EKANSH GOEL R V COLLEGE OF ARCHITECTURE B.ARCH ekansh1901@gmail.com ©2018 ALL RIGHTS RESERVED. NO PART OF THE PORTFOLIO SHOULD BE REPRODUCED IN ANY FORM WITHOUT THE WRITTEN PERMISSION OF THE COPYRIGHT OWNER. FRONT COVER : Virasat-E-Khalsa Museum, Anandpur Sahib, Punjab. BACK COVER : Ringpung Dzong, Paro, Bhutan.
EDUCATION
EKANSH GOEL A Hard working and a driven architecture student looking forward to expand his learning in a reputed firm for the mutual growth, where one could get a learning environment and enhance my professional skills.
CONTACT
+91-9632206413 Ekansh1901@gmail.com R-5 , Andrews Ganj Extension New Delhi – 110049.
D.O.B 19 January 1997
INDIVIDUAL SKILLS Creative Responsible Productive Innovative Resourceful Leadership
LANGUAGES English Hindi
Links https://www.instagram.com/ekansh_goel/ https://issuu.com/ekanshgoel
R.V. College of Architecture, Bengaluru BACHELORS OF ARCHITECTURE
2014-CURRENT
KCM School ,Moradabad HIGHER SECONDARY CERTIFICATE
2013
KCM School ,Moradabad SENIOR SECONDARY CERTIFICATE
2011
EXPERIENCE One month of summer internship at INNERVISION DESIGN LABS.
PROFESSIONAL SKILLS DRAFTING 3D MODELLING PRESENTATION VISUALISATION
AutoCAD Revit, Vectorworks, Sketchup Indesign, Scribus, QGIS Photoshop, Illustrator, Lightroom
RECOGNITIONS •CONTEMPORARY TRADITIONS https://issuu.com/ekanshgoel/docs/contemporary_traditions - Editing team head. - Visitor’s centre design featured in the book. Co-ordinator: Ar. Mahalakshmi Karnad. •ARCHITECTURAL DESIGN https://issuu.com/ekanshgoel/docs/architecture_design - Part of the editorial board - Garment industry design featured in the book. Co-ordinator: Ar. Nandita Srinivas. •FOLD: RVCA PERIODICAL https://issuu.com/ekanshgoel/docs/fold_17 - Graphics team head. Co-ordinator: Ar. Nandita Srinivas. • Played for Uttar Pradesh in IInd All India T-20 cricket challanger trophy. • Part of recording team of a short film at RVCA.
HOBBIES Trekking
Travelling
Photography
Cycling
Cricket
2015
SHETIHALLI CHURCH | 2018
CONTENTS
KEEP(IN)TOUCH II YEAR PROJECT HOUSING FOR ISRO
SU(SPEND)
I YEAR PROJECT FOOTOVER BRIDGE
TRUS(STRUCTURE) III YEAR PROJECT GARMENT INDUSTRY
URBAN S(H)ELL
IV YEAR PROJECT COMMERCIAL/BUSINESS CENTRE
HIDDEN HUES
THESIS PROJECT- CONCEPTUAL CONVENTION CENTRE
This portfolio is a collection of selected works since the beginning of my architectural studies at RV College Of Architecture. It displays a variety of skills, from digital aspects to physical modeling and capabilities. I explore and experiment with numerous materials, forms and presentation styles, which is inherent for a young student in architecture.
PHOTOGRAPHY 2016-18
1
5
9
13
17
21
KEEP(IN) TOUCH 2ND YEAR PROJECT
TYPOLOGY: HOUSING FOR ISRO. LOCATION: JALAHALLI, BANGALORE SITE AREA: 2.75 ACRES. PROGRAM AREA: 18,000M2.
The intent of the project was to design housing for ISRO. In 1969, the Indian space research organisation [ISRO] was formed as the space agency of the Indian government headquartered in the city of Bengaluru. Its vision was to harness space technology for national development, while pursuing space science research and planetary exploration. Housing shall comprise of row housing [3 BHK], apartments [2BHK, 3 BHK] and guest house with a clubhouse [gym, dining area & mph], departmental store, pharmacy and ATM. The plan developed with the intent to provide every two units of apartments with a common shaded transition space adjoining the main corridor which overlooks the community spaces. The floor plates are staggered so as to provide a feeling of openness to each unit.
1
MASTERPLAN
NORTH ELEVATION
BASEMENT PLAN
2
3BHK APARTMENT LOWER FLOOR
3
SECTION AA’
3BHK APARTMENT UPPER FLOOR
2BHK APARTMENT
VIEW OF MODEL
ROW HOUSE LOWER FLOOR
ROW HOUSE UPPER FLOOR APARTMENT UNIT
B
A’
SECTION BB’
KEY PLAN
A
B’
4
SU(SPEND) I YEAR PROJECT
TYPOLOGY: FOOTOVER BRIDGE LOCATION: BAIYAPPANAHALLI, BANGALORE SITE AREA: 800M2.
The intent of the project was to design a footover bridge across the very busy Old Madras road, from the Baiyyapanahalli metro station to prevent people from crossing the high traffic road which i have achieved by using a suspension structure. The form of the bridge was achieved taking into consideration the existing footbridge that emerges from the metro station. The roof was suspended to give a fragile and light feeling to the project with skylights which creates light and shadow patterns giving a nicer experience to the people crossing over. Also, it shades the existing metro parking. Thus, the linear object is created which contextually responds to factors like parking, user experience, traffic problems etc.
5
ITERATION 2
ITERATION 3
•In the first iteration, the aim was to keep the structure as light as possible, and suspending at alternate sides. But it wasn’t aesthetically pleasing from both sides. •In the second iteration, the form of the bridge was achieved taking into consideration the existing bridge; the idea was to use abstract human form supporting the roofs. •In the third iteration, the idea was to create a prominent structure which stands out in the context. •In the final design, i took forward the ideas from the first two iterations while keeping the structure suspended on both sides giving it an aesthetic view from the Old Madras road.
ITERATION 1
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7
8
TRUS(STRUCTURE) 3RD YEAR PROJECT
TYPOLOGY: GARMENT INDUSTRY. LOCATION: PEENYA, BANGALORE. SITE AREA: 1.85 ACRES. PROGRAM AREA: 3950M2.
The main idea was to have a visually distinct linear connect between the parts of the building, which is oriented along the longest available axis of the site to ensure that the facade faces the road. The form for the design comes from the linear manufacturing process for a typical garment industry, keeping the production area simple and efficient. The three main processes of the industry i.e. cutting, sewing and finishing are arranged linearly along the site to facilitate efficiency. Some of the floors have cut-outs in the slabs, for floor-to-floor visual connectivity and also for more lighting on lower floors . It faces north creating optimum lighting conditions. There are three entrances, one for the visitors and executives on the main road, another for workers (pedestrian) opposite the bus stop and the third which is a transit entrance. The workers facility is towards the end . The pockets of space created around it are stepped, shaded by trees used for recreation and canteen for the workers.
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AXONOMETRIC VIEW
TRANSIT ENTRY
KSRTC BUS STOP
1S
RO
SS
RO
AD
+1M
OA D
B
+.75M -.45M
+1.5M
LIN
ER
1. ADMIN CAR PARK 2. RETAIL STORE 3. RECEPTION 4. SAMPLING 5. DESIGNER CELL 6. CUTTING SECTION 7. SEWING SECTION 8. LADIES TOILET 9. GENTS TOILET 10. WAREHOUSE 11. LOADING/UNLOADING BAY 12. TWO WHEELERS CAR PARK 13. RECREATION AREA 14. NUMBERING AND BUNDELLING 15. CHANGE ROOMS 16. GUARD ROOM
12
11
PIP E
LEGEND
C
16
16
TC
D
PEDESTRIAN ENTRY
15
10
+1M 8 7
+.2M
13
1 3 14
6
4
A
2
+.6M 5
ROOF PLAN
D
GROUND FLOOR PLAN
C
LEGEND
PEDESTRIAN ENTRY
TRANSIT ENTRY 16
D
1. ADMIN CAR PARK 2. CEO’S CABIN 3. TERRACE GARDEN 4. CONFRENCE ROOM 5. OFFICE 6. CANTEEN 7. SEWING SECTION 8. TAGGING 9. IRONING 10. PACKING 11. WAREHOUSE 12. LOADING/UNLOADING BAY 13. RECREATION AREA 14. GUARD ROOM
C
16
+1M
PROCESS 1 12
+1.5M 11
+3.8M
+3.8M 10
9
8
-.45M
+3.8M 7 +.2M 3
PROCESS 2
1 6
13
+3.5M
2 A
5
C
PROCESS MODELS
PROCESS 3
FIRST FLOOR PLAN 10
SECTION AA
SECTION BB
SECTION CC
SECTION DD
SOUTH ELEVATION D
C
B
B
A
WEST ELEVATION
11
A KEY PLAN
D
C
GUSSET PLATE STEEL CORRuGATE SHEET GUTTER
FFL RCC SLAB OVER DECK ANGLED CLEAT
WALL SECTION ACROSS BAY
SPACERS
12MM THICK DOUBLE GLAZED PANEL (2000X1500MM)
60MM THICK MULLION
150MM THICK DECK SLAB 200MM THICK CASTELLATED BEAM LOUVRES
BAY PLAN
200MM THICK CASTELLATED BEAM PURLIN
250MM THICK CASTELLATED COLUMN
12MM DGU UNIT GUTTER
10MM THICK GUSSET PLATE ANGLED CLEAT FFL
SPACER MULLION BASE PLATE
ANGLED CLEAT
ANCHOR BOLT BASE PLATE
CASTELLATED COLUMN
DETAIL AT A
DETAIL AT B
DETAILED WALL SECTION (AT INTERSECTION)
DETAILED ELEVATION
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URBAN S(H)ELL 4TH YEAR PROJECT
TYPOLOGY: COMMERCIAL/BUSINESS CENTRE. LOCATION: BANASHANKARI, BANGALORE SITE AREA: 10,100M2. PROGRAM AREA: 22,300M2.
The intent of the project was to create a space that can form a node for holding commercial, business , cultural and social activities as site is easily connected by metro and bus terminus. The idea was to Create a prevading informal atmosphere, akin to a flea market or a bazaar in a place that deals with high end products. Objective was juxtaposition of formal and informal sector and integration of movement and activity. Also, to provide an open living space achieving comfort ambience and to ensure all time engaging and vibrant environment for all users.
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AXONOMETRIC VIEW
EXISTING
PROPOSED DAY USE
PROPOSED NIGHT USE
FIGURE GROUND MAP VEGETATION
NEIGHBOURHOOD MARKET
CITY MARKET
TRANSITION FROM INFORMAL TO FORMAL.
INFERENCE
STREET HEIRARCHY
INFERENCE
SUB-ARTERIAL ROADS
IN TERMS OF DISTANCE ALL PARTS OF THE SITE ARE CLOSE TO THE MAJOR ROADS. HOWEVER SOME LOCATIONS IN THE WESTERN PART OF THE SITE MAY NOT HAVE THE ROAD INFRASTRUCTURE TO BE ACCESSED FROM THE ARTERIAL ROADS BY ALL TYPES OF VEHICLES.
COLLECTOR STREETS
MAJOR MARKETS HAPPEN ALONG KANAKAPURA ROAD (ARTERIAL ROAD) .
ARTERIAL ROADS
In terms of distance all parts of the site are close to the major roads.Some locations in the western part of the site may not have the road infrastructure to be accessed from the arterial roads. LOCAL STREETS
INFERENCE
NODES AND JUNCTIONS CONJESTION POINTS TRAFFIC CIRCLES
VEGETATION
MARKHAMIA LUTEA(FLOWERING TREES)
INFERENCE
There is a traffic conjestion at all the circles especially before banashankari circle owing to the absence of traffic signals and well demarcated lanes. Conjestion at metro is due to encroachment of road by hawkers and heavy fooot
THERE IS TRAFFIC CONJESTION AT ALL FOUR OF THE MAJOR CIRCLES ESPECIALLY BEFORE BANASHANKARI CIRCLE OWING TO THE ABSENCE OF TRAFFIC SIGNALS AND WELL DEMARCATED LANES CONJESTION AT METRO DUE TO ENCROACHMENT OF ROAD BY HAWKERS AND HEAVY FOOT TRAFFIC
DELONIX REGIA (GULMOHAR TREES)
COCUS NUCIFERA (COCONUT TREES)
ROYSTONEA REGIA (ROYAL PALM TREES)
FICUS BENGHALENSIS (BANYAN TREES)
FICUS RELIGIOSA (PEEPAL TREES)
PUBLIC REALM Only the roads are open to public throughout the day. All other public spaces like parks, religious establishments, govt. Buildings, shopping complexes etc are open to public only for limited hours during the day .
HAWKERS STUDY
14
MASTERPLAN
15
SECTION AA’
SECTION BB’
PLAN AT +2.5M
BASEMENT PLAN
SECTION CC’
16
HIDDEN HUES
THESIS PROJECT- CONCEPTUAL
TYPOLOGY: CONVENTION CENTRE LOCATION: CHANDNI CHOWK, DELHI. SITE AREA: 4.75 ACRES. PROGRAM AREA: 50,000M2.
This thesis attempts to understand the role that architecture plays within a highly contextual city and its dire need of redefinition. The intent is to explore the potential of an intervention that will cater to contemporary needs while resolving the legacy of the theatrical past by redeveloping the areas that have blindly been commercialised over the past few years as a result of the construction of the metro; and to come up with new programmatic responses to both the historic as well as the contemporary layers that exist in the city. The fortified city of Shahjahanabad (Old Delhi) with imposing gateways and towering bastions is not just a relic of the past, but in fact a city within a city, bustling with life. Being the centre of major transport facilities, it acts as an interface not only for the locals but also for the city’s visitors, and thus has the most potential for redevelopment. The project aims to provide a new intersection between public space, cultural programs, entertainment, technology and architecture, creating a vibrant landmark within the urban landscape. 17
CONCEPT
18
SECTION 11
MASTERPLAN
SECTION 22
SECTION 44 19
SECTION 33
PLAN AT +12M
PLAN AT +2M
SECTION BB
PLAN AT +18M
SECTION AA
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PHOTOGRAPHY
In spare time, I love taking pictures. I have documented many college events as a part of my artistic practice. Working hand in hand with others has surely stood out to me as a passion in my life. I enjoy collaborating with others, artistically through photography. I look forward to develop these skills and in future i hope to see a larger connect between architecture and photography.
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DELHI-2018
BHUTAN-2017
BYLAKUPPE-2016
LAKSHADWEEP-2016
SAR PASS-2015
BHUTAN-2017
DELHI-2018
SOMNATHPUR-2016
MYSORE-2017
DELHI-2017
GANDIKOTA-2018
ANDAMAN AND NICOBAR-2015
SOMNATHPUR-2017
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EKANSH
GOEL
ekansh1901@gmail.com +91 9632206413