Eldred's Summer Market Sale by Eldred's

The Summer Market Sale Thursday, July 17, 2014

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Please visit www.eldreds.com for photos of all lots, condition reports and most up-to-date information on all lots contained within this catalog.

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The Summer Market Sale Thursday, July 17, 2014 at 10:00 a.m. On Exhibit: Wednesday, July 16: 10:00 a.m. to 6:00 p.m.

Terms:

A buyer’s premium will be added to all purchases. The buyer’s premium is 18% of the final bid price up to and including $300,000, and 10% of the final bid price over $300,000. Please be advised we do not accept credit cards or Paypal for payment of any auction purchases. Bidders holding a valid Massachusetts or out-of-state resale number must provide certificate or copy thereof when registering or will be required to pay 6.25% Massachusetts sales tax on purchases.

bid online:

This auction will be held simultaneously online at www.invaluable.com and www.eldreds.com (click on “bid live”). The buyer’s premium is 21% for purchases bought online via Invaluable or Eldred’s Infinite Bidding. Prospective bidders must register and be approved prior to placing bids or bidding live.

Important Notice:

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot.

ROBERT C. ELDRED CO., INC. 1483 ROUTE 6A P.O. BOX 796 EAST DENNIS, MA 02641 Phone: (508) 385-3116 FAX: (508) 385-7201 E-mail: info@eldreds.com

www.eldreds.com MA License no. 155

It is the bidder’s responsibility to obtain a condition report, by either checking our website or contacting us. Although condition reports may be given on request, such reports are statements of opinion only. The absence of a condition report does not imply that the property is in good condition. Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is. All dimensions and weights are approximate. Lots containing ivory are not available for international or California delivery.

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CONDITIONS OF SALE 1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction. 2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered. 3. Eldred’s reserves the right to withdraw any property before the sale. 4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final. 5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer. 6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility. 7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price. 8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of

identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone s solely at the risk of the bidder. 9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades. 10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out‑of‑state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89‑10 and registers with the company prior to each purchase, or C) has purchases shipped out of state directly from Eldred’s by a bona fide ship ping agent. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204. 11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold). 12. UNDELIVERED ITEMS: All purchases not picked up within two weeks of the day of the sale may be shipped by Eldred’s to the purchaser. All shipping, packing and handling charges will be the responsibility of the purchaser. If said articles have not been paid for, see paragraph 7 above. 13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details. 14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale. 15. Bidding on any article(s) indicates acceptance of the terms set forth above. 16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts. Revised 8/1/09

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Eldredâ&#x20AC;&#x2122;s Staff Directory Antiques and Fine Art Specialists

Production and Administrative Staff

John H. Schofield Mary Ann Eldred President Appraisal and Mailing List Director Asian Art maeldred@eldreds.com johns@eldreds.com Deborah G. Clemence Susan M. Schofield Catalog Layout and Design Treasurer deb@eldreds.com The Prints of Paul Jacoulet sue@eldreds.com Wendy A. Dunford Assistant Treasurer Joshua F. Eldred wendy@eldreds.com Vice President American and European Paintings William Garnier josh@eldreds.com Photography billg@eldreds.com William Bourne Assistant Vice President Anne G. Lajoie Americana, Maritime Arts and Sporting Antiques Appraisals and Condition Reports bill@eldreds.com annie@eldreds.com Eric S. Mulak Americana, Sporting Antiques and Collectibles eric@eldreds.com

Kristyn Machon Assistant Photographer and Digital Image Editor kmachon@eldreds.com

Glen Krawczyk Oriental Rugs glen@eldreds.com

Matt Nelson Assistant Shipping Manager matt@eldreds.com

Dennis C. Cowan Musical Instruments, Shipping dennis@eldreds.com

Bobby Nunes, Jr. Inventory Manager bobby@eldreds.com

Cynthia L. Gage Cheryl Stewart Silver, Shipping Administrator Catalog Layout and Design cindyg@eldreds.com cheryl@eldreds.com Robert C. Eldred Jr. CEO, Emeritus rce@eldreds.com

Sarah Eldred Taylor Administrative Assistant sarah@eldreds.com Mary M. Kuhrtz and Barbara H. Cleary Gallery Assistants Elizabeth M. Connolly Intern

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eldredsauction

Index of Artists Addy, Alfred Albright, Henry James Bacon, Julia Bagg, Henry Howard Bailey, Roy Bardwell, George W. Berringer, Jennifer Bixbee, William Johnson Blenner, Carle John Bodo, Elli Bonnar, James King Butler, Courtland L. Carman, Albert Chaffee, Samuel R. Charman, Frederick Montague Charman, Jessie Bone Cibula, Joseph Cole, Joseph Foxcroft (attr.) Curtin, Thomas R. Daly, David Raymond Diehl, Arthur Vidal (manner of ) Douglas, Arthur S. Du Bois, Yvonne Pene Dunbar, Harold C. Dyer, H.D. Eastland, Tim Eaton, William Raymond Edie, Stuart Carson Ehrig, William Columbus Emerson, Charles Chase Enneking, John Joseph Farrell, Katherine Levin Fenson, Robert Robin Fields, George Font, Constantin Gallagher, Sears Geraci, Lucian Arthur Greux, Amadee Paul Hare, John Cuthbert Hasbrouck, Dubois Fenelon Hawthorne, Charles (school of ) Hayden, Edward Parker Hayden, Francis Seymour Hensche, Ada Rayner Hines, Robert W. Hodgin, Marston Dean Hoff, Guy Hooley, Jim How, Kenneth Gayoso Howes, Jerome Huse, Marion Jones, Joe Jones, Russell Julian, Marvin Kautzky, Ted

118 404 264 565 473 151 474 4, 10 129 211 18 409 554 127 311 312 206 143 6 149 321 263 469 320 137 210 477 552 258A 572 145 316 117 135 462 272, 273 5 408 308, 309 120 315 141 400 324 278 310, 326-328 465 332 564 260 147 551 146 21 563

Kellogg, Austrice C. Kirmse, Marguerite Lamb, Frederick Mortimer Lange, Erna Leighton, Edmund Blair Lemmermeye, Michael Leonard, George Henry Jr. Lever, Richard Hayley Lingquist, Arthur Lorentz MacGillis, Robert Donald Marston, Charles Gordon Milby, Frank Miller, Hans Alexander Moore, Robert Eric Nash, E.R. Neaves, Dorothy Oliver, Frederick W. Parker, Emma Alice (Nordell) Paskell, William Frederick Paskell, William Frederick (attr.) Phillips, Gordon Dale Pollack, David Pooke, Marion Louise Powers, Harry W. Preston, Jessie Goodwin Proctor, F.W. Raskin, Joseph Rimini, Joseph Robbins, Mary Robinson, Dent Rogers, Wendell Safford, Arthur Sigafoos, Richard Slade, Caleb Arnold Slee, W.F. Spiers, Harry Stareck, Edgar A. Stepule, Charles Sterner, Albert Edward Stobart, John Strisik, Paul Taylor, Ralph Troccoli, Giovanni Battista Turner, Ross Sterling Valenkamph, Theodore Victor Carl Van Wyk, Helen Vermoskie, Charles Waite, Malcolm and Ruth Ward, Edmund Franklin Waterman, Marcus A. Weber, Otis S. Welt, Milton H. Wentworth, George A. Wharton, P.C. Wilde, William

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466 491 140 9 399 16 410 274-277 2 561 314 150 24 331 463 468 573 26 319 123 568 470 406 403 14 148 560 11-13 15 574 317, 322 8 7 329 467 27 271 3 63, 472 266-268 1 25 64 19 139 22, 23 132 318 20 142 124 330 133 209 399A

The Summer Market Sale Thursday, July 17, 2014 Lots 1-574

PAUL STRISIK American, 1918-1998 “Vermont Haze”. Signed lower left “P. Strisik”. Titled on Paul Strisik Gallery label verso. Oil on canvas, 16” x 24”. Framed. 800/1,200

ARTHUR LORENTZ LINGQUIST American, 1889-1975 Snow in the hills. Signed lower right “A. Lingquist”. Oil on canvas, 12” x 16”. Framed. 300/500

CHARLES STEPULE American, 1911-2006 Winter scene with a red covered bridge. Signed lower left “Stepule”. Oil on canvas, 24” x 36”. Framed. 200/300

WILLIAM JOHNSON BIXBEE American, 1850-1921 North Shore seascape. Signed lower left “Bixbee”. Oil on canvas, 26” x 34”. Framed. 400/600

LUCIAN ARTHUR GERACI American, 1923-2005 A house in the snow. Signed lower left “Geraci”. Oil on canvas, 20” x 16”. Framed. 400/600

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THOMAS R. CURTIN American, 1899-1977 Rocky coast. Signed lower right “Thos. R. Curtain”. Oil on board, 10” x 14”. Framed. 500/700

RICHARD SIGAFOOS American, 20th Century “At Low Tide”. Signed lower right “Richard G. Sigafoos”. Titled on label verso. Oil on masonite, 12” x 16”. Framed. 250/350

ARTHUR SAFFORD American, 1900-1992 Sunset over a rocky coast. Signed lower right “Arthur Safford”. Oil on canvas, 28” x 36”. Framed. 300/500

ERNA LANGE American, 1896-1984 “The Bay at Dawn”. Signed lower left “Erna Lange”. Titled verso. Oil on board, 12” x 16”. Framed. 400/600

10.

WILLIAM JOHNSON BIXBEE American, 1850-1921 Two oils on board: 1) “At Marblehead”. Signed lower left “Bixbee”. Titled verso. 14” x 19.5”. 2) “On the Swift River, Tamworth New Hampshire”. 20” x 16”. Both unframed. 600/900

11.

JOSEPH RIMINI American, 1920-2000 “Cape Ann Marsh”. Signed lower left “Rimini”. Titled verso. Oil on canvas board, 9” x 12”. Framed. 250/350

12.

JOSEPH RIMINI American, 1920-2000 “Cape Ann Harbor”. Signed lower left “Rimini”. Titled verso. Oil on board, 12” x 16”. Framed. 400/600

9 8

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13.

JOSEPH RIMINI American, 1920-2000 “Essex Marshlands”. Signed lower left “Rimini”. Titled in pencil on upper stretcher bar. Oil on canvas, 19.5” x 24”. Framed. 600/900

14.

JESSIE GOODWIN PRESTON American, 1880“Weatherbeaten”. Signed lower left “Jessie Goodwin Preston”. Titled on Hartford Society of Women Painters label verso. Oil on canvas, 20” x 24”. Framed. 500/1,000

15.

MARY ROBBINS American, 1919-2008 North Shore harbor scene. Signed lower right “Mary F. Robbins”. Watercolor on paper, 14” x 21” sight. Framed. 150/250

16.

MICHAEL LEMMERMEYER American, 1891-1970 Seascape with crashing waves. Signed lower right “M. Lemmermeyer”. Oil on canvas, 24” x 36”. Framed. 300/500

17.

AMERICAN SCHOOL 20th Century Winter landscape. Unsigned. Possibly the work of Arthur Lorentz Lingquist (American, 1889-1975). Watercolor on paper, 12” x 15” sight. Framed. 150/250

18.

JAMES KING BONNAR American, 1883-1961 Figure in an autumn landscape. Signed lower right “James K. Bonnar”. Watercolor on paper, 12” x 15” sight. Framed. 200/300

19.

ROSS STERLING TURNER American, 1847-1915 Landscape with lighthouse. Initialed lower right “R.T”. Watercolor on paper, 7” x 10” sight. Framed. 250/350

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20.

EDMUND FRANKLIN WARD American, 1892-1991 “Monhegan Bouquet”. Signed lower right “Edm. F. Ward”. Estate-stamped and titled verso. Oil on canvas board, 16” x 12”. Framed. 200/300

24.

HANS ALEXANDER MILLER American, 20th Century Boats in a harbor. Signed lower right “Hans Alex Miller”. Oil on canvas, 18” x 22”. Framed. 800/1,200

21.

MARVIN JULIAN American, 1894-1986 Still life of orange gerber daisies. Signed lower tight “Marvin Julian”. Oil on canvas board, 24” x 20”. Framed. 150/250

25.

RALPH TAYLOR American, 1896/97-1978 Sunlit forest path. Signed lower right “Ralph Taylor”. Watercolor on paper, 15” x 12” sight. Framed. 200/300

22.

HELEN VAN WYK American, 1930-1994 A garden with sculpture. Signed lower right “H. Van Wyk”. Oil on canvas, 16” x 20”. Framed. 250/350

26.

EMMA ALICE (NORDELL) PARKER American, 1876-1958 Seaside cottage. Signed lower left “Polly Nordell”. Watercolor on paper, 12” x 16” sight. Framed. 200/300

23.

HELEN VAN WYK American, 1930-1994 Still life of apples, flowers and a copper pot. Signed lower right “H. Van Wyk”. Oil on canvas, 20” x 24”. Framed. 300/500

27.

HARRY SPIERS American, 1869-1947 A river landscape in lavender tones. Signed and dated lower left “Harry Spiers 39”. Watercolor on paper, 20” x 25.5”. Unframed. 200/400

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28.

VICTORIAN COTTAGE BUREAU Late 19th Century In pine. Top and drawer fronts with faux grain painting surrounded by dark brown paint. Brass and turned wooden pulls. Paneled sides. Height 40.5”. Width 35”. Depth 17.5”. 100/200

29.

ANTIQUE AMERICAN LADDER-BACK SIDE CHAIR 19th Century With fruit and flower stenciled decoration on a salmon-colored ground. Turned, carved round finials. Cane seat. 200/300

30.

ANTIQUE AMERICAN QUEEN ANNE SIDE CHAIR 18th Century In oak and maple with vasiform splat back and bulbous front stretcher. Rush seat. 100/200

31.

ANTIQUE AMERICAN ONE-PIECE CORNER CUPBOARD Mid-19th Century In pine with an old reddish-brown finish. Molded carved cornice over two paneled doors with wooden pulls. Doors open to reveal three interior shelves at top and one at bottom. Simple shaped base. Height 77.75”. Width 31”. Takes an 18” corner. 500/800

32.

ANTIQUE AMERICAN BOWBACK WINDSOR SIDE CHAIR Late 18th Century In maple and oak. Shaped seat on turned splayed legs. 100/200

33.

ANTIQUE AMERICAN CHIPPENDALE MIRROR Circa 1800 In mahogany veneer. Scrolled crest with central gilt eagle decoration. 31” x 17”. 150/250

34.

ANTIQUE AMERICAN WRITING DESK 19th Century In oak and other woods. Exterior painted red and black. Interior fitted with two drawers. Case with one drawer with turned wooden pulls. Turned legs with turned spade feet. Height 36”. Width 31.25”. Depth 22”. 200/300

35.

ANTIQUE AMERICAN CHIPPENDALE MIRROR Circa 1800s With central round crest and central gilded geometric design. 26.5” x 16”. 100/200

36.

SIX-DRAWER CHEST American, 19th Century In pine. Each drawer with turned wooden knobs. Height 18.5”. Width 35.75”. Depth 15”. 120/180

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41, pair

37.

ANTIQUE AMERICAN QUEEN ANNE SIDE CHAIR In maple with vasiform splat back, turned front stretcher and padded front feet. Rush seat.

18th Century 150/250

38.

UNUSUAL FOLK ART STAND In pine with boldly turned front and back legs. Height 27.75”. Top 17.25” square.

19th Century 200/300

39.

ANTIQUE AMERICAN QUEEN ANNE SIDE CHAIR 18th Century In maple and oak. Vasiform splat back. Rush seat. Bulbous turned front stretcher. Front two legs with padded feet. 150/250

40.

ANTIQUE AMERICAN HEPPLEWHITE CANDLESTAND In cherry with square top, vasiform pedestal and spider legs. Height 28.5”. Top 17.5” x 18”.

41.

PAIR OF PLANK-SEAT SIDE CHAIRS Under brown-black paint with red and yellow highlights. Shaped crests.

Early 19th Century 200/300 19th Century 120/180

45 43

42.

SHERATON/EMPIRE TWO-DRAWER SERVER In mahogany with two brass pulls. Turned and tapered legs. Height 39.5”. Width 39”. Depth 19”.

43.

UNUSUAL PENNSYLVANIA-GERMAN PLANK-SEAT SIDE CHAIR In walnut. Seat inscribed “Handschuhscheim 1870”.

44.

ANTIQUE AMERICAN HEPPLEWHITE ONE-DRAWER STAND New York State, 19th Century In maple and other woods under an old brown finish. Square tapered legs end in simple button feet. Height 27”. Width 16.75”. Depth 17”. 150/250

45.

ANTIQUE AMERICAN FEDERAL CANDLESTAND First Quarter of the 19th Century In cherry. Rectangular top with shaped corners. Acanthus-carved pedestal raised on scrolled feet. Height 27.75”. Top 24” x 17.75”. 300/400

46.

ANTIQUE AMERICAN HEPPLEWHITE ONE-DRAWER CARD TABLE Circa 1800 In mahogany and other woods with shaped corners and square tapered legs. Brass bail handles. Height 28”. Width 35”. Depth 15.5”. 150/250 see photos of all lots and review condition reports at www.eldreds.com

Circa 1850 150/200 19th Century 150/250

48, two vises 49

47.

DROP-LEAF TABLE In pine painted red. Turned legs. Height 28.5”. Length 17.25” plus two 12” drop leaves. Width 42”.

19th Century 250/350

48.

TWO WOODEN COBBLER’S VISES Both in oak. One a bench/vise combination. Heights 40” and 29.5”.

19th Century 100/200

49.

ANTIQUE AMERICAN LIFT-TOP BLANKET CHEST In pine under red paint. Height 24”. Width 51”. Depth 18”.

Early 19th Century 300/500

49A. ANTIQUE AMERICAN LADDERBACK ROCKER In maple and oak with turned finials and splintwork seat.

19th Century 80/120

50.

LIFT-TOP BLANKET BOX 19th Century In pine with old brown finish. With iron hinges, interior ditty box and bootjack ends. Height 20”. Width 37.5”. Depth 15”. 200/300

51.

DRESSING TABLE 19th Century In pine with grain-painted finish. One drawer with wooden pulls. Turned wooden legs. Height 29”. Width 30”. Depth 17.75”. 100/200

52.

D-FORM END TABLE 20th Century Made up from older parts. In pine and other woods with one drawer and square tapered legs. Brown finish. Height 28”. Width 38”. Depth 22.5”. 100/150

53.

UNUSUAL ARMCHAIR BY THE H.T. CUSHMAN COMPANY In rock maple. Splat back with heart-form cutouts at sides.

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20th Century 250/350

54 55

54.

ANTIQUE AMERICAN STEP-BACK CUPBOARD Early 19th Century In pine, maple and other woods. Exterior painted red and interior painted blue. Carved cornice with painted faux dentil molding. Two six-paneled glass doors enclose two interior shelves. Lower section with two narrow drawers over two paneled doors and a shelved interior. Height 70.75”. Width 43.5”. Depth 18”. 500/1,000

55.

ANTIQUE AMERICAN CORNER CUPBOARD 19th Century In pine, birch and other woods. Simple shaped molded cornice over two shelves over paneled doors. Simple shaped base. Height 78.5”. Width 47”. Takes a 25” corner. 300/500

56.

ANTIQUE AMERICAN COUNTRY CHIPPENDALE SIDE CHAIR With pierced back, bulbous turned stretcher and turned legs. Rush seat.

57.

SET OF SIX PILLOW-BACK CANE-SEAT SIDE CHAIRS 19th Century Together with three non-matching thumb-back side chairs with splintwork seats. Set of six with brown grain-painted finish and gold highlights. 300/400

58.

OVAL TABLE WITH BURLED WALNUT TOP X-form stretcher base. Height 29”. Top 44” x 26”.

59.

ANTIQUE AMERICAN WINDSOR BOW-BACK ARMCHAIR With shaped seat and turned legs.

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Late 18th Century 140/180

20th Century 150/250 Late 18th Century 250/350

60.

ANTIQUE AMERICAN CUPBOARD Circa 1840 In pine with shaped cornice and shaped bracket base. Two paneled doors, only one with brass pull, open to reveal six interior shelves. Height 44”. Width 39”. Depth 14.5”. 300/500

61.

AMERICAN SCHOOL 19th Century Romantic sunset on a forest path. Unsigned. Oil on canvas, 8” x 12.25”. Framed. 300/500

62.

AMERICAN SCHOOL 19th Century A gentleman seated in an interior. Unsigned. Oil on canvas, 36” x 29”. Framed. 400/600

63.

ALBERT EDWARD STERNER American, 1863-1946 Portrait of a young girl wearing a blue bow in her hair. Signed faintly lower left “Albert Sterner”. Pastel, 26” x 20” sight. Framed. 200/300

64.

GIOVANNI BATTISTA TROCCOLI American, 1882-1940 Portrait of a lady in a hat. Signed lower left “G.B. Troccoli 1926”. Oil on canvas, 37” x 27”. Framed. 400/600

65. PENNSYLVANIA PLANK-SEAT BENCH 19th Century Painted decoration of birds, fruit bowls, fruit and scrolls on a black ground. Shaped crest rail and scrolled arms. Length 71.75”. 600/900

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66.

STERLING SILVER FLATWARE SET BY INTERNATIONAL SILVER CO. In the “Spring Glory” pattern. Consists of: 8 9.25” hollow-handled dinner knives 8 dinner forks 8 salad forks 8 round soup spoons 8 teaspoons 8 individual butter spreaders 4 tablespoons 1 cold meat fork 1 gravy ladle 1 olive fork 1 sugar spoon 1 hollow-handled pie server Approx. 62.4 troy oz. weighable 800/1,200

67.

STERLING SILVER FLASK In rectangular form. Length 5.5”.

68.

TWO STERLING SILVER VEGETABLE DISHES BY RANDAHL Hand-hammered. In rectangular form. Height 2.5”. Length 7”. Approx. 20.8 troy oz.

300/500

69.

REED AND BARTON STERLING SILVER PLATTER In the “Newport” pattern. Length 15.6”.

250/350

70.

TEN PIECES OF STERLING SILVER HOLLOWWARE AND FLATWARE By various makers. Includes a weighted trumpet vase, a bread tray, two open salt dishes, a small Revere-style bowl and five oyster forks. Approx. 21.0 troy oz. weighable 250/350

Approx. 5.4 troy oz.

Approx. 38.0 troy oz.

150/250

70A. ENGLISH SHEFFIELD CARVING SET BY CHASE Includes roast carving set, a small steak carving knife and six dinner knives. Bakelite handles and silver overlay floral pattern. 150/250

71.

ENAMEL-ON-COPPER RECTANGULAR BOX 20th Century Raised decoration of a turquoise ship with cobalt blue and white bird accents. Height 1.5”. Length 6.5”. Width approx. 4”. 100/130

72.

PAIR OF PEWTER CASTOR HOLDERS By Israel Trask of Beverly, Massachusetts. Heights 8”.

Late 18th Century 100/200

73.

ENGLISH PEWTER OVAL FOOT WARMER With dolphin-form handle. Length 12”.

18th Century 100/150

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74.

1927 SAINT-GAUDENS TWENTY DOLLAR GOLD PIECE EF-AU. 1,100/1,400

75.

FOUR MORGAN SILVER DOLLARS From the Carson City mint. In original U.S. Treasury boxes. Dates include 1881, 1882, 1883 and 1884.

300/500

76.

14KT YELLOW GOLD, LAVENDER JADE AND DIAMOND RING Oval jade cabochon surrounded by diamonds. Size 9.

400/500

77.

CONTINENTAL SILVER HINGED BRACELET Central openwork scrolled design with three raised medallions: “Arc de Triomphe Paris”, “Souvenir de Paris” with depiction of the Eiffel Tower, and “Sacré-Cœur de Montmartre”. Length approx. 5”. Widest width approx. 2”. Approx. 1.4 troy oz. 130/170

78.

INDUSTRIA PERUANA STERLING SILVER BRACELET Five linked sections portraying raised native faces. Marked “M S” in a shield above “Industria Peruana sterling 925”. Length approx. 7.25”. Approx. 3.2 troy oz. 275/350

79.

MALACHITE AND GOLD BEAD NECKLACE With approx. 7mm malachite beads and varying gold spacers. Gold clasp marked 14kt. Length 17.25”.

80.

SERPENTINE BEADED NECKLACE Thirty-six 12mm beads interspersed with gold-colored spacers. Clasp marked “Silver Made in China”. Length 19.50” (49.50cm). 100/130

81.

FOUR JEWELRY ITEMS A sterling silver-cased pocket watch and three lady’s pins in unmarked silver cases. One pin with a miniature portrait, one in carved abalone with basket of flowers, and the third with a floral edge. Diameter of pocket watch 1.25”. Not available for international or California delivery. 150/200

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100/200

82.

POTTERY COOLER Blue banding and “Maxwell House Iced Tea” in raised blue lettering on a white ground. Height 12”.

20th Century 150/250

83.

WIREWORK BIRDCAGE Height 17”.

84.

JULIUS NORTON POTTERY STONEWARE CROCK Stamped “Julius Norton Bennington, VT.” and “2”. Cobalt blue foliate decoration. Height 11.75”.

19th Century 140/180

85.

NORTON POTTERY STONEWARE CROCK Stamped “F.B. Norton & Co. Worcester, Mass.” above cobalt blue leaf decoration. Height 7.5”.

19th Century 150/200

86.

TWO STAFFORDSHIRE POTTERY MUGS 19th Century One with transfer decoration of dogs and cats. Other with a man in stocks and a monkey with a dog. Heights 3”. 200/300

87.

TRANSFERWARE TEAPOT With blue and white figural decoration. Handle repaired. Height 12”.

88.

FOUR PIECES OF SOUVENIR CHINA Early 20th Century A mustache cup from Nantucket, a blue transfer-decorated plate from Nantucket, and two pottery tiles with blue and white maritime scenes. 100/200

89.

SALT GLAZE POTTERY WATER COOLER 20th Century Marked “The Allen Germ-Proof Filter Toledo O.” Cobalt blue floral and foliate bands. Height 17”. Replaced wooden lid. 150/200

French, 19th Century 300/500

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19th Century 150/200

90, set

90.

PARTIAL SET OF BLUE AND WHITE RIDGWAYS CHINA English, 19th Century In Oriental pattern with some variations. Gilt rims. Includes: 18.5” platter (as is) 15” platter (as is) 11” platter 10” platter 3 9.25” rectangular serving bowls 8” condiment tray 2 gravy boats 1 cream pitcher 1 covered sugar bowl 1 covered 8.5” round vegetable dish 3 fruit bowls 6 cereal bowls 1 rectangular 11.25” covered vegetable dish 11 cups & 12 saucers 6 bread & butter plates 15 9.75” plates 6 9” plates 20 8” plates 300/500

91.

BANDED MOCHAWARE POTTERY CHAMBERPOT Height 6”.

92.

ENAMEL-DECORATED LEEDS POTTERY TEAPOT In lozenge form with figural finial and bright floral decoration. Length 10”.

93.

FOUR-PIECE ENGLISH CHINA WASH SET A washbowl, pitcher, toothbrush holder and soap dish in a pink floral pattern.

94.

FIVE PIECES OF FLOW BLUE POTTERY Three plates in the Scinde pattern, diameters approx. 9”, and two bone dishes in a floral pattern, lengths 5.8”.

95.

ROYAL DOULTON HANDLED PITCHER With red and green figural and boat decoration. Height 7.5”.

96.

TWO-GALLON POTTERY CROCK Stamped “The Village Store Co. Bridgeport Con. 2” in cobalt blue. Height 9”.

97.

BLUE AND WHITE STAFFORDSHIRE WASHBOWL With rural landscape design. Diameter 13”.

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19th Century 100/200 Early 19th Century 100/200 Late 19th Century 100/150 100/200

Early 20th Century 140/180 19th Century 80/120 Mid-19th Century 150/200

100

98.

SPONGEWARE POTTERY MIXING BOWL 19th Century In blue and white. Height 6”. Diameter 12”. 150/200

99.

SPONGEWARE POTTERY HANDLED WASTE BUCKET 19th Century In blue and white. Height 9.25”. 150/250

100. TWO SPONGEWARE POTTERY PITCHERS 19th Century Both in blue and white. Heights 7”. 200/300 101. OVERSIZE BLOWN AND MOLDED STEMMED GLASS 20th Century Celebrating the end of Prohibition with etched scenes representing the Temperance movement. Rim and base painted red. Height 10.5”. Diameter 5.5”. 300/500

102, two

102. TWO SPATTERWARE POTTERY BOWLS 19th Century One with primitive multicolor decoration of a house surrounded by a dark blue border, diameter 6”. Other with open white center and a broad dark blue border, diameter 8”. 200/300

101

103. BLUE AND WHITE STAFFORDSHIRE PITCHER Mid-19th Century By Adams China in Quadruped pattern. Height 6.5”. 125/150 104. BLUE AND WHITE STAFFORDSHIRE PITCHER Mid-19th Century Depicting fishermen in a rural landscape. Height 8.4”. 150/200 105. CHINESE EXPORT BLUE AND WHITE PORCELAIN BOWL 19th Century In a blue Fitzhugh pattern. Diameter 15.5”. 700/900 103

104

105

106. PAIR OF CHINESE BLANC DE CHINE FIGURES OF GUANYIN Mounted as table lamps. Heavily damaged. Height 15”. 180/250 107. BLUE AND WHITE CANTON SAUCEBOAT WITH UNDERTRAY 19th Century In modified rectangular form with boar’s head handles. Length 7”. 200/300 108. LOT OF ASSORTED BLUE AND WHITE EXPORT CHINA 19th Century Includes two pots de crème, two cream pitchers, an oval tray, an ink bottle and eight dishes. 300/400

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109

111

109. BLACK AND GOLD CHINESE LACQUER SEWING TABLE Early 19th Century With lift top and figural landscape decoration. Height 29.5”. Top 25” x 17”. 600/800 110. ANTIQUE AMERICAN FEDERAL MIRROR Circa 1825 In mahogany. Shaped molded top with acorn drops. Upper panel with lighter wood overlay in bird design. Reverse-painted panel depicts a riverscape. Acanthuscarved half-columns at sides. Height 43.75”. Width 23”. 300/500

111. HEPPLEWHITE-STYLE BOWFRONT BUREAU 20th Century In mahogany and mahogany veneer. Four graduated drawers with brass pulls. French splayed bracket base. Height 36”. Width 41”. Depth 23.5”. 400/600 112. ANTIQUE AMERICAN WINDSOR ROCKER 19th Century In ash. Plank seat. 100/200

115 113

113. ANTIQUE AMERICAN CHIPPENDALE SLANT-LID DESK Circa 1790 In mahogany with string inlay throughout. Interior fitted with numerous pigeonholes and drawers. Case with four drawers. Well-shaped bracket base with ogee feet. Brass pulls. Height 44.5”. Width 39”. Depth 19.5”. 700/1,000

115. MARTHA WASHINGTON-STYLE LOLLING CHAIR Circa 1880s With red velveteen upholstery. 150/200 116. ENGLISH BRASS BED WARMER 19th Century Lid with flower and vine decoration. Turned wooden handle painted black. Length 43”. 100/150

114. WASH BENCH Early 20th Century In pine with brown stain. Bootjack ends. Height 17”. Width 61.75”. Depth 11.5”. 150/200 see photos of all lots and review condition reports at www.eldreds.com

117

118

119

120

117. ROBERT ROBIN FENSON British, Late 19th/Early 20th Century Herding sheep down a country road. Signed lower right “R. Fenson ’10.” Oil on canvas, 20” x 30”. Unframed.

250/350

118. ALFRED ADDY American, Late 19th/Early 20th Century Sunset river landscape. Signed lower left “A. Addy”. Oil on board, 10” x 13”. Framed.

500/700

119. FRAMED PRIMITIVE PAINTING Winter scene of a dog trailing two people in a horse-drawn cart. Oil on canvas, 21” x 28”. 120. DUBOIS FENELON HASBROUCK American, 1860-1934 Birch-lined stream. Signed lower right “D.F. Hasbrouck”. Oil on canvas, 18” x 28”. Framed.

19th Century 800/1,200

800/1,200

121. UNFRAMED PAINTING 20th Century Oval depiction of a surrey racer surrounded by a red and yellow border. Signed lower right “E. Lyons.” Oil on board, 11” x 22.5”. 300/500 122. WHITE MOUNTAIN SCHOOL 19th Century “White Mountains from Sugar Hill”. Initialed lower left “F.W.S”. Titled on label verso. Oil on board, 9” x 12”. Unframed. 150/250 123. ATTRIBUTED TO WILLIAM FREDERICK PASKELL American, 1866-1951 Pair of mountain landscapes. Signed lower left “Yan Saul”. Oils on board, 5” x 6”. Framed.

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300/500

124

124. OTIS S. WEBER American, 19th/20th Century Waves crashing on a rocky shore. Signed lower left “O.S. Weber, 90”. Watercolor and gouache on paper, 12.5” x 37”. Framed. 500/700 125. FRAMED PAINTING 20th Century A snow-covered landscape with figures skating. Signed lower right “L.A.C. 1921”. Oil on canvas, 14” x 26”. 500/700

125

126. FRAMED PAINTING 19th Century Small sailboat sailing off a rocky coast. Unsigned. 12.5” x 30.5”. 600/800 127. SAMUEL R. CHAFFEE American, 1850-1913 Birches along a country road. Signed lower right “S.R. Chaffee”. Watercolor on paper, 15” x 25” sight. Framed. 400/600

126

128. AMERICAN SCHOOL Early 20th Century A rocky seascape. Signed lower right “L. Willmann”. Oil on canvas, 14.5” x 19.5”. Unframed. 300/500 129. CARLE JOHN BLENNER American, 1862-1952 Portrait of James Betts Metcalf. Signed upper right “Carle J. Blenner”. Oil on canvas, 30” x 24”. Framed. 200/300 130. AMERICAN SCHOOL Late 19th Century Travelers on a forest path. Signed and dated lower right “C. Thompson[?] 1880”. Oil on canvas, 15” x 8”. Framed. 250/350 see photos of all lots and review condition reports at www.eldreds.com

127 23

131

132

133

131. AMERICAN SCHOOL Mid-19th Century Travelers in a mountain landscape. Unsigned. Oil on canvas, 18” x 24”. Framed.

400/600

132. CHARLES VERMOSKIE American, 1905-1991 Sunlit forest interior. Signed lower left “Chas. Vermoskie”. Oil on board, 20” x 15.5”. Framed. 200/400 133. GEORGE A. WENTWORTH American, 19th Century View of Mount Washington. Signed lower left “Geo. A. Wentworth, 1875”. Oil on canvas, relined, 10” x 16”. Framed. 400/600

134

134. AMERICAN SCHOOL Late 19th Century A river through the mountains. Unsigned. Oil on canvas, 9” x 12”. Framed. 200/300 135. GEORGE FIELDS American, 20th Century Travellers on a country bridge. Signed lower right “George Fields”. Oil on canvas, 24” x 30”. Framed. 400/600

135 24

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137, one of two

136

136. AMERICAN SCHOOL Late 19th/Early 20th Century A young girl in an interior. Unsigned. Aaron Draper Shattuck patented keys on stretcher. Oil on canvas, 20” x 16”. Unframed. 500/700

138

137. H.D. DYER American, 1871-1936 Two watercolors: 1) A farmer and sheep. Signed lower left “H.D. Dyer Barbisori”. 10.5” x 14.75” sight. 2) Sheep outside a cottage. Signed lower right “H.D. Dyer”. 10.75” x 14.5” sight. 300/500 138. FRAMED PRIMITIVE PAINTING 19th Century Two men standing by a boat with mountains in background. Watercolor on paper, 15.5” x 19” sight. 300/500 139. THEODORE VICTOR CARL VALENKAMPH American, 1868-1924 Shore view with lighthouse. Signed lower right “T. Valenkamph”. Oil on canvas, 9” x 13”. Framed. 500/700

139

140. FREDERICK MORTIMER LAMB American, 1861-1936 Double-sided work: A luminous landscape and a still life. Both sides signed lower left “F.M. Lamb”. Oils on board, 25” x 30”. Framed. 500/700

140, one side of a double-sided work see photos of all lots and review condition reports at www.eldreds.com

141. EDWARD PARKER HAYDEN American, 1858-1922 Autumnal landscape. Signed lower right “Hayden”. Oil on board, 20” x 26”. Framed. 1,200/1,800

141

142. MARCUS A. WATERMAN American, 1834-1914 “Brookside, New England”. Unsigned. Handwritten on label verso “Brookside New England, M. Waterman”. Oil on canvas, 16” x 20”. Framed. 500/700 Provenance: Vose Galleries, Boston. 143. ATTRIBUTED TO JOSEPH FOXCROFT COLE American, 1837-1892 Sheep resting. Unsigned. “Unfinished sketch by Foxcroft Cole” on label verso. Oil on board, 9.75” x 11.75”. Framed. 600/800 144. AMERICAN SCHOOL Early 20th Century Landscape, possibly the Blue Ridge or Smokey Mountains. Signed illegibly lower left. Tennessee framer’s label verso. Oil on board, 8” x 10”. Framed. 400/600

142

145. JOHN JOSEPH ENNEKING American, 1841-1916 Portrait of Mrs. Hooker. Signed faintly lower right “Enneking”. Sitter identified on label verso. Oil on canvas, 25” x 19.75”. Unframed. 500/800

143

145

144

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146. RUSSELL JONES American, 1910“East of Pipersville 1970”. Signed lower left “Rusell Jones”. Pipersville is located in Pennsylvania’s Buck’s County. Acrylic on board, 18” x 27”. Framed. 800/1,200 Provenance: Golden Door Gallery, New Hope, Pennsylvania. 147. MARION HUSE American, 1896-1967 A New England farm nestled in the mountains. Signed lower right “Marion Huse”. Oil on canvas, 30” x 36”. Framed. 200/300

146

148. F.W. PROCTOR American, 20th Century Maple sugarhouse at sunset. Signed lower right “F.W. Proctor”. Oil on canvas, 26” x 41”. Unframed. 200/300

147

148

149. DAVID RAYMOND DALY American, 20th Century Winter landscape. Signed lower left “David R. Daly”. Oil on canvas, 25” x 30”. Framed. 400/600 150. FRANK MILBY American, Contemporary Autumn landscape with stream. Signed lower left “Milby”. Oil on canvas, 18” x 24”. Unframed. 200/400 151. GEORGE W. BARDWELL American, 20th Century Coastal landscape. Signed lower left “Geo. W. Bardwell”. Oil on masonite, 20” x 24”. Framed. 200/300 152. FRAMED WATERCOLOR Late 19th/20th Century “Two Is A Company, Three Is A Crowd”, depicting owls in a tree. On paper, 5.5” x 4” sight. Unsigned. 100/150

149 see photos of all lots and review condition reports at www.eldreds.com

153. WONDERFUL WHIMSICAL BIRD BATH CARVING By Stan Sparre of Cape Cod, Massachusetts. With a lifesize robin and chipmunk. Height 39.5”. 600/1,000

153

154. LIFE-SIZE CARVING OF A MALLARD DRAKE By Daniel Bruffee of Middleborough, Massachusetts. In a standing preening position. Glass eyes. Carved wing and tail feathers. Oval simulated rockery base. Signed in pencil on bottom “Daniel Bruffee”. 300/400 155. EIDER DRAKE DECOY From the Canadian Maritimes. Maker unknown. Old in-use repaint and wear. 100/200 156. EARLY BLUEBILL DRAKE DECOY By the Mason Decoy Factory of Detroit, Michigan. Shows repaint and wear. Branded on underside “C. Smith”. 100/150 157. EIDER HEN DECOY From the Canadian Maritimes. Maker unknown. Original paint with considerable wear. 100/150 158. TWO GOLDENEYE HEN DECOYS Both branded “C. Coffin” (Clark Coffin of Nantucket). One a Mason standard grade. Both with tack eyes, repaint and wear. 150/200 159. MERGANSER HEN DECOY From Long Island, New York. Maker unknown. Possibly re-headed. Shows old in-use repaint and wear. 200/300 160. CONTEMPORARY CURLEW DECOY Maker unknown. In preening form. Glass eyes and iron bill. 150/250 161. EIGHT MASON DECOYS All with repaint and wear.

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150/200

162

163

162. GOLDENEYE HEN DECOY By Clark Coffin of Nantucket. Some old in-use repaint and wear. Branded on bottom “C. Coffin”. 400/700

163. MERGANSER HEN DECOY From Long Island, New York. Maker unknown. Original paint with wear. 300/500

164. BLACK-BELLIED PLOVER 20th Century By Steve Morey of Tuckertown, New Jersey. Glass eyes. Turned head. Mounted as a table lamp. Height 24”. 200/400 165. GOLDEN PLOVER DECOY 20th Century By Steve Morey of Tuckertown, New Jersey. Glass eyes. Turned head. Mounted as a table lamp. Height 24”. 200/400 166. KILLDEER DECOY 20th Century By Steve Morey of Tuckertown, New Jersey. Glass eyes. Head turned. Mounted as a table lamp. Height 24”. 200/400

164 166 165

167. BLACK DUCK DECOY By the Down East Decoy Company of Maine. Original paint with wear. Crack to neck and underside. 200/300 168. GOLDENEYE DRAKE DECOY By the Mason Decoy Factory of Detroit, Michigan. Challenge grade. Old in-use repaint and wear. Branded on underside “C. Coffin”. 200/400 169. OVERSIZE GOLDENEYE DRAKE DECOY From the Canadian Maritimes. Maker unknown. Shows traces of original paint with considerable wear. 100/200 170. THREE MALLARD DECOYS By the Pratt Decoy Company of Joliet, Illinois. Old in-use repaint and wear. 150/200 171. EARLY BLUEBILL HEN DECOY By the Mason Decoy Factory of Detroit, Michigan. Shows traces of original paint and wear. 100/200 see photos of all lots and review condition reports at www.eldreds.com

167

172

173, pair

175

174

177

176

172. BRANT DECOY 20th Century From Prince Edward Island. Maker unknown. In standing position. Original paint. Minor wear. 300/500

176. FOLKSY MERGANSER DRAKE DECOY Maker unknown. Tack eyes. Grasping a leather fish in its bill. Leather crest. Carved wing and tail feathers. 300/500

173. PAIR OF GOLDENEYE DECOYS 20th Century From Prince Edward Island. Maker unknown. Painted eyes. Overall original paint and minor wear. 300/500

177. WOOD DUCK DRAKE DECOY 20th Century By Paul Carter of Massachusetts, done in the style of Joe Lincoln. Glass eyes. Original paint. Branded on bottom “P. Carter”. 300/500

174. MERGANSER HEN DECOY Circa 1940 By the Davis family of Waquoit Bay, Massachusetts. Original paint. Lightly hit by shot. Marked on bottom “Hen Sheldrake”. 200/400

178. HALF-SIZE GOLDENEYE DECOY By Lou Schiffrel of Illinois. Length 6.5”.

175. GOLDENEYE DRAKE DECOY Circa 1940s From Cape Cod, Massachusetts. Maker unknown. Tack eyes. Original paint. Has keel. Split to back. 300/500

100/200

179. LONG-BILLED CURLEW DECOY 20th Century By Holdger Smith of Mattapoisett, Massachusetts. Glass eyes. Branded on cedar base “H. G. Smith Decoys”. 250/350 180. BLACK DUCK DECOY 20th Century By Marty Collins of Massachusetts, done in the style of Joe Lincoln. Glass eyes. Original paint with wear. 250/300

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181, pair

182

183

185

184

181. PAIR OF FOLKSY RED-BREASTED MERGANSER DECOYS 20th Century From Long Island, New York. Maker unknown. Painted eyes. Drake’s bill damaged. Cork bodies under original paint. In-use wear. 300/500 182. BLUEBILL DRAKE DECOY By the Hays Mfg. Company of Jefferson City, Missouri. Original paint with wear. 100/200 183. MALLARD DRAKE DECOY By the Mason Decoy Factory of Detroit, Michigan. Standard grade. Tack eyes. Original paint with wear. 140/180 184. CANADA GOOSE DECOY By Hank Walker, Sr. of Salisbury, Massachusetts. High head. Carved back and tail feathers. 300/500

185. BLACK DUCK DECOY By Al McCormick of Long Island, New York. Cork body. Original paint with wear. 150/200 186. BLUEBILL DRAKE DECOY From Long Island, New York. Maker unknown. Carved eyes. Original paint with wear. 150/200 187. RIG OF SIX VINTAGE L.L. BEAN CANADA GOOSE DECOYS In cork. Original paint with gunning wear. 200/400 188. TWO OVERSIZE BLUEBILL DRAKE DECOYS Circa 1950 Found on Martha’s Vineyard. Tack eyes. Original paint. One has a crack to back. 200/300 189. CANADA GOOSE DECOY Circa 1940s From Prince Edward Island. Maker unknown. Head turned left. Some old in-use repaint and wear. 150/250

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190. FRAMED ETCHING BY FRANK BENSON A lone black duck. Signed in plate lower right. 4.5” x 3.5” sight.

20th Century 100/200

191. FRAMED ETCHING Canvasbacks in flight. Signed in pencil lower right “Roland Clark”. 5” x 4” sight.

100/200

192. FRAMED COLLECTION OF SIX WATERFOWL PRINTS Framed together. Mat opening 20” x 17.5”.

100/200

193. TWO FRAMED PRINTS After Frank Benson. One depicts hunters in a marsh, 6.75” x 8.5” sight, and the other depicts woodcocks in flight, 8.75” x 7.25” sight. 100/150 194. FRAMED DRYPOINT ETCHING “Old Job”, depicting a great blue heron in flight. Signed lower right “Richard Bishop”. 11” x 8.5” sight.

150/250

195. TWO FRAMED PRINTS 20th Century By Chet Reneson. 1) “River Guides”. Remarqued and signed in pencil. 18” x 27” sight. 2) “Lift-off”. Remarqued and signed in pencil. 18.5” x 27” sight. 200/400 196. PAIR OF FRAMED PRESSED PAPER PRINTS Depicting hanging game. Size of frames 22” x 15”.

Late 19th Century 300/400

197. DECORATIVE MIRROR 20th Century Wood frame decorated with black silhouettes of classic North American decoys, many identified. Signed “Early American Decoys P.B. Schad”. 17.75” x 17.75”. 100/150 198. TWO FRAMED PRINTS By Robert Verity Clem. Both dated 1964. 1) Black ducks. Signed in pencil lower right “Robert Verity Clem”. Numbered 172/200. 18” x 25” sight. 2) Canvasbacks. Signed in pencil lower right “Robert Verity Clem”. Numbered 82/200. 18.75” x 25.75” sight. 350/450 199. FRAMED ETCHING By David Lazarus of Nantucket. Depicts an osprey in flight and clasping a fish. Signed illegibly lower right. 5.5” x 7” sight. 100/150 200. TWO FRAMED ETCHINGS By Richard Bishop. “Season’s Greetings”, depicting heron on a tree, 6.75” x 4.25” sight, and “Merry Christmas”, depicting three pintails, 5.5” x 7.5” sight. 200/300 201. FRAMED DRYPOINT ETCHING Canada geese in flight. Signed lower right “Roland Clark”. 12.5” x 15.5” sight.

20th Century 200/250

202. FRAMED FISHING POEM WITH PAINTED DECORATION 20th Century “A feller isn’t thinking mean Out fishing His thoughts are mostly good and Clean ...” Text of poem surrounded by fishing flys and trout. Signed lower left “Tilly Holmes”. 23.5” x 14.5” sight. 100/150 203. FRAMED WATERCOLOR BY GREG MARVIN “A Pair of Hookers”, depicting three fishing boats at top, a central trout, and a catfish at bottom. Titled and signed “Marvin 86” below trout. 22.25” x 30.25” sight. 150/250 204. TWO FRAMED PRINTS One depicts a striped bass and the other a brook trout. Both signed lower right “cat-fish ’91”. Both framed with lamb’s wool panels for mounting fishing flies. 11” x 15” and 15” x 15” overall. 80/120 205. FRAMED PAINTING Two black ducks in flight. Signed lower right “R.C. Noyes”. Oil on artist board, 11.75” x 16” sight.

Early 20th Century 100/300

206. JOSEPH CIBULA American, b. 1946 Pintail decoy in front of a Winchester ammunition box. Signed lower right “J. Cibula”. Acrylic on artist board, 14.5” x 24” sight. Framed. 300/500 207. FRAMED PAINTING Pair of hanging mallards. Signed lower right “E. Sali”. Oil on board, 24” x 13”. 32

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19th Century 300/500

208

208. FRAMED PAINTING Two sandpipers. Signed lower right “Steve A. Weaver Cape Cod”. Oil on board, 8.5” x 11.5” sight.

209

Contemporary 300/500

209. P.C. WHARTON American, 1880Four yellowlegs on the shore. Signed lower right “P.C. Wharton - 1920 -”. Watercolor, 9.5” x 11.5” sight. Framed. 300/500 210. TIM EASTLAND American, Contemporary “Early Maine Goldeneye Drake”, depicting three decoys. Signed lower right “T.A. Eastland.” Acrylic on paper, 11” x 14” sight. Framed. 200/400 211. ELLI BODO 20th Century “Into the Wind”, depicting Canada geese in flight. Signed lower right “Elli Bodo”.Titled verso. Two stamps on the reverse for the Grand Central Art Galleries, New York. Acrylic on masonite, 20” x 40”. Framed. 400/600

211

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212

213

214

212. PEEP DECOY Contemporary By Marty Collins of Buzzards Bay, Massachusetts. Signed on the underside of tail “M. Collins”. Glass eyes. Carved wing. 200/300 213. BUFFLEHEAD DRAKE DECOY Contemporary By Marty Collins of Buzzards Bay, Massachusetts, made in the Monhegan Island style. Branded on bottom “M.D. Collins”. Original paint. Made to look old. 300/400 214. BLACK-BELLIED PLOVER DECOY By Marty Collins of Buzzards Bay, Massachusetts. Brass button eyes. Original paint. Made to look old.

Contemporary 200/300

215. LIFE-SIZE DECORATIVE CARVING OF A PURPLE FINCH 20th Century By Bud Haines of East Haddam, Connecticut. Standing on a cedar branch mounted to a circular wooden base. Carved feather also mounted to base. Signed on underside “Bud Haines”. 350/450 216. THREE MASSACHUSETTS CANADA GOOSE DECOY HEADS Mounted on a stepped pine base in brown paint. Heads with glass eyes.

Circa 1930s 150/250

217. CANADA GOOSE CARVING Third Quarter of 20th Century By Madison Mitchell of Havre de Grace, Maryland. In feeding form. Two cracks to underside and old repair to neck. 300/400

218. MINIATURE LOON In flying form. Mounted on a driftwood base. Signed on base “R. Negaard”.

20th Century 150/250

218A. CONTEMPORARY DECORATIVE CARVED YELLOWLEGS By Jerome Howes of Putney, Vermont. Glass eyes. Signed on bottom “Jerome Howes”.

20th Century 200/400

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219

220

221

219. GREEB DECOY By Reggie Birch of Chincoteague Island, Virginia. Glass eyes. Signed on bottom “Reggie Birch”.

20th Century 200/300

220. MINIATURE CARVING OF A ROOSTER Glass eyes. Standing on a stump mounted to a wooden base. Height 7.75”.

19th Century 100/150

221. LIFE-SIZE CARVING OF A WHITE PERCH 20th Century By Square Gould of Cape Cod, Massachusetts. Signed in pencil on back in a carved square “Gould 1969”. Length 12.5”. 400/600 222. BLACK DUCK DECOY From Long Island, New York. Maker unknown. Cork body. Original paint with wear. Bottom board initialed “JB”. Hanging lead weight stamped “J.H.B.” 150/250 223. FOLKSY BLACK DUCK DECOY Maker unknown. Hollow-carved. Old in-use repaint and wear. Heavily crazed. 224. FIVE PRIMITIVE CANADA GOOSE DECOYS By various makers. All in original paint with wear. 225. TWO TIN SHOREBIRD DECOYS A yellowlegs and a black-bellied plover by Sawyer and Stratter of Boston. Both with original paint and wear.

100/200 20th Century 150/250 150/200

225A. TWO CONTEMPORARY SHOREBIRD DECOYS A black-bellied plover and a robin snipe by Jerome Howes of Putney, Vermont, done of the style of John Diley. Both mounted on burlwood bases. 200/400

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226. CONTEMPORARY LIFE-SIZE WOODEN CARVING OF A SMALL MOUTH BASS By Dean Steffen. Mounted on a oval backboard painted to simulate birch wood. Dated on back 2005. Length of fish 18”. Length of backboard 20”. 500/700

226

227. CARVED PINE FIGURE OF A STANDING TRAPPER 20th Century With backpack, snowshoes, axe and gun. Carved rockery base. Light brown stain. Height 17.5”. 200/400 228. THREE WOODEN FISH DECOYS 20th Century Two with glass eyes. Lengths from 3” to 6”. 150/250 229. FOUR WOODEN FISH DECOYS 20th Century Glass, carved, tack or painted eyes. Original paint with wear. Lengths from 5” to 7”. 300/500

227

230. THREE FISH DECOYS 20th Century Glass, tack or painted eyes. Lengths from 6” to 7.5”. 300/500 231. THREE FISH DECOYS 20th Century One with tack eyes, one with glass eyes and one sans eyes. Original paint with wear. 300/500 232. N.R. DAVIS & SONS DAMASCUS BARREL PERCUSSION SHOTGUN 19th Century 12 ga. Shows rust and wear. Length of barrel 24”. 100/200 233. ENGLISH FLINTLOCK PISTOL Approx .60 cal. Tower markings. Barrel is a reproduction. Has considerable rust and wear. 150/200 234. FRAMED PRINT OF A STRIPED BASS By Frick Ford. 19” x 40” sight. 100/200

234 36

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235

235. LARGE CONTEMPORARY CARVED AND PAINTED WOODEN FLOUNDER By Capt. Mike Orbe of Brewster, Massachusetts. Signed on back “Capt. Mike Orbe”. Length 41”.

350/450

236. FOUR CAST IRON EEL SPEARS One stamped “Sag Harbor N.Y.” Lengths from 16” to 24”.

Late 19th/Early 20th Century 200/300

237. FIVE CAST IRON EEL AND FISH SPEARS Lengths from 10” to 14.5”.

Late 19th/Early 20th Century 200/300

238. WOODEN LIFEBOAT OAR Found on Nantucket. Length 61”.

19th Century 250/350

239. BONE AND IRON BOOT HOOK Length 6.5”.

19th Century 150/250

240. SPLINTWORK EEL POT With wooden float. Length 20.5”.

19th Century 100/150

241. FRAMED COLLECTION OF TEN CUBAN POSTCARDS All by Otton A. Suarez. Mostly fishing related. Together in one frame. Mat opening 29.5” x 16”. 242. OVAL WOODEN PLAQUE WITH PAINTED WOODEN CUTOUT OF A TUNA Found on Nantucket. Length 19”. 243. THREE CAST IRON EEL SPEARS Wooden shafts. Lengths 57”, 62.5” and 72”.

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Circa 1970s 100/200 Early 20th Century 100/200

Late 19th/Early 20th Century 200/300

244. LIFT-TOP SEA CHEST 19th Century In pine with rope beckets and iron hinges. Brown finish. Interior with replaced ditty box and later painted decoration of two whales. Height 17”. Width 44”. Depth 17”. 300/500

244

245. FRAMED ETCHING BY LEMUEL D. ELDRED Harbor scene. Illegibly titled lower right. 4.5” x 11.5” sight. 200/300 246. PAINTED ENGLISH CUPBOARD 20th Century Door with “Leading the tea trade” and two scenes of clipper ships. “Lanes Teas Warehouse” in red on left side panel. “Whitechapel Teas” on right side panel. Painted simulated rope borders. Shaped base. Height 78”. Width 29.5”. Depth 12”. 300/400 247. FRAMED SHADOW BOX Early 20th Century Depicting a three-masted ship flying an American flag. Carved and painted frame. 10” x 16.75”. 120/180 248. ANTIQUE AMERICAN LIFT-TOP SEA CHEST Circa 1820 In pine under black paint. Ropework handles. Iron hinges. Height 13.75”. Width 38.25”. Depth 13.75”. 200/300

246

249. ANTIQUE AMERICAN LIFT-TOP SEA CHEST Circa 1850 In pine with ropework beckets and iron hinges. Interior ditty box. Under blue paint. Height 20.5”. Width 45”. Depth 19”. 400/600

249

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250

250. CONTEMPORARY CARVED AND PAINTED TRADE SIGN In mahogany. “Windjammer Arts” in blue on a white banner above two whales flanking a whale’s tooth with scrimshaw-style decoration of a ship. Length 72”. 400/600 251. CARVED WOODEN DOLPHIN Length 18”.

Early 20th Century 250/350

252. AMERICAN SCHOOL Late 19th Century Ships at rest. Unsigned. Notation verso lists the artist as Louise Greenough. Watercolor on paper, 5.5” x 7”. Unframed. 150/250 253. FOUR FRAMED COLORED PRINTS “Sword Fishing off Nantucket”, “Cod Fishing”, “Blue Fishing” and one untitled, all by M.J. Burns. Largest 13” x 19” sight. 150/200 254. FRAMED ETCHING “Just Fishin”. Signed lower right “Palenske”. 14” x 10.5” sight. 100/150 255. CARVED AND PAINTED WOODEN MERMAID FIGURE 20th Century Height 44”. 200/400

255

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256

257, two

256. FRAMED PAINTING Contemporary A clipper ship flying an American flag. Signed lower right “D. Tayler”. Oil on canvas, 20” x 24”. 150/250

257. TWO NANTUCKET BASKETS Mid-20th Century One circular with swing handle, diameter 11.25”, and one oval with swing handle, length 5.25”. 400/600

258 258A

258A. WILLIAM COLUMBUS EHRIG American, 1892-1973 Rocky coastal scene. Signed lower right “Wm. Ehrig”. Oil on canvas, 24” x 36”. Framed. 600/900

258. BRASS-BOUND CAMPHORWOOD CHEST 19th Century Brass bail handles at sides. Height 18”. Width 40”. Depth 20.5”. 400/600

259. CARVED WOODEN SPERM WHALE 20th Century In pine painted black. Carved “B” on back side. Length 43”. 400/700

259 40

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260

261

262

260. JEROME HOWES American, b. 1955 The tugboat E.M. Millard. Signed lower right “Jerome Howes”. Oil on masonite, 18” x 30”. Framed.

600/900

261. AMERICAN SCHOOL 20th Century An ocean liner under moonlight. Unsigned. Oil on board, 9” x 12”. Framed.

400/600

262. AMERICAN SCHOOL Early 20th Century Rocky seascape. Initialed lower left “E.H.P”, possibly Ernest Henry Pohl (American, 1874-1956). Oil on board, 8” x 11”. Framed. 600/900 263. ARTHUR S. DOUGLAS American, 1860-1949 “House Across the Water II”. Signed lower left “Douglas”. Watercolor on paper, 6.75” x 9.25”. Framed.

300/500

264. JULIA BACON American, 1861-1901 A lone figure walking down a coastal road. Signed and dated lower left “Julia Bacon 1898”. Watercolor on paper, 14” x 9.5” sight. Framed. 200/300 265. FRAMED CURRIER & IVES LITHOGRAPH “The Great Mississippi Steamboat Race”. Small folio. see photos of all lots and review condition reports at www.eldreds.com

150/250 41

266. JOHN STOBART American, b. 1929 “Boston. Long Wharf by Moonlight in 1865”. Signed in pencil lower right “John Stobart”. Number 28 of an edition of 750. Issued in 1984. Classified as rare by The Kensington-Stobart Gallery. Lithograph on paper, 20” x 32”. Framed. 600/900

266

267. JOHN STOBART American, b. 1929 “Cincinnati. Moonlight on the Ohio from the Public Landing in 1880”. Signed in pencil lower right “John Stobart”. Number 63 of an edition of 750. Issued in 1983. Classified as rare by The Kensington-Stobart Gallery. Lithograph on paper, 19” x 31”. Framed. 600/900 268. JOHN STOBART American, b. 1929 “New York Maiden Lane by Gaslight from a Ship at Pier 19 in 1882”. Signed in pencil lower right “John Stobart”. Number 375 of an edition of 1500. Issued in 1986. Classified as rare by The Kensington-Stobart Gallery. Lithograph on paper, 20” x 30”. Framed. 600/900 269. FRAMED PRINT “Quincy Street, Nantucket” by Thomas R. Dunlay. 22.5” x 25” sight. 150/200

267

270. FRAMED WATERCOLOR 20th Century By George A. Robbins. Depicts the Nantucket lightship. Signed lower left “G.A. Robbins”. 8.25” x 12” sight. 150/200 271. EDGAR A. STARECK American, 1917-1987 Racing off the coast. Signed lower right “Stareck”. Oil on board, 16” x 20”. Framed. 200/300 272. SEARS GALLAGHER American, 1869-1955 Beach bathers and palm trees. Signed in pencil lower left “Sears Gallagher”. Etching on paper, plate size 7” x 9”. Unframed. 150/250 273. SEARS GALLAGHER American, 1869-1955 Children wading at the beach. Signed in pencil lower left center “Sears Gallagher”. Etching on paper, plate size 6” x 8.25”. Matted but not framed. 150/250

268

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274. RICHARD HAYLEY LEVER American, 1876-1958 “Boston Fish Wharf ”. Signed lower left “Hayley Lever - Boston Fish Wharf ”. Watercolor on paper, 14” x 20” sight. 800/1,200 Provenance: Clayton-Liberatore Gallery, New York. 275. RICHARD HAYLEY LEVER American, 1876-1958 “Sailboats in the Thomas River-Boston 1926”. Signed in monogram lower right “H.L.” Pencil on paper, 8” x 10” sight. 200/300 Note: The title comes from the original gallery label on the reverse. We are not aware of a Thomas River in Boston or Massachusetts. Provenance: Clayton-Liberatore Gallery, New York.

274

276. RICHARD HAYLEY LEVER American, 1876-1958 “Boats at the Harbor - Gloucester Ma 1926”. Signed in pencil in lower left margin “Hayley Lever”. Etching on paper, 8.5” x 10” sight. Framed. 200/300 Provenance: Clayton-Liberatore Gallery, New York. 277. RICHARD HAYLEY LEVER American, 1876-1958 “Italian Fishing Boats, Gloucester Harbor”. Signed in pencil in lower left margin “Hayley Lever”. Etching on paper, 6.5” x 8” sight. Framed. 200/300 Provenance: Clayton-Liberatore Gallery, New York.

277

278. ROBERT W. HINES American, 1912-1944 Two paintings: One depicts a whale and a squid, and the other depicts a swordfish with whales in the background. Both signed lower left “Bob Hines”. Gouaches on paper, 12” x 8.5” and 11.5” x 7.5” sight. Framed. 300/500

278, two

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279. ANTIQUE AMERICAN LIFT-TOP BLANKET CHEST Early 19th Century In pine. Two drawers with replaced brass pulls. Bracket base. Height 41.5”. Width 37.5”. Depth 18”. 200/400

279

280. EARLY FRAMED D.G. YUENGLING & SON BREWERY POSTER Late 19th/Early 20th Century Multicolored depiction of the factory exterior surrounded by smaller vignettes showing the factory’s inner workings. 26” x 20” sight. 200/250

280

281. WOOD AND METAL GAME WHEEL Early 20th Century Made from a bicycle tire. Painted black numbers on a yellow ground with red highlights. Mounted to a backboard with old newspaper glued to it. Diameter of wheel 32”. 200/400

282. TIN AND WROUGHT IRON STANDING SIGN 20th Century “6 Room Apartment for Rent ...” in black on a red ground. One-sided. Scroll decoration above and below sign. Height 77”. Width 16”. 300/400 283. DROP-LEAF TABLE 19th Century In pine under red paint. Turned wooden legs. Height 29”. Length 18” plus two 12” drop leaves. Width 42”. 250/350

282

283

281

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284. COUNTRY HUTCH 19th Century In pine under distressed green, white and yellow paint. Upper section with shaped cornice over paneled glass door flanked by glass panels. Two interior shelves. Lower section with five drawers and a paneled cupboard door. Height 79”. Width 36.5”. Depth 21”. 250/350 285. WROUGHT IRON GATE Late 19th Century By Stewart Ironworks, Covington, Kentucky. Height 46.7”. Width 35”. 200/300 286. SET OF SIX PLANK-SEAT WINDSOR COOP-FORM CHAIRS 19th Century 300/500 287. WOODEN CRUTCH 19th Century In brown paint. Length 50”. 100/200 288. PAIR OF CARVED WOODEN ARCHITECTURAL ELEMENTS Early 19th Century Possibly North Shore, Massachusetts. In an acanthus leaf design. Height 11”. 150/200 289. STEP-BACK CUPBOARD 19th Century In maple and pine with brown finish. Three shelves over a simple door with wooden pull. Height 78.5”. Width 49”. Depth 17”. 400/600 290. COFFEE TABLE Late 19th Century Originally a table cut down to coffee table height. In pine with brown finish. Two drawers with milk glass pulls. Octagonal legs. Height 18.75”. Width 60”. Depth 29.75”. 150/250 291. ANTIQUE AMERICAN LIFT-TOP CHEST Circa 1840 In pine with grain painted finish. Iron lock and bail handles. Height 9.5”. Width 26.75”. Depth 13.75”. 150/250 292. HANDLED NINE-DRAWER SPICE BOX Late 19th Century In pine with ceramic handles. Height 7.7”. Length 10.8”. 150/200 284

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293. FRAMED SILK PENNANT FROM THE 1910 HARVARD BOSTON AERO MEET American, Circa 1910 White lettering and decoration on a crimson ground. Length 23.5”. 300/500 294. FRAMED BROADSIDE 20th Century “Coming Harlem Knights a Hotsy-Totsey Entertaining Colored Team with Plenty of Sock, Pop, and Syncopation”. Printed on paper, 21.5” x 13” sight. 200/300

293

295. STEP-BACK CUPBOARD 20th Century In pine. Upper section with shaped cornice, open front framed by shaped sides, and three shelves with shaped edges. Lower section with paneled door. Height 75”. Width 31”. Depth 16.5” 300/500 296. ANTIQUE AMERICAN ONE-DRAWER STAND Circa 1850 In pine under red paint. Wooden drawer pull. Square tapered legs. Height 29”. Top 18.75” x 19”. 200/300 297. THREE-DRAWER CHEST Early 19th Century In pine with an old brown finish. Shaped base. Replaced brass pulls. Height 33”. Width 41.5”. Depth 18”. 400/600 298. ANTIQUE AMERICAN SIDE TABLE 19th Century In pine with red paint. Turned legs. Height 27”. Top 20.5” x 20”. 150/200 299. ANTIQUE AMERICAN CHILD’S BENCH 19th Century With birch slat seat. Length 34”. 200/300

295 300

300. TWO-TIER WOODEN STAND 19th Country In pine. Compartmented top filled with three wooden bobbers and a collection of modern shellfishing licenses from Nantucket. Medial drawer and turned legs. Height 20.75”. Width 13”. Depth 16.5”. 150/250

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301. PAINT-DECORATED SHERATON SETTEE Circa 1830 Floral ribbon design on a burnt orange ground. Rush seat. Turned legs. Length 71”. 600/800 302. ANTIQUE AMERICAN QUEEN ANNE SIDE CHAIR 18th Century With curved crest rail, vasiform splat back, and turned front stretcher and legs. Splint birch seat. 100/200 301

303. SET OF FOUR ANTIQUE AMERICAN SHERATON FANCY RUSH-SEAT CHAIRS Early 19th Century With pillow backs and turned legs. Splats carved and painted in a cornucopia design. 300/400 304. ANTIQUE AMERICAN LIFT-TOP BLANKET BOX Mid-19th Century In pine with interior ditty box and shaped bracket base. Height 21.75”. Width 36”. Depth 16.5”. 150/200 303, four

305

305. DROP-LEAF TABLE Late 19th Century In pine with shaped leaves and turned legs. Height 29”. Length 77.5”. Width 18.25” plus two 12” drop leaves. 300/500 306. ANTIQUE AMERICAN BOW-BACK WINDSOR SIDE CHAIR Shaped saddle-form seat on simple turned legs.

Late 18th Century 100/200

307. ANTIQUE AMERICAN TILT-TOP TABLE 19th Century In mahogany with turned pedestal and tripod feet. Old brown finish. Height 26.5”. Diameter 33.5”. 200/300 see photos of all lots and review condition reports at www.eldreds.com

308. JOHN CUTHBERT HARE American, 1908-1978 “Barnstable Harbor - Cape Cod”. Signed lower right “John Hare”. Titled in pencil verso. Watercolor on paper, 12” x 15”. Framed. 500/700 309. JOHN CUTHBERT HARE American, 1908-1978 “Cape Cod Winter”. Signed lower right “John Hare”. Titled in pencil on mat. Watercolor on paper, 7” x 8” sight. Framed. 300/500 310. MARSTON DEAN HODGIN American, 1903-2003 Trevi Fountain, Rome. Signed lower right “Marston Hodgin”. Noted lower left “Roma”. Watercolor on paper, 21” x 26” signed. Framed. 200/400 308

311. FREDERICK MONTAGUE CHARMAN American, 1894-1986 Figures on a mountain road. Signed lower right “Montague Charman A.W.S”. Watercolor on paper, 16” x 21” sight. Framed. 300/500 312. JESSIE BONE CHARMAN American, 1895-1986 Mining town. Signed lower right “Jessie B. Charman”. Watercolor on paper, 21” x 28” sight. Framed. 400/600 313. AMERICAN SCHOOL Circa 1921 A house in the dunes, possibly Provincetown, Massachusetts. Unsigned but dated lower right 1921. Oil on unstretched canvas, 7” x 9.75”. Unframed. 200/300 314. CHARLES GORDON MARSTON American, 1898-1980 Houses by the water’s edge. Signed lower right “Charles Gordon Marston”. Oil on canvas, 16” x 20”. Framed. 150/250

309

315. SCHOOL OF CHARLES HAWTHORNE American, First Half of the 20th Century Still life of a pipe and two flowers in a clear glass vase. Unsigned. Study of a reclining dog on the reverse. Oil on board, 12” x 9.5”. Framed. 150/200 316. KATHERINE LEVIN FARRELL American, 1857-1951 Sailboat off a pier. Signed lower right “K. Levin Farrell”. Watercolor on paper, 9.5” x 13” sight. Framed. 300/500 317. WENDELL ROGERS American, 20th Century House on a lake. Signed lower left “Wendell Rogers”. Oil on canvas, 20” x 26”. Framed. 200/300

310

318. MALCOLM AND RUTH WAITE Cape Cod, 20th Century Pair of dock scenes. One signed lower right “M. Waite” and the other “R. Waite”. The Waites maitained a popular studio in Dennis, Massachusetts for many years. Oils on canvas board, 12” x 16”. Framed. 200/300

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319

321

319. WILLIAM FREDERICK PASKELL American, 1866-1951 Nantucket Harbor. Signed lower left “T. Bailey”. Oil on canvas, 12” x 20”. Framed. Note: Many of Paskell’s works were signed as “T. Bailey”.

320

322

300/500

320. HAROLD C. DUNBAR American, 1882-1953 Early fall view of a lake scene, believed to be Lover’s Lake on Cape Cod, Massachusetts. Signed lower right “Harold Dunbar”. Oil on artist panel, 12” x 20”. Framed. 400/600 321. MANNER OF ARTHUR VIDAL DIEHL American, First Quarter of the 19th Century Dune landscape, likely Provincetown, Massachusetts. Unsigned. Oil on board, 14” x 16.5”. Framed.

300/500

322. WENDELL ROGERS American, 20th Century A path through the dunes. Signed lower right “Wendell Rogers”. Oil on canvas, 19” x 23”. Framed.

300/500

323. AMERICAN SCHOOL 20th Century Jared Coffin House, Nantucket, Massachusetts. Signed illegibly lower right. Watercolor on paper, 14.5” x 19”. Framed. 250/350 324. ADA RAYNER HENSCHE American, 1901-1985 Still life of flowers in a purple pot. Signed lower left “Ada Rayner”. Oil on board, 24” x 20”. Framed.

200/300

325. UNFRAMED PAINTING Marsh scene with house in distance. Unsigned. Oil on board, 11.5” x 15”.

150/250

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326. MARSTON DEAN HODGIN American, 1903-2003 “Still Life with Blue Plate”. Signed lower right “Marston Hodgin”. Titled verso. Unfinished Halloween-themed painting also on reverse. Oil on board, 24” x 30”. Framed. 400/600

326

327. MARSTON DEAN HODGIN American, 1903-2003 “Pertaining to Autumn 1941”. Titled, dated and signed verso “Pertaining to Autumn 1941 Marston Dean Hodgin”. Oil on canvas, 30” x 40”. Framed. 600/900 328. MARSTON DEAN HODGIN American, 1903-2003 “February Business”. Signed lower right “Marston Hodgin”. Oil on canvas, 22” x 36”. Framed. 500/700

327

329. CALEB ARNOLD SLADE American, 1882-1961 Portrait of gentleman. Unsigned. Oil on canvas, 26” x 21”. Framed. 300/500 The consignor purchased this painting directly from the artist’s grand-daughter.

328

330. MILTON H. WELT Cape Cod, 1914-2011 Fishing boats at dock. Watercolor on paper, 16.5” x 28.5” sight. Framed. 200/300 331. ROBERT ERIC MOORE American, b. 1927 Two watercolors: A depiction of waves and a shore scene. Both signed lower right “Robert Eric Moore”. Both 14” x 21” sight. Framed. 300/500 332. JIM HOOLEY American, 1913-2010 A lobster boat tied up to a dock. Signed lower right “Jim Hooley”. Watercolor, 15” x 21”. Framed. 100/200 50

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329

333

334

333. CARVED AND PAINTED WOODEN FIGURE OF AN INDIAN CHIEF Height 68”.

20th Century 300/400

334. CARVED AND PAINTED FIGURE OF LADY LIBERTY Depicted holding a flag. Height 39.5”. Mounted on a pine base, 17.75” x 9”.

20th Century 300/500

335. NAVAJO RUG In a black and white sawtooth pattern. 62” x 33”.

Circa 1940 150/250

336. SMALL FRAMED HOOKED MAT, POSSIBLY GRENFELL Depicting a home in a winter landscape. 5.5” x 5.5”.

Early 20th Century 80/120

337. SIX GRENFELL-STYLE PICTORIAL HOOKED MATS Sizes from 10” x 12” to 12” x 18”.

Early 20th Century 200/400

338. HOOKED RUG Decoration of acorn on a gray ground with black border. 26” x 39”.

20th Century 150/200

339. HOOKED RUG 20th Century Central decoration of a rose on a dark purple and black ground with rose bunches in each corner. 34” x 50”. 150/200 340. BROOKS BROTHERS TOP HAT Made from beaver fur. In a later box. see photos of all lots and review condition reports at www.eldreds.com

19th Century 150/200 51

341. PICTORIAL HOOKED RUG Winter scene of a horse and sled with a farm in background. 34” x 50”.

20th Century 150/250

342. PICTORIAL HOOKED RUG Early 20th Century Depicts a rooster and nesting hen on a dark brown field surrounded by a light brown border featuring large pink flower blossoms with green stems and leaves. 23” x 40”. 150/200 343. AMERICAN QUILT Multicolored squares on a pink and black calico ground. Wonderful pink-striped backing. 70” x 80”.

Late 19th Century 200/300

344. FRAMED NEEDLEWORK SAMPLER Wrought by Elizabeth S. Wright in the “Eleventh year of her age year 1839”. 10” x 17.5” sight.

200/300

345. FRAMED NEEDLEWORK SAMPLER From Middleborough, Massachusetts. Dated 1804. Floral border. 15” x 12.5” sight.

300/500

346. TWO SMALL FRAMED NEEDLEWORK SAMPLERS One dated 1839, 7.75” x 8” sight. Other dated 1798, 8” x 5.75” sight.

300/500

347. BLUE AND WHITE COVERLET With star design. Border with city design. Eagle decoration dated 1849. 91” x 78”.

200/300

348. AMERICAN QUILT Multi-fabric stars on a black calico field. 81” x 76”.

19th Century 200/300

349. FIVE AMERICAN QUILTS 20th Century 1) Yellow flowers on a white ground. 2) Pink stars on a white ground. 3) Pink baskets on a white ground. 4) Yellow geometric designs on a lavender ground. 5) Handkerchief form in three shades of purple. Largest 72” x 84”. 300/500 350. FIVE AMERICAN QUILTS 19th/20th Century 1) Green and red designs on a pink and green ground. 2) Polka-dotted black and white fabric squares on a pink and white dotted ground. 3) Multicolored fabric squares. 4) Blue and white checkered squares on a yellow floral ground. 5) Brown floral-bordered squares with red backing. Largest 80” x 88”. 300/500 351. THREE YOUTH’S QUILTS Late 19th/Early 20th Century 1) Multicolored squares. 2) Sunburst in pinks and purples on white ground. 3) Multicolored checkers on a green floral ground. Largest 54” x 51”. 150/200 352. VICTORIAN SILKWORK QUILT With silk squares. Brown and green patchwork back. 91” x 93”.

200/300

353. FOUR HOOKED RUGS With geometric designs. Sizes from 27” x 33” to 30” x 55”.

20th Century 200/300

354. FIVE HOOKED RUGS With geometric designs. Sizes from 22” x 26” to 21” x 39”.

20th Century 300/500

355. HOOKED RUG Six houses on a gray ground surrounded by a dark gray border. 39” x 53”.

20th Century 300/500

356. PICTORIAL HOOKED RUG Mid-20th Century Central depiction of two teddy bears, “Aud” and “Andy”, seated on a patchwork quilt with a large jar of honey. 23” x 40”. 150/250

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358 357

359

360

357. PAINTED SIGN American, 20th Century “Wilbur Theatre” on one side and “Drink for you know not where you came nor why; drink for you know not why you go nor where” on other side. Both sides with black lettering on a white ground. Length 32”. 300/500 358. PAINTED WOODEN SIGN “F.R. Floor Surfacing Co.” in yellow and orange letters on a black ground. Height 5.5”. Length 58”.

Late 19th Century 200/300

359. DOUBLE-SIDED WOODEN SIGN Circa 1940s “Sporting Goods” in black and blue letters on a gray ground. From Steve’s Sporting Goods Store in Marshfield, Massachusetts, which closed in the 1960s. Height 8”. Length 60”. 300/500 360. CARVED WOODEN SIGN “Funeral Home” in carved wooden gilt letters on a blue-black sandpaper finish. Height 12.5”. Length 84”.

Circa 1870 400/600

361. WOODEN TRADE SIGN Early 20th Century “Cecil Snow’s Sugarhouse Maple Products” in black and gray lettering on a white ground. One-sided. 28” x 33”. 400/600 362. FRAMED BROADSIDE 20th Century “The Next Medford Train Starts From Middle Track” above a hand pointing left. Printed in black on white paper. 16.5” x 21.5”. 200/300

362 361 see photos of all lots and review condition reports at www.eldreds.com

363, two

363. TWO ANTIQUE AMERICAN DOME-TOP WOODEN TRUNKS Circa 1820 Both painted green and both with iron locks. One with iron bail handles. Largest height 14”. Width 29.5”. Depth 13.75”. 200/400 364. PAYMASTER’S DESK 19th Century In pine with red wash finish. Scalloped galleried top over multiple pigeonholes of varied sizes. Two drawers with milk glass pulls over small open cupboards. Slant lid with geometric design. Height 38.5”. Width 36”. Depth 24.25”. 300/400 365. CAST IRON COFFEE GRINDER Late 19th Century Made by the Enterprise Company. Painted red and blue. Height 12”. 200/300

364

366. CAST IRON COFFEE GRINDER Circa 1880s Made by Star Mill of Philadelphia. Painted red and blue with gold highlights. Height 25”. 200/300 367. CAST IRON MORTAR AND PESTLE 19th Century In black paint. Height 7”. 100/150 368. GRAY AND WHITE ENAMELWARE PETROLEUM CAN Early 20th Century “Petroleum 5 Liter” in black paint under spout. Height 11”. 100/150 369. CAST IRON DOORSTOP Early 20th Century “Highland Light Cape Cod”, depicting the lighthouse and its outbuildings. Height 8”. 200/300

366

365

370. CAST IRON DOORSTOP Early 20th Century In the form of two male figures in uniform. Marked on base “© Fish”. Height 12.25”. 180/250

369

370

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371. PAIR OF WOODEN PLATES Painted red with flower and leaf decoration. Diameter 8.25”. 100/200

373

372. TURNED WOOD SALAD BOWL 19th Century Diameter 20.5”. 200/300 373. CAST ALUMINUM EAGLE AND ARROW PLAQUE 20th Century Painted black. Length 23”. 200/300 374. WOODEN STORE SIGN 20th Century “Children’s Book Dep’t 2nd. Floor” in black lettering on a white ground. Shaped in the form of an open book. Height 7.25”. Length 18”. 150/200

375

376

375. TIN LANTERN Late 18th Century Sides with pierced heart decoration. Height 7”. 300/500 376. LIGNUM VITAE MORTAR AND PESTLE 19th Century Height 8”. 200/300 377. SMALL FRAMED STORE SIGN 20th Century “Visiting, Professional And Business Cards”. 9.5” x 11.5” sight. Faux grain-painted pine frame. 150/250 378. WHIRLIGIG First Half of the 20th Century In the form of a black man using a saw. Copper blades. Length 21”. 100/200 379. CAST ALUMINUM EAGLE AND ARROW PLAQUE 20th Century Painted gold. Length 23”. 200/300 380. FRAMED BROADSIDE 19th Century For the “Williams Man’f ’g Company. Northampton, Mass. Manufacturers of Baskets” with multiple images of baskets in black and red on a white ground. 21.75” x 16.75” sight. 200/300

377

379 see photos of all lots and review condition reports at www.eldreds.com

381. ANTIQUE AMERICAN TALL-CASE CLOCK Early 19th Century In mahogany and mahogany veneers. Hood with three brass finials and carved fretwork. Face with painted floral and urn decoration. Case with fluted carved columns and simple shaped base. Height 84”. Width 17”. Depth 10”. Includes weights and one pendulum in as-is condition. 600/800 382. ANTIQUE AMERICAN TALL CLOCK Early 19th Century Face marked “S. Thomas Plymouth”. Pine case with three brass finials. Bonnet with simple turned columns. Face with painted decoration of scrolls and an urn of flowers. Shaped base. Height 73”. Width 18.75”. Depth 10”. 500/1,000 383. THREE PAIRS OF WOODEN BELLOWS 19th Century One in a diminutive size painted red, blue, black and gold. One painted green and red, and the other painted brown. Lengths from 11” to 20”. 200/300 384. ANTIQUE AMERICAN LIFT-TOP STORAGE CHEST 19th Century In pine with molded edge, snipe hinges and shaped bracket feet. Interior ditty box. Height 23”. Width 43”. Depth 19.25”. 200/300 385. WATER BENCH Early 20th Century In pine under a natural finish. Height 18.75”. Top 58” x 12”. 150/250 386. FOUR BACCARAT CRYSTAL CHAMPAGNE FLUTES Height 9.25”. In two original boxes. 150/200 387. BACCARAT CRYSTAL DECANTER In pear shape with ribbed and diamond point design. Acid etched signature. Height 10.25”. 100/150 388. WATERFORD CRYSTAL DECANTER 20th Century In teardrop form with faceted stopper, neck and foot. Acid etched signature. Height 13.75”. 100/150 381, sans finials

382, sans finials

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389. ART DECO LAMP Early 20th Century Slag glass paneled shade in a windowpane design in green with caramel floral border. Height of lamp 20”. 150/250 390. AQUA GLAZE POTTERY WATER COOLER 20th Century Relief decoration of a teapot surrounded by a banded design. Height 10”. Sans lid. 100/200 391. FIVE SMALL PIECES OF MARBLEHEAD POTTERY Early 20th Century Four vases and a shallow bowl, all in shades of blue or gray. Heights from 1.75” to 4”. 400/600 392. UNUSUAL TOLE-DECORATED SPICE DISPENSER 19th Century Upper section with domed mirrors flanking swan and crane decoration. Lower section with eight tills with porcelain knobs. Height 24”. Length 32”. 500/700

389

390

393. PRESSED GLASS FLUID LAMP In a ribbed floral pattern with an opalescent milk glass base. Height 9.25”. 150/250

394. PAIR OF FLINT GLASS BAR LIP DECANTERS Mid-19th Century In blunt diamond and ellipse pattern. Pewter stopper. Height 11.3”. 200/300 395. FOUR CHRISTMAS LIGHTS 19th Century In green, blue, aquamarine and amber glass. Heights approx. 4”. 100/200

391

396. PRIMITIVE MODEL OF A SOUTHERN HOUSE Early 20th Century In pine under an old brown finish. Height 16”. Length 17”. Width 14”. 100/200 397. TWO-HANDLED EARTHENWARE JUG American, 19th Century Dark green glaze. Height 10”. 150/200 398. THREE FRAMED PORCELAIN TILES Housed together in a single frame. Tiles depict canvasback ducks in flight, a fishing poem, and a Nantucket lighthouse. Tiles 6” x 6”. Overall 11” x 24”. 100/150 392

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399. EDMUND BLAIR LEIGHTON British, 1852-1922 “The Shadow”. Signed in pencil lower left “E. Blair Leighton”. Published by Frost and Reed, 1911. Engraving on paper, 27” x 17.5” sight. Framed. 400/600 Note: This engraving is taken from the original 1909 painting “The Shadow”, which hangs in Cardiff City Hall in Wales. It is believed to have been gifted to the city by Andrew Fulton, a former mayor. 399A. WILLIAM WILDE English, 1826-1901 A scene in the English countryside. Signed lower right “W. Wilde”. Watercolor on paper, 9” x 14”. Framed. 1,200/1,800 400. FRANCIS SEYMOUR HAYDEN British, 1810-1910 “Whistler’s House, Old Chelsea, 1863”. Signed and dated in plate “Seymour Hayden 1863”. Etching and drypoint on paper, 6.5” x 10” sight. Framed. 400/600 399

401. AMERICAN SCHOOL 20th Century Brilliant sunset. Signed lower right “R. Mira[?]”. Oil on board, 9” x 12”. Framed. 300/500 402. FRAMED PORTRAIT OF A GENTLEMAN Late 19th Century No visible signature. Oil on canvas, oval, 30” x 23”. Ornate gilt frame. 500/1,000 403. HARRY W. POWERS American, 20th Century Sunset in a mountain valley. Signed lower left “H.W. Powers”. Oil on board, 13” x 15.25”. Framed. 250/350 399A

404. HENRY JAMES ALBRIGHT American, 1887-1951 “Lavender and Gold”. Signed lower right “H.J. Albright”. Oil on board, 6” x 9”. Framed. 200/400 Exhibited: New Haven Paint and Clay Club Little Pictures Exhibition, 1921. (Label verso.) 405. PAIR OF CONTEMPORARY ENGLISH-STYLE PAINTINGS Depict horses and dogs. Oils on board, 9” x 11”. Framed. 200/300 406. MARION LOUISE POOKE American, 1883-1975 Portrait of a young boy. Unsigned. Estate-stamped verso. Oil on canvas, 16” x 20”. Unframed. 150/250

400

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407. CONTINENTAL SCHOOL Early 20th Century Pair of works, both depicting a Scottish boy in wooded landscapes. Unsigned. Oils on board, 9” x 14.5”. Framed. 400/500 408. AMADEE PAUL GREUX French, 1836A forest walk. Signed lower left “A. Greux”. Watercolor on paper, 11.5” x 8.75” sight. Framed. 400/600 409. COURTLAND L. BUTLER American, 1871-1952 Landscape with castle. Signed lower right “C.L. Butler”. Oil on canvas, 16” x 22”. Framed. 800/1,200 410. GEORGE HENRY LEONARD, JR. American, 1869-1928 “La Marre de Soire”. Signed lower right “G.H. Leonard”. Paris canvas label verso. Titled on label verso. Oil on canvas, 15” x 21.75”. Framed. 800/1,200 411. CONTINENTAL SCHOOL 19th Century An interior scene with a group of men drinking wine. Signed lower left “...E. Britzner[?]”. Oil on canvas, 20” x 14”. Unframed. 300/500

407, pair above

412. UNFRAMED PAINTING 19th Century Figures in a landscape. Signed lower center “E. Baker”. Inscribed verso “R. Bakewell - Derbyshire”. Oil on unstretched canvas, 10” x 18”. 300/500 413. ENGLISH SCHOOL Dated 1864 Gardening outside a country abbey. Signed and dated lower right “T. Falkner Lee 15 July 1864”. Watercolor on paper, 17” x 22.25”. Unframed. 200/300 414. CONTINENTAL SCHOOL Early 20th Century Pair of cityscapes depicting street markets. One signed illegibly lower right. Watercolors on paper, 13” x 6.5” sight. Framed. 200/300 408

409 see photos of all lots and review condition reports at www.eldreds.com

410 59

417

415

415. ORIENTAL RUG: SERAPI DESIGN 10’0” x 13’9” Large navy blue geometric central medallion contains an array of stylized elements in dark red, pale gold, pale salmon and ivory. Rich red field and pale gold subfield with traditional meandering vines and bold light blue stylized elements in corners of subfield. Broad navy blue turtle border. 1,200/1,800 416. ORIENTAL RUG: KAZAK DESIGN 3’10” x 6’2” Geometric border of red, white and blue. 100/200 417. ORIENTAL RUG: OUSHAK DESIGN 9’2” x 11’7” Ivory field with traditional stylized floral elements of pale gold, pale pink, brown and gray. Pale pink and gold guard borders flank a broad gray main border with bold stylized elements. 900/1,200 418. ORIENTAL RUG: SARABAND 3’7” x 5’1” Several staggered rows of dark and light blue boteh on a red field. Blue guard borders. Ivory main border with traditional meandering vine. 150/200 419. ORIENTAL RUG: SULTANABAD DESIGN 6’0” x 9’0” Three columns of Shah Abbas, palmettes, serrated leaves and flowering vine rendered in dark gold, dark green, dark pink, rust red and black on a pale gold field. Rust red main border with delicate flowering vine. 700/900 419

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420. ORIENTAL RUG: BOUKARA 2’4” x 7’5” A repeating geometric element of red and brown runs the length of an ivory field. Borders in those same colors contain traditional stylized elements. 80/120 421. ORIENTAL RUG: KESHAN 8’0” x 11’10” Midnight blue lozenge-form medallion with delicate pendants and a center of light blue and ivory. Rich red field over a midnight blue subfield with spandrels of ivory and light blue. Light blue and midnight blue borders. Traditional vines, palmettes and Shah Abbas of ivory, greens and yellow throughout. 1,200/1,800 422. ORIENTAL RUG: HERIZ 3’3” x 3’10” Navy blue field contains stylized flower blossoms and three geometric medallions in rust red, navy blue and medium blue with ivory perimeters. Ivory guard borders and tan main border. 80/120 423. ORIENTAL RUG: HERIZ 7’4” x 9’7” Red and blue gabled medallion with blue pendants centered on a red field with ivory subfield and pink and blue spandrels. Stylized elements of brown, gold, red, blue and ivory throughout. Navy blue turtle border. 800/1,200

421

424. TWO ORIENTAL RUGS: TURKISH AND BELOUCH MATS 1’5” x 2’0” and 2’3” x 1’11” Turkish mat with flower blossoms of red, bright orange and tan on a narrow blue field surrounded by a broad border containing a repeated stylized element in the same colors. Belouch mat with four staggered rows of a stylized element rendered in blue, amethyst and ivory on a navy blue field surrounded by three borders containing stylized elements in the same colors. 60/90 425. ORIENTAL RUG: SULTANABAD DESIGN 8’1” x 9’11” Ivory field traversed by a crimson red vine bearing bold stylized floral elements of dark blue, light blue, green, tan and pale yellow. 1,000/1,500 426. ORIENTAL RUG: BELOUCH BAG FACE 2’2” x 2’1” Staggered contiguous diamond-shaped medallions, each containing a central latch hook element, are all rendered in dark red, dark pink, brown, green and blue. Narrow red and green guard borders. Blue main border contains stylized flower blossoms. 100/200 423 see photos of all lots and review condition reports at www.eldreds.com

428 427

427. MOUNTED HOOKED RUG Early 20th Century In a colorful geometric sunburst pattern. 40” x 53.5”. 300/500

432. ANTIQUE AMERICAN COUNTRY LIFT-TOP BLANKET CHEST Circa 1790 In pine. Shaped top attached with iron hinges. Case with three faux drawers sans knobs over three fullwidth drawers with wooden knobs. Shaped bracket base. Height 51.75”. Width 38”. Depth 19.25”. 400/700

428. MOUNTED HOOKED RUG Early 20th Century Depicts a brightly colored songbird and branch on a mustard yellow ground. 23.5” x 37”. 200/300 429. HOOKED RUG 20th Century Leaf decoration and “Quebec” in red lettering at center of a multicolored field. 18” x 37”. 100/200

433. ANTIQUE AMERICAN TAVERN TABLE Circa 1790 In pine and maple. Top with breadboard ends. One drawer with wooden pull. Squared tapered legs. Height 28”. Top 26” x 42”. 300/500

430. THREE HOOKED RUGS 20th Century All with decoration of homes or farms. 19” x 36”, 21” x 39” and 20” x 36”. 100/200

434. CONTEMPORARY ONE-DOOR CUPBOARD By D. Marsh of Houston, Texas. In pine under bright red, green and black paint. Height 64”. Width 32”. Depth 18.5”. 300/400

431. FOUR HOOKED RUGS 20th Century 1) Tulips on a black ground. 19” x 35”. 2) Cattails and a marsh scene. 28” x 36”. 3) Flower and pear decoration. 12” x 14”. 4) Table runner with floral and geometric squares. 13” x 38”. 200/300

433 434 432

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437

435

438

435. ANTIQUE AMERICAN DRY SINK 19th Century In pine with an old brown finish. Three drawers with wooden knobs over two paneled doors with milk glass knobs. Bracket base. Height 33”. Width 45.5”. Depth 23.5”. 500/800 436. ANTIQUE AMERICAN SIDE TABLE In pine with brown painted finish. Square tapered legs. Height 31.25” Width 25”. Depth 14.5”.

Circa 1820 100/150

437. ANTIQUE AMERICAN SPLAY-LEGGED TABLE In pine painted gray. Height 25.75”. Top 15.5” x 13.75”.

19th Century 200/400

438. ANTIQUE AMERICAN LIFT-TOP BLANKET CHEST In pine with interior ditty box. Height 19”. Width 41.25”. Depth 18.25”.

Mid-19th Century 100/150

440, pair

439

439. ANTIQUE AMERICAN CUPBOARD 19th Century In pine with brown finish. Two paneled doors open to reveal a single interior shelf. Height 33.5”. Width 42.5”. Depth 16.75”. 250/350 440. PAIR OF SNOWSHOE-FORM ARMCHAIRS 20th Century In maple. 500/700 441. COPPER EAGLE-FORM WEATHER VANE 20th Century Shows some green patina. Includes finders. Mounted on a wooden base. Height 43”. 200/300

441

442. PRIMITIVE APOTHECARY CHEST 19th Century In pine and other woods painted green and red. Fifteen drawers with brass pulls. On casters. Height 45.75”. Width 23.5”. Depth 19.5”. 200/400

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442

443. HAND-PAINTED AMISH SIGN 20th Century “Hand Made Quilts and Rugs Closed Sundays” in black letters on a white ground. Double-sided. Bright green frame. 32.5” x 19.75”. 150/200 444. BURLWOOD CANTEEN Initials carved on one end. Length 8”.

Late 19th century 100/200

445. CARVED WOODEN TRENCHER Old crack at one end repaired with tin. Length 34”.

140/180

446. PAIR OF CARVED WOODEN CANDLESTICKS 19th Century Painted white. Height 14.5”. 150/200 447. WOODEN BARBER’S POLE PLAQUE In red, white and blue paint. Height 31.5”.

80/120

448. WOODEN BARBER’S POLE PLAQUE 19th Century In pine with red, white and blue paint. Height 61.75”. 300/500 449. SQUARE WOODEN BARBER’S POLE Late 19th Century In pine with red, white and blue paint. Height 25”. 150/200 450. WOODEN BARBER’S POLE Painted red and white. Iron hinges. Height 29.5”.

19th Century 300/500

451. TURNED WOODEN BARBER’S POLE 19th Century Painted red, white and blue. Iron mount. Height 47”. 500/800

450

451 448

449

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452

454, two

453

456, pair

455

452. UNUSUAL CORNER STAND Late 19th Century In southern yellow pine with washed brown finish. Unusual jagged molding over two shelves. Three turned legs. “Pat uses bad words” in red paint on back. Height 68”. Width 23.75”. Takes a 16” corner. 150/250 453. OVAL DROP-LEAF TABLE In pine painted red. Turned legs. Height 29.75”. Width 35.5”. Depth 16” plus two 9.5” drop leaves.

19th Century 200/300

454. TWO ANTIQUE AMERICAN BOW-BACK WINDSOR ARMCHAIRS Late 18th Century In maple with old brown finish. Shaped seats. Turned splayed legs. One converted from a commode chair. 500/1,000 455. DIMINUTIVE ANTIQUE AMERICAN SIDE TABLE In tiger maple with turned legs. Height 18”. Top 17.75” x 12”.

19th Century 140/180

456. PAIR OF CANE-SEAT SIDE CHAIRS In bird’s-eye and tiger maple with vasiform splats and saber legs.

457

458

459

457. FIREHOUSE PLANK-SEAT WINDSOR ARMCHAIR Under black and red paint. Spool-turned spindle back. 458. ANTIQUE AMERICAN SIDE TABLE In pine with red painted finish. Spool-turned legs. Height 28.75”. Top 21.25” x 21.5”.

Mid-19th Century 200/300

460

461

Late 19th Century 80/120 19th Century 100/120

459. ANTIQUE AMERICAN HEPPLEWHITE DROP-LEAF DINING TABLE Circa 1810 In maple with rectangular top and square tapered legs. Height 28.75”. Length 17.75” plus two 20” drop leaves. Width 46”. 400/600 460. SHAKER NO. 6 LADDERBACK ROCKER Painted black. Stamped “6” on top wrung. Also stencil-stamped “Shakers”.

Late 19th Century 300/400

461. ANTIQUE AMERICAN WINDSOR FAN-BACK ARMCHAIR With shaped saddle-form seat and bulbous turned legs.

Late 18th Century 300/500

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462

463

464

465

462. CONSTANTIN FONT French, 1890-1954 Interior of a greenhouse. Signed lower right “Constantin Font”. Oil on canvas, 23.75” x 31.75”. Framed. 500/700

466. AUSTRICE C. KELLOGG American, 20th Century Delphinium and hollyhocks. Signed lower right “Austrice C. Kellogg”. Pastel on paper, 21.5” x 14” sight. Framed. 200/400

463. E.R. NASH American, 20th Century Still life of a porcelain tea service. Signed lower left “E.R. Nash”. Oil on canvas, 23” x 28”. Framed. 500/700

467. W.F. SLEE American, 19th/20th Century Tonalist landscape. Signed lower left “W.F. Slee”. Boston framer’s label verso. Oil on canvas board, 9” x 11”. Framed. 250/350

464. AMERICAN SCHOOL 20th Century Cézanne-style still life of fruit. Signed lower left “Paul ...”. Label verso identifies the artist as “Paul Gattus”. Oil on canvas, 16” x 20”. Unframed. 300/500

468. DOROTHY NEAVES American, 20th Century Still life of flowers in a vase. Signed upper left “Dorothy P. Neaves”. Pastel on paper, 12” x 10”. Framed. 200/300

465. GUY HOFF American, 1889-1962 Nassau, Bahamas landscape. Signed lower left “Guy Hoff”. Titled verso “Nassau B.W.I”. Oil on canvas board, 16” x 18”. Unframed. 500/700

468A. AMERICAN SCHOOL 20th Century Southwest scene. Signed lower right “E. Corsi[?]”. Oil on masonite, 13” x 20”. Framed. 300/500

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469. YVONNE PENE DU BOIS American, b. 1913 Town and distant mountains. Signed lower right “Yvonne Pene Du Bois”. Oil on canvas, 28” x 40”. Newcomb-Macklin frame. 500/700 Note: Artist is the daughter of Guy Pene Du Bois. 470. DAVID POLLACK American, Contemporary Harbor scene. Signed lower right “David Pollack”. Oil on canvas, 24” x 36”. Framed. 200/300 471. AMERICAN SCHOOL Early 20th Century A crane in flight over the ocean. Unsigned. Watercolor on paper, 10” x 16” sight. Framed. 200/300

469

471A. AMERICAN SCHOOL Dated 1900 Pink roses in a glass vase. Signed and dated lower left “M.M. Loomis 1900”. Oil on canvas, 20” x 13”. Framed. 500/700 472. ALBERT EDWARD STERNER American, 1863-1946 “Nude”. Signed and dated lower right “Albert Sterner 30”. Titled on gallery label verso. Drawing on paper, 17” x 14” sight. Framed. 600/800 Provenance: Kleeman-Thorman Galleries, New York.

470

473. ROY BAILEY American, b. 1933 Nantucket Lighthouse. Signed lower left “Bailey”. Watercolor, 18” x 14” sight. Framed. 200/300 474. JENNIFER BERRINGER American, 20th Century “Fantasia”. Signed in pencil lower right “Jennifer Berringer 1993”. 23/50. Mixed media collage, 23” x 19”. Framed. 100/200

471

471A see photos of all lots and review condition reports at www.eldreds.com

472 67

475

475. AMERICAN SCHOOL 19th Century “Liberty”, depicting a bald eagle in flight clutching an American flag in its talons. “Liberty” written over the sun rising from behind a mountain range. Signed lower right “F. Greenwood 1849”. Oil on canvas, 24” x 34”. Framed. 800/1,200 475A. PAINTING ON WOOD 20th Century “Hercules II”, depicting a large black horse. Green frame. 16.5” x 29.5”. 200/300 476. FRAMED PAINTING 19th Century Three chickens. Dated on back “August 8, 1871”. Oil on board, 6” x 9”. 150/250 477. WILLIAM RAYMOND EATON American, 1848-1922 A general stepping through the gates of a cemetery while two gentlemen stand behind him. Signed lower left “William Eaton”. Oil on canvas, 26” square. Unframed. 400/600 478. AMERICAN SCHOOL Mid-20th Century Winter landscape with distant mountain. Unsigned. Oil on board, 11” x 14”. Framed. 200/300 479. FRAMED WATERCOLOR 19th Century Cattle by the water’s edge. Unsigned. Printed on mat cut-out “The Riverside - Davis”. Watercolor on paper, 10” x 18” sight. Ornate frame. 300/500 68

480. FRAMED PRIMITIVE PAINTING ON TIN 19th Century An overturned basket of strawberries. 10” x 14”. 150/250 481. TWO FRAMED CHILD’S BOOK PAGES “The Cat and the Mouse”. Housed together in a sponge-decorated frame, 31.5” x 17”. 100/200 482. PAIR OF FRAMED COLORED PRINTS 20th Century Depict different breeds of dogs. Both 10” x 7” sight. 180/225 483. AMERICAN SCHOOL Last Quarter of the 20th Century Folk Art-style view of a town square. Signed lower left “R.E. La Rose”. Oil on canvas, 20” x 24”. Unframed. 200/300 484. AMERICAN SCHOOL Early 20th Century Portrait of Mozart. Unsigned. Oil on canvas, 36” x 30”. Framed. 200/300 485. FRAMED HUMOROUS FRENCH HUNTING PRINT “Coup Double”. 14.5” x 18” sight. 100/200 486. FRAMED PRINT “Little Owl.” 16.5” x 12” sight.

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20th Century 150/250

487

487. FRAMED PAINTING American, 20th Century Still life of a basket of eggs and stoneware jug. Signed lower left “D. Macy” (artist untraced). Oil on canvas, 5” x 6”. 200/300 488. FRAMED CURRIER & IVES RESTRIKE “The American National Game of Baseball”. 22” x 30.75” sight. Sponge-decorated frame. 150/200

489

489. SPLINTWORK HANDLED BERRY BASKET Early 20th Century Mellow brown finish. Height 13”. 150/200 490. APPLE BASKET Late 19th Century In ash with red and green paint. Height 16”. Length 19”. 200/300

491

491. MARGUERITE KIRMSE American, 1885-1954 “Ping and Chow”. Signed in pencil lower right “Marguerite Kirmse”. Titled in pencil lower left. Label verso for Arthur H. Harlow & Company, New York. Etching on paper, 7.5” x 9.5” sight. Framed. 300/500 492. FRAMED SCHOOLGIRL WATERCOLOR 19th Century A young couple in a rural landscape. Titled lower center “The Rural Lovers”. Signed lower right “Sarah R. Leighton”. 250/350

493

493. PLASTER RELIEF OF BENJAMIN FRANKLIN Early 20th Century 20” x 14.5”. 300/500 494. BRONZE SAND-CAST SCULPTURE OF A CLASSICALLY DRESSED WOMAN 20th Century Height 19”. 300/500 494A. FRAMED DRYPOINT ETCHING Early 20th Century Scaffolding around a statue in a city square. 5” x 6” sight. 100/200

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495

495. VICTORIAN CRAZY QUILT Multicolored silkwork panels, many with embroidered plant and animal designs. Three sides bordered with white lace. 50” x 59”. 500/1,000 496. YOUTH’S QUILT Multicolored squares on a red ground with yellow floral backing. 51” x 45”.

Late 19th/Early 20th Century 150/250

497. FRAMED ENGLISH NEEDLEWORK Wrought by “Hannah Helstrop 1845”. Central verse surrounded by a floral and foliate border. 6.75” x 8” sight. Bird’seye maple frame. 150/200 498. FIVE QUILTS Late 19th/Early 20th Century Together with approx. fourteen remnants in various patterns and sizes. Quilts: 1) Green, red and orange flowers and border on a white ground. 2) Pastel-colored starbursts on a white ground. 3) Squares with yellow and green geometric designs. Green floral background. 4) Yellow geometric designs on red squares. Calico background. 5) Friendship quilt of pink and white geometric squares. Family names handwritten in ink. Largest 89” x 72”. 500/1,000 499. FRAMED ANTIQUE AMERICAN NEEDLEWORK SAMPLER Wrought by Harriet P. Sisson in 1830. Depicts numerous alphabets and numerals. 16.75” x 8” sight.

200/300

500. YOUTH’S QUILT Multicolored squares on a calico ground. 40” x 45”.

19th Century 150/200

501. WICKER SEWING BASKET AND CONTENTS Includes needle cases, sewing bird, darning eggs, etc.

19th Century 150/250

502. SEWING BASKET Contains assorted unusual needle holders, sewing bird, inkwell, shoe-form measuring tape and more.

19th Century 150/200

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503. CARVED WOODEN BENCH Contemporary In elmwood. Architectural legs painted light green. Height 17.5”. Length 56.5”. Depth 13”. 150/250

503

504. SHEET METAL WEATHER VANE Early 20th Century In the form of a running horse with arrow underneath. Painted black. Made by “Mister Bray” of Walpole, Massachusetts. Length 32”. Together with cast iron finders. 400/700

504

505. ANTIQUE AMERICAN ONE-DRAWER WASHSTAND 19th Century Wonderful grain-painted surface with gold line borders and faded yellow stenciled decoration. Height 34”. 300/500 506. DRESSING TABLE Late 19th Century In pine with green paint. One drawer with wooden pulls. Turned legs. Height 28.75”. Width 32.75”. Depth 18.75”. 100/200 507. ANTIQUE AMERICAN TWO-DOOR PANELED CUPBOARD Early 19th Century In pine under a blue wash. Upper door opens to reveal three interior shelves. Lower drawer opens to reveal a single interior shelf. Brass and iron ring handles. Height 80”. Width 31.5” Depth 14”. 800/1,200

506

505

507 see photos of all lots and review condition reports at www.eldreds.com

508. CHILD’S RIDE-ON TOY WAGON Circa 1930 By J.A. Crim Manufacturing Company, Boston. In the form of a yellow and green ice wagon drawn by two brown horses. Wagon with “American Ice Company” in red on side and “Danger” in yellow on back bumper. Length 30”. 300/500

508

509

509. TIN AND WOOD “BORDEN’S MILK & CREAM” HORSE-DRAWN CART Early 20th Century By Rice Manufacturing Company. Lithographed tin carriage. Black and white horse. Length 19”. 250/350

510. ANTIQUE GAME BOARD One side painted red with green and red central checkered pattern. Other side in green paint with red Parchesi-style decoration. 29.5” x 13”. 200/400 511. CONTEMPORARY WOOD AND TIN NOAH’S ARK Includes Noah, height 3”, and twenty-eight animal figures. Ark length 24”. 512. BOXED SET OF PUZZLE BLOCKS Decorated with various lithographed pictures. Lithographed label on box. 9” x 10.5”. 513. SIMON HALBIG BISQUE-HEAD DOLL Marked “SH 1039 7 1/2 DEP”. Length 8.75”. 514. FOUR-WHEELED DOLL CARRIAGE In black and orange paint. Fringed sunroof. Length 34.5”. 515. FOUR STEIFF PLUSH TOYS A lion, length 11”, a leopard, length 9”, a monkey, height 6” and a zebra, height 5”.

400/600 Circa 1900 100/150 Late 19th Century 100/200 19th Century 100/150 Circa 1950s 100/200

516. FOLK ART DOLL A black woman with leather head and hands. Height 11.7”.

19th Century 150/250

517. LIGNUM VITAE BOWLING BALL With two holes. Diameter 8”.

19th Century 140/180

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518. THREE-TIER HANGING SHELF Early 20th Century In mahogany with an old brown finish. Carved ball finials. Spindle-turned sides. Height 28”. Width 30”. Depth 8”. 80/120 519. CHILD’S STEP-BACK CUPBOARD Circa 1860 In pine with yellow grain-painted decoration. Molded carved top over two glass doors with milk glass pulls. Shelved interior painted blue. Two lower paneled doors open to reveal a shelved interior. Height 30”. Width 14.75”. Depth 8”. 300/400

518

519

520. DOLL’S BUREAU WITH MIRROR 19th Century In maple and pine with wood and brass pulls. Carved pine tree decoration flanks mirror. Bun feet. Height 16.5”. Width 11”. Depth 6”. 200/400 521. DOLL’S DRESSER 19th Century In bird’s-eye maple and mahogany. Shaped backsplash. Two drawers with bird’s-eye maple fronts and wooden pulls. Shaped bracket base. Height 15”. Width 16”. Depth 8”. 200/300

520

521

522. CONTINENTAL HANGING CUPBOARD 20th Century In pine. Geometric decorative carving to cornice. Two interior shelves. Shaped sides. Height 42.5”. Width 35.5”. Depth 7”. 300/500 523. SHELF MADE FROM OLD PARTS 20th Century Shaped cornice over a single shelf over a towel rack. Shaped sides. Height 25”. Width 28”. Depth 9”. 100/200

522 523

524. ANTIQUE AMERICAN CANDLESTAND 19th Century In maple. Turned pedestal base. Height 26”. Top 15.5” x 16”. 150/250 525. ANTIQUE AMERICAN TILT-TOP CANDLESTAND 19th Century In mahogany. Oblong top set on a vasiform pedestal raised on tripod legs. Height 27.75” Top 23” x 18.75”. 200/300 526. ANTIQUE AMERICAN CANDLESTAND 19th Century In mahogany. Canted rectangular top set on a vasiform pedestal raised on a simple tripod base. Height 27.5”. Top 20.25” x 15”. 200/300 524

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525

526

527. FRAMED PEN & INK PAPER VALENTINE Dated 1825. Heart-form valentine 5.5” x 6”.

150/200

528. FRAMED SCHERENSCHNITTE 19th Century Depicts the silhouette of a man chopping down a tree in white on a green ground. “Remember me when looking at this tree” minutely inscribed on the tree trunk. 4” x 7” sight. 100/200 529. FRAMED BROADSIDE “Spelling Bee On Saturday Evening, Nov. 29, 1902.” Printed on paper, 8” x 6” sight.

100/200

530. FRAMED BROADSIDE Late 19th/Early 20th Century “The Martin Carriage Works Inc. York PA U.S.A.”. Shows various carriages. Black and white on paper. 12.5” x 9.5” sight. 100/200 531. EIGHTEEN ASSORTED EARLY PHOTOGRAPHS AND OTHER ITEMS Related to a family from New Jersey and the majority from the 19th Century. Most photographs in cases. Includes several land documents and two charcoal drawings on paper. 200/400 532. STEREOPTICON VIEWER Together with a collection of forty-eight cards, mostly related to New Hampshire.

Late 19th Century 150/200

533. “GENUINE RELIC OF THE DONNER PARTY” A small bottle filled with wood from the Murphy Cabin. Mounted in a fitted case with placards providing provenance of the relic and a brief history of the Donner Party. Case 6.5” x 8.25”. 150/200 534. MELON-FORM SPLINTWORK BASKET Nice brown finish. Height 12”. Opening 12”.

19th Century 140/180

535. TWO BASKETS 1) Handled lift-top picnic basket. Height 7”. 2) South American lidded basket. Height 11”.

20th Century 100/200

536. TWO SPLINTWORK HANDLED GATHERING BASKETS Heights 13” and 15”.

19th Century 200/300

537. SPLINTWORK HANDLED BASKET Together with a burled wood trencher, length 17”. Basket height 13”. Diameter 15.5”.

19th Century 100/200

538. THREE BASKETS 19th/20th Century Two Shaker and one sailor-made. One with lid. Two with decorative ribbon weaving. Heights from 2.75” to 3.5”. Diameters from 4.75” to 9.25”. 100/200 539. SPLINTWORK HANDLED GATHERING BASKET Length 21”.

Early 20th Century 100/200

540. HARVEST TABLE 20th Century In pine, maple and other woods with a brown finish. Breadboard ends. Height 27”. Length 73.5”. Width 34.5”. 300/500 541. LIFT-TOP CHEST OF DRAWERS 19th Century In pine. Molded shaped top. Three faux drawers over three real drawers, all with turned wooden pulls. Bracket base. Height 52.75”. Width 37.75”. Depth 18.5”. 500/800 542. STEP-BACK CUPBOARD 20th Century In pine with brown stained finish. Upper portion with shaped cornice and two shelves. Lower section with single door with wooden knob and a single interior shelf. Height 70”. Width 30”. Depth 15”. 300/500

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543

544

543

543. HANGING WOOD SIGN 20th Century Painted white. Silhouette carving of a horse-drawn hay wagon over “Stop” and “Look”. Sign 24” x 21”. Height including iron mounting bracket 43”. 500/1,000 544. COPPER WEATHER VANE 19th Century In the form of a running horse. Green patina. Length 33”. 800/1,200 545. SPEEDWELL FARMS ICE CREAM SIGN Mid-20th Century Cardboard with aluminum border. 21” x 11.5”. 200/400 546. FRAMED TIN SIGN Early 20th Century “Peaches for Sale Here” in black lettering. Mounted to a later pine backboard. 12” x 34”. 100/200

547. FRAMED BROADSIDE 20th Century “State of Rhode Island Department of Agriculture and Conservation ... Children Will Need Timber Grow Trees ...”. Printed on canvas, 13.5” x 9.5” sight. 100/200 548. FRAMED PRINTED HANDKERCHIEF Late 19th Century “Sailors’ Snug Harbor, a Home for Infirm and Aged Sailors.” with text and image of the facility. “Henry Bowen’s Chemical Print.” bottom right. Printed in black on white cotton. 11” x 11.5” sight. 200/300 549. TWO WOODEN TRENCHERS 19th Century One painted red and the other yellow. Lengths 22.75” and 26.75”. 150/250 550. TWO TWO-DIMENSIONAL WOODEN FOLK ART CARVINGS Early 20th Century One in the form of a cow and the other a ram, both in brown and black paint. Heights 16”. Lengths 27.5”. Mounted on wooden bases. 150/250

550, two

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551

552

553

554

551. JOE JONES American, 20th Century Harbor scene with lighthouse and mountain. Signed upper right “Joe Jones”. Watercolor on paper. Framed.

300/500

552. STUART CARSON EDIE American, 1908-1974 Barren landscape with stone wall. Signed lower right “Edie”. Watercolor and gouache on paper, 16” x 25” sight. Framed. 400/600 553. FRAMED PAINTING Three horses. Signed lower right “Natalie A. Wriggins”. Oil on canvas, 36” x 66”.

20th Century 300/500

554. ALBERT CARMAN American, 20th Century “End of the Season”. Signed lower right “Carman”. Titled in pencil on stretcher. Dated 1943. Oil on canvas, 18” x 12”. Framed. 300/500 555. FRAMED WATERCOLOR A lighthouse. Signed lower right “Muriel Young”. 10.25” x 14” sight.

100/200

556. FRAMED WATERCOLOR The General Store in Oldwick, New Jersey. Signed lower right “Carol Marie Depaole”. 15.5” x 12”.

20th Century 100/200

557. FRAMED WATERCOLOR By Rita Bernier. Depicts coastal Maine beach houses. Signed lower right “Bernier”. 16.75” x 13” sight.

20th Century 100/200

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558. AMERICAN SCHOOL Mid-20th Century “Blue Seascape”, depicting dramatic mountains rising out of the sea. Unsigned. Inscribed in pencil on upper stretcher bar “Stanley Fischer - Blue Seascape”. Oil on canvas, 40” x 50”. Framed. 1,000/1,500 559. AMERICAN SCHOOL Early 20th Century A seaside meadow with distant sailboat. Unsigned. Watercolor on paper, 6.5” x 9” sight. Framed. 300/500 560. JOSEPH RASKIN American, 1897-1981 Portrait of a woman knitting. Signed lower left “Jos. Raskin”. Oil on canvas, 29.5” x 39.5”. Framed. 600/900

558

559

561. ROBERT DONALD MACGILLIS American, b. 1936 Dinghy at rest by a coastal home. Signed lower right “Robert MacGillis”. Watercolor on paper, 12.25” x 16.25” sight. Framed. 500/700 560

562. TWO FRAMED PAINTINGS 20th Century 1) Tomatoes. Signed lower right “Wriggins”. Oil on canvas, 23” x 29”. 2) Strawberries. Unsigned. Oil on linen, 8” x 17” sight. 200/400 563. TED KAUTZKY American/Hungarian, 1896-1953 A New England church. Signed in pencil lower right “Ted Kautzky”. Pencil on paper, 12.75” x 11.25” sight. Nicely framed and matted. 200/300 564. KENNETH GAYOSO HOW American, 1883-1950 Portrait of a young woman. Signed lower right “Kenneth G. How”. Watercolor on paper, 15” x 11” sight. Framed. 200/400

561 see photos of all lots and review condition reports at www.eldreds.com

565. HENRY HOWARD BAGG American, 1852-1928 Rocky Mountain landscape. Signed lower left “H.H. Bagg”. Oil on canvas, 18” x 30”. Unframed. 800/1,200 566. CALIFORNIA SCHOOL Mid-20th Century California mountains. Signed lower left “S. Sturtevant”. Oil on canvas, 25” x 30”. Framed. 300/500

565

567. AMERICAN SCHOOL Mid-20th Century A bear surprises a hunter. Unsigned. Oil on canvas, 28” x 20”. Framed. 300/500 568. GORDON DALE PHILLIPS American, 1927-2011 “Mountain Man”. Signed lower left “Gordon Phillips”. Titled in pencil lower left. Pencil on paper, 9” x 8” sight. Framed. 300/500 Provenance: Kennedy Galleries. 569. FRAMED WATERCOLOR 20th Century A homestead in winter. Signed lower left “James A. Camlin”. 10.5” x 14.25” sight. 100/200 570. AMERICAN SCHOOL Early 20th Century Still life of a copper pot and beets. Unsigned. Oil on canvas, 10” x 13”. Framed. 300/500

566

571. FRAMED PAINTING ON TIN Sailboats off a rocky coast, possibly Maine. 6.5” x 14”. 140/180

567 78

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568

572. CHARLES CHASE EMERSON American, 1874-1922 Two landscapes: A lone tree by the water and trees over a forest pool. Both signed lower right “Chas Emerson 1901”. Pencil and gouaches on paper, 10” x 14” sight. Framed. 400/600 573. FREDERICK W. OLIVER American, 1876-1963 Two works: 1) Landscape with country road. Signed lower left “F.W. Oliver”. Oil on canvas, 15” x 20”. Unframed. 2) Forest interior. Unsigned but estate-stamped verso. Mixed media, 9.5” x 12” sight. Framed. 300/500 574. DENT ROBINSON American, 20th Century Triptych with an allegorical landscape. Signed lower right “Dent Robinson 41 - Copyright Dent Robinson 1941”. Oils on canvas, 25” x 51.5”. Framed. 500/700

574, triptych

end of auction

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Addenda Summer Market Sale July 17, 2014 Withdrawals & Corrections: 9.

WITHDRAWN: Painting “The Bay at Dawn” by Erna Lange.

144. WITHDRAWN: Painting of the Blue Ridge or Smokey Mountains. 484. Portrait of a composer, possibly Mozart or Beethoven.

Additions: 81A. TWO EVENING BAGS Mid-20th Century A Whiting and Davis gold mesh bag with gold snake handle and a white beaded bag with floral design, button-style clasp and braided bead rim. Both 6” x 8”. 200/300 81B. LOUVERED METAL EVENING BAG In barrel form with two metal handles and clasp closure. Dark blue satin interior with attached coin purse. Height 5”. Width 9.5”. Depth 5”. 150/250 81C. GIORGIO ARMANI CLASSICO BLACK LEATHER SHOULDER BAG With domed top and leather straps. One interior zippered pocket. Height 9.75”. Width 12”. Depth at base 5”. Length of drop 19”. 200/300 81D. PRADA TESSUTO QUILTING HOBO “SACCA” HANDBAG Black chevron quilted nylon with gold hardware. Includes Authenticity Certificate card and original dust bag. 325A. FRAMED PAINTING North Shore harbor scene. Signed and dated lower left “Rocke Cortez ’60”. Oil on canvas, 20” x 24”.

200/300

American, 20th Century 200/400

526A. ORIENTAL RUG: PERSIAN 6’11” x 10’1” A lattice pattern of red laid over an ivory field with each diamond containing a repeated stylized floral element of peach, red and green. Yellow, pink and green leaves and flowers through guard borders. Lattice pattern repeated in main border. 200/400 526B. ORIENTAL RUG: CAUCASIAN SHIRVAN 3’10” x 5’3” Large rectangular panel of abrashed blue contains two repeated stylized elements of red and ivory. Open red field over an abrashed black subfield also containing colorful stylized elements. Ivory main border with wine cup and serrated leaf motif. 600/800 526C. ORIENTAL RUG: SARABAND 7’4” x 11’9” Multiple rows of staggered boteh on an ivory field. Traditional meandering vine and boteh through an ivory main border. 500/700 526D. ORIENTAL RUG: MALAYER 4’5” x 6’8” Blue field with three columns of Herati pattern in light blue, green, vibrant pink, bright gold, black, brown and ivory. Herati pattern in red spandrels bounded by light blue serrated leaves. Red and ivory borders. 400/500 526E. ORIENTAL RUG: MALAYER 8’11” x 11’11” Robust stems and vines of slate blue, gold, tan and pale green forming a lattice-like design encompassing floral motifs on a light red field. Flowering vines and branches through borders of slate blue and ivory. 1,800/2,200

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Additions, cont.:

526F. ORIENTAL RUG: BOUKARA SADDLEBAG 1’4” x 2’9” Brown field filled with traditional stylized and geometric elements of red, blue, ivory and salmon pink bounded by stylized elements in the same colors throughout borders. Retains long colorful fringes. 400/600 526G. ORIENTAL RUG: BAKHTIARI GARDEN DESIGN 4’10” x 6’10” Contiguous geometric panels in staggered rows each contain traditional stylized floral elements rendered in red, pink, green, blues, brown, yellow and ivory. Colorful floral motifs through borders of red and ivory. 600/800 526H. ORIENTAL RUG: CAUCASIAN KILIM 4’6” x 13’3” Staggered rows of a repeated stylized motif in blue, pale yellow, faded brown, tan and amethyst form a barber-pole design over a dark brown field. Borders of gray, ivory and dark brown. 500/700 526I. ORIENTAL RUG: TURKISH 3’6” x 5’5” Camel’s-hair pile on a dark wool foundation. Woven in a design with two linear tan branches bearing stylized blossoms of red, blue and ivory. Navy blue field. Stylized elements through borders of red, blue, tan and ivory. Empty tan outer border. 200/400 526J. ORIENTAL RUG: BAKHTIARI IN SHIRAZ DESIGN 4’6” x 7’0” Three linked diamond-form medallions of ivory and navy blue outlined in ivory and red and contain stylized elements in red, blue and gold. Rust red field filled with small green and blue boteh. Rust red borders contain meandering vines. 700/1,000 526K. ORIENTAL RUG: SIVAS 6’5” x 9’6” Seven columns of lozenge-form medallions in brown and blue on an ivory field. Row of small stylized elements in brown and pale green between each column of medallions. Blue, brown and green repeating elements through borders echo those in field. Ivory borders. 800/1,200

Items may be added, withdrawn or subject to correction up to and including the day of the sale. Please visit www.eldreds.com or call 508-385-3116 for most up-to-date information.

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ADVICE TO BIDDERS

Carefully read the Conditions of Sale.

Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision.

Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology or would like clarification of a catalog description, please ask for assistance from our staff members.

Please read the Order Bid Procedure if you wish to leave an absentee bid.

An 18% buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 18% of the final bid price up to and including $300,000, and 10% of the final bid price over $300,000.

Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

SHIPPING INFORMATION

As a service and convenience, our shipping department can ship or arrange shipment of paid purchases. The packing and shipping of items by Eldred’s will be undertaken solely at our discretion. Upon receipt of payment, Eldred’s will pack and ship according to purchaser’s instructions for shipment. If no instruction is given, we will ship by the best method and carrier. Eldred’s is not responsible for the acts or omissions of carriers or packers, whether or not recommended by us. Packing and handling of purchased items by us is at the entire risk of the purchaser. Costs for this service will be based on the carrier’s current packing, transportation, and insurance charges. There is a minimum handling charge of $10.00 for all shipments. We do not ship via the U.S. Post Office unless special arrangements are made. All shipping costs will be C.O.D. unless otherwise arranged. Please allow 4-6 weeks from receipt of payment for delivery. BIDDING INCREMENTS BIDDING INCREMENTS

Due to the Invaluable Live auction, please adhere to these bidding increments: $0-$49: $5 $1,000-$2,999: $100 $30,000-$49,999: $2,000 $50-$199: $10 $3,000-$4,999: $250 $50,000-$99,999: $5,000 $200-$499: $25 $5,000-$9,999: $500 $100,000 and above: $10,000 $500-$999: $50 $10,000-$29,999: $1,000 Above $300,000 at the auctioneer’s discretion *Eldred’s reserves the right to adjust absentee bids to the nearest increment below the bid.*

THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TO THE TERMS AND CONDITIONS LISTED IN THIS CATALOG.

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ABSENTEE BID FORM If you are unable to attend a sale, and if, after reading our Conditions of Sale you would like to have us bid for you on any item or items, it can be handled in the following manner: 1. Please list the lot number below with the name or title of the article(s) and the highest amount you are willing to pay. Carefully check your Bid Form. Although we attempt to check the description against the lot number, bids are posted by the number. 2. A deposit of 10% of the total order is required. This sum will be held by us until after the auction. All absentee bids are kept in strict confidence. 3. All absentee bids should be submitted in a timely manner to reduce the chance of posting error. All mail, phone, or fax bids should be received prior to the day of the sale. In the event of identical bids, the earliest received by Eldred’s will take precedence. 4. On the day of the auction, a member of our staff will act as your agent and bid for you, and will attempt to obtain the lot or lots for you for the lowest possible amount. If you have indicated the highest amount you are willing to pay, you should not be disappointed if you lose an item. Many times you will actually buy it for less than your bid. 5. At the end of the auction, you will be notified. If successful, the amount of your deposit will be applied toward the purchase price. If unsuccessful, the full amount of your deposit will be returned promptly. 6. An 18% buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 18% of the final bid price up to and including $300,000, and 10% of the final bid price over $300,000. 7. Eldred’s shall not be held responsible for errors or failure to execute bids. Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids. 8. All sales are subject to the Conditions of Sale printed in the catalog. I wish to place the following bid(s) on items in your auction dated :______________________________________________________ LOT NO

ITEM DESCRIPTION

18% BUYER’S PREMIUM WILL BE ADDED TO THE HAMMER PRICE* (*see item 6 above) I have ( ) have not ( ) examined the item(s) listed above. SIGNATURE:

MAXIMUM BID

total:_______________________ 10% deposit:_______________________ MA RESALE No:

NAME: (Please print) ADDRESS: WILL PICK UP: ( ) OR: PLEASE SHIP TO: TELEPHONE:

FAX:

DATE:

Please send form & deposit to: ROBERT C. ELDRED CO., INC., P.O. Box 796, East Dennis MA 02641 see photos of all lots and review condition reports at www.eldreds.com

Upcoming Auction Schedule Summer Americana July 30-August 1

Asian Art Week

Including Japanese Art and the Prints of Paul Jacoulet August 12-16

Cape Cod & Contemporary Art August 20

Maritime Arts

September/October, TBD

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Illustrations Front Cover: Cupboard: Lot 54 Book Department Sign: Lot 374 Stoneware Crock: Lot 85 Horse & Wagon Toy: Lot 510 Back Cover: Painting: Lot 146 Sign: Lot 361 Hooked Rug: Lot 428 Artist Index: Lot 147 Page 30: Lot 201 This page: Lot 138

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The Summer Market Sale Thursday, July 17, 2014

Folk Art Paintings Furniture Silver & Jewelry Quilts, Samplers & Hooked Rugs Sporting Art Pottery & Porcelain Oriental Rugs Toys & Dolls Maritime Art and Much More!

Robert C. Eldred Co. Inc. 1483 Route 6A P.O. Box 796 East Dennis, MA 02641 (508) 385-3116 FAX: (508) 385-7201

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