Simon Steen-Andersen Praesens (2001) for 14 musicians Dur. 16’30
SCORE
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Simon Steen-Andersen Praesens (2001) for 14 musicians Dur. 16’30
NOTE
NOTE
In its own favour it is supposedly obvious that the ambiguity must not be explicitly ambiguous: not until one is convinced shall it be called in question, the balance be disturbed, the contradictory direction be revealed: - on the one hand an important tilt-question in this music is the relationship between independence of musical individuum/identities, their role in a kind of relay polyphony and the individual’s subordinated role in a quivering unstable (musical) universe being in a kind of plasma-state in which all communication across ‘time and space’ is possible in an continuum of pulse, noise and tone, beyondness and presence. – On the other hand the piece develops - well temporarily quite unambiguous - as a sort of double concerto for violin and clarinet. The music is always on its way to somewhere – but never with only one destination.
I sin egen tjeneste giver det vel sig selv, at flertydigheden ikke må være entydigt flertydig: først når overbevist, skal spørgsmålstegnet sættes, balancen forrykkes, den modstridende retning afsløres: - på den ene side er et centralt vippespørgsmål i musikken forholdet mellem musikalske individers selvstændighed, deres rolle i en slags stafet-polyfoni og den enkeltes underordnede rolle i et sitrende ustabilt musikalsk univers befindende sig i en slags plasma-tilstand, hvor al kommunikation på tværs af ‘tid og rum’ er mulig i et kontinuum af puls, støj og tone, hinsideshed og hersidethed. - På den anden side udvikler stykket sig, ja midlertidigt temmeligt entydigt, som en art dobbeltkoncert for violin og klarinet. Musikken er altid på vej videre, men aldrig kun med én destination.
Simon Steen-Andersen
Simon Steen-Andersen
INSTRUMENTATION Flute (grande & piccolo) Clarinet (Bb) Horn Trumpet Trombone Percussion I Percussion II Percussion III Piano Violin I Violin II Viola Cello Double bass (5 strings)
Praesens
by Simon Steen-Andersen 2001 duration: ca. 16' 30' '
(score in C)
flauto grande Flute (key sound only) 5
air
5
3
5
Clarinet
Cor
Trompet
Trombone
paper
cabasa
(must match dynamics of vl.I)
Percusion I
Percussion II
snare drum (snare on)
whiskers
(no 'hitting sound') (as even sounding as poss.)
Percussion III
'guero'
(light gliss. on white keys with credit-card)
(r.h.)
Piano
=
'" " # !
con sord: ton-wolf Violin I
con sord: ton-wolf Violin II
con sord: ton-wolf
(legn. batt.)
"
con sord: ton-wolf Cello
con sord: ton-wolf
(alternatively heavy sord. ordinario)
3
#
! $
Viola
Double bass
III
pizz.
3
&
"$
(arco sul corpo)
(legn. batt.)
% (arco sul corpo) 3
&
"$ 5
3
$
$
($ $(
($ $(
7
tone
air
Fl.
%
9:8
air
tone
)
)
)
)
) ) "
6
Cl.
")
)
)
air
)
air
#
12
Cor
Trp.
Tbne.
paper
paper
-
Perc. I
%
Perc. II
Perc. III
(plugged)
"
Pno.
* " &
7 Vl.I
Vlc.
+
"
Vl.II
Vla.
'"
)" 3
)"
+
$
) '" # "
3
* " " "
"%
$" &
$"
"
* "
* (
" " ""
"
-
"
-
3
3
) " " " ," " "
(arco sul corpo)
% III * "
(suono reale)
Db.
" %
5
" " % 3
+
$
%
I "*
2
%
%
%
* "
* (
* (
%
%
%
% * (
%
%
%
air
tone
11
," " " "
Fl. 9:4
air Cl.
.///////////
(same dynamic for key sound)
tone
)
) """" "" 12
keys
*
9
( ")
6
Cor
Trp.
Tbne.
wood block
'chop sticks'
3
%
Perc. I
%
% % % %
% % % %
%
%
Perc. II
vibraphone
'chop sticks'
Perc. III
(l.h.) 'guero' ( )
&
"" " " " )" )" 0
"
( )
(plugged)
11
* " " "
Vlc.
+
(arco sul corpo) Db.
%
6
( )
0
'* " + ' " + "5
3
( )
(piano ped.)
Vla.
'guero'
tone
" 1
Vl.II
0
1
( )
%
" )"
2
Pno.
Vl.I
paper
9
" * )" " 3 "
!3
" " " ! 4 "' " "
+ '"
"
)"
+
"
3
"5 " 3 3" 4"
(legn. batt.)
3
3
3
"
) $" & I "* &
$"
4(
4(
"
(
(
3
4
%
%
16 Fl.
//////////////////// "
Cl.
.//////////////////////// " "* " "
tone
tr. rit. & dim.
( )
air
"
Cor
Trp.
Tbne.
%
Perc. I
%
%
"%
%
"%
"%
Perc. II
Perc. III
7 )" %
" %&
" %
Pno.
(piano ped.)
'
(legn. batt.)
16 Vl.I
(arco sul corpo)
%
II
"
Vl.II
III
II III II 3
"
III II III II III II III II ( ) 3
5
(legn. batt.) Vla.
'
III II
" "
(arco) *
"
"
"
.///// ) 4 " 4 " , 4 "* ) 4 " 4 "* "II " ( )
3
Vlc.
4" 4" ) 4" 4"
4"
5
3
Db.
"
4 4 4 4" " 4" " 4" " 4" 4" 4" 4"
4" 4"
3
II I II I
3
+
3
(arco sul corpo)
%
II I II I * * "* " "* " "* "* "* "* "* "* "* *"
I
%
%
3
(arco sul corpo)
%
3
4
21
air
Fl.
'3
very 'airy'
"
Cl.
.//////////////////////
(key sound only)
(air sound only) 3
Cor
"
( )
Trp.
Tbne.
paper Perc. I
3
%
Perc. II
snare drum whiskers
3
Perc. III
2
(plugged)
" &
Pno.
21
"
Vl.I
Vl.II
Vla.
" "
" " %
(dolce)
' " # + " "
(arco sul corpo) 3
3
(dolce)
" %& &
" "
" "* "
"
"
(arco sul corpo) 3
Db.
%
II
" " "
5
I
5
"* *" "* *" "* *" *" *" "* *" "* *" "* 5
7
(reduce bow preasure & crescend left hands movements)
Vlc.
I
senza arco
3
./////////////
III
" " " " " 8888888 8 8 8 8
3
II
(very exagerated left hand movements)
(reduce bow preasure & crescend left hands movements) 3 5
"
"
" " " " " 5
( 8)
(very exagerated left hand movements)
senza arco
88 88 88 888 8 8 3
26
3
"
Fl.
ord.
"
Cl.
.//////////////////////////////////
"
"
Cor
( )
" :
" !
"
"
"
"
"
"
" " ," 5
2
*
(key sound only) 3
"
)"
"
' " +
"
Trp.
Tbne.
Perc. I
Perc. II
Perc. III
Pno.
A 26
senza sord.
""
Vl.I
arco
( 8) Vl.II
Vla.
.////////////////////////////// 9 III IV IV IV III IV III IV III 3 8 8 )8 )8 8 ) 8 " , " " " " "" .///////// arco (II) II II II II III 8 8 8 88 8 8 8 8 )III " " III " III " III II " "III" "" 8 ( )
""
( )
( )
3
5
3
""
' '3 ' <
3
)"" "" """ " " " " " ) "" " #; 3 ' " )" " " " " " " " " # ; ' " " " " " "" " " " 3 ; 3 I II II I
senza sord.
5
" " 6 6 6 (6") 66 ; 7 " & +
Vlc.
Db.
6
3
I
3
" " " 3"
31 Fl.
" " &
Cl.
3
"
" &
"
"
3
"
"
air
3
& +
air
3
& +
"
" " " "
keys
./////////////////////////////////
' "
3
5
"
5
"" " " "
.//////
air Cor
keys
5
6
5
( ) ( )
Trp.
.///////////////
air
3
5
( ) ( )
keys air Tbne.
( )
paper
3
%
Perc. I
Perc. II
snare drum
whiskers
3
Perc. III
Pno.
con sord: ton-wolf
'bow sound' only
31
tone
IV
4%
Vl.I
4%
pizz. 6
Vl.II
tone
5
)"
,"
"
pizz.
"
Vla.
3
3
"%
"""" " "
Db.
" "
3
7* "
pizz.
7" %
4
" " " 3" 3" " " " " " 3
" #
4
'click'
3
%
4
4 4 4 4
4
4 4 4 4 4
I II
"
5
%
4 4 4
" +
3
4 4 4 I
II
3
I II
" %
" ( ") ( ") " I
(
"
)
6
% 7
3
I II I II I II I II
7:4
(arco sul corpo)
' " +
," 5
4
(arco sul corpo)
IV 3
" 5
con sord: ton-wolf Vlc.
'click'
3
tone
' " !
3
keys tone .//////////////////////////////////////////////////////////// ) " "
keys
)
35
( )
( )
6
)
Fl.
3
"" " 6
Cl.
* " " " " "* "* " " " " (poco)
air
./////////////////////////////////////////
air
.////////////////////////////////
Cor
Trp.
Tbne.
crotali arco
" &
3
Perc. I
"
" #
Perc. II
Perc. III
7
3
"
damped
=
#
('guero' gliss. all the way except for high c)
Pno.
'guero'
1
(piano ped.)
pizz. 35
arco
pizz.
"
" +
Vl.I
arco
Vl.II
arco Vla.
" &
" + '" +
3
'click'
" " &
3
) 4 45 4 4
"
pizz. tone
" " " 4
"
arco
4
'click'
arco
3
pizz.
(arco sul corpo) Vlc.
%
(arco sul corpo)
%
Db.
8
*
!
" "" ""
*
' ) '" '" ' ' ' ' '" " "" " "
3 ! ' " # ) "4% ! ! ' ) '" '" ' ' '" ) " * )" " ! ! 5 " # + (legn. batt.) ' &
(piano ped.)
(legn. batt.)
3
&
6
% "4
(legn. batt.)
.//////////////////////// 3 ) 4" " 4 4 & & + (legn. batt.) " & ( )
3
3
'" #
"
39 Fl.
tone
"
Cl.
.///////////////////////////////// " " " " "
(key dynamics:)
air
"
tone
&
(
)
(
)
" &
>
"
> >
Cor
.////////////
Trp.
>
( )
air Tbne.
>
( )
Perc. I
>
Perc. II
>
Perc. III
> =
""
tone
damped
6
5
3
:
Pno.
5
39
)"
Vl.I
Vl.II
Vla.
Vlc.
' )" " ! .///////// 4 & " pizz.
Db.
) '"
'
4" &
)" + 4"
>
4" 4" 4" 4"
>
4" # + 4"
4" % 4" #
+
3
" +
" #
4"
+
4" 4" % +
%
7 )" #
(arco sul corpo)
9
%
4" 4"
4"
4"
4"
(arco sul corpo)
!
4"
+
4" 4" + 4"
4" # +
+
'" " " " " 5
> > > >
+
>
+
*
*
44
>
Fl.
" " " " " " 3
)"
" + poss.!
" " " "" )" )" "" > #
Cl.
" " " " " + poss.! " " " " "
6
>
Cor
Trp.
>
Tbne.
>
con sord.: straight
"
! '
" !
con sord.: straight
3
&
5
"
""" "
!
3
")
(
" #
3
>
Perc. I
roto-tom
use hands
>
)"
= " #
>
"
3
wood block
damp
3
3
5
poco gliss.
timpani Perc. III
use fingers
(very deep)
>
Perc. II
drum-' scale'
(")
3
3
use fingers
3
#
paper
3
Pno.
>
44 Vl.I
Vl.II
Vla.
Vlc.
Db.
>
4" 4" & # > + 4" > + 4" > > >
4" &
4" ) 4"
B
0 4" +
4"
( $) ()" )
+
4"
+ 4" # +
(piano ped.)
7
(approx.)
) 4" #
4" # " " " "
( ) ( ) ( )
II III
IV ( ")
+ ( ?)
3
( ")
I
II
6
?
5
III IV
( )
7
I
" # +
pizz.
10
'click'
pizz.
II III
?
I ( ) II
+
3
)" !
III
)"
"
arco
4
I
" " "* " &
" "
" &
' #
(legn. batt.)
49
air
keys
air
3
3
Fl.
air
keys
air
3
Cl.
keys
3
Cor
Trp.
Tbne.
wood block
paper
paper
finger nails
Perc. I 3
finger nails
3 %&
Perc. II
% wood block
paper
use fingers 3
#
#
Perc. III
#
=""
'guero'
'guero'
paper
3
3
Pno.
(piano ped.)
(legn. batt.)
49
(
Vl.I 3
(legn. batt.)
(approx.) 3
Vl.II 7:4
'
(
3
(arco sul corpo)
(
Vla.
pizz.
3
Vlc.
'click'
+
4
(arco sul corpo)
11
)4 #
3
tone 3
'click'
"
tone
5
'click'
)4 +
Db.
'4 4 + '4 4 # +
4) 4)
4) 4) pizz.
(arco sul corpo)
(
"
3
'click'
4 #
keys
tone
53
9:4
Fl.
)
)
tone
12
)
)
, )
keys
#
9:4
keys Cl.
" )" " ," )" "
)
" ")" " " ) ) " )" "
air
,)
)
keys
12
3
#
keys
Cor
Trp.
Tbne.
Perc. I
drum-' scale' finger nails
%
Perc. II
finger nails (dolce)
fingers
3
5
%
&
3
(finger)
&
Perc. III
'guero'
3
Pno.
53 Vl.I
Vl.II
Vla.
4 4
4 4 4 4
'4 4 + '4 4 +
pizz.
(legn. batt.)
' #
" )" )"
arco
3
3
)" : " # :
)" +
Vlc.
Db.
12
" #
" )" + '" # +
" " " :
(legn. batt.) pizz.
#
" #
"" :
'" +
3
""
+
)"
3
+
pizz.
"
keys
58
5
>
Fl.
"
Cl.
"
" &
3
.//////// " "
air
"
( )
keys
#
> air
3
Cor
keys
>
Trp.
>
Tbne.
> paper
%
Perc. I
paper
&
Perc. II
timpani finger nails
hand/finger
"%
)"
Perc. III
#
%
> > >
"
> Pno.
>
58 Vl.I
"*
" # pizz.
Vl.II
" & " #
Vla.
pizz.
" " "
>
" "5 " " pizz.
"
"
>
"
>
3
(dolce) Vlc.
" pizz.
Db.
"
"
( )
%
"
"
( )
" #
3
(dolce)
% "
> >
13
*
63
"
>
Fl.
"" """
>
Cl.
" #
'" "
"
3
)" " )"
3
3
>
Cor
>
Trp.
!
air
Tbne.
>
Perc. I
> %
!
!
paper
>
Perc. II
snare drum
>
Perc. III
+
sticks
%
% A
>
+
>
Vl.I
Vl.II
Vla.
@B
>
C
II
)"
> >
3
scratch on string
Pno.
63
!
air
senza sord.
>
)"
! '" # +
)II" &
senza sord.
"
) ""
Vlc.
Db.
>
)
!
pizz.
)" & +
" &
(quick string change covered by ensemble forte)
> (" )
' "
)
II
14
)" %&
(dolce)
./////////// "
(" )
5
, ") " " " " "
' "
67 Fl.
" "
Cl.
3
"
'" " "" " " " " " )" " "
3
.///////////////////// air
keys
'" #
"
tone .//////////// keys
" ) '"
"
>
( )
*
(")
12
>
5
.////////////////////////////
tr. rit. molto keys
Cor
( )
keys Trp.
.//////
> >
( )
air Tbne.
>
( )
Perc. I
>
Perc. II
>
Perc. III
> damped 3
'
'guero' on black keys
' #
Pno.
2
plugged
&
> >
1 """ " " "
67 Vl.I
con sord: ton-wolf Vl.II
con sord: ton-wolf Vla.
I Vlc.
+ 5 )" " " " )" )" 3 + )" " " " +
5 " 3
" " " " ,"
3
" )" "
' " ")" "# ) " " " )" 5 ! '" 3 " " # " " " " 3 ! '" " "" " # 5
3
3
" ! 5
3
"
!
> > > "
"
"
)" &
> >
Db.
15
72
>
Fl.
.//////////////
keys
>
Cl.
*
(" )
///////////////////////////////////
tr. acc.
>
Cor
con sord.: straight Trp.
>
Tbne.
>
" &
'" #
#
"
.///////////
keys
air
)" +
( )
air
( )
con sord.: straight
" wood block
" +
3
> > > > >
( ")
'chop sticks'
>
Perc. I
%&
>
%
guero Perc. II
>
Perc. III
>
paper
vibraphone (l.h.) (r.h.)
>
=
'guero'
'guero'
(l.h.)
&
" "
0
'guero' on black keys
'" #
damped
Pno.
>
72 Vl.I
Vl.II
Vla.
> >
0
Vlc.
>
Db.
>
"" 1
(
")
senza sord.
" & + "
" &
" &
+ '" # ! * '" # !
() " )
tone
" ; "
&
(legn. batt.)
? &
pizz.
3
&
(legn. batt.)
5
3
(legn. batt.)
3
pizz.
? &
3
? #
&
? ? ?
pizz.
0
'guero'
> #
>
D
(legn. batt.)
? #
>
(")
(r.h.)
> >
>
%
> ?3 ? ?
3
>
(legn. batt.) pizz.
? ? ? 5? ? ? ? ? ?
5
> > >
16
)" &
77
>
Fl.
///////////////// tone
>"
Cl.
" &
" &
>
Trp.
) '" " " " " " " "
' " # +
>
Tbne.
"
2 2222 5
Marimba Perc. I
>
Perc. II
> vibraphone
>
Perc. III
>
=
' " # +
plastic rods 5
3
" " "
" )" " " " " " " " " !
plastic rods
" """"""
!
7:4
3
" 3) "
7:4
"
"
3
" " 3) " 3 "
" "
"
"
5
3
(senza ped.)
damped
tone " 3
3
5
7" " "" "" " "
Pno.
7:4
>
77
Vla.
5
3
con sord.: straight
'
quasi/half slap tongue
Vl.II
" &
>
Cor
Vl.I
"
>
)"
>
>" >
)"
3
&
senza sord. Vlc.
>
Db.
>
0
1
(piano ped.)
' "
! ' " # ! '" # ! 7 " & !
"""""
" #
5
" " " "
"
5
)"
"
" # :
pizz.
"
"
5
"
"
"
"
"
"
" #
3
3
) '" &
" #C
pizz.
con sord: ton-wolf
$" #
4" 17
4
" & .///////// " )4 & ( )
81 Fl.
" & )" "
Cl.
3 )" " " "
"
5
" )" )","" "
3
' " #
" 3
"
' " #
"
Cor
Trp.
Tbne.
crotali arco
)"
Perc. I
"
" #
Perc. II
Perc. III
7 2 )"
plugged
Pno.
con sord: ton-wolf
81 Vl.I
" ! '
pizz.
" #
Vl.II
Vlc.
Db.
)" "
Vla.
6
"
////////////////////////////// +
" ! ' )" !
4 44 4 44 4 44 4 44 4" 4 " " " "
pizz.
" 6
5 " ! "5
! " & +
"
" + '
" !
" arco
" 3
" " " 6 6 6 6" ! ) '" '" , '" ) '" ' " ! 4"
3
18
! ' "
! ' " # +
"4 + '4 " #
) " 7" &
)"
+ 37 ) " (approx.) )" #
" +
pizz.
( )
3
" & +
(gliss. poss.)
.//////////////////////// "4 3 " " & (
)
" "
./////// " )4 (
)
86 Fl.
>
Cl.
>
Cor
>
Trp.
>
Tbne.
> )" " #
Perc. I
(damp)
"
"
arco
"
"
" &
> >
Perc. II
glockenspiel Perc. III
)" &
> ) 2" " > #
7 )
7 )"
&
(plugged)
) %
Pno.
>
1 86 Vl.I
Vl.II
.//////////////// " " & &
"
I
II I II
"
" '"
5
5
)"
! " tone )"
3
" )4 3 "& +
I II I II I
+ .//////////////////////// )" )4 )" 5
)
"
5
)"
(
Vla.
pizz.
"
3
pizz.
5
5
" +
3
" (same gliss. speed)
pizz.
"
3
5
>
"
>
(gliss. poss.)
3
('click')
> >
Vlc.
>
Db.
> 19
('click')
tone
(gliss. poss.)
5
('click')
D5 D D
D #
+Dposs.! # + poss.! D #
+ poss.!
92 Fl.
>
>
Cl.
>
>
Cor
>
>
Trp.
>
>
Tbne.
>
>
Perc. I
>
>
drum-' scale' medium soft sticks
>
Perc. II
glockenspiel
>
Perc. III
7
%
" >%
%
%
%
% %
%
)"
>
'" #
%
>
>
Pno.
>
92 Vl.I
>
0
>
arco
>
arco
) 4" )4
) 4" 4"
4"
>
Vl.II
>
Vla.
>
>
Vlc.
>
>
Db.
>
> 20
>
piccolo
98
>
Fl.
Cl.
>
Cor
>
Trp.
>
Tbne.
>
"
" +
> %& %
Perc. II
!
3
>
Perc. III
=
' ) ""
>
Vl.II
Vla.
> >
Vlc.
>
Db.
>
con sord.: straight
) 4" +
) 4" %& 4" #
4" %
4"
senza sord.
)"
"" ! IV
(
"
III
' " ; IV III IV III 5 '" ") # "
3
II
'" #
" " )" !II (gliss. poss.) 7IV* " )" ! ! ( ) ( )
7
+
) 2" 3
"
(Touch string light with pencil)
2
(plugged)
" 1
"
s.p.
!
senza sord.
senza sord. arco
3
) " " " " " " " " '"
Pno.
4" > # +
*
(" )
3 (damp)
" !
>
3 A
"
.///////////////
timpani
>
98
"
crotali
>
Perc. I
Vl.I
"" ) "3
+ 5A 7" " ' 3 " " " A + * 2 ' " " A +
'
3
"
" " "
s.p.
III
( (
"" ) ") ;
21
II
I
&
3
(gliss. poss.)
" &
(dolce)
" 2" " A3
) ""
piccolo
103
'"
)"
Fl.
Cl.
2 "
Cor
.////////////////////
keys & air
" +
Trp.
(
)
+
Tbne.
Marimba
plastic rods 5
7:4
3
" " "
" ")" " " " " " " " +
Perc. I
"
3
3
"
"
3
"
)"
"
"
Perc. II
Vibr.
plastic rods
3
3 3 " " )" ," 3
7:4
" "" " " " " +
Perc. III
(senza ped.)
," "
= )"
Pno.
' " 0 103
Vl.I
Vla.
" ;
Vlc.
Db.
; "
; 7* I " & ;
)" tone
)" %&
" damped
" %
)
+
=" "
'guero'
+
+ = )" " " "
E
Senza sord.
" ; ' "
3
"
"
) "4%
" "
senza sord. Vl.II
5
"
5
+
""""" + """""
2"
+
) 4"
4" %&
) 4" " %
" A
"
5 5
IV
3 "* #
"4 "
3
"
" " " 7
) 4"
"
7 * " # A
" %&
5
pizz.
3E "
(legn. batt.)
)" " #
pizz. 3
)"
5
3
(hit open strings with palm) (no tones sounding)
(hit open strings with palm) (no tones sounding)
22
+
? # +
3
) "" &
pizz. 3
"
3
" " A
106 Fl.
F >
>
Cl.
>F
>
F >
>
>F
>
2
' "
Cor
Trp.
5
3
" " )" " " " ," " +
Perc. I
>F
3
"
"
3
5
" " " " " " )" ," "
Perc. III
+ = " &
Pno.
' "
3
)"
Vla.
Vlc.
Db.
"
"
" ; "
; "
; 7* IV " &
;
"
1
" """ +
" "
) 4"
3 " >F >F
" """
+ 2"
+
" " 73 "* #
>F
" " )" ) " " ") " ) " ) " ," " " +
,"
") " ) " >
+ ) 2"
(plugged)
"
" )"
3
"
"
4" #
3 E " ) ""
" 3 " ) "# #
III
7* 5 " #
pizz.
" 3 #C
)" #
" ; ' " ;# " ; "
; 7* " & ; 23
, ")"
3
"
)" >
"
(pencil jump on string)
' " 0
) 4" " & ) 4" #
" " " " " "" " &
(2+3)
3 " 3) " "
3
7:4
"
>F >F
7:4
3
>F
F >
3
>
" >F
3
" ;
"
F >
106
Vl.II
5
> 5
5
F >
Perc. II
6
'" #
" " #
F >
Tbne.
Vl.I
con sord.: straight
"
3
" 3 2" &
)"
>
"
)" "
A2(plugged) " >
>
1 5
) "4 5
" + 2"
"
+
.///////////// " )4 (
)
s.p.
" " ) 4" " > )" " A A 6 " )" " > #"
+ "" """ 5
"4 " " > 3 #C"
" # 7 3 A* * " III ) "
A
> >
)"3 " # # 3
""
3
= "* I #
piccolo tone )"
"" " )" "
110
Fl.
+
9:4
)" "
tone
Cl.
+
""
'"
tone
air
)
A
+
air
>
+
>
+
2
+
'" # A
Trp.
>
" A
>
'" #
Tbne.
5
"
Perc. I
'
"
Cor
5
3
3
"
7:4
" " ) " " , " ") " " " , " " ) " , " ) " , " +
)"
"
> "
"
3
"
"
3
"" "
" ," "
>
Perc. II
=
3
3 "E
3
"
Perc. III
"
+
"
2"
Vl.I
& +
3
Vl.II
Vla.
"
! "
" " "
)"
3
"
ord.
! '"
"2
)"
Db.
"
(arco sul corpo)
% ! "
! +
" ""," " "," )" " +
"
"
)"
5
" 5
7
3
* " #
)"
(arco sul corpo)
% !
7 )"
"
5
E "
"
" ;
4" &
2"
2"
"
+ "
; ' " ; '" # ;
+
24
"
"
"" # A
A
" " " #
" A 7
> >
s.p.
A A
3
" "
4"
"
" )"
7 )" "
>
(plugged)
1 ) 4"
"
" " " " ," "
A
' "
" ;
)" "
" )
3
x.s.p. Vlc.
3" 3
(plugged)
0 110
3
7:4
3
" )" "
Pno.
/
>
"
3 4" "
5
" #
A
) 4" &
E 3"
" ) ""
> 3
)" + '"
+ " '" & # !
>
"
" A
"
5
> > >
Fl.
>
Cl.
>
Cor
>
+
'" > # A
Trp.
Tbne.
>
Perc. I
>
Perc. II
>
"
Vla.
Vlc.
7 )" " " " " 3
>
!
Db.
>
,"
" )" 7
)"
7:4
)" " "
"
"
"
)"
" ""
=(plugged) ) 2" &
"
3
7 ""
A
3
) '"
3
4% 4% " " " " " 4" & A ) " 4" 4" "
! ) '" + ) '" " 5
" #
" # " #
3" 3
" ""," " "," +
)" "
"
) " " tone" %
3
"
"
)"
' "
5 "
" #
3
7:4
0
+ ' " ) 4" 4" > # ! + 5 " " > & + >
3
" " )" " ," " )" " " ," " )"," )" ," +
3 3
" "
>
Vl.II
"
"
5
Pno.
>
5
5
3
"
"
"
>
113
'" #
"
"
>
Perc. III
Vl.I
'"
)"
piccolo 113
! 7
5
" # IV
"* &
A
"4
A
4" &
) "" "
) 4"
(sounds 2 oct.+sept. higher)
"
3
4 "
4" #
"4
" 25
" """ " +
"
" """ "
" ;
; "
"4
"
' " # ;
"
; 7 * " & ;
6
5
+2 " +
" "
5
"
"
"
" "
3
"
5
7 * III ) " #
"4 A
A
117 Fl.
>
F >
Cl.
>
>F
2
F > "
>
Trp.
>
Tbne.
>
F >
>
F " )" > #
>
F >
>
" >F #
"
Perc. I
"
"
3
"
"
Perc. II
"
Perc. III
E "
"
= )damped
A
Pno.
pizz.
? ?5 ? ?
Vl.I
Vl.II
"
Vla.
(legn.<batt.)
5
"
+ < " + "
(legn. batt.) Vlc.
(legn. batt.) Db.
G
!
" #
+ (legn. <5 batt.) ) 4" + " "
5
" )" " "
=* II "
3
4" #
3
>
>
7 *3 " # >
( )
5
F >
)
) 4" #
>F >F
3
7:4
" " ) " " , " ") " " " , " " ) " , " ) " , " +
)"
2"
(2+3)
+
0
7
" II ( ") ( ") " I
(
;
2"
&
(
)
3
III
") (" ) (" ) "
" #
3
" A
&
7
III III II I IV
)"
"
= "* # 3
26
"
" ;
; "
x.s.p.
"
7
" III
* )" #
3"3
)" "
)" %
tone
"
" #
! "* &
;
2
" +
"
+
)"
damped
' "
" ; ' "
) "" (approx.)
" " " ," " " ," + " &
3
3
7:4
" ) " " " " " " " '" & >F # 3 +
.////////////////// ' " )4 " > >F # ! '4 " " " > >F & 3 ! " & F " > > ! (
keys ./////////
' "
"
F >
>
1 117
>
5
'" >F # A
"
tone
3
keys
keys
Cor
3
'" #
)"
piccolo
3
)"
"
"
) "" "
"
5
" A
=* I " #
121
"
5
Fl.
""
)" 3
+ 5 7 " "A ' 3 " " + A *
Cl.
///////////// Cor
" A
keys
" 6 A
Trp.
" +
( )
"' #
"
Tbne.
3
" "
Perc. I
2
'
"
"
3
"
5
3
"
7:4
" " " )" " ," " )" " " ," " )" ," )" ," " +
"
3
"
"
3
,"
"
Perc. II
"
Perc. III
3
"
"
= Pno.
Vl.II
Vla.
Vlc.
Db.
" '" #
)" %
+
'guero'
2"*
121 Vl.I
3 E "
! ' "
!
"
'4 " #
) 4"
"2
!
"
A
! '"
"
3
"
)" " A 7
III
* " #
)" "
"
"
"
5
" ;#
" +
" ;
" +
s.p.
(
; )"
)"
; " & ; 7 "* & ;
+
"
5
(gliss. poss.)
"
A
4"
5
II
x.s.p.
"
" )" =
27
" " " "
) ( ) ( )
3 "*
) 2"
"
) '"
"
"
Vibr.
3 E "
"
"
IV III II I
2
"
3
glockenspiel
)" A
)" & +
'
"
3
" " " ," " " ," +
3" 3
' "
) ""
"""
3
7:4
) 4"
*A "I A
+ ) 2"
! )" +
"
"
"
5
3
"
)"
"
,"
" (dolce)
%&
) 4"3 4" ! = *3 * " "
Fl.
F >
Cl.
>F
2 '" # A
"
Trp.
)"
Perc. I
>
+
on mouthpiece
>
D
>
+
'" # A
>
air
>
+ 7:4
3
" "
3
)" ," " " >F " " " " " , " )" ," )" " " )" ," " + 3
5
"
"
3
"
"
F >
Perc. II
" &
"
Perc. III
= " &
)"
7:4
" " " " " 5
3
) 4" % A
Vl.II
A
.////////////////' " 4 "
)"
4"
()
) 4" 4 4" ) " "
4" %
x.s.p.
3
Vla.
! 2"*
! '"
!
) 4" # 5
=* " #
" & !
3
) ""
"
"
"
)"
"
"
3 E "
=2 )" +
+
>
> >
(2+3) 5
" " " 3 >F " ; "
)" "
3
"
3
F ' > "
124
3"3
3
) " " " '" >F
F >
> >
>F " " " , " " " , " +
Pno.
Db.
"
air
F > " &
tone '
+
>F
Tbne.
Vlc.
+
F ' > "
"
Cor
Vl.I
air air )" " " )" " " & ) 9:4 A + tone + )" " (blow) into instr. " " air on mouthpiece D
tone
piccolo
124
"
2
>F " ; ' F> " # ; " F> & ; 7 " >F & ;
" "
)"
" 5
" """ " 28
+
"
! ' "
" " ) ""& " )" A 3
" + +
2"*
"
5
! "
(arco sul corpo)
" % # ! 3 " " # #
(arco sul corpo)
% !
! )" " 3
I
=* " & !
4" ) " ) " ) 4" % 3 + A " " " " " 5 + 2 ) " (sounds 24"oct.+sept. higher) 4" % + 3 4 ) 4" " A
> > > > >
127 Fl.
>
F >
>
Cl.
>
>F
>
" &
Cor
>
F >
>
* ' " #
Trp.
> >
Tbne.
Perc. I
>
Perc. II
>
Perc. III
>
"' #
7:4
>
>
127 Vl.I
Vl.II
Vla.
Vlc.
Db.
=
>
)"
> >
3
3" 3
! 2" # ! '"
" # )"
!
) "% ;
)" +
" ;
" +
7
'" # ;
" %& ;
" >F "
3
"
"
'"
" & + '" # +
F >
"
+ '" #
5
4 F> &" ! >F 29
E "
" " " " " " '" # +
(3+2)
' " >F # ! * F> 2&" ! '" >F #
"
3
5
3
> " " " " " ," )" )" ," )" " " " + >
3
" #
" &
F >
" )" >F
) "" &
3
"
"
'" > #
"
F >
3
3
"
" >F " "
' " " '"
)"
) 4" > & >
3
" ""," ""," )" " + 72 = " " & #
> Pno.
3
" " )" " ," ")" " " ," " " " +
"
>
F >
5
)"
)" +
'" >F # A
" "
2
" &
" " # +
" )" " "2 &
3
) "" "I II III IVIII s.p. ( " ) ' ( ") " ( ") # ; 3 s.p. " )'" " # A ! " " # # A
7:4
> " " " " ""," +
)" " 3 " 3 " 3
> ' > "
>
; ' > " # 2* > " ; > "& ;
> " 7;* IV " > &
;
" + ord. ) ""
"
"
" ) "&
A
" " "
)" #
3
3
A A
131
piccolo
Fl.
" &
Cl.
" )"
5
3 )" " "
"
" "
) '" # +
F > >F
+
2
' "
"
Cor
'" # A
Trp.
F > " '"
"
"
2
"
" >F & "' F # >
Tbne.
'
'" # !
" ;
senza sord.
3
" "
Perc. I
"
"
5
3
" " )" " ," " )" " " ," " +
"
"
3
"
Perc. III
"
" =
Pno.
131 Vl.I
Vl.II
Vla.
Vlc.
Db.
!* 2 "" &
' " # !
" & ! * " # ! 7 )"
'" ! " )"
"
)"
" " " ," " " ," +
)" "
)" & +
"
) "3
)"
"
"
"
6
" 5
3""
3
3
" A
"
"
A A
" )" )" ; " ; " ; " ; '" # ;
"
"
" ! 7 )"
)"
"
30
(3+2)
>F &
!
A !* '"
" )" >F + F ' > "
F >
)
3
" &
"
)4 2 " " " " ) "" ! A .////////////// " )4 " " (
gliss.
" " >F )" + poss.!
A
' "
" &
F >
Perc. II
7:4
gliss.
" " " >F " ," + poss.!
"
@
+
3
>F " !
>F ) " ! >F
'" F> # ;
" &
! ""
'" # '
"
; "
;
) "4
3
"
*
"
"
"
"
) 4"
' " 6 6 6 6 , 6" " ; '" "* " & # # ! ; 7 " & 5
.///////////////// " "
piccolo
134 Fl.
+
Cl.
Cor
Trp.
Tbne.
' " @ + poss.!
Perc. I
guero Perc. II
%
F
134
Vl.II
)4
./////////////////////////// " " )" " " , " )" " " " " " " ( " )
7 "
" !
( )
( ) ") ( ") ( ") )"
H
() ") ( ") ( ") )" ! () " ) !
") ") "
III II
&
! 7 I ' " #
%
)"
'guero'
F
"
# +
3
!
5
(gliss. poss.)
II
III
III II I
&
12
!
( (
V
A
damped
tone
7:4
(V string tuned down 4th-5th)
Db.
=
4" #
Vlc.
guero
%
4" #
Vla.
% +
gran cassa
)" %
; ' "" @
Pno.
%
# +
gran cassa
%
drum sticks
(so fast that one hears a tone)
+
Perc. III
Vl.I
wood block
)
+
(gliss. poss.)
6
V
(gliss. poss.)
H 31
*
piccolo 138 Fl.
)"
" , ") "
' """
+ "5 " ' 3 )" " +
Cl.
.//////////////////////// "3 "* " A
> >
( )
2
* "
)"
3
Cor
A
' "
con sord: harmon
"
Trp.
2
) '" #
> > senza sord.
Tbne.
>
" & +
Perc. I
> wood block medium soft sticks
Perc. II
%
%
> >
Perc. III
7
2"
(plugged)
3
" %
"
!
Pno.
" 6 138 Vl.I
"
)" ( ) ") ( ") ( ") )" 7:4
Vl.II
Vla.
Vlc.
Db.
'"
( (
() ") ( ") ( ") )" ! () " ) !
") ") "
III II I
5
!
(gliss. poss.)
II
III
III II I
7' )"
+
(gliss. poss.)
#
5 ) "" ) '" # !
)" !
0
1
' ' '5 ' ' ' x.s.p. ' 3 " )" )" ) " " " " " ! ! s.p.' ' ' ' ' 3 " " " )" )" " ! ! " 6 ! '"
" &
! 7" & !
6 (gliss. poss.)
32
") "
" &
3
" " " " " 6 6 6 6 6 '" ) '" ) '"
pizz.tone
" A
pizz. II
5
pizz.
" !
(gliss. poss.)
5
tone
"
3 A
5
" > )" " >
5 .///////////////// ' )" > )" ! .////////////////// " '" ord. > # ! 'click' 4 (gliss. poss.) > 3 ! 'click' 4(gliss. poss.) !
> >
142
keys
>
Fl.
.////////////////////////////////// F >
keys
.////////////////////////////////
>
Cl.
>
Cor
"
+ poss.!
Trp.
>
Tbne.
>
Perc. I
>
Perc. II
>
> Pno.
>
>
142
Vl.II
Vla.
")
6
6
" @6 paper
Vlc.
>
Db.
>
' >F !
gran cassa
sand paper
%
!
!
) "" 6
"" @
%&
? #
>F ""
#
A
#
"
&
F > >F
5
>F
3
>F V ( )
!
3
A + poss.! damped 1
(gliss. poss.)
33
>F
I
?
(3+2)
>F
(legn. batt.)
arco
whiskers
F (with very hard pressure) >
3
(legn. batt.)
snare drum
>F
%
>
>
" A
)"
F >
(legn. batt.)
>
*
F >
3
" 6 6 6 + poss.!
2
>F
( )
>
Perc. III
Vl.I
keys
( )
F >
@ ./////////////////////////////////// (
.///////////////// " "*
>F
&
3
#
#
3
II III
s.p. 5
)"
IV
' )" ; ' " ! III
)" & +
piccolo
146 Fl.
Cl.
keys
5
3 " " ) " "" " 3 " + ) " tone ) " " " ./////////// " "" " " " A3 + A
air
10
+ A tone keys ./////////////////////////// air " ) !
'
air
)
air
on mouthp. into instr. 3
'
D
( )
"
") " ) ""
>
'
>
"
2
*
Cor
'
"
air (blow) into instr.
" +
on mouthpiece
D
Trp.
air
(blow) on mouthpiece
D
Tbne.
'
Perc. I
'
sand paper
'
Perc. III
'guero'
sand paper
7 (tone) '" #
2"
(plugged)
+
Pno.
146
7 "*
% !
(arco sul corpo)
% !
(arco sul corpo)
% !
(arco sul corpo)
'* " # 7+ .////////////////////// " )" !
arco
) 4" &
4"
> >
0 '
"
'" #
!
+
arco
(arco sul corpo) Db.
34
4" &
4"
ord.
" !
'4 "
+ =* " I %
" ! " !
"
"
'4 "
!
!
"
x.s.p.
3
Vlc.
(ord.)
1
@
( )
(arco sul corpo)
>
+
scratch on string
0
Vla.
>
> sand paper
Vl.II
>
>
Perc. II
Vl.I
>
x.s.p.
"* %
"
!
> > > > >
151
>
Fl.
'
piccolo
!
on mouthp.
!
' >D ! ' >D !
Trp.
Tbne.
D
>
Perc. III
3
5
I !
guero
+
gran cassa
%
A
sand paper
!
I & !
%
A
Pno.
>
3
2
() " ) & A
"
+
3
> >
> "" A
>
")
" + ' " # ! )I"II IIIIV
"4
V
;
pizz.
(ord.)
5
"4
' "4
=* " %&
II
H 6
" # A
% ;
3
3
(arco sul corpo)
% ;
"* %&
3
(arco sul corpo)
% ;
3
(arco sul corpo)
35
% ;
3
0
(arco sul corpo)
"
(arco sul corpo)
(place whole hand on strings...)
Db.
"
A
pizz.
>
>
(
"
1 s.p.
s.t.
Vlc.
2
(ord.)
)"
%& % ! 7(plugged) 3 2" (ord.) " & &
(senza ped.)
151
Vla.
I
!
>
Vl.II
! ' D !
D
(gliss. on strings with fingernail)
Vl.I
"
!
sand paper
>
Perc. II
) "5 " 3 )"
'
3
3
>
Perc. I
") " )" " 3
I
!
3
"
!
3
5
!
!
3
3
air on mouthpiece into instr. (blow) into instr. 3
>
Cor
) !
! '
into instr.
>D !
Cl.
6
3
4" +
% ! 3
% !
% ! % ! % !
9
5
growl
7
155 Fl.
(into) (on) (into)
growl
3
Cl.
;
D
" !
(ord.)
"I%
Cor
2
*
'
" A
" +
+
+
+
+
+
+
+
+
3
"" ""
;
Trp.
senza sord. Tbne.
+ sand paper
5
Perc. I
9
53
9
@
"
93
5
' "
+
5
+
drum-' scale' 3
Perc. II
A
timpani
"
Perc. III
5
)"
+
Pno.
@ '
x.s.p.
155 Vl.I
"
" !
Vl.II
s.p.
(arco sul corpo)
" )"
4"
% !
(arco sul corpo)
%
" !
(
III
"4
' "4
")
IV 3
" ( ")
Vlc.
Db.
" !
( ")
) """) II
(
III
( )
36
IV
' " ;
' "
=
damped
3
%&
%
'4 " "! II ( ") () " )
tone
'" #
+
"
;
IV
Vla.
"
6
pizz.
?3 ? ?
III
+ ?
pizz. ? ?
3
+
3
" II IIIIV ( ") 3 () " ) (") # + 3 " )( " ) ' ( ") ( ") " # 3 ; ' " " # +
4"
(arco sul corpo)
% +
3
%
(arco sul corpo)
% 3
% (arco sul corpo)
% A
%
'4 "
+
159 Fl.
multiphonic
BBB BB I !
Cl.
3
"
3
" " A " " 3 " )" ! * 5 )" 6 +
+
(must be 'dense' and 'quarter-tonal')
+
2
" +
Cor
+
) '"
5
" > )" " " 3 A + " )" > " " )" A
+ +
> "&
+
con sord: harmon
Trp.
+
+
+
+
+
con sord: harmon
" &
Tbne.
5 9 sempre
sand paper
%
Perc. I
%
3
% +
+
5
sand paper
%
Perc. III
% +
3
"""" """" !
Pno.
9
5
+
"""" )" " " " 3
Vl.I
7 )" ,"
!
%
s.t.
) 4"
"" "I !
5
)"
" !
"
s.p.
Db.
" #
" # A
+ 5:3
)" ! s.p. " !
"4 6 +
" "
' "
"
' " '"
;
%
;
s.p.
)"
37
5
"" ," A
>
)" 6 +
IV III II 5
33 )("" ) )( " )
>
") 3 ( "" ) 4 " )" ! ' " # !
I
III II
III
A
II
"
I
" ># +
(gliss. poss.)
>
" &
(gliss. poss.)
>
( ) ( )
" " ) ""
(piano ped.)
> "4 (
%
%
>
"
"4
% ;
s.p.
Vlc.
" # A
>
>
% +
(all 3 strings sounding simultaniously)
159
Vla.
> "&
A
>
Perc. II
Vl.II
>"
""
3
>
% ! "4
% ! " #
7
" "" " "
162 Fl.
F >
>
F >
Cl.
>F
>
>F
2
*
Cor
F" > >F
Trp.
Perc. I
>F
Perc. II
F >
Perc. III
>F
3
%
%
%
Pno.
162
Vl.II
Db.
>
"
"
2"
"
2" &
" A "*
F >
>
>F
>
F >
> %
%
" A "*
%
3
%
F >
> %&
9 5 sempre 3
>F
>
3
3
&
%
>F
>F
>
>F
F >
>
F >
>
>F
F >
>
(2+3)
>F %
% !
%
%
%
%
%
>F %
%
> %
%
%
>F
%
%
>F %
%
> %
%
%
>F
" >F
"
"
"
"
>F "4 A
) "4
> "4 A
"4
) "4
% !
Vla.
Vlc.
" A "*
+
F >
Tbne.
Vl.I
"
% "4
x.s.p. left hand: half pressure
9"
) "4
>
38
" &
"
"4 ) "4% A
>F >F
167
flauto grande
Fl.
F >
>
Cl.
>F
>) "
"
"
Cor
F '" ># +
2
* " A
2
2
>" +
Trp.
>F
>
Tbne.
F >
>
Perc. I
>F
Perc. II
F >
>
Perc. III
>F
>
Pno.
3
%
%
>
F >
>
(3+2) s.p.
" " )4 " ," F > "" ) "4% " ! 3 4" s.p. F> ) 4" ) "" %& & %
2"
167 Vl.I
Vl.II
Vla.
)4 >F %"
Vlc.
'" >F # +
Db.
' >F "4
4" #
&
' " # s.p.
" &
" A * "
" 3
3
>
>F
F >
"
"
% %
%
%
3
3
#
%
>
G
' " >" ! ' " >" ! '" " & ># ! half press. " x.s.p. > + 7 "* III >
3
3
39
" &
"
"* &
"* & A
% % +
%
%
% % +
%
%
ord.
=
" &
171 Fl.
Cl.
" + quasi solo (slap tongue) ./////////// " *" " 2" + poss.! ( )
3
A .///// (on) 3
"
* (")
D
" growl
"
"
3
"%
)" A 3
"I
(flt.)
3
" (flt.)
" "
" "%
./////// ) "
,"
"
(")
)" " "
5
)"
"
3
3
A
(on)
+poss.!
Cor
3
gr.
5
3
D
"
3
" A
3
Trp.
con sord.: ' Cup'with filt
"
"
Tbne.
"
3
'"
"
A %
Perc. I
A
3
%
," &
3
3
"
"
'" #
! 3
3
%
Perc. II
3
%
Perc. III 3
%
%
3
%
3
%#
Pno.
171 Vl.I
Vl.II
%
%
3
%
%
3
con sord. Vla.
3
poco s.t. (until otherwise indicated)
'" #
" # A
Db.
= '" # ;
4" &
'4 " # +
%
%
%
%
%
"
" &
A 3
Vlc.
3
3
'" # ;
" 3
% +
%
%
% III
40
7* " & A
"
%
3
" &
%
"
%
growl
175
"
Fl.
"
.////// " ) " "* ) " " 2
Cl.
"
Cor
.////
gr. 3
" )" "
( )
" " A
"
"
"
gr.
(on)
,"
( )
"
J
"
"
3
"
" .////// ) " " " 2"
3
"
" )" "
" A
)"
'"
" &
)"
( )
"
" gr.
" "
3
+poss.!
"
"
(on)
3
" )" " J " 2 " A
3
3
"
3
Trp.
" # A
Tbne.
%
Perc. I
%
A 3
%
) '"
" " A
3
A
' # +
3
! 3
3
3
%
Perc. II
3
3
gran cassa
3
%# %
Perc. III 5
%
%&
%
Pno.
175 Vl.I
Vl.II
%
%
3
%
II III II III sempre
)"
Vla.
A
3
Vlc.
Db.
%
7" #
""
7
6
" &
% % % .//////////////////////////// 3
(III)
6
%
3
%
"
3
+
'" ! 3
" &
+
3
7 "I & 41
;
( ")
"
% %
"
&
%
%
3
3
%
" & A
(gliss. poss.)
%
3
3
4"
3
4" #
% *
V
H
180 3
Fl.
Cl.
" A
3
"
.////3 " )" " " ," )" 2 + poss.! ( )
" gr.
(on)
" A
3
5
" " 2"
" " " )" J )" )" " 2"
F >
3
"
"
" "
(on) 3
" " " " +poss.!
5
Cor
A
A
3
Trp.
"
" &
Tbne.
%
Perc. I
%
" "
" &
A
"
"
)"
A
5
3
"
3
3
) '" F # > >F
3
3
*
F >" >F
3
3
>F "
3
%%
%
#
&
%%
%
%% +
%
3
F >
Perc. II
3
%
Perc. III
%& %
%#
>F
3
3
3
>F Pno.
F >
F >H
180
>F
Vl.I
Vl.II
Vla.
Vlc.
%
%
"
"
%
%
7 .////////// 3 " " " # ( )
Db.
(3+2)
H
;
>F
3
"
"
3
3
" 3
" &
'" >F # +
" % % "*
7 * III "
A 42
% "*
3
"*
>F >F
3
3
3
3
185
3
3
3
3
Fl.
Cl.
2
" +
Cor
con sord: harmon
Trp.
"
"
3
" con sord: harmon
Tbne.
"
Perc. I
%
wood block
small triangle I Perc. II
" #
3
3
3
"
'chop sticks'
A
# paper
Perc. III
2 2?
(ad lib. between tuning pegs and string 'stops')
2"
3 3
&
#
? #
'guero'
#
Pno.
quasi solo
Vl.I
+"
") ( ") Vl.II " senza sord. ( ")5 s.p. III( " ) " Vla. s.p. IV(
"
Vlc.
!
I
"
)"
""
!(gliss. poss.) ) 4" %& ;
ton-wolf
s.p. II
s.p. (until written otherwise) II
) 4" 4 4
185
+
4 ' " 4" " 4 %
4 %
"
'"
"
A * '" # A
I (gliss. poss.)
3
""I ) 4
pizz.
4
""
4 % "
4 %
"
)"
) ) 4" &
4"
x.s.p.
" #
"
" " )4 '4 #
3
& & #
)" ' )4 "" %& ! 3 3
)4
(legn. batt.)
(punta d'arco)
5
)" &
)"
3
%% 43
(gliss. poss.)
x.s.p.
"" "" #C A
3
3
Db.
)" #
4 %&
"
(gliss. poss.)
pizz.
%
190 Fl.
Cl.
Cor
3 E "
Trp.
3
Tbne.
E " "
"
3
) '"
A
"
A arco
)"
Perc. I
"
"
"
A
" drum-' scale'
small triangle II
&
Perc. II
&
wood block
' #
Perc. III
'chop sticks' at the rim (metal)
paper
'chop sticks'
&
3
%
%&
(Touch with pencil) 3
" "
Pno.
5
"
3
2
(
190 Vl.I
)4
(sul corpo)
% +
) 45
Vl.II
Vla.
Vlc.
Db.
(punta d'arco)
* *
III II I
3
2" "
4
)" " 3( ) % ") )( " 4
)4 4 '4
)4 %
% % A
% ""
pizz.
tone
"""" 4 ! 4" 4" & &
pizz.
) ) 4" &
4"
l.h.: half pressure x.s.p. " "
""
? #
' #
'click'
5
"
"
% 44
)4
)"
(punta d'arco)
"
)" ' " A
)(""))
A
(") (" )
flautando
.////////////////// ) " "(gliss."poss.) (punta d'arco) 2 "" )4 "" % 3 "" + A (
)
" ./////////////// " 4 " & &
x.s.p.
(
"" %
"" &
)
./////////////// " 4 " & &
x.s.p.
(
)
196
>
I
Fl.
)"
>
Cl.
" +
3
( ")
)"
sand paper
I
con sord.: ' Cup'with filt
)"
A
3
>
I
Perc. I
wood block back end of drum sticks
>
Perc. II
glockenspiel
)"
I 3
# :
>
> Pno.
>
196
)4
(sul corpo) 3
Vl.I
I I +
) 4" > 4" >"
Vl.II
3
Vla.
I 3
Vlc.
Db.
>
I A I
gr. " & )" ," 2 I !
3
>
Tbne.
Perc. III
* "
>
Trp.
)" !
A
2
>
I
Cor
)"
" ! .///////
I
" ) ") " ) "" 3
) "" + (s.p.) ' " "" > "& # A (s.p.) " >
""
" # ; ' " # ; " & + '" # !
> 45
3
I +
con sord. poco s.t.
% 3
I + 7 )"
'" #
;
201
random keys very fast 3
.////
"% ) "
Cl.
"
"I
"I A
Fl.
( ")
2"
"
"
Cor
"
"
"
" (on)
D
"
"
) " .//////// " " ) " *" )" "" ( )
+poss.!
5
" A
"
"
'" #
"
.///////
2 )"
"
3
(" )
,"
"
" +
.///////// " ) " *"
gr.
"
+ poss.!
" "%
3
( )
3
" A
" " A
"
"
Trp.
Tbne.
A
'"
" % A
(flt.)
%
!
Perc. I
wood block Perc. II
# gran cassa
%
Perc. III
Pno.
201 Vl.I
Vl.II
Vla.
" %
' "
' "
" & A
! 3
.////////////////' )" " " " &
" %& A
( )
3
'"
%
3
Vlc.
7 Db.
"
" A
7
)" %
'" # 46
7
*V
H
A
"I3 &
;
205
3
3
" " " " A A (on) 3 " .////// .///// (into) 3 " " " * " " 2 ) " " % " ) " D ) " , " " " "%
Fl.
(on) 3
D
Cl.
"
Cor
"%
( )
( )
+ poss.!
3
./////////////////////
3
"
" A
"
)"
gr.
"
) 2" "
" " " " )" 6
"
"
+ poss.!
)" "
" A
" A
( )
5
)" )"
2
gr.
"
"
"
)"
5
" A
5
( ")
"
"
> > >
Trp.
)" " "
quasi slap tongue Tbne.
./////
>
&
Perc. I
'
5
quasi slap tongue
) " " " "5 "
"
3
" 5
"
A
>
+
wood block
#
Perc. II
>
> gran cassa
%
Perc. III
% A
>
> Pno.
>
205 Vl.I
>
Vl.II
>
Vla.
.//////////////////////////// 3 " " " # & (
"
)
'" # +
"
>
Vlc.
Db.
7 " &
7 "
" #
A
47
>
'" # +
* H%
V
H%
>
209 Fl.
>
Cl.
> >
Cor
>
Trp.
"
2
* " +
)" +
con sord: harmon
"
'" >#
Tbne.
>
Perc. I
"
wood block sand paper
back end of drum sticks
+
wood block 'chop sticks'
,
damped with hand
glockenspiel
>
Perc. III
3
3
2? 2 2?
2? 2 ?
(between tuning pegs and 'stops') 5
3
>
?
2?
s.p.
209
Vl.II
A
Vla.
>" +
Vlc.
>
Db.
>
pizz.
(legn. batt.)
(
> >
) ") ( ") ( ) ") )" )!4 %
(gliss. poss.)
ton-wolf
)"
'click'
)4
tone
)4
5
4 %
5
5
4 %
4 %
!
""
?3
?
? #
flautando
4"3
flautando
""
48
" ""
( ) ( )
4" ) 4 %
3
4"3 4" ) 4" %
flautando x.s.p.
"
)"
III II I
flautando
5
pizz.
)"
+
(punta d'arco)
'click'
3
senza sord. s.p. )4
" & + x.s.p. "
#
3
>
>J
5
#
#
Pno.
Vl.I
" '"
con sord: harmon
>
Perc. II
" "
""
4" % 3
"" &
214 3
Fl.
3
A
A
Cl.
Cor
Trp.
A
" #
Tbne.
"I &
" #
3
5
5
&
&
"
"
"
"
"
"
3
Perc. I
3
A
+
small triangle I
'chop sticks' at the rim (metal)
(alternatively hit hit different sounding parts of stands...)
Perc. II
paper
paper
%
Perc. III
%
x.s.p.
"
s.p.
214 Vl.I
Vl.II
" " A
'4 #
pizz.
Vlc.
)4
)"
+ )"
Vla.
"" &
"
3
" "
)4
%
' 5
=5
" " A x.s.p.
)" &
"
I
) '"
)4 &
"I 2" "
(punta d'arco)
"
# "
(gliss. poss.)
% "
s.p.
%
&
A
(touch with pencil)
2
Pno.
+
drum-' scale'
2?
2?
#
&
#
.///////////////////////// )" )4 "* "
(punta d'arco)
(l.h. tap on fretboard)
pizz.
"I" !
""
" # A " # A
3
%
5
+
A ) '" " "" + (l.h. tap on fretboard) E
pizz. ?
(no tones sounding)
A
+
(hit open strings with palm) 3
pizz.
?
?3 #
(legn. batt.) 5
"" !
)4 3
?3 &
(legn. batt.) 3
(legn. batt.) 3
&
& 3
49
)" &
( )
Db.
+
damp
+
219 Fl.
F >
Cl.
>F
Cor
F >
Trp.
>F
)" &
.////gr. 3
"
2
" +
Perc. I
>F
Perc. II
F > paper
( )
*
"" ' "" " 5 " ! )" 3 ./////// " " gr. " " (on) " " " " " )" " D D ," " " " 2 ( )
3
"%
"
6
"
"
"
"%
"%
3
" &
'" # +
3
A
" &
" #
3
+
>F
%&
Perc. III
" " ," +poss.!
con sord.: ' Cup'
F >
Tbne.
" A
""
>F Pno.
F >
219 Vl.I
Vl.II
"3 ) " " )" " " 3
)4 & )4 "
Db.
"
(2+3)
>F >F
" ;
3
con sord.
>F
Vla.
Vlc.
F >
" &
' F> "# + >F
poco s.t.
) "" !
" A
+
"
3
7
"
+
'" # ; 50
*
7 " " %& ;
3
'" # +
"
)" #
224
" +
Fl.
(on)
"%
Cor
5
3
"
Cl.
"
"
)" 2" D "
"
)"
" )"
""
""
" " " 6
"
"" "" 5 ./////////! )"
(" )
> (on)
)" D " " )" ," )" " ," > )" "
"
" !
> " +
'" # !
>
" +
>
Perc. I
>
Perc. II
> gran cassa
>
%
Perc. III
2
*
Trp.
Tbne.
5
> Pno.
>
>K
224
>
Vl.I
>
Vl.II
Vla.
" +
' )" # !
5
)" +
)" A
>
Vlc.
* H% ; V
Db.
7 "
>
'"
>
+
51
*
ton-wolf
s.p.
" !
)" )"
"
)" 3
)"
"
)4
; "" senza sord.
"
A
228
>
Fl.
>
Cl.
2
con sord: harmon
.///////////////////
Trp.
"
Tbne.
+
wood block
'chop sticks'
3 A
Perc. II
glockenspiel
5
# A
(between tuning pegs and 'stops')
5
A
Pno.
flautando 228
senza sord. Vl.II
Vla.
Vlc.
""I
"
A ""
! "
+ '" # +
!
pizz.
""
)" " II
% +
3
? ? ?
(l.h. tap) (legn. batt.) 5
(sul corpo)
(l.h. tap on fretboard)
A
pizz.?
(l.h. tap on fretboard) 3
(hit open strings with palm)
A A3
A
2? &
.////// ) 4 "" "" !
x.s.p.
(arco sul corpo)
5 (arco sul corpo)
" "
%
s.p.
)"
(arco sul corpo)
F > "
>F
" #
F > >F
>
F > 3
>F
>
F >
>
>F
>" ;
>F
>
> 52
A
>F
>
>
% +
>F
>
>
% +
Db.
+
"I
"
>
% +
10
gran cassa
( ) ( )
3
3
+ poss.!
damped with hand
Perc. III
=
./////// )")" " " gr. 3 " " "" "" "I ( " )
con sord.: ' Cup'
>
F >
" !
con sord.: ' Cup'
" "
"
"
>
" "
con sord: harmon
Perc. I
*
>) " +
Cor
Vl.I
"
3
7
" &
'" # ;
& +
>F >F
*
V 3
H
>F
233 Fl.
F >
Cl.
>F D
3
(on)
Cor
F >
Trp.
>F
Tbne.
F >
Perc. I
>F
Perc. II
F >
Perc. III
>F
I + )" A
"
""
)" "
"
+poss.!5
" " "
*+ poss.!
2
2
" +
" +
con sord: harmon
con sord: harmon
" +
"
"
"
" &
"
'"
3
+
>F Pno.
F >
F >
233 Vl.I
L
(2+3)
(1st. finger) II s.p. III
F >
Vl.II
>F
Vla.
>F
Vlc.
>F
Db.
>F
) ") () " ) " (
!
*
3
I ) '" 2" (2nd.)
'
"I"
," #
V
H A
3
53
""
""
"" ) 4
' "
) '"
" )" ," 3
)" "
" " ,"
;
237 Fl.
""
Cl.
*
" )" 5
)"
" )" " )" 3
"
" " " ," 5
>
," " F > )"
>
+ poss.!
3
F > " +
"
Cor
" "
F >
"
>
" +
Trp.
>F
Tbne.
F >
>
Perc. I
>F
>
Perc. II
F >
>
>F
>
>F
>
F >
>
gran cassa Perc. III
Pno.
F >
237
>
(3+2)
(l.h. tap)
s.t.
Vl.II
>F
Vla.
>F
>
Vlc.
>F
>
>F
>
Db.
*V 3
HI
(all 3 strings sounding simultaniously)
" " ) 4 "" " "I" "" > "" " ) " ) "" "# I " + ; ! A ! ! 3
>F
Vl.I
'
> >
54
"" "
241 Fl.
)" "
(same multiphonic as m.159)
BBB BB I !
Cl.
A
") " ""
5
! * " +
Cor
3
BBB BB I !
2
BBB BB
3
3
"
"
)"
"
"
keys .///////////////////////////////// " " "
tone
( )
> > >
)"
Trp.
>
Tbne.
> 3
Perc. I
>
+
Perc. II
>
Perc. III
>
> Pno.
> s.p.
241
" !
Vl.I
s.t.
"" "I
>
Vl.II
>
Vla.
>
Vlc.
> 3
Db.
A
> 55
*
246 Fl.
>
Cl.
>#
Cor
>
Trp.
>
Tbne.
>
F tone
2
" +
air
A *
" A
F 3
>
Perc. II
>
Perc. III
>
+
F
F
Pno.
F
>
246 Vl.I
>
F F
>
>
F F
3
Perc. I
F
POCO MENO MOSSO
x.s.p.
?
F F
" !
F
Vl.II
>
Vla.
>
F
Vlc.
>
F
Db.
>
3
56
F
%
%
%
%
%
251 Fl.
(into)
5
I
Cl.
5
(on)
DI ;
gr.
"
3
BBB BB I !
"
"
!
"
"
)" " 5
' )" )" "
(any keys)
5 5
+
(into)
A
(on)
gr.
D +
") " " "
Cor
Trp.
Tbne.
Perc. I
+
Perc. II
Perc. III
Pno.
251 Vl.I
5
9 3
I ;
M (
)() $$ )) &
5 )"
ord.
I "" ""
!
3
Vl.II
Vla.
Vlc.
Db.
57
+
"
" +
(harm. gliss.)
4
(poss.) I
(gliss. poss.)
( ) II III
(legn. batt.) 3
3
% !
3
+
44
255
3 "" "
Cl.
" "" " "
.////// 5:4
.//////////
Fl.
3
," "
)" &
* (" )
"
"
)" "
"
"
(
3
")
6
"" "" " "
,"
gr. "I
2"
.///// " "* " 2"
!
+
A
F > "
( )
"
./////////// " " & >F
"
( )
5:4
Cor
F >
Trp.
>F
Tbne.
F >
Perc. I
>F
+
Perc. II
F >
Perc. III
>F >F
Pno.
F > (2nd.) (3rd.) (4th.) (1st.)
III II 3
255 Vl.I
" " )"
( ) ( )
I
"
"
"
"
.///////////////////////////////// 3 " )" * & " )4 )" " "I4 (
s.p.
)
(
)
( )
+
" &
2" "
) " 2" %
(punta d'arco)
3
+
(I)
flaut.
)" 2"
"
2"
3
" !
>F
Vl.II
>F
Vla.
>F
Vlc.
>F
Db.
>F 58
259 Fl.
F >
5 ./////////// " ," " "" >F & "" A + ! (
Cl.
Cor
F >
Trp.
>F
Tbne.
F >
3
)
? #
3
Perc. I
>F
Perc. II
F >
Perc. III
>F
+
+
>F Pno.
F >
F >
259 Vl.I
F >
Vl.II
>F
Vla.
>F
Vlc.
>F
Db.
>F
A TEMPO PRIMO
(3+2)
) "" &
' " # !
3
s.p.
"* &
"
N
"
"*
"
"
.//////// "
"
( )
KA
K
59
*
264
5
Fl.
""" "" )"
Cl.
"" " "" " "
6
Cor
con sord: harmon
*
"
Trp.
Tbne.
3
Perc. I
& +
+
&
Perc. II
Perc. III
Pno.
.//////////////////// *
tr. molto rit. 264 Vl.I
"
" &
3
.////////////////////////
K
"
(" )
con sord.
Vl.II
con sord. Vla.
" "
"
"
"
'"
Vlc.
4
"4
"4
"4
Db.
)4
"4
"4
"4
60
*
270 Fl.
Cl.
Cor
"
Trp.
"
2
" A
con sord: harmon
Tbne.
Perc. I
3
"
+
+
)" # A
&
# +
Perc. II
Perc. III
(touch with pencil) 3
Pno.
)" A 1
3
270 Vl.I
con sord.
Vl.II
"
3
) 4 ) "" "" "" " " " "
" "
III
3
5
" (" )
IV III IV III
"
"
3
" " "3 "
"
Vla.
Vlc.
Db.
61
"
"
"
tone
air
275 Fl.
)
)
")
#
9:8
air
tone
6
)
Cl.
air
)
)
) "
)
)
air
F > >F
#
12
./////////////////////// F > " "*
Cor
( )
Trp.
>F
Tbne.
F > wood block
&
&
Perc. I
#
&
#
>F F >
Perc. II
sand paper Perc. III
+
>F
&
= "
Pno.
"
% :
"I %&
" ""
7
" " "
0 :
" "
275
>F F >
Vl.I
>F
Vl.II
>F
Vla.
>F
Vlc.
>F
IV Db.
62
7* "
>F
279 Fl.
tone
, ," " " " ' )"
9:4
)
air
A
./////////* 2 F > " " )" A
,
"
"
"
)"
"
Tbne.
F >
Perc. I
>F #
"
! +
5
"
con sord.: ' Cup' con sord.: ' Cup'
! ' ) " """ "") " tone
6
12
>F
Trp.
)
3
>F
Cl.
Cor
F >
'" ' '" ' '" '" '" " # )" 6 ' + '" " ) ' ' ') " ) " "
tone
"
"
"
"' # +
)" &
" &
"
&
sempre
Perc. II
F >
Perc. III
>F
10:8
3
#
+
5
6
7
10
5
10:8
%
10
%
sand paper
%
# 7tone """""""
>F Pno.
F >
F >
279 Vl.I
+
(2+3) senza sord.
F >
Vl.II
>F
Vla.
>F
Vlc.
>F
Db.
>F
7:4
senza sord.
senza sord.
II
" A
"
%
63
A
" " &
3
" !
" ;
pizz.
" "" " " "6 6 66 ! 5 " " " '" ) " 6 6 6 6" !# 6 " '" ' )" # ! A '" # A
" " 5
284 Fl.
"
Cl.
"
"
"
Cor
harmon
*
Trp.
"
3
( ) Tbne.
&
A 10:8
10:8
10:8
%
Perc. I
%
%
wood block drum-' scale' Perc. II
A
10:8
10:8
%
10:8
%
back end of drum sticks
A " # A
"
%
10
3
#
!
5
Perc. III
7
damped
3
5
A
Pno.
#
3
2
)"
A
+
O
284 Vl.I
Vl.II
Vla.
Vlc.
" "
"4 3
"4
"4 4"
3
Db.
+
64
288
"
Fl.
"
"
keys tone .////////////////////// '" ) "* # +
"
( )
Cl.
5
Cor
"
Trp.
"
2
"
2 "
"
" A "
con sord: harmon
" A
" )"
"
Tbne.
&
A 10:8
Perc. I 6
5
10
Perc. II 5
3
10
&
10:8
10:8
%
%
%
10:8
%
" &
10:8
%
10:8
%
!
Perc. III
damped =
%&
Pno.
=
# +
"
+
3
'guero'
pizz.
????
288 Vl.I
+
""
II
3
+ ) '"
) "5 &
'" #
pizz.
?5 ? ? 3 + pizz. ? ? ?
Vl.II
Vla.
4"
Vlc.
Db.
4"
+
III
4 " 5
4" 65
9"
' " II
5 " &
293 Fl.
tone
"
Cl.
2
"
Trp.
Tbne.
air
"
D
+
con sord: harmon
"
"
(on) 3
+
* " A
)" +
Cor
+
'"
D ;
" A
+ 10:8
%
Perc. I
10:8
10:8
% A
10
wood block Perc. II
7:4
9:4
9:4
10:8
10:8
%
%
10:8
%
%
sempre 3
!
6
5
5
3
!
Perc. III
damped
3
3
!
Pno.
293 Vl.I
Vl.II
Vla.
) "4
)" )" + # '" +
)" " ) " " +
) ) "" # +
3
Vlc.
3
Db.
A
%
3
) ) "" "" + A
%
3 ) ) "" #
3
) "4 +
)" " ) " " A "4%
"4%
7 "* III
"4%
" A 66
" &
"
"
% !
" &
% ! % !
3
"
% ! %
II
"
% !
3
3
"
pizz.
3
3
A
tone
%
" 3
" " 6
299
5
Fl.
(into)
+
air
tone
3 "" "" A
tone
Cl.
D
" +
+
" )"
A
+
)" "
Cor
harmon
" &
Trp.
Tbne.
10:8
10:8
%
Perc. I
10:8
%
12
%
12
10
9:4
6
7
9:4
10
7
6
Perc. II
!
5
7
Perc. III
2
=' "
() ")
() ")
&
!
Pno.
"3" #
299 Vl.I
)" #
3
Vl.II
Vla.
3
(gliss. poss.) (or another 'not sounding' harmonic on IV) 3
"
(gliss. poss.)
4 " !
Db.
E ) "4 !
"4 5
Vlc.
4 "
A ) "4 ! ) "4 ! ) "4 !
3
P
"4 "4
"4
*
*
V
H%
V
H%
H 67
H
304 Fl.
Cl.
"' # ! ' " # !
3
"
' 3 "" "# "" A ! '" )" " # ) " " !
5
5
" " ) " ," ! A 3 3
)" )" " !
"
"
(harm. gliss.)
Cor
"' # +
Trp.
"
'" # +
3
con sord.: ' Cup'
Tbne.
" & "
"
H
'" # +
" " " "" ! "" )" )" " ! + '" # +
"
"
" A
" & " A
Perc. I 12
10
10
9:4
7
9:4
6
5
5
10
Perc. II
!
5
3
5
! 3
5
7
Perc. III
Pno.
304
" """""""" "" "" "" "" "" "" "" "" "" "" "
Vl.I
3
3 3
Vl.II
Vla.
Vlc.
III
pizz.
"
"
""
+
+ 7
5
"
3
" "
" " ""
"
3
" " "
"
pizz.
5
"
" 5
" 3
" &
"
3
"
" &
!
" #
"
!
III
pizz.
"
"
! pizz. " II
! " &
!
!
*
" #
3
5
" #
V Db.
H
H 68
H
H
H +
H
309 Fl.
Cl.
5
3
" "
" )" +
"" " !
" )" " !
Cor
H
'"
"
Trp.
+
5
5
" "" " L " " """ """" " """"" """ ; " " " " # +
"" " +
"
L " "" )" L
"
9:4
)" " " H
L '"
"
L "
"
7
9:4
10
+
3
"
"
"
""
!
+
growl
" + poss.!
)"
"% +
"
)"
#
!
(roll)
%
%
%
%
%
%
%
L
Perc. III
= ""
L Pno.
!
L
L
309
" & !
Vl.I
Vla.
Vlc.
H
Q
L L L
!
H +
1
L
" & ! " & ! 7 " &
Vl.II
Db.
5
"
" !
A
12
10
12
"
"
""
"
(roll)
L
Perc. II
+ "'
3
L
Perc. I
"
" "
3
+
"
Tbne.
3
H +
L
3
H
H !
H 69
H% ;
H
"" #
313 Fl.
Cl.
Cor
Trp.
Tbne.
Perc. I 12
%
Perc. II
7
10
12
10
6
9:4
7
A7
10
9:4
10
12
10
A
9:4
Perc. III
(do not try to avoid the timbre changes from imperfect timing between the hammers...)
=
3
5
Pno.
313 Vl.I
Vl.II
Vla.
Vlc.
Db.
70
!
3
5
6
A
318 Fl.
Cl.
Cor
Trp.
Tbne.
(roll) Perc. I 9:4
(roll)
Perc. II 10
12
12
10
%
%
%
%
%
%
%
%
12
%
+ +
10
12
12
%
Perc. III
=
(tr.: 'non misurato') ./////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
(tr. acc. from 32th to as fast as possible)
7
Pno.
!
+
318 Vl.I
Vl.II
Vla.
Vlc.
Db.
71
323 Fl.
Cl.
Cor
Trp.
Tbne.
Perc. I
Perc. II
%
%
%
%
%
%
%
%
%
%
12
12
10
9:4
10
9:4
6
7
5
Perc. III
./////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// =
/ Pno.
323 Vl.I
Vl.II
Vla.
3
Vlc.
Db.
72
328 Fl.
.///////////// )" " )" " ," )"" & "" + A ! " 6
()
Cl.
*
Cor
" +
*
2
A
" +
con sord: harmon
I
V
3
" !
Tbne.
(
")
" &
(" )
V
" ""
( ")
( )
"
3
'"
"
+
+ (roll)
Perc. I 7
drum-' scale' Perc. II
!
3
Perc. III
!
6
7
9:4
12
%
" " A +
2
" '3 " " '" # # A !
Trp.
con sord.: ' Cup'(one continous movement - perfect intonation unintended)
2
3
%
%
%
9:4
!
gran cassa
timpani
)" " ! tone tone 7" " damped .//////////////////////////////////////////////////////////////////////////////////////////////// "" = " "
% A
( )
!
Pno.
A
A
+
7:4
0
R
328
+
"" " "
Vl.I
" " ;
Vl.II
" ! 5 " ! "5
Vla.
3
5
Vlc.
5
7
!
;
Db.
;
73
)" " V
* H% !
7 .////////// " 5 " *"
333 Fl.
( )
5
Cl.
" "
"
" 6
Tbne.
%
Perc. I
"
*! 2 2 3 * " "% )" " ! (slap tongue) A 3 3 " ) " ) '" "% " , " % )" " " "6 " 3 !
2
Trp.
" )" " " " )" " + A " * 2 * " " " " " " % 5 ()
3
Cor
.///////////////
%
%
(slap tongue) 3
"
) " 2" 2" 2" A !
"
3
)" !
!
' " # !
"
"
" +
! %
% A
3
%
%&
%
5
6
9:4
guero
Perc. II
# ! !
%
Perc. III
Pno.
333
pizz.
pizz.
tone
'click'
3
Vl.I
)" " " +
" +
pizz. tone 5
Vl.II
pizz. Vla.
Vlc.
tone
)" "
" ; '" # ; H%
3
)" 4 4 4 4 4 'click' 5
)" " 4 4 4 +
H 74
*
)4 ! "
5
4
)4 ! "
'click'
)" 4 4 4 4 4 4 +3
3
5
5 3
Db.
)"
3
7
)4 !" ; ;
" ;
337 Fl.
Cl.
"5 " ' 3 "" "
A
;
2
./////////////////////*
" +
Cor
" " "
3
" )" +
* "
( )
'" #
" "3" &
+
Trp.
"
Tbne.
3
3
3
"
( ")
)"
(
'" # +
")
Perc. I
drum-' scale' Perc. II
timpani
#
Perc. III
'guero'
+
Pno.
=
"% '" # !
! @
337 Vl.I
""
./////// " 4 '" # 3 ! ! s.p../////////////////////////////////////////// 4 " " ) '" # + A ! '? 3 )s.p. " " ' < " " ! ; 4"
4"
( )
"
" !
( )
Vl.II
Vla.
"
Vlc.
V Db.
H% ;
%
" " +
"
%
%
ord.
" "
"
" " "" " " 3
3
% 75
" +
" ! '" (approx.) ; 3
3
!
3
%
% "
" ! ' " !
(" )
342
3
Fl.
tone Cl.
.///////////////////// ' "" " & # + +
3
air
( )
"
Cor
Trp.
Tbne.
paper
& +
Perc. II
% !
'
sand paper
&
Perc. III
73 +
Pno.
3
%
%
Perc. I
" " " 3
""" " " )" A
7 (l.h.) ) " " "" ' " ) " "" )" "
+
10
' " #
342
3
Vl.I
pizz.
)"
Vl.II
Vla.
Vlc.
"
" + ) '" # ! III ) '" () ") !
%
3
" '" %& #
+
3
gran cassa
" " )" " !
( ) ( ) ( )
IV sempre
3
3
"
3
5
" 3
" !
"
A
III I II III IV
"
" & + 3
" +
A %
76
*
" & +
" ! " "
A
(as if continued on same string) II 3
3
" A V
Db.
'" " # +
" % A
%
"
6
%
!
./////////////////////////////////////////////// ) " " " "" "" & " )" + 5 + !
347
( )
Fl.
growl
7
Cl.
3
" ) " " " ) " " " " " , 2" 2" ! A A
" !
*
"
Cor
22
3
2
*
" " " )" +
*2
* * " " " )" " !
5
"
"
3
Trp.
2"
(slap tongue)
# A
Tbne.
" #
"
"
"
" 3
3
+
"
Perc. I
" # +
3
sand paper 5
3
A
6
wood block
Perc. II
+ %
Perc. III
3
% A
= A =2 3 "
Pno.
" & """ ""
)" +
)"
" &
3
" A
" 3
3
&
+
S 347
) "4%
Vl.I
3
5
Vl.II
Vla.
" " % %
(dolce)
" "
" %
" ! ' "*
) '" !
pizz.
Vlc.
3
Db.
*
% H% ;
" !
III II I
A
III 3
)" & !
" !
III
?
" & " ! 3 II " III & )" ;
3
H 77
*
?
III
3
"4 !
6
5
' " ! ' ? II s.p. ' ' " ! '"
3
! '"
!
(gliss. poss.)
!
352 Fl.
air
&
Cl.
2
" & A
)"
Cor
Trp.
"I
(one continous movement)
IV/V
' "
Tbne. 5:3
% !
Perc. I
" ! 3
!
%
Perc. II
Perc. III
Pno.
352
s.p.
" & +
Vl.I
Vl.II
Vla.
'? ' '' ) " '" ! " #
!
s.p. Vlc.
Db.
" & +
ord.
x.s.t.
" !
%
% !
pizz.
""
%
x.s.t.
"" "" "" "" "" "" "" "" 3
"" %
"" %
"" %
"" %
"" % A
x.s.t.
%
" ! %
3
% % !
% !
% !
% %
78
% "" %
4" 5 ) 4" % %
ord.
% "4 "" %
3
) "4%
4 % %) "4% ) ) "4% "4 3
x.s.p.
"" % +
x.s.t.
"%
l.h.: half pressure
"" %
"%
.///////////////////////////////////////////////////////
357
*
(" )
Fl.
tone I
" &
Cl.
"
tone
," " " " " "
A " &
"
" !
)" ") "
'" multiphonic
" & ;
IB BBB B
(same multiphonic as m.159)
" 6 A
I
Cor
keys
Trp.
)"
Tbne.
(
")
"
'" #
Perc. I
Perc. II
Perc. III
2?
7 " " " " " ") " ' )" " !
Pno.
357 Vl.I
Vl.II
4"I %
" & +
4"I % ord.
Vla.
Vlc.
!
"I4
" &
ord.
II
"
(" )
I
"
III
(")
"
" ! '" # ! '" !3 "
IV
Db.
79
' " A '"
A
" & + " & + 7" & + 3
'" '" '" '" ) """""" "" ) """"
""
! ""
"
" # "
s.t.
'" # ! '" #
"" " ;
! '" # ! " ! "
3
" ;
"
362
> .////////////////////////////////////////////////// )" " " " ," "" " & " >
Fl.
)
+
()
Cl.
A
Senza sord.
)"
Trp.
)
>
Perc. I
>
Perc. II
> gran cassa
%
=" #
A
Pno.
'? 362 ord. ' "" " " "
2? #
2
"
"
"
" ! )" !
*
A
+
" +
+
drum-' scale')
%
>
% =
)" !
> " A
Tbne.
Perc. III
2
"
>
Cor
Vl.I
+ *
5
7 " #
" #
= .////////////// " " )" " " " " )" " "" " > # )M""" 3 ! A >
%
>
'" #
T
>
"
3
>
Vl.II
>
Vla.
"" > " " & A ' > "# A ( (
Vlc.
IV V
V
V
3
"H
Db.
( )
( )
80
*
IV
" " )"
( ) ( )
( ) ) )
" )( "
)" III
)
III 3
II
;
)" ; ) '" # ; ) '" # ; !
%&
367 Fl.
" " " ,")" ," )" ," " " ! "' .////////////////////////// " * " " " " " " + 3 ! * 2 2 '" "3 " )" # + 3
" " " " #
"
!
3
A
F > .//////////////////////////////////////////// " " " " & >F +
3
( )
( )
Cl.
Cor
)" )" " " +
" "
"
F >
"
>F
Trp.
Tbne.
A
"
+
3
"
"
"
F >
)" +
wood block drum sticks
>F
Perc. I 5
F >
Perc. II 10
+
timpani
gran cassa
3
3
"%
Perc. III
= " """" )" "
+
Pno.
"""""
3
" " " "
367 Vl.I
Vl.II
F >
BB B "
2* "
+
pizz.
'" # !
% A
+ " & )"
Vlc.
V Db.
%) (" (" ) H ;
IV V
%
IV 3
%
A
"%
'" # + pizz. 3 " & 3
Vla.
3
>F
3
3
@
>F
III IV
%
III
%
"4%
" !
>F >F
"4 +
pizz.
3
)" ! ) '"
;
3
>F
"
" "
3
"
3
)" " " A
81
*
3
"%
3
' " #
>F >F
371 Fl.
F >
///////////////// 3 " "" F> "" " " " +
Cl.
Cor
F >
Trp.
>F
Tbne.
F >
"
"
3
2
" A
+
"
drum-' scale'
Perc. III
>F % "
Pno.
371
F >
Vl.II
>F
Vla.
>F
Vlc.
>F >F
""
>
!
>" A
'" +
A
" &
" ! '"
"
"" " " " >
!
+
3
E )"
3
" A
"
* )" & +
3
3
> sand paper
damp
3
>
"I A
(gliss. poss.)
" %&
"
>
F >
F >
""
"
>
F >
>F
+
>
" +
"I
Perc. II
Db.
" " + A
( )
>F
Perc. I
Vl.I
*
./////// " " " "& "
"
>
>
(2+3)
" 2"
.///////////// " " 4 (harm. not sounding)
3
( )
?
.//////////////' " " sempre
!
+ " ) ) "4
"4
" !
" !
" & !
5
"" +
>
" >&
" "" "
" " ""
3
5
>)"
" ( ") () ")
>&
" !
" >&
"3" & ! " '" 3
*
!
> 82
" !
)" & ! )" & !
! ""
) """ !
"" &
," &
) '" #
5
"
+
(scratch on string to match 'guiro'-effect)
") " , " "@
U 3
3
'
&
3
@
(damped)
'" #
"
" ; pizz. + " ' " ; +4 '" " # ; + "
)" #
;
A
!
" ;
"
'"
!
) "4 & !
)" +
3
"
+
&
!
./////////////////" ) '" " " )" " "" ) " " # " " )" " " " " " .////////// 3 A ! 9:4 ! 5 " )" " )" " ()
376
"
Fl.
( )
Cl.
2 " +
Cor
* 3 " )" )"
*2 " "
+
3
" )" " " ," "
"
2
.////////////////// " )" " " " " " > " )" " " )" " 6 A
"
( )
!
* "
"
>
2
'"
>
+
+
3
3
>
Trp.
" & +
"
3
Tbne. 3
+
'" # +
> drum-' scale'
Perc. II
3
%
3
Perc. III
(l.h.) 3
Pno.
'guero'
) "" 6 +
(r.h.)
(l.h.)
A
3
%
timpani
allmost at the rim 3
"%
" %
" %
" ""
!
A
!
"%
=
"
"
3
? &
" ! "
Vl.II
pizz.
Vlc.
pizz.
)" ! )" #
)" +
" !
)" !
" +
" +
Vla.
3
3
"%
"
"% "%
+
3
" !
" ! ) ""
pizz.
)" ! '"
)"
! " &
3
" ! 83
*
%&
> %
"
A
*
" !
" " +
3
"
3
! '"
" 3
!
3
5
7 .////// "" " " " " " > & >
pizz. 376
>
drum sticks
(r.h.)
Db.
A
>
Perc. I
Vl.I
"
> > >
9 " "
3
" " )" IV
3
"
> " > "
II
( )
>
6
+
9" I
"
380 Fl.
'" '" '" " " " )" )" " )" " )" + + .//////////////
)" +
""
Cl.
!
""
"
" " ")" " +
")
(
"
Cor
'" # !
Trp.
"
5
3
+
* "
"
" "" A
"
" " " " " 6
multiphonic
BBB BB & !
+
IB > BBBB
(same multiphonic as m.159)
2
' " # +
3
+
'" # !
>
'" " " " "" "" # 7
>
"
>" A
Senza sord.
Tbne.
H
" A
"
"
>
sand paper
> %
Perc. I
at the rim (metal) 3
Perc. II
A
!
at the rim (metal)
Perc. III
7
" " " " ) M " 5 !
Pno.
380 Vl.I
Vl.II
Vla.
Vlc.
snare drum
+
" " " % A
"
! 7 )" #
;
Db.
!
" "
"
) ) ) """"
= ' " "
) '"
! ' ( ")
+poss.!
3
@
'" # + poss.!
) 4" # +
) '" # +poss.!
! ' ' ' " " " "
?
3
3
" " " '" " 3)"" "" "" """" )" " " " "
" ! "
!
84
"" "" " " + '" 2" & !
! ) "4 +
3
3
) "4 +
3
>
>
s.t.
?
%
>
!
(gliss. poss.)
3
,"
3
6
" & !
pizz.
5
)"
5
6
%
)
;
+
3
sand paper
>
"" " ; () ") ( ") ( ") )" A
" !
3
"H "H "H ;
>
2"
& ) "%" ! III II I I II III ? IV
>
2" >&
III II I
>
?
) ") > (("")) )"
"
!
; ;
(gliss. poss.)
(
>
" ?
II III IV
5
7
384
)"
Fl.
"
;
"
"
2
"
"
)" 3 )"
"
)"
"
"
Tbne.
3
% ;
%
Perc. III
I A
L
"I
A
K
"
"
A
./////////////// " " )
3
"
"
rim
L
7" " %# %
)"
N &
? #
pizz.
"
(dolce)
" &
3
)"
(dolce)
"" ""
III II I II
( ) ( ) ( )
%
6
85
? # 3C
L
L
? &
) "4
7 " #
(
"
"
L (dolce) 5
.//////// " "
(gliss. poss.)
III
"
" #
L
(do not prenounce end note)
"
(do not prenounce end note)
IV
"
rim
L
"
(do not prenounce end note)
'
"
) "4
"
"
(dolce)
(gliss. poss.)
( )
"
?
?3 &
"
.///////////// )" "
(do not prenounce end note) 3
3
"
"
3
(do not prenounce end note)
Vl.II
)"
"
=
(knock anywhere on the piano)
"
pizz.
5
Vla.
"
*
5
%
"
pizz.
L
(with whiskers)
5
"
"%" ;
&
(with stick)
whiskers drum stick
V
!
L
L
POCO MENO MOSSO
Db.
2
3
L
"
Pno.
Vlc.
(gliss. poss.)
3
(
Vl.I
"
drum-' scale'
!
384
L
"
%
% ;
Perc. II
"
" I K KA
3
;
Perc. I
"
3
" A
" ;
3
( )
;
Trp.
)"
./////// )" " &
3
(gliss. poss.) 5
Cl.
Cor
)"
"
"
(gliss. poss.)
)"
L L
)
' #
L
5
388
3 )" )"
L
Fl.
"
"
"
.//////
L
Cl.
3
"
"
(
"
")
L
"I K
Trp.
L
"
Tbne.
L
K " A
"
3
Cor
2 "
"
"
"
3
" "
5
"I K "
"
K
A
(gliss. poss.)
" A
(gliss. poss.)
" KA " &
"
"3 &
7
"
3
"
" )" "
(gliss. poss.)
7
)" #
(gliss. poss.)
) " " )" "
"
KA
sand paper 5
L
Perc. I
-
L
Perc. II
drum-' scale'
rim
5
#
glockenspiel 5
L
Perc. III
7 .////////////// "3 " & (
L
N #
Pno.
L
388 Vl.I
Vl.II
Vla.
Vlc.
Db.
L " ( ) ") () ") ( ")
L "4%
4"
L %
L
"
"
"
"
3
10
" " )"
) ( )
"
%
x.s.p.
5
( )
3
) "4 ) "4
N &
3
"
(
L
4 "
"
7 " #
"
(dolce) )"
%
3
12 " )" " )" " " "
"
"
3
"
"
s.t.
(dolce)
IV
4" L & :
5
)
)"
pizz.
" "4
(dolce)
? &
? &
"
3
"
(
"
86
(gliss. poss.)
3
)"
" & ) 4" #
" "
%
"
.///////////// 5? 7 " &
3
)
"
(do not prenounce end note)
"
.//////////////// " )4
" #
" &
(dolce)
"
"
) "4 (dolce)
" &
"
392
5
3" "
Fl.
Cl.
Cor
6
5
" ")"
./////////////////////////////////// 2
)
"I 3
Trp.
Tbne.
"I &
K
"
" #
(gliss. poss.)
F L
3
LF
5
3
( ")
I K
)" #
"
)" " " )"
" KA
" K
" A
" K
F L LF
2
3
5
"
"
sand paper
rim
3
#
Perc. II
5
snare drum
(damp)
5
timpani
rim
Perc. III
" # 3
"
= .//////// "3 &
N
Pno.
7 )" # 5
" " " " " " "
N #
)"
7
? 3 #C
" #
)"
"
" #
3
Vla.
3
Vlc.
Db.
"
?
III
3 (gliss. poss.)
"4
H
"
"
4" #
%
"
*V
pizz.
"
( ")
)" &
) "4
" #
(dolce)
5
) "4
( )
)"
87
*
&
LF III 4" F L %&
)" " LF =.////////////////// * " I " (slide finger) LF 3
(dolce)
H
73
flautando
" F & L
.///////////////////
3
LF
F L
#
pizz.
F L
F L
con sord: ton-wolf pizz.?
Vl.I
#
LF
"
392
Vl.II
LF
%
%
Perc. I
F L
4" %& : %
396
O) "
Fl.
"
"
.////////// " 5" &
"
2
"I
Cor
2
(")
) " (gliss. poss.) &
5
" # )"
" #
" KA " # A
Tbne.
"
"
" A
5
"
"
Trp.
)"
( )
3
Cl.
./////////
3
" K "
"I "
K
F" >
"
"
KA
K
5
5
"
)"
"
Pno. 3
@
X
396 Vl.I
" #
"%
"
"%
N
Vl.II
? &
"
"
(
Vlc.
? &
"
? &
"
pizz.
)" &
)
IV
) "4
3
(dolce)
III
" .///////////// " " &
Vla.
) 4" #
3
3
) 4"3
" &
rim
.///// "
) "4
)4
( )
(gliss. poss.)
(dolce) 3 I "
? &
(gliss. poss.)
%
% 88
"
"
"
5
snare drum 5
%
.///// 73 ) " " &
>F
( )
F >
N &
%
./////////////// " " >F ( )
pizz.?
&
(dolce)
" # &
>F
>F
%
(2+3)
>F
>F
#
rim
F >
3
%
"
2
3
5
3
pizz.
Db.
= 7 " ) ") "
3
#
>F
&
H
3 ) ", "
( )
"I A
I
F >
(gliss. poss.)
5
(tuned very low)
7
2
"
>F
roto-tom
Perc. III
"
"I KA
F >
rim
.//////////// )" " &
"
>F
rim
snare drum
3 3E
F >
" K
Perc. I
#
(gliss. poss.)
>F
"
sand paper
Perc. II
"
)" 6 "
I ./////// ? &
)"
pizz.
(dolce) 5
"
4"5 #C
"
"
3
4" #
" #
(gliss. poss.)
5 "
"
>
Fl.
>
Cl.
Cor
Trp.
Tbne.
"I
.//////// "" &
400
( )
.//////// "
(
")
)"
)"
>" A
"I K
>" A
" KI
>
)" &
"
"
"
2
3
3
" "
"
"
"
"
"
"
5
"I A
(gliss. poss.)
"
KA "
"
"I K "
"I
K
KA
"
A
sand paper
%
>
Perc. I
3
>
Perc. II
> %
Perc. III
&
"%
)" #
>
> 4" # >
Vl.II
7 Vlc.
Db.
4"
4" :
pizz.
%
%
"
"
(
"
"
"
"
6
")
%
" 5
(dolce)
(dolce) (gliss. poss.) "
? #
(dolce)
" #
3
?
I II III
3
x.s.p.
> 5 >"
@
) "4
4"
IV (dolce)
Vla.
3
./////////
"
3
4"5
> ) "&
rim
3
)"
="
N
>
4%
snare drum
(do not prenounce end note)
E
Pno.
Vl.I
timpani
rim
>
400
E
rim
rim
"
) "4
" &
) "4
)" 89
.//////
x.s.p.
3
%
"
(dolce) (gliss. poss.)
"
? &
5
)"
)" "
(" )
pizz.
"
" 2"
? &
III " 5
)"
pizz.
)"
(gliss. poss.)
" # I
.//////// ? &
"
404 Fl.
)" 5 "
" &
>3
"(gliss. poss.) & >
.//////// " " & ( )
Cl.
Cor
"
3
3
)"
)"
>"
A
>
"
" "I K KA
>
"I A
>
>
Trp.
Tbne.
>
A wood block
#
Perc. I
Perc. II
roto-tom
=3
"I
"
>
K
>
>
>
>
>
H
Perc. III
>
"
>
%
2"
" &
&
>
>
Pno.
>
flautando 404
"
4 ( 4) ( 4) ( 4)
Vl.I
4" % :
Vl.II
Db.
#
6
5
% 5
"4
))4
)4 ) "
:
? #
>
./////////////////// )" " " > &
? &
2"
" 2 ) "4
>
pizz.
3
pizz.
%
Vla.
Vlc.
)4
"
" %
(dolce) (
)" ) (" ) (" ) )"
>
s.p.
5
>
%
x.s.p.
>
"
(dolce)
%
3
" &
(gliss. poss.)
" 90
>
>
( )
(gliss. poss.)
./////////// ? ? # &
(tr.: smallest possible interval) .///////////////// " )" %
3
) 4" &
3
"
II
3
4" %
7
%
>
%
4" % :
) 4" %
4" #
: %
> > >
" &
408 Fl.
>
Cl.
>
"
(gliss. poss.) 5
>
" "
"
E " "I
3
>
Cor
>
I A
>
Trp.
>
I A
>
Tbne.
>
>
2 sand paper 3
>
Perc. I
>
drum-' scale' Perc. II
>
Perc. III
>
3
%
>
> 408
Vl.I
Vl.II
Vla.
Vlc.
rim
=
>
7flautando " > 5:3 :
"
"
"
"
=
3
"
con sord: ton-wolf
sempre
4
4 )4 %
4" 4" %
"
)"
(dolce)
4 "
5:3
>
7
?
4" % > : 7 4" >
" #
Y
>
>
" )"
>
>
3
Db.
7
3
N &
Pno.
>
#
III
.////// ? &
3
(gliss. poss.)
5
% 91
7 4" &
) 4) ( 4) 4 )(4)
(
7
6
"%
"
flautando
"
" %
> >
3
> 4
>
: 3
6
%
>
412
3 E
>
Fl.
"
"
"
"
"
5
"
Cl.
>
Cor
>
" A
"I
Trp.
>
" A
" I
Tbne.
>
"
2 sand paper
>
Perc. I
%
drum-' scale'
>
Perc. II
rim
5
timpani 5
>
Perc. III
)"
)"
=5 "
3 )" " "
>
N
Pno. 3
>
>
412 Vl.I
>
7 )"
7 Vl.II
Vla.
Vlc.
" @ flautando
"
) "4
4:3
" % >
?
pizz.
5
%
con sord: ton-wolf
> 7 4" >
4 "
4"
4"
3
.////// 5 IV ? &
7 4" %&
) 4" %&
4" %&
%
7) " %&
) 4" %
%
%
4" %
%
%
%
3
Db.
>
4:3
) "4
5
"4 92
% , 4" & %
416
"
5
Fl.
3
Cl.
"
)"
3
)"
"
"I A
Cor
"I A
Trp.
5
Tbne.
)" Perc. I
drum-' scale'
#
Perc. II
snare drum
sand paper
rim
Perc. III
=.//////// )" " & ( )
Pno.
3 7
416 Vl.I
Vl.II
7
sempre
4
%
flautando Vla.
" %&
" &
4"
4" 3
"%
6
4"
4" % % 4" &
Z
4" & 3
2" "
) "4
"
%
pizz.
4" %
3
? &
(dolce) Vlc.
Db.
%
% %
%
7" %
3
% E pizz.
"
93
%
4" %
%
%
%
%
%
I II III IV 3
?
"
3
4" %# %
"
%
%
420 Fl.
Cl.
Cor
Trp.
Tbne.
Perc. I
Perc. II
Perc. III
Pno.
7 420 Vl.I
flautando
" %
4 4" %
3
Vl.II
Vla.
%
7 ) 4"
6
"% 7
4" 4" %&
4
6
"
3
.///////// " 4 &
4" &
6 6
Db.
6
% %
3
%
%
) '" # III ) ) 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" ) ) 4" 4" 4"
D
3
3
6
6
6
94
5
6
)4
3
Vlc.
6
4
3
3
5
4"
3
3
4"
4"
" 3 #C
424 Fl.
3
3 ) " "" " 5
Cl.
3
"I A
Cor
3
"I A
Trp.
3 "
Tbne.
3
"
sand paper 3
%&
Perc. I
5
#
Perc. II
snare drum rim
Perc. III
" N
Pno.
"
*
A TEMPO
RITARDANDO
) 4" % ! pizz. ?3 & ! 7 3 4 " %
424
3
Vl.I
Vl.II
3
3
) ) 4"
3
4
))4
3
Vla.
(dolce)
s.p.
? &
Vlc.
) 4" &
Db.
95
(The non playing musicians are to hold concentration until the end - as if music could go on)
7) " %
4" %
%
4 %
%
%
% 4 "
3
3
%
%
428 Fl.
Cl.
Cor
Trp.
Tbne.
Perc. I
Perc. II
Perc. III
Pno.
7
428
"
Vl.I 12
12
10
10
7
9:4
9:4
6
7
Vl.II
Vla.
Vlc.
Db.
96
5
6
5
432 Fl.
Cl.
Cor
Trp.
Tbne.
Perc. I
Perc. II
Perc. III
Pno.
432
&
Vl.I 7:4
7:4
3
3
Vl.II
Vla.
Vlc.
Db.
97
437
F
Fl.
F
Cl.
F
Cor
F
Trp.
F
Tbne.
F
Perc. I
F
Perc. II
F
Perc. III
F About one centimeter from the bridge
Pno.
D 437 Vl.I
Vl.II
Vla.
Vlc.
Db.
F
F
MOLTO RITARDANDO beat as if the music might continue...
F F F F F FINE 98
SSA, 24.09.01, Freiburg.