Portfolio 2022_ Best of academic projects

Page 1

EP ark


C O NT A CT S

Sluiswachterstraat, 34 | Delfgauw 2645JC, Netherlands + 39 3343975895

eli.pasto96@gmail.com https://www.linkedin.com/in/elisapastorelli1996/

E L I S A

Pastorelli 29 Jan 1996 During the prestigiuos master in Architecture, Urbanism and Building Sciences at the Bowkunde faculty of TU Delft, I developed a deep interest towards sustainability and innovation applied to the built environment. I’m a creative, curious and determined person who is constantly searching and designing new concepts as potential solutions to tackle societal and environmental issues. I strongly believe in the transformative power of architecture and in the multidisciplinary research as the foundation of innovative ideas. I NT E R E ST S

Innovation and sustainability

Volleyball

Padel tennis

Music

Travels

Food culture

Photography


E XT R A - C U R R I C U L A R

E D U C AT I O N 2019 13th January 2022 2015 2018 2010 2015

Msc in Architecture, Urbanism and Building Sciences 8.5 cum laude TU Delft | Netherlands

2018 Feb - May 2019 2016 ongoing

2018

BSc in Architectural Design 110/110 Politecnico of Milano | Italy Scientific High School Diploma High school Machiavelli | Segrate, Milan, Italy WORK EXPERIENCES

May - Nov

2016 -

Architecture Intern Klingenberg Arkitektur | Mendrisio, Switzerland

July 2016

Architecture exhibition Visconteo Castle | Pavia, Italy Professors: Elvio Manganaro, Micaela Bordin

28 July 6 August 2018

Workshop COrtona Open 3D Cortona | Arezzo, Italy Professors: Gianluca Vita, Sergio Sebastian Role of the image in architecture, intensive course of Blender, final project for a temporary installation

Architect in a real estate agency Bosco Immobiliare | Peschiera Borromeo, Italy Part-time collaboration with an engineering firm C.M.P | Peschiera Borromeo, Milan, Italy

February April 2020

S O FTW A R E S K I L L S April -

Autocad

Illustrator

Revit

InDesign

Rhino

Photoshop

Sketchup

Enscape

Blender

V-Ray

LANGUAGES Italian (native) French (beginner) C E RT I F I C AT I O N S IELTS 7.0 overall

English (advanced)

Teaching Assistant Politecnico of Milano | Italy Professors : Riccardo Canella, Vittorio Garatti, Marco Cristiano Valsecchi

July 2020 20152019

Course in Entrepreneurship in the Built Environment TU Delft | Netherlands Development of a business idea, business report Professor: Kees Kaan Tbilisi Architecture Biennale 2020 Tbilisi | Georgia Volleyball player at a competitive level serie D/C Milan1 Italy SKILLS Conceptual Design

Time management

Creativity

Punctuality and precision

Research

Endurance

Teamwork

Communication

Individual work

Motivation


The portfolio contains selected works from my academic experiences. Experimentation and diversity are the keywords of my journey at the architecture faculty. Despite the design projects are really different from each others, a peculiar attention to the social sphere, to the user experience and to the relationship between architecture and nature on different scales have been the leitmotif of my design process. Moreover, the attention to the environmental impact of architecture brought me to research and design with a bigger awareness during my Master years. Please enjoy my selected works, With gratitude, Elisa Pastorelli


INDEX

1.

MILK FARM 2.0 ‘A shift from traditional to artificial milk production’

Master graduation project, 2021 TU Delft 1 Mentors: Roel van de Pas, Paddy Tomesen, Jos de Krieger

2.

SWIM & SUN ‘A bridge as a destination’

Elective course, Feb - April 2020 TU Delft 1 Mentors: Joris Smith, Martin Knight

3.

GUANTIMBER ‘A timber factory and connected facilities for Guantanamo, Cuba’

Bachelor graduation project, 2018 Politecnico of Milan 1 Mentors: Riccardo Canella, Marco Cristiano Valsecchi, Vittorio Garatti

4.

A MONUMENTAL INVERSION ‘Delirious relationship between nature and the city of Athens’

Msc 1 studio, Sep 2019 - Jan 2020 TU Delft 1 Mentors: Nicola Marzot, Sien van Dam, Paddy Tomesen


MILK FARM 2.0 ‘A shift from traditional to artificial milk production’

The world is rapidly progressing towards more sustainable solutions in animal-based food production. The exponential population growth and the consequent increasing demand for meat and dairy has set up a production model based on intensive livestock practices, where the high productive rates are coming at the expense of our environment in terms of GHG emissions, land availability and water consume. In turn, a fast- paced and radical shift towards new food production models is crucial to reach the zero-hunger sustainable goal (SDG-2) by 2030. My graduation project consists in the first potential ‘architectural scale-up’ of the emergent cultured-milk technology, the production of milk in laboratory through a fermentation process. Although this technology is still at an experimentation scale, important investors are financing research and start-ups and soon artificial milk might become part of our daily diets. How cultured milk technology might be disruptive for the built environment? As an architect I started to speculate about how the introduction of this technology could affect our built environment with the introduction of milk refineries where cows will be replaced by machines. This shift would entail a radical societal and cultural change towards a new food culture that will be translated in architecture with the design of a new typology of ‘farm’, a totally human farm.

My design moved from the mere design of an industrial plant to the design of a milk production pole able to become a hotspot for the Noorder IJ-polder, connecting artificial milk production with the local community to build a new food culture. The themes of the milk industrial production and the public sphere come togheter in a very context-related project, connected both to the social and cultural context and to the physical site. The first cultured-milk farm has been designed on water, in a very natural spot.There are more than one reason for that.The Netherlands has a huge problem connected to the land availability. Partly because 1/4 of the country already lies under the sea level and the available land is further shrinking due to the rising in the sea level. Partly because the most of the Dutch land is occupied by agricultural practices and estimating an exponential population growth within 2050 there will be a huge request for new houses. A first attempt to produce milk ‘on water’ has already been designed in the Rotterdam harbour where alive cows are churning milk on a floating platform. So what I thought should be done in the future, considering that cow-less milk production relies on machines instead of alive animals, is to shift the industrial production of food on water. This, on the one side should re-connect people to the nature (as it was in the traditional idea of farm), but could be also an opportunity to explore more into the possibilities of designing a structure in symbiosis with nature, able to benefit the environment in terms of biodiversity. Morevoer water could be employed as an energy source, able to improve the energetic performance of the building and create an energy self-sufficient building. This is something that in my design I didn’t develop completely but could become an opportunity for further developments of the project. On the whole, my design wants to propose as an architectural prototype, an hybrid and experimental design that on the one side is significantly radicated in the context, on the other side promotes new values related to sustainability. The prototype defines a conceptual and experimental structure of space and it’s addressed to a shareability and transmissibility of the design principles that have been applied to the design, both from the theoretical point of view and its physical construction.


floating neighbourhood

SCENARIO-BASED DESIGN

Achtersluis polder

50% of the daily milk demand pro-capite

5.000L/day artificial milk

25.000 people

The Noorder IJ-polder

MASTERPLAN

2030

ACHTERSLUISPOLDER NEIGHBOURHOOD

floating neighbourhood potential car parking

Amsterdam harbour

existing playground bridge connection (planned)

NOORD PLAS ZIJKANAAL H (connected to the North Canal) Amsterdam

bike racks

RESOURCE SAVINGS replacing conventional milk production with artificial one

Traditional Dutch dairy farm

5.000L/day milk

Milk farm 2.0

x200

GHG emissions

5.975.000 g CO2

-84%

955.000 g CO2

LAND USE

6.500 mq

-91%

500 mq

WATER consumption

5.100.000 L

-98%

102.000 L

25.000 MJ

-65%

8.750 MJ

ENERGY consumption

ZUID PLAS

0 5

20

40


THE PROGRAMME

DESIGN CONCEPT

logistic

01 5

4 efficient material circulation

3

1

02 visitors access

7 6

03 2

50%

public activities

50%

production

1.

MILK PROTEIN PRODUCTION BUILDING we daily produce artificial milk proteins and we send them to the milk brewery

2.

THE MILK BREWERY we mix artificial-milk proteins with water, sugars and fats to get milk

3.

4.

THE BOTTLE FILLING ROOM we fill glass bottles

WORKSHOPS AUDITORIUM EVENT SPACE

04

creation of a central space

THE RESTAURANT/ CAFE’

THE FOYER

THE VENDING MACHINES we sell artificial milk bottles to the community through automatic machines open 24h

5.

THE ADMINISTRATIVE OFFICES OF ‘MILK FARM 2.0’

6.

7.

THE EVENTS PLATFORM

THE STORAGE TANK

we arrange tasting events and debates to introduce artificial milk to the community. We aim to create a new food culture

we store artificial milk in a tank, no cooling is required

THE TECHNICAL ROOM

THE OBSERVATION TOWER


0

5

20

40

+ 2.0 m + 0.0 m

VIEW OF THE CENTRAL ‘COURTYARD’

LEISURE ACTIVITIES sport courses open-air amphitheater

sunbathing swimming pool restaurant terrace

SUMMER ice-skate ring

WINTER

CLIMATIC ADAPTATION

+ 8.0 m + 2.0 m + 0.0 m


vending machines

PRODUCTION ROOMS

1.500 L

ARTIFICIAL MILK PRODUCTION FLOW

1.200 mq

30% to the vending machines

5.000L/day

bottle packaging room 240 mq

preparation areas

storage tank

60 mq

goods dock

98.000 L

2.500 L

co-product packaging room + storage

to the harbour, big distribution

130 mq co-product technical room 200 mq

preparation areas + storage

595 Kg artificial-milk proteins

225 mq

165 Kg

1.000 L

20% to the restaurant

ingredients

functional unit, daily production

98.000 L

machinery room 125 mq mixing tanks room

SECTIONAL PERSPECTIVE how production and leisure programme come togheter in Milk farm 2.0

functional unit, daily production

6.000 MJ

200 mq

4.300 L 3.000 MJ


PHASE 1: artificial milk proteins production co-product

3 1

RECOMBINANT DNA TECHNIQUE

nutrients (glucose, peptone, calcium chloride)

DNA sequences synthetizying casein and whey proteins

4

5

FERMENTATION TANK CO2

water

2 DRYER MACHINE cold water

genetical engineered microorganisms

host organism: trichoderma (particular species of fungi)

PACKAGING MACHINE

STORAGE TANK

CO-PRODUCT

PURIFICATION MACHINE

fermentation broth

proteins

3

4

SILO 2 ARTIFICIAL-MILK PROTEINS DRYER MACHINE

out of ‘MIlk farm 2.0’

STORAGE TANK

SILO 1

DETAILED SECTION SILO 1

1

5 3 4

2


1

2

PHASE 2: artificial milk processing SILO 2 water

4.300 L

fats sugars 1

2

artificial milk proteins

ARTIFICIAL MILK STORAGE TANK

MIXING TANK


THE STRUCTURE

FLEXIBILITY OF THE STRUCTURE

green roof

1. FUTURE SCENARIO: GROWTH/ EXPANSION

timber lattice roof, douglas fir timber

curtain walls

curved CLT panels

Perfect Day foods, 2020 200 mm steel columns

CLT floor

cloeziana timber girder and beams

Since artificial-milk is becoming a disruptive and in continous development technology, we can imagine how Milk farm 2.0 might expand over time and in 10 years new buildings for cheese or other dairies processing might be added to the existing intervention.

screw piles foundation helical steel piles 350 mm 1. FUTURE SCENARIO: LONG-TERM FLEXIBILITY

PRODUCED BY AN AUTODESK STUDENT VERSION 10mm thk. Water vapor Membrane

CLT FLOOR DETAILS

LABS

354

9 mm Flowfresh HF polyurethane resin Hydraseal moisture membrane 20 mm fibreboard panel 45 mm insulation + floor heating

The structure allows a future change in the programme of the building. Installations and machines might be easily removed from the building and re-used in another artificial milk refinery, while the clt internal partitions can be moved according to the new programme.

200 mm CLT slab

MACHINERY ROOM

MACHINERY ROOM

1% slope

slot drain 9 mm Flowfresh HF polyurethane resin Hydraseal moisture membrane 80 mm concrete

565

2 x 20 mm acoustic matting 120 washed gravel

200mm CLT slab 2 x 45 mm fiber wood insulation termi floor membrane

400 x 700 mm cloeziana timber beam 200 x 300 mm cloeziana timber secondary beam

FOUNDATION welded u brackets

PRODUCED BY AN AUTODESK STUDENT VERSION

40 mm acoustic insulation panel 2 x 15 mm fire retardant gypsum plasterboard


DETAIL B

STRUCTURE: THE EXTERNAL ENVELOPE the choice of the materials for the external envelope is connected to the idea of designing an architecture that might benefit the surrounding natural environment , developing its biodiversity further. Therefore, the external envelope is composed by natural materials and sustainable elements.

PRODUCED BY AN AUTODESK STUDENT VERSION

sea rush

hairy fireweed

blackberry plant

bindweed

sedge

outside

nettle

PRODUCED BY AN AUTODESK STUDENT VERSION

artificial lights

inside

traslucent recycled plastic sheet

steel profile gutter

FOUNDATION

slot drain

9 mm Flowfresh HF polyurethane resin Hydraseal moisture membrane 80 mm concrete 2 x 20 mm acoustic matting 120 washed gravel

565

douglas fir timber beam

1% slope

PRODUCED BY AN AUTODESK STUDENT VERSION

MACHINERY ROOM

DETAIL A

examples of underwater footage with aquatic life under houses built on water in Lelystad (NL)

200mm CLT slab 2 x 45 mm fiber wood insulation termi floor membrane

400 x 700 mm cloeziana timber beam 200 x 300 mm cloeziana timber secondary beam

The artificial milk farm lies on helical screw piles, suspended from the natural landscape to represent how the industrial process is physically detached from the biosphere

welded u brackets

screw piles foundation the extensive green roof, planted with local species, provides a nesting spot for waterfowl species and attracts insects.

Advantages:

300 mm steel helical pile

300 mm steel helical pile

1. screw piles are installed by hidraulic augers with the minimal vibration and construction noise and they don’t require excavation 2. fast installation and disinstallation 3. re-usable in other projects 4. they benefit the local biodiversity providing a support to develop nature further

SOUTH ELEVATION PRODUCED BY AN AUTODESK STUDENT VERSION

A

PRODUCED BY AN AUTODESK STUDENT VERSION B

0

5

20

40


Visual connection

THE FACADE

An experimental and innovative double-skin facade has been designed. Following the concept of an architectural element that can benefit the surrounding environment, the porous facade is composed by a mycelium panels layer and a green facade layer. The facade pose in close relationship the visitors with nature on the one side and artificial milk production process on the other side. Principles of climatiic adaptation have been taken into account to provide a comfortable space to the visitors during all the year. Moreover, the facade cow-spot openings become an iconic element for the entire intervention

Layer 1: external envelope mycelium panels + green facade

Public visitors path EXTERIOR

Layer 2: curtain wall transparency of the process

FILTER SPACE

INTERIOR

Private fermentation room Private goods transportation

to the nature to the production of artificial milk


steel climbing trellis

ivy

Summer

Winter

The sliding mycelium panels open up and allow the natural ventilation of the filter space, constantly heated by the fermentation room. The presence of the water of the polder helps further to mitigate the climate, cooling up the wind during the summmer season. Moreover the green facade creates a sun screen and prevents the heat to enter the filter space while allows light to filter.

The mycelium panels act like wind shields during the winter season although the proximity of water helps to mitigate the climate, reducing the thermal excursion between day/night. Moreover the mycelium panels, thanks to their insulation properties, help to keep the heating produced by the fermentation room inside of the filter space that is passively heated. The latter becomes a climate comfortable space for the visitors of Milk farm 2.0. The porous facade allows the light to filter also during the winter season.

aspen timber frame 20x7x7mm

panel support

PRODUCED BY AN AUTODESK STUDENT VERSION

25°-30

knot willow sticks 15 mm

mycelium panel ganoderma paddenstoel lucidum

3 mm recycled polyester fibers 1,2 mm epdm rubber sheet 50 mm wood fiber insulating panel vapour barrier 60 mm timber deck 100/40 mm douglas fir distance pieces

4,5 mm steel head plate steel strips reinfrocing sheating multilayer load-bearing soffit lattice: 120/20 mm douglas fir strips with glazed finish 3 mm steel climbing trellis 200 mm tubular steel column

The scale of the sliding panels recall the industrial sliding doors

barn sliding track

100 x 200 mm willow timber frame

15 mm knot willow timber sticks

The mycelium panels recall the Japanese shoji panels for their light weight and their way to connect the inside of the building with the surrounding landscape

outside

50 mm mycelium panel

filter space

PRODUCED BY AN AUTODESK STUDENT VERSION

200 mm substrate layer 40 mm drainage and protection layer


floating solar panels on the Noord plas

CLIMATE ADAPTATION

solar energy

energy inverter

heat exchanger

warm air from bioreactors

mycelium panels

warm water for labs

mycelium panels

mechanical ventilation

25°-30°

warm air from bioreactors

mechanical ventialtion

25°-30°

floor heating


SWIM & SUN ‘A bridge as a destination’

Teamwork: Elisa Pastorelli, Maarten Abe Nijenhuis, Stanislaus Ruff Keywords: accessibility, public destination, identity, timber structure, sustainability The new bridge at the river Rotte, north of Rotterdam‘s center is supposed to connect the district of Terbregge with Hillersberg, particularly the Prinsenmolenpark. To add not just a convenient connection between the two river embankments but a destination in itself, the bridge offers opportunities to sunbathe, to swim and to enjoy the views towards the surrounding natural land and waterscapes.

‘Delirious relationship between nature and the city of Athens’


SITE CHOICE

SITE ANALYSIS

Terbregge Hillegersberg

Preliminary design considerations:

Landscape bank Urban bank

The bridge can be used to interact with leisure activities

The bridge would MAINLY USED BY PEDESTRIANS and en route to a leisure activity in the park and the area

The bridge should be a MORE ACCESSIBLE alternative to the bridge downstream


THE CONCEPT:

bridge as a DESTINATION Attract people to use the bridge for recreation: swimming, picknicking, sunbathing, meeting, resting, iceskating, rowing, instagram moment

use of TIMBER in an innovative way Sustainable construction (out of wood in combination with steel), durable, tough, low maintenance, low ecofootprint

ORIENTATION

place to enjoy the sun and prevent hinder by wind. bridge as viewing point

relate to the IDENTITY of the place Use (an) element(s) to relate to the context

ELEVATION

PLAN The ends of the bridge are designed in two different ways: towards the left bank two organic ramps address people to the waterscapes of the Prisenmolenpark, while on the right bank a straight ramp connects to the residential neighburhood of Terbregge


THE STRUCTURE

steel bars every 1m

steel embedment

GLT structure

GLT structure

poured concrete

poured concrete

concrete pillar

concrete pillar

steel embedment

MATERIALITY

The primary support structure consists of laminated block girders, made out of prefabricated timber elements. Due to its positive climatic impact and its structural logic the timber can be employed as a solid and massive element. The wood protection is mainly guaranteed by the bridge deck itself, which is made out of waterproof prefabricated concrete slabs with carbon fibre reinforcements. MATERIALITY Timber The high percentage of prefabricated modules allows for a swift assembly on site. The platforms, which are integrated in the supports of the bridge, connect the path of the bridge with the water, enabling people to enter the water safely. They are mounted on the primary timber structure with corten steel profiles, juxtaposing the bright timber texture.

MATERIALITY

MATERIALITY

Corten steel

Timber

GLT structure timber Timber

poured concrete

fiber-reinforcedconcrete Fiber reinforced concrete

WHY TIMBER?

corten steel Corten steel


THE PLATFORMS have been designed to attract people to use the bridge for recreation: swimming, picknicking, sunbathing, meeting, resting, fishing, rowing, instagram moments


THE BRIDGE DECK

pre-fabricated carbon pre-fabricated carbon fibre fibre reinforced slabs reinforced slabs

waterproofing waterproofing layer layer

B

Detail B 1. Water proofing, synthetic 2mm 2. Metal sheet, insect guard 1mm 3. Prefabricated concrete slabs; carbon fiber 4. Steel angle; Slab attachment; 8 mm 5. Fixture railing on head-plate 10 mm 6. Timber batten, 125mm x 60 mm 7. Metal sheet, angle plate, 2 mm

Detail C 1. Fixture railing on head-plate, 12 mm 2. Steel angle; slab attachment, 8 mm 3. Elastomer bearing, 10 mm 4. Steel profile tongue, 12 mm 5. Lead wool sealing, 10 mm

metal sheet metal sheet


THE RAILING The light and wavy railing contrasts the massiveness of the timber structure and recall the surrounding waterscape and in particular the reeds that grow along the banks.

Detail A 1. Wooden handrail; Laminated accoy 2. Cabel canal; milled 3. LED Lighting; 40mm x 30mm 4. Covering metal; non rusting


ONCEPT SCHEMES

HadaA S E 1

PHASE 2

ova’ w street city ilities)

PHASE 3

GUANTIMBER ‘A timber ‘Strada factory and connected facilities for Guantanamo, Cuba’

Industries

Guantanamo

Nuova’ (new street of city facilities)

Teamwork: Elisa Pastorelli, Linda Martellini, Francesco Pavan Railway

My bachelor graduation project develops from a broader research project started in 2008 and conducted by professors Riccardo Canella and Marco Canesi with a team of students, architects and urban planners of the Department of Architecture, Built Environment and Construction Engineering of Politecnicothe di Milano. Bridging gap: Timber industry:

Connection between the industry

Long-term expansion necessity

The research aims at the strategic regional planning of city Cuba and its economic develand the Bridging Timber industry: opment after the embargo restrictions. From previous analysis, Cuba turned out asthe thegap: Connection between the industry Long-term expansion necessity position most interesting country of the Caribbean due to its geographical towards the PHASE 5 PHASE 6 and the city international transshipment routes and for its availability of raw materials. Therefore, a strategic plan involving the interception of international tradings through the creation HASE 4 PHASE 5 PHASE 6 of a port in Santiago de Cuba and the manufacturing of semi-finished products has been developed. The Cuban territory has been divided into productive areas, linked by an infrastructural system of railways and highways that might provide the transport of raw materials and goods. In particular, three infrastructural rings that connect the main strategic hubs (Santiago, San Luis, Alto Cedro, Sagua de Tanamo, Mayarì, Guantanamo, Bayamo, Holguin and Las Tunas) were studied. My research focused on a qualitative and quantitative analysis about the timber species available in the south-east region of Cuba that helped me to dimensioning and design a potential timber industry in Guantanamo. The tropical forest is an essential resource for the Cuban territory since it prevents the hydrogeological risk and protects the island from the hurricanes, very frequent in the south-east area. Has been demostrated that a sustainable management of the forest, based on an optimal cutt-off frequency for each three species, would allow to create one timber industry with an input of 600.000 cubic metres of timber per year. This could trigger the re-development of the Cuban economy. I assumed that the first timber factory might produce simple woodworkings such as Accomodations Green Areas and laminated timber Employees elements. In fact these timber production techniques don't fices forEmployees allx-lam the factories Accomodations Green Areas Woodwork Craft Workshops Botanical garden dministrative center for theprofessional Woodwork Craft Workshops Botanical garden require complex and technical skills or expensive machines. Moreover nd Library Park in the refurbishmentsPark vironment management and mightLibrary the wooden products be firstly employed of old Cuban opical forest control(internal market) and Kindergarten Kindergarten buildings only after some years the semi-finished products might be exported by the Santiago harbour (hipothized in previous researches) to other countries. e project is composed by three parts: the timber industry, the administrative complex for the

three parts: the timber industry, the administrative complex for the dustrial plant and for the environmental management, the and facilities for workers and citizens. nvironmental management, the facilities fortimber workers project is composed by three parts: the thecitizens. administrative ch part is The characterized by a peculiar concept dealingindustry, with the tradition of the Caribbean and a peculiar concept dealing with the tradition of the Caribbean complex for the industrial plant,account the facilities workers and citizens. Eachand part of is a large variety outh America context and takes into theforfunctions and the demand akes account the and dealing the demand ofthanks a large byproject afunctions peculiar concept withsystem the tradition of to thevariety and users.into Thecharacterized three-parts becomes a single aCaribbean linear runaway whick links becomes ato single system a linear runaway whick links ofhand, South America context and thanks takes intoto account the demand a eect industrial plant Guantanamo city (divided by the thefunctions railway).and On the other it provides large variety ofby users. The three-parts becomes a singleit system thanks to a linanamo city the railway). Onproject the provides e entrance to(divided the woodworking sheds and to theother woodhand, storage through some stairs towers. ear and runaway links the industrial plant to allow Guantanamo cityto(divided by the railway). rkingwas sheds toathat the wood storage through some stairs towers. nally, designed lifted walkway in order to workers reach directly the sawmill. the other it provides theto entrance the woodworking sheds and to the walkway On in order tohand, allow workers reachtodirectly the sawmill.

stairs N V I R O Nwood M Estorage N T A through L S E Csome TIO N towers.

ECTION PART 1

PART 1

PART 2 1

timber factory

railway

P A2 R T 2

PART 3 administration pole

P A R T 3 3workers facilities


D

CENTRELINE

C

4.400 mq laminated timber production

1. TIMBER FACTORY PLAN OF SHEDS AND STORAGE SYSTEM

11.00

11_Copertura Capannoni

11.00m

+

+

7.00

ATELIER ROOF

7.00m

2 .4 20

The timber industry aims at the maximal functional efficiency. The general layout of the industry depends on the position of the railway and is the result of a deep research about the entire process of woodworking, from the rail and road transport of roundwood to the export of laminated timber and xlam products. All the buildings are linked through elevated walkways for the safety of the workers. The dimension of the timber industry is calculated on the amount of roundwood which arrives each year by rail and road (600.000 cubic metres) and is proportional to other industries taken as references (Magnifica Segheria della Val di Fiemme, XLAM Dolomiti and Klenk Holf).

FUNCTIONAL SCHEMES

4.00

6.800 mq x-lam production

attaching

connecting

distributing

0.00

Atelier Roof

4.00m

Design Atelier

0.00m

Ground Floor

ATELIER

GROUND FLOOR

1. from roundwood loading dock to debarking machine

50 7.

2 .4 20

50 7.

12.000 mq storage

Shed Roof

50 7.

2 .4 20

50 7.

PILLAR-ROOF NODE DETAIL 2 .4 20 87 5.

1. Reinforced concrete vault 2. Roof-gutter 3. Reinforced concrete beam 4. Beam formwork 5. Tie beam 6. SAP reinforced brick prefabricated beam

1

2 6

2. sawmill

3 5 4

A 3. sawn wood maturing

8. 32 24 .0 0

INTERNAL VIEW OF A WOODWORK SHED

23 .4 1

4. laminated timber and x-lam production 14 .9 9

40 .8 5

12 .0 0

5. warehouse and wooden products loading point 24 .0 0

4 .7 11 1 24 .0 0

4 .7 11 4 .7 11

plan drawn by Francesco Pavan

24 .0 0

4 .7 11 1

74 1.

LONGITUDINAL SECTION OF A WOODWORK SHED SECTION A-A’

74 1.

The use of the Gaussian vault in the woodworking sheds due to the necessity of wide spaces (40 metres span) to handle the planks and the wood machines and is an optimal way to filter the light inside the buildings.

A’

wood flow through the factory department

01

5

10


F I R S T F L O O R P L A N (+ 4 m) : design ateliers and toilets D

CENTRELINE

C

S E C O N D F L O O R P L A N (+ 8 m) : bridge and locker rooms for workers

P L APLAN N OOFFTHE S HSTORAGE E D S AND A N WOODWORKING D S T O R A G ESHEDS SYSTEM

Shed Roof

m

-

telier oof

m

-

---

SU

2 .4 20

m

esi n telier

m

ro nd Floor

-

GIÙ

50 7. 50 7.

2 .4 20

3.9 0

50 7.

2 .4 20

50 7.

B

PILLAR-ROOF NODE DETAIL 2 .4 20

.7 11

87 5.

GIÙ

1

1. einforced concrete a lt 2. Roof-gutter 3. Reinforced concrete beam 4. Beam formwork 5. Tie beam 6. SAP reinforced brick prefabricated beam 23

.6 10

.4

8

1

CENTRELINE

2

5

15.15

D

C

.3 11

6

7

SU

.1 11

2

2.0

5

3.5

.0 14

0 8 .4 23

-

4

---

3.5 3.9 0

3.6

-

0

---

0

8

3.5 0 3.511.00 -

5.7

STORAGE SYSTEM

7

3

11_Copertura Capannoni

0

.5 23

1

3

-

m

Shed Roof

-

-

---

SU

GIÙ 7.00

ATELIER ROOF

m

GIÙ

2 .4 20

4.00

m

8. 32

B’ 50 7.

0.00

50 7.

the use of the Gaussian b: P I Lvault L Ain Rthe- R O O F N O D E DDETAIL ETA woodworking sheds is related to the necessity of wide spaces (40 metres span) to 1. reinforced concrete vault handle the planks and the wood machinery einforced a lt 2. roof gutter an W optimal filter U Pand: Vit’sI E O way F 1.to TH E theB light R I D concrete GE 3. reinfroced concrete beam inside the buildings. 4. beam formwork 2. Roof-gutter 5. tie beam D O W N : V I E W 3.FReinforced R O M T Hconcrete E Dreinforced E S I beam Gbrick N prefabricated A T E L Ibeam ER 6. SAP -

2 .4 20

14 .9 9

87 5.

40 .8 5

12 .0 0 24 .0 0

4 .7 11 4 .7 11 24 .0 0

4 .7 11 4 .7 11

20

40

24 .0 0

4 .7 11 4 .7 11

ROSS SECTION OF WOODWORKING SHEDS LONGITUDINAL SECTION OF A WOODWORK SHED

0. 85

ma.

telier oof esi n telier VIEW CORRIDOR ro FROM nd THE Floor

INTERNAL VIEW OF A WOODWORK SHED

2 .4 20

50 7.

23 .4 1

lan drawn by Francesco a an

GROUND FLOOR

50 7.

2 .4 20

24 .0 0

0

ATELIER

he se of the a ssian a lt in the woodworking sheds due to the View metres from the necessity of wide s aces Pavan s 5 an to handle the lan s and the wood machines and is an o timal way to lter the li ht inside the b ildin s

4. Beam formwork 5. Tie beam 6. SAP reinforced brick prefabricated beam

-

11

S

2 2 66 3 3

55

ateliers drawn by Francesco

44

0

SECTION B-B’

IL

5

20

40

b.

a.

INTERNAL VIEW OF A WOODWORK SHED


2.

THE ADMINISTRATION POLE

The administrative pole is composed by a unique volume, developed on different-high terraces with a courtyard in the middle. Thanks to its massivness and height, it becomes a landmark in the South of Guantanamo and marks the entrance to the timber industry. The volume is crossed by a lifted linear runaway which allow workers to access the two parts of the building. Two starwells allow workers to reach the green courtyard and the covered square at the ground floor, a multifunctional shaded public space. The design process follows the idea of a rigid shell building enclosing an organic and dynamic interior.

CONCEPT

traditional neighbourhood of Guantanamo

+ pyramid, traditional of the Aztec culture

VIEW OF THE COURTYARD

ELEVATION A


SITE PLAN 01

FUNCTIONAL SCHEMES

FUNCTIONAL PROGRAMME 10

5

%"("$"%"-"F"&"

A

01

5

10

!"#"$"%"&"'"("$")"*"""+"%","-"."-"+

administration center for the environemnt

&17:<9<087G"83<H>@01>00:" 0="IA789787;0

-"*"-"C")"&"'"("$"""("!"""&","-""")"D"."'"$"'"+"&"E")"&"'"("$"""%"-"$"&"E"-"""!"("E"""&","-"""-"$"C"'"E"("$"."-"$"& %"("$"%"-"F"&" %"("$"%"-"F"&"

PLAN

&>37913

):;<8<49179<08"638931"=01"9>3"38?<108;389 !"#"$"%"&"'"("$")"*"""+"%","-"."-"+ !"#"$"%"&"'"("$")"*"""+"%","-"."-"+ ):;<8<49179<08"638931"=01"9>3"9<;@31"<8:A491B

FB17;<:J"917:<9<087G"0="9>3" )K936"6AG9A13 &17:<9<087G"83<H>@01>00:" &17:<9<087G"83<H>@01>00:" 0="IA789787;0 0="IA789787;0

FB17;<:J"917:<9<087G"0="9>3" FB17;<:J"917:<9<087G"0="9>3" )K936"6AG9A13 )K936"6AG9A13

administration center for the timber industry

/0123145"6789338 ):;<8<49179<08"638931"=01"9>3"9<;@31"<8:A491B ):;<8<49179<08"638931"=01"9>3"9<;@31"<8:A491B &>37913

Administration center for the timber industry

theater

-"*"-"C")"&"'"("$"""("!"""&","-""")"D"."'"$"'"+"&"E")"&"'"("$"""%"-"$"&"E"-"""!"("E"""&","-"""-"$"C"'"E"("$"."-"$"&

&>37913 &>37913 ):;<8<49179<08"638931"=01"9>3"38?<108;389

workers’ canteen

C B

-"*"-"C")"&"'"("$"""("!"""&","-""")"D"."'"$"'"+"&"E")"&"'"("$"""%"-"$"&"E"-"""!"("E"""&","-"""-"$"C"'"E"("$"."-"$"& -"*"-"C")"&"'"("$"""("!"""&","-""")"D"."'"$"'"+"&"E")"&"'"("$"""%"-"$"&"E"-"""!"("E"""&","-"""-"$"C"'"E"("$"."-"$"&

):;<8<49179<08"638931"=01"9>3"38?<108;389 ):;<8<49179<08"638931"=01"9>3"38?<108;389 /0123145"6789338

ELEVATION B

Theatre

/0123145"6789338 /0123145"6789338

SECTION C 0 1

5

10

NTRE FOR THE ENVIRONMENT

Administration center for the environment

01

5

10


VIEW FROM THE RAMP

2.

THE MEETING SQUARE

This project aims at the connection between the industrial plant and the urban fabric of Guantanamo. Thus, some facilities for the factory workers and some spaces for the citizens have been designed. All the functions are developed around a circle square, where workers and Guantanamo citizens meet. This circle space ideally represents the free exchange of ideas and the cultural progress of the Cuban population after the embargo and its restrictions. The square contains an oasis with palms and fontains, which allows workers and citizens to relax in a shaded and cool area, protecting themselves from the tropical climate of Cuba. A semi-circular ramp developed around the square allow people to reach the linear runway, directly connected to the industry. A public library, some wood craft stores, some spaces for workshops and temporary exhibitions, temporary residents and a guesthouse for workers were designed.

1.

volume

2. main opening

3.

secondary openings

4.

ramp + suspended corridor

5. portico along the street

ELEVATION OF THE GUESTHOUSE AND LIBRARY


EG L ERVOAUT N IO EC O F T H E R E S I D E N C E S , G U E S T H O U S E A N D FL II RB SR TA RFYL O O R P L A N (+4 m) DNF- LS O O TRI O P LNA N D

G(H(@(<(=(I(((;(B(@(@(H

1.VIEW FROM THE INTERIOR OF THE LIBRARY

23/4.1(4./#)#5 !"#$%&"'()*+(,-&./.0."*( %')1,% ;(<(=(>(9(?(@(=(A(B(((C(>(D(E(F(E(C G(H(@(<(=(I(((;(B(@(@(H(((2(B(A(=

E

VIEW OF THE

;(<(=(>(9(?(@(=(A(B(((C(>(D(E(F(E(C

elevation-section made by Linda Martel

GUESTHOUSE

!"#$,#%6(73,%0&"3%, 23/4.1(4./#)#5 !"#$%&"'()*+(,-&./.0."*( %')1,% ;(<(=(>(9(?(@(=(A(B(((C(>(D(E(F(E(C G(H(@(<(=(I(((;(B(@(@(H(((2(B(A(=

D

!"#$%&"'()*+(,-&./.0."*( 23/4.1(4./#)#5 %')1,% ;(<(=(>(9(?(@(=(A(B(((C(>(D(E(F(E(C G(H(@(<(=(I(((;(B(@(@(H(((2(B(A(= FUNCTIONAL PROGRAMME

1.

!""+(1#)80(%0"#,%(

;(?(H(C

2.

workshop and ehxibition spaces !"#$%&"'()*+(,-&./.0."*(

%')1,%

ELEVATION OF THE TEMPORARY RESIDENCES residences F I R S T ELEVATION T Y P E DO- temporary F TEM PORARY RESIDENCES

!"#$,#%6(73,%0&"3%,

public library

23/4.1(4./#)#5

workers’ guesthouses

!"#$,#%6(73,%0&"3%,

woodcraft stores

!""+(1#)80(%0"#,%(

temporary residences

9,:'"#)#5(#,%.+,*1,%

;(?(H(C(9(((9(N(2(E(((@(;(

SECOND TYPE OF TEMPORARY RESIDENCES

23/4.1(4./#)#5

!"#$,#%6(73,%0&"3%, !""+(1#)80(%0"#,%(

9,:'"#)#5(#,%.+,*1,% ;(?(H(C(9(((9(N(2(E(((@(;(((9(E(F(2(@(H(A(H(N(((H(E(C

plans made by me and Linda Martellini


2.VIEW OF THE LIBRARY FROM THE EXTERIOR

ELEVATION-SECTION OF THE RESIDENCES, GUESTHOUSE AND LIBRARY SECTION E


A MONUMENTAL INVERSION ‘Delirious relationship between nature and the city of Athens’

Teamwork: Darshik Parejiya, Peyvand Taremi

Keywords: monumental, delirious city, connectivity, urban green, urban stoa sustainability

Athens is a very significant city for its history and monuments, that are sprawl all around its broad urban pattern. Does the city actually required new monuments? And, if yes, how should this monument look like? Our speculation started from an observation of the relationship between the nature and the city in the past, when the city itself was surrounded by a “delirious” nature and the stoas constituted the architectural boundary of the urban pattern. The nature was monumental and spread without any limit. Nowadays the situation is reverse: we physically experienced a “delirious city”, where is not possible to define any boundaries and where nature has a marginal role. From this speculation we elaborated our position towards a new project for Athens: give back the “nature” to the city, responding to the essential requirements of sustainability. Our “artificial nature” will reinterpreate the ancient stoa, the monumentality of the past and will be designed as an infrastructure to explore connectivity in a modern way. Moreover we will investigate the relation between green and public buildings, reestablishing the boundaries between public and private, outside and inside, leitmotif of our project. Our idea of intimacy has been translated by creating public squares which connect the green domain. This green domain has been differentiated into open wetlands, public parks, street/bridge greenery and seasonal gardens, offering more than a simple grass field. At some points the green even carves the building or crawls top of the roof in order to import and extend the sense of intimacy from outdoor to indoor. At the same time it creates a visual connection between public and private, giving the user an interactive way to explore the green in the space. The green is not only designed for the purpose of intimacy and leisure but is also integrated with the essential principles of sustainability.


MASTERPLAN CONCEPT

Acropolis

Hierarchy between green and squares Green & Public spaces

The intervention embodies a sequence of open spaces connecting the urban fabric

Relationship between old and new proposal MASTERPLAN

Built & Unbuilt

Visual connection

Project site


CONCEPTUAL DIAGRAMS

+

+ Connectivity

2 Masses

Underground

Landscape

Amphitheatre

Final volume

a.

a.

BASEMENT PLAN -6.0 M b.

1. Exhibition space 2. Ticket counter/ info desk 3. Cloak room 4. Auxilliary functions 5. Modern Stoa Academy 6. Temporary market 7. Ticket counter/ info desk 8. Administration room 9. Multifunctional room 10. Workshop area

UP

UP

5. -5.65M DN

6.

A’

7.

-6.0M

-10.5M

8. -6.0M

9.

-9.5M

4. 1.

DN

DN

UP

-6.0M

Public square -6.0M

A

2.

3.

b. Anphitheater A

Metro line

-6.0M 10.

BASEMENT LVL. PLAN @ -6.0M

0 1

c.

5

1.Exhibition space 2.Ticket counter/Info Desk 3.Cloak room 4.Auxiliary functions 5.Modern Stoa academy 6.Temporary market 7.Ticket counter/Info Desk 8.Administration room 9.Multipurpose room 10.Workshop area

10

N

c. SECTION A-A’

Scale - 1:200

0 1

5

10


EXPLODED AXO

2 1 0 -1 -2

Green roof

GREEN ROOF

~ 9.0 M

TICKET OFFICE

TERRACE

+4.5 M

EXHIBITION

0.0 M

Amphitheatre

-6.0 M

COFFEE CORNER

TICKET OFFICE

MULTIFUNCTIONAL ROOM

EXHIBITION

LECTURE ROOM

LOUNGE

PLENARY

SHOP

THE BUILDING FACADE as a theatrical scenography

-9.5 & -10.5 M

architectural facade

Wetlands + fruit garden

green facade + reflective pond

The intervention connects the wetlands, amphitheater and the exhibition centre through its green roof, facilitated by a green central atrium. People circulation flow adds an experiential layer that blurs the boundaries between the nature and the building.

south-west elevation smaller fenestration to block sunlight

north-west elevation bigger fenestration to allow sunlight to enter

0 1

5

10


+2

MATERIALITY

ROOF LVL. ~ 9.0 M

The choice of the materials is related to circularity and flexibility. Mud excavated during the process of construction is re-purposed as a building material in the exterior facade in the form of rammed earth, that helps to tackle the extreme climate. The structure is dual in nature; heavy rammer earth and concrete is used in enclosed spaces, whereas upper structure is timber. Pre-cast modules are made from ferrock concrete which comprises 95% recycled materials. During the process of construction bamboo is used as the primary material for scaffolding, which later is repurposed as railing.

GREEN ROOF DETAILS 1. grass/sedum 2. soil 3. filter layer/fleece 4. drainage layer 5. waterproofing member 6. insulation 7. vapour control layer 8. precast ferrock slab

GREEN ROOF DETAILS 1. grass/sedum 2. soil 3. filter layer/fleece 4. drainage layer 5. waterproofing member 6. insulation 7. vapour control layer 8. precast ferrock slab

180 mm 3 mm 50 mm 5 mm 50 mm 3 mm 200 mm

FIRST LVL. +4.5 M precast ferrock primary beam

primary CLT beam cork insulation reflective false ceiling

false ceiling precast ferrock column 350mm dia.

SLAB DETAILS 1. finishing layer 2. screed 3. radiant cooling pipes 4. screed 5. waterproofing member

22mm-25mm 15-20 mm 25mm 15-20 mm 5mm

timber floorboards CLT stringer CLT bracket CLT sections

precast ferrock primary beam

tensile cables support structure for ivy’s

precast ferrock hollow slab 200mm thk

timber column structure for courtyard 300mm dia. CLT section

false ceiling precast ferrock column 350mm dia.

100mm dia. CLT section

primary CLT beam 200x100mm

+1

primary CLT beam 200x100mm

reflective false ceiling 100mm dia. M.S CHS

180 mm 3 mm 50 mm 5 mm 50 mm 3 mm 200 mm

SLAB DETAILS 1. finishing layer 2. screed 3. radiant cooling pipes 4. screed 5. waterproofing member

+0

GROUND LVL. +0.0 M tensile cables support structure for green

timber beam horizontal bracing b/w 200mm dia. CLT section

timber column structure for courtyard 300mm dia. CLT section

curtain glazing double glazed

timber beam horizontal bracing b/w 200mm dia. CLT section curtain glazing double glazed

+1

BASEMENT LVL. -6.0 M

CLT sections timber floorboards CLT stringer CLT bracket

stabilised rammed earth 400mm thk

bamboo railing

22mm-25mm 15-20 mm 25mm 15-20 mm 5mm

stabilised rammed earth 400mm thk

-2

LOWER BASEMENT LVL. -9.5 M


VIEW OF THE CENTRAL ATRIUM

WATER MANAGEMENT collecting rain water + recycling water for landscaping

NATIVE VEGETATION christ’s thorn Christ’s Thorn

Christ’s Thorn

Cliff ros

Boug

Cliff roses

cliff roses MOVEMENT OF MUD from excavation to construction. Recycling the excavated soil as building material and for landscaping rather than dumping

Christ’s Thorn

Daffodil

Bougainvillea bounganvillea

Cliff roses Daffodil

Christ’s Thorn

Bougainvillea

Cliff roses

Dragon arum

Christ’s dragonThorn arum

Daffodil

Daffodil

NATURAL VENTILATION of the central atrium

Hyacinth

Christ’s Thorn

Christ’s Thorn

Daffodil

BUILDING VENTILATION The green roof reduces the heat gainf rom the roof. The central courtyard helps in circulation of air and the green walls help cooling the building indoor spaces.

Dragon arum

Ophrys speculum

daffodil Daffodil

Hya

Bougainvillea

Cliff roses

Ophrys speculum ophyris speculum

Hyacinth

Daffodil

Cliff roses

Ophrys sp

Bougainvillea

Cliff roses

Hyacinth

Dr

Hyacinth

Hyacinth

Ophr

hyacinth


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