KTribe F3 Outdoor by Philippe Starck
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Superarchimoon by Philippe Starck
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Designer Report
Tom Dixon’s Multiplex “Milan in April turns into the Glastonbury of design – a huge explosion of ideas, colours, shapes and functions, a massive influx of design obsessives all seeking the latest ideas. This year we acknowledged the need for a place to stop, to refuel, to catch up on the newest concepts and latest designs and share the full excitement of our latest products. We chose an iconic 1950s galleria and cinema so that we could fully embrace the delicate balance of commerce, culture and entertainment that makes Milan the best design festival of the year.” Tom Dixon
Design Digest Tom Dixon’s Multiplex Concept Multiplex, as the name suggests, was a host of collaborations under the theme of Yesterday, Today and Tomorrow. Visitors entered the Galleria passing shop windows for Antiques, Perfumery, Rubber Shop and Chandeliers. Vignettes of the Tom Dixon collection were on display in these shops curated by partners in the exhibition. In the Rubber shop a Tom Dixon motorbike by Moto Guzzi and limited-edition tyres by Pirelli were on display, while handmade chewing gum performances took place. The new Tom Dixon textile collection was in the Antiques store. Visitors eventually arrived in the Cinema itself where Dixon’s new collaboration with Ikea was presented.
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Cut, prismatic pendants from Tom Dixon
Cut
British designer Tom Dixon launched several new lighting collections at Milan Design Week, including the highly polished Cut, which casts a kaleidoscopic reflection when switched on. Cut comes in pendant or surface variations – the latter designed for the wall or ceiling. It has a mirror finish that appears opaque when switched off, and when lit up, reveals the bulb inside, reflected in an “endless” pattern off the faceted shade.
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T O M D I XO N
Top, a new metallic geometry by Tom Dixon
Top
Delicate and elegant, the severe geometry of the acidetched conical form of Top is reduced but instantly recognisable. A super fine filter of warm light emanates from its micro pierced exterior. When switched off it appears as solid stainless steel, when switched on it appears light, semi-transparent and ethereal. Designed to be hung in many tidy combinations, the effect of reflected polished yet illuminated stainless steel is a feat of materiality and manufacturing innovation.
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Beat, update to a classic from Tom Dixon
Beat
Two new shapes join the successful Beat range – Flat and Waist. The original design was inspired by the sculptural simplicity of brass cooking pots and traditional water vessels on the subcontinent. The pendant lights are crafted from solid sheets of brass, and are available in black, white, grey and brushed brass. Each light is a bold statement in its own right, but they often sit best in multiples.
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Designer Report
Lee Broom Lee Broom is one of the UK’s leading product designers. With his highly original brand of luxury furniture and lighting designs, his work is recognised and retailed across the globe. In the last ten years since he founded the company, Broom has created over 100 furniture, accessory and lighting pieces, all of which are designed, manufactured and retailed under the Lee Broom brand. To celebrate a landmark decade in design, Time Machine is an exclusive statuesque marble grandfather clock. Hand-crafted from Carrara marble, the monolithic and commanding structure features a traditional engineered clock mechanism with solid brass pendulum, weight and hands. Limited to an edition of 10.
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L E E B RO O M
Celebrating a decade of design Lee Broom presented furniture, lighting and accessories from the past ten years all reimagined for today in new materials and finishes. Set inside a vault in the famous and historic Milano Centrale station which has remained disused and unopened to the public for over thirty years, the location provided a memorable and atmospheric backdrop for Broom’s anniversary collection of limited edition pieces. As part of the exhibition and to mark the anniversary, Broom also showcased a new and exclusive design in the form of a limited edition hand-crafted Carrara marble grandfather clock. An immersive and unique installation, Time Machine offered an extraordinary insight into Lee Broom’s tenyear history. Looking back at all of the pieces he had created over the past decade, Broom decided against a traditional retrospective of his work, instead looking to create a new way of displaying his collections. Seeing the vault in the Milano Centrale station, Broom came up with the concept to present the pieces as part of a modernist interpretation of a fairground carousel. As a child, Broom was intrigued by the theatrical and mesmerising animation of fairground carousels as they moved and revolved 360 degrees. Developing this concept allowed Broom to not only provide an engaging way of presenting a retrospective of his work by combining drama, sound, movement and illumination, but create a metaphor representing the lifecycle the brand has journeyed throughout the past decade and the evolution to come. Built at the famous Pinewood film studios in the UK, the carousel at just over 6 metres wide and over 4 metres in height, displayed within the 340 sq metre vault, was Broom’s largest show to date. Upon entering the derelict vault in the Milano Centrale station, the carousel providing the only illumination to the space became a playful and serene beacon. Its cinematic, Kubrick-esque theatricality created a memorable narrative to poignantly mark Broom’s anniversary show and his step into his next decade of design. The unique installation highlighted the evolution of Broom’s signature and unique mix of classicism, modernity and conceptual design.
Time Machine Time Machine was the landmark tenth anniversary show by Lee Broom for Salone Del Mobile 2017.
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LE EE E B L B RO ROO OM M
Time Machine by Lee Broom
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Guise by Stefan Diez for Vibia
Guise Guise is a poetic expression of craft, light, technology and mood. Designer, Stefan Diez, has integrated the LED light with the material, making it pass through invisibly and then reappear out of nowhere. The final result is a unique collection of beautiful transparent objects that emanate light, integrating material, light and space in a way never before realised. The exquisite treatment of the form, the material and the technology guarantees a surprising lighting effect and an impeccable performance.
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G R AY PA N T S
Celestial dishes of light by Graypants
Chrona Series Mimicking the gaseous envelope found around stars, these elegant pendants create a luminous glow through spun brass and acrylic diffusers – light reflecting light. A series of dish pendants comprises the latest release in the Chronalight collection. With a variety of configurations in both horizontal and vertical orientations, Dish pendants can be clustered together to make a stunning constellation or individually hung to accentuate any space. Thin, yet robust, the debut pendants are available in diameters ranging from 14–43cm.
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Spokes by Garcia Cumini for Foscarini
Spokes Today the Spokes range includes yet another more vivacious, glamorous personality, donning metallised colours that change the interpretation of the design while offering new luminous reflections. Spokes is a lamp based on observation of the spokes of a bicycle wheel, generating an object of great iconic force, with a lighting concept that plays with the contrast between full and empty, inside and outside, shadow and light.
FOSCARINI
Le Soleil by Vicente Garcia Jimenez for Foscarini
Le Soleil A sphere composed of irregular bands, large in size but visually light when on, thanks to the blades of light that flow outward, like sunbeams glimpsed through a cloud. This is the key to the design of Le Soleil, which lives on in the new version with an LED light source, and now also comes in an original copper finish that brings new personality, enhancing the warm, natural glow of the lamp.
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Esper by Visibility for Roll & Hill
Esper
Visibility expands their Esper collection with a table lamp. Inspired by chochins – the ubiquitous lanterns typically found outside sushi restaurants and late night hangouts in Japan – Esper is a futuristic distortion of the traditional shape that retains the humility of centuries past.
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Designer Report
Visibility Visibility is an industrial design studio based in New York City. It was founded by Joseph Guerra and Sina Sohrab in 2012. Their work has been internationally recognised and exhibited, gaining the studio such honours as Forbes 30 Under 30. The studio focuses on the purity of an idea, as well as its material and formal actualities. The constant ambition is to move forward while looking back, drawing on observation and innovation as instruments of development. Visibility aims to distill ideas to what they want to be, retaining what appeals to our human sensibilities.
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GA LLOT TI& R A DICE
Diantha by Massimo Castagna for Gallotti&Radice
Diantha ‘Elegant and sophisticated, dramatic at times, with the ability to frame the space, gently leading the eye from one interior concept to another’, is the way Gallotti&Radice describe their lighting collection. That certainly holds true for Diantha, a pendant of mouth-blown and painted glass, cascading down into the room, filling it with its leggy bronzed black metal limbs that manage to look gracefully balletic and altogether composed.
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Moooi: The Complete Collection Utilising the vast space at Via Savona 56, Moooi set out to extend their concept beyond the home environment this year to encompass interior settings like hotels, restaurants, lobbies, offices, and bars. Photography by Levon Biss provided the dramatic backdrops. His series of beautifully-lit, high magnification portraits captures the microscopic form of insects from the collections of the Oxford University Museum of Natural History. Scale also came to the fore with a spectacular display of the complete collection of 161 Moooi pendants hung together in a sparkling chandelier, creating a marvellous lighting sculpture.
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MOOOI
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A new chandelier designed by Rick Tegelaar for Moooi
Meshmatics Casting new light on wire netting, Moooi has released an impressive Meshmatics chandelier revealing the full potential of wire netting, ingeniously stretched and moulded into three layers. Its wire mesh structure reflects and diffuses light.
MOOOI
Umut Yamac brings nature indoors in Perch for Moooi
Perch
What is more poetic and elegantly captivating than a bird perched on a branch, flirting, singing and celebrating life? The birds on this pendant are balanced on a metal perch, beautiful and proud, a swinging glimmer of warm light.
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Floral reflections dance in Chalice Lamp by Edward van Vliet
Chalice
The Chalice Lamp captures the essential grace of glass. Blossoms of 24 or 48 tulip-like chalices define the lamp. Thanks to the dimmable LED lamps hidden behind the chalices, light is diffused in a natural way and projected by the copper-plated signature flower at the heart of the blossoms.
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MOOOI
Complex algorithms define Busk by Frank Tjepkema for Moooi
Busk
Busk has come to life thanks to Frank Tjepkema’s fascination with mysterious creatures living in the darkest oceans. Light emitting creatures such as corals and anemones are often fluorescent, or bioluminescent such as fairytale-like mushrooms that diffuse coloured light.
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Bertjan Pot adds new members to the NR2 family of lights.
NR2
Bertjan Pot’s elegant bubble of light, dressed in a fine web of exclusively white fiberglass thread, softly shimmers when illuminated by the integrated LED light source. The lamp subtly incorporates a black or white hat and cable, depending on the style you are looking for. New to NR2 are the small and large pendants and a small floor lamp.
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Melissa Lunardi and Massimo Tonetto team up to create Venicem
Mondrian Dutch master of Cubism, Piet Mondrian reduced his shapes to lines and rectangles and his palette to fundamental basics pushing past references to the outside world toward pure abstraction. It is fitting then, that the Mondrian collection from Venicem bears his name, with its elegant geometry and rectangular form. The Mondrian Glass chandelier features five mouthblown Murano glass spheres in white, amethyst, or smoke- grey and the metal structure comes in a variety of metallic finishes. For more purist Cubanists the LED version has its light source integrated into the frame so that the striking form is simplified.
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VD E IN NOII C CI E M STU V E E TA ML I A
Mondrian Glass detail, left, and Mondrian LED detail, right.
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Urban Turning Arm wall sconce by Massimo Tonetto for Venicem
Urban
This exquisite sconce is characterised by its elongated and elegant arm in brass with a light or dark burnished finish resting on a base upon which it can rotate, illuminating more than one area. The textured metal shade sits over a Murano mouth-blown glass diffuser, which softens the light.
V ENICEM
Numa pendant by Massimo Tonetto for Venicem
Numa
Elegant crystal Murano blown glass trihedrons grace the dark burnished brass frame of the Numa pendant. This new release at Milan 17 has a triangular base and subtle LED light source.
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S T U D I O I TA L I A D E S I G N
Floating bubbles by Chia-Ying Lee for Studio Italia Design
Random Delicate bubbles of varying sizes hang grouped together in Random. The melted blown glass in this unconventional design, creates unique and emotional effects thanks to the use of precious materials and details. The modularity of the range allows you to create an infinite variety of clusters, by combining the crystal, chrome, gold or rose finishes together with ceiling plates of different sizes and shapes, using the handy configurator on the Studio Italia Design website.
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A web of light by Studio Italia Design
Spider A precious pearl individually or majestic when in clusters, the Spider crawls up the wall or across the ceiling then drops down and performs a great number of lighting effects. Each lighting body can be oriented to shine light where it is most required, rotating through a 90 degree range, and is supplied with a generous 4 metres of cable. Spectacularly precious detailing finishes the range off.
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Technical lighting beautifully packaged by Andrea Tosetto for Studio Italia Design
Nautilus
Nautilus offers the ultimate in flexibility when it comes to adjusting the position of the lamp. Not only is it an up/down light, it also separates in two and each part independently rotates. The strong and sophisticated design of this highly versatile and functional wall sconce brings contemporary Italian style to luxury technical lighting.
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Superline, by Fredrikson Stallard for Swarovski
Superline Fredrikson Stallard’s Glaciarium collection is inspired by Swarovski’s complex crystal production techniques and the way crystal behaves in its raw state. The duo realised that the eccentric forms of their bespoke components would be displayed to their best advantage using a rigorously geometrical matrix – either strictly linear or perfectly circular. Thanks to its ingenious mounting design, Superline’s crystal components all face different ways, just like a traditional chandelier. Shivering and shimmering with each passing breeze or movement, this produces an unexpected play of light. Superline makes a superb accent piece in an irregular modern space.
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PAO L O C A S T E L L I
Paolo Castelli carries on the family line with My Lamp
My Lamp Inspired by the style of the ‘20s through to the ‘50s, Paolo Castelli continues his family’s dedication to craftsmanship drawing on a traditional network of suppliers from the local area. My Lamp Suspension is a hanging lamp with a great visual impact, comprised of a significant “bouquet” of venetian borosilicate glass tubes that hang from different heights, bound together by a curved metal band with a unique galvanic finish. Each lamp in the My Lamp collection is handmade and unique, and comes in rectangular, square and round versions.
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Artistic Director Paola Navone presents Brass
Brass 95/96 Gervasoni’s hand-crafted aesthetic is very much to the fore in the Brass 95 suspension lamp. It has an organic, limpet-like shape made from brass with a rough, matte, hand-beaten finish. Taking its inspiration from primitive tribal art, the resulting piece has a rich visual appeal, while its wide, flat reflector helps to create a warm pool of light.
BR I A N K IR K
Mathematical concepts define Brian Kirk’s Moon
Moon
The pendant is inspired by the Japanese notion “komorebi”, which depicts the unique patterns and shadows created when sunrays shine through the leaves and trees. Moon is crafted using specific proportional and symmetrical measurements derived from the concept of 1055.0 - inspired by a haiku and based on the scientific and mathematical equation of light.
K E V I N R E I L LY
Gem by Kevin Reilly brings romance
Gem
Elegant geometry meets outdoor functionality in this latest addition to the Gem family. The Gem wall sconce is an innovative light fixture with a handcrafted metal frame and electrified wax candles providing a permanently burning source of soft romantic light with a natural quality. All outdoor fixtures are fabricated in stainless steel and designed to withstand the elements.
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Bedouin-inspired shades by Joan Gaspar
Jaima
Through the language of textiles, Joan Gaspar has designed a light of flexible, ductile materials that sifts the light as readily as it moves with the wind. This new collection takes its name from the Bedouin tents of North Africa, and is inspired by their varied fabrics and forms.
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Glass globes in multiple compositions by Schwung Home
RD15 8-Arm Chandelier Schwung Home, founded in 2014, might be a newcomer to the design scene, but with the experience of goldsmith Dominique Sente of Belgium and antique dealer Rudi Nijssen of The Netherlands, they bring more than 20 years experience to their new endeavour. Schwung is a German word, and loosely defined, means energy or momentum, of a positive manner, and their products reflect that mentality. Manufactured in Poland, all lighting is made of solid brass, burnished and lacquered to give a warm and timeless aesthetic to the design and durability. Globes are made from glass, thin and light like a soap bell, but resistant and strong like laboratory glass. These globes add a floating sensation, a poetical touch to contrast with the modern architectural lines of the design. This is a common theme throughout the collection, with variations like the articulating elements in RD15 creating movement in the composition of the design.
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Glass Globe pendant, set of 5
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Stockholm table lamp
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Š 2017 by ECC Š for all images remains with the respective photographers and collection holders. www.ecc.co.nz
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Design by inhouse.nz Printed in Hong Kong Front cover: Macaron by Lucie Koldova for Brokis
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