Nicolai Worsaae Zwischen den beiden Kammern (2013) for flute, clarinet, percussion, violin, cello, piano Dur. 10'
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
With support from the Danish Composers’ Society and Koda’s fund for Social and Cultural Purposes Støttet af Dansk Komponist Forening og Kodas nationale midler
Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg
Nicolai Worsaae Zwischen den beiden Kammern
(2013)
for flute, clarinet, percussion, violin, cello, piano Dur. 10'
PERFORMANCE NOTES
Signs / Tegn
General explanations (English)
Almene forklaringer (Dansk)
1/4-tone sharp.
1/4 tone forhøjet.
3/4-tone sharp.
3/4 tone forhøjet.
1/4-tone flat.
1/4 tone sænket.
3/4-tone flat.
3/4 tone sænket.
When added to a repetition-sign the repeated bars should be played totally 3 times (repeated two times).
Betyder at afsnittet skal spilles i alt tre gange (gentages to gange).
Explanations for the woodwinds
Forklaringsliste til træblæserne
Air and key sound. No pitch. Blow through the instrument while making noice sounds with the keys in a continuous tempo.
Luft og klaplyde uden tone. Blæs luft gennem instrumentet samtidig med at klapperne aktiveres i et fast tempo.
Air and key sound. No pitch. Blow through the instrument while making noice sounds with the keys in the indicated rhythm.
Luft og klaplyde uden tone. Blæs luft gennem instrumentet samtidig med at klapperne aktiveres i den angivne rytmiske figur.
Air sound. Blow through the instrument. No pitch.
Luftlyd. Blæs luft gennem instrumentet. Ingen tonehøjde.
Air sound with a “glissando” between the two notes. Should anyway result in a sudden change in the dynamics at the last note.
Luftlyd med en dynamisk subito-effekt til slut. Kan i mange tilfælde skabes naturligt ved dette glissando.
Only for the flute! Close your lips around the mouth-piece and blow fast through the instrument. This creates a windy like glissando. The angle to the enbrouchure-hole can change the sound a lot. How ever the result should in this case be as aggressive as possible resulting in a natural crescendo towards the upper note.
Gælder kun fløjten! Dæk mundstykket med læberne og blæs gennem instrumentet. Dette skal resultere i et luftigt glissando med et naturligt medfølgende crescendo. Vinklen til hullet kan i denne sammenhæng være af afgørende betydning for den endelige lyds karakter. Det foretrækkes at lyden får så meget tilføjet energi og retning frem for reel tonehøjde. Kan anses som en slags percussiv effekt.
Only for the flute!
Gælder kun fløjten!
Tongue-ram or pizzicato effect is a percussive or pizzicato like sound with a clear attack and some how well defined pitch. It is produced by completely covering the embouchure hole with the mouth and forcibly sealing it with the tongue. The result is a pitch sounding a major seventh lower than the fingered note. The upper note indicates the fingering and the lower the actual pitch. The preferable sound for this piece is to achieve a clear attack rather than a perfect pitch!
Tongue-ram eller pizzicato-effekt. Lyder som en slagtøjseffekt eller et slags pizzicato. Effekten kan skabes på flere måder. En måde er at dække læbepladen med læberne og ”slå” tungen mod hullet. Den komprimerede luftstrøm skaber en kort dump luftlyd med en tonehøjde, der klinger en stor septim under det anvendte greb. Øverste tone indikerer derfor grebet og underste tonen. Effekten og dermed luftstrømmen kan skabes på flere måder. Den optimale lyd for dette stykke er at skabe så meget attack på lyden som muligt!
Flutter-tongue is a tremolo effect rolling the tongue while playing the indicated note. If the dynamic is extremely low (ppp) the result should be a more noisy sound. (Air + pitch + flutter)
Flattertunge er et slags tremolo skabt ved at lade tungen rulle mens man spiller. Ved meget svage dynamikker (ppp) er lyden mest støjpræget eller snurrende.
Lontano indicates that the tone sounds distant and vague.
Lontano betyder at det skal lyde som om tonen kommer langt væk fra.
Only for the clarinet! Is a multiphonic. The lowest note indicates the fingering. For more specific information go to: www.clarinet-multiphonics.org
Gælder kun klarinetten! Dette er en multifon hvor to toner frembringes på samme tid. Den underste noterede tone er også grebet. For yderligere specifikationer om greb se evt: www.clarinet-multiphonics.org
Only for the clarinet! Lay your tongue against a lot of the reed. Gently push upward so that the tip and rail of the reed is closed. Get rid of as much air in the oral cavity as you can and seal off the lip so that you have an airtight fit. The tongue is quickly released in a downward motion. When you release the tongue downward, you also drop your jaw and open your mouth in a “popping” motion.
Gælder kun klarinetten! Dæk så meget af mundstykket med tungespidsen og skab et undertryk i munden ved at frigive luft fra mundhulen. Slip tungen hurtigt i en nedadgående bevægelse samtidig med at du åbner munden lidt (taber kæben). Dette skulle resultere i en perkussiv poppende lyd.
Only for the clarinet!
Gælder kun klarinetten!
Play a multiphonic glissando from the indicated fundamental. In this case the low e. The sound shouldn’t be too rough.
Udfør et multifonglissando ud fra den angivne grundtone. I dette tilfælde lille e. Glissandoet gælder altså den høje tone i multifonen. Klangen skulle helst ikke være for grov.
Air sound. Create a fuzzy unstable tone. Partly air partly tone. Unclear pitch. In this case with a small flutter effect if possible.
Dette er delvis en luftlyd og delsvis en svag tone. Stabil og “gennemsigtig” i dens karakter. I dette tilfælde med flattertunge. Giver en dyb knurrende lyd.
Explanations for the piano
Forklaringsliste til klaveret
Use a sponge from the kitchen or something like that with a fairly rough surface. Scratch on the deepest string inside the piano.
Anvend en skurresvamp fra køkkenet eller lignende til at skrubbe på den dybeste streng.
Press down the keys silently while you have pressed down the sustain pedal. When you slip the pedal it should activate the strings and make them ring.
Hold tonerne nede stumt, mens du også holder pedalen nede. Slip pedalen pludseligt så det aktiverer strengene. Resultatet er at strengene klinger dog meget svagt og at, der kommer et klart attak fra pedalen.
The sound of the notes is very weak and distant and the sound of the pedal is like a percussive effect.
Use a plastic card like a credit card to slide on the keys. In this case only the black keys. The difference between the sound of the black and white keys is huge. The black keys are more like a guiro and they make more noise. The white keys are less noisy (dull). Therefor it takes more energy from player to create an audible guiro like sound.
Anvend at plastikkort så som et kreditkort til at spille et glissando på tangenterne. I dette tilfælde er det kun på de sorte tangenter. Den lydlige forskel mellem de sorte og hvide tangenter er ret stor. Det er lettere at opnå en grov støjende guiro-agtig lyd på de sorte, mens det kræver mere kraft for at frembringe en hørbar lyd på de hvide.
Cluster sound played very gently with the palm of the hand.
Kluster skabt med håndfladen. Gerne med en blanding af sorte og hvide tangenter. Lyden er ret blød.
Cluster sound played with the fist. Hit the keys as hard as possible as high on the piano as possible. Only on the white keys (to avoid any damage of the hand). Also used on the deepest keys.
Lav et kluster ved at slå med knyttet hånd så højt på tangenterne som muligt, så hårdt som muligt. Ram kun de hvide tangenter for ikke at skade hånden. Det samme er gældende på de dybeste tangenter.
Cluster sound played with the fist of the left hand and then quickly followed by a glissando by the right hand. The beginning point of the glissando should be as close to the cluster as possible.
Lav et kluster ved at slå med venstre hånd knyttet hånd dybt som muligt efterfulgt af et glissando med højre hånd. Dette glissandos begyndelsespunkt skulle gerne være så tæt på klusteret som muligt.
Explanations for the percussion
Forklaringsliste til slagtøjet
Notation for the guiro.
Notation for guiro.
Scrape two pieces of styrofoam against each other in the indicated rythm.
Skrab to stykker flamingo mod hinanden i den noterede rytmiske figur.
Create a tremolo with the sandpaper (also used for the styrofoam).
Lav en tremoloeffekt med sandpapiret. Notationen gælder også for flamingo.
The notation is used for metal instruments such as the bike wheel, cowbell and cymbal. It indicates that the result of the sound should be a screaming-like / distorted sound that clealy involves multiple pithes. This is achieved by a hard pressure either by the bow or a stick against the metal surface.
Denne notation anvendes til metal instrumenterne så som cykelhjul, koklokke og bækkener. Den betyder at man skal frembringe en lidt rusten halvskrigende lyd med tydelige og flere samklingende overtoner. Dette opnås ved at man stryger eller skraber hårdt mod instrumentets overflade.
For the cowbell: Play on the bell (bottom of the instrument). Choose a suitable size of instrument where this effect works on.
På koklokken spilles der på mundingen (den underste del) af instrumentet. Vælg koklokkens størrelse efter denne effekts virkning.
This is the key-signal for the bike wheel. It’s a drawing of the bike wheel with the hub as the top circle, the spokes as the two crossing lines and the rim as the half circle at the buttom. The notes are therefor placed at the actual point of playing. If the note is placed on the upper staff line of the system, the point of the bow should be just at the crosspoint of the spokes. In general the pitches are high behind and near the crosspoint as well as near the rim. At the very middle of the spokes the tone is more like a rusty old pond.
Dette er “nøglen” til cykelhjulet. Det er en grafisk afbildning af hjulet med narvet øverst, egerne er de to krydsende streger og fælgen den underste halvcirkel. Dermed er tonernes placering i systemet lig med hvor på hjulet man skal spille. Generelt er tonerne høje bagved og tæt på egernes krydsfelt samt tæt på fælgen. I mellem krydsfeltet og fælgen har tonerne mere karakter af en gammel rusten havelåge.
Explanations for the strings
Forklaringsliste til strygerne
Sul pont / Al pont
Means not, as in conventional classical interpretation, near the bridge but actually on the bridge. To avoid any misunderstanding the term “on the bridge” is used instead and “al pont” when the bowing is near the bridge.
Denne betegnelse betyder ikke som i klassisk musik tæt på broen men rent faktisk på stolen. Derfor anvendes den engelske term i stedet for når der skal spilles på stolen mens tæt på stolen er udtrykt ved “al pont”.
I. II. III. IV.
Are the indications for the specific strings.
Er betegnelserne for de enkelte strenge.
Total dampening. Dampen the strings with the left hand near the playing point.
Fuld dæmpning. Dæmp de angivne strenge så der ikke klinger nogen specifik tone ved at dæmpe tæt på spillepunktet.
Bow pressure. Produces a scratch tone but with a more screaming character.
Buepres. Giver en skrabe eller skrigeagtig tone.
Maximum bow pressure. Produces a noisy scratch / scraping sound with a very reduced overtone spectre.
Det kraftigst mulige buepres. Skaber en meget mørk og overtonefattig støjlyd.
Is a graphical key representing a string instrument. On top is the tail piece (the small rectangle), below that is the bridge (the small horisontal line), under that again is the fingerboard (large rectangle) starting from the top line of the system.
Er en grafisk nøgle der viser et strygeinstrument. Øverst er strengeholderen (lille firkant), under er stolen (den lille vandrette linje) og under den er gribebrættet (stor firkant) som begynder på øverste linje af systemet.
The notes are therefore also marking the point of playing.
Nodernes placering fortæller dermed hvor på instrumentet der skal spilles.
Play on the tail piece with the bow (not on any string). The result is a fuzzy tone.
Stryg på strengeholderen (ikke på strengene). Dette resulterer i en uklar tone.
Play a battuto (on 2. and 3. string) approximately at the normal bowing point while you dampen the two strings. Gives a more percussive sound.
Spil et battuto (2. og 3. streng) cirka på det normale punkt mellem stol og gribebræt samtidig med at hånden dæmper de to strenge. Giver en percussiv lyd.
Move the bow “vertically” between the two positions on the two dampened middle strings. Gives a scraping white noise like sound.
Bevæg buen “vertikalt” mellem de to angivne positioner og dæmp strengene. Dette resulterer i en skrabe lyd som har lidt karakter af hvid støj.
Same type of tecnique but now with more bow pressure. This should result in a scratchy or creaking sound. Use the hair near the frog of the bow (down bow).
Samme slags teknik bare med mere buepres. Dette giver en grov skrabende eller knirkende lyd. Det anbefales at anvende buen ved frocheenden (nedstrøg).
Play with as much bow pressure as possible between the bridge and the tail piece. In this case on the first string. Results in an aggressive quasi screaming like sound.
Spil med så meget buepres som muligt. I dette tilfælde på et punkt mellem strengeholderen og stolen på første streng. Giver en lettere skrigende/skrabende lyd.
Play / knock with the wood side of the bow on bridge.
Spil / “slå” med bagsiden af buen på stolen.
Bow with the hair on the bridge. It is preferable if the strings are avoided (therefor make sure you damp the strings). This makes an air like sound.
Spil med buen på stolen. Det skal så videst muligt undgås at strengene klinger med. Derfor bør de dæmpes med hånden. Dette resulterer i en luftagtig lyd.
Play a very fragile crescendo on the first string between the bridge and the tail piece ending with a small but sudden gesture. Sounds a little bit like the tone has been interrupted.
Spil et meget porøst og svagt crescendo på den første streng mellem strengeholder og stol. Dette ender med en lille kort gestik der får det til at lyde som om tonen pludselig e blevet afbrudt.
Bow at the side og the instrument. Results in a air-like sound.
Stryg på siden af instrumentet i den udskårede runding ved f-hullet. Giver en luftig støjlyd.
Is a classic Bartok pizzicato. Exaggerated pizz, where the string hits the finger board and gives a percussive sound. In this case followed by a quick dampening of the string.
Er betegnelsen for et klassisk Bartok pizzicato. Dette er skabt ved at man hiver i strengen så den rammer gribebrættet og giver en smækkende slagtøjsagtig støjlyd. I dette tilfælde er strengen, hurtigt efter smækket, dæmpet så den ikke klinger.
Play an extremely soft and fragile glissando. As less focused on the pitch as possible (more noisy).
Spil et ekstremt svagt og skrøbeligt glissando med så lidt fokus på tonens kvalitet som muligt (støjpræget).
Play a “jumping-bow” with the wood side of the bow. Results in a more dry and wood-like sound.
Anvend bagsiden af buen og spil et spiccato. Giver en mere tør og træagtig lyd.
Play a glissando on the indicated harmonics. Makes a transparent sound of harmonics in this case from the e5 (1st string).
Spil et glissando mellem de noterede flageoletter med samme lette fingertryk. Giver en gennemsigtig overtone klang ud fra grundtonen e2 (1. streng).
Play a fast vertical movement on the strings with the bow. Now indicated rythm. The sound should gradually change from white noise-like sound to become more rough and creaky.
Bevæg buen “vertikalt” mellem de to angivne positioner så hurtigt som muligt og dæmp samtidig strengene. Lyden skulle gerne gradvist ændre sig fra hvid støj til en mere skrabeagtig lyd.
Play an extremely fast and tight tremolo. The sound is more noisy or buzzing.
Lav et meget hurtigt og tæt tremolo. Resultatet skulle gerne være mere støjende eller summende end klassiske tremolo-effekter.
[Zwischen den beiden Kammern] [1. movement]
3 8 Flute (C)
Cello
.. ‰
&
air & flutter toungue
‰
.. ‰
÷
A
e = 72 Silente
‰
æ p –-
æ
–
‰
–-æ
p
æ
–
‰
‰
..
–
æ p
–
æ
‰
–
æ p
–
æ
‰
∑
∑
÷[
O
–
æ p
–
æ
‰
‰
..
‰
≈ ‰
O
fl P
∏
play on the body of the instrument
‰
–
æ p
‰
‰
O
O
fl P
∏ [s]
‰
–
æ
–
–
æ p
æ
‰
–
æ p
≈ ‰
≈
O
o
‰
–
æ
‰
A ∑
œœ ..
œœ ..
∏
p
fragile
Harmonica in c
..
‰
[s]
∑
Perc
&
‰
e = 72 Silente
..
÷
–
play on the body of the instrument
Group 1
3 8
æ
æ p –-
..
∑ œœ
∑
∑
∑
œœ ..
œœ ..
∏
p
fragile
‰ ∏
..
∑
∑ œœ
‰ ∏
e = 72 Silente
3 8
..
& ? 3 8
Group 2
Clarinet (B)
÷
A
Specific dampening with blue tack (a little bit of pitch)
‚ ‚ b‚
fi
∑
]
∑
..
.. ‰
∑
&
.. m œœ . . ∏
‰
∑
?
‰
Scrabe on the deepest string (inside piano)
∑
∑
..
∑
e = 72 Silente
÷
Inside piano:
..
∑
dampened with a blancket (light dampening)
Piano
Violin
fi
dampened with a blancket (light dampening)
A play on the body of the instrument
–
æ p
–
æ
œ. œ.
p
‰
–
æ p
–
æ
œ. œ.
∏
‰
–
æ p
–
æ
œ œ
p
‰
æ Δ∆π *
‰
..
‰
‰ ∏
..
m œ .. ∏
‰
‰
5:3
‰
b œ. ∏
–
æ p
∑
œ
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 1
–
æ
œ. œ.
p
∑
‰
Scrabe on the deepest string (inside piano)
æ Δ∆π play on the body of the instrument
‰
n œ.
‰
–
æ p
æ Δ∆π
‰
–
‰
æ
œ. œ.
∏
5:3
‰
œ.
∏
–
&
∑
æ Δ∆π
æ p
‰
b œ.
–
æ
œ œ
p
‰
‰
&
‰ ∏
© Nicolai Worsaae 2013
B 9
Fl. (C)
C
& ..
‰ ß
‰
‰
o
O
O
fl P
∏ [s]
≈
‰
‰
‰
‰
≈
O
e = 96
..
4 8 ‰
ß
o
æ p
æ
–-
o
–
‰
3 8
–-
æ p
–
–æ
–æ
‰
æ
‰
≈
O
o
IV. str. bow
÷
Vlc.
.. ‰
play on the body of the instrument
‰
–
æ p
Gr. 1
B ÷
‰
–
æ p
‰
–
æ
–
æ p
–
æ
‰
‰
..
‰
–
æ ∏
‰
œœ
fragile
‰
∏
–
æ P œœ
p
‰
–
æ ∏
∏
œœ
fragile
‰
∏
∏
–
æ P œœ
p
‰
–
æ ∏
∏
œœ
fragile
‰
∏
∏
–
æ P œœ
p
‰
‰
∏ ‰
‰
∏
..
Scrabe on the deepest string (inside piano) with a plastic card.
Pno.
? ..
B
Gr. 2
∑
Δ∆∏ °
Δ∆.
≈
‰
∑
f
gliss. O O mO m O O O mO ‰ & ..
Cl. (B)
∏
& .. m œœ .. ∏
7:4
‹.
π
≈
..
‹.
Δ∆∏ °
Δ∆.
π
e = 96
‰
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p
œ. œ.
p
∏
œ. œ.
∏
p
4 8 ≈
∑
C ‰
÷ ..
∑
œ œ
p
‰ ∏
..
play on the side of the instrument
‰
–
æ p
–
‰
slap tongue
Δ∆
> F
≈
b Δ∆ > F
b b œœœ. œœœ. œœœ.
≈
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 2
n Δ∆ > F
≈
÷
‰
‰
Œ
π
°
4 8 æ
3 8
∑
*
e = 96
‰
∏
∑
f
7:4
J F
∑
3 8
œœ ..
œœ
b ––– ––– ––– >>>
∏
gliss.
∑
On the keyboard:
..
∑
I. str.
∑
∑ fragile
®
–æ
Δ∆
4 8
∏
‰
–æ
‰
gliss.
(f)
‰
gliss. O mO mO O O mO O
Δ∆
∏
‰
∑
..
∑
≈
gliss.
‰
Scrabe on the deepest string (inside piano) with a plastic card.
I. str.
Vln.
∑
Δ∆
∏
e = 96
≈
C ∑
–æ
finger
B & ..
‰
Piece of wood
Sandpaper
Perc
9
‰
C
.. ‰
& ..
–
æ
–æ
–
æ p
æ
–
‰
–
x
æ
air & key clicking
–
x
∏
xJ
–
p
3 8 –
&
æ p
‰
∏
&
© Nicolai Worsaae 2013
3 D 8 16
&
Fl. (C)
play 3x tongue ram
..
‰
‰
–æ
..
–æ
–æ
gliss.
÷
..
–æ
–æ
Piece of wood
–
œœ
..
∑
∏
&
..
?
..
‰
b >– >– >– b >– >– >– ®–– –– –– –– –– –– ® ‰
‰
.. ..
Vln.
Cl. (B)
&
&
..
..
O mO mO O O mO O
‰
π
7:4
P
play 3x
OmO mO O OmO O
I. str.
‰
gliss.
π
7:4
slap tongue
Δ∆
> F
≈
b Δ∆ > F
≈
n Δ∆ > F
≈
‰
–æ
‰
≈
–æ
? ..
‰
–
æ ∏ œœ
∏
p
‰ ∏
œœ
∏
≈
Δ∆
> F
≈
m Δ∆ > F
P
E .. ..
b –>–– –>–– –>–– –>––
≈ .. ..
‰
‰
œ
‹
fl Ï
≈
‰
> ƒ
‹
fl Ï
tongue ram air & flutter toungue
∏
fi
Sandpaper
–
æ ∏ œœ
fragile
‰
‰
..
‰
b >– >– >– >– >– >– >– ®–– –– –– –– –– –– ––
(fff)
‰
–
∏
p
‰ ∏
œœ
‰
‰
∑
..
≈
n Δ∆ > F
≈
‰
œ
> ƒ
fi ≈
´ ´ ´ ´ ´ ´ ´ ´
(batutto)
F
..
Δ∆
> F
O b‹ > (ff) F
‰
œ
> ƒ
≈
‹
fl Ï
≈
‹
fl Ï
..
≈
∏
fi ≈
Sandpaper
‰
–
æ ∏ œœ
fragile
∑
m Δ∆ > F
≈
..
Δ∆
> F
b Δ∆ > F
‰
∏
..
p
‰ ∏
..
‰
‰
..
œœ
√ m œ>œœ œ>œœ œ>œœ m œ>œœ œ>œœ œ>œœ œ>œœ ®
‰
..
‰
b >– >– >– >– >– >– >– ®–– –– –– –– –– –– ––
(fff)
–
..
∑
(f)
3 F e = 124 8 ´ ´ ´ ´ ´ ´ ´ ´
≈
æ P
∏
‰
..
∑
‰
..
∑
´ ´ ´ ´ ´ ´ ´ ´ F
‰
&
‰
(ff)
≈
..
æ
–.
..
(ff)
b Δ∆ > F
P
‰
air & flutter toungue
Piece of wood
æ P
√ m œ>œœ œ>œœ œ>œœ m œ>œœ œ>œœ œ>œœ œ>œœ ®
..
..
∑
∏
e = 124
æ ≈
–.
pizz.
≈
‰
..
æ
–.
(f)
2 8 ‰
‰
≈
∑
3 F 8 ∑
b >– >– >– ®–– –– ––
≈
..
∑
∑
‰
> ƒ
..
∑
2 8
‰
œ
fi
3 F e = 124 8 Piece of wood
‰
–
æ P
O b‹ > (ff) F
ß o
2 8 Sandpaper
‰
pizz.
Δ∆
gliss.
tongue ram
..
O
o
–æ
e = 124
(f)
°
gliss.
–æ
3 F 8
2 8
≈
E .. ..
* I. str.
.. ..
‰
π
o
fragile
play 3x
O b‹ > (ff) F
E
® ≈ ‰
(f)
Gr. 2
p
‰ ∏
œœ
œ
Pno.
3 D 8
∏
b œ.
∑
‰
æ P
‰ ß
.. ..
‰
–
æ ∏
3 D 8 16
gliss.
Sandpaper
‰
.. ..
.. ..
play 3x
fragile
&
O
–æ
Δ∆
gliss.
≈ ‹ ≈ ‹ . . π p
Perc
≈
o
Gr. 1
3 D 8
tongue ram
≈ ‰
O b‹ > (ff) F
ß o
Vlc.
E
≈
‰
air & flutter toungue quasi tone
æ –P
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 3
æ ≈
–
∏
..
Δ∆
> F
≈
b Δ∆ > F
≈
‰
Oœ
fragile
æ ∏
air & flutter toungue quasi tone
æ –P
..
æ ≈
–
∏
..
© Nicolai Worsaae 2013
G 24
&
Fl. (C)
H
e = 96
æ ≈
‰
–.
P
‰
O
O
∏ [s]
fl P
–æ
–æ
≈
O
O
∏ [s]
fl P
–æ
–æ
≈
O
O
fl P
∏ [s]
≈
..
O
O
fl P
∏ [s]
≈
O
O
∏ [s]
fl P
–æ
–æ
≈
O
O
∏ [s]
fl P
–æ
–æ
≈
O
O
fl P
∏ [s]
≈
..
,
IV. str. arco
‰
Vlc.
‰
bow
–æ Δ∆
∏
gliss.
‰
Δ∆
∏
finger
Gr. 1
G ÷ Perc
Sandpaper
–
æ ∏
‰
–
æ P
∏
–
æ ∏
∏
∏
–
gliss.
‰
–
æ ∏
æ P
∑
∑
∏ ∑
∑
..
‰
∑
?
&
∑
&
∑
‰
‰
e = 96
Oœ
æ
Δ∆
‰
gliss.
∏
..
–
‰
–
æ ∏
æ P
..
Δ∆
∏
–
∏
‰
–
æ ∏
æ P
∑
Inside piano:
∑
∑
..
∏ ∑
∑
Scrabe on the deepest string (inside piano) with a plastic card.
G
‰
gliss.
‰
Δ∆
∏
–æ gliss.
, ‰
‰
÷ ..
–
æ ∏ œœ
fragile
‰
–
æ P
∏ œœ
J p
∏
..
∑ œœ
∏
‰
‰
æ
æ
∑
æ
‰
æ
Δ∆∏ °
æ
air & flutter toungue quasi tone
æ –P
∑
,
..
H
e = 96
Pno.
Cl. (B)
‰
–
æ P
∑
&
Vln.
Δ∆
‰
–æ
H
24
Gr. 2
gliss.
‰
e = 96
&
G
‰
–æ
∑
∑
..
∑
∑
..
,
Scrabe on the deepest string (inside piano) with a plastic card.
Δ∆.
≈
‰
‰
∑
f
Oœ
æ p
æ ≈
–
∏
..
‰
‰
H æ
‰
∏
æ
‰
æJ
‰
m m Oœ æ
air & flutter toungue quasi tone
æ –P
..
..
Oœ
æ
æ ≈
–
∏
æ
‰
Δ∆∏ °
Δ∆.
‰
‰
f
æ
æ
‰
≈
æ
æ
æ
b Oœ æ p
air & key clicking
÷
–
x
∏
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 4
–
xJ
p
–
x
æ
‰
∏
∏
æ
æ
æ
Oœ
æ
air & key clicking
–
x
∏
–
xJ
–
x
p
≈
‰
÷ ..
..
,
,
∏ © Nicolai Worsaae 2013
I 32
Fl. (C)
& ‰
÷
Vlc.
e = 72
‰
4 8 air & flutter toungue
‰
æ p –-
play on the body of the instrument
‰
–
æ p
Gr. 1
I ÷
e = 72
–
æ ∏
Perc
I
Gr. 2 Vln.
Cl. (B)
÷
÷
–
‰
æ
∏
–
æ ∏
–-æ
æ
‰
–
‰
–
p
–
æ p
æ
‰
–
æ P
∑
–-æ
p
–
æ p
–
æ
‰
–
‰
æ
æ
–-
p
–
æ p
æ
‰
–
‰
–
æ
–-æ
p
–
æ p
–æ
‰
‰
–
‰
‰
æ
–
æ ∏ fragile œœ ..
∏ ∑
‰
–
æ P
∏
∏
∑ œœ
–
æ ∏ ‰ ∏
p
‰
–
æ P
∏
–
æ ∏
‰
–
æ P
∑
∏ ∑
e = 72
4 8 ∑
& ?
‰
–
æ P
32
Pno.
‰
4 8
&
I
æ
–
∑
∑
∑
∑
∑
∑
∑
∑
Scrabe on the deepest string (inside piano)
æ Δ∆π *
‰
e = 72
‰
æ
‰
æ Δ∆π play on the body of the instrument
–
æ p
‰
–
æ
–
∏
‰
‰
–
æ p
æ Δ∆π
‰
–
‰
æ
‰
4 8 –
æ p
–
æ
‰
–
æ p
–
æ
‰
–
æ p
–
æ
‰
‰
Cl goes back stage
air & key clicking
x
æ Δ∆π
–
xJ
p
–
x
‰
∏
‰
&
m œ .. ∏ œ
œ. œ.
p
œ. œ.
∏
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 5
œ œ
p
‰ ∏
© Nicolai Worsaae 2013
[1. Intermezzo "A crack into..."]
4 J 8 38
&
Fl. (C)
..
fi ..
Vlc.
Gr. 1
e = 60 Semplice
Œ
..
&
..
œ
-–
‰
π
‰
-–
Œ
π
∑
?
..
∑
..
Cl. (B)
&
π
-–
‰
˘œ
ß
?
-–
π
‰
∏
‰
œ
π
O.
¯O
∏
p
∏
œ
œ
∏
p
‰
‰
..
‰
‰
..
∏
fi -–
sul pont (on the bridge).
≈
‰
π
play 3x
-–
π
‰
π
≈
‰
‰
Œ
˘œ ß
≈
‰
∑
-–
π
‰
-–
‰
∑
3 8
°
sul pont (on the bridge).
-–
∏
bœ
3 8
¤€
e = 60 Semplice
fi
‰
∑
Pno.
4 J 8
œ
π
Œ
π
e = 60 Semplice
&
play 3x
I. str.
∑
..
Vln.
-–
Styrofoam on styrofoam
4 J 8
Gr. 2
∏
e = 60 Semplice
Perc
38
∏
π
∏
œ
‰
œ
sul pont (on the bridge).
4 J 8 ÷
lontano
3 8
π
‰
b ˘œ ß
≈
..
π
..
∑
‰
‰
˘œ ß
play 3x
≈ ‰
∑
‰
fi -–
sul pont (on the bridge).
‰
b œO
∏
œO
œO
< p
≈
‰
π
..
..
∑
3 8 &
J
∑
∑
‰
-–
–
play 3x
‰
..
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 6
© Nicolai Worsaae 2013
[2. movement]
3 K 8 tongue ram 43
≈
&
Fl. (C)
4 8 ≈
O mO b‹ n‹ > > (ff) F
O b‹ >
tongue ram
≈
≈
IV.
Vlc.
Piece of wood
÷
>‹ Ï
Perc
4 8
≈ ‰
‰
Guiro
x
Ï
Pno.
?
÷ Ï >Δ∆
fi
‰ p Oæ
π B.S
&
–
fl ƒ
≈
‰
≈ Œ
‰
b œ ®®®®‰
O-
≈
f
3 8
Oæ
Piece of wood
>‹ Ï
‰
&
––––
>> >>
®‰
Œ
Œ
4 8 F
≈ ‰
>
IV.
∑
‰
Guiro
(large)
´´´
F
‰ P Oæ –
–
fl ƒ
F
≈
Œ
÷
‰ F Oæ
Ï ?
x
÷
Ï >Δ∆
p
fl ƒ
F
‰
3 L 8
n ˘œ
Œ
4 8
‰
‰
Ï
5
?
––––
5 8
Guiro
Œ
fragile
(large)
‰ p Oæ –
–
4 8
-
–æ.
x
f
P
≈ ≈ ÷ ‰ P ÷ Ï >Δ∆ x
∑
P
–.
3 8
‰ P Oæ
Piece of wood
>‹ Ï
≈ Œ
fl ƒ
-
3 8
pizz. IV.
>
5
´´ ´
F
≈ ‰
‰
Guiro
(large)
‰ F Oæ –
–
π
3 8
≈
O-
f
5 8
f
P
∑
‰ f Oæ –
≈ –
fl ƒ
3 8 ≈ ‰
3 8
b ˘œ ˘œ n ˘œ b ˘œ ˘œ œ ®œ ®®≈ œ œ ®œ ®®Œ
x
≈ ≈ ÷ ‰ P ÷ Ï >Δ∆
≈
‰
∑
≈ ≈ ÷ ‰
x
Œ
fl ƒ F
F
x
?
II. & III. arco
col legno bat.
‹ ≈ ®
ƒ
÷
Ï
5
>— x
––––
4 8
5 8
∑
®≈ m œ Œ >> >> ffl (fff)
&
≈ ‰
5
5
5
5
®≈ m œ ®Œ – – – – >>>> fl >>>> (fff) f (fff)
&
?
––––
5 8
>
ƒ
3 8
II. & III. arco
´ ´ ´ O‹ ≈ ® ≈
pizz. IV.
"Free" tempo
[ ∏m œœ ..
–æ
∏
∏
F
b ˘œ ˘œ n ˘œ œ Œ ® œ ®®≈ œ
≈ ≈ ÷ ‰
x
‰
III. str.
∑
3 8 L Œ
3 8
air & flutter toungue quasi tone
fi ≥
F
>—
x
5
≈ ‰
≈ ‰
F
L
÷
‰
F
II. & III. str.
>‹ >‹ Ï
≈ ‰
œ
∏ ∏
P
5 8
"small creaky sound"
Piece of wood
®≈ m œ ®Œ – – – – >>>> fl >>>> (fff) f (fff)
&
π ∏
π
3 8
5
‰
œ
3 8
œ
∑
œ ®®®®≈ œ ‰
‰
3 "small creaky sound" 8 fi ≥ III. str. . –
b ˘œ f
≈ ‰
–
bœ
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
≈ ‰
f
≈ –
fi
∑
5 8 ≈ ‰
O-
‰
p
II. & III. arco
col legno bat.
‹ ≈ ®
5 8
≈ ‰
4 8
œ
π ∏
ƒ
>— x
5
5
P
∑
(fff)
II. & III. str.
∏
3 L 8
œ
‰
–æ
pizz.
3 8
˘œ
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
Vln.
Cl. (B)
4 8
≈ ‰
3 K 8
Gr. 2
(large)
–æ
II. & III. arco
fragile
f
x
‰
5 8
air & flutter toungue quasi tone
∑
K
&
≈ ‰
–
3 > 8 —
≈ ‰
´ ´ ´
F
∑
÷
O b‹ >
col legno bat.
‹ ≈ ®
F
&
43
ƒ
Gr. 1
3 K 8
>
≈
O mO b‹ n‹ > > (ff) F
pizz.
∑
3 8
col legno bat.
F
f
≈ ‰
Play 3.x
œ œ
P
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 7
Œ π
m œœ .. ∏
œ œ
P
Œ π
] © Nicolai Worsaae 2013
3 M 8 tongue ram 51
≈
&
Fl. (C)
4 8 ≈
O mO b‹ n‹ > > (ff) F
O b‹ >
tongue ram
≈
≈
IV.
∑
÷
Piece of wood
Perc
≈ ‰
Guiro
3 8 51
‹ ≈ ®
&
Ï
Pno.
?
x
4 8
‰ p Oæ –
fl ƒ
÷ Ï >Δ∆
3 8 M
fi
‰
b œ ®®®®‰
π
‰
≈ Œ
‰
&
––––
>>>>
®‰
F
P
f
3 8
Oæ
Piece of wood
>‹ Ï
>
IV.
∑
Œ
Œ
4 8 ≈ ‰
–æ
∏
≈
ƒ
‰
Guiro
´´´
≈
fragile
‰ P Oæ –
fl ƒ
F
x
Ï
Œ
?
x
÷ Δ∆ Ï >
≈ ‰
3 "small creaky sound" 8 fi ≥ III. str. . –
p
‰
‰
f
–
≈ –
fl ƒ
F
3 8 ‰
O.
∏
F
≈
‰
‰
∑
?
N
Wait for the clarinet to finish. Sandpaper
–
æ P
‰
–
æ F
P
–
N
Wait for the clarinet to finish.
∑
¤€ >œ ß
≈
‰
‰
–
æ P
æ F
∑
5
P
Guiro
‰
–
π
∑
‰
>œ ß
≈
‰
(large)
∑
‰
b >œ ß
≈
‰
‰
5
∑
?
––––
5 8
3 8 ≈ ‰
"small creaky sound"
π
∑
≈ ‰
II. & III. str. "white noise"
∑
n ˘œ œ Œ ®®®®≈ œ 5
∑
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
∑
fragile
‰ F Oæ
fi
3 8
®≈ m œ ®Œ – – – – >>>> fl >>>> (fff) f (fff)
&
∑
Wait for the clarinet to finish.
≈ ‰
b ˘œ f
≈ ‰
O-
∑
5 8
Wait for the clarinet to finish.
[s]
(large)
N
∑
II. & III. arco
col legno bat.
F
–
>— ÷
Œ
π
‹ ≈ ®
5 8
≈ ‰
‰
∑
(fff)
II. & III. str.
–æ
pizz.
5
5
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
Vln.
≈
O-
3 8
˘œ
f ≈ ‰
‰
3 8
II. & III. arco
fragile
(large)
5 8
air & flutter toungue quasi tone
∑
>—
x
≈ ‰
F
≈ ‰
´ ´ ´
F
–
M ÷
O b‹ >
col legno bat.
∑
&
Gr. 2
4 8
>‹ >‹ >‹ Ï
ƒ
Gr. 1
3 M 8
>
≈
O mO b‹ n‹ > > (ff) F
pizz.
Vlc.
3 8
Œ
‰
°
N
Wait for the clarinet to finish.
∑
∑
∑
∑
fi
II. & III. str. "white noise"
∑
"small creaky sound"
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
F
≈
‰
‰
Wait for the clarinet to finish.
B.S
Cl. (B)
&
∑
]
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 8
∑
∑
∑
© Nicolai Worsaae 2013
O
P
Meccánico slap tongue
59
Fl. (C)
& ..
fragile dal niente
≈ ≈ ‰ O O fl b‹ > P
‰ O ≈ b‹ >
(ff)
pizz.
? ..
Vlc.
Gr. 1
O
œ
> ƒ
fi
≈ ‰
œ
> ƒ
..
Perc
& ..
O 59
? ..
O
‰
≈ ≈ ‹ ‰ > ƒ –
>œ
‰
≈ ‹ > ƒ
∑
‰
[s]
fi
≈ ‰
œ
> ƒ
..
∑
ß
‰
≈
‹
> ƒ
‰
Guiro
‰
(large)
..
–
π
∑
..
°
& ..
‰
>œ ß
≈
‰
b >œ
œ
Ø
œ
‰
œ
‰
œ
‰
Ø
4:3
‰ 4:3
bœ
Ø
œ
‰
‰ 4:3
œ
œ
Ø
‰
‰
‰
O.
∏
4:3
[s]
II. & III. str. "white noise"
. . . . . . ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
∏
p
–
≈ ‰
..
∑
fi´ ´
≈ ‰
ß
∑
II. & III. str.
fi
‰
p
∏
p
∏
∏
‰
Sandpaper
–
æ P
‰
–
æ F
∑
–
æ P
P ∑
‰
–
æ F
–
P
‰
–
æ P
æ F
∑
Sandpaper
∑
P ∑
–
æ P
∑
‰
–
æ F
P ∑
P
≈ ‰
Meccánico
B.S
Cl. (B)
≈
∏
‰ O ≈ fl P
P
(¤€)
& ..
Vln.
fi
(ff)
O.
Meccánico
Pno.
Gr. 2
(ff)
..
Meccánico Piece of wood
÷
O ≈ ‹ >
4:3
´ ´
‰
(ff)
ß
´ ´ ´ ´ F
(ff)
‰
"growling"
æ
–
P
‰
..
∑
(ff)
‰
∏
–.
∏
æ
–.
U œ
p
r
gliss. m œ
–. æ –.
P
∑
P
´ ´ ´ ´ F
..
..
∑
air & flutter toungue quasi tone
∏
≈ ‰
∑
F
[ –æ
>œ
∑
≈ ‰
∑
∏ ∑
fi
≈ ≈
Δ∆ Δ∆ b Δ∆
..
]
∏
æ
–.
∑
–. æ –.
P
∑
≈ ‰
∑
∏ ∑
∑
II. & III. str. "white noise"
. . . . . ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
∏
p
Play the phrase 2.x and then make a longer brake (approx. 4 e ) slap tongue
–.
[
p
∏
U∑
air & flutter toungue quasi tone
]
> > >
5:4
"growling"
[ –æ
∏
æ
–
P
∏
U‰
∏
Play 3x
]
(ff)
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 9
© Nicolai Worsaae 2013
Q
R
Meccánico slap tongue
68
&
Fl. (C)
O
fl P
‰
≈
‰
..
O.
∏
O
fl P
[s]
pizz.
∑
Vlc.
∑
?
..
œ
> ƒ
Gr. 1
Q
≈
≈
O b‹ >
‰
O b‹ >
(ff)
fi ≈
≈
‰
O ‹ >
(ff)
‰
‰
–
Perc
‰
–
æ P
æ F
–
æ P
P ∑
&
‰
–
æ F
P
..
‰
fi
≈
œ
> ƒ
&
–.
∏
Pno.
?
æ
–. æ
–.
P
∑
–.
≈
∏ ∑
‰
..
..
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
Vln.
p
∏
∑
..
..
‰
>
‰
≈
‹
ƒ
..
‰
≈
‰
‰
>œ
‰
ß
> ≈ ––
ß
fi´ ´
F
(ff)
O
fl P
∏
II. & III. str. "white noise"
"small creaky sound"
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
F
≈
‰
‰
–
‰
fi
≈
‰
‰
II. & III. str. "white noise"
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
∑
π
Sandpaper
–
æ P
‰
–
æ F
P
–
æ P
æ F
∑
P
–
‰
–
æ P
æ F
∑
∑
P ∑
∑
R
‰
≈
b >œ
‰
ß
> ≈ ––
ß
‰
≈
‰
..
‰
..
Meccánico
II. & III. str.
fi
..
∑
Meccánico
¤€ >œ
ß
Q
Gr. 2
‰
∑
Q
O.
R
‰
..
∑
68
>‹ ƒ
∑
[s]
Meccánico
≈
∑
(ff)
Piece of wood
÷
..
≈
´ ´
‰
´ ´ ´ ´ F
(ff)
‰
´ ´ ´ ´ F
(ff)
‰.
–. æ –.
∏
–. æ –.
P
∑
R ..
∑
] ..
∑
≈
∏
‰
‰.
–. æ –.
∏
∑
fi
II. & III. str. "white noise"
∑
"small creaky sound"
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
F
≈
‰
–. æ –.
P
≈
∏
‰
∑
‰
∑
B.S
Cl. (B)
&
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 10
∑
∑
∑
© Nicolai Worsaae 2013
S
4 8
tongue ram 76
Fl. (C)
& ..
≈
≈
O mO b‹ n‹ > > (ff) F
O b‹ >
tongue ram
≈
≈
O mO b‹ n‹ > > (ff) F
..≤≤≤≤
Vlc.
Gr. 1
F
S ÷
≈ ‰
Piece of wood
..
Perc
Pno.
x
Ï ≈
Cl. (B)
≈ ‰
‰ p Oæ –
–
fl ƒ
‰
‰
÷ Ï Δ∆ >
fi
‰
&
––––
>>>>
II. & III. str. "white noise"
4 8
π
®‰
F
molto sensibile
œ-
∏
Piece of wood
>‹ Ï
‰
m -œ
∏
>
IV.
ƒ
≈ ‰
‰
Guiro
3 8
´´´
≈
F
Œ
>— ÷
x
Ï Œ
‰ F Oæ –
–
fl ƒ
F
-
≈ ≈ ÷ ‰ x
≈ ≈ ÷ ‰ & P ÷ Ï >Δ∆ *
fi
II. & III. str. "white noise"
‰ ƒ Oæ
‰
-œ
∏
–
≈ –
fl ƒ
F
5
≈ ‰
‰
..
∏
∑
..
3 8 ≈ ‰
Oæ
‰
π
(large)
– ≈ ‰
4 8
U‰ 3'
T
..
f
‰
‰
3 8
n ˘œ œ˘œ≈ œ Œ œ ®®®
>
5
‹ ≈ ®
ƒ
´ ´ ´
F
´ ´ ´ O‹ ≈ ® ≈
>
ƒ
col legno bat.
F
3 8
≈
O-
f
≈
– ≈ ‰
fl ƒ
Œ
‰
∑
5 8
˘œ ˘ b œ ®®®œœ ‰
x
f
P
≈ ≈ ÷ ‰ P ÷ Ï >Δ∆ ∑
f
3 8
(large)
≈ ≈ ÷ ‰
x
≈
5 8
–
x
?
II. & III. arco
col legno bat.
÷
Ï
5
5
>— x
®≈ m œ ®‰ – – – – fl >> > > >> > > (fff) f (fff) * pizz.
‰
II. & III. arco
∑
b ˘œ
IV.
Guiro
≈ ‰
O b‹ >
(ff)
IV.
‰
F
––––
4 8 ∑
≈ ‰
‰
(ff)
pizz.
∑
∑ 3 8
≈
O-
Œ
fl ƒ
F
∑
..
‰
F
‰
O b‹ >
II. & III. arco
col legno bat.
‹ ≈ ®
ƒ
´ ´ ´
≈
π
3 8
f
Œ
>
F
3 8
slap tongue
‰
–æ
4 8
–
T
5 8
–æ
∑
..
Œ
Guiro
‰
IV.
‰
T
‰
3 8
°
5 8
-œ
Ï
..
®≈ m œ ®Œ – – – – >>>> fl >>>> (fff) f (fff)
F
æ Î
5
"small creaky sound"
π
œ
5
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ‰
Œ
œ.
æ
3 8
––––
x
3 8
≈ ‰
f
b ˘œ œ˘œ n ˘œ œ ®®® ≈ œ ‰ f
P
4 8
fl.z possibile
pizz.
∑
x
?
O-
(large)
5 8
..
T
II. & III. arco
col legno bat.
‹ ≈ ®
5 8
‰
π
∑
°
"small creaky sound"
Fairly slow and steady tempo
[
Oæ
5
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ‰
‰
≈ Œ
b œ ®®® ‰
(fff)
lontano
‰
œ˘œ
5
F
∑ 3 8
Œ
–æ
π
≈
∑
˘œ
–æ
pizz.
f
fragile
f
x
‰
(large)
4 8
÷
B.S
& ..
F
F
*
..
Guiro
≈ ‰
air & flutter toungue quasi tone
3 8
col legno bat.
ƒ
>—
S Gr. 2
O b‹ >
5 8
II. & III. arco
∑
? ..
Vln.
≈ ‰
>‹ >‹ >‹ Ï
S & ..
‰ 4 8
& ..
76
IV.
≈
´ ´ ´ O> ‹ ≈ ® ≈
pizz. "small creaky sound"
3 8
5
5
&
–– ––
>>>>
®‰
(fff)
5 8
˘œ
˘œ œ ®®®œ Œ
f
5
5
––––
>
ƒ
®Œ
?
>>>> °
(fff)
3 8
II. & III. arco
´ ´ ´ O‹ ≈ ® ≈
pizz. IV.
3 8
col legno bat.
F
f
≈ ‰
Play to the end of the movement.
]
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 11
© Nicolai Worsaae 2013
3 8 84
O ≈ ‰ b >‹
&
Fl. (C)
4 8
3 8
≈ O >‹
(ff)
‰
‰
∑
IV.
‰
÷
Piece of wood
≈
Perc
4 8
>‹ F
‰
84
4 8
∑ 3 8
&
4 8 ∑
pizz.
f
f Oæ
F
fl ƒ
–
≈ –
3 8 ≈
Oæ
3 8
5
>
‹ ≈ ®
ƒ
´ ´ ´
F
÷
II. & III. arco
≈ O f
x
x ≈ ≈ ÷ ‰ P ÷ Ï >Δ∆ x
?
´´´
F
‰ F Oæ –
fl ƒ
3 8
‰
‰
≈
..
f
‰ f Oæ –
≈ –
fl ƒ
F
˘œ ˘ b œ ®®®œœ ‰
3 8 ≈ ‰
‰
O b‹ >
‰
O b‹ >
U
>>>>
®‰
(fff)
5 8
..
‰
>>>>
>
II. & III. col legno bat. arco
‹ ≈ ®
ƒ
´ ´´
F
≈ O f
‰
pizz.
>
IV.
‰
≈
‹
..
‰
ƒ
≈
‰
‰
‰
O
π
∑
>O F
‰
V
‰
≈
..
≈
‰
fi
‰
II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
>œ
œ.
≈
≈
π
¤€ >œ
≈
ß
ß ß ß
°
œ.
π
≈
¤€ b >œ ß
..
‰
&
´œ ´ ´ b ´œ F
‰
≈ b œ.
(ff)
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 12
≈
5:4
F
(ff)
–
∑
∑
..
∑
∑
..
∑
∑
π
ß ß ß
play 4x
‰
‰
V
> > > ≈ –– –– –– ≈ ‰
B ´œ ´ ´ µ ´œ
‰
(large)
play 4x
Meccánico
II. & III. str.
∑
Guiro
F
Meccánico
5:4
3 U 8
‹
> ƒ ∑
> > > ≈ –– –– –– ≈ ‰
..
..
>‹ ƒ ∑
(fff)
pizz. IV.
––––
≈
‹
‰
(ff)
Meccánico
ß ?
..
play 4x
..
®Œ
O b >‹
≈
Piece of wood
5
5
‰
ƒ
3 8 ¤€
˘œ œ ®®®œ Œ
f
>
IV.
‰
≈
(ff)
..
˘œ
5
––––
‰
Jet whistle
pizz.
≈ O
U
5
&
play 4x slap tongue
IV. col legno bat. arco
‹ ≈ ®
f
P
V
Meccánico
..
‰
∑
5 8
U
(ff)
–
≈ ≈ ÷ ‰
Ï
5
col legno bat.
>— x
5
‰
Œ
∑
®≈ m œ ®‰ –––– – – – – fl > > > > >>>> (fff) f (fff) * pizz.
≈ ‰
ƒ 5 8
‰
>
3 8
F
n ˘œ œ˘œ≈ œ Œ œ ®®®
IV.
IV.
‰
b ˘œ f
?
IV. arco
≈ O
‰
˘O
P
[s]
∑
Pno.
&
fl ƒ
F
∑
&
Cl. (B)
–
–
3 8
Vln.
F
‰ F Oæ
‰
´ ´ ´
col legno bat.
‹ ≈ ®
∑
&
Gr. 2
>
ƒ
Gr. 1
3 8
π
(ff)
pizz.
Vlc.
O.
O ≈ ‰ b >‹
(ff)
5 8
´œ ´ ´ n ´œ F
..
(ff)
V ∑
fi
II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
‰
..
© Nicolai Worsaae 2013
Jet whistle
92
∑
&
Fl. (C)
fi p
Gr. 1
÷
˘
–
≈
‰
‰
‰
O
π
∑
∑
F
‰
‰
Jet whistle
≈
‰
‰
fi
II. & III. str.
p
Guiro
‰
–
F ∑
&
˘
92
& b–
≈
≈
ß
Pno.
?
fi
π
5:4
II. & III. str.
p
‰
(large)
fi
‰
˘
–
∑
≈
‰
b–
≈
≈
ß
∑
° II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
–
æ p
‰
fi
œ.
–
æ P
‰
≈
F
‰
fi
II. & III. str.
p
‰
‰
Guiro
‰
–
p
F
π
5:4
II. & III. str.
‰
(large)
fi
‰
˘
–
b–
≈
∑
fi
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
–
æ p
≈
≈
‰
fi
œ.
æ P
‰
‰
p
‰
∑
π
5:4
II. & III. str.
‰
∑
∑
∑
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 13
4 8
&
4 8
π
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
–
4 8
∑
. . . ≈ –– –– –– ≈ ‰
° II. & III. str.
Sandpaper
‰
ß ∑
∑
p
ƒ
˘
II. & III. str.
∑
∑
∑
∑
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
∑
∑
∑
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
‰
‰
‰
π
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
p
π
>O
∑
. . . ≈ –– –– –– ≈ ‰
∑
fi
Sandpaper
O
∑
p
ƒ
˘
‰
II. & III. str.
∑
∑
∑
‰
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
∑
π
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
Vln.
‰
. . . ≈ –– –– –– ≈ ‰
° Gr. 2
∑
œ.
∑
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
ƒ
Perc
Cl. (B)
II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≈
‰
Vlc.
‰
>O
4 8
] © Nicolai Worsaae 2013
% 4 W 8 100
fi
Vlc.
Gr. 1
3 8
e = 60
Fl goes back stage
&
Fl. (C)
[2. Intermezzo]
∑
∑
sul pont (on the bridge).
-–
π
-–
-–
π
&
∑
-–
π
Perc
% 4 W 8 ¤€ ˘œ ß
‰
O- .
?
..
∏ 3 8
∑
-–
-–
π
‰
˘œ ß
≈
π
° %
4 W 8
Gr. 2
..
Fine
∑
ß
3 8 ≈
‰
∏
‰
˘œ
-–
π
Perc goes back stage
-–
-–
π
ß
≈
≈
b œœœ œœœ π
‰
Vln.
%
∑
e = 60 sul pont
fi
-–
(on the bridge).
π
∑
-– J π
J
-–
π
∑ 3 8 ‰
&
&
..
–
fl ß
b œO ∏
..
œO
∏
‰
π
‰
¤€ n ˘œ ß
≈
≈
b œœœ œœœ π
‰
3
¤€
˘œ
ß
≈
3
≈ œœ œœ ‰ π
–
fl ß
≈
≈ œœ œœ ‰ π
≈
bœ œ
3 8 ‰
∏
œO
∏
4 8
≈ b œ ≈ π
‰
¤€
˘œ
ß
..
∑
Fine
∑
..
4 8
D.S. al Fine
..
≈ ‰
Fine
≈ ‰
? ..
3
b– fl ß
≈
3 8 œO
& ..
Fine
D.S. al Fine
≈
π3
‰
3 8
Œ
4 X 8 ‰
D.S. al Fine
∑
3
≈
O
∏
∑
4 X 8 ¤€ ˘œ ..
≈ ‰
ß
Styrofoam on styrofoam
O-
O
J ∏
..
∑
b ˘œ
Œ
..
‰
O-
3
?
4 8
D.S. al Fine
∑
O- .
4 X 8
∑
e = 60
≈
Œ
Styrofoam on styrofoam
∑
Pno.
..
∑
I. str.
π
e = 60
÷
&
3 8
%
% 4 W 8
100
4 X 8
œO
∏
–
fl ß
4 8
D.S. al Fine
œO
∏
‰
..
Fine
D.S. al Fine
Cl. (B)
&
B.S
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 14
..
Fine
© Nicolai Worsaae 2013
4 Y 8 106
B.S
&
Fl. (C)
[3. movement "Responsoria"]
The rythmical preciseness between the two groups is not very important. But it is of course in the groups.
Back stage: Fl. Cl. Perc On stage: Vl. Vl.c P.f
..
3 Z 8
e = 124
≈
>œ
Jet whistle
≈
Î
O
π
>O
>O
O
f π
f
‰
AA Jet whistle
..
Œ
∑
∑
∑
O
π
>O
O
f π
>O f
>O
O
π
>O
O
f π
f
fragile I. str.
Vlc.
.
.. b œ ∏
&
Gr. 1
4 Y e = 124 8 Piece of wood .. > ‹
÷ Perc
Ï
B.S
..
&
Electronics (
4 8 106
Ï
.. 4 Y 8
Gr. 2 Vln.
&
..
Cl. (B)
&
..
>‹
Å> ≈
‰
Œ
∑
Bœ
Bœ
π
œ
œ
µœ
µœ
mœ
mœ
Bœ
Bœ
ƒ
∑
AA Guiro
..
∑
∑
∑
..
∑
∑
∑
∑
–
π
Guiro
(large)
–
–
fl f
p
–
fl ƒ
–
π
(large)
≈
–
fl f
∑
∑
∑
∑
∑
∑
∑
∑
‰
3 8
>— ‰
÷
Œ
x
Ï
≈
‰
..
∑
œ
.
∏ b œ.
≈
m -œ . ƒ
œ.
AA ∑
∑
R.H.
∑
œ
Z
..
Œ
fragile
ƒ
bœ
3 Z 8
≈
‰
Œ
x
÷ Δ∆> Δ∆
Ï F 3 8 Z
e = 124
-œ .
bœ
I. str.
..
Random tin can/cans
∑
≈
≈
Ï
3:2
*
espress.
B.S
>‹
>‹
‰
>— x
Pno.
?
Å>
e = 124
÷
..
&
Random tin can/cans Metalblock
pp-ppp )
Y
bœ
≈
..
..
Bœ
œ
x
÷ Δ∆> Δ∆
œ
Ï F Bœ
nœ
π
∑
x
÷ Δ∆> Δ∆
∑
≈
œ
‰
x
÷ Δ∆> Δ∆
Ï F nœ
µœ
œ
Ï F µœ
bœ
bœ
Bœ
∑
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 15
x
÷ Δ∆> Δ∆
œ
Ï F Bœ
nœ
∑
AA nœ ƒ -œ
b œ. m -œ
F
f
n œ.
‰
≈
-œ
b œ.
ƒ
© Nicolai Worsaae 2013
CC
BB 113
B.S
Jet whistle
∑
&
Fl. (C)
∑
∑
O
π
>O
O
f π
>O f
‰
≈ O
π
>O f
>O
O
π
>O
O
f π
f
4 DD 8 ..
≈
>œ
≈
Î
>œ Î
>O
Jet whistle
≈
O
f π
>O
O
f π
f
U
bœ
I. str.
& bœ
Vlc.
Bœ
p
Gr. 1
Bœ
œ
œ
µœ
µœ
mœ
mœ
Bœ
Bœ
∑
Ï Guiro
Piece of wood Random tin can/cans Piece of wood Random tin can/cans
÷
‰
>‹ Ï
Perc
&
Å>
>‹
‰
>‹ Ï
3:2
∑
>‹
Å>
∑
–
π
3:2
∑
∑
&
∑
R.H.
Pno.
x
÷ Δ∆> Δ∆
œ
& Bœ
œ
x
÷ Δ∆> Δ∆
ÏF
BB
Bœ
p
&
–
fl – f p
π
.. > ‹
∑
–
fl f
∑
..
∑
÷ Δ∆> Δ∆
œ
ÏF nœ
nœ
x
µœ
x
÷ Δ∆> Δ∆
œ
‰
≈
ÏF µœ
bœ
∑
÷ Δ∆> Δ∆
Bœ
Bœ
nœ
‰
‰
œ
∏
œ.
>‹
Ï
‰
Metalblock
>‹
>‹
Random tin can/cans
Å> ≈ ‰
nœ
∑
x
÷ Δ∆ Ï>
÷
x
‰
≈ ≈ ÷
œ
f
≈ ≈
∑
m -œ ƒ
œ.
slap tongue
≈ > ≈ Δ∆
F
(ff)
..
∑
-œ ƒ
b œ.
fragile
π
≈
Δ∆
> F
(ff)
≈
Δ∆
> F
‰
(ff)
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 16
..
≈
m >œ Î
U
..
..
≈
n >œ Î
≈
..
Œ
U
..
Œ
œ
slap tongue
‰
3 8
U
.
œ
slap tongue
p
x ≈ ≈ ÷ p ÷ Ï >Δ∆
Œ
4 8 DD ∑
3 8
∑
>—
≈
≈ ? ..
Œ
∑
∑
..
∑
U
Ï
3:2
..
∑
CC
Ï
œ.
∑
∑
œ
ÏF bœ
Å>
Ï
x
Random tin can/cans
4 DD 8
B.S
Cl. (B)
fl f
–
∑
∑
ÏF
Vln.
fl – f p
–
CC
113
Gr. 2
4 DD 8 Piece of wood
–
∑
BB
?
π
(large)
bœ
.
.. b œ
∑
CC
BB B.S
∑
..
≈ ‰
fragile I. str.
3 8
Δ∆
Δ∆
> > (ff) (ff) F F
U
≈ Œ
U ≈
3 8 ..
..
© Nicolai Worsaae 2013
3 EE 8 121
B.S
&
Fl. (C)
..
≈
>œ
5 8 ≈
Ï ?
Vlc.
..
Gr. 1
tongue ram
>O m >O >O b‹ n‹ b‹ F r 7:6œ
Perc
B.S
..
&
Gr. 2
..
B.S
Cl. (B)
..
..
π ∑
5 8
≈
÷
x
Ï x
≈ > > > b ––– ––– –––
≈ ‰
≈
≈
–
>œ Ï
≈
slap tongue
>Δ∆ b>Δ∆ n >Δ∆ F
(ff)
÷
>— b –>–– –>–– –>––
ÏF
‰
≈ ‰
ƒ
>— x
F
÷ Δ∆ Ï> 3 EE ≥ II. & III. str. 8
Vln.
&
æ F
>—
Pno.
?
‰
∑
3 EE 8 121
U
¬-
æ p
..
&
‰
5 8 –- .
÷
x
U
‰ –>–– –>–– –>–– –>––
ÏF
≥ –
‰
ƒ >œ
≥ –
U
‰
ƒ
‰
U .
5
∑
≈
f
I. str.
bœ
bœ
œ
œ
ƒ
bœ
bœ
œ
∑
∑
..
∑
∑
3 FF 8 ÷ ≈ ÷ ≈ ÷ ≈
p
p
-
-
-
p
p
p
÷ ≈ ÷ ≈ ÷ ≈
& ..
..
œ
≈
‰
÷
x
Ï
F
–- .
p
œ
ƒ
∑
œ
œ
œ
œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
π
p
P
-
-
-
π
p
P
3 HH 8 œ
œ
œ
π
Ï
≈
>Δ∆ b>Δ∆ n >Δ∆ F
(ff)
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 17
>œ
. . b œ. b œ. b œ. b œ. b œ . . b œ bœ bœ
Ï p
5
?
ƒ
>—
÷ ≈ ÷ ≈ ÷ ≈
π
≈
œ
œ
∑
÷ ≈ ÷ ≈ ÷ ≈
∑
slap tongue
bœ
bœ
3 HH 8
∑
>œ
œ
œ
4 8
π
4 8
œ
bœ
π
4 8
b –>–– –>–– –>––
∑
3 HH 8
∑
F
bœ
æ F
‰
4 8 ∑
I. str.
¬-
æ p
3 HH 8
f
4 8
Styrofoam on styrofoam
‰
5
∑
GG œ
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ
∑
GG
≈
>œ
Ï p
(ff)
π
>—
p
3 FF 8
>O m >O >O b‹ n‹ b‹
GG
..
..
tongue ram
≈
œ
3 FF 8
..
. . . . . b œ. b œ b œ ‰ b œ. b œ b œ b œ b œ
Ï p
& ..
5
∑
5 8
∑
>œ
4 8
Ï
U
bœ ‰ bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Ï
bœ bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Ï
..
f
5
r 7:6œ
Styrofoam on styrofoam
..
U
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ ‰
Ï p
(ff)
3 EE 8 ÷
>œ
GG
3 FF 8
œ
‰
≈
œ
‰
≈
÷
4 8
x
Ï
b –>–– –>–– –>–– –>–– –>–– p
F œ
œ
œ
4 8
ƒ
∑
∑
f © Nicolai Worsaae 2013
129
&
Fl. (C)
4 II 8 >œ B.S
..
5
œ œ. b œ. b œ. b œ. .
. . œ. b œ b œ
Ï p
?
Vlc.
..
Gr. 1
4 II 8 ..
÷ Perc
B.S
4 8 129
II ..
& Pno.
?
..
..
Vln.
B.S
Cl. (B)
&
..
,
. . . œ. . . .œ b œ. b œ. œ. b œ b œ b œ . . r
3 8
b œ ÿ ÿ ÿ œÿ ÿ F ƒ
æ p
, p
∑
÷
x
b –>–– –>–– –>––
ÏP
–
x
L.H.
–>–– –>–– –>–– –>––
ÏP
÷
–
‰
ƒ
5
÷
≈
>œ
r
œ
≥ –
ƒ
bowing on the bridge
Δ∆ .
∏
≈
finger gliss
æ.
æ
,
L.H.
Ï P5:3
..
∑
∑
F
(ff)
æ. .
– ..
.
>O m >O >O b‹ n‹ b‹
..
æ.
æ
–.
.
Δ∆ .
∏
KK >]
Random tin can/cans
.. ..
∑
∑
∑
Ï ∑
∑
Metal block
>‹
>‹
‰
..
∑
∑
3:2
œœ ..
fragile
∑
..
∑
∑
∏
KK Gliss on white keys with a plastic card
∑
r
˜
.
≈
‰
‰
Gliss on white keys with a plastic card
∑
˜
.
≈
‰
‰
..
Gliss on white keys with a plastic card
∑
˜
.
≈
‰
‰
œ
.. ..
∑
˜ ˜˜˜ ˜˜˜
π
p
∑
˜ ˜˜˜ ˜˜˜
π
..
∑
p
JJ ≈ ‰
,
& ..
..
. . . . . b œ. b œ. œ œ .. .. œ. b œ œ œ r 4:3œ
æ
–.
tongue ram
JJ
,
Ïp
≈
>œ
JJ
. . b –>–– –>–– –>–– x –>–– –>–– –>–– –>–– . .
3 8
≥ -
>—
L.H.
Ï P4:3
5
. . . . . b œ. b œ. œ œ œ. b œ œ œ
Ï p
>— x
∑
‰
ƒ >œ
÷
L.H.
3 8
IV. str.
.. ..
∑
>—
∑
KK
Ï
.. ..
æ F
∑
f
‰
–- .
¬-
Styrofoam on styrofoam
∑
,
5
b œ ÿ ÿ ÿ œÿ œ ÿ ÿ ÿ œÿ ÿ ÿ ƒ F ƒ F
>—
r 5:3œ
œ
5
4 II ≥ II. & III. str. 8 -
Gr. 2
>œ
JJ
Ï p4:3
f
5
..
&
3 8
˜ ˜˜˜ ˜˜˜
π
p
∑
KK ∑
∑
molto sensibile
b b Oœ .. æ ∏
Oœ ..
æ
∑
Oœ ..
æ p
Oœ ..
∏
æ
∑
r 5:3œ
Oœ ..
æ p
≈
∏ >œ Ï
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 18
≈
‰.
slap tongue
>Δ∆ b>Δ∆ n >Δ∆
..
∑
..
∑
molto sensibile
Oœ ..
Oœ ..
æ ∏
æ
∑
F
(ff)
© Nicolai Worsaae 2013
Turn off stage light
137
B.S
∑
&
Fl. (C)
≈
>œ
tongue ram
æ
Vlc.
tongue ram
≈
Ï
..
>O m >O >O b‹ n‹ b‹
‰
≈
(ff)
?
..
Gr. 1
5:4
bœ ÿ ÿ f
ÿ ÿ P
ÿ
4 8
LL ÷
∑
Perc
&
>]
Random tin can/cans Piece of wood
B.S
œœ
‰ ∏
p
Ï
‰
>‹
>‹
..
3:2
..
&
Gliss on white keys with a plastic card
∑
˜
.
≈
‰
‰
˜ ˜˜˜ ˜˜˜
œœ
∏
p
π
p
≈
r 4:3œ
F
LL
Gr. 2 Vln.
Oœ ..
& æ p
B.S
Cl. (B)
&
Oœ ..
∏
∑
æ
m m Oœ .. æ p
≈
∏ >œ Ï
≈
≈
‰
slap tongue
>Δ∆ b>Δ∆ n >Δ∆ F
..
..
≈
F
r 5:3œ
≥ -
Scratch sound
‰
‰
‰
m œœ ∏
‰
‰
÷ ..
..
‰
‰
3 MM 8
e = 72
play 3x
≈ 4 8
..
b –>–– –>–– –>–– r 4:3œ
F
≈
–>–– –>–– –>–– –>––
F
r 5:3œ
U ‰
..
–
F
œ œ
p
air & flutter toungue
æ –p
arco
‰ ∏
‰
play on the body of the instrument
–
æ p
–
‰
æ
∑
..
3 MM 8
e = 72
.. b O b OO
‰
–
æ p
‰
–
‰
æ
æ –p
–
æ p
æ
‰
‰
..
–
‰
‰
& ..
–
æ
∑
œœ ..
œœ ..
∏
p
fragile
..
∑ œœ
‰ ∏
..
play 4x
press down the pedal
‹
p
–æ
∑
∑
>
–-æ
play 4x
..
..
æ
–
‰
‰
∑
∑
∑
..
‰
∑
∑
∑
..
(ff)
play 3x
–
play 4x
..
..
Œ ∏
∑ –>–– –>–– –>–– –>––
e = 72
Harmonica in c
∑ b –>–– –>–– –>––
3 MM 8
..
..
4 8
..
..
∑
‰
play 3x
play 3x
œœ ..
Pno.
?
‰
U
‰
b œ ÿ ÿ ÿ œÿ ÿ f P
U
∑
LL 137
O mO O b ‹ n ‹ b >‹ > > (ff) F
∑ fragile
∑
≈
5:4
‰
œ
tongue ram
‰
O mO O b ‹ n ‹ b >‹ > > (ff) F
F
æ. .
– ..
4 8
LL
≈ ‰
U ‰
÷ ..
..
3 MM 8 ..
‰
e = 72
‰
play 4x play on the body of the instrument
–
æ p
.. œ . mœ. ∏
–
æ
œ. œ.
p
‰
–
æ p
–
æ
œ. œ.
∏
‰
–
æ p
–
æ
œ œ
p
‰
‰
‰ ∏
& ..
÷ ..
(ff)
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 19
© Nicolai Worsaae 2013
Turn on stage light
NN 145
&
Fl. (C)
&
Vlc.
∑
∑
Gr. 1
NN B.S
÷
∑
bœ
I. str.
bœ
∑
Bœ
Bœ
∏
air & flutter toungue
æ
–.
p
nœ
œ
∑
∑
∑
∑
∑
∑
œ.
œ.
∏
π
∏
π
Bœ
Bœ
f Guiro
∑
–
œœ ..
œœ ..
π
p
∑
Guiro
(large)
–
π
œœ ..
œœ ..
π
p
fragile
∑
π
∑
Gliss on white keys Gliss on white keys with a plastic card with a plastic card
∑
˜
.
?
4 8
(large)
–
–
π
œœ ..
œœ ..
π
p
π
4 8
PP
Gliss on white keys with a plastic card
˜
.
∏
∑
–
OO ˜
∑
(large)
π
∑
Gliss on white keys Gliss on white keys with a plastic card with a plastic card
?
mœ
mœ
π
–
e = 124
∑
œ.
PP Guiro
&
µœ
µœ
∑
OO
fragile
145
∑
π
∑
F
e = 124
NN
æ
–.
π
Perc
&
œ.
fragile dal niente
B.S
4 8
PP
OO
e = 124
.
˜
Gliss on white keys with a plastic card
˜
˜
.
.
.
∑
∑
∑
∑
Pno.
NN
Gr. 2 Vln.
&
˜˜˜
π
˜˜˜
˜
˜˜˜
p
π
˜˜˜
˜
˜˜ ˜
P π
˜˜˜
‰
˜
∑
œ
÷
˜˜˜
π
˜˜˜
˜
p
˜˜˜
π
˜˜˜
˜
˜˜ ˜
P π
˜˜˜
‰
˜
F
œ
µœ
∏
µœ
bœ
bœ
4 8
PP
OO ∑
F
Bœ
π
Bœ
œ
nœ
µœ
µœ
∑
f fragile
B.S
Cl. (B)
F
e = 124 I. str.
∑
æ
air & key clicking
∑
∑
∑
–.
x
π
–.
x
P
π
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 20
∑
&
∑
L œ.
œ.
π
p
œ.
œ.
œ. œ.
œ. œ.
π © Nicolai Worsaae 2013
153
&
Fl. (C)
4 QQ Caotico 8 >œ ..
B.S
‰
3 8
≈
≈
Ï
>O m >O >O b‹ n‹ b‹
..
Gr. 1
B.S
..
&
4 8 153
F
Pno.
?
.. 4 8
œ ‰
Ï
3 8
r
œ
‰
b œ ÿ ÿ ÿ œÿ ÿ ƒ P Guiro
-œœ
-œœ
‰
÷
x
>— ÷
L.H.
b –>–– –>–– –>––
ÏP
x
–>–– –>–– –>–– –>––
ÏP
≥ -
ƒ
ƒ
‰
–
÷
x
..
÷
L.H.
≈
≥ –
ƒ
r
œ
Ï P5:3
≈ ‰
Cl. (B)
&
..
Œ
‰
O
œ
F
gliss.
≈
..
∑
>œ
,
r
œ
∑
..
..
∑
∑
Ï
Piece of wood
>‹
>‹
..
..
3 8 Œ
≈ ..
-œœ
-œœ
>— ÷
x
>— ÷
L.H.
b –>–– –>–– –>––
ÏP
x
ƒ
ƒ
–
‰
–
L.H.
–>–– –>–– –>–– –>––
∑
..
Œ
‰
>— ÷
x
..
F
œ.
∏
π
∏
π
∏
π
∑
∑
∑
∑
∑
∑
÷
œœ ..
œœ ..
œœ ..
œœ ..
œœ ..
π
p
π
p
π
p
r
≈
≥ –
ƒ
Ï P5:3
gliss.
∑
∑
∑
∑
∑
∑
∑
∑
r
..
SS
, ≈ ‰
≈ ..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 21
Semplice
..
, O
∑
œ
∑
Not too rough
π
Semplice
,
L.H.
&
œœ ..
SS
∏
Semplice
. b –>–– –>–– –>–– x –>–– –>–– –>–– –>–– .
3 8 ‰
>—
L.H.
œ
œ
œ.
– ..
Ï P4:3
5
O
œ.
..
fl f ∑
3 8
M-ph.
œ.
fragile
∑
≥ -
œ.
,
(large)
f
ÏP
bœ.
SS
3:2
4 RR ≥ II. & III. str. 8 ..
‰
π
Harmonica in c
‰
,
–
3:2
Œ
b œ ÿ ÿ ÿ œÿ ÿ P ƒ Guiro
f
5:3œ
5:4
œ ‰
>]
r
Semplice
fragile dal niente
. . . œ. . .œ b œ. b œ. œ. b œ b œ b œ .
Ï p4:3
F
, O
>O m >O >O b‹ n‹ b‹ (ff)
RR
r
,
tongue ram
bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ƒ
..
∑
œ
∑
M-ph. Not too rough
B.S
,
L.H.
≈
Random tin can/cans
4 8
. b –>–– –>–– –>–– x –>–– –>–– –>–– –>–– .
3 8 ‰
>—
..
∑
4 RR 8
– ..
Ï P4:3
5
∑
≥ II. & III. str. –
L.H.
>—
..
fl f
3:2
>—
>œ
SS
r 8:6œ
,
∑
3 8
‰
3 8
Ï
,
(large)
f
..
∑
f
5:3œ
π
Harmonica in c
Œ
r
–
3:2
QQ Caotico ..
Vln.
. . . œ. . .œ b œ. b œ. œ. b œ b œ b œ .
5:4
bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ƒ
QQ Caotico ..
&
Gr. 2
,
Ï p4:3
(ff)
4 QQ Caotico 8 Random tin can/cans Piece of wood > .. ] > > Œ ÷ ‹ ‹ Perc
>œ
r 8:6œ
?
Vlc.
tongue ram
4 RR 8
fragile
L œ.
œ.
π
p
œ.
œ.
œ. œ.
œ.
œ.
π
p
œ.
œ.
&
œ. œ.
π © Nicolai Worsaae 2013
UU
TT 161
œ
B.S
&
Fl. (C)
Jet whistle
≈
‰
bœ
I. str.
& bœ
Vlc.
‰
Bœ
Bœ
∏
Gr. 1
∑
∑
nœ
œ
O
π
µœ
µœ
>O
≈
f
‰
O
π
∑
ƒ
>O
O
f π
÷
∑ œœ
≈
‰
‰
∑
∑
∑
∑
Styrofoam on styrofoam
–- .
æ π
–- .
æ F
bœ
Bœ
Bœ
∏
∑
nœ
œ
µœ
µœ
?
ƒ
∑
∑
∑
∑
∑
∑
∑
∑
UU ‰
&
bœ
I. str.
π
TT 161
f
∑
UU
B.S
&
∑
∑
TT
Perc
>O
≈
Gliss on black keys with a plastic card
Gliss on black keys with a plastic card
b˜ .
Gliss on black keys with a plastic card
Gliss on black keys with a plastic card
˜
b˜ .
.
∑
∑
∑
∑
Gliss on black keys with a plastic card
b˜ .
Gliss on black keys with a plastic card
b˜ .
Gliss on black keys with a plastic card
˜
b˜ .
.
Pno.
?
b ˜ b ˜b ˜
b ˜b ˜
f
b ˜ b ˜b ˜
b ˜b ˜
f
b ˜ b ˜b ˜
b ˜b ˜
f
Gr. 2
œ
I. str.
&
B.S
Cl. (B)
&
b ˜b ˜
˜ ˜˜˜
f
˜
f
b ˜b ˜b ˜
b ˜b ˜
f
b ˜ b ˜b ˜
b ˜b ˜
f
UU
TT
Vln.
b ˜b ˜b ˜
œ
∏ œ œ
≈
‰
µœ
µœ
‰
bœ
bœ
∑
bœ
bœ
∑
ƒ
∑
æ
air & key clicking
÷
–.
x
π
I. str.
∑
–.
x
P
œ
œ
µœ
∏
π
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 22
∑
µœ
bœ
bœ
∑
bœ
bœ
ƒ
∑
&
© Nicolai Worsaae 2013
VV 169
B.S
&
Fl. (C)
Jet whistle
O
π
>O f
?
Vlc.
≈ ≈
. .
œ. b œ b œ
b œ. b œ.
r 5:3œ
f
p
Jet whistle
≈ ≈ ≈ O π
r 5:3œ
∑
>O f
tongue ram
..
..
∑
Gr. 1
VV B.S
÷
Perc
Guiro
‰
≈
–
–
fl f
π
–
–
fl f
π
∑
œ
bœ ÿ ÿ ÿ ÿ ÿ ƒ P
VV 169
&
∑
∑
..
?
∑
∑
..
Pno.
Gr. 2
∑
Vln.
..
∑
slap tongue
Δ∆ b Δ∆ > > F (ff)
slap tongue
≈
n Δ∆ >
‰
Δ∆ b Δ∆ > > (ff) F
≈
n Δ∆ >
‰
..
Guiro
≈ –
π
F
x
Ï
‰
≈ ‰
b –>–– –>–– –>–– r 4:3œ
F
‰
(large)
–
–
–
‰
≈
fl fl fl fl
F
r 5:3œ
‰
π
‰
≈
b –>–– –>–– –>–– –>–– –>–– –>–– –>–– ≈ ≈ ‰ r 4:3œ
F
F
..
∑
∑
œ œ
J
œ œ
P
÷
x
Ï
..
..
bœ
.. b œ p
..
‰
..
≈
≈
..
∑
∑
>]
Ï
∑
..
..
Ï ≈
..
..
≈
Ï
(ff)
>‹
tongue ram
>O m >O >O b‹ n‹ b‹ (ff)
œ
œ
>‹
ƒ >]
Random tin can/cans
‰
Piece of wood
∑
>‹
>‹
Ï
3:2
‰
‰
b –>–– –>–– –>––
≈
r 4:3œ
F
–>–– –>–– –>–– –>––
F
r 5:3œ
≈
-≈
œ
œ
p
∑
π
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 23
÷
p ÷
p
‰
÷
π ÷
‰
π
≈
‰
≈
‰
÷
x
Ï ≈
‰
≈
x
‰
-≈
÷ Δ∆>
Ï µœ
µœ
∑
≈
≈
>œ Ï
≈
3:2
..
∑
÷
p ÷
p
‰
÷
π ÷
‰
π
>Δ∆ b>Δ∆ n >Δ∆ F
(ff)
≈
..
≈
..
bœ ƒ
≈
? ..
..
‰
bœ
slap tongue
..
F
>— ≈
x
≈
F
Metal block
3 WW >— 8 ÷
>O m >O >O b‹ n‹ b‹
Bœ
Random tin can/cans
>œ
tongue ram
Bœ
∑
3 WW 8 & ..
>œ
Ï
5:3
– ≈ ‰
F
œ
..
‰ π
‰
–>–– –>–– –>–– –>––
..
– ‰
>—
4 Scratch sound 8 II. & III. str. ≥ – ‰
Lœ
3 WW 8
3 WW 8
4 8
>—
M-ph.
&
4 8
œœ ..
÷
& ..
bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ƒ
œœ ..
≈
O> ≈ ≈ .. O mO O f b ‹ n ‹ b >‹ > > (ff) F
œ ‰
∑
VV
Cl. (B)
‰
Harmonica in c fragile
..
∑
tongue ram
r 8:6œ
5:4
..
Jet whistle
O π
O mO O b ‹ n ‹ b >‹ > > (ff) F
(large)
&
B.S
4 8
>œ Ï
≈
slap tongue
>Δ∆ b>Δ∆ n >Δ∆
..
..
F
(ff)
© Nicolai Worsaae 2013
XX 177
Fl. (C)
>œ
B.S
& ..
≈
tongue ram
≈
Vlc.
Gr. 1
XX B.S
÷
F
‰
..
∑
œ
ÿ ÿ P
ÿ
∑
Guiro
≈ –
..
œœ ..
œœ ..
π
F
∑
≈
Î
O
π
>O
>O
O
f π
f
‰
..
Œ
–
–
– fl fl fl fl
..
‰
4 YY 8 Piece of wood .. > ‹
∑
..
‰ π
bœ
.. b œ ∏
&
3 8
(large)
–
≈
Jet whistle
3 8
fragile
bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ƒ 4 8
>œ
5 8
I. str.
œ ‰
Harmonica in c fragile
& ..
..
r 8:6œ
..
Perc
O> ≈ ≈ O mO O f b ‹ n ‹ b >‹ > > (ff) F
4 YY 8
3 8
tongue ram
(ff)
5:4
bœ ÿ ÿ ƒ
Jet whistle
O π
>O m >O >O b‹ n‹ b‹
Ï ? ..
4 8
..
∑
Random tin can/cans Metalblock
Å>
>‹
Ï
5 8
>‹ >‹
‰
3 8
Random tin can/cans
Å> ≈ ‰
..
Œ
Ï
3:2
≈ ..
∑
..
∑
Electronics off
XX 177
& ..
Pno.
? ..
4 8
>— ÷
x
Ï ≈
XX
≈
‰
b –>–– –>–– –>–– r 4:3œ
F
‰
≈
II. & III. str.
..
Vln.
‰
‰
≈
r 5:3œ
≥ -
Scratch sound
Gr. 2
‰
–>–– –>–– –>–– –>––
F
>—
4 8
‰ b –>–– –>–– –>–– r 4:3œ
F
–
‰
≈
–>–– –>–– –>–– –>––
F
‰
x
Ï
..
4 8
‰
5 8
..
..
..
∑
x
÷
Δ∆ Ï >Δ∆ F
4 YY 8 ∑
&
..
3 8
∑ R.H.
3 8 ≈
YY ..
∑
5:3
–
F
≈
÷
3 8
R.H.
œ
x
÷ Δ∆> Δ∆
..
∑
œ
‰
ÏF
fragile
œ
x
5 8
÷ Δ∆> Δ∆
ÏF
œ
x
÷ Δ∆> Δ∆
..
Œ
ÏF œ
œ
∏
3 8 ≈ ..
M-ph.Not too rough M-ph.
B.S
Cl. (B)
& ..
‰
Lœ œ
π
œ œ
J
œ œ
P
‰ π
..
∑
..
O
gliss.
O
gliss.
œ
F
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 24
O
œ
≈ Œ
÷ ..
© Nicolai Worsaae 2013
[3. Intermezzo] Back stage: Fl. On stage: Cl. Perc Vl. Vl.c P.f
3 ZZ 8 &
Fl. (C)
Play very slowly
B.S
182
..
[ ≥
fi ..
Vlc.
Gr. 1
..
"small creaky sound"
-–
II. str.
π
3 ZZ 8 ÷
4 8
e = 60
P
≈
j Ϲ
‰
-œ J
play 3x
bœ J
‰
fi
"white noise" II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
P
e = 60
I. str.
≈
-œ J
‰
≥ -–
≈ & ..
P
4 8
Perc enters the stage
∑
] ..
play 3x
∑
..
∑
..
..
182
..
∑
∑
3 ZZ e = 60 8 ¤€ . . . ¤€> >œ œ. œ b œ b œ œ ≈ ≈ ≈ ≈ ‰ & .. ß
Pno.
?
..
π
r 5:3œ
b œ. œ. œ. m œ. ‰ & ≈ π
r 4:3œ
3 ZZ e = 60 8 fi "white noise"
Gr. 2
..
Vln.
Cl. (B)
÷
..
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
II. & III. str.
P
π
?
≈
4 8 ¤€ >œ
‰
ß ‰
œ
ÿ P
bO ≈ & ≈ b œ
∏
‰
ß ‰
&
4 8
∑
pont estr.
œ
æ π
µœ æ æ æ P
µœ æ π
mœ ≈ .. æ P
æ
..
Styrofoam on styrofoam
-–
-– æJ P
æ P
..
–
æJ
∑
3 AAA 8 ´ œ ´ .. .. b œ ® ® ‰
≈ ≈
. .
. œ. œ b œ b œ π
≈ ‰
r 5:3œ
b œ. œ. œ. m œ. ≈ ‰ r 4:3œ
π
f
? ..
..
´ ´ ´ ´
––––
P (ff)
‰
‰
‰
3 AAA ≥ 8 ≤ b œ. œ. b œ. b œ. œ. .œ œ. œ. œ. b b Oœ ≈ ≈ ≈ ‰ .. .. play 3x
P
π
∑
P
5:4
..
..
æ
r 5:3œ
π
-–
..
æ P
–.
π
..
..
..
fi
..
P
π
Œ
..
∑
4 BBB 8 ´ œ´ ´ .. .. b œ ® œ ‰
..
f ´ ´ ´ ´
––––
P (ff)
fi π
P
"white noise" II. & III. str.
. .. .. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
–
P
‰
π
..
..
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 25
≈
π
–
–
‰
‰
F
3 8
´
f ´ ´ ´ ´
––––
P (ff)
Œ
´
´
œ´ ´ œ ´b œ ®œ
f ´ ´ ´ ´
f ´ ´ ´ ´
P (ff)
3 8 &
‰
´
œ ´ bœ
®œ ‰
––––
‰
? ..
‰
––––
P (ff)
–.
π
..
œ
P
∑
..
∑
..
F
π
x
crotales arco
Oœ
b b Oœ
æ
..
5:4
air & key clicking
∑
‰
∑
∑
œ´ ´ œ ´b œ ®œ ‰
≈ ‰
P
≈ ‰
3 8
5:4
‰
"small creaky sound"
-–
∑
4 BBB 8
x
‰
Cymbal (small) arco
≥
II. str.
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
..
..
fi
"white noise" II. & III. str.
∑
∑
air & key clicking
x
3 8
4 BBB 8
play 3x
Cl. enters the stage
∑
..
∑
..
3 AAA 8
Perc
&
4 BBB 8
3 AAA 8
–.
x
P
..
‰
& ..
π
© Nicolai Worsaae 2013
[4. movement]
190
B.S
&
Fl. (C)
?
Vlc.
4 CCC 8
÷
∑
..
∑
mO
&
∏ e = 124
..
∑
∑
∑
..
Cl. (B)
Œ
4 CCC 8
&
&
∑
∑
œœ
π
p
..
play 3x
4 8 CCC µO .. µ ˙
fragile
..
œ
π
b‹
≈
‹
F
>
ƒ
O-
col legno bat.
≈ ®
‹
´ ´ ´
II. & III. arco
F
F
≈
>
,
ƒ
–
Œ
‰
F
´ ´ ´
F
≈ –
∑
–
,
≈
O-
P
–
..
∑
play 3x
O˙
∏
p
p
œ œ
π
œ œ
p
b˜ b˜
F
˜˜˜ ˜˜
Ó
(ff)
DDD
, ..
b˜ b˜ b˜
pizz. IV.
> ‹
ƒ
´ ´ ´
F
b˜ b˜ b˜
II. & III. arco
col legno bat.
≈ ®
b˜ b˜
≈
O-
P
pizz.
≈
IV.
> ‹
ƒ
Ó
œœ ..
≈ ‰
´ ´ ´
≈ ®
F
≈
O-
∏
> > >
π
œ
π
œ
P
œ
f
P
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 26
œœ ..
œœ
J F
‰ ≈
∏
p
–
Œ
> ß
> ß
œ
π
∑
∑
∑
4 EEE 8 µ µ O˙
∑
≈ ‰
∑ r
O˙
∏
fragile
Œ
Œ
arco
œ
,
..
Cymbal (small)
> 5:3 >>>
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ÷ ‹ 3 8
∏
p
p
≈ ≈ OO ‰ O
≈
P
∏
4 EEE 8
b b OOO
press down the pedal
col legno bat.
÷
O
œœ ..
3 8
II. & III. arco
mO
∑
r 4:3œ
> ß
œ
≈
‰
—
∑
4 EEE 8
fl fl fl fl f
—
?
∑
r
œ
‰
–
œ
e = 124
≈ ‰
∑
3 8
∑
Gliss on black keys with a plastic card
‰
II. & III. arco
(large)
–
‰ ß o
col legno bat.
Guiro
Cymbal (small) arco
‹
4 EEE 8
O
(ff)
≈ ‹ ≈ ®
P
≈
>O F
(ff)
pizz. IV.
≈
>O
> 5:3 >>>
∏ Lœ
>O
DDD
..
∑
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ‰ ≈ ≈ ‹ Œ ÷ ‹ > ß
IV.
..
Œ π
≈
&
DDD
.. b O ŠŠO ΠOO b OO > > >
∑
œœ
Œ
(ff)
‰
..
∑
e = 124
r 4:3œ
Gr. 2 Vln.
play 3x
tongue ram
≈ ‰
pizz.
..
∏
p
4 CCC 8
Pno.
?
>]
,
O
Harmonica in c
190
Random tin can/cans kick the cans
] ..
Perc
&
,
ƒ
3 8
DDD
play 3x
..
Gr. 1
÷
e = 124
‰
∏
p
Lœ
œ
œ
œ
π
p
π
p
œ
œ
œ
œ
π © Nicolai Worsaae 2013
FFF 198
Fl. (C)
Random tin can/cans kick the cans
B.S
>]
÷
ƒ
≈
Vlc.
>
‰
´ ´ ´
II. & III. arco
col legno bat.
≈
‹
ƒ
Gr. 1
Œ
&
®
F
≈
O-
pizz.
≈
P
IV.
FFF Guiro
–
÷
≈
‰
(large)
˘
˘
–
–
F
Perc
≈
O
ƒ
®
F
≈
O-
P
≈
–
&
—
crotales arco
œ
P
b b OOO ≈ ≈ OOO ‰
‰
> > >
b˜ b˜
b˜ b˜ b˜
F
(ff)
FFF Gr. 2
pizz. IV.
Vln.
> ‹
ƒ
≈
˜˜˜ ˜˜
Ó
´ ´ ´
F
b˜b˜ b˜
II. & III. arco
col legno bat.
®
b˜b˜
≈
O-
P
pizz.
≈
IV.
> ‹
ƒ
≈
´ ´ ´
col legno bat.
®
F
3 8
II. & III. arco
≈
O-
>
&
p
..
∑
..
∑
œ
π
œ
P
œ
f
∑
∑
P
–
Œ
œ
π
≈ ‰
‰
F
÷
F ∑
∑
..
∑
..
∑
..
∑
> 5:3 > > >
π
∏
p œ œ
p
œ œ
π
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 27
œ œ
p
..
b b OOO
r
F
≈
≈
> > >
OOO
‰ > 5:3 > > > r
r 4:3œ
œ
œ
P≈ b –– –– –– P P P – – – ≈ ––– ––– ––– ––– ≈ b ––– ––– ––– ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ≈ ≈ ‹ ‰ ÷ ‹ ÷ ‹ >
3 HHH 8
O˙
∏
œ
‰
∑
b b OOO ≈ ≈ OOO ‰
>
µO .. µ ˙
..
‰
3 HHH 8
∑
Lœ
‰
–
r 4:3œ
..
≈
Cymbal (small) arco
> > >
8 &
O
..
4 GGG
∑
O.
3 HHH 8
Cymbal (small) arco
∑
fragile
Œ
∏
r
, Cl. (B)
∏
..
œ
>
≈
P
O
..
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ÷ ‹
Ó
mO
> 5:3 >> >
r 4:3œ
Pno.
?
..
∑
4 GGG 8
3 8 ≈
∑
4 GGG 8
‰
—
..
?
∑
∑
Gliss on black keys with a plastic card
‰
Œ
FFF 198
≈ ‰
..
3 8
∑
&
´ ´ ´
‰
II. & III. arco
col legno bat.
≈
‹
˘
–
f
>
‰
3 HHH 8
ß o
o
pizz.
‰
Œ
‰
IV.
4 GGG 8
3 8
∑
>
>
fi
"white noise" II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
slap tongue
.. π
∑
‰
4:3
Δ∆
> P
b Δ∆ >
n Δ∆ >
© Nicolai Worsaae 2013
III 205
Fl. (C)
B.S
÷
..
Random tin can/cans kick the cans
>]
ƒ
≈
&
‰
≈
O
o
‰
..
‰
key clicks
key clicks
[
ß o
æ
O
∏
O
[s]
IV. str.
? ..
Vlc.
Gr. 1
5:4
b œ ÿ ÿ ÿ œÿ ÿ ƒ P
5:4
‰
œ
bœ ÿ ÿ ƒ
ÿ ÿ ÿ P
Guiro
..
∑
& ..
∑
÷
≈
–
..
‰
bowing on the bridge
Δ∆ .
finger gliss
∏
–
& .. b b OOO
≈
–
–
fl fl fl fl f ∑
OOO
≈
> > >
..
∑
..
∑
..
> 5:3 > > > r
r
œ
4:3œ
P≈ b –– –– –– P P P – – – ≈ ––– ––– ––– ––– ≈ b ––– ––– ––– ≈ ––– ––– ––– ––– .. ≈ ≈ ‰ ≈ ≈ ‰ ÷ ‹ ÷ ‹ ‹ ‹ >
>
>
Gr. 2 Vln.
> > >
œ
4:3œ
? ..
> 5:3 > > >
b b OOO ≈ ≈ OOO ‰
r
r
Pno.
‰
..≤≤≤≤
P
≈
‰
‰
>
fi
& ..
∑
b –>–– P
. .. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
P
Δ∆
> P
O
O
æ O
P
æ
π
æ. .
– ..
.
] æ.
æ
–.
.
Δ∆ .
∏
π
≈
‰
≈
‰
O-
O-
J P
p ∑
≈
‰
‰
¤€ >œ
b –>–– P
ß ≈
O-
O
J
P
∑
‰
‰
‰
‰
≈
¤€ >œ
b –>–– P
fi
"white noise" II. & III. str.
. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
ß ≈
≈
‰
‰
‰
‰
O &œ
semplice
π
≈
¤€ >œ
b –>–– P
ß ≈
∑
‰
‰
‰
‰
Oœ
∑
∏
p ∑
‰
P
O- .
Oœ
J
≈
¤€ >œ
b –>–– P
J
ß ≈
∑
‰
‰
∑
‰
‰
∑
-O
Oœ
œ
P
‰
∏
trasparente
4:3
b Δ∆ >
æ
[s]
O- .
III
"white noise" II. & III. str.
‰
∏
π
Bikewheel arco "High pitch. Metallic timbre."
∑
slap tongue
Cl. (B)
O
æ.
III 205
Œ
III
(large)
–
Perc
æ
–.
æ O O P
n Δ∆ >
..
Δ∆
>
‰
"air tone"
–
∏
–
p
‰
∏
m– ∏
–
p
‰
∏
–
∏
–
p
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 28
‰
∏
m– ∏
–
p
‰
∏
‰
æ
air & key clicking
÷
–.
x
π
© Nicolai Worsaae 2013
JJJ 213
æ
æ. .
– ..
Vlc.
..
]
..
Gr. 1
[O
π
–æ
Δ∆
U
>O
Jet whistle
B.S
&
Fl. (C)
Fl. enters the stage
≈
P
KKK ..
]
IV. str.
5:4
≈
?
bœ ÿ ÿ ƒ
∑
œ
ÿ ÿ P
ÿ
bœ ÿ ÿ ƒ
ÿ ÿ P
ÿ
..
‰
œ
.. >‹
Perc
∑
&
..
∑
≈
‰
Ï ‰
Cymbal (small)
≈
‹
≈
crotales
œ
π
π ‰
Piece of wood
>‹ >‹ ≈
Ï
Guiro
˘
(large)
–
≈
–
∑
&
?
∑
fi
÷
–.
x
P
JJJ
≈
> > >
>
. .. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
π
π
P
∑
&
..
∑
..
∑
O-
arco
OOO
‰ > 5:3 > > >
b b OOO
r
≈
≈
> > >
OOO
.. œ . mœ. ∏
>
≈
‰
>
‰
fi
∑
> 5:3 > > >
p
´
®œ
´
œ ´ œ
´
®œ ‰
‰
‰
‰
P
P
÷
≈
‰
semplice
O & œ
π
œ. œ.
∏
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 29
Oœ
œ. œ.
p
O- .
P
F
´
œ ´ bœ
∏ ∑
´
®œ
´
œ ´ œ
´ ®œ
∑
f ´ ´ ´ ´ ´ ´ ´ ´
– – – – – – – –
∑
P
(ff)
. .. ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
..
J
O-
∑
– – – – – – – –
KKK
π
O
J p
f ´ ´ ´ ´ ´ ´ ´ ´
∑
"white noise" II. & III. str.
œ. œ.
´
œ ´ bœ
œ
>
æ. .
∑
r
r 4:3œ
œ
..
‰
O-
"sounds like a rusty old pont"
π
4:3œ
∑
]
Bikewheel
P≈ b –– –– –– P P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– – – – ≈ ––– ––– ––– ––– .. ≈ ≈ ‰ ≈ ≈ ‰ ÷ ‹ ÷ ‹ ‹ ‹
"white noise" II. & III. str.
∑
Vln.
..
∑
Gr. 2
Cl. (B)
≈ r 4:3œ
Pno.
finger gliss
∏
æ
– ..
.
KKK
.. b b OO O
∑
Δ∆ .
r
JJJ 213
æ.
bowing on the bridge
KKK Metal block
∑
æ
–.
5:4
JJJ ÷
Stop playing when you have reached your desc.
(ff)
Oœ
J
J
∏
b b Oœ
Oœ
F
∑
‰
∏
œ. œ.
∏
© Nicolai Worsaae 2013
LLL tongue ram
221
≈
&
Fl. (C)
‰
O
o ß
÷
Vlc.
≈
o ß
o
play on the side of the instrument arco II. & III. str.
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
‰
π
Gr. 1
‰
mO
o
knock on the body of the cello
≈ >‹
≈
P
LLL ∑
Perc
Electronics (
O
fragile
æ 4:3 ∏
O
‰
‰
æ
O
æ 4:3 ∏
π ‰
‰
pp-ppp )
æ
o ß
F
‹
‰
π
π
O
fragile
‹.
π π
O
‰
æ 4:3 ∏
®®
≈ >‹
P
‰
–
F
π
O
‹
π
play on the side of the instrument arco II. & III. str.
‰
æ 4:3 ∏
‹.
π π
‰
–
n‹ >
æ
3:2
‹
‰
–
F
π
π
O
fragile
®®
‹.
π π
O
‰
æ 4:3 ∏
..
‰
221
& b b OOO
≈
> > >
OOO
?
‰
> 5:3 > > >
LLL
pizz. IV.
> ‹
ƒ
≈
>
´ ´ ´
F
≈
b b OOO ≈ ≈ OOO ‰ > > >
5:4
– – – –
‰
(ff)
II. & III. arco
col legno bat.
®
f ´ ´ ´ ´
œ
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ÷ ‹ >
Vln.
‰ r
r 4:3œ
Pno.
Gr. 2
≈
´ œ´ b œ œ´ b œ ® ‰
O-
pizz.
≈
P
IV.
> ‹
ƒ
≈
‰
> 5:3 > > >
´ ´ ´
col legno bat.
®
F
≈
>
II. & III. arco
O-
pizz.
≈
P
IV.
> ‹
ƒ
> > >
æ
–
æ
–
F
O
‰
æ
– – – –
‰
4:3
>
(ff)
´ ´ ´
II. & III. str. arco
col legno bat.
≈
®
F
≈
O-
r
œ
pizz.
≈
IV.
> ‹
ƒ
≈
>
®
≈
Cl. (B)
&
œ. œ.
p
∏
‰
≈
Δ∆
>
(ff)
≈
b Δ∆ >
(ff)
∑
æ
air & key clicking
÷
–.
x
∏
–
x
p
‰
∏
,
r
r 5:3œ
œ
P
ƒ
>— ÷
x
f
÷
b –>–– –>–– –>––
x
&
≈
slap tongue
Δ∆
>
(ff)
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 30
≈
b Δ∆ >
(ff)
‰
..
Guiro
ƒ
Œ
‰
,
(large)
–
P -œœ
-œœ
fl ƒ
Harmonica in c
3 8
1.
–>–– –>–– –>–– –>––
x
3 8
1.
‰
≈
œ
F
>— ÷
L.H.
b –>–– –>–– –>––
≥ –
ƒ
r
œ
x
gliss.
,
L.H.
–>–– –>–– –>–– –>––
Ï P5:3
∑
..
..
r
œ
..
, ≈ ‰
1.
Not too rough
..
..
‰
3:2
Ï P4:3
5:4
O
>— ÷
L.H.
∑
–
‰
–
ÏP
≥ -
,
1.
f
>—
L.H.
Ï P
ƒ
F
b œ ÿ ÿ ÿ œÿ ÿ P ƒ
∑
4 II. & III. str. 8 fi ≥pizz. col legno bat. ´ ´ ´ – IV. > .. ≈ ‹ ≈ ® ‰
O-
3 8
M-ph. slap tongue
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ . .
5:4
œ ‰
MMM
´ ´ ´
F
..
∑
II. & III. arco
col legno bat.
F
MMM ..
∑
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ÷ ‹
‰
>œ
Ï p4:3
(ff)
bœ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ƒ
..
‰
> 5:3 > > >
r 4:3œ
>O m >O >O b‹ n‹ b‹
4 MMM 8 Tin can no1 (Large) Piece of wood > ‹ .. ] > > Œ ‰ ®® ‹ ‹ ‹ . π π π 3:2 Ï
b b OOO ≈ ≈ OOO ‰
5:4
œ
P≈ b –– –– –– P – – – ≈ ––– ––– ––– ––– ≈ ≈ ‹ ‰ ÷ ‹ >
f ´ ´ ´ ´
r
r 4:3œ
‰
´ œ´ b œ œ´ b œ ® ‰
≈
tongue ram
Metal block Cymbal (small)
3:2
‰
æ
..
?
4 8
´
≈
1.
r 8:6œ
P
LLL ´
‰
>œ
Ï
≈ ≈ >‹ ‰
Metal block Sandpaper Cymbal (small)
‰
mO
3 8
1.
π
æ
≈
O b‹ > (ff) F
knock on the body of the cello
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
‰
®®
≈
o
Metal block Sandpaper Cymbal (small)
æ
‰
æ
‰
3:2
–
‰
mO
o ß
knock on the body of the cello
≈
æ
≈
o
Metal block Sandpaper Cymbal (small)
3:2
–
‰
O
π
‰
n‹ >
≈
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
‰
–
‰
mO
play on the side of the instrument arco II. & III. str.
æ
∑
‰
‰
tongue ram
≈
O b‹ > (ff) F
Sandpaper
÷
&
≈
4 MMM 8
O
..
,
≈ ..
© Nicolai Worsaae 2013
2.
229
&
Fl. (C)
>œ
4 NNN 8
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ
Ï p 4:3
r
r 5:3œ
œ
∑
..
≈
play 3x
Œ
O
≈
o ß o
f
mO
o ß
OOO
.. ..
Œ
‰
>œ
≈
o
3 8 ≈
Ï
tongue ram
>O m >O >O b‹ n‹ b‹
Vlc.
bœ ÿ ƒ
ÿ
œ
ÿ
ÿ
ÿ P
‰
∑
Guiro
>— ÷
229
&
?
x
≈
Vln.
-œœ
Harmonica in c
≈
‰
>— ÷
L.H.
b –>–– –>–– –>––
Ï P4:3
2.
Gr. 2
fl ƒ
‰
2.
∑
–
P
&
Pno.
(large)
–
Perc
≥ –
ƒ
r
œ
x
O
∏
p
œœ ..
..
f
Cymbal (small) arco
–
∑
π
L.H.
–>–– –>–– –>–– –>––
∑
..
.. ..
play 3x
.. œœ
∏
&
r
r 5:3œ
≈
‰
Œ
F
‰
∑
4 NNN 8 µO .. µ ˙ &
–
.. ..
∑
∑
.. ..
∑
–
–
O˙
∏
∏
p
.. ..
3 8
÷
x
b –>–– –>–– –>––
Ï P
fi ≥–
ƒ
÷
L.H.
x
3 8 –>–– –>–– –>–– –>––
ÏP
‰
≥ –
ƒ
O
≈
∑
..
Lœ œ
π
œ œ
p
œ œ
π
œ œ
p
.. ..
Œ
π
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 31
‰
1.
>— ÷
x
–
–
– fl fl fl fl f
1.
‰
≈
b –>–– –>–– –>–– r
O
œ
F
≥ –
ƒ
..
gliss.
ÿ
œ
ÿ
ÿ
ÿ P
‰
÷
÷
x
.. –>–– –>–– –>–– –>–– r
œ
..
∑
>— ÷
x
≈
≈
‰
>— ÷
L.H.
b –>–– –>–– –>––
Ï P4:3
..
-œœ
Harmonica in c
‰
2.
≈ ‰
–
fl ƒ
P
L.H.
Ï P5:3
(large)
–
2.
≥ –
ƒ
r
œ
x
∏
L.H.
–>–– –>–– –>–– –>––
Ï P5:3
r
œ
∑
≈
‰
÷
2.
1.
Not too rough
bœ ÿ ƒ
..
>—
L.H.
œ
3 8
f
(large)
–
Ï P4:3
5:4
r 5:3œ
5:4
Guiro
L.H.
∑
II. & III. str.
..
‰
∑
>—
r
œ
2.
Guiro
∑
>—
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ
Ï p 4:3
f
1.
≈ –
M-ph. fragile
b œ ÿ ÿ ÿ œÿ ÿ P ƒ
‰
–
– fl fl fl fl f
OOO play 3x
ÿ ÿ ÿ P
(large)
OOO play 3x
r
..
≈
5:4
œ
P ƒ
.. ..
∑
∑
∑
œ ÿ ÿ œÿ ÿ
ÿ
Guiro
œ
∑
bœ ÿ ÿ ƒ
>œ
2.
5:4
2.
Cl. (B)
. . . œ. .œ b œ. b œ. œ. b œ b œ b œ . . œ
F
5:4
OOO
.. ..
Œ
4 NNN 8
Ï P5:3
≈
..
mO
4 NNN 8
2.
÷
2.
1.
5:4
Gr. 1
>œ
Ï p4:3
(ff)
2.
?
1.
O
≈
..
O
≈
© Nicolai Worsaae 2013
PPP
e = 72
236
∑
&
Fl. (C)
QQQ ∑
RRR
Silente
‰
O
fl P
∏ [s]
÷
Vlc.
∑
‰
∑
play on the body of the instrument
‰
–
æ p
Gr. 1
PPP
e = 72
÷ Perc
&
QQQ ∑
œœ ..
PPP 236
œœ ..
œœ
p
∏
∑
Pno.
PPP
Gr. 2 Vln.
Cl. (B)
∑
∑
e = 72
‰
–
æ
≈
‰
∑
‰
&
∑
∑
m œœ .. ∏
–
æ
≈
O
fl P
∏
‰
–
æ p
‰
≈
..
O
‰
–
æ
‰ ß
o
∑
.. ‰
‰
œœ ..
œœ ..
‰
∏
p
‰
‰
o
O
∏ [s]
play on the body of the instrument
‰
–
æ p
–
‰
–
‰
æ
œœ
∑
‰
‰
‰
b œ. ∏
‰
n œ.
∑
‰
Scrabe on the deepest string (inside piano)
∑
æ -Δ∆ π
æ -Δ∆ π
‰
.. ‰
‰ ∏
–
æ p
‰
–
æ p
‰
–
æ ∏ œœ
‰
∏
5:3
‰
œ. ∏
..
‰
b œ.
–
œ. œ.
p
‰
–
æ p
–
æ
œ. œ.
∏
‰
–
–
æ
œ œ
p
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 32
p
œœ
fragile
‰
∏
∏
‰
∑
Scrabe on the deepest string (inside piano) with a plastic card.
..
∑
æ -Δ∆ π
æ p
œœ
–
æ ∏
∏
∑
Δ∆∏ °
≈
Δ∆.
‰
‰ ∏
&
..
.. œ . mœ. ∏
‰
∑
f
RRR æ
æ P
RRR
Silente play on the body of the instrument
Sandpaper
fragile
5:3
.. ‰
∑
QQQ ∑
O
∑
Silente
?
÷
–
æ p
fragile
Inside piano:
æ -Δ∆ π *
‰
RRR
Scrabe on the deepest string (inside piano)
?
‰
[s]
∑
QQQ ∑
&
‰
Silente
∑
e = 72
≈
O
gliss. O mO mO O O mO O
I. str.
∑
∏
r
7:4œ
p
‰
œ. œ.
p
© Nicolai Worsaae 2013
SSS 244
Fl. (C)
Vlc.
& O ≈ fl P
‰
÷
‰
Gr. 1
–
æ
‰
‰
‰
≈
O
.. ..
–
æ p
‰
–
æ
‰
‰ ß
o
.. ..
key clicks
key clicks
‰
‰
‰
o
æ
O
∏
O
[s]
‰
–
–
æ p
æ
‰
–
æ p
O æ O P
‰
–
‰
æ
‰
π
‰
æ
O
∏
O
[s]
–
–
æ p
æ
‰
–
æ p
P
‰
π
‰
..
–
‰
‰
..
O æ O
æ
SSS ÷ Perc
&
–
æ P œœ
p
‰
–
∏
æ ∏
‰
‰
∏
–
æ P
‰
‰
∏
.. ..
–. æ ∏
–. æ P
.. ..
∑
–. æ ∏
∑
∏
–. æ P
–. æ ∏
∑
∏
–. æ P
∏
..
∑
∑
∑
∑
∑
..
∑
∑
∑
∑
∑
..
SSS Inside piano: 244
?
∑ Scrabe on the deepest string (inside piano) with a plastic card.
Pno.
?
Gr. 2
Δ∆∏ °
≈
Δ∆.
Scrabe on the deepest string (inside piano)
‰
Cl. (B)
&
& œœ .. ∏
.. ..
∑
f O mO mO O O mO O
I. str.
Vln.
.. ..
∑
∑
∏
œ œ
p
r
p
‰
SSS
gliss.
7:4œ
æ -Δ∆ π *
‰
‰ ∏
÷ ..
÷ ..
..
‰
..
æ
‰
Scrabe on the deepest string (inside piano)
∑
æ -Δ∆ π play on the body of the instrument
–
æ p
–
æ
air & key clicking
–.
x
∏
–
x
p
‰
–
æ p
‰
∏
æ -Δ∆ π
‰
–
‰
æ
Scrabe on the deepest string (inside piano)
∑
æ -Δ∆ π
–
æ p
æ
–
æ
air & key clicking
–.
x
∏
Nicolai Worsaae - Zwischen den beiden Kammern - score (transposing) 33
–
x
p
‰
–
æ p
‰
∏
æ -Δ∆ π
‰
æ -Δ∆ π
–
‰
‰
æ
∑
..
..
.. Fine Copengahen 02-02-2013
© Nicolai Worsaae 2013