Detroit Symphony Orchestra Performance magazine

Page 4

WELCOME SARAH SMARCH

Dear Friends, Can you remember? The last time you came to The Max, had your ticket scanned, and found your seat? The last time you watched as the lights went down, listened to the orchestra tune, and were filled with anticipation for that first note? As the DSO plays those initial measures of the concert, embrace the moment and reflect on how much you have missed this—how much we have all missed this: being in our world-renowned Orchestra Hall, sharing the experience with others, and taking part in live performances. It’s a feeling that can’t be replicated and has been missing for more than a year. And it’s back. Attending a concert isn’t a passive experience—it’s an engaging and participatory event. Here is where you hear and feel and experience and cherish what makes live music so special, and where you give that energy back to the performers on stage. While our virtual Digital Concerts last season allowed us to stay connected with audiences, our world class musicians would be the first to say that it hasn’t been the same; a central component has been missing: you. You join us at a momentous time in DSO history—the first full season with our magnificent Music Director Jader Bignamini. But you aren’t thinking about history right now. You are anticipating the experience, listening, and soaking it all in. Living in the moment. To be here now—to hear together—is something you’ll never forget. Welcome back—it’s great to have you here.

Anne Parsons President & CEO

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DSO PERFORMANCE MAGAZINE

Mark Davidoff, Chair, Board of Directors

FALL/WINTER 2021-2022


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