Dialectical Materialism 16.04.15 / 011.05.15
AN EXHIBITION OF PAINTING AND SCULPTURE
BY
DAVID DEGREEF-MOUNIER ILEANA ARNAOUTOU PHIL DOBSON
ARTIST
TITLE
SIZE
MEDIA
PRICE
1
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
2
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
3
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
4
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
5
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
6
David Degreef-Mounier
Discoveries
57 cm x 42 cm
Indian ink on paper
£
530
7
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
8
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
9
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
10
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink in paper
£
500
ARTIST
TITLE
SIZE
MEDIA
PRICE
11
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
12
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
13
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
14
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
15
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
16
David Degreef-Mounier
Discoveries
50 cm x 40 cm
Indian ink on paper
£
500
17
David Degreef-Mounier
Shapes Dances and Forms 1
37 cm x 20 cm x 20 cm
Hand sawn pieces of wood slight burned
£ 1,100
18
David Degreef-Mounier
Shapes Dances and Forms 2
45 cm x 10 cm x 10 cm
Hand sawn pieces of wood slight burned
£
19
David Degreef-Mounier
Shapes Dances and Forms 3
41 cm x 27 cm x 16 cm
Hand sawn pieces of wood slight burned
£ 1,250
20
David Degreef-Mounier
Shapes Dances and Forms 4
38 cm x 28 cm x 10 cm
Hand sawn pieces of wood slight burned
£ 1,100
21
David Degreef-Mounier
Shapes Dances and Forms 5
36 cm x 19 cm x 10 cm
Hand sawn pieces of wood slight burned
£
700
950
MEDIA
PRICE
ARTIST
TITLE
SIZE
22
David Degreef-Mounier
Shapes Dances and Forms 6
37 cm x 7 cm x 7 cm
Hand sawn pieces of wood £ slight burned
400
23
David Degreef-Mounier
Shapes Dances and Forms 7
40 cm x 37 cm x 7 cm
Hand sawn pieces of wood £ slight burned
950
24
David Degreef-Mounier
Space 1
40 cm x 30 cm
Framed giclée print 1 of 20
£ 190
25
David Degreef-Mounier
Space 2
40 cm x 30 cm
Framed giclée print 1 of 20
£ 190
26
David Degreef-Mounier
Space 3
40 cm x 30 cm
Framed giclée print 1 of 20
£ 190
27
Phil Dobson
Nature Abhors A Vacuum
75 cm x 90 cm
Acrylic on board
£ 2,750
28
Phil Dobson
Drawing From Memory
90 cm x 90 cm
Acrylic on board on canvas £ 2,900
29
Phil Dobson
Naturally
90 cm x 90 cm
Acrylic on board on canvas £ 2,900
30
Phil Dobson
Hydrogen Sulphide
50 cm x 50 cm
Acrylic on canvas on board £ 1,750
31
Phil Dobson
Under My Skin
75 cm x 75 cm
Acrylic on canvas on board £ 2,750
32
Phil Dobson
Red Are We Related
75 cm x 75 cm
Acrylic on board on canvas £ 2,750
ARTIST
TITLE
SIZE
MEDIA
PRICE
33
Phil Dobson
Medium Crowd
50 cm x 60 cm
Acrylic on board
£ 1,890
34
Phil Dobson
Violet Cosmology
30 cm x 34 cm
Acrylic on board
£ 875
35
Phil Dobson
n(n+1)/2
86 cm x 66 cm
Giclée print on archival paper edition
£ 375
36
Phil Dobson
Spirit Level
75 cm x 75 cm
Acrylic on board
£ 2,750
37
Phil Dobson
Phyton Triptych
123 cm x 90 cm each
Acrylic on board
£ 5,750
38
Phil Dobson
Large Crowd
71 cm x 86 cm
Acrylic on board
£ 2,900
39
Phil Dobson
Yellow Cosmology
30 cm x 34 cm each
Acrylic on board
£ 875
40
Phil Dobson
City
30 cm x 34 cm
Acrylic on board
£ 875
41
Phil Dobson
Trajector A
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
42
Phil Dobson
Trajector B
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
43
Phil Dobson
Trajector C
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
ARTIST
TITLE
SIZE
MEDIA
PRICE
44
Phil Dobson
Trajector D
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
45
Phil Dobson
Trajector E
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
46
Phil Dobson
Trajector F
38 cm x 29 cm
Giclée print on archival paper edition
£ 290
47
Ileana Arnaoutou
Seductive “Virus" I
diameter 80 cm
Polyester fabric, stuffing, faux fur, mild steel metal rod, liquid latex
£ 260
48
Ileana Arnaoutou
Seductive “Virus" II
210 cm x 120 cm x 65 cm
Polyester fabric, stuffing, faux fur, mild steel metal rod, liquid latex
£ 485
DAVID DEGREEF-MOUNIER
www.warriorstudios.org/David-Degreef-Mounier dacodemo@hotmail.com info@warriorstudios.org ARTMOORHOUSE Moor House 120 London Wall, EC2Y 5ET
PHIL DOBSON
www.warriorstudios.org/Phil-Dobson phil.dobson@ic24.net info@warriorstudios.org ILEANA ARNAOUTOU
iarnaoutou.wix.com/iarnaoutou i.arnaoutou@gmail.com
T. T.
+44 (0)7502211914 +44 (0)7436889350 w w w. a r t m o o r h o u s e . c o m info@artmoorhouse.com team@artmoorhouse.com project@armoorhouse.com
DIALECTICAL MATERIALISM The three artists in this exhibition approach their work from different directions - intention towards intuitive form, light balanced with matter, representation of an abstract idea - but ultimately can find common ground. There emerges in this display different dialogues, between the artists and their material, between the artists and the external world, or Nature, and also between the works shown. These give rise to new syntheses, new forms, new ideas.
DAVID DEGREEF-MOUNIER David Degreef-Mounier's work is process-based. He uses materials for their ability to be transformed, for their malleability and their metamorphic properties, in order to explore new landscape of the mind. His research revolves around a Lacan quotation: "I think where I am not, therefore I am where I do not think". It translates in his work by a series of ongoing experiments, where, by rejecting expectations and preconceptions, he is able to accept what is happening here and now. He states: "Art is not simply an object, nor does it exist solely in the mind. Rather it is the relationship between the two". PHIL DOBSON Along with the development of his technique of layering and sanding acrylic, building up relief and then eroding it, an acknowledgment in the resulting flatness of a schematic way of representing the world, and in the process, of its temporal nature, he has developed the language of the work's various strands, combining amorphous form and precise delineation, the fluidity of paint with the rigour of geometry, the symbolic colour of maps with the luminosity of stained glass. ILEANA ARNAOUTOU The stepping-stone of every work of mine is a walk, a treasure haunt in the city. Discarded objects have always intrigued my creativity, as inspired by the culture of my country, I believe that every element has its own history and forms by that way its own character. I feel like rescuing objects and materials, bringing them back to life, by dismantling and combining them together, by lighting them up. I perceive my sculptures as a 3D collage, which due to its versatile dimensions provides me with the opportunity to unfold new ideas, ways of creation and combinations. Light plays a pivotal role in my work. It contradicts the bold and dark nature of the discarded pieces, creating an amazing contrasting balance. This balance is directly linked to the conceptual aspect of my work. Balance in all sort of levels. The scale is an object that has triggered me for a long time. More specifically the ancient Egyptian ritual of weighing the heart has played a pivotal role in building up my conceptual aspect of the works. Weighing the heart with a feather, for me is an amazing symbolic structure, which is mostly present in everything in life. My aim is to create and imagine scales, imagine the possible two sides, imagine their relationship. My sculptures weight light and colour with matter, soul with human body. The “results” and combinations are infinite and that is what makes me want to create.
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ARTMOORHOUSE Moor House 120 London Wall, EC2Y 5ET T. +44 (0)7502211914 T. +44 (0)7436889350 w w w. a r t m o o r h o u s e . c o m info@artmoorhouse.com team@artmoorhouse.com project@armoorhouse.com