Zhong_2020Portfolio-25M

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Design Portfolio

Landscape, Architecture, Planning Yingyi Zhong Spring 2020


2

YINGYI ZHONG See Resume for more information

EDUC ATI O N Expec ted 05/2020

Kansas State University | Manhattan. KS Master of Landsc ape Architec ture

Contacts

Geographic Information Science Graduate Cer tificate

925 Denison Ave.

Minor in Regional & Community Planning

A P T. 1 2

08/2015-05/2016

Manhattan, KS 66502 Te l : 7 8 5 - 7 7 0 - 5 2 8 9

08/2013-06/2015

Email: yingyi@ksu.edu

Kansas State University | Manhattan, KS Regional & Community Planning (Courses completed) South China Agriculture University | Guangzhou, China Urban Planning (Courses completed)

Languages

PR O FESSI O N A L L I C EN SE

Mandarin

01/2018-Present

Cantonese English

LEED APÂŽ Building Design + Construc tion (Credential ID: 11207595-AP-BD+C)

W O R K EX PER I EN C E 01/2019-08/2019

Landsc ape Intern | SWA Group, Houston TX Design works: 3D modeling, diagramming and rendering for both international and domestic projec ts ranging form park design, campus planning, mixed used development, infrastruc ture planning

05/2017-08/2017

Landsc ape Intern | Wichita Downtown Development Corporation, Wichita KS Design works: prepare site plans, construc tion documents and cost estimates, prepare graphic representation using computer -aided design, place -making projec ts

PR O FESSI O N A L SK I L L S Adobe Photoshop Adobe Illustrator Adobe InDesign

ArcGIS AutoCAD Hand- drawing

Lumion Microsoft Office Revit

Rhino + Grasshopper Sketchup Pro V-Ray

R EFER EN C ES Jason Gregor y , Vice President Wichita Downtown Development Corporation | Wichita, KS | jason@downtownwichita.org | (316)303-2627 Scott McCready, PL A, ASL A , Principal SWA Group | Houston, T X | smccready@swagroup.com | (832)-325-6824 Howard D. Hahn, PL A, ASL A Associate Professor | Kansas State University | hhahn@ksu.edu | (785)532-2431 Stephanie A. Rolley, PLA, AICP, FASLA, AICP Professor and Head| Kansas State University | srolley@ksu.edu | (785)532-5961


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00

Table of Contents Overview of the selected projects

00 The HighGround: Post-Landfill Contouring Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

01 Landscapes of Encounter Sustainable practice of the First Christian Church in Manhattan, Kansas

p. 14

02 Negotiating Boundaries

p. 22

Re-imaging the Southeast Commercial District in Coralville, Iowa

04 In the Making: Arts & Installations p. 34 Cobb Memorial, Manhattan, Kansas Pop-up Beach, Wichita Kansas

03 Ascending Architecture Exploring a new prototype high-rise buildings in the Era of Vertical Intelligent Community, Hong Kong, China

p. 28


4

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The HighGound Partially selected from my Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

ABSTRACT Daily waste production in the United States has steadily increased and follows population growth, especially in metropolitan areas and populated states. On average, over 50% of municipal solid waste (MSW) is handled by either municipal or private landfills. Since landfill permitting is typically a long and potentially controversial process, the trend is toward fewer but larger landfills (EPA 2015; 2017). As a result, landfills near urban areas can be massive in size and potentially seen by hundreds of thousands of people daily. Views of refuse being deposited is generally minimal, but as soil cover is incrementally added, the overall emerging landform is often visually incompatible with the surrounding topography. Many landfills tend to be geometrically shaped with angular faces, sharp corners, and mesa-like tops resulting in a flat ridge profile whose silhouette can be recognized from great distances. Visual disruptions related to landfill operations can last for decades, and views after closure/restoration are permanent. This project and report explore to what degree landfills can be aesthetically contoured to more closely replicate contextual topography while maintaining operational/reclamation efficiency and high overall fill capacity. This was done through: a literature review of current landfill design and operational practices; touring Salina City Landfill in Kansas; consulting with civil engineering professors at Kansas State University; compiling and analyzing precedents with the help from mathematics professors at Kansas State University; undertaking a projective redesign of the Puente Hills landfill incorporating enhanced contouring; and finally comparing capacity gains/losses between the enhanced landfill and a landfill of standard configuration serving as the control. Anticipated findings of this project and report will attempt to show that enhanced landfill contouring is possible within acceptable engineering practices and might lead to a real-world attempt at designing and implementing an aesthetically enhanced landfill. Incentive could be provided if these extra aesthetic measures resulted in easier permitting. This project and report will also demonstrate how landscape architects can influence the aesthetic integrity of large landscapes that typically fall within the domain of civil engineers.

Date

Fall 2019, Spring 2020

Course

LAR 705 Master’s Project Studio; LAR 710 Master’s Project Studio II

Project Type

Individual Project

DESIGN PROCESS

G1

ƒ „ … † … † … † † � ‚ � ‡

A3

‘ � � �

Â?Â? Â?  ­ € ­Â‚

2018

Manual Geometric Contouring

1950

‰ �Š € ˆ… ˆ… € € ‹ €

‚ ‘  ’  „

P1

‘  … † †

Â

Â? ‚ ­ ‡

‘ � � �

‘‘ ‘

Â?Â? Â?

Manual Advanced Contouring ‰ �Š € ˆ…  ‹ Œ

Parametric Advanced Con ‰ �Š € ˆ… Œ … ‹…Ž


PROJECT SITE

5

MODIFIED LANDFILL SURFACES

Manual Geometric Contouring

2018

G1

G2

A1

A2

A3

P1

P4

P4

‰ �Š € ˆ… € ‹ €

Manual Advanced Contouring ‰ �Š € ˆ…  ‹ Œ

Parametric Advanced Contouring ‰ �Š € ˆ… Œ … ‹…Ž

Â? Â? Â?

 �� �

ntouring

 Â“‹” Â? ‹” Â? ­ Š ‰  Â• ‚­ • • ‚­

 Â

Â? ‹  Â? Â? Â


6

00

The HighGound Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

Date

Fall 2019, Spring 2020

Course

LAR 705 Master’s Project Studio; LAR 710 Master’s Project Studio II

Project Type

Individual Project

PARAMETRIC ADVAN Design Intent: experimental enhanced landfill configuration with high landform VQ Surface Appearance: visible undulating side slope, rounded top deck to mulpti-peaks showing rocky geologic features, visible undulating ridgelines and valleys. Modeling Process: Parametric modeling provides • automated and efficient landform sculpting • balance between aesthetics and volume • rapid model integration into other analysis software • rapid scenario evaluations

[362]Grasshopper Parametric Surface Script (Zhong 2020) Original image can be found in the appendix of the master’s report PT SCRI WRITTEN

VISUAL SCRIPT


7


8

The HighGound

00

Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

Date

Fall 2019, Spring 2020

Course

LAR 705 Master’s Project Studio; LAR 710 Master’s Project Studio II

Project Type

Individual Project

116880890.61 12268714.30 108195839.46 12040040.49

98085465.80 9432908.03

93860364.59 13151390.91 101297891.47 12154408.89

90558910.78 14143379.91

Volume Capacity Comparison for Geometric Manual Contouring Models (G1-G2), Advanced Manual Contouring Models(A1-A3), and Advanced Parametric Contouring Models(P1-P7)

Group 1: Manual Geometric Contouring

EG- Existing Grade PG-Proposed Grade

‡

36774601.92 7318464.15 36808515.52 6220212.74

most seen slopes: 1950-2018 (Zhong

1950-G1

[258] most s

‡

   Âˆ ˆ ‡ ‰ † Â…

‰ ‡ ˆ  ˆ  Â

37577294.32 5698617.46 35410378.63 7144054.34 35276352.46 6888640.23 35287973.15 6893630.72 10376198.84 89168605.27 15630541.10 68753380.88 15627243.51 68753284.99 15295428.00 68585206.66

 Â? Â?  Â? Â? Š Š Š Š Š Š Š Š Š Š Š Š Š

† …

37346016.36 5806104.68

16667528.12 66419081.23

1950-2018 [257] Earthwork Comparison along

‡ ­Â€ Â‚ ƒ „ Â… †

� � � ‰ � ‰ˆ� ‰ � ‰� ‰ � ‰ˆ� ‰ˆ� � ‰� ‰� ‰ � ˆ� ˆ� ‡� � � � � Š � ‡‡� ‰� Š ‡� Š ‡ �

 ��  � 1950EG-2018EG (1950 Existing Grade-2018

Existing Grade)

2018EG-1 1950 Exist

Group 2: Manual Advanced Contouring 1950EG -2020PG-G1

(1950 Existing Grade2020 Propose Grade-Manual Geometric Contouring 1)

2018EG -2

1950EG -2020PG-G2

(1950 Existing Grade2020 Propose Grade-Manual Geometric Contouring 2)

2018EG -2

1950EG -2020PG-A1

(1950 Existing Grade2020 Propose Grade-Manual Advanced Contouring 1)

2018EG -2

1950EG -2020PG-A2

(1950 Existing Grade2020 Propose Grade-Manual Advanced Contouring 2)

2018EG -2

1950EG -2020PG-A3

(1950 Existing Grade2020 Propose Grade-Manual Advanced Contouring 3)

2018EG -2

1950EG -2020PG-P1 (1950 Existing Grade-

2018EG -2

1950EG -2020PG-P2 (1950 Existing Grade-

2018EG -2

1950EG -2020PG-P3 (1950 Existing Grade2020 Propose Grade-Parametric Advanced Contouring )

2018EG -2

1950EG -2020PG-P4 (1950 Existing Grade2020 Propose Grade-Parametric Advanced Contouring 4)

2018EG -2

1950EG -2020PG-P5 (1950 Existing Grade-

2018EG -2

1950EG -2020PG-P6 (1950 Existing Grade-

2018EG -2

2020 Propose Grade-Parametric Advanced Contouring 1) 2020 Propose Grade-Parametric Advanced Contouring 2)

2020 Prop Contouring 2020 Prop Contouring 2020 Prop Contouring 2020 Prop Contouring 2020 Prop Contouring 2020 Prop Contouring 2020 Prop Contouring

1950-A1 [260] Earthwork Comparison along most seen slopes: 1950-A1 (Zhong

1950-A2 [261] Ea

most see

2020 Prop Contouring 2020 Prop Contouring

Group 3: Parametric Advanced Contouring 2020 Propose Grade-Parametric Advanced Contouring 5)

2020 Propose Grade-Parametric Advanced Contouring 6) 1950EG -2020PG-P7 (1950 Existing Grade2020 Propose Grade-Parametric Advanced Contouring 7)

2020 Prop Contouring 2020 Prop Contouring

2018EG -2020PG-G1

16305264.81 66407491.35 15635382.02 66701252.27 14176720.75 66502407.26

16140523.70 14471305.39 7082990.69 17990125.13 8997544.63 15735754.20 22177559.62 13580668.01 29814982.31 12856927.93

2020 Propose Grade-Manual Geometric Contouring 1)

1950-P1 [263] Earthwork Comparison along most seen slopes: 1950-P1 (Zhong

1950-P4 [264] Ea

most see


9

1. East Slope

VOLUME CAPACITY COMPARISON

2. North Slope

Summary: more undulation, more cut Group 1: very balanced surface modification Group 2: unbalanced surface modification Group 3: very unbalanced surface modification [256] Most seen solid waste fill slopes of Puente Hills Landfill: east-facing slope and northfacing slope (Zhong 2020).

2018-1950 [266] Earthwork Comparison along

2018-G1

1950-A3 [262] Earthwork Comparison along

2018-A1 [269] Earthwork Comparison along

2018-A2 [270] Earthwork Comparison along

2018-A3 [271] Earthwork Comparison along

1950-P7 [265] Earthwork Comparison along most

2018-P1 [272] Earthwork Comparison along

2018-P4 [273] Earthwork Comparison along

2018-P7 [274] Earthwork Comparison along

Earthwork Comparison along seen slopes: 1950-G1 (Zhong

1950-G2

arthwork Comparison along en slopes: 1950-A2 (Zhong

arthwork Comparison along en slopes: 1950-P4 (Zhong

[259] Earthwork Comparison along most seen slopes: 1950-G2 (Zhong 2020).

most seen slopes: 1950-A3 (Zhong

seen slopes: 1950-P7 (Zhong 2020).

most seen slopes: 2018-1950 (Zhong

most seen slopes: 2018-A1 (Zhong

most seen slopes: 2018-P1 (Zhong

[267] Earthwork Comparison along most seen slopes: 2018-G1 (Zhong

most seen slopes: 2018-A2 (Zhong

most seen slopes: 2018-P4 (Zhong

2018-G2

[268] Earthwork Comparison along most seen slopes: 2018-G2 (Zhong

most seen slopes: 2018-A3 (Zhong

most seen slopes: 2018-P7 (Zhong


10

The HighGound

00

Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

I-605

Fall 2019, Spring 2020

Course

LAR 705 Master’s Project Studio; LAR 710 Master’s Project Studio II

Project Type

Individual Project # view p view p oints = 30 oints e levatio n calib

ration =

OVERALL VISIBILITY ANALYSIS

SR-60

Overall Visibility Analysis (Viewshed analyses) were also calculated using Rhino3D with the Grasshopper plug-in-“Ladybug” to understand the change in overall visibility between the 2018 reference landfill surface and proposed landfill surfaces (Group 1: G1,G2; Group 2: A1, A2, A3; Group 3: P1-P1, P4, P7).

# view p view p oints = 49 oints e levatio n calib

ration =

Viewpoints were selected along major highways (I-650 and SR-60) and from nearby communities (South El Monte; Avocado Heights, and Hacienda Heights). Observer elevations for highway viewpoints were established by taking the topographic elevation at the highway viewpoint location and adding 5 to 22 additional feet to represent the viewing height from inside a vehicle. For elevations for community viewpoints, 6 to 15 feet representing a view height from a first or second story building window was added to the corresponding topographic elevation of the viewpoint locatio.

South El Monte

# view p view p oints = 100 oints e levatio n calib rat

ion =

Summary: more undulation, lower visibility Group 1: visibility + expect G2 for its lower filling depth Group 2: visibility Group 3: visibility -Visibility Level (%)

<0 10

20

30

40

50

60

70

80

90 100< %

[280]-[288] surfaces view

Date

Avocado Height

# view p view p oints = 178 oints e levatio n calib rat

ion =

Hacienda Height

+6-15

+6-15

+5-22

+5-22

ft

ft

ft

[289]-[297] surfaces view

[298]-[306] surfaces view

[307]-[315] surfaces view

ft Viewpoints (observer points) View surface Target surface

[316]-[324] surfaces view

[275] Viewpoint information viewing from Highway I-605 (Zhong 2020).

# view p view p oints = 131 oints e levatio n cali

bration

= +6

-15 ft

201


Visibility Level (%)

Overall <0Visibility 10 20 30 (%)

11

90 100< % #View Points=30 #View Points Elevation: point elevation +5-22 ft

Visibility Analysis of proposed landfill wing from Highway I-605 (Zhong 2020).

40

50

60

70

80

Visibility Analysis of proposed landfill wing from Highway SR-60 (Zhong 2020).

#View Points=49 #View Points Elevation: point elevation +5-22 ft

Visibility Analysis of proposed landfill wing from Community South El Monte

#View Points=100 #View Points Elevation: point elevation +6-15 ft

Visibility Analysis of proposed landfill wing from Community Avocado Height

#View Points=178 #View Points Elevation: point elevation +6-15 ft

Visibility Analysis of proposed landfill wing from Community Hacienda Height

#View Points=131 #View Points Elevation: point elevation +6-15 ft

18

G1

G2

A1

A2

A3

P1

P4

P7


12

The HighGound

00

Master’s Report: Exploring Landfill Surface Contouring for Enhanced Aesthetics in Southern California

Date

Fall 2019, Spring 2020

Course

LAR 705 Master’s Project Studio; LAR 710 Master’s Project Studio II

Project Type

Individual Project

LANDFILL SURFACE ANALYSIS Slope Gradient Summary: spatial distribution of slope gradient from clustered to scattered, gradient from more flat, gentle to steeper. Group 1: clustered, gentle slope Group 2: start to scatter, gentle to steeper Group 3: scattered, gentle to steeper 8 201

SLOPE GRADIENT

0%

30% 60%

[344] 2018 Slope Gradient. • approx. 30% slope along side slope • fairly flat top deck • spatial distribution of slope is fairly clustered

[345] G1 Slope Gradient.

G1

• approx. <30% slope along side slope • flat top deck • spatial distribution of slope is cluster

15% 45%

Slope Aspect Summary: spatial distribution of slope aspect from clustered to scattered, number of aspects increase and more balanced. Group 1: clustered, Group 2: start to scatter Group 3: scattered

[347] A1 Slope Gradient.

A1

• wide-range slope gradient from low to high along side slope • some gradient change on top deck • spatial distribution of slope starts to scatter but still clustered on the facets

[348] A2 Slope Gradient (Zh

A2

• wide-range slope gradient from lo along side slope • some gradient change on top deck • spatial distribution of slope starts to still clustered on the facets

SLOPE ASPECT

NORTH

SOUTH

NORTHEAST

SOUTHWEST

EAST SOUTHEAST

WEST NORTHWEST [350] P1 Slope Gradient.

P1

• wide-range slope gradient from low to high along side slope • some gradient change on top deck • unevenly distributed gradient, no defined faces

[351] P4 Slope Gradient.

P4

• wide-range slope gradient from low side slope • some gradient change on top deck • unevenly distributed gradient, no d


13

[346] G2 Slope Gradient.

e

G2

red

hong

ow to high

defined faces

8 201

[349] A3 Slope Gradient.

A3

scatter but

w to high along

• approx. <30% slope along side slope • flat top deck • spatial distribution of slope is clustered • lowest side slope undulation and no top deck surface undulation

• wide-range slope gradient from low to high along side slope • some gradient change on top deck • spatial distribution of slope starts to scatter but still clustered on the facets

• wide-range slope gradient from low to high along side slope • some gradient change on top deck • unevenly distributed gradient, no defined faces

• moderate amount of variation in the slope direction appears on the surface • spatial distribution of aspect are clustered that indicates a fairly angular side slope

[354] G1 Slope Aspect.

G1

[356] A1 Slope Aspect.

A1

[352] P7 Slope Gradient.

P7

[353] 2018 Slope Aspect.

P1

• moderate amount of variation in the slope direction appears on the surface • spatial distribution of aspect starts to scatter but still cluster on the facets

[359] P1 Slope Aspect. • considerable amount of variation in the slope direction appears on the surface • spatial distribution of aspect are very scattered indicating no obvious defined edges

• less variation in the slope direction appears on the surface comparing to 2018 reference surface • spatial distribution of aspect are clustered that indicates angular slopes

[355] G2 Slope Aspect.

G2

[357] A2 Slope Aspect.

A2

P4

• moderate amount of variation in the slope direction appears on the surface • spatial distribution of aspect starts to scatter but still cluster on the facets • more aspect variation on the north slope than A1 and A3

[360] P4 Slope Aspect. • considerable amount of variation in the slope direction appears on the surface • spatial distribution of aspect are very scattered indicating no obvious defined edges

• less variation in the slope direction appears on the surface comparing to 2018 reference surface • spatial distribution of aspect are clustered that indicates angular slopes

[358] A3 Slope Aspect.

A3

P7

• moderate amount of variation in the slope direction appears on the surface • spatial distribution of aspect starts to scatter but still cluster on the facets.

[361] P7 Slope Aspect. • considerable amount of variation in the slope direction appears on the surface • spatial distribution of aspect are very scattered indicating no obvious defined edges


Date

14

01

Landscapes of Encounter Sustainable practices of the First Christian Church in Manhattan, Kansas

Date

Spring 2017, Fall 2017

Course

LAR 438 Design Implementation Iⅈ LAR 410 Planting Design Studio

Project Type

Individual Project

PROJECT STATEMENT The site, located adjacent to the Grand Mere Parkway, is currently an underutilized farmland that has potential to become a new destination in Manhattan, Kansas. Grand Mere Development proposed a church development on the south portion of their site, which will create a consistent flow of visitors. Currently, the site is surrounded by a ridge and lies in a bowl-shaped area, divided by a natural drainage-way. The site’s prime location provides a beautiful panoramic view towards Manhattan in all directions.

PROJECT GOALS “Landscapes of Encounter” engages its surroundings and invites different user groups to experience the harmony of architectural and landscape design. Additionally, it analyzes methods of design that can reduce potential environmental impact on the existing site. As a result, I focus on three main aspects: stormwater management, functional community, and sustainable practices.


15


16

Strategy 1: Water Management

Functional Garden Principle 1

The design reduces the danger of excessive run-off through rain gardens, and reuses the gray water for irrigation at the same time. Rain gardens can also purify the water, which makes the whole designed water system more sustainable.

Strategy 2: Functional community

Penetration & Purification

Vegetation layer Drainage gravel Sand

Topsoil Gravel Sand

Water system

Porous concrete Permeable layer Filter layer Road bed

Principle 3

A sustainable water system is designed. Roof runoff

Mitigate runoff Excessive Runoff

Evaporation

PRAIRIE MEADOW

VERTICAL GARDEN RAIN GARDEN

Biological treatment

RAIN GARDEN RAIN GARDEN RAIN GARDEN

Infiltration

URBAN FARMLAND

Rain gardens, prairie meadow and other functional green spaces are built in different areas.

Permeable brick Permeable layer Filter layer Road bed

Natural infiltration

Functional space

Material ID

Road system

Wood

Porous concrete

Permeable Bricks Permeable Bricks Gabion Stones

There are different communities near the site, and a community center is proposed to serve the communities. The goal of the design is to reshape this raw area into a destination that attracts the surrounding communities and visitors. Making it a place that will satisfy different users' needs. Principle 1

Strategy 3: Sustainable design

Uncontrolled traffic noise

Principle 2

Principle 3

Creating different activity zones to attract different users.

Opening up various entries and exits to make the site visually and physically accessible.

Choose the appropriate construction materials as shown in different areas.

Landscape viewpoint

Planting

Visitor routes

Natural sound barrier

The site currently has some visible and invisible problems. Through the design I try to practice sustainable design principles to solve these roblems. For example purifying gray water, reducing traffic noise and using plants to create a series of different spaces. The selections of plants, soil and construction materials all follow the principles of sustainable development.

Principle 1

Modify the site according to the terrain, so it can overlook its surroundings

Principle 2

Native plant, plants that are handle both drought and wet are chosen for the site.

Principle 3

Generating different routes according to different needs and site programmings.


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01

0

Master Plan

15

30

Site Plan 1’’=30’ 30

B

Parking Lot

Bio

-sw

ale

Pra

irie

Vertical Garde

n

Me

ad

ow

A

Rain Garde

RE PAR K

n

WA Y

15

le

AND GR

A

air ie

Me a

ME

do w

Plaza

Pr

Community Center

Community Garden

B

0

Bioswa

16

Landscapes of Encounter


18

01

Landscapes of Encounter Planting Plan and the Entry Plaza

PLANT SCHEDULE

Gleditsia traacanthos var. inermis / Thornless Honeylocust Malus spp. / Apple Tree Prunus armeniaca. / Apricot

PRAIRIE MEADOW

Quercus muehlenbergii / Chinkapin Oak

Bouteloua dactyloides / Buffalo Grass Schizachyrium scoparium / Little Bluestem Grass Sorghastrum nutans / Indian Grass

Cornus sericea / Red Twig Dogwood

Artemisia ludoviciana / White Sagebrush Rosa arkansana / Dwarf Prairie Rose Asclepias tuberosa / Butterfly Milkweed Echinacea paradoxa / Bush’s Coneflower

SHRUBS

TREES

Cercis canadensis / Eastern Redbud Multi-trunk

ANNUALS / PERENNIALS

BOTANICAL NAME / COMMON NAME

Corylus americana / American Filbert Rhus glabra / Smooth Sumac Symphoricarpos orbiculatus / Coralberry


19

COMMUNITY GARDEN

PRAIRIE MEADOW

RAIN GARDEN


20

01

Landscapes of Encounter Construction Documents

Grading Plan

Earthwork Diagram


21

01

Landscapes of Encounter

Station 0+16.60 Cut and Fill Calculation

Construction Documents

Pipe Detail

Construction Detail

Layout and Dimensioning Plan


22

02

Negotiating Boundaries Re-imaging the Southeast Commercial District in Coralville, Iowa

Date

Spring 2017, Fall 2017

Course

LAR 646 Community Planning and Design

Project Type

Group Project - with Chen, Si

PROJECT STATEMENT This project is in partnership with Kansas State’s Department of Landscape- Architecture and Regional and Community Planning, the City of Coralville, and Technical Assistance of Brownfield. It is a strategic effort to envision the future of the Southeast Commercial District in Coralville, IA. The area has great opportunity to accommodate people who work, play and live nearby.

PROJECT GOALS This design proposal offers solutions to all of the physical dilemmas on site, such as flooding and contamination, while establishing spaces for social activities. This is achieved by exploring the relationships between the site’s “hard boundary” (which is more defined, such as the entire district as an entity) and its “soft boundary” (which consists of intangible, subtle elements like the site’s industrial history and culture). A negotiation between these boundaries through enhancing the sites current conditions would further establish the district’s identity, while creating a unique and habitable environment.

Safe Zone Habitat Morphology Limestone Palimpsest

Splash Water

Safe Zone


23

Habitat Morphology (Zhong, 2018)

Limestone

Brick

Adapted Staggering Pattern from Bricks

Interactive Edge

Reserve Gap in between Limestones

Pedestrian Bridge Protective Berm Express the Flow: Flood Attenuation, Seating, Rehabilitation

Landscape Node Edge Ecology (Zhong, 2018)

Oxygen

(Zhong, 2018)

Mind the Gap

Nitrifying Bacteria


24

02

Negotiating Boundaries Negotiating the soft and hard boundaries Strategy #1

DEFINE

Soft Boundary Diagram: Analyzing Urban Fabric-Assisting the existing natural, while also introducing artificial, urban fabric provides the basis for the soft boundaries negotiation. (Zhong, 2018) Industrial Relic: Corten steel & Brick

Natural Fabric: Vegetation and Soil

Paving Material: Concrete & Asphalt

Soft Boundaries: define the existing natural and artificial urban fabric.

Hard Boundaries: redefine the

existing road, trails and rails with individual characteristics.

Hard Boundary Diagram: “Renovate, Reserve, Reduce” strategies to preserve city identity (Zhong, 2018)

Strategy #2

DISTORT

Soft Boundaries: distort a mobility

loop to increase connectivity with diversity and enrich travel experiences.

Hard Boundaries: distort the site’s waterline to create an accessible waterfront and protective berm.

Interactive Edge Protective Berm

Hard Boundary Diagram: Distorted Waterline Generate Accessible Waterfront and Protective Berm (Chen & Zhong, 2018)

Soft Boundary Diagram: Distorted Mobility Loop Diversify and Enrich Travel Experience (Chen, 2018)


25 Soft Boundary Diagram: Overlap Landscape and Architecture Programs (Zhong, 2018)

Strategy #3

OVERLAP

Typology

Strategies

Hard Boundary Diagram: Overlap Landscape Nodes and Urban Loop (Chen, 2018) Applied Strategies

Infrastructure Landscape Loop

Activity Mobility Loop

Green Radial Loop

Soft Boundaries: overlap landscape and architectural programs.

Hard Boundaries: overlap landscape nodes and urban loops.

Platform:

Areas along the waterfront with both visual and physical accessibility.

Permeable Edge:

Densifying:

Street front along the 2nd street

Increase diversity and intensity along the street front with smaller mixed-use “blocks”.

Cross-over:

Topping:

Intersection between 1st Avenue and 2nd Street with highest circulation. The city’s target area for commercial development.

Strategy #4

Pressing:

Reduce building height for waterfront retails and restaurants to allow resident’s visual access.

Increase building heights and add various active program layers.

Workplace Retails Restaurants Public Amenity Hotel & Residential

Landscape Loop as Accessible Green Space Landscape Nodes as Infrastructure Landscape Nodes as Open Green Space Activity Nodes

REVERSE

Hard Boundaries: reverse the existing hierarchy of accessibility to the site.

Soft Boundaries: reverse the existing adjacent natural and artificial habitats.

Soft Boundary Diagram: Reverse Existing Adjacent Natural and Artificial Habitats (Chen, 2018)

Hard Boundary Diagram: Reverse the Existing Hierarchy of Accessibility (Zhong, 2018)


26

Negotiating Boundaries

02

Master Plan

ABOUT

Four (4) mix-use strategies are used to define the masterplan: 1. Mix-use prioritizing commercial 2. Mix-use prioritizing residential and retail 3. Mix-use prioritizing services and local retail 4. Mix-use prioritizing industry and business.

Employing these strategies will result in a well-structured, landscape masterplan to include the following: an industrial heritage park, a parking structure for the district, rooftop gardens, plazas and public meeting zones, civic platforms, bus-stops, trails and rails.

Clear Creek Trail

1st Ave.

Rooftop Garden Rooftop Garden

Office - 25% Commercial - 19%

n

t Apartm ent

nd Service tail a

face S ur

Structured Parki

Housing - 26% n tme

Service A par

Offic e

g

Re c ubli

Open Space - 44%

ip c R arian&P Civi

In du Heritasgtrial e

Building Footprint - 56%

Residential Summary: Total Residential SF Total Dwelling Units (DU) Avg DU/Acre Total Residents Parking Stalls Needed

Commercial Summary: Total Commercial SF Employees Parking Stalls Needed

Office Summary:

Total Office SF Employees Parking Stalls Needed

Parking Summary:

Total Stall Needed Parking Stalls Provided Surface Parking Stalls Streetside Parking Structured Parking

Meeting Space

Pocket Plaza Civic Platform

METRICS Parking - 30%

Grandic Rail

863,116 1,127 33.2 2,258 1,579 632,697 1,685 2,360 843,210 1,685 2,260 6,199 5,843 635 55 5,153

Industrial Heritage Park

P

District Parking Structure

2nd ST. Pocket Plaza Civic Platform Play Environment & Meeting Space

Iowa Interstate Rail

Bus Stop Bus Stop

Mormon Trail

(Zhong, 2018)


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Industrial Themed Park

The southern soft boundary is converted and transformed into a large-scale infrastructure as a way of catching and re-mediating polluted runoff from the brownfields. It also acts as a social corridor with its physical and ecological connection to the Mormon Trek Trial and Iowa University.

(Zhong, 2018)

(Chen,2018)


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03

Ascending Architecture Exploring a new prototype for high-rise buildings in the Era of Vertical Intelligent Community, Hong Kong, China

Date

Winter 2017

Course

LEED AP BD+C Self Study

Project Type

Individual Project

PROJECT STATEMENT This competition invites students to imagine future living spaces in an urban setting and promote a “Vertical Intelligent Community.” Based on an issue of “China Daily,” this project addresses designing for China’s high population in developing mega-cities by creating “Smart Vertical Communities.” This competition seeks both creative and clever solutions to high-rise buildings in terms of efficiency, flexibility, and diversity, by echoing values of communication, public service, exchange of knowledge, networks, and management through design.

PROJECT GOALS “Ascending Architecture” explores a new prototype of mixed-use, high-rise buildings in China’s mega-cities. The integral design of this prototype will support green living by generating and reducing energy consumption and incorporating technological innovations to support the management of energy systems.


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03

Ascending Architecture Form, Context

1. The overall building mass is divided into three volumes defined for commercial, office, or residential use.

2. Portions of the building are carved out into “setbacks” that form exterior environments.

3. The building’s forms are reduced to help integrate indoor and outdoor spaces.

4. Exterior walkways are implemented to connect vertical spaces and maximize views to city.

5. Transitional spaces interlace with one another to form a variety of interior and exterior environments.

1. Setbacks help provide natural lighting throughout the building

2. Implementing exterior spaces in the building causes the overall form to be reduced, which allows it to be in scale with neighboring buildings.

3. Trimming a portion of the building allows foot traffic to be distributed evenly.

4. Creating spaces between each volume allows natural ventilation and helps distribute the buildings overall lateral force.

5. An analysis of the street’s traffic flow helps provide insight of where best to place building entrances.

Summary The form generation process to develop the building prototype, and to satisfy the defined objectives, is defined in five steps: First, the overall building mass is divided into three volumes and provided with ‘setbacks,’ which allows users to form their own outdoor space. Then, to accommodate with neighboring buildings and to balance outdoor and indoor spaces, the buildings overall volume is reduce. Next, to further encourage use of these spaces, walkways are designed to connect the exterior and interior. These walkways and transitional spaces maximize the users perspective of the city, producing unique sights to entice exploration. In addition, it was crucial to take advantage of the transitional spaces that link the interior and exterior environment within mega-cities. As a result, these transitional spaces provided natural ventilation in the building and a reduction of the overall lateral force, which can prolong the efficiency and life of the building. By strategically trimming and reducing the building’s footprint, user flow and movement into the building is guaranteed from the entrance’s prime locations, further encouraging overall use.


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RESIDENTIAL

03

Ascending Architecture Exploded Axon

Floor Plan

FLOOR PLANS

5 3 4 2

12F

1. Living room 2. Dining room 3. Terrace 4. Studio 5. Suit 6. Flex Space

1 6

1

OFFICE

3

5F

1. Hallway 2. Office area 3. Conference room 4. Admin 5. Bathroom

4 5

2

3

2F 1

2

CIRCULATION

COMMERCIAL

4

5

1. Atrium 2. Admin 3. Flex Space 4. Bathroom 5. Outdoor space


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03

ABOUT

Ascending Architecture Main Entry Plaza

This perspective demonstrates the prime location of the buildings main entry, which entices pedestrians to break away from the street and enjoy the plaza: sit, have a drink and socialize. This space flows naturally towards the first set of stairs, allowing visitors to enter or exit the high-rise, and an additional space is provided to allow free movement along the lobby.


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04

In the Making: Arts & Installations Cobb Memorial, Manhattan, Kansas Pop-up Beach, Wichita, Kansas

Date

Spring 2016

Date

Summer 2017

Course

LAR 248 Material & Methods

Course

Downtown Wichita Summer Internship

Project Type

Group Project

Project Type

Teamwork (with WDDC Staff)

ABOUT

Cobb Memorial, Manhattan, Kansas The Grover Cobb Memorial Project is located at the base of the historic KSAC tower (built in 1924) – south of Calvin Hall, Kansas State University. It was built to honor Grover Cobb, a Kansas broadcaster. However, over 42 years, the memorial had begun to seriously deteriorate.

(Thompson, 2017)

In response, a class of K-State students decided to bring the memorial back to former glory under direction of their Professor, Chip Winslow. The goal was to preserve the original memorial as well as possible, along with honoring both Grover Cobb and the history of broadcasting. With the assistance of students and faculty throughout two semesters, the project was completed prior to the KAB Convention’s formal dedication on October 17, 2017. To help achieve this deadline, I worked with three K-State students to design and construct the memorial’s bench (shown in bottom photo). My responsibilities included providing sketches, renderings, and construction documents for the bench, along with presenting design proposals. Afterwards, I also helped construct portions of the bench in the College’s shop.

ABOUT

Pop-up Beach, Wichita, Kansas Downtown Wichita received a grant from the Knight Foundation Fund to construct a “Pop-Up Beach” in effort to create a unique attraction that would bring together locals, residents and visitors around the city. The Pop-Up Beach was a temporary attraction that encouraged whimsical, fresh ‘beach vibes’ in Wichita during the summer of 2017. The Pop-Up Beach was located at the city’s Pop-Up Park on 121 E. Douglas Avenue. It provided visitors the opportunity to build sandcastles with friends while enjoying a tasty treat from a local food truck. Along with this event, other various activities took place throughout the summer, such as the Pop-Up Launch Party and Hawaiian Night. For this project, I helped build and design the Pop-Up Beach within a small team. This required counting the amount of material necessary, obtaining materials, calculating the sand volume required for the Pop-Up event, and helping build the beach. (Kim, 2017)


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Thank you for having my portfolio reviewed, for further questions, please feel free to contact me at yingyi@ksu.edu or call 785-770-5289. For more work examples and sketches, please check out

https://issuu.com/eki56


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