ARCHITECTURE PORTFOLIO 2010 - 2015

Page 1

THE CLIENT; IDENTITY EDWARD TAN |SPECIFICITY ARCHITECAND TURE PORTFOLIO EDWARD TAN TAN B.ARCH ARCHITECTURE PORTFOLIO EDWARD ARCHITECTURE PORTFOLIO

2010 - 2015


THE SPACE BETWEEN

4

ARCHITECTURE OF THE SUN

6

DISSECTING THE CITY

12

THE LIVING ROOM

16

BRUNSWICK KEYS

22

THE DRAWING OFFICE

28

FUTURE FACTORY

32

TURBULENCE

36

COLLIDING OPPORTUNITY

42


4 | THE SPACE BETWEEN

THE SPACE BETWEEN | 5

3 | THE SPACE BETWEEN

THE SPACE BETWEEN | 4

THE SPACE BETWEEN

THE THESPACE SPACEBETWEEN BETWEEN

hinges on the existence of intermediate spaces between the public and private realm as an important element in the design of a service hub for hinges on the ofofintermediate spaces the public and private element in design of hub for hinges theexistence existence intermediate spacesbetween between the public privaterealm realmas asan an important important element in the the designwere of a a service service hub homeless people. Through these on sectional diagrams, it can be clearly seenithow the ideaand of moulding to formcontours transitional spaces homeless people. Through these sectional diagrams, can be clearly seen how the contours idea of moulding to form transitional spaces were forwhen homeless people. being explored. It was here designing and researching on homeless people;on I felt a strong senseI felt of imbrication between body and space.body and space. being explored. It was here when designing and researching homeless people; a strong sense of imbrication between Through these sectional diagrams, it can be clearly seen how the idea of moulding contours to form transitional spaces were being explored. It was here when designing and researching on homeless people; I felt a strong sense of imbrication between body and space.


ARCHITECTURE OF THE SUN | 46

6 | ARCHITECTURE OF THE SUN

ARCHITECTURE OF THE SUN | 7

SOLAR DISH ARRAY

SOLAR BALLOON SOLAR BRICK TENSILE SOLAR SOLAR TUBE 20kW

100% The dish array feels temporary, it is small. Concave in its form, it is mobile. It traces and it stalks!

ARCHITECTURE OF THE SUN

48 44 30 28

The balloon is ‘floating’ and looks alien. It is soft and cute, shiny and small.

16 POWER 0

Cylindrical, ordered? Regular and classical?

8.0 EFFICIENCY Soft like a skin. Ephemeral, flexible, light and stretchable.

The brick is subtle. It is conventional and looks vernacular. It is hard and rectangular.

is a project that looks into the specificity of the solar panel. The constraints of its positioning 2.8 1.0 0.18

PV TYPOLOGIES

against the sun become design opportunities to act upon. If there is any explaination to be given, it has to be this, “ The solar panels made me do it... “


47 ARCHITECTURE OF 8 || ARCHITECTURE OFTHE THESUN SUN

ARCHITECTURE ARCHITECTUREOF OFTHE THESUN SUN| 48 | 9 DISH ARRAY SOLAR PANELS

SOLAR TUBES

0

5

TENSILE SOLAR PVS

10

15

20

SOLAR TUBES

LAURENS STREET ELEVATION GROUND FLOOR PLAN (LAURENS STREET)

DISH ARRAY SOLAR PANELS

TYPICAL APT FLOOR PLAN

TENSILE SOLAR PVS

SOLAR PV CONSTRAINTS

FORM PROCESS

TYPICAL APT LVL 9

TYPICAL APT LVL 8

TYPICAL APT LVL 7

TYPICAL APT LVL 6

ENTRY 1

RESIDENTIAL DECK

S T R E E T

1

3

L A U R E N S

TYPICAL APT LVL 4

TYPICAL APT LVL 3

9

2

ENTRY 2

MANAGEMENT OFFICE

8

GALLERY

MUNSTER STREET RESIDENTIAL ENTRY MUNSTER TERRACE

4

OBSERVATION DECK

ATRIUM 5

MALE

FEMALE

ATRIUM

RETAIL BUFFER

6

LAURENS STREET

SERVICE LANE

7

VOID DECK

CARPARK

0

S3307738 EDWARD TAN

5

10

15

20

SECTION MUNSTER STREET ENTRY

GROUND FLOOR PLAN (LAURENS STREET) PLAN

SECTION

TYPICAL APT LVL 9

TYPICAL APT LVL 8

TYPICAL APT LVL 7

TYPICAL APT LVL 6

TYPICAL APT FLOOR


10 | ARCHITECTURE OF THE SUN

ARCHITECTURE OF THE SUN | 11

ARCHITECTURE OF THE SUN | 50

TUBULAR PVS DISH ARRAY PVS TENSILE PVS

stinct collision between the 3 solar panels create this unresolved and interesting

emy between programs and spaces. The building reflects a specific identity and

towards the client, it points towards the sun.

UNFOLDED ELEVATION SHOWING LOCATION OF SOLAR PANELS


5 | DISSECTING THE CITY 12 | DISSECTING THE CITY

DISSECTING THE CITY | 6 DISSECTING THE CITY | 13

DISSECTING THE CITY DISSECTING THE CITY explores needs Degravesby bycharacterizing characterizingaaseries series of of sections sections cut at different scales explores thethe needs ofofDegraves thescales laneways of Melbourne City and pieces them together cutthroughout at different throughout the laneways of Melbourne City to form sections of a and pieces them together to form sections of a community centre in community centre in the city. the city. This was an attempt to capture a milieu of experiences of the city into a built form in hope

This was an attempt to capture a milieu of experiences of the city that the client’s of the would be reflected thewould building. into a built form inidentity hope that thecity client’s identity of theincity be reflected in the building.

DÉRIVE THROUGH LANEWAYS SECTIO


14 | DISSECTING THE CITY 7 | DISSECTING THE CITY

DISSECTING THE CITY | 15 DISSECTING THE CITY | 8

SECTION A

SECTION A

SECTION B

SECTION B


16 | THE LIVING ROOM ING ROOM

THE LIVING ROOM | 17 THE LIVING ROOM | 10

LIVING ROOM

THE LIVING ROOM | 10

THE LIVING ROOM is a dwelling that reflects a client’s identity. It does so with spaces that are highly intimate and tuned towards the user’s living pattern. Here, the experiences of having conversations over the dining table to resting inside a heated Jacuzzi or watching time go by slowly constitutes to the making of this client’s home.

THE THE LIVING LIVING ROOM ROOM isis aadwelling highly intimate dwellingthat thatreflects reflectsaaclient’s client’sidentity. identity.It Itdoes doessosowith withspaces spacesthat thatareare

highly intimate andthe tuned towards the user’s living pattern. and tuned towards user’s living pattern. Here, the experiences of having conversations over the dining table to resting inside a heated Jacuzzi or watching time go by slowly constitutes to Jacuzzi or watching time gohome. by slowly constitutes to the making of this client’s home. the making of this client’s

Here, the experiences of having conversations over the dining table to resting inside a heated


18 | THE LIVING ROOM 11 | THE LIVING ROOM

THE LIVING ROOM | 19 THE LIVING ROOM | 12

The form is being conceived as two manipulated surfaces that bend to reflect light down into different spaces at different times. Zooming in on the section, the enunciation of detailing materializes the former ideas by embedding the client’s acts of living into the architectural form.


20 | THE LIVING ROOM 13 | THE LIVING ROOM

THE LIVING ROOM | 21 THE LIVING ROOM | 14

This project has revealed that the mutual dependence between built inhabitation lies in the art of detailing. This project has revealed that the mutual dependence between built form and human inhabitation lies in the art of detailing.

| THE LIVING ROOM

Detailing can result in spaces that enrich and articulate a client’s life which is crucial to the design process.

THE LIVING ROOM | 14

This project hasthe revealed that the mutual dependence between built form and human Here in Lee House, Tadao Ando uses detailing to achieve a seamless space that inhabitation lies inself-reflection the art of detailing. encourages within the enclosure of walls. On the other hand Carlo Scarpa uses detailing to differentiate spaces in the museum of Castelvecchio like a series of layers Detailing result in time. spaces that enrich and articulate a client’s life which is crucial to thatcan unfold over the design process.

Detailing can result in spaces that enrich and articulate a client’s life w the design process.

Here in the Lee House, Tadao Ando uses detailing to achieve a seamless space that encourages self-reflection within the enclosure of walls. On the other hand Carlo Scarpa uses detailing to differentiate spaces in the museum of Castelvecchio like a series of layers that unfold over time.

Here in the Lee House, Tadao Ando uses detailing to achieve a sea encourages self-reflection within the enclosure of walls. On the other h uses detailing to differentiate spaces in the museum of Castelvecchio lik that unfold over time.


39 | 22 BRUNSWICK KEYSKEYS | BRUNSWICK

BRUNSWICK KEYSBRUNSWIC | 23

BRUNSWICK KEYS Given each a portion of the suburb to work on, mine involved the construction of sub projects along an existing bike path. The keys in this context are the means to sustainability. They invovled a bike path, an urban farm stay, a timber milling factory and multi-residential housing.

RMIT URBAN FARM STAY MASTERPLAN


24 | BRUNSWICK KEYS

BRUNSWICK KEYS | 25 41 | BRUNSWICK KEYS

BRUNSWICK KEYS BRUNSWICK | 42 BRUNSWICK KEYS | 42 KEYS BRUNSWICK | 42 KEYS | 42

The act of calling The act out ofdetails The calling acthas out of calling The been details act aout major of hascalling details been toolaout has inmajor responding details been tool a has major in to responding been atool client. a major in responding Ittoforces tool a client. in responding toItaforces client. to It forces a client. It forces me to be attentive me to be tome attentive thetohuman be to attentive mescale. the to human beEmployed toattentive the scale. human here to Employed the scale. onhuman a modular Employed herescale. onshaped ahere Employed modular on floor a shaped modular here onfloor ashaped modular floor shaped floor plate, the multiple plate, the clients plate, multiple in the theclients multiple medium plate,inthe the clients density multiple medium inhousing the clients density medium are in housing being the density medium addressed. are housing being density are addressed. housing being addressed. are being addressed. This bench This showsbench how This shows thebench architecture how This shows the bench architecture how in-builds shows the architecture itself how in-builds the intoarchitecture the itself in-builds lifeinto of itself the the in-builds client. life intoofthe itself thelife into client. of the the life client. of the client. Likewise, how Likewise, the client how Likewise, builds the client how on Likewise, the the builds architecture client how on builds the the architecture client byonleaving the builds architecture behind by on leaving theaarchitecture trace bybehind leaving on its a by trace behind leaving onaits trace behind on aitstrace on its spaces. spaces. spaces. spaces.

NATURAL MEDICINE NATURAL CLINIC MEDICINE NATURAL MEDICINE CLINIC NATURALCLINIC MEDICINE FARMER’S CLINIC QUARTERS FARMER’S QUARTERS FARMER’S QUARTERS FARMER’S STUDENT QUARTERS ACCOMODATION STUDENT ACCOMODATION STUDENT ACCOMODATION STUDENT ACCOMODATION STREAT MARKET STREAT MARKET STREAT MARKET STREAT MARKET


26 | BRUNSWICK KEYS

BRUNSWICK KEYS | 27

43 | BRUNSWICK KEYS

BRUNSWICK KEYS | 44

Details do perform on varying scales and clients. Throughout this portfolio, the small gestures have proven this possibility. Looking back through the projects, they reflect a simplification of form coupled with an emphasis on the identity of clients.


28 | THE DRAWING OFFICE

THE DRAWING OFFICE | 29

THE DRAWING OFFICE a master planning project analyses a larger fabric using a collage of architectural drawings that reveal the specificity THE DRAWING OFFICE of various communities within a region.

a master planning project analyses a larger fabric using a collage of architectural drawings that reveal the specificity of various communities within region. Drawing longer sections that spana 1km revealed empty spaces for detailing for various

communities. Details of

infrastructures and programs serve as a key role of a mediator between different clients. In this scenario, detailing

Drawing longer sections that platform span 1kmactivated revealedthe empty spaces for detailing forserved variousascommunities. a floating water as a civic space and a bridge between Details of infrastructures and programs serve as a key role of a mediator between different clients. In contributing to the reputation of Sydney’s shorefront. this scenario, detailing a floating platform activated the water as a civic space and served as a bridge between Cockatoo and Balmain contributing to the reputation of Sydney’s shorefront. This project has shown me that a small detail can still plays a major role in a larger contextual setting.

Cockatoo and Balmain


30 | THE DRAWING OFFICE 21 | THE DRAWING OFFICE

THE DRAWING OFFICE | 31 THE DRAWING OFFICE | 22

COLLAGE

PHYSICAL MODEL

COCKATOO ISLAND PLAN

MASTERPLAN

SECTION


32 | FUTURE FACTORY

FUTURE FACTORY | 33

FUTURE FACTORY Technology has constantly been shaping humans as we keep adapting to it over time. It has sucked us into a virtual world, a realm that disconnects us from the spaces and people around us. The smartphone is one example that does so. The Melbourne Central Project tries to prevent us from being completely desensitized in the future by producing spatial awareness. There are 4 typologies that make up a daily routine of a person. They are accomodation, train station, office tower and retail. This Factory produces spatial awareness by making disruptions in this everydayness. These disruptions bring about unexpected encounters, allowing for a new reading of the city. These interventions are then seen as prototypical and can be applied to similar typologies throughout the city. This Future Factory would adapt and create new disruptions against the routiness of new typologies that arise in the future. Hence, the Future Factory to us is more of a strategy to tackle the future then a set building product of current age. The site and testing ground is the Melbourne Central City block.

RESPITE - Retail Strip

EXPOSED - Train Station

THE AWAKENING - Office Tower

ENGAWA - Student Accomodation


34 | FUTURE FACTORY

FUTURE FACTORY | 35

LO

D NS

E AL

ST

1. THE AWAKENING 4. RESPITE N LO

A SD

S LE

T

EL

E TL LIT

TH BE IZA ET RE ST

3. ENGAWA

A SW N TO NS R ST T EE

2. EXPOSE

ET

LA

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36 | TURBULENCE 23 | TURBULENCE

TURBULENCE | 37 TURBULENCE | 24

TURBULENCE wrestles with the unpredictable nature of changes in facilitating university education. Tackling the client’s brief from the mission statement and vision, the idea of of satellite campuses develops into an architecture for a university. Where high cost are at stake, the architecture seeks to double up as a marketing tool.

TURBULENCE wrestles with the unpredictable nature of changes in facilitating university education. Tackling the client’s brief from the mission statement and vision, the idea of satellite campuses develops into an architecture for a university. Where high cost are at stake, the architecture seeks to double up as a marketing tool.

STRATEGIC GROWTH PLAN


38 | TURBULENCE 25 | TURBULENCE

TURBULENCE | 39 TURBULENCE | 26

ULENCE

UNIVERSAL MOTION SIMULATOR

UN

COCKPIT BEHAVIOURAL ASSESMENT

To perform an extensive research and training on the cadets, the architecture brief tackles the human scale and semantics with spaces that are designed around human characteristics that contribute to the development of a fighter pilot. Through a sectional analysis of a fighter jet, spaces are derived and evolved to encourage individual initiative, concentrated thoughts, physical fitness and a need for excellence.

COCK

To perform an extensive research and training on the cadets, the architecture brief tackles the human scale and semantics with spaces that are designed around human characteristics that contribute to the development of a fighter pilot. Through a sectional analysis of a fighter jet, spaces are derived and evolved to encourage individual initiative, concentrated thoughts, physical fitness and a need for excellence.

SEMINAR ROOM

AXONOMETRIC

PLANS

ENROUTE TO LABS


TURBULENCE | 41 TURBULENCE | 28

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

space. The campus is not limited to specific areas of study but seeks to of adapt to an ever changing educational realm.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

mic forces campus is an y the student Influenced by the economic forces of ity’ placed in demand and supply this campus is an education model whereby the student moved and is a ‘product or commodity’ placed in ch industries pods that is constantly moved and he research dropped different research industries by cranes. As such, the research d to different student is being exposed to different ecomes part industries daily as he becomes part stries would of the workforce. Industries would off-rail spaces that adopt a hat adopt a inhabit make shift structure that allows for at allows for easy setup and pack up.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

al space that 40 | TURBULENCE the input 27 of| TURBULENCE nder a huge op recreation ot limited to The campus is a martial space that but seeks to grows and adapts with the input of pods over time under a huge g educational more roof structure and rooftop recreation

IN ISOLATION

IN COLLABORATION

IN ISOLATION

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT COMPUTER ACCESS POD

SEMINAR AND LECTURE POD

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT


42 | COLLIDING OPPORTUNITY

COLLIDING OPPORTUNITY | 43

ER

T

ADVERT

This project aims to see the negative connotations of density as interesting opportunities for cross programming. This was done through the urban study of Asian cities.

HOUSING

REFUSE

9am - 5pm

HOUSING

5pm - 9am

1996 MILLENIA TOWER

REFUSE

intensification of quantities.

SUNTEC CITY MALL

as a series of conflicts between two or more parties. But really, density is more than an

1994

Density, we often think of it as a situation that should be avoided at all cost. We see it

2000

VEHICULAR OPERATION

RAFFLES CITY

DWELLING

A D

V

COLLIDING OPPORTUNITY

MARINA SQUARE

1986

CITYLINK MALL

1987

RESIDENCES RESTAURANT

MARKET OPERATION

CENTRAL ATRIUM STAIR EXERCISE

ROOF GARDEN

EVENTS SPACE

CAR PARK

5pm - 9am

1

RAFFLES CITY

VEHICULAR OPERATION

REFUSE

CAR PARK

RET AIL

CITYLINK MALL

RESIDENCES RESTAURANT

EVENTS SPACE

PARK ROYAL ON PICKERING_WOHA_SINGAPORE_2013 EDWARD TAN

NOTES: CITYLINK MALL RESPONDS TO LAND SHORTAGE IN SINGAPORE BY CONCEIVING ITSELF AS AN UNDERGROUND RETAIL THROUGHFARE BETWEEN TWO OTHER SHOPPING CENTRES. THIS BURROWING MOVE LEAVES THE CIVILIAN WAR MEMORIAL AND THE NICOLL HIGHWAY UNINTERRUPTED.

FLOWER SHOP

STREET FOOD STALL_NATHAN ROAD, MONG KOK EDWARD TAN

EDWARD TAN

NIGHT MARKET_TSIM SHA TSUI EDWARD TAN

CITYLINK MALL_KOHN PEDERSEN FOX_SINGAPORE_2000 EDWARD TAN

PARK

RET AIL

3 4

1

2

3

NOTES: SINGAPORE’S F1 GRAND PRIX CIRCUIT IS A RESULT OF CROSS-PROGRAMMING. THE ROADS THAT ARE BEING USED FOR BUSES 3AND2 CARS 99% OF THE TIME ARE BEING CODORNED OFF AND TRANSFORMED BY OVERHEAD LIGHTS INTO A NIGHT RACING 1 2 1 IS A TEMPORARY CIRCUIT. IT OCCURENCE EVERY SEPTEMBER FOR 3 DAYS OVER THE WEEKEND, A REWORKING OF SPACES WITHIN THE DENSE CITY.

6

2

OUTSIDE 1 ON HING BUILDING_CENTRAL

2

PLANNING STAGES

3

1

2

1

HYSAN PLACE

2

RETAIL

ESCALATOR

MARKET OPERATION

PUBLIC SPACE

7

3 NOTES: 1 2 THE CARDBOARD 3 4 THE ELEVATED WALKWAYS AND ‘FLOORS’ ALLOW FOR PICNICS TO HAPPEN WITHIN A DENSE URBAN SETTING. THERE IS NO NEED FOR AN ADDITONAL SPACE DEDICATED FOR PICNICS. 4

ABANDONED FACTORY

NOTES: HYSAN PLACE INCREASE THE DENSITY OF RETAIL BY ALMOST 3 TIMES THE AMOUNT. FROM 5 STOREY TO 17 STOREY SHOPPING MALL. IT PUSHES THE ESCALATOR ONTO AND ABOVE THE STREETFRONT ALLOWING FOR MORE RETAIL OPERATIONS INTERNALLY. INSERTIONS AND SUBTRACTIONS OF VOLUMES ARE EXECUTED ACCOMODATING PUBLIC SPACES THAT ATTMEPT TO IMPROVE AIR QUALITY SINGLE DWELLING SINGLE DWELLING IN ITS DENSE SETTING.

NOTES: THE INSERTION OF THE ELEVATED WALKWAY ALLOWS FOR MORE PEDESTRAIN ACTIVITY ABOVE GROUND. THIS REDUCES THE WIDTH OF WALKWAYS ON THE GROUND ALLOWING FOR AN EXPANSION OF SHOP SPACES.

FLOWER

NOTES: SHOP THE COLLISION OF THE GATE TOWER BUILDING AND THE HANSHIN EXPRESSWAY IS A RARE AND INTERESTING RESULT OF A DISPUTE BETWEEN CITY PLANNERS AND LANDOWNERS. CONFLICTING HIGHWAY BUILDING PERMITS AND PROPERTY RIGHTS WAS THEN RESOLVED THROUGH IN AN SUBTRACTION-INSERTION STRATEGY.

NOTES: IN SETS IN THE GROUND ALLOW FOR DIFFERENT STREET OPERATIONS DURING THE DAY AND NIGHT TIME WITHIN THE SAME FLOOR AREA.

+ FAMILY

2

5 3

4

1 1 MARINA BAY STREET F1 CIRCUIT_KBR INC_SINGAPORE_2008 2

EDWARD TAN

4

5pm - 9am

AFTER CONSTRUCTION

CAR 1

CAR PARK

9am - 5pm

HOUSING

VEHICULAR OPERATION

RET AIL

PARK

NOTES: CAR PARK THE LENGTH OF THE LANDING AND STEPS OF THE STAIRWAY ARE BEING USED TO HOUSE THE FLOWER SHOP AND DISPLAY THE FLOWERS. THE STAIRWAY NOT ALLOWS FOR 2 PROGRAMS: TRANVERSING AND WORK.

1

MARKET OPERATION REFUSE COLLECTION POINT_SHANGHAI ST, YAU MA TEI

CARPARK CARPARK

REFUSE

SKYSCRAPPER

SIGNAGE

NOTES: FENCES ARE PLACES WHERE MORE THAN ONE PROGRAM TAKES PLACE OVER THE DAY. THEY ALLOW FOR DIFFERENT ACTIVITES TO HAPPEN IN THE SAME AMOUNT OF AREA.

VEHICULAR OPERATION

HOUSING

REFUSE

CAR PARK

TROLLEY LOCK

NOTES: THE REFUGE COLLECTION POINT SERVES AS AN UNLIKELY HOME WHEN THE HOURS OF GARBAGE COLLECTION ARE OVER. HENCE, THE TWO PROGRAMS OF WORK AND REST GO WELL HAND IN HAND WITHIN THE SAME FOOTPRINT AND APPLYING A STACKING STRATEGY.

1

T

CAR

PARK

STORAGE SPACE

NOTES: THE INSERTION OF PATRONISING CUSTOMERS UNDER THE UNSED SPACE OF STAIRS REDUCES THE NEED CHAIRS. THIS ‘QUICK EATING’ OF STREET FOOD IS OFTEN DONE STANDING UP.

ER

PARK

CAR PARK

BICYCLE LOCK

NOTES: THE PODIUM BLOCK TYPOLOGY IS BEING CRITISIZED HERE THROUGH A HORIZONTAL STACKING OF BLOCKS AND LIFTING PODIUM. WOHA’S HOTEL RESPONDS TO THE INSENSITIVITY AND CONFRONTATIONAL SKYSCRAPER AND FIRES UP A PLAYFUL CONTOURED CELING TO THE STREETSCAPE, ONE THAT IS OF MORE RELEVANCE AND IDENTIFIABLE WITH THE HUMAN SCALE.

4

2

PARK

1 EDWARD TAN

ELEVATED WALKWAY_OUTSIDE STANDARD CHATERED BANK, CENTRAL EDWARD TAN

HYSAN PLACE_KOHN PEDERSEN FOX_HONG KONG_2012 EDWARD TAN

ELEVATED COVERED WALKWAY_MONG KOK EDWARD TAN

ABANDONED SIGNAGE

1

STORAGE SPACE

2

RETAIL CAR

2

1

BICYCLE LOCK

1

WAITING AREA

4

SHOP

3

3

PARK

1

ROOF GARDEN

SECTIONAL DEVELOPMENT OF SHOPPING MALLS OVER TIME

CAR 2 3

1

RETAIL CAR

1

FLOWER SHOP

WAITING AREA

DWELLING

SUNTEC CITY MALL

SIGNAGE

STORAGE SPACE

PARK ROYAL HOTEL

2

2

4 2

MARKET OPERATION RESIDENCES RESTAURANT

K

REGAINING OF THE STREETSCAPE

7 5

1

CARPARK CARPARK

1

ROAD USE DURING F1 SEASON

STORAGE SPACE

PODIUM SKYSCRAPPER

5

WAITING AREA

2

CENTRAL ATRIUM STAIR EXERCISE

7

CITYLINK MALL

TYPICAL DAILY ROAD USE

6

3

1987

FLOWER SHOP

SIGNAGE

6

2

MARINA SQUARE

1987

3

MARKET OPERATION

VEHICULAR OPERATION

ROOF GARDEN

FLOWER SHOP

TROLLEY LOCK

2

RAFFLES CITY

1986

1996 MILLENIA TOWER

REFUSE

5pm - 9am

MARKET OPERATION

1994

HOUSING

2000

4

TROLLEY LOCK

3

9am - 5pm

BICYCLE LOCK

2

WAITING AREA

V D A 1

4

VEHICULAR OPERATION

SHOP

3

REFUSE

ADVERT

2

HOUSING

TEMPORARY

4

CAR

T

CAR PARK

2 VEHICULAR OPERATION

EVENTS SPACE ER

PARK

RET AIL

1

REFUSE

MARKET OPERATION

1

CAR

PARK

TEMPORARY

SUBTRACTION

MARINA SQUARE

1986

PARK

CAR PARK

SUBTRACTION: REMOVAL

V

HOUSING

PARK

2

INSERTION

INSERTION

5pm - 9am

D

3 2

1

5pm - 9am

A

9am - 5pm

HOUSING

ADVERT

REFUSE

5pm - 9am

REFUSE

9am - 5pm

RETAIL CAR

CARPARK CARPARK

HOUSING

REFUSE REFUSE

ADDITION: VERTICAL STACKING

SHOP

CAR

PARK

HOUSING

HOUSING

9am - 5pm

T

ADDITION: VERTICAL STACKING

CENTRAL ATRIUM STAIR EXERCISE

CARPARK CARPARK

PARK

T

PROGRAMMING: MULTI

HOUSING

HOUSING

REFUSE

9am - 5pm

PROGRAMMING: MULTI

SUNTEC CITY MALL

CAR

T

REFUSE

USE: SEASONAL

USE: SEASONAL

1996 MILLENIA TOWER

D

EVENTS SPACE

RETAIL CAR

ER

A

CENTRAL ATRIUM STAIR EXERCISE

ROOF GARDEN

D

RESIDENCES RESTAURANT

ER

HOUSING

DWELLING

PROGRAMMING: MULTI

ER

ADVERT

V D PROGRAMMING: MULTI

SUBTRACTION

A

V

1987

ADVERT

CITYLINK MALL

T

A SUBTRACTION: EXCAVATION

MARINA SQUARE

1986

ER

1994

APPROPRIATION

V

ADDITION: STACKING

2000

DWELLING

FLOWER SHOP

APPROPRIATION

ADDITION: STACKING

INSERTION

INSERTION

ADVERT

ADDITION: HORIZONTAL STACKING

ADDITION: HORIZONTAL STACKING

ADVERT

RAFFLES CITY

1996 MILLENIA TOWER

2000

SUNTEC CITY MALL

1994

A

D

V

CAR

GATE TOWER BUILDING_AZUSA SEKKEI_OSAKA_1992 EDWARD TAN

1

2

3

NIGHT MARKET_TSIM SHA TSUI

2 1

EDWARD TAN


44 | COLLIDING OPPORTUNITY

COLLIDING OPPORTUNITY | 45

EXISTING TREND

EXISTING TREND

EXISTING Factory+ Offices

DEMOLITION

Demolition

DEVELOPEMENT OF WATERFRONT HOUSING

Waterfront Housing

PROPOSAL PROPOSAL

EXISTING

Factory + Offices

ADD ON HOUSING

Add On Housing

PROGRAMS AS CONNECTIONS THAT

Programs that value Industries andRESIDENTS Residents VALUE ADD add INDUSTRIES AND

SILO LIBRARY HOUSING AND OFFICES


SILO LIBRARY HOUSING AND OFFICES

46 | COLLIDING OPPORTUNITY

INDUSTRIAL MARKET BEACH

COLLIDING OPPORTUNITY | 47

INDUSTRIAL MARKET BEACH CONCRETE BATCHING SPORTS FACILITY

SPORTS BATCHING FACILITY


48 | COLLIDING OPPORTUNITY

COLLIDING OPPORTUNITY | 49

B0

G1

G2

B1

B2

04:25:03

B3

B4

B5

SECTION THROUGH CONCRETE BATCHING PLANT + LOADING BAY + BEACH + NIGHT MARKET + OFFICE + HOUSING + LIBRARY + SPORTS FACILITY + FASHION RUNWAY + GYM + DESIGN STUDIOS + CAFE + MUSEUM + STUDY AREA + DINING AREA + FUNCTION ROOM + CIRCULATION CORE + RUNNING TRACK

SECTION THROUGH CONCRETE BATCHING PLANT + LOADING BAY + BEACH + NIGHT MARKET + OFFICE + HOUSING + LIBRARY + SPORTS FACILITY + FASHION RUNWAY + GYM + DESIGN STUDIO + CAFE + MUSEUM + STUDY AREA + DINING AREA + FUNCTION ROOM + CIRCULATION CORE + RUNNING TRACK


The body of work being presented here in this folio consists of 5 years of my life. It will still be ongoing projects in various aspects of my life. My heart goes out to Sand Helsel, Alan Lau, Gretchen Wilkins, Brendan Jones, Richard + Michelle Black, Stuart Harrison, Paul Morgan, Peter Corrigan, Jan van Schaik, Ricardo Flores, Eva Prats and Crystal Song. Without them, much of this work would not have surfaced the way it could and should have.


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